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00:00:00Well, what's inside, or what Iñaki has on him.
00:00:07Are you asking me to marry you?
00:00:12Yes I want!
00:00:14If I manage to avoid Bego, I'll come to your house and leave you the necklace.
00:00:19Don't worry, you're fine. She doesn't suspect a thing.
00:00:21Yes, man, and we can also postpone the meal and announce the date and location of the wedding via WhatsApp.
00:00:25Yes, this is the first time we've brought the two families together. I want to impress.
00:00:28If he wants the signature, he will have to be as concerned about my needs as he is about my husband's.
00:00:40But I'm with Benito! Who the hell is Benito?
00:00:50Look, big-headed.
00:00:52If you have any problems, call Jose.
00:00:54The same applies to a torn piece of bread from sewing.
00:00:57No, no, no. Okay, José, I won't call him.
00:00:59It's obvious.
00:01:00What a frightening thing to do with an ambitious man. You want more.
00:01:02Being a doctor wasn't enough for him, and he aspires to be the director of this clinic.
00:01:06Dyston? Me?
00:01:08Ah, well, I'd never thought of that.
00:01:09Okay, José. Whatever you want. But please help me.
00:01:13Okay, fine.
00:01:15But because it's going to start at halftime, right?
00:01:18Furthermore, we still don't even know where we're going to celebrate it.
00:01:20Are you going to fix it?
00:01:22I believe I can help you with that matter.
00:01:24You?
00:01:25What, Mr. Mejumea?
00:01:27Actually, I know a good, nice, and cheap place.
00:01:30Director.
00:01:33Director Almenar.
00:01:34And in the end, nobody has told me what they think about the wedding being held in my mansion inside
00:01:39a month.
00:01:40That?
00:01:40Hey, hey, hey!
00:01:42Hey, hey, hey!
00:01:43Hey, hey, hey!
00:02:11Well, here you go.
00:02:13Pasta from the convent of Cristobal Tegui.
00:02:15These pastries, far from being a sin of gluttony, are pure bliss.
00:02:20Okay, okay, and tell me something, Pascual.
00:02:22Iñaki's wedding is all clear, right?
00:02:26More or less, yes.
00:02:29I don't understand you.
00:02:30Is there a problem?
00:02:32The fact that Iñaki lives so far away from you makes me a little uneasy, to be honest.
00:02:36You'll agree with me that it's more likely that it went wild without a mother, if you'll pardon the redundancy.
00:02:41Oh, I know what you're getting at.
00:02:43But I would vouch for my son.
00:02:45His relationship with Carmen is typical of a Catholic couple.
00:02:49Yes, yes, yes, and apostolic.
00:02:51I don't doubt your good faith, Marichu, but remember what happened to Josebe's daughter.
00:02:56Then the wedding dress was too tight around her stomach, and it wasn't exactly because of gas.
00:03:01Oh, Pascual! You broke your vow of silence in the seminary, didn't you?
00:03:05No, there are some things that just can't be, Marichu.
00:03:08Look, maybe I'm getting old-fashioned, huh?
00:03:10But at this stage of my life I cannot marry a couple who have lived together before marriage.
00:03:15Ah, sure, sure, sure.
00:03:16But come on, in this case there's no impediment.
00:03:19Iñaki and Carmen live very far apart.
00:03:21But they're a wonderful couple, man.
00:03:25Having a mother like Marichu doesn't surprise me at all.
00:03:28It's just that we need to see what your motives are for mourning my cousin, Juan.
00:03:34Wow, this year, the sloes are really strong, huh?
00:03:37There's pacharán.
00:03:38Well, I'm going to head off to the parish to see if I can hear any decent little sins.
00:03:43Yes, yes.
00:03:45See you in Seville, okay?
00:03:47Oh, don't forget to bring your lightest cassock and a fan there.
00:03:51Well, thanks for marrying Iñaki, Pascual?
00:03:53You know, it means a lot to me.
00:03:57Okay, see you there.
00:04:02Jesus, Marichu, don't you think you've gone a bit overboard giving so many explanations about Iñaki and Carmen's relationship?
00:04:07Hush, hush! Do you know what this guy is saying?
00:04:09Woman, will the mass be long?
00:04:10Yes, the mass and the capital sins of all of San Sebastián, which I know, of Gochu.
00:04:14And in her confessional you find out more gossip than by reading Lola.
00:04:19Gosti!
00:04:24Gosti!
00:04:25His head is going to explode.
00:04:27After rehearsing Iñaki's farewell so much yesterday, we drank everything down to the last drop, Peño.
00:04:31Well, but we'll also have to train, right?
00:04:33We've already trained.
00:04:34But we still don't know what kind of farewell we should have, Iñaki.
00:04:37And we're running out of time and liver.
00:04:40What if we go to the mountains?
00:04:41Look, look, I just bought binoculars to spot the seagull for Aunt Maria.
00:04:47I don't know if Iñaki will be able to withstand that pressure for so long.
00:04:53Hey Gochu, what's up?
00:04:55Is a bull following you or are you out for a jog?
00:04:58You'll be the one who's going to run when I tell you.
00:05:01When will you tell me what?
00:05:02I've just come from the parish and Don Pascual isn't here.
00:05:05According to the sacristan, he has gone to Seville to give Iñaki and Carmen their premarital course.
00:05:11That?
00:05:12Oh, God!
00:05:14But he didn't tell us anything about that yesterday.
00:05:16I told you, he was very annoyed by your explanations.
00:05:22Good day.
00:05:23How are you, my beak?
00:05:26I'm sorry, darling, that your hands still hurt.
00:05:28Yes, yes, yes, yes, but there are many things I can do without hands, you know?
00:05:31Oh, really?
00:05:32Many more without clothes.
00:05:34Oh, Ana.
00:05:37Your mother is a regular.
00:05:40Look at her, look at her, Iñaki.
00:05:41I think he has a camera or a radar, because it's not normal that he's always interrupting us.
00:05:46No, just let it play now, if that's already...
00:05:47No, no, no, no, pick up the phone, darling, I'm already nervous.
00:05:51I'm not concentrating.
00:05:53That's what I say.
00:05:56Good morning, my love, what's wrong? Why are you calling so early?
00:05:59Iñaki, listen to me carefully.
00:06:00Uncle Pascual is in Seville.
00:06:02Yes, well, so what? Has she come to do some sightseeing before the wedding?
00:06:05No, to interrogate you.
00:06:08I told him that Carmen and you don't live together.
00:06:10Well, without hesitation, he has gone to Seville to investigate whether it is true.
00:06:14Okay, so what happens if he finds out the truth? Is he going to attack us with holy water?
00:06:18Ehor, he's going to massacre me, he's going to tear me apart with your father's family.
00:06:22And now that I've lied to him, you have to maintain the lie at all costs, right?
00:06:25A very Christian attitude, my love.
00:06:27Listen, my son, are you going to give me a thousand lessons on Christianity?
00:06:30Okay, listen, calm down, Mom. It won't be that easy for him to find us.
00:06:34He doesn't even know where we live, or the stressful streets.
00:06:40Ama, you didn't give this address to Don Pascual, did you?
00:06:45Holy shit, is that him?
00:06:46The fact that?
00:06:47The Lorenzero! We're not messing with you, Uncle Pascual.
00:06:50How did you give him our address? What were you thinking?
00:06:52Look, Iñaki, if Uncle Pascual finds out about this, goodbye wedding.
00:06:57Love.
00:06:57What's wrong? What's wrong?
00:07:00Look, you take the pants and the short one opens.
00:07:02But why? What's going on?
00:07:04Carmen, you and I don't live together, okay?
00:07:08No, no, since when?
00:07:09Yes, Uncle Pascual.
00:07:11Uncle Pascual.
00:07:16Hello.
00:07:18Good morning.
00:07:19Good morning.
00:07:20This is Iñaki's house, right?
00:07:23Iñaki what, Iñaki?
00:07:24Iñaki go to Zapalbeitia.
00:07:26You wouldn't happen to be Carmen, would you?
00:07:27Yes, yes, yes. Are you?
00:07:29I am Uncle Pascual, the family priest.
00:07:33Hey, Uncle Pascual!
00:07:35How are you, Your Holiness?
00:07:37No, my daughter, no.
00:07:38There is only one Holiness, and he lives in the Vatican.
00:07:40Oh.
00:07:41Okay, so Iñaki lives here, right?
00:07:45No, no, not at all.
00:07:50You think my clothes are too big, don't you?
00:07:52With all the wedding nerves, I'm getting closer than a codfish.
00:07:55Would you like a coffee?
00:07:58Well, look, yes, I'm delighted, yes.
00:07:59Sure, come in, come in, man.
00:08:01Don't you know how much I wanted to meet you?
00:08:02Because my family has told me a lot, a lot about you.
00:08:05Ah, look, I had everything ready already.
00:08:06Yeah?
00:08:07I usually, you see, always have two coffees on hand, just in case.
00:08:11Look, you'll have to excuse me, but I'd better go talk to Iñaki.
00:08:14And where did you say that...?
00:08:15Well, let's see, he lives on the other side of...
00:08:18I am now, aren't I?
00:08:19To glue.
00:08:20Yes, but I don't know if he'll catch you because he likes that sport.
00:08:23But hey, maybe it has arrived by now.
00:08:25This is my Iñaki, yes.
00:08:27Well, I'll see if I can find it.
00:08:28Okay.
00:08:29Very good, Carmen.
00:08:30A pleasure, huh?
00:08:31Likewise, likewise.
00:08:31Have a good one.
00:08:33Thank you.
00:08:36Pore, Iñaki!
00:08:36Ah!
00:08:38Well, no, no, no, sorry, I'm a mess.
00:08:40I mean, I've been running, completely out of breath.
00:08:42Yes, yes, your girlfriend already told me that you live here next door.
00:08:45Yes, yes, on the other side of the filling.
00:08:47But come on, neither together nor mixed up.
00:08:51Calls!
00:08:52Calls!
00:08:54This is me!
00:08:56I've left my keys inside.
00:08:58Hey?
00:08:58Yeah!
00:08:59Roommate!
00:09:01Partner in what?
00:09:02Coldo!
00:09:04Coldo, my son!
00:09:05Passual!
00:09:05But you also live in Seville.
00:09:07At this rate, San Sebastián is going to become deserted.
00:09:09Well, look, here I am.
00:09:10Come in, come in.
00:09:11What joy, my son!
00:09:12What a joy!
00:09:12How long!
00:09:14Of course, since you stopped going to mass...
00:09:16Well, that's not quite right either.
00:09:17The thing is, on Sundays, well, I like to get up early.
00:09:20So I was going to the nine o'clock one, which you weren't...
00:09:22And where is Izaskun?
00:09:23Tell her to come out so I can greet her.
00:09:25Well, it turns out, Father, that...
00:09:28Well, Izaskun and I don't live together...
00:09:30No, they don't live together all the time!
00:09:32Coldo was hired by the Hispalis clinic.
00:09:34And he spends a few days a week here.
00:09:36And I, as a good Christian, rent him a room in my humble house.
00:09:40Ah, yes.
00:09:41Yeah.
00:09:41And how are you coping with the separation, Izaskun?
00:09:45With Christian resignation.
00:09:48From the moment I married you, it was clear that you were going to be a very compatible couple.
00:09:52I have a lot of instinct for that.
00:09:55And how do you manage here?
00:09:57Because I only see one bedroom.
00:10:01I sleep on the sofa and in the bedroom.
00:10:04We always have to fight to get him to sleep in the best spot.
00:10:07Very good, my son.
00:10:08You, like the Good Samaritan.
00:10:09Hey, Mr. Pascual, what are you doing here?
00:10:12We weren't expecting him until the wedding day.
00:10:13Ah, well, I've decided to come personally and give you the premarital course.
00:10:18Look.
00:10:18Yes, yes, yes.
00:10:19But Father Manuel, our parish priest...
00:10:21Don Manuel, Don Manuel.
00:10:22Don Manuel, like all young priests, has his own ideas.
00:10:25I'll be waiting for you at the parish at the time of the Angelus.
00:10:28As?
00:10:29At twelve o'clock for the laity.
00:10:30Ah, ah, ah, ah.
00:10:31At twelve o'clock at ten o'clock.
00:10:32This is fatal.
00:10:33That's terrible because Carmen has a day shift and you naturally won't be able to work in the afternoon.
00:10:37Yes, yes, yes.
00:10:38Yes, I can, yes.
00:10:39Well, anyway, we have to bring something.
00:10:43Something no, no.
00:10:44Someone.
00:10:45You need to bring a Christian married couple to share their experiences with you.
00:10:48It will be very good for you, you'll see.
00:10:49Yes, yes, we have many.
00:10:50Oh, by the way, I have to give you your wedding present.
00:10:53Oh, look!
00:10:55Oh!
00:10:56It is a deluxe edition of the New Testament, bound in leather with gold illustrations.
00:11:00and a silk marker ribbon.
00:11:02Well, I was really looking forward to picking up a book to get into, to get hooked on reading.
00:11:07Very good.
00:11:07Am I going to visit the chapel of the Holy Christ of the Puppy?
00:11:10Yes, yes.
00:11:11Have we been there before?
00:11:12Yes, many times.
00:11:17Bye bye.
00:11:19I didn't expect to find a priest here.
00:11:21Hail Mary, most pure.
00:11:23Father.
00:11:26People in this city are very open, aren't they?
00:11:28Yes, yes.
00:11:29But they're also very traditional, aren't they?
00:11:30They all go around with their little gold medal, like rappers.
00:11:33No, no, no, no.
00:11:34Those who come from outside are the ones who are open-minded, Father.
00:11:36We don't start conversations with married men.
00:11:39So I'm leaving.
00:11:40No, but some of us are separated, and for clear reasons, you know?
00:11:43Temporary separation for work reasons.
00:11:46Oh dear, oh dear, oh dear.
00:11:47I see many other blind people in this building.
00:11:49It's a shame I didn't bring incense to sanctify the atmosphere a bit.
00:11:52There's definitely an atmosphere, there's definitely an atmosphere.
00:11:55That?
00:11:57Leave the curtains.
00:11:58Leave the curtains.
00:11:59Carmen.
00:12:02Yeah.
00:12:06Oh my God.
00:12:07Oh, Iñaki.
00:12:08It's that when we don't get out of one problem, we get into another and...
00:12:10Okay, okay, Carmen, it's not that big of a deal.
00:12:12That?
