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00:00:10The Marchioness
00:00:36Where is the baby?
00:00:37I don't have any babies.
00:00:38No!
00:00:42Where is the newborn?
00:00:44I want you to find out immediately where that baby is.
00:00:46Careless, the Marchioness is in the best hands
00:00:51The wound shows evidence of gangrene
00:00:53I only know one way to stop it: amputate the arm
00:00:56Answer
00:00:57He did not survive
00:00:59Satur?
00:01:00Did Satur think that...?
00:01:01I also thought this didn't count
00:01:03Satur, how did you get out of there?
00:01:05No, all I saw was a glow
00:01:08Pure gold!
00:01:09Do you know how much we can get for this?
00:01:12No, no, no, no, no, no, no, no, no, no, no, no
00:01:15It was a mistake, he intended to kill the commissioner.
00:01:20What the hell did you bring home, Satur, huh?
00:01:22And I say, why have they made such a hasty decision?
00:01:25It must be because there's no other alternative, right?
00:01:28My mother has already gone to see a neighbor at the Sacred Heart asylum.
00:01:31And a poor crazy woman was shouting that she was the Marchioness of Santillana
00:01:35There's no need to amputate his arm; fly larvae only eat dead flesh.
00:01:39Get out of here right now.
00:01:40Sir, it's Nuño, he's disappeared
00:01:43These people don't usually get many visitors.
00:01:46What's going on back there?
00:01:49I've only come for a visit! I've only come for a visit!
00:01:51I'm crazy
00:01:52I'm crazy!
00:01:53Get me out of here! Get me out of here! Get me out of here!
00:01:54Get me out of here!
00:01:54It's hidden in Torrelaguna.
00:01:56I didn't say to wait there
00:01:57That he would send someone to help him leave the region
00:02:00But mother, are you going to stop dying?
00:02:01I am Monsignor Adrián Vega
00:02:02I must carry out an investigation of vital importance to Catholicism
00:02:07How did you know I was here?
00:02:09I only came to help him, I swear!
00:02:12Let her go and make her follow.
00:02:13If that baby is alive, he will lead us to him.
00:02:17No, no, no!
00:02:19No, no, no!
00:02:21No, no, no!
00:02:28No, no, no!
00:02:28I beg you, please, no, mother!
00:02:30No, no, no, no!
00:02:31No, no, no, no!
00:02:32Get these scumbags out of my house!
00:02:34No!
00:02:36The marchioness who has returned and cut the throat of the other marchioness
00:02:39That?
00:02:40How does that sound?
00:02:40In this document you renounce your titles and all your privileges
00:02:43If you sign, I'll have a doctor come and cure her.
00:02:47Your biggest mistake was underestimating me
00:02:50Those papers were inside the spear
00:02:52According to this, there is a descendant of the living Christ.
00:03:28No no!
00:03:31Your biggest mistake was being subservient to the living Christ.
00:03:32No, no, no, no!
00:03:35No, no, no, no...
00:03:37No, no, no, no, no, no!
00:03:39No, no, no, no!
00:03:42No, no, no, no!
00:03:42No, no, no!
00:04:13No!
00:04:19Who is it?
00:04:23Who is it?
00:04:58Who is it?
00:05:04What is this?
00:05:18What is this?
00:05:19Who is it?
00:05:38Who is it?
00:05:39No, no, no, no.
00:06:36This is all a lie.
00:06:40These documents can prove that Jesus had descendants.
00:06:43This list is a hoax.
00:06:46There is no successor.
00:06:48Don't do it, Saturn.
00:06:52Saturn, don't do it.
00:06:53God is unique.
00:06:58Unrepeatable.
00:07:00And to admit that there is a successor like that is to deny what he is and what he has done.
00:07:06I just want to decipher what is written to know the truth.
00:07:09But, but, but, what truth?
00:07:10Are we talking about Jesus Christ?
00:07:12If he had had a child or any fling, a fling, it would have been known.
00:07:17What is he doing?
00:07:18Investigating my origins has brought me here.
00:07:20If my family had a connection to the Holy Grail, then I might also have a connection...
00:07:23But, but, but, but, what are you telling me, love?
00:07:25What do you think you are now, great-great-grandson of Christ?
00:07:34Sato, I've lost my mother.
00:07:40But I will find my father.
00:07:45We've been going on my whole fucking life.
00:07:48I've only ever seen the man do awful things.
00:07:53All this that is the work of...
00:07:55From someone better, superior.
00:08:00From someone unique.
00:08:18He's unconscious, bring water.
00:08:29Satur, what are you doing?
00:08:31Don't look at me, I love you, it says it very clearly here.
00:08:34Urgent and for His Majesty.
00:08:37Listen.
00:08:42The dress is... is... ready.
00:08:46That's why it's not a little strange.
00:08:48I had forgotten about the supposed son of our lord and started to unravel this mystery.
00:08:53Satur, what a mystery. This could be the tailor's card.
00:08:56From the tailor?
00:08:58Yes, to one.
00:08:59Yes, of course, from the tailor, yes.
00:09:01So come on.
00:09:03Let's go find him, we're already taking too long.
00:09:05He surely has many things to tell us.
00:09:07Satur, stop it already.
00:09:09Yes, you are right.
00:09:11But what does he want us to do?
00:09:12If it's mainly to divert attention from the topic of Jesus Christ.
00:09:16I will not stop the investigation.
00:09:20He is waking up.
00:09:24Come on.
00:09:28Come on.
00:09:32We're here.
00:09:35Hey.
00:09:36Okay, man, wake up.
00:09:38Wake up, you'll go to the palace.
00:09:39And it's already taking too long.
00:09:41Come on.
00:09:42Here is the letter, tightly sealed.
00:09:43Let's see if the cool weather gives him a fever.
00:09:50It's perfect for the French prime minister.
00:09:53The gunner who scored it deserves to be congratulated.
00:09:57No one will notice that the dress inside is full of explosives.
00:10:02Majesty.
00:10:05If you'll allow me, wouldn't it be advisable, before ending the Frenchman's life in this way, to exhaust all diplomatic avenues?
