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00:00:06I am Captain Patrick Valkas!
00:00:09There appears to be an inscription here.
00:00:11That?
00:00:12Fonte en veritatis.
00:00:13The source of truth.
00:00:16But here, what are you still doing with that entrance you made in the palace gardens?
00:00:20I don't know what an Englishman is doing in Spain.
00:00:21She is the daughter of the Cordoba before.
00:00:23You killed her, daughter.
00:00:27I will organize some games of concord between the English and the Spanish.
00:00:30King Charles will not get out of them alive.
00:00:33The Count of Abrantes hates us.
00:00:35She'll never believe we killed her daughter by accident.
00:00:38The lock might be on the inside.
00:00:42What do you mean that pays the snakes? Get me out of here, please.
00:00:45Don't move.
00:00:47There's something down there.
00:00:49He may prove to be more stimulating than a simple bet
00:00:54You participate in the jousts yourself, facing me.
00:00:59Captain Patrick's.
00:01:01If the Spanish king is slandered in court and dies some time later,
00:01:07No one is going to suspect that the palace was killed.
00:01:09None of the palace servants have seen the daughter of the Counts of Abrantes leave.
00:01:13How can that be?
00:01:15Gonzalo, this is Patrick, Captain Patrick.
00:01:19Leave.
00:01:20Tomorrow I have to get up early, I'm participating in the competition.
00:01:22I love myself too.
00:01:23This is the drawing of the golden bull with which our king will present today to Charles II of England.
00:01:30A man will hide inside.
00:01:32That same night our man will stealthily emerge from inside the bull and kill the monarch.
00:01:40Come with me, England.
00:01:41I will wait for him and we met.
00:01:44Why do you have the other body?
00:01:45What did you want me to do?
00:01:46Hey?
00:01:47It was the only way to blame him.
00:01:49Spaniards look alike in concrete terms.
00:01:51Did the Captain look at himself from his own face?
00:01:58No, no, no, no, no, no, no, no.
00:02:17You've won the day, father.
00:02:19The spear that wounded the king.
00:02:20It's the same one that Captain Patrick later used against me.
00:02:23I think she was poisoned.
00:02:40We have to get out of here.
00:02:42TRUE!
00:02:44Damn ugly ones!
00:02:45Because of you, the king and my sister-in-law are about to die.
00:02:49Yes, how can you save them?
00:03:11Love, we still have many libraries to visit.
00:03:16We want the whole night from one to the other and I shoot because it's my turn.
00:03:22Oh, his!
00:03:23Stop, stop, stop, stop, stop!
00:03:26I'm getting more hemorrhoids.
00:03:31It's a sack of bones!
00:03:32In none of the books I consulted was there a reliable connection between the key,
00:03:37the stone we found and the Templars.
00:03:39And the beetle?
00:03:41The scarab beetle was a sacred animal to the Egyptians.
00:03:44Ah.
00:03:44And it is possible that the Templars arrived in this Egypt with the first crusades,
00:03:48but...
00:03:49These are just assumptions.
00:03:50Okay, okay, okay.
00:03:51Okay, love, I'm getting dizzy.
00:03:53I am incredibly grateful for all that knowledge, but...
00:03:56And our treasure?
00:03:58It is possible that the stone is part of it.
00:04:01Or not?
00:04:04What if by chance...
00:04:08Did we find the treasure?
00:04:09What do you think?
00:04:11That each stone will have a little bug inside.
00:04:13Mainly because it's going to be a hassle to get them out.
00:04:16I have no idea, Sato.
00:04:22Sato, someone's coming.
00:04:28Come on!
00:04:54But these virile men had not yet left.
00:04:56The King of England and his entourage departed yesterday.
00:04:59They must be some stragglers.
00:05:15I still think the eagle should have taught that idiot English captain a lesson.
00:05:21I remind you that he almost killed him.
00:05:24Finally, he told us what the poison was.
00:05:26We're screwed.
00:05:27Because his sister-in-law started acting like a donkey.
00:05:29Otherwise, I would have left him there to die like a dog.
00:05:41Look.
00:05:42If they load the carts to the brim.
00:05:46I'm sure they've ripped us off big time.
00:05:52They will be weapons.
00:05:53Or provisions.
00:05:54Clear.
00:05:54Or the Segovia aqueduct has been torn to pieces.
00:05:58Let's be honest, these English are capable of stealing even the Rock from us.
00:06:03Come on, sir.
00:06:34Or the Segovia aqueduct has done it once.
00:06:40Or the Segovia aqueduct has made a new example of them!
00:06:43No!
00:06:44No!
00:06:46No!
00:06:57We're going to get married.
00:07:14Colombia!
00:07:28Are you going to ride it again?
00:07:32At this rate, you're going to take away my honor of being the best rider in the village.
00:07:36What time did you give me? Should I stay?
00:07:39If you hadn't intervened, I could be a hero now.
00:07:41Or be dead.
00:07:43You were the one who taught me to be brave.
00:07:47There is a big difference between bravery and recklessness.
00:07:50What's the matter?
00:07:53You ride every day until nightfall. You're risking your life for nothing.
00:07:57Nothing's wrong with me. It's just that I'm not a kid anymore.
00:08:01You can tell me anything, anything at all.
00:08:05You know I will support you without reservation.
00:08:08Excuse me.
00:08:10Good morning, sir.
00:08:12Sir, your wife asked me to remind you that you have your meditation sessions today at the convent of the
00:08:17Royal Barefoot Nuns.
00:08:19And who has left?
00:08:20I'll be away for a couple of nights.
00:08:22Did you need it for something?
00:08:24No.
00:08:33What is that noise?
00:08:38I don't know, sir.
00:08:39Maybe some bug has gotten into the chimney and can't get out.
00:08:43It seems this palace has been filling up with vermin lately.
00:08:46Good morning, commissioner.
00:08:48Well, it's a magnificent day for breakfast out.
00:08:52Would you like to join us?
