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00:00:00Carmen is a shameless woman.
00:00:01She's had an affair with her boss and has abandoned you.
00:00:03But when will the scales fall from your eyes?
00:00:05And when are you going to listen? Wasn't it her?
00:00:06What was I? Did I sleep with a big drop?
00:00:09The contemplation is over.
00:00:10Either you back down or I'll tell my son you only want him for the clinic?
00:00:14Who is he going to believe?
00:00:15To someone who has undervalued him his whole life?
00:00:17Or the love of his life?
00:00:18Well, I'll pay you to keep an eye on my gynecologist.
00:00:20Poor Carmen is already confused enough without having a big, stingy man hanging around her.
00:00:24Carmen and I almost kissed.
00:00:27Well, go ahead and talk to Carmen, because if Marichu finds out, she's going to cut your balls off.
00:00:30If the topic bothers you, then I'm a threat.
00:00:32And I can assure you that the baby is a girl.
00:00:35Oh, what a pretty girl!
00:00:37Elaya!
00:00:38Don't tell me it's lovesickness.
00:00:40Sometimes you have to take the plunge and pursue what you truly want.
00:00:45Damn the night!
00:00:47I just gave him the mother of all covers.
00:00:49Do you want to take Trinidad as your wife?
00:00:52Can't.
00:00:52That?
00:00:53My father just gave us the best gift in the world.
00:00:56The Seville Cathedral for us, Gordi.
00:00:59You deserve a lot of credit knowing that Iñaki and I...
00:01:01What about you, Iñaki?
00:01:02Well, I thought Iñaki was back on the market, didn't you?
00:01:05It is completely free.
00:01:07We are not willing to continue with this charade.
00:01:0950,000, 60,000.
00:01:11All you have to do is say a number and forget about my son.
00:01:14And although it's a very tempting offer, I still almost prefer the clinic.
00:01:19What are you doing with your life, Carmen?
00:01:22It's Iñaki, who is Horacio, who has just filed for divorce and quit his job.
00:01:26I'm not going to be separated from Iñaki and separated from Horacio.
00:01:29Are you enjoying Horacio?
00:01:30Don't know.
00:01:30You've finally done it.
00:01:31What do you think, that I wanted to divorce Carmen or what?
00:01:33So he didn't quit his job for you?
00:01:35So he didn't divorce me because of you?
00:01:37It's great to know that I can openly fight for her.
00:01:39Do you know what else you can do?
00:01:41I will lose openly because I will fight for her too.
00:02:13I will lose openly because I will fight too.
00:02:14What do you mean he asked you for a divorce?
00:02:15Well, just like you heard, auntie.
00:02:17Iñaki, you haven't put the ladle in the wrong pot again, have you?
00:02:21Because with how hard it is to find a girlfriend and get married here in the Basque Country, why go around getting divorced?
00:02:25Iñaki, there's a kilo of oysters waiting for you to open them, okay?
00:02:28So either you do it now, or I'm the one who's going to rip you open.
00:02:31Look, you bastards, I don't want to interfere, okay?
00:02:33Well, don't interfere.
00:02:34No, no, no, no, I'm not interfering.
00:02:36But if you're having problems with the guy you like, I don't know why you have to take it out on me.
00:02:40Iñaki.
00:02:40What did I do?
00:02:41Well, well, well, I have enough work-related food to worry about without thinking about personal food.
00:02:45That's definitely the impression of a daughter.
00:02:47Well, it seems I'm the only one who cares that he's coming to Inera the day after tomorrow.
00:02:51Segurola.
00:02:51It's true.
00:02:52Who is that?
00:02:53Your family?
00:02:54No.
00:02:54No, she is the person on whom our future depends.
00:02:57She is the most ruthless food critic in the Basque Country.
00:03:00And I already have my menu ready, huh?
00:03:02There's just one small detail missing.
00:03:05Which?
00:03:05Well, get off your ass and start cooking it.
00:03:07It's just that I always have to be on top of you.
00:03:09I mean, on top of you, I don't mean behind you.
00:03:12No, not behind either.
00:03:13Start cooking.
00:03:14Yes, yes, yes, yes, yes.
00:03:15Jesus, dude, what nerve.
00:03:17I don't know what's wrong with this girl.
00:03:25Carmen, go.
00:03:31Aunt Bego, eh...
00:03:33Ah, yes, yes, I'm going to get organized, I have to.
