Aquí no hay quien viva - 4x01 - Érase un despertar - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Ver Aquí no hay quien viva - 4x01 - Érase un despertar - HD 1080 - Aquellas Maravillosas Series en Dailymotion

Transcript

00:00:22Nobody can live here!

00:00:24Not here! Not here!

00:00:28Hurry up, damn it, this thing is heavy.

00:00:30Dad, the more you mess with me, the longer it will take.

00:00:33But it's crooked to boot

00:00:35Sure, if it's falling off, damn it

00:00:37I'm letting it out here!

00:00:38Listen, I've already painted the entrance three times.

00:00:41Why don't they agree beforehand? Like everyone else does?

00:00:44This blue is just awful, and it doesn't match the floor at all.

00:00:47Let's see, I remember we all liked this color

00:00:50I just can't understand the samples.

00:00:53This website asks for a pink one

00:00:54I never tire of saying it

00:00:56We're going to paint it pink

00:00:57Let's talk seriously, please.

00:00:59Okay, that's it, it's over

00:01:00Paint it as it was

00:01:01Time to take down the mailboxes again.

00:01:02Well, what was it like before? I don't remember anymore.

00:01:04Black Windsor

00:01:05Before the fire

00:01:06I'll go up to the third-floor landing, please.

00:01:08He notices and paints everything the same.

00:01:10Fuck

00:01:11The whole building should have burned down

00:01:13And have them all gone to mine

00:01:15What's this guy? He's setting up the erotic bar.

00:01:17That they have seized his store

00:01:19I'm going to ask him for some socks.

00:01:21Juan, when will the insurance company pay us?

00:01:22Because I'm paying money upfront for my apartment.

00:01:24Sure, have you started changing the flooring?

00:01:27It's burned, you know?

00:01:29Mr. Juan, the goalposts also needed a little TLC.

00:01:31What's with that ad that says everyone against fire?

00:01:33Emilio, everything in its own time.

00:01:35First are the common areas

00:01:36We're sleeping on the floor, I can't get any rest like this.

00:01:39Okay, now he can rest for the rest of the day.

00:01:40Oh, and my computer burned out.

00:01:42All the photos and videos of the beauty

00:01:44I downloaded it from the internet, damn it

00:01:46So much work lost

00:01:48Okay, the insurance is about to pay.

00:01:49It's the usual bureaucratic delay in these cases

00:01:52Let's see if they register the administrator.

00:01:54Because this really is...

00:01:55Wait, we're coming up with you now, and you can show us the floor.

00:01:58Hey!

00:02:00I don't know if Gregorio is going to recover from the burns, huh?

00:02:03It doesn't matter, the important thing is that the buildings are restored

00:02:05And there are many administrators.

00:02:09Good morning, Mr. Cuesta.

00:02:11Ana, we were just talking about insurance.

00:02:13Can you bring us the check?

00:02:14Well no

00:02:14You see, we're still waiting for the report on our little cars.

00:02:17Because there are indications that the fire may have been deliberately set.

00:02:20But who would cause it if there was nobody here?

00:02:22Anything to avoid paying!

00:02:24Mariano, please!

00:02:25Calm down, calm down

00:02:26The neighbors have already paid a number of expenses in advance.

00:02:29You know what they can do to me

00:02:31If they find out that the insurance doesn't pay

00:02:32Do you remember Mussolini?

00:02:34He hung upside down in the square that...

00:02:35Yes, look, those are company rules.

00:02:37I'll call him as soon as he's booked, okay?

00:02:40What did he say?

00:02:41Nothing, just call her already

00:02:42I'm going to see Paloma at the hospital

00:02:44How are you doing?

00:02:45I'm doing very badly.

00:02:46No, Mrs. Paloma

00:02:47Well, very bad too

00:02:48She's gone, gone

00:02:49Isabel's whereabouts are unknown

00:02:50I don't know anything about Natalia either.

00:02:51Everything is very nice.

00:02:53What a pity

00:02:54He is a shadow of himself

00:02:56Emilio, for me, the goalkeeper

00:02:57We won't have to fix it, you and I.

00:02:59With what money, Dad?

00:03:00Don't talk nonsense, okay?

00:03:01I'm going to the bathroom

00:03:02Let's see what I can come up with.

00:03:09Belén, darling

00:03:10Have you sold any insurance policies?

00:03:12No way?

00:03:12I've been wandering around all morning

00:03:14Not at all

00:03:15But not even from home

00:03:16Not even a car

00:03:16Not even life

00:03:17Not at all

00:03:17But how am I going to sell?

00:03:18They won't even open the door for me

00:03:20You're really rude.

00:03:21You need to smile more

00:03:22My feet hurt.

00:03:23I want to go home

00:03:24Find original places to sell

00:03:26We need to use our brains.

00:03:27What has he made?

00:03:29The one who put the stick in the candy

00:03:30The one who put wings on sanitary pads

00:03:32Emilio

00:03:32Go to hell.

00:03:34Nativity scene

00:03:34Nativity scene!

00:03:36What the hell are you going to sell?

00:03:37With the personality you have?

00:03:42Looking for unique places to sell?

00:03:53Want to save 20% on your car insurance?

00:03:57No, thanks

00:03:57I'm traveling without insurance.

00:03:58Oh, sir

00:03:59You're in luck

00:04:00I'm actually with one right now.

00:04:01No, no, no

00:04:02Don't lock me up

00:04:03Don't lock me up

00:04:03Look, we have some insurance.

00:04:06Take

00:04:06Hey, I'm not asking for anything, okay?

00:04:08Hey, pretty girl

00:04:09This is my traffic light

00:04:10Go downstairs

00:04:11With the lame Romanian

00:04:12Will you let me work?

00:04:14Don't make me angry.

00:04:15To my clients, huh?

00:04:16I'll grab you by the hair

00:04:17What are you going to do to me?

00:04:18What are you going to do to me?

00:04:19Go to hell, you idiot.

00:04:20That?

00:04:20What are you going to give yourself?

00:04:22But you're an idiot

00:04:23But you

00:04:24I shit on your

00:04:25Oh!

00:04:26Oh, Dad!

00:04:26What, Dad?

00:04:27I'd rather go to hell!

00:04:29That?

00:04:29What are you going to get?

00:04:30I'm so pissed!

00:04:30Oh!

00:04:31No, no, no!

00:04:32Come on!

00:04:33Come on!

00:04:34Come on!

00:04:35Come on!

00:04:36Come on!

00:04:37Come on!

00:04:37Here, here, here, here

00:04:39Nobody lives here

00:04:40Not here

00:04:41Every day is like this

00:04:44I couldn't imagine it when I came here

00:04:46I was just looking for some peace.

00:04:48I wake up every day in the middle of a hurricane

00:04:51Here, here, here

00:04:52Nobody lives here

00:04:53Not here

00:04:54Not here

00:04:55No, no, no

00:04:56Here, here, here

00:04:57Nobody lives here

00:04:58Not here

00:04:59No, no, no

00:05:00The house above me is collapsing

00:05:02I can't find the goalkeeper

00:05:04My neighbors are watching and listening to me

00:05:07I can't stand it

00:05:07In this place

00:05:09Put it in a cocktail shaker

00:05:13You in an earthquake and a volcano

00:05:17Yeah

00:05:19And you'll have this ladder

00:05:23Here, here, here

00:05:24Nobody lives here

00:05:25Not here

00:05:26Not here

00:05:27No no

00:05:32Here, here, here

00:05:33Nobody lives here

00:05:34Not here

00:05:36No no

00:05:37Here, here, here

00:05:38Nobody lives here

00:05:39Not here

00:05:40Not here

00:05:40No no

00:05:41Here, here, here

00:05:43Nobody lives here

00:05:44Not here

00:05:45Here, here, here

00:05:45Nobody lives here

00:05:46Here, here, here

00:05:47Nobody lives here

00:05:48Here, here, here

00:05:49No

00:05:52Dude, what is this?

00:05:54Custom signs. You'll see what a great business it is.

00:05:56I've made several test ones. Do you want one?

00:05:59Marco, for God's sake, don't teach that to a minor.

00:06:01Hey, what's behind these cinematic atrocities?

00:06:05I'm fed up with working here, man. I'm going to finance a movie this year somehow.

00:06:08Hey, can you step outside for a moment?

00:06:14No.

00:06:16Once you get over these understandable moments of astonishment,

00:06:18What do you think?

00:06:20One, two, three. What a bastard!

00:06:24Thank you.

00:06:25It's an eight-cylinder V engine.

00:06:27476 horsepower, turbo, navigation system, television...

00:06:30Anyway. I love this.

00:06:35And this too.

00:06:39Good!

00:06:39Dude, where are you going with so many cars?

00:06:42If you can no longer run.

00:06:43The DG has put speed cameras everywhere.

00:06:45Yes. Now you're going 140 on the highway and you're a killer.

00:06:47But then you run someone over, flee the scene, kill them, and nobody goes to jail.

00:06:52Paradoxes of administration.

00:06:53No, but I'm settling down.

00:06:55I'm 30 years old, in a stable relationship and...

00:06:57Lucía wants to have children, so we need space.

00:07:00Hey, by the way, where is it?

00:07:01She hasn't been seen for days.

00:07:02Well, in Malaga, on holiday with the family.

00:07:05No, not anymore.

00:07:08No, honey!

00:07:10But...

00:07:10Look, look, look, look, look.

00:07:12Four doors.

00:07:13Hey?

00:07:13Now we can have as many children as we want.

00:07:17Can we talk for a moment?

00:07:18Yes, look, look.

00:07:19Yes, look.

00:07:19Look.

00:07:22And the glove compartment has a refrigerator, so you can put a soft drink or a baby bottle in it.

00:07:26Yeah.

00:07:27Hello.

00:07:28What's up?

00:07:32I've met someone.

00:07:36And a voice recognition system.

00:07:38Then you say CD7 and it plays CD7.

00:07:40The browser.

00:07:41I've fallen in love.

00:07:42And heated seats in three positions, huh?

00:07:45He memorizes it and then you put the...

00:07:46Carlos, Carlos, are you listening?

00:07:49But how can you have fallen in love?

00:07:50If you were supposed to already be in love with me.

00:07:53It was love at first sight.

00:07:54Who is it?

00:07:55Have you slept with him?

00:07:56No, no, no, no, no.

00:07:58No, no, tell me.

00:07:59If I'm ready.

00:08:01I met him one day and...

00:08:03No, stop, stop.

00:08:04No, no, no, no.

00:08:04No, no, no.

00:08:05I'm not ready.

00:08:06Oh, but...

00:08:06I want to die.

00:08:08But don't cry, because then I'll cry too.

00:08:10I had gotten it with the off-white upholstery, light-colored, just the way you like it.

00:08:14I'm sorry, I'm sorry.

00:08:15Seriously, it's so dirty.

00:08:18We'll talk about it another time, okay?

00:08:20When we're calmer.

00:08:23Goodbye, beautiful.

00:08:25Do you see it?

00:08:26Since you end up having too much car.

00:08:27Hey, if you want we can go for a walk and that'll help you get over your tantrum.

00:08:41We have to leave here because we're going to get into trouble with Belén.

00:08:44He has told us to leave more than 20 times.

00:08:47Ah, but they're joking.

00:08:48And all because you've fallen for the bearded flight attendant.

00:08:50She's not a lesbian.

00:08:51So what did Pilates do in bed with me?

00:08:53She was drunk.

00:08:54That's happened to me so many times.

00:08:55He returns from Washington next week.

00:08:57But hey, look at you, if your eyes open like Candy Candy's.

00:09:03How are you?

00:09:04Evil.

00:09:05But you're still here.

00:09:06There's no room for four people.

00:09:08It's just that these are really bad times, Belén.

00:09:10We couldn't find an apartment.

00:09:11Do we pay you?

00:09:12200 euros each.

00:09:13Bad!

00:09:13It's not about the money, it's about the space.

00:09:15It's my house, I'm suffocating.

00:09:16Hey, are you going to leave me out on the street? I have a child.

00:09:18Well, you either go back to Maurio or ask for help from Project Lesbiana.

00:09:21I don't know.

00:09:22Belén, we all have problems in life.

00:09:24But that's what friends are for, to help each other.

00:09:26Pack your fucking bags immediately and get the hell out of here!

00:09:30Pussy!

00:09:33Look, I can't take this anymore, okay?

00:09:35I do.

00:09:39Everything in the middle!

00:09:41Go on.

00:09:41Hi, Eze.

00:09:45That?

00:09:46I don't have to pay it until Monday, okay?

00:09:48That's why I'm here to warn you.

00:09:49Starting this month, one thousand euros.

00:09:52What do you say if it's 600?

00:09:53You've had me fooled, you slut.

00:09:55That's not the market price.

00:09:57But what's wrong with him?

00:09:58Ketosis?

00:09:59He can't raise my price by 400 euros just like that.

00:10:02Are you going to pay me or not?

00:10:03But how can I pay you a thousand euros for this, please?

00:10:06I figured as much, I guess.

00:10:08But what does he do?

00:10:08Where is he going?

00:10:09Where?

00:10:10I'm fed up with sluts.

00:10:12I'm going to sell the apartment and live life.

00:10:16But the money disappears quickly here.

00:10:18He has it reversed.

00:10:19Yeah?

00:10:20Well, a thousand euros on the street.

00:10:27And I'm going to make it cheap.

00:10:29That way I'll sell it right away.

00:10:32Esequiel, darling.

00:10:33We're leaving.

00:10:34But where are you going?

00:10:35You just kicked us out.

00:10:37But please, you take everything so seriously.

00:10:41"Shiting milk" doesn't mean it has to be now.

00:10:43It could be within a month.

00:10:44What did you tell me?

00:10:46200 per beard, right?

00:10:48Well then.

00:10:49200 per beard.

00:10:50You leave them in the room.

00:10:51And everyone is happy.

00:10:53The three of us, the four of us, kept this one.

00:10:55Hey?

00:10:55Come on.

00:10:56Everyone to the room.

00:11:04Look, I really appreciate your offer, but I'm not a celebrity journalist.

00:11:09Choose the tone for me, if it's a favor.

00:11:11No, I don't plan to go on a television program to pry into the private life of a celebrity.

00:11:14If I have to go buy the moldings.

00:11:16I don't want moldings.

00:11:17Yes, it looks very nice.

00:11:19No, really.

00:11:20No matter how much money you offer me, I have my dignity.

00:11:23How much?

00:11:24For a program.

00:11:26No, no, no, really.

00:11:28I prefer to write obituaries for a small-town newspaper.

00:11:31Thank you so much.

00:11:32That's it, that's it!

00:11:33And don't you think the gray looks very dull?

00:11:35I have an apple green one there that...

00:11:37No, he paints it in gray.

00:11:38Okay, okay, okay.

00:11:41Leave me open, okay?

00:11:42I'll just go check the moldings for a moment.

00:11:44Listen, but are you listening to me? I don't want moldings.

00:11:47Yes, time helps him change.

00:11:53Hello.

00:11:56Fernando, when you come home and get this rush from seeing me, it makes my hair stand on end.

00:12:00tip.

00:12:00Sorry, I've had a bad day at the office.

00:12:02Yes, but a little kiss upon entering, I don't know.

00:12:07No, not by force, but not anymore.

00:12:08I'm sorry, it's just that I've been given an absurd case.

00:12:11I have to defend a lady who has been left in charge of watering her plants by her neighbor.

00:12:14because she had gone on vacation and when she returned, well, her bougainvillea had died and she has been reported.

00:12:20And what does the autopsy say?

00:12:21Did he let her die?

00:12:22Mauri, plants don't get autopsies.

00:12:24Besides, what difference does it make?

00:12:25It's nonsense.

00:12:26I have to prove that the cause of death was not due to lack of irrigation.

00:12:29but the bougainvillea was already sick.

