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00:00:23Today's last day
00:00:30Last night I saw you making out with the guard there in the street
00:00:33What you're doing is beyond words.
00:00:35There's Rembrandt
00:00:36Rembrandt? The painter?
00:00:38I have asked the Marchioness to pose for him
00:00:40When you said that Rembrandt would paint your portrait
00:00:42It wasn't exactly this type of painting I had imagined.
00:00:46You will be married in the cathedral
00:00:48In three months
00:00:49In San Isidro?
00:00:57My mother was inside
00:00:58If there's something there, I want to find out.
00:01:00I'm sinking! I can't get through!
00:01:03I'm sinking!
00:01:07What am I going to wear now that my clothes have been ruined?
00:01:10What is that?
00:01:11The Order of Augustine
00:01:12I will not allow you to do this to Floro
00:01:14He raped me
00:01:15He raped me
00:01:18When I paint
00:01:20It is beauty
00:01:22The one in charge
00:01:29Who painted it on my door?
00:01:31Cowards!
00:01:32What have you done, you coward?
00:01:32Sale!
00:01:33Gonzalo, let me
00:01:44One of his men seized a woman from the village and defiled her
00:01:48I will not allow my men to make those kinds of mistakes.
00:01:52You haven't slept with that man, have you?
00:01:54Of course not, Alonso
00:01:56Oh my God, what have they done to you?
00:01:57A good squid would do you good
00:02:00I want to be 16 again
00:02:02Lucrecia
00:02:04Did you really think you were going to achieve anything by sending that innkeeper?
00:02:07This is a procedure performed for purely aesthetic purposes.
00:02:11Aesthetic
00:02:17You're going to pay for what you've done
00:02:18Unopened
00:02:19Use it!
00:02:21Use it, for God's sake!
00:02:22I want you to see in detail how your friend is having fun
00:02:26Damn it!
00:02:28I'm not going to let you change anything about your body.
00:02:30Not even or not only from your moles
00:02:37If there were more people like you, the world would change. - Cipri
00:02:42Come on!
00:02:42That key?
00:02:46Agustín made me believe that he was watching over my life and the lives of my children.
00:02:49But other interests are what give him
00:02:53He convinced me that he would come to see me here
00:02:56You can't bury yourself here!
00:02:58No!
00:03:02I can't stand being locked up here any longer.
00:03:04I can't even remember when the last time I saw sunlight was.
00:03:11Agustín made me believe that he was watching over my life and the lives of my children.
00:03:14But other interests guide him
00:03:18He convinced me that he would come to see me here
00:03:34That was close, wasn't it, master?
00:03:36What are you doing here?
00:03:38What am I doing here?
00:03:40Can I come and get him so he can go back home?
00:03:43Or does he plan to spend every night here?
00:03:47Let's go!
00:03:49Stop torturing yourself already, love
00:03:51That's very easy to say
00:03:52We need to cheer up!
00:03:55I know that what that heartless Agustín did to his mother is unspeakable.
00:04:01Agustín was my teacher
00:04:03The one who guided me from a young age, the one who taught me everything that is right and wrong
00:04:06If I am who I am, it is because of him
00:04:07No, no, no, not that either.
00:04:10Who are you?
00:04:11Because God has given him a privileged skull
00:04:14Because he has a heart that doesn't fit in his chest.
00:04:16I remind you that Agustín also had dealings with your brother
00:04:20Look how twisted that damn thing has turned out!
00:04:24I don't understand anything
00:04:26What is that? It happens sometimes.
00:04:28But then the sky clears
00:04:30If we head towards Valderroble now
00:04:33Yes, he told me about a craftsman who works with leather.
00:04:37And as his birthday approaches
00:04:39Well, I thought that
00:04:40I'm going to order a calfskin sheath for the katana
00:04:46Little detail
00:04:49Come on, let's go
00:05:20Thank goodness I found you, Paquillo
00:05:23In this town, you can't see with soul.
00:05:25I thought you wouldn't be there either.
00:05:27Listen
00:05:28You have to do a really fine, cold job for me
00:05:31It's for my master
00:05:32Paquillo
00:05:33Hey
00:05:35Paco, this is important
00:05:42I think he's dead
00:05:44Poor Paquillo
00:05:45It's very strange.
00:05:47There's not a soul to be seen in the town
00:05:59Let's go
00:06:05Water
00:06:07Water
00:06:12Water
00:06:14Sato
00:06:15Load the body
00:06:16We'll take it.
00:06:19What do you mean we're taking it?
00:06:23Where to?
00:06:28Do you know what I say when something is dangerous?
00:06:29This man brings out the bird he has inside.
00:06:36Wow, this man is heavy.
00:06:38It gives it a dead weight
00:06:41What could I do?
00:06:54David!
00:06:57Son!
00:06:59David!
00:07:01David!
00:07:27Subscribe to the channel!
00:07:31There is no one left alive in the entire town.
00:07:33There is no one left alive in the entire town.
00:08:02No, ma'am.
00:08:05Those Iron Counts.
00:08:07How dare you offend me like this?
00:08:09It's because of the ridiculous thing the other day with that damn painting.
00:08:12Now everyone thinks I'm finished.
00:08:15Perhaps the invitations have been lost along the way.
00:08:17Oh, how innocent you are, girl.
00:08:20Alright.
00:08:21They wanted it.
00:08:23I'll do my own dance, Catalina, tonight.
00:08:25Tonight, ma'am, if there's no time...
00:08:27I didn't ask for your opinion.
00:08:28Open the grand hall.
00:08:29Let it shine brightly by eight o'clock.
00:08:31Yes, ma'am, by eight o'clock.
00:08:32Excuse me.
00:08:36And what about the people who are invited to both dances?
00:08:39They'll come to mine, my dear.
00:08:41That's what the game is all about.
00:08:42Margarita, tell Gonzalo that I'm inviting him to the dance I'm giving tonight.
00:08:46Yes, Madam Marchioness.
00:08:47I'll tell him.
00:08:49Mother, I've been robbed.
00:08:50The servants have stolen my military crud.
00:08:51You have to register them all.
00:08:53Nuño, today is not a day for registrations.
00:08:55Come on.
00:08:56Mother, that cross is a reminder of my father.
00:08:58And I don't intend to let any filthy commoner take what's mine.
00:09:01Nuño, I can't today.
00:09:02No.
00:09:02Come on.