00:03:39Okay, Carmen, what are you going to do?
00:03:42Do you have anything planned?
00:03:43Are you going back to Seville?
00:03:44No, no, no.
00:03:45I'm going to have Elaya here in the north.
00:03:47Okay, yes, we'll see later.
00:03:49Well, we'll see.
00:03:50Look, Iñaki, since we're not together anymore...
00:03:52Well, for now.
00:03:57Carmen, I want to fix it.
00:03:58Trust me.
00:03:59Iñaki, listen to me for a moment.
00:04:02You are Elaya's father.
00:04:03Man, I'm glad to keep that title.
00:04:05And that's why I want us to be friends.
00:04:08Friends for our little girl?
00:04:09Yes, for her.
00:04:10Well, I guess that makes sense.
00:04:12Okay.
00:04:13Horacio is going to be my doctor.
00:04:14Look, that doesn't make much sense.
00:04:16In other words, it has to be him...
00:04:17I mean, nowadays you can't even kick a rock
00:04:19And a gynecologist comes out.
00:04:19Carmen, please.
00:04:20Iñaki, please, let's begin...
00:04:22Look, you know what I'm saying?
00:04:23That you spend more time with him
00:04:25that when you worked there.
00:04:26That?
00:04:26That?
00:04:26No.
00:04:27Excuse me a moment, I'm getting a call.
00:04:29Yeah.
00:04:32Horacio, how are you?
00:04:33Again?
00:04:34Yes, yes, yes, no.
00:04:35If the sugar came out like that, of course.
00:04:37Yes, yes, I'm going there now.
00:04:39Come on, a kiss.
00:04:40Bye.
00:04:41What's happening?
00:04:42Do we have another review?
00:04:43Is something wrong?
00:04:45No.
00:04:46No, it's okay.
00:04:47I'm truly sorry.
00:04:48No problem.
00:04:49If it's for Laia's sake, then go ahead.
00:04:53Brilliant.
00:04:58Damn, damn, damn.
00:05:00Look, I'm right.
00:05:01That Horacio won't stop until he gets Carmen.
00:05:03I'm telling you.
00:05:03Don't start with your paranoia,
00:05:05Look where they've led you.
00:05:06Do you know my paranoid thoughts?
00:05:06But it does have more revisions.
00:05:08than a racing car, damn it.
00:05:09Iñaki, don't talk nonsense.
00:05:10How can it be so twisted?
00:05:11Horacio is a gynecologist.
00:05:13What do you think?
00:05:13What will a review benefit from?
00:05:14How can I score points with Carmen?
00:05:23I was checking the material.
00:05:24What do you want?
00:05:26Look, I've already organized your schedule
00:05:27for the next two months.
00:05:28It's impossible to organize it better than Carmen.
00:05:31Have you noted the reviews?
00:05:32Yeah.
00:05:32Yes, very good.
00:05:33And the analyses?
00:05:34Carmen was writing them down.
00:05:35Yes, that too.
00:05:36And I've also marked the biopsies.
00:05:38to differentiate one thing from the other.
00:05:39Oh, that's great.
00:05:40Look at that, yes.
00:05:41And have scheduled births been recorded?
00:05:44Carmen took them very much into account.
00:05:45Okay, everyone here.
00:05:47Look, I've organized everything for you.
00:05:48in alphabetical order
00:05:49and also each week with a different color
00:05:51because that's how we'll find it
00:05:51much faster.
00:05:53Colors, he says.
00:05:54I hate bright colors.
00:05:56Carmen knew it very well.
00:05:57Let me, let me see
00:05:58Let's see if everything is so alright.
00:05:59as it says.
00:06:03Here.
00:06:04A huge mistake.
00:06:06This point is unnecessary.
00:06:11It was a speck.
00:06:15Carmen brought everything without a speck in it.
00:06:17You can be absent.
00:06:18Thank you so much.
00:06:20Very kind.
00:06:28Note the public holidays
00:06:29in red.
00:06:30Who would think of that?
00:06:34Marichu,
00:06:34How's the prettiest one doing?
00:06:35from the four cardinal points
00:06:36And this side of the Guadalquivir?
00:06:37Very good.
00:06:38But you better stop flattering me
00:06:40And tell me what you want.
00:06:41Look,
00:06:42I was wondering how...
00:06:44Since Carmen is no longer with Iñaki...
