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00:27Subscribe to the channel!
00:33Marisa! Come on! Bring the mussels, let's get started!
00:35I just can't open the can! It looks like a grenade, damn it! Look! I've got the lilac one stuck in...
00:40The hand!
00:41And then it says easy open. We should all report each other.
00:44These things make me even angrier.
00:47You're always angry, aren't you? I'm going to lend you a book that will change your life.
00:51Well, whatever the case, the Kama Sutra is a little late to the party.
00:54No, it's called The Universe and I.
00:57The most important thing is Kama. We must do good, because we are all part of a single cosmic energy.
01:03The prettier everything is, the better Kama.
01:06But if you get angry and shout, it's worse, Kama.
01:08And then you are reincarnated into uglier things and your spirit is not in tune with the Universe.
01:15I'm going to bring it to you and you can read it.
01:17It's worked wonderfully for me!
01:24What pills is she taking?
01:25And what do I know about self-medicating?
01:27Let's have a glass of Chinchón.
01:29Oh, yes. Let's see if it gives us a little bit of cosmic energy.
01:35No one can live here. Not here, not here.
01:39Every day is like this. I couldn't have imagined it when I came here.
01:44I was just looking for some sea air.
01:46I wake up every day in the middle of a hurricane.
01:48No one can live here. Not here, not here.
01:53No one can live here. Not here, not here.
01:57The house above me is collapsing. I can't find the doorman.
02:01My neighbors are watching and listening to me. I can't stand being here anymore.
02:07I go into a copal incense burner. A thunderclap, an earthquake, and a volcano.
02:16And you'll have this ladder.
02:20No one can live here. Not here, not here.
02:25No one can live here. Not here, not here.
02:29No one can live here, here, here.
02:39Hello, Emilio.
02:40Hey, what's up, Roberto?
02:42I've already heard that Lucía has nominated you to leave the academy.
02:45No, no, no, no. It was just a silly little fight.
02:47Yes, silly girl, but he kicked you out of the house.
02:48These snobby girls when they get angry...
02:50No, no, no. Really, I've come to sort this out with her.
02:53Do you know if he's home?
02:54Yes, go on, go up, go up, go up.
02:56Is something wrong?
02:57No, well, I don't know. You go up, go up.
03:00Go up, Roberto, go up, go up.
03:04Eldi!
03:06Hey! Hey!
03:08Come on, we can't stay there. Move along.
03:12What's happening?
03:13No, you see, I think you'd be more comfortable in other areas.
03:16Because people are constantly coming and going here, and they could step on it.
03:18But who are you to tell me what to do?
03:21Do you think you're better than me?
03:22No, what I want to tell you is that...
03:24What are you going to say? Go back to your hole and leave me alone.
03:35Mr. Juan, we have a problem.
03:36Yes, yes, yes, I see it, I see it.
03:38If it's attached there, I don't want to get aggressive.
03:40Leave it to me.
03:40You have to know how to deal with these people.
03:42Know?
03:44Sorry, uh.
03:45I am the president of the community.
03:47Go to hell.
03:49Okay, but you can't stay here, okay?
03:52Why not?
03:53Because you don't blend in with the aesthetics of the facade.
03:56Look, you idiot.
03:58The sidewalk belongs to everyone.
03:59Also, what's going on?
04:01Can you see me, Charto?
04:03Hey...
04:03Emilio, I have to go.
04:05I just don't have time, you know?
04:07Organize this.
04:07I always have to do everything myself.
04:09But this gentleman can't stay here, can he?
04:16Well, it was me talking to this guy, dude.
04:19It is true that...
04:24Lucia, it's me.
04:26Hello.
04:27Hello.
04:30Well, I've come to get my things.
04:33And how are you going to take them?
04:34Well, little by little.
04:36There's not that much of a rush, is there?
04:37Furthermore, I believe we should...
04:38Lucia, I have a feeling you two are going to talk, so I'd better come back another time.
04:42What's he doing here?
04:43What's it to you?
04:45Look, I'm helping Lucía through these difficult times
04:48caused by the resounding failure of a relationship
04:51in which she had placed many hopes.
04:54Damn, you speak really well.
04:57Carlos, would you be so kind as to ask, if it's not too much trouble?
04:59to leave my girlfriend and me alone for a second
05:02so we can talk.
05:04Hey?
05:04You're a load of rubbish!
05:06Hey, Roberto.
05:07No no.
05:08Leave it.
05:09I understand your frustration.
05:10I'll call you later.
05:11Okay.
05:11But why do you call him later?
05:13What are you on about?
05:14I'm behaving like a child.
05:17And how do you suffer, huh?
05:19In less than a few weeks you've already brought a guy into your house.
05:21Hey, I'm having a tough time too, you know?
05:23Otherwise, Carlos is a friend.
05:24No, he's an ex-boyfriend.
05:26And an ex-boyfriend is never a friend.
05:28It is a vulture waiting to pounce on its sick and defenseless prey.
05:31Okay, yes.
05:33Besides, if you're going to sleep with an ex-boyfriend, sleep with me.
05:36Hey, but I'm not sleeping with anyone.
05:38Besides, weren't you coming to pick up your things?
05:41Of course.
05:42I'll pack everything up right now.
05:43Dale.
05:44You can do whatever you want, as far as I'm concerned.
05:48But how could you go out with this loser?
05:50Well, look, I don't know.
05:51Perhaps because he is intelligent, cultured, sensitive, pleasant, and attentive.
05:54Well, what reasons.
05:55Look, that's it, I'm leaving.
05:57And that's all the moving you're going to do, right?
05:58The toothbrush.
06:00And the oiling foam.
06:02And tomorrow I'm coming back for the TV and the DVD player.
06:03The DVD is mine.
06:05Okay, then, let's get the TV.
06:06Let's see where you plug in the DVD player.
06:08I already bought a plasma TV.
06:09Well then, enjoy it.
06:12How many inches?
06:1342.
06:15Fuck.
06:16Okay, I'll be back tomorrow.
06:18I don't know what time I'll be able to stop by.
06:19No, no, no, no, wait.
06:20I've prepared some boxes for you and I'm going to call Emilio to help you bring them down.
06:25That's great.
06:27But you weren't going to fix it with your girlfriend.
06:29A little bit of consideration, please, because my back is really bad, you know?
06:31Well, reconciliations take time.
06:33You leave it to me.
06:34Hey, if you fix it later, you can upload the boxes again yourself.
06:37Also, if you're going to be arguing all day, damn it, move to the first floor.
06:40Come on, Emilio, damn it, we're only going to the goal.
06:42Why go to the goal?
06:43Because I stayed to sleep with you.
06:45This guy won't steal my girlfriend.
06:46But I have nothing but a bed.
06:48Well, we'll sort it out.
06:49What's happening?
06:50What are you doing?
06:52Nothing here.
06:53No, Lucia, she kicked him out of the apartment.
06:55And here we are with the move, Doña Paloma.
06:56Ah, of course.
06:58It was bound to happen.
06:59I haven't wanted to say anything to you because it's none of my business, but...
07:03You've lasted a long time.
07:04A lot.
07:05But I'm sorry anyway, okay?
07:07It's a shame, really, a shame.
07:10I already told you.
07:11Exactly two months.
07:13Ma'am, don't be a gossip.
07:14Show some respect, please.
07:15Juan, Juan, those upstairs, who have left him.
07:19Why are you saying anything, man?
07:21Don't be a goalkeeper.
07:22He's a professional guy.
07:26Mom, I'm home now.
