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00:30Oh my God!
00:34Emilio, what are you doing?
00:35Armando's daughter made me an anti-violence beach out of that.
00:38But what have you done to him?
00:39Me nothing.
00:39Oh no, I can't see!
00:40Oh, I'm going to have a good time!
00:42But you don't know what to invent anymore to avoid working, huh?
00:44This guy, I'm telling you, he's smoking weird stuff, Juan.
00:47What are you saying?
00:48Man, what I'm telling you.
00:49I notice everything.
00:50You should keep a closer eye on him, huh?
00:52Oh, but where am I!
00:53So what?
00:55Oh, the details!
00:57Oh!
00:58Come on, a little bit of please, the president wants to say something.
01:01Doña Paloma, your husband, a recipe, please, ma'am.
01:04Thank you, Emilio.
01:05Well, as you know, the IT technician is about to arrive.
01:07Who is IT?
01:09An aunt who has this in the village, damn it.
01:11Do you want to get drunk?
01:12IT is the acronym for Technical Building Inspection.
01:16And the point is that ours looks like it's in good condition.
01:19Is it not in good condition?
01:20Damn, Armando, that's why he uses the verb "parece" (to seem).
01:22It seems.
01:23Leave it to me, Juan.
01:24Let me speak to them in their language.
01:26Do you want to pay a derraba?
01:27No, right?
01:28Well, everyone get to your posts and start patching up the cracks, man, now.
01:31Come on!
01:32Come on, man.
01:35That's it, Vicente.
01:36Just a little longer, Mr. Juan, Mr. IT is here.
01:38Oh, here it comes.
01:38Come on, hurry up.
01:41Hello good morning.
01:42Hello good.
01:43I am the city council architect and I came to do the Building Technical Inspection.
01:46Why not?
01:47Come in, make yourself at home.
01:48Thank you so much.
01:48And you too.
01:50Hello.
01:50Hello good morning.
01:51Good morning.
01:52Good morning.
01:53Hello.
01:54Hello.
01:55Hello.
01:56Hello.
02:01Hello, Miss Belén.
02:02Mrs. Concha sent me because the dishwasher isn't working.
02:06But what if we don't have a dishwasher?
02:09Pretend, damn it.
02:11Belén, I feel very lonely.
02:12I need a little bit of love.
02:14Let's go to your room.
02:15Are you stupid or what?
02:17Come, let there be a woman, the man from the gal is coming to the counters.
02:19What do you think you are?
02:20Is this a brothel?
02:21Can you come here and have a good time whenever you want?
02:23Hey, Belén, we're already wasting precious time.
02:25No, Emilio.
02:26That's as far as we've come.
02:27It's over.
02:28Get it through your head.
02:29It's over.
02:36Everything's fine, okay?
02:38Come on, go away.
02:39Go away, Alicia is coming.
02:41I know what's wrong with you, Belén.
02:42You get turned on when we argue.
02:44What are you saying?
02:45Yes, yes, he's going to tell you that weird, daring thing.
02:48Look, Emilio.
02:50This has been a farewell.
02:51Latest.
02:52Latest.
02:53Did you understand?
02:54Yes, yes, the last one.
02:55Like the previous one, let's go.
02:57Hey, a cigarette, huh?
03:06Attention, we are about to start the neighborhood meeting.
03:08They turn off my phones, and if anyone's going to insult, at least be a little original, because we always hear...
03:11the same.
03:12Thank you so much.
03:13Okay, before we begin, I'm going to give Concha the floor so she can tell me to leave.
03:17Go away, Mr. Cuesta.
03:19Go away.
03:20Good.
03:20And now I have two pieces of news.
03:22Tell us the good news first.
03:23The thing is, both are bad.
03:24The city council technician has informed me by phone that he will issue an unfavorable report.
03:28about the building.
03:30Well, unfavorable.
03:31He told me he's about to collapse.
03:32But it can be fixed.
03:33That's right, it can be fixed.
03:35The works are going to cost us about 24 million of the old pesetas.
03:39How much?
03:40And how much is that?
03:41Because I already think in euros.
03:43Or you call anything thinking.
03:45But that's four million per floor.
03:46It's barbaric.
03:47And what happens if we don't do the work?
03:48Well, we didn't pass the inspection and they're evicting us.
03:51Can I say one thing?
03:52Yes of course.
03:52This girl always looks so cute.
03:54Hey, why don't we bribe the inspector?
03:56Yes, we have considered that possibility, yes, but we have ruled it out.
04:00Of course, because it's illegal.
04:01Well, that's why, and because we don't have any money.
04:03If you want, I'll work with him.
04:05Emilio, the latter will not be recorded in the minutes.
04:08No, neither that nor anything else, because I left my notebook at home.
04:10Okay, Juan, so what do we do?
04:11Because four million isn't enough, right?
04:13Don't worry, there's an alternative.
04:15I'm going to introduce you to a gentleman who has contacted me
04:17and that he has a proposal to make to all of us.
04:24Augusto, how are you?
04:26Good morning.
04:27Good morning.
04:29My name is Augusto Carvajal and I am a real estate developer.
04:32We love you, Augusto.
04:34Please.
04:34I was excited to say it like in the movies.
04:37I'll be brief.
04:39I offer 30 million pesetas for each of the homes in this building.
04:45With one condition.
04:46I sell.
04:47Me too.
04:48Yes, just a moment.
04:48Let's let it finish.
04:50My intention is to demolish this building to build an office complex.
04:55Therefore, either they all sell or there's no deal.
04:59Hey, how much are they going to pay me for being the goalkeeper?
05:01Nothing, because that's a common area, Emilio.
05:03But I wouldn't be satisfied with 20 million.
05:04But the goal isn't yours, Emilio.
05:06Okay, 10 and that's my final offer.
05:08Very good.
05:09I expect to hear from you tomorrow.
05:12I think it's a more than reasonable offer considering the condition of the building, don't you think?
05:17So, think about it.
05:20Good morning.
05:21Bye bye.
05:21Bye bye.
05:22Bye bye.
05:24I'll make at least 5 million off this one, you'll see.
05:27Well.
05:28So the day of reflection begins.
05:33Mauri, so what do you think?
05:36Do we sell or not?
05:37Man, 50 million for this apartment is pretty good, huh?
05:39So, do we sell?
05:40The thing is, it's a shame, isn't it?
05:42Is it really that beautiful?
05:43Well, we say no.
05:44Of course it's 4 million in spillover, right?
05:47Well, we sell.
05:48And where are we going?
05:49Because finding an apartment isn't so easy.
05:50Mauri, what do you want to do?
05:51I don't know.
05:52Why do I have to decide?
05:52Because if I decide, you'll throw it in my face later.
05:54Of course, man.
05:55If you don't count on me, he's done me the favor of getting some olives.
05:58Mom, why do you never count on me?
06:00Son, we're selling both apartments.
06:0560 million.
06:06Do you know anyone who has a lot of money?
06:08Yes, I am, Mom's boyfriend.
06:10And what's more, I'm going to give half of it to you.
06:13Oh ok.
06:14Well, we'll sell it to you.
06:15But what will happen to Alicia and Belén?
06:17The two sluts.
06:19Let them fend for themselves.
06:24Alicia, they're throwing us out on the street.
06:25They're going to tear all this down to build offices.
06:27Do you know what that means?
06:29Yeah.
06:29We're really screwed.
06:31No, I'm not going to see Fernando again.
06:33I have to do something.
06:34Yeah.
06:35Think about where we're going.
06:37In other words, I could have a heart attack.
06:39No, I'm going to have a heart attack.
06:41Get rid of this smoke, I'm getting...
06:43What is this?
06:44What is this?
06:45You form and I won't say anything else.
06:46Fuck it already.
06:47Well, anywhere, Lucia.
06:48We've been here for less than three months.
06:50Yes, but God, I've already grown fond of this house.
06:52Just imagine how much you'll love a place with normal people.
06:56Well.
06:57So, if you're looking for your apartment...
06:59I'm looking for an apartment.
07:01And you organize the move.
07:03We stayed.
