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00:00:06What happened here?
00:00:08A dragon?
00:00:09Who is he trying to fool?
00:00:10Everyone knows where he comes from.
00:00:12If until four days ago you were a whore.
00:00:15The blacksmith shop is for sale.
00:00:17Where did you get this bracelet?
00:00:18It belongs to the Countess of Abrantes.
00:00:19I found it in the living room.
00:00:20Does it have a dedication?
00:00:22Let's see if he doesn't see it.
00:00:22Look, always yours.
00:00:24It surely has a special meaning for the countess.
00:00:26There is a small inn across the Blackwoods Forest.
00:00:30He will be at our complete disposal tonight.
00:00:34I'll be there.
00:00:35Hey!
00:00:36I need help.
00:00:37My master, who has fallen off his horse and won't wake up.
00:00:41My name is Eva de Almeida.
00:00:42I am the owner of the house.
00:00:44Is this better?
00:00:45Where did I learn to do this?
00:00:47We have found the queen's carriage in the Blackwood Forest.
00:00:50It was completely burned.
00:00:52And her?
00:00:52It has disappeared.
00:00:53Cardinal, what was the queen doing leaving the palace in the middle of the night?
00:00:57And if not, barely school.
00:00:59Return to the Forest.
00:01:00And kill that thing, whatever it is.
00:01:09Madam, the hairdresser of the Countess of Abrantes has arrived.
00:01:12They are emeralds.
00:01:14And they can be just for you.
00:01:16The countess has a lover.
00:01:19Come on, what?
00:01:20Good morning.
00:01:21Good morning to you.
00:01:22You've been in the palace area for two days.
00:01:24I know what happened the other day wasn't right.
00:01:27But we're not going to give things more importance than they have.
00:01:30For me, a kiss is something important, Irene.
00:01:33Erase it from your mind, please.
00:01:37Tell me.
00:01:39How was the approach?
00:01:40Why have I found out anything?
00:01:42Tell me, tell me.
00:01:43What do you mean, tell me, tell me, tell me?
00:01:44I'm not going to explain the details to you.
00:01:49One of you has stolen a gold bracelet, but you will return it.
00:01:55Do you think the queen of the Spanish Empire has been taken, master?
00:01:57We're going to find her.
00:01:59What's happening?
00:02:01What forced the lock?
00:02:03I swear I left it there.
00:02:08Are you OK?
00:02:09Ah, yes.
00:02:10Something doesn't add up, Satur.
00:02:11Wait for me.
00:02:13I must be the one to kill him.
00:02:16I am the Count of Abrantes.
00:02:18I have received an anonymous letter accusing the Marquis of being a thief.
00:02:20He stole a gold bracelet from my wife.
00:02:22Mariana.
00:02:23Felipe.
00:02:24A button I found in the garden and she's her friend.
00:02:28I saw you, huh?
00:02:29Mariana of Austria.
00:02:36Who do you work for, Eva?
00:02:37For whoever pays the most, of course.
00:02:39And in this case, the English.
00:02:42Goodbye, Gonzalo de Montalvo.
00:02:44Nobody calls my wife an adulteress.
00:02:45If my scent lingers in a duel.
00:02:48Woman, take the weapon and stand up!
00:02:50Coward!
00:02:51That's right, Satur.
00:02:52North is in the south.
00:02:53We need to turn it around.
00:03:13North is in the south.
00:03:48One of the infant's finds
00:03:50will leave the royal palace
00:03:53next spring.
00:03:55Their Majesties the King and Queen
00:03:56They will look for a replacement.
00:03:59from then on.
00:04:00No!
00:04:26No!
00:04:40And is that mine too?
00:04:41Yes sir.
00:04:42Up to that boundary marker over there, everything belongs to the marquisate.
00:04:47I don't understand how we can have so much land and so little income.
00:04:51Should we collect more from farmers?
00:04:54Pay what the marchioness stipulated back then.
00:04:56Well, then we'll have to invent another tax.
00:04:59What's the problem?
00:05:07Marquis of Santillana?
00:05:10How can I help you?
00:05:12Our Lord sends us.
00:05:14The Count of Abrantes.
00:05:26Pick up that weapon and stand up.
00:05:31What do you want from me?
00:05:34Nobody calls the count a cuckold without paying for it.
00:05:36What are you going to do to me?
00:05:37No, please.
00:05:38Help me.
00:05:39Help me.
00:05:40Help me.
00:05:40We did nothing.
00:05:41Help me, you bastard.
00:05:42What are you going to do?
00:05:43They're all going to devour you.
00:05:45No, please.
00:05:46Please, money.
00:05:47I'll give you all the money.
00:05:48All the money you want.
00:05:49No, please.
00:05:50Please, money.
00:05:52Please, money.
00:05:52Please, money.
00:06:07They look hungry.
00:06:09They won't take long to devour you.
00:06:11They won't take long to devour you.
00:06:17They won't take long to devour you.
00:06:34What are you doing there? Go!
00:06:44Kill him!
00:06:45Kill him!
00:06:52Come on, cowards!
00:07:15Come on, cowards!
00:07:46Come on, cowards!
00:07:52Can we find out where it comes from?
00:07:53Because he hasn't told me anything.
00:07:55I went out to clean my toilet.
00:07:57And when I returned, the horse was gone.
00:07:58I couldn't sleep
00:07:59Excuse me, but that's not an excuse.
00:08:05We've been in this together.
00:08:06From the moment we started, I love
00:08:08But you don't
00:08:09Did you go where the skeletons are without telling me?
00:08:12In the end I didn't go
00:08:13Haven't you gone to the devil's mouth?
00:08:15No, Sator.
00:08:16They had to save the Marquis of Santillana
00:08:18Some pigs were about to kill him
00:08:19Well, he's had to hurry.
00:08:21Because that's what he's seen and that's what he hasn't seen
00:08:23In my village, a woman forgot her little boy next to the pigs.
00:08:26And when he returned, not even the rattle remained of him.
00:08:28Sator?
00:08:36Have they had this for you?
00:08:40Well, me?
00:08:41Yeah
00:08:51All good?
00:08:55Yes, nothing, my father has died
00:08:57They brought it from Florence
00:08:59He is going to bury him with the servants of the nobleman he served.
