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00:37What's wrong, Natalia? You're going to the disco to make the kids suffer, aren't you?
00:41Emilio, even if it doesn't seem like it, there is life beyond this building.
00:45Don't you ever get tired of being a goalkeeper?
00:47No way. Being a goalkeeper is like being an air traffic controller.
00:50The biggest challenge of my job is staying awake.
00:54Fascinating.
00:55Yeah.
00:56Goodbye, Emilio.
00:57Bye bye.
01:00My goodness, how's the girl doing? Because I have a girlfriend, right?
01:06Doña Vicenta, my dear, let's see if we can water with a little care.
01:08Hey, Emilio, did I get you wet?
01:10No, it's just that I sweat a lot in November.
01:13"I've gotten you wet," he says, "it's made me look like a chicken."
01:15Emilio! Open the bucket!
01:17So that?
01:19But what does he do?
01:22Almost.
01:22Let's see, me.
01:25Come on, a little bit of consideration, please?
01:26This looks like a carnival game.
01:29So, what did you think?
01:32Very well, Mr. Día Concha, a stuffed animal for you.
01:35Here, here, here, nobody lives here, not here, not here.
01:40Every day is like this, I couldn't have imagined it when I came here.
01:45I was just looking for some sea air.
01:47I wake up every day in the middle of a hurricane.
01:49Here, here, here, nobody lives here, not here, not here.
01:54Here, here, here, here nobody lives, not here, not here.
01:58If the house collapses on me, I can't find the doorman, the retinos are watching and listening for me.
02:05I endure, in this place, I put in a cocktail shaker, thunder, earthquake and a snack.
02:15Daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy
02:21daddy, ...
02:22daddy, ...
02:24daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy, daddy
02:45But you can't, huh?
02:49What time is it?
02:50Nine o'clock.
02:53When I sleep with you, I don't get any rest, you know?
02:56How awful, please.
02:59The most serene one is possible.
03:03Good morning, huh?
03:05What's wrong, why aren't you giving me a kiss?
03:07I know I have to scrub the doorway.
03:09Can't you stay in bed for a little while?
03:12Well, if you scrub it, yes.
03:14I mean, with me.
03:15So, who's going to do the dishes?
03:18Look, it doesn't matter.
03:19If it's my fault.
03:21Why make me sleep in this little squib and those who...?
03:23Hey, if you want, next time I'll take you to the shovel.
03:25Why don't we sleep at your house?
03:27Because Alicia is there and I don't want her to see us.
03:29Look, Belén, whether you like it or not, you and I are together.
03:32You need to come out of the closet.
03:33We're not together.
03:35If you look very caught.
03:37Look, I'm leaving because this is going to end badly.
03:40Well, look, don't get angry.
03:42If you want, we can shower together and I'll rub your back, okay?
03:44I wouldn't go into that bathroom even if I were drunk, no way.
03:48But what are you doing?
03:49You weren't leaving yet.
03:50I'm sneaking you out, so nobody sees me.
03:52Now.
03:53See you later.
03:53Now, this isn't a relationship, this isn't anything.
03:57This is faker than Michael Jackson's marriage.
04:00And now on top of everything else, I have to do the dishes.
04:02Oh, what a meadow of sorrow.
04:12Mom, Roberto and I are getting married.
04:18Honey, congratulations.
04:18Have you told your father yet?
04:21No, I haven't told him yet.
04:22I was going to call him right now to tell him.
04:24What do you mean you're getting married?
04:25What's the point of...
04:26Well, who else would it be with, Dad?
04:28With Roberto.
04:29Okay, Ayatu, but listen.
04:31Set up a separation of assets.
04:32Well, I don't know, yes.
04:35Separation of assets, take my word for it.
04:37Oh, how glad I am, my dear.
04:39You'll see how happy you'll be.
04:40Yes, it's very nice at first.
04:43But then what happens, happens, and it would be God's will.
04:46Don't think about what happened to me with your father.
04:48Remember what happened to me with your mother.
04:50The divorce hit me hard.
04:52I love Roberto.
04:53I'm sure he's the man of your life.
04:55And he loves you a lot.
04:56Let it be known that I have nothing against Roberto.
04:58But don't you think that's not much?
05:01Well, that's it, Mom.
05:02Just a big kiss, okay?
05:04And I'll call you.
05:05We're in touch.
05:06Okay, yes.
05:07Dad, we'll stay in touch.
05:09Separation of assets, Lucia.
05:11Which then becomes a living hell.
05:12Yes, a kiss.
05:15Who was he?
05:16My father.
05:17So, how's it going?
05:18Are you happy that we're getting married?
05:21Lot.
05:23And what's even scarier than Freddy Krueger, dude?
05:25What are you saying, kid?
05:26Terminator takes on Freddy Krueger and, well, he lasts two minutes.
05:29And someone spits on Terminator and melts him.
05:31Right?
05:32And what do I know?
05:33Which movie character scares you the most?
05:35To me, Enrique and Ana.
05:37Are you going to buy tobacco again?
05:38What did you do with yesterday's?
05:40An infusion, what do you think?
05:42Hey, what did you decorate this with?
05:44What is it?
05:45Your birthday?
05:45No, it's Halloween.
05:47That?
05:47Happy All Souls' Day, ma'am.
05:49Oh, we forgot to go see Dad.
05:51He wasn't going to tell us anything.
05:52Maybe.
05:53They say it's the day the dead manifest themselves.
05:55Sure, like those from Sintel.
05:56Please don't joke around, it makes me very nervous.
05:59Do you remember the story Dad used to tell us?
06:00Yes, the doctor prescribed whiskey for him.
06:02No, the one about the attic, the fire, and the girl.
06:05Yes, the same song every year.
06:07What story is that?
06:07Today, many years ago, here in this building, the doorman went crazy and set the house on fire.
06:13Of course, because he wouldn't have a contract, like me.
06:14Oh no, no, no, not all the neighbors managed to get out, except for a couple who had a little girl and lived in
06:18the attic.
06:19The bodies were never found.
06:21When the goalkeeper found out, he committed suicide in the goal.
06:23That's why sometimes they sound like the voices and cries of a little girl.
06:29Why is it scary, huh?
06:30But didn't you know that story? When did that happen?
06:32Many, many years ago. Just think, Marisa was little.
06:35Don't pay any attention to him. Come on, girl.
06:36Yes it's true.
06:37The president told you not to tell anyone.
06:41That's a bad vibe, isn't it?
06:43He couldn't have committed suicide anywhere else, that bastard.
06:45But this story is great. Why don't we make a horror movie?
06:48Yes, yes, come on, more energy, go on.
06:50No, no, no, we're with the neighbors.
06:52They just won't want to.
06:52They won't know. The best actor is the one who doesn't know he's acting.
06:56Wait, I'll get my camera.
07:00What does he want to do?
07:01I don't know, but it's cool.
07:04Oh, damn, what a mouth she's got.
07:07Okay, I'm here. Where are we going?
07:10I don't know, where are we going?
07:11It's our day off, shall we do something?
07:14Like what...?
07:15Well, maybe go for a walk, I don't know, do a little shopping for myself.
07:19With how cold it is?
07:20Fernando is the only day we have to be together.
07:22What's going on, are we going to be locked up here?
07:23No, I prefer to call it domestic leisure.
07:28This is the beautiful thing about a relationship, when over time you reach the point of complicity.
07:32and confident that you would throw something at your boyfriend's head for being so unromantic.
07:35But what's going on?