07:27Can you tell me where you were?
07:30Picking up the car from the garage.
07:32Manolo or Palo have given me.
07:34Don't worry.
07:35I've done one thing to save money.
07:37I called that satellite company and cancelled my service.
07:41What have you done?
07:43The child was easily distracted.
07:44I got distracted a lot too, Mom.
07:46That's why we put it there.
07:47I caught him watching an X-rated movie yesterday.
07:50Look, so don't say he doesn't show interest in learning.
07:52Besides, what difference does it make?
07:53That's what I told him.
07:54I can also watch it online.
07:56Well, the internet should be gone too.
07:59Will you shut up?
08:00Look, Mom, I don't know how you do it,
08:01But you manage to make my joy last for two seconds.
08:03You take away everything I love.
08:05Unclear.
08:06Yes, I'm always to blame for everything.
08:09So, where am I supposed to watch the football match tomorrow?
08:11I'm telling you, George Clooney is gay, for sure.
08:13And Ben Affleck too.
08:14And what do you know?
08:16Fernando, that's noticeable.
08:17Attitude, hair, clothes...
08:20So everyone who wears expensive clothes is gay, right?
08:22No, Jesús Gil, no.
08:26Hello, neighbor.
08:27Hello.
08:28Hey, you guys have satellite, right?
08:29Well, we only have the antenna, but hey, it looks good, huh?
08:32Well, that's it.
08:33Are you going to watch the game tomorrow?
08:34Which match?
08:35The football match, man.
08:36Ah, the game.
08:38Of course, damn it.
08:39How could we not lose the game?
08:40Okay, then I'll come by and watch it with you, if we're okay with it.
08:43No, no, no, not at all, come on.
08:44If two shout, three shout.
08:46Come on, I'll be here at eight thirty to watch the preview.
08:49Very good, the preview.
08:50Okay, see you later.
08:52And what is the pre-order?
08:53So we have to sit through the football match with the neighbor.
08:56Well, Mauri, it's about not raising suspicions, right?
08:58What's happening?
08:59Does the fact that in this country someone who doesn't like football has to be king?
09:01Well, look, yes.
09:02It's a fairly widespread idea.
09:04But you don't understand that it's much worse, Fernando.
09:06I don't know anything about football.
09:07Me neither.
09:08But we can learn, right?
09:09I've never watched a whole game in my life.
09:11The only thing I like about football is when they do the wave.
09:14Look, I'll wait for you.
09:16It's eleven against eleven.
09:18It's played with a ball and the aim is to score goals.
09:22Thank you so much.
09:22It's perfectly clear to me now.
09:24Seriously, Fernando, you're getting yourself into some trouble.
09:25And the bad thing is that you have to include me too.
09:27Well, look, we have one day to become
09:29They're real football fans, aren't they?
09:31Besides, we only have to pretend for one hour.
09:34Isn't it true that a match only lasts one hour?
09:35More or less, right?
09:36Damn, we're in for it.
09:39This guy's gay too, for sure.
09:40You're a pain, aren't you?
09:46Good.
09:48Let's go over the weekend plan again.
09:50Your mother and I are going to the wedding
09:52from a second cousin of my mom
09:53whose existence I was unaware of.
09:55Correct.
09:56And we'll be back the day after tomorrow.
09:57So you're going to be left all alone.
09:59That's correct too.
10:00As modern parents, which we are,
10:03We are going to place our trust in you,
10:05our children,
10:06because we sincerely believe that it is already...
10:07Paloma, that's where we'll stay.
10:09No, Juan, because we've already bought them the gift.
10:11In addition, the hotel is free.
10:13And I don't know Valencia.
10:14My children, can we trust you?
10:16No, but you have no other choice.
10:18Come on, let's go, darling.
10:19Oh, I have dressed.
10:20What if we tell them to send us the video?
10:22If they're going to put us in the last row.
10:23Would you please leave through that door?
10:25and not get even more nervous?
10:27And you, behave yourselves and don't make a fuss, okay?
10:29Okay, a little kiss, lots of love from mom and dad.
10:32Oh, and don't even touch the phone, okay?
10:34And then there are the bills...
10:36But you're still here.
10:37I thought you were at the entrance with the car.
10:44You must suffer a lot in life, right?
10:46Fuck.
10:47Vicenta, leave this man alone
10:49He'll have enough on his plate already.
10:51You need to burn a lot of calm and we're going to help you.
10:53Come with us, we'll feed you.
10:55But, Vicenta, how are you going to get him up to the house?
10:58And look, we're leaving.
10:59The homeless man has already left.
11:00No way, it's still there.
11:01What homeless person?
11:02A homeless man has sat down there at the door.
11:04Oh no, no, no.
11:05That man cannot be there.
11:06A poor person at the door looks very bad, Juan.
11:08Yes, yes, yes, I know.
11:08Good morning.
11:09And where is she going with this man?
11:10We're going to feed him.
11:12She doesn't know what to do anymore to lose her virginity.
11:14Marisa, please.
11:16I'm not interested in sex at all, you know?
11:18Me neither.
11:19But, Juan, the poor man is going up to his house.
11:22Oh, what do you want me to do?
11:23These ladies are not right in the head.
11:25Social services should be notified
11:26so that they can take care of them.
11:28And what do you want me to do?
11:29Just take them away like that, without any effort?
11:30Or by force.
11:31What do I care?
11:32Then you and I bought the apartment from them for next to nothing.
11:34and we'll build a duplex.
11:35Come on, let's go, okay.
11:37I'm not leaving, don't worry.
11:44Marisa, have you seen how well she eats?
11:46See how little it takes to make someone happy.
11:49A little?
11:49If it's a great Rioja.
11:51That's the beauty of it.
11:52Giving to those who have nothing?
11:53Damn, coprobias help him.
11:55Marisa, we have a television, we have a video player,
11:57We have a refrigerator.
11:58Why can't we have a poor person?
12:00And where do we plug it in?
12:02How are you?
12:03Is everything delicious?
12:04Um, what's for dessert?
12:07Marisa, take out the rice pudding.
12:09Not the rice pudding, that's my favorite.
12:10Ah, well, a cortado.
12:11I'm ready with a cortado.
12:13Very good, that's for sure.
12:15Does the gentleman require anything else?
12:17Yes, the account.
12:19It's a joke.
12:22You can come for dinner tonight.
12:24Sure, but only if he's at home.
12:27Isidro, listen, is this being homeless a family trait?
12:34I walk into the house and find my uncle coming out of the bathroom.
12:37Is it a knot?
12:38No, dress.
12:39He is helping Lucia get over the breakup.
12:43Okay, fine, yes.
12:45He wants to sleep with her.
12:46No way, man, no way.
12:47He wants to sleep with her.
12:48No.
12:49Yes, damn it.
12:50Well, yes, and he wants to sleep with her too.
12:52Hey?
12:52No, no, I mean, no.
12:53What I said was that since you and Lucía have broken up, well, maybe you could help her out.
12:58to get out of the rut.
12:59Other?
12:59Sure, and you would be Paco de Lucía.
13:02Look, man, let's be clear.
13:04Your girlfriend is hot.
13:05Very good.
13:05It's delicious.
13:06And now she is alone.
13:09Look at him.
13:11There it is.
13:12How disgusting.
13:13Isn't that guy really handsome?
13:15And what kind of motorcycle does he have?
13:16That's all plastic, isn't it?
13:18Hello.
13:19And on top of that, he's teasing you.