00:08:57Isn't there a noise?
00:09:00No, I don't hear anything.
00:09:05Ah, that. Oh, well, it must be some kind of rat.
00:09:07Oh, they're everywhere.
00:09:10But you shouldn't worry.
00:09:12Do you deal with them every day?
00:09:14No, I don't deal with them.
00:09:16I delete them.
00:09:24Mother, did you hear that?
00:09:25What if it's the girl?
00:09:27It's normal for an animal to be wandering around.
00:09:30After all, there's a dead body.
00:09:34But, mother...
00:09:34It's just a bug, a stupid bug.
00:09:38Bring me some water, please.
00:09:43No, no, no, no.
00:09:50By a hair, my love.
00:09:53Why do you have those cat-like reflexes?
00:09:55Otherwise, that vague sound would go straight to the heart.
00:09:59Do you have any idea who it could have been?
00:10:02I suppose some bandit.
00:10:04But let's not dwell on it any longer.
00:10:05Saturn is ending now.
00:10:06No, not at all.
00:10:07Because that masked man clearly attacked him.
00:10:10I have no enemies.
00:10:11I'm just a teacher.
00:10:13But something must have happened, I suppose.
00:10:15People don't just wake up one day and say...
00:10:17Come on, today I'm going to kill the teacher.
00:10:19Try to remember.
00:10:20There's nothing to remember.
00:10:22Nothing, he says.
00:10:23Well, that'll be a nice memory for him, you'll see.
00:10:29I just don't understand anything.
00:10:31Because there is Isla Roja, there are many people who will hold a grudge against you, but not you.
00:10:35So she'll tell me where we start.
00:10:37Nowhere, Saturn.
00:10:39Leave it now.
00:10:40With your mouth, if you don't mind.
00:10:43No.
00:10:43Nothing.
00:10:44Okay.
00:10:46And don't complain, it's nothing.
00:10:50Okay, we have this.
00:10:53This is something, isn't it?
00:10:55A lazy woman.
00:10:57And anyone can have it.
00:10:58No, not just anyone.
00:11:00This isn't from a thief, seriously.
00:11:02With these little bows here.
00:11:04Who has robbed me with this?
00:11:09Have you noticed that it has a symbol?
00:11:13Do you recognize it?
00:11:15No.
00:11:17I had never seen it before.
00:11:24Didn't you know there were parties in the neighborhood?
00:11:27There aren't any.
00:11:31That?
00:11:48And how will they prevent their swords from falling?
00:11:56Don't you think I find it hilarious when people don't lift a finger?
00:12:01But are they artists?
00:12:02Yes, they call anything an artist, okay?
00:12:05A bunch of lazy bums, that's what they are.
00:12:16Mother, look.
00:12:19Mother, the memories that seeing them brings back.
00:12:22I once met a contortionist,
00:12:25He did some weirder things,
00:12:27She raised one leg, twisted it,
00:12:29She climbed onto the other one and her whole tent was visible...
00:12:31we get the idea.
00:12:34What do I mean?
00:12:34He did some very...
00:12:36very artistic.
00:12:37But what?
00:12:38How are they putting everything together?
00:12:39We need to see who will clean it.
00:12:41Well, Cipriano, of course,
00:12:43You're more of a funeral person than a party person.
00:12:45Roberto, look,
00:12:46But this sticks to the ground.
00:12:46because then nobody can remove it.
00:12:55Already!
00:13:01It's an Asian elephant.
00:13:13Asian?
00:13:15How do you know that?
00:13:17If he doesn't have squinty eyes or anything.
00:13:20The Asian elephant is a little smaller than the African elephant.
00:13:23Besides,
00:13:23Her back is a little more curved.
00:13:26Only the males have fangs.
00:13:28Can I go closer and touch it?
00:13:30No, son.
00:13:31It could be dangerous.
00:13:33My trunk gives it to me, huh?
00:13:35And he will paint it, Cipriano.
00:13:38It would be better if we didn't bring it into the house.
00:13:40He's getting me very close, isn't he?
00:13:41It would be better if we went inside.
00:13:44How beautiful!
00:13:45How beautiful!
00:13:47A dagger.
00:13:48Anyone can have it.
00:13:50Not just anyone?
00:13:51This is not dubbed, seriously.
00:13:52There are no tolacitos here.
00:14:07Hail Mary, full of grace?
00:14:08conceived without sin.
00:14:10What have you sinned, daughter?
00:14:14There is nothing that our Lord cannot forgive.
00:14:18I killed a young woman.
00:14:22But it was an accident.
00:14:25It was unintentional.
00:14:28I loved him, father.
00:14:31That is a very serious sin, daughter.
00:14:34Even if he now imposes a penance upon him, he will always carry it with him.
00:14:38Help me, Father.
00:14:40Please help me.
00:14:43Pray fervently every day and repent sincerely.
00:14:47May God help her.
00:14:49Ego te absolve a pecatis tuis, in nomine Patris, et Fili, et Spirits Santi.
00:14:55Amen.
00:14:57Amen.
00:15:23Hail Mary, full of grace.
00:15:28Excuse me, son, but I should be the one saying that.
00:15:31Not in this case.
00:15:33I've come to listen.
00:15:36I am his confessor.
00:15:38As?
00:15:40I want to know what the woman who just left here told you.
00:15:43I'm sorry.
00:15:44I am under a seal of confession.
00:15:47Perhaps he should reconsider his answer.
00:15:52But I will be condemned forever.
00:15:55Then he will have to decide who he prefers to be his executioner.
00:15:58God or me?
00:15:59I can't do it.
00:16:03I am sure that he desperately wants to meet with the Lord.
00:16:06But perhaps not so soon.
00:16:07Or is it?
00:16:22Or is it?
00:16:38Damn, the mess the elephant's made! He's left a pile of dung in the middle of the street, if it falls...
00:16:42We couldn't find my Gaby inside.