00:10:14Diplomacy is over.
00:10:19I am the King of Spain.
00:10:21And if they don't respect me out of precaution, they will do so out of fear.
00:10:25Tell me, how will you detonate this device?
00:10:34Right now, it's being announced that a contest will be held to choose the most beautiful woman in the
00:10:40kingdom.
00:10:41And that will undoubtedly have some relation to your purposes.
00:10:48The chosen one will win the dress and a courtesy visit to our French neighbors.
00:10:54On her way to Paris and already wearing the dress, she will spend the night in a parador.
00:10:58I suppose the French Prime Minister is resting there.
00:11:02I will not allow them to invalidate the agreement by which my daughter Maria Teresa renounces her right of succession to the
00:11:08Spanish crown.
00:11:10Indeed, that would mean a Bourbon would sit on the throne of Spain.
00:11:15Never.
00:11:18When the woman carrying the dress, Rindaple, said to the French Prime Minister,
00:11:23One of my men will drop a candle on it, causing an explosion that will destroy everything.
00:12:01Rindaple was saying to the French Prime Minister,
00:12:31Rindaple was saying to the French Prime Minister,
00:12:56What are you doing here at this hour?
00:12:58Does it do anything?
00:13:00No, nothing. I just wanted to thank you for what you've done to make Noñosta so much better. That's why I brought the milk as a thank you.
00:13:09I'm glad Lucrecia is feeling better, but you don't have to bring me anything.
00:13:15I'm sure you're okay. You're trembling.
00:13:18Yeah.
00:13:34That?
00:13:35That?
00:13:36That?
00:13:38That?
00:13:38That?
00:13:40That?
00:13:50What could be the reason for the antepista and the arata?
00:13:54Well, something important, for sure.
00:13:56Why haven't I seen anything like this since they laid the first stone at El Escorial?
00:13:59Many things!
00:14:25Many things!
00:14:27dress and a trip to France. By order of her majesty, tomorrow afternoon in the
00:14:38Good afternoon, Requiro... What's up, Cipriano? Are you going to show up or what? Same with
00:14:44A little dress? No, it's in case Catalina is interested. Catalina? But how is she going to present herself?
00:14:53Catalina? The girl is nice, I'm not denying that, but she's not exactly beautiful enough to stand out.
00:14:58to a contest like this. What do you mean, no? If she has a presence, why bother? If she doesn't show up
00:15:03It's because he's got a lot of trouble at the palace. He's not even going to sleep at home. Come on, that's it.
00:15:10I think so. Murillo told me something. Well, I think Aunt Margarita will introduce herself to Ana. Ah,
00:15:16No, your aunt definitely will. With that gorgeous hair and a nice dress, she's sure to win. (Speaking)
00:15:22Margarita. Where is she? She and Catalina have work to do at the palace.
00:15:30Wearing a sumptuous gown and embarking on a trip to France. By order of Her Majesty, tomorrow afternoon
00:15:40In the gardens of Buen Retiro, the most beautiful woman in the kingdom will be chosen.
00:15:47awarded with a lavish dress and a trip to France.
00:15:56You will sit on my throne. And not a Bourbon.
00:16:13Your Majesty. Relax, he's not your son. He's the son of Juan Francisco de Leiva, your Viceroy of New
00:16:21Spain. What kind of depraved people are you sending to the New World to procreate with
00:16:26natives instead of colonizing them?
00:16:28Our soldiers have traveled alone. And those villages are full of naked women.
00:16:33that incite fornication.
00:16:37Don't touch it! Get it out of here right now!
00:16:44You cannot allow your kingdom to continue being filled with ungodly bastards.
00:16:50The Spanish race is white and pure. And so it must remain.
00:16:59If the problem is that there are no Spanish women in the Americas, there will be.
00:17:13Jato. What are you doing with that?
00:17:19Take.
00:17:24Stay away.
00:17:27Until the thread is taut.
00:17:29There.
00:17:31Bring it close to your ear.
00:17:41Saturn!
00:17:43Saturn!
00:17:44Ah! Damn!
00:17:46What is this?
00:17:47The sound that can be transmitted through the wire.
00:17:51Holy shit!
00:17:53But this can change the world!
00:17:55Because if that were the case, you and I could talk, one from Cuenca and the other from Mazagón, right?
00:18:01And these books, Sato?
00:18:03These books prove that our Lord Jesus Christ did not have any kind of busyness.
00:18:07Not even with Mary Magdalene.
00:18:10He didn't even get up from his feet.
00:18:12Come on!
00:18:13Come on!
00:18:13Come on!
00:18:13Let's go inside!
00:18:15I'll leave you here.
00:18:16That he didn't really want to come to class.
00:18:18High!
00:18:20High!
00:18:21Is it the noise?
00:18:22High!
00:18:23Stop!
00:18:23Come on!
00:18:29Come on!
00:18:32Come on!
00:18:35Come on!
00:18:39Come on!
00:18:47And these girls?
00:18:51And what about these young women who are entering the competition?
00:18:54I think they're too dull for that, don't you?
00:18:56They are being recruited in groups.
00:18:58They are taken to marry soldiers and repopulate the new world.
00:19:02No one should be forced to do this.
00:19:05Come on, they're going to serve their country.
00:19:07Just like soldiers in war.
00:19:09They don't ask anyone if they want to go or not.
00:19:11The purpose of a soldier is to defend us from the enemy.
00:19:14They are treated like slaves.
00:19:15Already.
00:19:16So much talk about men and women being equal,
00:19:18But when it suits us, we pick the path we want.
00:19:22Saturn, they take them thousands of leagues away from what they love most.
00:19:24Parents, siblings, boyfriends/girlfriends.
00:19:26Yes, some starving person who's going to give him a life of hardship yesterday.
00:19:30They'll be better off with the military.
00:19:31Help, please, you have to help me, you have to take me in.
00:19:34Pull, pull, pull.
00:19:36Pull, wait...
00:19:39Come on!
00:19:40Contribute!
00:19:40Come on!
00:19:42Strip!
00:19:43Strip!
00:19:44Daughter, daughter!
00:19:46You must go.