00:09:03Very sorry
00:09:05What did I feel?
00:09:07Don't feel bad, I barely knew him.
00:09:09It says when the funeral will be.
00:09:11He says, he says
00:09:13But what does it matter?
00:09:15Hey Sator, I'd like to join you.
00:09:18Well, don't bother because I'm not going.
00:09:21Sator is your father
00:09:22And?
00:09:25Having a child doesn't make you a father.
00:09:30Go...
00:09:31I'm going to pile up the straw
00:09:33Let's open the trunk
00:09:45A laus?
00:09:47Why the hell would I want a laus?
00:09:49It's clear your father wanted you to have it.
00:09:51He didn't care about us in his entire life
00:09:54And now he sends me this miserable inheritance
00:09:56So that?
00:09:58To remind us that we were starving to death
00:10:00While he was giving her the bandurria?
00:10:03Come on, let's go
00:10:28Congratulations, dear
00:10:36Your Majesty, is everything ready to begin the shows offered on the occasion of your nomastic?
00:10:47Fireworks at the Toledo Gate
00:10:50Chamber concert at the Royal Palace
00:10:53Theatre in the Buen Retiro
00:10:54Bullfights in the Plaza Mayor
00:10:56Dances
00:10:58Exactly the same as every year
00:11:02I'm bored
00:11:04Tired of seeing the same thing over and over again
00:11:07He's been preparing for months, Your Majesty
00:11:09But if you want any other show, just ask.
00:11:13Order it?
00:11:14I
00:11:16It's just that nobody in the entire kingdom has the imagination to entertain their king
00:11:20And what did you expect, Felipe?
00:11:25What did you expect?
00:11:28Since I don't have the money to invade England or to expand my empire
00:11:33I was hoping at least that he would entertain me on my saint's day.
00:11:38Is that too much to ask?
00:11:40I will not be attending any of those events
00:11:44But, Your Majesty
00:11:47No monarch has ever done such a thing
00:11:54I will give the order
00:11:55So that all the shows are cancelled
00:12:07Eminence
00:12:08This has arrived for you
00:12:14Serious problems with merchandise from Florence
00:12:19Have my carriage prepared immediately.
00:12:30And why haven't you defended yourself, huh? Why?
00:12:32Mother, they could have killed me, they threw me to the pigs to be eaten alive
00:12:36We are the laughingstock of the whole court
00:12:37But don't you realize they treat us like clowns?
00:12:39Mother, look at me
00:12:42Do you think I didn't notice?
00:12:44Yesterday we had to leave the theater
00:12:45Because everyone was whispering about our every move.
00:12:48Ma'am, the water is ready.
00:12:50And what good are so many titles, huh? What good are they?
00:12:53I haven't spent my whole life fighting
00:12:55To end up locked in this palace
00:12:57Wearing my jewelry only for the servants
00:12:59Hello good
00:13:01What happened to him?
00:13:04Well, they've... they've...
00:13:08I... I've... I've tripped in the garden and fallen into the pond
00:13:14Catalina, tell the maids and the hairdresser that in the end they don't need to prepare anything for me.
00:13:17for tomorrow
00:13:19The king has cancelled all engagements due to his nomastic decree.
00:13:26What do you mean it's been cancelled?
00:13:28That's what my uncle told me.
00:13:29He seems very bored
00:13:31Bored?
00:13:32He says he's fed up with seeing the same celebrations year after year.
00:13:35He's tired of seeing the same thing
00:13:39I'm going to change, will you come with me?
00:13:41With permission
00:13:48Well
00:13:51Mother
00:13:54Mother, why are you laughing?
00:13:56Because if there's anyone who knows how to entertain men, it's me.
00:13:59Whether it's the king or the south, they're cords
00:14:03Mother
00:14:06Uh... mother
00:14:08You're not thinking of offering yourself to the king.
00:14:10Honestly, Mother of God, I'll stay, please.
00:14:13I'm going to organize something big
00:14:15A show like the ones from back in the day
00:14:19A Roman circus
00:14:31A Roman circus
00:14:33Yeah
00:14:34Men fighting in the arena until death
00:14:37No king would refuse something like that.
00:14:59Sato
00:15:01If you want to talk about me
00:15:02Okay, okay, let's go, let's go
00:15:05You've been nagging me about how I'm not well ever since we left home
00:15:08No, I'm not fine, I'm perfectly fine.
00:15:10And I don't want to talk about anything because I have nothing to talk about, okay?
00:15:17Well no, Sato, we're not
00:15:21As?
00:15:22You've spent the whole time avoiding talking about the subject.
00:15:23But right now you're attending your father's funeral
00:15:25And I don't believe you don't care.
00:15:28Let's see how I can tell him.
00:15:30He knows the most fucked-up thing about all of it.
00:15:32He knows what's been gnawing at me all day.
00:15:36Knowing that I would be sadder if my neighbor died
00:15:39That the person who gave me life
00:15:43Sometimes we deny our feelings, Sato
00:15:45But that doesn't mean we don't have them
00:15:46No, love, no, no
00:15:48To feel sorry for losing something
00:15:51You need to have had it first.
00:15:56I still believe you should have gone
00:16:01That?
00:16:03You don't listen to me when I speak, do you?
00:16:05When I speak, you evade me.
00:16:06Otherwise, it has no explanation.
00:16:08I know you
00:16:10And I know that if you don't say goodbye
00:16:11You'll regret this for the rest of your life.
00:16:13I'm going to put north where north is.
00:16:16And let's see if we can finally find that treasure.
00:16:19Wait
00:16:21We don't know what might happen when we turn it.
00:17:07My God
00:17:10Come on, be careful
00:17:31A key
00:17:34And what on earth does that open now?
00:17:58Mother, I've been thinking about this Roman circus thing for a while now.
00:18:03I don't know, do you think it's a good idea?
00:18:06Jacob, they almost killed you this morning
00:18:09And what does that have to do with anything?
00:18:13Listen to me carefully, son
00:18:13In this life
00:18:15There are only two ways to be on top
00:18:17They either respect you or they fear you
00:18:19And we either change things
00:18:21Or we'll never be on either side.
