Allí abajo - 2x02 - El padre de la novia - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

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Transcript

00:00:00Come on, don't worry, Iñaki, I'm sure we're going to have a great time.

00:00:03I don't really like family gatherings either, to be honest, but your family will be delighted to welcome us.

00:00:08I just don't know why she has to come with her, she hasn't been here that long.

00:00:11What pure air! This cleanses you from the inside out, you can't deny it.

00:00:14Yes, but we're going for freezing.

00:00:16The same thing happens to Carmen; she's afraid she won't fit into the dress.

00:00:20Which dress?

00:00:20The drum parade! Are they going to march with Maica Guat?

00:00:27What's up, Carmenchu?

00:00:28This is awful, Dolores, you were absolutely right.

00:00:31Is there a problem with the contract?

00:00:32Don't you know?

00:00:33That?

00:00:33Because?

00:00:34They are not going to renew the concession.

00:00:37Starting today, new protocols and a new organization.

00:00:40I want faster discharges, more efficient testing, and unbeatable patient care.

00:00:43This is an irrigation ditch.

00:00:45For Maica.

00:00:46When you read the card, you'll already have an idea of who it might be from.

00:00:49Each fringe of this shawl is a sigh exhaled in her absence.

00:00:54What is it that we are sending a message to my wife and she was being sent mercy?

00:00:57You know it!

00:00:57Then we spoke to Amorchi.

00:01:00To Amorchi!

00:01:01They call me Amorchi!

00:01:03I don't understand this Basque guy.

00:01:05Am I Coldo's brother-in-law?

00:01:06You don't say.

00:01:07Wait, wait, wait.

00:01:08First we take a selfie and send it to these guys.

00:01:10But what's going on?

00:01:11What's going on?

00:01:15Pigheaded!

00:01:15Don't post the photo in the family chat, you idiot.

00:01:21But little girl, you can't keep going on like this, okay?

00:01:23Without having heard from that man.

00:01:25You have to pick the oranges, open them and look, if you have smoke it's drier than a dried tuna.

00:01:29If Muhammad will not go to the mountain, then the mountain will have to come to Muhammad.

00:01:33Start it, you idiot, I'm coming!

00:01:35Look, I was telling him about the toothpick, because this is now a Basque pintxo bar.

00:01:41You and I aren't understanding each other, are we?

00:01:43Well, not much, to be honest.

00:01:45But if you don't like what's there, maybe you should try somewhere else.

00:01:48Dad!

00:01:49Finally!

00:01:50What a surprise!

00:02:37The big-headed bonnet.

00:02:39Good morning, my weapon.

00:02:42I brought this down from up there so I wouldn't lose my inspiration.

00:02:45Without inspiration, I can't find it there, little one.

00:02:47Oh, no? Where? Where?

00:02:51Oh, it's already having an effect!

00:02:53It's already having an effect!

00:02:56Oh, oh, oh, Iñaki! Iñaki, I'm not going to make it! Iñaki, I'm not going to make it!

00:03:03Maybe if you give me more time...

00:03:08I'm sure the girls there have an interrogation planned for me.

00:03:12Well, Dolores, you see, they'll be dying to know how my trip went.

00:03:16Oh, really? What are you going to tell them?

00:03:17From the north?

00:03:18Well, it turns out we're not so different.

00:03:20Well, apart from character, climate, language...

00:03:24Okay, so what do you eat?

00:03:25Like real Vikings, dude.

00:03:26Look, that's true.

00:03:28Oh, and speaking of Vikings...

00:03:29Yesterday a guy came into the bar, look, he looked like a washed-up cowboy.

00:03:33All he needed was to carry the pretty kite on his arm.

00:03:36Oh really?

00:03:37Yes, yes, what a row the guy started.

00:03:39And all because of a misunderstanding over a toothpick.

00:03:42And as far as I'm concerned, he can choke on the toothpick.

00:03:44I'm quite a character.

00:03:45When it falls on me, they sprinkle me with poppy seeds.

00:03:47My God, what a thug.

00:03:48It's all done.

00:03:49Do you want some juice?

00:03:50No, thanks.

00:03:51You also have cherry tomatoes, honey if you want, jam, curd...

00:03:56That?

00:03:57Can't you hear it?

00:03:59No, I can't hear anything.

00:04:00The neighbor?

00:04:06Aren't they there?

00:04:13Take care!

00:04:13You son of a bitch, you're going to ruin your old man!

00:04:16And what do you want me to do if these Basques have covered up the signs in Spanish?

00:04:20Yes, daughter, but it's a matter of giving way, a given way for the whole of God.

00:04:23Park right there, I'm so damned by the way I'm looking at myself, huh?

00:04:26You're making me nervous!

00:04:28Wow, they look like they're on a boat, like they're on a holiday at sea!

00:04:35Oh, damn!

00:04:36Calea Street is quite long, it goes all over the place, doesn't it?

00:04:40They are all Calea, Marijiqui.

00:04:42Oh, you have such a limited understanding of the world!

00:04:44No idea.

00:04:45Michelle Obama has already spoken.

00:04:46That's it?

00:04:47Do you really think that just because your husband is a truck driver he's going to have more worldly experience than anyone else?

00:04:51The girl?

00:04:52Oh!

00:04:53The bodies that the Cantabrian Sea brings in!

00:04:57Oh, God!

00:04:58Look at that arm, girl.

00:05:00This one gets the most expensive meluchas.

00:05:02Girl, ask him, ask him.

00:05:04I mean, when he has the free time...

00:05:05Come on.

00:05:06He has the free one, go on.

00:05:08Whoa, then!

00:05:10Ascarricasco!

00:05:11Mount Higueldo!

00:05:13Where is it located?

00:05:13The one you see over there in front.

00:05:15That beautiful building up on the mountain,

00:05:17That's Mount Higueldo.

00:05:18Oh my God!

00:05:20There's my cord.

00:05:25Torture is not culture.

00:05:29Torture is not culture.

00:05:32Torture is not culture.

00:05:34Sorry.

00:05:35Torture is not culture.

00:05:42Torture is not culture.

00:06:01You've got a bullfighter in there.

00:06:03that has come out of that mouth

00:06:05some outrageous things said about environmentalists

00:06:07Let's go,

00:06:08the best orgasm in bed.

00:06:13Wow, you can really tell we're in Bécquerre's land!

00:06:17And does your sister know she's here?

00:06:19I don't care about my sister, Carmen.

00:06:21because the bulls,

00:06:22Bulls have sisters too

00:06:25And nobody cares.

00:06:27No, technically they're called cows.

00:06:29and in India they are sacred.

00:06:30He's enjoying the blow he's about to receive.

00:06:32to this one like the beautiful sister

00:06:33And how can you keep making those comments, go away.

00:06:35But wait, who is his sister?

00:06:41Elena?

00:06:42Just so you know, at your clinic

00:06:44You are dealing with a murderer.

00:06:47Of course, Elena,

00:06:47You always surround yourself with the best of each family.

00:06:50Come on, come towards me.

00:06:51You're stopping me!

00:06:53You're stopping me!

00:06:54I'm already playing it!

00:06:57Come on!

00:07:01Come on!

00:07:05Please, Trini, little girl,

00:07:07Didn't you say you didn't need it?

00:07:08an adjective to describe life?

00:07:09No, it doesn't have that.

00:07:10to make my own life miserable.

00:07:12Wow, what a woman!

00:07:13nothing more than for the times

00:07:13What have we made the girl think?

00:07:14who was adopted and raised by the monkeys.

00:07:17Let's see, Carmen,

00:07:18Why don't you leave my family alone?

00:07:20And do you worry a little about yours?

00:07:22Where is?

00:07:23That you have to come to my family.

00:07:25Hello, Menuilla.

00:07:27Dad?

00:07:30Very, very!

00:07:31What a joy!

00:07:32But are you okay?

00:07:33Is something wrong?

00:07:33Nothing, what's going to happen to me?

00:07:35They're going to bring forward my vehicle inspection.

00:07:36You see, me,

00:07:37that I still cross the river

00:07:38with the calves on their shoulders.

00:07:40Very much a part of my life, Father!

00:07:41What a surprise!

00:07:41Here, just like that, out of the blue

00:07:42without warning or anything.

00:07:43Well, don't get too attached.

00:07:44I'm going back to the countryside tonight.

00:07:46If I stay in Seville for a long time,

00:07:47I end up peeing sitting down.

00:07:49So, what about you?

00:07:49How are you?

00:07:50I'm very well, Father.

00:07:51with lots of things to tell you.

00:07:52Hey?

00:07:54The anti-bullfighting stain,

00:07:55I don't shit on my own image.

00:07:57He used to make cattle for chopping in Rio Tinto.

00:07:58Stop this already.

00:08:00Let's have a drink

00:08:01I have a lot to tell you.

00:08:02I didn't expect it to be so soon,

00:08:04But I mean, look,

00:08:05It had to happen sometime.

00:08:06It's going to be today.

00:08:07How am I doing?

00:08:08I'll put it in there.

00:08:09Because?

00:08:10Because of that Basque guy's lapdog.

00:08:12Well, he told me to go to hell.

00:08:13because I didn't want his faggot of a skewer.

00:08:15Who?

00:08:17Iñaki?

00:08:18Iñaki?

00:08:20Come on, don't mess with me.

00:08:21I don't call it that.

00:08:22not even a fish.

00:08:23And he called me Fugero

00:08:24for keeping a toothpick.

00:08:25And as for me,

00:08:26as if it were being pierced

00:08:27through the asshole.

00:08:28Were you here yesterday?

00:08:31Yes, daughter, yes.

00:08:32And I haven't been able to sleep a wink.

00:08:33all night

00:08:34nothing more to think about

00:08:34that my son

00:08:35It has to happen

00:08:36all day

00:08:36next to such a jerk.

00:08:39Okay, so who were you going to introduce me to?

00:08:40Sorry.

00:08:41To Dolores.

00:08:42My best friend

00:08:43And the best in the whole clinic, Father.

00:08:46Oh really?

00:08:47Yeah.

00:08:47Oh, Carmen,

00:08:48thanks a lot.

00:08:49You are so beautiful, daughter.

00:08:50But come on,

00:08:51that I to your father

00:08:52I know him

00:08:52since it was worn

00:08:53to the permanent one.

00:08:54Don Antonio Almonte

00:08:55and they await him

00:08:56for the strength test.

00:08:57I'll go with you now, Father.

00:08:58What, no, little one?

00:08:58You'll have a lot of work.

00:09:00No, no, don't worry.

00:09:01I don't have

00:09:01nothing else to do today

00:09:02that be

00:09:03all day

00:09:03stuck to you.

00:09:05What's up?

00:09:08Carmen.

00:09:10And now that I am

00:09:11your new best friend

00:09:12Can you tell me?

00:09:13What's going on?

00:09:15Nothing.

00:09:17Long.

00:09:19Which results

00:09:20that I wanted to present

00:09:21Liñaki to my father

00:09:21and yesterday they had a

00:09:22that almost end up charging a fee.

00:09:24Don't tell me

00:09:25that the anger

00:09:25from 3:45 p.m. yesterday

00:09:27It was between Liñaki and your father.

00:09:28Yeah.

00:09:29And when my father

00:09:30someone gets into it

00:09:30between the eyebrows

00:09:31it doesn't end

00:09:32until he annihilates it.

00:09:34Damn, he's exaggerating.

00:09:35It's not that far off, little girl.

00:09:36Look, I'm dressed as a hippie.

00:09:37I'm fed up to the back teeth.

00:09:41He already has a reason.

00:09:42to go complaining.

00:09:44Man.

00:09:46Ban Ki-moon is not.

00:09:48Do you understand now?

00:09:48Why don't I want to?

00:09:49that they get to know each other, right?

00:09:50Perfectly, perfectly.

00:09:51But come on,

00:09:52What I'm saying is,

00:09:53it occurs to me

00:09:53that maybe

00:09:54You could have given notice

00:09:55to someone

00:09:55who works

00:09:56all day with him

00:09:57and that speaks

00:09:58much faster than me.

00:10:01Rafi!

00:10:04So, what then?

00:10:06Have you met him yet?

00:10:07Who have I met?

00:10:08Oh, no,

00:10:09that you haven't met him yet.

00:10:10Who have I met?

00:10:11Liñaki.

00:10:12Who else is it going to be?

00:10:13No, not Al

00:10:14to whom,

00:10:15to the headless cut.

00:10:17Who is headless?

00:10:19To the spider crab.

00:10:21Spider crab.

00:10:22Liñaki.

00:10:23Spider crab.

00:10:24I loved it,

00:10:25Mr. Sea Ox.

00:10:27Ah, that,

00:10:28crab.

00:10:28Hey, Rafi,

00:10:29It's good that you value

00:10:30the battery first,

00:10:31But don't come either.

00:10:33Up above, right?

00:10:34That's true, Liñaki,

00:10:34Seafood is overrated.

00:10:36Yes, that's it.

00:10:37Well, speaking of oxen,

00:10:38I'm going to look

00:10:39The steaks have arrived

00:10:39And they're top-notch.

00:10:41I don't know if you want to introduce me to them.

00:10:42also.

00:10:43No.

00:10:49You can now have

00:10:50a good reason

00:10:51to have done

00:10:52to look like an idiot

00:10:52in front of Liñaki.

00:10:54Kid,

00:10:54It's because of Dad.