00:06:46Look, don't remind me.
00:06:47This seems like the world turned upside down.
00:06:48My good son is getting a divorce
00:06:50And my silly son gets married.
00:06:52And the worst part is that my granddaughter
00:06:53He is going to be born into a broken family.
00:06:54No, man,
00:06:55Don't say that nonsense moves
00:06:56Given how thoughtful you are,
00:06:58I'm sure the little girl
00:06:59He won't even notice.
00:07:00Well, you're right about that.
00:07:01Well, José,
00:07:02Thank you for letting me vent.
00:07:04That puts my mind at ease a little more.
00:07:06Well,
00:07:06That's what colleagues are for,
00:07:07Really, Marichu.
00:07:08What I want to tell him...
00:07:10Marichu?
00:07:10Is there a phone number?
00:07:12No, he cut me off.
00:07:14Which aunt?
00:07:17Marichu.
00:07:18José, what do you want now?
00:07:19Let's see,
00:07:21I wondered
00:07:21Since Carmen is no longer here with her daughter...
00:07:23Look,
00:07:23My memory gets worse with age.
00:07:25but I would swear
00:07:25that we just had this conversation.
00:07:27Please,
00:07:28Can you let me speak for a bit?
00:07:29Hey?
00:07:30Let's see,
00:07:30What I mean is
00:07:31It's because I no longer have to be their mole
00:07:33and I have paid my debt,
00:07:35Well, let's see if I could leave.
00:07:36from the Basque Country,
00:07:36the truth,
00:07:36I'm feeling a bit overwhelmed.
00:07:38Okay, okay,
00:07:38Okay,
00:07:38OK.
00:07:39I promised you
00:07:40And I am a woman of my word.
00:07:41You go and get organized.
00:07:42Okay, fine.
00:07:49Hey,
00:07:49Christopher.
00:07:52Christ?
00:07:53Forward,
00:07:54Dear.
00:07:55Well,
00:07:55She is Bernarda the Fox,
00:07:56Zorro Bernarda Marichu,
00:07:58my dear wife.
00:07:59May God bless her.
00:08:00And to what do we owe the pleasure?
00:08:03of his holy company,
00:08:05sister?
00:08:05You see,
00:08:06Dear,
00:08:06I don't know if I should remind you
00:08:07that when I died
00:08:08I left part of my fortune
00:08:10to these beautiful people
00:08:12charitable
00:08:13where there are any.
00:08:14We have not come into this world
00:08:16to return with full pockets,
00:08:17Don Benjumea,
00:08:18although a little bit of pasta
00:08:20with coffee
00:08:21if I took it.
00:08:22Of course,
00:08:22please.
00:08:24And here
00:08:24Zorro Bernarda's slave.
00:08:28Well,
00:08:28well the case
00:08:29It's just that now
00:08:29that I have risen
00:08:31these beautiful people
00:08:32They're going to give me back
00:08:34some family jewels
00:08:36that ended
00:08:36in their possession
00:08:37and that I never
00:08:39under no circumstances
00:08:40would have claimed.
00:08:41We know,
00:08:42Don Benjumea,
00:08:43But these jewels
00:08:44They have a lot of sentimental value
00:08:46and since his son
00:08:47She's getting married tomorrow.
00:08:48we understand
00:08:49that they must return
00:08:50to the family.
00:08:51You are very kind,
00:08:53But take this,
00:08:53Take some pasta.
00:08:54Tomorrow our treasurer
00:08:56will deliver
00:08:57of everything listed
00:08:58in this inventory.
00:08:59Thanks a lot.
00:09:02My God,
00:09:03Benedict,
00:09:04This seems
00:09:05the general archive
00:09:05of the Indies.
00:09:06Oh, look,
00:09:07the ivory cameo
00:09:08from my great-grandmother
00:09:09and the golden seal
00:09:10from my great-grandmother
00:09:11and the twins
00:09:12with the family crest.
00:09:14Thanks a lot.
00:09:16Oh, oh, oh,
00:09:18What a great pain.
00:09:20Oh,
00:09:23my little tummy.
00:09:25My bastard.
00:09:26What a pain.
00:09:27The stew he made for us
00:09:28and to the whore.
00:09:29Yes, child,
00:09:30respect
00:09:31that there are nuns here.
00:09:32Oh,
00:09:32This one fits me perfectly.
00:09:34Oh, my tummy.
