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00:21Nobody can live here!
00:23Not here! Not here!
00:27I'm so nervous! Let's give it to him now!
00:30Yes, I have it at the hairdresser's now.
00:32Emilio, step outside for a moment!
00:35What's happening?
00:36Haven't you been complaining all Christmas that nobody gives you anything?
00:39Well, here's a gift from the whole community!
00:42Oh, but this is for me!
00:43Wow, that's great!
00:44What is this? A stereo system for the goal?
00:47But open it!
00:48Oh, how exciting! They shouldn't have bothered.
00:50Be careful with the paper, okay? It might come in handy later for Three Kings Day.
00:56What is this? A vacuum cleaner?
00:57No, Emilio, the steamboat. Just what you've always wanted.
01:01You can try it out tomorrow. Let's see how it goes.
01:03This allows you to access the most difficult corners of the building and clean them with ease.
01:08Of course, Mike!
01:09You're not going to have any fun cleaning with your steam cleaner!
01:13No, no, no. Thank you so much. What a wonderful gift, huh?
01:15Well, I'm speechless, because the words that come to mind I can't say.
01:18Oh, Juan, he got emotional!
01:20You'll lend it to me someday, right?
01:22And they'll have the ticket, right? It's in case I like the other color better.
01:25Go on, go home, you'll be eager to use it!
01:27Yes, yes.
01:28Well, Merry Christmas to everyone, huh?
01:30Yeah.
01:30And be careful tonight not to overindulge in grapes.
01:32We're going to have a bad experience.
01:34Come on, go away from the beach.
01:36No one can live here, here, here. Not here, not here.
01:41Every day is like this. I couldn't have imagined it when I came here.
01:46I was just looking for some peace.
01:48I wake up every day in the middle of a hurricane.
01:50No one can live here, here, here. Not here, not here.
01:55No one can live here, here, here. Not here, not here.
01:59The house above me is collapsing. I can't find the doorman.
02:03My neighbors are watching and listening to me. I can't stand being here anymore.
02:09I'm getting into a cocktail shaker. A thunderclap, an earthquake, and a volcano.
02:18And you will go to this staircase.
02:22No one can live here, here, here. Not here, not here.
02:27No one can live here, here, here. Not here, not here.
02:31Here, here, here, here, nobody lives.
02:40Paquito, damn it, congratulations.
02:41I heard that you're finally working in film.
02:43No, assistant director, right? It's the step before directing.
02:46Hey, are there any famous actresses in the movie?
02:48No, no, it's independent cinema. What's important there is the story you tell.
02:52I don't know why we have to go spend New Year's Eve at your wife's house.
02:56With the disgust I feel for him.
02:59Because that way the children see us together.
03:01The school psychologist recommended it to us.
03:04You're going to have a great time. His mother will be there too.
03:07Oh, I'll stay.
03:08Mother.
03:10Emilio, we're going to my wife's house to eat the grapes.
03:13Ah, how lovely. A united family, may it put up with us.
03:15Here, take care of the house for me.
03:17And water my plants, because I know you.
03:20Yes, I'm going to water it with the steam cleaner.
03:21Hey?
03:22No, Happy New Year.
03:23And peace on earth to all men of good will.
03:26Long and prosperous life.
03:27Come on, Mom.
03:29How have I missed your father during these holidays?
03:34Hey, are these two going to be out?
03:35The producer is desperately looking for a house.
03:38to film some scenes for the movie.
03:40We could rent you the shell one.
03:41But how can we rent out a house that used to be ours, Paquito?
03:43They pay 600 euros for one day.
03:45Damn it, call Lea, what are you waiting for?
03:47Wait, they might have already found her.
03:49Let's see.
03:51Hello, José Luis.
03:52Hello, I'm Paco, from management.
03:54Hey, look, I've found a house
03:55to film the remaining scenes.
03:57Beautiful, exterior, physical and automatic goalkeeper.
03:59Yes, yes.
04:00No, now, free now, now.
04:02Well, where the video store is.
04:04Okay, okay, come on, come on, that's enough.
04:06Are you coming here now?
04:07And do they work on New Year's Eve?
04:08Seban, this is show business.
04:09There are no parties, no schedules, nothing here.
04:11Hey, but these people are from the movies, they'll be serious, right?
04:14Well, don't worry, I've got it under control.
04:15Also, there are some aunts.
04:16Yes, then it's better if they're not serious.
04:18But hey, you're not in love with Belén.
04:21Ah, yes, that's right.
04:22Thank goodness you reminded me.
04:27Lucia, I'm sorry, but I don't see myself doing this.
04:29Yes, darling, you look very handsome.
04:32But why do we have to dress like idiots when New Year's Eve arrives?
04:34I just don't understand it.
04:37Gordi, how am I doing with this one?
04:41Look, in your case I do understand.
04:44You look amazing.
04:44Yes, sure.
04:46I don't know, I don't have any red shoes.
04:48But why do we have to dress up to go to a friend's house?
04:50Because he's bought an apartment in Puerta del Sol
04:52And she told me that she has a surprise prepared for us and that we have to dress elegantly.
04:55At Puerta del Sol?
04:56Yeah.
04:57But do you know the mess that's going to be created there?
05:00Lucia, why don't we just stay home and relax?
05:02Okay.
05:04Yes, grandpa.
05:05Now we sit here on the sofa, take out the blanket and watch TV.
05:09No no.
05:09It seems like it's mandatory to start the year with a party hat and blowing a party blower.
05:13No, Roberto, it's nice to start the year with a party.
05:16No no.
05:16The year begins with a hangover.
05:18Oh!
05:19Oh!
05:20I already know which one I'm going to wear.
05:23Nothing, I didn't even notice.
05:25Lucia, I feel ignored.
05:26You never count on me for anything.
05:28Honey, come here.
05:29Let's see what you think of that dress with the sheer panels.
05:33Go.
05:3560 euros for a New Year's Eve party?
05:37What's happening?
05:38Are the three tenors going to entertain us this evening or what?
05:40Look, Dad, we have two options.
05:42Argue and then you end up giving me the money, or give it to me directly.
05:44Natalia, either you tell me this in advance or it's impossible to make a decent family budget like this.
05:50There are 20 euros for the taxi.
05:51Oh, no, no, no.
05:52No more money.
05:53Ah, well, I'll just find someone to bring me a motorcycle.
05:57I am at a disadvantage in these negotiations.
06:00Thank you very much, Dad.
06:02Emotional manipulation.
06:03That's what this is called.
06:04But how could you even think of eating the grapes?
06:06We needed them for tonight.
06:08Let's see, you always tell me.
06:10You need to eat fruit.
06:11And when I eat it, they scold me.
06:13So what happens?
06:13What, there are no peaches, apples, or pears in this house?
06:16That's something you have to peel.
06:18What's happening?
06:18What's happening?
06:19We're out of grapes, Juan.
06:21It's New Year's Eve and we're without grapes because your son ate them all.
06:24Well, it's not that serious.
06:25We don't take them, that's it.
06:26No, Juan, it brings bad luck.
06:28Or do I have to remind you what happened to us the year we didn't take them?