00:19:47It's a royal order.
00:19:48No, please!
00:19:49Come on, let's go!
00:19:51Come on!
00:19:51No!
00:19:52No, no, no, no!
00:19:53No!
00:19:54No, no, no!
00:19:55No, no, no!
00:19:57No, no, no, no!
00:20:01I want all my best corsets, dresses, and hairpieces ready and waiting.
00:20:05All?
00:20:05All.
00:20:06And right now.
00:20:07I have to choose.
00:20:08This afternoon they have to name me the most beautiful woman in the kingdom.
00:20:11Out!
00:20:12Now you want to boss my maids around?
00:20:16Salt, Catalina.
00:20:28And you break into my bathroom when I'm about to get undressed?
00:20:34Did you miss me that much, Hernán?
00:20:40You're unhinged.
00:20:42How could you even think of going to that circus?
00:20:45Jealous at your age?
00:20:47If you win, they'll send you to France.
00:20:48And you've just come home.
00:20:51Yes, you have missed me.
00:20:53Don't be foolish.
00:20:55I'm thinking about Nuño, he's still recovering.
00:20:57Don't be dramatic, please.
00:21:01Before, it was the only thing that mattered to you, besides yourself.
00:21:04Now not even that.
00:21:05He is my son.
00:21:06Don't you dare say it's not important to me.
00:21:08Well, it doesn't seem like it.
00:21:10Because of your insistence on entering that contest, which is a frivolous thing to do.
00:21:15Besides, you just had a child.
00:21:18This is not your best moment.
00:21:20And who says so?
00:21:22Common sense.
00:21:24Common sense.
00:21:27To those of prodigious nature.
00:21:30It doesn't affect us too much.
00:21:42I'm going to win that contest.
00:22:11To just go around hitting people like that, without any further explanation.
00:22:14No, and especially not to me, since I am a patriot.
00:22:19Tell him that even my bruises come out in the shape of our peninsula.
00:22:25The Torreón de la Soledad is located in this area.
00:22:29This is where they are taking the women.
00:22:32They came to the Americas.
00:22:35Why do they want them all there?
00:22:38No.
00:22:39Only one of the groups will stop.
00:22:40And to spend the night.
00:22:42The rest continue along different paths until they reach Cádiz to embark.
00:22:47I have to free them.
00:22:49If I don't learn.
00:22:52I was hoping he wouldn't do it?
00:22:54Saturn, you don't deserve what's happening to you.
00:22:57And don't they deserve to die either?
00:22:59That place is full of trigger-happy royal guards.
00:23:02It's going to be chaos with all the women running around.
00:23:05That's precisely why I have to do it without attracting the attention of the royal guard.
00:23:08Well, unless I take them down one by one through the window, you'll see.
00:23:12That's impossible.
00:23:16There's only one way to do it.
00:23:18Being inside and outside the Tower at the same time.
00:23:20Inside and outside?
00:23:21Because as far as I know, only God has the gift of being everywhere, I love.
00:23:26No, Saturn.
00:23:27The Countess of Monegro ordered the construction of the Tower of Solitude
00:23:29to have a quiet and secluded place to read and pray alone.
00:23:32Hence its name.
00:23:33Master, you're in hero mode, not teacher mode.
00:23:36So don't beat around the bush.
00:23:38Saturn, but what nobody knows
00:23:39The countess had a secret trapdoor built.
00:23:42that can only be opened from the inside.
00:23:44He did it that way to let his lovers in.
00:23:50What a slutty countess!
00:23:53But what if nobody knows about the trapdoor?
00:23:56Why you?
00:23:59Hey?
00:24:04From his books?
00:24:06No.
00:24:08I met one of her lovers.
00:24:10On one of his trips, don't tell me more.
00:24:13But I need to be inside to open the trapdoor and out.
00:24:15To protect women as they cross the moat surrounding the Tower.
00:24:19As?
00:24:20That you also have a moat.
00:24:23Impossible, isn't it?
00:24:24That's impossible.
00:24:26So anyway, I'm very sorry for that woman, well...
00:24:30We won't be able to do anything.
00:24:32Even you.
00:24:35Would you help me?
00:24:42What needs to be done?
00:24:44The trapdoor is at the back of the room.
00:24:46Behind a tapestry with deer, do you remember?
00:24:50Satur.
00:24:52Satur, can you hear me?
00:24:55Did you hear me?
00:24:56Yes, I love you, yes, yes, yes, I heard you, yes.
00:25:00And I want you to know that this is the most humiliating thing I've had to do since I've been in your care
00:25:04service.
00:25:05If there was another option, I wouldn't have asked you.
00:25:11I love that I've been an actor.
00:25:13But making a lope is one thing, and quite another thing is...
00:25:16It's like dressing up as firewood from Troy.
00:25:18You are the one who can best camouflage yourself among them.
00:25:21You're small and...
00:25:24And you're the perfect size for a woman.
00:25:25Hello, I'm going to put a good amount of salt in that wound.
00:25:28And remember, when you're inside, the changing of the guard is at five o'clock.
00:25:32The church bells will be your signal.
00:25:35Yes, I already know the Aldevillos plan.
00:25:37But it's not going to turn out well.
00:25:38Don't worry, I'll be out.
00:25:42Master, listen to me carefully.
00:25:44It's not just the humiliation that bothers me, though that's part of it and it really pisses me off.
00:25:48But this wouldn't even fly in a circus.
00:25:50Have you seen this?
00:25:51All of this.
00:25:52Take.
00:25:54Put this on and cover your face.
00:25:56And he also asks me what I should do.
00:25:58I have a huge mouth, and my masculinity is pouring out.
00:26:03And there you were, looking more than dignified, in your suit, nice and tight.
00:26:07A good man and I...
00:26:08I, who am with Dulcinea from Toboso.
00:26:11Sato is coming.
00:26:14Come on, don't do this to me, for God's sake.
00:26:16That I entered his service in pursuit of what is not and of fame.
00:26:31Go between the women while I distract the guard.
00:26:39But what guts he has, man.
00:26:42What a bunch of balls.
00:27:03Catarina.