00:09:05Margarita, come with me to choose the dress for tonight.
00:09:08Yeah.
00:09:10Hernán, today I'm giving the dance that everyone in town will be talking about all season long.
00:09:14At eight o'clock.
00:09:16You're invited.
00:09:18Lucrecia.
00:09:18Hernán.
00:09:35Don't get muddy, Irene.
00:09:37I am your husband.
00:09:42Come.
00:09:43Come.
00:09:58I want you to give me a child.
00:10:00Soon.
00:10:03I'm sure you'll be a great mother.
00:10:11Sorry.
00:10:13Sorry.
00:10:20Innkeeper.
00:10:22Innkeeper.
00:10:23Innkeeper.
00:10:32Are you OK?
00:10:39Is something wrong?
00:10:40Aren't you one of those people who are out drinking at this time of the morning?
00:10:42Yes, but you're not my mother, so I didn't count the wines.
00:10:45No, really, Satur.
00:10:46If you need to vent.
00:10:47Leave me alone.
00:10:49Do I want to be alone, or don't you realize that?
00:10:52No.
00:10:57Have you seen David?
00:11:00That?
00:11:02But aren't the Americas included?
00:11:04Of course the Americas are there.
00:11:07That's the crux of the matter.
00:11:09I'm not well.
00:11:11I see what isn't there.
00:11:13Things have to get over.
00:11:17Thank you, Cipri.
00:11:19But I don't need advice.
00:11:26You can rest assured.
00:11:27I will personally take care of your safety.
00:11:30What else could one expect from the Holy Father's right-hand man?
00:11:33Don't pay attention to gossip.
00:11:35I am just the Pope's nuncio to Spain, nothing more.
00:11:39Modesty is a great virtue.
00:11:41And you make it shine with every step.
00:11:43But the truth is that your closeness to Pope Alexander VII
00:11:47It is very well known throughout Christendom.
00:11:50They say he doesn't make any decisions without your approval.
00:11:55And if that were the case, would you like me to intercede for you in any of them?
00:11:59Is that right, Your Eminence?
00:12:01My aspirations to the papacy are no secret to anyone, Monsignor.
00:12:06Fortunately, I have the support of His Majesty, King Philip.
00:12:10But there are other candidates who are making a strong push.
00:12:15Cardinal.
00:12:16Sorry.
00:12:17I didn't know he had company.
00:12:20I came to invite you to the ball I'm giving tonight at my palace.
00:12:23Monsignor, the Marchioness of Santillana.
00:12:26Marquesa, the papal nuncio in Spain.
00:12:29It's a pleasure, Monsignor.
00:12:31It would be a great honor if you could also attend my dance.
00:12:34Monsignor, if you will allow me, I would like to introduce you to my wife.
00:12:38Irene.
00:12:46Mgr.
00:12:51Sarón Piacere accepts your invitation, Marchioness.
00:12:54Great.
00:12:56Well, we're leaving, Irene, dear.
00:12:59That way you can continue talking about your things.
00:13:01Excuse me.
00:13:02I'll leave them alone too.
00:13:04Evidence, commissioner.
00:13:05Mgr.
00:13:14How have you planned to compensate me if I support your aspirations, Your Eminence?
00:13:19Please note that I am an immensely wealthy man.
00:13:23Thank God.
00:13:30If there's anything I can do for you, just ask.
00:13:34I would like to get to know your niece better.
00:13:39I'm not sure I understand, brother, sir.
00:13:42Yeah.
00:13:43You understand, Your Eminence.
00:13:55There were no men alive.
00:13:57No, they were all dead.
00:14:00There was nobody left.
00:14:02It is clear that what killed this man is what was killing everyone.
00:14:07Okay, okay, okay, okay.
00:14:22Hello.
00:14:23What are you doing here?
00:14:24You'd say I wasn't going to find you.
00:14:26If everyone knows the doctor in the village.
00:14:28Well.
00:14:29Will you invite me in?
00:14:30No, no, no, Eugenia.
00:14:31I'm working.
00:14:32And it's really unpleasant.
00:14:34I'm not going to be scared by a little blood, Juan.
00:14:39Well.
00:14:41Don't worry, I'm leaving.
00:14:42I came to do some shopping in the village and wanted to say hello.
00:14:46Good.
00:14:49Hello, Satu.
00:14:50Excuse me.
00:14:51Yeah.
00:14:51Is my love there?
00:14:53Yes, yes, it's inside.
00:14:53Happens.
00:15:02Is he dead?
00:15:04We don't know yet.
00:15:14Is he dead?
00:15:19Is he alive?
00:15:21No, how do I live?
00:15:22If he hasn't opened a channel and hasn't said a word.
00:15:24If blood spurts out, it means the heart is still beating.
00:15:26This man had all the signs of death.
00:15:28How is that possible?
00:15:37Matilde, the tapestries.
00:15:39And you, Juana, the floors.
00:15:40And watch out for the sidewalk.
00:15:42We even had you with the hip fracture of the Artola barosa.
00:15:44Marta, you're staying here with me.
00:15:46You just can't organize a dance in one day.
00:15:48And you, put in the effort because otherwise we won't get there.
00:15:52Do you want to calm down, woman, or you'll have a heart attack?
00:15:54Yes, my daughter, you are right.
00:15:58Today, between dancing and things that aren't dancing, on a morning when I'm completely unhinged.
00:16:02What's the matter?
00:16:03Well, I'm just going around thinking about things I shouldn't.
00:16:06Are you worried about Floro?
00:16:09It's been a long time, Margarita, it's been a long time.
00:16:12Look at me.
00:16:13Look at me, nothing bad is going to happen to him.
00:16:15Listen to me.
00:16:17Maybe something good will happen to him.
00:16:19There are a lot of people in the world.
00:16:21And many women, and maybe he's found another one.
00:16:23That these things happen.
00:16:24But what are you saying?
00:16:25If he loves you, as you love him.
00:16:29Is something wrong with you?
00:16:31Well, neither did he.
00:16:33Line up and get naked immediately.
00:16:38With all due respect, Mr. Muñoz, only your mother can give us those orders.
00:16:43I was the Marquis of Santillana.
00:16:45Obey me, everyone, and take pictures of yourselves.
00:16:47Come on?
00:16:50Sir, for God's sake.
00:16:53Lady.
00:16:53Can you tell me what you do?