00:10:55Ah, that dad wants

00:10:56that I'm an idiot.

00:10:57No,

00:10:57that Dad thinks Liñaki

00:10:58He's an idiot.

00:10:59Ah, look,

00:11:00That puts my mind at ease.

00:11:01But it won't let me.

00:11:01calmer,

00:11:03So for now

00:11:03I prefer that you don't know

00:11:04from each other.

00:11:06Are you capable of facing yourself?

00:11:07to a multinational corporation,

00:11:08But when it comes to

00:11:09from dad,

00:11:09You're a little lamb.

00:11:11A little lamb?

00:11:12And what is it you want?

00:11:13What if the same thing happens to me?

00:11:14What happened to you with Maria?

00:11:15What's wrong with Maria?

00:11:16Nothing.

00:11:16As far as I know,

00:11:17She was the mother of God

00:11:18and you accompanied her to the cross.

00:11:19Woman, Mary,

00:11:21my brother's first girlfriend.

00:11:22Did you have a first girlfriend?

00:11:24No.

00:11:24Yes, yes,

00:11:25Yes, she did have it.

00:11:25and my father

00:11:26I couldn't stand her.

00:11:28Come on,

00:11:28the girl finished

00:11:29leaving it.

00:11:30She cried in the corners.

00:11:33I thought

00:11:33that your first girlfriend

00:11:34It was me.

00:11:35That was

00:11:35a silly summer thing,

00:11:37a passing cloud.

00:11:38Already.

00:11:39And what was I?

00:11:40An autumn storm?

00:11:41You are all the seasons

00:11:42that edits mazado, baby.

00:11:44You, you, you, you

00:11:45You are my lunar eclipse,

00:11:46my Perseid,

00:11:47my...

00:11:47Look, Rafael,

00:11:48Shut up already.

00:11:48Or do you want to see

00:11:49The stars firsthand?

00:11:50That you are my northern lights.

00:11:52Yes, Anchón, yes.

00:11:54We arrived safely.

00:11:57We arrived three times.

00:11:59Okay, then.

00:12:00Did I do well, Anchón?

00:12:02Thrice.

00:12:04Well then.

00:12:05Iñaki,

00:12:05We'll talk later, okay?

00:12:07Well, I know that, you know?

00:12:08Maybe I've gotten used to it

00:12:09to be told here

00:12:10a cheer for nothing,

00:12:11But, I don't know,

00:12:11I expected more enthusiasm.

00:12:13Eh, eh,

00:12:14Wow!

00:12:18Iñaki,

00:12:19That's fine, huh?

00:12:20Well,

00:12:20all the good things that can happen

00:12:21In a place like this, right?

00:12:22Because I just can't

00:12:23with the spirit of the south.

00:12:24Why leave something for tomorrow?

00:12:25When can you do it today?

00:12:27Of course, my aunt, of course.

00:12:28The thing is...

00:12:30It's just not very efficient.

00:12:31Well, let's see if you pick up some of it.

00:12:32and you call the workshop,

00:12:33that I cannot be

00:12:34all day walking the Marquis.

00:12:35Oh, no, of course, of course.

00:12:36Since you have so many things

00:12:37Things to do today, huh?

00:12:40I mean, so as not to leave

00:12:41for tomorrow.

00:12:42I'm...

00:12:43Here it goes.

00:12:43Could it be the ones from the workshop?

00:12:45Fuck!

00:12:45No,

00:12:46this,

00:12:46telephone companies

00:12:48They're all the same.

00:12:48The same, look,

00:12:49and keep calling

00:12:50so you can change

00:12:50and they have me...

00:12:52Well,

00:12:52I'll pick you up later.

00:12:53Better.

00:12:54You've reserved a table, haven't you, Ancho?

00:12:55Yes, yes.

00:12:56What an anniversary!

00:12:57We are preparing.

00:12:58The celebration of love.

00:13:01Very good, Ancho.

00:13:02Thank you.

00:13:03Because if it's because of this,

00:13:04We had dinner in front of the TV.

00:13:05Well, you know

00:13:05how little he likes

00:13:06eating out.

00:13:07Well, it's starting to open up, isn't it?

00:13:09Yes, like you.

00:13:11Goodbye.

00:13:12Goodbye.

00:13:15Opening?

00:13:16It's opening up.

00:13:17I'm going to crack your skull open.

00:13:18That's what you get for bringing your wife.

00:13:19What did we say, damn it?

00:13:20In the tavern

00:13:20neither wives nor mothers

00:13:22that change the energy.

00:13:23I'm here, Anon.

00:13:23Bye bye.

00:13:25That?

00:13:25Have you spoken to Iñaki?

00:13:27Yeah.

00:13:27And how did it arrive?

00:13:28He has arrived three times.

00:13:32Fuck,

00:13:32The two of you?

00:13:34But what concept

00:13:34Do you have discretion?

00:13:36Wear khaki, okay?

00:13:38Maybe with me

00:13:38We're doing very well.

00:13:40We're doing great!

00:13:41We're on our second honeymoon.

00:13:42Yes, yes, yes.

00:13:43It's seeing you together

00:13:43and hear violins playing.

00:13:45Look,

00:13:45I'm going to tell you something.

00:13:46I mean, yesterday

00:13:47almost

00:13:48I mean, shit

00:13:51I don't have to tell you everything.

00:13:52Come on, man,

00:13:52I'm going to explain and

00:13:54He's already here.

00:13:56Look at that

00:13:58You know what time

00:13:59They open the agreement

00:14:00of the Franciscan nuns.

00:14:02Don't you think that

00:14:03You're carrying it

00:14:03A little far?

00:14:04I mean

00:14:05that you're not one to follow orders

00:14:06and even less so from a superior.

00:14:08Not for that,

00:14:09without pay

00:14:10that I want to buy

00:14:11some Ignatiuses.

00:14:13Do you know who?

00:14:14Who?

00:14:19Can you give me a ride?

00:14:20By car?

00:14:21No, in a wheelbarrow.

00:14:22It doesn't bother you.

00:14:23Well.

00:14:29The mother who bore you, José.

00:14:31When you told me

00:14:31I wanted to round something off,

00:14:33I thought it was typical,

00:14:34Your dad having a photo show,

00:14:35but not that it was

00:14:36your exam grade.

00:14:37What is he talking about?

00:14:38Besides, what fault is it of mine?

00:14:39that Trini

00:14:40has become obsessed

00:14:41with efficiency

00:14:41and has gone up one point

00:14:43the average

00:14:43to get started?

00:14:44I'm already confused

00:14:45to put a stick here

00:14:46And that's it, right?

00:14:47Well,

00:14:48although now that I'm getting into it

00:14:49You could give me a 10, right?

00:14:50Yes, man.

00:14:51And I could also put you

00:14:52that you fixed it

00:14:52in the sword of waters

00:14:53No way, doesn't it hurt you?

00:14:54Well, maybe.

00:14:55Come on, man,

00:14:56that I'm gambling

00:14:56to my jobs.

00:14:57It's done, it's printing now.

00:14:59That's really lacking in ambition, isn't it?

00:15:00Ambition, ambition.

00:15:01Let's see how it turned out.

00:15:02Let's see.

00:15:02No, man.

00:15:03Uh, perfect.

00:15:04Hello, really, okay?

00:15:05How noticeable is it?

00:15:05that my uncle manufactured

00:15:07Emilio Tutti handbags

00:15:08And the Chanda Padida?

00:15:09Has it come out?

00:15:10Hey?

00:15:11Who is it?

00:15:12As?

00:15:13No, let's see,

00:15:13the printer.

00:15:14It's not time yet

00:15:15that he leaves.

00:15:16We were here,

00:15:17We haven't printed

00:15:18Nothing personal.

00:15:19Oh, no, no.

00:15:19How, who?

00:15:20If it's hot.

00:15:21Mind the printer.

00:15:22But why

00:15:23Did we change the cartridge?

00:15:24Yes, from...

00:15:26Black ink.

00:15:27Yeah.

00:15:27Okay, guys,

00:15:29has left,

00:15:30my father,

00:15:30has left.

00:15:31Ah, your father.

00:15:33Your father, of course.

00:15:34You have to believe it.

00:15:34Has it come out?

00:15:35No?

00:15:36Haven't they come out?

00:15:36No.

00:15:37No, it came out because...

00:15:38Come on,

00:15:39No news,

00:15:40116 for now.

00:15:41Good.

00:15:41To the.

00:15:44A boat,

00:15:45two boats,

00:15:46with heroes that don't throw away!

00:15:48As I went down

00:15:49The balls are going to bounce,

00:15:51You'll see.

00:15:52You wretched fool!

00:15:53Yeah,

00:15:54Those two.

00:15:54You wretched fool!

00:15:56More and...

00:15:58More and...

00:16:00More and...

00:16:00Mother, who gave birth to us!

00:16:01More and...

00:16:02More and...

00:16:02Boy, I love you,

00:16:03You are still.

00:16:04Let's see if I'll have you

00:16:04to give a tranquilizer.

00:16:05Why do you have to put me

00:16:06a men's pajama set,

00:16:07It's not Tamarico at all, damn it.

00:16:08Lacha!

00:16:10Man, Antonio,

00:16:11that?

00:16:11How is my favorite patient doing?

00:16:14Hey, who's here?

00:16:15Well, that's about time.

00:16:16I had my check-up brought forward, huh?

00:16:17Because if I entered properly,

00:16:18That thing there is going to provoke me

00:16:19a boil.

00:16:20I say,

00:16:21I don't know why

00:16:21They've brought forward your inspection.

00:16:23Well, ask the doctor.

00:16:24who was the one who insisted

00:16:25that he came earlier.

00:16:26Oh, the doctor?

00:16:28Yeah.

00:16:29Well, maybe so...

00:16:30I understand.

00:16:32Yes, Carmen knows

00:16:33that I like to be

00:16:33on top of everything.

00:16:35On top, on top.

00:16:36And behind.

00:16:39Uh, well, so what?

00:16:40Have you spoken to your daughter yet?

00:16:41It has many things

00:16:42what to tell him.

00:16:43Yeah?

00:16:43Many things.

00:16:44Many things

00:16:45we need to talk,

00:16:46But first,

00:16:47Why don't you see

00:16:48a little while watching TV

00:16:49And does that reassure you?

00:16:51Hey?

00:16:53What the hell is that?

00:16:54My God, of my soul.

00:16:55Auntie, a little savings!

00:16:57Horrecho what?

00:16:58I don't know, Dad.

00:17:00I honestly have no idea.

00:17:01Leave.

00:17:04Oh, what I would give

00:17:06for being in front

00:17:06when you tell your father

00:17:07the latest news.

00:17:10Goodbye, Dad.

00:17:11See you later.

00:17:12God.

00:17:14What the hell is going on?

00:17:14Is she at the clinic?

00:17:15Caray Pascua is in the soup,

00:17:16Damn.

00:17:17Mother who bore them.

00:17:22What a clunker!

00:17:22of the car you have,

00:17:23boy.

00:17:24Jesus,

00:17:24What a way to make smoke.

00:17:26So, what do you want, Marichu?

00:17:27I see that you won't let me

00:17:27shift up to third gear.

00:17:29Now for the important part

00:17:29It's because you have the candy.

00:17:31For you-know-who.

00:17:34Let's see,

00:17:34that we are alone,

00:17:35boy.

00:17:35Can you say the name?

00:17:36Shh!

00:17:40Ah!

00:17:41It's her.

00:17:42It's Begoña.

00:17:43What I do?

00:17:44Don't take it, okay?

00:17:45That only through your breath

00:17:46You'll see

00:17:46that you're lying.

00:17:47Breathing.

00:17:48That.

00:17:49But how can I not take it?

00:17:50I always pick it up.

00:17:51No, well you say

00:17:51that you were in the bathroom,

00:17:52boy.

00:17:53Already.

00:17:54But it's in the bathroom

00:17:54I'll take it too.

00:17:55Oh.

00:17:56Yes, it has stopped.

00:17:58Damn, Marichu,

00:17:58Are you getting me into trouble?

00:18:00Come on, come on,

00:18:00that you see problems

00:18:01where there is none.

00:18:03Holy shit.

00:18:03What's happening?

00:18:05What vertigo?

00:18:08What's happening?

00:18:10Has he come?

00:18:11Altitude sickness.

00:18:12I think you're starting

00:18:13to have hallucinations.

00:18:14What, what, what are you starting?

00:18:15to have hallucinations?

00:18:17For God's sake,

00:18:17I'm terrified

00:18:18For you, daughter.

00:18:19How scary, damn it.

00:18:20So tall, daughter.

00:18:22Today that seems to be the case

00:18:22that will open for us

00:18:23the gate to St. Peter,

00:18:24Damn, that's high.

00:18:25Careful.

00:18:26Kid, come here.

00:18:27Open up quickly, kid.

00:18:29For God's sake,

00:18:29Take the days, damn it.

00:18:31Please,

00:18:31that need to be launched

00:18:32out.

00:18:33Clinging to the mantilla

00:18:34for you two to fall.

00:18:35Hey,

00:18:36the lamb will catch

00:18:37that car

00:18:37every day

00:18:38to work there.

00:18:39Unless it flies,

00:18:41go on,

00:18:41Let's see if we get there

00:18:42to the house of the lamb

00:18:42I'm about to pee.

00:18:44Again, huh?

