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00:00:08Margarita has sold her into slavery
00:00:11Avocado!
00:00:13Saturn, I can't go back without her
00:00:14I can't lose her
00:00:15Who is Margarita Hernando?
00:00:18I need your help to find my fiancée.
00:00:20With their armies, with their influence
00:00:22It will be very difficult to find her
00:00:23In this vast empire
00:00:25The women will embark for Rome tonight, Angel
00:00:29I would prefer not to have to deal with these kinds of issues in the future.
00:00:32You will have no future if you do not take care of these matters
00:00:35Is that how you monitor the merchandise?
00:00:38Sorry
00:00:38What are you doing here?
00:00:40I work at the palace
00:00:40According to my information, you have not received the sacrament of marriage
00:00:45We will prepare everything so that it happens.
00:00:46I accept your proposal
00:00:48These boxes have vents
00:00:50Listen, my fiancé is a very important nobleman
00:00:53If you help us escape from here, I swear I'll get you everything you want.
00:00:55It's your fault
00:00:56They took her away when she was going to look for you
00:00:58You were the one who pressured her about the wedding
00:01:00The envoy from Alimieros wants to see dancing
00:01:02It's time.
00:01:03I don't plan to dance
00:01:04My aunt says they don't let you leave the palace
00:01:06My uncle the cardinal says I'm not ready yet
00:01:09I can show you the villa
00:01:10I'm sure you'll like it
00:01:12Slaves! I'm selling slaves!
00:01:13Excuse me!
00:01:14I want to buy a slave girl
00:01:15Here, I have this!
00:01:16Get lost, you loudmouth!
00:01:17Have you been to the market? By yourself?
00:01:18Yeah
00:01:19I tried to buy it with the mother's necklace
00:01:22But he wasn't there.
00:01:23I'll bring her back
00:01:24Irene has disappeared
00:01:25They saw her going out with my stupid gardener
00:01:30What are you doing?
00:01:31What are you doing?
00:01:31Mardo, let that go!
00:01:32Let go!
00:01:33But what did you want? To kill me!
00:01:34I hope she returns intact
00:01:36Otherwise, you and your family will suffer the consequences.
00:01:39Margarita is still alive
00:01:40I'm sure
00:01:47There is a secret society
00:01:48Its members are influential people
00:01:51Counts, dukes, church people
00:01:53Daisy
00:01:54It was with the secret societies
00:01:56But how are we going to know who we're looking for?
00:01:58If you haven't seen their faces
00:01:59He doesn't even know a name or anything.
00:02:03The costume party?
00:02:04And where will the suit fit him today?
00:02:09Where are the women they have kidnapped?
00:02:12If you help me
00:02:14I will place my entire fortune at your disposal
00:02:39Come on!
00:02:48Stay still!
00:02:51It's a miracle!
00:02:53By the way
00:02:55Tonight we must return to the finger of God
00:02:58Master, I have told you
00:02:59That it will go to the finger of God and I will go
00:03:01But what I could really use now
00:03:03It would be a little relief.
00:03:05The rebel remains the same.
00:03:06And perhaps with a little female help, this could be achieved.
00:03:11OK
00:03:12Go ahead, take the night off.
00:03:13I'll go to God's finger
00:03:16No, couldn't we go a little later?
00:03:19How about it, or is it time to start digging a mountain?
00:03:22Furthermore, that medallion must have there
00:03:24Buried for at least 20 years
00:03:26Saratu, that medallion is the only clue I have
00:03:28To find out who my brother is and where to look for him
00:03:32Mother! Mother!
00:03:33Look, look
00:03:35They've composed a little song about the red eagle
00:03:37Oh, really?
00:03:39They already know him, he's out of the village
00:03:41Listen
00:03:42It's the same in Madrid as it is in Orgaz
00:03:45Distributing red feathers
00:03:46He demands justice and freedom.
00:03:48They say he's handsome
00:03:49Let's see, let's see, let's see
00:03:51What are you doing?
00:03:53In other words, he doesn't name anyone else.
00:03:54Someone who was with him or something
00:03:57And who was he going to appoint?
00:03:59Well, to one who goes with him, to one
00:04:02No, maybe he's naming his horse
00:04:05His horse!
00:04:07Let's see
00:04:09Hello
00:04:11Throw the little song that has been composed for someone into the house
00:04:13But anyway, this
00:04:15Well, it's good and all
00:04:17Well, it seems he's become a...
00:04:20Yes, good night, right?
00:04:24We'll have to go home
00:04:25I mean, the kid will have to eat dinner and all that.
00:04:27Clear
00:04:28Come on, let's go home
00:04:30It accompanies
00:04:31Good night
00:04:33Good night
00:04:34Good night
00:04:41No, Satur, don't start.
00:04:42No, no, no
00:04:44No
00:04:44I haven't said anything.
00:04:45Good
00:04:47Well, yes, I say, damn it
00:04:48Yes, I say
00:04:49You are a great hero to the people
00:04:51But then at home he lets himself go there
00:04:53If more family members than ours suffer,
00:04:57Satur
00:04:57They're getting married in two months
00:04:59In two months
00:05:01So enough is enough
00:05:02That's enough already
00:05:04If the horse has more to say than I do
00:05:06That's it
00:05:10There you have it
00:05:11His gaze fixed on Inés's letter
00:05:15Careful, he can't read.
00:05:18Good evening, Cipri
00:05:21Would you like to come and have dinner with us?
00:05:25No, thanks
00:05:26I have a lot
00:05:27A lot of work
00:05:32No, don't worry
00:05:34Rest
00:05:39I don't know
00:05:40I find Inés's departure strange
00:05:42We're already here
00:05:43We're already here
00:05:44You always see mystery where there is none.
00:05:46The mysterious thing here
00:05:48That's just that Inés's gorgeous horse.
00:05:49I've been with Cipri for eight years
00:05:50Now that's mysterious.
00:05:52Don't give me that look.
00:05:54Who thinks the same as me
00:05:55That Inés Inés
00:05:58Lots of chicken
00:05:58For so little rice
00:06:00Agnes
00:06:11Are you leaving already?
00:06:14As you command, Your Majesty?
00:06:26Majesty
00:06:27The queen requests your presence
00:06:30But I should be praying at this hour
00:06:32Tell him I'm coming now
00:06:34You will return soon, Your Majesty
00:06:36As soon as I fulfill my duties as king and as husband
00:06:44Mister!
00:06:45Mister!
00:06:53Mister!
00:06:58Mister!
00:07:00Mister!
00:07:10What's happening?
00:07:30This is all there was, Inés.
00:07:35When will I be free again?
00:07:37Oh, Inés, Inés.
00:07:39I picked you up when you were just a little girl.
00:07:42I fed you and protected you.
00:07:45And now you want to repay me this way, by wanting to leave my side?
00:07:59Save your strength to please the king.
00:08:05And now return to the Palace, before someone asks about you.