00:16:55Catalina, you're back at work.
00:16:56No, mother, I want to know who robbed me.
00:16:58Enough is enough.
00:16:59I don't want to hear another word about that matter.
00:17:01OK?
00:17:05Madam Marchioness, the confessor has arrived.
00:17:07Okay, then tell him to leave.
00:17:09We don't need it.
00:17:10Ma'am, please.
00:17:12Today is Thursday and it is the day of confession for servants.
00:17:15For them, it's like bread.
00:17:17Okay, Catalina, but hurry up.
00:17:19Everyone with their sins.
00:17:20Come on.
00:17:28What we're doing is a crime, master.
00:17:30If we know beforehand that something is happening in this town that is killing people,
00:17:32Before, we used to come to the very epicenter of the infection.
00:17:38I can't believe it!
00:18:07That there is nothing left.
00:18:09Reduce it all to ashes.
00:18:11Come on, come on.
00:18:21Come on, come on.
00:18:53Who is behind all this?
00:18:55Who is behind all this?
00:18:58Who?
00:19:10Who would want to cover all this up, master?
00:19:22Forgive me, Father, for...
00:19:25How are you, girl?
00:19:26I know it's a setback, but...
00:19:28My mother says that no one will require her services today.
00:19:31There's a lot of work involved with the dancing and...
00:19:33And there's no time.
00:19:34Oh.
00:19:35In that case, I'll come back tomorrow.
00:19:37To bring peace to the souls who desire it.
00:19:40Thank you very much, Father.
00:19:42And I'm sorry.
00:20:02Let's go see the doctor and get her properly treated.
00:20:05That's the hand with the katana.
00:20:07If you can't use it properly, we'll be in trouble.
00:20:10You'll see.
00:20:11Did that family take something poisonous?
00:20:13But why did they want to hide it?
00:20:14And who?
00:20:15I don't know, and I don't know how we're going to find out.
00:20:18Like its origins.
00:20:21It is written in our style that we have to encounter one enigma after another, after another, after another.
00:20:29What crystal-clear water, shall we?
00:20:32There's your robbers.
00:20:35It's contaminated.
00:20:46What's that?
00:20:48What's that?
00:20:50This is what killed them.
00:20:52Does that mean the entire village has died from drinking water from this river?
00:20:56It's mercury.
00:21:00Like mercury?
00:21:02What's mercury doing in a river?
00:21:05The Royal Mine.
00:21:07The one they reopened a month ago.
00:21:08But I imagined those gold mines.
00:21:10Mercury is also used for gold extraction.
00:21:14What's mercury doing in a remote village, man?
00:21:25The inhabitants of that town have been the first affected, but they will not be the only ones.
00:21:29This river is a tributary of the well that sustains life.
00:21:34The well that we can see?
00:21:36Run home and get rid of all the water we have.
00:21:38And tell other people to do the same.
00:21:39What's mercury doing in a small town?
00:21:42What if we throw away the water we're going to drink?
00:21:50And how is the Holy Father, Monsignor?
00:21:53His health remains so fragile.
00:21:55I'm afraid so, Marchioness.
00:21:57May God protect him.
00:21:58May God protect him.
00:22:01Cardinal.
00:22:05What a surprise to see you here, Monsignor.
00:22:08I had planned to visit you today at your residence.
00:22:11The nuncio has accepted my invitation.
00:22:13This is now their residence.
00:22:16Let's go, Irene.
00:22:18Sirs.
00:22:30I've been thinking about what you asked me to do.
00:22:33If what you want is fun, I could gladly look for it.
00:22:38Yes, I can imagine.
00:22:40But I've already told you where my interests lie.
00:22:43I am very sorry that I cannot satisfy your interests, Monsignor.
00:22:48That girl is like a daughter to me.
00:22:51And besides, she's married.
00:22:54Regarding his sensitivity as a father, there is little I can do.
00:22:58As for her husband, she will never know.
00:23:00Neither did she.
00:23:01He won't remember anything.
00:23:03Won't he remember anything?
00:23:05What do you mean?
00:23:08Add a little of this to your drink and it will be like a dream.
00:23:16I am generous to those who do me favors.
00:23:23If she wears it during the dance, I'll know the answer is yes.
00:23:29Mgr.
00:23:32The church and its appetite for pleasures.
00:23:34The nuncio has quickly become infatuated.
00:23:37Who is it?
00:23:39That is not inconvenient for you.
00:23:45If anyone touches my wife, I'll kill him.
00:23:48No matter how powerful a papal nuncio he may be.
00:23:53You should remember what's at stake, Commissioner.
00:23:56If I win, you win.
00:23:59But if I fall from grace, you will fall with me.
00:24:02I'll kill him!
00:24:27Hey! What are you doing?
00:24:28No, no, don't watch that.
00:24:30Because?
00:24:31Help me throw out all this water.
00:24:32And you, Murillo, go home and do the same.
00:24:34Come on!
00:24:35Throw away all the water you can find, come on.
00:24:37Satur!
00:24:38Can you tell me what's going on?
00:24:41The water is poisoned.
00:24:42This water kills the ounce.
00:24:46So what are we going to drink?
00:24:48Are you going to help me or not?
00:24:50Of course.
00:24:50Come on!
00:24:54Water, go!
00:24:59Where are you going with that, kid?
00:25:00Something bigger.
00:25:04That wouldn't be...
00:25:05No, no, it's water, Cipri.
00:25:07And what are you doing?
00:25:07Should you do the same?
00:25:09The water is poisoned.
00:25:11Poisoned?
00:25:11Yes, Cipri, let's go.
00:25:12My God, half the inn is eating Castilian soup, which is the dish of the day.
00:25:16Quirala!
00:25:17Come on!
00:25:17Yes, yes, yes.
00:25:18And everything you've cooked with it too.
00:25:20Water, go!
00:25:25Why do you have this?
00:25:27It's an amulet that I gave to Gaby.
00:25:29And gifts aren't given away.
00:25:31Are you sure about what you're saying?
00:25:33Did I do it?
00:25:34Look, Alonso's.
00:25:46Come on, yes!
00:26:09Come on!
00:26:13Come on!
00:26:27Come on!
00:26:35The river water is contaminated with mercury.
00:26:38If we continue drinking from that water, we will all die.
00:26:40My men and I drink it and we're perfectly fine.
00:26:42Clean water must be distributed to the people.
