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00:00:05What is that noise?
00:00:06I don't know, sir.
00:00:08Maybe some bug has gotten into the shaman's bag and can't get out.
00:00:13I have killed a young man.
00:00:16What came out with English?
00:00:18Get me out of here! Get me out of here!
00:00:21Get me out!
00:00:21The only way you could come with me, I'm sorry.
00:00:24They're going to come and rescue me.
00:00:26They sent me a letter in your name to your brother-in-law.
00:00:28It was a farewell letter.
00:00:30Gonzalo won't believe that letter is from me.
00:00:32In the army we have people specialized in copying any handwriting.
00:00:39This is the third time we have searched the palace.
00:00:42I'm telling you that girl's body is here and I need it.
00:00:46Lord, what are you doing?
00:00:53Gami!
00:01:01I know what I did.
00:01:02What did you say?
00:01:04Sooner or later the young woman's body will turn up and then it will all be over.
00:01:07He kidnapped me.
00:01:09Margarita, you...
00:01:10You will learn to love me.
00:01:17Miss Irene.
00:01:18But what are you doing here?
00:01:21He's not coming back.
00:01:26What are you doing with this?
00:01:27He's become a bastard.
00:01:28I have to defend myself.
00:01:30You can force me all you want.
00:01:32But for me, the only thing you are and always will be is my jailer.
00:01:35You'll change your mind.
00:01:38You'll see.
00:01:52Someone has tried to kill me twice.
00:01:55There will not be a third one.
00:01:57What do they want from me?
00:01:58You belong to the King of England.
00:02:00You need to call a doctor.
00:02:01Please, Catarina is dying.
00:02:03Get her out of here.
00:02:04I know who wants to kill me.
00:02:06My daughter.
00:02:07What do you mean, your daughter?
00:02:08No!
00:02:08My daughter.
00:02:12In the eyes of the law, that maid's life is worth as much as a dog's.
00:02:26They have taken Mr. Jacob away.
00:02:28As?
00:02:29He has been kidnapped.
00:02:35The bullet must be removed before the wound becomes infected.
00:02:37My men found her tonight in the woods.
00:02:41I've been looking for you for years and in the end you're not my father.
00:02:47We will get married in this very castle.
00:02:49I'm not going to marry you!
00:02:51I don't remember.
00:03:12Come on, I've even taken the liberty of bringing up his breakfast.
00:03:15I was thinking of going down now, Satur.
00:03:17Now.
00:03:20He doesn't fool me.
00:03:22I know that they have closed here, obsessed with work, not by chance, but because they are running away.
00:03:28Fleeing?
00:03:28Fleeing, yes, fleeing.
00:03:30That Mrs. Margarita has left with the Englishman.
00:03:32And that has to hurt him.
00:03:34The mind, the mind is very bad and very feverish.
00:03:38I know you imagine them there, playing the bagpipes.
00:03:42It even hurts me.
00:03:43I'm fine, really.
00:03:45You don't have to pretend with me.
00:03:47Thanks, Satur.
00:03:50What happened to you there?
00:03:52Where from?
00:03:53On the neck?
00:03:54Nothing, it's just that I have more hair than a Morella blanket and...
00:03:58And I cut myself shaving with the carving knife.
00:04:01Since I don't have a knife...
00:04:17Take.
00:04:18Nothing good.
00:04:20Thank you very much, but I cannot accept it.
00:04:24That's what his son has given, and gifts aren't given away.
00:04:26Can we share it?
00:04:28In that case, thank you.
00:04:35By the way, I'm already finding out something about this sandwiched creature.
00:04:38The Egyptians used similar scarabs to place on the chests of their deceased.
00:04:43So that?
00:04:44It was used to prevent the heart from testifying against its owner in the judgment of Osiris.
00:04:50Is it disturbing to something?
00:04:52Whether her mother is related to the Templars and the Templars to the Egyptians...
00:04:56You were probably a pharaoh.
00:04:59You're laughing, huh?
00:05:00We cut his little bob like this, in a kind of toucan style, and he looks kind of cool.
00:05:04Don't tell me no.
00:05:05I don't know, Satur.
00:05:09What I do know is that this piece has to be part of something important.
00:05:15Don't tell me, for God's sake, that to find out we have to go all the way to Egypt.
00:05:19I can already see myself on a camel and I start to tremble.
00:05:22There is only one person in the entire village who could help us.
00:05:26What are we waiting for? Come on, let's go.
00:05:27It's in the rot.
00:05:28But what has that person done to deserve such a cruel sentence?
00:05:34He murdered six women.
00:05:37And they're going to execute him tomorrow.
00:05:46No!
00:05:46No!
00:06:16A seamstress's job?
00:06:20They don't know how sorry I am.
00:06:22My wife just hired one.
00:06:27Thank you so much for coming.
00:06:35Ladies, thank you so much for coming.
00:06:36The position has already been filled.
00:07:03Is this the only one? Has no one else come?
00:07:06I don't know, ma'am, how strange.
00:07:09I was told the room was full?
00:07:12They got tired of waiting and left, ma'am.
00:07:14Are they tired?
00:07:16Well, what an explanation.
00:07:18Many wouldn't need the job.
00:07:20Like the other one, your friend, the one who left without saying rimu.
00:07:23Barbara.
00:07:24And you stand up straight.
00:07:26It was just one shot, huh?
00:07:30And you are...? Well, never mind.
00:07:33What can you do?
00:07:36Embroidery, crochet, macrame, backstitch, basting stitch...
00:07:39Whatever you want. I learn cleanly.