07:36Since I don't want to go out and freeze, it turns out I'm not very romantic.
07:39No, that's why, and for other reasons that aren't worth listing now if we want to start the day.
07:42off to a good start.
07:42Well, look, as always, you're wrong, you jump the gun, and you speak before your time.
07:47For your information, I've booked a table at a restaurant.
07:50Oh, really?
07:52Which?
07:54I don't know, I just don't remember.
07:56I'll check my schedule.
07:57Oh, how lovely.
07:59It better be an expensive place, huh?
08:02That's the guy.
08:06Dad, this should happen six months with each one.
08:09I don't see the logic in it.
08:12It was Mom's idea.
08:13You know that I give money to avoid arguing with Mom.
08:15And what's more, she's dating another guy.
08:17I think it's lined.
08:19Take advantage.
08:20Didn't you want a motorcycle?
08:24The bug is here!
08:26Mom, Mom, please, let's try to behave like adults, okay?
08:32Hello!
08:33Hello!
08:33Okay, let's sort this out quickly, my car is double-parked.
08:38Very good.
08:40Dani, go with Mom.
08:41Tielo.
08:42Rebecca, go with Dad.
08:43Hi, Mom.
08:44Hello, boss and me.
08:45The only thing I ask of you, please, is that you don't ruin it too much for me these six months.
08:50What are you implying?
08:51Is my son a bad father?
08:53No, no, no, Mom, don't take the bait.
08:55What do you mean I'm not a good father?
08:57Dani, tell him all the things we've done together.
09:00Dad, you're never home.
09:03Mom, you say something.
09:04Son, if you're right.
09:06Very good.
09:08From now on, I'm going to show you all that I can be a good father.
09:11Right, Rebecca?
09:12I don't know, it's too early to say.
09:15Okay, Dani, let's go.
09:17Mom, if they call my cell phone.
09:19Oh, of course, darling!
09:21And you should read the book by Paulo Coelho.
09:24Goodbye, champion.
09:26Good luck, Armando.
09:27Luck.
09:28Goodbye, Grandma.
09:29Oh, come on!
09:30So many kisses.
09:31Come on.
09:37Okay, so what?
09:39How is my princess?
09:41I don't like this house.
09:43Yes, yes, yes, yes.
09:45It's the same as always.
09:46That's why I don't like it.
09:47I'm going to choose a room.
09:52I notice she's changed a little.
09:55We got off to a good start.
09:57Okay, I already have the title.
09:59The panic attic.
10:00First scene.
10:01We hide
10:02And you start to scare the neighborhood.
10:04Okay?
10:04Do you know it?
10:05Damn, this is really complicated.
10:07In the silence of my solitude
10:08from the mysterious attic door
10:10I have received some sinister wailings,
10:12disturbing and terrifying about a girl.
10:14Damn, huh?
10:15Hey, I don't want to get myself into trouble.
10:16with this nonsense of a movie.
10:17Hey, on top of that, I have to put you in the main role?
10:19No, Paquito, I know this
10:20It's a huge opportunity for me, but...
10:21My mother is coming!
10:22My mother is coming!
10:22No, no, not Doña Paloma, okay?
10:23He thinks he can poop!
10:25Said!
10:25No, Emilio, we're filming three action movies.
10:27What?
10:29Hi Emilio, how are you?
10:32Very bad, Mrs. Paloma.
10:33Hey?
10:33From the silence of my solitude
10:35in the eerie and mysterious attic
10:37A pitiful little girl has been terrified.
10:39What are you saying?
10:41I was cleaning the stairs
10:42And I heard some really bad wailing.
10:43about the girl who was burned many years ago.
10:45Hey, Emilio, you're not smoking, are you?
10:46Those are some unusual herbs, aren't they?
10:47No, no, it was awful,
10:49which was clearly a dead man manifesting himself.
10:51Hey, a dead man, and what did the dead man say?
10:54Well, as I was saying...
10:55Oh, what pain!
10:57Oh, it's so hot!
10:59And that he was coming for all of us.
11:00and that we were all going to die
11:01and all those things that the dead say.
11:02Oh, be quiet, you're making me very nervous
11:04These things, man!
11:05And something between us, Doña Paloma?
11:07They're watching us!
11:08Who's watching us? Who?
11:09The dead!
11:10Oh, get away!
11:11Stop talking nonsense, man, already!
11:12Well, I've already warned him.
11:14That's very good luck.
11:17Cut!
11:18Hey, how did I do?
11:19Well, bad, very bad.
11:20It's all very exaggerated,
11:21Nobody believes it.
11:22That it's always yes,
11:23I'm telling you, my mother swallowed it.
11:27I've already hit you, damn it.
11:29Damn glue.
11:31Dad, what are you doing?
11:32A model,
11:33It was recommended to me for stress relief.
11:35It works, huh?
11:36Works.
11:37Juan.
11:38Look, Juan,
11:39You need to talk to Emilio.
11:40Hey?
11:40Because he tried to scare me.
11:41What happened?
11:42Nothing that says she hears a girl's voice.
11:44Which girl?
11:44I don't know,
11:45one that says it burned in the attic
11:47a long time ago.
11:48Here it is,
11:48How did Emilio find out about that?
11:49I'm going to say it right now.
11:50Don't tell anyone.
11:51But Juan,
11:52Juan,
11:52It's true.
11:53Dear,
11:53Don't pay attention to that nonsense.
11:55But did it burn or not?
11:56It is unknown,
11:56has not found in the body.
11:58Not even teeth,
11:58or anything.
11:59I don't know,
11:59If that happened 70 years ago.
12:01Well, the girl must be happy.
12:02because he told Emilio
12:03that is coming for us.
12:04Hey,
12:04You're not going to tell me
12:05that you believe that nonsense.
12:07Look,
12:07Juan,
12:07No ghosts here,
12:08Hey?
12:09No ghosts here.
12:11Of course,
12:11Don't worry.
12:12If you separate your assets
12:13It's the most normal thing in the world.
12:15I don't know,
12:15It just doesn't seem very romantic to me.
12:17It's just not romantic at all.
12:19But it's the most practical.
12:20Look,
12:20This is like a contract,
12:22Hey?
12:22So,
12:22if you like,
12:23I'll draft some clauses for you
12:24and then you
12:24You show them to Roberto.
12:26Well,
12:27come on.
12:29Hey,
12:29congratulations,
12:30Hey?
12:30That they look at you more and more.
12:31the brave ones.
12:33Bye bye.
12:33Bye bye.
12:34Bye bye.
12:36Ann,
12:36How wonderful it is to get married
12:37And you've slept with the girl
12:38the fear in the body.
12:39Already,
12:39Mauri,
12:39But the thing is, people
12:40it ends in fighting
12:41even down the doormat.
12:42Hey,
12:42if we got married
12:43Would you make me sign
12:44a separation of assets?
12:45We can't get married.
12:46I know,
12:46And it really pisses me off,
12:47But imagine it.
12:48Okay,
12:49So we got married.
12:53Would we do it or not?
12:54separation of assets?
12:55Of course,
12:56No?
12:56That's the fairest thing to do, isn't it?
12:57What belongs to each person
12:58It belongs to each individual.
12:59Very good.
13:01Have you gotten angry yet?
13:02No,
13:02I'm not angry.
13:03What belongs to each person
13:03It belongs to each individual.
13:04This letter is yours.
13:09Do you want to eat right away?
13:10I don't like this.
13:11It has a lot of fat.
13:12And what's it to you?
13:13Grandmother,
13:14We are what we eat.