00:26:44I repeat, there is no problem.
00:26:48God!
00:26:53Guards!
00:26:56Guards!
00:26:58Guards!
00:27:09Guards!
00:27:15Father, I have sinned.
00:27:17I have never dared to confess it.
00:27:20But I can't take it anymore.
00:27:23I can't do this alone.
00:27:29I didn't arrive at marriage a virgin.
00:27:46He must not leave the palace!
00:27:49Close up!
00:27:49Doors and windows!
00:27:51What is this scandal?
00:27:55Ladies, have you heard banging?
00:27:57It is the Red Eagle that is in the palace.
00:27:59And what are you doing standing there?
00:28:00Kill him!
00:28:01A masked man isn't going to ruin my dance.
00:28:03Don't worry, Lucrecia.
00:28:04I know how to do my job.
00:28:08Lady.
00:28:13Come on, let's go.
00:28:14What tastes and tasks.
00:28:16Lady.
00:28:17Gonzalo.
00:28:18Catalina?
00:28:21Gonzalo.
00:28:24What are you doing?
00:28:26I wanted to come in person to thank you for your invitation,
00:28:29But I have to tell you that I won't be able to attend that dance.
00:28:31Why not?
00:28:32Come, accompany me to the living room.
00:28:34No, no, I don't want to bother you.
00:28:35Besides, I have a lot of things to do.
00:28:37Well, then let me be the one to accompany you to the exit.
00:28:40Lucrecia.
00:28:42I know the palace.
00:28:44Oh, Gonzalo.
00:28:45You're always so elusive.
00:28:47Whatever you want.
00:28:49Lucrecia?
00:28:50Gonzalo.
00:28:56No, no, no.
00:29:11No no.
00:29:42But what are you doing there, boy?
00:29:45I want to see Gaby too, Sátur.
00:29:49Who told you that I'm looking for Gaby?
00:29:52Gaby's in the Americas, kid.
00:29:54Come on, go home, this area is very polluted.
00:29:56If your father finds out I'm here with you, he'll kill me.
00:29:59Don't lie to me, Satur.
00:30:01Gaby is my friend and I want to see him.
00:30:03It's around here, right?
00:30:06No.
00:30:07That's why he makes the same face when you tell my father you're going to the market.
00:30:10And you run to have a glass of wine with Cipri, Satur.
00:30:15But okay, yes.
00:30:17The other day I was coming here and I saw a boy who looked like Gaby.
00:30:21And the amulet fell off.
00:30:24That's it, I've already told you.
00:30:25Come on, shoot.
00:30:26Well then it was definitely him.
00:30:27Go home!
00:30:30If it's here, I'll find it.
00:30:32Hurry!
00:30:36What's wrong with you now?
00:30:38Sir, who rides the horse without error, has lost this.
00:30:42If it happens, it means a port has looked at me today.
00:30:44But when did you lose it?
00:30:46Well, don't worry, my father is a blacksmith, I can put it on for you.
00:30:49Hey, don't you know a guy named Gaby?
00:30:53Gaby?
00:30:53Yes, like that.
00:30:54So, about his age and a little shorter than him.
00:30:59I don't know any Gaby.
00:31:02But, well, come with me.
00:31:11Yes, I know, let's go.
00:31:13Come on, come on.
00:31:14I know you've lost it, I know.
00:31:26Very good, Cidli.
00:31:28Everything you've cooked with water has to be thrown away, okay?
00:31:30So much food wasted.
00:31:32I don't see that anyone wanted to be sick.
00:31:33It's just a matter of time.
00:31:35Look, Cidli, mercury accumulates in the tissues and paralyzes your body before it kills you.
00:31:39Okay, so what am I going to feed all those people?
00:31:44Juan, the authorities don't plan to do anything.
00:31:46And the situation is very serious; we have to go to the source and tell people what's going on.
00:31:49passing.
00:31:49And do you think they're going to stop drinking?
00:31:51I can't think of anything else.
00:31:54Sorry.
00:31:58Awake, what do they say about the water?
00:32:01Where are you going?
00:32:01Nothing around here, okay? It's very dangerous.
00:32:04If we nobles have private wells, Juan, what about you?
00:32:07Don't worry, it will be fixed soon.
00:32:08I don't want anything bad to happen to you, come on over.
00:32:12I'll take care of myself, I promise.
00:32:13And will you be coming to the Marchioness of Santillano's ball tonight?
00:32:18Are you going?
00:32:20But I thought you didn't like social life.
00:32:23Not before, but with you I'm excited.
00:32:26Juan!
00:32:29Forgive me, Eugenia, I have to go.
00:32:31Bye bye.
00:32:36Come on.
00:32:38So far, Cipri.
00:32:53Forward.
00:32:54Madam, we have already received more than 70 RSVPs for your dance.
00:32:59And the service can't do any more. We just can't keep up. Even if we wanted to, we couldn't.
00:33:02The more the merrier, Catalina. And yes, we will get there.
00:33:04I only feel sorry for the Iron Earls. They're going to their ball, along with their ugly daughter and
00:33:11That woolly little dog is so funny.
00:33:15Margarita, you should come to my dance too. You deserve it.
00:33:19I?
00:33:21Okay, thanks later.
00:33:22Well, in Rembrandt's opinion you are the most beautiful woman at court.
00:33:26My guests will love it if you collect their outerwear.
00:33:31Clear.
00:33:32Go outside. I want to talk to my mother alone.
00:33:35Lady.
00:33:37Excuse me.
00:33:39If you're going to tell me about the theft of your cross again, think twice.
00:33:45It's worse.
00:33:48I've found out something that's very bad for the commissioner, Mother.
00:33:53What's wrong, child? Are you sick?
00:33:55No, no. That's not it.
00:33:59She.
00:34:02The commissioner was not the first one who was with her.
00:34:05With her? With what her?
00:34:07With Irene.
00:34:12Who told you that?
00:34:14Mother, I know it's wrong, but I went into the confessional to catch the thief of my cross and
00:34:18He confessed.
00:34:19As?
00:34:21Come here, son.
00:34:23You did well to tell me.
00:34:26Don't worry.
00:34:27Don't talk about this with anyone, okay?
00:34:31But, mother, why did you do it?
00:34:33When you married your father, he was your first husband, wasn't he?
00:34:35Of course, dude.
00:34:38I came to marriage pure and chaste.