00:07:41Can someone explain to me why the cream-filled cannoli are so popular?
00:07:43Do they hardly have any cream left?
00:07:51Hello, I am Jacobo, the Marquis of Santillana.
00:07:56What are you doing introducing yourself to a maid?
00:07:59Go on, show him the suits he needs to make you bigger, he starts today.
00:08:08Sacramentary?
00:08:08Yeah.
00:08:13Catalina, when was my wife supposed to arrive from the convent?
00:08:15Well, the truth is, sir, she should be here.
00:08:18If you want, I'll let you know as soon as I arrive.
00:08:28Mister?
00:08:30He was the coachman who drove Miss Irene.
00:08:54Is something wrong, Amu?
00:08:57We shouldn't go to the rotting place.
00:08:59Like what...?
00:09:00Can you tell me what that's all about now?
00:09:08That man spent years in Cairo studying the culture of ancient Egypt.
00:09:11When he returned to the village, he began killing the women.
00:09:14He slashed them from top to bottom, opening them up completely.
00:09:17Street, street, street.
00:09:18Street, for God's sake.
00:09:19My breakfast porridge is rising all the way up to my nut.
00:09:23I don't think we should ask a man like that for help.
00:09:25Well, that's not very normal.
00:09:26You are right.
00:09:28But justice will come tomorrow.
00:09:29It's now or never.
00:09:31Think about your mother.
00:09:33It was that man who gave us the key to finding her.
00:09:35and solve all the riddles once and for all.
00:09:38Alright.
00:09:40I will ask the questions and then let justice take its course.
00:09:46Come on, it's here.
00:09:53Ahe!
00:09:54Mother, what are you doing here!
00:09:55Get out of my son's bed right now.
00:09:56No, ma'am, no.
00:09:57I said get out!
00:09:59You're fired.
00:10:02And I never want to see you in this palace again.
00:10:09Can you tell me what you were thinking?
00:10:12Taking refuge in this, now full daylight.
00:10:16But mother, why hasn't he knocked on the door?
00:10:18There had to be...
00:10:19Shut your mouth!
00:10:20If you want relief, look for it outside this palace.
00:10:24Just like you always have.
00:10:26Without me knowing.
00:10:28We are.
00:10:30We are here, Jacobo.
00:10:33Well, mother, we're not here.
00:10:36What did you say?
00:10:41Well, that...
00:10:46I had never done it until today.
00:10:49Do what?
00:10:54Well, what else can you expect?
00:10:56Until today, I had never been with a mother.
00:10:58You've already heard it.
00:10:59He didn't grab me like he wanted, please.
00:11:00But, son, me?
00:11:01How many times have I given you money to go to the San Salvador plaza?
00:11:05But I still remember your first time.
00:11:07Well, I didn't go.
00:11:08Not that time, not ever.
00:11:11But why?
00:11:15Because I know women find me disgusting, mother.
00:11:19And today is the first time in my life that a woman has been attracted to me.
00:11:22No, son, no.
00:11:23That girl wasn't attracted to you.
00:11:25She was attracted to your money.
00:11:29And what do you know?
00:11:30I know, because I am a woman too.
00:11:35And no one would be interested in you at first sight, my son. No one.
00:11:42No, no, no.
00:11:58No, no, no...
00:12:01They call the heart the rotten place.
00:12:03They leave them locked up there.
00:12:06So that they decompose while still alive.
00:12:10Wait for me here.
00:12:49I need information about this.
00:12:52And why would I give it to you?
00:12:54Do you know what it belongs to?
00:12:56Where did she get it?
00:13:00What does this have to do with the Templars?
00:13:05Take me out and I'll tell you where to put it.
00:13:08No.
00:13:10That stone is the key to the greatest treasure ever known.
00:13:14Line me and I'll take you to him.
00:13:16I'm not going to get you out of here.
00:13:19Only I can help you.
00:13:21And they'll kill me tomorrow.
00:13:38No.
00:13:40No.
00:13:44No.
00:13:51No.
00:13:56No.
00:14:19Irene's carriage appeared in your lands
00:14:22You had to see who attacked them
00:14:28They killed all of his bodyguards
00:14:30You're not going to make me believe you didn't hear the gunshots.
00:14:33Pull out all his teeth until he confesses everything he knows
00:14:36Yes sir
00:14:42What happened to Irene?
00:14:43Noño, what are you doing here?
00:14:45Answer
00:14:46What happened to him?
00:14:47Go back to the palace, I'll take care of it.
00:14:51No
00:14:54I'm not leaving
00:14:55I want to help you find it
00:14:57This isn't helping me, go away
00:15:01It was him
00:15:05What has he done to Irene?
00:15:07Enough
00:15:07Take something from here
00:15:13Let me go!
00:15:15Let me go!
00:15:16Let me go!
00:15:23Let me go!
00:15:26Sir, the Mother Superior of the Descapas convent has arrived
00:15:32Commissioner, I'm sorry I can't help you, but your wife never came to visit us.
00:15:37Who else knew I was coming?
00:15:39Nobody, sir
00:15:39Did you speak with her?
00:15:41Never
00:15:42I only knew what the letter said
00:15:45What does he mean?
00:15:48I received an order mandating the closure of the west wing of the convent for Irene's meeting with a man
00:15:55Did a man say that?
00:15:58Someone important, I suppose
00:15:59Her identity was not mentioned in the letter
00:16:01Who organized that meeting?
00:16:03That information cannot be provided, Mrs.
00:16:12I'm afraid I haven't explained myself clearly.