13:21Well, look, if some guy came and tried to steal my girlfriend right in front of me, what the heck?
13:26And I grab the rearview mirror and do this and I break it.
13:29But what are you doing?
13:30Well, that's what needs to be done.
13:31Oh, yeah, damn it.
13:32The screen is all about you...
13:34Go for it, go for it, because these motorcycles aren't fully insured.
13:36And do I stay in the limited liability company?
13:37Because there can't be just any...
13:38Because there can't be pressure...
13:39Hey, there can't be anyone there, right?
13:41Emilio, right?
13:42Yeah.
13:42No, no, no, Emilio, no.
13:43Go for it on the motorcycle, go for it on the motorcycle.
13:44No.
13:44Come with simple ones, uncle songs.
13:46Let's not fight them, let's not fight them.
13:48Hey, hey.
13:49Hey.
13:50But seriously, what's wrong with you?
13:52I can't believe that Roberto and I left her like that from one day to the next.
13:58You left me from one day to the next.
14:01Well, I fell in love with Roberto, what do you want?
14:04We all make mistakes.
14:08No.
14:09Hey, no, Emilio!
14:10No, Emilio!
14:10Do you have any grounds to put me in the tank?
14:12I'm just taking that look, where are you?
14:14Hey, hey, come on, come on, that's enough, please.
14:15I'm asking you, please.
14:16Do you want to stay still?
14:18Help me to lift it!
14:19Come on, let me help Emilio lift her up, please!
14:22Hey, where are you going?
14:23This stuff weighs a ton, man.
14:26That?
14:28That?
14:29Do you need help?
14:30What are you doing?
14:31I saw some guys throw her and she ran away.
14:37Three fools, what?
14:39Health, or what?
14:46Ready, huh?
14:47Come on.
14:49A.
14:50Two.
14:51And three.
14:53Goal!
14:56How are you?
14:56Evil.
14:57Evil.
14:58We're not feeling it.
14:59It looks fake.
14:59Excuse me, but I've done very well.
15:01But have you seen how you celebrate?
15:03But you look like a cheerleader, you're just missing the pom-poms.
15:05And you?
15:06Have you seen yourself?
15:06It looked like you were riding on a float during Gay Pride Day.
15:09Okay, let's concentrate for a bit, shall we?
15:10Please, Fernando, call him and tell him not to come.
15:12This is going to be awful.
15:13We'll continue watching the game.
15:16See?
15:17This is an offense.
15:18So, what they have to do is shoot Porterio.
15:20But what are those five and a half doing just sitting around doing nothing?
15:23That's the barrier.
15:24It's the wall.
15:24Oh!
15:25Disgusting!
15:25Have you seen that one?
15:26He did that and left it at that.
15:28No, well, don't worry about that.
15:29Please, if they then fall on top of each other.
15:31Essential, right?
15:32You have to learn the names.
15:35Look.
15:36That's Fernando Torres.
15:37The black one?
15:38No, the other one, the blond one.
15:39That's good.
15:40See?
15:40That's the kind of comment you should avoid.
15:42Damn, this is complicated, huh?
15:44Really.
15:44Go on, shut up.
15:46Now the team in yellow has the ball, okay?
15:48So, it's about passing it on.
15:50Open the band.
15:51Get to the bottom.
15:52Center and finish.
15:53So, if they steal the ball, that's called a counterattack or counter-attack.
15:57We can find out what you're doing.
15:58Trying to burp.
15:59I saw them at the bar.
16:00They shout, insult, drink, and burp.
16:02Oh, please.
16:03This isn't going to end well, is it?
16:04Have you heard?
16:05Oh, what a nice burp.
16:06I didn't know.
16:07How exciting!
16:12Eight balls with the number 26 to sing bingo all afternoon and nothing.
16:16It really seems like they do it in the end.
16:17Okay, my children, here's the second course.
16:20But what's going on here?
16:21Isidro, who has come to have dinner with some friends.
16:24Excuse me, since you're standing here, why don't you bring us a little more water?
16:26On the rocks.
16:27Vicenta, can you come here for a moment?
16:29Yeah.
16:29And what do you want for dessert?
16:31Uh, flan, fried milk or curd with honey.
16:34I do all three.
16:37What's happening?
16:38But what are you doing with unknown hill forts in your house?
16:41They are not unknown.
16:42They are friends of Isidro.
16:43And how the hell does this know Isidro?
16:45You don't remember.
16:46He came to have lunch with us this afternoon.
16:47Of course I remember.
16:48Marisa, we are doing good.
16:51Vicente, we're acting like idiots.
16:53Okay, don't worry.
16:54You'll see that they'll leave when they finish dinner.
16:57Hey!
16:58What did I do on TV today?
17:00I have seen the letters.
17:01We could play a game of mus.
17:02Well, girl, look, as long as no more come.
17:04Otherwise, you won't get to meet up with your ex.
17:06It can't be with the pain.
17:07They're coming, they're coming!
17:08I'll train him to use a convertible!
17:09Hey?
17:10Already!
17:10Fuck!
17:11What a son of a bitch!
17:13Bastard, anyone could do that.
17:15Thank you.
17:16Be careful, it's going to hit the lamppost.
17:18Let's see if you can go out there.
17:19Yes, yes.
17:20Don't scratch it.
17:21Don't even joke about it.
17:23Look, wait.
17:24Hey!
17:25The leg?
17:25That's it.
17:26Yes, yes, yes.
17:28This is where you really take a risk, mate.
17:29How could you let him mess things up today?
17:31Let's go!
17:33Thank you so much for dinner.
17:34The truth is that it felt really good to go out and get some fresh air for a while.
17:39I hope she wasn't too bad company.
17:41You're always good company.
17:42What he said to her is very nice.
17:44He's working hard at it.
17:45Look, what you have to do now is turn the page.
17:48Forget about Roberto and live.
17:49And if someone else comes along later, then so be it.
17:54You are a wonderful woman and you deserve the best.
17:56This guy is a chai.
17:57Sleep a lot in your bed today.
17:59Yeah, the thing is, I don't know, I don't feel very good about how things ended with Roberto.
18:03But why?
18:04If he's the one to blame, then he's immature, a brat, and an idiot.
18:07It's a shame you haven't realized it until now.
18:09What a mother!
18:10What a terrible mother!
18:11Let it out, little one!
18:12The truth is, he's putting you on top of things.
18:14I want you to know that you have a friend here.
18:17For whatever.
18:18And it's forever.
18:23Well.
18:25Well.
18:27Come on, stick your tongue all the way down to your uvula.
18:29See you tomorrow.
18:34Should I call you tomorrow and we can have dinner?
18:36Okay.
18:37Or well, let's go to the movies.
18:39Or to the theater.
18:40To the theater.
18:41To the theater.
18:41Okay, yes.
18:42Okay, I'll call you then.
18:43I'll call you tomorrow.
18:53That's it?
18:54Well, that's a load of crap.
18:55But it's up to you, isn't it?
18:57Yes, at least until tomorrow.
18:59That?
18:59What now?
19:00Did you notice?
19:02He still thinks about me.
19:03Don't try to fool me, Roberto.
19:04You've only bought yourself some time.
19:06Look, I'm going to help you get her back because I like you.
19:09I steal the movies thoroughly before returning them.
19:13Javi, what's wrong?
19:14I'm Paco.
19:15Hey, where are you?
19:17Hey, you guys need to come here for a moment.
19:19Who are you calling?
19:20Wait, come on.
19:20Roberto wants to come back, he wants to come back to Lucía.