06:31Excuse me, just an idea.
06:33Have you considered buying more grapes?
06:36Yes of course.
06:37At this time and on the 31st.
06:39Well, it's okay.
06:40Then we asked Emilio.
06:41Maybe he has it down there.
06:42That's not a good idea, Dad.
06:43Emilio's refrigerator is an ecosystem in itself.
06:45No, it has endemic species.
06:47I think they were going to use it as a set for someone's fifth movie.
06:50Okay, you keep quiet and we'll talk about your diet later, okay?
06:52Okay, calm down, okay?
06:54Let's all relax, it's New Year's Eve.
06:58But how can they be gay?
07:00Yes, yes, it's official, they've told all the neighbors out loud.
07:05Who was right?
07:06I.
07:07Who was wrong?
07:08You.
07:08Let's see.
07:09Mauri is gay, okay.
07:10But, Fernando, does he have to be bisexual?
07:12Yes, I can tell.
07:13Have you seen the way he looks at me?
07:15Well, maybe he sees you as a bit masculine.
07:18What a way to end the year!
07:20I think that after everything you've done to them, you should go down and apologize.
07:24You almost broke up a couple.
07:26Right?
07:27Well, that's a good excuse to go down.
07:30Alicia, what are you going to do? I know you.
07:32I'm going to ask for their forgiveness.
07:33But why do you always have to think badly of me?
07:35Because you're one of those who think that scruples is a Greek island.
07:39Hello.
07:40Look, speaking of apologizing.
07:49Hello, Carlos.
07:50How are you?
07:52Would you like something to drink?
07:54No.
07:55What I want is an explanation of what happened in the hospital with Emilio.
07:58You've been avoiding me.
07:59No, no, no.
08:01You might have that feeling because I haven't answered your phone, but it's because I've lost it.
08:06Yes, a week ago.
08:16What's here?
08:19That's intense.
08:20And it still has battery.
08:22What a wonderful boyfriend he gave me.
08:24I'm sure I'll get a lot of calls, requests from you.
08:27Can you explain to me what the hell is going on?
08:29Carlos, I understand that you're a little upset.
08:31Do I understand?
08:32Annoying?
08:32No, not annoying.
08:34It's simply that I don't like my girlfriend sleeping with other men.
08:36It's a little quirk I have.
08:38I'm so confused.
08:40I need some time to reflect, to think, to...
08:42Are you leaving me?
08:43No no.
08:44It sounds like you're leaving me.
08:45No, no...
08:45That's intense.
08:46You deceive me and leave me.
08:47No, it's just a little bit of time.
08:49But that's a euphemism.
08:50A what?
08:51Look, Belén.
08:53This had never happened to me before.
08:55They had never left me before.
08:56Never.
08:58Well, apart from Lucia.
09:00And from a girl at school, but that doesn't count because I had braces.
09:04Were you wearing braces?
09:04Yes, I was wearing it.
09:05Me too.
09:06Yeah?
09:06Yeah?
09:07I had one of those with metal braces.
09:09Yes, yes.
09:09That when they broke, you'd get sores all over your body.
09:13But anyway, that's not what we're talking about.
09:15We're talking about our relationship.
09:18My psychoanalyst told me
09:20that what has happened can be very good for my personality.
09:25I fired him, but maybe he's right.
09:27So I'm willing to give you another chance.
09:30Is...
09:31It's very beautiful.
09:32I know.
09:33I promise I'll think about it.
09:37I just don't want to make another false move.
09:39Yes, because you've already given quite a few.
09:43I'm waiting for your call.
09:52Fernando, this is the best Christmas of my life.
09:54We've finally come out of the closet.
09:56Now we can be ourselves.
09:58No lies, no pretense, no nonsense.
10:00Don't you feel better?
10:02As if a weight had been lifted from your shoulders.
10:03Yes, I'm gay.
10:07And the thing is, I feel exactly the same as before.
10:09But look closely, everyone has taken it.
10:11We can now integrate with the other neighbors.
10:13By the way, I'm organizing a little party for this afternoon.
10:14before everyone goes home for dinner.
10:16But here, with the neighbors.
10:18Yes, I'm preparing for all my specializations.
10:20Look, watercress salad,
10:22Buffalo mozzarella with sun-dried tomatoes,
10:24piquillo peppers.
10:28Hello.
10:29Hello.
10:29Can I come in for a moment?
10:31Yes of course.
10:32I've already found out that you're gay.
10:35This is no joke, is it?
10:37Already.
10:38Well, I also wanted to tell you something.
10:40Belén, are you lesbians?
10:41No, no, no.
10:42Hey, it could be.
10:43Yes, but no.
10:44No, I wanted to apologize.
10:46I'm feeling a bit unwell
10:48because at some point it may have seemed
10:50that wanted to break up your relationship.
10:51It seemed so, it seemed so.
10:52But my boyfriend is really hot.
10:53It's normal.
10:54What a pleasure to be able to say a mozalta.
10:56Well, I feel much more at ease now.
10:58Hey, I'm preparing some snacks for this afternoon.
10:59You can't miss it, okay?
11:01Yeah.
11:03Alice.
11:04Yeah.
11:06I also wanted to apologize to you.
11:08Because, come on, I've played along with you before.
11:12and how it was all a mess.
11:13No, yes, you're gay, you're gay.
11:21Because you're still gay, right?
11:23Yes, yes, yes.
11:25Okay, see you later.
11:32I'm going to tell you something.
11:33Alicia is nice.
11:35I was wrong.
11:36She seems like a nice girl.
11:36Yes, but do you think it's a good idea?
11:38about the little party.
11:39Yes, phew.
11:40You'll see how much fun we had.
11:47Emilio,
11:48I got a small role in the movie.
11:49You're a driver
11:50and you make a sentence.
11:51Ma'am, your car is ready.
11:53Ah, that's great.
11:54Let's see if I have time to study it.
11:58Okay, so what?
11:59Where do we change?
12:00At the back on the left.
12:01Come on, hurry up, girls,
12:02which we'll start right away.
12:03See?
12:03We're already laughing.
12:05Yes, but this is better than working at the video store.
12:07This would do it.
12:07Come on, come on, please.
12:09Hey, we're really short on time, huh?
12:10I was looking for you.
12:11Paco, Paco.
12:12That?
12:12What movie is this?
12:14Or one about the life of Ángel Cristo?
12:15Look, I just didn't want to tell you before.
12:16so you don't worry,
12:17But it's an X-rated movie.
12:19A porno?
12:20Women on the edge
12:20of an attack of orgasms.
12:21But, Paquito, for God's sake,
12:22That should be announced.
12:23But you know about the mess.
12:23that we can get into.
12:24Fuck,
12:24If nobody needs to know, Emilio.
12:26Furthermore, there are only three scenes.
12:28It's not just a little while.
12:29I don't know,
12:29But this is pretty intense, isn't it?
12:31And these three girls
12:31who have passed through here
12:32They're going to work live here.
12:36Well,
12:36then maybe
12:36I can stay and watch for a while,
12:38but to learn about film and stuff.