00:12:12We went along with my uncle a bit this afternoon and got away with it.
00:12:15At last.
00:12:16But I don't see it as that easy, Iñaki, because when it's not about pleasing one person, it's about
00:12:19to please another
00:12:20and when it's not another pilot expert and so on.
00:12:22Okay, Carmen, let's see, we already know the wedding venue.
00:12:24Yeah.
00:12:24We also know that my uncle has to officiate it, and that's it.
00:12:27Well, he's right too, that's true.
00:12:28The wedding, your uncle, go ahead.
00:12:30How does Alicante give us?
00:12:31Yes, I'm going to work.
00:12:32Come on.
00:12:33Bye.
00:12:38Carmen, I'm sorry, but I don't have a three-year service increment, so it's affected me much more than others.
00:12:42to you.
00:12:42Pull, pull, darling, pull.
00:12:46Already.
00:12:48I'm already having breakfast.
00:12:49Go on.
00:12:50That doesn't have your face.
00:12:51Carmen, be careful, be careful, be careful.
00:12:53Look, please, Dolores, stop giving me money to seal my name.
00:12:55Iñaki, I'm so sorry, but I have to register my work because otherwise Trini will kill me.
00:12:58That's it, the trini, the trini, come on, that trini, the trini, there.
00:13:02Dolores, I could really ask you a small favor.
00:13:05If it's within my power, I'll do whatever you want.
00:13:07Could you and your husband accompany me to the premarital course this afternoon?
00:13:10Oh, that's almost not going to happen.
00:13:13No, because you're not going to drag my husband into this, not in church, and he's not drunk.
00:13:16Juan Antonio, the mountain doesn't give.
00:13:18Juan Antonio is an atheist, by the grace of God.
00:13:21Atheist?
00:13:22Atheist, as you can see, rarer than a riddle.
00:13:24Of course.
00:13:25But anyway, I'm really sorry to tell you that, darling.
00:13:27Okay, and one more small favor, please, please pick up my suit.
00:13:30I've already asked for the afternoon off and I don't think you can nag me in the morning, queen.
00:13:34I'd be happy to do that for you.
00:13:36I picked up the suit for you, let's enjoy life because I like it and I like doing it
00:13:39as if I were your first lover.
00:13:41No, no, I get there, hello, Carmen's suit, I don't know what.
00:13:44And this afternoon, as soon as I get out, I'll do it for you.
00:13:45No, not this afternoon, darling, because your brother is leaving on a trip at four and...
00:13:49My sister is going on a trip.
00:13:50Yes, to the Canary Islands.
00:13:51Well, he hasn't told me anything.
00:13:52Ah, but then he's not going to buy me any little gifts.
00:13:55But come on, it's difficult for me to mess with him in the morning.
00:14:00Although if I were to receive compensation.
00:14:04Dolores, compensation?
00:14:07You're starting to think of José, aren't you?
00:14:09What are you saying? Come on, girl, that's not the way it's going.
00:14:11Your reflexes are a bit slow, aren't they?
00:14:13This is a wedding, isn't it?
00:14:17Perhaps you'd like to be the bed lady?
00:14:19The first one.
00:14:20Made!
00:14:22Are you nervous that there's not much time left?
00:14:24There's not much time left!
00:14:26Dolores, I don't even have time to get nervous.
00:14:29Hey, listen, thanks for the dress.
00:14:31You're welcome, little girl, send it.
00:14:33Leave.
00:14:34Come on.
00:14:34Bye.
00:14:35Bye bye.
00:14:36Good morning, Dolores.
00:14:37Oh, Dad, good morning.
00:14:39Her face looks organic, dislocated.
00:14:42How funny.
00:14:43Dolores, today I want you stuck there like gum on a shoe sole.
00:14:46Understood?
00:14:46Well, I could take that for granted.
00:14:48When am I absent from my post?
00:14:50From two to four every day at noon, for example?
00:14:52I only miss my strict lunch break.
00:14:55Come on, Dolores, please, I'm not naive.
00:14:57Every day you leave an hour before I go downstairs.
00:15:00Then you add the time I'm eating
00:15:01And in the end, you take two hours off every day.
00:15:04Madam Director,
00:15:04If you don't believe what I'm telling you, you can check that my cajeta...
00:15:07Yes, José checks you in every day as if you were coming back at three.
00:15:09I think looking at the past doesn't solve anything, you know?
00:15:12Hairs on the most.
00:15:14What we need to do is live in the present.
00:15:16He is here and now.
00:15:16What's going on today that makes you want to pin me there?
00:15:18There's a board meeting this afternoon.
00:15:20And I want everything to flow like water.
00:15:22So, Dolores, I'm warning you one more minute of your lunch break
00:15:25and I'll open a file on you.
00:15:26It's up to you what you do.
00:15:28Good morning, beautiful.
00:15:29Hey, I needed to talk to you, Trini.
00:15:31Ah, yes.
00:15:31I have to leave a little earlier this afternoon.
00:15:33I'm saying this because of your whole thing about signing up.
00:15:35Impossible, Robert.
00:15:36I need all the staff here.
00:15:37Come on, Trini, damn it.
00:15:38Don't be like that.
00:15:39If I have to leave early for a justified reason.
00:15:41Which?
00:15:42Because your uncle from the village has died three times this year.
00:15:44Oh, really?
00:15:45Uh, no, look.
00:15:45I've requested an extension of my mortgage.
00:15:47and I have to go to the notary to sign.
00:15:48Salaries are becoming less and less attractive.
00:15:49Since it's fashionable to lower it now...
00:15:51Okay, fine.
00:15:51Alright.
00:15:52Leave earlier.
00:15:52Thank you, sweetheart.
00:15:54I adore you.
00:15:54Whenever you want, I'll thank you as you deserve.
00:15:56Look, Robert, the only thing I want from you
00:15:58And I hope you do your job.
00:16:00Nothing else.
00:16:00Don't worry.
00:16:01I don't know if it's a coincidence,
00:16:03But whenever there is a board of directors
00:16:05You have to leave earlier.
00:16:06Oh, really?
00:16:06Well, I didn't notice.
00:16:07Since that has nothing to do with me.
00:16:12Oh, José.
00:16:13José.
00:16:14José!
00:16:15Oh, kid, are you deaf?
00:16:17No, because of the scolding Trini gave me.
00:16:18about signing you
00:16:19I've become a little bit of a lieutenant in this faraway place.
00:16:21Talk to me through this.
00:16:21Look, I need
00:16:23Do me a small favor.
00:16:24You have to go to my brother's tailor shop
00:16:25to Arpespunta
00:16:26to pick up Carmen's wedding dresses.
00:16:28Oh, no way, no way.
00:16:29Now it's super complicated.
00:16:30to mess around with the signing.
00:16:31I don't know if you understand me, Dolores.
00:16:32You, the concept of favor,
00:16:34which is a favor,
00:16:35You don't know what it is, do you?
00:16:36And you don't know what it is
00:16:37As close as I am, huh?
00:16:39A light bulb has burned out on me
00:16:40and it strains my lathe budget.
00:16:42It's a shame for a mother.
00:16:43Honestly, you're a shame, son.
00:16:45It's just that I'm here now
00:16:47buying energy-efficient light bulbs,
00:16:48like Colombra very little,
00:16:49But they are very expensive.
00:16:50Of course, we are living
00:16:51beyond our means.
00:16:54That's what friends are for, huh?
00:16:55As soon as I have a mile,
00:16:56I'll do you a small favor.
00:16:57Hey, don't let me down,
00:16:59which is very important.
00:17:00Is it that I'm missing someone sometimes?
00:17:05Oh.
00:17:09Hey, José!
00:17:11Just in time
00:17:11for the mandorio solo.
00:17:19In my contract
00:17:20It doesn't mention any of this, huh?
00:17:22I know, son, I know.
00:17:25But the thing is
00:17:25to dance the tango
00:17:26with Marichu
00:17:27at the wedding
00:17:28I need to rehearse.
00:17:30Test?
00:17:30What you need
00:17:31It's a docina gas cylinder
00:17:32which seems to have gone up
00:17:33the tourmalet.
00:17:34The truth is that
00:17:35I wouldn't need it anymore.
00:17:36Take a little bit of a deep dive.
00:17:37Or not to dance, huh?
00:17:38And dedicate oneself to the wedding
00:17:39to peel the prawns,
00:17:40that is what you have to do.
00:17:41Clear!
00:17:42And also, Maruchi
00:17:43It's not for dancing,
00:17:44It's very much a muceca.
00:17:45What are you saying, please?
00:17:46But Cimerichu
00:17:47She is a very refined woman.
00:17:50The first time
00:17:51that we're going to move
00:17:52intertwining our bodies
00:17:53And I'm going to look ridiculous, man.
00:17:57I'm talking about dancing,
00:17:58that you're very suspicious.
00:18:00Look, even I
00:18:01I've thought about hiring
00:18:02to a personal trainer.
00:18:04Ah, now that I remember,
00:18:05Yes, I remember.
00:18:06Maruchi's dancing, huh?
00:18:08Clear?
00:18:09She moved her feet
00:18:09even when he was in a coma.
00:18:12Hey, and you wouldn't happen to know
00:18:13someone I can hire
00:18:15to start training
00:18:16today?
00:18:17Well, that's as far as it goes.
00:18:18One in front, huh?
00:18:19I'll do that one.
00:18:20a training
00:18:20from here to the wedding
00:18:21that you dance the tango,
00:18:22the breaking down
00:18:23and the little cross.
00:18:24How much are we talking about?
00:18:25Because you're free
00:18:26It doesn't even tell the time, huh?
00:18:28Well, it's a lizard.
00:18:30And?
00:18:31I am a lizard,
00:18:33a green bill.
00:18:34Ah!
00:18:35One thousand pesetas.
00:18:36He's going to say one thousand pesetas
00:18:37How ancient.
00:18:38Do you have a euro?
00:18:40Of course.
00:18:41You ask for more
00:18:42than a civil guard.
00:18:44Take.
00:18:46Iñaki, don't lie to me, okay?
00:18:48Look if he's caught you!
00:18:49a fragrant
00:18:50I believe I have the right
00:18:50to know.
00:18:51Let's see, mistress,
00:18:52Everything has gone well.
00:18:53Don Pascual thinks
00:18:54that Carmen lives in her house
00:18:55and I'm in Coldo's
00:18:56So just stop.
00:18:56to make you nervous.
00:18:57No, I'm sorry, son,
00:18:58But he's your father's cousin.
00:19:00He's known me all my life
00:19:01and I had to give him explanations.
00:19:03Yes, then next time.
00:19:04that you want to know intimate details
00:19:05You tell him yours
00:19:06with Don Benjumea.
00:19:07Son, for God's sake,
00:19:08respect.
00:19:09My relationship with Benito
00:19:10She is absolutely chaste.
00:19:12Our privacy
00:19:12He just goes for walks
00:19:13holding each other's arms,
00:19:15a romantic dinner,
00:19:17the candlelight...
00:19:18Let's see, mistress,
00:19:19Don't go on, please.
00:19:20Okay, and don't change the subject.
00:19:22and promise me
00:19:23that you will continue doing
00:19:24the pari-pedro
00:19:24before the course.
00:19:25Okay, mom, Carmen and I
00:19:26the only thing we want
00:19:27we should get married as soon as possible,
00:19:29So don't worry,
00:19:30we will behave
00:19:30as exemplary Christians.
00:19:33Marichu, is that Iñaki?
00:19:34Yes, yes, yes.
00:19:34Pass it to me.
00:19:36Hey, champ!
00:19:37We are here
00:19:38organizing your farewell
00:19:39single.
00:19:40Let's see, the garterana's outfit,
00:19:42How do you want the neckline to be?
00:19:44Word of honor
00:19:45Or boat-like?
00:19:46Let's see, Anchón,
00:19:46Stop messing around
00:19:47And you'd better give me your word of honor
00:19:49that José Mari
00:19:50He's not getting on this ship.
00:19:51you understand me?
00:19:51José Mari, Koldo's brother-in-law?
00:19:52Himself,
00:19:53He's not coming to the wedding
00:19:54as well as to ruin me
00:19:56the bachelor party.
00:19:57Furthermore, that...
00:19:59I want a party
00:20:00with my crew,
00:20:01like in the old days.
00:20:02That's done.
00:20:04Another thing,
00:20:05so,
00:20:06of the race
00:20:07in heels
00:20:08with wet t-shirts
00:20:09We forgot, didn't we?
00:20:10Wing, wing,
00:20:11agurranchón.
00:20:14Iñaki, darling,
00:20:15I already know who the married couple is.
00:20:17perfect to accompany us
00:20:18to the course.
00:20:18I can't believe it, who?
00:20:19Look,
00:20:20Hey, hey, hey, my Sabelita,
00:20:21You have such talent!
00:20:22It looks more like a skewer than a skewer
00:20:23that you're carrying a tray
00:20:24from Ferrero Rocher.
00:20:25Oh, Carmen, I don't know,
00:20:26Rafi isn't very spontaneous,
00:20:28can put his foot in it
00:20:29whenever.
00:20:30Dear,
00:20:31or are they
00:20:31We need to rent
00:20:32a marriage,
00:20:33so...
00:20:34Brother,
00:20:34cradle,
00:20:36Yeah?
00:20:37Would you mind?
00:20:38Will you join us for the course?
00:20:39Premarital?
00:20:40Yeah.
00:20:41Chick,
00:20:41Is doubt offensive?
00:20:42Of course.
00:20:43What needs to be done?
00:20:44Nothing,
00:20:44to be a married couple
00:20:45perfect, just like you are.
00:20:46That and a little bit
00:20:48theatrical,
00:20:48because the priest
00:20:49cannot know
00:20:49Carmen and I
00:20:50We live together.
00:20:51Ah,
00:20:51But you live together?
00:20:53This is news to me.
00:20:55A fantastic performance,
00:20:56Isabel,
00:20:56by Goya.
00:20:58Heard.
00:20:58Okay guys,
00:20:59well this afternoon
00:21:00at four o'clock.
00:21:00Oh,
00:21:01this afternoon at four
00:21:01It's impossible.
00:21:02chick.
00:21:03What do you mean, impossible?
00:21:04No,
00:21:04which cannot be,
00:21:04Elena isn't coming,
00:21:05It's not there.
00:21:06Don't you see that you sent him
00:21:06to a handling course
00:21:07of food?
00:21:08No, no, no,
00:21:09No, not at all.