19:27Give it another chance.
19:31I didn't know what I was doing.
19:35I feel very sorry for the one who truly loves.
19:41What do you have to forgive, or is she going to cut her wrists?
19:49Oh, Lucia, oh, Lucia, oh, Lucia, forgive him now.
19:56Tell me, my dear, your joy.
19:59And the chombo isn't at the portal.
20:02If your spider Roberto ever comes around again, don't kick yourself out of your house again.
20:15go sleep on the sofa.
20:18Hey, go sing karaoke, it's not the right time.
20:24Doña Concha, a little bit of human charity is needed to reconcile, damn it.
20:27How beautiful.
20:30And what's it to me?
20:32Go away.
20:33I wouldn't have left and we were making out.
20:38Roberto!
20:40Paco, you've done enough already.
20:42I want to be alone.
20:44Uh, no, no, it's just that, Curro, the tambourine guy isn't going to make a tip.
20:52Oh, Lucia, oh, Lucia, oh, Lucia, forgive him now.
20:58Well, you're paying for it at my expense, huh?
21:00That's love, and everything else is nonsense.
21:02You had some serious legs, huh?
21:04What a shame.
21:05Okay, what are you going to do with this kid?
21:08Well, I don't know, the truth is that nobody had ever done so many silly things for me.
21:12I don't know if he's crazy or if he loves me a lot.
21:14I think both.
21:16Well, tomorrow when he comes on TV I'll tell him what I know.
21:19Oh, how lovely.
21:21Hey, if you want to get yourself fixed up, I have a mariachi friend.
21:24Oh, yes, yes, and what's the mariachi going to do to me?
21:28Return, return, return.
21:30No, the food is mine, beautiful.
21:33Again.
21:37But how can you stay in goal with Emilio?
21:40Take care here, my parents aren't home.
21:42Okay, fine, I'll settle in on the sofa.
21:44But dude, you haven't gotten involved.
21:45He sleeps in his bed.
21:46Which bed?
21:47In my parents' house.
21:49No, no, no, no, no, it gives me bad vibes.
21:51Hey man, they're not the monsters.
21:53They look similar, but they're not the monsters.
21:55Okay, fine.
21:57Hey, look who's here.
21:58Aren't you going out partying?
22:00Well, we have visitors.
22:01We have to be polite, right?
22:02Well, that's it, I'm going to bed now, I have to get up early and...
22:06Good night.
22:07Thanks, man.
22:10You should tone it down a bit, he's my colleague and he's having a really hard time.
22:13And what have I done?
22:14Don't play dumb with me, I'm not your dad.
22:17Come on, let's go to bed.
22:21And to yours, huh?
22:23Oh, I have a jumble of names in my head.
22:26And the thing is, I'm not old enough to study.
22:28Some are called by their first name, others by their last name, others by their nickname.
22:32And wait, I just found out that Butrareño has retired.
22:36What do you think?
22:37Then they complain that there are no strikers.
22:40Hello, huh?
22:41That?
22:41Oh, sorry, I'm listening to a football program.
22:45What fun.
22:45Is that your plan for tonight?
22:47Yes, do you want a headset?
22:49Do you want me to do anything else?
22:50Hey, remember this phrase, okay?
22:53Double pivot.
22:55And what is that?
22:56Well, I have no idea, but it sounds very technical, doesn't it?
22:59Double pivot.
23:00Double, now.
23:01Double.
23:02Come on, double.
23:12Roberto.
23:17Rober?
23:18Are you crazy?
23:19How morbid, isn't it?
23:20Just you and me alone in my parents' bed.
23:22Yeah.
23:24Uh, no.
23:24No, no, no, no.
23:25I'm leaving, I'm leaving.
23:27Psst, calm down, kid.
23:29Today is not your lucky day.
23:31Look, I feel obligated to tell you that you're pursuing a completely wrong strategy with Lucía.
23:36You're crawling.
23:37And we women don't like that.
23:39Oh, no?
23:40No, the crybaby thing is great for boleros.
23:43Do you want to get Lucia back?
23:45Just ignore her.
23:47Ah, but if I ignore her, she'll think I'm ignoring her.
23:51Very well, that's it.
23:53Clear.
23:54I don't understand.
23:55You're a man, you don't have to understand.
23:58Look, this is like a poker game.
24:01He's from Lucia, he has better cards than you.
24:03And what is done in these cases?
24:06Pass.
24:06No, man, no.
24:08To bluff.
24:10Lucia needs to think that you've rebuilt your life.
24:12That you're dating someone else.
24:15But who am I going to go out with?
24:16I don't know, someone will think of something, right?
24:21Good night.
24:30Come on, a little bit of please.
24:31You respect my place in line, okay?
24:33Come on, you stand here.
24:34There, like this, the line, the line.
24:36And what are you doing smoking?
24:40But...
24:40This is a joint.
24:41Well, you, being so clever, are last.
24:42Come on, the last one.
24:43Watch out, look what a mess this crazy woman has made of things here.
24:47But, Paco, Paquito, what are you doing here in the queue?
24:48Well, since Vicente is trying to have breakfast, that way I save myself the money on the croissant.
24:53Emilio, have you seen Marisa?
24:55I sent her through Magdalena if she doesn't come.
24:57By Magdalena, you should have been here sorting this out, right?
25:00I'm here now, damn it.
25:02That's enough.
25:03I tell this to people, but nobody believes me.
25:05Come on, move us out of my way, I can't see.
25:08Come on.
25:08Come on.
25:09How are you doing, you heavy things?
25:11Come on, for God's sake, I'm dropping the muffins and everything, damn it.
25:14I can't take it anymore.
25:16Mr. Cuesta.
25:18Yes, I know there's a wedding going on, but the building's overrun with homeless people!
25:21from this.
25:22Hey, Juan, how awful.
25:23Where are we?
25:24Wait a second, darling.
25:25I don't see any church.
25:26And I'm going to miss the bride's entrance, which is what interests me most, Juan.
25:28Okay, Emilio, but how many homeless people are we talking about?
25:31And what do I know, this looks like an Operación Triunfo casting call.
25:33What I do?
25:34I know, let me think for a moment.
25:37What's wrong? Can I leave us alone?
25:39How much stone, Juan?
25:41I don't know where you've brought me.
25:42Why don't we ask someone?
25:44Whom?
25:44If we're in the middle of nowhere.
25:49Oh, look, the mobile phone.
25:50This is my cousin, who wants to know where we are.
25:53And we're lost, Juan.
25:54We're lost.
25:55Emilio, tell Vicenta that she shouldn't eat any more people.
25:58Tell me.
25:59Paloma, it's Concha, your neighbor.
26:02Look, I don't mean to worry you or ruin your wedding, but...
26:06Your daughter Natalia has spent the whole night at your house with the boy from the third floor.
26:11But what are you saying, ma'am?
26:13He really likes to invent things, doesn't he?
26:15I'm watching them having breakfast together right now.
26:18It's up to you what you do.
26:23She's going to swallow the cake.
26:27I'm stunned, Juan, I'm stunned.
26:29Neither breakfast nor milk.
26:31We have to intercept those muffins, man.
26:33Juan, Juan, Natalia has gone to bed with the one upstairs.
26:35What are you saying?
26:36In our own house, Juan.
26:37They deflowered our daughter in our own home.
26:41Get in the car.
26:41And the wedding?
26:42What wedding?
26:43Go home.
26:44What a mess.
26:45I already told you.
26:46So many responsible fathers, so many responsible fathers.