12:42Perfect bow,
12:43Yes, yes, I like it.
12:45That table has a lot of potential.
12:47Look, Andreu,
12:48I'd like to introduce you to Emilio,
12:49He owns the apartment,
12:49He's going to be a driver.
12:51Delighted.
12:52You'll see the orgy
12:53that's going to be set up in your house.
12:54You're going to miss us, kid.
12:57Hey,
12:58And to appear in one of these movies
12:59Will it be good for my career?
13:00But what career?
13:01Furthermore, if this moon begins like this.
13:02Well,
13:03But I don't have to get naked, do I?
13:04No, don't worry,
13:04I'm not going to let you make a fool of yourself.
13:06Besides, you know how difficult it is.
13:06than being a porn actor.
13:08Man,
13:08lots of scripts to study.
13:11Look,
13:11This is the star.
13:13What's happening?
13:14Already.
13:15Hey,
13:15How are you, Paco?
13:16Hey.
13:17Hey,
13:17Where is my dressing room?
13:18At the back on the left.
13:20Look,
13:20I'd like to introduce you to Emilio,
13:21He is the owner of the apartment.
13:22Rafa Castillejo,
13:23porn star.
13:24And then I'll sign an autograph for you.
13:26Hey,
13:26please,
13:27Bring me a little coffee
13:27I'm feeling a little down today,
13:28Okay?
13:30And this guy is a porn star?
13:32But what does this have?
13:32Didn't he deceive you?
13:33Yeah,
13:34You'll see.
13:41Host.
13:43Emilio,
13:44Emilio.
13:46Isn't it there?
13:47Would you like me to leave a message for you?
13:49Yeah,
13:49You'll see,
13:50It's because of a small family problem
13:52We've run out of the traditional lucky grapes.
13:55And of course,
13:56Today is the 31st,
13:56You have to take them.
13:58Well,
13:58Well, it's a curious problem.
13:59I wouldn't want to be in their shoes.
14:01We had thought that maybe Emilio
14:03I had plenty of grapes.
14:05No, Emilio.
14:05But I do.
14:06I went shopping yesterday
14:07And I have a lot.
14:09Ah,
14:09great.
14:10And could you give us a few
14:11to have them tonight?
14:13Yeah,
14:13clear,
14:13of course.
14:16How many servings are we talking about?
14:19Well, there are four of us.
14:2212 by 4,
14:2448.
14:25Correct.
14:29That's 48 euros.
14:31As?
14:32One euro per grape.
14:34That's how it is,
14:34Luck has its price.
14:36Oh well,
14:37But they want to charge us for the grapes.
14:39Let's go,
14:40Juan,
14:40I find them elsewhere.
14:41Clear,
14:42We leave things until the end
14:43And then what happens, happens.
14:44My feet are wrecked,
14:46I'm not looking anymore.
14:47Pigeon,
14:48You have plenty of grapes
14:49because we come from the market
14:50and there are none left.
14:50No,
14:51But this gentleman does have one,
14:52But he charges one euro per grape.
14:54Well,
14:55but to us
14:56You won't give them away for free,
14:57No?
14:59But Mariano,
15:00that I'm your girlfriend.
15:01Marisa,
15:02Don't mix love
15:03with business.
15:04Man,
15:04If you could give us a small discount
15:05due to a large family.
15:07Impossible.
15:08No,
15:08Juan,
15:08no.
15:09Look,
15:09We went up to the posh girl's house
15:10because that one always has everything.
15:11Normal,
15:12with the refrigerator it has.
15:15Well,
15:16if you need me
15:17They already know where I am.
15:21No,
15:21I'm sorry,
15:22It's because we don't eat grapes.
15:24We are against it
15:24of these stale ones,
15:26absurd traditions
15:26which only encourage
15:28superstition
15:30and cultural underdevelopment
15:31of a country.
15:32Well,
15:33Well, nothing.
15:34No,
15:35Mr. Cuesta,
15:36that it was a joke,
15:36Yes, we do have grapes.
15:37And Roberto bought many yesterday.
15:40because you bought
15:40the grapes yesterday.
15:42Pussy,
15:42the grapes,
15:43That's what I forgot.
15:44But I did put it on the list.
15:46Already,
15:46But I left the list at home.
15:47Fuck,
15:48Lucia,
15:48This is the first year I've lived alone.
15:49Of these things
15:50my mother ordered it.
15:51This girl always looks so cute.
15:53Oh well,
15:53It's that in this house
15:54Nobody's going to have grapes.
15:55Why don't we take
15:55Lucky tangerines?
15:57I'm sure that in 50 years
15:58everyone is there
15:59doing the same.
16:00Clear,
16:00very comfortable.
16:01But it brings bad luck.
16:02not to eat the grapes.
16:03The year we
16:04We don't take them,
16:05I got pregnant
16:06by José Miguel.
16:07Juan developed an ulcer.
16:08and his sister bought the chalet.
16:09Everything went wrong for us.
16:10You have asked
16:11to Fernando and Mauri.
16:12They certainly have them.
16:13Okay then,
16:13we're going down.
16:14We have to get grapes somehow.
16:15Come on.
16:16Dear,
16:16I want to negotiate
16:17with the father...
16:17No,
16:18Juan,
16:18Don't be annoying.
16:20What a pilgrimage
16:21dumber
16:22for some grapes.
16:23But you're leaving too.
16:24I didn't know he was superstitious.
16:26Man,
16:26No,
16:26I didn't take them at the end of the year.
16:27and look at all the things
16:28that have happened to us.
16:29Oh,
16:29It's true.
16:31Wait,
16:31Roberto,
16:31wait,
16:32I'm going with you.
16:38So,
16:39This porn thing
16:39What is it to you?
16:40Vocational,
16:41family tradition
16:42Or how does that work?
16:42Because here
16:43You have to earn money,
16:44No?
16:44Emilio,
16:44Leave her alone.
16:45If you don't understand,
16:45Russian.
16:46I knew it!
16:47that he was listening to me
16:47a long time.
16:48Come on,
16:48We're going to record,
16:49please,
16:50Tell Rafa
16:51Let's see if it's ready.
16:52Come on,
16:52let's get rid of it
16:53a little bit of the middle.
16:56My God,
16:57Hail Mary,
16:58When will they be mine?
17:00Well,
17:00We'll finish soon
17:02that I love myself
17:02eat the grapes
17:03with my wife,
17:03Okay?
17:04But he's going to eat it.
17:05if with this ghost
17:06It doesn't even have enough to begin with.
17:08Well,
17:09Well, for myself
17:09I'm here,
17:10whenever you want.
17:12Mother of beautiful love
17:13and Christ of great power.
17:14What was I saying?
17:15But if this isn't normal,
17:17It has silicone.
17:18or some extensions
17:19or something.
17:19Natural as life itself.
17:21But this is ideal.
17:22if with this
17:22You don't even have to move.
17:25Now that we're going to the beach
17:26This is my swimsuit
17:27It doesn't work.
17:28Don't worry,
17:28that to you the beginning
17:29It's a little impressive
17:30But then you get used to it.