00:21:09unless we put
00:21:10a vending machine
00:21:10skewered,
00:21:11I don't know what we're going to do.
00:21:13The fact is that the lamb
00:21:15The crazy guy brings it,
00:21:16Hey?
00:21:16Look,
00:21:17that man
00:21:18has come
00:21:18to live in Seville
00:21:19for you,
00:21:20has separated
00:21:21for you.
00:21:22Come on,
00:21:23nothing more
00:21:23that remains
00:21:23to be done in Araquiri.
00:21:25If I were you
00:21:26I was giving him another chance.
00:21:27But if it happens to me
00:21:28I don't like the cord,
00:21:29Look at this.
00:21:30I this
00:21:30It's for giving
00:21:30a little bit of information,
00:21:32a little bit of culture
00:21:32generated by the neighborhood.
00:21:34Well, for someone who doesn't like it,
00:21:36daughter,
00:21:36every time you mention it
00:21:37This with a little smile
00:21:38from ear to ear.
00:21:39No,
00:21:40no,
00:21:40that has been
00:21:41from so many bows
00:21:41who threw my face.
00:21:43Oh.
00:21:44Well, look,
00:21:44It gives you,
00:21:44If I were you, I wouldn't trust him.
00:21:45because the fascists
00:21:46We are liars
00:21:47And he tells you the same thing.
00:21:48one thing or another.
00:21:49I bet
00:21:50the throat
00:21:50and I don't lose it
00:21:51that this
00:21:52They haven't separated.
00:21:53No,
00:21:54Lucy,
00:21:54that gives me the orchard
00:21:55that she won't see it
00:21:56anymore.
00:21:57Take note of what I'm telling you.
00:21:58Hello,
00:21:58good morning.
00:21:59Hello.
00:22:00Do you know where he lives?
00:22:01Coldo Incha Ostegui?
00:22:04There at the door.
00:22:05Oh,
00:22:05Excuse me,
00:22:05But I've searched
00:22:06your name on the mailbox
00:22:07And there isn't one.
00:22:08Don't they use mailboxes?
00:22:09Here in Seville?
00:22:09No,
00:22:10my soul,
00:22:10They throw the letter here.
00:22:11to Pelón
00:22:12and the first one who catches it
00:22:13She keeps it.
00:22:14Because?
00:22:15Does your [something] need it?
00:22:16daughter?
00:22:16No,
00:22:16No,
00:22:17I don't understand.
00:22:17I know I don't understand
00:22:21not the others.
00:22:22Ah,
00:22:23Well,
00:22:23It came up on the program
00:22:24by Juan y Medio.
00:22:25Do they put their singing there
00:22:25in your country?
00:22:26No,
00:22:27So it's not that.
00:22:28Let's go,
00:22:29little girl,
00:22:29that they're going to close us down
00:22:30the pet shop.
00:22:31Go on,
00:22:32see you later,
00:22:32good morning,
00:22:33daughter.
00:22:34Bye bye,
00:22:35bye bye.
00:22:35My monkey,
00:22:36my monkey.
00:22:37What the hell, cutie?
00:22:38my monkey?
00:22:38Mona, me?
00:22:42And Frascuín?
00:22:43Fuck,
00:22:44What are you doing here?
00:22:45At 7
00:22:46I have my flight back,
00:22:47so as soon as possible,
00:22:47at 5:30,
00:22:48I need to take a taxi
00:22:49for the airport.
00:22:50You're not going to be late because of me.
00:22:51I know as if you're leaving already.
00:22:52Well, look,
00:22:52Very good idea.
00:22:53To the,
00:22:54Will you sign the papers for me?
00:22:55of the divorce
00:22:55And I think I'll arrive
00:22:56to the 11:45 plane.
00:22:59Well,
00:22:59wait,
00:22:59But I'll have to read them.
00:23:00No?
00:23:03Take,
00:23:04take!
00:23:05But how is it that
00:23:06Haven't you picked up the suit?
00:23:07He told me a little while ago
00:23:07that was going there.
00:23:08Well, he hasn't come here.
00:23:09nor José,
00:23:10nor Saint Joseph,
00:23:11not even Joselito.
00:23:12And let me tell you something,
00:23:13the flight to the Canary Islands
00:23:14I don't plan on losing it.
00:23:15Or are you here for the suit?
00:23:16or they get married
00:23:17without a wedding dress.
00:23:18I've already told you.
00:23:19Damn it.
00:23:21Oh!
00:23:24I want that suit now!
00:23:27Well, it won't be necessary.
00:23:27Give it to you
00:23:28Because I've seen it.
00:23:29And it's perfectly fine.
00:23:29Oh, please!
00:23:30How did it turn out?
00:23:31How did it turn out?
00:23:32Today is today, today.
00:23:33Beautiful, beautiful!
00:23:34That's a sweet thing,
00:23:35come on,
00:23:35You can't even imagine it.
00:23:37I don't even remember
00:23:37of exactly.
00:23:38It was kind of white, wasn't it?
00:23:39Yeah.
00:23:39And now like flowers above,
00:23:40Flowers below, right?
00:23:42And now a boat neckline.
00:23:43And here's the hatch
00:23:44so that the chest piece is visible.
00:23:46Dollars,
00:23:47You didn't go for the suit!
00:23:48Oh, Carmen,
00:23:48I just haven't had time
00:23:49of escaping.
00:23:50But don't worry, okay?
00:23:51I have everything under control.
00:23:53Peaceful?
00:23:54Are you calm, Dolores?
00:23:54How do you expect me to be calm?
00:23:55For God's sake,
00:23:56I don't have any more hands.
00:23:56to do more things.
00:23:57I have asked you one thing,
00:23:58just one.
00:23:59I'm going to have to get married
00:24:00wearing the communion suit.
00:24:01You'll see,
00:24:01Thank goodness I didn't grow up.
00:24:02Thank goodness.
00:24:03Because?
00:24:03Look, Father, Carla.
00:24:04What's wrong, Dolores?
00:24:06The other round.
00:24:07Man!
00:24:08What's wrong, Don Pascual?
00:24:10What a surprise!
00:24:11Well, that's it.
00:24:12I've come to eat
00:24:12with Iñequi with you.
00:24:14Oh, how wonderful!
00:24:15Excellent!
00:24:16Because today I
00:24:16I had nothing else
00:24:17What to do, what to eat with you.
00:24:20And how did you find this?
00:24:21Well, my daughter,
00:24:22wondering, he arrives in Rome.
00:24:25Carmen,
00:24:26trust.
00:24:26Yeah.
00:24:27Iñequi,
00:24:28you walk
00:24:29very close
00:24:30At all hours, right?
00:24:31Close, close,
00:24:32but very close.
00:24:34No,
00:24:34sorry.
00:24:35He works downstairs
00:24:37And I work
00:24:38upstairs.
00:24:39Why don't you leave?
00:24:40To the cafeteria?
00:24:41Now I can reach her.
00:24:42Very good, very good.
00:24:43Yeah.
00:24:46Relax, okay?
00:24:47For my children
00:24:48I'll pick up the suit for you.
00:24:49For your girls?
00:24:51But you have children.
00:24:52Nor anything, Dolores.
00:24:58Mess,
00:24:59What are you doing here?
00:25:00that you haven't gone
00:25:00Because of Carmen's dress?
00:25:01I went,
00:25:02I'm really busy today.
00:25:03I'm multitasking.
00:25:04Today I'm in mode
00:25:05multi-cake.
00:25:05As you scan,
00:25:06You'll find out.
00:25:07You had made a commitment
00:25:08with me.
00:25:09Already,
00:25:09But it's because Don Ben Humeya
00:25:10He has also asked me
00:25:11a small favor
00:25:11and let's say he
00:25:12has committed
00:25:13a little more.
00:25:14What can I say?
00:25:14In the end I'm going to have
00:25:15I'll go get the suit.
00:25:16Go on,
00:25:16Give me back the little bill
00:25:17that I gave you.
00:25:18Go on,
00:25:18You're not referring to grabbing,
00:25:19Hey?
00:25:19We're going to fight over five euros.
00:25:22That's typical of me.
00:25:24See you later.
00:25:28Bye bye.
00:25:29Well, damn it,
00:25:30because it has been lost
00:25:30basketball with you,
00:25:31daughter.
00:25:33And the booing,
00:25:34and the booing.
00:25:38Concept of pension.
00:25:39Well,
00:25:41Let's see.
00:25:41Perhaps with...
00:25:42I mean,
00:25:43You call this negotiation,
00:25:44to have you sign
00:25:44anything you want.
00:25:46Logically.
00:25:47The division of assets
00:25:49written by Joncho
00:25:50It is very fair.
00:25:51Don't talk to me about Jon.
00:25:53Equitable,
00:25:53super fair.
00:25:54You keep everything
00:25:55And you leave me in my underwear.
00:25:56Perhaps with...
00:25:57You won't let me.
00:25:57nor the House of the Mountain.
00:25:58And what do you want it for?
00:25:59The House of the Mountain?
00:26:00If the furthest you like
00:26:01Camping is in the street.
00:26:04Look,
00:26:05my head hurts
00:26:06And I don't want to argue.
00:26:07Okay?
00:26:07Now,
00:26:07If you don't mind,
00:26:08I arrive late to work,
00:26:09so...
00:26:09Ah,
00:26:10Well, if you don't mind,
00:26:10I'm staying,
00:26:11Hey?
00:26:11I have a video conference
00:26:12with Finland
00:26:13in five minutes.
00:26:14Well, look,
00:26:14Yes, it matters to me.
00:26:17Ah,
00:26:17I will do the videoconference
00:26:19anyway.
00:26:20Hey!
00:26:20Look!
00:26:21My head hurts!
00:26:21Host!
00:26:22I don't have a single pill.
00:26:24What are you doing?
00:26:25Hey?
00:26:27Put your legs up
00:26:28It prevents many accidents.
00:26:29cardiovascular,
00:26:30But you already know that.
00:26:31Yeah,
00:26:32look,
00:26:32I understand that better than you do.
00:26:33The one who's going to give it to him
00:26:34I'm having a heart attack.
00:26:37Do whatever you want.
00:26:39Where do you eat?
00:26:41If you like,
00:26:42I'll pick you up at two
00:26:42and we continue negotiating.
00:26:44But you pay.
00:26:48Why not?
00:26:49Are you at home?
00:26:50Yeah,
00:26:50I know.
00:26:52Top yourself.
00:26:56I'm coming,
00:26:56Iñaki,
00:26:57sorry,
00:26:57But it's that every time
00:26:58I'm with Izaskun
00:26:58sparks fly.
00:27:00And what had happened
00:27:01separated from his wife?
00:27:04Is he a liar?
00:27:05This scoundrel?
00:27:08Hey?
00:27:14Look what I bought
00:27:15on the internet.
00:27:17A party kit
00:27:18for farewells.
00:27:21There's a t-shirt
00:27:21for each one,
00:27:22Hey?
00:27:23Sabino's,
00:27:24100% cotton.
00:27:26As he has already told us,
00:27:26Bego,
00:27:27that you polyester
00:27:28It irritates you.
00:27:29Well,
00:27:29that?
00:27:29Have you bought Pachara?
00:27:30who knows
00:27:30Is that important?
00:27:32There you have it, Pachara.
00:27:33What brand did you bring?
00:27:34José Mari.
00:27:35No,
00:27:35Navarre.
00:27:36No no,
00:27:37fuck,
00:27:37Here comes the man from La Rioja.
00:27:38To the chin.
00:27:40And that cap?
00:27:42And that bag?
00:27:43I've made the purchase
00:27:44for the whole week.
00:27:45Damn, Anchón.
00:27:46You know
00:27:46What is the Mediterranean diet?
00:27:47Already.
00:27:50Wait.
00:27:51Wait.
00:27:52That you
00:27:52you're plotting something.
00:27:54Are we plotting?
00:27:55But why
00:27:56Are we going to plot something?
00:27:56If we
00:27:58we don't know
00:27:59hatch.
00:28:00What bastards.
00:28:01I know
00:28:02what's happening here.
00:28:06But how do you know?
00:28:07Is today my birthday?
00:28:09Like what...?
00:28:09And you have prepared me
00:28:10a surprise party,
00:28:11Hey?
00:28:12Little rascals.
00:28:14Let's see,
00:28:15how are you?
00:28:19Married
00:28:19with the crew?
00:28:21Well,
00:28:22so that later they can say
00:28:23that the Basques
00:28:23You are the sourpusses.
00:28:24Well,
00:28:25that you are.
00:28:26But when we get here
00:28:28You give it your all.
00:28:30I'm going to get emotional.
00:28:33No!
00:28:39Very good,
00:28:40very good.
00:28:40Five.
00:28:41I've already done five jumps.
00:28:42It's been five minutes
00:28:43to give this,
00:28:43man,
00:28:44Don Bajumelo,
00:28:44Look, old man,
00:28:45Seriously, huh?
00:28:46It has to be true,
00:28:46José,
00:28:47I have less muscle mass
00:28:48than a scarecrow.
00:28:50No,
00:28:50You'll see now.
00:28:51Look.
00:28:51No,
00:28:52goes,
00:28:52good,
00:28:53goes.
00:28:54Goes,
00:28:54goes,
00:28:55goes,
00:28:55Hey?
00:28:56Tranquillity,
00:28:56I don't know if I'm going to like it more,
00:28:57man.
00:28:58Let's see if we can make it to the wedding.
00:28:59instead of Mario's arm,
00:29:00You're going to have to go
00:29:00hooked up to a crutch.
00:29:02No,
00:29:03look,
00:29:03another thing,
00:29:03You couldn't tell me that in itself
00:29:05a concoction like that
00:29:06that has protein.
00:29:07What are you talking about?
00:29:08Are you lying on your head?
00:29:10That gives it a lot of power.
00:29:11above,
00:29:12But she takes it off from down there.
00:29:14That's all we needed.
00:29:15already.
00:29:15Give me,
00:29:15Give me the pump,
00:29:17Mount this here
00:29:18herein,
00:29:18in the,
00:29:19in this, which is excellent,
00:29:20this,
00:29:20You'll see it for yourself.
00:29:21He goes alone,
00:29:22This is how pee-peeing there is.
00:29:23Come on.
00:29:24And slowly,
00:29:25that I know him,
00:29:25Don't go
00:29:26to disassemble the machine.
00:29:26Man!
00:29:28What are you doing?
00:29:30We are doing
00:29:31rehabilitation
00:29:32with one man or less
00:29:33we're leaving here.