26:47Hey, it's your cousin's wedding, right?
26:49Not mine.
26:49Well, you shouldn't have brought me.
26:51You always have to give me everything I want.
26:53Start it up!
26:54Oh, but let's go back, back, Juan.
26:58Back down, back down.
27:04I'm passing her, passing her, passing her.
27:06It's over.
27:07Am I with someone else?
27:08He doesn't believe it for a second.
27:10Okay, okay, okay.
27:12Hello.
27:13Hello.
27:14I've come for the Simpsons alarm clock.
27:16It won't take long.
27:18No, no, no, no.
27:18Hey, calm down, Roberto.
27:19I wanted to talk to you too.
27:21No, no, I know what you're going to say, but don't worry, I won't bother you anymore.
27:25Wait, Roberto, really, if it's not that, then I think the best thing to do is...
27:28That the best thing was to leave it.
27:29Now you've rebuilt your life with Carlos's dick-sucking act, and I accept it.
27:32I haven't rebuilt my life with anyone.
27:34The thing is...
27:35Yes, don't worry, I make you feel sorry for me.
27:38Don't worry, I'm also seeing someone else.
27:41With who?
27:43Well, with one.
27:44Very nice things are happening to me.
27:46And can we know who it is?
27:48I'm not going to tell you.
27:50Well, Roberto, really, you're making it up, you're a peacemaker.
27:55Hey, excuse me, I'm in a big hurry because I have an appointment with someone.
27:58I'm fine.
28:01Nice try, but it didn't work.
28:05Listen, I don't know what kind of relationship you're used to, but I don't like being kept waiting.
28:10Okay, let's go then.
28:18No.
28:19Yeah.
28:19No, no, no, no, that's impossible.
28:22But how can Roberto be dating a 17-year-old girl?
28:25Because that 17-year-old girl has been following him around ever since you moved in.
28:29And they also said on Radiopatio that they spent the night together.
28:31And if Radiopatio says so, that's like the Official State Gazette.
28:35Damn, what did I want, to forgive him?
28:38No, in the end Carlos is going to be right, Roberto is a brat.
28:41Who is Carlos?
28:42My ex, who is helping me get through this.
28:48And how exactly does it help you?
28:50Does he offer you his shoulder to cry on, or does he use something more forceful?
28:53Well no.
28:54What's wrong with being friends with your ex-boyfriend?
28:57Never.
28:57Never.
28:58That's pathetic.
28:59I haven't done it myself.
29:00That's what he wants, to get you into bed, and you know it.
29:04What are you like, huh?
29:05Well, I'm going to have dinner with him tonight.
29:08And nothing has to happen.
29:10Oh no, nothing, nothing.
29:12And what if it happens?
29:13I'm single now, I can do whatever I want.
29:16Come on, man, you're head over heels in love with Roberto.
29:19Me? In love with Roberto?
29:21Not me anymore.
29:22Besides, he's probably thrilled to be picking up his girlfriend from school.
29:32So, are you two dating or not?
29:34No way.
29:35It was a strategy.
29:36Well, you've made her happy, huh?
29:37She's meeting up with her ex tonight.
29:39Well, at least she got jealous, right?
29:41That means we make a good couple.
29:42But why do you want to make her jealous if she already wanted to get back together with you?
29:45See how the tuna idea worked?
29:46But how is that going to work?
29:48You have ruined me.
29:50You have all sunk me.
29:51Okay, let's put our heads together because we need to fix this.
29:53No, no, no, no, thank you very much.
29:54It's best if you don't do anything.
29:55Leave me alone for a little while.
29:58Have you heard?
29:59We'll leave him alone.
30:00Yes, we have to do something.
30:03Hey, why don't we throw a big party at my house and get them both together?
30:06Because they won't want to go.
30:07That's it.
30:08But how could they miss your birthday?
30:10What birthday?
30:11You're not turning 30 next month.
30:13Well, we'll move it forward.
30:14Damn, I'm 30 already.
30:15Yes, what's wrong?
30:16They don't look like it, do they?
30:18No.
30:19Come on, let's organize it.
30:20I'm sure if the two of them are alone together, they'll sort it out.
30:22Hey, but I don't want to celebrate anything.
30:24Hey, I'm going to get a cake.
30:26Hey, what do we do with him?
30:27They are supposed to have stayed together.
30:29Don't worry, I'll take care of them.
30:31Hey, will you listen to me?
30:32I'm not going to celebrate anything.
30:34Not this year, that's it.
30:35Hey Belén, I haven't had time to buy you anything.
30:37Don't you dare come near me, okay?
30:42Hey, she's being affectionate.
30:49This is your friend Doña Vicenta, director, buddy.
30:50What has Vicenta done?
30:52Emilio, this is a disgrace.
30:54To get on my turf I have to wait in line.
30:56I don't usually take the elevator, Mrs. Cuncha.
30:57I can't, there are two gentlemen sleeping.
30:59But seriously, what is this?
31:00The Bernabéu ticket office or what?
31:01Finally, finally.
31:02Oh, but Juan, we just stabbed the ladder.
31:04They're invading us and you're all about fashion.
31:06This is going to end right now.
31:08Let's see, let's see, please.
31:09Make way.
31:10Because, of course, it's just that...
31:11Oh!
31:12Oh well.
31:13Juan.
31:14Juan, there's a man here who touched my ass.
31:16That doesn't matter now, dove.
31:19But he did something really weird with his mouth.
31:22Okay, yes, yes, yes.
31:23Okay, it'll slip in.
31:24Hey, I'm the president of the community, okay?
31:25The treasurer doesn't screw you over.
31:27What are you saying? This is incredible!
31:28Pull, pull, Juan.
31:28We'll talk, man.
31:29Oh well.
31:30Go ahead, go to his village, man.
31:31Look, they're all here.
31:33Listen, you second-rate one, I am elegiac to fish.
31:35This is the last straw.
31:36I need to talk to Vicenta right now, let's go.
31:38Come on in, come in, come in.
31:39No, not you, not you.
31:40You out.
31:41Oops!
31:41Juan, Juan, Juan!
31:43Juan, he's stealing my raft!
31:44Oh well!
31:44He's stealing my raft!
31:45Drop that right now, criminal!
31:47You're a criminal!
31:47You won't have to be...
31:48Look, this is Isidro, the one who inaugurated my soup kitchen.
31:52Well, Vicenta, how did the idea of helping the most disadvantaged in such a selfless way come about?
31:57Look, we are all part of a single energy and we must do good.
32:01Because if you do good, you feel good and you transmit that energy to those around you.
32:06And you haven't had any problems with the neighbors in the community?
32:09No, no, no, no, no, no, no, no, no, none, none, none, none.
32:11Look, this is the president.
32:13Yeah.
32:14Hi how are things?
32:15What did you think of your neighbor's lovely initiative?
32:17Uh, great.
32:18I, Juan Cuesta, president of the community, have supported this initiative from the beginning.
32:23Because I firmly believe that solidarity and helping others are the driving forces of society.
32:28From here I want to appeal to all neighborhood associations to join...
32:31Yes, yes, thank you very much.
32:32And I am his wife, and I was asking if you wanted to ask me any questions.
32:36Thank you very much as well.
32:37Come on, let's go, Pantoja is about to leave the podiatrist.
32:41How beautiful!
32:42Please.
32:43Precious.
32:44I want this place cleared of people within an hour.
32:46Mr. Cuesta, but you just said that...
32:47It doesn't matter what he said, it doesn't matter.