00:12:31It had mealybugs.

00:12:33And what did it have to do with?

00:12:34I don't know, some bug I found on the internet.

00:12:36This depresses me, it depresses me a lot.

00:12:38Fernando, in the end all jobs are crap.

00:12:41But the important thing is to get home and find death waiting.

00:12:44Yes, but when I studied law I imagined myself putting corrupt politicians in jail.

00:12:48Not asking a gossipy old woman if her plant had mealybugs.

00:12:52Think about that poor woman.

00:12:53Maybe she was a widow and that plant was the last thing she had left in this world.

00:12:56Yes, but I'm defending the other one.

00:12:58Sorry, I didn't understand you.

00:13:00I'm about to tell him to go to hell.

00:13:01Look, I'm going to take a walk to think.

00:13:03Do you want me to accompany you?

00:13:04No, Mauri, it's just impossible with you because you never stop talking, talking and not...

00:13:07Okay, okay, okay.

00:13:09No, think it over carefully.

00:13:14Things are getting heated, aren't they?

00:13:16It's unbelievable how much work affects relationships.

00:13:19Ladies, I'm going to end up boarding up that window.

00:13:22I don't think you can.

00:13:23It is an alteration of common elements.

00:13:25Costs.

00:13:26Mauri wants to build an enclosure.

00:13:28I'm not going to do anything, shut up.

00:13:31Hey, be careful with Fernando, he might go back to London again.

00:13:35Why is he going back to London?

00:13:37I don't know, since he's in crisis, he might pull another one of his stunts.

00:13:41Fine, leave me alone.

00:13:43Fernando loves me very much, he's not going anywhere.

00:13:45Comanolo thought the same thing.

00:13:47And look, excuse her, it's just that my mother had complications during childbirth.

00:13:51and they squeezed hard with the forceps.

00:14:06What do we need to buy?

00:14:08Nothing.

00:14:08Well, if you remember, Parsley, but that's not it.

00:14:10Hey, if you're not happy with your job, go independent, set up your own law firm.

00:14:14With what money, Mauri?

00:14:15I'll partner with you and help you.

00:14:17Hidalgo and Navarro Associates.

00:14:19What do you think?

00:14:19Sure, with the savings you have.

00:14:21Excuse me, but I've just been offered a very well-paid job.

00:14:24It's not good for a couple to have businesses together, is it?

00:14:27Manolo opened a bar and Marisa started drinking there.

00:14:30Business is a load of crap.

00:14:32I should have joined Renfe like my father.

00:14:36Okay, Mauri, we'll talk later, alright?

00:14:42Why do they always go silent when we appear?

00:14:46Hi, I'm Mauri, we just spoke.

00:14:48Hey, I am interested in the Tertullian thing.

00:14:51No, what I said before was just to show you how fake I am and how well I'm doing.

00:14:54to give this.

00:14:55When we recorded.

00:14:57Ah, this is being rehearsed.

00:15:03But who are you?

00:15:04I don't recognize you.

00:15:05Yes, darling, I'll be right back.

00:15:10He still doesn't recognize me, doctor.

00:15:12He raises his head.

00:15:13His mental discourse is disjointed.

00:15:14Mr. Cuesta, it is normal that long-term memory is affected when coming out of a neurovegetative state.

00:15:20This is what we call post-traumatic amnesia.

00:15:22But little by little he will remember everything.

00:15:25Everything, absolutely everything?

00:15:26Come with the family.

00:15:27That will help speed up the process.

00:15:29It's just that there have been some changes in the family that I don't know about.

00:15:32And isn't there any possibility that it will stay as it is now?

00:15:35We don't want it, okay?

00:15:36I'm not saying we need to prepare ourselves, that's it.

00:15:38Don't worry.

00:15:39You are a very lucky man.

00:15:41Very few people come out of a coma after so long.

00:15:42Yes, how lucky.

00:15:45I don't know what we're doing here.

00:15:47Juan told us we didn't need to come.

00:15:49Paloma's resurrection cannot be missed on the radio patio.

00:15:52They say he doesn't remember anything.

00:15:54That's what we're here for.

00:15:58Paloma, beautiful, how are you?

00:16:00Go have a drink, you drunkard!

00:16:02Look how he does remember.

00:16:06But why does this lady hate me so much?

00:16:08I've been putting up with it for years.

00:16:09No contract, and he won't fix my washing machine.

00:16:12And now he's going to charge me a thousand euros or sell the apartment?

00:16:14And you buy it for him?

00:16:15Yes, of course, come on, I'm going to the ATM.

00:16:17Mauri, please, I've come down to ask for your advice.

00:16:20No, you came down to ask me for sugar and then you started getting all emotional.

00:16:22I was here, so peaceful, with my son, watching the mermaid return to the sea.

00:16:25Okay, but what do I do?

00:16:27Buy the apartment and stop making a fuss.

00:16:28But if you have the three wayward sublet tenants throwing money at you, that pays for itself.

00:16:32Mauri, they're not going to give me a mortgage.

00:16:34Why not? You already have an employment contract.

00:16:37That's right, if I forget.

00:16:39Come on, call.

00:16:41No, no, no, no, no, no.

00:16:42I earn very little and then there are many expenses.

00:16:44But don't be afraid, you have to take the plunge.

00:16:46Everyone buys houses with shitty jobs.

00:16:49What do you think? That I had money when I moved into this apartment?

00:16:51Well, but you had Fernando, I'm alone.

00:16:53Do you have Emilio?

00:16:54I am alone.

00:16:55Well, more beautiful, more challenging.

00:16:57Besides, Concha isn't going to sell me the apartment, not a chance.

00:17:00No, but what are you doing? What are you doing?

00:17:02Tell me.

00:17:03Listen.

00:17:04Yes, yes.

00:17:06I was calling about the ad, apartment for sale.

00:17:10Ah, yes, yes.

00:17:13Listen.

00:17:14Oh, what? What?

00:17:16Well, tell me a little bit about it.

00:17:17Oh, well, my husband bought the apartment in '43.

00:17:22It belonged to a Republican who fled with the Maquis to the mountains.

00:17:26No, tell me about the features, what the apartment is like.

00:17:30Very good, perfect.

00:17:32Newly renovated, with fine woodwork.

00:17:36That's intense.

00:17:37Oh, and it has two bedrooms, but you can easily make three.

00:17:44Yes, seven, you're not kidding.

00:17:46Sorry.

00:17:47And how much is he asking?

00:17:49Thirty-eight million.

00:17:51Ah, well that's very good.

00:17:52Oh, sorry, sorry. Forty, forty.

00:17:54Listen, but...

00:17:56I'm giving it to him with furniture.

00:17:58Are you interested?

00:17:59Wait until I think about it.

00:18:02Done. I'll call her tomorrow.

00:18:04Oh, but wait.

00:18:06What's your name?

00:18:09Matías.

00:18:10As?

00:18:11Oh no, no, no. I don't sell it to foreigners.

00:18:14Matías. Ma'am, Matías. Goodbye.

00:18:17Alright, now, now, it's yours.

00:18:18But what do I do now?

00:18:20So now to the bank, to get the mortgage.

00:18:23The mortgage? I'm going to get all dolled up to go to the bank.

00:18:25Oh, since you're coming up, take this to Bea, I have to go to rehearsal.

00:18:29About what?

00:18:30You are welcome.

00:18:33Alright, let's go.

00:18:38Mauri, tell your workers that the newspapers I put on the floor are not for checking the movie listings.

00:18:42They're for people to step on.

00:18:43Emilio, your girlfriend is going to buy Concha's apartment.

00:18:45What are you saying?

00:18:46Be quiet!

00:18:47Ah, of course. Well, we'll buy it together, right? And then we'll have a home.

00:18:50No, no, no. Let's see. I'll buy the apartment myself.

00:18:53Belén, a mortgage brings couples much closer together.

00:18:56No. I said no. Besides, you don't have a penny.

00:18:58Sure, it's easy for you. Since you don't have a mentally disabled parent to take care of.

00:19:02Well, you can discuss this calmly when you're alone.

00:19:05No, no way. How are we going to put the house in both our names?

00:19:07This guy gets fired tomorrow, left out on the street, and doesn't know how to do anything.

00:19:10And I was supporting him and paying a mortgage.

00:19:11No, the house is in my name.

00:19:13The only thing that's clear here, huh? I'm a piece of shit.

00:19:16Ugh, she's not playing the victim. Can you tell me what I said to her?

00:19:19You've put an end to it for me, haven't you?

00:19:20Hey, and thank you very much, okay?

00:19:22Woman, what do I know?

00:19:25Well, you've had me.

00:19:29Hey, Dad. How's Mom? Is the hard drive still formatted?

00:19:33José Miguel, please. Your mother is going to recover. Slowly, but she will recover.

00:19:38What is this? Has Isabel returned?

00:19:39No, not Isabel.

00:19:41Okay, phrases I don't want to hear.

00:19:43This was bound to happen, I knew you'd come back, this is your place.

00:19:46or any other that contains a reproach for my failed attempt at independence.

00:19:49My daughter, you have returned.

00:19:52Yes, but we do have to negotiate it, okay?

00:19:54I love you, Dad.

00:19:56Okay, I'm going to have a drink.

00:19:57Listen, we'll have to sit down and get your life back on track.

00:19:59Tell me your plans.

00:20:00Let's have something to eat right now.

00:20:02I knew the Rastafarian thing couldn't last, you know?

00:20:04But I don't want to overwhelm you.

00:20:05But I'm sure you'll go back to studying.

00:20:07Earning a living is getting harder and harder, daughter.

00:20:09Do you have 20 euros?

00:20:10Yes, yes, of course.

00:20:14Thank you, Dad.

00:20:15See you later.

00:20:18I see her as much more focused, you know?

00:20:20But much more.

00:20:22Where are you going with the suitcases?

00:20:23Where am I going to go?

00:20:24To your room.

00:20:24But if it's decorated in my style, she won't be happy.

00:20:28Damn it, if you're leaving home, you're leaving home, for fuck's sake.

00:20:33José, have you come back to me?

00:20:36Pigeon?

00:20:36Yes, wait.

00:20:37Mother!

00:20:38No, I'm just kidding.

00:20:40It's not funny at all.

00:20:42I'm going to grab a few things and leave.

00:20:46José Miguel, that's not a room, is it?

00:20:48The fact that Isabel isn't here doesn't give you any...

00:20:50Yes, it's here.

00:20:52Didn't you see me?

00:20:53Bye bye!

00:20:54Isabel, where have you gone?

00:20:55If you leave every time something happens, I fall apart.

00:20:58So what am I going to do?

00:20:59I'm going to stay here to welcome Paloma, and the three of us will live together happily.

00:21:03But Paloma has at least a month left in the hospital.

00:21:05Besides, I love you.

00:21:07I'm going to tell him that I've rebuilt my life with you.

00:21:09And he'll have to understand that.

00:21:10Well, no, he's not going to understand.

00:21:12Why is it over there?

00:21:13Isabel, in this life you have to face your problems.

00:21:16No, not this one.

00:21:18Goodbye, my love.

00:21:21Calm down, Dad.

00:21:22Will he return?

00:21:23How do you know this?

00:21:24Because she left her purse behind.

00:21:26Sorry.

00:21:43We should have taken advantage of being in the hospital and made an appointment for a check-up.

00:21:46Yes, of course, I'm in a state where I need to have blood drawn.

00:21:49Good afternoon.

00:21:50Good afternoon.

00:21:51Shit!

00:21:52Where are you going dressed like that?

00:21:55But why does everyone recognize me?

00:21:57I don't understand it.

00:21:58Oops!

00:21:59Isabel, how has your hair grown?

00:22:03Well, we'll see each other another time.

00:22:05I'm in a bit of a hurry.

00:22:06Peaceful.

00:22:07We just came from seeing Paloma.

00:22:08He's stayed over there.

00:22:09That's why Juan just told me that he'll be discharged in a month.

00:22:12He lies to him so as not to ruin him.

00:22:14Apparently, the woman is no longer recovering.

00:22:16He mistook Concha for Don Pimpón.

00:22:19What you should do is go back to Juan, who is devastated.

00:22:22At night you can hear him crying in the yard.

00:22:24Oh!

00:22:25Ah, Juan!

00:22:26The poor thing is going through this.

00:22:28And you abandon him.

00:22:29She's the one who specializes in abandoning people.

00:22:32And don't you dare mess with me.

00:22:34Love is another shit.

00:22:36Manolo abandoned my sister and look at her now.

00:22:38Has the alcohol been delivered?

00:22:39Well, I had already surrendered before.

00:22:41That's going to be the solution.

00:22:43But I do love Juan.

00:22:45A lot.

00:22:46Run, get on!

00:22:47There is nothing more beautiful than family.

00:22:51But are you sure?

00:22:52Paloma is unwell, isn't she?

00:22:54Yes!

00:22:57Why did you say that to him?

00:22:58Paloma is getting better and better, and we've kept her up to date on everything.

00:23:03If you get home and the herbs aren't there, it loses all its charm.

00:23:06Marisa, you're a bad person.

00:23:08Oh, daughter, age.

00:23:10To life and to live it up!

00:23:12Let's see, I don't see myself as metrosexual here.

00:23:14Try the radiator.

00:23:16But when are you coming, man?

00:23:17If they were Portobano, there shouldn't even be God.

00:23:19No way?

00:23:20It's at full capacity.

00:23:21You wouldn't believe how much tourists pay for cartoons.

00:23:23Wait.

00:23:24Ten euros for you, darling.

00:23:25What does it say?

00:23:27He's getting lucky.

00:23:28Hey, Josemi!

00:23:29Hey, look, I'm hanging up, a kid is eating my charcoal.

00:23:32Okay, fine.

00:23:34Hey, this guy's really doing well, huh?

00:23:36Carlos, don't torture yourself, she might not even come to see her.

00:23:38Yes, yes, he is coming.

00:23:40I just want to see his face.

00:23:43Paquito, get me some beers, please.

00:23:45Wow, what a face! What's wrong with you?

00:23:46Belén is going to take out a mortgage and doesn't want us to get in together, because I'm a piece of shit.

00:23:50without a future and without money.

00:23:51That girl is clever.

00:23:53But what kind of couple are we if there's no trust or a shared vision?

00:23:56Well, a normal one.

00:23:57Man, if you had some savings to pay the deposit.

00:24:00And what about me?

00:24:01I haven't been able to save money in my life.

00:24:02Well, when I was little I had a little orange piggy bank, but he broke it and spent it.

00:24:06It was to buy you the bike.

00:24:07And where is it?

00:24:08Because I'm still waiting for her.

00:24:10She is in charge.

00:24:12Emilio, man, I just don't know what you do with the money.

00:24:14He's got no brains.

00:24:16But what head?

00:24:17If I earn 513 euros.

00:24:18For me, the end of the month lasts three weeks.

00:24:20So, what have you done with your bonus?

00:24:22And what is that?

00:24:23Damn, you're entitled to one extraordinary payment for every six months worked.

00:24:25That wasn't an Alfredo Landa movie.

00:24:27No, and here too, damn it, if it's by law, right?

00:24:29Let me see if I've understood.

00:24:31You have a two-year contract and you haven't received any extra pay.

00:24:33Me?

00:24:34It's difficult for me to get the regular ones.

00:24:36Dude, they owe you about a thousand euros.

00:24:39Damn, what a joy.

00:24:40And you can claim late payment interest.

00:24:41I demand them, I demand them, of course I do.

00:24:44Yes, well I'm going to tell my father.

00:24:45You'll see how excited he is.

00:24:47Hey, what was I going to say?

00:24:48And you couldn't help me, you're just talking nonsense, huh?

00:24:50Since you have an education.

00:24:51Well, look, yes, I'm actually going to start my own law firm.

00:24:53Ah, a restaurant, how nice, huh?