00:18:25Besides
00:18:25I've already hired the professional wrestlers
00:18:29But then they're going to fight each other.
00:18:32But how could you even think of that?
00:18:34How are they going to fight each other?
00:18:35In ancient Rome
00:18:36Some put on a show
00:18:38And the others were the ones who shed the blood, right?
00:18:40Well, it's the same here.
00:18:42All we need is to get the victims.
00:18:44Yes, mother, but they're going to die.
00:18:46Where will he find people willing to do such a thing?
00:18:49Trust your mother
00:18:51And how are we going to get the king to agree?
00:18:54Because, come on, having suspended all the festivities
00:18:55That they were going to give themselves up for their saints
00:19:01She will attend
00:19:03We will send it to you.
00:19:05There's no Roman circus worth its salt
00:19:06Without an emperor to lead it
00:19:09Mother, it might be silly.
00:19:11But we could engrave our names here.
00:19:12Very big
00:19:13So that it can be read properly.
00:19:14I don't know, just always remember who gave it to you.
00:19:17I knew from a young age that you had a hidden talent
00:19:20I didn't know where or which one
00:19:21But I knew it
00:19:26Seamstress!
00:19:29Were you calling me, ma'am?
00:19:31Oh, how divine!
00:19:33I've never seen so much gold together.
00:19:35We need to take it to the jeweler to have our names engraved.
00:19:38The Marquis of Santillana and his illustrious mother
00:19:40Or whatever fits
00:19:41I want her there
00:19:42Very good
00:19:44Go as soon as possible so that this can accompany you
00:19:45Yes, ma'am
00:19:46Ah!
00:19:47Be very careful, okay?
00:19:48Tomorrow this jewel will crown the king's head
00:19:51Yes, ma'am
00:19:59The key
00:20:02Do you know how many locks there must be in the world, master?
00:20:10We missed the Jete crossroads
00:20:12This road does not lead home
00:20:15We're not going home, Satur
00:20:17Where are we going?
00:20:20Now you'll see
00:20:22You always beat around the bush
00:20:25Without being able to give any concrete answer to that Galician
00:20:31This is it
00:20:36I can't believe it
00:20:39I can't believe he brought me here
00:20:41You've reached this point
00:20:44This is outrageous, I love it.
00:20:45What is his goal?
00:20:49You need to know where your father is buried.
00:20:51Okay, I know.
00:20:53Now I'm going home
00:20:54Satur
00:20:56Leave me alone, love
00:20:58But what's it to you?
00:21:01Why doesn't he respect me?
00:21:02Because I know you and I know you're not okay.
00:21:04So stop pretending that all of this doesn't matter to you.
00:21:07All the servants of the Count of Maceda are buried here.
00:21:11One of them has to be your father
00:21:15Satur, are you going to stay there or are you going to help me look for him?
00:21:18Should we look for him?
00:21:20I?
00:21:25Very good
00:21:26Let's go find him
00:21:40It's not here
00:21:43Neither
00:21:44It's not here
00:21:57This is because of all the bones they broke in the orphanage.
00:22:01And this is because of all the shit I learned on the streets.
00:22:04And this is for my mother.
00:22:05For letting her die alone
00:22:09Dog
00:22:10And this
00:22:13Satur
00:22:15Are you OK?
00:22:16Yeah
00:22:17What don't you do?
00:22:19Carefully, I love
00:22:21Come on
00:22:29Where is your father's coffin?
00:22:40Have you read the Bible, son?
00:22:44In the book of Exodus?
00:22:47A fantastic read, I highly recommend it.
00:22:49The following words are said
00:22:53Life for life
00:22:55Life for life
00:22:56An eye for an eye
00:22:57Tooth by tooth
00:23:00Which is to say
00:23:01You've lost my finger
00:23:04Now it's your turn to lose yours.
00:23:07There is no evidence
00:23:09Please, no!
00:23:15It leads to another
00:23:28Have you heard about
00:23:30From the finger of Saint Peter?
00:23:32The stolen relic was found in Italy
00:23:35One of the most venerated by Christendom
00:23:37Why should I care?
00:23:39Because I was the one who paid for her to be robbed.
00:23:43And the person who was supposed to deliver it to me has betrayed me.
00:23:46Your Eminence, stealing that finger could land you on the gallows.
00:23:50Why risk so much?
00:23:53There is a foreign nobleman willing to pay a fortune for her
00:23:56And I will be very generous with you
00:23:59If you help me find it
00:24:03The person who stole it
00:24:05He was supposed to bring her to me in a carriage from Florence
00:24:09But there were problems with the exchange.
00:24:12What kind of problems?
00:24:17He tried to blackmail my envoy
00:24:18Or he would pay her three times more than agreed.
00:24:21Or there was no relic
00:24:24And what did his envoy do?
00:24:27He killed him
00:24:29A stupid thing that has turned my face red.
00:24:31As you have just seen
00:24:33How many people were with him in the carriage?
00:24:36Could any of them have given it to her?
00:24:37The coachman
00:24:38An old priest
00:24:41And a coffin with the corpse of a man
00:24:43That he was going to be buried in the village
00:24:45But we found nothing.
00:24:47Did he search in the coffin?
00:24:56And what do you think, commissioner?
00:25:00So, Your Eminence, I don't know how I can help you.
00:25:02Apparently there was a chest
00:25:04With the inheritance of the deceased
00:25:07Only when my men arrived
00:25:09He was gone.
00:25:10And do you think he hid the relic there?
00:25:13Find out who the recipient of that chest was.
00:25:15And get it back.
00:25:18Whatever the case may be
00:25:20Eminence
00:25:33And what's gotten into Satur?
00:25:35Did you come home with the milk?
00:25:38Well...
00:25:39The death of his father, Cipri
00:25:41Satur is very affected by it
00:25:44What a dog's life the poor have!
00:25:46We don't have the body for so much killing.
00:25:51Gonzalo
00:25:54What happened?
00:25:56The inn, that's what happens to me.
00:25:59There's already a buyer.
00:26:02I'm sorry
00:26:04I know how much it means to you
00:26:07Maybe it's not the right time
00:26:08But you don't...
00:26:10You couldn't lend me some money, could you?
00:26:12Maybe they could still sell it to me
00:26:14I can give a sign
00:26:15AND...
