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00:00:04Help! Please help!
00:00:10No!
00:00:11He's coming for me.
00:00:13I bring bad news, Madam Marchioness.
00:00:15He has escaped.
00:00:16Help! No!
00:00:17They've taken my son!
00:00:19He killed another child, but it was me he wanted.
00:00:22You are the only person who trusted me when everyone said I would kill him.
00:00:26Well, that's because they don't know you.
00:00:28Ma'am, I don't mean to bother you, but I have to feed my son.
00:00:32She doesn't know how sick I am.
00:00:33Can I tell you about my problems now, Catalina?
00:00:35There was a tree split in half.
00:00:41Last night they took another child away.
00:00:42And what have they done?
00:00:44Hey?
00:00:44Nothing.
00:00:46Alonso de Montalvo and Matilde Torres are at war.
00:00:49Help! Help!
00:00:50Felipe de Valvo has arrived in the village.
00:00:52You have to gather the lodge.
00:00:53As soon as you gather the money, they will act.
00:00:55I swear I won't stop until I find him.
00:00:58I swear.
00:00:59What you'd really like is to be outside playing with your friends, right?
00:01:05The sooner you help me, the sooner you can leave.
00:01:09As you know...
00:01:10Doesn't he listen to you?
00:01:11...we have captured the poacher who was hunting on my hunting grounds.
00:01:14And that has ended the life of my dog.
00:01:17Bring the poacher in.
00:01:22He doesn't stay to give an account.
00:01:23That has him sitting eating in his chair and putting his son to bed at night.
00:01:28This drawing is over 15 years old.
00:01:30It's impossible that a child today could have drawn it.
00:01:32The murderer himself had to paint it.
00:01:34Any clues?
00:01:35We've found something that might interest you.
00:01:37Let's follow the trail of blood.
00:01:40Let's see where this leads us.
00:01:41Murillo!
00:01:42Murillo, son!
00:01:43What's the matter?
00:01:44You like life.
00:01:50Lucrecia is a very dangerous killer.
00:01:51You should be careful with him.
00:01:53Yes, I'll have it.
00:01:54It may be nearby.
00:01:59Sister, it's you.
00:02:02If you don't help me catch the killer, many children will die.
00:02:05And it will all be your fault.
00:02:07Nuño, run.
00:02:08Obey!
00:02:09It's Lucrecia.
00:02:10The cutlery is his father's cutlery.
00:02:14I came looking for a killer and I find a big bird.
00:02:17I didn't want to do it.
00:02:22Holy Virgin.
00:02:23Is this woman unstoppable?
00:02:25This should be taken more seriously.
00:02:27And you should keep your mouth shut.
00:02:33What happened?
00:02:34What's happening?
00:02:34The killer has the child.
00:02:38Ah!
00:02:52Don't come near him or I'll kill him.
00:02:57The people wanted the murderer's head, and I gave it to them.
00:03:00That way they'll know who to respect.
00:03:08Very warm, I'm sure.
00:03:24Very warm.
00:03:34What are you doing here?
00:03:36Out
00:03:39I've come to ask you a very special favor.
00:03:42Don't let Gaby go on the pilgrimage to the Virgin of Grace
00:03:45Well, no special favor or anything, no.
00:03:50Let me take it with me.
00:03:52How awful to make him spend a festive afternoon with his father.
00:03:54Don't make me talk, Satur
00:03:55The last time you took it, you almost gave it back to me with one arm.
00:03:58Don't be unfair, that was an accident.
00:04:00No, it was an accident and we came out unscathed.
00:04:03Trust me, I love the little boy with all my heart
00:04:05I told you no, and that's the truth.
00:04:07And lower your voice a little, please, there's an important gentleman in there.
00:04:12Estuerda, can you bring us some more wine?
00:04:36You can tell that you're looking
00:04:39That work of the Most High, that one gives us stones, blind
00:04:43Improving the present
00:04:44Don't even dream about that one.
00:04:46She only attends to the most important gentlemen.
00:04:48She's with a Frenchman now.
00:04:50The French know nothing.
00:04:53The miles he must have traveled to get here
00:04:56And do you know why?
00:04:58Because?
00:05:00Because like the Spanish female
00:05:02There is none.
00:05:03Satur
00:05:04I don't think I came here just for that.
00:05:07They say he's a duke
00:05:10Duke?
00:05:13Is the Frenchman a Duke?
00:05:17Because?
00:05:56I'll tell you
00:05:58French from France
00:05:59and Duke
00:06:01What could it be?
00:06:02Valois
00:06:03Himself
00:06:04And the guy's no fool.
00:06:05A young woman was taking advantage of him.
00:06:07with a front and a rear
00:06:09from Tomapanimoja
00:06:11And what does that have to do with anything, Sato?
00:06:14Of course it's related
00:06:16because I wanted to notice the girl
00:06:17That's when I saw the tattoo.
00:06:19to the man on the shoulder
00:06:22He has to be the candidate.
00:06:23of the conspirators
00:06:24for the new monarch
00:06:27The Gaul to this King of Spain?
00:06:29Man, no, let's go
00:06:30We cannot allow it
00:06:31And we won't.
00:06:32No?
00:06:33We will hand it over to the king.
00:06:34so that he may do his own justice
00:06:36Very good
00:06:38But first
00:06:41I'll do mine first.
00:06:44That's what I thought.
00:06:46I wonder if he's with the tattoo people.
00:06:49It could lead us to the killers
00:06:51of his wife
00:06:54I will finally be able to avenge her
00:06:58Yes, from you.
00:07:01And give him peace.
00:07:02to his soul
00:07:03It's about time.
00:07:07Yeah
00:07:09It's time
00:07:16Listen, love
00:07:17It's coming out now.
00:07:35Grab me!
00:07:36I'll take care of the air.
00:07:39Grab me!
00:08:22Grab me!
00:08:24Thank you!
00:08:27Thank you!
00:08:29You've been there!
00:08:41Are they from the Royal Guard?
00:08:42That means the king already knows who the conspirator is to overthrow them.
00:08:57What are you doing?
00:08:59Is she going back to bed?
00:09:05As you wish, Your Majesty?