00:16:16He's not leaving here until he tells me what I want to hear.
00:16:18Who?
00:16:20Who?
00:16:23Cardinal Mendoza
00:16:44He has already taken a bath
00:16:46Is there anything else we need to do?
00:16:51Good afternoon
00:16:54Are you going to give him a bath, huh?
00:16:55No, I don't plan to take a bath or eat your food.
00:16:57Is it for your own good?
00:16:58Yes, for my own good.
00:16:59It's for my own good, let me go!
00:17:02Daisy
00:17:05I know you'll be happy in my lifetime
00:17:08You have no idea how to make a woman happy
00:17:10No, you're wrong
00:17:11I will make you happy
00:17:14I will never marry you
00:17:16Can you hear me?
00:17:17Never
00:17:18No, yes
00:17:18Yes, you will
00:17:20And maybe one day you'll even grow it for me
00:17:26Enjoy lunchtime
00:17:51Are you going to eat?
00:17:53Do you know how long it's been since we've had a bite to eat?
00:17:57If there is any chance of escape
00:17:58It's best to gather strength for the run
00:18:00Already
00:18:02First, you get into your bathtub
00:18:03And then he eats his food.
00:18:06What will be next, miss?
00:18:09If you're asking if I'm going to get into her bed
00:18:11I won't do it
00:18:13That dignity of yours isn't going to get us anywhere, Margarita
00:18:17We are locked in this castle
00:18:18In the middle of nowhere
00:18:19And the only way out is that window
00:18:20And we've already seen that it's impossible.
00:18:26Do not move
00:18:29Do not move
00:18:32What am I going to do?
00:18:34Shh, I'll leave myself alone.
00:18:40What am I going to do?
00:18:43No.
00:18:50No, no, no, no, no toけど
00:19:11We will authorize her to send a message.
00:19:13That?
00:19:14If someone finds our message, they can notify our people.
00:19:19Are you Cardinal Mendoza's niece?
00:19:21If he knows she is being held captive, he will do everything possible to find her.
00:19:27What if the soldiers find her?
00:19:30This is our last chance to be free.
00:19:33So, what I think is to take advantage of it because of the fear that it might go wrong.
00:19:39Come on.
00:20:01There is no ink.
00:20:03There is no ink.
00:20:19Subscribe to the channel!
00:20:34It's me.
00:20:42I'll apply a little lavender and some bedding to disinfect the wound.
00:20:46And some bay leaves to make a marinade tonight.
00:20:56Is something wrong, Amon?
00:20:58I shouldn't have taken him out of there.
00:21:00Let's see, let's see.
00:21:02That all you wanted was for me to take you to the treasure.
00:21:05Milk, who told him that the amber was the key to the greatest treasure ever known.
00:21:10What are many sayings?
00:21:12I killed a guard who was only doing his duty.
00:21:14So what?
00:21:16It was in self-defense.
00:21:18Besides, he was a guard.
00:21:20Or we don't know how the guards behave.
00:21:22No.
00:21:23I have put my interests first, and I have never done that before.
00:21:26So what?
00:21:26If they've put them on you.
00:21:28You are not human.
00:21:30Forgive me, master, but this discussion is getting us nowhere.
00:21:33Because you're also involved in the whole mess.
00:21:35So come on, fix him up quickly.
00:21:37And as soon as he talks, we'll take him to the rotting pit.
00:21:39No.
00:21:41When things are done badly, you have to sell them.
00:21:46What do you mean by that?
00:21:47That man must be executed tomorrow.
00:21:49Just as planned.
00:21:51That this man is a son of a bitch and deserves to die, that is indisputable.
00:21:56But use it first.
00:21:58This has to have been good for something, I say.
00:22:02No.
00:22:03He's telling me that he plans to give up for life on finding his origins and the treasure.
00:22:09Are you really telling me that?
00:22:11I'll come back tonight and we'll move it to the rotting pit.
00:22:15Stay and keep an eye on him.
00:22:22Awesome.
00:22:23This man is going to take to his grave tomorrow everything we've been fighting for for half our lives.
00:22:33That?
00:22:39That?
00:22:42That?
00:22:55That?
00:22:56for hunting on land belonging to the Bishopric.
00:23:00He just wanted to feed us, Your Eminence.
00:23:07Have mercy, I beg you, have mercy.
00:23:13I beg you.
00:23:31Okay, I'll give the order to release your father.
00:23:38Thank you, Your Eminence. I knew you were a holy man.
00:23:42And so that you may not suffer any further hardship, I offer you a job here at the palace, if you so desire.
00:23:51A job. Thank you very much, Your Eminence. I will do everything you ask.
00:23:56I have no doubt about that, my daughter.
00:24:00His Majesty, King Philip IV.
00:24:03Go away, go away!
00:24:09Majesty.
00:24:14Did you see us at the Convent of the Barefoot Nuns? What happened?
00:24:18Irene hasn't shown up at the convent. I've been waiting for her for hours.
00:24:23How strange. I arranged everything for that meeting myself, sir. I don't know...
00:24:28I asked to meet with her because I thought that meeting my daughter would bring me some peace.
00:24:34Is it really that complicated to properly prepare a simple meeting?
00:24:38I will give the order immediately to go and look for her.
00:24:41No. You failed in the attempt against the King of England and now this.
00:24:46You are my advisor.
00:24:48I demand efficiency.
00:24:50It won't happen again, sir.
00:24:52You can rest assured.
00:24:55His life depends on it.
00:24:56His life depends on it.
00:25:24Whatever they pay you, I offer you double.
00:25:28Ah!
