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07:12Like you.
07:13Oh, he's insulting me, Juan.
07:15Well, all I ask is that you please be discreet and don't go around talking about it.
07:18that we know each other.
07:20Dani, dude, you're gonna freak out. Those two neighbors upstairs are total sluts.
07:25Hey, put the phone down.
07:28Okay, calm down, okay?
07:29Oh, calm down. You're grounded, you're grounded.
07:33Calm down.
07:37Roberto.
07:39Roberto, that's me, Nuria.
07:46Nuria, well, what are you doing here?
07:49I just moved right here across the street.
07:51Oh, what a coincidence.
07:53No, it's not a coincidence. Hey, how are you? Are you still with that girl you left me for? How's it going?
07:58calls?
07:59Lucia.
07:59That's right, Lucia.
08:00Yeah.
08:01You live here, right? It seems like things are getting serious, don't they?
08:05Well, man, it's been three years already.
08:07Look, you were with me for three years too.
08:11Do you remember that last week, going out with both of them at the same time? Lucía, Nuria, and so on.
08:15Lucia and we, without knowing anything.
08:17What a sly one, huh? Because he probably doesn't know yet, right?
08:22Anyway, I'm leaving. Okay, then?
08:25I had a son.
08:28Oh, really? Congratulations.
08:30Yours.
08:32Dude, I wanted to tell you, but since you weren't answering your calls...
08:35Look, his name is Nacho, after the Mexican restaurant where you left me.
08:46Fuck.
08:48Well, it's a shame we don't cut it at a Chinese restaurant, otherwise it would be called Chopsway.
08:53But hey, I'm sure that...
08:56No, you idiot, he's my nephew.
09:02Oh, that's great, Nuria.
09:04Hey, I'm going downstairs to see if I can get some blood circulating, because...
09:09Come on, come on, we'll see each other soon, okay?
09:12Yes, very much so.
09:14Because you don't know it yet, but you still love me.
09:18Don't worry, okay?
09:19I'm going to open your eyes.
09:24Bye.
09:27Juan, these ladies are out of their minds.
09:30Now they've taken a liking to these poor girls up here.
09:32Who knows what they'll say about us.
09:34I'm sure they'll tear us apart, the idiots.
09:36I'm not saying they're right, Paloma, but it's a very serious matter.
09:39A brothel here in the building? No way.
09:43Of course, what I don't understand is how there are men who go out with these professionals
09:46keeping their wives in their homes.
09:48Me neither, darling.
09:49Oh no, darling, no.
09:51Juan, I'm tired.
09:52It's because you always wait until the last minute.
09:54No, really, you're right.
09:55I hadn't noticed what time it is, sorry.
09:57You already know that my good time is at snack time.
09:59There, whatever you want.
10:01Whatever you want, my love.
10:03Where are you going?
10:04To the bathroom.
10:05That?
10:06Time to brush my teeth.
10:08Ah.
10:11Don't be late.
10:14Yeah.
10:16Okay, give me the casting address.
10:20Yeah.
10:22Hey, what's that?
10:23Another ad?
10:24What I really want is to make a series, not advertise cooked ham.
10:31Hello good morning.
10:32And how much do they pay?
10:34Only 400 euros.
10:37Yes, they always say the same thing, but then things drag on and, of course, who's the customer?
10:43Ah, yes, I've already done a few things with that.
10:46Be quiet.
10:47Okay, so what am I wearing?
10:49Okay.
10:50Very good.
10:51Bye.
10:54A job.
10:56Oh, that's great.
10:58See you later.
10:59See you later.
10:59Bye bye.
11:06Juan.
11:08Juan.
11:09Juan!
11:09That?
11:10They have to be thrown out.
11:11Who was he talking to?
11:12With her pimp?
11:13Well, Miguel, for God's sake.
11:14What vocabulary.
11:15What a mouth this kid has, wow.
11:17Like his father's, because he didn't take after his mother.
11:20But what do your parents like, Fernando?
11:21Because I could set your preferences.
11:23But what if they're a bit old-fashioned?
11:24No, they are not old.
11:25Put whatever you want.
11:26If I make rice and they're not on time,
11:28I forget and we look terrible.
11:29By the way, when are you going to tell us?
11:31Because I might have a heart attack.
11:32I don't know, Mauri, I haven't thought about it.
11:33Well, think about it, because if you tell him in the middle of dinner...
11:35And they get angry, well look, I don't make dessert anymore.
11:37Please drop the subject of dinner with my parents.
11:39Man, I'm telling you, because they're coming anyway...
11:41What's the matter?
11:42I can't breathe.
11:43What do you mean you can't breathe?
11:44Don't scare me, Fernando.
11:45Emilio!
11:46What's happening?
11:47That you can't breathe.
11:48You guys really do call me for everything these days, huh?
11:50Leave me alone.
11:55Oh my God, she's leaving us.
11:57Emilio, please call an ambulance.
11:59No, no, don't worry, I think it'll pass.
12:00What are you saying?
12:01I'm very squeamish; I can't stand the sight of blood.
12:03But what if there's no blood?
12:04Yes, but if I fall, yes.
12:06That's it, I'm better now.
12:07Seriously, huh?
12:08I don't know what happened to me.
12:09No, calm down, calm down, okay?
12:11Let's go home.
12:12Yeah.
12:13Nothing has happened.
12:14Okay.
12:14Come on.
12:16Nothing has happened
12:18the time those two bastards put me through.
12:22I've already spent some time in bed
12:23I hope this passes a little.
12:24Oh my God.
12:26What a thief.