00:09:35As you wish, Your Majesty?
00:09:36Forward!
00:09:42How can you bother me at this hour?
00:09:45Forgive me, Your Majesty, but reason deserves it.
00:09:48As you ordered, the traitor has been arrested.
00:09:58And where is it?
00:10:00We have led him to the gates of the royal dungeons.
00:10:03That is precisely why I have allowed myself to bother him.
00:10:06We need the key to be able to lock him up.
00:10:21You'd better wait for me there.
00:10:25This key stays with me.
00:10:29In these times it is difficult to distinguish the loyal from the traitors.
00:10:40I will now meet with you.
00:10:43As you command, Your Majesty.
00:11:04It smells so good!
00:11:08Do you like it?
00:11:10Yeah.
00:11:17Thank you!
00:11:41Thank you!
00:11:58I have to tell you something.
00:11:59Love.
00:11:59Love.
00:12:00Tell me.
00:12:01I love you.
00:12:02Hey?
00:12:04I love you very much.
00:12:07Kiss me.
00:12:09Don't put me in a difficult position, love.
00:12:11Kiss me.
00:12:14Kiss me.
00:12:17Kiss me.
00:12:20Kiss me.
00:12:22Kiss me.
00:12:22Kiss me.
00:12:22Kiss me.
00:12:23Kiss me.
00:12:23Love.
00:12:23I love you.
00:12:26Love.
00:12:26I love you.
00:12:27I love you.
00:12:28I love him very much too, but only when we're close.
00:12:30Kiss me.
00:12:31Love.
00:12:31Daisy.
00:12:32Oh, oh, oh.
00:12:33Daisy.
00:12:34Love.
00:12:35Daisy.
00:12:36Love.
00:12:39What are you doing?
00:12:41I?
00:12:42What am I going to be doing?
00:12:45Well, trying to shut him up.
00:12:48That...
00:12:48What a racket she had going on!
00:12:51So, you are...
00:12:52Well, talking in my sleep.
00:12:54And what did it say?
00:12:56Well, that's it.
00:12:58He did things like...
00:13:01As you can see.
00:13:03Come here, I love you very much.
00:13:06Kiss me.
00:13:06Daisy.
00:13:09Dreams betray them, love.
00:13:10Dreams are just dreams.
00:13:12Well, Sato.
00:13:13Already.
00:13:14Could it be that...
00:13:16Did I eat too much for dinner last night?
00:13:17Already.
00:13:18Yes, he eats too much for dinner.
00:13:20But look how Agustín called us.
00:13:22To that good that called to us.
00:13:24Although this step...
00:13:26I don't know.
00:13:28What are you saying, Sato?
00:13:31Well, you are very lonely, master.
00:13:33He hasn't eaten a thing since he became a widower.
00:13:36AND...
00:13:36Either he unleashes his instincts properly, or...
00:13:39Or I see that he's getting involved with the friar.
00:13:42I don't...
00:13:43I have no desire for Margarita.
00:13:45So that's enough.
00:13:47Well then.
00:13:47If that's enough, that's enough.
00:13:49But now I'll tell you something.
00:13:51The one who does have it, and doesn't deny it, is the little doctor.
00:13:55The other day I gave her a kiss that left her trembling.
00:13:58Tss.
00:14:00He left her shivering.
00:14:04You miss yourself a lot and you miss yourself less, right?
00:14:08Yes, but I don't want to get sad.
00:14:12Because I know that he is always with me, and that he watches over me from heaven.
00:14:16And how do you know that?
00:14:18Because I notice it.
00:14:22I don't know how to explain it, but...
00:14:25Sometimes it's as if it's talking to me.
00:14:28Really?
00:14:31This year I'm going to win the archery competition for her.
00:14:36You always win.
00:14:37Yes, but this year is going to be different.
00:14:40This year I'm going to hang the medal on his cross.
00:14:45So that she can be proud of me.
00:14:48I promise you, mother.
00:14:57Go.
00:14:58Hello good.
00:15:00Hello.
00:15:01He was looking for Catalina.
00:15:04It's changing.
00:15:06Okay, that's it, right?
00:15:07And remember, you can't play with a rat like it's a kitten.
00:15:11It's not a pet, okay?
00:15:12Okay.
00:15:13Come on, go home.
00:15:21Juan.
00:15:23I'd like to talk...
00:15:26about what happened the other day.
00:15:31Let's go...
00:15:33of the...
00:15:34of the kiss.
00:15:36Yeah.
00:15:37No, you don't have to give me any explanation.
00:15:41What do you think? That I don't know what's going on.
00:15:46You're in love with someone else.
00:15:50Well, but...
00:15:53I don't know, Juan.
00:15:55No, no. Calm down.
00:15:56I just want you to ask yourself one thing, okay?
00:15:59Do you think that person you're in love with
00:16:03Will he ever love you the way I love you now?
00:16:12I will always be here.
00:16:15Waiting for you.
00:16:18Sorry.
00:16:19You guys are still doing your thing, huh?
00:16:21No, don't worry.
00:16:22We're finished.
00:16:35That man is a poet.
00:16:45Get out! Quickly!
00:16:48How can you enter my chambers like that?
00:16:50This is an outrage.
00:16:51No, Marchioness.
00:16:52That's the treatment a traitor deserves.
00:16:55I am a traitor.
00:16:56They've gone mad.
00:17:00What's happening?
00:17:02What are you doing here?
00:17:04These men are accusing me of treason without any basis, Erna.
00:17:08That can only be slander.
00:17:10The royal guard arrested Balbá last night.
00:17:14One of our men had to inform the king.
00:17:19One of our men had to inform the king.
00:17:21And why her?
00:17:25Perhaps because she is his lover.
00:17:31Lie.
00:17:33So can you tell me why I found that pair of tights with your initials in the king's chamber last night?
00:17:39No.
00:17:54No.
00:18:03OK
00:18:06It's true I was there, but I'm not a traitor, I swear.
00:18:09That will have to be proven with more than words, Marchioness.
00:18:16Where has this led Avalúa?
00:18:20To the royal dungeons
00:18:23Come on!