17:31But if you're going to believe it
17:32that I am gay
17:32I just can't
17:33stop looking at it.
17:35Of course we have
17:35grapes for tonight.
17:36Could you give us a few?
17:38It's because of a series
17:38of avatars of destiny
17:39We're a little short on supplies.
17:40Oh,
17:40But we
17:41what we have
17:41They are two individual jars
17:43of these that come
17:43with the twelve peeled grapes
17:45and without seeds.
17:45Are those the ones they advertise?
17:46Now on TV?
17:47Yeah.
17:47You'll see,
17:48Bad luck for everyone
17:49this year.
17:49Oh, Paloma,
17:50Don't exaggerate.
17:50And if not,
17:51in time.
17:51Well,
17:52I've prepared a small party
17:53for the neighbors
17:54before dinner.
18:00Remember what
18:01the doctor told you
18:02of the drink.
18:03Come on,
18:03Let's go for a drink.
18:05Mauri,
18:06Do you like this dress?
18:06For New Year's Eve?
18:08I bet you don't!
18:08No no,
18:09Me neither
18:09and on top of that, Roberto
18:10It doesn't tell me anything.
18:12Damn, man.
18:13But he hasn't even opened his mouth.
18:14Go on,
18:14Pour me a drink.
18:15Go.
18:15See?
18:16This is the beautiful thing.
18:17That the neighbors
18:18Let us fraternize
18:18in peace and harmony.
18:19No, Juan,
18:20You go and tell Emilio
18:21that or his father
18:22It gives us the grapes
18:22or we kick him out of the goal.
18:24You'll see soon
18:25Talk to him.
18:28Ah,
18:28We are invited.
18:29I need to see the bathroom
18:30to get ideas
18:31for when we change
18:32Ours, darling.
18:33Oh, so we're going
18:33Are you going to renovate the bathroom?
18:34Oh, Juan,
18:35For God's sake,
18:35get grapes.
18:37What's wrong with looking at the time?
18:38Okay, New Year's Eve,
18:39One can rest easy, eh.
18:40Go on, go ahead.
18:40Oh, you're always complaining.
18:43Well,
18:43Snacking on the table, huh.
18:44And drink, and drink.
18:46And drink, dove.
18:46Well,
18:47a Cuba Libre.
18:48A Cuba Libre
18:48enough for a pigeon.
18:50Let's see,
18:51We're all here now
18:52in position.
18:53Guys,
18:54with enthusiasm,
18:55This is to cheer you up
18:56life to people.
18:57Silence from here,
18:58please.
19:00Look, Paquito,
19:00I am the masked fornicator.
19:02Do you want to stop that?
19:03Five and action.
19:05Hello my love.
19:06How's it going at the office?
19:07I'm exhausted
19:08from so much work.
19:10Well,
19:10I'll wait for you now.
19:10a fine job.
19:12Girls,
19:12you don't know
19:13what I've thrown at you
19:14less.
19:15Well,
19:16about 25 centimeters,
19:17more or less.
19:17Court!
19:18Mamil, please!
19:19Let's see,
19:19That man should get out of there
19:20I lose focus, damn it.
19:22Come on,
19:22We're working, man.
19:23Yes, yes, yes,
19:24Sorry, uh,
19:24I'm leaving now,
19:25that are coming in
19:25I really want to go see Belén.
19:27Wow!
19:27May the force be with you!
19:32Emilio,
19:32We need to talk for a moment.
19:34Mr. John,
19:34how are you?
19:35What's going on in there?
19:35How much do they have sex?
19:37Ah,
19:37Mrs. Concha,
19:38since he has gone abroad,
19:39rented the house
19:40for the filming of a movie.
19:41You know what this lady is like.
19:42with the money.
19:42Oh, a movie?
19:43Yeah.
19:44How interesting.
19:45Are there any famous actors?
19:46No, no, no,
19:47If there is independent cinema like that,
19:48There's nothing to see there.
19:49That's ok.
19:50This community has always had
19:51an important commitment
19:52with culture.
19:53Yeah,
19:53It's culture.
19:53It's an intimate drama,
19:54That's why you can't enter.
19:55because the actors lose focus
19:57and they lose their inspiration.
19:58Clear,
19:59clear,
19:59clear.
20:00Emilio,
20:00We have a problem with your father.
20:01Hey?
20:02We need grapes for tonight.
20:03And he has plenty.
20:04and he wants to sell them to us
20:05at an exorbitant price.
20:06Does that seem normal to you?
20:07But if,
20:08I'm used to it,
20:08Mr. Juan,
20:09when I was little
20:10He used to drive me to school.
20:11and he wanted to charge me for the ride.
20:12It's the profession
20:13that she carries within.
20:14It's just that being a salesman...
20:14He's very attracted to him,
20:15It runs in the blood.
20:16Well, that can't be.
20:17Either he comes to his senses or he comes to his senses.
20:18and kindly gives us the grapes
20:19or we're going to have him
20:20to throw out of the goal.
20:21Ah,
20:21Well, let's see if they have any luck.
20:22because I've been here for two weeks
20:23trying
20:24And there's no way.
20:25Well,
20:25I'm going to see Bethlehem
20:26who has a problem
20:26with a plug,
20:27Hey?
20:28Well,
20:29Well, I'll buy them now.
20:29And that's it.
20:30After all
20:31What's one more hug?
20:32It's Christmas after all.
20:36Hello,
20:37Emilio.
20:38Hello,
20:38dear,
20:38that I've thought
20:39that we could celebrate
20:39the year ahead of schedule.
20:41Emilio,
20:41Emilio,
20:42the same thing again
20:43Not always,
20:44Hey?
20:44We need to sit down
20:45and talk about our relationship.
20:47Already,
20:47But that's beautiful.
20:48But let's go to the bedroom.
20:49and let our hearts speak.
20:50Emilio,
20:51But you want to listen to me.
20:53I've been talking to Carlos.
20:54Ah,
20:54And I've already told him
20:55that we are together,
20:55that it goes away a little
20:56Go to hell.
20:57No,
20:58I told him the same thing
20:58What can I tell you now?
21:00I need time.
21:01But time for what?
21:02Well, time to clear things up.
21:04It's that the two
21:04You have good things.
21:05But if I thought
21:06that we were together again.
21:07Well,
21:08You just made that up.
21:09Look,
21:10Nativity scene,
21:10I'm having a terrible time.
21:11Hey?
21:13That I am...
21:14Come on,
21:15man,
21:15please.
21:16Oh well,
21:16so,
21:16what's happening?
21:17Are we together?
21:17Or are we not together?
21:18What's going on here?
21:19Because I'm getting confused.
21:20Oh, Emilio!
21:21Don't pressure me.
21:22Look, Bethlehem,
21:22I'm like a taxi, huh?
21:23If I haven't caught you,
21:24I turn on the green light
21:24and whoever wants to set up
21:25Let it be assembled.
21:26Come on,
21:27lovebirds.
21:28Shall we go to the party?
21:29Yeah,
21:29come on,
21:29come on.
21:30So on top of that
21:31You're going to a party.