12:28Don't overthink it.
12:29It was an anxiety attack.
12:30Yes, but I've been very busy lately.
12:32No, that's not why.
12:33It's because of the dinner with your parents.
12:35Fernando, you're not ready to tell him.
12:37I want you to come out of the closet, but alive.
12:40Well...
12:41Okay, you'll tell him later, right?
12:43If I don't tell him, we'll have a problem.
12:45Okay, but I'll put up with it.
12:46And that's it?
12:47I've told them I live with my girlfriend.
12:50Yes, we have a problem.
12:52But why?
12:53Leave it.
12:54Who would ever say that?
12:56Forget it.
12:57Forget it.
13:00Well, tell them he's had to go on a trip.
13:03That's it.
13:04No?
13:05No, he's already gone on a trip.
13:08And her niece has made her First Communion.
13:10And her sister got married.
13:11And the hypo-destruction has been done.
13:12His grandfather has died.
13:13If nothing else can possibly happen to him.
13:16She looks like the protagonist of a soap opera.
13:18Okay, so what do I do?
13:19Should I put on a wig and some heels?
13:21Same without heels.
13:22This is the kind of moment that would make me want to strangle you.
13:24But if I'm doing yoga, it's supposed to be for something.
13:28Oh, I say.
13:30At one point, so to speak, you know?
13:33As if by chance...
13:34This girl, Alicia, the neighbor.
13:37If we ask her, maybe she could pretend to be my girlfriend and...
13:42Yes, but only for the short time my parents are there.
13:44What do you think?
13:45Very good.
13:47You were just about to introduce your gay boyfriend to your parents.
13:50And now it turns out my gay boyfriend has a girlfriend because he told his parents he's gay.
13:54heterosexual.
13:55Precious.
13:56But only for a little while.
13:57And what have I been doing for a while now?
13:58Should I get in the cage with the rabbit?
14:00Weren't you going to the movies?
14:01Besides, you haven't asked Alicia yet.
14:03Maybe he doesn't want to.
14:04Or he can't.
14:05Of course, I'd be delighted.
14:07But why do you have to tell your parents you have a girlfriend?
14:10Well...
14:11Because they get really annoying.
14:12You know, it's always something like, "I'm too old," or "I have grandchildren," or "I'm trying to focus."
14:15Very good.
14:15Alicia, I've eaten you.
14:17Okay, so what time tomorrow?
14:19Well, I don't know, at nine o'clock, okay?
14:20Okay.
14:21Hey, what am I wearing?
14:23Well, I don't know, just to give you an idea, you work at the law firm.
14:27Am I a waitress?
14:29No.
14:30Lawyer.
14:32Oh, and wear something elegant, a little bit classic.
14:34It doesn't have that.
14:35Don't worry, I can lend you whatever you want.
14:38Go up, go up.
14:39The first one has been up there for a while now.
14:42But they're not gay.
14:43And what do I know?
14:44Yes, this is a disgrace.
14:46It's true.
14:47Here, the only ones who don't get wet are us.
14:50Hey, thanks a lot, okay?
14:51You have no idea how much this helps me.
14:53You're welcome, man, that's what we're here for.
14:55Okay, see you tomorrow.
14:56See you tomorrow.
14:58Hello.
15:00Good morning.
15:00Hello.
15:03It didn't take long, did it?
15:05Normal.
15:06She's going to introduce me to her parents.
15:09He's going to introduce you to his parents because he doesn't dare tell them he's gay.
15:13But why are you so envious?
15:15Is that boy gay?
15:16No way.
15:17He is gay and will remain gay.
15:20I don't know what it is about that, but whoever goes there doesn't come back.
15:24That's right, eh?
15:32Hello darling.
15:35Hello.
15:36This is Nuria, the new neighbor across the street.
15:39Hello.
15:41Delighted.
15:43I was just telling Lucia that you have a beautiful house, you know?
15:46Green is my favorite color.
15:49Look.
15:51Hey, weren't we going to the movies?
15:52Yeah.
15:53Do you want to come with us?
15:54No.
15:55No, I only have two tickets.
15:57Don't worry, we'll see each other a lot.
15:59I'm so envious of you.
16:01My boyfriend broke up with me a while ago.
16:06I'm sorry.
16:08But I think we'll be back, you know?
16:09Because we made a very good couple.
16:12Well, if he's dumped her, there must be a reason, right?
16:15Or no, people are wrong.
16:17And maybe he's sorry.
16:18Maybe yes, maybe no.
16:20We don't know.
16:22This is just talk for the sake of talking, it's not going to happen either...
16:24He's dating someone else now, but I don't think he's happy.
16:28Clear.
16:28He probably still loves you.
16:31No.
16:31I don't see it that way, come on.
16:33No no.
16:34You're giving advice without knowing what you're talking about.
16:36Love ends.
16:37And that's it.
16:38No, it doesn't end.
16:40Roberto.
16:41Well, if you think you have a solution, then go for it.
16:43I find that overwhelming.
16:46And besides, we're going to be late for the movies, come on.
16:48Okay, fine.
16:49Okay, little couple, I'll leave you now.
16:51Come on.
16:51Well, don't worry, you'll see how everything works out.
16:55Hey, you know, if you want anything, just ask me.
16:57I say the same to you, I mean, I love to share.
16:59See you later.
17:00See you later.
17:01See you later.
17:03Well, that's great, isn't it?
17:04At least we have nice neighbors across the street.
17:07Lucia, you let just anyone into your house.
17:09We're going to have a problem one of these days.
17:11So, what have you been talking about?