00:27:11Catarina.
00:27:12She's my niece.
00:27:14Well, I didn't know you, girl, what's gotten into you?
00:27:18My God.
00:27:19But look at her chest, the last time I saw her she looked more like a door than a woman.
00:27:24But hey, girl, what are you doing here?
00:27:26Well, let her come and enter the contest, the one for the most beautiful woman in the kingdom.
00:27:30Ah, well, like our lady the marchioness.
00:27:33Creature, and you think that's a good idea?
00:27:35Yes, aunt.
00:27:41This is all rubbish.
00:27:42I have nothing to wear.
00:27:44But ma'am, you have the finest items in your wardrobe right here.
00:27:49Madam, if this is the dress you wore for the first time at the royal reception in El Pardo, it won't do.
00:27:55I like it.
00:27:57Not this either.
00:28:00Who is this?
00:28:02Look, ma'am...
00:28:03What are you doing here, Catalina?
00:28:08Is...
00:28:08I am his niece.
00:28:10So what? I don't need another maid.
00:28:13No, ma'am, if she has come to...
00:28:16Catalina, you're getting on my nerves.
00:28:17Finish a sentence.
00:28:19He has come to...
00:28:21TO...
00:28:23To enter the competition.
00:28:33It's clear that she didn't take after you, Catalina.
00:28:36Good luck.
00:28:37It's late now, my dear.
00:28:38You're going to need it.
00:28:39Leave me alone.
00:28:40Out!
00:28:41Out!
00:28:54Out!
00:28:54Out!
00:29:07Out!
00:29:11No, no, no.
00:29:44What's he still doing there? Didn't I make it clear that they should remove him?
00:29:47Yes sir.
00:29:48So what are you waiting for?
00:29:50Sir, you see, it's just that...
00:29:55Are you afraid?
00:29:59You should fear me, not him.
00:30:03Get him out of here if you don't want to end up like him!
00:30:19Don't touch him.
00:30:22Who does he think he is, giving orders in my house?
00:30:42Please excuse the misunderstanding, Monsignor.
00:30:50When did this happen?
00:30:52Last night.
00:30:54But I don't understand.
00:30:56What interest could the Vatican possibly have in all this?
00:31:00Do you know if it was especially degot?
00:31:03Don't know.
00:31:05But it's clear that one of them killed him.
00:31:09Oh, really?
00:31:11And how?
00:31:12We're all tied up.
00:31:14Don't listen to her, she's crazy.
00:31:17Is what he said true?
00:31:19Yeah.
00:31:20Well...
00:31:21Did they check last night that everyone was tied up?
00:31:23That's how it is.
00:31:25But...
00:31:25Could he have committed suicide?
00:31:31It seems pretty unlikely, doesn't it?
00:31:53Thank you!
00:32:11I'm here
00:32:19You're starting to become predictable
00:32:21Your eagerness to enter that competition has led me to discover your secret
00:32:25How dare you?
00:32:27I thought he was dead, what's he doing here?
00:32:31Survive
00:32:32In the cellars of your palace?
00:32:34You've lost your mind
00:32:36Are you following me?
00:32:38She's looking for him, and I'm sure she's the queen.
00:32:42That child can only lead you to death
00:32:45No, I'm taking it to France.
00:32:48By winning the contest, I can get him out of here without raising suspicion.
00:32:51And what will you do if you get caught?
00:32:53How many more things do you want them to do to you?
00:32:54And what else do you want me to do?
00:33:03Help me
00:33:04Help me
00:33:06Help me save him
00:33:11Alright
00:33:12Get out of here
00:33:16What are you going to do?
00:33:18I know it's difficult for you
00:33:20But I can do it.
00:33:26And you even think about approaching him
00:33:31I know you want to keep him alive because you're generally the mother of a king
00:33:35But is it worth leaving the child orphaned for that?
00:33:38If you touch him, I'll kill you.
00:33:54With the
00:33:57That?
00:33:58Or how do I get paid?
00:34:00My killer
00:34:20You won't succeed.
00:34:31That's it, that's it.
00:34:43Come on, let's go in.
00:35:21No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, please, listen to me,
00:35:26Please don't get upset.
00:35:29Yes, I know I'm not a woman, I'm a man.
00:35:34And they will wonder who I am and what I'm doing here.
00:35:37Okay, I'll tell him.
00:35:40My name is Saturno Garcia.
00:35:43And I have come to rescue them.
00:35:45Because I don't think any of you want to go to that repopulation camp, do you?
00:35:51Let's take it one step at a time.
00:35:55We're going out.
00:35:56Behind that tapestry.
00:36:00It hides a secret exit.
00:36:04When?
00:36:05Well, more or less...
00:36:07At five o'clock.
00:36:09But not a murmur, not a comment.
00:36:12Hey?
00:36:13That you women are very...
00:36:15And if anyone misses it, we won't tell.
00:36:19We are?
00:36:20Well, having said that, I'm going to open the trapdoor.
00:36:31Thank you.
00:36:31Thank you.
00:36:33Mister.
00:36:39Nothing, this is just an everyday thing.
00:36:42And don't worry, I swear to you, I'll get you all out of here.
00:36:47Not a single day will go by without you seeing your families.
00:36:50Thank you.
00:37:05Thank you.
00:37:07Thank you.
00:37:15Thank you.
00:37:36Alonso.
00:37:37Edi will go to get some books.
00:37:39I won't be coming for dinner, okay?
00:37:40Wait, father.
00:37:43I heard you this morning.
00:37:45Those women don't deserve to be taken away, you're right.
00:37:48I'm glad we agree on something.
00:37:51Yes, but why is nobody doing anything?
00:37:53Son, it's a royal order.
00:37:55The only thing we can do is comply.
00:37:58But didn't you see the scared look on that girl's face?
00:38:01The king was wrong, you think so too, don't you?
00:38:04Yes, son.
00:38:05He was wrong.
00:38:06So why don't we take up our swords?
00:38:09His parents, all of us.
00:38:10We will prevent them from taking our women away.
00:38:12Facing the king's guard is dangerous.
00:38:14Yes, it is.