21:32Let's go to Fernando and Mauri's house.
21:33Ah,
21:34Well, I'm on set.
21:34from a movie
21:35in a house of shells,
21:36Hey?
21:36And I warn you
21:36that there's an atmosphere there
21:37very liberal.
21:38What are they filming?
21:38a movie down?
21:39Why didn't you tell me?
21:41No,
21:41because it's not your style.
21:43Sorry,
21:43But for a good actress
21:44There's always a role.
21:45If it's not a piece of paper,
21:46It's a mess.
21:47I don't care.
21:47I want to meet the director.
21:48Well,
21:48Well, if you want to go down, go down.
21:50You might like the argument.
21:51Well,
21:51Do whatever you want,
21:52I'm leaving.
21:53Be careful and don't drink.
21:54which might end
21:55to be the convertible
21:56from another kid.
21:57Moron!
21:58I like this girl
21:58I'm worried,
21:59I see her as lost.
22:01Poor thing,
22:01It's a mess,
22:02This is the first time
22:02that two men
22:03They follow her.
22:06It's delicious!
22:07I don't eat dinner anymore.
22:08A little more wine,
22:09TRUE?
22:09Come on.
22:10Hey,
22:11They are handsome
22:12and they cook well,
22:13It's also mean-spirited.
22:14that they are gay.
22:15Oh, God.
22:17Hey,
22:17You copied me
22:18the idea of the sink
22:19in an old-fashioned way,
22:20Hey?
22:21I was going to say the same thing.
22:22The thing is
22:23I find that it lacks
22:24a small detail in gold.
22:26Yeah,
22:26look,
22:26That's what we missed.
22:27Hey,
22:28You're drinking a lot of it.
22:30No way?
22:30If it's only the third one.
22:32It's just that tonight
22:33I have to go home
22:33from a friend of Lucia
22:34And I don't feel like it at all.
22:36On top of everything, I have to wear a suit.
22:37And why don't you tell him?
22:39How obvious is it that you're gay?
22:40And you don't have to try
22:41with women?
22:42You of today
22:43Yes, you've done a great job.
22:44I'm sure you won't have any problems.
22:45not even for sex.
22:46Like uncles
22:46We always feel like it.
22:52I'm going to get a couple of ice cubes.
22:55See?
22:55This is a typical comment
22:56that they didn't do for us before.
22:57Yeah,
22:57But this kid
22:58He's a minister.
22:58Don't pay any attention to him.
22:59The others are being
23:00very correct.
23:02Guys,
23:02We are delighted.
23:04You are the first friends
23:05gays that we have.
23:06It's an honor.
23:07Hey,
23:08my sister and I
23:08We have a question.
23:09Which of you two
23:11Is he the one who irons?
23:13Well,
23:13well, whoever has
23:14more desire,
23:15No?
23:15Clear.
23:16How did you realize?
23:17Were you gay?
23:18Phew.
23:19Well,
23:19I see gray,
23:21Yeah,
23:21Yeah,
23:21I realize
23:22that pulled me more
23:23John Travolta
23:23than Olivia Newton.
23:24The same thing happened to me.
23:25with the Knight Rider car
23:26when I saw David Hasselhoff
23:27with those jeans
23:29And you tell me,
23:30Wow.
23:30That's what I say,
23:32that learn a lot
23:32listening to TV.
23:33Hey,
23:34Why don't you put
23:34a little bit of gay music
23:36to throw us out
23:36a little dance?
23:37Right now.
23:39I'm just starting
23:40to put a little
23:40of the nerves
23:41because very soon
23:41They're going to ask us
23:42a little gay cheese
23:43And we don't have any.
23:46Will you dance with me?
23:47Well, look,
23:48Almost not, huh?
23:49Well, I bathe alone
23:50because I have a gear.
23:52Sometimes I have taken
23:53a gay pill.
23:54The sugar,
23:55the lucky sugar
23:56that I'm running out of,
23:57Listen.
23:58Go on,
23:58Wow, those are the prices.
23:59Lady,
24:00which is Christmas.
24:01You leave
24:01The tears are for January.
24:03Well,
24:03Look,
24:04we're going to continue
24:04discussing
24:05because of this nonsense
24:05of the grapes.
24:07Give me four servings.
24:08Of course,
24:08Today is a special day.
24:10That's 96 euros.
24:11How 96?
24:12But it will take 48.
24:14Clear,
24:15The bell is about to ring,
24:16the price goes up,
24:17This is obvious.
24:18Look, look,
24:19try it,
24:19Look at the quality.
24:20No, I'm not testing anything.
24:21This is a scam.
24:22Aren't you ashamed?
24:23go ahead and give those hugs
24:24to people?
24:24I worked for ten years
24:25in a bank,
24:26That's when I lost all shame.
24:27I pay 100 euros
24:28for some lousy grapes?
24:29No way, let's go.
24:30Excuse me,
24:31But we have a sale.
24:32Per four servings
24:33we gave him
24:34a shell metamorphosis
24:35with prologue
24:36by Letizia Sabater,
24:38a classic
24:39for collectors.
24:40I'm not interested,
24:40thank you so much.
24:42This is a matter for the courts.
24:42Let's go on duty.
24:44How much do you value
24:45What about the fate of your family?
24:46Eh, eh, eh,
24:47Don't try to confuse me,
24:48please,
24:48I ask you.
24:49Right now, you and I
24:50we're going to arrive
24:50to a reasonable agreement
24:51in the price
24:52of those grapes.
24:52Well,
24:53If negotiations are necessary,
24:55Negotiations are underway.
24:58Hello,
24:59With your permission.
25:00Milios,
25:00Can you tell me where you were?
25:01We're going to film your scene,
25:02go on,
25:02Go change.
25:04That's the director, isn't it?
25:05Yes, but wait,
25:06Alice.
25:06Hello.
25:08I am Alicia Sanz,
25:09actress.
25:09I would love to participate
25:10in the film,
25:11of whatever,
25:11Hey?
25:11I'll do anything.
25:13Man,
25:13If it really makes you happy,
25:15We can think of something for you.
25:18Can you be a friend?
25:19of the wife
25:19that enters into crisis
25:20with the husband
25:21because he is a lover
25:22of the two?
25:22It's a very dramatic role.
25:24What do you think?
25:25What should I focus on?
25:25No, no, no,
25:26We've already focused on that.
25:28You go to the dressing room
25:29and you improvise
25:30with Rafa,
25:30that you've never worked
25:31with the
25:32And that's how you get to know each other.
25:34Thanks a lot,
25:35really.
25:36It's the opportunity
25:37that I was looking for.
25:39Sorry.
25:41See, Paco?
25:42There are still people
25:42with enthusiasm
25:43in this business.
25:46Emilio,
25:46You were right.
25:47This is a disgrace.
25:48Emilio is ready.
25:49Let's record.
25:50Girls,
25:51out to Bordoces.
25:51Come on.
25:52Your car is ready, ma'am.
25:53Your car is ready, ma'am.
25:56That's it, Andreu.
25:58Prepared.
25:59Come on, girls,
25:59You three are organizing it,
26:01Hey?