13:17Lidia,
13:18Lidia,
13:19hey,
13:19that we won't be able to meet today.
13:20No,
13:21the thing is,
13:21they have entered
13:23to my mother.
13:24What are you saying?
13:27Don't get angry,
13:28Why don't you go to the movies?
13:29with your husband?
13:31Come on,
13:31I'll call you tomorrow.
13:32Hey?
13:33Armando,
13:34I can't
13:34with this offspring,
13:36I'm getting a rise in my blood.
13:37sugar.
13:38Eating what you eat
13:39It doesn't surprise me.
13:40Until you eat everything,
13:42You're not getting up from here.
13:43I want a soy yogurt
13:45and my pill
13:45of echinacea.
13:48What are you saying?
13:50How to be a good father?
13:52Chapter 1.
13:53Your son,
13:54that great unknown.
13:56Marisa!
13:58What am I going to do?
13:59the purchase!
14:00Beer with alcohol
14:02and the mussels
14:03pickled.
14:05Okay!
14:28Marisa!
14:30Marisa!
14:31Marisa!
14:32Pussy!
14:33You're back so soon!
14:34Let's take a look
14:35of tranquility
14:35that this does not have
14:36neither head nor tail.
14:37This is not happening here.
14:38nothing unusual.
14:39And the shopping cart?
14:39My shopping cart moved by itself.
14:41And what are you telling me?
14:42What took it?
14:42A ghost?
14:42Well, you should have given it to him
14:43the shopping list
14:44and I would have done it for you.
14:45Dear Juan!
14:46We're all going to die!
14:47We're all going to die!
14:48Emilio!
14:48Let me go!
14:49Hey!
14:49It's making me hysterical!
14:50Me at night
14:51I hear voices.
14:53Clear,
14:53You hear voices
14:54because you sleep
14:54with the radio on
14:55under the pillow.
14:56I hear voices too,
14:57Hey?
14:58Like a groan
14:59from a lady.
14:59That's my wife.
15:00when we make love.
15:01Juan!
15:01Well, it's terrifying.
15:03Oh, my goodness!
15:04Deliver us from evil spirits!
15:06We're all going to die!
15:07Emilio!
15:08Will you shut up?
15:08Please,
15:09Let's not go any crazier
15:10We're already at that point, huh?
15:12Are you saying
15:12who lives here among us
15:14a family of dead,
15:15No?
15:15I think so.
15:16Well then
15:17that they pay the community fees.
15:18Yes, man.
15:18And let them come
15:19to neighborhood meetings.
15:20And how do I count my vote?
15:21But please,
15:22that this is pure suggestion.
15:23Come.
15:23Now everyone
15:24Go home and sleep, okay?
15:25How can you fall asleep?
15:26You'll see how tomorrow
15:27We are all more at ease.
15:28Yes, if any of them live there.
15:29to tell the tale.
15:30Emilio, please.
15:31Juan!
15:32Juan!
15:32I want to go live
15:33to a chalet.
15:34Please.
15:35What a mess!
15:36This is going to be a bombshell, guys.
15:38I'm going to succeed
15:39at all festivals.
15:40Sure, sure.
15:40At Eurovision,
15:41at the OTI,
15:41everywhere.
15:42It's cinema verité,
15:44the cinema eye
15:44as Berthoff said.
15:45Yes, yes,
15:46It's from the quilts
15:46by Berthoff and Gasparó.
15:48Hey,
15:48tonight
15:49Something has to be done, right?
15:50Tonight
15:51It's going to be very long.
15:53Hey, Paquito,
15:53Let's see if he'll give it to him
15:54someone a bad guy
15:54And we have an injustice.
15:55No,
15:55that to the people
15:56He loves being scared.
15:57Do you have red paint?
15:59But don't kill me,
16:00that I am the protagonist.
16:04How to be a good father?
16:06Chapter 2.
16:07Dialogue.
16:08You must have
16:09a great understanding
16:10towards the child
16:11and a willingness to engage in dialogue.
16:13That's not the norm
16:14more suitable
16:15that the father
16:15lose your temper.
16:18Cardigan!
16:20Cardigan,
16:21Why don't you leave
16:22to paint the table
16:23and you paint on the sheet of paper
16:24Is that what it's for?
16:25Because the pages
16:25they get lost
16:26while the table
16:27He will always be here.
16:29It's the furniture
16:29and the paints
16:30They get damaged.
16:31What's happening?
16:31Don't you like them?
16:32My drawings?
16:32No no,
16:33I didn't say that.
16:34Hey,
16:34that I am not total,
16:35that my intellectual consciousness
16:37It is 155.
16:38Hey,
16:39Will you let me speak?
16:40If he raises his voice at me
16:41I can create myself
16:42a section
16:42I've read it
16:43in that book.
16:44And you?
16:45And you
16:45Why are you reading this book?
16:47Is this book mine?
16:47At Mom's House
16:48Everything belongs to everyone.
16:49Well, not here.
16:50I can't stand you.
16:51brother.
16:52Good,
16:52But call me Dad.
16:54I don't want to.
16:55That?
16:55The dialogue was good,
16:56No?
16:59He has learned that
16:59from his mother.
17:03But don't you think
17:04that Roberto
17:04It can be taken the wrong way.
17:05about the separation
17:06of goods?
17:07Why would he take it?
17:07Badly?
17:08Because like him
17:09has less money.
17:10Well, it was about time.
17:11that things
17:11They will change.
17:12Now we
17:13We have the power
17:14that they submit.
17:15Relax, Belén,
17:16which is not your case.
17:17Well then,
17:17neither yours.
17:18Already,
17:18oh well,
17:19He might get offended.
17:19and she doesn't want to get married
17:20with me.
17:21But let's see.
17:22Marriage
17:23It's very beautiful.
17:24Beautiful.
17:25But it can go wrong.
17:26It usually goes wrong.
17:27Then things fall apart
17:28and uncle
17:29he takes half
17:30of what you
17:31You've won.
17:32Yes, Lucia,
17:32that one in three
17:34couples separate.
17:34Do you know what that means?
17:36That the other two
17:36They don't know what they're putting on.
17:37the horns.
17:40And when you go
17:41to turn 40,
17:41He'll leave too
17:42with one of 20.
17:43And you come
17:44to have surgery
17:45not at all.
17:45And the skin stretches,
17:47But it has a limit.
17:48What a joy!
17:49come on,
17:49You're making it hard for me
17:50phenomenal.
17:51Conclusion,
17:52separation of assets.
17:53Clearly.
17:55Come on,
17:55Call Fernando.
17:57He's not gay.
18:03What is this?
18:08ugly bed girl.
18:11Oh,
18:11How unpleasant!
18:13please.
18:14Disgusting.
18:15Oh,
18:16How disgusting.
18:23Come on,
18:23come on,
18:23fast,
18:24fast.
18:31Josemi,
18:32that is rising.
18:33Throw it to me,
18:34throw it to me.
18:35Take.
18:37Throw it to me properly.
18:38Yeah,
18:39Pussy,
18:39wait,
18:39which is not so easy,
18:40that I am not my dear,
18:40Mr. Joe.
18:41Here it goes.
18:44Come on,
18:45runs,
18:45Put it on the sofa,
18:45runs,
18:46that is rising.
18:59Oh,
19:01go.
19:03Oh,
19:06Oh,
19:06the doll.
19:07Juan,
19:08Juan,
19:09It's here,
19:10It's here.
19:11Who?
19:11Who's here?
19:12The girl's doll.