00:38:15But if we stay at home sitting around, nothing will ever change.
00:38:18Son, we have to change things, yes.
00:38:20But not with violence, but with reason and dialogue.
00:38:26I have to go.
00:38:29Wars aren't won like that, father.
00:38:33You taught them to us in class.
00:38:35Or else, how did the Numantians free themselves from being slaves of Rome?
00:38:38And don't you think it would have been better if no one had died to achieve it?
00:38:43You talk about dialogue because you're afraid.
00:38:50I'm sorry I'm not the way you want me to be.
00:38:54No.
00:39:03No.
00:39:11No.
00:39:13No.
00:39:38Gonzalo, Gonzalo, help us.
00:39:40One of the mothers has burned down in her house.
00:39:42Her neighbor says she was going crazy looking for the king.
00:39:44He's going to do something crazy.
00:39:45Have you looked along the path to the Royal Palace?
00:39:47Yes, it's not there.
00:39:49Okay, Cipri. And you keep an eye on the Alcázar.
00:39:51I'll look out for the Pardo Palace.
00:40:04And remember that when you're inside.
00:40:07The changing of the guard at five o'clock.
00:40:11The church bells will be your signal.
00:40:41Subscribe to the channel!
00:41:01You haven't come to see me until now and you're already leaving.
00:41:08You were in good hands.
00:41:10I didn't mean to bother you either.
00:41:12I've brought you a bowl of broth.
00:41:15Are you feeling better?
00:41:17Yes, although if I take one more drop of that cook's brew, I think I'll relapse.
00:41:21It's not the bowl of broth that makes you relapse.
00:41:24It is the sword.
00:41:26You shouldn't be playing that game.
00:41:29You are still very weak.
00:41:32You think?
00:41:33Yeah.
00:41:36Let's take a look.
00:41:44Do you still think I'm weak?
00:41:52Let me out.
00:41:55No.
00:41:56No, no, no, no, no, no, no.
00:42:27Until you tell me I'm not weak.
00:43:16Take him to Cardinal Mendoza's palace.
00:43:18Wouldn't you prefer to be taken to a grave?
00:43:21Is the direction unclear?
00:43:23Of course.
00:43:25You've already heard it.
00:43:40Monsignor, allow me to accompany you to the exit.
00:43:44Before I leave, I'd like to talk to one of the inmates.
00:43:46But what for?
00:43:50I want to talk to the dark-haired woman with wavy hair who was sitting there.
00:43:54Bring her here now.
00:44:13Your Majesty, shouldn't it have been a footman who carried this dress to the gardens of the Buen Retiro?
00:44:22You won't tell me you have this fear, Cardinal?
00:44:25No.
00:44:26But a king and a cardinal shouldn't be concerned with such trivial matters.
00:44:32The best way to achieve your goals is to do them yourself.
00:44:40Majesty!
00:44:42Clemency!
00:44:46Majesty!
00:44:47My daughter is still a child.
00:44:49He won't make it through the trip.
00:44:50I beg you!
00:44:53Clemency!
00:44:54What's going on here?
00:44:56I implore you.
00:44:58I have already joined myself.
00:44:59I can still have children.
00:45:01But leave my daughter here.
00:45:02For pity's sake.
00:45:03Move it out of the way.
00:45:05I beg you.
00:45:06Piety!
00:45:08No!
00:45:09No!
00:45:10Come on!
00:45:17I beg you!
00:45:18No no!
00:45:20Majesty!
00:45:21Oh no!
00:45:27No!
00:45:31Subscribe to the channel!
00:45:32Oh no!
00:45:34Ah!
00:45:37Ah!
00:45:48This bitch! You'll finish her off!
00:46:35My name is Adrián Vega. Can you understand me?
00:46:39Don't talk to me like I'm crazy, because I'm not.
00:46:41I wanted to ask you a few questions. Did you know the deceased?
00:46:48Wait. Don't touch me, don't touch me. Calm down, calm down. Calm down, I'm not going to hurt you.
00:46:52Harm. More harm than being locked up here. And why are you in here? Because
00:46:59My mistake! I came looking for someone and they mistook me for an intern. But I know what you're thinking.
00:47:06What does it matter to you the sad story of someone who's not sane? Well, I've only been here a short time.
00:47:11Two days. Look, here on my hands. My nails aren't black, I don't have scabs. Look, no
00:47:21I don't have scars or ligatures. I'm not crazy.
00:47:25I hope they're finished. Why is this woman locked up?
00:47:31There are 500 patients. I don't know the specific mental illness of each one of them. Now, excuse me, but we have
00:47:38that we take her. No, no, no, no, no, no. What are they going to do with her? Do you know where she came from?
00:47:49Do the wigs of noblewomen come out? No, no, no, no, no, no, no, no, no, no, no, no, no.
00:48:03You see? Cows give milk, crazy women give hair. These wild women had to be good for something.
00:48:12No. No, no, no, no, no, no, no, no, no, no.
00:48:21Yes, it seems unbelievable. It feels like only yesterday I was a tiny little donut like this.
00:48:25And I was bathing her in the sink at her house. And now look, you're a grown woman.
00:48:33Auntie, you don't think I have a chance, do you?
00:48:36Is that why you're so serious?
00:48:38That's not why, creature.
00:48:40It's because look
00:48:42The lady
00:48:44Can you tell me what you're doing?
00:48:46Madam, this is water that you have already used.
00:48:53Bring him clean water
00:48:55Clean water?
00:48:56Yes, bring her now
00:48:57If you don't want to drink, try a sip
00:48:58Come on
00:48:58Yes, ma'am
00:49:07Do you look tired?
00:49:10Perhaps it was nerves
00:49:12Everything is new to me
00:49:14It's understandable.
00:49:16But don't worry
00:49:20I have a trick
00:49:21To completely remove the signs of exhaustion
00:49:25Close your eyes
00:49:28Close your eyes
00:49:29That is
00:49:31Relax
00:49:40Do you have any signs of tiredness?
00:49:42Where is he from?
00:49:45Where is he from?
00:49:46Yes, romantic
00:49:48You look tired
00:50:00Where is he from?