07:04We stayed.
07:06Besides, this house is very beautiful.
07:08We're leaving, Juan.
07:09We're leaving.
07:10And we bought the townhouse where your sister lives.
07:13But we're fine here.
07:14Children have their friends.
07:15And they can walk to school.
07:17Well, the children who get up earlier should take the bus route.
07:19And if you don't buy me a motorcycle.
07:21And I'm getting the car, okay?
07:22Yes, what else?
07:23Besides, I like being president.
07:25But you're going to continue being president.
07:27But from a housing development of chalets.
07:29Can you imagine?
07:31Deciding on the swimming pool, the green areas,
07:33the color of the wastebaskets.
07:35There is no doubt that this is a challenge.
07:37Of course, darling.
07:38It's a leap in your career.
07:40We cannot stagnate.
07:42We're young, Juan.
07:43We are young.
07:44We're young, damn it.
07:45Let's go to Benidorm.
07:46With 30 kilos in his pocket,
07:48There is no German we can resist.
07:50But this is our family home.
07:52We grew up here.
07:54Well, we're growing here.
07:55And we shrink in Benidorm.
07:57So we changed a little.
07:59The house is mine.
08:00And I say it's not for sale.
08:02Damn, you're so boring, Vicenta!
08:04But I'm not kidding, Paquito.
08:05They're going to demolish the building.
08:07We're going to have to live off unemployment benefits.
08:08Not you.
08:09If you don't have a contract.
08:10What do I do now?
08:11What do you mean?
08:12Where do I live?
08:13Ah, calm down, man.
08:14You'll find another job.
08:15What can you do?
08:16I am the goalkeeper.
08:18Okay, fine.
08:19And apart from that...
08:21Well, that's it.
08:22Oh, no.
08:28Nothing.
08:29Nothing.
08:31Oh, look.
08:33Lower interior.
08:3425 square meters.
08:35Very bright.
08:36700 euros.
08:38We're going to call and they're taking it away from us.
08:40Nativity scene.
08:40I know what I'm going to do
08:42to win over Fernando.
08:43A sex change?
08:44No.
08:45I'm going to use the foolproof technique.
08:47When a guy you like
08:48He doesn't listen to you.
08:49Go for his friend.
08:50So, now you're going to hook up with Mauri.
08:53Never that infallible
08:54I find it regrettable.
08:56Men are jealous
08:57by nature.
08:58They are primitive.
08:59They mark their territory.
09:01Already.
09:01They've left me
09:02the toilet bowl.
09:03I don't see the connection, you know?
09:05The mistake I made
09:06It was to show him that I liked him.
09:08I'm sure if he sees that he's losing me,
09:10It is launched.
09:11Look, with Fernando
09:12I already saw it as difficult.
09:14But if you manage to hook up with Mauri,
09:16I swear I'll pay you
09:17a year's rent.
09:18Made.
09:20Well, better than three months.
09:22You never know.
09:29You don't touch.
09:32Tell me.
09:33August.
09:34I am Juan Cuesta,
09:35president of the community.
09:36How are you?
09:37Are they going to sell me the building?
09:38Yes, yes, yes, huh?
09:39Everything is already underway.
09:41Great.
09:42Do they all sell?
09:44Well, technically
09:44There is a three-way tie,
09:45But things are looking promising, huh?
09:47Very sorry,
09:48But then there's no deal.
09:50No, no, no, no, no.
09:51Wait, wait.
09:51I think so still
09:52We can reach an agreement.
09:53I offer you five million
09:55more per floor.
09:56What a son of a bitch.
09:57As?
09:58No, no, no.
09:59May it be very generous
10:00for its part.
10:01Look,
10:01I can't be wasting time.
10:02This is my final offer.
10:04They have twenty-four hours
10:05to decide.
10:08Well,
10:09Well, I think that...
10:10Thirty-five million, huh?
10:11Thirty-five million
10:12one after the other.
10:13How could we not sell?
10:14We sell, you know?
10:15Ah, yes.
10:15Fernando, we already talked about it.
10:17Ah.
10:18Well, I don't sell.
10:19Me neither.
10:19But hey, why not?
10:21Why not?
10:22Calm down, Mom.
10:23Just breathe, okay?
10:24Because I'm comfortable here.
10:26I just did the renovation
10:26And I don't want to go anywhere else.
10:28But what's going on?
10:29Don't you care about him?
10:29to your homes?
10:30Well, I'd pay thirty-five million.
10:32sells the apartment with this inside.
10:33Well, not me.
10:35The apartment is mine.
10:36And that's all there is to it.
10:37Bye bye.
10:38See you later.
10:40That.
10:40And to hell with the rest of us.
10:42Well, if they don't want to sell
10:43They have the right to do so, don't they?
10:45Mr. John,
10:45That's a shame.
10:46But I believe that you
10:47I should call this man
10:48and tell him no.
10:49No, no, no, no, no.
10:49Not at all.
10:50Don't call anything.
10:51We still have twenty-four hours.
10:53And those two sell.
10:55I'm sure they sell them.
11:00What do they sell?
11:02Damn, Dad.
11:03Now I see you.
11:04I'm going to see if any of those suckers are involved.
11:05He buys me a book.
11:06Dad, I'm getting fired,
11:07that I'll be left on the street.
11:08But what have you done, you wretch?
11:10Me nothing.
11:10If they sell the building
11:11and they're throwing it away to make an office.
11:12No problem.
11:13The son also sells books.
11:15But what do I know about books?
11:16Let's see,
11:17ignorant of life.
11:18Do you know who the classics are?
11:20Virgil, Horace,
11:21Becker, Balsamic,
11:22Lope de Vega,
11:22Calderón,
11:23Sieppi,
11:24Monier,
11:24José Hernández,
11:25Dante,
11:26Petrarch,
11:26Díken,
11:27Dostoevsky
11:27and Overo.
11:29And the contemporaries.
11:31Carmen de Icaza,
11:32Pemán,
11:32Pérez Galdós,
11:33Kill,
11:34Miura,
11:34Agusti,
11:34Luca de Tena,
11:35Erembur,
11:36Guillermo Díaz Plaja
11:37and the brothers
11:38Álvarez Quintero.
11:39How many hours, Dad?
11:40You could have gone far.
11:42Hello.
11:42Hey, look, look, Bethlehem.
11:44Look,
11:44I'd like to introduce you to my father.
11:46Nice to meet you.
11:47Belén is my girlfriend.
11:48Come on, damn it,
11:49What a joy!
11:50Well,
11:50Actually, not really...
11:51Oh ok,
11:51for your son.
11:52I thought you were gay.
11:53That I was gay?
11:55Well,
11:56Well, nothing.
11:56May you be very happy.
11:57And by the way,
11:58I have a book here about couples' brains.
12:00that's what I help with
12:01It's very well priced.
12:02Come on, come on, Dad,
12:03You do you.
12:03Okay, okay,
12:04strip.
12:04Ah,
12:05I'll introduce you to my wife later.
12:07And smile, damn it, Dad.
12:08who has a very pretty smile.
12:11Yes, son,
12:11if he's made you his girlfriend,
12:12I can sell perfectly well
12:14an encyclopedia.
12:16You're stupid.
12:17what's the matter?
12:17How could you even think of telling him
12:18Are we dating?
12:19Well, we are.
12:20Hey, Belén,
12:20Now that they're going to kick us out,
12:21We could go live together.
12:23Should we move in together?
12:24you and I?
12:25Clear,
12:25to get to know each other better.
12:26Already,
12:26But I don't want to get to know you better.
12:28Look, Bethlehem,
12:28I can't go on like this,
12:29I need to know what we are.
12:31We are nothing, Emilio,
12:33nothing.
12:33That we went to bed
12:34a couple of times.
12:35Fourteen.
12:36Fourteen already?
12:37Yeah.
12:38Well, fourteen then.
12:39It doesn't mean anything either.
12:41I'm not your girlfriend,
12:42Nor am I going to move in with you.
12:43I don't even want to know
12:44to more of your family,
12:44or anything at all.
12:45Is that clear?