19:13Which doll?
19:14What are you saying?
19:15I ran into her on the portal,
19:16I swear,
19:17Juan,
19:17that I threw it in the trash.
19:18And look where he is now.
19:21Where?
19:24I was here,
19:24Juan.
19:25But,
19:25Pigeon,
19:26If you threw the doll in the trash,
19:28He can't be on the sofa.
19:30Well,
19:30That's the strange thing,
19:31Juan,
19:31that you raised your wrist by yourself.
19:33But,
19:34How will the doll lift itself?
19:35What if you can't reach the elevator button?
19:37But,
19:37Well,
19:37Don't joke around,
19:38Hey?
19:38And don't laugh at the spirits.
19:40who get angry.
19:41But what spirits,
19:41Pigeon?
19:42For God's sake,
19:42What spirits?
19:43Oh,
19:44Juan,
19:44the girl in the attic
19:45He wants to tell us something.
19:47Well,
19:47Well, have them leave us a note on the fridge.
19:50Oh!
19:51What happens now?
19:53I mean,
19:54that the apartment is yours,
19:55No?
19:55Yeah,
19:55Yeah,
19:55Yeah,
19:56Yeah,
19:56My name is there.
19:57So, that's it.
19:57Don't even touch it.
19:58Let that be perfectly clear.
19:59Ah,
19:59And Pon says he has to make love
20:00at least three times a week.
20:02Cunnilingus included,
20:04non-negotiable.
20:04But how are you going to put that?
20:05No,
20:06That's a different kind of agreement.
20:07Well,
20:07But what does it matter?
20:08You put it in there
20:08And I'm sure you'll sign it.
20:09without realizing it.
20:10Oh,
20:10If you have erection problems,
20:11compensation.
20:13And if not,
20:13removes hair from the bathroom,
20:14out of custody of the children.
20:16Yes indeed.
20:16You're scary,
20:17Hey?
20:19Hello.
20:20Hello,
20:20dear.
20:21How are you?
20:22Good.
20:23What are you doing?
20:24Well, that's it.
20:24here,
20:25who is Fernando's cousin
20:27What is he going to do to you?
20:27some floral arrangements
20:29for the wedding,
20:29your wedding.
20:30Yeah,
20:30Yeah,
20:30He is an artist.
20:31Yeah,
20:31Everything is going to look beautiful.
20:33Yeah,
20:33Yeah,
20:34Yeah,
20:34Yeah.
20:35Jomacho,
20:35We have triumphed.
20:36My mother is absolutely terrified.
20:38Now all that's left is my father.
20:39Your father is going to have his turn tonight.
20:41Hey,
20:42Do you believe there is life?
20:43after death?
20:44And if there is one,
20:44It will be as expensive as this one.
20:46Well, I don't know,
20:46Emilio,
20:47This is just a movie.
20:48Well, because if you're an anchovy,
20:49It is known to end up in vinegar,
20:50But what if you're a man?
20:51Then hide the camera.
20:52The Ghostbusters are coming.
20:54Well,
20:55I have seen the night
20:56of the living dead,
20:57and you?
20:58I, the exorcist,
21:00I, Poltergeist.
21:01Well, I,
21:02Petty Goman,
21:03But that one isn't horror.
21:04What do you mean, no?
21:05If Richard Gertz
21:05She has an amazing ass,
21:07Pussy.
21:08Well,
21:08let's see,
21:08goes,
21:09conclusions.
21:09I think this house
21:10It is located above an old cemetery.
21:11I think we need to call a priest.
21:13Because this is the work of the devil.
21:15Well, in mine
21:16the dead rose again
21:17and they bit.
21:18Hey,
21:19lady,
21:19lady,
21:20It seemed like it to me
21:21the spirit of the old goalkeeper.
21:22Yeah?
21:23And what did he say to you?
21:24Emilio told me,
21:25You keep everything so clean.
21:26Come on,
21:27man,
21:27Emilio,
21:27It's not funny.
21:29In this house
21:29Very strange things are happening.
21:31Oh,
21:31more that are going to happen.
21:32Try to get some sleep tonight.
21:34Vicenta,
21:35Let's go to the pharmacy
21:36through Valerian.
21:40Well,
21:41well,
21:41goes home,
21:42He goes home to do his homework,
21:43goes.
21:43But I don't have one.
21:44Already,
21:44Pigeon,
21:44if the boy has no homework.
21:46But,
21:46And how am I supposed to get home alone?
21:47I'm scared.
21:47And if the spirits come,
21:49Did you catch me alone?
21:50Dad will tell you.
21:51You'll see, old man.
21:52Don't tell Dad anything.
22:14Emilio,
22:16it's you?
22:26Is anyone there?
22:35How to be a good father?
22:36Chapter 3.
22:38Reverse psychology.
22:40Tell your son
22:41opposite
22:41of what you want to get
22:42so that it does
22:43Whatever you want.
22:46Dad,
22:46I don't want to sleep
22:47with grandma.
22:51Better,
22:52I don't want you to sleep
22:53with grandma.
22:53I sleep with my grandmother,
22:54I laugh a lot
22:55with the stories
22:55They tell me such funny stories.
22:56You'd better sleep.
22:57all alone in my room.
22:59That?
23:00Where do you want to sleep now?
23:02Hey?
23:05Yes, it works for you.
23:06That book is good.
23:07This takes time,
23:09mother.
23:10I'm not sleepy
23:11and in this room
23:12I went to see.
23:20Marisa,
23:20come,
23:21runs,
23:21a spirit.
23:23What are you saying?
23:24A glass
23:25rotating in the microwave.
23:27Yeah,
23:27it's me
23:27I'm heating up some milk.
23:29Huh?
23:30And where did you give it?
23:31So that it spins?
23:33Go on,
23:34Go to bed.
23:35Go to bed.
23:37Wait,
23:37that I haven't found
23:38reading glasses.
23:39In the living room,
23:40grandmother,
23:40who doesn't understand.
23:44What's wrong with you now?
23:46That's why,
23:47come,
23:47runs!
23:48Let's see,
23:49lady,
23:50What exactly is wrong with them?
23:51Look what we've come up with!
23:52on the wall.
23:53A stain?
23:53No,
23:54It's a face,
23:55He's a dad.
23:55Go on,
23:56my mother.
23:57Don't you believe me?
23:57Look at the photo,
23:58It's identical.
23:59Well, I'm not saying anything either.
24:00that cannot have an air,
24:01Vicenta,
24:02But the thing is...
24:02I think it's more than a problem
24:03from beyond,
24:04This is a problem
24:05of dampness,
24:05Hey?
24:05No,
24:06no,
24:06that in the building
24:07are happening
24:07very strange things.
24:08Look,
24:08Fernando,
24:08If he is her father,
24:09This is a family matter.
24:10It's best if they work things out.
24:11among them.
24:12I'm going to bed.
24:13Yeah,
24:14Call a bricklayer tomorrow
24:15and surely his father
24:17Go back to rest in peace.
24:18Come on,
24:19good night.
24:20I don't care about anything.
24:21But we're making fools of ourselves.
24:23Marisa,
24:24Dad is here too,
24:25He wants to tell us something.
24:29Man,
24:30Of course I believe you.
24:30To the,
24:31look,
24:31Say goodnight to him.
24:32The degree is that
24:32has come without mom.
24:34And that's all
24:35which I see as normal.
24:37Look,
24:38a baliún,
24:40a little sip of chinchón
24:41and off to bed.
24:43I don't want to be here.
24:45Oh!