00:18:45Pussy,

00:18:46since there is no water around.

00:18:47Come on.

00:18:48Come on.

00:18:49Come on.

00:18:49From service to service.

00:18:51With you, there's no going back

00:18:52nowhere.

00:18:56Can?

00:18:57In my own clinic,

00:18:58Elena.

00:18:59Was there no other place?

00:18:59to go with that gang

00:19:00of a hippie?

00:19:03Sorry,

00:19:03are members

00:19:04from an NGO

00:19:05against animal abuse.

00:19:06Trini,

00:19:07as far as I know,

00:19:07however ornate

00:19:08that he goes for the banderilla,

00:19:09stick a skewer in it

00:19:10at the crossroads to someone

00:19:11It is still abuse.

00:19:12Me, maybe.

00:19:12I'll come in another one...

00:19:12Wait,

00:19:13José,

00:19:13that my sister was already leaving.

00:19:15Okay.

00:19:15Your sister?

00:19:16Go on,

00:19:17I didn't know.

00:19:19They used to have relatives

00:19:20with Merkel.

00:19:21What a surprise,

00:19:22Right, Trini?

00:19:23Look,

00:19:23I thought

00:19:24that in your clinic

00:19:24You were all equally stuck-up.

00:19:26That's hilarious!

00:19:27Right, José?

00:19:28Look, Elena,

00:19:29if you think that with me

00:19:30you strain the pose

00:19:30rebel

00:19:31anti-establishment,

00:19:31You are very wrong,

00:19:32Hey?

00:19:33But,

00:19:33look,

00:19:34Today it's bullfighting time

00:19:35and tomorrow,

00:19:36What will it be?

00:19:36The defense

00:19:37of the Indians

00:19:38Mapuches?

00:19:39That?

00:19:40Have you finished yet?

00:19:41Because it's such a bore,

00:19:43Trini,

00:19:43really.

00:19:44You used to be much more.

00:19:45more fun,

00:19:46daughter.

00:19:47Well, maybe now

00:19:47my priority in life

00:19:48It's not about being funny.

00:19:49Am I really going to leave you?

00:19:50is this here?

00:19:51Wait, José.

00:19:52I'll wait,

00:19:52I'm in no hurry.

00:19:53Now my priority

00:19:54it's about getting ahead

00:19:54this clinic

00:19:55And thanks to you

00:19:55to get ahead

00:19:56to your sister

00:19:56jobless

00:19:57nor occupation.

00:19:58No, no, no,

00:19:58I already have a job,

00:19:59that I save animals.

00:20:01Elena, please,

00:20:03that the only animals

00:20:03that you save

00:20:04They are lice.

00:20:04that you have in your head.

00:20:05Oh, screw you!

00:20:06Look, girl,

00:20:07Let's see if you grow up.

00:20:08a bit,

00:20:08You really need it, huh?

00:20:11The thing about lice

00:20:12They don't do it very well.

00:20:13And what do you want, José?

00:20:15Well, I'm coming

00:20:16to bring you

00:20:17one little thing

00:20:18of this that

00:20:20that I hit the note,

00:20:21scratched,

00:20:21but I'm making a scene.

00:20:22And what do you want?

00:20:23A round of applause?

00:20:23Well, that's up to you.

00:20:24What interests me

00:20:25It's time to start the internship.

00:20:26as soon as possible.

00:20:28Well, look,

00:20:29Alright.

00:20:30For someone

00:20:30that presents

00:20:31in my office

00:20:31eager to work.

00:20:32Of course, then,

00:20:33You'll see,

00:20:34which also this

00:20:34of physiotherapy

00:20:35For me, it's a vocation.

00:20:37Kid

00:20:37I made it fold

00:20:38a click to the knee.

00:20:42José, you...

00:20:44Are you serious?

00:20:45Do you feel qualified?

00:20:46Which fili?

00:20:47Which fili?

00:20:49A lot?

00:20:52Don't let me down.

00:20:53Are these a piece of cake, boss?

00:20:57What are you doing, son?

00:20:59Are you there?

00:20:59as to deactivate

00:21:00a bomb?

00:21:01The red cable

00:21:02and the blue cable.

00:21:03How funny.

00:21:04I'm the machine.

00:21:05that I studied

00:21:06It would have to be diesel.

00:21:08Look, he's leaving calmly.

00:21:09man.

00:21:10If all you need

00:21:11It just takes a little practice.

00:21:13and a little oil

00:21:14to untangle

00:21:15the knot that has been made.

00:21:18Well, teacher,

00:21:19I'll leave it at that.

00:21:20Don't worry,

00:21:20that this is easier

00:21:21to do the little walk.

00:21:22See you later.

00:21:23Come on, father,

00:21:24Well, here we are.

00:21:25If you don't move

00:21:26until you come for me,

00:21:27that this clinic

00:21:28It's very big

00:21:28and you can get lost.

00:21:29Don't lose the pile.

00:21:30A moonless night

00:21:30I'm going to get lost here.

00:21:32Yes indeed.

00:21:33When I finish,

00:21:34talk later

00:21:34and keeps me up to date

00:21:35of your life.

00:21:35Hey, menu and me?

00:21:36First, let me look at you

00:21:37in the heart

00:21:37and then

00:21:38Let's see if we can talk.

00:21:40Man, Antonio,

00:21:41Are you here?

00:21:42Pussy,

00:21:42Mr. Bejumea.

00:21:45A little bit

00:21:46filigree.

00:21:47Antonio Almonte.

00:21:47Delighted.

00:21:48That's unbelievable.

00:21:50that three men of race

00:21:50like us

00:21:51have to be found

00:21:52watermelon dresses.

00:21:53And how is it?

00:21:54my friend Don Vitoriano?

00:21:55Well yes,

00:21:56that the boss is a figure.

00:21:57Although weathering

00:21:58Given the current times,

00:21:59because with this

00:21:59I now ban bullfighting,

00:22:00not now,

00:22:01that the Basques already bring

00:22:01and the Catalans.

00:22:02Well, you'll have to tell me.

00:22:03It's flavorful.

00:22:04Give it time.

00:22:05For you, my friend.

00:22:06All that's missing is

00:22:06burn us

00:22:07on a bonfire.

00:22:07What if they ban

00:22:08the national holiday?

00:22:09What do we do?

00:22:10with fighting bulls?

00:22:11We put a little bow on them.

00:22:12and we sell them

00:22:12as a pet, or what?

00:22:13Okay, whatever you want.

00:22:14But don't get flustered,

00:22:15really,

00:22:16which has 120 boosts

00:22:17and it hasn't even traveled yet

00:22:18not a meter.

00:22:18Yes, it makes me angry.

00:22:19Let him speak about what he doesn't know.

00:22:20fuck.

00:22:21The only bulls

00:22:21that he has seen in San Gentuz

00:22:22It has been the posters

00:22:23of the road.

00:22:24Here the only ones

00:22:25that we respect

00:22:25to the fighting bull

00:22:26It's us, favors.

00:22:28Whatever you want,

00:22:28The truth is, huh?

00:22:29But the thing is,

00:22:30My machine is going to break down.

00:22:31This is beeping,

00:22:32that it's no longer because of you,

00:22:32because of me.

00:22:33Tafaré!

00:22:35Tafaré, man,

00:22:36We're getting off now

00:22:36you and I

00:22:37and we had a drink

00:22:37in the barrel

00:22:38and we tried it for a little while,

00:22:39seem to you?

00:22:39One from the Basque Country?

00:22:40Of course, not even my little daughter,

00:22:42he mutters it to the uncle,

00:22:43It is believed that his

00:22:44It's the best.

00:22:45From a pet

00:22:45I sent it

00:22:46way up the map.

00:22:48One little thing, Antonio,

00:22:49You haven't spoken yet.

00:22:50With your daughter, right?

00:22:51With my daughter?

00:22:53Very little,

00:22:54But why is everyone

00:22:54She says I should talk to my daughter?

00:22:56Ah, that's what I know,

00:22:57It occurred to me.

00:22:58Oh, oh, oh!

00:22:59Oh, what nonsense!

00:23:00Look, look,

00:23:00that I recover

00:23:01hip mobility.

00:23:02Look, look, look, look.

00:23:04This, we have to take advantage of this.

00:23:09Well, he's going to be right.

00:23:10We've had two meals here, huh?

00:23:11Yes, lately

00:23:12I'm noticing

00:23:13in my little girl

00:23:13A little strange, or is this?

00:23:14But?

00:23:15I get weird too

00:23:16When I fall in love, Don Antonio.

00:23:17And what if my daughter is in love?

00:23:19In love?

00:23:20If when they enter

00:23:20together through the door

00:23:21you get the urge

00:23:22to throw rice at him.

00:23:23Oh, but he works here.

00:23:24Clear.

00:23:28What do I poop in the milk?

00:23:29Well, it's not like that anymore!

00:23:30Here it is!

00:23:31Here it is!

00:23:32But, excuse me!

00:23:33But, excuse me!

00:23:33The little light!

00:23:35How wonderful!

00:23:37Unleashed passion,

00:23:38drums, let's go,

00:23:39more Coscadi

00:23:39And it seems you've left.

00:23:40to a safari in Rwanda.

00:23:42Well,

00:23:42although the gorilla

00:23:43You've found it, you've arrived.

00:23:45Hey,

00:23:45Angela,

00:23:45who is my father.

00:23:46Your father?

00:23:47Wild,

00:23:48But my father.

00:23:49Oh, Trinia la Trin!

00:23:50Oops!

00:23:51Oh, I told you

00:23:52Don't do that.

00:23:52I never know where to look!

00:23:53Well, he doesn't know.

00:23:54how are you

00:23:54since he found out

00:23:55that the Flores clinic

00:23:56It's our competition

00:23:57even with efficiency

00:23:58that nobody can stand him.

00:23:58This is capable

00:23:59of putting two mops on

00:24:00at the feet

00:24:00so we can start getting it out

00:24:01shine to the floor

00:24:02and while we do

00:24:02the round below.

00:24:04Sorry.

00:24:05This can't be.

00:24:06We need to register the discharges

00:24:06faster

00:24:07because there have been rooms

00:24:08that have been empty

00:24:08a whole day.

00:24:09Besides being true,

00:24:10Trini,

00:24:10which cannot be,

00:24:11But don't worry

00:24:11that I right now

00:24:12I'll start giving the high ones

00:24:13and type it so fast

00:24:14that it's going to fall

00:24:15hangnails.

00:24:23There you have it.

00:24:24Oh, really?

00:24:25Well, do you know what I heard, Angela?

00:24:26That there are employees

00:24:27who work even in silence.

00:24:29Oh really?

00:24:30But I wouldn't believe any of it.

00:24:31Look, for the first time

00:24:32I agree with you.

00:24:33Some people talk too much.

00:24:35and when you don't have to talk.

00:24:36Robert!

00:24:37Robert!

00:24:40Listen to me, I wanted to tell you,

00:24:41Do you remember?

00:24:41from my aunt Francisquita?

00:24:42Yeah.

00:24:43Does he have a lazy eye?

00:24:44Why put him to work?

00:24:47I'm not telling you.

00:24:48Why do you worry so much?

00:24:50for the health of my family,

00:24:51I mean, well, I'm going to tell him.

00:24:52Well, I thought

00:24:53that would make you happy

00:24:53see your father

00:24:54and share with him

00:24:55your happiness.

00:24:56My happiness, Robe,

00:24:57I share it like you do

00:24:58your shed, darling.

00:25:00As I please.

00:25:01But, hey!

00:25:01Here's the couple!

00:25:04That?

00:25:04When were you planning to tell me, damn it?

00:25:06The fact that?

00:25:07You're dating, damn it!

00:25:09That?

00:25:11Dad, please.

00:25:13But there's nothing more to see,

00:25:14man.

00:25:15Okay, Father.

00:25:16Girl, don't be ashamed of that.

00:25:17Hey?

00:25:17I know everyone

00:25:18It can't be from the street.

00:25:20But I, with the years

00:25:21I've already downloaded the smart one, huh?

00:25:23Come here, Sevillian.

00:25:25My gun was about time, damn it.

00:25:28Thank goodness I proved

00:25:29to be a man

00:25:30And you know what?

00:25:31Recognizing a good female

00:25:32when he has her in front of him.

00:25:33He's right about that.

00:25:35Don Antonio,

00:25:36like her daughter Carmen,

00:25:37There is no other way.

00:25:38Robe, please.

00:25:39Dad, listen to me.

00:25:41Dad, I hope it happens to your eye.

00:25:42I'm not speaking eloquently about this,

00:25:44I just didn't get used to it.

00:25:45Dad, why are you crying?

00:25:48I'm just excited, daughter.

00:25:50That you have always been very much yourself

00:25:51and to see that you have finally found

00:25:52to a man like God intended,

00:25:53with the breeding,

00:25:54with the bunch of idiots

00:25:55that there's a salary out there.

00:25:56Well, forgive me, daughter,

00:25:58It makes me angry.

00:25:59that you see me like this,

00:25:59But you've made me so happy.

00:26:01I'm truly very happy.

00:26:04Oh.

00:26:05Come on, let's go,

00:26:06I'm going to tag him.

00:26:07Now, seeing how things are,

00:26:09The same in the electroencephalogram

00:26:10it ends up coming out

00:26:10a little pony.

00:26:12Stop messing around with me, okay?