12:47That's it.
12:57Marisa, come here.
12:58Fuck,
12:59who was watching TV.
13:00Well, look,
13:00that we already know
13:01how to get
13:02that Vicenta sells the apartment.
13:03Hey,
13:04But make it look like an accident, okay?
13:05Don't worry,
13:06Don't worry,
13:07You listen.
13:07How will he catch me?
13:08Marisa,
13:08Let's say your sister
13:10is a susceptible person
13:12of being manipulated
13:13with relative ease.
13:14Yes, she's stupid.
13:15Correct.
13:16Marisa, look,
13:16This is a piece of paper.
13:17in which Vicenta
13:18It grants you power
13:19on the floor
13:20so you can sell it.
13:21And you only have
13:22that achieve
13:22have him sign it
13:23And that's it.
13:25Fuck,
13:26And how do I get it?
13:27Can my sister sign this?
13:29Vicenta,
13:30Vicenta,
13:31come,
13:31who have come
13:32collecting signatures
13:33to save the Amazon.
13:34Sign these papers for me,
13:35come on.
13:35Save what?
13:36The Amazon,
13:37which is a beautiful forest
13:39very large,
13:39very big one that's out there
13:40by Brazil.
13:42Oh, no, no,
13:42I won't sign.
13:44First, let them save
13:44the forests here
13:45and then those from outside.
13:46But,
13:47but,
13:48They're going to save too
13:49the Doñana reserve.
13:51Signature.
13:51Let them clarify.
13:53That doesn't know what they want.
13:54And that's how the forests are.
13:55I'm not signing anything.
13:57The mother who gave birth to him.
14:00God.
14:04Hello,
14:05Mauri.
14:05Man,
14:06how long?
14:07How are you?
14:08Well, here,
14:08collecting the letters
14:09that my friends write to me.
14:10The bank,
14:11the light,
14:12the phone,
14:13some who repair televisions.
14:15It's very beautiful,
14:15then when I open them
14:16I burst into tears.
14:17Oh,
14:18You smell so good.
14:19What cologne are you wearing?
14:21A
14:22UNICEF,
14:23those that have come out now.
14:24Don't you think it's a bit much?
14:26No,
14:27No.
14:28Well,
14:28It's the smell of a cologne
14:29It depends a lot.
14:30of pheromones
14:30of the one who puts it on.
14:31To you, the mix
14:32It suits you very well.
14:34Ah,
14:35Well,
14:35Well, I'm going home.
14:36You've given me an idea
14:36for an article.
14:37Hey,
14:37Those pants are new.
14:38Because?
14:39Do I have the tag?
14:40No,
14:40It looks great on you.
14:42It makes your ass look really nice.
14:45A very nice ass.
14:48Ah.
14:59Really,
14:59If it doesn't happen to me...
15:01Hey,
15:01What have you done to the computer?
15:02The problem is that I can't get online.
15:03Alicia is pulling my eyebrows at me.
15:05What about Alice?
15:06That he liked it,
15:07that I attract him,
15:07who wants to have a fling with me.
15:08That?
15:10Nothing,
15:10which made me laugh.
15:12What's happening,
15:12That a woman can't be interested in me?
15:13Yeah,
15:14and Bush can become a partner of Greenpeace,
15:16Don't mess around.
15:16Hey,
15:17that I when I was 16 years old
15:18I went out with an aunt,
15:19Hey?
15:19Oh, really?
15:19Yeah.
15:20And did you sleep with her?
15:21No.
15:23Because I had an older brother who was...
15:25Look,
15:25I think this Alice thing
15:26That's just another one of your paranoid thoughts.
15:27Hey?
15:28Yeah,
15:28Yeah,
15:28because to you,
15:29come on,
15:29It's very obvious that you're gay.
15:31Oh, really?
15:32So we have no reason to hide it.
15:33Well,
15:34It's just that some people notice it.
15:35And there are people who don't.
15:36I mean,
15:36that it's not that noticeable on me.
15:37Yeah,
15:37Yeah,
15:37Yes, it shows.
15:38The thing is, then they see me
15:39and they seem to hesitate.
15:40Ah,
15:41They see John Wayne and say
15:42This woman next door must be her cousin.
15:43the one from Tomilloso.
15:44Do you know what's wrong with you?
15:45You're jealous because Alicia likes me now.
15:47And that's what always happens to us.
15:48At first, I like you
15:49And when I get to know you, I like it.
15:51I mean,
15:51You catch my eye.
15:52And I win people over with my personality.
15:55Hello.
15:57Very good,
15:57Is Mauri there?
15:58Yeah,
15:59I'm here.
16:00Hey,
16:01I was thinking that if you have nothing to do tonight
16:03You might like to come to the movies with me.
16:05Very good,
16:06What would you like to watch?
16:07I don't know,
16:08You choose.
16:09No,
16:09You choose.
16:10No,
16:10you.
16:10No,
16:10you.
16:11Did you see?
16:12We look like a couple.
16:14They've released one of Cameron Diaz's movies.
16:16Well, that's it.
16:17which is very good.
16:17That.
16:18Well,
16:18You can come too if you want.
16:20No,
16:20If Fernando doesn't like movies
16:21It's better if the two of us go.
16:23Look,
16:23at eight
16:23I'll come up to get you,
16:25Okay?
16:25Come on,
16:26see you later.
16:26See you later.
16:29There it is,
16:30I have it in the jar,
16:30colleague.
16:32No,
16:32No,
16:32No,
16:33I know it's perfectly clear
16:34what he's doing,
16:35Yeah.
16:35He actually likes me.
16:36The thing is, he's using you.
16:38to make me jealous.
16:39Or he used you
16:40to make me jealous.
16:41Go on,
16:42possible.
16:42You're jealous,
16:43You're jealous.
16:44No,
16:44that I'm not jealous
16:45because I'm not jealous
16:46and I can't get jealous
16:47Because you don't like women.
16:49I mean,
16:49that you don't care
16:50go out with her.
16:51Me?
16:51No.
16:54What I don't understand
16:55What do you do?
16:56going to the movies with her,
16:56but...
16:57I love it,
16:58I love it,
16:58You're finally going to start
16:59to be valued
17:00what you have at home.
17:01I'm going to see what I should wear.
17:11Juan,
17:12than the one above
17:13He is taking a shower,
17:14I can hear it.
17:17Mr. Cuesta,
17:18Are you going to cut off his water?
17:18to the poor boys.
17:19Emilio,
17:20However painful it may be,
17:21When a neighbor is wrong,
17:22the duty of a good president
17:23It's about making him see it.
17:25By the way,
17:26The lead in third A
17:27What are they?
17:27No,
17:27No,
17:28No,
17:28No,
17:28No,
17:28No,
17:28No,
17:28No,
17:28No,
17:28No,
17:28No,
17:28No,
17:29No,
17:30No,
17:31No,
17:33No,
17:33It happens with water.
17:36Okay,
17:38awesome.
17:39And now where the hell do we go?
17:40Are the fuses on?
17:42How am I putting
17:43the park?
17:43I'm so pissed off.
17:50Yeah,
17:52No,
17:52No,
17:52No,
17:52No,
17:52No,
17:52I was taking a shower.
17:54Hey,
17:55Do we have candles?
17:56Yeah,
17:58Lucia?
18:00Hey?
18:01What the hell
18:02Is this happening?
18:05There,
18:06there,
18:07It's going to smell good to you
18:08the clothes.
18:11My little sardines,
18:12of my pin.
18:15Pussy.
18:19Man,
18:20neighbor,
18:20how are you?
18:21Good.
18:22Listen,
18:22What's happening with the water?
18:23And with the light,
18:24and with the heating,
18:25Well,
18:25and yet.
18:26Yeah,
18:26is that we are having
18:27many problems,
18:27You know?
18:28There are just so many things
18:29that fix,
18:29boy.
18:30Well,
18:30I am trembling
18:31awaiting quotes,
18:32Hey?
18:32The pipes
18:33They are old.
18:34The electrical installation
18:35It's a disaster.
18:36But you have light,
18:36Yeah?