00:26:16Cipri, do you know that if I had something I would give it to you?
00:26:19I know.
00:26:20And excuse me, I just...
00:26:21I just want a livelihood for the future
00:26:23That's all
00:26:24I know
00:26:31What's happening?
00:26:34That face
00:26:37It sounds familiar, but...
00:26:39But I don't know what about.
00:26:44Let's go home, Cipri
00:26:47Let me see how the names turned out engraved.
00:26:50If the agrarian reform notice isn't read carefully, anyone can hear it.
00:26:53Monica was going to get
00:26:54Let's see
00:26:55Let's see, look
00:26:58Ah, very good.
00:26:59Very good
00:27:00Santillana Marquee
00:27:01And his most illustrious mother
00:27:02Very good, very good
00:27:03One thing's for sure, it's original.
00:27:05Yes, that's her.
00:27:06Man, original
00:27:07No, let me, I'll take it to you.
00:27:08When the king receives that gift
00:27:09He falls on his back
00:27:10I'm telling you.
00:27:11Look
00:27:12The taffeta that the lady asked us for
00:27:14That?
00:27:15Didn't he tell you what he wanted it for?
00:27:17Not me
00:27:18I don't know
00:27:18That you are able to dress for the occasion
00:27:20Like Helen of Troy
00:27:21Yes, and Nero's son.
00:27:22I can already imagine it, the painting
00:27:24I won't miss it
00:27:26What do you think?
00:27:28Well, I think it's fine.
00:27:29If not, I'll just use it for something in the water.
00:27:33This one doesn't throw anything.
00:27:33Yes, this one's a piece of cake
00:27:35So, should we take it?
00:27:36Yeah
00:27:37How much is it?
00:27:38How do you want it?
00:27:40Oh, how much I love him, well, I don't know.
00:27:41How much are we going to take, Margarita?
00:27:44The crown
00:27:45That?
00:27:46The crown that I left here, it was stolen from me
00:27:48Don't tell me, it's been stolen from me
00:27:57He looks malnourished.
00:27:59I don't want it.
00:28:03And this one?
00:28:04But if this one has one foot in the grave
00:28:06Take these two and bring me more
00:28:07But don't bring me old donkeys, okay?
00:28:10I want them healthy and shiny
00:28:12Ma'am, bringing in more men would be dangerous.
00:28:14The danger lies in the useless price.
00:28:16Take
00:28:17Do what I tell you, okay?
00:28:29Mother, what is all this filth doing here?
00:28:31I present to you those who are going to die in the arena, son
00:28:33And where did he get them?
00:28:35They are my prisoners
00:28:38I remind you, Commissioner, that I am preparing a performance for the King
00:28:42Who allowed them to take them?
00:28:44How much does he want for everyone?
00:28:46I remember that they are condemned to death
00:28:48He cannot dispose of them as he pleases.
00:28:50I'm doing you a double favor, commissioner.
00:28:52I'm relieving you of your work
00:28:54And I save him rope and axe
00:28:56I should be more grateful
00:29:00Take everyone to jail.
00:29:01Yes sir
00:29:03You've already heard it
00:29:04Out
00:29:06Come on!
00:29:08Come on, hurry up!
00:29:13If he bribes one of my men again
00:29:15Or to interfere in my work
00:29:18You will be the one to step on the gallows.
00:29:28Oh dear, what are we going to do now?
00:29:29Nobody is going to volunteer for this slaughter.
00:29:32But what?
00:29:32He won't want to please her majesty
00:29:35Mother, what are you talking about?
00:29:39There are always people desperate to get a few coins, son.
00:29:42But mother, who cares about money when she's about to die?
00:29:44They're going to kill them, mother
00:29:47And who said they had to know?
00:30:08Do you remember me?
00:30:11I am your father
00:30:31I was looking for you
00:30:34Satur, I will find those who desecrated your father's tomb
00:30:42But there's something I don't understand
00:30:43Who would want to take away a servant's coffin?
00:30:46It doesn't make sense.
00:30:49Let it be, love, let it be
00:30:51No
00:30:52We need to find out if your father had any enemies.
00:30:54Or if someone wanted to hurt him.
00:30:55I told him to leave it alone.
00:30:57Satur, if it weren't your father's corpse, would you want to help me?
00:30:59But it is.
00:31:02And I don't intend to waste a single second of my life looking for that man's body.
00:31:06Can you hear me?
00:31:07Not a single one
00:31:09And tell me
00:31:10What good is that resentment?
00:31:12Well, that grudge is fine by me, Dad.
00:31:16To remind myself that I don't want to be like him
00:31:19Perhaps your father made a mistake, but
00:31:23You can't blame him for your entire life
00:31:29Where are you going?
00:31:30Let's sell this
00:31:32And I hope that for once he fails in his mission.
00:31:35Because that man doesn't deserve to rest in peace.
00:31:53Are you sure you didn't see anyone at the post?
00:31:55Because someone had to pick it up
00:31:57And what else from here hasn't happened?
00:32:00I've lost the gold crown they were going to give to the king
00:32:04Okay, you drink a little and calm down, go on.
00:32:07We'll think of a solution.
00:32:09Yeah
00:32:10In what?
00:32:11Tell me which one
00:32:12By now they'll have probably sold it, melted it down, or whatever.
00:32:16When that lady finds out, she'll kill me.
00:32:18Well, woman, we've been robbed.
00:32:20I also believe that if we explain it to them
00:32:22Yeah
00:32:23And what are we going to explain to him?
00:32:25Hey?
00:32:26It's unbelievable that you don't know her.
00:32:29I just don't know what I'm going to do
00:32:31I just don't know what to do, Catalina
00:32:33Look
00:32:36Look, you go back out onto the street and search it again.
00:32:39And I go to the palace and say that
00:32:42The jeweler told us to wait until tomorrow.
00:32:45And then I'll come back and we'll think of something, okay?
00:32:47But what are we supposed to think?
00:32:49If we have neither a crown nor the money to buy another one
00:32:52Tell me, what are we going to think?
00:32:55I'm dead
00:32:57Hey, Margarita
00:33:00Look at me
00:33:01Look at me
00:33:04You have always been with me
00:33:07And now we're in this together.