00:08:12Eminence.
00:08:19Thank you!
00:08:33Thank you!
00:08:35Thank you!
00:08:46In the name of the fatherland, ugly and holy spirit.
00:08:54Commissioner, I want you to choose your best men.
00:08:57I need you to find something very important.
00:09:00Can I know what it's about?
00:09:06It is a medallion just like this one.
00:09:09A family jewel.
00:09:11With all due respect, Your Eminence.
00:09:13He's asking my best men to find a medallion.
00:09:17Commissioner, do not overestimate the degree of trust I place in you.
00:09:20And obey my orders.
00:09:25Eminence.
00:09:26No, no, no.
00:09:45No, no, no.
00:09:48No, no, no.
00:09:49No no.
00:09:50No, no, no, no.
00:09:51You have calluses there, okay?
00:09:54But how am I going to improve on my own?
00:09:56I'm spending the day with the pandas today.
00:09:59That all my nobility is there, raw and exposed.
00:10:02Have you heard that?
00:10:04I'm going to listen to you, apart from you.
00:10:06There is someone else.
00:10:09Wait for me here.
00:10:11Me alone?
00:10:18Keep digging! Come on!
00:10:22What's happening?
00:10:23Shh!
00:10:25Mother, what a load of crap!
00:10:27But these?
00:10:28Who are these people now?
00:10:30There, looking, next to the rock.
00:10:31That's where we come from, sir.
00:10:32But there was no sign of it.
00:10:35It's clear that this place is of interest to more than one person.
00:10:38They might be looking for truffles.
00:10:40They really stress you out about that.
00:10:43Nothing, you, there's nothing here.
00:10:45No sign of that medallion.
00:10:48Did they say medallion?
00:10:51What the hell are these people?
00:10:52Who sent them now?
00:10:54Don't know.
00:10:56But that's what I'm going to find out right now.
00:10:58Don't move from here.
00:11:21Who sent you?
00:11:24Who sent you?
00:11:49Love, you're worse than the children.
00:11:51He is left alone and...
00:11:53Well, now you tell me.
00:11:55No answer, nor...
00:11:56Not even a medallion.
00:11:58We do know something, Sato.
00:12:00The medallion is not here.
00:12:01Of course not.
00:12:02So...
00:12:02I'm sorry, commissioner.
00:12:04Red Eagle appeared unexpectedly.
00:12:05Red Eagle.
00:12:08I thought that wouldn't appear when the people needed it.
00:12:11Okay, you can leave.
00:12:19Hernán, I'm afraid that medallion is much more important than you imagine.
00:12:23But why are the eagle and the cardinal looking for him?
00:12:27Good day, Marchioness.
00:12:29Good morning, mother.
00:12:30How are you?
00:12:32Madam Marchioness, have you had two dresses made?
00:12:34Have we gained weight, Lucrecia?
00:12:38Thank you, Margarita.
00:12:43Adelina, that milk is bad.
00:12:45Ma'am, but you're just now...
00:12:46Throw it away!
00:12:47Yes, ma'am.
00:12:50Are you alright, ma'am?
00:12:52Yeah.
00:12:57Are you alright, Marchioness?
00:12:59Are you alright, Marchioness?
00:13:00Lucrecia.
00:13:01Leave me alone!
00:13:02I'm fine.
00:13:03I'm perfectly fine.
00:13:05It was because of that disgusting milk.
00:13:07I'll take it back, ma'am.
00:13:08I'll accompany you on Coda.
00:13:10Are you okay, Mom?
00:13:12I'm very well, Nuño.
00:13:21Are you thinking the same thing as me?
00:13:23Is she pregnant?
00:13:26Oh my God.
00:13:29Because of what's coming his way.
00:13:31Did you see how nervous she was?
00:13:34And who knows whose child it is?
00:13:35Well, my dear, from the servant who lights the fireplace, to the water carrier, and then to Holy Mother Church and
00:13:43Ending with the king, I get about 200 possible fathers.
00:13:47At least.
00:13:48From now on.
00:13:49Hi, aunt.
00:13:49Martin.
00:13:55Martin.
00:13:57Martin, son, not you.
00:13:58Not you, not you.
00:13:59You tell me you don't.
00:14:00Not me, what?
00:14:01That the marchioness and you don't...
00:14:04Tell me you've respected yourself.
00:14:06Auntie, please.
00:14:07No, please, no.
00:14:08Tell me you've respected yourself.
00:14:09Yes, aunt.
00:14:11Peaceful.
00:14:12You've taken a weight off my shoulders.
00:14:17The other one is balder than Goliath after meeting Delilah.
00:14:22That's Judge Samson.
00:14:25Is there no Goliath?
00:14:28Hey, don't worry about me, I'm full with just a glass of water and some bread.
00:14:32Let's see if it bites me, kid.
00:14:33How powerful, how easy!
00:14:36Hello, Alonso.
00:14:37What, no? Are you going to school?
00:14:38Yes, okay.
00:14:39Okay, I'm coming now.
00:14:41Gabi, son!
00:14:44Good morning, right?
00:14:46Good morning.
00:14:50What worries me are the children, come on.
00:14:57Well, you and I aren't going to grow anymore, but they're there in full swing.
00:15:03No, don't worry about it and head to school, I've already seen you.
00:15:07See you later, sack.
00:15:12Good morning, good sir.
00:15:13Good morning.
00:15:14How's the situation, huh?
00:15:16Is this the only bread you can offer me?
00:15:17All I have left is this scrap, and tomorrow God will decide.
00:15:21Isn't it there?
00:15:23Do you have any from last week or the week before, or any junk?
00:15:30I have this one and this other one is bent.
00:15:34Very good.
00:15:34Another one, huh?
00:15:35Careful, I'm going to tap myself.
00:15:39Like a blow.
00:15:41We even eat meat, huh?
00:15:44But they don't kill fat women.
00:15:45The exterminating angel has reached the posticle.
00:15:48I think one of them has died.
00:15:50What did you say?
00:15:52Smallpox?
00:15:53Yeah.
00:15:55Stuart.
00:15:58Estuarga
00:16:00Stuarga!
00:16:02Estuarga
00:16:03Where is Estuarga?
00:16:05Have you seen Estuarga?
00:16:07Let us
00:16:14Estuarga
00:16:21Estuarga
00:16:22Estuarga, you don't
00:16:27No, please
00:16:41Satur!
00:16:44What are you doing here, for God's sake?
00:16:45Thank God, for a moment I thought that...
00:16:48But no, you're fine.
00:16:51Let's get out of here immediately
00:16:52Satur!
00:16:53Satur, wait!
00:16:54Look, I have to ask you something
00:16:58I know I told you to stay away from Gaby
00:17:01But now I'm going to ask you to keep him.
00:17:05Of course, for as many days as needed.
00:17:06No, I mean, not your days.
00:17:08I'm asking you to take care of him.