18:37Yeah,
18:38Yeah,
18:38Well,
18:38Well,
18:38Yes and no,
18:39Hey?
18:39Because it comes and goes,
18:40Don't believe it.
18:41It's a very...
18:41See?
18:43He's gone again.
18:44The electrician
18:45He's going crazy.
18:46Hey?
18:46Already,
18:46But it's not like that either.
18:47There is a phone
18:48And that has nothing to do with it.
18:48what to do with the house.
18:50Is anyone coming?
18:50Should we fix it or not?
18:51Yeah,
18:51man,
18:51clear,
18:51Why not?
18:52How are we going to be?
18:53incommunicado,
18:53Roberto?
18:55Juan,
18:55the phone.
18:57It's the mobile phone,
18:58Hey?
18:58I just like it
18:58Add classic sounds
19:00to things.
19:00But do you think
19:01That I'm an idiot?
19:02But what are you doing?
19:03host?
19:03Give light!
19:04I am very strong.
19:06Come on,
19:07Pussy,
19:07Don't mess with me.
19:10Hey,
19:11hey,
19:11Blen.
19:12What's wrong now?
19:13No,
19:13look,
19:13Just one little thing,
19:14that if in the end
19:15They sell this
19:16and they throw it away,
19:17I'm going back to Cordoba.
19:21To Cordoba?
19:22That?
19:23My brother
19:24who has a fish shop
19:24and he says he'll give me a contract.
19:26What do you know about fish?
19:27Man,
19:28Well, that's what I need to know
19:28it's on one side
19:29white fish
19:30And then there's blue.
19:31which is when it gets bad.
19:32Very good,
19:33But if you go to Córdoba
19:34We're finished.
19:36But how can we say we're finished?
19:37I mean,
19:37Are we dating?
19:38No,
19:39I mean,
19:39I mean
19:40that we're not going to see each other anymore.
19:42No,
19:42You said we're done.
19:43And that's because we were dating.
19:45But I didn't explain myself well.
19:46No,
19:47No,
19:47No,
19:47You explained yourself very well.
19:48Leave me alone.
19:48Hey,
19:49hey,
19:49Nativity scene,
19:50Nativity scene,
19:51If you tell me we're dating
19:51I'm not going to Cordoba.
19:57Hey,
19:58Nativity scene,
19:59This is the last Tundeso,
20:00Hey?
20:03It's breaking my heart.
20:05I'm going to lie down for a while.
20:07Well,
20:07that?
20:08Has your sister signed?
20:09Or has he not signed?
20:10No,
20:10But it has happened to me.
20:11another thing
20:12with which the insurance is signed.
20:13You'll see how he reads it.
20:14No,
20:15that I have hidden
20:16I already have my reading glasses.
20:17You'll see.
20:23Vicenta,
20:24Vicenta,
20:25that they have been collecting
20:26signatures of the Association
20:27Single Retirees
20:29and Whole
20:29to take a trip to Cuba
20:31with all expenses paid.
20:33Oh,
20:33Yeah?
20:34Yeah,
20:34So sign
20:35because he's waiting for you
20:36a Cuban
20:36to show you the island.
20:37Ah,
20:38No,
20:38No.
20:39I don't like sex tourism.
20:40I don't think it's right.
20:41I'm not interested.
20:42Well,
20:42girl,
20:43So you have three mojitos
20:44and you take it on the beach,
20:45but sign.
20:45This is a trick.
20:46I'm sure they'll love you later.
20:47sell a set of pots and pans.
20:49But,
20:49How are they going to take you to Cuba?
20:50to sell you pots and pans?
20:51You're stupid.
20:53Marisa,
20:54I won't sign.
20:55I will not sign.
20:57Well, that's it.
20:58that there's no way.
21:09Fernando,
21:10what are you doing?
21:11You don't see it.
21:12Taking a short walk,
21:13Pussy.
21:14Hey,
21:15if you keep playing laps
21:16by the carrier,
21:16I'll give you the mop
21:17and you spend some time with it.
21:18But where are you going?
21:21Hello.
21:22Good night,
21:22Emilio.
21:24What a mess.
21:30Hey,
21:30What's going on here?
21:35Hey!
21:36To Belén and Togarla,
21:38Hey?
21:39Am I staying here?
21:41I have two stops left.
21:43Well?
21:44Well,
21:45Well, see you tomorrow.
21:45See you tomorrow.
21:53Man,
21:53Alice!
21:54Oh,
21:54hello.
21:55How are the movies with Mauri?
21:56The movie is long,
21:57Hey?
21:58No,
21:58because then we left
21:59to have a drink.
22:00Hey,
22:00He's a mental horndog,
22:01Hey?
22:01Yeah,
22:02if it happens when it's set up
22:03It has a certain charm...
22:03Hey,
22:04look,
22:04I have the aunt free tomorrow.
22:05and I had thought that maybe
22:06We could go to the opera.
22:08I happen to have here
22:09two tickets to go and see the website.
22:11Oh,
22:11Yeah,
22:12That would be great.
22:13But I can't tomorrow.
22:14because I've arranged to meet Mauri
22:15to go see an exhibition
22:16of expressionist painting.
22:18But if you want,
22:19We can go another day.
22:19You don't care,
22:20No?
22:20They're only there for three days,
22:21oh well,
22:22It doesn't matter,
22:22no problem.
22:23My sister wanted to come.
22:25Well,
22:25But thank you very much.
22:27See you later.
22:27See you later.
22:37Hello,
22:37Where were you?
22:39Cleaning the car.
22:40Hey,
22:41that I've met Alicia
22:43And he told me that tomorrow
22:44You're going to take her to an exhibition.
22:45Yeah.
22:46And I thought
22:47invite her to the opera.
22:48Well,
22:48It was already another day.
22:50If she wants to,
22:51clear.
22:53But let's see.
22:54But if you have no idea
22:56of expressionist painting.
22:57The same as you about operas
22:58and until recently you thought
22:59that La Traviata
23:00It was an Italian gallery.
23:01Sorry,
23:01I'm learning to appreciate it.
23:03Just like her,
23:04Expressionist painting.
23:05Well,
23:05Today's thing is worth it.
23:06But I'm going out with her tomorrow.
23:08No,
23:08Tomorrow she'll go out with whomever she wants.
23:09I remind you that Alicia
23:11I met her.
23:11Oh,
23:12Yeah?
23:12Yeah.
23:12Well, thank you for introducing me to her.
23:14But what's going on?
23:14Are you acting tough?
23:15So, what's the point of living now?
23:16Looking at you so much
23:17Maybe I've picked up something.
23:19But wait a minute,
23:20let's see,
23:21Why are we arguing?
23:22by an aunt?
23:23If we are gay.
23:24If it's your fault
23:25that we no longer know
23:25nor what we are.
23:26In the end,
23:27You and I are going to end up
23:28heterosexuals and she is a lesbian.
23:29Sure, sure.
23:29If the case is reminding me
23:30always shit
23:32coming out of the closet.
23:32Fernando,
23:33or you're on a sidewalk
23:34Or you're in another one.
23:35If you stay in the middle
23:35You get run over.
23:36And what about you?
23:37Forgive me,
23:38I'm very clear on this.
23:38that I am gay.
23:39Yeah.
23:40Well, I remind you
23:40that you have plans for tomorrow
23:41with an aunt, huh?
23:42Think about it.
23:44Forgive me,
23:45forgive me.
23:45Yeah,
23:46I mean,
23:47that...
23:48I'm going to bed.
23:50That,
23:50go away.
23:51You've made me happy.
23:53Belén has worked.
23:55They're both behind me.
23:57Damn men.
23:58You just can't trust them.
23:59Not even gay people anymore.
24:01Well,
24:01when Fernando
24:02He saw me with Mauri
24:03He's gone crazy with jealousy.
24:05He stopped me on the stairs
24:06and he invited me to the opera.
24:07Do you know the pasta?
24:08How much are the tickets?
24:09You have a problem.
24:10Let's see,
24:11What are you wearing?
24:12Because there the only one
24:12that can give the song
24:13He is the tenor.