00:24:56Well, look, don't worry, okay?

00:24:57If they give you any trouble, I'll take care of everything.

00:24:59Oh, well thank you very much, huh?

00:25:01Okay, see you later.

00:25:03Okay, so what?

00:25:04Uh, suddenly I'm an important guy, I have a lawyer.

00:25:07And gay, which is what's in now, huh?

00:25:09You're going to get him into trouble.

00:25:11Dad, if I'm entitled to those payments, I'm entitled to them.

00:25:14You'll see the look on Belén's face when she sees I have more money than her.

00:25:17Hey, haven't you paid me for the beer?

00:25:20Speak with my lawyer.

00:25:22Well.

00:25:26Damn it, dude, ring the doorbell.

00:25:28Well, what we have to do is look, right?

00:25:29Hey, which floor are you going to?

00:25:31Could that be it?

00:25:32No, but it's impossible.

00:25:33That guy just stole a bike.

00:25:35Yeah?

00:25:35Lucia, it's Yago.

00:25:37Go up, go up.

00:25:39Well, it seems so, huh?

00:25:41Hey, hey, hey, you're taking my bike away from here, okay?

00:25:43Leave it there.

00:25:44And don't touch it.

00:25:45No, I don't understand anything.

00:25:47It's a different style.

00:25:48That's the point that women really like.

00:25:51Yago?

00:25:52Yago?

00:25:56You don't even have a calendar of saints.

00:26:02Hello.

00:26:03Hello.

00:26:03Have you found a parking spot?

00:26:05No, I came by bike.

00:26:07That's why, because as you told me you always moved around in...

00:26:11Happens.

00:26:13Okay, I brought you the forms to become a member of Green Villages.

00:26:16Yes, yes, yes, yes, yes.

00:26:17Yes, that's what we agreed on.

00:26:19And what we had talked about regarding sponsoring endangered animals.

00:26:23Here you go.

00:26:25The griffon vulture.

00:26:27Another one from the vulture.

00:26:28We have the capercaillie, the Iberian lynx, and the Egyptian vulture.

00:26:32Well, I don't know, whoever is more affectionate.

00:26:35Which one would you sponsor, Yago?

00:26:38Any.

00:26:40Everyone has one.

00:26:41You need.

00:26:44That's 20 euros a month.

00:26:46Well, everyone.

00:26:47Well, all of them, really, because I feel so sorry for them.

00:26:50Because I am like you, green, I like nature, the countryside, going for walks.

00:26:55Well, I'm glad because we're all ruining it together.

00:26:59The Kyoto Protocol is a joke.

00:27:01Do you have any idea how many tons of carbon dioxide we emit into the atmosphere each year?

00:27:05Ugh, a lot, a lot.

00:27:07Many.

00:27:07Cars, buses, motorcycles, bicycles, everything, everything.

00:27:10Yes, like a little beer?

00:27:12Yeah.

00:27:17Is this your house?

00:27:18Do you like it?

00:27:19Well no.

00:27:20It seems to me like the typical superficial, excessive rich girl's house.

00:27:23I live across the street, in a rented apartment.

00:27:27This house belongs to a friend, a flight attendant, who has gone on a flight

00:27:29And nobody has told me to water the plants.

00:27:32Our friend must be the snob of the 15th, right?

00:27:34Well, she's not that posh, to be honest.

00:27:35I don't know what's gotten into everyone with this obsession that she's posh.

00:27:37Because deep down it's very normal.

00:27:39I'm sure she's the typical attention-seeker who spends her entire salary on clothes.

00:27:41Okay, so how many of you are in green villages?

00:27:45My God, what human being in the world needs so many clothes?

00:27:50I think, I think he's going to donate everything.

00:27:53To a charity or Caritas or something like that, yes.

00:27:56And that television?

00:27:57Hey?

00:27:58That TV? Do you know how much this TV costs?

00:28:02About 4,600 euros, roughly speaking.

00:28:07He told me he paid it off in three months.

00:28:09But he can't have a €200 television, like everyone else.

00:28:13That's what I'm saying.

00:28:15Do you know how many children in Zimbabwe could eat with 4,000 euros?

00:28:18What's left over from that TV?

00:28:19Do you know how many children in Angola would receive an education?

00:28:21with the 4,000 euros left over from that television?

00:28:24We're not that close, Diago.

00:28:26We are very different.

00:28:29Oh, I have to go.

00:28:30I have to go, because today we're chaining ourselves naked to the lions of Congress.

00:28:33Oh, why?

00:28:35I don't know, I'd have to check my schedule.

00:28:37Here, here.

00:28:40Are you in?

00:28:43It's because I haven't shaved.

00:28:45But I'll definitely sign up another day.

00:28:47No, well, don't worry.

00:28:48You fill out the forms and I'll come see you tomorrow when I get out of the police station.

00:28:51Okay.

00:28:52A kiss.

00:28:53Bye bye.

00:28:55Be careful, okay?

00:28:56Don't get cold, it's getting chilly.

00:28:58No, we're used to it.

00:29:02Bye bye.

00:29:02Well, I just don't understand it.

00:29:04But what did you see in him?

00:29:05And if he doesn't listen to you.

00:29:07Carlos, have you been spying on me?

00:29:08He's a ragamuffin, a lifelong Waltrapas, a scoundrel.

00:29:10How do you know him?

00:29:12Well, one night, I was having dinner at a beach bar.

00:29:15And he appeared with two companions from green villages throwing away all the customers' plates of whitebait.

00:29:20That makes sense, of course.

00:29:22And then he came over to my table and saw that I was eating a salad.

00:29:25And it was love at first sight.

00:29:26Now, Lucia, this is a real Aladdin thing.

00:29:29Hippie seduces rich girl and rich girl does silly things.

00:29:31What they don't tell you is that Yasmin got dizzy on the carpet.

00:29:33And that after a month of supporting Aladdin, she got tired of it, returned to the palace, and married her prince.

00:29:38And now Aladdin is being investigated by the CIA for being Arab and skillfully handling flying machines.

00:29:44This shirt is hippie-ish, isn't it?

00:29:47Listen, I'm also very committed to the environment.

00:29:51The car uses 98 octane unleaded gasoline.

00:29:54Carlos, look, I don't want to hurt you, really, but Iago is a very special person.

00:29:59He has a different point of view on life.

00:30:03Okay.

00:30:04Okay, okay, okay, okay, okay, okay.

00:30:06But know that I'm not going to wait another 15 years to win you over.

00:30:12Five, at most.

00:30:18Hey, this coat is so cute.

00:30:20Nothing, out, out.

00:30:24I don't know.

00:30:25I only wear it once.

00:30:26No, face, get out.

00:30:27It's over.

00:30:40Oh.

00:30:42It's just placed incorrectly, isn't it?

00:30:46Sorry.

00:30:46Please place metal objects in the harmonium at the entrance.

00:30:50Thank you.

00:30:51Please place metal objects in the harmonium at the entrance.

00:31:02Thank you.

00:31:02Hey, it's the hairpins.

00:31:04I'm not bringing anything.

00:31:13Oh!

00:31:13Nativity scene!

00:31:14What are you doing here?

00:31:16Well, I came to ask for a loan for a scooter.

00:31:20Oh!

00:31:20It's a beautiful breed.

00:31:23Ah, yes.

00:31:24He'll have a little friend, Valentine.

00:31:25No no.

00:31:26A scooter.

00:31:27A moped to get around town faster.

00:31:29In an independent woman way.

00:31:30I always liked having a motorcycle.

00:31:33But my helmet is behind me.

00:31:35By the bun.

00:31:36That cushions it, huh?

00:31:38They might approve it.

00:31:39If I were you, I would talk to Federico, the director.

00:31:42Come, let me introduce you.

00:31:44You'll see how quickly he does everything.

00:31:46I know the mother too.

00:31:47Vicente!

00:31:48How's the hernia?

00:31:54Federico.

00:31:55Holy shit!

00:31:56The only thing is that he's shy.

00:31:58Federico!

00:31:58I've come to update the notebook!

00:32:00Again, but I updated it yesterday.

00:32:02Look, I'm bringing you Bethlehem.

00:32:03A neighbor who wants a loan for a motorcycle.

00:32:06She's the goalkeeper's girlfriend.

00:32:07The one I told you about who lived with his father.

00:32:09He wanted to hook up with my sister.

00:32:10She goes out into the courtyard naked.

00:32:11Yes, yes, yes.

00:32:12Okay, very good.

00:32:12Come on, sit down, please.

00:32:20Vicenta.

00:32:21I would prefer to speak with this gentleman alone.

00:32:23Because it's a matter of money.

00:32:24Oh, yes, sorry.

00:32:25It's the one where I feel at home.

00:32:28See you tomorrow, Federico!

00:32:29Come on!

00:32:32Goodbye, Vicenta.

00:32:33Okay, so how much of a loan do you want?

00:32:35Uh, 240,000 euros.

00:32:38Damn, what kind of motorcycle are you going to buy?

00:32:39No, it's not a motorcycle, it's a mortgage for a house.

00:32:42Ah, okay, 240,000 euros.

00:32:44How old is it?

00:32:45What is the maximum?

00:32:46How old are you?

00:32:47Thirty.

00:32:48And one.

00:32:49Almost two, but it's more like thirty-one.

00:32:52Okay, then, because the maximum is 25 years.

00:32:54Do you have a payslip?

00:32:54Yes, and an employment contract.

00:32:57Look.

00:32:59Let's see.

00:33:01Oh, but this won't work for you.

00:33:03This is a six-month contract.

00:33:05Yes, but it's renewable.

00:33:06Look, it says it here on the small fin, there.

00:33:09And you don't have a fixed salary either; you work on commission.

00:33:11Yes, but I'm working very well.

00:33:13Want to save 30% on your car insurance?

00:33:16Look, you're going to need someone to vouch for you.

00:33:18Your parents, your boyfriend...

00:33:20Yeah, and there's no other way?

00:33:22No.

00:33:25What are you doing tonight?

00:33:27Hey?

00:33:28What do you mean they don't pay?

00:33:29What does it mean that they don't pay?

00:33:31Yes, yes, I know what it means.

00:33:33It was a linguistic anaphora.

00:33:36The expert report will say what it says.

00:33:38What good is insurance if there's no guarantee you'll get paid?

00:33:41I plan to file a complaint with your superiors.

00:33:43I'll take this to Brussels, if necessary.

00:33:45How are you?

00:33:46Good news.

00:33:47The experts say the fire was arson.

00:33:50and the insurance does not cover acts of vandalism.

00:33:52Let's see how I explain this to the neighbors.

00:33:54The sooner the better, so they can save up for the special assessment.

00:33:58I'll send them out and we'll get dressed up.

00:34:01Isabel, you're not supporting me, are you?

00:34:04You're not supporting me.

00:34:06Should I prepare a pipe?

00:34:08I don't want a pipe.

00:34:09Yes, you idiot.

00:34:12Mr. Juan, can we talk for a moment?

00:34:14Emilio, what do you want? I'm very busy.

00:34:16You see, to celebrate my second contract anniversary,

00:34:19I've done the math and realized that I'm still owed four extra payments.

00:34:23Well, I'm mentioning it to him because maybe he's forgotten.

00:34:26Since they are extraordinary, as their name suggests, well, that's it.

00:34:29I'm sorry, but because of your type of contract you are not entitled to extra pay.

00:34:33Are you sure? I think so, you know?

00:34:35Emilio, you don't understand these things.

00:34:37Furthermore, this is not a good economic time for our community.

00:34:40Next month, if that's the case, I'll form a committee and...

00:34:42No, no, no, no, no. Just a moment, I want to say a few words to my lawyer, who is the one who

00:34:45The matter is bothering me.

00:34:46Because I don't understand.

00:34:48Hello. My client, Emilio Delgado, formalized a renewable annual service contract with the community.

00:34:56Therefore, he is entitled to the 14 payments stipulated per year worked.

00:35:00In other words, a total of 1,026 euros plus late payment interest is owed.

00:35:05Should the non-payment persist, I will file a civil claim, and I assure you that the judge may consider the

00:35:117 years worked before signing the current contract

00:35:14as a binding verbal agreement and entered into in fraud of law.

00:35:18This would obligate the community to provide the relevant financial compensation, according to Article 15 of the Royal Legislative Decree.

00:35:25which approves the consolidated text of the Workers' Statute law.

00:35:30Is he my lawyer?

00:35:31Wow, what a peak, huh?

00:35:33Already.

00:35:37Ah, Mauri! It's so good to see you!

00:35:40Hey, do you mind staying tomorrow, Ezekiel?

00:35:42I have a dinner party with lesbian alumni from the university.

00:35:45There are five of us who are sure of it, and another one who is looking for an excuse for her husband.

00:35:48No, tomorrow is impossible.

00:35:49Hey, the baby's about to start talking. He might just say "daddy" and you'll miss it.

00:35:53I can't. I have a TV show tomorrow. I'm coming from rehearsal.

00:35:57Are you going to be on TV?

00:35:58Shh!

00:35:59It's a secret. I'm going on a gossip show.

00:36:04From a pundit.

00:36:05I need the money to set up the law firm with Fernando.

00:36:08Hey, I want to open a clinic, you know?

00:36:10Okay, let's see, one step at a time.

00:36:11Yes. Hey, what's Fernando saying?

00:36:12Nothing. Because he doesn't know. It's the kind of show that makes him hate humanity.

00:36:16Let's see what excuse I can come up with to disappear tomorrow.

00:36:18Hey, tell him, I'm sure he'll be thrilled.

00:36:21You're going to be on TV. That's crazy, isn't it?

00:36:23Don't say a word about this to anyone, okay? I'm about to go up on the roof and take down the antenna.

00:36:28Hey, you, stick up, because today there's a meeting and about the mobilitas.

00:36:31I see you riding it! But good!

00:36:33What did I do?

00:36:34Are you giving each other a hard time?

00:36:36Well, you're going to have it.

00:36:37But what happened?

00:36:39Hey, which celebrity are you going to give a hard time to?

00:36:42Why are you going all out and doing something different?

00:36:44What's happening?

00:36:49Okay, please, silence, the meeting is about to begin.

00:36:52Turn off your mobile phones and...

00:36:53Can you let me in?

00:36:56Yes, yes, yes, of course.

00:37:01Fellow neighbors, sometimes life tests us by confronting us with obstacles that are difficult to overcome.

00:37:06But I am convinced that all together...

00:37:08Juan, we already went to mass this morning.

00:37:10Yes, please, in short.

00:37:12Do you want to let him speak?

00:37:13Have you cashed the insurance check that I have to advance to Ingenio for materials?

00:37:17Honey, haven't you brought out some canapés for the neighbors?

00:37:19Uh, no.

00:37:19Juan.

00:37:21Okay, first item of the day.

00:37:23The insurance company refuses to pay.

00:37:24Second item on the agenda: inspection of baseboards and general chipping.

00:37:28What did you say?

00:37:29It appears the fire was deliberately set.

00:37:31And that's because insurance doesn't cover acts of vandalism.

00:37:34Juan is not to blame for that.

00:37:36But how can that be?

00:37:37Sausage!

00:37:38So what are you laughing at?

00:37:39But how did it happen? Who caused it?

00:37:41Let's see if you went, since you were the only one here, because everyone else was in the

00:37:46beach.

00:37:46Why would he want to burn down his own house?

00:37:49Oh, and this boy has always been very strange.

00:37:51So what do we do now?

00:37:52Because we are knocking down a wall and tiling the kitchen.

00:37:56And was the fire also to blame for that?

00:37:58Yes, everything has weakened.

00:38:00Well, and we have to pay for the renovations of the common areas.

00:38:03Wait, it even comes from a branch.

00:38:05Well, if we all split it, it probably won't cost that much.

00:38:08Look how horny she is.

00:38:09Since nothing has burned on you.