32:49You cannot set up a branch of the Carmelites here without a license.
32:52And the neighbors are furious.
32:54At most you can keep one poor one, so choose the one you like best.
32:57But how can you deal with a poor person, Mr. Cuesta?
32:58Come on, everyone out.
32:59The food's all gone, huh.
33:01Emilio, clear this up for me.
33:02I'm coming, Mr. Cuesta.
33:04I can't take it anymore.
33:04Come on, Juan, we have to go talk to the girl.
33:07Come on, come on, with the girl.
33:08Come on, with the girl.
33:09What a mess.
33:09Clear.
33:12We'll talk now.
33:14But what are you doing here?
33:15Are you still asking?
33:17Natalia, has Roberto spent the night here?
33:19Yeah.
33:20Thank goodness, what a weight you've lifted off my shoulders.
33:21What do you mean, yes?
33:23Hey, you asked me and I'm answering you.
33:25Natalia, you are a teenager.
33:26At least try to lie a little.
33:28Juan, Juan.
33:29Our bed is full of hair.
33:30And I changed the sheets before I left.
33:32What's happening?
33:34He drugged you, didn't he?
33:35And that's not the worst part.
33:36The worst part is that the whole building knows about it.
33:39That we did nothing.
33:40He slept in your room and I in mine.
33:42I can think of few places less erotic to make love than your bed.
33:45Me too.
33:46Well, but we're not talking about that now.
33:48José Miguel, you were here.
33:50Tell us the truth.
33:51You are brothers and you have the right to tell on each other.
33:54Dad, I invited Roberto.
33:56He's asleep with me.
33:59Well.
34:00As modern parents, which we are...
34:03A lot.
34:03We will trust your word.
34:05Oh, one more thing.
34:07Both were punished.
34:09Don Juan, look at them.
34:11Are they leaving?
34:12Yes, but they know they are being punished.
34:14They don't leave with a clear conscience.
34:16Oh ok.
34:17If you say so, then we could go back to Palencia.
34:21Come on, don't mess around.
34:22No, Mauri, no, no.
34:23This is very clean.
34:24This shouldn't be this clean.
34:25I've prepared some salmon canapés with cream cheese.
34:27Shall I get you some white wine?
34:28No no.
34:29Pink?
34:29No no.
34:30Beer, Mauri.
34:30Beer.
34:31People drink beer while watching football.
34:33And no salmon canapés, please.
34:35Take out, I don't know, a bag of potato chips.
34:37Yes, man, so that our sofa gets covered in grease.
34:40Ah, look, I have a few handy phrases.
34:43I've spoken to my brother before, let's see what you think.
34:45For example, open up the side, or stick your leg in, or call the time, that's a good one.
34:52And the best.
34:53Play it, play it!
34:54Play it, play it.
34:55No, more derogatory.
34:58Play it, play it!
34:59Play it, play it!
35:00Is it going that way?
35:01It's here.
35:02Well, cheer up, okay?
35:04Come on.
35:05Fuck.
35:09Hello.
35:10What's up, Choca?
35:12Come on in, it's nice and warm in here, okay?
35:14What's up, buddy?
35:15Let's see how these jerks behave, huh?
35:17Yes, yes, let's see what they do, yes.
35:19Do you want a beer?
35:20I've already had six or seven, but sit down, damn it.
35:26Okay, the preview, huh?
35:27Everything is ready, we just need the cake.
35:29Oh, how nerve-wracking, right?
35:31I called Roberto, convinced him to come, and told him it wasn't necessary.
35:34I'm not going to buy you anything, right, Belén?
35:35What a sad birthday.
35:37And you could at least have called someone else, couldn't you?
35:40No, I have called.
35:42AND?
35:42Well, today is a bad day, because tomorrow people work and there's a game on.
35:46Villarreal assume you, and of course.
35:48This is depressing.
35:49I'm turning thirty early and nobody cares.
35:52Yes, to me, my love.
35:53I've already bought the cake, but I don't think thirty candles will fit in here.
35:57I'm going to drink you.
35:59Nativity scene.
35:59Belén, change your face, woman, what is your birthday?
36:02What, it's not my birthday!
36:03Belén, I am by your side in your crisis.
36:06You realize it now, but what she's going through is very beautiful.
36:08Oh please, take this guy away already, man.
36:11Hey, Carlos is here, he's parking.
36:13Come on, all those positions.
36:18Hello.
36:19Hello.
36:19Shall we go?
36:21Well, the truth is I had thought we could stay here at home,
36:24So I ordered dinner from a Thai restaurant,
36:27that will drive you crazy.
36:29Are you trying to flirt with me?
36:32Okay, one step at a time.
36:34First I have to get you drunk.
36:36French red wine.
36:37It will take away all your sorrows.
36:40Hello.
36:41Oh, sorry for interrupting.
36:43It's Belén's birthday.
36:45And we've thrown a little party at home.
36:48And well, you could come in for a drink.
36:50Is it your birthday?
36:51Didn't you tell me anything?
36:52I've forgotten.
36:53I'm really bad with dates.
36:55Yes, well, he's turning 30.
36:57And she's left everyone hanging.
37:00Yeah, well, since there's a game on...
37:02Yes, yes, yes.
37:02Let's have a drink, shall we?
37:03Would you like that?
37:04Hey...
37:05Well, yes.
37:07Of course...
37:07And dinner?
37:09Well, then they shouldn't take her there.
37:11Oh, give me that wine, it looks really good.
37:13Ah.
37:15He...
37:15French red wine.
37:17Paco.
37:18This is already underway.
37:20What's happening?
37:20And downstairs, where can't you hear anything?
37:21No, we're trying, but there's just no way.
37:23Damn, man.
37:24Why isn't this jumping?
37:26Damn, it probably doesn't have an alarm.
37:27How could it not have an alarm?
37:29So what do we do now, huh?
37:30What do we do now?
37:31Fuck.
37:34Friend!
37:35Get down!
37:37Yes.
37:37Damn, he hung up on me.
37:38Yes, I did have one.
37:39Look, damn it, damn it.
37:40Come.
37:44That's my car alarm.
37:46Oh.
37:47This neighborhood is really bad.
37:49What are you going to hang on me for?
37:50Cio, I'll come up now, if nothing has happened to you.
37:52Okay.
37:58Come on, damn it.
37:59Come on, come on, fuck it.
38:00Come on, come on.
38:01Come on.
38:02It's coming down, it's coming down.
38:11He's already out of the game.
38:13Hey man, what if he rings the doorbell?
38:14But if it's not heard from within, it will be left from without.
38:16Come on, let's go upstairs, Lucia's here.
38:20Relief.
38:23Relief.
38:26Is anyone there?
38:27Relief.
38:29Yes, who is it?
38:32Lady.
38:32Mirabelle.
38:33No, ma'am, no, miss.
38:35Who is it?
38:36I'm stuck here in the elevator.
38:39Let's see if you can help me.
38:41Oh, what a shame, child.
38:42I'm not from here.
38:44I've come to see my daughter, who is ill.
38:47And I'm screwed too.
38:49And what do I care?
38:50But please let someone know.
38:52But who are you, child?
38:54I know you.
38:56You're Paquita's son, aren't you?
38:58Look, ma'am, we'll introduce ourselves later.
39:00And he introduces me to Paquita too, but please, I'd like to leave here.
39:04Oh, you poor thing.
39:04Press the button, kid, press the button.
39:06Press the button.
39:07What a shame, isn't it?
39:09Yes, press the button.