00:29:34We're going to be training,
00:29:35love,
00:29:35which is that it has
00:29:37hip kicks,
00:29:38bends down
00:29:39and it sounds like an open door,
00:29:40It looks like Dracula is going to appear.
00:29:41Well,
00:29:42Oh my God,
00:29:42at the pace it's going,
00:29:44Let's see if it's going to come out.
00:29:45a hinge.
00:29:49And march on, march on!
00:29:52Do you know how cheerful it is?
00:29:53Look.
00:29:54Iñaki!
00:29:55Look,
00:29:56What a surprise,
00:29:56Who has come to see us?
00:29:57Man, father!
00:29:58That?
00:29:59Practicing unipresence?
00:30:01Well yes,
00:30:01look,
00:30:01I admit that I love it
00:30:02to be everywhere.
00:30:04Well,
00:30:05that?
00:30:05How are you all getting on with the course?
00:30:06this afternoon?
00:30:06Are you a little nervous?
00:30:08No?
00:30:08Man,
00:30:08Well, a little bit, yes.
00:30:09But come on,
00:30:09which we hope to overcome
00:30:11with a grade.
00:30:12Go on,
00:30:12Pour him a little wine, you.
00:30:14uncle,
00:30:14Let's see if it takes us
00:30:14any questions
00:30:15of the exam.
00:30:16Of course!
00:30:17A little wine,
00:30:18Look,
00:30:19This one is not blessed,
00:30:20but as if it were.
00:30:21A good wine,
00:30:21It is never rejected,
00:30:22but only a little bit,
00:30:23two fingers.
00:30:24Man!
00:30:25I was really looking forward to it
00:30:26to meet him,
00:30:27father,
00:30:28Rafael Almonte,
00:30:29Rafi,
00:30:29brother here from...
00:30:30from my sister.
00:30:32Olé!
00:30:33Man,
00:30:33Rafi!
00:30:34And?
00:30:35How do you see your sister?
00:30:36Nervous about the change
00:30:38life?
00:30:38What changed?
00:30:39No no,
00:30:40if she does a long time
00:30:41who lives with...
00:30:41Convinced of the change?
00:30:43Very convinced,
00:30:44father.
00:30:45Rafi,
00:30:45Why don't you look?
00:30:46a little bit of rice
00:30:46which I think he adds
00:30:47A little water?
00:30:48Yeah,
00:30:48There goes from there.
00:30:49And in the end
00:30:50who will be the married couple
00:30:51who will accompany you
00:30:51What about the course?
00:30:53You see,
00:30:54father,
00:30:54We haven't found anyone.
00:30:55Things are difficult.
00:30:57But what?
00:30:57In what circle of friends
00:30:58Are you moving?
00:30:59Well, a Catholic circle,
00:31:00clinical,
00:31:01Betis,
00:31:02Sevilla fan,
00:31:02of all colors,
00:31:03father,
00:31:03But it has been difficult.
00:31:04a lot of work
00:31:05to compromise someone.
00:31:06Lot.
00:31:07Yeah I know,
00:31:07Well,
00:31:08I understand,
00:31:08is that today
00:31:09People are very busy.
00:31:11Well,
00:31:11Well, in that case
00:31:12It will have to be delayed
00:31:13the course.
00:31:14Ah,
00:31:15Well, it's okay.
00:31:16We'll do it later
00:31:17of the wedding,
00:31:17that's it.
00:31:18Well.
00:31:18We got married.
00:31:19Are you kidding me?
00:31:21No.
00:31:22If the course is delayed,
00:31:23It will have to be delayed
00:31:24also the wedding.
00:31:25Well,
00:31:25better.
00:31:28Isn't that Izaescu?
00:31:29No.
00:31:30Say,
00:31:30Yeah,
00:31:31Yeah.
00:31:31Hey,
00:31:32then he will have come
00:31:32to visit Coldes
00:31:33that they throw so much
00:31:34less.
00:31:35Hey,
00:31:36because they could
00:31:38accompany you to the course,
00:31:39No,
00:31:39They can't.
00:31:40Say,
00:31:40because
00:31:42They will be tired from the trip
00:31:43And that's because they work so hard.
00:31:44These two.
00:31:44No,
00:31:45I'm sure they'll be delighted.
00:31:46to share their experience
00:31:47conjugal with you.
00:31:48I'm going to let them know.
00:31:49No,
00:31:49No,
00:31:50No,
00:31:50No,
00:31:50Do you know which father?
00:31:51I'd rather go.
00:31:52I control the clinic,
00:31:53come on,
00:31:53better than the palm of my hand.
00:31:54Very good,
00:31:55my brother,
00:31:55very good,
00:31:56Because the truth is
00:31:56I can't think of anything.
00:31:57a better match
00:31:58that they.
00:32:00I don't intend to sign.
00:32:01the divorce papers
00:32:02under those conditions.
00:32:03Don't raise your voice
00:32:04that you can negotiate
00:32:05like a civilized person.
00:32:07This is not a negotiation,
00:32:09This is an imposition.
00:32:10in full force,
00:32:10fuck.
00:32:12Forward.
00:32:14Dad.
00:32:15Hey,
00:32:16Zaskun,
00:32:16You over here.
00:32:17Hey,
00:32:17Iñaki,
00:32:18You too,
00:32:19interrupting.
00:32:20That's how expeditious
00:32:22is,
00:32:22Zaskun.
00:32:23Well,
00:32:23in the end,
00:32:23I wanted to tell you that...
00:32:24That?
00:32:25It's true,
00:32:26I'll get straight to the point.
00:32:29Look,
00:32:29Carmen and I
00:32:30We need you
00:32:31as a married couple
00:32:33exemplary Catholic
00:32:33for the course
00:32:34premarital.
00:32:35Bye bye.
00:32:40It's true,
00:32:40No?
00:32:41Yeah.
00:32:42Look,
00:32:42Iñaki,
00:32:42Maybe it's not the best time.
00:32:44Hey?
00:32:44Because
00:32:44Izaskun and I
00:32:45we are in the middle
00:32:46wrestling match.
00:32:47Coldo,
00:32:47Izaskun, I beg you.
00:32:49We are
00:32:50desperate.
00:32:50What a paradox,
00:32:51No?
00:32:51Like us,
00:32:52but the other way around,
00:32:53that there is no way
00:32:53to separate.
00:32:55Well,
00:32:56Yeah,
00:32:56Alright.
00:32:57I had to try.
00:32:59Stop there,
00:32:59Stop there.
00:33:01Let's see,
00:33:02Izas,
00:33:02If I sign the papers,
00:33:04You would be my wife.
00:33:05This afternoon,
00:33:05say,
00:33:06awhile,
00:33:06for this.
00:33:08Adding the mountain house.
00:33:09Yeah.
00:33:10And the 800 kilos
00:33:12firewood
00:33:12for winter.
00:33:13Perfect.
00:33:14We started to understand each other.
00:33:16And don't forget to do
00:33:17memory exercises
00:33:18that I recommended to them,
00:33:19to be redundant.
00:33:23Mrs. Lourdes,
00:33:24But we hadn't arranged to meet.
00:33:25within an hour.
00:33:26I couldn't take it anymore
00:33:27and they transferred me to the emergency room.
00:33:29Already.
00:33:29Well,
00:33:29well,
00:33:30Until next time,
00:33:31Gerlota.
00:33:34Bye bye.
00:33:36Good,
00:33:39we hadn't arranged to meet
00:33:40at the hotel.
00:33:41I don't think it's a good idea
00:33:42that they see us together
00:33:42here at the hospital.
00:33:43Here are the walls
00:33:44They have eyes,
00:33:44ears
00:33:45and even sign language.
00:33:46Oh,
00:33:46I'm sorry.
00:33:47I have come to accompany
00:33:48my husband to the board
00:33:49and I couldn't resist
00:33:50the temptation to greet you.
00:33:52Besides,
00:33:52Today is a special day,
00:33:54Roberto.
00:33:54Well,
00:33:55I think the other days
00:33:56They have also been special.
00:33:57No?
00:33:58I'm referring to your candidacy.
00:34:00to the director of the clinic.
00:34:01Today the vote takes place at the board meeting.
00:34:03Ah,
00:34:04Well,
00:34:05I am very grateful to you,
00:34:06Lourdes,
00:34:06but I would prefer
00:34:07I will continue to thank you
00:34:08at the hotel.
00:34:08Don't be long,
00:34:09I ordered oysters
00:34:10to celebrate your promotion
00:34:12And I wouldn't like it.
00:34:13that they would spoil.
00:34:19So, that's it.
00:34:20Don Paco,
00:34:20My father spends so many hours
00:34:21at mass
00:34:21that almost validated it
00:34:22the seminar.
00:34:23Come on,
00:34:24He is a chapel that passes by.
00:34:25That old chapel.
00:34:26He is very uncrossed
00:34:28throughout God's life.
00:34:29Yeah,
00:34:29Yeah,
00:34:29and your mother
00:34:30It is also the same
00:34:31of a nun,
00:34:32i guess.
00:34:36You didn't hear me,
00:34:38Carmen.
00:34:38I asked you
00:34:39what if your mother
00:34:40It is also the same
00:34:40of a believer.
00:34:41It's because Carmen
00:34:42It's something to think about.
00:34:43a lot
00:34:44their answers.
00:34:45It's just that my mother,
00:34:46Don Paco,
00:34:47He is not with us.
00:34:49He died.
00:34:50He abandoned us.
00:34:51He abandoned us,
00:34:52ñaqui,
00:34:52to heaven.
00:34:53Ah,
00:34:53Yeah,
00:34:54Yeah.
00:34:54May God have her.
00:34:55in his glory.
00:34:56Understand this,
00:34:57Don Pascual,
00:34:57for her
00:34:58It's very difficult.
00:35:00remember her.
00:35:01A lot.
00:35:02Well,
00:35:03Well, if you agree
00:35:04Let's pray
00:35:05a Hail Mary
00:35:05for her.
00:35:06Now?
00:35:07Don Pascual,
00:35:08Do you know?
00:35:09It's just that I'm not much.
00:35:10to mix
00:35:11which are
00:35:12the prayers
00:35:12with food
00:35:13because it excites me
00:35:14so much
00:35:14that has swallowed me up.
00:35:15Come on,
00:35:16Carmen,
00:35:16which is just a Hail Mary.
00:35:17No,
00:35:18Iñaki,
00:35:18I don't pray
00:35:18by my mother.
00:35:20Hail Mary,
00:35:21Mary, full of grace,
00:35:22The Lord is with you.
00:35:23Blessed.
00:35:26Speaking of mothers.
00:35:29Speak up, you who can.
00:35:30dear.
00:35:30Yeah.
00:35:31Come on,
00:35:31come on.
00:35:32Oh,
00:35:32Iñaki,
00:35:33I've been here all morning
00:35:34in the air.
00:35:34Is everything alright?
00:35:35Any news?
00:35:36Yeah,
00:35:36some,
00:35:37Yes, that's it.
00:35:38Son,
00:35:38Don't keep me in suspense.
00:35:39What's going on?
00:35:41That marriage
00:35:42who will accompany us
00:35:42It is the one of Cordo and Zascun.
00:35:44As?
00:35:45But if that means being more
00:35:46to give courses
00:35:47postmarital.
00:35:48And what does the guy say?
00:35:49Well, he doesn't know.
00:35:50He thinks they're together.
00:35:52Jesus,
00:35:53look,
00:35:54instead of in the parish
00:35:55I should go and give the course
00:35:56at the Victoria Eugenia Theatre.
00:35:58That's because
00:35:58You insisted
00:35:59where he would marry us,
00:35:59Don Pascual,
00:36:00with how old-fashioned he is.
00:36:01Look,
00:36:01I would have preferred
00:36:02that he would marry us
00:36:03a guy dressed as Elvis
00:36:03in Las Vegas.
00:36:04Look,
00:36:05Don't come at me now
00:36:05with that sign here.
00:36:07I've already given in enough.
00:36:08that you get married in Seville.
00:36:09With the heat
00:36:10that gives the satin fabric.
00:36:11Look,
00:36:11loves,
00:36:12I have to leave you,
00:36:12Okay?
00:36:13Goodbye.
00:36:16Well,
00:36:17And when does it come
00:36:18What about everyone else?
00:36:20They're messing around somewhere.
00:36:22Well,
00:36:22Do you know what I'm saying?
00:36:23That's great.
00:36:24We are here
00:36:25the best.
00:36:26The crème de la crème.
00:36:29I'm going to take a pee.
00:36:31And by the way,
00:36:32I can see it.
00:36:34Uncle,
00:36:34But I
00:36:35I can't do this anymore.
00:36:36Look,
00:36:37I propose getting him drunk
00:36:37and leave it in a ditch.
00:36:39That?
00:36:39Another rehearsal
00:36:40For Ñeque's farewell party?
00:36:41Rather,
00:36:42We are avoiding him
00:36:42greater evils.
00:36:44Ñeque doesn't want to
00:36:44that José Mari is there.
00:36:45It doesn't surprise me.
00:36:46I only
00:36:46I invite you
00:36:46to dive in
00:36:47to the ocean
00:36:48in the comb of the winds.
00:36:49Hey,
00:36:49If you're short on friends,
00:36:51Why don't you invite him?
00:36:52To the father?
00:36:52Yeah, man,
00:36:53the one that was missing.
00:36:54What are you saying, Marichu?
00:36:55Are you going to the wine bars yet?
00:36:56before bringing it or what?
00:36:57Let's see,
00:36:57which surely
00:36:58He's going to say no.
00:36:59But I think
00:36:59that you should call him,
00:37:01even if it's just
00:37:01to make a good impression.
00:37:02And by the way,
00:37:04we help it to reaffirm
00:37:05his trust in Ñeque.
00:37:10What confidence
00:37:11can give
00:37:11to Antonio
00:37:12see Iñaki
00:37:12drunk?
00:37:13I don't know.
00:37:14It's just that Marichu
00:37:15sometimes it does
00:37:15neural connections
00:37:17that nobody understands.
00:37:18Already,
00:37:18But do we call
00:37:19Or should we not call?
00:37:20Yeah,
00:37:20But wait
00:37:21Leave
00:37:21This idiot.
00:37:22We're not going to take any risks.
00:37:23Hey!
00:37:23The dough fits!
00:37:24Did you already miss me?
00:37:25Hey?
00:37:27But what faces these are!
00:37:28This looks like a funeral.