00:38:10And those rich kids in crisis, you have to be on your guard.

00:38:12No, no, no, it's not the posh girl anymore, now it's the posh hippie.

00:38:15Carlos, now!

00:38:16Oh, and there's still an unexpected castle.

00:38:20Isabel, let me say things.

00:38:22Hey?

00:38:22But you don't say them.

00:38:24What has happened now?

00:38:25This gentleman, who insists on receiving four extra payments

00:38:28which he says have been owed to him for two years.

00:38:30No, not according to me, according to the workers' statute.

00:38:33That doesn't apply to you, that's for those who work.

00:38:37And who has told this guy about his rights?

00:38:39Did he go online or something?

00:38:41It was Fernando, who happens to be his lawyer.

00:38:42and he has threatened us with legal action.

00:38:44That Fernando represents Emilio?

00:38:46Oh, you're just playing dumb!

00:38:48Therefore, we are obliged to pay him 1026 insurances

00:38:51plus late payment interest, which I don't know how much it is.

00:38:54This is a gay betrayal.

00:38:56What? You're on commission?

00:38:58He wants to pay for the renovation at your expense.

00:39:02Andrew!

00:39:03Stop clicking already.

00:39:05Hey, why are you laughing so much?

00:39:07We can kick you out of the attic.

00:39:09Yes, my ass.

00:39:10Oops!

00:39:10This is what happens when you sign Emilio's contract.

00:39:13You look like a fool.

00:39:15He's jaded.

00:39:16What you need to bring here is an undocumented immigrant.

00:39:18who come with great enthusiasm to work

00:39:21And they don't ask for things.

00:39:22Concha, please don't say stupid things.

00:39:24You don't have the floor, Lucia.

00:39:26Oh, since when do people ask for the floor here?

00:39:28Hey, but we're talking about something that has things.

00:39:31Order!

00:39:32Order!

00:39:34The meeting is suspended.

00:39:35And what about requests and questions?

00:39:36No requests or questions.

00:39:37I'm going to talk to Fernando because I don't understand anything.

00:39:41And when will I get the check?

00:39:42Because it wasn't very clear to me.

00:39:44Emilio, what you've done is very ugly.

00:39:46You're going to shit yourself.

00:39:47Hey, don't threaten me, okay?

00:39:48Be careful, okay?

00:39:50Because one day you least expect it.

00:39:51You can slip on the stairs.

00:39:54Well, you'll have to explain the "pijipi" thing to me now.

00:39:56It is said of her who cheats on her boyfriend

00:39:58with a cheap environmentalist.

00:40:01Well, that's it.

00:40:02So we're all in agreement, right?

00:40:04If there's nothing, how...

00:40:06Well, the way you talk about things.

00:40:07Mr. Juan, I didn't want to create either.

00:40:09this climate of tension.

00:40:10No, no, don't worry.

00:40:11You'll receive your check first thing tomorrow morning.

00:40:13Ah, okay, okay, okay.

00:40:15Ah, remove all the wall lights.

00:40:16and you clean them inside.

00:40:17Yes, yes, yes, yes.

00:40:18And you sand and varnish the railing,

00:40:19It's sad to see her.

00:40:20Yes, yes, yes.

00:40:23Juan, there's no need to humiliate him like that.

00:40:26Excuse me, but it was him

00:40:27who has broken our friendship

00:40:28with this treacherous stab in the back.

00:40:29And at the worst possible time.

00:40:31If what you want is a relationship

00:40:32President-goalkeeper, he's going to have it.

00:40:34Go for it!

00:40:36I told you that I had here

00:40:37four cans of paint,

00:40:38not three, four, here.

00:40:39But why would we be doing that?

00:40:40removing the paint

00:40:41Are we paying for it?

00:40:42And what do I know?

00:40:43He must not have miscounted.

00:40:44No, sir.

00:40:45Look,

00:40:46I saw several sesame seeds every day

00:40:47and I get up to four.

00:40:49But what are you doing representing Emilio?

00:40:51Well, I've been thinking about it,

00:40:52Yes, yes.

00:40:53I'm going to set up a law firm.

00:40:54to help people.

00:40:55Ole!

00:40:56And it hasn't occurred to you

00:40:57To another client to start with?

00:40:58Do you know about the mess?

00:40:59Why are we going to bother the neighbors?

00:41:00But I opened up, poor man,

00:41:01that they were making fun of him.

00:41:02We were,

00:41:03which we also own.

00:41:04But how much do you believe?

00:41:05What can you charge Emilio?

00:41:06Oh, no,

00:41:06I'm not going to charge you anything.

00:41:08Ah, very good,

00:41:09Well, you're going to be a very good businessman.

00:41:10Listen,

00:41:11my neighbor

00:41:12The van is annoying me.

00:41:13What can be done?

00:41:14Please paint.

00:41:15and don't bother me.

00:41:16It says

00:41:16that his boats disappear.

00:41:17And a rolling pin.

00:41:18Fernando,

00:41:19for lawyer

00:41:19of the disadvantaged

00:41:20Cristina Almeida is already there.

00:41:21You have to represent

00:41:22to Becam,

00:41:22to Mario Conde.

00:41:23The lower limit

00:41:24It's Cantudo.

00:41:25What do you have there?

00:41:26Hey?

00:41:26Is this makeup?

00:41:28No,

00:41:29Yeah,

00:41:30No,

00:41:31Well,

00:41:32Yeah,

00:41:32a bit.

00:41:33I bought

00:41:34a colony

00:41:35and then there was

00:41:36a girl doing

00:41:37a free demonstration

00:41:38of a new makeup

00:41:39and no lady

00:41:39I wanted to try it.

00:41:40I felt sorry for them,

00:41:40I sat down

00:41:41Let's see how it goes.

00:41:42Lots of uncles

00:41:43They establish a base.

00:41:44And the colony?

00:41:46Pussy,

00:41:46I left it in the taxi.

00:41:48But it's better this way, change it

00:41:49because it was already there

00:41:49a little tired of her,

00:41:50which was very sweet.

00:41:57Listen,

00:41:58I think his friend

00:41:58hides something

00:41:59and he doesn't want to tell her.

00:42:01For me,

00:42:01for me,

00:42:02I think he's gay.

00:42:04We're a couple.

00:42:05Already,

00:42:06That's why,

00:42:06Ah,

00:42:07No,

00:42:08Well, I have a cousin

00:42:09whose name is Antonio

00:42:09who is also gay.

00:42:12Do you recognize it?

00:42:12No.

00:42:13Yes, indeed.

00:42:14from Albacete.

00:42:15No,

00:42:15no.

00:42:17He was short,

00:42:18with knob and,

00:42:19No.

00:42:26He's an amazing guy.

00:42:28I had never met

00:42:28no one like him.

00:42:29He is an idealist,

00:42:30Fight for what you believe in

00:42:31capable of anything.

00:42:32Well,

00:42:33has lived in the mountains

00:42:33in extremely harsh conditions.

00:42:35Have you gotten confused?

00:42:36with Bin Laden?

00:42:37No,

00:42:37His name is Yago

00:42:38And nothing has happened yet.

00:42:39It has a dog's name!

00:42:41He is one of the ringleaders

00:42:42of Green Villages

00:42:43and lived during

00:42:44six months,

00:42:45Hey?

00:42:45Six months

00:42:46on top of a centuries-old oak tree

00:42:48so that he wouldn't cut it.

00:42:49If the topic

00:42:49the house is...

00:42:50But is it good?

00:42:51Or is it not good?

00:42:52Well,

00:42:52is that in his case

00:42:53the physicist

00:42:53That's the least of it.

00:42:54It's ugly.

00:42:55No,

00:42:56It's perfect.

00:42:58The only doubt

00:42:58that I have

00:42:59I just don't know

00:42:59if I'm his type of girl.

00:43:02Do you think

00:43:02Am I posh?

00:43:04No.

00:43:05No.

00:43:06No, no, no.

00:43:07I need a change

00:43:07of look,

00:43:08cheap clothes.

00:43:09I don't know,

00:43:09a tattoo

00:43:10of something environmentally friendly,

00:43:11No?

00:43:11A Zodiac.

00:43:13Stay with him

00:43:13next week

00:43:14and you let yourself grow

00:43:15armpit hair,

00:43:16that they love.

00:43:17That?

00:43:18How are you?

00:43:19Do you see me conquering?

00:43:20to the bank manager?

00:43:24Fuck!

00:43:25Nativity scene,

00:43:26Can I borrow your tracksuit?

00:43:27That old man you have?

00:43:28The one you put on

00:43:28when you're depressed.

00:43:30I wear it a lot.

00:43:31I'll trade you.

00:43:32for a dress

00:43:32by Amaya Arzuaga.

00:43:33And your coat

00:43:34by Vitor and Luquino.

00:43:35Made.

00:43:36Okay,

00:43:36Bring it to me

00:43:37I'll put it on.

00:43:37tonight.

00:43:38Okay.

00:43:39Hey,

00:43:39I have a lot

00:43:40clothing

00:43:40from the flea market.

00:43:42Sorry,

00:43:42pretty,

00:43:43but you don't have

00:43:43the same size.

00:43:44I'm meeting up tomorrow.

00:43:45with Yago.

00:43:46You're going to meet

00:43:46to the new Lucia.

00:43:51Why all

00:43:51you have sex

00:43:52Except me?

00:43:53When is your birthday?

00:43:54That I don't want

00:43:54a vibrator.

00:43:59Careful.

00:44:01Move aside.

00:44:02This is dripping.

00:44:03Lady,

00:44:03So you put on another little bag

00:44:04that the entrance is clean.

00:44:06Oh,

00:44:06How silly,

00:44:07if it wasn't closed.

00:44:08Doña Marisa,

00:44:09This smells

00:44:10And then it's my turn.

00:44:10I'll clean it.

00:44:11So you put

00:44:11an air freshener,

00:44:12now that you have money.

00:44:14Disgusting

00:44:14I've had it here.

00:44:21Where are you going to do it?

00:44:22at what hour?

00:44:23To see my grandmother

00:44:24that they have admitted her.

00:44:25What happened to him?

00:44:26Hey?

00:44:27What happened to him?

00:44:28I don't know,

00:44:29That's why I'm going to find out.

00:44:30Hey,

00:44:30I'm going with you.

00:44:31just in case

00:44:31You fall apart.

00:44:32No, no, no,

00:44:32You stay here

00:44:33that he really dislikes you.

00:44:34Me to your grandmother,

00:44:35But he doesn't know me.

00:44:36Already,

00:44:36But I've already spoken to him

00:44:37a lot about you.

00:44:37You've made plans with someone,

00:44:38if you've put on heels.

00:44:40Okay, fine.

00:44:41I've arranged to meet with the guy from the bank.

00:44:42for dinner.

00:44:42But what the fuck

00:44:43You're even meaner.

00:44:44Oh, Emilio,

00:44:44But that's not going to happen

00:44:45nothing.

00:44:46It's the mortgage

00:44:46It's very complicated.

00:44:47and I'm going to use

00:44:48my feminine wiles.

00:44:50Okay, okay, okay.

00:44:50Well, it's coming

00:44:51a blonde

00:44:51in the counters,

00:44:52Hey?

00:44:52I won't say any more.

00:44:53Dear,

00:44:54I'll tell you about it later.

00:44:55And now he's calling me,

00:44:56dear.

00:44:56This is not a couple,

00:44:57This is nonsense.

00:44:59Son, come,

00:45:00Look what he's left us,

00:45:01the sleeping herb.

00:45:04But what have you put there?

00:45:05If that's the curtain

00:45:06from the bathroom.

00:45:07Pussy,

00:45:07to give him privacy,

00:45:08at least here

00:45:09Your butt doesn't stick.

00:45:10Go on,

00:45:10strip,

00:45:11strip.

00:45:14Strip.

00:45:15But Dad,

00:45:16If that's a mattress

00:45:17beach.

00:45:18Ignorant of life,

00:45:19if this is the last

00:45:19in technology

00:45:20from the infomercial.

00:45:21It inflates

00:45:22and it's like a mattress

00:45:23latex.

00:45:24But how are you going to inflate

00:45:25That's just you.

00:45:25that it will give you

00:45:25a landslide

00:45:26lung?

00:45:27Carrying

00:45:27an electric compressor.

00:45:29I will proceed.

00:45:31Dad,

00:45:32Belén has left

00:45:33dinner

00:45:33with a guy from the bank.

00:45:35Pussy,

00:45:35It's true,

00:45:36dinner.

00:45:36I'm so hungry.

00:45:38What do we have?

00:45:39How wonderful is the support.

00:45:41from a father

00:45:41in difficult times.

00:45:46Disgusting,

00:45:47Oh my God.

00:45:48Dad,

00:45:49That's all I'm telling you

00:45:49It's just that you shouldn't keep bringing

00:45:51More items from the store,

00:45:51that there's no more room here.

00:45:52But,

00:45:53And what do you want me to do?

00:45:53Should I throw them away?

00:45:54It's all the heritage

00:45:55that I have left.

00:45:56This is your inheritance.

00:45:58Set up a flea market

00:45:58on the portal.

00:45:59Probably

00:45:59maybe a neighbor will buy you something.

00:46:00Yeah,

00:46:01shell,

00:46:02He's already given me a sign

00:46:03for the table

00:46:04snowboarding.

00:46:05Son,

00:46:05You're stupid.

00:46:07Hey,

00:46:07I know you're having a hard time,

00:46:08I just wanted to help you.

00:46:09Well, I don't need your help.

00:46:11nor yours,

00:46:11nor anyone else's.

00:46:12I'm getting better on my own.

00:46:14But if you continue to isolate yourself

00:46:15In the end you're going to end up

00:46:15like the castaway in the movie

00:46:16talking to a ball.

00:46:17Hey,

00:46:18When you were little you used to talk

00:46:19with the clicks

00:46:20And I didn't say anything to you.

00:46:22Besides,

00:46:22You'll have to find a job.

00:46:23No?

00:46:24They're going to end up kicking you out of here.

00:46:25Me?

00:46:26To me from here

00:46:27Not even God can kick me out.

00:46:30Scum!

00:46:50I had ordered the small one.

00:46:52She's the little one.

00:46:54Ah.

00:46:55I'm going to sleep so well tonight.

00:46:57How are you?

00:46:58Do you like the site?

00:46:59Yeah,

00:47:00Yeah,

00:47:00It's very romantic.

00:47:02You look very pretty.

00:47:04Well,

00:47:04But tell me about your work

00:47:06because it must be amazing.

00:47:07The booklets,

00:47:09the extracts,

00:47:10the little cups you give away.

00:47:11Yeah,

00:47:12But don't get your hopes up,

00:47:13which is very hard.

00:47:14Once a junkie came in

00:47:15with a syringe.

00:47:16And what happened?

00:47:17I opened a pension plan for him,

00:47:18It didn't contribute much per month,

00:47:19but...

00:47:19But it has to be exciting,

00:47:21No?

00:47:22This thing of having it in your hands

00:47:23the possibility

00:47:24to make people happy,

00:47:26granting him the loans,

00:47:28mortgages...

00:47:29No,

00:47:29man,

00:47:30if I don't decide that.

00:47:31Oh,

00:47:31No?

00:47:32No,

00:47:33I simply fill out the forms,

00:47:34I'll pass them on to the risk committee

00:47:35and I are the ones who give the go-ahead.

00:47:37Ah.

00:47:40Miss,

00:47:40the check.

00:47:41Please.

00:47:42What's happening?

00:47:43Hey?

00:47:46But what are you doing?

00:47:47Are you stupid?

00:47:48Don't unplug my console?

00:47:49You've been here for three hours,

00:47:50You're going to end up epileptic.

00:47:51And I have to charge my phone.

00:47:53Well,

00:47:53calm down,

00:47:53This room is full.

00:47:55Besides,

00:47:55I'm in charge here.