24:46What's that?
24:47I want to go home.
24:49Fuck!
24:50The girl in the attic.
24:51I want to go home.
24:54I'm going to talk right now.
24:55with the president.
24:56What the hell are you going to say to him?
24:59Oh,
25:00Juan!
25:01Are you hearing it?
25:02Juan?
25:02No,
25:03I'm not hearing anything.
25:04Nobody here is listening to anything.
25:05Go to sleep.
25:06I want to go with my mom.
25:08Oh!
25:12What do you want from us?
25:14But don't talk to her.
25:16So that immediately
25:16You start talking to anyone.
25:18It's the spirit
25:19of the girl in the attic,
25:20Juan.
25:20That's not from below.
25:21that have been left
25:21the television was on.
25:23I'm sure they're watching
25:24a chapter of Heidi.
25:25Yeah,
25:25man,
25:26Heidi at midnight.
25:27Besides,
25:28the one who wanted to return
25:28with her mother
25:29It was Marco.
25:30I want to go back to my mom.
25:32Brother!
25:32Take a look
25:33What's wrong with him now?
25:34No, Mom,
25:35no.
25:36That's fair.
25:36what not to do.
25:37Look,
25:38Chapter Four.
25:39Do not give in to blackmail
25:40nor manipulations.
25:41He'll get tired of it soon.
25:44Look how tired he is
25:45who has left home.
25:47Fuck.
25:50We're going to tell him
25:51that there are some tormented souls
25:52that they want to tell us something.
25:59That,
26:00chalet?
26:01They've put it there
26:01in writing.
26:05But, Juan,
26:06Are you going to leave me here alone?
26:07Do you want to come with me?
26:08No, no, no, no.
26:09I'm staying here.
26:10I'm staying here.
26:10Really, Paloma,
26:11at this point
26:12of life
26:12Let's continue to believe
26:13in ghosts, huh?
26:21I want to go with my mom.
26:22Fuck!
26:25But,
26:27Who gave you permission?
26:28to leave the house?
26:29There is a gentleman over there
26:30with a beard.
26:31He is the president
26:32of the community.
26:32I don't like.
26:34Look,
26:34You already have something in common
26:34with your grandmother.
26:38But tell me, darling,
26:39What have you seen?
26:41I don't know anymore.
26:41nor what I have seen.
26:42You're turning me into
26:43crazy among them all.
26:44José Miguel
26:44He wants to talk to you.
26:46I don't know what's wrong with him.
26:47He's in his bedroom
26:47very scared.
26:48Normal.
26:50I'm going to reassure him.
26:52Juan,
26:52A lot of composure, huh?
26:53It shows great strength of character.
26:55that you are his father.
27:03Hey, champ.
27:04Let's see what happens to you.
27:08Dad,
27:09I want to tell you
27:10my secret.
27:15sometimes
27:17I see dead people.
27:19Me too,
27:20my son.
27:20Oh, really?
27:22I just saw
27:23to the girl in the attic
27:24on the landing.
27:26This...
27:27Dad,
27:28I'm afraid.
27:30What are we going to do?
27:32A meeting
27:33of neighbors.
27:35Or the neighbors
27:35alive
27:36or the dead.
27:37Here everyone
27:38There's no room.
27:38Hey,
27:39trunk,
27:39Garci sees this
27:40and they put
27:40goosebumps.
27:42Hey,
27:42about the girl
27:43That was a great move, wasn't it?
27:44By the way,
27:44Where did you get it?
27:45Which girl?
27:46If I haven't brought
27:47no girl.
27:48And then
27:49Where did it come from?
27:50Hey,
27:50I'm getting scared,
27:51Let's see if we can go
27:51to be annoying
27:52to the dead.
27:53Yeah,
27:53well my father
27:53has remained
27:54a little over there.
27:57Hey,
27:58We need to record it,
27:58And by the way,
27:59if your sister
27:59it is happening
28:00a shower,
28:00Well, that too.
28:01Emilio,
28:02please,
28:02that this is art.
28:03And the other thing too.
28:07Hello,
28:08How's it going?
28:09Oh,
28:10excellent.
28:10Have you prepared
28:11Breakfast?
28:11Yeah,
28:12This is my mug
28:12And that's your cup.
28:14This is my teaspoon
28:14And that's your teaspoon.
28:16But what's going on?
28:17We're still here
28:17with the nonsense.
28:18Those are the same ones
28:19galleys,
28:19I bought them myself.
28:20Your cereals
28:21They're in the closet
28:21as always,
28:22that came with the house
28:23I don't really know.
28:23Whose is it?
28:24Sugar
28:25I bought it too.
28:26Yeah,
28:26but it turns out
28:26that this sugar bowl
28:27He gave it to me as a gift.
28:28my mother.
28:29Here you go
28:30your sugar bowl.
28:32Hey,
28:32Don't you think so?
28:33a little childish
28:33all of this?
28:34No,
28:34if the one who is
28:34obsessed
28:35with the separation
28:35of goods,
28:36it's you.
28:36Ah,
28:36Well, that's fine.
28:37Well, nothing.
28:37I'm going to watch for a while
28:38my TV.
28:39Yeah,
28:39but sitting
28:39on my sofa.
28:40And where do you want
28:41What do you want me to feel?
28:42On the ground?
28:42If you first set aside
28:43my rug.
28:44Fuck,
28:44Mauri,
28:45How long will this last?
28:45Are we going to continue like this?
28:46Don't know,
28:47get in touch
28:57Look, Roberto,
28:58dear,
28:59that I believe
29:01that this is the best
29:01for both of us,
29:03We love each other very much
29:04and it doesn't have to
29:05Nothing will happen,
29:06oh well,
29:07well, so
29:08we stayed
29:08more calmly.
29:10Of course,
29:11dear.
29:12Come on,
29:12let's see,
29:13Where do I sign?
29:13Here,
29:14my love.
29:14And that's it?
29:15See how easy it is?
29:16If you don't have to eat it
29:17a lot of the head.
29:18Hello.
29:18Hello.
29:20Well,
29:21I'm leaving
29:21which is that I have
29:22ironing the pants
29:23from the burger uniform,
29:24that
29:25I feel like looking beautiful.
29:26Hey,
29:27Yeah,
29:27I might even put on some makeup
29:29the lips.
29:29Very good.
29:32Dear,
29:32I've been to others
29:33three restaurants,
29:34we're going to eat purple
29:35testing menus,
29:36look.
29:37Hey,
29:37Roberto,
29:38Could you talk for a moment?
29:38with you?
29:39And it turns out that the son
29:40from a friend of a colleague
29:41my mother's yoga
29:42He is a priest
29:43and has been offered
29:44to give us the course
29:44premarital here at home,
29:46good afternoon.
29:47But are we going to get married?
29:48Through the church?
29:49Man,
29:49clear,
29:49Since we're on the subject,
29:50Things are good for you
29:51or better yet, not to do them.
29:52Look,
29:52I admit that at first
29:53this thing about getting married
29:53It didn't give me a bad feeling,
29:55But now I've realized
29:56that you are a wonderful woman,
29:58What is sharing?
29:58your life with me.
30:00Yeah.
30:00There is something more generous
30:01to share
30:02everything you have
30:03with another person.
30:04Illusions,
30:05dreams,
30:05toothpaste,
30:07the secret number
30:07of the credit card.
30:09I don't know,
30:10that trust
30:11one in the other,
30:13come on,
30:13that excites me.
30:15What is this?
30:16This?