00:37:31You are like sheep.
00:37:33You need
00:37:34to your pastor.
00:37:35Woof, woof!
00:37:37Sheep-dog,
00:37:38You know?
00:37:43But kid,
00:37:44Don't be agonizing,
00:37:44please.
00:37:45Look,
00:37:45I'll leave you the email
00:37:46Trivi in his office
00:37:47and then
00:37:47I'll take a taxi.
00:37:48Okay?
00:37:49Come on,
00:37:49Yeah,
00:37:49Wait for me.
00:37:50Come on,
00:37:50Yeah,
00:37:51Yeah.
00:37:53He had to put
00:37:54the tailor shop
00:37:55where Jesus Christ
00:37:56He lost the lighter.
00:37:58I just don't know
00:37:58if that can be proposed
00:37:59in a board meeting,
00:38:00That's why I'm asking.
00:38:01with legal services.
00:38:03Okay,
00:38:04Well, tell me later.
00:38:05Okay,
00:38:05Bye.
00:38:06And that envelope
00:38:07Is it for me?
00:38:08No,
00:38:08It was for María Moliné,
00:38:09but it wasn't
00:38:10in his office
00:38:11And having said that,
00:38:11I'll bring it to him
00:38:11to Trini.
00:38:12And where does it come from?
00:38:13Well, from the pony,
00:38:14I don't know,
00:38:15Look at it.
00:38:15That's enough.
00:38:16No?
00:38:16Well,
00:38:16already,
00:38:17but...
00:38:17Go there,
00:38:17go away,
00:38:18I see you
00:38:18with a bit of haste.
00:38:19Thank you so much.
00:38:20Dolores,
00:38:20I remember you
00:38:20that if you sign up
00:38:21one minute later,
00:38:23I'll open a file on you.
00:38:24That,
00:38:24Keep pressuring me,
00:38:26He keeps pressuring me,
00:38:27Let's see how far we can go
00:38:28The donkey arrives.
00:38:37presentation and voting
00:38:39candidacy of
00:38:40Dr. Almenar
00:38:42as the new director
00:38:44from the clinic
00:38:44Isparid.
00:38:50Well,
00:38:50Welcome!
00:38:51to the house of the Lord,
00:38:52more specifically
00:38:53to her little room,
00:38:54But sit down,
00:38:55sit down,
00:38:55please,
00:38:55sit down.
00:38:58Thank you.
00:39:00What a joy!
00:39:01What a joy!
00:39:01See you here
00:39:01all together.
00:39:03I still remember
00:39:03when I got married
00:39:04to Izaskun
00:39:05and Gordo.
00:39:06It was an unforgettable day.
00:39:07Well, it seems
00:39:08that some
00:39:08They have forgotten.
00:39:09Sorry?
00:39:10No,
00:39:10nothing,
00:39:11nothing,
00:39:11father.
00:39:11Oh!
00:39:12What a head!
00:39:12I brought
00:39:13the songbook
00:39:14instead of the catechism,
00:39:15well yes.
00:39:15We were going to spend
00:39:16all afternoon
00:39:16singing here
00:39:17I will praise him,
00:39:18I will praise.
00:39:19I'm going for the good one.
00:39:20It's always a fault
00:39:21enjoy peace
00:39:22that you can breathe
00:39:22in this sanctuary.
00:39:26I can't see you
00:39:27Very much appreciated,
00:39:27Huh, Izask?
00:39:28Already,
00:39:28I'm done
00:39:29to give an account
00:39:29that also
00:39:30I would need your car.
00:39:31I'm making myself yours,
00:39:32Why do you want mine?
00:39:33It's red.
00:39:33AND?
00:39:34And it matches
00:39:34wearing the Armani dress
00:39:35that I'm going to buy
00:39:36with what I get from you.
00:39:37Sorry, sorry,
00:39:37Can you discuss it?
00:39:38then in a taxi?
00:39:40Hey, Iñaki,
00:39:40tell your friend
00:39:41that if he doesn't accept
00:39:42this meeting
00:39:43It's over now.
00:39:44Sorry,
00:39:45But you
00:39:45you hadn't arrived
00:39:46to an agreement?
00:39:46Yeah,
00:39:47but it has expired
00:39:47And if he doesn't accept the new one
00:39:49I'm going to tell him
00:39:49to Don Pascual
00:39:50that our marriage
00:39:51It's more fake
00:39:51than a handbag
00:39:52from the Chinese.
00:39:53Look, Izaskon,
00:39:54He has it.
00:39:55Shall we begin?
00:39:57You have brought me
00:39:57the car.
00:39:58Yes, father,
00:39:59whenever you want.
00:40:00My dear children,
00:40:01We are here
00:40:02to delve deeper
00:40:03in the sacred
00:40:04sacrament of marriage.
00:40:05Do you claim that you have
00:40:06come with complete freedom,
00:40:07with a commitment of faith?
00:40:09Yes I want.
00:40:10Yes, me too.
00:40:10No, my children,
00:40:11That's it, leave it.
00:40:12for the wedding day.
00:40:14What I wanted to convey to you
00:40:14It's that marriage
00:40:16ecclesiastical
00:40:16print that halo
00:40:18of religiosity,
00:40:20of commitment.
00:40:21And who better
00:40:22to explain it
00:40:23What about Izaskón and Colto?
00:40:26Uh, sure.
00:40:28Well,
00:40:29commitment,
00:40:30a commitment
00:40:30very committed,
00:40:31a lot, a lot.
00:40:32It's not like yours,
00:40:33TRUE?
00:40:34Yours is more
00:40:34about getting married and all that.
00:40:36Ours is more
00:40:37marriage
00:40:38engaged
00:40:39with a commitment
00:40:40a lot, very...
00:40:41Isn't it clear?
00:40:42Commitment.
00:40:43That is.
00:40:45And Izaskón,
00:40:45Could you explain it to us?
00:40:46What is marriage?
00:40:47from the point of view
00:40:49from your experience
00:40:49of Christian life?
00:40:50Bye bye.
00:40:51Well,
00:40:51I think my husband
00:40:52will agree with me
00:40:53in which the basic pillar
00:40:54of marriage
00:40:55It should be
00:40:56fidelity.
00:40:57Of course.
00:40:58Yeah,
00:40:58But you'll agree
00:40:59with me
00:41:00that for this
00:41:01we must keep alive
00:41:02marriage.
00:41:02Yeah,
00:41:03And you'll agree
00:41:04with me
00:41:04in order to maintain
00:41:05I live in marriage
00:41:06are needed
00:41:06two people.
00:41:07Yeah,
00:41:07But you'll agree
00:41:08with me
00:41:08that if none
00:41:09of those two people
00:41:10they want to maintain
00:41:10I live in marriage
00:41:11Well, that breaks.
00:41:12TRUE?
00:41:12Yeah,
00:41:13I agree.
00:41:14Look,
00:41:14We agree.
00:41:15What a joy!
00:41:16No?
00:41:17What a joy!
00:41:17see a marriage
00:41:18that it is so
00:41:19I agree so much
00:41:20throughout.
00:41:22Well,
00:41:22unfortunately
00:41:23Izaskun and Coldo
00:41:24They were not blessed
00:41:25with the offspring,
00:41:26But know that fatherhood
00:41:28It is one of the pillars
00:41:29fundamentals of marriage.
00:41:31You
00:41:32how do you cope
00:41:33The topic of children?
00:41:34Immediately.
00:41:35We're going to delay it.
00:41:36Let's see,
00:41:36one moment,
00:41:37the children will come
00:41:38When God wills it,
00:41:40because if we don't leave
00:41:41Hence,
00:41:41Things are going badly.
00:41:44Well,
00:41:45Well,
00:41:45Well,
00:41:46Well,
00:41:46Well,
00:41:46I already have myself
00:41:48that march,
00:41:48Hey?
00:41:49So,
00:41:50You know.
00:41:51That,
00:41:51Do you want a little kiss?
00:41:53No,
00:41:54fuck,
00:41:55gifts.
00:41:56Come on,
00:41:56Where are they?
00:41:56Don't pretend,
00:41:57Where are they?
00:41:58Come on,
00:41:58goes,
00:41:58gifts,
00:41:59gifts,
00:42:00come on,
00:42:00man,
00:42:01Now I'll give you a gift,
00:42:02but,
00:42:02That's going to be about a hypo-leader.
00:42:03That,
00:42:03what's happening?
00:42:04The binoculars.
00:42:05Hey!
00:42:05No,
00:42:06No,
00:42:06No,
00:42:06No,
00:42:06No,
00:42:07You know what it cost me,
00:42:09Let's see, this has a field of vision
00:42:10of one thousand meters.
00:42:11I want to lose the one.
00:42:12from my field of vision,
00:42:13That's the hairy head
00:42:14by Iñaki
00:42:15and by the crew.
00:42:28Wow, what a fantastic pair of binoculars!
00:42:30No?
00:42:30See?
00:42:31It looks great.
00:42:33These are for spying on the neighbor.
00:42:35Hey,
00:42:35little pigs?
00:42:37Yeah,
00:42:37You've caught us.
00:42:39You guys are amazing!
00:42:40guadrilla.
00:42:40So you know
00:42:41I'm feeling touched.
00:42:43I'm leaving feeling shaken.
00:42:47Touched,
00:42:48touched,
00:42:49I've barely touched you.
00:42:50That's a real shock
00:42:51You're off the hook.
00:42:54Sister,
00:42:55For God's sake,
00:42:55It's amazing how long it's taken.
00:42:56I don't have time anymore
00:42:57duty free
00:42:58And you know that for me
00:42:59duty free
00:43:00It is sacred.
00:43:01Excuse me,
00:43:01son,
00:43:01But my boss
00:43:02She's driving me crazy
00:43:03with so many signed,
00:43:04come on,
00:43:04file,
00:43:04It pushes harder than a peak
00:43:05in a potato salad.
00:43:06Where is the suit?
00:43:06Take,
00:43:07the suit.
00:43:09Oh,
00:43:11Now you regret it
00:43:12of not having you
00:43:12your married man in white,
00:43:14No?
00:43:14What are you saying?
00:43:15I looked so beautiful
00:43:15with my suits
00:43:16and my baggy pants,
00:43:18She was the most original bride.
00:43:19And so original
00:43:20that the guests thought
00:43:21that it was you
00:43:22the advice
00:43:22the one you were marrying off.
00:43:23Yeah!
00:43:24Man,
00:43:24It's true!
00:43:25How sacred you are!
00:43:26Oh, brother,
00:43:27I need to go to the bathroom.
00:43:28Come on,
00:43:28Come in, I have it
00:43:29like a patina.
00:43:29Come on.
00:43:30Runs!
00:43:30Yeah.
00:43:31Oh,
00:43:32I think
00:43:32that no woman
00:43:33He should die
00:43:34without wearing white for a day.
00:43:36Well,
00:43:36And if you press me
00:43:37no man.
00:43:39Come on,
00:43:39son,
00:43:39really,
00:43:40How old-fashioned you are!
00:43:41With how happy
00:43:42that I got married
00:43:43dressed in salmon.
00:43:44And so salmon,
00:43:45that's all you were missing
00:43:46the enerdo for everything that is satiated.
00:43:47Hey,
00:43:48I'll leave the keys here,
00:43:49little girl,
00:43:49I'm going to miss my flight.
00:43:50Kid!
00:43:51Close up when you leave!
00:43:52But,
00:43:53hey!
00:43:54Wait,
00:43:54wait.
00:43:55Kid!
00:43:56Brother,
00:43:58Where is he going in such a hurry?
00:44:00Oh,
00:44:00What a day!
00:44:01What a day!
00:44:02What a day.
00:44:03Come on,
00:44:03we continue
00:44:04for bingo.
00:44:07this...
00:44:10Do I have time?
00:44:15Let them kiss!
00:44:16that they kiss,
00:44:17Let them kiss!
00:44:18Oh my God!
00:44:19I want to dedicate this wedding
00:44:20to all my friends
00:44:21who they thought
00:44:22that I was going to stay...
00:44:23Uh!
00:44:23I'll pay for the most!
00:44:26Child!
00:44:27This is a public establishment
00:44:28that you're going to break my windows.
00:44:30Corpse Bride!
00:44:30Corpse Bride!
00:44:31Corpse Bride of what?
00:44:31Let's see what happens.
00:44:32What's the problem?
00:44:33Come on,
00:44:33already,
00:44:33man,
00:44:33with education,
00:44:34Hey?
00:44:35Your father in shorts,
00:44:36child.
00:44:44Oh,
00:44:45that I've stayed
00:44:45keyless and compound.
00:44:50Gentleman,
00:44:51gentleman!
00:44:51Can I make a phone call?
00:44:53Just a moment,
00:44:54which is
00:44:54I've forgotten
00:44:55In which church should I get married?
00:44:57I was so excited.
00:44:59Children are a gift from God,
00:45:01They are like flowers,
00:45:02like kokotxas in green sauce.
00:45:05Totally agree,
00:45:06father,
00:45:06I love them.
00:45:07Not the kokotxas,
00:45:07that also the children.
00:45:08I'm looking forward to it
00:45:09to have one after the other.
00:45:11Well, I,
00:45:11I would like
00:45:13Enjoy marriage
00:45:14a bit
00:45:14before I got pregnant.
00:45:16That is to say,
00:45:16I would ask God
00:45:17to the children
00:45:17a little more love.
00:45:18Well,
00:45:19But if we want to have three,
00:45:20God is going to have to give himself
00:45:21a little bit of home.
00:45:24And how do you think?
00:45:24supporting three children
00:45:25Are they both working?
00:45:26Because I don't think
00:45:27stay home.
00:45:28Ah, no, no, no, no, no.
00:45:29But anyway, Carmen,
00:45:30You already know
00:45:30that I am an only child
00:45:31and I've always wanted
00:45:32have siblings.
00:45:32Could you help us get to Rome?
00:45:33and we could spend the summer
00:45:35in the north.
00:45:37Yeah,
00:45:37because always
00:45:38my dream has been
00:45:39to have a summer house
00:45:40in Zaroz.
00:45:41Already,
00:45:41I mean,
00:45:42What do you mean by summer vacation?
00:45:43in the north.
00:45:43I don't know if there
00:45:44That station exists.
00:45:46And many houses,
00:45:47many children,
00:45:48I see that you want to maintain.
00:45:49I'm telling you,
00:45:50No God.
00:45:50No,
00:45:51you and I.