00:16:45He left Cipriano there with the shovel.
00:16:47What's gotten into men now with cleaning?
00:16:49Well, he's going to be there all day.
00:16:52Is something wrong?
00:16:54Look at the symbol.
00:16:56All the artists wore it on the sleeves of their clothes.
00:17:01One of them attacked me.
00:17:07But what he says makes no sense at all.
00:17:09And why would a street performer want to attack you?
00:17:14They don't even know him; they've just arrived in the village.
00:17:18Don't know.
00:17:19Have you ever been an artist?
00:17:22I mean, in their past lives, when they did so many things.
00:17:26This time I'm just as surprised as you are, Satur.
00:17:31Damn it, you don't get hit by an enemy who isn't normal.
00:17:35Now a street performer.
00:17:37Or worse, a fire-eater.
00:17:47Gonzalo de Montalvo?
00:17:48It's me.
00:17:52Thank you.
00:17:57Whose is it?
00:17:59Now we'll know.
00:18:10Bad news, love.
00:18:25What's wrong with him?
00:18:28Has anyone died?
00:18:32It belongs to Margarita.
00:18:37Dear Gonzalo, I am writing you this letter because I don't have the courage to tell you face to face.
00:18:43I'm going to England with Captain Patri to start a new life.
00:18:48I think it's the best thing for me.
00:18:50I hope you don't hold a grudge against me.
00:18:53Say goodbye to everyone for me.
00:18:54A hug.
00:18:58What has gone with English?
00:19:00Just like that?
00:19:02What am I doing in my black image, Cipriano?
00:19:05What the heck is going on in this house?
00:19:07Why can't anything go right?
00:19:15Because?
00:19:22No, no, no.
00:19:24No, no, no.
00:19:47I'm not here.
00:19:50I'm not here.
00:19:55I'm not here.
00:19:56I'm not here.
00:19:58I'm not here.
00:20:08Please get me out of here, get me out of here, get me out of here.
00:20:10It was the only way you would come with me, I'm sorry.
00:20:17Please get me out of here, please, and I have a family, please.
00:20:23They sent a letter in your name to your brother-in-law.
00:20:26It was a farewell letter.
00:20:28As?
00:20:30You've probably already received it.
00:20:32No.
00:20:34No, they're coming to rescue me.
00:20:37They won't stop until they find me.
00:20:39Gonzalo won't believe that letter is from me.
00:20:41In the army we have people specialized in copying any handwriting.
00:20:45Yours was copied from this note.
00:20:52But what do you want from me?
00:20:55Macarita, I never thought I'd be capable of doing anything, nothing like this, but...
00:21:06I couldn't not see you again.
00:21:08But you don't even know me.
00:21:10I wish I had had time to do things differently, but there was no other option.
00:21:15What are you taking about?
00:21:18I already told you.
00:21:20I want you to come with me to England.
00:21:24No, no, I'm not going anywhere with you.
00:21:27Please give me the opportunity to prove that everything I say is true.
00:21:31He kidnapped me.
00:21:34Macarita, you...
00:21:35You will learn to love me.
00:21:37I'm sure.
00:21:40Why are you doing this to me?
00:21:43You're not ready now, and that's normal, but...
00:21:46But you will be.
00:21:49Believe me.
00:21:55You never listen to me.
00:21:57You will never be able to force me to do whatever you want.
00:22:02But for me, the only thing you are and always will be is my jailer.
00:22:06You'll change your mind.
00:22:08You'll see.
00:22:10You'll realize that no one will ever love you as much as I do.
00:22:39I'm sorry, sir, but we couldn't find the Count of Abrantes' daughter.
00:22:42Have you looked in the garden?
00:22:44We need to check if they have recently moved earth.
00:22:46They may have buried him.
00:22:48We've looked inch by inch, sir.
00:22:50This is the third time we have searched the palace.
00:22:53Even if you have to register it a hundred times.
00:22:55I'm telling you that girl's body is here and I need it.
00:23:01Excuse me, sir.
00:23:02I came to put these flowers.
00:23:10Juan.
00:23:12What a pleasure, finally.
00:23:13What silence.
00:23:16What are you talking about?
00:23:18No, what...
00:23:19Isn't that great?
00:23:21That little noise that used to come from the chimney is gone now.
00:23:24It looks like the rat has either died or found a way out.
00:23:33Sir, excuse me.
00:23:34Did I say anything inappropriate?
00:23:37None of the palace servants have seen the daughter of the Counts of Abrantes leave.
00:23:40How can that be?
00:23:43I'll be sure when I finish questioning the stable boy and the gardener.
00:23:46The daughter of the Count of Abrantes died here.
00:24:00Sir, sir, what are you doing?
00:24:02Stop.
00:24:04Stop, stop, go straight away, stop.
00:24:07I'm hunting a rat, remember?
00:24:09No, I demand that you stop.
00:24:10This is my palace.
00:24:11No, not you.
00:24:13You're not going to tear that down.
00:24:14No, there isn't any left.
00:24:16No.
00:24:25No.
00:24:28Sounds good, right?
00:24:30No.
00:24:58Thank you!
00:25:29Thank you!
00:26:15Thank you!
00:26:46Thank you!
00:27:09Thank you!
00:27:33Thank you!
00:27:34I'm going to sleep.
00:27:37Good night, son. Good night.
00:27:50Father.
00:27:54She left because she wanted to. It's not your fault.
00:28:32This cannot continue.
00:28:35This seemed like the final scene, but without wine.
00:28:40Look, if you want, we can get completely wasted. I'll help you, okay?
00:28:46Say something, for God's sake.
00:28:48And what do you want me to say?
00:28:49Well, I don't know.
00:28:51Anything but stand there mired in the mud staring at the bowl.
00:28:56I prefer not to talk about the subject, Sato.
00:29:02No, of course, I don't want to talk about it. You'd rather be out in the mountains.
00:29:06The horse arrived spewing pumaras from its mouth that almost burst it.