30:17Nothing,
30:18nothing,
30:18nothing.
30:18Go on,
30:18silly.
30:19Come on,
30:20This is the lingerie section.
30:21Yeah,
30:21Yeah.
30:22That it does not bring,
30:23nothing's wrong,
30:24which is nothing.
30:25Let's see,
30:25marriage contracts.
30:26What is this?
30:27Well, that's it.
30:28This is a supplement
30:30that came in the magazine
30:31of wedding dresses.
30:33Ah.
30:33Yeah,
30:34They explain everything there.
30:35well the suit
30:36and all the fuss.
30:37How to be a good father?
30:39Chapter 9.
30:41Share activities
30:42with your son.
30:44Cardigan?
30:45Did you like it?
30:46the doll
30:47What have I given you?
30:47Look at that body she has.
30:50What's wrong with him?
30:51Because of dolls
30:52how are you doing,
30:53then there have been
30:53girls with anorexia.
30:55Okay,
30:56Okay,
30:56Let's leave it at that
30:57of the wrist.
30:58Do you feel like it?
30:59Shall we do something together?
31:00Let's set up
31:01on horseback
31:02to the equestrian club.
31:03To the riding club?
31:05I just don't know
31:06horse riding.
31:07You don't know how to ride a horse,
31:08but you
31:08What kind of father are you?
31:10Wouldn't you prefer
31:11that we go
31:12to the swings?
31:12Well,
31:13If you feel like it,
31:14You're going to get on
31:15And I look at you.
31:17Fuck.
31:21Hello, everyone.
31:22We are gathered here...
31:23What is that noise?
31:24Let's see,
31:24a little bit of please.
31:26Let's talk
31:26one by one.
31:27And in total,
31:27We're all going to die.
31:28What is this guy saying?
31:30Nothing,
31:30agenda,
31:31first point.
31:32Emilio!
31:33Don't touch my back
31:34without warning me,
31:35please.
31:35I've forgotten
31:36to say to turn it off
31:37mobile phones.
31:38It doesn't matter.
31:39First point.
31:39Hey,
31:41the idea that we're going to die
31:42It will all be for the owners,
31:43No?
31:43Because my sister
31:44She owns the apartment.
31:45Don't know.
31:46First point.
31:48Analysis and decision making
31:49about the strange events
31:51and presences from beyond,
31:53annoying and unhealthy,
31:54in this our community.
31:55But this is a joke,
31:56No?
31:57That?
31:57Have you made progress?
31:58April Fool's Day?
31:59No, sir.
31:59It's because there are entities
32:00and spirits that speak to us.
32:01Yeah,
32:02and the father of these two
32:02It has appeared to them on the wall.
32:04Well,
32:05I've been looking online
32:06and I have found
32:07an exorcist
32:07which seems serious.
32:09He also teaches mathematics,
32:10oh well,
32:11That doesn't interest us.
32:12I've spoken to him
32:13and he told me
32:13that the house needs cleaning
32:15of negative energies
32:17and entities of the lower astral plane.
32:19Don't ask me
32:20what is
32:20because I have no idea.
32:22Now,
32:22yes indeed,
32:22I'm warning you.
32:24The Exorcists
32:24They are very expensive.
32:25Yeah,
32:26ever since they made the movie
32:26Prices have skyrocketed.
32:28A donation for an exorcist.
32:29This is the last straw.
32:30Strange things are happening.
32:32We'll have to do something.
32:33I, certainly,
32:34I'm not putting a single penny into this.
32:35Oh ok,
32:36because she doesn't get cleaned
32:37the spirit floor
32:38And that's it.
32:38Let's see,
32:39votes in favor
32:40to call the exorcist.
32:42Simple majority.
32:43This afternoon
32:44They come to clean for us.
32:46Really,
32:46What doesn't happen here.
32:49That it's always yes,
32:50that is coming
32:50a real exorcist
32:51that my father called him.
32:53Eye,
32:53this story
32:53It writes itself.
32:55Hey, hey,
32:55So what happens now?
32:56Now people are starting to die.
32:58Ah,
32:58it's very nice,
32:59a little bit of action.
33:00In every scary movie
33:01There's a pretty girl
33:02who shouts a lot.
33:07How are you?
33:09Hired?
33:10A movie.
33:11Hey,
33:11So what do I have to do?
33:13Basically,
33:13to die.
33:15Only?
33:15It's because the protagonist
33:16it's me.
33:17If that one is not understood.
33:18Hey, you,
33:19that you're going to be the bride
33:19of a famous actor.
33:20We're not dating,
33:21Emilio,
33:22that we are nothing.
33:23Now,
33:24Okay, that's it.
33:24I'm not inviting you to the premiere.
33:25Well, I don't care.
33:29How to be a good father?
33:31Chapter 25.
33:32What to do if nothing works?
33:35List of boarding schools
33:36in Switzerland.
33:39Daughter,
33:40Are you feeling okay?
33:41I'm doing great.
33:42This is a shock to me.
33:44I don't have a garden here.
33:46Clear,
33:46the thing is,
33:47It's because Mom
33:48She now lives with her boyfriend
33:49in a very nice chalet,
33:50But we live
33:51in the center.
33:51And he had two dogs.
33:52very large,
33:53Prince and Madonna.
33:56Well,
33:56If you want, we can buy a dog.
33:58It's cruel.
33:59having a dog in an apartment.
34:00So we didn't buy it.
34:02Well, I'm bored here.
34:03What I do?
34:06Don't know.
34:07This house is falling down on me.
34:09Look,
34:10daughter,
34:10I can't take it anymore.
34:11I'm no good as a father.
34:13If you want to go with Mom,
34:14I'll call Mom
34:15And I came to find you right now.
34:16It's humiliating.
34:17But I don't care.
34:19Go on,
34:20Let's go for a walk
34:21Let's see if it gives you
34:22a little air.
34:24Where are we going?
34:25Invite him,
34:25who is not a good mom
34:26It gives me a lot of money.
34:28Then I don't take my wallet.
34:29But how am I going to get married?
34:30if you're already thinking
34:31What could possibly go wrong?
34:32Roberto,
34:32I didn't say that.
34:33It's just a separation
34:35of goods.
34:35Already,
34:36This is like Spain
34:36in the World Cups.
34:37We're already thinking about it.
34:38that we are going to lose
34:38and we lose.
34:39Okay.
34:41Well,
34:41what was missing
34:42for the priest
34:43give us the talk.
34:44Besides,
34:44what's that
34:45of premarital courses?
34:46Why do you have to take it off
34:47a certificate
34:47of I don't know what the hell
34:48of attitude
34:48Otherwise,
34:49Won't they marry us?
34:50Fuck,
34:50What a great time.
34:51And what did I know?
34:52Change your face,
34:53Go on.
34:53Change too
34:54yours,
34:55Hey?
34:59Hello.
35:01Sorry for the delay,
35:02is down
35:03two ladies
35:03I've been confused
35:04with an exorcist
35:05and they have been determined
35:06in which I saw
35:06a stain
35:07that they have on the wall.
35:08Happens,
35:09father,
35:09happens.
35:10I've had them
35:11to bless
35:12the microwave
35:12so that they would let me
35:13at peace.
35:14Well, that's it.
35:14sit there
35:15we're ready
35:15and very excited,
35:16TRUE,
35:17dear?
35:17A lot,
35:18my love.
35:20Well,
35:21So Roberto
35:22and Lucia,
35:22TRUE?
35:23Yeah.
35:23Good,
35:25Well, let's get started.