00:47:56If you leave home,

00:47:57You're leaving home,

00:47:57of all time.

00:47:58I ran out of money.

00:47:59What did you want me to do?

00:48:00Man,

00:48:01You're supposed to be hot,

00:48:02You have resources.

00:48:04Please lower your voice.

00:48:05Don't lose Isabel,

00:48:06who needs to rest.

00:48:17phone.

00:48:18Yeah,

00:48:19I'll take it,

00:48:19my love.

00:48:23Tell me.

00:48:24You bastard!

00:48:25Listen,

00:48:25I think he's made a mistake

00:48:26your number,

00:48:27Hey?

00:48:27But we weren't happy,

00:48:28Juan.

00:48:29Why did you do this to me?

00:48:30What are you going to tell him?

00:48:31Now what about the children?

00:48:32Hey,

00:48:32I can hear you terribly.

00:48:34I'll go to the living room and we'll talk.

00:48:35Hey?

00:48:35Man,

00:48:35Yes, we're going to talk!

00:48:40Who is it?

00:48:41Nobody.

00:48:41Go to sleep.

00:48:42Dale.

00:48:46Who are you talking to?

00:48:47With no one.

00:48:48With the grass.

00:48:49Pigeon,

00:48:49I can explain it to you.

00:48:50Confess everything,

00:48:51I'm falling down here dead,

00:48:52Juan.

00:48:52Look,

00:48:53What happened to you happened to you.

00:48:54And you were,

00:48:55But you weren't there.

00:48:56And life goes on

00:48:57and it goes around a lot

00:48:58and loneliness weighs heavily

00:49:00And I've fallen in love with Isabel.

00:49:04Hello?

00:49:05Oh,

00:49:05Juan,

00:49:05I'm getting sharp pains

00:49:06in the stomach of disgust.

00:49:08But if you put a little

00:49:09Both of you on their behalf,

00:49:10because you can even

00:49:11to even become friends.

00:49:12Me to him,

00:49:13I grab her by the hair

00:49:14and I even out the ends.

00:49:15Isabel is not to blame for anything,

00:49:16Hey?

00:49:16If you want to pay it to someone,

00:49:17Pay it with me.

00:49:18Someone is going to die today.

00:49:19No,

00:49:20No,

00:49:20But let's not get carried away.

00:49:21We're going to try to...

00:49:23Hey,

00:49:24What was I?

00:49:26Juan,

00:49:27what's happening?

00:49:28Something?

00:49:29It's a radio joke.

00:49:31My schoolmates,

00:49:32They're all a bunch of horndogs,

00:49:33that...

00:49:33Already.

00:49:34Not at all.

00:49:37Hey,

00:49:37Let's get some sleep.

00:49:39Yeah,

00:49:39Yeah.

00:49:40Let's give it a try.

00:49:43Well,

00:49:43we put on a movie

00:49:44Or you're going to fall asleep.

00:49:45as usual.

00:49:46I'm falling asleep.

00:49:48Why aren't you gaining weight?

00:49:50Because there is one thing

00:49:50which is called fuki.

00:49:51Come on,

00:49:52Let's see what's there.

00:49:53No,

00:49:53wait,

00:49:54that I am reveling in my disgust.

00:49:56How can there be people

00:49:56Why should I watch these celebrity gossip shows?

00:49:58Well,

00:49:59It's entertainment.

00:50:00They fulfill a social function.

00:50:01And these scavengers,

00:50:03enjoying there

00:50:04in the lives of celebrities.

00:50:05But how can they be called journalists?

00:50:07Don't you find it degrading?

00:50:08for your profession?

00:50:09But what are they doing?

00:50:10Investigative journalism?

00:50:11It's because you criticize.

00:50:12what you don't know,

00:50:13Fernando.

00:50:13Come on.

00:50:14But if these people

00:50:15He takes more risks

00:50:15that the war correspondents,

00:50:16that celebrities hit them

00:50:17in the television studios

00:50:18and they throw things at them too,

00:50:20They beat them up.

00:50:20Normal,

00:50:21if I ever find myself

00:50:22one of these,

00:50:22I swear,

00:50:22I give it to him,

00:50:23I'll give it to you.

00:50:24Someone will be saved.

00:50:25No?

00:50:25None,

00:50:26trash.

00:50:27Go on,

00:50:27go on,

00:50:27Put on the movie,

00:50:28That's what makes me angry.

00:50:33Dad,

00:50:34Come to bed now,

00:50:35I want to sleep.

00:50:36Well,

00:50:36Let's see if I can.

00:50:37Because with this beast of a paint job...

00:50:39Clear,

00:50:39if this

00:50:40I'm not lying to you

00:50:40nowhere.

00:50:41Come on,

00:50:41Turn off the light now.

00:50:43Hey,

00:50:44Are you okay, son?

00:50:45I can tell you're worried.

00:50:46But how am I going to be, Dad?

00:50:47If they're cursing me out

00:50:48the neighbors

00:50:48And all because of asking.

00:50:49what is mine.

00:50:50I warned you,

00:50:51when one reveals

00:50:52The powers that be are angry.

00:50:53We have to swallow it.

00:50:54What happened to Gandhi?

00:50:56Dead.

00:50:57Martin Luther King,

00:50:58dead.

00:50:59whitebait,

00:51:00dead.

00:51:02Chanquete against whom?

00:51:03Was it revealed?

00:51:03Pussy.

00:51:04He had planted the ship

00:51:05in the middle of the beach.

00:51:06Someone would complain.

00:51:07That was an adjustment

00:51:08of accounts.

00:51:09No, man,

00:51:09no,

00:51:10which was a natural death.

00:51:11Chanquete got sick.

00:51:12That it was the mafias

00:51:13from the beach bars.

00:51:14You're always

00:51:15You've been naive.

00:51:16Dad,

00:51:16Don't smoke in bed with me

00:51:17It gets punctured, huh?

00:51:18Hey,

00:51:20This is really bad, huh?

00:51:21We need to put more air in it.

00:51:22No way, man,

00:51:23no,

00:51:23Be quiet

00:51:23Let's see if it's going to explode.

00:51:25Hey,

00:51:25What if we fill it with water?

00:51:27What torture, Dad,

00:51:28What torture, huh?

00:51:28Are you experiencing old age?

00:51:30Well,

00:51:31What, what, what?

00:51:31Time for bed.

00:51:41Oh, the bed.

00:51:43I told you so.

00:51:44Let's see what I can tell him.

00:51:45Now to Doña Isabel.

00:51:46Pussy,

00:51:47It must have been you

00:51:47that you move around a lot.

00:51:49Fuck,

00:51:49What a man I have.

00:51:50I'm going to have breakfast

00:51:51to the video store.

00:51:52Wait, wait

00:51:53I'll watch over you with a kiwi.

00:51:54Where do we start?

00:51:54I don't want kiwis.

00:51:56But if it's to make you back down

00:51:57traffic,

00:51:58that you're not going to the bathroom properly.

00:51:59But what do you know?

00:52:00Emilio,

00:52:01It is nine and seven minutes past.

00:52:02and you're not at your job.

00:52:04I know my father has to...

00:52:05Well,

00:52:05about this gentleman's presence here

00:52:06We'll talk later.

00:52:07But just so you know

00:52:07that unpunctuality

00:52:08unjustified

00:52:09in attendance at work

00:52:10on more than three occasions

00:52:11within a period of thirty days

00:52:12is cause for immediate extinction

00:52:14of your employment contract.

00:52:15And if not,

00:52:16Ask your lawyer.

00:52:18But Mr. Juan,

00:52:19How am I going to be late?

00:52:20to my job

00:52:21Do I live here?

00:52:22We're going to put you

00:52:23a time-control machine

00:52:24so you can sign up.

00:52:25Well, you see.

00:52:26What a problem.

00:52:26You get up,

00:52:27cards

00:52:28and you go back to bed.

00:52:30They are very angry.

00:52:31This looks really bad.

00:52:32What I do?

00:52:34Hey,

00:52:34What kind of floor can we put on this?

00:52:36to give it more space?

00:52:39Dad,

00:52:40But can you hear me?

00:52:41When should I talk to you?

00:52:41Yes, damn it,

00:52:42You look like your mother.

00:52:43I'm going to give it a look.

00:52:45Let's see if I can get some ideas.

00:52:46But get dressed,

00:52:46that I'm going to get scolded.

00:52:48Is this like a tracksuit?

00:52:49A tracksuit?

00:52:50And come back now,

00:52:51I'm going to peel your kiwi.

00:52:53Good morning.

00:52:54Wow, that's an early start, huh?

00:52:55I'm going to the flea market.

00:52:57Fuck,

00:52:57We're all in a bad way.

00:52:59What's wrong, Lucia?

00:53:00How are you?

00:53:01Carlos,

00:53:01But what are you doing riding a bike?

00:53:02What's happening?

00:53:03But be careful,

00:53:04put it on your foot,

00:53:04that you'll kill yourself.

00:53:06It's because they've offered me

00:53:07sneakers

00:53:07that get hooked

00:53:08pedaling the whole time.

00:53:09The one from the store

00:53:09He's just stupid.

00:53:10That's it.

00:53:12No, Carlos,

00:53:13really?

00:53:13What are you dressed as?

00:53:14And you?

00:53:15I?

00:53:16What's happening?

00:53:16You look like Yoko Ono's cousin.

00:53:18Sorry,

00:53:18But I've always had

00:53:19a little bit hippie.

00:53:20And I ride a bike

00:53:21every day,

00:53:21The thing is that

00:53:22You haven't given me time

00:53:23to show you all my facets.

00:53:24Oh, by the way,

00:53:25I sold the car

00:53:25and I donated the money

00:53:27to an association

00:53:27raptor protection.

00:53:29They're going to put my name on it

00:53:29to a feeder

00:53:30of carrion-eating birds.

00:53:32Ah,

00:53:33Well, that's great.

00:53:34Sorry,

00:53:35I'm going to the flea market.

00:53:36Lucia,

00:53:37Come back to me.

00:53:38I am already an environmentalist

00:53:39by bike,

00:53:40What does he have?

00:53:40that I don't have?

00:53:41Oh, Carlos,

00:53:41common sense.

00:53:44And it's much better.

00:53:45than his.

00:53:46It has a browser.

00:53:47I do it so I don't have to put

00:53:48a paper map

00:53:49because I am against it

00:53:49from tree felling.

00:53:50And what have you done to yourself?

00:53:51Have you shaved?

00:53:53Clear,

00:53:54It's more professional.

00:53:56By the way,

00:53:56that you won't have

00:53:57a cream for itching.

00:53:58Carlos,

00:53:58really,

00:53:58You're losing your temper.

00:54:00Return this

00:54:00because you're going to kill yourself.

00:54:01And when a few days have passed

00:54:02relax

00:54:03because you're going to relax,

00:54:05You'll see.

00:54:05How can we continue?

00:54:06being friends.

00:54:06But you'll regret it.

00:54:10And when you do,

00:54:11I will no longer be here.

00:54:13Well.

00:54:15God,

00:54:16that's it.

00:54:17That's it.

00:54:18Emilio!

00:54:20Oh, Mariano!

00:54:29For God's sake,

00:54:30Don't scare me like that, man.

00:54:32What are you doing?

00:54:33Are you going to see his wife?

00:54:34No no,

00:54:34I didn't want to bother her

00:54:35I was already asleep.

00:54:36How are you?

00:54:37No changes.

00:54:38It remains completely blank.

00:54:39Do I have a blank one?

00:54:40He called me last night

00:54:41by phone.

00:54:42Sorry,

00:54:42But I was just with her

00:54:43and I don't remember anything at all.

00:54:44Would you like to come and see it?

00:54:45No, no, no, no.

00:54:46Yes, yes, I believe him.

00:54:47And there is no possibility

00:54:49that he leaves the hospital.

00:54:50Right now?

00:54:50None.

00:54:51He wouldn't even be able to get up.

00:54:53He still has a full rehabilitation ahead of him,

00:54:54regain muscle tone.

00:54:55It's not bad.

00:54:56Thank goodness

00:54:57that is surrounded

00:54:58of a team

00:54:58of professionals

00:54:59like you.

00:55:00the thing is...

00:55:01Well, if he says anything

00:55:02They call me.

00:55:05They are doing

00:55:05excellent work.

00:55:07Thank you.

00:55:08up to date

00:55:09the door

00:55:10It has security,

00:55:11TRUE?

00:55:12Don't worry,

00:55:12We take care of her.

00:55:14Thank you.

00:55:19That?

00:55:21Are you just messing around a bit?

00:55:21No?

00:55:22Let's see.

00:55:24Fuck,

00:55:24They were caught pretty,

00:55:26Hey?

00:55:26This,

00:55:26This is the best there is.

00:55:28It can withstand anything you throw at it.

00:55:29If it can be washed

00:55:30and it doesn't scratch,

00:55:31this is...

00:55:32It does look like wood,

00:55:33really.

00:55:34Hey,

00:55:35Is this difficult to install?

00:55:36Nothing, nothing,

00:55:37everything is abache de cric.

00:55:38There's no need to glue,

00:55:39or anything.

00:55:40The corners are trimmed,

00:55:41skirting boards,

00:55:42And that's it.

00:55:43These are Swedes, for sure.

00:55:44That's what the cold does.

00:55:45How do the bastards think?

00:55:47I think this is German.

00:55:49They lose wars,

00:55:50but the cars

00:55:51and the soils,

00:55:52fuck.

00:55:52Well, that's it.

00:55:53Take care.

00:55:55Come on.

00:56:06They won't give me the mortgage,

00:56:08They're asking me for a guarantor.

00:56:09But why the banks

00:56:09Do they never trust young people?

00:56:11Not even from the old folks,

00:56:11They only trust

00:56:12of people with money.

00:56:13If you were with Emilio

00:56:14It would be much easier.

00:56:15because there are two floors.

00:56:16I don't love myself

00:56:16Buy the apartment with Emilio!

00:56:18Pussy!

00:56:19But why don't you call?

00:56:19to your parents

00:56:20so that they can vouch for you,

00:56:20Is that what they're for?

00:56:21Clear.

00:56:22My parents always

00:56:22They've considered me worthless,

00:56:23I'm not going to give them the satisfaction

00:56:25of crawling

00:56:25to ask them

00:56:26that vouch for me

00:56:26on a mortgage.

00:56:27No way.

00:56:28Well, that's it.

00:56:29to give him a thousand euros

00:56:30a shell every month.

00:56:31Mauri,

00:56:31It's a shame.

00:56:32Because that's a real mortgage.

00:56:33But let's see,

00:56:34Are you listening to me?

00:56:35They won't give it to me.

00:56:36But don't you have

00:56:42a bullet?

00:56:43Clear.

00:56:44It's not like that either

00:56:45We're such good friends,

00:56:46We've just begun.

00:56:47You're almost better friends.

00:56:49you.

00:56:49And also between girls

00:56:50one is understood

00:56:51much better.

00:56:51Yes, yes, yes,

00:56:52Lucy, Lucy.

00:56:53You have a house,

00:56:55We are friends.

00:56:56Already,

00:56:56But I'm at a moment

00:56:58now that I'm all mixed up.

00:56:59Come on,

00:56:59I am capable of going to Somalia

00:57:00and leave it all behind.

00:57:03You, you,

00:57:04You have the things

00:57:04much more settled.

00:57:05Mauri,

00:57:06You have a son,

00:57:06life done.

00:57:07Yes, but you're alone.

00:57:08I would have to ask him.

00:57:09to Fernando.

00:57:10Besides, you said it yourself,

00:57:10I have a son.

00:57:11I'm going to have to guarantee it.

00:57:12Anything the day after tomorrow.

00:57:14I'm thinking

00:57:14in adopting a child,

00:57:16Cambodian,

00:57:16to Angelina Jolie.