26:01Five and action.
26:04Your car is ready,
26:05Hey?
26:06Fuck.
26:07Emilio,
26:08You have to say your line
26:09And you leave.
26:09No, no, no, no,
26:10It's perfect.
26:11Let him stay there and watch.
26:12He looks like a pervert.
26:13Do you see it?
26:14You marry the director
26:15because he's the one who knows,
26:16that you are learning.
26:17No, I already have it.
26:18The driver sees them
26:20and he sleeps with them.
26:22What do you mean he's sleeping with them?
26:24With all three?
26:25What do you think, kid?
26:27Do you think you're capable or not?
26:28Man,
26:29I'm single and unattached
26:30And it's my dream
26:31since I was little.
26:32Come on, tiger,
26:33Take off your clothes.
26:35Hey,
26:36if I'm seen later
26:36very poorly endowed,
26:37Please give it to me as a gift.
26:38with some special effects,
26:39No?
26:39Yeah,
26:40then this
26:40We sent it to him
26:41to George Lucas.
26:43Oh well,
26:45Who does this guy think he is?
26:46But what happens now?
26:47That this degenerate
26:48She has taken off her clothes
26:49when we were going to rehearse.
26:50What do you want?
26:50Should he invite you to dinner first?
26:52This is a movie
26:52porn, man.
26:53Like porn?
26:55And why are you?
26:56You haven't said anything to me?
26:57Man,
26:57women,
26:57as you have always said
26:58that you didn't care
26:59start from the bottom.
27:02Okay, so what?
27:02Should we record it, guys?
27:03Let's see,
27:04a little bit of please,
27:05that I need
27:06concentrate,
27:06that I am not a professional.
27:08What a shock!
27:09But let's see,
27:10man of God,
27:10what way of negotiating
27:11is that one that now
27:12He wants to charge me for them.
27:12you at 120 euros.
27:14I'll add 10%.
27:15discount,
27:16but time
27:16that I'm going to argue
27:17It hasn't gone up
27:1730.
27:18I'm doing this number.
27:20I declare broken
27:20the negotiations.
27:21You are speculating
27:22with a good
27:23which is a basic necessity.
27:24And housing,
27:25It is also a good
27:25basic necessities
27:27And look at you
27:27What prices?
27:28I'm going to be forced
27:29to convene a meeting
27:29extraordinary
27:30to discuss this topic
27:31and take urgent measures.
27:33Man,
27:33if you bring me
27:33more customers
27:34I don't know how much.
27:35Go to hell.
27:36Of course,
27:37there is no culture
27:38business in this country.
27:40Man,
27:42another little rise.
27:47Well,
27:48Yes, this one.
27:49I can already see myself with this one.
27:51Oh, Carlos!
27:52Fuck.
27:53Oh, you gave me such a fright!
27:55No, and...
27:56But what are you doing here?
27:57No,
27:58because I hadn't
27:59Happy Holidays,
28:00well...
28:02Oh!
28:03Oh, you look so handsome!
28:04Yes, thanks.
28:06New Year's Eve and all that.
28:07Clear.
28:09Okay, so what?
28:10How are you?
28:12Good.
28:13Very good.
28:14Well,
28:15very much in love.
28:17I don't know if you know
28:18I'm with Belén.
28:19Yes, yes, yes.
28:19I know.
28:20I'm really glad, huh?
28:22Ah, yes.
28:24Hey, Lucia.
28:27You have to understand me.
28:28I have to rebuild my life.
28:30I can't be waiting for you forever.
28:31No, no, yes, yes.
28:32I understand you, Carlos.
28:33We've talked about it a thousand times, you know?
28:35It was time to turn the page.
28:37Clear.
28:38Yeah.
28:38In fact,
28:39You've turned the page.
28:40and...
28:41And I've moved on.
28:43It's a different book, come on.
28:45The thing is, sometimes
28:46that you like a book so much
28:49that you read it twice
28:50while there are other books
28:51that when reading them
28:52You leave them in chapter 3.
28:53And then there are books.
28:55that you read them
28:56and you don't like them
28:57but it seems like
28:59You have to read them
28:59as well as by force
29:00and it cannot be forced to be read.
29:02Carlos, I don't understand you.
29:04Give me a kiss.
29:05Give it to me.
29:06Carlos, give it to me.
29:07Please, give me something.
29:08I am still.
29:09But aren't you with Belén?
29:11Yeah.
29:13I'm with...
29:15She dumped me.
29:18You all leave me.
29:20And I can't understand.
29:21Why, because...
29:23Because I'm handsome.
29:24And I'm rich.
29:27I'm not feeling well.
29:30I feel very bad.
29:33Carlos.
29:35Come on, calm down.
29:36Has it already happened?
29:37I'm going to be left alone.
29:40No way, man, no way.
29:40You won't be alone.
29:42You'll see, you'll find someone.
29:45Go ahead, Carlos.
29:47Be quiet.
29:49Be quiet.
29:50Okay, okay.
29:51That's it, that's it, that's it.
29:53When I see the little kisses
29:54They don't work on the neck.
29:55not anymore...
29:56It's already started.
29:57Well, look.
29:58Leave.
30:00Feline life.
30:04And calm.
30:06I'm fine.
30:08Yes, I'm doing very well.
30:13Melen!
30:15Melén, you haven't called me!
30:18Look, I know you're there.
30:21Just so you know, I'm going to stay here.
30:23until you give me an answer.
30:29I'm in no hurry.
30:37I'm telling you, Emilio is upstairs.
30:38working as a porn actor
30:39in a movie.
30:41Sure, sure.
30:42He's a big star.
30:43We've made like 15 or 20 movies together.
30:46Well, in fact,
30:47They gave us the silver vibrator
30:48at the Móstoles Festival.
30:49Don't believe it yourself.
30:52Alice.
30:53Happy New Year, damn it.
30:55A hug, right?
30:56Just a moment, just a moment.
30:57Just a moment, just a moment, just a moment.
30:59Go outside and get some fresh air.
31:00that my carpet is not to blame for anything.
31:03Hey, how comfortable am I with you guys?
31:05That?
31:06I wonder if I'm gay too, huh?
31:08Let's hope not.
31:08Come on, sit down on the stairs for a little while.
31:10Oh, come with me.
31:12Go.
31:15Yeah!
31:17A hug, Mr. President.
31:21You are my hero.
31:22Man, thanks, Roberto.
31:27No, no, no, thank you.
31:29No, no.
31:31What a jinx you are, dude!
31:33I don't know, I'll ask him.
31:34Mauri, with this one in the photo
31:36Were you also involved?
31:37That's my brother.
31:38Okay, enough about the album, shall we?
31:40Well, it's okay.
31:41if everyone knows
31:42that gays are very promiscuous.
31:47This is humiliating, isn't it?
31:49We're like a circus attraction.
31:51All that's missing is for them to throw peanuts at us.
31:53And what do you think I'm doing here?
31:55Fleeing.
31:57Marisa, come, run.
31:59Look at them.
32:01Together in their little love nest.
32:07No, no, no, no.