35:26Chapter One,
35:28courtship.
35:30Courtship
35:31It's time
35:32preparation
35:33and knowledge
35:34of the couple.
35:35Do you think you know
35:36to the couple?
35:36Because then you discover
35:38that she thinks
35:38that you're going after their money.
35:40Roberto,
35:40I didn't say that.
35:41Well, it says it quite clearly there.
35:42Will you shut up?
35:43Yeah,
35:44Yeah,
35:44Well,
35:44as I was saying,
35:46Yeah,
35:47life together
35:49It's about to begin
35:50And it's important
35:51seek harmony
35:52within the core
35:54of the home.
35:54Hey,
35:55Yeah?
35:55And will I be able to live
35:56here with you
35:56or do I have to pay you
35:57a rental?
35:58Roberto,
35:58You're being annoying,
36:00Hey?
36:00And I cannot go to the father,
36:02Hey?
36:02Miguel,
36:03Just Miguel.
36:04Yeah.
36:05Good,
36:06As I was saying,
36:07courtship,
36:08courtship
36:09It's time
36:10in which all expectations,
36:12all illusions
36:13They're going to hell
36:14because they doubt you
36:15and they sink you.
36:16Well,
36:16look,
36:16Forget about it now
36:17about the separation
36:18of goods.
36:18Look,
36:18bring the slip of paper,
36:19go on,
36:19I'm going to sign it.
36:20No,
36:20no,
36:20that I so
36:21I don't want you to sign.
36:21Leave me a bowl,
36:22Leave me a bowl.
36:22Well,
36:23Well,
36:23come on,
36:24come on,
36:25we're going to leave
36:26the chapter on courtship,
36:28because I see that
36:29You know it quite well.
36:31Chapter Two
36:32It's the family economy.
36:35Well,
36:36This chapter is better
36:37I'll leave it to you
36:37And you look at it yourselves.
36:47Look,
36:49Here comes the exorcist.
36:51Fuck,
36:52Wow, that looks great!
36:52This one scared me.
36:53that the ghost.
36:53Normal,
36:54with the scares
36:55that the man will take.
36:56Let me speak.
36:56Hello,
36:57good night.
36:58Good night.
37:00Ah,
37:01Well, this wasn't it.
37:02Well, she has a face
37:02of exorcist
37:03that he can't handle her,
37:04Hey?
37:04And what a face
37:04it is supposed
37:05What does an exorcist have?
37:07Hello,
37:08I am the parapsychologist.
37:11I've come to do
37:12a spectral cleansing.
37:14So that?
37:16Parapsychologist.
37:17I think they have
37:19a problem.
37:24Chapter Four.
37:26This is something
37:26from your father,
37:27TRUE?
37:27Well, tell your father
37:28that I don't need
37:29your money.
37:30Nor do I like yours,
37:31Hey?
37:31Where's the problem?
37:32I would emphasize
37:34in the importance
37:35to reaffirm
37:35that deep love
37:36that is seen
37:37that you have.
37:38Because it's visible,
37:38It's impossible not to see it.
37:40And the honeymoon
37:41I'll pay for it.
37:42We have each other too
37:42that we go all the way to the basin,
37:43But I'll pay for it.
37:44You don't have me.
37:45that you have to pay nothing.
37:46Women,
37:46Cuenca is very beautiful.
37:47And you don't need to get vaccinated.
37:48Come on,
37:49please,
37:49Does this seem normal to you?
37:50Do I have to sign this?
37:51I'm into couples.
37:52I understand less and less.
37:53So what is he doing here?
37:54That's what I was wondering.
37:56Do you want to leave?
37:56Can you tell us more?
37:58Behold,
37:58Behold,
37:59these talks
38:00They can also help you
38:02to realize
38:02whether in reality
38:03the person you have
38:04by your side
38:05They are the ideal couple
38:06with whom to live forever.
38:08But what is he saying?
38:09This man?
38:10Hey?
38:10Don't we love each other?
38:11No,
38:11No,
38:12No,
38:12No,
38:12No,
38:12No,
38:12No,
38:12No,
38:13no no,
38:14to get married
38:15It's a bit rushed.
38:16Because?
38:16Let's see,
38:17Why rushed?
38:18Man,
38:18please,
38:19He's going to come here and say
38:20if we love each other
38:21or we don't love each other.
38:22Well,
38:22I'll be there if that happens.
38:23I'll come back another time.
38:24You do the tests,
38:26Send them to me at the parish
38:27And I'm delighted,
38:28Hey?
38:28See you later.
38:30Ah,
38:30one little thing,
38:32This is not a hidden camera prank.
38:33No?
38:33Of course not.
38:41Come on,
38:42bring the paper,
38:43Landa,
38:43I'm going to sign it.
38:45Sure?
38:46Sure.
39:01Thank you.
39:05What are you doing?
39:07Ah,
39:08Yeah,
39:09We are at peace now.
39:11Now.
39:13Let's go,
39:13I'd like to invite you for a drink.
39:15No,
39:16I'll treat you.
39:18Well,
39:18Roberto,
39:18really,
39:19What a day we're having.
39:26Here,
39:27It did appear here for me,
39:28short,
39:28looking at me
39:29The way children look at me
39:30when I fail them,
39:31equal.
39:31A residual entity.
39:33Yeah,
39:33that.
39:34And listen,
39:35Voices could be heard
39:35all over the house
39:36and they've even done graffiti on us.
39:38They said we were all going to die,
39:40owners only.
39:41Well,
39:42What do you think?
39:43Evil has come to this community
39:45And it must be fought.
39:47Oh,
39:47My God,
39:48If a virgin must be sacrificed,
39:50We have this one.
39:51According to that story,
39:53Where did the girl die?
39:55In the attic.
39:56That is the emitting source.
39:58They tried to go up.
40:00No,
40:00But come on up,
40:01That's what we pay him for.
40:02The attic hasn't been opened yet.
40:03at least 50 years,
40:04Hey?
40:05Emilio,
40:05You have the key,
40:06No?
40:06Yeah,
40:06But I'm not going up there.
40:07We're going up.
40:10Listen,
40:10And to be an exorcist
40:11You have to do vocational training
40:12Or is this going to be a pulse test?
40:13by mail?
40:13Because it has to be beautiful,
40:14No?
40:18Oh,
40:18It scared me so much.
40:19It's not right.
40:20It's already going up.
40:25Listen,
40:26Listen,
40:26And us?
40:26how do we know
40:27that when you
40:28cast out the presences
40:29Don't those come back?
40:31They come with a warranty
40:33two years old.
40:35If in that interval
40:36the presences
40:37they reappear,
40:39I would return
40:40to clean their building
40:41at no additional cost.
40:43Clear,
40:44such as laser hair removal.
40:45Clear,
40:46Pay attention.
40:48I'm going in.
40:53I'm going in.
40:58I'm coming in.
41:01I'm already inside.
41:08Emilio!
41:09What a joke!
41:10What a joke!
41:11And what will that man do?
41:12to cast out spirits?
41:13But maybe
41:14He doesn't get out alive.
41:15Well, I've already paid him
41:16half in advance.
41:18How are you?
41:20It's big, isn't it?
41:22How many meters is it?
41:2375 meters
41:24by writing.
41:25And outside, right?
41:26Yes, yes,
41:27He gives everything to the street.
41:28That's important.
41:29to expel
41:30to the ghosts.
41:32Fundamental.
41:33I'll have to go
41:34all night here.
41:35Let me work.