00:17:10Of course, Estuarga
00:17:12Of course, I'll take care of him
00:17:14Well, about him and you
00:17:16If necessary, you can stop working for a few days and we'll manage.
00:17:21You're not coming with me
00:17:23You might get infected.
00:17:24Satur!
00:17:26I'm already infected
00:17:37No, don't touch me
00:17:38Go away
00:17:39Don't let my son come to see me
00:17:42And I will say that I love him very much.
00:17:45Please
00:17:47And always take care of it.
00:18:05Further
00:18:07Squeeze harder
00:18:08Ma'am, let's see if this is going to be bad for your business.
00:18:11Come on, I'm not going to break one of his guts or something in there.
00:18:16Furthermore, Madam Marchioness, you are
00:18:19Come on, those curves...
00:18:22I said to squeeze.
00:18:26Were you calling me, Marchioness?
00:18:28Yes, it happens.
00:18:31Close the door on your way out
00:18:32Yes, ma'am, with your permission.
00:18:41Will you go?
00:18:44Juan
00:18:48I am pregnant
00:18:50Congratulations
00:18:52You know perfectly well that I didn't call you to congratulate me.
00:18:59You have to help me get rid of the child
00:19:02No, I'm a doctor, Lucrecia.
00:19:08Juan
00:19:10You're being asked by an old friend, not a patient.
00:19:14No, I've already told you I don't do that kind of work, Lucrecia.
00:19:16You can't do this to me
00:19:17You have to help me, please
00:19:19You know I have no one to turn to.
00:19:21Juan
00:19:22That I cannot have that child
00:19:24I am a widow
00:19:26What last name am I supposed to give him, huh?
00:19:28And what will they say about me in court?
00:19:30What do you think they're going to say?
00:19:33I'm sorry
00:19:35Don't count on me
00:19:42I'll give you whatever you want
00:19:46Whatever you ask of me
00:19:51I don't need anything from you, Lucrecia
00:19:54Thank you
00:19:57If you'll allow me
00:20:21Catalina
00:20:22Catalina, come
00:20:27It will happen to me, then, to enter
00:20:31Where do the maids who get pregnant by the young masters go?
00:20:34What did you say?
00:20:35You heard me perfectly.
00:20:37I'm sure you have somewhere
00:20:42Well, let your grace know
00:20:43First and foremost
00:20:45They call me Lazarus of Tormes
00:20:47Son of Tomé González
00:20:49And from Antonio Pérez
00:20:50Natives of Tejares
00:20:52Village of Salamanga
00:20:53I was born within the Tormes River.
00:20:56Very good, Murillo
00:20:58Sit down
00:21:00Today we're going to talk about something that has to do with hunger.
00:21:05Does anyone know who Confucius is?
00:21:07And what invented confusion?
00:21:10Not quite
00:21:12Confucius was an Eastern philosopher
00:21:14And he recounts that one day
00:21:15That God put a huge cauldron of food in heaven
00:21:18And another one just like it in hell
00:21:21And then
00:21:23He handed out some very long skewers
00:21:25Like this
00:21:25So that everyone could enjoy the food
00:21:29Those in heaven all enjoyed the delicacy
00:21:31But
00:21:32Those from hell
00:21:34They appeared with their throats pierced
00:21:36How could that be?
00:21:38Very easy, Nuño
00:21:39Because those in heaven
00:21:40They used the skewers to feed those next door.
00:21:43While those from hell
00:21:45They used them to bring food to their mouths
00:21:48Hurting themselves
00:21:51So, Nuño
00:21:52Learn to share your food with your classmates
00:21:56OK?
00:21:57Alonso
00:21:58Distribute
00:22:04Tell me
00:22:05I love you, I wanted to ask if
00:22:08If Gaby could stay at home
00:22:11Yeah
00:22:11I know it's one more mouth to feed
00:22:13But if it's necessary, I'll
00:22:14I'm going hungry
00:22:18Something wrong?
00:22:22Stuart has asked me to
00:22:23I kept it
00:22:26Yeah, buddy
00:22:30He thinks he's going to die
00:22:35Have you heard of the exterminating angel?
00:22:39Smallpox
00:22:42What's happening?
00:22:45Don't tell me nothing
00:22:47Because I'm fed up with you never telling me the truth.
00:22:54Let's see if I
00:22:58Now more than ever you need to be close to Gaby
00:23:02Because?
00:23:03What's wrong with Gaby?
00:23:04She is his mother
00:23:06She is his mother
00:23:08She is sick
00:23:10She has a grandfather
00:23:11That?
00:23:15But
00:23:18That means he's going to die
00:23:20No?
00:23:21She's going to be left without a mother
00:23:23Let's see, we didn't say that either.
00:23:26And how are we going to tell them?
00:23:27Now she is alone
00:23:28To the one who does tell you
00:23:29Let's eat more chocolate
00:23:30If I'm going to have to warn you, then I'll have to be the one to warn you.
00:23:34What's happening?
00:23:36Why are you looking at me like that?
00:23:40Remove
00:23:43Lady, for God's sake
00:23:44Think twice
00:23:44What you are going to do
00:23:45It's very dangerous.
00:23:46Catalina
00:23:46I didn't ask for your opinion.
00:23:47Come on
00:23:48Out!
00:23:50Lady
00:24:09Hello good
00:24:10That
00:24:11We wanted
00:24:13How long has it been since you last bled?
00:24:15As?
00:24:17How long have you been pregnant?
00:24:20Oh no, not me
00:24:21Yes, you, Catalina
00:24:23Can you help us resolve my maid's negligence?
00:24:27Lady
00:24:27I make a living by fixing these oversights.
00:24:37Have him drink five drops of this
00:24:39Not one more
00:24:40It's very dangerous.
00:24:42Are you sure that will work?
00:24:44If he hasn't thrown it out within two days
00:24:46Come back this way
00:24:49We got it out of him
00:24:56Lady
00:24:57Let's go, please.
00:25:00Catalina
00:25:02We haven't been here
00:25:05Never again
00:25:06Come on
00:25:11But Gaby
00:25:12Don't worry
00:25:15Your mother is going to get better
00:25:16You'll see
00:25:18That one dies
00:25:20She never sees him again.
00:25:23Your mother isn't going to die.
00:25:26People don't die of smallpox
00:25:29What do you mean, no?
00:25:32Well
00:25:34Sometimes, yes
00:25:35But almost never
00:25:41Let's go home
00:25:42But I want to stay with them
00:25:44You're not going to stay with the son of an infected whore.
00:25:46What do you want?
00:25:47To stew you?
00:25:48Herding
00:25:49Eh, eh, eh
00:25:50You
00:25:54Can you tell me what you said?
00:25:56I'm taking my son with me
00:25:58I don't want him anywhere near that leper
00:26:03Has it stank?
00:26:05But it turns out that this outcast is my son.
00:26:08And I don't like it when they talk to him like that.