00:26:13Even though you're going to be my son-in-law,

00:26:15One never holsters the shotgun,

00:26:16Okay, shall we go?

00:26:24I can't believe it.

00:26:26In my life I have seen

00:26:28something so big.

00:26:29It's incredible, isn't it?

00:26:31Come on, it's incredible.

00:26:32Can you believe that?

00:26:33that scoundrel

00:26:34Why isn't he answering my phone?

00:26:35But what if you're operating

00:26:36Open brain, that's it?

00:26:38But the one she has

00:26:38I am the one with an open heart.

00:26:40Do you know what I think?

00:26:41Maybe

00:26:42He doesn't even want to see me.

00:26:43What if amorchi means

00:26:44Go fry asparagus?

00:26:46Either you're a nasty woman,

00:26:47It would taste bad and it's stupid.

00:26:49These people

00:26:49with one word

00:26:50They want to say many things.

00:26:52Stop messing around, okay?

00:26:53Have we come all the way here?

00:26:54It's for the four-eyed one.

00:26:55I'll tell you things to your face.

00:26:57So I have to see his face?

00:26:59Well, that's what it's for.

00:27:00I know where we have to go.

00:27:02So...

00:27:03Come on,

00:27:04There's not much to see here.

00:27:07Quickly, quickly,

00:27:08the four o'clock skewers

00:27:09and keep an eye on my chopsticks,

00:27:10please.

00:27:11I have enough to deal with.

00:27:11as long as I don't sweat

00:27:12in the prawn cream,

00:27:13Ñaki.

00:27:14Coffee,

00:27:14That would be perfect for me.

00:27:15Wow, it looks like someone

00:27:16He's doing very well here, isn't he?

00:27:18Could it be my Rafi?

00:27:19Poor,

00:27:20It's getting wasted away,

00:27:21lost.

00:27:21Look at him, huh?

00:27:22If it's all about the head,

00:27:23It looks like garlic.

00:27:24Well, Ñaki,

00:27:24You have to do something.

00:27:25Since you expanded the large estate

00:27:26and you opened the terrace

00:27:27We can't keep up here.

00:27:28We're overwhelmed.

00:27:29And on top of that,

00:27:29Now we have to keep watch.

00:27:30that they don't take anything

00:27:31the long-haired ones

00:27:32that protest thing.

00:27:33Won't they be dangerous?

00:27:34No, not dangerous.

00:27:35What they are

00:27:35They're immature.

00:27:36and some unconscious ones

00:27:37and they think that always

00:27:37I'll be behind it

00:27:38solving his problems.

00:27:40Okay, boss,

00:27:41that we have asked

00:27:42some kebabs half an hour ago.

00:27:43At this clinic

00:27:44You take longer to assemble

00:27:44a lid

00:27:45than to uproot

00:27:45some girls.

00:27:46Now,

00:27:46Now go, sir,

00:27:47And excuse me

00:27:47we're up to our necks in it.

00:27:49Yes, Isabel,

00:27:50Yes, I'll think about it.

00:27:52Probably

00:27:52It's about time.

00:27:53to hire another waiter.

00:27:57Waitress?

00:28:00Trini, daughter,

00:28:01that you leave without paying.

00:28:03No, don't worry, Isabel,

00:28:04invites you to the house

00:28:04I'm having a good day today.

00:28:06Oh,

00:28:06I didn't expect it

00:28:07Finding you so happy.

00:28:08I just got back

00:28:09from my land.

00:28:10That's precisely why,

00:28:10return from your land

00:28:11and meet your father-in-law

00:28:12It's fair.

00:28:13My...

00:28:15Carmen's father

00:28:16It's here,

00:28:16at the clinic?

00:28:18Didn't he tell you?

00:28:18Your girlfriend?

00:28:19No, well, no.

00:28:20But look,

00:28:21right now

00:28:21I'm going to introduce you

00:28:22My respects.

00:28:34Rafi,

00:28:36come alienated.

00:28:37It's just too complicated.

00:28:38It's a lot of stress.

00:28:38I'm stressed.

00:28:39Tables here,

00:28:40tables there,

00:28:40terraces everywhere.

00:28:42But come on,

00:28:42That dries you out.

00:28:42washes your face,

00:28:43It relaxes you

00:28:43And you put on that bralin.

00:28:45That?

00:28:46How are you?

00:28:46Depression?

00:28:50Come on.

00:28:54Here, take this.

00:28:55I have to find Carmen.

00:28:56That's what happens when you don't say

00:28:57the truth.

00:28:59Okay, okay,

00:29:00Isabel, okay.

00:29:00Thanks for the moral of the story.

00:29:19Yes, but let's see,

00:29:21But I work here,

00:29:22What a strange place.

00:29:22to work,

00:29:23come on.

00:29:25Yes,

00:29:27chochona,

00:29:27who had the mobile phone

00:29:28full of photos

00:29:29of plague,

00:29:29Pussy.

00:29:30Yes, damn it,

00:29:30but he can be a fisherman,

00:29:31No?

00:29:32That?

00:29:32Fisherman?

00:29:33Yeah.

00:29:33Have you seen yourself?

00:29:33to the hair some resemblance

00:29:34with the hunks from the port?

00:29:36And have you seen

00:29:36to the hair some resemblance

00:29:37with a shark?

00:29:39You're freaking out,

00:29:39No?

00:29:40What do you mean I'm freaking out?

00:29:41little girl,

00:29:41that on the sign on the door

00:29:42puts sharks

00:29:43and has the whole face

00:29:44From the chest?

00:29:45Come on, now!

00:29:45Yes?

00:29:46That's not the man.

00:29:48Look at it!

00:29:54Child!

00:29:55Check it out here!

00:29:56Check it out here!

00:29:58Where is this?

00:29:59Has this seen us?

00:30:00for this grade?

00:30:01Electric shock,

00:30:01the bastard.

00:30:02In the basement

00:30:02always the same.

00:30:10And yes, girl,

00:30:11that it was him,

00:30:11who had the same face

00:30:12of the usual kind,

00:30:13come on?

00:30:14But where will it have been?

00:30:15My uncle?

00:30:17Does it pass this way?

00:30:18a stream

00:30:19Or is this its trail?

00:30:21Little girl,

00:30:22Follow me.

00:30:26You know nothing.

00:30:27Let's see.

00:30:27Wow!

00:30:29Oh, holy shit!

00:30:30That looks delicious!

00:30:31Does this have it?

00:30:32How does it look on your face?

00:30:32you are facing

00:30:33Life with enthusiasm?

00:30:34By?

00:30:35Like you and me.

00:30:36My thing.

00:30:37You know what I'm saying?

00:30:38No.

00:30:39The boyfriend, woman?

00:30:40Ah, yes, yes, yes.

00:30:42I'm just so,

00:30:43so empanada

00:30:44that I forget

00:30:45how in love I am.

00:30:48They're here!

00:30:49They're here!

00:30:50What the hell are you doing?

00:30:52Do you have to put it on?

00:30:52an eel or what?

00:30:53She's gotten into it

00:30:54an air bubble

00:30:55in the brain.

00:30:56No, no!

00:30:57They're here!

00:30:59Here!

00:31:02It fits!

00:31:07Here!

00:31:10Here!

00:31:13Here!

00:31:15Here!

00:31:31Here!

00:31:32This is Viñaki's herb!

00:31:34Where is my cord?

00:31:36And my little anchovy, huh?

00:31:37God, before a greeting, daughter.

00:31:40My weapon,

00:31:40It's here!

00:31:41What is God sowing!

00:31:42Hey!

00:31:43Oh my God!

00:31:44Holy shit!

00:31:45What joy!

00:31:45It's going to be great to see you!

00:31:46How are you, my weapon?

00:31:47That's it!

00:31:47Yes, yes!

00:31:48Already!

00:31:49Now yes.

00:31:50Where is the girl?

00:31:51of Santa María?

00:31:52Coldo and ancho?

00:31:53Yeah.

00:31:55They are together.

00:31:56Where?

00:31:57Have they left?

00:31:58Where?

00:31:59TO...

00:32:02Burgos!

00:32:02To Burgos?

00:32:03And why the hell

00:32:04Why isn't he answering my phone?

00:32:05Because it won't have coverage.

00:32:07because they're down there,

00:32:08but very low down,

00:32:09in a cave.

00:32:10Is there a cave in Burgos?

00:32:12Or two.

00:32:13And what are the cojonatos doing here?

00:32:14It's pelology.

00:32:16Clear.

00:32:17Pelology?

00:32:17Of course, he has a hobby,

00:32:19Don't you know the hobby?

00:32:20that they have

00:32:21of going underground?

00:32:23Hey, what about this food?

00:32:24that you asked for it

00:32:25Just for you, beautiful?

00:32:26Clear.

00:32:27Everything for me,

00:32:28You know that the Basques

00:32:29We eat twice as much.

00:32:31Tea cloth, tea cloth,

00:32:32Don't worry

00:32:33that we will help you.

00:32:34That.

00:32:35We'll be with you.

00:32:37That looks great!

00:32:38What a man I have.

00:32:42Beans

00:32:43They disappear with ears.

00:32:45Dolores, darling,

00:32:47my father's discharge

00:32:48They've already done it

00:32:49all the analyses,

00:32:50radiography,

00:32:51As soon as I get out of the CT scan,

00:32:53for the field.

00:32:54Go on,

00:32:55really,

00:32:55What a rush, huh?

00:32:56Between you and Tini

00:32:57You're going to get

00:32:58that we advance

00:32:58to the flower clinic,

00:32:59But they're going to...

00:33:00to call the buds.

00:33:01Regarding the room,

00:33:02Don't worry

00:33:03which I have already collected

00:33:04I have all her clothes.

00:33:05Ah.

00:33:06The discharge.

00:33:09You only missed

00:33:10to put a rocket in it

00:33:11up the ass.

00:33:11What a loving daughter.

00:33:12Well,

00:33:13more than a daughter's love,

00:33:16girlfriend's love.

00:33:17They are soils,

00:33:18Are you with me yet?

00:33:19Dolores,

00:33:20Do we already have

00:33:20a room

00:33:21For Don Ernesto?

00:33:22Ah, precisely,

00:33:22I'm getting stuck

00:33:23empty it right there

00:33:24the 116th.

00:33:25In half an hour

00:33:25She has her in sight.

00:33:27Take effectiveness.

00:33:28I am Richard Kleiderman

00:33:29from Windows Vista.

00:33:31Well, José,

00:33:31This test is invalid.

00:33:32No, well, no.

00:33:34It says here

00:33:34that Don Antonio

00:33:35has the course

00:33:36from a partygoer in Ibiza.

00:33:37What do you want me to do?

00:33:37He couldn't stay still.

00:33:38and had the character

00:33:39of the Patiño

00:33:40lots of coffee.

00:33:41Well, I'm sorry, José,

00:33:42But it needs to be repeated.

00:33:43Oh, what a mess.

00:33:45And how are you going to tell her?

00:33:46No no.

00:33:47You're going to have to deal with the mess.

00:33:48that's what it's for

00:33:49You're an intern.

00:33:50Come on.

00:33:54Of course

00:33:55that I don't know

00:33:56which study.

00:33:59You see how when it's cold

00:34:00Is the car going like a rocket?

00:34:05If he has gone ahead of us

00:34:06The tractor, please.

00:34:08Hey, and let's see

00:34:08If you look at the shock absorbers,

00:34:09that almost crushed me

00:34:10The Ignatians.

00:34:11Well, goodbye, Baritu,

00:34:12I'm going to clean the car.

00:34:13As I see

00:34:14Check the undercarriage for mud,

00:34:15You'll see

00:34:15that I haven't been

00:34:16in the tavern.

00:34:17Goodbye.

00:34:30Goodbye.

00:34:32Goodness, Marichu,

00:34:33What a surprise.

00:34:34Oh.

00:34:35I almost went straight into the hole.

00:34:37No, what are you saying?

00:34:38No, woman, no.

00:34:39I'm playing a game of chance against you.

00:34:41Sure, the thing is

00:34:42stuck here

00:34:43Well, I have the handicap

00:34:44a little limited.

00:34:45Look, I don't even know what that is.

00:34:47It doesn't matter.

00:34:48That?

00:34:48Did he miss me?

00:34:50I?

00:34:50No.

00:34:51The thing is,

00:34:53Well, by chance

00:34:53I walked past

00:34:54from a pastry shop

00:34:55And I've seen some Ignacios.

00:34:58That you want to put me

00:35:00a little jealous.

00:35:02Oh, don't be silly.

00:35:03The Ignatians

00:35:04They are sweets

00:35:05typical of this area.

00:35:07I bought them

00:35:08to correspond

00:35:08to her shawl.

00:35:09Not because I am a...

00:35:11Okay, calm down.

00:35:12peaceful,

00:35:13he told me.

00:35:13Too good, seal

00:35:14that you are the only one

00:35:15What's so fresh about it?

00:35:16It's her fragrance.

00:35:19Oh, Jesus Mary.

00:35:21Well,

00:35:22I'm sending them to you

00:35:22by fresh packages,

00:35:23Hey?

00:35:24Goodbye, Benito.

00:35:27Well,

00:35:28Sonsolet,

00:35:29Should I leave it here?

00:35:30Thanks, my darling.

00:35:31Thank you, my soul.

00:35:33That?

00:35:34How's it going?