00:33:08I'm not going to let anything happen to you, do you understand?
00:33:12You understand me?
00:33:15Well, that's it
00:33:16I'm going upstairs for my shawl
00:33:18And now I'm going downstairs and we're leaving.
00:33:28Aunt
00:33:31Alunso, what are you doing there?
00:33:32What's the matter?
00:33:34Were you listening?
00:33:35No
00:33:36No, I haven't heard anything.
00:33:37I only came to see Murillo
00:33:39Are you going to tell me what happened?
00:33:42Nothing, son
00:33:43Palace matter
00:33:44But don't worry
00:33:46That it will be resolved
00:33:46See?
00:33:48Come on, shall we go?
00:33:50Yeah
00:33:51Yeah
00:33:51What did you expect?
00:33:51Murillo?
00:33:52Yeah
00:33:54There it is
00:33:56Murillo, son
00:34:00If he's going to close the door on you later
00:34:04Have you seen this?
00:34:05They're handing it out in the plaza
00:34:07What is it?
00:34:08Looking for actors
00:34:09For a performance to be held tomorrow
00:34:11They pay quite a lot.
00:34:13Roman Circus
00:34:16Sounds good
00:34:27Yeah?
00:34:28Excuse me
00:34:28I came to sign up for the representation thing
00:34:31Have you ever fought?
00:34:34Yes, well
00:34:34I know some of the moves
00:34:36The singles
00:34:37That will be enough
00:34:38I've been told they were paying
00:34:40They paid very well.
00:34:4150 reais
00:34:4250 reais?
00:34:43After the fight
00:34:44Where do I need to sign?
00:34:45Almost without thinking
00:34:46There's no need to sign anything.
00:34:47Come, come with me
00:34:48Oh, sorry.
00:34:48I'm not very knowledgeable about this theatre stuff.
00:34:52And?
00:34:52Are the trials taken seriously?
00:34:54Yeah
00:34:57Those are the weapons we're going to use
00:34:59Uh-huh
00:35:00I thought they would be made of wood.
00:35:02So we don't hurt each other.
00:35:03And so
00:35:04The fight is to the death.
00:35:07That?
00:35:09What do you mean, to the death?
00:35:11No, listen
00:35:11Me, me, me
00:35:13I'm sorry
00:35:13I didn't know anything about this
00:35:15Hey, no, no
00:35:15What are they doing?
00:35:16Let me go
00:35:17Let me go
00:35:17I didn't know anything about this
00:35:18Let me go
00:35:49I didn't know anything about this
00:36:18If someone wanted to hurt him
00:36:20I don't think so, sir.
00:36:21He was just a servant
00:36:23Why do you ask?
00:36:25No, it's nothing.
00:36:26Satur would like to know everything about his father
00:36:29I barely knew him
00:36:31There's little to know
00:36:34Armando was not a bad man
00:36:37When I wasn't working
00:36:39He played his lute
00:36:42I hope God has him in his glory
00:36:46Now, if you'll allow me
00:36:48I have to return to the count's palace
00:36:50I understand
00:36:51And again, thank you for coming here
00:36:57Armando always wrote to me
00:36:58When I was traveling
00:37:00I thought my son would like to keep them
00:37:02As a reminder
00:37:04Of course
00:37:05Thank you
00:37:06Don't forget to give them to her
00:37:08In many of them she talks about him
00:37:10I will give them to you
00:37:11I'll accompany you
00:37:41Subscribe to the channel!
00:38:12Thank you!
00:38:15Let this be the last time
00:38:16You make me bathe among weeds
00:38:19Disgusting!
00:38:21And I'm not going to tell you
00:38:23How far up I have them stuck
00:38:24They are rose petals, ma'am
00:38:26I thought he'd like them
00:38:27They are highly coveted
00:38:28Among the high-society women
00:38:35Lady
00:38:35Lady
00:38:37His Majesty Philip IV
00:38:38He sends her this letter
00:38:42Thank you
00:38:49The king is coming to the Roman circus
00:38:52That?
00:38:52He's coming
00:38:53Jacob, we did it, son
00:38:55Do you realize?
00:38:57Tomorrow we'll be in all the chapbooks
00:39:00We should frame it
00:39:01And hang it in the hallway
00:39:02We already have that.
00:39:03We rub shoulders with the king
00:39:05Now for the most important thing
00:39:06It's about making sure.
00:39:07That everything turns out perfectly
00:39:09Go upstairs and try on the suit
00:39:10What will you wear tomorrow?
00:39:12Wow, really?
00:39:12I have to wear the suit
00:39:13Have you chosen me?
00:39:14Of course
00:39:15You have to take it
00:39:16And wouldn't it be better?
00:39:17Something more appropriate
00:39:18For the occasion?
00:39:20I was thinking
00:39:20Perhaps a white tunic
00:39:21I didn't feel bad at all
00:39:23Jacob, my son
00:39:25From the phrase
00:39:26We have to earn it
00:39:28The respect of the court
00:39:31What part didn't you understand?
00:39:41Lady
00:39:41Ah, you're finally back
00:39:42And the crown?
00:39:43Have you brought it yet?
00:39:45Madam, the jeweler says
00:39:46That it will not be able to end
00:39:47To record the names
00:39:48See you tomorrow
00:39:48How can that be?
00:39:50But I did give you enough money
00:39:51To pay for the urgency
00:39:52Yes, ma'am
00:39:53And that's why we've insisted.
00:39:54But he says he has a lot of work
00:40:00Do I have to give it to him tomorrow?
00:40:01The crown for the king?
00:40:02Have I told him already?
00:40:02In the invitation?
00:40:04You, bring me my clothes
00:40:05That jeweler is going to hear me out.
00:40:06No, ma'am
00:40:09I mean
00:40:10Is he so busy?
00:40:11As it seems
00:40:12It's almost better to leave it.
00:40:13That he works during the night
00:40:14Just in case
00:40:15That with the discussion
00:40:16Don't give her time to finish it.
00:40:18I don't care
00:40:18If you have to be
00:40:19All night
00:40:20At the entrance of the jewelry store
00:40:21But as soon as it's finished
00:40:23Bring it here for me
00:40:26Yes, ma'am
00:40:27Come on
00:40:42Mister
00:40:43Mister
00:40:45Excuse me, what's bothering you?