00:50:10Mother
00:50:10Owner
00:50:12Have you gotten up?
00:50:14Come on
00:50:19Owner
00:50:22You should have called and had food brought up to you.
00:50:24Besides, look at you, you're hot.
00:50:27I'm fine, Mom.
00:50:27It's a good sign that you have an appetite.
00:50:31We'll be hunting again soon.
00:50:32To hunt? To fight?
00:50:34Duño should not develop his muscles more, but his intellect.
00:50:48Is there anything I can help you with, dear?
00:50:50No
00:50:51I came just to find Catalina so I could take a bath
00:50:54Are you overconfident?
00:50:58Yeah
00:51:00I'm going to enter the competition to be the most beautiful woman in the kingdom
00:51:07But if you win, do you beat France?
00:51:09A change of scenery will do me good
00:51:12A married woman cannot attend such an event
00:51:15Unless she gives her husband her consent
00:51:25Look at me
00:51:27You can introduce yourself
00:51:32Leave me
00:51:43Nothing, I just wouldn't open this, Samson
00:51:54If there were some gossip around here that could be used as leverage
00:51:57So we're in a real bind.
00:52:00We are going to die
00:52:02No, no, no, no, little girl, no
00:52:04Don't get like that
00:52:08You too
00:52:09Please don't start crying
00:52:12She's already known to be married and all that woman
00:52:14Start one and follow it to the others.
00:52:18Let's see
00:52:19Let's see
00:52:19That I'm going to get out of here
00:52:21If necessary, I'll dig a tunnel with my teeth.
00:52:23But I get
00:52:25Besides, there's someone waiting for me out there too.
00:52:30My son
00:52:31So let's have a little peace and quiet.
00:52:35We are?
00:52:41My God, I love
00:52:52Stand up, all of you.
00:52:54In line, quickly
00:53:00You don't know what a row is.
00:53:15What are you going to do to us?
00:53:27Please assure us that you are healthy
00:53:31Desmilaos
00:53:36Naked
00:54:19Come on, hurry up
00:54:20They come to collect the hair at six
00:54:23Let's see
00:54:26She has nice hair
00:54:27They'll give us a lot of porré
00:54:28No, no, no
00:54:29Cut it flush with the skull
00:54:41No matter how much you shout
00:54:44No one will come to your aid
00:54:46Please don't
00:54:48Please don't
00:54:50Please, please
00:54:52No no
00:54:57No, no, no
00:55:00No
00:55:02Leave me alone! Leave me alone!
00:55:04Stay still!
00:55:06It won't do you any good to keep sucking on your own.
00:55:09You're holding on tight!
00:55:10I hope he rots in hell!
00:55:12What did you say?
00:55:20Let her go.
00:55:21What is he saying?
00:55:23He just attacked me.
00:55:25He'll pay me for it.
00:55:31I want it for myself.
00:55:32And I want it perfect.
00:55:35I understand now.
00:55:37Just for you.
00:55:40Our inmates,
00:55:42in addition to providing splendid wigs,
00:55:45They are used for other kinds of favors.
00:55:53Prepare her and take her to another cell.
00:55:58I'll be right back.
00:56:01Excuse me, Monsignor.
00:56:04But this will bring a reward.
00:56:13The financial compensation will be commensurate with the service.
00:56:18That?
00:56:41Okay, Catalina, you can go.
00:56:43I'm here.
00:56:51That's it?
00:56:53Is she going to the pageant in that dress?
00:56:55Yeah?
00:56:57What's happening?
00:57:00Which implies...
00:57:00No, it insinuates, it shows everything.
00:57:04Perfect.
00:57:05This makes it clearer that I have nothing to hide.
00:57:09But ma'am, I can't go like this, without a corset.
00:57:12A corset is only for those who have to lift it.
00:57:13that does not sustain itself.
00:57:15That's not my case.
00:57:20And do you want me to bring you a cape, or do you not want a cape either?
00:57:22Start packing my luggage.
00:57:24I'm leaving for France tonight.
00:57:37Lucrecia.
00:57:40You bastard!
00:57:42Can you tell me why you let your wife introduce herself?
00:57:48I think you dropped this.
00:57:49Ban it right now.
00:57:53Irene is going to enter that competition and I'm not going to stop her.
00:57:56Do you know how much I need to earn?
00:57:58You won't.
00:57:59If I can, Vita.
00:58:03Hernán.
00:58:05Hernán.
00:58:07If I can't get the child out of here,
00:58:09I'll have to leave him in that hole forever.
00:58:11I can't let my son grow up in hiding.
00:58:14surrounded by dampness and darkness,
00:58:16without seeing the light of day.
00:58:18What kind of life would I have?
00:58:20Perhaps the one with the bastard deserves it.
00:58:23It's a newborn.
00:58:27Do you have no pity even for a defenseless creature?
00:58:30No.
00:58:32If my mercy leads you straight to death.
00:58:40I will win that contest.
00:58:42One way or the other.
00:58:45It will be complicated.
00:58:48Not only are you competing against Irene,
00:58:51but against the duchess, Don Rubia.
00:58:55They say she is the most beautiful woman in the kingdom.
00:58:58No.
00:59:17You're coming to the Americas.
00:59:29You, the shy one.
00:59:31I'm talking to you.
00:59:32Why haven't you undressed yet?
00:59:34No.
00:59:49Naked,
00:59:49Martita, you're going to deserve me.
01:00:03Understand this,
01:00:03These women cannot be taken away.
01:00:04They have the right to choose their life.
01:00:08Please,
01:00:09I just wanted to help them.
01:00:10Think about your children.
01:00:11These are the king's orders.
01:00:13Who do you think you are?
01:00:14Do you believe in order to disrespect?
01:00:31No, for God's sake.
01:00:33No no.
01:00:34I'm asking you, please.
01:00:36Don't kill me.
01:00:37No.
01:00:38I beg you, no.
01:00:41No.
01:00:42No, stop it, Dad.
01:00:50Thank you,
01:00:51Thank you.
01:00:51They hold up really well, man.
01:00:52No.