17:12Well, I don't know, a little bit of everything.
17:14Can you tell me what's wrong?
17:16No, no, no, people who are too nice give me the creeps.
17:19Look, look at the McDonald's clown.
17:22I think you're getting paranoid about the whole neighborhood here.
17:25Okay, I'm going to get the shoes and if you want we can go to the movies.
17:28Yeah.
17:47Was I right or wrong?
17:49Yes, ma'am, you were right.
17:52But seriously, have you all gone mad?
17:53Are you serious?
17:55Listen, because you haven't heard what John and I have heard.
17:58No holding back, huh?
17:59And in front of the child.
18:01They charge 400 euros per service.
18:04Damn, is that what she received in pension?
18:06And what I've put on the PlayStation with two games.
18:08This neighborhood is going to waste.
18:09Armando, we all have to go up together.
18:11Because?
18:12They definitely offer group discounts.
18:13No, no, man, no, to talk to them.
18:15But come on, what have they done to you by letting them do whatever they want, man?
18:18He's quite the charmer, since you're rolling in dough, huh?
18:21Juan.
18:21By the way, can you prove all of this that you're saying?
18:24This afternoon at 8, Belén has a client.
18:27Yes, but who are you? The secretary?
18:29Oh, no, okay, they have a client.
18:30And?
18:30If the only place from which anything could be seen is from the new people's floor.
18:42They're not here.
18:44They are not there and there are less than 10.
18:46Why would we miss it?
18:49Hey, didn't Emilio have a key to this apartment?
18:56Emilio?
18:58Emilio!
18:58Yeah.
18:59What are you doing?
19:00Oh, I was trying to remember a phone number, but it just won't come to me.
19:03We need the key to apartment 3B.
19:04So that?
19:05For the... just because.
19:07But, Mr. Cuesta, I cannot do this.
19:09As the doorman of this building, I have an inherent responsibility to all the residents.
19:13When a neighbor gives me their key, for me that's sacred.
19:16We think the girls in third B are prostitutes.
19:19Or upwards, huh?
19:21Wait, wait a moment.
19:22What if the new ones come back?
19:23Well, someone should stay and keep watch.
19:25Very good idea.
19:26You stay.
19:27No, then I might miss it.
19:28Well, you'll just have to deal with it.
19:29Okay, fine.
19:30Bring some coves, you see, man.
19:31And let's go upstairs, come on.
19:32Let's see, Vicenta.
19:34If you see Roberto and Lucía reappear, call me on my mobile.
19:38But how am I supposed to call you if this is your phone number?
19:40No, my wife's.
19:42So, this is your wife's phone number.
19:44No, this is mine.
19:45And you call me on this other one.
19:46If you see them reappear, you press one and yes, then green.
19:50In other words, one, yes, and green.
19:51No, yes and green are the same.
19:53You have to press one and then yes.
19:55They'll come before he even knows.
19:56But hey, the yes is green.
19:58Hello, good afternoon.
19:58Hi there.
19:59How are you?
20:00It's this one, it's this one, it's this one.
20:02Are you okay?
20:03No, no, no.
20:03No, no, no, no.
20:04Get on, get on, get on.
20:05No.
20:26Hello, good afternoon.
20:27Hello.
20:43You earn 400 euros and they give you a tracksuit.
20:46The tracksuit look is really in style now.
20:48Damn, they've done a beautiful job here.
20:50Mint, mandarin.
20:53That's how he thought he'd paint the goal.
20:55Hey!
20:55Turn off the light!
21:05Here, I didn't pay you yesterday.
21:07Here, charge me two.
21:08Oh, wait.
21:10Let's see if I have any change.
21:18Come on.
21:18No, two.
21:19No, this one, this one, this one.
21:20This one and that one.
21:22Come on.
21:22Let's see.
21:24Well, that's it.
21:25With love, okay?
21:27Peaceful.
21:34Long live, long live, long live.
21:35It's just you and me here, old and in my own skin.
21:41Tell me.
21:43No, Juan isn't here.
21:45I'm the neighbor.
21:46She left me her phone number.
21:47Who's calling me?
21:48And?
21:49Your mother?
21:50Hello good.
21:51Hello.
21:52No no.
21:53Are you going to the special one?
21:54No, no, no.
21:55What a joy, ma'am!
21:58We thought he had died.
22:00Since you were unwell and it had been a long time since we had seen you around here.
22:05Oh, ma'am, I have to hang up.
22:08One, Jessy Verde.
22:13Enter a PIN.
22:16Pin.
22:17Mr. Cuesta?
22:22Pin.
22:24Wow!
22:25Another 400 euros.
22:27These women will build a villa in Marbella in three months.
22:30Does Belén charge 400 euros?
22:32Yeah.
22:32Wow, how have the prices gone up?
22:34Zipote with the euro.
22:35Well, what can I say?
22:36I see it perfectly clearly, right?
22:37Well, not me.
22:37Maybe he's a friend.
22:38And he owed her money.
22:39Let's see.
22:40This is a decent building and I will not tolerate moral perversion and the breakdown of values
22:44that we have worked so hard to educate our children.
22:46Okay.
22:47Now, having said that, I must add that we have no conclusive proof.
22:50It occurs to me that perhaps one of us, if we posed as a customer, could verify this.
22:56in situ.
22:56Not you, Juan.
22:57Not you.
22:58Let him get started.
22:59He's probably used to these things.
23:00My son doesn't go to those places.
23:02Well, someone has to go.
23:08If I have to make the effort, I'll make the effort.