41:37Whatever happens
41:38And whatever they hear
41:39don't go up
41:40under no circumstances.
41:45Damn, egg
41:46Yes, they do throw it in.
41:47Yeah.
41:49What was that?
41:50I came from below.
41:51What do we do?
41:52So go down, right?
41:54Okay,
41:54Any other ideas?
41:55Well, we don't put in
41:56in the attic.
41:57Okay, let's go down.
41:59Stay together, okay?
42:00Yeah.
42:01Come on, Emilio.
42:06Relax,
42:07It has only turned off
42:08the light.
42:08We're all going to die.
42:10Oh, shut up,
42:10Emilio,
42:10I'll slap you again, huh?
42:19What's that?
42:22What did I get?
42:23Which ritual, the light or me?
42:25I'll have to find
42:26a switch,
42:26I mean, right?
42:28What are you laughing at?
42:29Don't know,
42:29You just laugh.
42:33Let's get out of here!
42:34She's dead!
42:35What do you think?
42:37But if still
42:38It hasn't turned me off
42:39the light or the sky.
42:40You're going to fall for it like a girl!
42:41I'm from here!
42:42Come on!
42:43Here, here, here!
42:44Come on!
42:46Which ones, kids!
42:47We'll call your mobile!
42:48Oh, why don't we call?
42:49To the exorcist?
42:49What is that!
42:51Oh!
42:51The ghost!
42:52The dead woman!
42:53Aaah!
42:54What's happening?
42:55For God's sake, Armando,
42:56She's the girl from the attic,
42:57Let her go.
42:57What are you saying?
42:58She's my daughter.
42:59Hey?
42:59She's my stupid granddaughter!
43:01Oh, I don't understand anything!
43:03I'll understand.
43:05That's really dead!
43:07And you will too.
43:09Oh, what a response! We are all dead! We are all dead!
43:11No, no, not me, I'm still paying taxes, okay?
43:14We're all dead! We're all dead!
43:17Okay, cut!
43:19Perfect!
43:21What a face, huh, Mom?
43:23How was it? Shall we do another one?
43:25No, no, no. Thank you all very much.
43:27You guys have been great, really great.
43:29As?
43:30We'll stick with this title.
43:31The panic attic.
43:33You were the stars of my first horror movie.
43:36You bastard!
43:37So all of this has been a lie?
43:39But hey, you're stupid, kid.
43:41Some of us could have had a heart attack.
43:42You, for example!
43:44Hey, you should be thanking me.
43:45We'd be grateful if it were up to me. You'd be fired right now, clown.
43:48But then, Paquito, what a son of a bitch, huh?
43:50You've had us all fooled.
43:57Aha!
43:58I was making my TV.
43:59No, sir. I was cleaning my bedside table and you left your hand lying on it, and it
44:03has connected on its own.
44:04Well, never mind. Look, take a look at this.
44:09Hey, watch out!
44:10What is this?
44:12Well, it's a contract I've drafted to regulate the financial terms of our relationship.
44:16Oh, how interesting! I'll read it when I'm ready to go to sleep.
44:19Read!
44:22Since we're all gathered together, Fernando, why do you always have to stand in front?
44:25Go directly to the clauses.
44:27Clause One.
44:29Everything I have is yours and everything you have is mine.
44:34But does this have any validity?
44:36For us, yes, what matters?
44:39Will you sign or not?
44:40No, I won't sign it.
44:42But why not?
44:44But isn't it necessary?
44:45Donkey!
44:47I love being right sometimes.
44:48Come on, come on, you can do it now.
44:50Thank you.
44:51And no, you're wrong.
44:52The thing is, you're more stubborn than...
44:54It's amazing the wonderful things you're capable of inventing just to be able to sit down and watch TV.
44:58No, no, no. You actually went for your muffins.
45:00Yes, yes, the madeleines, yes.
45:02Come on, let's talk about football.
45:04Football.
45:04Yes, you liked it so much.
45:06Yes, Lidia, yes, I'm coming, I'm leaving now, okay?
45:09You wait for me at the entrance.
45:11Come on.
45:12There's no need to be silly, I'm not asleep yet.
45:18Look, Rebecca, your dad is very happy, very happy, but a little stressed, huh?
45:25And I'm going to step out for a moment to have a drink, okay?
45:29And why don't you tell me a story before you leave?
45:32A story?
45:34Okay, fine.
45:35But a short one, okay?
45:39Let's see.
45:42Well, this one.
45:44A curious little fish was flying over the ocean.
45:48She wanted to discover so many things, but what intrigued her most was the color of the sea.
45:55Tell me.
45:56Hello, is Armando there?
45:58I had arranged to meet him an hour ago.
46:00It's not possible to say goodnight at this time.
46:13But the exorcist said not to bother him.
46:16We'll have to let him know.
46:16If there are no ghosts, why would this man continue working?
46:20But what had I told them?
46:21Yes, look, it turns out that the whole ghost and spirit thing was a joke.
46:25heavy of a...
46:26In short, you no longer need to continue with the spectral cleansing.
46:30Huh?
46:31I suppose you'll want to cover the rest of the money.
46:33Ah, well, he doesn't mind.
46:35Excuse me.
46:35Beltrán Amorós?
46:36Yes, it's me.
46:38Did you come to install the phone?
46:39Forward.
46:41Okay, I'll leave you now, I'm a bit busy.
46:46What's going on here?
46:47I was traveling by boat.
46:48It seems to me that this guy is more of a squatter than an exorcist.
46:51Damn, Emilio.
46:53Yes, Mr. Cuesta.
46:54What a mess.
47:02I'd like to introduce you to my father.
47:04Nice to meet you.
47:04Belén is my girlfriend.
47:06Well, actually we're not...
47:07I thought you were gay, that I was gay.
47:09We're finished.
47:11But how can we say we're finished?
47:12So we're dating.
47:13Yeah.
47:14Well, I'll leave you now.
47:15What happens when a guy you like ignores you?
47:16Go after his friend.
47:17Hey, those pants are new.
47:19Why? Do I have the tag on?
47:20It makes your ass look really nice.
47:22Alicia is pulling my eyebrows at me.
47:24Did you see?
47:24We look like a couple.
47:29Hello.
47:30Good evening, Emilio.
47:32What a mess.
47:33He's using you to make me jealous.
47:35Two tickets to go and see the website.
47:37But I can't tomorrow.
47:38Because I've arranged to meet Mauri to go see an exhibition of expressionist paintings.
47:41But he has no idea about expressionist painting.
47:44The same as you about opera.
47:45I just don't know what to do.
47:47I like each one for a different purpose.
47:49Were you going to go out with both of them?
47:52I offer 30 million pesetas for each of the homes in this building.
47:56I sell.
47:57Me too.
47:58Either they all sell or there's no deal.
48:00Then we sell.
48:01And we bought the townhouse where your sister lives.
48:0360 million.
48:04Do you know anyone who has Edineral?
48:07We sell, you know?
48:08Well, I don't sell.
48:09Me neither.
48:10Why not?
48:11We're young, damn it.
48:12Let's go to Benidorm.
48:13I'll make at least 5 million off this one, you'll see.
48:15The house is mine.
48:16And I say it's not for sale.
48:18We stayed.
48:18Technically it's a 3-3 tie, but things are looking promising, huh?
48:22No, no, winning or losing.
48:23Winning, I think.
48:24We still have 24 hours.
48:25And those two sell.
48:27I'm sure they sell them.
48:29Come on.
48:30I would stop calling myself Paloma if those two didn't sell.
48:36Who lives?
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