00:25:30Ah!
00:25:36Ah!
00:25:39Ah!
00:25:41Ah!
00:25:48Ah!
00:25:48Oh, Mirela.
00:25:49And you, please, take the hems for me because a little shorter would definitely look much better on me.
00:25:57What are you doing here?
00:25:59Try on the dresses that her son gave me.
00:26:01They're wonderful, aren't they?
00:26:03Jacobo has been very generous in buying them for me.
00:26:06Stop!
00:26:07But, ma'am, young master Jacobo has ordered us to make sure that they are all perfect.
00:26:12Oh, really?
00:26:12And since when do you listen to Mr. Jacob more than to me?
00:26:17Take that off immediately.
00:26:20Don't you like it, ma'am?
00:26:21You've already heard me say that.
00:26:23Take it off.
00:26:24You're not worth half of what that fabric is worth.
00:26:26This one is beautiful.
00:26:31I'll leave you with your mother, dear.
00:26:33You want to talk to her alone.
00:26:37Mister?
00:26:38Out!
00:26:40Out!
00:26:45Go and return all of this immediately and get every last penny.
00:26:49Mother, it might be better if you sit down to listen to this.
00:26:51I don't need to hear anything.
00:26:53Return everything right now.
00:26:54I have asked Ana to marry me.
00:26:55That?
00:26:55And she has accepted.
00:26:57I plan to house it in the archway next to mine.
00:26:59But what are you saying, Jacob?
00:27:01And I would also like him to give me my grandmother's ring.
00:27:03You always told me you would be my fiancée.
00:27:05Oh, no.
00:27:06Over my dead body.
00:27:07Mother.
00:27:08No, Jacob.
00:27:09Don't you realize that this girl is a gold digger who's using you?
00:27:13He smiles at me.
00:27:14And she gives me affection, mother.
00:27:15And that's more than enough for me.
00:27:17Jacob, noblemen don't marry maids.
00:27:20You know that very well, don't you?
00:27:21That's why your father won't marry you.
00:27:27You'll never marry her, do you hear me?
00:27:30Never!
00:27:31Never!
00:27:33¶¶
00:27:43¶¶
00:27:55No, no, no.
00:28:17No, no, no.
00:28:44No, no, no.
00:29:28No, no, no.
00:29:39No, no, no.
00:30:35No, no, no.
00:30:39No, no, no.
00:31:17No, no, no.
00:31:48No, no, no.
00:32:23No no.
00:32:33No, no, no.
00:32:58No, no, no.
00:33:35No, no, no.
00:33:43No, no, no.
00:33:47No, no, no.
00:34:16No, no, no, no.
00:34:46No, no, no.
00:35:15No no.
00:35:17No, no, no, no.
00:35:46No, no, no, no.
00:36:12No, no, no, no.
00:36:42No, no, no, no.
00:37:21No, no, no, no.
00:37:42No, no, no.
00:38:05No, no, no, no, no, no.
00:38:36No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:38:39no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:38:46no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:38:46no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:38:46no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:38:46no, no, no, no, no, no, no, no, no, no, no
00:39:05Will it be easy to believe someone as good as you?
00:39:11Father, I am not alone.
00:39:13Be quiet.
00:39:14And you?
00:39:15Stay away from my son.
00:39:18Mother.
00:39:22My mother's ring wasn't made for a whore like you.
00:39:24But, mother.
00:39:35Ann.
00:39:43Mother, I want you to leave this palace immediately.
00:39:46What are you saying?
00:39:47He'll pack all his things and leave tomorrow.
00:39:50But, son.
00:39:51Son.
00:40:13You've been looking out that window for hours, waiting to see if someone arrives.
00:40:18You should rest, Margarita.
00:40:21That dove is our last hope.
00:40:24I want to be there when they come to rescue us.
00:40:34Please accompany my men.
00:40:35Where to?
00:40:37Dinner is ready.
00:40:39I have prepared the best hall in the castle.
00:40:44I'm going with her.
00:40:45No no.
00:40:46You will be here alone.
00:40:49With me.
00:40:56To be the most beautiful wife in England.
00:41:04I will never marry you.
00:41:07I shouldn't know.
00:41:10Margarita, I am offering you a new life, a better life.
00:41:13You know nothing about my life.
00:41:15I don't know what you would say to your brother-in-law and...
00:41:16Don't even think about mentioning them!
00:41:18Margarita, I can give you everything a woman desires.
00:41:21Children, a good home, I'm just asking you to give me a chance.
00:41:26I'd rather die alone than spend a second by your side.
00:41:35Alright.
00:41:39There are peoples throughout history who have ended up worshipping their captors.
00:41:43It's clear you don't know Spanish women.
00:41:46We don't give in so easily.
00:41:50I'll get our dinner.
00:42:21Subscribe to the channel!
00:42:47Subscribe to the channel!
00:43:01Subscribe to the channel!
00:43:21Subscribe to the channel!
00:43:28I told you we didn't give in so easily
00:44:18If you want, you can go back to teacher Catalina's family.
00:44:21I've got you covered
00:44:24You can't imagine what they were like in that house, Marta
00:44:30I've never seen Satan cry like that in my life.
00:44:34And the little boy collapsed on me, the child
00:44:40People at the market say they saw Gonzalo with the dead woman
00:44:44He had something going on with her, and that's why he killed her.
00:44:46That's a lie.
00:44:47Who told you that?
00:44:56Gonzalo is incapable of hurting anyone
00:45:03First the incident with Doña Irene, and now this.