00:18:26A dark and impregnable labyrinth whose only key is in the possession of the king
00:18:40What do you want? Let me go!
00:18:44What are you going to do to me?
00:18:46What do you want?
00:18:47Are you wrong? Let me go!
00:18:52Let me go!
00:18:54And that's where you come in, Marchioness.
00:18:57If she really isn't a traitor, she'll have to get hold of that key and give it to us.
00:19:03That's very dangerous
00:19:06The king always wears it hanging from his neck; if he catches me taking it, he'll kill me.
00:19:10Then you have nothing to lose by trying.
00:19:13Otherwise, we'll kill her ourselves.
00:19:34What's wrong with you? You have that sour face.
00:19:37Well, if explaining...
00:19:39Well, worried, let's go
00:19:41I see that man is not getting ahead in matters of love
00:19:44Already
00:19:45But she's his wife, isn't she?
00:19:47If he was left mortally wounded
00:19:48No, and the other thing is finishing it off.
00:19:53About her sister-in-law
00:19:55Tonight, a body and soul have been given to me.
00:19:58But at home with the kid?
00:20:03I no longer know where it happened because it all happened in a dream.
00:20:06But...
00:20:07What dream, Cipriano?
00:20:09Judging by the way he was shouting, he must have been cutting off both his ears.
00:20:12No
00:20:13And the tail too
00:20:17One thing I ask of you, Cipriano
00:20:20Is this between us, for your dead?
00:20:24Among us?
00:20:25Don't worry, Cipriano, I'm a vault.
00:20:29What happened?
00:20:30Gonzalo
00:20:31He's head over heels for Margarita.
00:20:33Good heavens!
00:20:33If she's been looking for him because she still loves him
00:20:36And of course
00:20:38So much goes to the fountain when he sings.
00:20:39That it finally broke
00:20:41And it broke down at the worst possible time.
00:20:42But woman, that's a blessing
00:20:44What's wrong with that?
00:20:45That the doctor also intends to...
00:20:48Wow, with Margarita
00:20:50Hey
00:20:51But don't you go telling him that
00:20:53Maybe Gonzalo would ask her at the altar
00:20:55To the altar?
00:20:56You heard me right.
00:20:57Said and confirmed by him
00:20:58He'll propose to you today!
00:21:08What a great battery you have!
00:21:10Yes, I'm the best
00:21:12Not just with the scab, eh?
00:21:14But also with the bow
00:21:16Don't even believe this yourself
00:21:17I have no rival with the bow.
00:21:20I'll prove it to you whenever you want.
00:21:21Well, do it tomorrow at the pilgrimage if you dare.
00:21:24No, those celebrations are for the people.
00:21:27Let him stay in his palace throwing her into the trees
00:21:30Come on, guys
00:21:31Everyone sit down
00:21:34Taking advantage of the fact that Alonso has brought up the subject
00:21:35Today we will reflect on the society in which we live
00:21:40For example
00:21:41Do you think Nuño is worth more than Alonso?
00:21:45Shit!
00:21:46Gabi
00:21:48And yet the laws are not the same for both.
00:21:50If one of us, the so-called commoners, breaks the law, what happens?
00:21:56Exactly, Gabi
00:21:57But what happens if a nobleman does it?
00:21:59You can't touch a hair on the heads of us nobles
00:22:01Look, down with the nobles, down with the differences
00:22:03No, Alonso
00:22:04No
00:22:05By doing that, you're putting yourself on the same level as them.
00:22:08I believe men should be free to choose.
00:22:15Therefore, if Nuño wanted, he could come with us to the pilgrimage.
00:22:18But the child will stay in his little house
00:22:21Alonso
00:22:22Murillo
00:22:23Distribute the notebooks, go on
00:22:28Come on, Galois, the dungeons aren't open
00:22:32Where is it then?
00:22:37Commissioner, the Marchioness of Santillana wishes to be received by you
00:22:42Tell him I'm busy
00:22:48Fernan, please
00:22:59How long have you been trying to avoid me?
00:23:01Since I found out you're a trainer
00:23:04Do you think so too?
00:23:05I don't think so.
00:23:08I know
00:23:13I swear
00:23:14That I am innocent
00:23:22What crime?
00:23:30Of which I am accused
00:23:31From betrayal to the lodge
00:23:34I don't care about that much.
00:23:38You think I'm in this because of ambition, don't you?
00:23:42I don't understand you, Hernán
00:23:49My feelings for you were sincere
00:23:52And much more important than all of that
00:23:58I can't believe it
00:23:59I can't believe it
00:24:02You're not going to do anything to help me
00:24:05Just because you're jealous
00:24:07I never said I was your wife
00:24:11Clear
00:24:14But I'm an idiot.
00:24:17And I had hoped that it would be so.
00:24:21No woman refuses King Hernán's wishes
00:24:25None
00:24:30Help me
00:24:34Intercede for me
00:24:36They are sending me to certain death.
00:24:39I'm sorry, Lucrecia
00:24:42She is alone
00:24:46I don't share my wife, not even with the king.
00:25:13Come on
00:25:15Let's see if I can get a new shirt.
00:25:18This one's ready to be turned into old rags.
00:25:25Have you found out anything, Agustín?
00:25:28Valúa is imprisoned in the royal dungeons
00:25:31In the basements of the 700 aisles
00:25:34Well, I once knew a man
00:25:36Will I have to take it out of there?
00:25:38Don't even try it
00:25:39Those walls are inaccessible.
00:25:41I once knew a man
00:25:43Valúa is the only one who can take me
00:25:44Even my wife's killer
00:25:47I need to talk to him
00:25:48It's crazy
00:25:49No one has ever made it out of that place alive
00:25:54Alright
00:25:56Anyway
00:25:58Thank you, Agustín
00:26:07I'm sure there has to be someone
00:26:09That he knows how to get into that place
00:26:11Of course, I love it
00:26:13That's what I was trying to tell you earlier.
00:26:16But since he didn't let me get involved
00:26:18What do you mean?
00:26:19That I knew a man
00:26:21Lope
00:26:22The one with the bagpipes
00:26:24Yes, I shared a seat with him in the galleys
00:26:26And that's what we called him.