01:00:54You're not going to die like that.
01:00:58What does that mean?
01:01:02I didn't want to be a woman.
01:01:05Well, you're going to be a woman.
01:01:11No.
01:01:11Don't hurt me!
01:01:15We need to walk faster
01:01:16to get to the stick path
01:01:17before women.
01:01:20Alonso!
01:01:27How are we going to do it?
01:01:31I had thought that
01:01:34we could hide
01:01:36among the rocks
01:01:36and then shoot them from there.
01:01:40But
01:01:41We only have one gun.
01:01:45Already.
01:01:47Alonso!
01:01:51I have never killed a man.
01:01:54Me neither.
01:02:03I'm sure the marchioness's dress
01:02:05It's not as transparent as it claims.
01:02:06Carmen, for God's sake.
01:02:07What have I seen in him?
01:02:07The Arc de Triomphe
01:02:08with its reliefs and everything.
01:02:10Oh!
01:02:10Yes, Catalina, wait.
01:02:11Wait.
01:02:13Daughter, for God's sake.
01:02:14You look absolutely gorgeous.
01:02:16And you're already wearing the dress.
01:02:17that looks like a sheet
01:02:18of a small hand.
01:02:19Come on!
01:02:20We should have taken a car.
01:02:21And what do you think?
01:02:21Haven't I tried?
01:02:22But precisely today
01:02:24the Marchioness
01:02:25I couldn't leave him.
01:02:26Good heavens.
01:02:28Everything is new to me.
01:02:35Lady.
01:02:38Ma'am, are you alright?
01:02:44Why is there a blonde woman?
01:02:46Lady.
01:02:51My face.
01:02:53My face.
01:02:56My face.
01:02:59My face.
01:03:04My face.
01:03:31I think the duchess
01:03:32Mr. Rubia
01:03:33We can rule it out,
01:03:35majesty.
01:03:37Poor woman,
01:03:38How have they designated it?
01:03:40In any case,
01:03:41I would prefer not to send
01:03:42to a noblewoman
01:03:43to certain death.
01:03:45Without a doubt
01:03:46you will avoid
01:03:47more than one inconvenience.
01:03:50As I understand it,
01:03:51the Marchioness of Santillana
01:03:53will also attend.
01:03:54If I'm not mistaken,
01:03:55your wife
01:03:56lately
01:03:57He doesn't hold her in high esteem.
01:04:00What do you mean?
01:04:03Which paradoxically
01:04:04could be avoided
01:04:06certain problem
01:04:07conjugal
01:04:08if the marchioness
01:04:08is chosen
01:04:09as the most beautiful.
01:04:13She would be
01:04:14a rightful winner.
01:04:16But not.
01:04:18So I think
01:04:19that the most appropriate
01:04:20will be to give
01:04:21with a woman
01:04:21of the common people.
01:04:35Here is a candidate
01:04:37Carmen Valle
01:04:40peasant woman
01:04:41and untitled
01:04:42some
01:04:43what will he do
01:04:44It's here.
01:04:45Let it be her.
01:04:49A young woman
01:04:50with luck
01:04:51without a doubt.
01:04:52His life
01:04:53would pass
01:04:54without pain
01:04:54nor glory
01:04:55and now she will be remembered
01:04:56like the woman
01:04:58who died
01:04:58along with a first
01:04:59French minister.
01:05:03No, no, no, please, no.
01:05:08This is how you will learn
01:05:09to obey
01:05:09the orders
01:05:10of your king.
01:05:11I beg you
01:05:12Cut me off
01:05:12one leg
01:05:13an arm
01:05:14but manhood
01:05:15No, manhood
01:05:15No.
01:05:17Be quiet
01:05:18if you have any left
01:05:19some dignity.
01:05:21Listen to me for a moment
01:05:23Please listen to me
01:05:24I'm just a wretch
01:05:25that don't throw dead people out of jail.
01:05:27No, please, it takes away my only thing
01:05:31that I have to feel, man
01:05:32and not scum.
01:05:34Madam, show your mercy
01:05:36that you know this is sacred.
01:05:38If you cry like a woman
01:05:39You don't deserve to be a man.
01:05:42Grab him.
01:05:43No, no, I'd rather be dead
01:05:46castrated, no, no, please.
01:05:51No, no, for God's sake, no.
01:05:57No, no, no, please.
01:05:59No, no, no, please.
01:07:26I'm sorry I didn't win, Marchioness.
01:07:34Is this the winery?
01:07:37The best awards are celebrated with the best wines, Carmen.
01:07:40You must choose a bottle.
01:07:43Thank you very much, but the carriage is waiting for me to depart for Paris.
01:07:50I insist.
01:07:57Close the door.
01:07:59It's just a brief moment.
01:08:02I want you to meet someone.
01:08:04Meet someone?
01:08:06Here?
01:08:19You will take this child with you to Paris.
01:08:21Once there, you will leave him in the care of Ua's family.
01:08:26But why me? Why don't you carry it yourself?
01:08:29It's because they haven't taught you anything.
01:08:32Those in your class don't ask questions, they just follow orders.
01:08:36I am not her maid.
01:08:40But your aunt did.
01:08:43Carmen.
01:08:46That is, beautiful donut.
01:08:48You will give him exactly a couple of drops every four hours.
01:08:50That way he'll sleep throughout the entire trip.
01:08:54Just two drops every four hours, is that clear?
01:08:57But the journey is very long and tiring.
01:09:00And he is very small.
01:09:02And he's sick.
01:09:03Don't even think about saying that.
01:09:05I'm sure you'll take very good care of yourself.
01:09:08That that doesn't happen.
01:09:10Make sure they don't put anything on top of it so it can breathe.
01:09:14And never leave the basket.
01:09:21But I don't know if I'll be able to.
01:09:25In that case, the death of someone in my family will be compensated by the death of someone in yours.
01:09:49The death of someone in my family will be compensated by the death of someone in my family.
01:10:03Take off your clothes.
01:10:04It is a disgrace to the clergy.
01:10:06It disgusts him.
01:10:07Here, put this on.
01:10:10Wait.
01:10:10Calm down, calm down.