00:29:11If you want, we can spend all night going over it.
00:29:15Margarita is not coming back.
00:29:18But how did we not realize that the English thing was serious?
00:29:22If we tie ourselves to too many things.
00:29:25I did notice.
00:29:27As?
00:29:30I heard him asking her to go with him to England.
00:29:34And you did nothing?
00:29:36My dark image should have shattered that Englishman's soul.
00:29:41And what good would that have done?
00:29:44Well, I don't know.
00:29:46Tracing the turtle won't do you much good either.
00:29:49Once you go in there, nobody can get you out, not even with a gun.
00:29:53I never thought it would be with him.
00:29:56Hello.
00:29:57Hi, Gabi.
00:29:59There's Alonso.
00:30:02He's in the room.
00:30:04So soon?
00:30:06She told me about her aunt Margarita and...
00:30:09I don't know. I just wanted to see how he was.
00:30:13Alonso will be happy to see you.
00:30:16And I don't think he's sleeping.
00:30:22Gami!
00:30:24Son.
00:30:25Gabi, are you okay?
00:30:32Thank you!
00:30:46Thank you!
00:30:50Thank you!
00:30:57Thank you!
00:31:01Thank you!
00:31:07Thank you!
00:31:15Thank you!
00:31:17Thank you!
00:31:28Thank you!
00:31:40Thank you!
00:31:57No, no, no, calm down, calm down, calm down, I'm not going to hurt you, calm down.
00:32:03Miss Irene, is God here?
00:32:09Don't know.
00:32:12I don't know, I don't know.
00:32:38Will he be okay?
00:32:41Yes, son.
00:32:42It's a superficial wound; luckily the bullet only grazed it.
00:32:47Now he needs to rest, and so do you.
00:32:51Come on.
00:32:58I'll kill him, I love him.
00:33:00If I catch the person who did this to my son, I'll kill him.
00:33:03Calm down.
00:33:04No, don't calm down or anything like that.
00:33:06I'll kill him without blinking, I'm warning you.
00:33:09That bullet was meant for me.
00:33:14They wanted to kill Satur.
00:33:17And the gun barrel pointed at me just before it fired.
00:33:22He was right.
00:33:23And what good is it to me to be right?
00:33:25And what good is it to me to be right?
00:33:25I almost had to bury my son today.
00:33:29I should have taken more precautions.
00:33:31Of course.
00:33:32Instead of being out there eating themselves up inside.
00:33:36So what's the point?
00:33:37Can you explain it to me?
00:33:39I'm sorry.
00:33:40No, no, no, no.
00:33:42It's no use to me, love.
00:33:43It's no use to me.
00:33:44He's doing things very badly.
00:33:46I know.
00:33:49Focus!
00:33:51He's going to end up dead.
00:33:53Why doesn't she realize that this man won't stop until he kills her?
00:34:06Forgive me for yelling at you.
00:34:08My nerves are completely shattered.
00:34:11You have nothing to apologize for, Satur.
00:34:18We only have one dagger and it leads us to the wandering camp.
00:34:23You won't find anything there, love.
00:34:25Because?
00:34:27Because those people are very much their own people.
00:34:29It's like a family.
00:34:33They don't give away clothes unless it's from the trade.
00:34:38Someone has tried to kill me twice.
00:34:42There will not be a third one.
00:34:57Mother, are you feeling better?
00:34:58Yes, yes.
00:35:00Mother, you have no idea how scared you've made me.
00:35:03Next time, let's be careful with sedatives; they're not child's play, you know?
00:35:09I haven't slept for a few days, son.
00:35:12I...
00:35:12I locked her in there.
00:35:15I locked her in there.
00:35:17And now he's gone.
00:35:19He's going to come for me.
00:35:20Calm down.
00:35:27What are you going to do with this?
00:35:29It's become a little.
00:35:29I have to defend myself.
00:35:33That's precisely what I wanted to talk to you about.
00:35:36I think there's a simpler explanation for all of this.
00:35:39The girl was probably not dead and somehow managed to get out of the chimney.
00:35:44But what if you're right and she tells her father to hang her from the chimney?
00:35:47We're going to shit on the gallows.
00:35:50Mother, she was hurt.
00:35:51It has to be around here somewhere.
00:35:52I'm going out to look for her, okay?
00:35:53Trust my mother.
00:35:54I'm going to find her.
00:35:57But if you find her, you'll have to kill her.
00:36:04I'll do what I have to do.
00:36:17What are you doing in my bedroom?
00:36:19They are repairing the chimney.
00:36:21That does not excuse his behavior.
00:36:23I'm seriously considering throwing him out of my palace.
00:36:28I know what he did.
00:36:30What did you say?
00:36:33One is bitten by the gnawing pain of one's sins.
00:36:36Then he goes to the confessional and opens his heart to God, believing that He is the only witness to his wickedness.
00:36:41But that's not the case.
00:36:43The priest told me.
00:36:45Sooner or later the young woman's body will turn up and then it will all be over.
00:36:49I don't know what you're talking about.
00:36:50I have come here to give you and your son the chance to be saved from the gallows.
00:36:54But as you well know, everything in life has a price.
00:36:57I want them to disappear.
00:36:58Let Nuño become the Marquis of Santillana again.
00:37:02If he agrees to that, the young woman's body will never be found.
00:37:06I guarantee it.
00:37:08But who does he think he is to accuse me like that?
00:37:12There's nothing wrong with you, do you hear me?
00:37:14Nothing!
00:37:15Get out of my room!
00:37:16Out!
00:37:17He has made the worst possible decision.
00:37:37It has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing
00:37:39nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing, no
00:37:39It has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing
00:37:39has nothing, has nothing, has nothing, has nothing, has nothing, has nothing, has nothing, has nothing,
00:37:39It has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing
00:37:39nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing, it has nothing, no
00:37:46It has nothing, it has nothing, no
00:38:11And do you always have such good aim?