00:26:27Because of so much rowing
00:26:28He had developed this tic
00:26:30To the point
00:26:33Well, this Lope
00:26:34You don't see how much of a pain he was giving me.
00:26:36He told me that he knew a man
00:26:38That he had been in that prison
00:26:40And he had managed to escape.
00:26:43And do you know how to find that man?
00:26:46No
00:26:47Not the fugitive
00:26:48But Lope did.
00:26:49And maybe he can take it
00:26:50How far has this man gone?
00:27:30Look at me
00:27:31Do whatever
00:27:44But let him speak
00:28:02Daisy
00:28:03Go for the silk threads
00:28:04For the new tablecloths
00:28:07Come on
00:28:15Come on
00:28:16Don't forget that very soon
00:28:17We have a date
00:28:18Where are you going?
00:28:18But hey, what's up?
00:28:22With
00:28:22The one with the bagpipes
00:28:23You're coming with me
00:28:24Yes, Catalina
00:28:24I'm coming.
00:28:30Come on
00:28:30To what do I owe this honor?
00:28:31From your visit, Gonzalo?
00:28:33I want to ask you a favor.
00:28:37That you allow me to take Nuño with me
00:28:39To the pilgrimage
00:28:39With the other boys
00:28:42Not only do I allow it
00:28:45I thank you from the bottom of my heart.
00:28:48That's a very thoughtful gesture.
00:28:49On your part
00:28:55You're amazing, Lucrecia
00:28:57I would have sworn you were going to say no
00:29:00By?
00:29:01Because it's a commoners' festival
00:29:03The best
00:29:06Of my life
00:29:11You don't know what I would give right now.
00:29:13To return to those simple and happy times
00:29:19Is something wrong, Lucrecia?
00:29:25Don't worry
00:29:26It's just that I'm a little
00:29:27Sentimental
00:29:39Take good care of my son at the pilgrimage
00:29:41And enjoy it a lot.
00:29:44Always
00:29:49Do you promise, Gonzalo?
00:29:53I promise you
00:29:54Thank you
00:30:00But you eat like this every day
00:30:02What are you saying?
00:30:04If that's what leftovers are
00:30:05To the new dog
00:30:06From the Marchioness
00:30:09Rest in peace.
00:30:10The deceased
00:30:11I see, ma'am
00:30:12That I'm a dog
00:30:13I'm priceless.
00:30:14Can't you see how good I am at talking?
00:30:21You're such a goose
00:30:25Hey
00:30:27And you, who know everything about Gonzalo?
00:30:29No
00:30:29When are you going to ask Margarita to marry you?
00:30:34What are you saying, Catalina?
00:30:35I don't know anything about that
00:30:36Come on, don't be lazy.
00:30:38Cipri told me so.
00:30:39You told him
00:30:40No, no, no
00:30:40I told Cipri that
00:30:42He dreamed it
00:30:43What do you mean he dreamed it?
00:30:44What did he dream about?
00:30:47Little things about love
00:30:49Well, about love
00:30:49And from the low
00:30:53The base instincts
00:30:54They have them on the surface.
00:30:56Who has base instincts?
00:30:57On the surface?
00:31:02But
00:31:04But how could you tell me
00:31:06That to me
00:31:06Am I a married woman?
00:31:08You're a pig!
00:31:10Go ahead and throw
00:31:11Strip
00:31:12From my view
00:31:13Sorry
00:31:19Let's go, let's go
00:31:20For the journey
00:31:24But what has been done?
00:32:00But what has been done?
00:32:25But what has been done?
00:33:11López
00:33:12López
00:33:15The unmistakable López
00:33:16That?
00:33:17I think he's still playing the bagpipes, isn't he?
00:33:19What do you want?
00:33:21You wait, come.
00:33:24Look, it's just that you...
00:33:27Do you remember a man you told me about?
00:33:28That he had drowned in the dungeons of the 700 corridors.
00:33:34What does she want from him?
00:33:36I need to locate him urgently.
00:33:39Have you switched sides?
00:33:41What are you saying?
00:33:43Well, you've opened yourself up to the fact that this information is going to cost you a pretty penny.
00:33:47Ducats, ducats.
00:33:49Maybe I have a couple of maravedís, López, but...
00:33:52Ducats, one hundred ducats or no deal.
00:33:55You know?
00:33:56With all the nagging you gave me, which I didn't deserve.
00:33:59Hey?
00:34:00No no.
00:34:01I don't have any money.
00:34:03And that information is vital to me.
00:34:05When you've gathered that money, you'll know where to find it.
00:34:11Lopez!
00:34:16No, if things are like this...
00:34:19It's like flying.
00:34:20I don't have as good a temper as my friend.
00:34:23So either you tell me where that fugitive is, or I'll shoot you so hard your head will crack open.
00:34:26a melon.
00:34:26Don't know.
00:34:27If you didn't know, I wouldn't say, but I really don't know.
00:34:29Lift me up, lift me up.
00:34:30Don't let go of me.
00:34:31Let's see it now.
00:34:31No, no, no.
00:34:34He's not here.
00:34:35I don't know, I don't know.
00:34:36No, no, I don't know.
00:34:38I don't know, I swear.
00:34:39Where is?
00:34:40They told me that the mountain had been thrown into the woods.
00:34:41Which mountain?
00:34:42I don't know, I swear.
00:34:43Which mountain?
00:34:44I don't know, I swear, I don't know.
00:34:46No, no, no.
00:34:48I swear, I don't know.
00:34:49Phony.
00:34:59He didn't know anything.
00:35:01I didn't know anything.
00:35:03Very sly.
00:35:05You were very keen to get money out of me.
00:35:07All he told me was that he went into hiding in the mountains, but that's not worth much.
00:35:16Alonso!
00:35:18Put that bow away right now.
00:35:20You almost turned me into a kebab, kid.
00:35:23I'm sorry, Sato.
00:35:25I have to practice for tomorrow's pilgrimage competition.
00:35:28Please.
00:35:29Well, go train in the corral, son.
00:35:30Go on.
00:35:32Come on.
00:35:33Do you want to kill us?
00:35:35Go on, Sato.