00:35:35That handicap?

00:35:37I don't know, Carmen,

00:35:38I don't know.

00:35:38For more blows

00:35:39that I hit the ball,

00:35:40I can't get it to work.

00:35:42in the hole.

00:35:43Oh,

00:35:43when I get turned on

00:35:44you metaphorical,

00:35:46What's wrong with him?

00:35:47That one resists me

00:35:48North, daughter.

00:35:49Well, to me

00:35:50I'm struggling with it

00:35:50the south.

00:35:52That?

00:35:52My father Iñaki,

00:35:54no...

00:35:55It's that love

00:35:56It doesn't give us any more.

00:35:57What a problem, Carmen.

00:35:58And now on top of everything

00:35:59Marichu,

00:35:59who is kind of on the defensive,

00:36:01like a lioness

00:36:02recently given birth.

00:36:03Oh, silly me.

00:36:06I shouldn't tell him.

00:36:09that little throne

00:36:09I'm starting to like it, aren't I?

00:36:11When I was

00:36:11in the north,

00:36:14pajamas said

00:36:14trying on the shawl.

00:36:15What are you telling me?

00:36:17But,

00:36:18and?

00:36:19How did it look on her?

00:36:20As I imagine it,

00:36:21sure,

00:36:21like a gypsy

00:36:22by Julio Romero de Torre,

00:36:23Or not?

00:36:24Yeah,

00:36:24more or less.

00:36:27In the end,

00:36:28today it is closer

00:36:29from the gringo

00:36:29from what I've thought.

00:36:31He sees it.

00:36:32And how lucky.

00:36:35Carmen,

00:36:35tranquillity.

00:36:36The parents,

00:36:37in the end,

00:36:38we always end up

00:36:38complying

00:36:39the decisions

00:36:40of the children.

00:36:41But,

00:36:41look,

00:36:41Mommy,

00:36:42that I have a professorship

00:36:43putting up with my own people.

00:36:44I wish my father

00:36:45have the same patience

00:36:46with Iñaki.

00:36:47With those little eyes

00:36:48that you have,

00:36:50You are capable

00:36:51to get

00:36:52that your father

00:36:52I ended up lifting stones.

00:36:54Yeah,

00:36:55but to sleep with her

00:36:56the head

00:36:56to Iñaki.

00:36:58Well,

00:36:59I'm going to try.

00:37:00Luck,

00:37:01menuilla.

00:37:01Thank you.

00:37:10Hey,

00:37:10Carmen,

00:37:11look,

00:37:11I'm going to cure him

00:37:11to the bullfighter,

00:37:12Hey?

00:37:12Okay,

00:37:12that seems very good to me.

00:37:13Don't try me

00:37:14not a second

00:37:14because I'm going to regret it

00:37:15about what I'm going to do.

00:37:16My father still

00:37:16the room,

00:37:17TRUE?

00:37:17Yeah,

00:37:17But come on,

00:37:18that I'm going to tell you.

00:37:18That seems very good to me.

00:37:19Angela works.

00:37:28Dad,

00:37:29I need to talk to you.

00:37:31If it's about touch,

00:37:31Don't worry,

00:37:32dear.

00:37:33Your father has

00:37:33brain activity

00:37:34from a medium.

00:37:35What a pain!

00:37:36He wants me to pay you

00:37:37the wedding.

00:37:39But to speak,

00:37:40talk,

00:37:40We're with family.

00:37:42Do you have a second?

00:37:44my love?

00:37:44Yeah,

00:37:45my life.

00:37:47You're passing it to me

00:37:48pipe with this,

00:37:48No?

00:37:49What do you want?

00:37:50If your father

00:37:50has a character

00:37:51that pisses you off.

00:37:51We almost have

00:37:52to ripen it

00:37:52in petroleum jelly

00:37:53to put it in the tag.

00:37:54To you,

00:37:54I put you in

00:37:55three diarnitas.

00:37:56Three little ones?

00:37:57And why are you?

00:37:58You haven't said anything to me?

00:37:59About what?

00:37:59As?

00:38:00I?

00:38:00Yeah,

00:38:01you,

00:38:01damn it,

00:38:02that Carmen

00:38:02She's dating Rober.

00:38:04Ah,

00:38:05Well, that's true.

00:38:05which is great news.

00:38:07Haven't you said it?

00:38:07Nothing, your brother?

00:38:09Oh,

00:38:09that you think I'm yours,

00:38:10my daughter.

00:38:11That's it,

00:38:11that you have to be

00:38:12a little more daring

00:38:13and open up more

00:38:13to people.

00:38:15I try,

00:38:16father,

00:38:16I'll try.

00:38:17And when do you think

00:38:18Make it public?

00:38:19Because you already know

00:38:19that in this clinic

00:38:20Rumors are circulating

00:38:20like gunpowder.

00:38:21In fact,

00:38:22everyone

00:38:23in the cafeteria

00:38:23knows that dad

00:38:24It's here.

00:38:26Hey?

00:38:26And for that

00:38:26I have come.

00:38:27But everyone,

00:38:28sister?

00:38:28Everyone,

00:38:29everyone.

00:38:30From north to south.

00:38:33I don't understand anything,

00:38:34really.

00:38:35Well,

00:38:35father,

00:38:35I've already been discharged.

00:38:36So you'll be crazy

00:38:37to arrive at the field,

00:38:38No?

00:38:39Hello, Antonio.

00:38:40Everything, Antonio?

00:38:42It needs to be repeated

00:38:43the stress test,

00:38:44not through his fault,

00:38:45that you have done

00:38:45Everything was great.

00:38:46when it started

00:38:46the cables and everything,

00:38:47But it was my fault,

00:38:48but it needs to be repeated.

00:38:49But if I were leaving now,

00:38:50balls.

00:38:51But if that's how it was already going,

00:38:51balls.

00:38:52With 15 minutes?

00:38:5315 minutes,

00:38:54that we shouldn't skimp

00:38:55a father's health.

00:38:55Clear,

00:38:56Let's not skimp,

00:38:57balls.

00:38:57What could happen

00:38:58in 15 minutes?

00:39:00Let's not skimp?

00:39:01Well,

00:39:02José,

00:39:02Don't lose sight of it,

00:39:03Okay?

00:39:04Because I'm going to do

00:39:04something very urgent.

00:39:09I'm walking,

00:39:09balls,

00:39:10Or is it that I find it delightful?

00:39:11No,

00:39:11It won't work.

00:39:12man,

00:39:12I'll bring this

00:39:13in case I get tired.

00:39:13Good.

00:39:18Well,

00:39:18they say the bull

00:39:20It's almost like a monkey.

00:39:21on the evolutionary scale,

00:39:22that could be you or me.

00:39:24Well,

00:39:24Did you know

00:39:25that we share

00:39:26more than 60%

00:39:28DNA

00:39:29with the bull?

00:39:31Well,

00:39:31because you don't speak

00:39:32of the banana.

00:39:33Well,

00:39:33with the banana

00:39:33we share

00:39:34more than 50%

00:39:35of DNA.

00:39:37What it costs me

00:39:37in my understanding

00:39:37is how I can

00:39:38share me

00:39:39some DNA with you.

00:39:40Here again,

00:39:41Trini,

00:39:41that you have come

00:39:41Will you join the cause?

00:39:42What are you saying?

00:39:43What causes it?

00:39:43I've come to find you

00:39:44a job.

00:39:45Had you heard that?

00:39:47Job!

00:39:47That,

00:39:48Does the word sound familiar?

00:39:49Look,

00:39:50little girl,

00:39:50goes,

00:39:51I would like to go up

00:39:51that they have me,

00:39:52Okay?

00:39:52But how am I feeling?

00:39:53the lighthouse keeper,

00:39:54Maybe I'll give you a ride

00:39:54a little surprise,

00:39:55Hey?

00:39:55That I am preparing

00:39:56a special action.

00:39:57For you right now

00:39:57a special action

00:39:58is to be one day

00:39:59without getting into trouble.

00:40:00No,

00:40:00Nobody said that activism

00:40:01if it were easy,

00:40:01Trini.

00:40:02Did you say activism?

00:40:03Well then

00:40:04You're going to love this job

00:40:05because active,

00:40:06I activate the one from a card.

00:40:16What happened to you?

00:40:18Rafi,

00:40:18that lately

00:40:19He's very clumsy.

00:40:20Carmen,

00:40:20that I've found out

00:40:21Your father is here.

00:40:22Yeah,

00:40:23Here it is.

00:40:24And why don't you introduce me to him?

00:40:25I would love to meet you.

00:40:26What I would also like

00:40:27to introduce it to you,

00:40:28Iñaki.

00:40:30But the thing is

00:40:31He is very proud,

00:40:33Iñaki.

00:40:33The man, therefore, does not want

00:40:34that he knows him like that,

00:40:35in bed.

00:40:37But what's going on?

00:40:37He has something serious.

00:40:38The father no.

00:40:39No, serious.

00:40:40no.

00:40:42Spectacular.

00:40:43Cumbersome, yes.

00:40:44Already,

00:40:44yes,

00:40:44I understand you now.

00:40:45Besides,

00:40:45If that's what you want,

00:40:46You're fine.

00:40:47Yeah.

00:40:49Hey,

00:40:50sorry.

00:40:53Cold.

00:40:54Give him a reminder

00:40:54on my part,

00:40:55man.

00:40:56Coldo.

00:40:57And here?

00:40:58Aphonic?

00:40:58Aphonic,

00:40:59I'm not screwed.

00:41:00The neighbors are here,

00:41:01in the calla,

00:41:02fuck.

00:41:03I knew it!

00:41:03that the house was

00:41:04very calm

00:41:05in the morning.

00:41:07The neighbors are here.

00:41:10In the north?

00:41:11Listen to me for a moment,

00:41:12Listen to me.

00:41:13This is important,

00:41:14This is life or death.

00:41:14Tell Carmen

00:41:15call them

00:41:17and lie to them,

00:41:18that he lies to them.

00:41:18Lie,

00:41:19a lie

00:41:20that have gone ahead

00:41:21to the carnivals

00:41:21or the faith of Seville

00:41:22or the mother.

00:41:23Get out of here,

00:41:24But now.

00:41:25No,

00:41:25that's how you face it

00:41:26You deal with your problems,

00:41:27No,

00:41:27Coldo?

00:41:27With lies.

00:41:28And furthermore,

00:41:29Now you want to fix

00:41:30your lie

00:41:30with another lie.

00:41:32Well,

00:41:32You know what I'm saying?

00:41:32Coldo?

00:41:33that Carmen

00:41:33He's not here for your problems.

00:41:34whose father is hospitalized.

00:41:36Is there room for everyone?

00:41:36Listen to me,

00:41:37Do not touch me.

00:41:38Here.

00:41:40Unfortunate people.

00:41:40Cabral, you whore.

00:41:41He hung up on me.

00:41:42What does it say?

00:41:43Make yourself comfortable.

00:41:51I'm leaving now.

00:41:53I'll keep telling

00:41:54How is my father progressing?

00:41:55So,

00:41:56Count me in,

00:41:56Okay?

00:41:57Thank you.

00:41:57Yes, wedge.

00:41:58Please keep us informed.

00:41:59Hey?

00:42:00No.

00:42:00Thank you.

00:42:01Nothing.

00:42:10Iñaki,

00:42:11Have you found

00:42:12A new waiter?

00:42:13No,

00:42:14No,

00:42:14if I haven't put it yet

00:42:15nor the announcement.

00:42:15That's it.

00:42:16You don't even have to put it on anymore.

00:42:17Here it is.

00:42:18My sister.

00:42:20That?

00:42:21What's happening?

00:42:22Let's see,

00:42:23one,

00:42:23experience.

00:42:25Two,

00:42:26references from other restaurants,

00:42:29another outfit.

00:42:30Hey,

00:42:30What about my clothes?

00:42:31It's cannabis.

00:42:32Let's see,

00:42:33Iñaki,

00:42:33If I had all that

00:42:35my sister,

00:42:35I wouldn't be asking you.

00:42:36as a personal favor.

00:42:37Already.

00:42:38But do you know what happens?

00:42:39I'm trying

00:42:40give to this site

00:42:41a touch of...

00:42:44sophistication.

00:42:44One week trial,

00:42:45I'm not asking for anything more.

00:42:46Hey,

00:42:47I will have something to say,

00:42:48No?

00:42:57That?

00:42:59Rafi.

00:43:03Elenilla!

00:43:04Rafi.

00:43:05But,

00:43:05but,

00:43:05How are you?

00:43:06Say,

00:43:07Look at yourself,

00:43:07that you're a...

00:43:09How have you grown?

00:43:10It has certainly rained.

00:43:12Hey?

00:43:12Hey,

00:43:13do you remember

00:43:13when my sister

00:43:14Did I sneak into your concerts?

00:43:16You keep singing

00:43:17in that really cool group,

00:43:18No?

00:43:18Yeah,

00:43:18No,

00:43:19No,

00:43:19Yeah,

00:43:19I mean, I only sing

00:43:20with Rosita

00:43:21to the concerts

00:43:22of the Gemeliers.

00:43:22Let's see,

00:43:23Elena,

00:43:23What did you have to say?

00:43:24About what?

00:43:25From this week here,

00:43:26test,

00:43:27as a waitress.

00:43:28Ah,

00:43:28Okay, then.

00:43:29Yeah,

00:43:29What do I want?