00:40:46These hours
00:40:47I've been to his house
00:40:48And his servant told me
00:40:48What would I be doing?
00:40:49A donation to the church
00:40:50Will you go?
00:40:52You'll see
00:40:53Do you remember?
00:40:54The crown we brought her
00:40:55This morning
00:40:56So that she could record it
00:40:56The one from the Marquis of Santillana?
00:40:59How much would it cost me?
00:41:00One exactly the same?
00:41:02More than you
00:41:03I could pay in three lifetimes, ma'am.
00:41:05I will pay him.
00:41:06I'll pay you in installments, sir.
00:41:08Please
00:41:08It is very important
00:41:09I am a jeweler
00:41:10He does not offer friendship.
00:41:11If you want a crown
00:41:12She has to pay it
00:41:13Spot
00:41:15I swear I will pay you back.
00:41:16With a little time
00:41:18I'll get the money
00:41:18I promise you
00:41:21I'm sorry
00:41:23Thank you
00:41:29Hang on a minute
00:41:34If she's so desperate
00:41:35I have an idea.
00:41:37Will you go?
00:41:39Can you give me something?
00:41:39What interests me most
00:41:40That the money
00:41:42What did you say?
00:41:47Take care of yourself
00:41:47Take care of yourself
00:41:54Take care of yourself
00:41:54Take care of yourself
00:42:02Take care of yourself
00:42:02What are you doing here?
00:42:04What's happening?
00:42:05No
00:42:05I have to go home
00:42:06No
00:42:07You were talking about money
00:42:08And before you were crying
00:42:10Are you going to tell me once and for all?
00:42:11What happened?
00:42:12I've lost something very important
00:42:14I need money
00:42:14To recover it
00:42:17Let's go home
00:42:17How much?
00:42:19A lot, Alonso
00:42:21A lot
00:42:21Don't tell anyone
00:42:22Not even your father
00:42:23Nor to anyone
00:42:24Hey?
00:42:25I want to fix this myself.
00:42:27Let's go home
00:42:34Alonso, let's go
00:42:36Let's go home
00:42:49In the end you didn't sell it
00:42:53Nobody wants it
00:42:55It's not for lack of trying.
00:42:58Because it doesn't work
00:42:59Not even worth selling.
00:43:02Now that I'm telling you
00:43:03Which is normal
00:43:03With everything that's going on
00:43:04Who wants to buy
00:43:05A
00:43:06A little guitar?
00:43:08Before they laugh at the box
00:43:10What instrument
00:43:12Maybe you should keep it
00:43:14And become a troubadour
00:43:16Come on, don't start, I can see you.
00:43:18I've been talking to a friend
00:43:20From your father
00:43:21A servant
00:43:22That he worked with him
00:43:24AND?
00:43:26Has he revealed
00:43:26The secret of the corpse?
00:43:29No
00:43:30But He has given me this for you
00:43:32They are some letters
00:43:33That I was writing to him
00:43:34When I was traveling
00:43:36Very good
00:43:38I'm not interested
00:43:40Apparently
00:43:41Your father also traveled a lot.
00:43:42Accompanying his lord
00:43:45And what does that mean?
00:43:46Exactly with that?
00:43:47Do we already have something in common?
00:43:49Probably much more
00:43:50What you believe
00:43:51That we were both raised
00:43:53We went to bed
00:43:54With a prostitute
00:43:55And that we got her pregnant
00:44:00I'm going to bed
00:44:01Good night
00:44:05Take a rest
00:44:26No, no, no, no, no
00:44:52I don't know how to fight.
00:44:54I have never fought in my life.
00:44:56What am I going to do out there?
00:44:58It's better not to know how to fight.
00:45:00The agony will be less.
00:45:05I have to keep living, don't I?
00:45:08I can't leave her alone.
00:45:09He doesn't deserve this.
00:45:13My wife.
00:45:22My son is about to be born.
00:45:26I will never see his face.
00:45:31They'll think I abandoned them.
00:45:37We're all going to die out there this afternoon.
00:45:40And nobody will ever find out.
00:45:44It's probably written somewhere.
00:45:48that today was our day.
00:45:58Why are you locking me up here?
00:46:02Why are you locking me up here?
00:46:15I thought this...
00:46:21What's going on?
00:46:23Irri, answer me.
00:46:25What are they going to do to us?
00:46:28Irri.
00:46:30Irri, tell me something.
00:46:44Squeeze.
00:46:45Squeeze harder.
00:46:49Further.
00:46:50Squeeze harder.
00:46:51Ma'am, I think it looks quite tight already.
00:46:54Let's see if he runs out of breath in the middle of the show.
00:46:56No, the king is coming to a celebration that I'm organizing.
00:46:58I have to look stunning.
00:47:00So you squeeze.
00:47:09And you,
00:47:10Apply that powder all over my body, okay?
00:47:12And perfume, lots of perfume.
00:47:14I want to be easily smelled from afar.
00:47:17Aries.
00:47:18What do you think?
00:47:20Oh, they're going to fall off their butts when they see us.
00:47:25Oh, son, remember this day well.
00:47:27Today we are going to earn the respect of the entire court.
00:47:36Have you decided which piece of jewelry you want to wear?
00:47:38Clean them all.
00:47:39In this life, the more gold you have, the more class you show.
00:47:43Mother, will our coronation appear?
00:47:45Oh, and speaking of crowns.
00:47:47Where on earth are the seamstress and the other one?
00:47:49The one with the sad face.
00:47:59Excuse me, ma'am.
00:48:01But the book-maker has just finished recording the names.
00:48:04Let this be the last time you make me wait.
00:48:07Let's see the crown.
00:48:10Let's see how it turned out.
00:48:14Can you tell me what's wrong?
00:48:16Nothing, ma'am.
00:48:28I like it.
00:48:29The lyrics have turned out very...
00:48:31Very original.
00:48:32Oh, really? Let's see.
00:48:33Yeah.
00:48:35Yes, today.
00:48:36Okay, now, sit down and clean up.
00:48:39You will accompany me.
00:48:41It looks very good when high-society ladies have maids.
00:48:44Come on.