00:35:36Go with him, he's capable of killing one of the neighbor's chickens.
00:35:39Lower that, lower that, lower that.
00:35:41Come on.
00:35:43And these roses?
00:35:47Ah, uh...
00:35:48They're for you, Amargalita.
00:35:49Juan brought them.
00:35:53Now, shoot.
00:35:54Strip.
00:36:00What beautiful flowers!
00:36:06Yeah.
00:36:08They're very pretty, they're for you.
00:36:11For me?
00:36:13Thank you.
00:36:15No.
00:36:16No, don't give them to me.
00:36:19The doctor brought them to you.
00:36:21Ah, Juan.
00:36:23Clear.
00:36:26Gonzalo.
00:36:28I did not know...
00:36:30I didn't know you...
00:36:32Well, that...
00:36:34Juan told me that he loves me.
00:36:36Me too...
00:36:37You don't have...
00:36:38You don't have to explain anything to me.
00:36:41I know.
00:36:43But...
00:36:44Daisy.
00:36:47Do what you feel.
00:36:49No.
00:36:58No.
00:37:03No.
00:37:05No.
00:37:06No.
00:37:09No.
00:37:14No.
00:37:15No.
00:37:19Daisy
00:37:23This cannot be
00:37:26Your sister is always...
00:37:28Yes, I know.
00:37:46Since you were kind enough to give me permission, I'm leaving for the pilgrimage this afternoon.
00:37:49But don't worry, I'll be back here to prepare it.
00:37:52Last night I ordered a key from the locksmith, they've already brought it.
00:37:54Oh no, don't count on that, ma'am
00:37:57Three days ago I asked him for a key for the Alcon and such.
00:37:59Do you want to make me more nervous than I already am?
00:38:02No, ma'am, that wasn't my intention.
00:38:03I was just saying...
00:38:04No, you don't say anything
00:38:09Let me know as soon as I arrive
00:38:10Yes, ma'am
00:38:11And tell my son to come immediately for breakfast.
00:38:14Yes, ma'am
00:38:21Catalina, the locksmith just arrived with these keys
00:38:23Well, daughter, that's better, why would the marchioness have a sudden change of heart?
00:38:26He almost got me, because of the silly key.
00:38:28This is the one with the falcon that you ordered.
00:38:30And this is the one the marchioness requested.
00:38:32I'm going to carve myself, please, Catalina
00:38:35Young gentleman
00:38:40Were you scared?
00:38:45It is not bad that Judah
00:38:53Lady
00:38:56The locksmith just brought his key
00:39:03Give the order to have my carriage prepared.
00:39:05I have to leave immediately
00:39:06Yes, yes, ma'am
00:39:21Come on
00:39:23The fugitive took to the mountains
00:39:24I don't know why we're looking for him here in the market
00:39:27Because I want to consult with the town chronicler
00:39:28Now he's the only one who can give us any information
00:39:36Come on, Fetu
00:39:40Good morning
00:39:41We are looking for something related to real dungeons
00:39:45Yes, the dungeons
00:39:47Of the 700 corridors
00:39:50How can they ask me about those dungeons?
00:39:55It has never been published
00:39:57Nothing about them will be published.
00:39:59They are the kingdom's best-kept secret.
00:40:02Yes, we know
00:40:03But about five years ago, a man managed to escape from there.
00:40:06Do you know if the news was picked up anywhere?
00:40:09That was very well covered up.
00:40:11But I remember there was a little song that described the matter
00:40:15What was I saying?
00:40:16It was something like...
00:40:18Grab the teacher
00:40:19It was a...
00:40:21He...
00:40:22A shotgun
00:40:29Excuse me
00:40:29My head is not what it used to be.
00:40:31Anyway
00:40:33It sounds familiar.
00:40:35That they will be able to find it
00:40:37In these papers
00:40:44Come on
00:40:45Go now to the pilgrimage with whatever you can.
00:40:47And the sooner we set up the stalls, the better.
00:40:49Top seller
00:40:50And remember to pick up the little cakes from down there.
00:40:52Do you like it?
00:40:54My father did it
00:40:55He was also the one who taught me how to use it
00:40:57Your father teaches you many things.
00:41:01You're lucky to have him
00:41:02I know.
00:41:03Hey, do you want to try it?
00:41:05Okay
00:41:09Nuño!
00:41:10Hello
00:41:12You've finally come
00:41:13And what a bow!
00:41:15The commissioner gave it to me.
00:41:20What are you doing here, huh, father?
00:41:22Well, the same as you, son
00:41:24Come to the pilgrimage
00:41:25Have fun!
00:41:26And let's compete!
00:41:29Hey
00:41:30Those bad manners
00:41:31And those sulks
00:41:32From a spoiled child
00:41:33Let's move them away
00:41:36What's happening?
00:41:38You're not going to tell me you're afraid, are you?
00:41:39To compete with a rival
00:41:40Your size?
00:41:41My size
00:41:42But he has a bow a thousand times over
00:41:44Better than mine
00:41:45What's the worst that can happen?
00:41:47Did I beat you?
00:41:49Is that so serious?
00:41:50Well yes
00:41:52But you don't understand anything
00:41:58Hello
00:42:01Look who's come
00:42:03Hello Gonzalo
00:42:04Hello
00:42:05Take it, Cipri
00:42:07Ask your mother
00:42:07Have it made into an infusion.
00:42:08And that he takes it in the morning
00:42:10And in the morning
00:42:10But say something to him.
00:42:11Don't be boring
00:42:13It's because you haven't kept them
00:42:14Let's get things straight with Gonzalo
00:42:16Oh, really, Catalina
00:42:18Come on
00:42:18Fixing the whole world
00:42:19This is closing.
00:42:23Juan
00:42:25That
00:42:25Thank you so much for the flowers.
00:42:29Valera, I hope you liked it
00:42:32That
00:42:34I loved them
00:42:37Are you coming to the pilgrimage?
00:42:39No
00:42:40So you're coming with us?
00:42:41No, no, no
00:42:42I'm not really into that.
00:42:44I'm not much of a pilgrimage person
00:42:45No no
00:42:45Go on
00:42:47Come on, let's go
00:42:49Okay, if you ask me like that.