32:08Truly, from the bottom of my heart.
32:11It's a miracle how well you're handling it.
32:12with that woman he has.
32:14And what about his daughter.
32:15That too is another miracle.
32:17What about my daughter?
32:18No.
32:19Happy New Year!
32:21Come on, go ahead.
32:22Have a good time, eh, Mr. President?
32:24A kiss.
32:25Yes, man.
32:25Clear.
32:27Hala.
32:28Drawer.
32:28Come on, huh?
32:30Roberto, what's wrong?
32:32Look at me.
32:35Hello darling.
32:36Where were you?
32:37You're drunk.
32:38Hey, no, no, no, no.
32:40This is just a tiny bit, a tiny bit.
32:41We tend to overreact, don't we?
32:43A tiny bit.
32:44But look at you, it's half past eleven.
32:46So, what's the final decision?
32:47Isn't it New Year's Eve?
32:48No need to have fun, okay?
32:50Yes, but after the chimes.
32:52Damn it, Lucia, understand, I've had a really bad time.
32:55My neighbors have been harassing me for four months.
32:57And your family, and your ex, and my ex.
33:02And not even God is coming to my wedding.
33:05Bastards!
33:06Come on, Roberto.
33:07Bastards!
33:08Shut up already, let's go home.
33:09No, no, no, I'm going out onto the balcony for a moment, I need some fresh air and
33:12It passes.
33:12No, not on the balcony, you'll fall, Roberto.
33:14Yes, let me go.
33:15No, Roberto.
33:15What are you leaving me?
33:19Hello.
33:20Damn, girl, you're so clumsy.
33:22That dress looked so good on you.
33:23And on top of that, I'm clumsy.
33:24Do you have the nerve?
33:26He'll send me anyway, come on.
33:27Come on, Roberto, go upstairs and lie down.
33:29I'm going to the party by myself.
33:31No, no, no, there, there, there.
33:32Give me the car keys.
33:33You're not driving under these conditions.
33:35Otherwise they'll take away your license and I'll have to take you everywhere.
33:38Give me the...
33:38But how can you come with me if you don't even know where you are?
33:40Come on, go ahead.
33:41Hey, yeah, I'll have a coffee right now and it'll pass, okay?
33:45Damn, well, let's see what I wear now.
33:47Damn, girl, you change your dress more than Madonna at a concert, huh?
33:50How funny.
33:51Come on, let's go.
33:52Oh, oh!
33:54Did you hurt yourself?
33:56Oh, Juan, well, look, just like that, I'm feeling a little tipsy, huh?
34:01Paloma, there has been no luck.
34:02What do you mean, no luck?
34:03Are there no grapes?
34:04Okay, pay a little attention, please.
34:07I regret to inform you that negotiations with Emilio's father regarding the grapes have failed.
34:12An emergency meeting is called at my house to assess the use of force.
34:16What a great idea, a meeting to end the year.
34:18Come on, come on, the party's over.
34:19But what did Emilio say?
34:20I don't care.
34:21He's stuck in the shell-shaped apartment they've rented for filming a movie.
34:24A movie?
34:25Today, Juan, we're going to take a look.
34:27Well, goodbye.
34:28Bye bye.
34:28Thank God.
34:29Bye bye.
34:31That?
34:32And when you kiss, don't you prick each other with your beards?
34:35Madam, to the meeting.
34:47So, do we record or not?
34:49What about the driver?
34:51We're going to get the grapes.
34:52Never a truer word spoken.
34:53Yes, it'll be ready soon, they're just touching it up.
34:56Oh, I can't, Paquito, I can't.
34:57I don't know what's wrong with me, I'm blocked, I'm not responding.
34:59But look at those girls, Emilio.
35:01When you're hooking up with a girl, yeah?
35:02No, no, with one, with three.
35:04But why do you think I'm blocked?
35:05Besides, I'm constantly thinking about Belén.
35:07But don't worry, I'll tell the director you can't.
35:09No, no, no, no, no, no, no, wait, this only happens once in a lifetime.
35:13Oh, I don't know, there isn't a Viagra, a vitamin C or something.
35:16Hey, have a cookie.
35:18A cookie?
35:19Estriqui was going crazy.
35:20Striding.
35:21Ah, yes, well, let's see.
35:23Hey Juan, a movie here in the building.
35:27Because I had a young daughter who, otherwise, would have become an Almodóvar girl.
35:30It's because it's an intimate drama and they don't allow people in.
35:32Besides, there's no one famous.
35:34But they say that so there won't be any gossips.
35:36But we are the presidents of the community.
35:38They didn't send you a copy of the script, did they?
35:40Maybe they left it in my mailbox.
35:41I looked at myself.
35:42You don't stand up for yourself, Juan, do you?
35:44You don't impose yourself.
35:45I forgot.
35:46Now, now I'm ready.
35:47Run, gravel, because I don't know how long it will last.
35:48Hit the edge, hit the edge.
35:49Everyone to their posts.
35:51Five and action.
35:53Ma'am, your car is ready and so am I.
35:56So if you're ready, let's get down to business.
35:58Go for it, Tiger.
35:58Hello, we are the presidents.
36:00Cut!
36:01So, who are these people now?
36:04But, Emilio, can you tell me what you're doing?
36:08Here, learning a little bit about film.
36:10Oops!
36:11No, it's actually an educational documentary for schools.
36:14Emilio, that's a disgrace.
36:16Man, for God's sake.
36:17Those voluptuous girls there, just as God made them.
36:20With those perky breasts and those tight asses.
36:23And you don't tell me anything, even though I'm the president of the community.
36:26Hey, Juan?
36:26To throw them out, Paloma, to throw them out.
36:28Concha should be reported for using the apartment for those things.
36:31Of course, she will be reported.
36:33And he is asked for a copy of the film as evidence for the trial.
36:35No, Mr. Juan, it was us.
36:37Doña Concha knows nothing.
36:39It's because Paquito tricked me, he's very smooth-talking.
36:41Of course, since he went to university.
36:42But you know the trouble we'll be in if Concha finds out about this.
36:46We'll finish soon.
36:46All that's left is to record the orgy and then we'll pack up.
36:48Oops!
36:49No orgies here, Juan!
36:50No orgies here!
36:51See what I was telling you?
36:54Emilio, can you tell me what you're doing dressed like that?
36:56That's what Belén does, following the script, since we weren't together anymore.
36:59No, it's just that we're not together anymore.
37:00Hey, I was going to do it there with three girls and I was thinking about you.
37:03And that's beautiful.
37:04This is the least of what comes with having a boyfriend.
37:06What a shame.
37:07That?
37:08Do we have the meeting or not?
37:10Time is running out on us.
37:11It's almost twelve o'clock.
37:13Okay, okay.
37:14What a stressful way to end the year.
37:15Oh no, Juan, don't stress.
37:17That your colon gets irritated.
37:18No, Emilio.
37:19We may not be dating, but I'm considering it.
37:21And if you love me, you have to respect me.
37:22Oh, and you respect me.
37:24Of course I respect you.
37:27What is this?
37:28The butane pomona?
37:29Well, I don't know.