23:11But the community pays for this for me, okay?
23:13No, on top of that, it'll hit us with a special assessment.
23:22Happy Birthday!
23:26Happy Birthday!
23:30Happy Birthday!
23:34Happy Birthday!
23:37Whose birthday?
23:39Can someone tell me what all these people are doing in my house?
23:42Hey?
23:47Yes, tell me.
23:49They're going up!
23:50They're going up!
23:51If it's Vicenta, tell her she doesn't need to bring the cake up anymore.
23:55No, no, we already have a good pâté here.
24:08Natalia, I'm going to take out the trash and check the car's appointment.
24:11And what are you telling me for?
24:12Mom says she's in the bathroom.
24:13I don't speak to her.
24:14Well, write him a note.
24:16I'll be right back.
24:25Another one on the rise.
24:27Mother,
24:28Move away from the peephole that will let you mark.
24:30Clear,
24:30And how can he kick them out if he's also a customer?
24:33Juan too?
24:34Where?
24:35I thought the president was stupid.
24:37Normal, married to her.
24:43Hello.
24:43Hello.
24:44Are you busy?
24:45No, I was watching TV.
24:47This is a bit harsh, but could you spare me a few minutes?
24:51Yes, yes, of course.
24:52Come in, come in, come in.
24:54What's the matter?
24:55Are you feeling unwell?
24:55No, nothing.
24:56Bad posture.
24:57Ah.
25:00What I do?
25:00Feel?
25:02Yes, of course, sit down.
25:03I'm a little nervous, you know?
25:05Because I'm not used to these things.
25:07Well, I really just want to talk.
25:10Talk?
25:12I have a problem in bed with my wife.
25:16Ah.
25:18Well, it's...
25:18You have a lot of experience with men.
25:20Well, Alicia is more like that, I'm more theoretical.
25:23What is the best position for a woman to reach orgasm?
25:26Well, that's a good question.
25:28I think it's a matter of trying things out.
25:30Yes, you recommend I change.
25:32Yeah.
25:33But come on, I think you should talk to your wife about this, right?
25:36With Paloma?
25:37No, no, I prefer to talk to you about it.
25:39Ah.
25:39Hey, what about the G-spot?
25:41What's wrong with him?
25:43No, where is it from?
25:43Because there's no other way.
25:45Well, I think it's all in your head.
25:46Of course, that's why I go to the hairdresser so much.
25:49No, man, no.
25:50How psychological.
25:52I've read that men have it too.
25:55Well yes.
25:56But you weren't going to like where.
25:58Well, I have to go.
26:00I'm very comfortable, huh?
26:00But I don't want Paloma to suspect anything, you know?
26:03Well, that's all, it's all been very interesting.
26:07What they say about you is true, isn't it?
26:09You know how to listen to a man.
26:12But...
26:13Please.
26:14But...
26:14Because I can't afford any more.
26:16You've earned it.
26:17It's been a pleasure.
26:19Thank you.
26:22Good night.
26:23Oh.
26:23Hello.
26:24Good night.
26:25Good night.
26:26Bye bye.
26:27See you later.
26:28And here's the president of the community?
26:31Well, he's arrived.
26:32He told me he was having problems in bed with his wife.
26:35He gave me 100 euros.
26:36And he left the bag in the trash.
26:39How do you interpret it?
26:42Well...
26:43I don't know.
26:44It's a bit strange, isn't it?
26:45Yeah.
26:47I don't know.
26:51I don't know.
26:53Hey.
26:55Damn, Nuria.
26:56But how did you get in here?
26:58Are your keys at the gatehouse?
27:00Hey, please leave right now.
27:02Lucia can come at any time.
27:03I don't think he's coming.
27:05What have you done to him?
27:06Me nothing.
27:07But Lucia won't be back for another hour.
27:11But don't smoke here.
27:14Okay, what do you want me to do?
27:15Should I apologize?
27:18Okay, fine.
27:19I ask for your forgiveness.
27:21No.
27:22Give me a kiss.
27:24Come on, man.
27:25Give me a kiss and we'll forget everything.
27:28Come on.
27:31That's it.
27:32No.
27:34It's not enough.
27:35Hey, come on.
27:36This isn't funny at all, come on.
27:38Oh, no?
27:39Well, I'm having a blast.
27:41Oh, by the way.
27:44Guess what I've done?
27:46That?
27:47I put some of my panties in Lucia's drawer.
27:51I'm sure you'll recognize her right away.
27:53The question is...
27:54Will you recognize her?
28:10Does this sound familiar?
28:11This one too?
28:13Did I give this to her?
28:15Doesn't this sound familiar?
28:17Not this one?
28:18But not this one either, damn it.
28:19It's just that it has a lot, damn it.
28:20But what the hell does it have fishing line for?
28:22Good.
28:22Hey, what's up?
28:26What are you doing?
28:28Well, you should tidy up your drawers, Lucia, because they're very messy.
28:32When you live with someone, you have to respect a series of rules, you know?
28:35Damn, we don't have a maid.
28:37Okay, okay, okay, okay.
28:38Thank you so much.
28:40Okay, so when you've finished organizing mine, organize yours.
28:43Yes, of course.
28:45Yes, yes.
28:51It's this one, for sure.
28:54Of the many things that infuriate me about this situation, this is by far the most infuriating, by far, you know?
28:59It's that I prepared dinner and your fake girlfriend is the one who gets all the glory.
29:03Good.
29:03If you want, we still have time to back out, okay?
29:06Come on, back up.
29:08No, no, it's a mess.
29:09My parents will already be on their way.