00:26:11Go on, apologize
00:26:15Son of a whore and a nobody
00:26:17You
00:26:18You really know your stuff, kid.
00:26:23With the unfortunate child
00:26:24Let me
00:26:26Do you have what you said?
00:26:27I'll rip your guts out
00:26:28That man is right.
00:26:29The child must be locked up
00:26:32Yes, man.
00:26:32Like her mother
00:26:33They're going to infect us all
00:26:35What are you looking at here?
00:26:37Get out of here!
00:26:38What are they looking at?
00:26:39Out!
00:26:40Come on!
00:26:42My son is not a pariah!
00:26:52No, son
00:26:53Let me!
00:26:53Alright
00:26:55Gaby!
00:26:57Don't you ever say again that he understands my father!
00:27:00Never!
00:27:01Never say that again!
00:27:03Gaby!
00:27:04Gaby!
00:27:20You have to see it
00:27:22Poor Stuart
00:27:24In the end, these diseases
00:27:25They're picking on the same people as always.
00:27:26With the weakest
00:27:31Hello
00:27:31Hello my love
00:27:33That?
00:27:34Aren't you going to give your aunt a kiss?
00:27:36Yes, yes
00:27:40That?
00:27:44Alonso, aren't you with Gaby?
00:27:46No
00:27:48He wants to be alone
00:27:49Sator has tried to talk to him
00:27:51But he says he has no father.
00:27:52Poor little boy
00:27:54And poor Sator
00:27:58What are you reading?
00:28:00It's in Chinese, isn't it?
00:28:01Yeah
00:28:03Come here
00:28:05When I was in the East I saw many cases of smallpox
00:28:07But there the doctors discovered a yellow powder and it seemed that they improved.
00:28:12But
00:28:13Does it say anything here about yellow powder?
00:28:16Not at the moment
00:28:18Well
00:28:19Father, you have to find him
00:28:21My love
00:28:22Juan is taking care of Estuarda
00:28:25And he's going to do everything he can to make sure she gets better.
00:28:27Already
00:28:28But Juan, don't you have that yellow powder that says "father"?
00:28:31Because you may not be very brave, but when it comes to thinking
00:28:34Oh, no?
00:28:38I'm sure you'll find it
00:28:39Already
00:28:41Come on, go on
00:28:41Go with Gaby
00:28:43I'm sure your company will be very good for him.
00:28:46Bye
00:28:52Bye
00:28:53Daisy
00:28:54Let me help you
00:29:01Thank you
00:29:08Thank you
00:29:10Thank you
00:29:17The ring
00:29:19Are you you?
00:29:27Give me
00:29:48Do you know what I just remembered?
00:29:51From when we were kids and I dropped my pendant into the lagoon
00:29:55You kept searching until you couldn't find it.
00:29:58You didn't go out
00:30:16And this is clean from last month, Petri
00:30:18From last month
00:30:20I want this like it's gold.
00:30:22Hey?
00:30:23We're leaving
00:30:24And with vigor
00:30:25With vigor
00:30:27Catalina
00:30:56Catalina
00:30:56The marchioness is not well
00:30:59Lady
00:31:04Lady
00:31:06Lady
00:31:07Lady
00:31:07Lady
00:31:07Lady
00:31:07Lady
00:31:07Lady
00:31:08Good heavens, he only said boots.
00:31:12How are you?
00:31:13How are you?
00:31:14How are you?
00:31:15Yes, ma'am
00:31:15Cover yourself
00:31:16Yes, ma'am
00:31:21So
00:31:22So
00:31:22So
00:31:24I think it's hot for the bath
00:31:25Come on?
00:31:26Yeah
00:31:32Lady
00:31:34Lady
00:31:36Lady
00:31:37Lady
00:31:38Lady
00:31:39Madam, wake up
00:31:40Lady
00:31:42What's happening?
00:31:46It's freezing.
00:31:47What's wrong with him?
00:31:47I can't tell you
00:31:49What do you mean you can't tell me what's going on?
00:31:51I can't tell him
00:31:52Catholina!
00:31:54It is in a state
00:31:57And he's been using that to get rid of the kid.
00:32:03Yeah
00:32:08You say your mother hid the medallion in this pool
00:32:12We were looking in the wrong place
00:32:14This pool is also under the finger of God
00:32:25Well, the truth is that the tree where you carved your name and your brother's name is right there.
00:32:30You had to live around here, nearby, love
00:32:37Satur!
00:32:38Come on!
00:32:42Peace, slowly
00:33:09How could you do such a thing, Lucrecia?
00:33:12I haven't done anything that's any of your business.
00:33:15You have put your life in danger
00:33:16Of course it's my concern
00:33:17Hernán, my mother died years ago
00:33:19And believe me
00:33:20The last thing I need right now is another one
00:33:23Even if it were just for a child, he could be a little more careful.
00:33:27Leave me alone, please
00:33:29No
00:33:31I'm not going to leave my Lucrecia
00:33:34Whose is it?
00:33:38I don't know
00:33:39What are you talking about?
00:33:41Whose child are you expecting?
00:33:46It could be mine.
00:33:47Why? Would you like to?
00:33:52Well, forget about it.
00:33:54That child will never be born.
00:33:57Forward!
00:34:01Lucrecia
00:34:02If you want, I can come later.
00:34:04No, Juan
00:34:05Stay
00:34:06Hernán is leaving now
00:34:19Juan
00:34:20Let's talk
00:34:25It's so cold!
00:34:31Sit down
00:34:35I have to tell you something
00:34:39But how are you going to get in there?
00:34:42Do you know how dangerous it can be?
00:34:44Besides, the cold will leave his attributes looking like a Corinthian prune.
00:34:50Can you think of a better way to remove the medallion?
00:34:54Well, not off the top of my head.
00:34:57But I'm considering other options.
00:34:59You are an eagle, not a fish.
00:35:03Do you know what's in there?
00:35:17Let it be known that I would go with you.
00:35:21Well, water and I don't...
00:35:24Nor in large doses
00:35:27Be careful, master
00:35:29Let's see if finding the past
00:35:31You are going to lose your future
00:36:04It's better to do things than to send them.
00:36:07Neja, yes
00:36:08Help me
00:36:08I'm in the mood to clean chimneys this morning
00:36:10Since I have nothing else to do
00:36:14Well
00:36:15How is the marchioness?
00:36:17Well, I don't know, it's got me on tenterhooks.
00:36:19She has fallen dead
00:36:20Like a broken doll
00:36:22It could have caused a major upset.
00:36:25Thank God nothing bad has happened
00:36:26No, but what if it happens?
00:36:28Who will take that burden away from me?
00:36:30That he shouldn't have taken her to the sacrificial
00:36:31No, but she knew what she was doing too, Cata
00:36:37Tell me what's wrong, Juan
00:36:38What's that?