00:48:45Was.
00:48:45Come on.
00:48:51Haven't you noticed?
00:48:53The lady no.
00:48:55The kings, yes.
00:48:57They are four iron pieces covered with gold leaf, Catalina.
00:49:02We are not going to deceive Your Majesty with the work of a blacksmith.
00:49:10Who are they?
00:49:12What do they want from me?
00:49:15I haven't done anything.
00:49:17Let me go, for God's sake.
00:49:21What are they going to do to me?
00:49:26What are they going to do to me?
00:49:31Calm down.
00:49:32We're not going to hurt you.
00:49:36Just tell us where you have it and you can go back home safely.
00:49:43Where do I have the what? I don't know what you're talking about.
00:49:46Oh, no?
00:49:47No.
00:49:48You're sure?
00:49:51I have tried to be a mistake.
00:49:53Ah, where is the relic?
00:49:56What relic?
00:49:57The finger of Saint Peter.
00:50:00I don't know which finger you're talking about, I don't know anything about that.
00:50:04I think you do know.
00:50:08Do you remember this?
00:50:10Did you have it in here?
00:50:15There was still something inside him.
00:50:18I didn't know anything, I swear to God.
00:50:20What have you done to me?
00:50:21Have you sold it?
00:50:22Have you hidden it?
00:50:23Where is?
00:50:24Where?
00:50:24No, sorry, I don't know.
00:50:26You won't know.
00:50:29Have you heard of the artisan?
00:50:32No.
00:50:34It is an ancient Persian torture.
00:50:38Don't hurt me.
00:50:41No.
00:50:43No.
00:50:50What are they going to do to me?
00:50:54What are they going to do to me?
00:50:58Let me go!
00:50:59Come on, Sator.
00:51:01Above!
00:51:06Sator.
00:51:09Sator.
00:51:09No.
00:51:25No, no, no.
00:51:56No, no, no.
00:52:35No, no, no.
00:52:39So what are we going to do?
00:52:42Are we just going to sit here crying?
00:52:48If we give up now, we'll have lost before we even start.
00:52:54I am a baker, I have never fought in my life.
00:52:58And I am a carpenter.
00:53:00It doesn't matter.
00:53:02You have nothing to live for.
00:53:05I'm going out into the arena and I'm going to fight for my life.
00:53:08That's exactly what they want.
00:53:10Watching us fight until our last breath.
00:53:16I don't intend to let them enjoy my death.
00:53:19We're going out.
00:53:22We're going to get out of here.
00:53:24We're going to get out of here.
00:54:03Juanso! Come out! Come out! Come out!
00:54:26Where are they taking me?
00:54:31Let me go, for God's sake!
00:54:34I don't know anything about that religion! Let me go!
00:54:44Because?
00:54:47Let me go!
00:54:49What is that?
00:54:50What are its holes for?
00:54:51So you can put your hands, your feet, and your head in.
00:54:56Why? Why? What are they going to do to me?
00:54:59We will spread honey on you
00:55:00The vermin of the forest will do the rest
00:55:01Apparently, the eyes are the last organ they devour.
00:55:04That way you can watch them slowly eat you alive.
00:55:08No no!
00:55:11No! No! No!
00:55:14Take off his shoes!
00:55:16No no!
00:55:19Have mercy, commissioner!
00:55:22No!
00:55:26I don't know anything about that finger!
00:55:28The good thing about this torture is that it's so slow
00:55:30It will give you time to reflect.
00:55:32No!
00:55:33If you would remind my men where the relic of Isola is
00:55:38Watch out! I've never seen it!
00:55:44Relief!
00:55:46Let me go, for God's sake!
00:55:49I don't know anything!
00:55:56No!
00:55:58No, please!
00:55:59It won't work!
00:56:00Seoul!
00:56:01Seoul!
00:56:02I beg you, for God's sake!
00:56:05Seoul!
00:56:08Let me go!
00:56:15Let me go!
00:56:22Oh!
00:56:24Oh!
00:56:31Oh!
00:56:33No, no, no.
00:57:03Out!
00:57:09Out!
00:57:13Out!
00:57:14Get out of here!
00:57:19Out!
00:57:21Out!
00:57:33Out!
00:57:44Out!
00:57:44No, no, no, no, no.
00:58:41No, no, no, no.
00:58:44No, no, no, no, no.
00:59:30No, no, no, no.
00:59:43No, no, no, no.
01:00:12No, no, no, no.
01:00:48No, no, no, no.
01:00:53No, no, no, no.
01:01:22No, no, no, no, no.
01:01:24No, no, no, no.
01:01:29No, no, no.
01:01:48No, no, no, no, no, no.
01:02:18No, no, no, no, no, no, no.
01:02:45Why are you giving me that now?
01:02:48No, no, no, no, no, no, no, no, no.
01:03:16No, no, no, no, no, no, no, no.
01:03:56You three, and you, get ready, you're next.
01:04:01Come on!
01:04:03Hands!
01:04:19Cipri, I say goodbye with honor.
01:04:36No! Stop it now, master, for God's sake!
01:04:38No!
01:04:38Scratching makes it worse.
01:04:41So the more you tell me, the more itchy it gets.
01:04:43We're almost there, come on.
01:04:44Hmm!
01:04:45Ah!
01:04:47Okay, that's it.
01:04:49That's it, you say.
01:04:51If it has embarrassed me.
01:04:53And the bump that's appeared there on my forehead.
01:04:56I've had bugs land on me that were from another era.
01:04:59If you let the ointment sit, the swelling will go down, you'll see.
01:05:03That's unbelievable!
01:05:05Who would think of putting a man in a box to be devoured by beasts?
01:05:10No, and a honey tau as if it were a fritter.
01:05:13No!
01:05:14Satur!
01:05:15Yes, love, yes, yes, yes, yes, yes.
01:05:18I know.
01:05:20With your permission, I'm going to rub my feet and hands until my bunions bleed.
01:05:25I can still feel the wildlife grazing around here.
01:05:31Satur!
01:05:31That?
01:05:34Did you read the letters?
01:05:37No.
01:05:39No, don't tell me anything.
01:05:41I'm leaving now, I can already see you're about to start with the sermons.
01:05:54Are you the teacher?