24:14No,
24:14if I can't go.
24:15I've arranged to meet Mauri.
24:16Wait,
24:17wait,
24:17wait.
24:18But didn't you like it?
24:19the other?
24:20Yeah,
24:21But Mauri
24:22It also has its charm.
24:23He is cultured and sensitive.
24:25Clear,
24:25That's new to you.
24:27Hey,
24:27sorry,
24:28that I have gone out
24:28with very sensitive men.
24:29Oh,
24:29Yeah,
24:30the only sensitive man
24:31with whom she has gone out
24:32That's the one who was allergic.
24:33to glutamate
24:33and there was almost fear in the Chinese.
24:35That.
24:36And the thing is, I don't know what to do.
24:38I like each one.
24:38for one thing.
24:39Well, look,
24:40It's easy,
24:40choose,
24:41or Fernando
24:41or Mauri.
24:45Aren't you going out?
24:46With both of them?
24:48I don't know.
24:49Alice,
24:50who live together.
24:52Yeah,
24:52That's also a problem.
24:56Hello,
24:57dear.
24:58Hello.
24:59Are you making me dark?
25:00Has the power gone out?
25:01It certainly looks that way.
25:02Oh,
25:03It's so cold.
25:04And why don't you put
25:04The heating?
25:05The heating,
25:06There is no light,
25:06There is no water.
25:07There is no telephone.
25:08There is nothing.
25:08What are you saying?
25:10What a plague,
25:10What do you smell?
25:11Well, I've started
25:12This clean t-shirt
25:13and it smells like sardines.
25:14They're coming for us.
25:15Lucia.
25:16Let's get out of here
25:17now that we still have time.
25:18What are you saying?
25:18What is all this?
25:19They are doing it
25:19the neighbors?
25:20Or that,
25:21or I have my horoscope
25:22the most fucked up of the year.
25:23Does that seem normal to you?
25:32that we've gone too far
25:57a bit
25:58with those at the top?
25:59Don't give in now,
25:59Hey, Juan?
26:00Don't give in now.
26:01Look at the chalet.
26:02Yes,
26:03It's beautiful,
26:03but...
26:04Turn the page
26:04And you'll see what a garage.
26:06Oysters,
26:07There's room for two cars here.
26:08Not two, Juan, okay?
26:09One,
26:10one that I know.
26:11No, woman,
26:12If I say so
26:12by when the girl
26:13get your driver's license.
26:14The little girl is adorable.
26:15and he will find
26:15a boyfriend with a car.
26:17Oh,
26:18What happened?
26:18I don't know.
26:19Mother,
26:20There is no water.
26:21What do you mean there's no water?
26:22Hey,
26:22Why are you cutting me off?
26:23the phone?
26:23They called me.
26:24This has been
26:25the one above.
26:26What a fail.
26:27What a mania
26:27it caught us
26:28This woman?
26:28What have we done to him?
26:29us?
26:30Natalia,
26:31look for the candles.
26:32And where are they?
26:32The candles?
26:33I don't know.
26:33Oh,
26:34that are going to defrost
26:35the hake sticks.
26:36The candles,
26:37Well, in some drawer,
26:38Look for it.
26:41Now we have
26:41we light
26:43and they don't.
26:45Well, in the end
26:46This is going to be a lot of fun.
26:47But if you put
26:48silicone to the lock
26:49It won't be possible
26:49open the door.
26:50Very good,
26:51Emilio,
26:52Very good observation.
26:54If it doesn't cost us anything,
26:55You say goodnight to him/her
26:56on my part.
27:02And to think that this
27:02he puts it on
27:03the aunt on the breast.
27:05How annoying.
27:09Dear,
27:09What a climber.
27:10What have you done?
27:11It's been cut off
27:12the light on the slopes.
27:13And the water
27:13and the telephone.
27:14What do they have that's mobile?
27:15That with the righteous
27:16that have to arrive
27:16at the end of the month
27:17They're going to find it very funny.
27:18But you don't realize it.
27:19You are becoming
27:20in one of them.
27:21It's true,
27:22Hey?
27:22You're like Doña Paloma.
27:23Well,
27:24with less breast tissue.
27:25We will have to defend ourselves.
27:27No?
27:27You'll see
27:27How can they leave us in peace?
27:28Are they going to leave us in peace?
27:30These people
27:30for 35 million
27:31are capable
27:32to demolish the building
27:33with headbutts.
27:34Pigeon,
27:34before we declare
27:35the war,
27:35We should make sure...
27:36It was her.
27:37I'm telling you it was her.
27:39This dick
27:39from the beginning
27:40has come after us
27:41because he's jealous of us.
27:43And envy
27:44It's very bad.
27:44Well,
27:45but I beg you
27:45Before you let me speak
27:46Because I notice you
27:47a little nervous.
27:48Nervous?
27:49Look at me.
27:50If I have an anxiety attack
27:51that he told me
27:52the one from the hairdresser.
27:54Open!
27:55Holy shit!
27:56They are the ones below.
27:56Oh,
27:57Mr. Cuesta.
27:57What do I do now?
27:58He can't see me here.
28:01I'm not opening it, okay?
28:02Roberto,
28:02Open.
28:03Open,
28:03open,
28:03Open.
28:03Let's see what he wants.
28:05So we've agreed
28:06in which I speak,
28:06Hey?
28:06Yes,
28:07You are the president.
28:10Hello,
28:10how are you?
28:11Hello,
28:11Roberto.
28:12We came because...
28:13Tell your girlfriend
28:13that comes out
28:14if he has what it takes.
28:15Ah,
28:15Well, it's not there.
28:16He had to leave.
28:16What's happening?
28:17What do you mean, what's going on?
28:18Who do you think you are?
28:19Who are you to cut off our electricity?
28:21I,
28:21Nobody, Paloma.
28:22It's the building
28:23because it's in very bad condition...
28:25Correct.
28:25However...
28:26You don't know who I'm with.
28:27Hey,
28:27hey,
28:28But where are you going?
28:29Pigeon,
28:29Where are you going?
28:29Pigeon,
28:30Get out of my house right now.
28:31Oh!
28:31look!
28:32What's he doing here?
28:32A scab,
28:33Juan.
28:33No,
28:34Mr. Juan,
28:34I am a mole,
28:35I was here, incited.
28:36Pigeon,
28:36I won't repeat myself,
28:37Get out of my house right now.
28:39Do you want war?
28:40No?
28:40Well, you're going to see it.
28:42But what are you doing?
28:43lady?
28:44He has an anxiety disorder.
28:45Don't hold it against him,
28:46please.
28:47And what's this going to break?
28:48Very good,
28:49Well, let's break things.
28:50Where are you going?
28:51Juan?
28:51He must have locked the front door.
28:52What did you say?
28:53Were we going to take it up for a moment?
28:54But Juan,
28:55Don't let him into the house!
28:56Don't let him in!
28:57Hey,
28:57a little bit of please,
28:58that we are human beings!
29:00Come on,
29:00Don't mess with me.
29:01No,
29:01Don't get upset,
29:02fuck.
29:08Hey,
29:08Don't hold back,
29:09Hey?
29:09You act like you're at home.
29:10If you break that on my mother,
29:12He's going to catch a fly trap.
29:12Stay still,
29:13still,
29:13Stay still for your father!
29:14I bought that in Almería.
29:16Man,
29:16Roberto,
29:17how are you?
29:17Pigeon,
29:18You choose.
29:19Either you leave us alone
29:20or this is going to end very badly.
29:21For God's sake,
29:22before we leave
29:22on the news,
29:23We're going to try to get there
29:24to an agreement.
29:25Are you selling or not?
29:26No,
29:26I'm selling.
29:27Well, there's no agreement.
29:28Ah!
29:29Oh well,
29:29I'm going to rip you out
29:30these patrons
29:31They've cut them badly!
29:32Ordinary man!
29:33Let's go,
29:34You really are one of the daughters!
29:36Let's go!
29:37So,
29:37with words,
29:38with the words
29:38Things get sorted out.
29:39You and I will do it,
29:40Hey?