00:42:50Okay, I'll stop by your house
00:42:51I'm on my way, okay?
00:42:52Good
00:42:57He is a good man
00:43:00Tell him yes now.
00:43:01Come on, let's go
00:43:05A cat jumped into a well
00:43:08The guts
00:43:10They did it to him
00:43:11Gua
00:43:13Remote
00:43:14Pitipoto
00:43:16Remote
00:43:18Pitipa
00:43:21This has nothing to do with the fugitive.
00:43:25Or is it?
00:43:29Yes, because of those from the village
00:43:30They call them cats
00:43:31And this one from the village
00:43:32Yes, it was
00:43:36So when he jumped into the well
00:43:38His stomach went "woof."
00:43:40With the oyster he must have hit
00:43:42Well
00:43:43To tell the tale
00:43:48No
00:44:02Thank you!
00:44:33Thank you!
00:44:49Come on, gentlemen!
00:44:51Cipriano sells beef and pork!
00:44:56Come on!
00:44:58From the village and my daughter!
00:45:02Oh, how delicious, with how hungry I am!
00:45:06Thank you!
00:45:12Ladies and gentlemen!
00:45:14The children's archery competition is about to begin!
00:45:18Come on, invite my nephew!
00:45:19Oh, yes! Come on, come on!
00:45:21Nephew!
00:45:22Cipri!
00:45:22I'm going there.
00:45:24Come on, come on!
00:45:30Come on, son! Cheer up!
00:45:34Come on, you're going to win!
00:45:40Come on, Alonso!
00:46:03Come on, Alonso!
00:46:07Come on, Alonso!
00:46:08Come on, Alonso!
00:46:17Come on, Alonso!
00:46:18Come on, that's the beefy girl's song!
00:46:23This is all more difficult than looking for a needle in a haystack!
00:46:36What is so curious?
00:46:41He became famous for escaping.
00:46:44He didn't say where he went
00:46:49They searched through cities
00:46:51Where he didn't go
00:46:57Give me the location
00:46:59Because he is a good observer
00:47:12Brown
00:47:16Brown
00:47:20I've got it!
00:47:22Brown! Expensive!
00:47:25I've got it! I've got it!
00:47:29Alonso! Well done, Alonso!
00:47:31I'm so proud of you, Karina
00:47:34You're the best, Alonso!
00:47:38Excellent shot, Nuño
00:47:45Very good, son, nice shot
00:47:50Alonso, what's wrong?
00:47:52Nothing
00:47:53No, nothing, don't lie to me
00:47:55You're angry because Nuño is as good a shooter as you are.
00:47:57And that's not right
00:47:58What's not right is that you're doing the same thing to yourself as to your son.
00:48:02He is the enemy
00:48:05No, Alonso, Alonso
00:48:06In a sporting competition there are no enemies
00:48:08Only opponents
00:48:09You need to learn that lesson
00:48:11And to accept both victory and defeat
00:48:13Defeat?
00:48:15Yes, defeat, and that's the hardest part.
00:48:16I can't lose
00:48:19I made a promise
00:48:21Whom?
00:48:24To no one
00:48:47What kind of joke is this marchioness?
00:48:50What do you mean?
00:48:58Is this the key you asked me for?
00:49:02We've been taking pointless risks trying to get into those dungeons.
00:49:06That's not the key!
00:49:08Could be
00:49:11It is the one the king guards.
00:49:12I promise you
00:49:16Lucrecia
00:49:17Stop lying
00:49:19But it's the truth
00:49:21You have to believe me
00:49:22I swear on my son
00:49:24This is the key
00:49:25Stop swearing, marchioness
00:49:27Traitors have no credibility
00:49:31Commissar
00:49:33Key will be
00:49:44I swear on my son
00:49:46It is the key I have given to the war
00:49:51Nunno!
00:49:51I swear on my son
00:49:52Nunno!
00:49:53I swear on my son
00:49:54Lunno!
00:49:57I swear on my son
00:50:04I don't know, Lucrecia.
00:50:07Let's go.
00:50:09Don't kill me!
00:50:11Don't kill me!
00:50:13Nobody is going to kill the marchioness.
00:50:16There are things worse than death.
00:50:21Commissioner, follow my orders.
00:50:22Already!
00:50:23Already!
00:50:26No!
00:50:28No!
00:50:29No!
00:50:30Let them kill me!
00:50:31No!
00:50:34Well done, Alonso!
00:50:51Well done, Alonso!
00:51:02We have finished the first round.
00:51:05And Alonso de Montalvo and Nuño de Santillana advance to the final.
00:51:13Congratulations.
00:51:16To both of them.
00:51:37Speak up already!
00:51:38Who are the conspirators?
00:51:57Speak up already!
00:51:59Speaks
00:52:01Speaks
00:52:01Speaks
00:52:36Are you going to fail, Wolfram, you piece of shit?
00:52:42Nice shot, silly girl
00:52:55Good shot
00:53:35The winner of the children's archery championship
00:53:39Is...
00:53:40Child of Santillana
00:53:41Very good, son.
00:53:50But it's okay.
00:53:53Alonso
00:53:54Alonso
00:53:59Come on, Gonzalo
00:54:00Now it's your turn
00:54:01What makes you want to enter the stick fighting competition?
00:54:03Yes, but who told you to do this?
00:54:05No, I don't fight.
00:54:07Yes, man, yes.
00:54:08You have to show off in front of women.
00:54:11Also, do you know who your opponent is?
00:54:15Carena, let's go!
00:54:16Come on!
00:54:18Come on!
00:54:19Come on!
00:54:19Come on!
00:54:21Come on!
00:54:22Come on!
00:54:24Come on!
00:54:25Come on!
00:54:28The truth is that art has a future for you.
00:54:32And the way he carries himself and handles the stick, huh?
00:54:41Very good!
00:54:43But can you tell me who you're going with?
00:54:46Oh, Margarita, you're going astray again.
00:54:49You're going astray.
00:54:51Can you tell me when you're going to say yes to Juan?
00:54:55I don't know, Catarina.
00:54:56Don't know.
00:54:58Don't know.