00:57:17Okay, okay, okay, okay.

00:57:18I see what kind

00:57:19What friends you are.

00:57:20Nativity scene,

00:57:20understandable

00:57:21that vouch for you

00:57:21It's a risk.

00:57:22that you don't have a fixed salary.

00:57:23And besides, you're not selling anything.

00:57:24You're not good with people.

00:57:26In the long run it's very difficult

00:57:27that you can afford

00:57:27a mortgage.

00:57:28But you have cheered me up.

00:57:29You go ask for it.

00:57:30No, and I encourage you to do so.

00:57:31And I encourage you,

00:57:32friends encourage

00:57:33and the parents endorse it

00:57:34of all time.

00:57:35Yes, yes, yes.

00:57:35How easy,

00:57:36You've had everything in life.

00:57:37I hope never

00:57:38you have to ask him

00:57:39nothing to nobody.

00:57:40You really struggled.

00:57:41And you?

00:57:43Slut,

00:57:43You can start cleaning now.

00:57:45and packing a suitcase,

00:57:46that I have the floor

00:57:47Almost sold.

00:57:49Oh, really?

00:57:50Does it already have a buyer?

00:57:51And not just one, no.

00:57:52Two.

00:57:53A man who called me

00:57:54in the morning

00:57:55and a lady

00:57:56who called me

00:57:56in the afternoon.

00:57:57So you've been warned.

00:58:00Oh, God.

00:58:02Oh, Bethlehem,

00:58:03that take away your apartment.

00:58:07What are you doing that's throwing it away?

00:58:09Nativity scene,

00:58:10Bethlehem, Bethlehem,

00:58:11But what are you doing?

00:58:11What I should have done

00:58:12a long time ago.

00:58:13Do you think I'm stupid?

00:58:14Look,

00:58:15There are moments in this life

00:58:16that one has to swallow

00:58:17pride.

00:58:17I was there for 16 years

00:58:18without speaking to my father

00:58:19until I need money.

00:58:20Where are you going?

00:58:21To call.

00:58:21Whom?

00:58:22To my parents.

00:58:23Good, good, good, good.

00:58:25But don't you know?

00:58:26your phone number?

00:58:27No,

00:58:27I break it every time

00:58:28that I get angry with them,

00:58:29But I know the page.

00:58:30Bethlehem, Bethlehem,

00:58:31But you have to be affectionate.

00:58:32and nice

00:58:33because the call

00:58:33of a son

00:58:34It touches the heart.

00:58:39Mother?

00:58:41I, Belén.

00:58:42No no,

00:58:43I'm not being ironic.

00:58:45No,

00:58:45You're being ironic.

00:58:46No.

00:58:47What was I going to say?

00:58:50How long ago

00:58:50Why don't we see each other, Mom?

00:58:52I want you to know

00:58:53how happy it makes me

00:58:54see my family

00:58:54again in full

00:58:55seated at the table

00:58:56eating in an atmosphere

00:58:57with genuine cordiality.

00:58:58I don't know.

00:58:59What is she doing here?

00:59:00It's a step backwards.

00:59:01Sorry,

00:59:01But there's nothing wrong with that.

00:59:02go back to your parents' house.

00:59:03I was just talking about myself.

00:59:05I had big plans

00:59:05through that room.

00:59:06Listen,

00:59:06Joseph, my love.

00:59:07Leave the potatoes.

00:59:08Eat a little bit

00:59:09more than soybean pens.

00:59:10I'm a little

00:59:11worried about dad.

00:59:12I notice a little

00:59:13headache.

00:59:14Hey,

00:59:14sorry,

00:59:14I'm perfectly fine.

00:59:15This is the child

00:59:15that gets me...

00:59:16Juan,

00:59:17Are you referring to Andrés?

00:59:18Pablo,

00:59:19your father always

00:59:19has had problems

00:59:20from here

00:59:21And he'll always have them.

00:59:22I have decided

00:59:23that I'm going to study.

00:59:24I'm going to study psychology.

00:59:25Ah,

00:59:25look,

00:59:25Well, that's what it has

00:59:26very good outings

00:59:27in this building.

00:59:27It's going to be amazing.

00:59:28Yeah,

00:59:29but nearby

00:59:29There are many universities,

00:59:30No?

00:59:31He has to leave.

00:59:32To Houston,

00:59:32something like that,

00:59:33No?

00:59:33Natalia,

00:59:34I am very proud

00:59:35of you.

00:59:35Besides,

00:59:35Don't worry.

00:59:36While you study,

00:59:37I'm going to assign you

00:59:38a weekly pay

00:59:3830 euros.

00:59:40Updated annually

00:59:41based on the CPI.

00:59:42So, to get

00:59:43things in this house

00:59:44You have to behave

00:59:45like a cocoon.

00:59:46José Miguel,

00:59:46Don't be argumentative.

00:59:48They don't play, you employ.

00:59:49phrases that are no longer

00:59:50fashionable.

00:59:51What's wrong with you, you smart aleck?

00:59:52It's in the dictionary.

00:59:54Yeah?

00:59:55Mr. Cuestra,

00:59:56Is Paloma with you?

00:59:57No,

00:59:58because?

00:59:58Because he's not here,

00:59:59He's gone.

01:00:01As?

01:00:02What's happening?

01:00:03Nothing,

01:00:03He is the headmaster of the school

01:00:04a theft of school supplies.

01:00:12You told me

01:00:13that I couldn't

01:00:13or get out of bed.

01:00:15We are so surprised

01:00:16like you.

01:00:17We had never seen

01:00:18such a rapid recovery.

01:00:19Look,

01:00:20This is negligence.

01:00:21a fully qualified doctor.

01:00:22What's happening?

01:00:23Aren't you happy?

01:00:23A lot.

01:00:30What's wrong, Dad?

01:00:31Is everything alright?

01:00:32Yeah.

01:00:33Do you know what we're going to do?

01:00:35We're going together

01:00:36weekend.

01:00:38Where to?

01:00:39It doesn't matter where.

01:00:41The point is that

01:00:41Let's all be together.

01:00:42Come on,

01:00:42time to pack your bags

01:00:43everyone.

01:00:43We're going away for the weekend

01:00:45on a Tuesday.

01:00:46What's happening?

01:00:46Have you never built a bridge?

01:00:48Very good.

01:00:50That Mauri is watching

01:00:51with someone,

01:00:52I'm telling you.

01:00:52She says she has a dinner party.

01:00:53with alumni

01:00:54from the faculty.

01:00:55Go on.

01:00:55But if 15 years ago

01:00:56who doesn't talk to anyone

01:00:57and they're notifying him today.

01:00:58Very strange, very strange.

01:00:59Fernando,

01:01:00that you are not jealous.

01:01:01Yes, but not an idiot either.

01:01:02The mobile phone rang

01:01:02five times

01:01:03and went to the bathroom to talk.

01:01:04Hey,

01:01:05Have you listened?

01:01:06Yeah,

01:01:07Ezekiel,

01:01:07It's just that everything pisses me off.

01:01:09Well, I'm here now.

01:01:11You look so handsome.

01:01:13It's just that at these dinners

01:01:14There is a lot of pressure.

01:01:14Let's see who's gained weight.

01:01:15who has gone bald,

01:01:16double chins.

01:01:17You have to look divine.

01:01:18in order to be able to criticize

01:01:19to the others.

01:01:20Okay, a kiss.

01:01:22Hey,

01:01:23Mauri,

01:01:23And if it's dinner,

01:01:24Why are you leaving?

01:01:25at five in the afternoon?

01:01:26We had arranged to meet earlier.

01:01:27to have a snack.

01:01:28I'll call you later.

01:01:29Bye.

01:01:30Bye.

01:01:32Does she sing or not?

01:01:33Do you see it as normal?

01:01:34Man, normal.

01:01:35It's Mauri.

01:01:36I'm going to go up for a moment

01:01:37from Ezekiel,

01:01:37Hey?

01:01:37I'll be right back.

01:01:41I don't understand.

01:01:42Now I need a platform.

01:01:45God.

01:01:46Hey,

01:01:47He is very jealous.

01:01:48He thinks you're in trouble.

01:01:49Well, look,

01:01:50better whoremonger than Tertullian.

01:01:51See that Fernando

01:01:52Don't turn on the television

01:01:53tonight.

01:01:53I'm asking you, please.

01:01:54Hey, Mauri,

01:01:55than the one she has tonight

01:01:55I am a dinner party.

01:01:56Don't be selfish.

01:01:57I gave you my semen.

01:01:58But for how long?

01:01:59You're going to be rubbing it in my face

01:02:00Your semen on my face?

01:02:02What is he looking at?

01:02:02No, no, no.

01:02:04Oh, the car's here.

01:02:06Distract him,

01:02:07But you talk a lot.

01:02:08Mauri.

01:02:09Mauri,

01:02:10mother.

01:02:11Mother.

01:02:11Hey, what's up?

01:02:12There is no coverage in the subway.

01:02:13I'll call you now, okay?

01:02:14There is no coverage.

01:02:15You were talking to him, weren't you?

01:02:17I'm going to follow him.

01:02:17What are you saying?

01:02:19Come on, come on.

01:02:20But what do I do?

01:02:20Wait for him here

01:02:21like an idiot at home

01:02:22Watching TV?

01:02:22No, no, no.

01:02:23I'm going to stay with you

01:02:24and we talked about it like this

01:02:25Just as friends, okay?

01:02:26You need to distract yourself.

01:02:28Let's make a cake.

01:02:29Hey?

01:02:29Yeah.

01:02:33No, Mauri,

01:02:34that my parents

01:02:35They're not going to vouch for me in life.

01:02:36I don't even know why I called them.

01:02:37Well, they're going to come see you.

01:02:38Some interest without yours, right?

01:02:40Yes, yes, yes.

01:02:41They must have said.

01:02:42He called the girl.

01:02:42Let's criticize it a little.

01:02:44Come on, Belén.

01:02:45Leave me the little house, okay?

01:02:46What did I tell Diego?

01:02:46who lives here.

01:02:47Oh no.

01:02:48My parents are coming

01:02:49and I have to make them feel sorry for me.

01:02:50But you're pathetic.

01:02:50anywhere,

01:02:51What does it matter?

01:02:51Oh, man, thank you very much, huh?

01:02:53No, I mean, I have to look more...

01:02:57Further...

01:02:57More you?

01:02:58Belén, are you talking to me?

01:03:00Yes, yes, no.

01:03:01Jan and Joplin are here.

01:03:02giving me a hard time.

01:03:02Come on, just leave.

01:03:03Ah, okay, okay.

01:03:04Okay, huh?

01:03:05Okay, very good.

01:03:06Well, you know what I'm saying,

01:03:06I'm not letting you have my coat anymore.

01:03:08No, no, no, but...

01:03:11Look, don't get upset.

01:03:12You just have to get

01:03:14intervene with your parents.

01:03:15But yes, to my parents

01:03:16They don't give a shit.

01:03:17No.

01:03:18But they've never gone.

01:03:19to see me at rhythmic gymnastics.

01:03:20In the interclub championship

01:03:22I dropped a mallet

01:03:22and they weren't

01:03:23And I cried and cried.

01:03:24Well, they gave me

01:03:25nine points.

01:03:26Oh, would you be among the first ones?

01:03:29Suturing the head.

01:03:33Well, is there any way?

01:03:34Will it touch their hearts?

01:03:36Yes, with a stake.

01:03:37No, Mauri, no,

01:03:38which is impossible, which...

01:03:41Oh.

01:03:43Maybe there's a way...

01:03:49Hey, they're here already, they...

01:03:50I'll call you now, okay?

01:03:51I'll call you later.

01:03:52You're so nice!

01:03:57But what have you done to me?

01:03:58I do look like Montiel.

01:04:03Mother!

01:04:03What's the matter?

01:04:04Is something wrong?

01:04:05You seem very strange, baby.

01:04:07No.

01:04:07That?

01:04:07No.

01:04:08No, no, why?

01:04:08Why?

01:04:09Because you called us home

01:04:10And that's not normal.

01:04:11Come in, Mom.

01:04:12Hey, hey.

01:04:13And Dad?

01:04:13Dad hasn't come.

01:04:15He bought an X-rated movie.

01:04:16of those in the digital

01:04:18and says that if it's not seen

01:04:19The money is lost.

01:04:20Look, as long as he's distracted...

01:04:24And this child?

01:04:25That's precisely it.

01:04:26I wanted to talk to you, Mom.

01:04:28He is my son.

01:04:29Your grandson.

01:04:33That?

01:04:35No, no, no.

01:04:36You're wrong.

01:04:37No.

01:04:38Yes, it's not possible.

01:04:39No, baby,

01:04:40that we were here

01:04:41having dinner on New Year's Eve

01:04:41and there wasn't even a child

01:04:42You weren't there either...

01:04:43No, no, no.

01:04:44I had it in November.

01:04:45The thing is, that day

01:04:46He was fast asleep

01:04:47and I didn't want to wake her up.

01:04:48So he's my grandson then...

01:04:50Look, Lema.

01:04:50Oh, how beautiful!

01:04:52Right?

01:04:52Oh my goodness, just like a grandmother!

01:04:54But he's so handsome, girl.

01:04:56Thank goodness he didn't pull it out

01:04:57Your nose, huh?

01:04:59Hey, what's his name?

01:05:01Arturo, like Dad.

01:05:03Arturito?

01:05:03Oh, Arturito!

01:05:04Oh well,

01:05:05And why didn't you tell us before?

01:05:07Because it's very difficult for me

01:05:08Tell you things, Mom.

01:05:10But darling, please,

01:05:11What nonsense.

01:05:13Come on...

01:05:13Hey, this kid

01:05:14He pooped, huh?

01:05:15Okay, but then we changed it.

01:05:16Now let's have a chat.

01:05:17No, she's going to cry.

01:05:18We're going to change.

01:05:18Mom, don't tell me

01:05:19How should I raise my son?

01:05:21Oh, well, I won't tell you.

01:05:22I'm not telling you.

01:05:22But come, if you want to be with me.

01:05:24Listen to me, baby,

01:05:25And who is the father?

01:05:26Emilio?

01:05:27Hey...

01:05:27Chucurruco?

01:05:28Is that Emilio?

01:05:29Yeah.

01:05:30Yes, it's Emilio.

01:05:31The thing is

01:05:32that we have cut

01:05:35and...

01:05:35He's not going to take responsibility

01:05:36of his son.

01:05:37I'll take care of it

01:05:38Me, Mom.

01:05:39Just me.

01:05:40No, not just you, nothing.

01:05:41Yes, Mom.

01:05:42No...

01:05:42All by myself.

01:05:43Baby, no,

01:05:44with our help.

01:05:45With our help.

01:05:46No, Mom,

01:05:46thank you so much,

01:05:47But no, I...

01:05:48Shut up!

01:05:49My love,

01:05:50that we are your parents.

01:05:52Come on,

01:05:54Ask us for whatever you need.

01:05:56Yeah?

01:05:57My car is already at the door.

01:05:58and the children.

01:06:00Well, he says they're not coming.

01:06:01who go to the movies,

01:06:02I mean,

01:06:02any other site

01:06:02that they don't want to tell us.

01:06:04Oh well, it doesn't matter.

01:06:04just the two of them,

01:06:05more romantic.

01:06:06I take one last pee

01:06:07And we're leaving.

01:06:08Are you sure everything is alright?

01:06:09Great.

01:06:10Mr. John,

01:06:11I don't want to bother you,

01:06:13But since I see them with the suitcase,

01:06:14Let's see if we can fix it

01:06:15from my pay,

01:06:15because he told me that first thing in the morning,

01:06:17But I see that here at night

01:06:17I don't have the check.

01:06:18Come this way.

01:06:19I make some sandwiches,

01:06:20Or I don't know.