00:45:06There is no justice, Marta
00:45:08Neither divine nor the other
00:45:13What happened?
00:45:14Did they know about Irene?
00:45:15Mr. Nuño
00:45:21I should rest
00:45:22I want you to prepare the bath for her.
00:45:25Order that my horse be given water.
00:45:27I'm going out again
00:45:31Marten
00:45:32Permission
00:45:56I'm looking for the commissioner
00:45:59Get out of my palace
00:46:00Get out of here
00:46:01He's in the dungeon and he's not
00:46:03It's important that I find it.
00:46:05Do I tell you my life story?
00:46:07I told you to leave
00:46:09They are going to kill my father
00:46:11I have to find him
00:46:13I couldn't care less what happens to your father
00:46:16He's nothing but riffraff
00:46:18Don't ever speak about my father like that again.
00:46:40Faith, though noble, is paid for with one's life.
00:46:45My father is innocent.
00:46:47They stole his knife and he did nothing
00:46:48Justice will take care of your father
00:46:53What punishment do you want to impose on him?
00:46:56Let him go
00:47:01You've already heard
00:47:02Go away
00:47:03Go away!
00:47:27Look how they're bringing him.
00:47:30Poor Gonzalo
00:47:48This is my fault.
00:47:49My dead son is a coward.
00:47:50Cyprian
00:47:50It's not your fault
00:47:52That that bastard
00:47:52He'll steal your knife.
00:48:08I wanted to be in there
00:48:09And not him
00:48:10It had to be me.
00:48:11Cipriano, I
00:48:20I have to get him out of there somehow.
00:48:23I have to get it out
00:48:24But how?
00:48:25It's full of guards
00:48:26It's not that it can't be in there
00:48:28It's not that there aren't any
00:48:42Satur
00:48:50Come on
00:48:52Satur What do I do?
00:48:53What can I do?
00:48:54I don't know, Satur
00:48:55Where do I begin? For God's sake, tell me.
00:48:57Out!
00:48:57No!
00:48:58Tell me, for God's sake!
00:48:59Cheers!
00:49:00No!
00:49:01Saldur, it's not what they tell you! Go away!
00:49:03Come on!
00:49:05Saldur, go away!
00:49:06Come on!
00:49:07Come on, I'll get him out of there!
00:49:10I'll find his poor soul and get him out! I promise you!
00:49:13Come on!
00:49:16Come on!
00:49:47You have everything ready!
00:49:56You can rest assured.
00:49:58I won't bother you anymore.
00:50:02I have arranged for you the Monegros mansion.
00:50:05He'll be fine there.
00:50:07They say it's a very...
00:50:09very quiet.
00:50:12Yeah.
00:50:14That's what happens when you're in the middle of nowhere.
00:50:19This is the first time we're going to be separated, Mother.
00:50:21It's going to be very strange.
00:50:27Take good care of yourself, my son.
00:50:31I'm going to warn the coachman.
00:50:42Did you have me call you?
00:50:44Yeah.
00:50:45I wanted to talk to you before I left.
00:50:48I'd love to.
00:50:49But I'm very busy putting my clothes away in my bedroom.
00:50:52No, wait.
00:50:56I know we haven't gotten off to a good start.
00:50:58But now there's no point in being at odds.
00:51:02It's likely we'll never see each other again.
00:51:05I was not the one who separated him from his son.
00:51:09If you ever become a mother,
00:51:12You'll understand how difficult it is to suddenly take a back seat.
00:51:17Do you want to sit down?
00:51:23Please.
00:51:27Accept at least one cup of tea.
00:51:32Alright.
00:51:41A little cake?
00:51:43Yes please.
00:51:49Thank you so much.
00:51:57If you ever have a child, I would like to meet him.
00:52:06Of course.
00:52:18What happened to the lady?
00:52:21That?
00:52:22Are you there?
00:52:24Do I need a doctor?
00:52:25Help, please!
00:52:27Please, a doctor!
00:52:29Please!
00:52:30Aid!
00:52:37No matter how much I look at you,
00:52:40I'm still not sure.
00:52:43I don't know if you're daring.
00:52:46or a reckless person.
00:52:52Everyone else had refused to have Cardinal Mendoza.
00:52:58You must really need the money.
00:53:05Are you married?
00:53:08Are you married?
00:53:08Do you have any children?
00:53:12A child?
00:53:14A girl, perhaps?
00:53:18Ah, a girl, a little girl.
00:53:25They're so fragile, aren't they?
00:53:29So vulnerable and defenseless,
00:53:32like the new twigs of a tree.
00:53:36So easy to break.
00:53:43I remember years ago
00:53:46I was forced to order
00:53:50that they tortured a girl
00:53:53due to a mistake by his father.
00:53:56It wasn't easy.
00:54:00Even today, their screams echo in my ears.
00:54:05begging for his life.
00:54:08Father, father,
00:54:11aid.
00:54:13That was the last thing he said.
00:54:33Forget persuasive
00:54:34that he could become, Your Eminence.
00:54:40Release me and I will put each of my ranks
00:54:41Go find Irene, commissioner.
00:54:43I swear!
00:54:44I swear!
00:54:47I will never let him leave here
00:54:48until he tells me
00:54:48What has he done to my wife?
00:54:50You're not listening to me.
00:54:52I told you I don't know where it is.
00:54:53I don't know, commissioner!
00:54:55Alright.
00:54:59You have left me no other option, Your Eminence.
00:55:02I'll go prepare the boiling water.
00:55:17Someone has tried to poison you, ma'am.
00:55:20They almost perforated his stomach.