00:43:30Oh really?

00:43:32Oh,

00:43:32How easy it was.

00:43:33Well,

00:43:34Well, nothing.

00:43:35You can work on it now,

00:43:36Hey?

00:43:36To impress Iñaki.

00:43:37No,

00:43:38No,

00:43:38to whom he will have

00:43:39that impressing Rafi,

00:43:40who is the head of the room.

00:43:41Am I that?

00:43:43That won't be a problem.

00:43:44TRUE,

00:43:45Rafita?

00:44:02Tell me.

00:44:02Did Marichu fall?

00:44:05You see,

00:44:06I'm turning it over in my mind.

00:44:08to something I haven't told him.

00:44:10Don't tell me you're diabetic.

00:44:11No,

00:44:12No,

00:44:13No,

00:44:14it's not that.

00:44:15The problem is that,

00:44:17well,

00:44:18I don't like eating cakes

00:44:20me alone.

00:44:21Well,

00:44:22They are yours.

00:44:22To invite him

00:44:23He has to ask my permission.

00:44:25Oh,

00:44:25I always forget

00:44:26that with you there are no detours,

00:44:28Marichu.

00:44:28Well,

00:44:29Should I send you the Ignacios?

00:44:30Or should I not send him the Ignacios?

00:44:32And why don't you extract it for me?

00:44:33in person?

00:44:34Hey?

00:44:35I'll be waiting for you tomorrow here in Seville.

00:44:37That?

00:44:38I'll take care of everything.

00:44:39I'll look for a discreet place.

00:44:41Don't be alarmed,

00:44:43a discreet place

00:44:44for chat

00:44:44and have tea.

00:44:46And then,

00:44:46my driver

00:44:47accompanies her again

00:44:48to the airport.

00:44:49Hey?

00:44:50That?

00:44:51What do you think?

00:44:55Marichu?

00:44:57Is Marichu there?

00:45:04And what baby name do you choose?

00:45:05Hey?

00:45:06Clear.

00:45:07Behold,

00:45:08order dessert

00:45:09Because they're going to drive you crazy.

00:45:10These cities are whores.

00:45:12Order dessert.

00:45:13Profitable charge,

00:45:14come on.

00:45:14A little dessert,

00:45:15a little dessert.

00:45:16I sold that now

00:45:17wants a dessert.

00:45:18Tell them there's no dessert.

00:45:19No, no, no.

00:45:20What I'm going to do is leave.

00:45:21I have to go back to work.

00:45:22No, no, no.

00:45:23I'm not staying here alone

00:45:24with these clowns.

00:45:25I'm going to make some curd.

00:45:27You have to take them here

00:45:28as soon as possible.

00:45:29Beautiful,

00:45:30My leg has fallen asleep

00:45:31to the point of breaking.

00:45:32Already.

00:45:32So what do I do?

00:45:33I invite you to swim

00:45:34with the defines.

00:45:35It's about time we did something with the orcas.

00:45:36and my dicks.

00:45:37I shit on you.

00:45:38Who do we want?

00:45:39Hey?

00:45:39My wife?

00:45:40Women?

00:45:41My lover?

00:45:41No no.

00:45:42Look,

00:45:42Well, they should apply that to themselves.

00:45:43those who have lovers

00:45:44and wives

00:45:45because I only have a mother.

00:45:47And does Bello know he's talking to himself?

00:45:48Yeah.

00:45:56Do you know what's happening?

00:45:58Since I'm here all day

00:45:59surrounded by fish,

00:46:01Me too, sometimes

00:46:02I feel alone

00:46:03And then I talk to them.

00:46:06And what about neoprene?

00:46:07Are there floods?

00:46:09Well,

00:46:10this,

00:46:10as they have said

00:46:11that it was going to rain a lot today,

00:46:12Well, he told me,

00:46:13Well,

00:46:14At least I save money

00:46:15about the trench coat.

00:46:29and then when I arrive

00:46:30the client,

00:46:31You show him both cards,

00:46:32the menu

00:46:33and the one with the skewers.

00:46:35Look,

00:46:36after the menu

00:46:37he tells her

00:46:37the four that there are,

00:46:39because this year

00:46:40We have four different ones,

00:46:41Right, Isabelita?

00:46:42Well, I don't know,

00:46:43There might be more,

00:46:43But I didn't find out.

00:46:45Little girl,

00:46:45You're at it again.

00:46:47Haven't I told you?

00:46:47than the other brides

00:46:48Don't you count?

00:46:49Well, for me

00:46:49Yes, the other boyfriends do count.

00:46:51But if you haven't had

00:46:52other boyfriends.

00:46:52No,

00:46:53But if I had had,

00:46:54they would have counted.

00:46:55Look,

00:46:55Isabel,

00:46:56if it's any consolation

00:46:57You don't have to worry about me.

00:46:58I know,

00:46:59little girl,

00:46:59if you work on yourself

00:47:00You can do it

00:47:00with your eyes closed.

00:47:01No,

00:47:02I mean

00:47:02You can rest easy with me,

00:47:04that what we had Rafita

00:47:05And it was just a teenage fling,

00:47:06Right, Rafita?

00:47:07That?

00:47:08That?

00:47:08Don't you remember?

00:47:09from the kiss we shared?

00:47:11That?

00:47:12I gave you a kiss,

00:47:13But by your saint on the cheek.

00:47:15No,

00:47:15He wasn't so holy.

00:47:16that you brushed your lips against mine.

00:47:18No?

00:47:18Well,

00:47:19I'm going somewhere else.

00:47:21Isabel,

00:47:21Don't pay any attention to this one.

00:47:22who is a girl

00:47:23with a lot of imagination.

00:47:24Don't you see the mess you've made?

00:47:24With the bullfighters out there?

00:47:26You're just like your sister.

00:47:28Lie,

00:47:29You are hiding information

00:47:29And you treat us like puppets.

00:47:31Okay,

00:47:32yes indeed,

00:47:32I'm going to tell you one little thing.

00:47:34Be careful with this one,

00:47:35that I'm not that clueless

00:47:36like the Basque.

00:47:37By the way,

00:47:38where are you?

00:47:41Irene,

00:47:42hey,

00:47:42Do you know where it is?

00:47:43Carmen's father?

00:47:44No,

00:47:44already,

00:47:44I know he doesn't want to see me,

00:47:45But I've thought

00:47:46that maybe

00:47:46some kebabs

00:47:47He liked it that day.

00:47:48Geez,

00:47:49Iñaki,

00:47:49What a surprise.

00:47:50Already,

00:47:50A father-in-law is a father-in-law.

00:47:51No,

00:47:52Yeah,

00:47:52I say this because it has made you

00:47:52to speak in a certain way,

00:47:54come on,

00:47:54before only

00:47:55with what you've said now

00:47:55It filled an entire week.

00:47:57The father, you say?

00:47:58On 116th.

00:47:59Thank you.

00:48:00You are welcome.

00:48:02Where has this guy gone?

00:48:03What were we supposed to do here now?

00:48:05I'm sure it's very close.

00:48:08What pull?

00:48:09It has given me.

00:48:11And what about you?

00:48:11Are you not working today?

00:48:13Hey?

00:48:13No,

00:48:14Well,

00:48:15It's that almost everything is already done.

00:48:17The fish are getting older

00:48:18and they need me less and less.

00:48:20and...

00:48:22Where's the bathroom?

00:48:23Where always?

00:48:27Vecano,

00:48:27Buy yourself,

00:48:28pussy.

00:48:29Let it weigh

00:48:30that Omega

00:48:30It's not much to my soul.

00:48:31We don't do it.

00:48:33digestion

00:48:34until we arrive

00:48:34at least

00:48:35to Carmelon.

00:48:36Wow!

00:48:36You're from Seville!

00:48:37More than the one from Triana?

00:48:38But I know,

00:48:39Ivan,

00:48:39invites you to the house.

00:48:40Well yes,

00:48:40look,

00:48:41We're leaving now.

00:48:41because we have come

00:48:42to look for a Basque

00:48:43that has her crazy

00:48:44even poor.

00:48:45Yeah,

00:48:45But he's married.

00:48:47What do you say?

00:48:47What a bastard.

00:48:48Well yes,

00:48:48the truth,

00:48:49because it just doesn't stop

00:48:50of sucking me off

00:48:50over the phone

00:48:51and the son of a bitch

00:48:52It's going to happen.

00:48:54caving in Burgos.

00:48:55To Burgos?

00:48:56Because it will be in the middle of there.

00:48:58Because otherwise,

00:48:58I'm telling you.

00:48:58that a Basque Basque

00:48:59It doesn't do that to you.

00:49:00And I'm going to call mine

00:49:01Let's see where he is.

00:49:02Oh,

00:49:02What are you going to call?

00:49:03What are you going to call?

00:49:04What are you going to call?

00:49:06Yeah I know...

00:49:07has already called

00:49:08your husband before.

00:49:09I had forgotten.

00:49:10That already...

00:49:12who already eats.

00:49:13What to eat next.

00:49:14Later.

00:49:15Already.

00:49:16Already.

00:49:17At the restaurant.

00:49:18What awaits you?

00:49:19then at the restaurant.

00:49:21Already.

00:49:22How awful

00:49:23The Basques speak here, right?

00:49:24Fatal.

00:49:25Well,

00:49:25even so

00:49:26I'm going to call him.

00:49:27that with this

00:49:27You never know.

00:49:30Other?

00:49:35No, not either.

00:49:36He'll be preparing me

00:49:37a little surprise

00:49:38which today is

00:49:39our anniversary.

00:49:41Nice to meet you, girls?

00:49:42Ale, to a...

00:49:43Likewise.

00:49:44Thank you.

00:49:45At least

00:49:46The worst is over.

00:49:48Arracha el teón.

00:49:49You don't believe it.

00:49:51No, no, I'm leaving.

00:49:52Wait, no, don't go in.

00:49:53What's happening?

00:49:54There are ants.

00:49:55Oh, come on, come on.

00:49:55I'm fed up with ants.

00:49:56No, no, but it's full.

00:49:57Ooh!

00:50:09Well, what I'm seeing

00:50:10It's a cockroach.

00:50:31Dad, is it okay?

00:50:33Can?

00:50:35First of all

00:50:36I wanted to tell him

00:50:37which for me

00:50:37It's a real pleasure

00:50:38to meet him.

00:50:40I've brought him some kebabs.

00:50:45Yes, he already told me.

00:50:46her daughter

00:50:46who are you

00:50:47very proud

00:50:47and that he didn't want to see me.

00:50:51And I understand.

00:50:52But

00:50:53I didn't want to leave

00:50:54pass up the opportunity

00:50:54to tell him

00:50:55that I love your daughter

00:50:56And I'm very serious.

00:50:58with her.

00:50:58With the best intentions.

00:51:03You should be ashamed of yourselves.

00:51:04Problems are faced,

00:51:05man,

00:51:05One doesn't hide

00:51:06there like a rat

00:51:07under the bar.

00:51:08Listen, ma'am,

00:51:09that I don't know

00:51:09No problem, huh?

00:51:10What is this?

00:51:11What hasn't stopped?

00:51:11send me a message?

00:51:12Man,

00:51:13I'm not making an excuse,

00:51:14But come on,

00:51:15my finger slipped

00:51:17because the keyboard

00:51:17It's very small

00:51:18the one on my mobile

00:51:19and I also have presbyopia

00:51:20I don't see it that way.

00:51:23It's no excuse

00:51:23And I've already said it.

00:51:24The finger,

00:51:25the finger.

00:51:25And in the south

00:51:25What did you lose?

00:51:26The head?

00:51:27The head,

00:51:28the head

00:51:29and the little hands

00:51:30that has it

00:51:30very long,

00:51:31glasses.

00:51:31And he wasn't the only one, you know?

00:51:34Hey, excuse me,

00:51:34that I was alone

00:51:35playing cards.

00:51:36What a shame,

00:51:36I don't know what face to make

00:51:37You're going to introduce yourself

00:51:38now on your anniversary.

00:51:39Well, it was a mistake.

00:51:40Let's see,

00:51:40One here

00:51:41Can't he make a mistake?

00:51:43I have never said

00:51:43four or two.

00:51:44I mean,

00:51:46I'm a mistake, aren't I?

00:51:48No, no, no,

00:51:49Not you.

00:51:50Not at all, you.

00:51:52No.

00:51:52Me, me,

00:51:54I'm so sorry,

00:51:56No?

00:51:58Little girl,

00:52:00Let's get out of here,

00:52:02that it is already

00:52:02clumsy,

00:52:03blessed.

00:52:06Bye bye,

00:52:07puppy,

00:52:07my soul.

00:52:15That's tense, isn't it?

00:52:17Shall we add hummus?

00:52:18Humus.

00:52:20This is how you clean

00:52:21consciousness.

00:52:21It's just that, really,

00:52:22I don't know how to leave him

00:52:23to Sabino mix

00:52:24with you.

00:52:26Hey,

00:52:27And Sabino?

00:52:29But what's going on?

00:52:30That it is so urgent.

00:52:31Happens.

00:52:32He says I should go.

00:52:34But who?

00:52:35Where to?

00:52:36To my son,

00:52:36But who is it going to be?

00:52:37please?

00:52:39Benedict.

00:52:42He's inviting me to Seville.

00:52:44to spend the day.

00:52:45Those are the Ignacios.