29:10I can't stand your world, Fernando, I just can't.
29:13Oh, it's eight o'clock.
29:14Well, I think it's about time, don't you?
29:16So that?
29:17So you can get ready to go to the movies, right?
29:19No, I'm staying in my room, reading.
29:21Okay, and when my mother wants to see the bedroom, what should I tell her you are?
29:24A stuffed animal?
29:25She's not allergic to cats, so tell her she's stressed.
29:27I'm not leaving you here alone with the one above, not a chance.
29:29But what's going on?
29:30Don't you trust me?
29:31From you?
29:32No.
29:32And what about her?
29:33Less.
29:34Look, the bride.
29:37Oh, don't be rude to her, she's doing us a favor.
29:40Me, rude?
29:40But I am the perfect host.
29:42For the fregler?
29:47Equal.
29:50Ali McVee, the lawyer.
29:52How are you?
29:53Damn, you look great.
29:55I've brought you some photos for the living room.
29:59And then I brought you this little one for your wallet.
30:03And then, if you want, you can keep it.
30:05I've also brought clothes for the fear room.
30:09Take.
30:10The tapatillas of being at home.
30:13A few notes for the fridge.
30:15A box of tampons for the bathroom.
30:18And legends of passion and knightly officer.
30:21Very professional.
30:22I really enjoy preparing myself, you know?
30:24Listen.
30:26We met three years ago.
30:27I was your boss and you fell in love with me.
30:29Love.
30:29Two months later we were living together.
30:32We want to get married, but we can't find a place.
30:34We want to have two children, Ariadna and Gael.
30:36And we really like yoga, Formentera, and whale documentaries.
30:40What do you think?
30:41Good.
30:41What are your parents' names?
30:43Enrique and Monse.
30:44Hey, one more thing.
30:45At some point we'll have to kiss, right?
30:48What was that?
30:50Felix.
30:51The cat.
30:52Oh, we have a cat?
30:53Three.
30:56Oh, how cute, I've set the table.
31:01Do you want me to help you find a movie?
31:03No, thank you very much.
31:08Hello.
31:20Hello.
31:21Hello.
31:23That?
31:24Did you find my panties?
31:25Yes, I found them and threw them away.
31:28Yeah?
31:29That's quite an achievement, because I didn't put any.
31:35And what are you looking at?
31:38Hey, is there any chance, however small, that you'll leave me alone once and for all?
31:42Yeah.
31:43Lie down with me.
31:45Okay.
31:46And any other easier ones?
31:48Yeah.
31:48I can also tell Lucia that you were dating both of them at the same time and see how that goes.
31:52It suits him.
31:52Hey, don't do that to me.
31:54Please, I'm very much in love.
31:56I was also very much in love three years ago.
31:59Look, you have 24 hours to decide.
32:03Here's my number.
32:05See you later.
32:08What do you mean, goodbye?
32:09And does he get the film?
32:10You can bring whatever you want.
32:12Are you yourself?
32:14Yeah.
32:14Like a goat.
32:16Then I might have a chance.
32:19Ah, well you two will make a good couple, you know.
32:29Where are you going?
32:31The 21st is here.
32:34Excuse me, is this Fernando and his girlfriend's apartment?
32:37Fernando and his girlfriend.
32:39Excellent.
32:39The first one sees.
32:42Thank you.
32:43See you later.
32:47Damn, it's late, huh?
32:48I'm going to get ready.
32:52Honey, your parents.
32:55Honey, your parents.
32:57Clown.
33:02Hi, Mom.
33:03Son.
33:06Son.
33:06Son.
33:06Have you gained weight?
33:07Damn, it took us ages to find this.
33:11Hey, is there a junkie in the doorway?
33:13No, he's the goalkeeper.
33:14Son, what a neighborhood.
33:15Thank you.
33:16Okay, I'm going to introduce you to Lorena, my girlfriend.
33:19Hello.
33:20Very pretty.
33:22Thank you so much.
33:25Delighted.
33:25Likewise.
33:26Would you like something to drink?
33:27I'll have a white wine and my husband a sherry.
33:31Hey, but what color did you paint this?
33:34Is this gray?
33:35I like it, you know?
33:36The living room is spacious.
33:38And the kitchen?
33:39Is this the kitchen?
33:41Ah, very modern.
33:43All together like that.
33:44And so?
33:46He's a mom singer.
33:47Ah, of course.
33:49Camilo Sexto.
33:50Fernando, my love, where have you left the glasses?
33:52They're right in front of you, my love.
33:54So, what have you prepared for dinner?
33:57For dinner?
33:58What's for dinner?
34:02Well, this is a kind of mashed potato.
34:06And this other one is meat with sauce.
34:09Vichyssoia and duck breast with mandarin and mango.
34:12Useless.
34:14Vichyssoia and duck breast with mandarin and mango.
34:18That.
34:19She's very modest.
34:21Come on!
34:23Come on!
34:23Come on!
34:33Come on!
34:53How long does this take?
34:54What could he be doing?
34:57Come on!
34:59Come on!
35:00I'm ready!
35:01Come on!
35:03Come on!
35:04You look divine!
35:06Very handsome, Emilio!
35:08Now it's time to deliver!
35:09Well, I like this uniform better.
35:11Here, here, Emilio.
35:13400 euros from the community's reserved funds.
35:17Meleo, tell them not to give you an invoice, that way we save on VAT, okay?
35:20Hey, do you haggle or do anything to see if they'll give you a discount for being a neighbor?
35:26No, wait a minute, wait a minute.