00:09:36What a pain.
00:09:37What are you doing here?
00:09:39This one who has loved us
00:09:40poison.
00:09:41What happened?
00:09:42Oh,
00:09:42Give me something for the contortions
00:09:43this,
00:09:44Oh my God.
00:09:45Oh,
00:09:46look,
00:09:46look,
00:09:46look,
00:09:46look,
00:09:47She also has pains.
00:09:48No,
00:09:48no,
00:09:49that I put
00:09:49He tears off my arm.
00:09:50With your accountant,
00:09:51does not recognize
00:09:51that your spoon maker
00:09:52It is radioactive.
00:09:54Look at what she was,
00:09:55White,
00:09:56makes salmorejo
00:09:56with so much vinegar
00:09:57that looks pickled.
00:09:59Take her away,
00:09:59take it away,
00:10:00please,
00:10:01take it away.
00:10:02Forward,
00:10:02forward.
00:10:03I'm so pissed off.
00:10:04Forward.
00:10:06Juan Antonio,
00:10:07come here,
00:10:07man,
00:10:08come,
00:10:08come.
00:10:09Look,
00:10:09you don't know
00:10:10what you have done,
00:10:10kid,
00:10:11What have you done?
00:10:11Bringing these people here?
00:10:12I should have
00:10:13given a little pill
00:10:13to each one
00:10:14and having left her
00:10:14there at his house.
00:10:15It's because it has less reflexes.
00:10:16than a cork mirror
00:10:17And don't laugh
00:10:18that I know you,
00:10:19Don't laugh,
00:10:19with the teasing.
00:10:24Horace,
00:10:24thanks a lot
00:10:25because of the lentils.
00:10:26With the ice supplement
00:10:27That would have been enough.
00:10:29Well.
00:10:29Oh well.
00:10:30Let's see if we're ready.
00:10:31Come on,
00:10:31that,
00:10:31see you?
00:10:32Well,
00:10:33if you like,
00:10:33We can keep seeing each other
00:10:35now.
00:10:36We can go eat,
00:10:37if you like.
00:10:37Let's eat.
00:10:38Horace,
00:10:38at half past eleven
00:10:39a.m.
00:10:40Well,
00:10:40says eat,
00:10:41says a brunch.
00:10:43Oh?
00:10:43A brunch,
00:10:44a brunch,
00:10:45That's what they say here.
00:10:46nor a brunch.
00:10:47And for a walk?
00:10:48Do you want to go for a walk?
00:10:48Or maybe you'd prefer
00:10:49to be in a bank
00:10:49sitting quietly
00:10:50and we can chat.
00:10:51Or we can...
00:10:52Hey,
00:10:52I'm leaving now
00:10:53from the Basque Country!
00:10:56Hey,
00:10:56that I so soon
00:10:56I came for a weekend
00:10:57I see almost a year.
00:10:58So what about the brunch?
00:10:59What are you saying?
00:11:00Nothing,
00:11:00nothing,
00:11:01that I...
00:11:02It makes me so happy,
00:11:03But I also feel very sad.
00:11:05and her even more so.
00:11:06If what happens to you
00:11:06It's because you don't know
00:11:07who's going to rob him
00:11:08to the muffins.
00:11:08AND?
00:11:09Whom?
00:11:09Hey,
00:11:10and if you share
00:11:11lentils with me
00:11:12I've given you many.
00:11:12Come on,
00:11:13that I'm going to share
00:11:13lentils.
00:11:14I like lentils
00:11:15I don't share them.
00:11:16Come on,
00:11:17leave.
00:11:17Hey?
00:11:18See you.
00:11:19Good.
00:11:21See you.
00:11:23And when
00:11:23Are we going to see each other?
00:11:29That?
00:11:29Aren't you saying anything?
00:11:31So that?
00:11:31So that?
00:11:32He didn't even pay attention to me.
00:11:33I was talking
00:11:33about saying goodbye
00:11:34and so on,
00:11:35Since I'm leaving now,
00:11:35But come on,
00:11:36if you like
00:11:36We'll talk again
00:11:36from Carmen and you.
00:11:37Come on.
00:11:37Forgive me for not.
00:11:38Forgive me.
00:11:39Yes, indeed.
00:11:40I don't know what to do anymore.
00:11:41to attract attention.
00:11:42All I have left is
00:11:43dance a naked oracle.