00:34:41Come on, get back to your duties.
00:34:59Thank you, Father.
00:35:01Nothing, son.
00:35:04Father, do these men need to lose their horse?
00:35:07Of course, but...
00:35:09But what would you like for dinner? We'll do it later.
00:35:12My wife cooks hare like nobody else, eh, Josefa?
00:35:17But sit down.
00:35:20Try a bench, Rafael.
00:35:22Happens.
00:35:25Kid, come on in.
00:35:31Where did the horse incident happen?
00:35:35Hey?
00:35:36On the way to the village.
00:35:39That path is going to make me rich.
00:36:05Apparently, sir, they are the teacher and the doctor.
00:36:08They're telling everyone that the water is contaminated.
00:36:10Make them be quiet.
00:36:11If people believe them, panic will spread.
00:36:13Yes sir.
00:36:15Commissioner, excuse the question, but...
00:36:17What they're saying is false, right?
00:36:20Our families and we ourselves drink the desert every day.
00:36:23We don't get paid to ask questions, we get paid to follow orders.
00:36:27I obey you, my ladies.
00:36:28Yes sir.
00:36:46Dear Hernán, I was passing by and wondered how you were doing.
00:36:50All good?
00:36:52You never care about anyone but yourself, Lucrecia.
00:36:55Tell me what you want, I have a lot of work to do.
00:36:59Sweet girl you married.
00:37:01She turned out not to be so sweet and childlike in the end, did she, dear?
00:37:05What are you talking about?
00:37:08You know that perfectly well.
00:37:11There are things that are hard to hide, Hernán.
00:37:16You really don't know?
00:37:21Your wife cheated on you before you got married.
00:37:30Who dares to say that?
00:37:31Herself.
00:37:33He acknowledged it in confession, the inconveniences of faith.
00:37:37Oh, Hernán.
00:37:40You have no luck with women.
00:37:43We all prefer to debut with others.
00:37:47In the end.
00:37:48Leave.
00:37:49I have to continue with the preparations for the dance.
00:37:51You will come.
00:37:54Darling.
00:38:02Your Eminence, I have reconsidered the matter, and if the price the nuncio is demanding for his aspirations is my wife, no
00:38:08I can object.
00:38:09If he did that, we would all be harmed.
00:38:12And that's not what I want.
00:38:16Hernán Mejías.
00:38:26Please don't drink, don't drink.
00:38:27The water is contaminated, please listen to us.
00:38:29I am a doctor.
00:38:30Listen.
00:38:31I swear to you that if we keep drinking, we're going to get sick and die.
00:38:34Come on, shut up.
00:38:35We will not let our families go thirsty.
00:38:37No, no, no.
00:38:38So, listen to us.
00:38:39Listen to us.
00:38:40The water is bad.
00:38:41Please.
00:38:43Please tell them the water is bad.
00:38:58The water is perfectly fine.
00:39:31Jacobo, that glassware, Ojico, as I see him, a racuño, I'm sending you and you, to the
00:39:36Two, walking to Bohemia to replace it.
00:39:38We are?
00:39:39Strip.
00:39:44Well, I knew it.
00:39:46I knew that the Rembrandt thing would bring it back to me.
00:39:48You're aware, right?
00:39:51Woman, don't you worry.
00:39:52If in three months you're here, but as a guest, that's what hurts her.
00:39:58Hello good.
00:39:59Hello, Cipri.
00:40:00Excuse me, Margarita.
00:40:02Yeah.
00:40:04Cipri.
00:40:08Come on, let's finish that and upload it.
00:40:10Come on.
00:40:15Has something happened?
00:40:17Pass?
00:40:18No, no, nothing.
00:40:19I just came to see you.
00:40:20But it doesn't seem like a good time, does it?
00:40:23The thing is, with the dancing, we've got such a mess here that we can't even breathe.
00:40:30You tell me.
00:40:33How are you?
00:40:34Ah, I'm fine.
00:40:36Very well thank you.
00:40:37And how are you?
00:40:39I'm doing great.
00:40:41Also.
00:40:43Thank you.
00:40:47This, Cipri, that...
00:40:48Yes tell me.
00:40:50The other day.
00:40:52About the...
00:40:52Yes, yes, I'm done.
00:40:53You understand?
00:40:54That.
00:40:55That was very serious, Cipri, and that cannot happen again.
00:40:57That cannot happen again under any circumstances.
00:41:00But don't worry, that was just a friendly kiss.
00:41:05Clear.
00:41:05We're both so lonely that we get confused, but oh well, that's all.
00:41:08Sure, sure, yes.
00:41:09That's what I came to tell you.
00:41:10That.
00:41:12With nothing.
00:41:14Catalina.
00:41:15Yeah.
00:41:15The lady wants you to go to the ballroom immediately.
00:41:18Right now.
00:41:20Hey, don't worry, Catalina.
00:41:21I came to tell you that and...
00:41:23Okay, I'm leaving now.
00:41:24To the.
00:41:24With nothing.
00:41:25God be with you.
00:41:26God be with you.
00:41:26Take care of yourself.
00:41:37Come on, another piece of cheese, son.
00:41:39Let it let you grow.
00:41:44Don't get up.
00:41:46My son and I are going to look into the horse before nightfall.
00:41:50Is it a sweet wine, Josefa?
00:41:51Sure, that's right.
00:41:53Girl, yes, give washes.
00:42:03Thank you for not saying anything in front of...
00:42:06From your husband.
00:42:08Say it clearly.
00:42:14When did you return?
00:42:16What does it matter, Satur?
00:42:17Give, Stuart, give.
00:42:19It's because I thought you were in America, and it turns out you're not.
00:42:22That you are here.
00:42:26One league from the town.
00:42:30It's like a mistake that my son calls his father.
00:42:33And why did you do it?
00:42:38And you're my friend, Gaby?
00:42:41Why didn't you come to see me?
00:42:42Alonso arrived.
00:42:43Go outside, I'll come now, come on.
00:42:47Did you know that he almost went to the Americas to look for you?
00:42:49And that he was almost killed for it.
00:42:51Alonso, shoot.
00:42:53Look.
00:43:05We never got to leave, Satur.
00:43:09We were going to embark in Cadiz.
00:43:12But we met him while we waited.
00:43:15He had just lost his wife in childbirth and needed help, so...
00:43:19Yes, yes, yes.