00:55:23Don't tell anyone.
00:55:25Mother.
00:55:27Doctor, what happened to you?
00:55:28No, something I ate made me feel unwell, son.
00:55:32No, mother, I ate the same as you and I'm fine.
00:55:34This has been a real disappointment.
00:55:36I don't intend to let him leave the palace
00:55:38until he is fully recovered.
00:55:58How are you feeling, dear mother-in-law?
00:56:10How did you know?
00:56:13I should stop underestimating myself.
00:56:16We are much more alike than you think.
00:56:19A little cake?
00:56:20Yes please.
00:56:31Some survivors.
00:56:33If it had cost me as much as it cost you to get here,
00:56:38I would never have given up so easily.
00:56:41I will do everything in my power
00:56:43so that you don't marry my son.
00:56:48Already.
00:56:49And me, to marry him?
00:56:59Only one will remain.
00:57:04That will be me.
00:57:05No, don't doubt it.
00:57:22We will divide into groups.
00:57:24Some of us will start in the suburbs,
00:57:26Others will search through alleyways and arcades,
00:57:29and the others will go to Postas Street
00:57:31and to the passageways of the Plaza Mayor.
00:57:32We are?
00:57:34What are you doing?
00:57:36Where are you going?
00:57:38Can't you hear me?
00:57:39That he has been unjustly arrested.
00:57:41He has always been there for you.
00:57:43Always.
00:57:45That's how you'll pay for it.
00:57:50Did it help you when you were completely destitute?
00:57:52And they kicked you out of your house?
00:57:54Or don't you remember?
00:57:55Yes, get out of here.
00:57:56Go on.
00:57:57Calm down, calm down.
00:57:59Calm down, Sato.
00:58:00People are afraid.
00:58:02He is the murderer who disembowels women.
00:58:03Nobody wants to face him.
00:58:06Have you found someone?
00:58:10What is a human being like, Cipriano?
00:58:13How selfish, how disgusting.
00:58:15You can't blame them.
00:58:17Not everyone is like Gonzalo.
00:58:18No, not that.
00:58:19That's definitely not the case.
00:58:20Forget it.
00:58:21We'll both go.
00:58:22That?
00:58:24We will find your killer.
00:58:26Gonzalo de Montalvo is condemned to die for murder.
00:58:31The execution will take place tomorrow afternoon in the square of justice.
00:58:38Gonzalo de Montalvo is condemned to die for murder.
00:58:43The execution will take place tomorrow afternoon in the square of justice.
00:58:48Gonzalo de Montalvo is condemned to die for murder.
00:58:53The execution will take place tomorrow afternoon in the square of justice.
00:58:55His two chicks.
00:58:59And the gift dove.
00:59:02In short, nobody wants her.
00:59:08Thank you.
00:59:09See you later.
00:59:46The execution will take place tomorrow afternoon in the square of justice.
01:00:00The execution will take place tomorrow afternoon in the square of justice.
01:00:21The execution will take place tomorrow afternoon in the square of justice.
01:00:44Boiling, Catalina. I said boiling, not hot.
01:00:47Can't you tell the difference anymore?
01:00:48Yes, sir. It must have cooled down. I'll reheat it.
01:00:51I also need a tube.
01:00:53A tube?
01:00:53Yes, this thick, hollow.
01:00:57Like the one you use to fatten up the turkeys.
01:00:59Ah, but we don't have that, sir.
01:01:02Well, get it.
01:01:03Yes, yes.
01:01:05Why do you want all that?
01:01:08I have to administer a cure to someone.
01:01:10Are you administering cures instead of looking for Irene?
01:01:13What's wrong?
01:01:18Let me know when you get it.
01:01:20Yes sir.
01:01:24Catalina, my riding boots.
01:01:26They're not clean yet, sir, but if you give me a moment I'll have them ready for you.
01:01:36And now a tube.
01:01:38Do me a favor, go down to the tractor room and see if there's anything there.
01:01:43The commissioner has forbidden me from going down to the basement of the west wing.
01:01:46What do you mean he forbade you?
01:01:47Yes, I stayed up until midnight cleaning yesterday.
01:01:52And as I was leaving, I thought I should go to the commissioner's office in the basement, so I went downstairs in case he needed anything.
01:01:56And what was the commissioner doing in the basement during those hours?
01:01:59I don't know, he told me that if I thought about going back down.
01:02:02His voice was the last thing I was going to hear for the rest of my life.
01:02:06Mr. Nuñoz, your boots.
01:02:35You can't be here.
01:02:36Please, he's my father.
01:02:52Father.
01:02:56Alonso, what are you doing here?
01:02:57Go back home.
01:02:59No, you didn't kill that woman, you're innocent.
01:03:03Don't worry, son.
01:03:04Finding the person who did it will get me out of here; it was a mistake.
01:03:06Yeah?
01:03:06And when are they going to find him, huh?
01:03:08They're going to kill you tomorrow.
01:03:10Don't worry.
01:03:14You're all I have.
01:03:20Listen to me carefully.
01:03:21I'll get out of here, I promise you.
01:03:24I will never leave you alone.
01:03:27Me neither.
01:03:45That's enough.
01:04:01It's been a day since I last saw the message.
01:04:05If it has been lost, we don't know into whose hands it has fallen.
01:04:11They may be looking for us.
01:04:13We can't know.
01:04:14If they had found the dove, they would already be here.
01:04:19Nobody's coming to get us, miss.
01:04:23Nobody.
01:04:27It's over.
01:04:30What is he going to do?
01:04:31But what does he do?