00:11:44I would beg you
00:11:44for the good of the people
00:11:45that you didn't go to that extreme.
00:11:46Because of the vomiting
00:11:47and so on.
00:11:47It's a joke.
00:11:48Wait,
00:11:49man.
00:11:49It could be worse.
00:11:51Could...
00:11:53How could it get any worse?
00:11:55I'm going to miss it a lot.
00:11:56your comforting talks.
00:11:58A tiny crumb
00:11:59if he's going to miss me.
00:12:00Hey?
00:12:02Ha ha ha!
00:12:04It's an illusion.
00:12:04You put on the bag.
00:12:07Fuck!
00:12:07Fuck!
00:12:08What's this shit betting on!
00:12:09Sorry.
00:12:09Sorry.
00:12:10Sorry.
00:12:10It's turned out soft.
00:12:12Sorry.
00:12:12Sorry.
00:12:14I know about the stool
00:12:15He is not to blame.
00:12:15But you know what?
00:12:17That Carmen has gone
00:12:18to another review with Horacio.
00:12:20Normal.
00:12:21He is her gynecologist.
00:12:22No, no, no.
00:12:22But it's already been...
00:12:23three ultrasounds this month.
00:12:25That guy has more photos.
00:12:25of my daughter that I myself.
00:12:26It's because Horacio gives him confidence.
00:12:28He's also the best at Nosti
00:12:29and the one who knows her best.
00:12:31Uncle,
00:12:32Whose side are you on?
00:12:34I.
00:12:37Okay, let's see, Iñaki.
00:12:40You keep in mind
00:12:40that you have a relationship
00:12:41with Carmen
00:12:42Horacio would like that.
00:12:43You are the girl's father.
00:12:44Well, they don't look like it.
00:12:46And at this rate
00:12:46the first words
00:12:47of my little girl
00:12:47They're going to be
00:12:48Father,
00:12:49Horace.
00:12:49Okay, okay, okay.
00:12:51Iñaki,
00:12:52Don't be such a drama queen.
00:12:53Use the same tactic
00:12:54that he uses with Carmen.
00:12:55Well, since I didn't study pediatrics
00:12:57by the time the baby is born
00:12:58because I remember you
00:12:58that up until that moment
00:12:59the one who has the excuse
00:13:00to see it
00:13:01It's him.
00:13:02Well, but even though
00:13:03the girl has not yet been born,
00:13:05You're still the father, right?
00:13:13Well, and I,
00:13:14Do you want us to leave?
00:13:14tonight to a movie
00:13:15Both together?
00:13:15To the movies?
00:13:16Sure, I went too far, kid.
00:13:18than the last time
00:13:18I went to the movies
00:13:19they put women
00:13:20on the edge
00:13:20from a nervous breakdown.
00:13:21It's just that I like going to the movies
00:13:22I don't like it very much.
00:13:23And I already have plans.
00:13:25Yes, well tell me,
00:13:25What are your plans?
00:13:26Well, I'm going to watch a movie.
00:13:28Oh, come on...
00:13:29But you just said
00:13:30that you don't like movies,
00:13:31creature.
00:13:32And I don't like it.
00:13:33I don't like,
00:13:33I don't like,
00:13:33I don't like what it is
00:13:34the building,
00:13:35the own structure
00:13:36from the cinema
00:13:37and they ask me for a coffee
00:13:38I'm coming for him.
00:13:39But if the machine
00:13:40It's here.
00:13:42Rafi,
00:13:42Come on, come here
00:13:43Take a note.
00:13:44Now go to the pretty ones,
00:13:45look,
00:13:45the Armenian girls,
00:13:46let's go.
00:13:46Look,
00:13:47try some kebabs
00:13:48forceful
00:13:49that fill,
00:13:50that soak,
00:13:50that we have to go
00:13:51preparing ourselves,
00:13:52We're two away.
00:13:52for a crash
00:13:53that we're going to take
00:13:54so much, Trini.
00:13:56Don't tell me
00:13:57that you're going to a party
00:13:58tonight.
00:13:59Parting
00:14:00Trini's maiden name,
00:14:01What do you think?
00:14:03Trini,
00:14:04Are you there?
00:14:05Are you ready?
00:14:05for the march?
00:14:06A joy,
00:14:07come on.
00:14:08What I have
00:14:09in the body.