00:43:20There's one thing, and it leads to another.
00:43:21Pay attention to the details, for God's sake.
00:43:22Come on, Hector.
00:43:29Satur, if he finds out how I earned my living, will disown me.
00:43:33Nobody wants a prostitute.
00:43:39Satur, the blacksmith, is a good man.
00:43:42Take care of us.
00:43:44He has a job.
00:43:45We eat every day.
00:43:46I don't understand, don't worry.
00:43:49Josefa.
00:43:52He can take care of you, but I can't.
00:43:55I'm just a starving guy, aren't I?
00:43:56This, right?
00:43:59A starving fool and an idiot.
00:44:04I thought you loved me.
00:44:09I can see that's not the case.
00:44:12No.
00:44:40Uncle.
00:44:41Uncle.
00:44:41You look beautiful.
00:44:42Thank you, Irene.
00:44:43Thank you, Hernán.
00:44:45Irene.
00:44:47This is your first dance gift.
00:44:52How beautiful.
00:44:54Thank you very much, uncle.
00:44:59Good.
00:45:01Let's raise a toast to your debut into society.
00:45:06Thanks, man.
00:45:07I don't drink.
00:45:08Irene, it's bad luck when someone refuses to toast.
00:45:12When you toast, you have to drink, my daughter.
00:45:15I just don't like it, man.
00:45:17It's very strong.
00:45:19The fact that?
00:45:20It's very strong.
00:45:21Wine?
00:45:29That's perfect, Irene.
00:45:34No problem, right, gentlemen?
00:45:36No.
00:45:36Okay, then let's go to the ballroom, please.
00:45:39Here.
00:45:42Valencia.
00:45:46Come on, Irene.
00:46:04I'm dying of thirst, what about you?
00:46:08Saturn has been mentioned all along the way.
00:46:10It's that you don't plan to ever speak again.
00:46:15Look, if you don't vent, it's worse.
00:46:19And I know it's not the same, but Gaby was also my friend.
00:46:26But what have I done to deserve having to listen to my own son call another man his father?
00:46:30Tell me, what have I done?
00:46:30Nothing.
00:46:31It's not your fault.
00:46:32Of course not.
00:46:34I'm fed up with...
00:46:35of...
00:46:35of...
00:46:36of having to endure and endure shit as if I had it.
00:46:40I don't understand why bad things happen either, Saturn.
00:46:42It's unfair.
00:46:43You know what I'm saying?
00:46:45I'm going to put an end to this injustice once and for all.
00:46:48Aluncillo?
00:46:49Not even God can take my son away from me.
00:47:02What happened to you, master?
00:47:03Since those waters are contaminated, did you dive in headfirst?
00:47:06Almost.
00:47:07Are you okay, Dad?
00:47:09Yes, yes, don't worry, son.
00:47:10Go on, I'll get something to dry me off.
00:47:12Come on?
00:47:13Okay.
00:47:21What are we going to do now?
00:47:25Steal from the one who is causing all this.
00:47:30To the king?
00:47:57No!
00:47:58No!
00:48:01No!
00:48:25Tell the king that the people need the water more than he does.
00:48:50The Marquis of San Lázaro and his mother, the woman from Valdesoto.
00:48:54Wow, he's so handsome, my God, I've never seen men like that in my life.
00:48:56Well then, enjoy it.
00:49:06Welcome, this way.
00:49:10I'm very hot.
00:49:12I'm feeling dizzy, Margarita.
00:49:15You've tightened the corset too much.
00:49:17I'm sorry, ma'am.
00:49:18I want to eat something.
00:49:19No, take that away.
00:49:20Remove.
00:49:21Doña Eugenia de Molina, Duchess of Monfraue.
00:49:25Greece!
00:49:26What a surprise!
00:49:27What a surprise!
00:49:27Marquis of Arguiso and wife.
00:49:29I thought you didn't come for such frivolous things.
00:49:32Oh, Lucrecia, it's just that now I like to have fun.
00:49:35You look gorgeous!
00:49:37Thank you so much.
00:49:38I love your dress.
00:49:39Who did it to you?
00:49:41Herself.
00:49:42My seamstress maid.
00:49:44Daisy.
00:49:45Oh, excuse me for a moment.
00:49:50Marquis of Dueñas and Marchioness of Baza.
00:49:53I want you to make my wedding dress.
00:49:55I'll pay you whatever it takes.
00:49:57But I want it to be the most beautiful dress in the world.
00:50:01I'm going to marry the love of my life.
00:50:03And I'm so happy for you, ma'am.
00:50:05Congratulations.
00:50:06The dance is about to begin.
00:50:30Irene, I've heard some things about you that I didn't like at all.
00:50:39Was she really that innocent and virginal young woman she pretended to be?
00:50:43Or was it really a ramea?
00:50:49Sorry.
00:50:56Daughter, I think you could use a drink.
00:51:01Since you don't like wine, I've saved this juice for you.
00:51:05Thanks, man.
00:51:13An extraordinary dance.
00:51:16But I must retire now.
00:51:18Gentlemen, Madam.
00:51:26Better?
00:51:28Yeah.
00:51:29Irene, dances are for having fun.
00:51:32Let's keep dancing.
00:51:48I already told you that Gaby isn't out running an errand.
00:51:50And ask here, please, because you're going to cause us trouble.
00:51:52I don't plan to leave until I've spoken to my son.
00:51:55I have something very important to tell you.
00:51:56And you too.
00:51:57What, Satur?
00:51:58Tell me now, for God's sake.
00:51:59That my husband can come at any time.
00:52:03I want Gaby to come with me.
00:52:09No, Satur.
00:52:10He is never my son.
00:52:11Mine too.
00:52:12Everyone knows it.
00:52:14I am the father.
00:52:15And remember, the law is on my side.
00:52:17Look, I've worked my fingers to the bone since my son was born so that he'd have a piece of bread that
00:52:22put in your mouth
00:52:23and so that she would have a house.
00:52:24What have you done for him?
00:52:25Tell me, what have you done?
00:52:26You're not going to take it.
00:52:27I won't allow it.
00:52:31Mrs. Sheriff.
00:52:33Sheriff, please.
00:52:37Come on, please.
00:52:39Give him the notification.
00:52:41Okay, ma'am.
00:52:50I'll come back tomorrow to pick it up.
00:52:54No, Satur, please.