00:38:14You know what you have.
00:38:19We'll be waiting for you in the room, handsome.
00:39:04The show is over.
00:39:06Is it yours?
00:39:07Why do you want to kill Gonzalo de Montalvo?
00:39:09I don't know what you're talking about.
00:39:11I'm talking about the man they were trying to kill with this dagger.
00:39:14They stole that knife from me.
00:39:16I haven't done anything.
00:39:17I swear I don't know who that man is.
00:39:18And why should I believe you?
00:39:20Please let me go.
00:39:22I don't know who Gonzalo de Montalvo is.
00:39:24Please, I swear, let me go.
00:39:45Please let me go.
00:40:18Please let me go.
00:40:19Yeah.
00:40:26We were going in my carriage towards the convent and suddenly we stopped.
00:40:32And suddenly some masked men came and pushed me out.
00:40:38And now you know this
00:40:43But they won't have done anything to you, Miss Irene
00:40:46Hey?
00:40:51But then they take me to England too.
00:40:55I wish I knew
00:40:57I don't understand, why have they caught us? Why?
00:41:01I don't know you
00:41:13Who is that girl? What is she doing here?
00:41:16The king's order, sir
00:41:18The king's order?
00:41:20Why haven't I been informed?
00:41:33What's happening?
00:41:35Margarita, what are you talking about? Why were you pointing at her?
00:41:38Margarita, this doesn't match up with you.
00:41:40Why are you keeping us locked up? We haven't even left the country.
00:41:44He had orders to wait at that castle.
00:41:47And now I know why.
00:41:48Apparently we were waiting for her
00:41:51Me?
00:41:54What do they want from me?
00:41:56You belong to the King of England
00:41:59Margarita, I'm sorry
00:42:00I didn't know anything
00:42:02I promise
00:42:12I've been kidnapped to be the king's blanket.
00:42:18Take off your clothes, miss
00:42:22Come on, hurry up!
00:42:23Or does he want to end up in the king's bed?
00:42:25Because you need it
00:42:27I'm going to make a rope to get out this way, through Fontana.
00:42:36I prefer to die facing what awaits me
00:42:41Come on
00:42:43Come on
00:42:43No, no, no, no.
00:43:09Catalina. Catalina.
00:43:32What happened, Mother? Who shot the maid?
00:43:35I.
00:43:37Why? What has he done?
00:43:40It was an accident.
00:43:54Ma'am, you need to call a doctor.
00:43:58Please, Catalina is dying.
00:44:01Get her out of here. I don't want her to die in my palace.
00:44:04But, ma'am, if we move it, it'll have breakfast.
00:44:07You heard me. Get her out of here.
00:44:10Come on, get out.
00:44:13Carefully, carefully.
00:44:27What happened?
00:44:30The lady's gun went off.
00:44:37Does he now hunt servants in the early hours of the morning?
00:44:40No. I heard noises. I thought it was a burglar.
00:44:44Now it was a common maid?
00:44:45Nerves can play tricks on you.
00:44:48It was an accident.
00:44:49Don't look where there is nothing.
00:44:52There's nothing for now.
00:44:54It's only a matter of time before he finds the body of the Count of Abrantes' daughter.
00:44:58And when they do, their heads will roll in the town square.
00:45:03I'm not going to sleep.
00:45:05I hope you can get some sleep.
00:45:21Will it advance?
00:45:22Well, I don't know.
00:45:29I'm going to do it.
00:45:31It won't hold up.
00:45:33There is a lot of distance to the ground.
00:45:35There is no other way.
00:45:42You'll kill yourself.
00:45:50It will be a better destination than the one that awaits me in England.
00:45:53You don't have to risk your life.
00:45:55Let me go first.
00:45:56No.
00:45:57I'll go.
00:45:59I am your lady and I command you.
00:46:03Now we are equal.
00:46:06Go, miss.
00:46:14Luck.
00:46:16Luck.
00:46:29Luck.
00:46:36No, no, no!
00:46:38Get her down from there!
00:47:06What happened, love?
00:47:08Have you discovered his killer? Who was it?
00:47:12How is Gaby?
00:47:14Better, much better.
00:47:18Have you found it or not?
00:47:20No.
00:47:22I thought he was the knife thrower, but I was wrong.
00:47:25I've been questioning him, but it's not him.
00:47:28I have him detained.
00:47:30And what are you going to do now?
00:47:33Well, I'll go to the place where the artists are camped.
00:47:36Very good.
00:47:38Very well, that way you can spy on them.
00:47:40And look him straight in the face.
00:47:42Perhaps some of them sound familiar.
00:47:44No.
00:47:45What I want is for them to be the ones who see me.
00:47:50Now I'm really lost, love.
00:47:54I'm not going dressed as Red Eagle,
00:47:56but as Gonzalo de Montalvo.
00:48:00As a teacher?
00:48:03But you've lost your mind.
00:48:05They're going to recognize it.
00:48:07That's what I want, Satur.
00:48:09Coming face to face with the killer.
00:48:11But it's going to be a piece of cake for him.
00:48:13That's like, like, like, like...
00:48:15If a lamb enters a butcher shop, it will not leave.
00:48:18Satur, the killer has already entered my house.
00:48:21I can't waste any more time.
00:48:23But it's not a matter of going straight into the lion's den either.
00:48:26All I need to do is tell you where you want me to stick the knife in you.
00:48:29If I am the one who approaches him, I am removing the danger from my people.
00:48:32But he doesn't realize that he's going to blind you.
00:48:37I know.
00:48:40But that plan makes no sense at all.
00:48:43As soon as he realizes he's the killer and sees him, he kills him.
00:48:47With how much he wants it.
00:48:48Satur, I remind you that they almost killed your son.
00:48:55Whoever wants to kill me, let them kill me.
00:48:59But on their own turf.
00:49:01Far from home.
00:49:25Far from home.
00:49:30I know.