00:14:09Yeah,
00:14:10It's really noticeable,
00:14:11You are pure joy.
00:14:12I'm going to bring you
00:14:12a shot
00:14:12from my cheerful package,
00:14:13mother.
00:14:13Please.
00:14:15Trini,
00:14:15let's see,
00:14:16What do you prefer?
00:14:16A headband
00:14:17and with a winery
00:14:19with foam
00:14:19or a band
00:14:20so say
00:14:21My boss is hot?
00:14:22Angela,
00:14:23I would prefer
00:14:24none of this
00:14:24was happening.
00:14:25Oh well,
00:14:26we must maintain
00:14:26the clinic,
00:14:27so there will be
00:14:27that sacrifice,
00:14:28No?
00:14:29Trini,
00:14:30It seems like
00:14:31that you don't want to get married,
00:14:32Hey?
00:14:33Look on the bright side
00:14:33of all this.
00:14:34If you get drunk
00:14:35a lot,
00:14:35You get like Tony Curtis
00:14:36And you won't remember
00:14:37about what's going to happen.
00:14:39Oh, water, water, water!
00:14:42Oh!
00:14:43How are you,
00:14:44my future
00:14:45And a brand-new wife?
00:14:46Hey!
00:14:47What were you doing?
00:14:48Speaking of you?
00:14:49No,
00:14:50No,
00:14:50we were talking
00:14:51the farewell
00:14:51Trini's maiden name.
00:14:53The thing is, Trini,
00:14:54Well, not really...
00:14:54I can't wait
00:14:55until tonight arrives
00:14:56to go partying.
00:14:57Ah,
00:14:58I didn't know
00:14:58that you were leaving on your farewell trip,
00:14:59Hey?
00:15:00The thing is,
00:15:01did you know,
00:15:01Christopher,
00:15:01I want it so badly
00:15:03to say goodbye
00:15:03of this singleness
00:15:05which I couldn't avoid
00:15:06Celebrate it?
00:15:07Of course,
00:15:07chubby,
00:15:08Have a good time,
00:15:09but not so much
00:15:10as if he were with me,
00:15:11Hey?
00:15:19Oh, Trini,
00:15:20Well, that's great!
00:15:20that you've changed your mind,
00:15:21if only...
00:15:22I haven't changed my mind.
00:15:23And then
00:15:23Why did you say that to him?
00:15:26Trini,
00:15:26that you know that lying
00:15:27It's very ugly.
00:15:27even if he is your future husband.
00:15:29Irene,
00:15:29Of course
00:15:30Everything you have is mortal,
00:15:31Hey?
00:15:32Irene,
00:15:32daughter,
00:15:33I still can't explain it
00:15:33how can you differentiate
00:15:35an artery
00:15:36from a vein,
00:15:37daughter of my life.
00:15:39Well,
00:15:39I'm leaving too.
00:15:40that I have to deal with
00:15:41with the worst patients
00:15:43that I have ever had
00:15:43to the Seville clinic.
00:15:44Go on, go on,
00:15:45Don't exaggerate so much.
00:15:46which won't be that big of a deal.
00:15:49Oh!
00:15:50Oh!
00:15:52Oh!
00:15:52May the stomach
00:15:53She's going to sing me a bulería!
00:15:55Oh!
00:15:55I'm not getting out of this one!
00:15:56Hey?
00:15:57Little girl,
00:15:58peaceful,
00:15:59Hey?
00:15:59That your rooms
00:16:00They are ready
00:16:00so that you can be admitted.
00:16:01But they're not going to enter
00:16:02to the payroll.
00:16:03And I'm not staying here,
00:16:04Hey?
00:16:04Even if it has to happen to me
00:16:05all night
00:16:06and sit on the bat.
00:16:07I'm telling you with my hand.
00:16:08in the heart
00:16:09that hurts me
00:16:09more than you.
00:16:10Oh!
00:16:10I don't think so!
00:16:11Oh!
00:16:11Good afternoon,
00:16:12I am Dr. Romero.
00:16:14Oh!
00:16:16Oh!
00:16:17Oh!
00:16:18Oh!
00:16:18Oh!
00:16:18Oh!
00:16:25Oh!
00:16:26A foodborne illness
00:16:27caused by pathogenic bacteria.
00:16:29Look at him, girl,
00:16:30Look how well he speaks.
00:16:31Like the cat
00:16:32or just as well with the mouth.