01:06:21No, no, no, no,

01:06:22thank you so much

01:06:22And I'm leaving right away, okay?

01:06:23I don't know if he was telling Juan

01:06:24It's because we're going on a trip,

01:06:26But I don't know where.

01:06:29Hey?

01:06:29Well, nothing.

01:06:30Neither,

01:06:31If you don't answer me,

01:06:32Well, it's okay.

01:06:33Yeah, it doesn't matter.

01:06:35Man,

01:06:36I wanted to talk to you.

01:06:38Envious!

01:06:40Because I start all four

01:06:41of those he has.

01:06:42Unacceptable!

01:06:43Envious!

01:06:45You bastard!

01:06:46Juan!

01:06:47Juan!

01:06:47Open the door right now!

01:06:49Juan!

01:06:49Juestro!

01:06:50Juan!

01:06:50Let's tear it down!

01:06:51Juan!

01:06:52Juan!

01:06:55And this one turned out delicious too.

01:06:57Butter makes you fat.

01:06:58But then it's left with something so juicy that...

01:07:01Cheesecake is very easy too.

01:07:03Yes, yes!

01:07:03Another day!

01:07:04Now all I want to do is relax

01:07:05and go watch a little TV.

01:07:09Mauri loves you.

01:07:10You're suffering for nothing.

01:07:11I don't want to talk about Mauri anymore.

01:07:12and seeing what he does.

01:07:13Give me the remote.

01:07:13It's tough being so handsome, isn't it?

01:07:15Bea, are you okay?

01:07:15No.

01:07:16The truth is, no.

01:07:17You think you have problems,

01:07:18But I'll tell you mine.

01:07:20No no.

01:07:20Wait, wait.

01:07:21Let's go have a drink instead.

01:07:22Okay, fine.

01:07:24Well, you'll see.

01:07:25That'll be good for both of us, huh?

01:07:31Fernando,

01:07:32The door has closed.

01:07:36Fernando,

01:07:37the worst thing you can do

01:07:37It's about staying home, right?

01:07:45The batteries?

01:07:48The antenna.

01:08:02No, no, no, no.

01:08:19No, no, no, no, no.

01:08:50No, no, no, no, no, no, no.

01:09:18I don't understand anything.

01:09:20Bea, leave it, I'll call.

01:09:23Bea, they've been run over

01:09:24to a lady at the door.

01:09:25Bea.

01:09:27I told you a lady.

01:09:29Grab the first aid kit

01:09:29or the toolbox.

01:09:30I can't right now.

01:09:31I have to go up to the roof.

01:09:32That?

01:09:33Hey, I saw you, huh?

01:09:34Mariano, call an ambulance.

01:09:37Pussy,

01:09:38But that's not a dove.

01:09:40Emilio,

01:09:41That's all I'm telling you

01:09:42for the future

01:09:42It's just that I

01:09:43administrative pulses

01:09:44the righteous.

01:09:45The community is bankrupt.

01:09:46Just so you know, this money

01:09:48that I'm giving you

01:09:48It's out of my own pocket.

01:09:50Mr. John,

01:09:50Don't tell me that.

01:09:51Isabel,

01:09:51Open it, please.

01:09:52Yes, yes,

01:09:53from my savings account.

01:09:54I had it for my retirement.

01:09:56To buy myself a fishing rod

01:09:57with anti-roll rotor

01:09:59and beaten handle.

01:10:00But it has been created

01:10:01a bad atmosphere

01:10:01With all this, I don't...

01:10:02He has to come to my house

01:10:03with a lawyer.

01:10:04You were like a son to me.

01:10:06Isabel!

01:10:08Excuse me a moment.

01:10:12Mr. John,

01:10:12But that doesn't have to change.

01:10:14Yes, it does change.

01:10:14Because it's a betrayal.

01:10:16It's like José Miguel

01:10:17took money from my wallet.

01:10:18Well,

01:10:18I prefer not to get involved in that.

01:10:20Why did I get it?

01:10:20Let's see,

01:10:21We were talking about something else.

01:10:24What do you want?

01:10:25Juan,

01:10:25I think you should go down to the street.

01:10:27What's happening?

01:10:27Will my car be towed?

01:10:29Man,

01:10:29Something of yours and badly parked.

01:10:31What does your father say now?

01:10:32I don't know,

01:10:33with your permission

01:10:33I'm going to see Bethlehem

01:10:34I'm going to give him a reason to celebrate.

01:10:38Why are you removing the antenna?

01:10:39Are the bad ones the ones on mobile phones?

01:10:41That Fernando cannot see

01:10:42Mauri on TV.

01:10:43Appear on TV?

01:10:45Hey,

01:10:45I haven't said anything to you,

01:10:46Hey?

01:10:47Pussy,

01:10:48the old antenna,

01:10:48Why did you remove it?

01:10:49Like the old lady?

01:10:50Clear,

01:10:50if we change it.

01:10:51The other one is the good one.

01:10:52the little one,

01:10:53the one on the right.

01:10:53I mean,

01:10:54What right now?

01:10:54Are you watching TV?

01:10:55Yeah.

01:10:56But what are you for?

01:10:56You leave an antenna installed.

01:10:57that it's no longer worth anything?

01:10:58I don't touch common elements

01:10:59without board approval.

01:11:00And furthermore,

01:11:01This is a shame.

01:11:01It is a rest area

01:11:02for the birds.

01:11:03Well,

01:11:03look,

01:11:03I have done what I could,

01:11:04Hey?

01:11:04I'm going to throw this away.

01:11:05No,

01:11:05what are you saying?

01:11:06Do it to my father.

01:11:07This is awesome for the patio,

01:11:08to have the clothes.

01:11:09Hey,

01:11:10look,

01:11:10I'm fed up with eating

01:11:11Mauri's always messed up.

01:11:12Let's see,

01:11:12Bea,

01:11:12Don't be negative.

01:11:13Fernando might be watching too

01:11:14the TV,

01:11:15But why would it be?

01:11:15seeing precisely

01:11:16that program?

01:11:17Aid,

01:11:18suspects a real

01:11:18from the patio.

01:11:20But tell me,

01:11:21my dear,

01:11:21what do you see here

01:11:21from magazine

01:11:22who is five years old

01:11:23And I'm a goalkeeper.

01:11:23I've been studying

01:11:24all my life

01:11:25to be here

01:11:26sitting

01:11:27and win me over

01:11:27the position

01:11:28of preamble.

01:11:30And you are here

01:11:31talking,

01:11:31talking about people

01:11:33with whom you have slept.

01:11:36Mother who bore him.

01:11:38We all know that,

01:11:39But I want to ask you a question.

01:11:40You're leaving me, darling,

01:11:41You leave me,

01:11:42You leave me.

01:11:42Man,

01:11:43No,

01:11:44No,

01:11:44No.

01:11:45It is very important

01:11:46that this country

01:11:46that's a lot

01:11:47with which

01:11:49you

01:11:49you have maintained

01:11:51a relationship

01:11:51homosexual.

01:11:53But it's so beautiful!

01:11:54Oh my God.

01:11:56Of course we support you,

01:11:57daughter,

01:11:57at your age

01:11:58and with a child

01:11:59as precious as this one.

01:12:00You have to have

01:12:01an apartment in your name,

01:12:02even if it's this one.

01:12:03Well,

01:12:04peaceful,

01:12:04You'll have time.

01:12:05of moving

01:12:06to a place

01:12:06less depressing.

01:12:07Okay, Mom,

01:12:07But this may remain

01:12:08very cute.

01:12:09Hey,

01:12:09And that imbecile Emilio

01:12:10who has believed

01:12:11leaving you stranded.

01:12:12Let me tell you something,

01:12:13if we report it

01:12:15we can get it out

01:12:16a good pension

01:12:16for this precious child.

01:12:17No, no, no,

01:12:18mother,

01:12:18It's water under the bridge.

01:12:21Oh,

01:12:22And grandpa?

01:12:23How are you?

01:12:24Nativity scene,

01:12:25died?

01:12:26Ah, that's right.

01:12:28Have they rung the doorbell?

01:12:29daughter?

01:12:29No, no, no,

01:12:30It's the doorbell across the street,

01:12:32like the neighbor

01:12:33She is deaf

01:12:33because it sets the bar very high.

01:12:35Nativity scene,

01:12:36open,

01:12:36I've brought you something.

01:12:37Is that Emilio?

01:12:38No,

01:12:39He is the commercial postman.

01:12:41that they teach

01:12:42to put voices

01:12:43so that we can open for them

01:12:44the door.

01:12:46Nativity scene,

01:12:47which is something important,

01:12:48Don't be silly.

01:12:49It's Emilio.

01:12:50No.

01:12:50Leave it to me.

01:12:51Mother,

01:12:52mother,

01:12:53I don't want to see him.

01:12:54No no,

01:12:55But I do.

01:12:55No, Mom,

01:12:56that he told me

01:12:57the psychologist

01:12:57that he doesn't see her.

01:12:59Man,

01:13:00Mrs. María Jesús,

01:13:01What a joy!

01:13:01How are you?

01:13:02You son of a bitch.

01:13:05Nativity scene,

01:13:06which has already given me

01:13:06Mr. Juan

01:13:07the check

01:13:07and I came to bring it to you.

01:13:08Please,

01:13:09to leave this house,

01:13:09Hey?

01:13:10They are coming in

01:13:10I'm eager

01:13:11to split

01:13:11the salty face.

01:13:12Mother,

01:13:12mother,

01:13:13Don't stir it anymore

01:13:13that's already done enough damage

01:13:14This man has made me.

01:13:15But you,

01:13:16What have you told him?

01:13:16What about your family and me?

01:13:17If so,

01:13:18if you happen to pass

01:13:19ahead of your son

01:13:19And you don't even look at him.

01:13:21I mean,

01:13:21with this child.

01:13:22Your son,

01:13:22Emilio,

01:13:23your son,

01:13:24your son.

01:13:24Oh,

01:13:24my child,

01:13:25But I hadn't seen it.

01:13:26This one is pretty.

01:13:28Arthur.

01:13:29If you don't know

01:13:29or what his name is.

01:13:30If only...

01:13:31Arthur.

01:13:31Oh, come on...

01:13:33Well,

01:13:33Well, I'm leaving now.

01:13:34me later

01:13:34And I'll take it with me.

01:13:35probably.

01:13:35No, no, no,

01:13:35Emilio,

01:13:36Don't try now

01:13:36fix things.

01:13:38Tuza!

01:13:38Oh,

01:13:38I'm here now.

01:13:39Thank you for taking care of me,

01:13:40Ezekiel,

01:13:40Hey?

01:13:40Hello,

01:13:41how are you?

01:13:41I'm Bea.

01:13:42I, Maria Jesus,

01:13:43nice to meet you.

01:13:44Hello,

01:13:44Come, my love,

01:13:45Come here, darling.

01:13:45We're going to change.

01:13:47That my child

01:13:48Did you miss me?

01:13:49Hey?

01:13:49But who is this?

01:13:52It is the...

01:13:52the daughter

01:13:53from the neighbor

01:13:54opposite,

01:13:55the deaf woman,

01:13:56who had a pregnancy

01:13:57psychological

01:13:58And of course,

01:13:58Well, she stayed...

01:13:59He was upset,

01:14:00He was left feeling bad.

01:14:00and it is believed that the child

01:14:02It's yours,

01:14:02then take care of him for me,

01:14:04I'll...

01:14:04He gives her affection,

01:14:05He changes it.

01:14:06She's like a babysitter,

01:14:07but free.

01:14:08So,

01:14:08I don't have to pay.

01:14:09Nativity scene,

01:14:09This is sinking,

01:14:10abandon ship.

01:14:12That child...

01:14:15That child is not your son,

01:14:16TRUE?

01:14:17Hey...

01:14:18Hey...

01:14:18No, Mom.

01:14:20But as if it were

01:14:21because we raised him

01:14:22the entire community.

01:14:24Yes, yes,

01:14:24He's like Mowgli,

01:14:25The one from The Jungle Book.

01:14:26Emilio...

01:14:27Man,

01:14:28It has a certain air about it,

01:14:28leave her hair,

01:14:29So,

01:14:29in terms of virtues,

01:14:31no.

01:14:34That's not right

01:14:35immobilized,

01:14:36He will suffer lasting effects.

01:14:37He doesn't want to leave

01:14:38do all the work for us.

01:14:39I heard the bang

01:14:40And I've thought,

01:14:41He killed her.

01:14:42What are you going to listen to?

01:14:43If you were in the bathroom.

01:14:44How are you?

01:14:45It's serious.

01:14:45We're going to do everything we can,

01:14:47But wait,

01:14:47I see it.

01:14:48So,

01:14:48Don't worry, he's recovered.

01:14:50Andrew,

01:14:50please,

01:14:51And you stop recording

01:14:51with the camera,

01:14:52man.

01:14:52Juan,

01:14:52If he survives,

01:14:53He'll be thrilled to have it,

01:14:54if I don't delete it.

01:14:55Oh,

01:14:56Leave me alone.

01:14:57Oh,

01:14:57But what happened here?

01:14:59Someone has run over Paloma

01:15:00and the escape has occurred.

01:15:01Ah,

01:15:02But had it worked?

01:15:03On the high?

01:15:04No,

01:15:04He had escaped.

01:15:05I'm at that hospital.

01:15:06I'll sue him

01:15:07I'll take it.

01:15:08Are there any witnesses?

01:15:08Has anyone seen anything?

01:15:09Or have you taken down the registration number?

01:15:10I do.

01:15:11I heard the bang.

01:15:13I thought it was from TV,

01:15:14as we have bought

01:15:15the DVDs

01:15:15from Knight Rider.

01:15:18Officer,

01:15:19this outrage

01:15:20It must be provoked.

01:15:21There are no brands.

01:15:22sudden braking

01:15:23On Pavement.

01:15:24Vicenta,

01:15:24Don't bother me.

01:15:25Leave it to the professionals.

01:15:26do your job.

01:15:28Isabel,

01:15:28Let's go to the hospital.

01:15:29That,

01:15:29come on,

01:15:29let's go.

01:15:30No,

01:15:31No,

01:15:31Not you.

01:15:32One moment,

01:15:33and my car.

01:15:34What car?

01:15:35Mine.

01:15:35He must have taken it.

01:15:36the crane

01:15:37so the ambulance can pass.

01:15:38Yeah,

01:15:38So we're going to take a taxi.

01:15:40This street

01:15:41It needs to be made pedestrian-only.

01:15:42And I never get tired of it

01:15:43to say it.

01:15:44Of course,

01:15:46That way there would be much more room.

01:15:47for parking.

01:15:48Well,

01:15:49What do we do?

01:15:49Bingo or hospital?

01:15:51Man,

01:15:52We can go to bingo

01:15:53other days.

01:15:54Clear,

01:15:54We take a taxi

01:15:55and let him pay for it

01:15:56the community.

01:15:57It's an emergency.

01:16:00This proves

01:16:01that we must enjoy

01:16:02every minute in life

01:16:03because we don't know

01:16:04When will it end?

01:16:05You're right,

01:16:06I'm going to the bar.

01:16:07Paquito,

01:16:08Come here,

01:16:09look at the ground

01:16:09that I'm putting.

01:16:12Oh, damn it!

01:16:22Hello.

01:16:23Hello.

01:16:23Excuse the delay,

01:16:24It's because at the police station

01:16:26We are heavy every day.

01:16:27Nothing, nothing,

01:16:27Don't worry.

01:16:28Let's go to my friend's house.

01:16:30This is mine,

01:16:31But it's very dirty.

01:16:32because of how I spend my day

01:16:33rescuing abandoned puppies...

01:16:34Don't even bring that up.

01:16:35two hundred thousand pets

01:16:36are abandoned

01:16:37every year

01:16:37in this country.

01:16:38Oh, I have a spot!