00:52:56No, Satur, please.
00:52:58Don't take it.
00:52:59It's all I have.
00:53:01No, no, no, no, no.
00:53:04No no.
00:53:06No, no, no.
00:53:27Ma'am, you're still dizzy.
00:53:29Worse.
00:53:32Catalina, don't go.
00:53:34Stay with me.
00:53:35Yes, ma'am.
00:53:39Would you like something to drink?
00:53:45Daisy.
00:53:48Have you thought about what I told you before?
00:53:50Yes, I will make the dress for her.
00:53:54Thank you so much.
00:53:55But not a word about this to anyone.
00:53:57that we have not yet made the commitment official.
00:53:59Don't worry, I won't say anything.
00:54:01Thank you.
00:54:01Can I get something to eat?
00:54:02The Duke of Velasco and Fonseca
00:54:04and the Marquis of Bullón.
00:54:12He's my fiancé.
00:54:16Handsome, isn't he?
00:54:17Yes, ma'am.
00:54:18Congratulations.
00:54:19If you'll excuse me.
00:54:28Juan, I thought you weren't coming.
00:54:30I'm sorry, I'm sorry.
00:54:34There are too many people, aren't there?
00:54:35Shall we take a walk in the garden?
00:54:36What do you think?
00:54:37Clear.
00:54:49I don't know what's going on, man.
00:54:52It's as if everything is moving.
00:54:57Come.
00:55:00And I don't have a tail.
00:55:04Your uncle is right.
00:55:07Tomorrow it will all be over.
00:55:16What's wrong with him?
00:55:19What's wrong with him?
00:55:37Your wife cheated on you
00:55:39before you get married.
00:55:40You have no luck with women.
00:55:43We all prefer to debut with others.
00:55:47Lady.
00:55:48What's wrong, ma'am?
00:55:50Lady, for God's sake.
00:55:51What's wrong with him?
00:55:53What's wrong with him?
00:55:55Well poisoned.
00:55:56Well poisoned, Catalina.
00:56:19We now have drinking water in the block.
00:56:22Go on.
00:56:23Go find Murillo and Juan
00:56:24And tell them we already have water.
00:56:25and that they can take whichever one they need.
00:56:30Alonso, what's wrong?
00:56:33They are here.
00:56:36Gaby is here.
00:56:38What do you mean Gaby's here?
00:56:39They never went to the Americas.
00:56:43Do you know that?
00:56:46Here is the Chapulvo.
00:56:48Because now he has another family.
00:56:51He's erased us from his life, father.
00:56:54He's deleted us.
00:56:56It's because he's deleted us.
00:57:02Go on, Alonso.
00:57:04Go to sleep.
00:57:05Try to get some rest, okay?
00:57:11Good night.
00:57:13Good evening, Alonso.
00:57:20How are you?
00:57:22If you don't mind, I'd rather not talk about it.
00:57:24I just don't have the strength tonight.
00:57:27Furthermore, the cryo-enthusiast has already explained it to him.
00:57:29what needed to be explained.
00:57:30There's nothing more to say.
00:57:32He finally got the water, huh?
00:57:34Yeah.
00:57:36Okay, but we only have for a few days and...
00:57:38And on top of that, people still don't believe it.
00:57:40that the water can kill them.
00:57:42People will start getting sick soon, you'll see.
00:57:45What can you do?
00:57:49There are things in life that have no solution, love.
00:57:53And that's one of them.
00:57:55So accept it because you gave it to us
00:57:56to change the course of things.
00:58:00That is.
00:58:02What did he say?
00:58:04Sato, we're going to change the course of things.
00:58:08Hey?
00:58:10Yeah.
00:58:27Are you sure he won't remember anything?
00:58:31I've already told him.
00:58:35Don't look at me like that, Cardinal.
00:58:39You are no better than me.
00:58:42You are no better than me.
00:58:43I have a couple of the things I've read.
00:58:45I have a couple of the things I've seen.
00:58:45...
00:58:45No, no, no.
00:59:15No, no, no.
00:59:46Playing God can't be good.
00:59:49Can you hear me?
00:59:50Satu, don't bring the fire close to the gunpowder.
00:59:52It's the one where tragedy is brewing.
00:59:54Or don't you see it?
00:59:55Think of your little boy, please.
01:00:02What if we do it another way?
01:00:04We put out twigs like beavers, huh?
01:00:06Don't worry.
01:00:08When it explodes, we'll be far enough away.
01:00:11Far?
01:00:14But what do you mean by "far"?
01:00:17By far?
01:00:32But what do you understand?
01:00:43But what do you understand?
01:01:08Are you angry?
01:01:13My mother forbade me from coming to see you.
01:01:16Well, they disobeyed.
01:01:18Sometimes you don't have to listen to your parents, you know?
01:01:25Satu told my mother that I'm going to live with him tomorrow.
01:01:30If he wants to, he can do it; he's your father.
01:01:33Already.
01:01:33But I don't want to be separated from my mother, Alonso.
01:01:37And what do you think?
01:01:39Did Satu want to separate from you?
01:01:41Hey?
01:01:42No.
01:01:43And you left without saying goodbye.
01:01:45Without taking it into account.
01:01:46Alonso.
01:01:47Tell Satu to let me stay with my mother.
01:01:52Please help me.
01:01:54Please.
01:01:55Let me go.
01:01:57Gaby!
01:01:59Gaby!
01:02:01Gaby!
01:02:02Please help me!
01:02:27What have you poisoned me with?
01:02:29With what?
01:02:30With arsenic?
01:02:32With hemlock?
01:02:33With what?
01:02:34I saw him drinking from Irene's cup.
01:02:37You didn't care, you miserable wretch.
01:02:40Don't worry, Lucrecia.
01:02:43It will be quick and you won't suffer.
01:02:54I'm going to die.
01:02:58I'm going to die.
01:03:00You answer, right?
01:03:02Tell me the truth.
01:03:04No.
01:03:07It's Laudanum.
01:03:08You'll sleep like a newborn.
01:03:10Laudanum.
01:03:10Laudanum.
01:03:11Because?
01:03:12Why do you want Irene to sleep?
01:03:15Speaks!
01:03:16Why do you want Irene to sleep?
01:03:39Mother, Mother, Mother, aunt.
01:03:42Mother, please help.
01:03:43Javi.
01:03:45Javi.
01:03:47Javi.