29:41Let me go!
29:42Pigeon,
29:42please,
29:43What are the children looking at?
29:44She's going to pay for this.
29:45well paid.
29:46Never,
29:46you were born
29:46for UN ambassador,
29:48Hey?
29:48So what do I put here now?
29:49Hey, Juan?
29:49What should I put?
29:50I'm finishing up
29:51a model.
29:53My little angels
29:53from Almería
29:54It was so beautiful.
29:57Lucia,
29:58I can't live like this.
29:59I'm not a violent guy.
30:01I've never managed
30:01finish watching Rocky.
30:03How did they inflate the poor man?
30:04So,
30:05We were losing the fight.
30:06Don't be annoying.
30:07Yes, yes.
30:07The other one started hitting him
30:08like this, like this, like this
30:09and he smashed his face.
30:10Okay, fine.
30:11You're just an example.
30:12Well,
30:12So what do we do, Roberto?
30:13Shall we go?
30:14Should we sell the apartment?
30:14Hey,
30:15Don't mess with me, I'm going to be out on the street.
30:16No,
30:16Maybe it's for the best
30:17and that way we save
30:17the four million spill.
30:19Four million?
30:20Yeah.
30:21But what are they going to give us?
30:22A subway line
30:22Just for us?
30:23No,
30:24So the technician
30:24of the city council
30:25has said that the building
30:25It's about to fall down.
30:26Look,
30:26I am an architect
30:27And I tell you that this building
30:29Nothing's wrong with him.
30:29And then
30:30Why did it fail the inspection?
30:31Ah,
30:31because that technician
30:32has bribed him
30:33the one with 35 million.
30:34Clear,
30:34That's what I had thought.
30:35This is corruption.
30:36of those high society types.
30:37Well,
30:38then there will be
30:38That we should report it, right?
30:42We need proof.
30:44Emilio,
30:44How far would you go?
30:45ready to arrive
30:46to save your goal?
30:47I?
30:48Wherever needed?
30:48What needs to be done?
30:50Vicenta,
30:50a petition
30:52to put it back on
30:52on TV
30:53Little House on the Prairie.
30:54How many people
30:55He has been collecting signatures,
30:56No?
30:57A lot.
30:58Come on,
30:58Give me an autograph.
30:59No,
30:59I mean, Little House on the Prairie
31:00I have it a little recently.
31:02What makes it recent?
31:03I would like
31:04see again
31:05or Falcon Crest
31:06or Dynasty
31:09or the rich
31:10They cry too.
31:11Come on,
31:11Shut up already.
31:12Curro Jiménez
31:13or Roots
31:14with Kunta Quinte
31:16poor
31:17He had a terrible time.
31:21Hey,
31:21look,
31:22that there's no way.
31:22Vicenta won't sign that
31:24not even at gunpoint
31:24And I've already tried it.
31:25yet.
31:26This will sink us.
31:28Why don't we drug her?
31:29Nobody's going to notice.
31:30Why don't we tell him
31:31to my son José Miguel
31:31copy the signature?
31:32Yours turns out very well.
31:34What does the child forge?
31:35My signature?
31:35Well,
31:36in one day
31:36that you weren't there
31:37and I needed
31:37the checkbook.
31:39Marisa,
31:40that?
31:40What is this paper?
31:41What did you have on the nightstand?
31:42My name is here
31:43and I don't know what
31:43of a power.
31:44Look,
31:45this...
31:46Can I explain it to you?
31:47No.
31:48TRUE?
31:48Take,
31:49I've already signed it.
31:50You forget to tell me
31:52things
31:52and then they pass us by
31:53the deadlines.
31:54Where will you have
31:55the head?
31:58Fuck,
31:59He has signed!
32:00Hey!
32:01Here's the only fool
32:02it's me.
32:03Take.
32:03Neighbors' Corner!
32:05Come on!
32:05We only need one more.
32:06Come on, come on.
32:07Let's go to my house
32:08I'm going to invite you
32:08a whisky!
32:10Good morning.
32:12How did you sleep?
32:13I haven't slept.
32:14Hey,
32:15And why always
32:15that we discussed
32:16I end up sleeping
32:16Me on a sofa?
32:17Because he who sleeps
32:18on the sofa
32:18is the one who is wrong,
32:19the one who feels guilty.
32:20Mauri,
32:20We can't go on like this.
32:22This Alice affair
32:23It's gotten out of hand.
32:24Yeah,
32:24but at least
32:24I have shown you
32:24marking packages
32:25We're in a mess.
32:26Well,
32:26Enough is enough.
32:27Look,
32:27did you know?
32:28Right now
32:28I'm going up to Alicia's house
32:30And I'm going to tell him
32:30that we are gay.
32:31I'm going with you!
32:32I'm not missing this.
32:33Okay then.
32:33Hey,
32:33Can I take the video camera?
32:35Mauri,
32:36I'm serious.
32:36Me too,
32:37It is a historic moment,
32:38I take it,
32:38It doesn't take long.
32:39Okay,
32:40but...
32:42Alice,
32:43leave!
32:46Alice,
32:46I'm staying!
32:47Salt!
32:48Passed,
32:48happens,
32:49Hello.
32:49Hello,
32:50what's happening?
32:50Hello.
32:53Do you have visitors?
32:54Yeah.
32:54Look,
32:55that we've been talking about
32:56about you.
32:56Well,
32:57We want to tell you something.
32:58No,
32:58No,
32:58No,
32:58I'm the one who feels terrible
33:00with all this.
33:01For you
33:01It has to be a situation
33:02very uncomfortable.
33:03I know you both liked it.
33:04Well,
33:05What we actually have...
33:05She is very modest,
33:06She's got no grandmother.
33:07Well,
33:07I admit that at first
33:08The one I liked was Fernando.
33:09Do you see it?
33:10And since he couldn't decide,
33:12I tried to use Mauri
33:13to make him jealous.
33:14I told you,
33:15I told him so.
33:16But then
33:16I've realized
33:17that Mauri
33:17He is a wonderful man.
33:19Wait,
33:19which is not yet finished.
33:21And that attracted me
33:21for other reasons
33:22which Fernando does not have.
33:23Go on,
33:23go on,
33:23go on,
33:23go on.
33:24One moment,
33:25What things?
33:25It doesn't matter,
33:26The thing is, I've decided
33:27that I'm not going to stay
33:27with neither of them.
33:29It's much better for everyone.
33:30that we remain friends
33:31as before.
33:31How beautiful.
33:32If it's your decision
33:33We have to respect it.
33:34No,
33:35wait,
33:35wait,
33:35wait,
33:36that Fernando
33:36He wants to tell you something.
33:38No,
33:38Well,
33:38That's basically what
33:39Alicia has suggested,
33:40That's a shame.
33:41for breaking up this friendship
33:42so pretty
33:43over something trivial.
33:45What else?
33:47Well,
33:48I think so
33:49in principle
33:49nothing else.
33:51Ah,
33:52Well, that's great.
33:54We're leaving.
33:54Okay.
33:56Bye bye.
33:57Bye bye.
34:18Emilio?
34:21Emilio?
34:21Yeah,
34:21Sir,
34:22costs.
34:22No,
34:23idiot,
34:23that's me.
34:23Ah.
34:24That,
34:26yes.
34:27Hey?
34:29Yes.
34:30Yes what?
34:32That,
34:35fuck,
34:35This is so difficult.
34:40That we're dating.
34:43But this is something
34:43between you and me,
34:44Hey?
34:44It doesn't have to be
34:45nobody knows.
34:46Well, since we're dating.
34:47Yeah.
34:48Well, I'll leave you now.
34:50What do you mean you're leaving me?
34:51That's short.
34:51that we left it,
34:52that it's over.
34:53But why?
34:54Man,
34:54because I can't
34:55to be with a person
34:55who is ashamed of me.
34:57Because I'm not ashamed
34:58of you.
34:59Except I don't want to
35:00that they see us together.
35:01Yeah.
35:02Look,
35:02sorry,
35:03But I have many things
35:03to do.
35:04No, no, no.