00:52:47Look, I don't know

00:52:47Yes, I'm going to take them.

00:52:48This man

00:52:49He's crazy.

00:52:50But what does he want?

00:52:51Hey?

00:52:51I'll go there to the hotel,

00:52:53as if she were just anyone.

00:52:55Well,

00:52:55Of course, I, on the other hand

00:52:56I tell myself

00:52:57What is more innocent?

00:52:58to drink tea

00:52:59with a friend

00:53:00in front of everyone

00:53:01Seville's high society.

00:53:03Well,

00:53:04that if I find

00:53:05with my son,

00:53:06How can I even look him in the face?

00:53:07Oh!

00:53:08Oh, guys,

00:53:08Sabine,

00:53:09You're not helping me at all.

00:53:11Oh!

00:53:12What do I mean?

00:53:13Oh!

00:53:13What did you mean?

00:53:14Oh!

00:53:17And it was then

00:53:18when I bought the bar.

00:53:21Spending money on top of that

00:53:21all of Aita's savings.

00:53:23And three weeks later

00:53:24So we took the step

00:53:25And here we are.

00:53:26Oh well,

00:53:27I don't want to keep you any longer,

00:53:28really.

00:53:31Go on,

00:53:31that there won't be time to talk.

00:53:33Ah,

00:53:33hey,

00:53:34one thing.

00:53:35I have a contact here.

00:53:37José,

00:53:37the caretaker.

00:53:39If you need anything,

00:53:41anything,

00:53:43Don't hesitate to ask me.

00:53:45Besides,

00:53:45I'm going to put it on now

00:53:46warning.

00:53:47Goodbye,

00:53:48father-in-law.

00:53:58Good,

00:53:59little Yankee,

00:53:59good.

00:54:00Come on.

00:54:04José.

00:54:05Damn.

00:54:07José,

00:54:08Have you seen him?

00:54:09Oh,

00:54:09the little Basque boy.

00:54:11Oh,

00:54:11John Wayne.

00:54:12Well, regarding ambitions,

00:54:13No?

00:54:14That's what you told me,

00:54:14Damn.

00:54:15Let's see,

00:54:15that you also told me

00:54:16a few things,

00:54:17Hey?

00:54:17But I come in peace.

00:54:18Come and run a small errand

00:54:19to José.

00:54:20Clear,

00:54:20like everyone else,

00:54:21No?

00:54:21Because you like it

00:54:22It's exploiting the Andalusian people.

00:54:23balls.

00:54:23What does it say?

00:54:24What does it say?

00:54:24Please,

00:54:24when I stop walking

00:54:25which doesn't seem to reach him

00:54:26blood to the brain,

00:54:27Hey?

00:54:31What's happening?

00:54:32What's wrong with the bull?

00:54:33He cannot get out of the barrier,

00:54:34No?

00:54:34I'm going to trick you with a scarf,

00:54:35Hey?

00:54:35José,

00:54:36Heart this!

00:54:37You big, ugly thing!

00:54:38Come here!

00:54:39Take this away!

00:54:40Pass this to me!

00:54:40What's up, man?

00:54:42But what's going on?

00:54:43kid?

00:54:43But okay, okay, okay.

00:54:46You are a combat firm,

00:54:48Seriously, huh?

00:54:49Fuck!

00:54:49Oh my God!

00:54:50He repeated the test again.

00:54:52The balls.

00:54:54Well, here you go, teacher.

00:54:56Do you know that my father

00:54:57He took me to see him

00:54:57When was I 10 years old?

00:54:59That was a glorious afternoon.

00:55:01Wherever you see it,

00:55:01Dude, he cried with emotion and everything.

00:55:03I cried more from fright.

00:55:04when they fell on me

00:55:05in the fullness of the ears

00:55:05and the tail.

00:55:08Hey, let's see,

00:55:10Now he's waiting for me there.

00:55:11And it was another glorious afternoon.

00:55:13Don't worry, teacher.

00:55:14What gives them out there

00:55:15I'm sure they're bored

00:55:16It's to be expected.

00:55:17Sure.

00:55:17God hear you, son.

00:55:22Even more, man.

00:55:24He's about to leave.

00:55:25Have you got it ready yet?

00:55:26Yes, yes, I'm coming out now.

00:55:28And what do you mean it's not coming out anymore?

00:55:29The only thing that comes out here is

00:55:30These are the dishes on the menu, Elena.

00:55:31Rafi, the bullfighter is leaving

00:55:33and I have to be at the door

00:55:34to perform an action.

00:55:34The act of cackling,

00:55:35You'll want to be yourself, won't you?

00:55:36And the one about exposing

00:55:37to your sister

00:55:37who is standing up for you.

00:55:39Don't tell me you too

00:55:40You've become one of them.

00:55:41What, an adult?

00:55:43Rafi,

00:55:44Well, you were a rebellious rocker, man.

00:55:48Cover me, please.

00:55:48Hey?

00:55:49If only for old times' sake.

00:55:50But time...

00:55:51not old times, Elena,

00:55:52that between you and me

00:55:52There have been no times of any kind,

00:55:54nor the first half,

00:55:54nor a second half,

00:55:55nor time for a power,

00:55:55No, nothing, nothing.

00:55:57Rafi.

00:56:01You're already dragging me into the river.

00:56:04Hi Rafi.

00:56:06Hey, how's the girl?

00:56:07The girl is doing great.

00:56:09Yeah?

00:56:09Yeah.

00:56:10And where is it?

00:56:11In the kitchen?

00:56:11No, yes, yes, yes.

00:56:12No, but don't go in.

00:56:14Why not?

00:56:15Because he's skinning a rabbit

00:56:18and it jumps into the blood and...

00:56:20Of course, you don't want to get dirty

00:56:22that beautiful dress you're wearing,

00:56:23Right, Trini?

00:56:25Wait a minute, Rafi.

00:56:27My sister skinning a rabbit?

00:56:30Whole?

00:56:31He's certainly taking it seriously, isn't he?

00:56:34Let's hope it stays that way.

00:56:36Thank you.

00:56:42And then they say I'm not a thug.

00:56:47I think the van was around there somewhere.

00:56:50Didn't we let her park next to the hunks on a boat?

00:56:54Can't you hug her, Pao?

00:56:55I don't know.

00:56:56The truth is, nobody understands this country.

00:56:58Neither cars, nor streets, nor men, nor anything.

00:57:01Daughter, never take it.

00:57:03Look on the bright side.

00:57:04At least the three of us went on a trip together, right?

00:57:08I propose that we do the same thing next year.

00:57:10And let's not go to the stone monastery.

00:57:12Don't allude to it, because to find a good man

00:57:14I'm going to need a miracle.

00:57:15Look at her, here she is.

00:57:16Who? My man?

00:57:17No, anxious. The van.

00:57:20Look.

00:57:21What is this paper?

00:57:22What is this?

00:57:23A myrtle.

00:57:24And how and from what?

00:57:25And what do I know, if the loved ones come?

00:57:27And these people are impossible to understand.

00:57:29If they come to ask us, we'll say

00:57:31which was a mistake.

00:57:33A huge mistake

00:57:35And that's it, I'm done because I'm fed up.

00:57:37so many stones and completely now.

00:57:39Oh, oh, oh, run, run, run.

00:57:41Run, girl, run, because you don't have the courage.

00:57:44Oh my God.

00:57:45Let's get out of this country right now.

00:57:47Well, Menuilla, I'm going to the countryside.

00:57:49You know I can't stay more than one night

00:57:51without listening to the crickets.

00:57:52That's great, Dad.

00:57:53I'll see you during Holy Week too.

00:57:55As it is a time for forgiveness and mercy.

00:57:57Well, I'll be waiting for you there.

00:57:58And you, Robert, take care of her, okay?

00:58:01Let's see if he lets her.

00:58:02And yes, I let myself, I let myself.

00:58:04Oh my God, Father,

00:58:05How I'm going to miss you.

00:58:07Oh, daughter, there, there, there, go on.

00:58:10I think I've been flying, huh?

00:58:11I won't say any more.

00:58:13Come on, come on, Antonio, let's go.

00:58:14that you're going to be late.

00:58:15You're late.

00:58:16Robert, please make sure you arrive.

00:58:25Carmen.

00:58:28Oh, how are you?

00:58:29I have to tell you something.

00:58:30Look, I know you didn't want to,

00:58:33But I've been with your father.

00:58:37Oh, really?

00:58:37Yeah.

00:58:39And don't make that face.

00:58:41because I think it went terribly.

00:58:45Oh, really?

00:58:45Yes, yes.

00:58:46Look, we haven't talked much,

00:58:47You know how I am,

00:58:48But I think he liked me.

00:58:50Ah, yes.

00:58:51Yeah?

00:58:51Antonio, Antonio.

00:58:52What do I want to talk about, John Wayne?

00:58:53What do I want to talk about, John Wayne?

00:58:54Carmencita.

00:58:55Oh.

00:58:56Carmen, what the hell?

00:58:58I'm thinking of staying tonight

00:59:00with Robert and you

00:59:01to celebrate that you are together.

00:59:02I swear I've tried.

00:59:03Except every day

00:59:04Having a boyfriend and a daughter, right?

00:59:06Antonio, it's my treat tonight, okay?

00:59:08Well, let it be a decent restaurant, okay?

00:59:11And without toothpicks, please.

00:59:29Is that your father?

00:59:31Yeah.

00:59:34AND...

00:59:35Robert is...

00:59:36your boyfriend.

00:59:38Okay, Iñaki,

00:59:38I swear I've tried to explain it to him,

00:59:41oh well,

00:59:42How did I find out that you saw,

00:59:43that little rose.

00:59:45No, silly.

00:59:46No, forgive me, no.

00:59:47But your father is a psychopath.

00:59:49Look, excuse me.

00:59:50You Basques won't talk much,

00:59:52But come up with a description

00:59:53to insult a poor old man

00:59:55who is simply coming to have a test done.

00:59:59Milana, beautiful.

01:00:00Look, this is incredible.

01:00:01Since I met you

01:00:02You have insisted that I confronted my mother.

01:00:04And now you are not capable

01:00:05of confronting your father.

01:00:06Yes, but Iñaki, my father,

01:00:08He hates you.

01:00:09Yes, but my mother,

01:00:11To you too.

01:00:14Carmen, my mistress,

01:00:15He opened the doors of his house to you.

01:00:18Iñaki, and my father,

01:00:19I would open them for you too

01:00:20if you give it another chance.

01:00:22Yeah, but you know what?

01:00:23So far

01:00:24She has only opened them for Robert.

01:00:26Iñaki.

01:00:27Already.

01:00:28Iñaki.

01:00:34Does it hurt? Does it hurt?

01:00:35I just don't want to hurt him.

01:00:37Oh, José,

01:00:38a little more spirit, I'm central

01:00:39I'm not a stick insect.

01:00:41What's wrong with me? It scares me.

01:00:43to do something to her hip, huh?

01:00:45Alright?

01:00:45Look, there's something hard here.

01:00:47What is this?

01:00:47She has removed the prosthesis.

01:00:48Are you stupid?

01:00:49Man, it's the phone.

01:00:51But I always carry it with me.

01:00:52in the pocket,

01:00:52pocketed, maricho.

01:00:55I don't even know why I'm carrying it.

01:00:56If you're not going to call.

01:00:58I'll give it to you.

01:00:59Oh, how thoughtful.

01:01:00This is mobile.

01:01:02Oh, it's vibrating.

01:01:03and puts maricho.

01:01:07Yes, yes.

01:01:08Benito Benjomea on the line.

01:01:10Come on, come on, Benito.

01:01:11Don't pretend I already know

01:01:13that has me registered

01:01:13on the mobile, eh.

01:01:15That's true.

01:01:16But when you call

01:01:17He doesn't put his name.

01:01:18Do you know what it says?

01:01:19Don't let this woman get away.

01:01:22That?

01:01:23But, but,

01:01:24How baroque you are.

01:01:26Look,

01:01:28I've thought that I'm not going to

01:01:29to take the Ignacios.

01:01:31Ah,

01:01:32Why isn't he coming?

01:01:34No,

01:01:34because I ate them.

01:01:35And if I go,

01:01:37I'm going to make things perfectly clear to you.

01:01:39Yes, yes, yes, yes.

01:01:40Well,

01:01:41Whatever you say.

01:01:42This is not a courtship.

01:01:44We are two friends

01:01:45who stay to chat.

01:01:47So I go out at dawn

01:01:49and I'll be back before nightfall.

01:01:51And no reserved seating, okay?

01:01:53Run into the air.

01:01:54Nothing, nothing, nothing.

01:01:55Well,

01:01:56For me,

01:01:56as if I want you

01:01:57with separate tables.

01:01:59And one last thing.

01:02:00From this to my son,

01:02:02my word.

01:02:02I am a tomb.

01:02:04Although right now

01:02:05my face

01:02:05It's everything

01:02:06less than burial.

01:02:08Well,

01:02:10until today,

01:02:10already,

01:02:10rather.

01:02:14Where is he going?

01:02:15I'm going to talk

01:02:16with my travel agency.

01:02:17What are you doing?

01:02:17Nozarte?

01:02:18But, man,

01:02:18that I still have to do

01:02:19the part of the...

01:02:20Ofu,

01:02:21the spirit these old men have,

01:02:22Seriously, huh.