00:36:41Juan and the Marchioness
00:36:47Cata
00:36:48Cata, that's not right
00:36:49Listen to it
00:36:49When he gets something into his head
00:36:51She is capable of asking Juan to take the child out for her.
00:36:55Cata, get out of there, it's fine
00:37:01Juan says she was never pregnant
00:37:03That?
00:37:06Go on, get in
00:37:07Get in
00:37:12That?
00:37:14What does it say?
00:37:17What's happening?
00:37:19My lady
00:37:22What does smallpox have?
00:37:32Oh, oh, oh, this man who never goes out
00:37:36This man seems to have become addicted to something and can't get out.
00:37:46Since I already told him
00:37:47Don't get involved, it's dangerous
00:37:49Well no
00:38:01The chair of Philip II
00:38:04And the knight
00:38:12Come on
00:38:18I have to be saving the hero now
00:38:22Very!
00:38:26Very!
00:38:26Tap!
00:38:36Love!
00:38:38No, Matur!
00:38:39Tantilio!
00:38:41Tantilio!
00:38:42Tantilio!
00:38:42Tantilio!
00:38:43Saturn!
00:38:44Saturn!
00:38:45How brave!
00:38:46Tantilio!
00:38:46Hey!
00:38:48Saturn!
00:38:49No!
00:38:51No!
00:38:52No!
00:38:54What do you think he's done to me?
00:38:55Year!
00:38:57No!
00:38:59No!
00:39:00No!
00:39:01No!
00:39:02Do you know what they say?
00:39:04When someone dies!
00:39:06They share the most important moments of their lives with them!
00:39:11No!
00:39:11No!
00:39:13No!
00:39:16No!
00:39:28No!
00:39:42No!
00:39:43No!
00:39:44No!
00:39:44No!
00:39:45No!
00:39:46No!
00:39:48No!
00:39:49No!
00:39:51No!
00:39:52No!
00:40:02No!
00:40:11No!
00:40:15No!
00:40:17No!
00:40:18No!
00:40:20I'm not staying!
00:40:22I would have liked to say goodbye too, and so would my mother!
00:40:29Mother!
00:40:29Mother!
00:40:30Where are you?
00:40:31Gaby, it's you!
00:40:32Mother!
00:40:33Out!
00:40:34Mother!
00:40:35Mother!
00:40:35Let me in!
00:40:36It's very dangerous for you to stay, Javi, leave.
00:40:40I just want to be with you.
00:40:43Be me at the door, mother.
00:40:45Javi, go away.
00:40:49Stuart.
00:40:50Alonso, son.
00:40:51Go away.
00:40:52Javi just wants to be with you, say hello, and that's it.
00:40:57What are you doing here?
00:40:58But how did you come all the way here?
00:41:01Javi just wanted to see his mother.
00:41:03He misses her a lot.
00:41:05Right here, right now, and you too, come on.
00:41:07No!
00:41:08I want to be with her.
00:41:10Come on, I'm telling you, come on, let's go.
00:41:11No! Let me go!
00:41:13I'm not telling you.
00:41:14I'm ordering you to do it.
00:41:15Come on, let's go.
00:41:16No!
00:41:17Come on!
00:41:18Leave me alone!
00:41:19Let me go!
00:41:20I don't pay attention to crap like you.
00:41:28I am your father and...
00:41:30I'm telling you we're going to make a helmet.
00:41:32No! Mother!
00:41:34Mother!
00:41:35No!
00:41:36Mother!
00:41:37Mother!
00:41:38No!
00:41:43Well.
00:41:46I just put them to bed.
00:41:48Gabi is calmer now.
00:41:52I'm worse than a rat, come on.
00:41:55I had promised myself that if I ever had a child, I would never, ever, ever, ever lay a hand on him.
00:42:00She's yours.
00:42:03I know there are those who say that a good whack now and then isn't bad, that it educates.
00:42:07But those are inventions that get flak.
00:42:10And I'm telling you this as someone who grew up being beaten up, and not a single one of those beatings was helpful to me.
00:42:14Sato, but you wanted me to leave.
00:42:16It was dangerous.
00:42:18That's no excuse.
00:42:21In the end, Stuart is going to be right.
00:42:25It's much better that Gabi never knew that...
00:42:28...I am his father.
00:42:30Look, Sato, I think Gabi can be very proud of the father he has.
00:42:35You're a good person, you're smart.
00:42:37And a survivor, there's no one who can finish you off, Sato.
00:42:42I appreciate the compliments, Samu, but no...
00:42:47I've always had bad luck.
00:42:49I'm hopeless.
00:42:52And all I dreamed of was...
00:42:54...well, that's it.
00:42:56Being a good father.
00:42:57Oh, that's it.
00:42:59Nobody knows about that.
00:43:02Look, I'm stupid.
00:43:08That he had started saving.
00:43:10To give him a future.
00:43:17What? What do you think?
00:43:19If prices don't come down in that future...
00:43:26...you are wrong.
00:43:28Okay, then, Sato.
00:43:29What's a joke?
00:43:31Oh, is this a joke?
00:43:32Yeah.
00:43:34Are you always...
00:43:36...so sullen?
00:43:39So much?
00:43:41And a joke?
00:44:07Go ahead, Catalina.
00:44:08Lucrecia.
00:44:10What's wrong, Lucrecia?
00:44:14Another trick to get rid of the child?
00:44:16How far do you plan to go?
00:44:18If it's such a big problem for you.
00:44:21I'll take care of him.
00:44:25After all, it could be mine.
00:44:30Hernán, sit down.
00:44:34Hernán, sit down.
00:44:39It's not that.
00:44:42There are no children.
00:44:51I've moved you, boil.
00:44:58Lucrecia, how could you have gotten infected?
00:45:05It had to be someone from your department.
00:45:08I'll take care of it myself.
00:45:10Today they will steal heads.
00:45:12Yeah.
00:45:25Amen.
00:45:52Good morning, Atul.
00:45:53Good morning.
00:45:54Where is Gonzalo?
00:45:57I don't know, ma'am, when I got up she was gone.
00:46:03Good morning.
00:46:04Good morning.
00:46:09Gaby, son, I've made you some porridge.
00:46:16They're a little watery, but since I've heard you liked them a lot...
00:46:20I like what my mother does.
00:46:25The porridge tastes great.
00:46:28It's because you cook so well.
00:46:32Hey, so what was it like that time when...
00:46:36Yes, you cooked for an army in the middle of a battle?
00:46:43I don't know, I don't remember, I don't know.
00:46:45How could you forget, man?
00:46:47Come on, man, tell it.
00:46:50Look, it was so delicious that the smell reached the other side.
00:46:55They got so hungry that they gave up as soon as they tasted their food.
00:46:58Is that right or not, Satur?
00:47:02Well, yes, it's because at the front they eat everything.
00:47:05To tell you that once she cooked a sandal and they ate it too?
00:47:27Juan.
00:47:31Gonzalo, what a surprise.
00:47:33I'm sure you're not coming to congratulate me on my wedding.