01:16:39Well,

01:16:39She welcomed them all.

01:16:43What's happening?

01:16:45Lucia,

01:16:45I notice you...

01:16:47I don't know,

01:16:47different.

01:16:47Yeah?

01:16:48Well.

01:16:50Would you like something to drink?

01:16:51I don't know,

01:16:52a soy smoothie,

01:16:53mineral water...

01:16:55Man,

01:16:55If there's beer, even better, right?

01:16:56Sure, sure.

01:16:57Clear.

01:16:58I don't know,

01:16:58Because you are so,

01:16:59I thought that...

01:17:00Well,

01:17:01some olives with anchovies

01:17:02I'm going to bring you.

01:17:03Anchovies?

01:17:03Yeah.

01:17:04How are you doing with anchovies, Lucia?

01:17:05You don't know

01:17:05How are the fishing grounds?

01:17:06from the Cantabrian coast

01:17:06due to overexploitation.

01:17:08I don't eat anchovies.

01:17:12Potatoes,

01:17:13with vinaigrette.

01:17:15You filled me up

01:17:16The forms, right?

01:17:17Yeah,

01:17:17Yes, yes, yes, yes.

01:17:18Look,

01:17:18I have everything here.

01:17:19Well,

01:17:19I'm looking forward to it

01:17:20be a member.

01:17:21Take,

01:17:22little potatoes,

01:17:22a little beer,

01:17:23look,

01:17:23I've written everything down.

01:17:25Here are my details,

01:17:26my account number,

01:17:28address,

01:17:28name,

01:17:28Well,

01:17:29all.

01:17:29And then my phone,

01:17:30here and behind the photos,

01:17:32Hey?

01:17:32Of all the photos,

01:17:33here,

01:17:34here,

01:17:34all.

01:17:35Lucia,

01:17:36Lucia,

01:17:36I like you.

01:17:37Hey?

01:17:39You to me?

01:17:40No,

01:17:41No?

01:17:41Because?

01:17:43Because?

01:17:43Because you to me

01:17:44I like you a lot.

01:17:50But I have a girlfriend.

01:17:51Ah.

01:17:55We've been in a relationship for ten years.

01:17:57We founded Teas Veres together.

01:17:58No,

01:17:59No,

01:17:59Yeah,

01:17:59You don't have to give me any explanations.

01:18:01If you no longer wish to be a member or sponsor,

01:18:04I understand.

01:18:05Yeah,

01:18:06Yeah,

01:18:07because I've grown very fond of them all,

01:18:09They are very cute.

01:18:10Well,

01:18:11Well then, we'll see each other at the meetings.

01:18:13No?

01:18:13Clear.

01:18:17Bye.

01:18:19Bye bye.

01:18:22You have a beautiful house,

01:18:23Hey?

01:18:26Bye.

01:18:27Bye bye.

01:18:45What did I tell you?

01:18:47Bye.

01:18:48No.

01:18:55Hello.

01:18:56Hello.

01:18:58How was dinner?

01:18:58Good,

01:18:59good,

01:18:59very good.

01:19:00Joaquín has arrived,

01:19:01Lola,

01:19:02Nacho,

01:19:02who has gotten married and had a daughter,

01:19:04Rachel,

01:19:04with 20 kilos more,

01:19:05And the restaurant was very good.

01:19:07an Argentinian.

01:19:08We had a barbecue for dinner,

01:19:09chimichurri...

01:19:10And what has Nuria Bermúdez asked for?

01:19:11The same,

01:19:12If that was all...

01:19:13Hey?

01:19:13What have I seen you on TV?

01:19:14Mauri?

01:19:15I'm going to talk to Bea right now.

01:19:16if he can't be entrusted with anything.

01:19:17Leave Bea alone,

01:19:18She's had me making cakes all afternoon.

01:19:19Well, you control the sugar,

01:19:20Hey?

01:19:21At this rate, not even jogging will do...

01:19:22Do you want to stop acting crazy?

01:19:23You lied to me.

01:19:25Yeah,

01:19:25Well,

01:19:25No,

01:19:26the thing is...

01:19:26You just turn everything on its head.

01:19:28Mauri,

01:19:28I thought you were cheating on me.

01:19:30Already,

01:19:30I've told myself,

01:19:31Bea.

01:19:32Look,

01:19:32You're lying to me, and on top of that, you're trying to get on that shitty show.

01:19:34Aren't you ashamed?

01:19:35Listen,

01:19:36No,

01:19:36listen,

01:19:36How can you fall so low with the talent you have?

01:19:39Look,

01:19:40You haven't done anything worthwhile in your life,

01:19:41And do you know why?

01:19:42Because you don't love yourself at all.

01:19:43and you lack self-esteem.

01:19:44And you've wandered from odd job to odd job

01:19:46until falling into the most miserable pit of journalism,

01:19:48of a hateful firecracker who lives off the misery of others.

01:19:51Mauri,

01:19:52oh really,

01:19:52the thing is...

01:19:53I feel sorry for you.

01:19:55I did it for the money.

01:19:56to help you set up the law firm.

01:19:59That?

01:20:01Good night.

01:20:10Mauri.

01:20:13But what...

01:20:15that you looked very handsome on TV,

01:20:16Hey?

01:20:18You look great,

01:20:19very good on camera.

01:20:22Don't you want to try a little bit of...

01:20:23chocolate cake?

01:20:25It turned out richer than the other one.

01:20:26Hey?

01:20:29Mauri.

01:20:31Mother,

01:20:32mother,

01:20:32If I have lied to you,

01:20:33It's because you've never given me the trust

01:20:35to tell you things,

01:20:36nor of being myself.

01:20:37No,

01:20:38if it's my fault that my daughter

01:20:39he lied to me to get my money.

01:20:42Then the feeling of being a mother,

01:20:43It's great.

01:20:45He's very selfish.

01:20:46She doesn't care about the feelings of others.

01:20:47But look,

01:20:48what hurts me the most

01:20:49It's not that you lied to me about the child,

01:20:50No.

01:20:52What hurts me the most

01:20:53That's how I spoke to Emilio

01:20:54Because of you.

01:20:55Poor.

01:20:55All the insults I've said to him.

01:20:57No, no, no,

01:20:58but it was read between the lines

01:20:59There was affection, huh?

01:21:00Right, son?

01:21:02Look,

01:21:02We will vouch for you

01:21:03because it is our obligation as parents.

01:21:05But please,

01:21:06chick,

01:21:06trust a little more

01:21:07in the people who love you,

01:21:08Hey?

01:21:08No, María Jesús,

01:21:09It's like hitting a brick wall.

01:21:10We need to make a piñata

01:21:11to the family to help them.

01:21:12Well,

01:21:13I will speak with your father tonight.

01:21:16and we will sign whatever is necessary.

01:21:18What are they saying?

01:21:20No,

01:21:21if that's the case

01:21:21It's not worth it to me

01:21:22buy the apartment.

01:21:23But that's just wishful thinking.

01:21:24to complicate your life

01:21:25with me right here next door

01:21:26willing to have

01:21:27a legacy with you.

01:21:28Emilio,

01:21:29that you have breathed a lot varnished

01:21:30and even if we were together

01:21:31to the bank

01:21:32They wouldn't give us the mortgage.

01:21:33What do you want to bet?

01:21:34I'll go tomorrow with this check.

01:21:35to the bank

01:21:35And they don't just give me the mortgage,

01:21:37They give me a Dolby Showroom

01:21:38and one of those alarm clocks

01:21:39that shows the time on the ceiling.

01:21:40But let's see,

01:21:41In what language do I have to tell you

01:21:42Do I want to buy the apartment on my own?

01:21:44Buy yourself another one.

01:21:45Oh, really?

01:21:46Well, let me tell you something,

01:21:47that if I'm only going to be

01:21:48a sex slave

01:21:49This relationship doesn't fulfill me.

01:21:50No no,

01:21:51It doesn't satisfy me.

01:21:52which has suffered the most

01:21:53and the one who has put the most

01:21:54in this couple.

01:21:55Well, don't suffer anymore.

01:21:56Because this is over.

01:21:57Of course it's over.

01:22:05Well,

01:22:06then tomorrow

01:22:06Now let's go to the bank.

01:22:08Can't you hear?

01:22:09No.

01:22:11Well then

01:22:12This is goodbye.

01:22:13Well, goodbye.

01:22:14Don't forget anything.

01:22:16Well, you're an idiot.

01:22:18On top of that I'm going

01:22:19And I'll give you an orgasm

01:22:20parting.

01:22:20And who told you that?

01:22:21that I've had it?

01:22:23Excellence,

01:22:23That's noticeable.

01:22:23in contractions

01:22:25of the vaginous bodies.

01:22:26What are you saying?

01:22:28Sorry,

01:22:28Have you finished?

01:22:29I have to put Ezekiel to bed.

01:22:31Yes, yes, yes,

01:22:32We're finished.

01:22:33To the,

01:22:34I hope things go well for you.

01:22:35with your apartment.

01:22:38Hey, Belén,

01:22:39one thing I was thinking about.

01:22:40Even if they give you the mortgage,

01:22:41How are you going to get

01:22:42buy the apartment

01:22:42to Doña Concha

01:22:43without him knowing it's you?

01:22:44Look,

01:22:44Don't overwhelm me, okay?

01:22:45Look,

01:22:46I'm asking you please,

01:22:47Don't overwhelm me.

01:22:48I've had enough already.

01:22:49with what I have.

01:22:51Not even sleep.

01:22:52Not here.

01:22:54Not here.

01:22:55Nobody lives here.

01:22:59Oh, what a terrible misfortune.

01:23:01Really.

01:23:02Yes, it's just that people

01:23:02She's going crazy.

01:23:03Thank you so much for coming,

01:23:04but we would like to spend

01:23:05these difficult times

01:23:06with family.

01:23:07Costs,

01:23:08that we were neighbors.

01:23:09We've come to give it to you

01:23:10the final goodbye.

01:23:11Okay, okay,

01:23:12Let's wait.

01:23:12Maybe it was nothing.

01:23:14Don't think so,

01:23:14What a blow.

01:23:15But you have seen it

01:23:16or he hasn't seen it.

01:23:17Man,

01:23:17No, not seeing it.

01:23:18But it has sounded.

01:23:20Relatives of Paloma Cuesta?

01:23:22Us.

01:23:23How are you feeling, doctor?

01:23:24Are you conscious?

01:23:25Did he say anything?

01:23:26We have managed to stabilize it,

01:23:27but it has taken

01:23:28a strong blow to the head.

01:23:30His wife is in a coma.

01:23:31Again?

01:23:32And will he recover?

01:23:34Why does it have

01:23:34a very light coma?

01:23:35We have to wait.

01:23:36I recommend

01:23:37go home

01:23:38and rest.

01:23:39We need the room

01:23:40emergency room clear.

01:23:41It's the patron saint's festival.

01:23:42Let's hope for the best.

01:23:44and catch the wretch

01:23:45that has run him over.

01:23:45It's your turn, Lista.

01:23:53Parruquita.

01:23:56Marisa,

01:23:57For God's sake,

01:23:58I'm asking you.

01:23:59Shut up, damn it,

01:24:00I'm not going to say anything.

01:24:01So what do you want?

01:24:02You have three euros

01:24:03for tobacco.

01:24:06I only have twenty euros.

01:24:08We'll do the math.

01:24:09that this is the beginning

01:24:10of a beautiful friendship.

01:24:13You know, darling,

01:24:14what are you doing?

01:24:14Shall we go?

01:24:15Yes my love.

01:24:18Take a break, okay?

01:24:19And keep your spirits up.

01:24:21Cheer up.

01:24:24Children,

01:24:25This afternoon, Mom

01:24:26has left the hospital

01:24:26and when I came home

01:24:28to surprise us,

01:24:30an unscrupulous person

01:24:31She has been run over

01:24:31and has fled.

01:24:33Mom is in a coma.

01:24:35Again?

01:24:36Wow, that's intense!

01:24:37Tragedy has returned

01:24:38to shake

01:24:39to this family.

01:24:40Now we have to be

01:24:40more united than ever.

01:24:42Juan,

01:24:43I'm going to bed

01:24:45because I am

01:24:45very tired.

01:24:46Isabel,

01:24:47hang on a minute.

01:24:48What happened?

01:24:48I have found

01:24:49the parked car

01:24:50on the next street over

01:24:50with a dent in the trunk.

01:24:52Do you know anything?

01:24:53Yeah.

01:24:54It's just that before

01:24:55because of nerves

01:24:55I haven't told you.

01:24:56But I took it.

01:24:57Well, to go to the pharmacy.

01:24:59And the coup?

01:25:00Hey?

01:25:01I don't know,

01:25:02once parked

01:25:03the vehicle

01:25:03Well, someone must have given it to him.

01:25:05Here it comes

01:25:06That interrogation!

01:25:07Nothing, nothing.

01:25:08It was already the fifth one

01:25:09that the cake was missing.

01:25:10What a day.

01:25:11What I don't understand

01:25:12That's how you can run someone over

01:25:13to someone,

01:25:14flee

01:25:15and then sleep

01:25:16at night.

01:25:17Well, me neither.

01:25:18I'm going to do it

01:25:19another chamomile.

01:25:28That?

01:25:28Is it looking nice?

01:25:29Or is it not looking good?

01:25:31Dad,

01:25:31Tell me right now

01:25:32Where are you getting this from?

01:25:33these materials.

01:25:34They give them to me.

01:25:34in the construction down there.

01:25:36Don't you see I'm doing them a favor?

01:25:37if they are surplus.

01:25:38Hello, Emilio.

01:25:39How are you?

01:25:39I've given you the check

01:25:40that I haven't asked you.

01:25:41Ah, yes, Fernando.

01:25:42Thank you very much, huh?

01:25:43But don't you get down from the trash.

01:25:44Leave it on the doormat

01:25:44I'll take it.

01:25:46Uh, this painting

01:25:47It's the same as ours.

01:25:47Sure, sorry.

01:25:48This is the pearl effect.

01:25:50Yours is on sale

01:25:51with white clearly.

01:25:52Well, this is our land.

01:25:53Dad.

01:25:54Hey, Fernando,

01:25:55Don't get defensive, okay?

01:25:56If you want to put it the same way,

01:25:58We don't care.

01:25:59Oh, do you want me to show you the bathroom?

01:26:01I mean,

01:26:01I'll advise you for free.

01:26:02turning against me

01:26:03to all the neighbors

01:26:03And then you go and rob us

01:26:04the materials.

01:26:05But, Fernando,

01:26:06that it wasn't me,

01:26:06who has been my father

01:26:07who is a man without a conscience.

01:26:08Very good, Emilio.

01:26:08You're all alone now.

01:26:10But wait, man.

01:26:11Hey,

01:26:12I'm missing a little piece.

01:26:13of a platform like this

01:26:14to snatch

01:26:14the chamfer of the bed.

01:26:15If you have anything left over.

01:26:17Dad, go on, shut up.

01:26:18We're putting in a plant.

01:26:19Shut up, shut up.

01:26:19There is no light.

01:26:20It cannot photosynthesize.

01:26:22You're going to do it

01:26:23photosynthesis,

01:26:24but in the residence

01:26:25that I'm going to put in you.

01:26:25Emilio,

01:26:26Why don't you love me?

01:26:27Oh, holy shit,

01:26:28that I don't love you.

01:26:29Yes, I love you, man.

01:26:30Come on, let's go to bed.

01:26:31Oh, I don't know,

01:26:32It's really punctured

01:26:33This is unbearable.

01:26:35Throw away the trash.

01:26:36Okay.

01:26:36And come back soon.

01:26:38There are none here.

01:26:42whoever lives.

01:26:49There are none here.

01:26:51whoever lives.

01:27:01Thank you.

Aquí no hay quien viva - 4x01 - Érase un despertar - HD 1080

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