01:10:11Put your hands on me!
01:10:13Stay still, stay still!
01:10:15I'm here to help you.
01:10:19Put that on.
01:10:20It's a nun's habit.
01:10:22It will help you get out of here without being recognized.
01:10:25Yes, you are free.
01:10:28Come on, hurry up.
01:10:29Come on.
01:10:33They are now serving dinners and not patrolling the hallways.
01:10:37But why does he want to set me free?
01:10:39My job is to see what lies beyond people's eyes.
01:10:43You don't have a crazy look.
01:10:45This is not your place.
01:11:05I'm here.
01:11:07Come on.
01:11:09No, no, no, no.
01:11:10Wait, wait.
01:11:10Wait, wait.
01:11:20Now.
01:11:23Come on.
01:11:31Thank you.
01:11:34What is it?
01:11:34He has to go home.
01:11:35Come on.
01:11:45This is the house.
01:11:54But why!
01:11:54But why!
01:11:55But why!
01:11:57But why!
01:11:58But why!
01:12:01But why!
01:12:23I don't see what danger there could be in attending a beauty pageant.
01:12:28The chosen woman is wearing explosives in her dress.
01:12:34Once he's at the Three Arches Inn, they'll detonate it and the French Prime Minister will pass through.
01:12:40to the best life.
01:12:44Why do you want to kill your minister?
01:12:47That's not your concern, Commissioner. Just deliver this letter to him.
01:12:54No. If I'm going to risk my life, I want to know what's in it and what's going on.
01:13:00It is the king who wants to assassinate the Frenchman. And this letter will warn her of the danger.
01:13:06You never know when you might need an ally.
01:13:10And you want me to be the hand that betrays her majesty?
01:13:13He'll never know it's betrayal.
01:13:17If the prime minister doesn't die, don't you think it will raise suspicions?
01:13:22The dress will explode at the agreed time.
01:13:25But just moments before, an unexpected emergency will force the Frenchman to go out into the street.
01:13:31And, oh miracle, he will be saved.
01:13:35You're playing a double game, Your Eminence.
01:13:38Are you having any qualms about your conscience at this point, Commissioner?
01:13:42Because I warn you that if I lose, you lose.
01:13:55I will leave immediately.
01:14:18It goes with her.
01:14:20My son is going to die.
01:14:23Save him.
01:14:25Hernán, please.
01:14:27Go save him yourself.
01:14:29You know that if I get close to him, he'll discover me.
01:14:34Lucrecia, don't you think fate wants your son to die?
01:14:37Forget about him.
01:14:39He cannot die.
01:14:43Well, I'm not going to rescue him.
01:14:46Hernán, Hernán, I beg you.
01:14:50I beg you, Hernán, please.
01:14:52I beg you.
01:14:56Ask me for whatever you want.
01:14:58Whatever you want.
01:14:59Tell his father to save him.
01:15:02I have enough to worry about with my son.
01:15:21The repopulation of the new world.
01:15:23In Christopher Columbus.
01:15:26While I was torn between that husband's shoulder, what the hell?
01:15:29What the hell were you doing?
01:15:31Sato, I've already told you.
01:15:33I had to help a mother in distress.
01:15:35If he stays for an hour, well...
01:15:37Well, he's leaving, that's for now.
01:15:39As custom dictates.
01:15:42But I arrived on time, didn't I?
01:15:43Yeah.
01:15:44But he had placed the knife all over the sausage.
01:15:48So...
01:15:49Enventarlo and not even you, don't put on my underwear.
01:15:53Sato, I'm so sorry for everything that's happened to you.
01:15:55I ask for your forgiveness.
01:15:57Come on.
01:15:58That you have been remembered as the red eagle.
01:16:01But I almost lost that, which is why I am a legend of the seas.
01:16:07You're absolutely right, Sato.
01:16:08No...
01:16:09It wasn't a good plan.
01:16:11No, with all due respect, it was...
01:16:13It was a shitty plan.
01:16:14If it doesn't end in a nuco, well...
01:16:16I would have ended up in the Americas getting married like a soldier, I won't say more.
01:16:20And from now on...
01:16:22An idea I want to put down...
01:16:25Both are brilliant minds.
01:16:26Yours and mine.
01:16:28And under consensus.
01:16:35What are you laughing at?
01:16:36Sorry, Sato.
01:16:37Excuse me, but...
01:16:38I see you with that wig, huh?
01:16:41The mother who gave birth to me.
01:16:43No, if I continue like this, it's going to be more difficult.
01:16:45Forgive him, I'm telling him.
01:16:47I'm sorry, I didn't mean to laugh.
01:16:51No, it's clear that you and I will end up like the Moors and Christians today.
01:16:56So please go and save the rest of the women, because I'll...
01:16:58I'm sticking around here, you know?
01:17:07What is this?
01:17:10That's where the little ones are given.
01:17:16That?
01:17:26That?
01:17:46Thank you!
01:18:06Thank you!
01:18:35Father, by the time you read this I may have died
01:18:41You have taught me to fight injustices
01:18:43Let's fight for a better world
01:18:47I can't close my eyes and pretend nothing is happening
01:18:50I'm going to save the women they're taking to the Americas
01:18:54Thank you for always protecting me, father
01:18:56For trying to understand me
01:19:00If I die, my last thoughts were for you.
01:19:04Because you have made me who I am today.
01:19:07Your son who loves you, Alonso de Montalvo
01:19:33Alonso?
01:19:38I'm afraid
01:20:04They've already been
01:20:05That?
01:20:06No, no, no, no, no, no, no, no
01:21:01Subscribe to the channel!
01:21:33Subscribe to the channel!
01:21:37I need to ask you a favor.
01:21:39Of course, Your Majesty, whatever you wish.
01:21:43I will not do such a thing.
01:21:44Of course you will.
01:21:50You cannot end the life of a war hero like this.
01:21:54He has to die.
01:21:55Divine wrath has fallen upon us and upon our children.
01:21:58Because of him.
01:21:59It's all their damn fault.
01:22:03It's time for our paths to diverge.
01:22:06Together we will go all the way.