39:10I've pressed all the buttons, ma'am.
39:12Look, tell the doorman or something.
39:15To the goalkeeper?
39:15Ah, well, yes, but I'm going to go slowly, kid, because I have a portico in one hip.
39:20And the other one, I have nothing, but well, but it's very difficult for me to work.
39:24Child, child, I won't give you a ride.
39:26What a shame, the boy.
39:28We'll be right back.
39:28And see if there's anyone who can check my car, the alarm was going off there.
39:34You idiot, make way, damn it!
39:36The mother who gave birth to them all.
39:38Mauri is a fanatic.
39:39He's been waiting for this match for months.
39:40No, you can see him, you can see him, yes.
39:43He's got quite a double pivot, hasn't he?
39:44No, no, they are playing with a central midfielder and two very wide midfielders.
39:47Exactly, no, I just wanted to see if he's paying more attention.
39:49Eat something, damn it.
39:50Play it, damn it!
39:52You're just obsessed with me, I look like the little girl at the surfer's.
39:54I really experience these things, damn it.
39:57Mauri, calm down a little, Andra, it's not like...
39:59No, no, man, no, no, no, don't do that, don't do that.
40:02What a mess.
40:03Which?
40:05Play it, play it!
40:06How long until the break?
40:08Yes, yes, let's go, let's go, let's go.
40:10Come on, goal!
40:11Goal!
40:12Good!
40:13Goal!
40:15Goal!
40:16Goal!
40:17Goal!
40:17Goal!
40:18Goal!
40:20Well, come on...
40:22What a goal!
40:29Open!
40:37Happy birthday, happy birthday, happy birthday, we all wish you a happy birthday.
40:47Come on, these are the squares!
40:49Goal!
40:51Goal!
40:52Goal!
40:52Goal!
40:54Goal!
40:54And now for the gifts.
40:56What are gifts?
40:57Oh, no?
40:59Uh, well...
41:00Shall we eat the cake?
41:01I am all for dieting.
41:02I just don't like chocolate.
41:03I've already had dinner.
41:04Damn, man, he's sadder than Bambi's mother died.
41:07The truth is, it's a rather strange birthday.
41:09Wow, you should have seen last year's.
41:11Yes, but at least this year I haven't received any stuffed animals as gifts.
41:13She hates stuffed animals.
41:14I don't know what they've done to you.
41:16Hello.
41:18Hello!
41:22And what are you doing here?
41:23And you?
41:24What is this?
41:24A trap?
41:25No, no, no, no.
41:26We've brought you together so you can talk privately and sort things out between yourselves.
41:29In other words, a trap.
41:30What have you gotten angry about over something trivial?
41:31No, not nonsense.
41:33That guy's a bigmouth.
41:33And what about her?
41:34Did she meet up with another guy?
41:35Well, at least he's not pretending to be dating a 17-year-old.
41:39Hey, don't mess with my sister.
41:41You wish you were half as good-looking as her.
41:43Oh.
41:43No, what you can't do is what Roberto has done.
41:45That you start a relationship and then you move on from it.
41:47But Lucía really gives her a hard time.
41:49What are you saying, you rascal?
41:49The world of romantic relationships is very complicated.
41:51And what do you know?
41:52Well, I know a lot about love, don't you, Belén?
41:54Don't drag me into this.
41:55Well, the important thing is that they love each other, right?
41:56That's what I was saying.
41:58Damn, if you'd just let me speak...
41:58Yes, but they have to talk this over amongst themselves.
42:00It's not our problem, they have to fix it.
42:02Hey, by the way, where are they?
42:04Come on, come on.
42:05Let's see, let's see.
42:10Look, they're getting into verse.
42:12This has definitely been a tuna (a type of Spanish folk music).
42:14How beautiful, what bastards.
42:19Referee, stick your leg in.
42:21They should have made another change.
42:22That makes three already.
42:23Well, that's it, as many as are needed, man.
42:25But I'm all ears, I'm all ears, this guy doesn't understand anything, huh?
42:28Mother, Mother, what's the final whistle, huh?
42:30Ah, well, it went by really fast.
42:31Not me.
42:32Well, well, we had a good time, didn't we?
42:34Yes, very much so.
42:35What I'm not clear on is which team you guys were supporting.
42:38Ah, we had to go with someone.
42:40We're all for the spectacle, aren't we?
42:43We like Brazil.
42:44And the Brazilian women.
42:46Okay, we can do it again whenever you want, okay?
42:48You know, die-hard football fans here.
42:51Yes, the truth is that it has surprised me quite a bit.
42:53Because?
42:53I thought gay people didn't like football.
42:57Okay, thanks for everything, okay?
43:09The whereabouts of the businessman from La Rioja, Isidro Martín Rovira, remain unknown.
43:13He disappeared from his home on December 25, 2001.
43:17Initially, given the enormous family fortune, the possibility of a kidnapping was considered.
43:21But so far, no one has contacted the family and they continue to offer 60,000 euros to
43:27anyone who can provide any information about their stop.
43:30Juan! Juan! Juan! It's him!
43:33Who?
43:34Juan, it's him!
43:35What's happening?
43:36It's him, the poor guy Vicenta has in her house, who's worth 60,000 euros, Juan.
43:41What are you saying?
43:41Let's go downstairs, hurry up, I've left my phone behind.
43:43But the phone hasn't rung, Paloma, it hasn't rung...
43:47Hello, is Isidro there?
43:49No, he hasn't come for dinner yet.
43:50We're thinking that you're carrying the entire burden of this good man.
43:54And of course, we wanted her to come up to our house for dinner because we have so much food left over, right?
43:58Yeah.
43:59Hey, we've watched TV too.
44:01Shut up, idiot.
44:02Those 60,000 euros are for us, because we are the ones who have taken care of him.
44:06This is a reward for having done good.
44:08We have already spoken to his family on the phone and they are coming to pick him up tomorrow.
44:11Wait a minute, okay?
44:12That poor person appeared in a common area and belongs to the entire community.
44:15Clear.
44:16However, if we reach an agreement between us, there's no need for anyone to know.
44:20Have you seen the TV?
44:22That man we have here is worth a fortune.
44:24Mom, it's none of our business.
44:26Okay, man, close the door, this place is going to get crowded.
44:28It's already difficult, because the homeless person is loaded.
44:30But seriously, how big an audience does that show have?
44:32Okay, let's make one thing clear, okay?
44:34We all share the money.
44:36And that's that.
44:37I've called that program too, and now I'm not going to look like an idiot.
44:40But have you stopped to think that maybe this man doesn't want to be found?
44:46Well, but he can sort that out with his family.
44:48Hello, is it possible?
44:50Hey, what's up!
44:50Come in, come in, Isidro!
44:51Come in, come in!
44:53Come in!
44:54Come in for dinner, it's ready!
44:56Come on!
44:57Come in there!
44:58Should he stay here tonight?
45:01This man cannot leave the building.
45:04Is that clear?
45:05Did you understand correctly?
45:06And you?
45:16Good morning.
45:19Look at the delicious breakfast my sister and I have prepared for you.
45:24No, I have to go, otherwise they'll take my corner away.
45:28No, no, no, you can't leave so soon.
45:30Ma'am, I have to earn a living.
45:32Here, take 20 euros and stay here quietly watching TV.
45:36No, I feel like going for a walk.
45:38Marisa is leaving!
45:40You should have let them put the tranquilizers in his coffee.
45:48Hey Isidro, what are you doing here? Where are you going?