37:30I swear I don't know what he's doing there.
37:32Look, you know what I'm saying?
37:32I'm done with you.
37:33I'm going to a party.
37:35Oh, really?
37:35I don't think they'll let you in anywhere.
37:43We need to talk.
37:45Fuck.
37:46Okay, let's get on with this emergency meeting quickly.
37:48What a sad meeting, damn it.
37:50Hey, well, in Congress sometimes there are only a handful of people and they all vote the same, right?
37:53So, that's that.
37:55The question is, for the good of our community, do we forcibly take Mariano's grapes away, yes
38:01Or not?
38:01Yeah.
38:02Very good.
38:02Well then, all in this together.
38:04And that's why he made us come up here?
38:05This guy's a complete idiot and that's all he's capable of.
38:10Okay, so what's up?
38:10Are we going to eat the grapes here or not?
38:12I'm really looking forward to going to the party.
38:13You wait here.
38:15Oh my God, how is the baby going to turn out?
38:17Just wait until you see the mother.
38:19Also?
38:21Look, maybe you were right after all.
38:23And coming out of the closet wasn't a good idea.
38:27But you're telling me this now?
38:29I'm unemployed and the whole neighborhood is giving us a hard time.
38:32Fernando, everyone makes mistakes.
38:34This has to be love, right?
38:35Otherwise, I can't explain it.
38:39Well.
38:40I have an idea!
38:40No.
38:41Yes, yes, yes.
38:42Look, we're moving to another building and going back into the closet.
38:44But way in the back, behind the blankets.
38:47Hey?
38:47Go on, go get the coats and let's go for a drink.
38:50It's the end of the year.
38:51And the grapes?
38:52I'll pass.
38:52I took them for the first time last year.
38:54And look at everything that's happening to us.
38:56Okay, fine, fine, fine.
39:03Don't wait for me, okay?
39:04So that?
39:07Okay, honey, I'm ready.
39:12How are you?
39:17Oh, okay.
39:18You are ready too.
39:20Oh, come on...
39:22In the end you got what you wanted.
39:24Staying home sleeping.
39:27You're so cheeky.
39:39Happy New Year, my love!
39:48Dad, a little bit of please.
39:49Give him the grapes, we already have enough problems.
39:53150 euros per serving.
39:55It's a quarter to twelve and that's the price.
39:58These grapes are confiscated this very instant.
40:00for the good of the community.
40:01Grab them, Juan!
40:02Grab them, he's smaller than you!
40:04Quita, os manos!
40:06Just approach the little roll against the ground.
40:08Back, back.
40:09Calm down, Mariano, calm down.
40:10Dad, I'll get you a tie.
40:12I want a car at the door with a full tank.
40:15It's a bluff, don't believe him, he's not going to throw them away.
40:17Oh, no, huh?
40:20My grandfather was French.
40:21I have no problem throwing fruit on the floor.
40:24Mariano, you're ruining our relationship.
40:27I love you, but I've seen a side of you I didn't know existed.
40:32Marisa, that's emotional blackmail.
40:34Come on, give us the grapes and prove that you are the man I fell in love with.
40:40Okay, okay.
40:41I would give up anything for you.
40:44Here, happy new year to all.
40:46Did you fall for it, sucker?
40:48Come on, let's go, we already have the grapes.
40:50Come on, you too, with your level of education, trusting women.
40:53Son, I am a slave to love.
40:56Out, out.
40:57I'm sure they've been operated on.
40:59That screams silicone, you wouldn't believe it.
41:00José Miguel, you can't be here.
41:02Dude, are you going to deny a teenager sex education?
41:04Yeah.
41:05Okay, yes, honey, I'm finishing the orgy and going home.
41:09Well, no, I won't live to see the grapes, but...
41:11Okay, let's turn off our phones.
41:13A little more light back there.
41:15Okay, please.
41:17But why didn't I finish straight, oh my God?
41:19Come on, someone plug in that light bulb.
41:21Come on, Fernando, we're waiting.
41:24At the dressing level.
41:26Finally, we're going to watch the chimes in peace.
41:29Oops!
41:31What happened?
41:32The building's circuit breakers have blown.
41:33Juan, the bells are ringing, what time is it?
41:35I'm having trouble finding out the power has gone out.
41:37You don't say.
41:38Thank goodness I didn't take the elevator.
41:41Happy New Year everyone, huh?
41:42Leave.
41:42Where are you going looking so beautiful?
41:43Uh, to a friend's house who's having a party at Puerta del Sol.
41:46Ah, well we'll come with you, because now that we finally have grapes,
41:49We're not going to miss the New Year's Eve chimes.
41:51I'm sorry for myself, no problem, Paloma,
41:52But there's only room for two people in my car.
41:55Don't worry, mine isn't parked here.
41:57But that happened at the vehicle inspection station.
41:59What's going on here?
42:01And why is there no light?
42:02But you weren't having dinner with your daughter-in-law.
42:04Yes, but we had an argument and I left.
42:06I can't wait to get home and have some peace and quiet.
42:10Well, look, a good time has come.
42:12We're going to lose our hair, Mr. Juan.
42:13Okay, Paloma, I'm going ahead and I'll see you there later, darling, okay?
42:16But where are you going with your dick?
42:17I'm going too, I'm going too.
42:18But, Emilio, is there only room for two people here?
42:20Well, it's okay.
42:21I am fulfilling my obligation here with Mr. Juan.
42:22Concha, I think they're making a porn movie in your house.
42:26As?
42:26Yeah.
42:28Mr. Cuesta!
42:29Don't go!
42:30Step on it, step on it, we won't make it to the end of the year.
42:32Okay, but fasten your seatbelts, because I don't want any fines later.
42:35Paquito, go here, Doña Concha.
42:37Get out of there as fast as you can.
42:38Happy New Year!
42:39Come on, let's all go in this one.
42:41But where are you going!
42:48Damn, it won't start.
42:49And I just took it out of the workshop.
42:51But keep going, they're getting away from us.
42:53And how do I follow them?
42:54We're not the Flintstones.
42:55No, we're going to end up eating the grapes here.
42:57Oh, what a disaster, really!
42:59And my Juan is out there with his dick.
43:00Well, don't worry, I'll turn on the radio.
43:02Does everyone have grapes?
43:04There are twelve of them.
43:05Count them well.
43:05But don't put that in, Mariano.
43:07Set the bells.
43:08If I buy it second-hand and I don't know how to remove the tape.
43:13Well, we'll have to do something.
43:15Don't make any effort.
43:16Because you're going to have a child and it's not in your best interest.
43:19I'm going to make a splash.
43:26Help him, man!
43:38Damn, thanks for your help!
43:40The rooms.
43:43Well, but it's wrong.
43:45Start it up!
43:46This is pathetic.
43:48What a way to end the year.
43:49Here, here, here, nobody lives.
43:52Not here, not here.
43:54Every day is like this.
43:56I couldn't imagine it when I came here.
43:59I was just looking for something bad.
44:01I wake up every day in the middle of a hurricane.
44:03Here, here, here, nobody lives.
44:06No!
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