01:05:55Yeah.
01:05:57What's happening?
01:05:58Your son is Alonso.
01:06:00Yeah.
01:06:00What's happening?
01:06:01Alright.
01:06:03Alright.
01:06:04Is something wrong?
01:06:05He is going to fight in the Roman circus.
01:06:07And the theater performance?
01:06:10We were deceived.
01:06:13What's happening?
01:06:14What's happening?
01:06:15It is not a representation.
01:06:17They are fights to the death.
01:06:21What do you mean, death matches?
01:06:23Listen to me.
01:06:24What do you mean, death matches?
01:06:25I am a coward.
01:06:26Where is that circus?
01:06:28I got castrated.
01:06:29Yeah.
01:06:29Where is that circus?
01:06:34No!
01:06:35No!
01:06:38No!
01:06:40No!
01:06:48No!
01:06:50No!
01:07:26Explain yourself there.
01:07:34Explain yourself there.
01:07:57Explain yourself there.
01:07:58Explain yourself there.
01:08:01Explain yourself there.
01:08:04Explain yourself there.
01:08:07Explain yourself there.
01:08:08Explain yourself there.
01:08:12Explain yourself there.
01:08:13Explain yourself there.
01:08:15Explain yourself there.
01:08:15Explain yourself there.
01:08:17Explain yourself there.
01:08:18Explain yourself there.
01:08:19Explain yourself there.
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01:14:13Ahhh!
01:14:17That?
01:14:22No!
01:14:24Wait!
01:14:28In the name of your king!
01:14:51G Teper! Ddocco!
01:14:59Say it!
01:15:00Say it!
01:15:02Say it!
01:15:04Say it!
01:15:06Say it!
01:15:09…Say it!
01:15:11Say it!
01:15:13My love, you're going to be okay.
01:15:17Yes, my love, you're going to be alright.
01:15:22Yes, my love, you're going to be alright.
01:15:28Look at me.
01:15:30I have nothing else.
01:15:44Bring it, bring it, bring it, leave it to me.
01:15:54He could have warned me before going to that circus, which sometimes doesn't think much about me.
01:16:00How are you, Cipri?
01:16:04Well, with a big stitch in my belly, I love it.
01:16:07Not even the Apennines and the Guadiana combined, what a mess.
01:16:11Don't worry, he'll recover, you'll see.
01:16:14I hope so.
01:16:15What I don't understand, and believe me, I've been mulling it over, is why the king stopped the fight when I saw Aloncillo.
01:16:23Don't know.
01:16:25Perhaps he remembered that Alonso helped him save the princess.
01:16:28Well, we mustn't let go of that thread.
01:16:30Majesty is something else, no, but they are grateful for a while.
01:16:34They might remove us from this situation.
01:16:36Or they can give us some of those lands they have to spare.
01:16:40I don't think the king is that aware of us.
01:16:47What a couple of days, right?
01:16:51What am I doing in the Persians, the Romans and the whole world map.
01:16:57Satur, go to sleep.
01:17:00We're not going out tonight.
01:17:03Sorry?
01:17:04It's been a very tough day.
01:17:07Really? Are you telling me I can go to sleep?
01:17:10But to sleep, to sleep.
01:17:13Why not take a nap there on the nag?
01:17:16Sleep, sleep.
01:17:17Thank you, love, thank you.
01:17:19Thank you so much.
01:17:20Are you going to get hot?
01:17:20Yes, sorry, sorry.
01:17:22Thank you on behalf of my body, my whole body.
01:17:24Thank you so much.
01:17:28Rest.
01:17:28No, a thousand.
01:17:41Are you interested in the Templars?
01:17:52It's her.
01:17:57And what does he say to whom?
01:17:59The old woman on the street.
01:18:00But before, she was a beggar.
01:18:03Which old woman are you talking about?
01:18:05Oh, master, when you go into a trance, nobody can understand what you're saying.
01:18:09Where is he going now?
01:18:15Sleep, step.
01:18:17Damn it.
01:18:18Nobody can sleep here.
01:18:30Beatriz de Lenz.
01:18:35His career seems impeccable.
01:18:38Thank you, my queen.
01:18:41You can sit down.
01:18:44Thank you.
01:18:49Do you have children?
01:18:52I love each of my students as if they were my own children.
01:18:56But if His Majesty is referring to illegitimate children...
01:19:00No, Your Majesty.
01:19:04May I?
01:19:10Oh, no.
01:19:23I need to talk to you, in private.
01:19:26Felipe.
01:19:27I present to you one of the candidates to be your child's wet nurse.
01:19:31Beatriz de Lenz.
01:19:37Majesty.
01:19:41Beatriz de Lenz, have you never heard of me?
01:19:46I have always worked at the French court, Your Majesty.
01:19:50And my work has always been discreet.
01:19:53I hope you are aware of the importance of your task.
01:19:56If she were ultimately elected.
01:19:59I am, Your Majesty.
01:20:01And you shouldn't worry.
01:20:03If I get the job, I'll know how to take care of your son.
01:20:09I've been preparing for this for many years.
01:20:34I am Captain Patrick Welkens.
01:20:38Fonte en veritatis.
01:20:40The source of truth.
01:20:43You still have me amazed by the entrance you made in the palace gardens.
01:20:46Because I don't know what an Englishman is doing in Spain.
01:20:48Your Majesty, I want you to send me to war.
01:20:51She is the daughter of the concubine Brantes.
01:20:52You killed her.
01:20:53Today?
01:20:56I will organize some games of concord between the English and the Spanish.
01:21:02King Charles will not get out of them alive.
01:21:07We'll get her out of the palace tonight.
01:21:09That they think someone has done something to him.
01:21:11Gonzalo, this is Patrick, Captain Patrick.
01:21:16The daughter of the Counts of Brantes has disappeared.
01:21:20Mother, with the palace full of guards, how are we going to get her out?
01:21:25Jumps!
01:21:25People with me, England.
01:21:29The daughter of the Counts of Brantes has disappeared.
01:21:32Jumps!
01:21:33Jumps!
01:21:36Jumps!
01:21:36Jumps!
01:21:37Jumps!
01:21:38Jumps!
01:21:39Jumps!
01:21:39Jumps!
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