00:45:51With an investment plan
00:45:52at 30 years,
00:45:53I have it all figured out.
00:45:54Calculated?
00:45:55And here, darling,
00:45:56You're not getting it
00:45:57you are welcome.
00:45:58Probably
00:45:58the one who's not getting it
00:45:59You're nothing.
00:46:00Carmen.
00:46:02Well,
00:46:02Well,
00:46:03Well,
00:46:03these disagreements
00:46:04They are normal.
00:46:05in young couples,
00:46:06But there's no need to worry.
00:46:09Let's listen to the voice
00:46:10from the experience
00:46:10of our model couple.
00:46:12How do you deal with it?
00:46:13coexistence?
00:46:16Oh, damn,
00:46:16I'm sorry, Father.
00:46:18Of course,
00:46:18well at the beginning
00:46:19of the relationships
00:46:20because they always are
00:46:21Complicated, aren't they?
00:46:22Yeah,
00:46:22There is the initial crisis,
00:46:24the five-year crisis,
00:46:25the one about ten,
00:46:27the crisis when your husband
00:46:28He's cheating on you with someone else.
00:46:29Well,
00:46:29Well,
00:46:29Well,
00:46:30But they are crises.
00:46:31that can be saved
00:46:32with mutual respect
00:46:34and if the one
00:46:35He doesn't want to fleece the other guy.
00:46:36No,
00:46:36Not everything can be saved.
00:46:39Well yes,
00:46:40I think so,
00:46:41If you ask me,
00:46:41I'm telling you yes.
00:46:42No no,
00:46:42Listen to me,
00:46:43let's see,
00:46:43do you remember
00:46:44When you lost your job,
00:46:45You lost your job
00:46:46and we plastered the whole of San Sebastián with wallpaper
00:46:47with those pieces of posters
00:46:49With your work experience?
00:46:50Yeah,
00:46:50Look,
00:46:50And thanks to that
00:46:51I have my current job.
00:46:52And I spent a month
00:46:53receiving calls
00:46:54of people
00:46:54asking
00:46:55Let's see when it was going to be
00:46:56the Curriculum Vitae concert.
00:46:58It's really my fault,
00:47:00My fault,
00:47:00I don't know why I put that.
00:47:06Go well.
00:47:11It's time.
00:47:15Time?
00:47:16Time?
00:47:17Man,
00:47:17What for you already?
00:47:18I have ten minutes left.
00:47:19Are you going to say ten minutes?
00:47:20He has ten seconds left
00:47:21to give you a heart attack.
00:47:22Stay still, man!
00:47:23It breaks my rhythm!
00:47:25That I'm not with you anymore,
00:47:26man.
00:47:27It will happen sometimes
00:47:27something in the hip
00:47:28or something else.
00:47:29You serve this big one.
00:47:30Hey!
00:47:30I am two months younger.
00:47:38Tell me.
00:47:39José,
00:47:39I need you to come
00:47:40come get me on the motorcycle
00:47:41to the tailor
00:47:42from my brother
00:47:42Right now.
00:47:43No, look,
00:47:43because I get it
00:47:44at a bad time.
00:47:46No no,
00:47:46You have no idea.
00:47:47of what is a bad time,
00:47:48Hey?
00:47:48Since I didn't sign up,
00:47:49in ten minutes
00:47:50Trini is killing me
00:47:50and use my skeleton
00:47:51for consultations.
00:47:52Yeah, look,
00:47:53How can I put it?
00:47:54because there is a life
00:47:54that depends on me.
00:47:55Sure, mine.
00:47:56Hey,
00:47:57If he doesn't come,
00:47:58I tell Trini
00:47:58that you are using
00:47:59the physiotherapy room
00:48:00like a gym.
00:48:00What do you think?
00:48:01Let's see,
00:48:02We're going to get along
00:48:02with this topic.
00:48:03Neither good nor bad.
00:48:04What do you want?
00:48:04spend the morning
00:48:05having coffee with me
00:48:06in the unemployment line?
00:48:06Yes, I'm coming for you.
00:48:07I'm coming for you, okay?
00:48:08Come on,
00:48:09relá, relá.
00:48:12He's not here.
00:48:12Just a moment.
00:48:14Thank you.
00:48:16Man,
00:48:16I have to go
00:48:18one mile.
00:48:19Please do us a favor
00:48:19which is already noticeable
00:48:20the muscles are huge.
00:48:21Stop,
00:48:21I don't want him to get sick.
00:48:22Hey?
00:48:23I'll stop now.
00:48:25Yes,
00:48:25man,
00:48:26yes.
00:48:26I dry myself a little
00:48:27I sweat and go out.
00:48:29I'm not going out like that.
00:48:29He caught me
00:48:30pneumonia.
00:48:41Yes or no,
00:48:42yes or no.
00:48:43And when we went
00:48:44to that cruise
00:48:45and I was extremely dizzy
00:48:47the entire cruise.
00:48:48You vomited so much
00:48:48that the company
00:48:49he gave us a discount
00:48:49of the ticket
00:48:49lunch and dinner.
00:48:51That's what we gained, right?
00:48:53And you all the time,
00:48:54Oh,
00:48:54Oh, oh, oh, oh.
00:48:57But don't hold back,
00:48:58Don't hold back,
00:48:59my children.
00:49:00If laughter
00:49:00It's ambient music.
00:49:01from the sky,
00:49:02what a pleasure it is
00:49:03see a couple
00:49:04so well received.
00:49:05And you two,
00:49:06What have you learned?
00:49:07Koldo and Tascón?
00:49:08I have learned
00:49:09that Carmen
00:49:10It's more of a simple family.
00:49:12Well, I,
00:49:12Don Pascual,
00:49:13I have learned
00:49:13that Iñaki
00:49:14He doesn't understand anything.
00:49:15Already,
00:49:15like when I love myself
00:49:16to find out about your mother.
00:49:17I'll tell you.
00:49:18Everything, Iñaki.
00:49:19If you tell me
00:49:19that you don't want to know anything
00:49:20And then you complain
00:49:21that I know nothing about you.
00:49:22Well, to not know
00:49:23nothing about me,
00:49:25have you planned
00:49:25even the suit
00:49:26that they're going to put on me
00:49:26the day of my burial.
00:49:27Man,
00:49:27because I am very cautious
00:49:28And I think about the future.
00:49:29Cautious.
00:49:30Well, you know that Iñaki
00:49:31I think so too
00:49:32much in the future,
00:49:33but a lot.
00:49:34And you know how I see it?
00:49:35Black!
00:49:39And this would be
00:49:40what Iñaki
00:49:41and I will never be.
00:49:42Ah,
00:49:42clear.
00:49:44This discussion
00:49:45It makes me think
00:49:46that perhaps
00:49:47You should delve deeper.
00:49:48some more
00:49:48in your relationship.
00:49:49Maybe we should
00:49:50postpone the wedding.
00:49:51No!
00:49:52Well,
00:49:53look,
00:49:53at least in some way
00:49:54You agree.
00:49:55Oh,
00:49:56look,
00:49:56We have to start letting go
00:49:57the course
00:49:57because Don Manuel
00:49:58He's going to need the room.
00:49:59Already,
00:50:00Don Pascual,
00:50:00But how does he see us?
00:50:02Did we approve?
00:50:02My son,
00:50:03This is not an exam.
00:50:04But the truth is
00:50:04I have a lot of doubts.
00:50:06about whether to give you my blessing.
00:50:07Man,
00:50:07Don Pascual,
00:50:08we are
00:50:09crazy about getting married.
00:50:11I see
00:50:12a napkin
00:50:13and it's what I wear it for.
00:50:14Yeah.
00:50:16Well,
00:50:16Alright.
00:50:17I will give you my blessing
00:50:18provided you promise me
00:50:19that you will follow
00:50:20the advice
00:50:21Koldo's
00:50:21and Izascun
00:50:23and that you will carry
00:50:24to Marichu
00:50:25like a torch
00:50:25May it enlighten you
00:50:26in difficult times.
00:50:28Don Pascual,
00:50:28Marichu always carrying a torch
00:50:30because it doesn't illuminate,
00:50:31It's dazzling.
00:50:32Well,
00:50:33Well, I'm going to fill it up
00:50:34the certificate
00:50:35from the course
00:50:35and I'll bring it to you later
00:50:36to the clinic
00:50:37if that's okay with you.
00:50:38Perfect.
00:50:38With God,
00:50:39my children.
00:50:42Well,
00:50:43Well, nothing.
00:50:44family,
00:50:45thank you
00:50:45Just do it.
00:50:46Carmen.
00:50:48Carmen.
00:50:51Wait a little while.
00:50:53That?
00:50:54It's disgusting.
00:51:03From a corporal?
00:51:05Heroz was a saint!
00:51:10What are you doing?
00:51:12What are you doing, teacher?
00:51:14What does the bride beast do?
00:51:14There's no time
00:51:15of explanations.
00:51:16Come on,
00:51:17that I have to sign.
00:51:18Bride the fright,
00:51:19let's go.
00:51:19Oh my God.
00:51:21Come on, let's go.
00:51:27That doesn't suit me.
00:51:28Just a little bit, right?
00:51:30Carmen,
00:51:30Does it kill me?
00:51:31Oh,
00:51:32if he doesn't
00:51:32before the trini.
00:51:33I have six minutes
00:51:34to sign up.
00:51:35Let's go.
00:51:35Little girl,
00:51:36Relax about signing up
00:51:36who looks like Florentino Pérez.
00:51:38I'm a Betis fan.
00:51:39Start,
00:51:39that we didn't arrive.
00:51:40Come on,
00:51:40hook up there
00:51:40like a tick.
00:51:41Come on.
00:51:41Oh,
00:51:42Safety first!
00:51:43To the attack!
00:51:43Step by step!
00:51:44I'm going to spend it tomorrow!
00:51:49Carmen,
00:51:50Carmen,
00:51:51You could have waited too
00:51:52to get me into a taxi,
00:51:53No?
00:51:54Come on,
00:51:54fuck,
00:51:55we need to talk.
00:51:57Can you hear yourself?
00:52:00Iñaki,
00:52:01I hear you speak,
00:52:02do not pant.
00:52:04Carmen,
00:52:04really,
00:52:05I wanted to tell you.
00:52:05Fuck.
00:52:09He's the fishmonger
00:52:10that has brought him
00:52:11fewer sea bass.
00:52:12Already,
00:52:12Maybe it's that
00:52:13He hasn't been able to tell her
00:52:14to the fishmonger
00:52:14how many sea bass did he want,
00:52:16No?
00:52:17Listen,
00:52:18attend.
00:52:20Carmen.
00:52:23Yeah,
00:52:24it's me.
00:52:32little girl,
00:52:32Let go already
00:52:33that we haven't gone down anymore
00:52:33of the motorcycle
00:52:34that you're a koala.
00:52:35You keep quiet
00:52:35because of you
00:52:36I'm missing a third of the suit
00:52:37as soon as
00:52:37can take it off me
00:52:38I'm taking it to the right place.
00:52:39Hey,
00:52:40Do you have my card there?
00:52:41to sign?
00:52:41The copy?
00:52:42Yeah.
00:52:42Come on,
00:52:43runs.
00:52:43Well.
00:52:46Core?
00:52:47Have they changed?
00:52:48the uniform
00:52:48And I didn't know?
00:52:49Yeah,
00:52:49This is the gift.
00:52:50I'm going for yours.
00:52:51that the sled driver has.
00:52:57Shut up!
00:53:04Stop here
00:53:05that they are going to sing to us
00:53:05an arrow.
00:53:07Shut up!
00:53:07man!
00:53:08Rhythm,
00:53:08rhythm!
00:53:09Runs!
00:53:14What are you waiting for?
00:53:15Does he call you?
00:53:16Yeah,
00:53:17let's see,
00:53:17I'm watching
00:53:18It's the same time.
00:53:18from the harvest,
00:53:19from farming,
00:53:20It's the countryside,
00:53:21is...
00:53:22Why don't you speak?
00:53:23Sabine,
00:53:23Are you like family?
00:53:24No, no, no,
00:53:25I called,
00:53:25I called,
00:53:26I called,
00:53:26I called.
00:53:36Hey!
00:53:37Whoa!
00:53:38That?
00:53:39I.
00:53:40And you?
00:53:41Also?
00:53:42Boh!
00:53:44Thief,
00:53:44the maopa!
00:53:45Good job, Neo!
00:53:46Hey!
00:53:46Oh my God!
00:53:46I don't know,
00:53:47Antonio,
00:53:47I don't know!
00:53:48What do you want?
00:53:50I am Sabino
00:53:52And I'll put you through to Anchón.
00:53:54Hook?
00:53:55Well, it had better be important.
00:53:56that I have a network of birthing centers.
00:53:57Happens!
00:53:58Well, that's it,
00:53:58There's someone in the delivery room.
00:54:00What do you say?
00:54:00How should I know?
00:54:01Me too?
00:54:01Say what you need to say,
00:54:03Go on.
00:54:03Hoof strip,
00:54:04little bottle!
00:54:05Hoof pull!
00:54:05Antonio!
00:54:06Antonio!
00:54:07I am Anchón,
00:54:07Jackie's friend,
00:54:08nothing,
00:54:09Well, let's invite him to the farewell party.
00:54:11From the stranger to the cage?
00:54:12Bachelor party,
00:54:13It's not that he's going to leave.
00:54:14How much joking?
00:54:15That's a shame.
00:54:16that I had already gotten my hopes up.
00:54:17Already,
00:54:18Well,
00:54:18Well, that's it.
00:54:18We invite you to the farewell party,
00:54:20But come on,
00:54:21If he doesn't want to come,
00:54:22no problem.
00:54:23This is also going to be a quiet party,
00:54:25Well,
00:54:26boring even.
00:54:26I have always thought
00:54:28those goodbyes
00:54:28It's all nonsense.
00:54:30No,
00:54:31It's a man's tradition.
00:54:33Yeah?
00:54:34Yeah,
00:54:35Well,
00:54:35yes,
00:54:36worth,
00:54:36I'm going.
00:54:37Let's go.
00:54:38And my friend,
00:54:39small bottle,
00:54:39also.
00:54:40Hey?
00:54:40Hey?
00:54:41Samson?
00:54:41Hey?
00:54:42Well,
00:54:43I'll call him soon.
00:54:44to give you more details.
00:54:46If you're bothered,
00:54:46Hey?
00:54:47About that,
00:54:47I'll take care of everything.