00:49:32I know.
00:49:34I know.
00:49:39I know.
00:49:41I know.
00:49:43I know.
00:49:45I know.
00:49:46I know.
00:49:59What happened?
00:50:01The woman's gun went off. It was last night.
00:50:08How are you doing?
00:50:11Evil.
00:50:15Have you seen a doctor?
00:50:19No.
00:50:22Because?
00:50:24Where is it here on the street?
00:50:26Yeah.
00:50:27I've kept her in the servants' quarters until now.
00:50:30I tried to take care of her, but they forced me to take her out of the palaces.
00:50:34In this country.
00:50:34See you!
00:50:43See you!
00:50:45No.
00:50:45Don't do me justice!
00:50:46They've fired!
00:50:47What are you taking about?
00:50:49They haven't even called a doctor.
00:50:51She has been kicked out of the palace.
00:50:53Ah, the maid.
00:50:55Is he going to die? Isn't he going to do anything?
00:50:59Don't worry.
00:51:00In the eyes of the law, that maid's life is worth as much as a dog's.
00:51:16Yes, pick it up.
00:51:19Cipri!
00:51:23Cipri!
00:51:34Love, we still have time to turn around.
00:51:37You came here like this, in your own body, without a katana or anything.
00:51:40I know what I'm doing.
00:51:43If only he'd at least put a couple of those stars in his crotch, just in case...
00:51:47Don't leave me.
00:51:50Have you brought everything we need?
00:51:52Yeah.
00:51:54What a great idea, pretending to be an artist.
00:51:59They will need a knife thrower.
00:52:02The other one will be away for a while.
00:52:16With that cultish look you have, don't you pass as an artist?
00:52:22We're going to do things right.
00:52:24Look.
00:52:26I brought him this vest that I kept from my acting days.
00:52:29It's not necessary.
00:52:31Listen to me, listen to me...
00:52:34I know perfectly well what the parody is all about.
00:52:42Let's see if this helps...
00:52:44De chura.
00:52:50What is this? Something a clown would do?
00:52:58Perfect.
00:52:59Now it's really happening.
00:53:00Come on, let's go.
00:53:11They haven't cleaned this up yet.
00:53:13Peaceful.
00:53:14I am going to order that the servants be flogged.
00:53:15Why does that matter now?
00:53:20Mother, why hasn't the commissioner agreed and we've left here?
00:53:23What are you saying?
00:53:25If I have to choose, I prefer life to the title.
00:53:30I've poured my heart and soul into getting here, to this palace.
00:53:33And they'll have to carry me out feet first.
00:53:36And you will be here with me until the end.
00:53:41Mother, I'm fed up with you deciding everything for me.
00:53:44You're not in your right mind.
00:53:45He has killed one person and shot another.
00:53:47Obey me.
00:53:48You are my son.
00:53:49I don't intend to let them execute us.
00:53:51I'm going to talk to the commissioner right now.
00:53:53I've swallowed a lot to be here.
00:53:55And I don't intend to go back to the misery of before.
00:53:58You understood me.
00:54:00And if I have to lock you up to prevent you from speaking to the commissioner, I will lock you up.
00:54:05Don't doubt it.
00:54:07Son.
00:54:35Mother, you've never spoken to me like that before.
00:54:45Good afternoon.
00:55:06Let's go up!
00:55:34You all have a killer face.
00:55:40Who's the boss here?
00:55:43I.
00:55:46I'm looking for a job.
00:55:48What can you do?
00:55:49I throw knives.
00:55:54Hey, Bernardo's back.
00:55:57Drunk again, as usual.
00:56:01Okay, surprise me.
00:56:09Stand here.
00:56:11I?
00:56:13Yeah.
00:56:15I'm warning you that we're very demanding.
00:56:18We perform in the best houses.
00:56:21Saturn, blindfold me.
00:56:24As?
00:56:27Don't worry.
00:56:41Would you like me to leave a small opening so you can see something?
00:56:44No.
00:56:52Position yourself and put this on your head.
00:56:57Don't you happen to have a melon?
00:57:24What if I had it now?
00:57:33Stop! Stop! Stop!
00:57:35I don't know yet?
00:58:08Aonso! Aonso! What are you doing?
00:58:12He's not coming back
00:58:15Son
00:58:19Your aunt has gone her own way
00:58:22And even if we don't understand it, we have to respect it.
00:58:27Let me see
00:58:41One day you too will leave
00:58:48Yeah
00:58:50But at least I'll say goodbye to my family.
00:58:58Why didn't he even say goodbye?
00:59:04Son
00:59:05Your aunt loves you so much that she hasn't even had the strength.
00:59:07Saying goodbye to you
00:59:10Sorry if I'm interrupting
00:59:28It's going to be hard to get the boy back, huh, love?
00:59:32Oh my god, how much Mrs. Margarita has stopped folding our clothes!
00:59:37She has the right to live her own life
00:59:39Yes, sure, but things aren't like that.
00:59:42This has been like a blow from an axe
00:59:49Have you also had a few run-ins with those artists who...?
00:59:53Because?
00:59:55Why?
00:59:57I almost stabbed myself right in the head with a knife
01:00:00And on top of that, with his eyes covered
01:00:02And with his killer still lurking around.
01:00:04I haven't shit myself, it's a miracle.
01:00:06There were too many people around for him to try to kill me.
01:00:10He will wait until he is alone
01:00:15They left this note on your door for you
01:00:33It just can't be
01:00:36I'm not scared, for God's sake, what's going on?
01:00:40I know who wants to kill me
01:00:42And who is he? Do you know him?
01:00:46My daughter
01:00:51What do you mean, your daughter?
01:01:17I've been told he's summoned me
01:01:20Indeed
01:01:22Please sit down
01:01:23I would like to speak with you
01:01:25I'm fine standing up
01:01:25It's going to be a short conversation.
01:01:28This palace is very big
01:01:30Why can't we live together in peace?