00:47:38You know perfectly well that I wouldn't be here if it weren't very important.
00:47:41I'm sorry, but I'm in a big hurry.
00:47:43There are sick women who need care.
00:47:44That's why I've come.
00:47:46Because of smallpox.
00:47:47What do you have to tell me about smallpox?
00:47:50Juan.
00:47:51In the East I saw how they covered the bodies of smallpox patients with a yellow powder.
00:47:54And it gave them very good results.
00:47:55The problem is that I can't remember what it was.
00:47:57Don't tell me he was also studying medicine.
00:47:59No, I wasn't studying medicine, but I like to observe.
00:48:02Congratulations.
00:48:03But smallpox has no treatment.
00:48:06Already.
00:48:08I can see you give up very easily.
00:48:13Gonzalo.
00:48:19Tell me, what was the dust like?
00:48:21Intense yellow, the color of gold.
00:48:25Come, as you know, there is an outbreak of smallpox in the village.
00:48:28And the marchioness wants to make sure she can live in peace.
00:48:32So I hope you will all collaborate.
00:48:34Of course, Commissioner, in any way we can.
00:48:36Glad to hear it.
00:48:37Take off your clothes.
00:48:41Commissioner, but I don't think that's necessary.
00:48:44If someone were sick, I'd be the first...
00:48:46I told you to take off your clothes.
00:48:47But I don't think the earth is that happy.
00:48:50No, I don't think that's what's needed.
00:48:51No.
00:48:52No, I don't think that's what's needed.
00:49:05No.
00:49:05No.
00:49:06No.
00:49:06No.
00:49:08No.
00:49:08No.
00:49:09No.
00:49:09No.
00:49:22Is something wrong, commissioner?
00:49:24Simple routine, out of caution.
00:49:28If you want, I could do it.
00:49:31Have you ever seen someone with smallpox?
00:49:34In the convent.
00:49:36Forward.
00:49:51What's happening?
00:49:53Gardener, take off your clothes.
00:49:57No, I'm not going to get naked.
00:50:01Well, it turns out you're going to be the big shot in Corrales.
00:50:07Take off your clothes.
00:50:17I told him that he shoots anyone who doesn't want to get naked.
00:50:21I will make no exceptions.
00:50:23So it's up to you.
00:50:27Martin, for God's sake, take off your clothes.
00:50:31Already!
00:50:33Oh, no.
00:50:40Amen.
00:51:04It's like when you want to be reasonable.
00:51:06Irene
00:51:20No
00:51:24This is
00:51:26Calendula
00:51:27Good
00:51:28Calendula
00:51:29Also known as buttercup or marigold
00:51:32It was medicinal with multiple therapeutic properties
00:51:38Especially healing
00:51:41Also used as a dye for fabrics
00:51:47Calendula
00:51:49Gonzalo, it's going to be difficult to find, huh?
00:51:53What little there is comes from the east
00:52:01It doesn't matter
00:52:03But Gaby
00:52:04What don't you like about Satur?
00:52:07Because I think he's a very good father
00:52:09That he has never listened to me in his life
00:52:12Because I didn't know you existed
00:52:15That hasn't stuck together with the night
00:52:18I've even heard her cry.
00:52:21But it's also here
00:52:24I haven't seen mine in a long time.
00:52:25Since he went to the Indies
00:52:30What would you see?
00:52:32What's happening?
00:52:33Can't I see the poor crying?
00:52:35Gaby
00:52:36Perhaps your mother could dry your tears.
00:52:39Oh, no, of course not.
00:52:40Your mother's busy infecting someone.
00:52:42I'm going to kill you
00:52:44Gaby
00:52:45Gaby
00:52:46Gaby
00:52:47Leave it, okay, leave it
00:52:48Look, I'm going to kill you.
00:52:51I'll wait for you in the woods at eight
00:52:54Get a sword
00:52:55I will wear my father's
00:52:57I'll be there
00:52:58I'll be there
00:53:00But what have you done?
00:53:02You've gone mad
00:53:04I've let go of my mother
00:53:06But you haven't fought in your life
00:53:08In your life!
00:53:10He's going to kill you, you idiot!
00:53:11He's going to kill you!
00:53:16He's going to kill you!
00:53:41How could one obtain calendula?
00:53:43In the least rib-friendly place?
00:53:45No
00:53:46This is the only place
00:53:48They use it to dye royal silks
00:53:55Do you see any yellow powder?
00:54:00Yes, in all colors
00:54:03But not yellow, I love it
00:54:07Yellow no
00:54:08And they've finished it, love
00:54:11They've finished it.
00:54:13Calm down
00:54:25This has to go well, love
00:54:28You almost always succeed.
00:54:31We need to find a cure for smallpox
00:54:33And we will achieve it
00:54:41Hello good!
00:54:46You wait for me here
00:55:00Don't shout, don't shout
00:55:05Promise me you won't scream
00:55:06I'm not going to hurt you
00:55:08And not just where can I find calendula powder?
00:55:10Where do you keep it stored?
00:55:12That's the last thing we have left.
00:55:14A shipment is arriving from the East.
00:55:16But they will take months to arrive
00:55:20Thank you, that will be enough for me.
00:55:29The Avila
00:55:29It's the red eagle!
00:55:31Who's going?
00:55:32The red eagle!
00:55:42Do you think I'll have scars?
00:55:47Madam, you should worry more about your health and less about your brands.
00:55:51To become disfigured
00:55:52I'd rather be dead
00:55:55Madam Marchioness, you have a visitor
00:55:57The cardinal has come to see her
00:55:59That?
00:56:00Tell him I'm leaving right now.
00:56:03Catarina, my cow
00:56:07Bring me a dress, quickly, one with sleeves
00:56:09Ma'am, for God's sake, you should get some rest.
00:56:11I said bring my dress!
00:56:25I look terrible, Catalina
00:56:31Ma'am, you can still be seen there
00:56:41Ma'am, wouldn't it be better to tell him you're feeling unwell?
00:56:44And raise suspicions
00:56:46Never!
00:56:47The cardinal would come in to see me
00:56:51Ma'am, put this on
00:56:55Great!
00:56:57Nobody
00:56:58Nobody should know this
00:56:59Yes, ma'am
00:57:11Eminence?
00:57:13Marquise
00:57:15I'm sorry to tell you that you've made me wait longer than usual today.
00:57:19All good things come to those who wait.
00:57:22I've come to pick up my niece
00:57:24Great
00:57:29And to you too
00:57:34Beauty accompanies you as usual
00:57:39Well, you should spend the afternoon with her
00:57:41And another day, devote yourselves entirely to me
00:57:45I like sharing you with other women
00:57:49Lucrecia
00:57:53Commissioner, do you have a habit of opening the door without knocking?
00:57:58Excuse me, Your Eminence
00:57:59I didn't know the marchioness had a visitor
00:58:02The cardinal has come to visit his niece.