00:54:48No,
00:54:49It's not necessary,
00:54:50with you coming
00:54:51enough.
00:54:52I'll organize everything.
00:54:53what's happening?
00:54:53Am I the godfather or not?
00:54:57What's the matter?
00:54:58What did I say?
00:54:59That Iñaki
00:55:00He's going to kill us.
00:55:02Hello good.
00:55:19Dolores?
00:55:20Dolores?
00:55:21What's happening?
00:55:21Hey,
00:55:22The quadrant that afternoon
00:55:22Do you have it?
00:55:23Yeah,
00:55:23clear,
00:55:24man.
00:55:24I have it here.
00:55:26Little girl,
00:55:27drop the folder,
00:55:28that you only need
00:55:28a photo of Justin Bieber,
00:55:29She's going to be a pure teenager.
00:55:32No,
00:55:32let's see,
00:55:33It's the air conditioning
00:55:34He makes it very strong
00:55:35and everything shows up.
00:55:36And then I don't want to cause any trouble.
00:55:37neither.
00:55:38No,
00:55:38No,
00:55:38No,
00:55:38No,
00:55:39No,
00:55:40No,
00:55:40No,
00:55:40No,
00:55:41No,
00:55:42No,
00:55:43No,
00:55:43No,
00:55:43No,
00:55:43No,
00:55:44How do you know me?
00:55:44How do you know me?
00:55:44Dolores,
00:55:45dear?
00:55:45What did I discuss with Iñaki?
00:55:46During the priest?
00:55:47The priest didn't know
00:55:48if to give us the blessing
00:55:49or a pair of boxing gloves.
00:55:51By the way,
00:55:52And my dress?
00:55:53The dress?
00:55:53Yeah.
00:55:54That,
00:55:54safekeeping.
00:55:56Yeah,
00:55:58near,
00:55:58very close,
00:55:59very close to you.
00:56:00Very close,
00:56:01very close.
00:56:01How are you,
00:56:02how are you?
00:56:02Have they dumped her?
00:56:04I can't even imagine it.
00:56:06Yeah.
00:56:07White,
00:56:07broken.
00:56:08Yeah.
00:56:09But broken,
00:56:09broken.
00:56:10You're going to fall on your back
00:56:10when you see it.
00:56:11Thank you,
00:56:12Dolores,
00:56:12Of course,
00:56:13You are the only one who brings me joy.
00:56:15I love you.
00:56:16And I you.
00:56:19What town is going to last you
00:56:20joy,
00:56:21daughter?
00:56:22Hey,
00:56:22José,
00:56:23José,
00:56:24hey,
00:56:24How much have you told him?
00:56:25to Don Benjumea
00:56:25What rower?
00:56:26What if I were
00:56:27in the water
00:56:27would have reached Gibraltar.
00:56:29As?
00:56:31No,
00:56:32But Don Benjumea,
00:56:34Didn't you tell me?
00:56:34What was it going to stop?
00:56:36Are you being ridiculous?
00:56:37man,
00:56:37balls,
00:56:37That something bad is going to happen to him?
00:56:38I'll pay you
00:56:39so that he can train me.
00:56:40Just a little advice
00:56:41I'm looking for a friend.
00:56:42Doesn't he love me anymore?
00:56:44Well, to make good friends
00:56:45that you charged me.
00:56:46And if it's for the money
00:56:47don't worry,
00:56:48man.
00:56:49Here it is.
00:56:50Hey?
00:56:50It's up to you.
00:56:51No,
00:56:52man,
00:56:52no.
00:56:53It was a joke.
00:56:56And turn it on.
00:56:58I can't see.
00:56:59Hey!
00:57:00Hey!
00:57:01Hey!
00:57:02Hey!
00:57:06Boss,
00:57:07are you OK?
00:57:08Hey?
00:57:08I,
00:57:08Yeah.
00:57:09Because?
00:57:09Because that's more than just a skewer
00:57:10It looks like a little doll
00:57:11of voodoo,
00:57:11creature.
00:57:13Carmen and I
00:57:13we have discussed
00:57:14because of the course.
00:57:16The SWOT analysis is what they have.
00:57:17They are very stressful,
00:57:18Iñaki.
00:57:18Very good.
00:57:19And what's left for you.
00:57:19Look,
00:57:20Isabel and I
00:57:21We argued about everything.
00:57:22Even the type of rice
00:57:22that we wanted him to fire us.
00:57:23She wanted round rice.
00:57:24And I wanted three-delight rice.
00:57:26Already,
00:57:27But we have realized
00:57:27that we have a concept
00:57:28of a very different future.
00:57:30Look,
00:57:30when Isabel and I
00:57:31We got married,
00:57:32we think about the future
00:57:33at all.
00:57:33Not for nothing,
00:57:34but we didn't have
00:57:34not a penny.
00:57:35And look,
00:57:35We were taking it one day at a time.
00:57:36throwing,
00:57:37throwing,
00:57:37And look,
00:57:37It's been great for us.
00:57:38Already,
00:57:39But also
00:57:39to discuss the future,
00:57:41We have discussed the past.
00:57:43Rafi,
00:57:43Carmen becomes very sensitive
00:57:46when I talk to him about your mother.
00:57:49Man,
00:57:49It's a matter
00:57:50very delicate.
00:57:52Realize
00:57:52that the girl
00:57:53She was the youngest in the house
00:57:54when our mother
00:57:55He abandoned us,
00:57:56And of course,
00:57:56with the whole wedding thing
00:57:57I imagine that now
00:57:58because he will remember her.
00:57:59Yeah,
00:58:00Yeah,
00:58:00I suppose it doesn't have to be
00:58:01not easy for her.
00:58:03Rafi,
00:58:04How can I pay you?
00:58:04these good tips
00:58:05What can you give me?
00:58:05With an increase.
00:58:07Nice try.
00:58:08Hey,
00:58:08I have a daughter
00:58:08in growth age.
00:58:09Well,
00:58:09growth and eating,
00:58:10He doesn't eat anything.
00:58:11He eats three yogurts at once,
00:58:12hey,
00:58:12Leave it here
00:58:12and it eats the ravine,
00:58:13skewer by skewer,
00:58:14It doesn't stop.
00:58:15Come on,
00:58:15if the doctor said
00:58:16that this is nothing,
00:58:17I'll leave it here
00:58:17a bit,
00:58:18Okay?
00:58:18So that it gets some air.
00:58:19Very cheeky,
00:58:20Yeah,
00:58:20But yes,
00:58:21Don't let it happen to me again
00:58:22the vigorous one.
00:58:23Of course,
00:58:24He's been a fool.
00:58:25the only thing I've developed
00:58:27It has been a disgrace.
00:58:28Come on.
00:58:33What's happening,
00:58:34Marichu?
00:58:35No no,
00:58:36It was nothing.
00:58:38No,
00:58:39women,
00:58:39Well, a little dizzy,
00:58:40a little dizzy,
00:58:41you are welcome,
00:58:41Hey?
00:58:42I am strong.
00:58:43Well then,
00:58:44But I wanted to be here.
00:58:45to dance with you
00:58:46at Ñaki's wedding.
00:58:49You don't like to dance, do you?
00:58:51And that he could have told me sooner,
00:58:53We could have saved ourselves the trouble
00:58:54an arrhythmia.
00:58:56Although, yes,
00:58:57I'm sure it'll happen to me again.
00:58:58as soon as I see those eyes.
00:59:02No,
00:59:02I've already recovered.
00:59:04Come on,
00:59:04bye bye,
00:59:05Marichu.
00:59:05God.
00:59:08What's up,
00:59:09father?
00:59:12What fair
00:59:13Does the postulate inflict?
00:59:19Dolores,
00:59:20Have you seen
00:59:21to the greatest traitor
00:59:22of all time?
00:59:23Uda?
00:59:23No,
00:59:24Dr. Roberto Almenar.
00:59:25Steal?
00:59:26Ah,
00:59:26Well, since I came back
00:59:27at my time,
00:59:27after being signed,
00:59:28I haven't seen it around here.
00:59:29Is he a coward?
00:59:29No,
00:59:30without reason has
00:59:30to hide,
00:59:31Hey?
00:59:31Probably
00:59:31who has not signed
00:59:32in due time,
00:59:32not like me,
00:59:33that if he signed
00:59:34that it costs me my life.
00:59:34Listen to me,
00:59:35It is very important,
00:59:36If you see it,
00:59:36Let me know.
00:59:37Don't worry,
00:59:38that I'm a badass
00:59:39notifying and signing up.
00:59:40Okay, that's enough.
00:59:41Dolores,
00:59:41I already know
00:59:41with what he has signed
00:59:42at the hour,
00:59:42Hey?
00:59:53Dolores,
00:59:54has seen Trini.
00:59:55Of course,
00:59:55What's happening here today?
00:59:56Everyone's here
00:59:57playing hide and seek
00:59:57and I didn't find out.
00:59:58If you see her,
00:59:59Tell him I'm not here.
00:59:59that's how it's been for me.
01:00:06Dolores,
01:00:06Have you seen Carmen?
01:00:07I need to talk to her.
01:00:08Of course,
01:00:08I'm going to have to buy
01:00:09a GPS location
01:00:10every time you fight.
01:00:16You are a traitor.
01:00:17I am not a traitor,
01:00:18I would rather
01:00:19that I am an ambitious guy.
01:00:20Look how many meters there are
01:00:20at the clinic
01:00:21to coincide,
01:00:22Well, it has to be.
01:00:22one meter.
01:00:23I don't have to ask you
01:00:24permission to present
01:00:25my candidacy
01:00:25to the director of the clinic,
01:00:26not in my mother.
01:00:27But she was your friend.
01:00:28Well, to be a friend,
01:00:28You forced me, that's fine.
01:00:29to go to bed
01:00:30with the shareholder's wife.
01:00:31Damn, Robert,
01:00:31It was just a favor
01:00:32that I asked you for.
01:00:33Yes, I did it for you.
01:00:33And thanks to that, Lourdes
01:00:34has found in me
01:00:35to a great manager.
01:00:37This isn't going to end like this, Robert.
01:00:39Do you think
01:00:39Did you see me angry?
01:00:41But you're very wrong.
01:00:43Be careful, Trini,
01:00:44be careful.
01:00:45Maybe you're talking
01:00:46with the new director
01:00:47from the clinic.
01:00:48We'll see about that.
01:00:57And what about you?
01:00:58Hey?
01:00:59Do you like the show?
01:01:00Or would you like some fries?
01:01:01No, what I want
01:01:02It's that he left me and...
01:01:03work.
01:01:04Are you going to work?
01:01:12Carmen.
01:01:13Carmen.
01:01:14Meeting?
01:01:16Hey, I think we should talk
01:01:18about our disagreement.
01:01:20Disagreement?
01:01:21Come on, Iñaki,
01:01:22What a shame.
01:01:23If that instead of a sacristy
01:01:24appeared before Congress.
01:01:25Yes, yes, you're right.
01:01:26Before going,
01:01:27we should have
01:01:28smoothed out some differences.
01:01:29Differences?
01:01:30Look, I think this
01:01:31It's a very good time.
01:01:32Iñaki, are you sure?
01:01:34Will you marry me?
01:01:35With so many differences.
01:01:36Look, Carmen,
01:01:37I don't care.
01:01:38with children, without children,
01:01:40in the north, in the south,
01:01:41with chihuahua,
01:01:41with chimpanzee.
01:01:44My only life project
01:01:45It's growing old with you.
01:01:50I liked that.
01:01:52I don't even know how
01:01:53we have passed
01:01:54the premarital course this.
01:01:56With a five out of ten.
01:01:56Well, you're wrong about that, Carmen.
01:01:59Because you haven't gone through it.
01:02:00Oh, no?
01:02:01Don Pas...
01:02:02Gift...
01:02:02Father.
01:02:03Father, but not an idiot.
01:02:05You don't have to be very clever.
01:02:06to realize
01:02:06that in this family
01:02:07You're hiding things from me.
01:02:11Well, yes, you're right.
01:02:13Maybe we lied to him
01:02:14a little bit.
01:02:15Nothing.
01:02:16We live together,
01:02:17we slept together,
01:02:19But that doesn't mean
01:02:20that you...
01:02:20What, what, what, what?
01:02:22I didn't know.
01:02:23I didn't know.
01:02:24But it's good to know.
01:02:25apart from that your mother
01:02:26He's hiding me too.
01:02:27her relationship with a new boyfriend,
01:02:29you too
01:02:30You are deceiving me.
01:02:32Does my mother have a relationship?
01:02:34Iñaki, Iñaki,
01:02:35For God's sake,
01:02:36Stop lying already
01:02:37that you're going to get struck by lightning.
01:02:38Well, Don Pascual,
01:02:40You are right.
01:02:41We apologize.
01:02:42Look, I'm going back to the Basque Country
01:02:44Very disappointed, Iñaki.
01:02:45with God.
01:02:47Well, I mean,
01:02:48very disappointed
01:02:49with you.
01:02:50But what...
01:02:51I leave you with God.
01:02:53Don Pascual.
01:02:56Just a few days before the wedding
01:02:57we are left without a cure.
01:02:59Of course,
01:02:59Things can't get any worse, can they?
01:03:03What does Dolores do?
01:03:04the bride's aunt?
01:03:05As?
01:03:08This isn't what it looks like, is it?
01:03:13Dolores?
01:03:16That's my wedding dress.
01:03:19Look, I saw it, didn't I?
01:03:21And I say,
01:03:21Let's see how it fits me at the armholes.
01:03:23And to avoid getting your face smashed in
01:03:25What do you think of the armholes?
01:03:26Good?
01:03:26Broad?
01:03:27Comfortable?
01:03:28Oh, forgive me,
01:03:29really,
01:03:30excuse me.
01:03:31But the thing is...
01:03:34Look, we've been lucky, haven't we?
01:03:36Because at weddings
01:03:37They tell us we have to go
01:03:37with something blue,
01:03:39something dirty,
01:03:40something borrowed,
01:03:40something old.
01:03:41Well, we have everything,
01:03:43all.
01:03:45All the coffee in the world,
01:03:46all the coffee in the world
01:03:47This wedding has
01:03:49Cecar!
01:03:51Iñaki, what?
01:03:53There goes Dolores.
01:03:55There goes from there.
01:04:01But what do you mean you're marrying us?
01:04:02What have you done?
01:04:03No, what have you done?
01:04:04What has he discovered
01:04:05that you have a relationship
01:04:06with Don Benjumea?