35:27But you shouldn't spend the money, right?
35:29No, because when he offers it to the girls and they accept, we can kick them out.
35:34But Emilio doesn't have to do anything.
35:36No, Mrs. Paloma.
35:37Things are either done right or not at all.
35:39There has to be conclusive evidence.
35:41If it weren't for the dress, who would believe this Monica Levinsky thing?
35:44Nobody.
35:45That's right, he's right.
35:46Come on, and now everything's up top.
35:47But Emilio, you first, sir, please.
35:53There goes that man, that man.
35:58Look, Lucia, this is what it is.
36:01I spent a week with both of them.
36:03And?
36:03Didn't I tell you so as not to hurt you?
36:05What don't you like?
36:06Well, you'll have to learn to live with it.
36:08What do you want me to say?
36:10It kills me.
36:11He'll definitely kill me.
36:12I can't tell him, not a chance.
36:13Hello darling.
36:16Lucia.
36:17That?
36:18The neighbor is crazy.
36:20Which one?
36:21Because we have plenty of choices.
36:22Nuria, the one across the street is completely crazy.
36:24He's harassing me.
36:27Roberto, you think that as soon as a woman looks at you, she wants to sleep with you.
36:31No, no, no, no.
36:31She's obsessed.
36:32That he moved here for me.
36:36Honey, I love you very much.
36:37Hey?
36:37But you're not Brad Pitt.
36:39No, of course not.
36:39I'm Michael Douglas and she's Glenn Close in Fatal Attraction.
36:43Do you know what I'm talking about?
36:43Have you seen it?
36:44The one about the knife incident?
36:46Yeah.
36:47But it was being said that she was my girlfriend.
36:50Roberto, look, you spend many hours at home drawing.
36:53And maybe the smell of the markers gets you high.
36:56But you don't believe me?
36:58Well no.
36:59Okay, I'll call her.
37:01You'll see how it's presented here right now.
37:03You don't know this idiot.
37:09Damn, I'm nervous.
37:11It's been a while since...
37:16Hello.
37:20What are you dressed up as?
37:21Uh, excuse me, is Alicia there?
37:23No, the first one hasn't been downloaded yet.
37:24Do Fernando a favor.
37:25Ah, well then I'll come back in a little while, okay?
37:32Am I already here?
37:33What do you want, Emilio?
37:34What do you want?
37:35Hey, can I come in for a bit and we can chat?
37:39Other?
37:39But seriously, what's wrong with everyone?
37:42Well, we're very lonely, Belén.
37:44Go ahead, come in.
37:46But just for a while, okay?
37:47I'm very busy.
37:48Sure, sure.
37:50It's the weekend and you'll have a lot of things going on.
37:52People just don't go to the movies anymore, you know?
37:56Okay, what do we do?
37:58Well, I don't know, Emilio.
38:00Will you tell me?
38:01Uh, well, I don't know, get me a beer or something.
38:03to loosen up a bit.
38:07Are you going to give me 100 euros too?
38:09I have 200 euros for you.
38:14I don't understand anything, but I'm going to make a fortune.
38:18This one's good too, damn it.
38:20Yeah.
38:23But this one is really good.
38:24Well, I've gone a little overboard with the salt.
38:27Be careful, I might get carried away too.
38:30How was Mallorca?
38:31Very good.
38:32So, when are you coming to see us?
38:33Whenever you want, we'd be delighted.
38:36What's wrong with those cats?
38:38There's an eleven.
38:40Well.
38:41Lorena, what case are you in now?
38:43Fernando told me that you specialize in environmental crimes.
38:46My father is also a lawyer.
38:47Ah, that's great.
38:50Environmental crimes.
38:52Well, it's a very curious case because it involves a zookeeper who was cleaning
39:00into the otter pond and slipped and fell, so unlucky that he put the
39:05foot on foot in the panda bear's cage and it bit him.
39:08He tore off three of her fingers.
39:09Come on, he ate them all.
39:11But panda bears don't eat bamboo.
39:13Yes, yes, yes.
39:14But he was wearing bamboo in his shoe.
39:16And she also used nail polish to stop herself from biting her nails.
39:20And the panda bear became poisoned and died.
39:23In other words, the caregiver was eating his toenails.
39:26He had previously been a contortionist in Cirque du Soleil.
39:30But anyway, the fact is that since the panda bear is a protected species, the zoo has sued.
39:35the caregiver, and the caregiver has sued the nail polish brand for not putting
39:38in the prospectus that it is lethal to panda bears.
39:41It's a very complicated case.
39:42Didn't you read it in the newspaper?
39:44No.
39:46Okay, I'm going to get dessert.
39:51Fernando.
39:53She's a great lawyer.
39:55You can't understand a word he's saying.
40:01You drink the beer straight from the bottle, otherwise I'll have to do the dishes later.
40:07But what are you doing?
40:09Degenerate?
40:09Just give me 200 euros.
40:12What am I going to do to you?
40:13What am I going to do to you?
40:14What do you think you are?
40:15What do you think you are?
40:16What is this?
40:17But what kind of way is this to treat a customer?
40:18But which client?
40:19Not even eight quarters out of here and out.
40:21But we don't make a house out of wood.
40:22But what about the train?
40:23Are you calling me a whore, Emilio?
40:24Outside my house?
40:25Am I going to be a prostitute, Emilio?
40:27What have you done?
40:28Get out, get out of my house.
40:29You don't bet that they're not whores, damn it.
40:31What do you mean, no?
40:32But Emilio, cover yourself, please.
40:34Please cover yourself.