01:02:23José,

01:02:23How was your first day at work?

01:02:25Hey,

01:02:25great.

01:02:26Ofu,

01:02:26And there you have it,

01:02:27I still don't know for sure.

01:02:28What is this for?

01:02:29But what I do know

01:02:30It's that the patients

01:02:30from the clinic

01:02:31They have no problem

01:02:32mobility.

01:02:32They move

01:02:33such as prices.

01:02:34Already,

01:02:34How lucky, huh.

01:02:35Yeah.

01:02:36Instead,

01:02:37You do have them

01:02:38a little problem,

01:02:38José.

01:02:39I?

01:02:41Because, look,

01:02:42It seems to me

01:02:44that this 6

01:02:46It's very different.

01:02:47to the remaining 6,

01:02:48TRUE?

01:02:48Yes or what?

01:02:50Well,

01:02:50concept 6

01:02:51It's a very broad concept,

01:02:53No?

01:02:53And very subjective,

01:02:54taking into account

01:02:55that Latin calligraphy

01:02:56It's coming...

01:02:56José,

01:02:57Are you serious?

01:02:57Did you forge the note?

01:02:59I don't quite understand

01:03:00the question.

01:03:01Look,

01:03:01Leave it,

01:03:01Because I already know

01:03:02the answer.

01:03:03Trini,

01:03:04man,

01:03:04Don't leave

01:03:04to irritate you,

01:03:05man,

01:03:06that sometimes

01:03:06the end justifies

01:03:07the media,

01:03:08TRUE?

01:03:09What do you mean?

01:03:10Man,

01:03:11that same

01:03:12a stick is inserted

01:03:12to a 5

01:03:13to make it look like a 6,

01:03:14that same

01:03:15Information is extracted from him

01:03:16to an agent

01:03:16definitely anesthetized

01:03:17Or maybe...

01:03:19One moment,

01:03:19but,

01:03:20Were you there?

01:03:22That's just how it is

01:03:23to be the last monkey,

01:03:24what happens one

01:03:24unnoticed.

01:03:30José,

01:03:31a single failure

01:03:32and you don't come back

01:03:33to step into this room

01:03:33not even to mess it up.

01:03:34Is that clear?

01:03:35Like water

01:03:36of the malagueta.

01:03:37Well,

01:03:37a little clearer.

01:03:40Hey,

01:03:40Trini,

01:03:41this about internships

01:03:42It is unpaid.

01:03:44What is more important?

01:03:45in this life

01:03:46that experience,

01:03:46TRUE?

01:03:50Asensivo!

01:03:52Asensivo!

01:03:52Let's see,

01:03:53Just listen to it.

01:03:54Oh well,

01:03:54How can one be

01:03:55so ignorant,

01:03:56man,

01:03:56Call me a murderer?

01:03:57I don't kill

01:03:57no bull,

01:03:58man,

01:03:58I'm facing him

01:03:59and then

01:04:00fate decides.

01:04:01But these people

01:04:02doesn't understand

01:04:03nor of glory

01:04:03or anything.

01:04:04Therefore, out it is,

01:04:05the national holiday

01:04:06It would be smoking joints,

01:04:07Hey?

01:04:08You know, buddy?

01:04:09That I have looked

01:04:10eyes by the hundreds

01:04:11of all tails

01:04:12and that it came out

01:04:15that makes me nervous.

01:04:18Don't worry,

01:04:19filigree.

01:04:20This little walk

01:04:21You're not going to do it alone.

01:04:22Here's the guy.

01:04:23Now then.

01:04:24Come on, come on, come on.

01:04:26Careful,

01:04:27pretty.

01:04:28If you stain me

01:04:29the taste

01:04:29you'll know

01:04:30that's what real protesting is.

01:04:32Iñaki,

01:04:32Hey?

01:04:33Look,

01:04:33I would like to thank you

01:04:34the opportunity

01:04:35that you have given

01:04:35to my sister.

01:04:36Well,

01:04:37It's on trial.

01:04:37He still has to prove himself

01:04:38that it be done.

01:04:39No, don't worry

01:04:40that will

01:04:40on the account

01:04:40that brings him.

01:04:41Besides,

01:04:41I don't know what you've done to him.

01:04:42But he's taking it

01:04:43Very seriously, huh?

01:04:44Yes, very good.

01:04:45I'm glad.

01:04:45Now, if you'll excuse me...

01:04:47Hey?

01:04:48There it is,

01:04:48What's gotten into him?

01:04:50Oh!

01:04:51I wanted to see you.

01:04:53Well, she's not the only one.

01:04:54I am Trinidad Lozano,

01:04:55the director of the clinic.

01:04:56Delighted.

01:04:57There's a taxi

01:04:57waiting at the door.

01:04:58If you agree,

01:04:58I will accompany her outside.

01:04:59Well, thank you very much.

01:05:00And relax,

01:05:01filigree,

01:05:02that the blood

01:05:02It won't reach the river.

01:05:03hey.

01:05:04It depends

01:05:04depending on the river's flow,

01:05:05Don't you think so?

01:05:06Don't worry

01:05:06that I have taken charge of

01:05:07personally

01:05:08that the leader

01:05:09of these agitators

01:05:11be under control.

01:05:26Elena.

01:05:28Who had asked me

01:05:29A takeaway menu?

01:05:30You, really,

01:05:31Do I look like an idiot to you?

01:05:32Look,

01:05:33Throw it right now

01:05:33for the bar

01:05:33Otherwise, your week will be over.

01:05:34of tests

01:05:35they are going to become

01:05:35in ten minutes.

01:05:37Come on!

01:05:38Come on!

01:05:42Helena!

01:05:43Oh,

01:05:43my clinic is full

01:05:44of journalists.

01:05:45This can't get any worse.

01:05:47Two tits are worth more

01:05:48than one hundred bulls

01:05:49in the foul!

01:05:51Well yes.

01:05:53There's no need

01:05:54thrust

01:05:55for a good time!

01:05:57Elena,

01:05:57put on a shirt

01:05:58and remove rich

01:05:59and remove rich.

01:05:59That's enough!

01:06:00So much effort put into this bull!

01:06:01Host!

01:06:01It will be by grace

01:06:02the car cage this

01:06:03And on top of that, it also comes

01:06:04Let's dive in.

01:06:05Dad!

01:06:06Dad!

01:06:07I'm going to put things

01:06:08That definitely takes away,

01:06:11Dad!

01:06:12Dad!

01:06:13Dad!

01:06:14You don't like little bulls,

01:06:15No?

01:06:15Listen to me, Dad!

01:06:16Do you think we're savages?

01:06:18TRUE?

01:06:18Don't you believe it?

01:06:19that I'm a savage?!

01:06:20Dad, you'll see

01:06:21What a boyfriend!

01:06:22That!

01:06:23Yeah!

01:06:25Dad!

01:06:26Father-in-law!

01:06:44Well, well, Master Arzak has prepared an exclusive menu for this very romantic and very special evening.

01:06:52Hey, Coldo?

01:06:53Huh? A little more wine, please, Anchón.

01:06:56I was talking about the menu, about what you're going to have for dinner tonight, on this very romantic and special night.

01:07:00Excuse me, Anchón, I was answering a customer; it's just that it's the middle of the day in Japan.

01:07:04Anchón, a little more wine

01:07:06Okay, let's see, we've prepared a tasting menu consisting of 12 dishes

01:07:1212 dishes, and what time are we going to finish?

01:07:15We both get up really early, Anchón, huh?

01:07:17Hey guys, it's not every day you turn 15 years old.

01:07:20And whether you've had a few problems lately or not

01:07:25We should celebrate that you're still together, right?

01:07:28Come on, let's enjoy ourselves

01:07:36Anchón is right, isn't he? Izas?

01:07:40Look, we don't realize it, but our jobs absorb us so much that we no longer pay attention to ourselves.

01:07:45We don't talk to each other, we don't look at each other, we don't kiss.

01:07:51Just like 15 years ago, huh?

01:07:53Do you remember?

01:07:58Come on

01:08:00Let's have a toast to ourselves, shall we?

01:08:03Come on

01:08:09Greetings

01:08:09Oh, what a saying, mamari!

01:08:11Okay, okay

01:08:12One two, with two?

01:08:14One, two, two!

01:08:14Chiar un dos!

01:08:15Very good, very good

01:08:16Well, then

01:08:17Some dishes

01:08:19Prawns

01:08:20Sheet

01:08:21Hey?

01:08:23Well

01:08:23Andalusian style

01:08:28And now I'm going to add the broth.

01:08:33Oh, how lovely!

01:08:35Oh!

01:08:37Opoles!

01:08:39Piety

01:08:40Woman, don't cry anymore, cheer up, little girl

01:08:42If he's not unfaithful because he's empty-headed, he's unfaithful because he's a doctor.

01:08:47Come on

01:08:47Yeah

01:08:48Come along and be careful with the car

01:08:50A little kiss

01:08:51Bye

01:08:52Have you expected a difficult return trip?

01:08:56Yes, yes, the poor thing

01:08:57The truth is, yes.

01:08:58Well, we also have a complicated night ahead of us.

01:09:01Long

01:09:02Pretty

01:09:03Of reconciliation

01:09:04Hey?

01:09:06Much reconciliation

01:09:10As?

01:09:14Leave the light

01:09:21Father

01:09:21What are you doing here?

01:09:23The power had blown and he was looking for a candle.

01:09:25But the light has come.

01:09:25Well, I see everything as darker than ever.

01:09:28Didn't you take Rafi with you?

01:09:30Yes, yes, but I didn't want to leave.

01:09:32Before I sort things out with you and my new

01:09:35Son-in-law, father

01:09:36Oh, I can never find those words, Joe.

01:09:38I've left a decent little bottle for two days in the countryside

01:09:40Because he keeps a good eye on the cattle.

01:09:41Look, how nice!

01:09:42Little jar that is your dog

01:09:43My dog says

01:09:46My buddies, damn it

01:09:47Already

01:09:4740 years working together

01:09:49He would cross between me and a lightning bolt if I asked him to.

01:09:51I'll tell you more

01:09:52Okay, father

01:09:52I'll start preparing the guest room for you.

01:09:54Oh, really?

01:09:55Don't talk nonsense, little girl.

01:09:56Well, I manage with a wall on the floor, you know.

01:09:58Dad, please

01:09:59It's not a big deal if you sleep in a normal bed one day.

01:10:02Hey?

01:10:02Okay, I'll go

01:10:13Uh, uh, one minute

01:10:14Carmen, Carmen

01:10:18Don't leave me there alone with him, man

01:10:20I still have its textile bones on the lapel of my head.

01:10:22Come on, man, don't be a coward.

01:10:24My father is very rough, but then he gives me a piece of bread

01:10:27Come on, I'm going to win it for you.

01:10:28Look, I've never had a father-in-law in my life

01:10:31And today, on a day

01:10:32I have to earn two

01:10:35Fuck!

01:10:38Look, let's stop messing around and tell each other things straight.

01:10:41Hey?

01:10:43I don't like you either

01:10:44You don't like me either

01:10:46Okay, okay, let's see.

01:10:48Perhaps we haven't gotten off to a good start.

01:10:50But we mustn't give up the fight.

01:10:52Or what?

01:10:52Hey, hey, hey, hey

01:10:53Stop the car, convoy

01:10:55If you want me to give you my blessing

01:10:57Are you ready?

01:10:58Because you haven't yet shown me that you have even half the manly character that deserves to be loved by me.

01:11:02Wow!

01:11:03Well, that's it

01:11:05What? Have you already given your little speech?

01:11:07Yes, yes

01:11:08Father, by God

01:11:09Drop that knife, you're practically spitting down

01:11:12Okay, Dad.

01:11:14Iñaki and I love each other very much

01:11:15We are very happy, we understand each other very well

01:11:18Just like you're going to understand me

01:11:20So come on

01:11:22Give each other a hug

01:11:23Yes, man

01:11:25Come on, man, I'm asking you to dance a chote

01:11:27Come on!

01:11:30Come on

01:11:46You're sorely mistaken, you caged bastard

01:11:57Listen, Iñaki, my father is going to want to catch you.

01:11:59I know him and he's very confusing.

01:12:00All I'm suggesting is that you tell him no.

01:12:02Don't let yourself get carried away

01:12:04Pussy!

01:12:05What are you doing?

01:12:05I'm already at the hotel

01:12:06Well, I'm flying there.

01:12:11How are you?

01:12:12You come here with your boyfriend who comes hunting with me

01:12:15As?

01:12:16Iñaki hunting

01:12:16But last year he pardoned a lobster in the Christmas stew as a sign of pity.

01:12:20You can leave your clothes here and change in the bathroom

01:12:23What's this? Now the NBA?

01:12:24Sorry for the delay, Antonio

01:12:25Hello good morning

01:12:27Good afternoon

01:12:39Oh, look who's coming over there

01:12:44Look, José, I don't think this is a good idea.

01:12:46I agree

01:12:47But they ask that question less of those who have had it.

01:12:51Welcome, Marichu

01:12:53I'm going to do an ethnology internship in Bordeaux.

01:12:55Further?

01:12:57It turns out that Robe has also gone hunting.

01:13:00And with how much Iñaki wanted to do it

01:13:01That's going to be the Star Wars.

01:13:07Oh! I curse everything that looks at me!

Allí abajo - 2x02 - El padre de la novia - HD 1080

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