01:04:32What are you going to do, miss?
01:04:33Help me!
01:04:34If we can't go out, they won't be able to get in.
01:04:38Miss, don't let a few pieces of furniture hold you back.
01:04:40They'll break down the door.
01:04:43Let them in.
01:04:44They'll only find two pretty corpses.
01:04:47Burned.
01:04:50Wait.
01:04:52Give it to me.
01:04:53Give me, give me the candle.
01:04:56What is he going to do?
01:05:07There's a breeze.
01:05:09It can be left outdoors.
01:05:30This is our last chance to escape.
01:05:33But we don't know where it's going.
01:05:35Or if it narrows.
01:05:36We could die buried there.
01:05:38Miss, you were almost burned alive.
01:05:41I think we should take that risk.
01:05:44Come on.
01:05:44And the captain?
01:05:45They keep coming and going.
01:05:47Go and get help.
01:05:48I'll take care of distracting him until the very last moment.
01:05:51No, Margarita.
01:05:52Listen to me, miss.
01:05:54This is our last chance to escape from here.
01:05:57My life now depends on you.
01:06:00Come on.
01:06:02Tell me.
01:06:08Someone's coming.
01:06:09Come on.
01:06:20I went to the noise.
01:06:21Are you okay?
01:06:22Yes, yes.
01:06:26Could we talk in private?
01:06:28Since we're going to be husband and wife, I'd like to know a little more about you.
01:06:34Of course.
01:06:36Please.
01:06:43Close the doors.
01:06:44Close the doors.
01:06:48No!
01:07:05No!
01:07:06No!
01:07:07No, no, no, no, no, no, no.
01:07:26No, no, no, no, no, no, no.
01:07:57Youth and jewelry complement each other well.
01:08:00I suppose he's forgotten about it.
01:08:03Yes, young Potro is fast but he's running on fumes, my dear.
01:08:07And without brakes you can kill yourself.
01:08:10Even if you have a lot of jewelry.
01:08:18What are you doing?
01:08:19Close the door.
01:08:21We're going to need privacy.
01:08:29We don't want her anymore.
01:08:31Why did he do that?
01:08:35Do you know what I used to do for a living, darling?
01:08:38But what game is he playing?
01:08:41She was an actress.
01:08:43And do you know what I was really good at?
01:08:46Dramatic roles.
01:08:58Do you want to see it?
01:09:00Yeah.
01:09:02Of course you want to see it.
01:09:04What are you going to do about that?
01:09:08Throw you out of this palace, my dear.
01:09:20Don't go on!
01:09:22Don't go on!
01:09:26Let me!
01:09:28Let me!
01:09:29No!
01:09:30No!
01:09:30No way!
01:09:32Posto!
01:09:33No!
01:09:35Don't go on!
01:09:38Sir, sir, she looks like Doña Sagrario.
01:09:45Mother!
01:09:46Mother!
01:09:47Are you alright?
01:09:53Oh, daughter!
01:09:54He tried to kill me!
01:09:55She!
01:09:56He tried to kill me!
01:09:58She!
01:09:58She tried to kill me!
01:10:00I haven't done anything to him!
01:10:00I haven't done anything to him!
01:10:01Yeah!
01:10:02Yeah!
01:10:02Yeah!
01:10:03Yes, son, yes!
01:10:04Llama-like!
01:10:05I haven't done anything to him!
01:10:06Yes, yes!
01:10:07Party!
01:10:08Keep him away!
01:10:09Keep him away!
01:10:10Party!
01:10:11I'm going to kill myself now!
01:10:12No, son!
01:10:13No, son!
01:10:14Stop!
01:10:15Stop!
01:10:16Don't you ever go near my mother again.
01:10:19Never!
01:10:24Son!
01:10:25Son!
01:10:26Son!
01:10:29We've been looking for her for two hours.
01:10:31That man is not here.
01:10:33What are you?
01:10:35And I'm going to find it even if I have to lift every damn rock.
01:10:39I have hunted in these woods since I was a child.
01:10:41We would have found some trace by now.
01:10:42Yeah?
01:10:43But you have a better plan, Cipri.
01:10:46They're going to execute my master tomorrow, they're going to kill him like a dog.
01:10:50And I'm not going to allow it.
01:10:51Probably...
01:10:52Maybe if we head towards the mountains, we can look in that area...
01:10:55What the hell was the killer doing there?
01:10:58No way, man, no way.
01:10:59They couldn't have gone that far.
01:11:00The Patones mountain range is full of caves.
01:11:03Maybe...
01:11:03He may have hidden in one of them.
01:11:06Why don't we leave here?
01:11:08Do you know what's wrong with you, Cipriano?
01:11:09You're scared shitless, just like you've been your whole damn life.
01:11:13That's what's happening to you.
01:11:13Hey, you have no right to talk to me like that.
01:11:16I'm just trying to save Gonzalo, like you.
01:11:20It seems she wants to get rid of you because she's afraid you'll run into that man.
01:11:24That's what it looks like.
01:11:27Gonzalo saved my life.
01:11:28He gave me a job and a roof over my head when I had nothing.
01:11:31So you stay here if you want me to go into caves to look for the killer, even if I have to go alone.
01:11:34Wait, wait, Cipri.
01:11:37Have I lost my mind?
01:11:40Look, let's do one thing.
01:11:41Let's find that dog, you and I together, and let's catch him alive.
01:11:48Seem to you?
01:11:49Come on.
01:12:01A child, or what am I?
01:12:02Can you tell me what you're doing here?
01:12:04I'm going to find you with that crazy guy.