35:05But Emilio?
35:06No,
35:06no,
35:06really.
35:09What an idiot.
35:10What a pain it's been.
35:25Augusto Carvajal.
35:26Hey,
35:26How do you spell Carvajal?
35:27With V.
35:28I'm not saying with a G or a J.
35:29With J Emilio,
35:30If it weren't Carvajal.
35:31Oh, really,
35:32It sounds worse.
35:32But what's coming?
35:33the one from the town hall
35:34to bring the report?
35:35I don't know,
35:35But I should already be here.
35:36Hey,
35:37one moment,
35:37Let's see if I've got it right.
35:37This is clear to me.
35:38Come.
35:40I mean,
35:40I ask him
35:41and I press record.
35:43No, Emilio,
35:44It's not an interview.
35:45Keep this to yourself
35:46in the pocket
35:47and you try to get him out
35:47the information,
35:48Okay?
35:48Oh my God,
35:49that it's not going to turn out well.
35:50Yes, yes, yes.
35:50But with great tact.
35:51Just talk to him about anything.
35:52And when you've earned it,
35:54then you attack
35:54with the issue of the scam.
35:55Let's see if he sings.
35:56Yes, yes,
35:56I understood it.
35:57With great tact
35:58and without it being noticeable.
35:59It's coming,
35:59which is coming,
36:00which is coming,
36:00which is coming.
36:03Hello,
36:03Good afternoon.
36:04I've come to deliver the report
36:05from the technical inspection
36:06of the building.
36:06What you have
36:07It's an expensive face.
36:07that you can't handle her.
36:08As?
36:09Yes, yes,
36:09Don't play dumb.
36:10that has smeared you
36:11this guy
36:11who wants to buy the building.
36:13Sorry,
36:13But I don't know.
36:14What are you talking about?
36:15Oh, no?
36:15Well, right now
36:15I'm going to call the town hall
36:16so they can do another inspection
36:17Let's see if it's true
36:18that this is falling apart.
36:19Wait, wait, wait.
36:21What do you want?
36:22Winemaker?
36:23No,
36:24no money.
36:25Although that was the right thing to do.
36:27I mean,
36:28that pays you
36:28This Augusto Carvajal
36:31for giving bad reports
36:32of building.
36:33And what do you want me to do?
36:33man with the shit
36:34of the civil servant's salary
36:35What do I have?
36:35So, yes.
36:36Yes what?
36:38What did he smear on you?
36:38Is this Augusto Carvajal?
36:40But you're stupid.
36:40Of course.
36:41Pussy,
36:42if you speak very softly.
36:43And what do you want me to do?
36:43What, scream?
36:44Come on, get out of here.
36:45Get out of here, man!
36:48The thing is, I have four children.
36:50You're not going to say anything, are you?
36:51Now, then,
36:51More condoms and less corruption.
36:53Come on, shoot already!
36:53Get out of here now!
36:55Degenerate!
36:56I'm going to smash his face in.
36:59Well, what?
37:00Damn, Emilio.
37:01Oh well.
37:02Of course, if I'm a goalkeeper,
37:03My job is to gather information.
37:05Very good.
37:05The clock?
37:06I just found this
37:07today at the door
37:08when I was...
37:09Well, it was Augusto Carvajal.
37:15Yeah.
37:15August.
37:16Juan Cuesta,
37:16president of the community.
37:17Look, I've already sent it to him.
37:18all documents
37:19that he asked me for.
37:20But I'm missing a signature here.
37:21Look, there's a neighbor
37:22that he doesn't want to sell
37:23and we don't know anymore
37:24what to do to convince him.
37:26Ask and see
37:27if the house can be torn down
37:28even if there are people inside.
37:30Marisa, for God's sake.
37:31Which apartment is it that he doesn't want to sell?
37:33Those from third A.
37:34The usual suspects.
37:35Don't worry.
37:36I'll take care of it.
37:37For these cases
37:38There are other formulas
37:39to get them to sell.
37:40It happens to us very often.
37:42Yes, but...
37:42What exactly is he going to do?
37:44This afternoon
37:45two of my employees
37:46They will pay them a visit.
37:47In a few hours
37:48this matter
37:49It will be closed.
37:51But this guy
37:52He's a mobster.
37:53that he's going to send
37:53to two thugs.
37:54That sounds familiar to me.
37:55A beating, huh?
37:55I think they'll like it
37:56Let's break the pain, huh?
37:57Yes, but that
37:58It's none of our business.
38:00Paloma, for God's sake.
38:00We will allow
38:01that a neighbor
38:02suffer the blackmail,
38:03the manipulation
38:04and harassment.
38:05Well,
38:06What have we
38:06What have we been doing?
38:07Yeah,
38:07But everything has a limit.
38:09That guy
38:09He's a piece of scum, damn it.
38:11I'm not selling him the apartment.
38:12Yes, but it turns out
38:13which we have already signed.
38:14It doesn't matter.
38:14We are all here
38:15willing to give up
38:16at 35 million
38:17in exchange for health
38:18and security
38:19from our neighbors.
38:20Yes, but the thing is
38:20I give up 70.
38:22Okay, what do we do?
38:22Should we call the police?
38:23No, no, no.
38:24I think it's better
38:25to confront them
38:25when they arrive.
38:26They said that only
38:26Two guys are coming.
38:27There are four of us.
38:28Four?
38:29Ah, me too.
38:30Oh, no, yes, of course,
38:31me too.
38:32If they want violence,
38:33They will have violence.
38:34When they come
38:34those two individuals,
38:35We will be prepared.
38:37For God's sake,
38:38Don't get angry, okay?
38:39You'll see these from the team,
38:41Huh?
38:42Here's one
38:42He ends up in the hospital.
38:45How exciting,
38:46we're going to get involved
38:46in a mess,
38:47Move, move.
38:48No, no, no.
38:48No, no, no.
38:49I think it's better
38:50I'll go down by myself, okay?
38:50Because?
38:51Because you
38:52You've never had a haircut.
38:53And well,
38:54that maybe
38:54It's a little noticeable...
38:55In the end,
38:56that you may not turn out
38:57too masculine.
38:58What, I don't look masculine?
38:59But what do you suppose?
39:00What happens when I fight?
39:01Am I pulling on my hair?
39:02What a strange homosexual you are.
39:04Fernando, huh?
39:04You have all the topics
39:05of the heterosexual.
39:07Also, what's going on?
39:07Are you going out in a bandana?
39:08for life?
39:09No no,
39:10oh well,
39:10that you'll realize
39:11yourself.
39:12Come on,
39:13Hit me.
39:13That I don't want to,
39:14no,
39:14That's what I'm worried about.
39:15that the body asks for.
39:15Nothing's wrong,
39:16You call the punch.
39:17I usually know
39:18Thus the position.
39:19What the hell are you doing?
39:21But you weren't going to dodge it.
39:22Already,
39:22but that hasn't been me
39:23time, damn it.
39:25I'm sure it'll swell up.
39:26I'm sure it'll swell up.
39:27Let's see if the one who's leaving...
39:28to have to stay
39:28At home, it's just you.
39:30palicón.
39:33Bring my ice.
39:35Good,
39:35when they come
39:36the thugs
39:37Let's try
39:37exhaust diplomatic avenues,
39:39Hey?
39:39So let me speak.
39:41Yes indeed,
39:41Don't go too far away,
39:42that I as a human shield
39:43I have little.
39:44But we shouldn't
39:44to tell them to come up
39:45Go get them.
39:46Yeah,
39:46I think it's going to be
39:47the best way to avoid
39:47worry them.
39:48They're here now.
39:49They're already here.
39:50They are climbing in the ascent.
39:51Are they big?
39:52Some are wearing trench coats,
39:53They might be armed.
39:55Well,
39:55tranquillity,
39:56above all, stay calm
39:57and aplombs.
39:58I'm thinking that it's better
39:59You speak,
40:00that you are a lawyer.
40:01Yeah,
40:01yes,
40:01come on,
40:02come on.
40:03One moment.
40:05Where are they going?
40:05To the third
40:06to pay a visit.