45:50I'm going for a walk, I'll be right back.
45:52No, no, man, no.
45:53Come up to my house, I'm going to show you a collection of cigar trumpets that will blow your mind.
45:56with their backs turned.
45:56That sounds very interesting, Pedro.
45:57They'll show it to me later.
46:00Hey, hey!
46:01Sorry, I can't come in, I'm washing up.
46:08But, Isidro, where are you going in such a hurry?
46:10You're doing so well with us.
46:12What's wrong with this elevator?
46:14Hello!
46:15Relief!
46:17Please take me out of here, I need to go to the bathroom.
46:19I just wanted to give a little, a little bit of love.
46:22But who's in there, Emilio?
46:23There he is, the other girl's boyfriend, whom I had forgotten about.
46:27Excuse me, I have to go to the bathroom.
46:35But that's what the kitchen is for, you know!
46:38But that's the kitchen, open up!
46:40But it opens!
46:41But, Ana!
46:43Son!
46:43He's trying to escape through the yard!
46:48He's in the yard, he's in the yard!
46:49Everyone down!
46:53Come on, come on, come on!
46:55The patio!
47:03But can you tell me what you want from me?
47:07Nobody leaves here without having breakfast.
47:12Who is it?
47:13Hello, we are the family of Isidro Martín Rovira.
47:17We've come to get him.
47:18But have they brought the money?
47:20Yes, here it is.
47:21Just a moment, it'll be ready in a minute!
47:25So that was it.
47:27You're going to sell me out.
47:28Yes, but at a very good price.
47:30If we're doing you a favor,
47:31You will be able to get your life back.
47:33Someone asked me if I wanted to get it back.
47:36Do you see it?
47:37This guy is crazy.
47:38Multimillionaire and living on the street.
47:40But do you know what my life consisted of?
47:42By spending 16 hours a day sacrificing my health
47:45in a job I didn't even care about.
47:47Being married to a wife who didn't love me,
47:51knowing that whoever was approaching me
47:52I did it just for my money.
47:54Coping with pills
47:55a sad and hollow existence,
47:58surrounded by disgusting luxury
47:59which made me feel even more miserable.
48:02Yes, I've given it all up.
48:04And I have never been closer to being happy.
48:08All I have is my freedom.
48:11And you're going to take it away from me?
48:13For 60,000 lousy euros?
48:22So what do I do?
48:23Should I open the door?
48:29Sorry for the delay.
48:30Here is Isidro.
48:36Hello darling.
48:37Did you help me out?
48:38One moment.
48:39What kind of joke is this?
48:40This is not my husband.
48:41He's been wandering around for two years.
48:44and it gets damaged a lot.
48:45Yes, yes, darling, it's me.
48:46Come on, let's go partial.
48:47Well, look, we're having a pretty bad time.
48:49As if having to put up with stupid things on top of that.
48:52Show some respect, please.
48:54Are we really sorry?
48:56If only I could make up for this bad time.
48:58inviting her to dinner.
48:59Armando, please.
49:00Come on, get in.
49:13Thank you.
49:14Thank you so much.
49:16Thank you.
49:18And Juan?
49:20Did you give him the tracksuit my sister gave you?
49:22What does it matter, woman?
49:23The important thing is that we did the right thing.
49:26Life has taught us a lesson.
49:27Which?
49:29Well, one, I don't know.
49:30Come on, Paloma.
49:3260,000 euros.
49:34This whole doing good thing is bullshit.
49:37It doesn't surprise me that nobody does it.
49:38Nobody.
49:45Well, look, wearing these clothes has been useful for something.
49:47I've got enough for a pack of cigarettes.
49:50Some more?
49:51Yeah.
49:52Yeah.
49:52Yeah?
49:53Why not?
49:54This is shameful, isn't it?
49:56We've been stuck in bed here all day.
49:59Lucia.
49:59That?
50:00I want you to know that I've been an asshole,
50:02an idiot, an immature person, a brat,
50:04an insensitive person.
50:05Hey, stop me when you see that it's enough.
50:08No, a little more.
50:10Well.
50:12And although you have your own issues too,
50:15I love you.
50:18Do you realize?
50:20We have overcome a crisis.
50:22Of course.
50:23I see this very clearly now.
50:25Really?
50:27Crystal clear, my love.
50:34Shall we get married?
50:36Hey?
50:38Yeah.
50:39Yeah.
50:39Yes, yes, yes, yes, of course.
50:42How can we not get married now that we're so sure about it, huh?
50:46Because you mean it.
50:47Are you kidding me?
50:48No, I'm not joking at all.
50:49Come on, I'm declaring my feelings.
50:51Ah.
50:53Well, you beat me to it because I was about to ask you.
50:56Yeah?
50:57What a coincidence.
50:59Yes my love.
51:01We got married.
51:03Wow, that's a real rush, isn't it?
51:06Like I said, but...
51:12That's great, that's great, that's great.
51:15Vicenta, Vicenta.
51:17That they get married.
51:19Who is it?
51:19The ones upstairs, the new ones, I've heard them talking, are getting married.
51:23But they hadn't separated.
51:24That's what I say, I won't believe it until I see them in front of the altar.
51:28Do you already have your wedding registry?
51:30I say this so I can buy the cheapest one.
51:31First we have to see if they invite us, right?
51:34How could they not invite us?
51:35If we are your neighbors.
51:37They'd better invite us.
51:40But how can you force me to do this, Fernando?
51:42I'm dying of embarrassment, you know?
51:43Yes, Mauri, but it has to be done.
51:44But why do we have to do it?
51:45Understand me.
51:46Man, the hooligans first.
51:49Look, Armando, we wanted to talk to you.
51:51We wanted to tell you that we are not gay.
51:54Hey, my bedroom is above yours.
51:58Okay, I stand corrected.
52:00Yes, we are gay.
52:01Yes, yes, yes, yes.
52:02Yes, but we don't think that would interest anyone.
52:05I don't know if you'll agree with us.
52:07Yes, yes, I completely agree.
52:09Relax.
52:09What do these two want?
52:11Okay, it's okay, Mom, it's okay.
52:13It's not the right time!
52:14Come on, please.
52:15Okay, see you later.
52:16See you later.
52:18Oh dear, oh dear, oh dear.
52:23Well, I feel much calmer now.
52:26Thanks, huh?
52:27I am very proud of you.
52:29You're starting to come out of the closet.
52:31Very slowly, there are pushes,
52:34But you're starting to go out.
52:36Have you shown your paw yet?
52:37Less horny.
52:38Come on, let's go home, there's a game on.
52:40Don't tell me you like football now.
52:42Well, you have a point.
52:49What are you doing here, Emilio?
52:51Ah, well, I was just mulling over a concept, Mr. Juan.
52:54Ah, that's good.
52:56What I'm saying is, if this Mr. Isidro...
52:57who had everything a man could desire,
52:59I wasn't happy,
53:00Aren't you and I making a mistake with our lives?
53:03Could be.
53:05Damn, why don't you and I just have sex suddenly?
53:06And we go off and live life, you know?
53:08To travel around India, for example, by bicycle.
53:11Because you have to take out the trash, Emilio.
53:13And because I have to work tomorrow.
53:16Besides, I don't know how to ride a bike.
53:20Oh, what a sad expectation.
53:22Beauty is like a closed door.
53:24And tomorrow I'm going to take out the trash.
53:26Well.
53:28Relief.
53:30Child.
53:31Kid, I already warned you.
53:34Don't worry, I just notified the spokesperson.
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