40:35Well, I've already called the police.
40:36What has he done?
40:37So what do we tell them now?
40:39Don't worry, nothing's wrong.
40:40The same thing isn't coming.
40:41Hey, police.
40:42What's going on here?
40:44What a mess!
40:52Hey! Hey!
40:54It's here, it's here.
40:55Run, run.
40:56Hide and listen.
40:57Wait, wait, wait.
40:58That?
40:59Take this just in case.
41:00Don't you think you're exaggerating a little?
41:02No, no, no, no.
41:03No, this is something out of a movie.
41:04Yes, you smell.
41:07Hello, you called me, didn't you?
41:08Yes, yes, yes, come in, come in.
41:12Come on, yes, let's do it.
41:14The fact that?
41:15What do you mean, "what"?
41:16Come on, take off your clothes.
41:17Roberto, if it's a joke, it's not funny at all, huh?
41:19You have a girlfriend, please.
41:20Don't play hard to get with me now.
41:22Come on, take it out of your pants.
41:23But what's going on?
41:24Are you having problems with Lucia or what?
41:25Let me.
41:25No, I have a problem with you, you're an idiot.
41:28Look, you're scaring me, huh?
41:29I'd better go.
41:29What do you mean you're leaving?
41:30What do you mean you're leaving?
41:30Give me a kiss right now.
41:31But I don't want to, Roberto, leave me alone.
41:33Give me a kiss right now!
41:34Oh, Roberto, please, Lucia!
41:35But what are you doing?
41:36Leave her alone.
41:37Come on, man, leave her alone.
41:38He's been harassing me for three days.
41:41That?
41:41What if it shows?
41:42Come on, come on, if you really want to.
41:44Let me.
41:44Hey, Roberto, leave her alone.
41:46But what's wrong with him?
41:46Well, I don't know, because it's been a month between moving, the renovations, I don't know.
41:49No, no, no, no, no, I'm not crazy, okay?
41:51She's the only crazy one here.
41:53She hasn't gotten over him leaving her.
41:55What are you saying?
41:56Hey?
41:57Hey?
41:57But we'd been dating there for three years.
41:59That's a lie.
42:01But how can that be a lie?
42:02What bothers you is that I was dating both of them and in the end I chose her.
42:08Well.
42:10See? It wasn't so hard to tell your girlfriend.
42:12I'm so sorry, Lucia, but I felt so bad when he left me that I had to get revenge.
42:18May you be very happy.
42:21Oh, and don't worry, okay?
42:22I'm going back to my little house tomorrow, I have a beautiful duplex in the center.
42:25See you later.
42:30I'm not telling you.
42:35No no.
42:36It's okay, you're not angry, are you?
42:38No.
42:39No way?
42:40Not at all.
42:42Where did I put the knife?
42:45I call you 200 euros.
42:47I don't call it 200, sir.
42:48I don't call it 200, sir.
42:49Me, me.
42:51Me, me.
42:52We'll look at them one by one, please.
42:54Don't all speak at once, we won't understand.
42:58Come on, a little bit of consideration, officer.
43:00For example, this individual.
43:03Who is it?
43:03Me, the goalkeeper.
43:05And does he usually walk around buildings naked?
43:07No, Juan Cuesta, president of the community.
43:10I can explain it all in two words.
43:11This is just a misunderstanding.
43:13No, there was no misunderstanding.
43:14These people, who have no life of their own, dedicate themselves to inventing lives for others.
43:18And they've come up with the idea of saying that my roommate and I are prostitutes.
43:23But you have proof of that.
43:27Do you want to file a complaint?
43:28Of course.
43:29Well, a complaint is not valid.
43:32Please accompany me to the police station.
43:34Just a moment, officer.
43:35We know this because this lady told us.
43:38There were men going up and down.
43:40There are two of them, officer, they're two sluts.
43:43I'm telling you this, I'm your landlady.
43:45Can you show me the rental agreement?
43:47But what contract?
43:48If he hasn't given us a contract.
43:50Let's see.
43:51Join us too.
43:52We will take your statement.
43:53Are you stopping me?
43:55Son!
43:56Of course, Mom.
43:56Why are you calling him?
43:57I insist that we are blowing things out of proportion.
43:59This is just a misunderstanding.
44:01And you shut up, okay?
44:02He came to my house yesterday and offered me 100 euros.
44:04You too, Mr. Cuesta.
44:05But what is this girl saying?
44:07No, no, no, no.
44:07I, as president, affirm that I did not have the slightest physical contact with this young lady at any time.
44:13Clinton said the same thing.
44:13And look what came out.
44:15Oh, Juan, I'm about to burst into tears.
44:17Okay, you get in the car too.
44:19Listen, but not me, no, no.
44:20Honey, don't tell the children anything, okay?
44:22This is a regrettable mistake.
44:23But my husband?
44:25We should have brought the van.
44:27Hey, hey, officer.
44:28Is my husband coming for dinner?
44:30Well, I know that, ma'am.
44:31I prepared something cold.
44:32Juan.
44:34Calm down, Paloma.
44:35Calm down, Paloma, woman, calm down.
44:37But, but Juan.
44:38Tomorrow is here, woman, don't worry, tomorrow is here, tomorrow.
44:45It's our fault.
44:46You can't blame anyone without proof.
44:49What do you mean, no?
44:50That happens every day in Congress and nothing ever happens.
44:52Look, that's true.
44:53But what am I going to do tonight?
44:54I don't know how to sleep without my husband.
44:55Podrón, would you like me here with you in the goal, Doña Paloma?