01:03:48Javi.
01:03:49Javi.
01:03:51Aid!
01:03:52Help, please!
01:03:57Aid!
01:03:59Aid!
01:04:00What's happening?
01:04:01Cipri!
01:04:02Cipri!
01:04:03Alorso!
01:04:03What happened?
01:04:05That...
01:04:06The treaty has fallen through.
01:04:08It's my fault.
01:04:12I've killed myself.
01:04:14I've killed myself.
01:04:16I've killed myself, Cipri.
01:04:20Come with me.
01:04:34I have a feeling that distance won't be enough.
01:04:37The thing is, the fuse is very, very short.
01:04:42And we've set off gunpowder to bring down the Royal Palace.
01:04:46Do not be afraid.
01:04:59The wick has become damp.
01:05:02I'll have to offend the burden myself.
01:05:03You stay here.
01:05:05Wait.
01:05:06I come back here, man of God.
01:05:08Come on!
01:05:21How beautiful I am!
01:05:24Vélez!
01:05:33This was not what was agreed, commissioner.
01:05:37Leave here immediately.
01:05:55What happened?
01:05:58Rest.
01:06:00From now on you will behave like what you are.
01:06:02My wife.
01:06:05And I will take you whenever I want.
01:06:21I no longer ask him for it, neither as a lackey nor as a squire.
01:06:24But as a sensible human being.
01:06:27Don't do it!
01:06:29He won't have time to light the charges and get away.
01:06:32There is no other solution.
01:06:33Of course there is!
01:06:35Think about yourself for once.
01:06:38Enough with sacrificing yourself for people, for crying out loud.
01:06:41Because this miserable life doesn't give anything good back to you.
01:06:44Hide, Sato.
01:06:47Hide!
01:06:48Sato!
01:07:06Except!
01:07:07What's happening?
01:07:09I'm fine, Sato!
01:07:12Collect your money, Sato!
01:07:13Get paid!
01:07:14Get paid!
01:07:17Get paid!
01:07:19Don't turn back, Sato!
01:07:36Are you OK?
01:07:48My love, I want to tell you something.
01:07:52Starting tomorrow morning, I want to live with my son.
01:07:58AND...
01:07:59I know it's a lot to ask, but...
01:08:01Could I do it here with you?
01:08:04And Stuart?
01:08:05No, no, not Stuart.
01:08:07Estuarda already has other obligations.
01:08:10But don't worry, if it's not, it's not.
01:08:12Ah, no, no, Sato, of course.
01:08:14Of course you can.
01:08:15It's true?
01:08:16Yeah.
01:08:19Thank you very much, Sato.
01:08:21No, thank you for saving my life.
01:08:25Father!
01:08:26There has been an accident.
01:08:29Gaby has fallen off the roof.
01:08:34How did he fall?
01:08:36Alright?
01:08:39God bless you.
01:08:42Alonso, you go with Sato.
01:08:45OK?
01:08:45I'm going to look for Juan.
01:08:47Come on, go.
01:08:56I really want to fall into bed.
01:08:58I can't feel my feet, it feels like they're not mine.
01:09:01Me too...
01:09:03Can you believe I haven't seen Juan all night?
01:09:07Well, there you have it.
01:09:11Well, I should probably go now.
01:09:13You'll come home with me, right?
01:09:15Yes, I'm going for the cape, okay?
01:09:18Eugenia.
01:09:24She's a lifelong friend, you know?
01:09:25Oh, my love, don't worry.
01:09:27You meet a lot of people, that's normal.
01:09:28Well, you're a great player in Spain for a reason.
01:09:30Clear.
01:09:32Okay, I can go now.
01:09:34Marta, will you walk me home?
01:09:38Juan.
01:09:41I need to talk to you, Margarita.
01:09:43You have to come with me to the inn.
01:09:44That he had been in an accident.
01:09:47I have an emergency.
01:09:48I have to go.
01:09:49Immediately.
01:09:59Sentimental fool.
01:10:02That?
01:10:09That?
01:10:25Gabi, son.
01:10:27Gabi, son, tell me something.
01:10:28He has lost consciousness.
01:10:32No, this is your fault.
01:10:33I told you to leave us alone.
01:10:39Doctor.
01:10:51Peaceful.
01:10:53Peaceful.
01:10:56Peaceful.
01:10:57It's not serious, is it?
01:10:58No, no, Sato.
01:10:59Don't worry.
01:11:00Relax.
01:11:05Come on, Gabi.
01:11:07Wake up, Gabi.
01:11:08Come on.
01:11:09Come on.
01:11:10Come on.
01:11:10It's moved, doctor.
01:11:13You've had an accident, my son, but you're going to be alright.
01:11:17Mother.
01:11:17Mother.
01:11:19She suffered a severe concussion, but nothing is broken.
01:11:23Mother.
01:11:24That's it, my love.
01:11:25No.
01:11:28Mother, he's already so little.
01:11:32No no.
01:11:45I lost my mother, Sato.
01:11:46And I will never forgive those who killed her.
01:11:49Ah.
01:11:51And if you do it this way, the only thing that will happen is that Gabi won't be able to love you.
01:11:58Tell them not to worry.
01:12:02I don't intend to bother you ever again.
01:12:15That's it, that's it.
01:12:46I should have done this the same day you started working in this house.
01:13:07Holy God, blessed be God.
01:13:08They've captured the pirate Richard Blake.
01:13:10It is displayed so that everyone knows who killed the pirate Richard Blake.
01:13:14That?
01:13:15Nuño is no longer a child.
01:13:16We need to make the official announcement of the commitment.
01:13:19Let's go somewhere quieter.
01:13:21You have been a pirate.
01:13:22You don't know the King of Spain.
01:13:24I have seen his chariot many times on the gold doubloons of his ships.
01:13:29Do you remember me?
01:13:32This, Carlas?
01:13:33They're for you.
01:13:34Are you sure her boyfriend feels very lucky, ma'am?
01:13:37Where is the money?
01:13:49I have to save his life.
01:13:52Mariana!
01:13:55Where do you go every night?
01:13:56What's it called?
01:13:59And does he have a girlfriend?
01:14:00Does my father have a girlfriend?
01:14:02What are you doing here?
01:14:05Damn, the monkey!
01:14:07Get out, bug!
01:14:09Damn, the monkey!
01:14:15Get out, bug!
01:14:15Thank you.
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