00:58:05A sweet treat?
00:58:06Gentlemen?
00:58:08Eminence?
00:58:29I didn't know the marchioness had a visitor
00:58:52I didn't know the marchioness had a visitor
00:59:21Subscribe to the channel!
00:59:40You seem idle, Commissioner. Are you perhaps keeping something that should be known?
00:59:47Your Eminence, my men are still searching everywhere for that medallion, but there is no trace of it.
00:59:53It's curious to see you here, then. I remind you that this is a priceless jewel that must be recovered without...
01:00:00no delay.
01:00:02Your Eminence, don't keep searching until it appears.
01:00:06You'd better.
01:00:09Hey man! It's so great to see you!
01:00:14Let's go to the gardens. I have so many things to tell you.
01:00:16Yeah?
01:00:17Yeah.
01:00:19Marchioness, a pleasure, as always. Beautiful scarf.
01:00:23Thank you, Your Eminence.
01:00:24It favors.
01:00:42Oh, I like it.
01:00:48Mirencia, where are you going?
01:00:51Peaceful.
01:00:54Tonight I've thought of something new.
01:00:56What's happening?
01:00:57I'm going to watch you.
01:00:59Where are you?
01:01:01I don't know who infected me.
01:01:05A prostitute.
01:01:07A prostitute.
01:01:10Yeah.
01:01:11Yeah.
01:01:11He broke into the palace the other day to steal.
01:01:17They caught her taking my clothes.
01:01:26Lucrecia, I will find her and I will finish her off.
01:01:41Gaby, where are you going with the sword my father gave me?
01:01:45I just haven't found another one.
01:01:48Are you really going to the duel?
01:01:50Nobody insults my mother.
01:01:52Gaby!
01:01:54Gaby!
01:01:56Take.
01:01:57Noño gave me this for you.
01:02:05He says he cannot leave the palace this afternoon.
01:02:08We'll leave the mourning for tomorrow.
01:02:11He's a coward.
01:02:17Good.
01:02:19He believed it.
01:02:20You'll see when Noño goes to the forest and sees that there's nobody there.
01:02:25The thing is...
01:02:26Murillo.
01:02:29Yes, there will be someone.
01:02:31That?
01:02:32I'm going to go.
01:02:35Nobody insults my friend's mother.
01:02:39Nobody.
01:02:42Stuart!
01:02:45Stuart.
01:02:46I've brought you a remedy.
01:02:48A remedy for smallpox.
01:02:50Saturate it, really.
01:02:51Please.
01:02:51Yes.
01:02:52You'll see how it relieves you.
01:02:54Look.
01:02:55You have to put this all over your body.
01:02:58Give me that.
01:03:03Give me what, I don't know what you're talking about.
01:03:05The bowl.
01:03:07What's the bowl for?
01:03:09I told you to give it to me.
01:03:12I swear on my life, no.
01:03:14Go see if he wants it, but I'm not going to give it to him.
01:03:16Satura, do what he tells you.
01:03:17No.
01:03:19I don't want to have to repeat it to you again.
01:03:21I'll have to cut my hands off the bowl; I'm not giving it to him.
01:03:25You said it.
01:03:28Cut off his hands.
01:03:29Saturate it, for God's sake.
01:03:30Give it to him, please!
01:03:32Santur!
01:03:33No.
01:03:34Santur!
01:03:35No!
01:04:12I'm going to recover, Juan.
01:04:14The important thing now is to keep the fever from rising.
01:04:19Juan, don't treat me like any of your patients.
01:04:23I don't need you to embellish it for me.
01:04:28I'm going to die.
01:04:40Is there a possibility?
01:04:41I don't want to deceive you.
01:04:47I appreciate your frankness, Juan.
01:04:50Please go away.
01:04:51I need to be alone.
01:05:03Thank you, Lucrecia.
01:05:04Goodbye, Juan.
01:05:14Lady.
01:05:15I wouldn't want to alarm her given her current situation.
01:05:17What's wrong, Catalina?
01:05:18Your son has disappeared.
01:05:21What do you mean my son has disappeared?
01:05:23I can't find him in his room and I've looked for him all over the palace, but he's not there.
01:05:33Luncio!
01:05:35Come on, Catalina, hurry up, get here.
01:05:37Yes, ma'am.
01:05:39Careful.
01:05:40Lady.
01:05:40I'm fine, I'm fine.
01:05:47Sato, I've come to find you.
01:05:49What happened to the commissioner?
01:05:51What happened?
01:05:52What?
01:05:53Am I a wretch?
01:05:54That's what happened.
01:05:57I let them rob me.
01:05:59The only thing that could take away the pain of the woman I love.
01:06:03What did he want the marigold for?
01:06:04I don't know.
01:06:06All I know is that he wants those poor women to die.
01:06:09Look, they're just scum.
01:06:13You've done what you could.
01:06:14No!
01:06:16No, I should have fought him to the death.
01:06:18And here I am.
01:06:19I'm not dead, I'm alive.
01:06:23That needs to be cleaned...
01:06:24No, leave me alone!
01:06:26Let me!
01:06:26Leave me all that...
01:06:27Fa!
01:06:32Gonzalo.
01:06:35You have to help me.
01:06:36What's happening?
01:06:38Nuño.
01:06:38It has disappeared.
01:06:41I don't know what to do.
01:06:42I can't find it anywhere.
01:06:46Gaby.
01:06:46Where is Alonso?
01:06:48Leaving us all in peace.
01:06:52Gaby.
01:06:53Come.
01:06:54You have to help us.
01:06:56You wouldn't happen to know where Nuño and Alonso are, would you?
01:06:58No, I don't know.
01:07:11Gaby, what is this?
01:07:24What are you doing here?
01:07:25With your friend?
01:07:27Come on.
01:07:28He's not coming, is he?
01:07:30Sure, I'll wait for it.
01:07:31Besides being Andrajoz, I am a coward.
01:07:35What's happening?
01:07:37Are you afraid to fight me?
01:07:39This time your father won't be there to save you.
01:07:42We'll see about that.
01:07:53Prepare to die.
01:08:08You can leave this if you want.
01:08:10Apologize to Gaby.
01:08:14Shut up and fight.
01:08:15Struggle.
01:08:18Struggle.
01:08:20Struggle.
01:08:21Struggle.
01:08:22Struggle.
01:08:22Struggle.
01:08:23Struggle.
01:08:47Last words, Pebello.
01:08:51No no!
01:08:52Drop that sword right now!
01:08:57Nuño!
01:08:59Drop that sword.
01:09:02Look at me.
01:09:03Give me the sword.
01:09:05Give it to me!
01:09:06Give me the sword!
01:09:08Nuño!
01:09:10Look at me.
01:09:11Nuño!
01:09:12That's it.
01:09:18You're okay with me.
01:09:19Yeah.
01:09:20I feel like a father, but...
01:09:27Mother!
01:09:29Mother!