01:04:07That?
01:04:07Oh my God.
01:04:09Oh my God,
01:04:09What a disaster.
01:04:10What am I going to be?
01:04:11the talk of Azpeite.
01:04:12Amma, do you want to focus?
01:04:13a little bit of the problem
01:04:14Do I have it?
01:04:15Don Pascual won't marry us.
01:04:16Okay, don't worry,
01:04:17my son.
01:04:18I'll think of something.
01:04:19Because he's going to marry you off
01:04:20Don Pascual
01:04:21even though they have me
01:04:22to excommunicate.
01:04:23Let's see, mistress,
01:04:23neither.
01:04:24Anchón!
01:04:26Do you remember?
01:04:26like I told you
01:04:27Did you invite the priest?
01:04:28Well, don't invite him anymore.
01:04:32Well, that's a priest.
01:04:33a father.
01:04:34You think we
01:04:35We have invited the father,
01:04:37father.
01:04:38As?
01:04:39What have you invited?
01:04:41To the Pope?
01:04:42No, fuck,
01:04:43We have invited Antonio.
01:04:44But holy
01:04:45What are you inviting Antonio for?
01:04:46Because you told us
01:04:47that we should invite the father.
01:04:50You idiots!
01:04:52I mean,
01:04:52You're a fool.
01:04:53I'm a fool.
01:04:59That?
01:05:00Hey?
01:05:02How's Rambo?
01:05:04If you don't have
01:05:05to pawn
01:05:05to impress Dormilona,
01:05:07if you have it
01:05:08I'm longing to be out on the streets...
01:05:09Who would have thought it of me?
01:05:09What do you mean?
01:05:10At my age
01:05:11doing crazy things
01:05:12for love
01:05:13and you
01:05:14acting like a sensible man.
01:05:15That's true, isn't it?
01:05:17Well, listen,
01:05:18And now that it has given me
01:05:18the title of wise man...
01:05:20Sensible.
01:05:21Sato.
01:05:23I say that
01:05:24at his age
01:05:25There are other sports
01:05:26with a little bit
01:05:27of less risk.
01:05:28Oh, really?
01:05:29Which is it?
01:05:32Peace of hearts.
01:05:40Sooty?
01:05:41That?
01:05:43Sooty?
01:05:44Holin what?
01:05:45Holín, put it all in?
01:05:46That with this letter
01:05:47We won.
01:05:49I put everything into it,
01:05:50Geez.
01:05:52You're not doing well at all
01:05:53Here, huh?
01:05:54Betting their money,
01:05:55not health.
01:05:56You said it,
01:05:57my money.
01:05:58Man, I'd bet
01:05:59mine,
01:05:59But since I don't have it,
01:06:01Furthermore, everything is
01:06:02very elegant,
01:06:02without a care.
01:06:03Oh, really.
01:06:04man,
01:06:04here in this frame
01:06:05incomparable,
01:06:06what kind,
01:06:07What power!
01:06:07that...
01:06:08I'm going to take a picture of it.
01:06:09No, man.
01:06:09Yeah, man,
01:06:10for the sleepyhead.
01:06:10What name?
01:06:11I have the lamp
01:06:12way on top
01:06:12and it gets rid of my double chin.
01:06:13What does "double chin" say?
01:06:14If you have a third-person text
01:06:15which it seems,
01:06:15come on,
01:06:16a flamenco drum.
01:06:17What is that?
01:06:18It's stuck there for me.
01:06:21I told you,
01:06:22Marichu,
01:06:22I told you that you were
01:06:23getting into trouble
01:06:24all by yourself.
01:06:24Let's see what we do now.
01:06:26Since we don't step on
01:06:26a priest online...
01:06:29Message from Benito.
01:06:31If it's not necessary
01:06:32Tell me,
01:06:33daughter,
01:06:33It's already noticeable.
01:06:34just by looking
01:06:34the silly face
01:06:36that you get.
01:06:36No, no, no, no,
01:06:37This time it's not
01:06:38for looking at my Benito.
01:06:40He's so handsome.
01:06:43Don't you see something?
01:06:44out of place?
01:06:46Benedict,
01:06:46It is always impeccable,
01:06:47It doesn't move
01:06:48not a hair
01:06:48of the beard,
01:06:49Look at him.
01:06:49No, woman.
01:06:50Behind.
01:06:51Who is this?
01:06:54Jesus,
01:06:55Marieta José,
01:06:56Paschal.
01:06:57But if all it's missing is
01:06:58to have a cabaret dancer
01:06:59on the knees.
01:07:01I'm starting
01:07:02to get used to it
01:07:03to this
01:07:03of new technologies.
01:07:06Well,
01:07:06Well, that's it.
01:07:07we had arrived
01:07:08to our,
01:07:08Well,
01:07:09our,
01:07:09mine,
01:07:09Well,
01:07:11floor,
01:07:12If you already know him,
01:07:13No?
01:07:13Yeah,
01:07:13We're already here.
01:07:15Are you leaving already?
01:07:16You can stay,
01:07:17because of the site,
01:07:17I mean,
01:07:18I mean,
01:07:18me on the sofa,
01:07:19clear,
01:07:20or in a hotel,
01:07:21I'm going to a hotel,
01:07:21because this sofa
01:07:22It has some springs
01:07:23that look like blades.
01:07:24That it's not necessary
01:07:25that I have more time,
01:07:25besides,
01:07:26if I fly during the day
01:07:27The surcharge does not apply to me.
01:07:28That's money you save.
01:07:29No,
01:07:30That's why not,
01:07:31Don't forget to call me
01:07:32yesterday,
01:07:33I mean,
01:07:34to Yonchu,
01:07:35the lawyer,
01:07:36No?
01:07:36So that he/she can write
01:07:37the new documents
01:07:38of divorce,
01:07:38I already promised you
01:07:39that he was going to sign everything
01:07:40without putting any on
01:07:41glue and
01:07:42I intend to fulfill
01:07:43my promise.
01:07:45Thank you.
01:07:45Thank you.
01:07:46Come on,
01:07:46that is.
01:07:48Well.
01:07:49Well.
01:07:50Well then...
01:07:51No,
01:07:52I'll open the door for you,
01:07:53yes indeed,
01:07:54come on.
01:07:55Okay.
01:07:57I'm not going to...
01:07:58I'm not going to...
01:07:59I'm not going to...
01:08:12I just saw your wife
01:08:13Get out of here.
01:08:14Piety.
01:08:14What's wrong with you?
01:08:15Didn't you separate?
01:08:17Clear,
01:08:19divorce papers
01:08:20It has brought me...
01:08:20Look,
01:08:21about divorce...
01:08:22Oh really?
01:08:22Clear,
01:08:23clear,
01:08:23There they are.
01:08:24But,
01:08:24come on.
01:08:26Because of that sad little face
01:08:27that it has,
01:08:28It looks like it's going to burst.
01:08:29the bank account.
01:08:30Well, more or less
01:08:31That's the general idea.
01:08:33Well,
01:08:34And can he do anything for you?
01:08:36Well, man,
01:08:37if you make me a transfer
01:08:39of...
01:08:40That's horrible,
01:08:41That one is horrible.
01:08:42Maybe he can do something better
01:08:44that can cheer you up.
01:08:46Well,
01:08:47Well, man,
01:08:47The truth is that everything...
01:08:48Be quiet,
01:08:48be quiet,
01:08:49be quiet.
01:08:55Well...
01:08:56Auntie is right too.
01:08:57This is animated...
01:08:58lively,
01:08:59but...
01:08:59Ch, ch, ch, ch, ch.
01:09:00Let's take it one step at a time,
01:09:01Hey?
01:09:02Hey?
01:09:02That these things
01:09:03It's best to cook them over low heat.
01:09:04and let them rest.
01:09:06Plop, plop, plop.
01:09:07Oh,
01:09:08clear.
01:09:09I'll open it for you,
01:09:10I'll open it for you.
01:09:13Dale.
01:09:13Well,
01:09:15Here it goes.
01:09:21Fuck,
01:09:22fuck,
01:09:22What a mess.
01:09:26Time to rest.
01:09:28Maybe,
01:09:29Kun,
01:09:30You've forgotten
01:09:32Something, right?
01:09:33Yeah,
01:09:34to tell you that
01:09:36perhaps we are
01:09:37precipitating
01:09:38with this divorce thing,
01:09:39No?
01:09:39Yeah,
01:09:40Well,
01:09:40Yeah,
01:09:41equal,
01:09:41Yeah.
01:09:42Maybe it's better
01:09:43Let's think about it carefully,
01:09:44that we don't let rest.
01:09:45Over low heat,
01:09:47No?
01:09:47I mean,
01:09:47plop, plop,
01:09:48plop.
01:09:49Something like that.
01:09:51Well,
01:09:51And now, yes.
01:09:52I'm leaving.
01:09:52because not even the taxi
01:09:53nor the plane
01:09:54they wait,
01:09:54so...
01:09:55Clear.
01:09:56Well.
01:10:19Hail Mary, most pure.
01:10:22Marichu.
01:10:23I confess that I have sinned
01:10:25against the eighth commandment.
01:10:26The lie
01:10:26It hurts like a cure
01:10:28and as a family
01:10:29and he's lucky
01:10:30that he/she is a discreet person.
01:10:31I bet it is
01:10:32and I'm very sorry.
01:10:33that you have thought
01:10:34that Iñaki comes in,
01:10:35Carmen and Benito
01:10:36me too
01:10:36let's play
01:10:37at
01:10:38doubles pairs.
01:10:40What do you mean?
01:10:41Nothing.
01:10:42Now it's my turn
01:10:43move piece,
01:10:44that many chips
01:10:45You moved yesterday.
01:10:46How do you sign up?
01:10:50That we all have
01:10:51our little weaknesses,
01:10:54but nobody cares about them.
01:10:57No one?
01:10:58No one?
01:10:59So let's leave
01:11:01all this
01:11:01between God
01:11:02and the Coupier.
01:11:03Yes indeed,
01:11:04in exchange for a wedding
01:11:05in Andalusia.
01:11:07What do you think?
01:11:08Me too
01:11:09I am willing
01:11:10to forgive
01:11:10and forget
01:11:11as a cure
01:11:12and as a family.
01:11:13Very good.
01:11:14Then,
01:11:15See you in the south.
01:11:16You can go in peace.
01:11:18At peace
01:11:19and in glory.
01:11:27Fuck,
01:11:27loves,
01:11:27I don't know
01:11:28if you have agreed
01:11:28with God
01:11:28or with the devil,
01:11:29But thank you.
01:11:34Little one.
01:11:35Tell me.
01:11:35What in the end
01:11:36Did you marry us at Pascual?
01:11:37As?
01:11:38For the first time,
01:11:39for the first time.
01:11:40Ole, my mother-in-law!
01:11:40But wow, really!
01:11:42Ole, ole,
01:11:43My beautiful sister!
01:11:43Was,
01:11:44Well, this toasted thing
01:11:44with extra virgin for you
01:11:45that you're going to be
01:11:46the best wife
01:11:46and the best mother
01:11:47of the world,
01:11:47of the universe
01:11:48and of parallel dimensions.
01:11:50Ole!
01:11:51And you, Dolores,
01:11:52Lolita Lola,
01:11:52Start taking out the salts
01:11:53fruit
01:11:54What's up, podorrio?
01:11:57Well,
01:11:57yes indeed,
01:11:58I'm still invited.
01:12:00I don't think so,
01:12:01Dolores,
01:12:01Oh my God!
01:12:02Yes indeed,
01:12:02I want you 20 meters away
01:12:03of my suit.
01:12:04Whatever it takes,
01:12:05at a distance
01:12:05that is necessary,
01:12:06But come on,
01:12:06He'll sew this for you,
01:12:07He'll clean it for you,
01:12:07He washes it for my brother
01:12:08and you still have flame left.
01:12:09Flame this,
01:12:10Look, look,
01:12:10What's up, little one?
01:12:11we have been working
01:12:12Isabelita and I
01:12:13for your wedding.
01:12:14Banana with flambéed rum.
01:12:16I'm going to see him today.
01:12:18What's going to happen to you?
01:12:21What's going to happen to you?
01:12:24What's going to happen to you?
01:12:46Something simple. Rice pudding.
01:12:47Rice pudding.
01:12:50Anchón, I hope this is good news.
01:12:52Actually, not even here.
01:12:54It's a good one and a bad one.
01:12:56Okay, let's start with the good one. Let's see.
01:12:57The good one. Well, then.
01:12:59José Mari is not coming to the farewell party.
01:13:01Man. Good, and the bad one?
01:13:03Yeah.
01:13:04So you can start practicing for your bachelor party.
01:13:15I'm not going.
01:13:16This is it. We're not playing bus.
01:13:19I'm not going to the bachelor party.
01:13:20Are you sick?
01:13:21It's not that.
01:13:22The remnant. He's dead.
01:13:23Hey, I didn't know we had organized a bachelorette party for Carmen.
01:13:26Don't you think so, Borgo?
01:13:27I thought you were going to do it.
01:13:29But what's going on?
01:13:30You don't want to reconcile with me, Sabino.
01:13:33What you really want is to go out partying with your buddies.
01:13:35We can't let him down.
01:13:36Well, maybe we still have time to organize something.
01:13:38The apology to Bego, well, that didn't go well.
01:13:42No, no, no. Quite the opposite, in fact.
01:13:44You wouldn't suggest animal intercourse to him.
01:13:46Damn, Carmen.
01:13:48It's not going to be a waste if it's heavy, you know?
01:13:50This is a procession, not San Gonzalo, damn it.
01:13:53Hey, where are you coming from so early?
01:13:54Me? Where am I going to come from?
01:13:56Buying bread.
01:13:59And where is the bread?
01:14:00I just don't remember anything.
01:14:01I have woken up.
01:14:03And I woke up in Robert's bed.
01:14:05You've woken up in the cuckoo's nest.
01:14:07We want to put an inscription here on this ring.
01:14:09In Roman.
01:14:09In Roman or in Spanish.
01:14:11If Carmen is going to marry Iñez here, let's go to the coast with Robert and drugged up.
01:14:15You're going to give it to me, I swear!
01:14:22Yes, look, I'm Basque and nobody can beat me when it comes to stubbornness.
01:14:25Send me a sign, please.
01:14:26Just any old sign.
01:14:28Should I tell Iñez here that I'm going to sleep with Robert or not?
01:14:31Did you sleep with Robert?
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