44:57But how am I supposed to sleep with you in the goal?
44:59My husband will kill me, listen.
45:00Oh, what do I know?
45:03Fernando, this girl is perfect.
45:05She's beautiful, she's intelligent, she has a good job, and you can tell she loves you.
45:10In other words, it's not lacking anything.
45:11Yes, a penis.
45:12I am delighted.
45:14We need to come more often.
45:15Sure, for the wedding.
45:18Are you getting married?
45:20But son, why haven't you told me anything?
45:22Because we wanted it to be a surprise.
45:25What a joy.
45:27Because it's not that I disapprove of this situation, but...
45:30Yes, she does disapprove of it.
45:31What a trip I've had.
45:32But it's much nicer to be married.
45:35Where will it all end?
45:36Excuse me for a moment.
45:38I'll be right back.
45:41Hey, if you want I can look for my dress.
45:43It might work for you.
45:44Because I had more or less your body.
45:47Oh, really?
45:50Yeah.
45:51How are you?
45:52Evil.
45:52I don't know what I'm doing here.
45:54Parcón suffering from 1, 2, 3.
45:55Don't worry, everything is going very well.
45:57My parents are delighted.
45:58And only your parents.
46:00Come on, give me a kiss.
46:06Sorry, sorry.
46:10Host.
46:12Weren't you going to the bathroom, Enrique?
46:14No, no, no, I'm hoping to get to the hotel soon.
46:19Are you okay?
46:20Regular.
46:21Regular.
46:22Well, you know, I don't usually eat dinner.
46:25Do you want to lie down in bed for a little while?
46:26No.
46:27No no.
46:28Well, look, we'd better go.
46:30Yes, that's right.
46:31Okay.
46:31Why are you calling me?
46:32Well, no, no.
46:33Let's go for a walk, shall we?
46:35Enrique, I'm wearing heels.
46:36Dad, are you sure you're okay?
46:37Yeah.
46:38Yes, yes, I'm fine, okay?
46:39It was the wedding.
46:40Your father's nerves go to his stomach.
46:43Well, we'll see each other soon.
46:45It's been a pleasure, daughter.
46:46Enrique, but wait for me, man.
46:50What a shame, isn't it?
46:51We were having such a good time.
46:59Well, I don't know why you had to lie to me.
47:02Because I thought you were going to take it badly.
47:05I don't know, you were seeing someone else at the beginning of our relationship.
47:09Well, I also had a boyfriend when I met you.
47:13Oh, really?
47:14Yes, it's normal not to be sure at first, isn't it?
47:17It was a difficult decision for me too.
47:20How much?
47:21It's because they're very different ages.
47:22How much?
47:23Well, I don't know, a month.
47:26A month?
47:27Mine lasted a week.
47:29Who was he?
47:30But what does it matter?
47:31If you don't know him.
47:32No, it wouldn't be Carlos.
47:34Oh, yes, you know him.
47:36How do you know him?
47:37But why didn't you tell me?
47:40One-all tie.
47:44I don't know, it's my fault, yes.
47:45I should have told him directly.
47:47Now let's see how I explain this.
47:49Relax, Fernando, look on the bright side.
47:51Which?
47:51I don't know, I'm looking for it.
47:53Oh, Mauri, my mother might have a fit when she finds out about this.
47:56Call your father and tell him to tell her on the plane.
47:58That way they can give the poor woman oxygen.
48:00It's not funny.
48:01Yes, but...
48:04Hello.
48:06Fernando, your father.
48:07Dad, can I come in for a moment?
48:09Yes, since I have to go buy it anyway.
48:11Stay, stay.
48:13I wanted to talk to you.
48:14You're gay, aren't you?
48:21Yeah.
48:23Me too.
48:27Me too?
48:29But, Dad...
48:30For years I have been attracted to men.
48:33But I'm married and I have a family.
48:36But I want you to know that I support you and understand you.
48:45Well, I...
48:48One moment.
48:50And does Mom know anything about this?
48:52Are you crazy or what?
48:53So how do I explain it to him now?
48:54Because we're going.
48:55That's your problem.
48:56Don't drag me into this.
48:57Well, I'm off running or I'll miss my flight.
48:59Oh, and if you go to Palma,
49:02Please note that I perform on Thursdays at 11 and 1
49:05at the Las Vegas Cabaret.
49:06My name is...
49:08Crime.
49:11Bye bye.
49:19I'm not introducing you to my parents.
49:21They'll seem like a pain in the ass to you there.
49:25Crime?
49:26Crime.
49:26I love it as a stage name.
49:28Crime.
49:32Paco!
49:33Paquito!
49:35Look!
49:36But, dude, man.
49:36Look at the puppy I bought.
49:37How much did it cost you?
49:39400 euros.
49:39From a little job I did?
49:41Don't you like it?
49:41It's cool, it's fucking awesome, dude.
49:43But do you have a license to drive this?
49:44But you don't need a license for this,
49:45Come on, close that and get in.
49:46I'm going to give you a real beating.
49:48Come on, man.
49:48Okay, dude, I'll pass.
49:49Yes, anyway, nobody goes in.
49:50Hey, hold on tight, you've got 125 cubic horsepower.
49:52But, Crebillé, you're in control.
49:54Yes, damn it.
49:55You lie down, those curves
49:55that only I've seen on TV
49:56And it works like a charm.
49:57We're getting there, huh?
49:58Let's go, we're leaving!
49:59Come on!
50:11Come on!
50:12Come on!
50:13Come on!
50:14Come on!
50:15Come on!
50:15Come on!