00:55:00Don't know.
00:55:02Don't know.
00:55:16Come on!
00:55:18Come on, Margarita!
00:55:23Come on, Margarita!
00:55:24Come on, Margarita!
00:55:24Come on!
00:55:24Come on, Margarita!
00:55:35Come on!
00:55:35Come on!
00:55:37Fugitive located.
00:55:39And you're not fooling me.
00:55:40It's a shot.
00:55:41Where is the fugitive?
00:55:43In the forests of the brown
00:55:50Juan, congratulations
00:55:51Thank you
00:56:04Where is the fugitive?
00:56:32Where is the fugitive?
00:56:41Where is the fugitive?
00:56:51Where is the fugitive?
00:57:03Where is the fugitive?
00:57:05Where is the fugitive?
00:57:07Where is the fugitive?
00:57:08Where is the fugitive?
00:57:08Where is the fugitive?
00:57:08Where is the fugitive?
00:57:11Son, son, son.
00:57:18Friend, I want, I want.
00:57:25Watch out, Nuno.
00:57:27Careful, careful.
00:57:29Fasten the mask on him.
00:57:41Of all your things, this is the one that will make you the most beautiful.
00:57:44My son, my son, my son, my son, my son.
00:57:57Wait, love. Wait, I've passed gas.
00:58:01We come to the forests more than the mushroom hunters.
00:58:04Come on, Saturn, don't be lazy.
00:58:07We have to find the fugitive before nightfall.
00:58:09What if he's not here?
00:58:11I'm mentally going over the little song and I've started to have doubts.
00:58:15What doubt?
00:58:16Let's see, he says...
00:58:19He became famous for escaping.
00:58:21He didn't say where he went.
00:58:23They searched cities he hadn't been to.
00:58:26A gift from the bus stop for being a good observer.
00:58:30Who is it?
00:58:31The fugitive, Saturn.
00:58:32The fugitive.
00:58:34The fugitive or a bear.
00:58:36He escaped from a fair and was brown.
00:58:39No?
00:58:39No.
00:58:41Saturn, the chronicler said there was a couplet and this one fits perfectly, so come on, let's go.
00:58:46Okay, okay, whatever you say.
00:58:49But for me, it's going to be the bear.
00:58:51The bear.
00:58:54Saturn, look.
00:58:57That?
00:58:58So, did the young gentleman have a good time at the pilgrimage?
00:59:01Yeah.
00:59:02Especially because he's put that useless rangefinder in its place.
00:59:05And because I'm going to leave my mother in this megalle.
00:59:07Mother!
00:59:08I need the key to the silver chest now.
00:59:11Okay, daughter, okay.
00:59:12I just got here and you're already bothering me.
00:59:14I'm going for it.
00:59:14Young man, young lady.
00:59:15The commissioner is waiting for him in the living room.
00:59:21There's the guy, roasting the guinea pig.
00:59:26Saturn, look here, don't get fuzzy.
00:59:29Don't worry.
00:59:45Don't worry.
00:59:46I just want to ask you a few questions.
00:59:48Hey?
00:59:57I didn't tell you not to move.
00:59:59I'm sorry, love.
01:00:00It was to help.
01:00:02Was this hunger or what?
01:00:14Commissioner, I beat you in the archery competition.
01:00:17Have you seen my mother?
01:00:20Come, child.
01:00:21We need to talk.
01:00:24What's happening?
01:00:26Sit down, go on.
01:00:36What I'm about to tell you is going to be hard for you.
01:00:39That's why you have to be strong.
01:00:41Now more than ever you need to bring out your...
01:00:43Your caste, your lineage.
01:00:47Commissioner, where is my mother?
01:00:49Has something bad happened to you?
01:00:54Your mother has left...
01:00:58Forever.
01:01:01What do you mean, he's gone forever?
01:01:05And where has he gone?
01:01:07And why did he leave?
01:01:12The thing is...
01:01:15The thing is...
01:01:17She's dead.
01:01:20That's it.
01:01:26No, no, no.
01:01:28No.
01:01:29Don't get upset, babe.
01:01:31I will always be there...
01:01:31No, mother.
01:01:32Mother!
01:01:36What's wrong with Mr. Niño?
01:01:38That's none of your business.
01:01:39Don't meddle where you're not wanted.
01:01:42Well, I forgive you.
01:01:43I needed to grab something from the...
01:01:45From the chest.
01:01:47Well, I'm speaking.
01:02:02Do you want to get this over with and get out of here?
01:02:05I'm sorry, sir.
01:02:07I just can't.
01:02:08I must have made a mistake and given the marchioness the key to the chest instead of the one...
01:02:12She hired the locksmith.
01:02:18What did you just say?
01:02:21I was probably wrong and...
01:02:23And I gave the marchioness the key to the chest instead of the one she...
01:02:34Calm down, calm down, calm down.
01:02:36We're not going to hurt him.
01:02:37We're not going to hurt him.
01:02:39We just want to talk to you for a moment.
01:02:42Don't worry.
01:02:44We know that you managed to escape from the dungeons of the 700 corridors.
01:02:48We need to know how.
01:02:50That's all we needed.
01:02:52A vow of silence has been taken.
01:02:55Well, that's really good.
01:02:56That I respect him.
01:02:58But this is very important.
01:03:01Hey?
01:03:02So come on, let's get this show on the road.
01:03:04He'll be stubborn.
01:03:06I'll take a trip!
01:03:06Satos, satos, satos.
01:03:09Let me see one thing.
01:03:10Calm down, calm down.
01:03:12Shh, shh, shh.
01:03:21They cut out my tongue.
01:03:27Reason, no...
01:03:28Excuse me, listen, but...
01:03:29That I've been a little violent.
01:03:32I never imagined that it wouldn't be...
01:03:34I need to know the exact place he escaped from.
01:03:38Can you draw it, please?
01:03:41I have to get into that place, it's very important to me.
01:03:46His wife was killed.
01:03:48And the man does not live to avenge her.
01:03:51Do yourself a favor.
01:03:51There is no.
01:04:05No, there isn't one.
01:04:30Thank you!
01:04:38Thank you!
01:04:41Thank you!