01:12:06Did I come to help you?
01:12:07Or better yet, help us out by heading home and keeping an eye on the little one.
01:12:11It's a very dangerous place for a woman who has been handling milk.
01:12:14I'm friends with Gonzalo too, you know?
01:12:16I'm not going to stand there and watch her come.
01:12:19Satur is right.
01:12:20If you stay, we'll be more concerned with protecting you than with looking for him.
01:12:23Where can we meet?
01:12:24But I want...
01:12:25Take it with you!
01:12:27Take it away, Cipri.
01:12:28See you in the caves, come on.
01:12:29No, I don't plan to leave you alone.
01:12:30Go home!
01:12:31Take it with you!
01:12:39Take it with you!
01:12:51Take it with you!
01:13:00I won't steal from you, Drubius!
01:13:16I won't steal from you, Drubius!
01:13:17I won't steal from you, Drubius!
01:13:21Excuse the wait, Your Eminence.
01:13:23I trust that you have used this time to pray and clear your mind.
01:13:32I am a high-ranking official of the Church of Rome, a commissioner.
01:13:36You can't do this to me, they will pursue me!
01:13:42You are a person with many enemies, Your Eminence.
01:13:45No one will ever suspect me.
01:13:50You won't dare touch me?
01:13:53We'll see about that.
01:14:01No, no, no!
01:14:12If it's terrible in the hand, imagine it running down the throat.
01:14:17Who did he sell it to?
01:14:19I had nothing to do with my planes.
01:14:21There's nothing to see!
01:14:25Don't leave me in truncation.
01:14:26Dominance!
01:14:36Is it him?
01:14:38Nuño!
01:14:39Nuño!
01:14:40What are you doing here?
01:14:41Go away!
01:14:42Open the gun!
01:14:42Is he a yes or a no?
01:14:47Put your weapon down!
01:14:48Put your weapon down!
01:14:49What are you doing?
01:14:50Nuño!
01:14:51Nuño, put that gun down!
01:14:52Put your weapon down!
01:14:53Nuño!
01:14:54Nuño!
01:14:54Put your weapon down!
01:15:02What are you doing here?
01:15:06What are you doing here?
01:15:16What are you doing here?
01:15:35Put your weapon down!
01:15:46Oh.
01:15:47Listen!
01:15:49Wait!
01:15:50Put your weapon down!
01:15:52Wait!
01:15:54Wait!
01:15:54You've been kidnapped!
01:15:55Come on!
01:16:13No, no, no!
01:16:15No, no, no!
01:16:16I'll fall for it!
01:16:16I'll fall for it!
01:16:36Let's go back to the palace, son
01:16:39You shouldn't have come
01:16:41What are they going to do with her?
01:16:44Well, that's what they do with all the riffraff.
01:16:47Justice
01:16:48I'm talking to the doctor
01:16:49He told me they tried to poison the mother
01:16:53It was her, wasn't it?
01:16:56I didn't tell you anything.
01:16:57Because I wasn't sure.
01:16:59The daughter didn't want to make you suffer.
01:17:02But why, Mother?
01:17:03What motive could she have for killing her?
01:17:06Out of ambition, Jacob
01:17:07What else?
01:17:11I don't understand
01:17:12I was on his side
01:17:13He even almost threw you out of the palace
01:17:17If he married you
01:17:18He kept everything.
01:17:20I was just an obstacle for her
01:17:24How could you be so stupid?
01:17:26No, son
01:17:27You weren't an idiot.
01:17:28You were a man
01:17:30These are concepts that sometimes resemble each other
01:17:35Let's go now, son
01:17:36Let's go
01:17:39And the next girlfriend you get
01:17:41I'll find it for you.
01:17:41From Varosa upwards
01:17:43Let his old age show
01:17:58You have to find it, Saturn, for God's sake.
01:18:06Son of a bad mother
01:18:34Let's go now, you son of a bitch!
01:18:42You're going to be the first man to gut
01:18:44No, for God's sake, no!
01:18:46No!
01:18:48No!
01:18:54No!
01:19:12No!
01:19:47You're going to pay for everything you've done
01:19:50And you're going to condemn her
01:19:52You're going to condemn that girl
01:19:54What are you talking about?
01:19:56A beautiful young woman, like an angel.
01:19:58I caught her in the woods
01:20:00Where is?
01:20:06Where is?
01:20:07Only I know where it is.
01:20:09And if you hand me over
01:20:11They will never find her alive
01:20:26If your father doesn't appear
01:20:27It will burn down with the house!
01:20:30A woman is in danger.
01:20:31I must find her
01:20:32Are they going to invade southern Portugal?
01:20:35Are you sending me home?
01:20:37He is dead
01:20:38No!
01:20:39Everything will change tomorrow.
01:20:41What are you landlords for?
01:20:42Are you a fugitive?
01:20:44It is the army of the King of Spain
01:20:46You can't refuse
01:20:47Mother, if I go to war I'll be
01:20:49No!
01:20:51Go outside!
01:20:52It's time!
01:20:52Set the house on fire!
01:20:54It's the kid!
01:20:54No, take it!
01:20:56Do you know where Irene is?
01:21:01Come on, kid!
01:21:02Damn it, what are you doing?
01:21:03Already!
01:21:08Damn it, Margarita!
01:21:09What are you doing next to me?
01:21:09In Miranda Castle
01:21:10I'm not going to interfere again.
01:21:11In the life of Margarita
01:21:19Death is a relief
01:21:20I want you to suffer
01:21:21How I have suffered
01:21:22No!