01:01:32I prefer solitude to bad company
01:01:34You know I can be of use to you.
01:01:37That is the basis of our relationship
01:01:40I am the commissioner of this town
01:01:42And murderers pay for their crimes
01:01:44I have no preference in that.
01:01:46I am a man of honor
01:01:47No, and I don't plan to ask them either.
01:01:49But the fact is that today
01:01:50It has neither a murderer nor a corpse.
01:01:51Why doesn't he just forget about it?
01:01:53You know I can have a bad memory.
01:01:57Leave the palace and never return.
01:02:01Alright
01:02:02You win
01:02:04My son and I will leave here
01:02:07Cheers, Commissioner
01:02:32What poison did he plan to use to kill me?
01:02:34The killers need to be cold-blooded.
01:02:36I saw the anxiety in their eyes
01:02:41Lady
01:02:43They have taken Mr. Jacob away
01:02:44As?
01:02:46He has been kidnapped
01:02:49What have I done with it?
01:02:51I assure you that I have nothing to do with it
01:02:53Give me back my son
01:02:54Give me back my son!
01:02:56I'm afraid that this time
01:02:57You'll have to solve it yourself.
01:03:21It just can't be
01:03:25And now you have a daughter?
01:03:29He wants to kill him
01:03:31On top of that
01:03:34But why didn't he tell me anything?
01:03:36If I had known I had a daughter
01:03:37I would have taken care of her
01:03:38That's for sure.
01:03:40Because you're not one to shirk your responsibilities.
01:03:43Apparently, his mother
01:03:45I don't speak very highly of you.
01:03:48Who have I hurt so badly that they want to kill me?
01:03:51No, you are incapable of harming anyone.
01:03:55That's why I'd stake my life on it...
01:03:58Whatever it takes
01:04:00He hates me
01:04:04I need to talk to her
01:04:08Then be careful.
01:04:10And don't let your guard down just because she's your daughter.
01:04:14Because of the preliminaries they have had
01:04:16It seems to me that he doesn't want to have a very friendly conversation with you.
01:04:21I have to find her
01:04:26Do you want us to make a cocri?
01:04:29Look back and do the math.
01:04:32What numbers do you want me to do?
01:04:34You see, the math is very easy.
01:04:36Since I have been at your service
01:04:38You've only slept with that Eve.
01:04:39And it was four days ago, so to speak.
01:04:43Satur, I also have a past
01:04:46Everything is possible
01:04:48Because before you married Mrs. Cristina
01:04:52I suppose that sometime, well...
01:04:55No?
01:05:10Sorry, I didn't know who to tell.
01:05:13Marta, what happened?
01:05:15They have taken Mr. Jacob away
01:05:17And I think it's been simple
01:05:19He's gone crazy about Catalina.
01:05:22What's happening to Catalina?
01:05:23I have...
01:05:25He's been shot
01:05:27It's very bad.
01:05:41Come on
01:05:45Look
01:05:49Please, please, it's the Count of Abrazo, it's true, I swear we didn't mean to.
01:05:54an accident, we didn't mean to kill my daughter, I'm not here for a noble cause, not even
01:06:00You called a doctor, he said, that's a great love, please, please, don't do this to me
01:06:15Everything that follows me, please
01:06:25You've already taken away what I loved most
01:06:59Subscribe to the channel!
01:07:23Grab it!
01:07:27Kill him! I want him dead!
01:08:01Subscribe to the channel!
01:08:27And the land will be very far away and surrounded by sea.
01:08:34Well, it's going to be difficult to escape from there.
01:08:37Impossible.
01:08:43I'm going to be the English king's whore.
01:08:50My fate will be no better than yours.
01:08:54I'm going to be a captain's mistress.
01:08:57But at least he's in love with you.
01:09:00He will respect you.
01:09:01He will give you everything you ask for.
01:09:04I'm not looking for a life of luxury.
01:09:07Perhaps it is difficult to understand because of his noble status.
01:09:16Sorry.
01:09:21I just wanted to cheer you up.
01:09:25Our lives are going to change from now on.
01:09:28We have to accept it.
01:09:32My husband isn't going to cry when I leave.
01:09:36She'll easily replace me with someone else.
01:09:39I couldn't even say goodbye to them.
01:09:45And never see their faces again.
01:10:00For you.
01:10:02Captain Patrick will depart.
01:10:14You're not going to open it.
01:10:17You're not going to open it.
01:10:18I don't want anything from him.
01:10:34It's a wedding dress.
01:10:53They killed her.
01:10:56They killed her.
01:10:58I still feel your pulse, Cipri.
01:11:01We must have hope.
01:11:06Have you found a doctor, master?
01:11:07No.
01:11:08How are you doing?
01:11:12The bullet must be removed before the wound becomes infected.
01:11:14I know a barber in Alcala.
01:11:17How much time do we have left?
01:11:18No, Sato.
01:11:19It needs to be done now.
01:11:23Sato.
01:11:24Heat the tip of this knife over the fire.
01:11:26I'll do it.
01:11:33Save.
01:11:39It's because it has an owner.
01:11:41Thank you.
01:12:15Sato.
01:12:16That?
01:12:17The chamber pot.
01:12:19Yeah.
01:12:29Cipri.
01:12:30Bring alcohol and clean rags.
01:12:34Cipri.
01:12:35Alcohol and clean rags.
01:12:37Yeah.
01:12:41Sato, you stay here.
01:12:45I'm coming back.
01:12:46I have to find my daughter.
01:12:47Love, I'm going with you.
01:12:48I remind you that your daughter almost murdered you twice.
01:12:52Cipri will no longer take care of Catalina.
01:13:01And you just blurted it out like that, out of the blue?
01:13:03No, I don't know.
01:13:03She had a blindfold on.
01:13:05I only heard noises of fighting, and when I took it off
01:13:07I've seen a few of our guards dead.
01:13:10Oh, my son.
01:13:14What is this?