01:09:32What's wrong, Mom?
01:09:34Lucrecia!
01:09:34Nuño!
01:09:35Lucrecia!
01:09:36It's over now!
01:09:38Lucrecia!
01:09:39Lucrecia!
01:09:57Lucrecia!
01:10:06I have to be almost dying for you to come into my arms.
01:10:14If only I had known it was so easy.
01:10:18Lucrecia, now is the time for you to rest.
01:10:20Don't pretend you don't hear what I'm saying.
01:10:24I hate it when you do that.
01:10:27Oh, Gonzalo.
01:10:30I have nothing left to lose, I might not make it past tonight.
01:10:34Lucrecia.
01:10:35I'm going to tell you what I've been wanting to tell you for years.
01:10:49I love you.
01:10:57Go away.
01:10:59Get out of here, teacher.
01:11:05I need you to give me some of that remedy.
01:11:08There are more people who need it.
01:11:11I'm only asking for a part of it.
01:11:17Fernan, give him what he asks for.
01:11:19Pass it on.
01:11:26No, no, no, calm down.
01:11:32Go home, please.
01:11:34No, Juan, if you stay, I'll stay with you.
01:11:36Now you are more useful taking care of his child.
01:11:37Juan.
01:11:39Fernan.
01:11:42I'm very proud of you.
01:11:48Doctor.
01:11:51Take it.
01:11:52Come on, remember.
01:11:53Do you need to tie her up?
01:11:55We must prevent him from scratching.
01:11:57It can't get any worse.
01:11:58There's nothing more we can do for her.
01:12:02Do you believe in God?
01:12:05Then pray.
01:12:11And forgive us our sins, as we forgive God.
01:12:14It's true that we must pray!
01:12:16Everyone tells me to pray, but my mother won't tell me.
01:12:21Gaby is right.
01:12:23What is the purpose of praying?
01:12:24Alonso, well, to ask for what we want.
01:12:27Clear?
01:12:28Well, I don't believe in God.
01:12:29As?
01:12:30Who said such nonsense?
01:12:32Don't say that where people can hear you.
01:12:33Don't you see that the Holy Inquisition will burn you alive?
01:12:36Wow!
01:12:37But why does God never kill the wicked?
01:12:40Why does he always have to kill the ones we love most?
01:12:43Well, the Almighty won't have a precise list there either.
01:12:46That we are many souls in the world.
01:12:47Man has enough to deal with as it is, and there are many of us.
01:12:50Alonso, son.
01:12:52Sometimes God tests us.
01:12:55He demands sacrifices from us so that we can show him our love.
01:12:58Clear!
01:13:00But in the end it always pays off.
01:13:04If I make a sacrifice, God can save my mother.
01:13:14Keep praying, Gaby.
01:13:16You'll see, he'll get better.
01:13:17Come here, love.
01:13:21What is this?
01:13:23What is this?
01:13:33Here it is.
01:13:36Calendula powder.
01:13:37How did you do this?
01:13:42The Marchioness of Santillana gave it to me.
01:13:44Come on.
01:13:45Come on.
01:13:46Come on.
01:13:46Sato, sato, sato!
01:13:47Come on.
01:13:48I swear to you that I will never forget what you have done for me.
01:13:53Stuart.
01:13:54Estuarda, my love.
01:13:56You'll see how much better you feel from now on.
01:14:05It's curious.
01:14:06How did this powder end up in the hands of the marchioness when only you know what it was for?
01:14:10The commissioner got it for her.
01:14:13It seems that its use is more common than we think.
01:14:50The commissioner got it for her.
01:15:05God demands sacrifices from us so that we may demonstrate our love for Him.
01:15:10But in the end it always pays off.
01:15:33What are you doing?
01:15:35What are you doing?
01:15:35What are you doing?
01:15:35You're crazy?
01:15:36I am a coward.
01:15:38I wanted to sacrifice myself for my mother, but I couldn't.
01:15:42The mother who gave birth to you?
01:15:43Sacrifice, they say.
01:15:46You're not a coward, kid.
01:15:48What's cowardly is getting out of the way.
01:15:51The rope is out.
01:15:53You have to know how to face problems head-on, Gaby.
01:15:57Can you hear me?
01:15:59But on top of that, he doesn't die.
01:16:00Your mother is not going to die.
01:16:01What do you mean, no?
01:16:02I have exhibited without it.
01:16:04I was just with her.
01:16:06And it's much better.
01:16:08Far better.
01:16:09Really?
01:16:09Yeah.
01:16:15What's happening?
01:16:17Alonso.
01:16:19Estuarda, who is recovering.
01:16:20He's much better.
01:16:21Yeah.
01:16:22Yes, he's going to get through this.
01:16:25Come on, Alonso.
01:16:26I want to bring her some flowers, okay?
01:16:36Do you think I'll look like him when I grow up?
01:16:39Hopefully.
01:16:41I've never met anyone like him.
01:16:43It's unique.
01:16:44Really.
01:17:06Let's see, girls.
01:17:08This is very easy.
01:17:10I know that one of you was at the palace of the Marchioness of Santillana the other day.
01:17:16I just want you to tell me who it was.
01:17:20It was me, sir.
01:17:21But if you weren't there, I'm sure they pay well.
01:17:31Were you there?
01:17:33Yes sir.
01:17:35Is everything alright?
01:17:36Yeah.
01:17:37Very well, commissioner.
01:17:49Clean it.
01:18:07It doesn't surprise me at all that he's going to the bottom with that anchor that's dragging me down.
01:18:15Now that I'm doing well in my own way too, huh?
01:18:19The thing is, I'm going through a rough patch.
01:18:21But be warned, once I recover, no Castilian belt will be able to resist me.
01:19:10Come on! The medallion!
01:19:14What a gem!
01:19:17So what now?
01:19:19Because it works well as jewelry, but not as a track.
01:19:33I want to know the origin of this medallion.
01:19:35Who manufactured it and where can I find it?
01:19:41It is an honor that you have chosen my humble palace
01:19:44to deal with such important matters, inquisitor.
01:19:46He should be killed!
01:19:47They are stealing dead bodies from the cemetery.
01:19:50And Cristina? Did you see her grave?
01:19:52Wait for me, Alonso!
01:19:53No! I'm scared shitless.
01:19:55Inés! Inés!
01:19:58Someone is trying to kill an inquisitor in your own home.
01:20:01What are you doing?
01:20:02Nothing.
01:20:07What are you doing here?
01:20:09They're stopping tonight. I'm sure of it.
01:20:12Who would want to do that?
01:20:15What are you doing here?
01:20:16What an uncle!
01:20:19Relief!
01:20:22Who is it?
01:20:24Have I seen her, Inés?
01:20:25Have I seen her?
01:20:29When I tell them what's happening,
01:20:30They won't believe it.
01:20:31What an uncle!
01:20:39What a guy!
01:20:47Yes, indeed!
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