01:04:42Thank you!
01:04:42You smell so good!
01:04:45Have you never been with a woman who smelled like you?
01:04:54Don't cry
01:04:57You have such soft skin
01:05:03Women with such soft skin shouldn't cry
01:05:07Just give the floor
01:05:18If I see you touching that woman again
01:05:20I swear I'll kill your entire family with my own hands
01:05:23Understood?
01:05:25Mister
01:05:28Get out of here right now.
01:05:30Out!
01:05:40I'm sorry, Lucrecia
01:05:45Let me go!
01:05:48Let me go!
01:05:52Can't
01:05:54Not yet
01:06:08Sato!
01:06:09No
01:06:10Let's go
01:06:10We have to head to the royal dungeons
01:06:13What are you doing?
01:06:15Preparing a tete en pie, master, for the night is long
01:06:18But don't worry, the uniform is already...
01:06:20It's ready.
01:06:21So there was this, and off we went.
01:06:24Juan!
01:06:25Hello, Gonzalo
01:06:27Look, Margarita left this at the pilgrimage and I just came to return it.
01:06:31He's not home right now, but...
01:06:34Thank you so much
01:06:39Do you want anything else?
01:06:40No, no, no
01:06:41I just wanted to tell you that...
01:06:43You surprised me.
01:06:45I didn't know you fought so well, we're doing so well...
01:06:47I get the impression that you let yourself be beaten
01:06:52No
01:06:54And no... don't be so modest
01:06:56No, I'm not so sure, you know?
01:06:58Where...? Where did you learn to fight?
01:07:00It's not... it's not common for a teacher in school to fight like you do.
01:07:05It's not the same in a doctor, is it?
01:07:08Well, maybe I'm not just a doctor.
01:07:11Nor are you a mere teacher
01:07:14Who knows?
01:07:16We all have secrets.
01:07:24Uh... well...
01:07:27Uh... it seems the lady has arrived
01:07:30Daisy
01:07:33Your handkerchief
01:07:35You had forgotten it and the doctor was kind enough to bring it to you.
01:07:40Thank you
01:07:52Ah...
01:07:53Sorry
01:07:57I had a great time today
01:07:59Me too
01:08:00Thank you so much for inviting me
01:08:08Well...
01:08:09Good night
01:08:12Take a rest
01:08:32What are you doing?
01:08:34A classic, leaving breadcrumbs
01:08:36To know where one is walking, the path already traveled
01:08:40Sato, listen to me for a moment
01:08:42You know this mission is very risky
01:08:44Possibly the most difficult of all those we have faced
01:08:48Damn, love, are you scaring me?
01:08:52A little bit like yourself, or what?
01:08:54Oh my god
01:08:56Listen to me for a moment
01:08:57If something goes wrong or if...
01:09:00If I didn't manage to get out
01:09:01The cat, the cat
01:09:03The cat...
01:09:04What do you want from me?
01:09:06What a bad stomach you have...
01:09:07No, Sato, what I want is for you not to wait for me.
01:09:11These are my orders.
01:09:13Yeah...
01:09:14Let her take Margarita's little cloth and...
01:09:16He takes him to Toledo to his friend's inn
01:09:19From the one he has spoken so many times
01:09:21But with all due respect, I prefer not to meet him.
01:09:26Sato...
01:09:27I trust you
01:09:28If they catch me, they will retaliate against my family
01:09:36Can you trust me blindly, sir?
01:09:39Can you trust me blindly, sir?
01:09:44Sato...
01:09:49Thanks, mate.
01:09:51Come on
01:10:05Come on
01:10:07Come on
01:10:16Come on
01:10:19Come on
01:10:24Come on
01:10:27Come on
01:10:28Come on
01:10:31Come on
01:10:39Come on
01:10:53Come on
01:10:56Come on
01:10:56Come on
01:10:56Come on
01:10:57Come on
01:10:57Come on
01:10:57Come on
01:10:57Come on
01:10:58Come on
01:10:58Come on
01:10:58Come on
01:10:58Come on
01:10:59Come on
01:10:59Come on
01:10:59Come on
01:11:02Come on
01:11:02Come on
01:11:02Come on
01:11:02Sato!
01:11:06I love it!
01:11:08I love it!
01:11:29What do I do with this?
01:11:32I love it!
01:12:12I love it!
01:12:19I love it!
01:12:22I love it!
01:12:32I love it!
01:12:33I love it!
01:12:45I love it!
01:13:04I love it!
01:13:06I love it!
01:13:07I love it!
01:13:08I love it!
01:13:09I love it!
01:13:09I love it!
01:13:10I love it!
01:13:11I love it!
01:13:14I love it!
01:13:24I love it!
01:13:25I love it!
01:13:27I love it!
01:13:34I love it!
01:14:06I love it!
01:14:10I love it!
01:14:17I love it!
01:15:03I love it!
01:15:05I love it!
01:15:07I love it!
01:15:08I love it!
01:15:33I love it!
01:15:49I love it!
01:15:51I love it!
01:15:56I love it!
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01:25:00It's with all our names.
01:25:02Augustine.
01:25:03That I want to be with you.
01:25:05I won't stop until I find the one who killed you.
01:25:08The end of the Habsburgs is in your hands, Marchioness.
01:25:10Careful!
01:25:13Juan has asked me to marry him.
01:25:14What if she's stored it up there?
01:25:16I'm already married.
01:25:17Why don't you remember?
01:25:18If the friar hasn't warned the king, all hell will break loose.
01:25:21My father's killer is not going to get away with it.
01:25:24Nothing is holding me back here anymore.
01:25:32I have an army at the city gates.
01:25:35The contents of that bag, upon contact with water, will turn into a lethal gas.
01:25:38In less than two hours we will be the king's most powerful.
01:25:41Close your doors and windows and go inside!
01:25:43Go home!
01:25:47Relief!
01:25:48The king is already dead!
01:25:49I claim the throne of Spain.
01:25:53I have to do it.
01:25:55You know too much.
01:26:02Relief!
01:26:03Relief!
01:26:05Relief!
01:26:06Relief!
01:26:07Relief!
01:26:07Relief!
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