01:13:15We're leaving, Mom.
01:13:17Since we arrived at this palace, nothing but misfortunes have befallen us.
01:13:20No, son.
01:13:21No.
01:13:21Mother, I was much happier before.
01:13:26No, Jacob.
01:13:27Jacob.
01:13:34My men found her tonight in the woods.
01:13:54Perhaps this room will help you remember something.
01:14:00Do you remember anything?
01:14:02Something?
01:14:03Something?
01:14:09I know you.
01:14:15I have never been able to stop her.
01:14:20I was furious.
01:14:27We argued.
01:14:29Because?
01:14:37What are you saying, miss?
01:14:42I don't remember.
01:14:44Did he hit her?
01:14:45Did he do something to her?
01:14:50I don't remember.
01:14:53Look at that chimney.
01:14:55She remembers having seen it before.
01:14:58That?
01:15:02I don't remember anything.
01:15:03I'm sorry.
01:15:06Take her to her father.
01:15:07He needs to rest.
01:15:09Yes sir.
01:15:10Miss.
01:15:18Sanctuary.
01:15:20I already told you, commissioner.
01:15:23I had nothing.
01:15:26Neither murderer nor corpse.
01:15:28Never trust a priest who reveals the secret of confession.
01:15:41Son.
01:16:01How will he recognize his daughter?
01:16:04Don't know.
01:16:06Well, if he takes after his mother and doesn't know who his mother is, we're in trouble.
01:16:13I don't think there are that many women among artists, Satur.
01:16:20Come on.
01:16:33What if it's the Chinese one?
01:16:36Stay here.
01:16:51You're back.
01:16:54You abandoned my mother.
01:16:56Because of you, you have gone on living.
01:16:59Who is your mother?
01:17:01Zhaurin.
01:17:03Zhaurin.
01:17:05No!
01:17:14You are not my daughter.
01:17:16You can't be.
01:17:17I never slept with your mother.
01:17:18I never touched her.
01:17:19No!
01:17:23No!
01:17:44Join us.
01:17:45What are you doing?
01:17:46Where to?
01:17:46What's happening?
01:17:47What do they want?
01:17:50Take her away!
01:17:51Let go of the little mare!
01:17:51Let me go!
01:17:52No!
01:17:52What do they want?
01:17:53Aquita!
01:18:08What are they going to do with her?
01:18:09Don't worry about her, they're not going to hurt her.
01:18:12Where are they taking her?
01:18:13I just wanted to be alone with you
01:18:17Why? What are you going to do to me?
01:18:19Nothing
01:18:20No, I'm not that type of man.
01:18:21You have nothing to have
01:18:27Have you seen the dress?
01:18:33What are you trying to do?
01:18:35I want to do things right with you, Margarita
01:18:38I'm not going to marry you!
01:18:41I will look for a priest
01:18:44We will get married in this very castle.
01:18:48When I have everything ready
01:18:54I want us to arrive in England as husband and wife.
01:19:02We met when I was working at a restaurant
01:19:05I had just arrived in China and she helped me a lot
01:19:09We became very good friends.
01:19:12I've been looking for you for years
01:19:14And in the end
01:19:17You are not my father
01:19:19You can stay at my house if you want
01:19:24I have to keep looking
01:19:26I prefer to go my own way
01:19:30Revenge never helps us feel better
01:19:33I'm telling you from experience.
01:19:37Bye
01:19:40Bye
01:19:54Goodbye, Chen
01:19:56Poor thing, what a trip she's had, pal
01:19:59Go home
01:20:01I cube it
01:20:02Yes, man
01:20:03As if you could just leave her here alone
01:20:06A bad thought might cross his mind.
01:20:08And he jumps off a cliff
01:20:10What if we continue investigating the stone with the beetle?
01:20:13It's better to think about work
01:20:14And stop dwelling on what can't be fixed.
01:20:20Go home
01:20:21I'm just saying that if you start with a riddle...
01:20:25Mrs. Margarita will surely forget about it.
01:20:32All I wish is that she's happy wherever she is.
01:20:37England is very far away
01:20:40By?
01:20:41Because we could take the kid and stand there
01:20:44To look for the lady
01:20:46Satur
01:20:48We begin with Canterbury itself
01:20:51Since we don't know where it is
01:20:53And if we see her, we'll pretend to bump into her.
01:20:55Damn it, Mrs. Margarita, what are you doing here?
01:20:59Maybe his sister-in-law is reconsidering things.
01:21:05We need to start forgetting her, Satur
01:21:20That stone is the key to the greatest treasure ever known.
01:21:23Free me and I will take you to him
01:21:25I don't plan to get you out of my mind
01:21:26I will never marry you
01:21:28Can you hear me?
01:21:29Never
01:21:30Hello, I am Jacobo, the Marquis of Santillena
01:21:32What are you doing introducing yourself to a maid?
01:21:35Santillena's carriage appeared in your lands
01:21:36You had to see who attacked them
01:21:38Pull out all his teeth until he confesses everything he knows
01:21:42We're locked in this castle in the middle of nowhere
01:21:45That dignity of yours isn't going to get us anywhere, Margarita
01:21:48Where?
01:21:49You married her for her money
01:21:50Enough already, Julio
01:21:51Mrs. Margarita has left with the Englishman
01:21:53And that has to hurt him
01:21:54I know you imagine them going, well, playing the bagpipes
01:21:59We can die there, buried alive
01:22:01This is our last chance to escape from here
01:22:02Mother, what are you doing here!
01:22:04What are you doing with her?!
01:22:05No, no, no, no!
01:22:10Go away!
01:22:11Let's go, get him out of there!
01:22:12It's clear you don't know Spanish women.
01:22:14We don't give in so easily
01:22:16No, well, no, no!
01:22:19Let's go!
01:22:20Vanos, get him out of there!
01:22:21Vain!
01:22:21Vain!
01:22:22Us!
01:22:22Vain!
01:22:24No!