40:07What's happening?
40:07Is there a problem?
40:08Is there a problem?
40:09Poor,
40:10that...
40:10Come here,
40:11bastard!
40:12Hey!
40:12Come here!
40:13You can't go!
40:14More than four at once!
40:15They are prohibited!
40:17What's going on here?
40:18A sad thing,
40:18Emilio.
40:19Are we winning or losing?
40:20Winning,
40:20believe.
40:22Bolcía!
40:22What's going on here?
40:23Bolcía!
40:24What's happening?
40:25Call the pocket.
40:26Bolcía!
40:27Hey.
40:28Where are you?
40:28Are you hitting my father?
40:29What a cock!
40:31But...
40:31This is the south.
40:32But,
40:33but,
40:33But put the coat on properly,
40:34man.
40:35Juan Cuesta,
40:36president of the community.
40:37Welcome to...
40:38Emilio,
40:39goalie,
40:39delighted.
40:40Have a great daughter.
40:41What kind of idiot is he?
40:42Are you next, neighbor?
40:42Well, I don't know.
40:43We thought
40:44who were the two thugs
40:44from the builder
40:45who were forced to come
40:46to sell the apartment.
40:47But what thugs
40:47And what thugs?
40:48That's my father.
40:48and his driver.
40:49But what's going on?
40:50Don't you ask?
40:50before hitting people?
40:51That's what the little face says.
40:52It's because he's been provoking it,
40:54Hey?
40:54Or you are protected.
40:54You have more bodyguards
40:55Victoria Beca.
40:57And what did you want, Emilio?
40:58Hey...
40:58Ah, yes.
40:59Down below is Augusto the Corrucho
41:00who wants to talk
41:01with the whole neighbor.
41:01Okay, let's see.
41:02Come on.
41:03How dangerous you are!
41:06I'm very sorry, Don Augusto,
41:07but we have decided
41:08unanimously
41:09do not sell the building.
41:10We are dignified people
41:11and we don't make deals
41:12with individuals
41:13of such low character.
41:14And even less so by imposing ourselves
41:15mafia practices,
41:16intimidating the neighborhood
41:17with two thugs.
41:19But what two thugs?
41:20If you are my lawyer
41:21and my accountant.
41:22They were going to offer
41:23ten million more
41:24to those on the third floor.
41:28Then yes
41:29We sell them all, right?
41:30Sure, I think so
41:30it can be reconsidered
41:31because of the low-class
41:32I meant it in a good way.
41:33I'm sorry, but it's late.
41:35I have already purchased
41:36another property in the center.
41:38I'll leave you now.
41:39so that you may lament
41:40of this opportunity
41:41that you have let slip away.
41:43Bunch of losers.
41:44You don't tell me
41:45that all in the street.
41:46Maury, we're already here
41:47on the street.
41:48Just a moment, just a moment.
41:49The city council technician
41:50He said that we have
41:51that we spend 24 million
41:52in fixing the house.
41:54Yes, that's your problem.
41:56No, it's your problem.
41:57because you're going to pay for them.
41:59Yes, and why would I do that?
42:02Because we have a tape
42:03which demonstrates
42:04who has bribed
42:04to the city council technician.
42:06Here's the tape.
42:07Look, Emilio.
42:13Just a moment,
42:14What do you do on the other side?
42:17Now yes.
42:19How is your daughter?
42:20How much does it cost, Paquito?
42:21Look at her.
42:22But look at her
42:22What an ass she has.
42:23I'm telling you...
42:24Well, because I have a girlfriend.
42:25If I didn't take it and...
42:28My God.
42:28But this could get worse
42:29Whenever he feels like it, right?
42:30But Emilio.
42:31Emilio, man.
42:32Excuse me, but
42:33I have many things
42:34to do.
42:36Don't tell me
42:37which I've made worse.
42:38But what do I know?
42:39if the only device
42:39The mop is the one I take.
42:40and it has no buttons.
42:41I said so.
42:42For once
42:43that we could
42:43to have taken money from him
42:44To anyone?
42:45What a disaster!
42:45Look, I'm not giving it to you like that.
42:46because I've been here all day.
42:48Mr. John,
42:49But I swear
42:50That wasn't me, huh?
42:51That wasn't me,
42:52really.
42:52Yes, we'll talk, you and I.
42:54Already.
43:02Well, Roberto,
43:03My daughter already told me
43:04that you are going to get married.
43:05Yeah.
43:06So you're not going anymore
43:07to back down.
43:08Dad.
43:09It was just a question, too.
43:11Well,
43:12I'm going to give you
43:12my first wedding gift.
43:14Roberto,
43:15in the company
43:16I have a vacancy.
43:17Well, one vacancy.
43:18I fired one
43:19to get you in.
43:20Starting next week
43:21You start working
43:22with us.
43:23Dad,
43:23Roberto doesn't like it
43:24architecture.
43:25But then,
43:25What did you study for?
43:27You and I are going to do
43:27a lot of floors
43:28everywhere.
43:30Well,
43:31Well, thank you.
43:32but...
43:32Look,
43:32that thing about drawing little figures
43:34it's very nice
43:35for your free time,
43:36But you have to start
43:37to earn money.
43:39Two thousand five hundred euros
43:40per month.
43:41What do you say?
43:43Man,
43:44It's already done.
43:45Kid,
43:46Welcome to the family.
43:49Hey,
43:49on Monday
43:49at eight
43:50in the office.
43:50Take markers,
43:51squad,
43:52set square.
43:54I don't love myself
43:55a joke,
43:55Pussy.
43:58Thank goodness,
43:58because I this
43:59not getting up early...
44:00No,
44:00No,
44:00No,
44:00No.
44:00The eight o'clock thing
44:01I'm serious.
44:02A little kiss,
44:03doll.
44:04Well,
44:04daddy.
44:07Hey,
44:08look,
44:08This is a contract
44:09temporary,
44:09You know?
44:10If you're going to start marching
44:10Forget about the wedding,
44:12I've done it.
44:12Yeah,
44:13dad.
44:16Bye bye,
44:16see you later.
44:21Well,
44:21so,
44:23Are you going to work?
44:24with my father?
44:26I mean,
44:26I don't know if I want to.
44:27Roberto,
44:28Why haven't you told him?
44:28no?
44:29But he hasn't let me.
44:31Call him,
44:31Call him,
44:32Tell him you've thought about it
44:32better and not,
44:33that it doesn't cover it.
44:34No,
44:34No,
44:35Leave it,
44:35Let's see if he gets annoyed.
44:37Fuck.
44:39Hey,
44:39You won't need to wear a suit.
44:42And a tie?
44:45Come on,
44:45Don't mess with me.
44:50Papo,
44:50Paquito,
44:51bombshell news.
44:52I already know
44:53that they don't sell in the building.
44:54No,
44:54no,
44:54that I have left Bethlehem.
44:55What happened?
44:56Nothing.
44:57And why are you leaving her?
44:58Man,
44:59so you can see I'm a tough guy,
45:00You don't mess with me.
45:01But,
45:01Do you like it or not?
45:02Of course I like it.
45:03But then,
45:04Why are you leaving her?
45:05Well,
45:05I don't know,
45:05I cut it,
45:06I can go back to her whenever I want.
45:08Yeah,
45:08You don't know how vengeful I am.
45:09who are the aunts.
45:10That right now
45:11They're already looking for another guy.
45:12Fuck,
45:12Don't worry me,
45:13It's not that serious.
45:14Emilio,
45:15You can lose it.
45:16Oh,
45:16Paquito,
45:17What have I done?
45:18Paquito,
45:18What have I done?
45:19Well, screw it up as usual.
45:20if you're stupid.
45:21Fuck,
45:22How is that?
45:23But I don't know,
45:24I don't see this as such a big deal either.
45:26No?
45:26What do you mean it's not serious?
45:27No,
45:27Don't call me stupid anymore,
45:28that I am right now
45:29with the heart of a jogger.
45:30Silly,
45:31uncle,
45:31silly.
45:40Silly,
45:41silly.
45:41silly.
45:42silly.
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