00:16:34Oh!
00:16:34Oh!
00:16:35What bacteria?
00:16:36Oh!
00:16:37That's what Merche did!
00:16:38I'm sorry,
00:16:39But you have
00:16:39that remain hospitalized
00:16:40until we run some tests on him.
00:16:41Oh!
00:16:42What are they going to do to us?
00:16:42you the tests
00:16:44personally?
00:16:45Well,
00:16:45I don't have any problem
00:16:46in taking care of it personally
00:16:47of your case.
00:16:48Oh!
00:16:48Well, I'm absolutely delighted.
00:16:49of staying.
00:16:50Oh,
00:16:51Why don't you pick me up?
00:16:52in arm
00:16:52I'm very tired,
00:16:53child?
00:16:53No, no, no.
00:16:54Take my soul.
00:16:54Ma'am, ma'am,
00:16:55Lie down here.
00:16:56Don't get up, ma'am.
00:16:57Lie down instead.
00:16:57Oh!
00:16:58I lie down
00:16:58if you lie down
00:16:59down here.
00:17:00Solid.
00:17:01Oh!
00:17:02Solid.
00:17:03Body!
00:17:06And that smile, José?
00:17:07If it weren't because we were
00:17:08in Dolosti,
00:17:09anyone would say
00:17:10that you have lain
00:17:10with a female.
00:17:13Pomeon still!
00:17:14I'm leaving now!
00:17:14from the Basque Country!
00:17:15I'm getting lost here!
00:17:15Man!
00:17:16And what a shame, right?
00:17:16What a shame to say!
00:17:18Holy moly, my friend!
00:17:19I'm desperate to leave.
00:17:20This is hell.
00:17:22come on,
00:17:22It was cloudy all day.
00:17:23with cold,
00:17:24raining
00:17:24And people don't even tell you anymore,
00:17:26come on,
00:17:26that people would taste better,
00:17:27What mean-spirited people
00:17:28of the world,
00:17:29come on,
00:17:29What a shame, I mean.
00:17:31He says it's a shame.
00:17:33It gives me a little bit
00:17:36shameful
00:17:37because as already
00:17:39I've been here for a while now
00:17:42And I'm leaving.
00:17:42that I have to sew
00:17:43still a pair of underpants.
00:17:46Let's see,
00:17:47Sots,
00:17:48has reduced us
00:17:49to a topic,
00:17:50us,
00:17:51that guy from Malaga.
00:17:52But with all the time
00:17:53What happened here?
00:17:54it may have soaked
00:17:55a little bit of our culture,
00:17:56No?
00:17:56This is the only one
00:17:57that has soaked
00:17:58It's from the humidity.
00:17:58from the Cantabrian Sea.
00:17:59Let's see,
00:18:00which is normal,
00:18:01that when he wasn't there
00:18:01signing at the town hall
00:18:02He was gutting fish
00:18:04or working as a gardener
00:18:05Or well,
00:18:06helping your mother.
00:18:07Hey,
00:18:07So how many jobs?
00:18:08As if she were Barbie.
00:18:09too, right?
00:18:09Do you know what we have?
00:18:10What can be done about this?
00:18:12Organize a farewell party for him
00:18:13Basque as God intended.
00:18:14That is,
00:18:14that is,
00:18:15that he may know our spirit.
00:18:16Yeah,
00:18:17because it doesn't have...
00:18:17Clear,
00:18:18This is what we think we are
00:18:18beret,
00:18:19shirt,
00:18:19paintings,
00:18:20and not,
00:18:20there are more of us,
00:18:21We are steak,
00:18:21we are sea bream,
00:18:22We are man
00:18:23against the trunk,
00:18:23the stone,
00:18:24that stone,
00:18:24It's either you or me,
00:18:25come up.
00:18:26Yes, yes, yes.
00:18:26Those aren't clichés,
00:18:27No?
00:18:28Are you going to want to come?
00:18:30Well,
00:18:35Well then...
00:18:36Lucy!
00:18:37Look at this soap,
00:18:38magnificent,
00:18:39mandejón,
00:18:39the bathroom
00:18:40and the shower cap.
00:18:41Look,
00:18:41look,
00:18:42look,
00:18:42or die,
00:18:44until I see
00:18:45like the bed wobbles.
00:18:46Look,
00:18:46look,
00:18:47look,
00:18:47look,
00:18:48look,
00:18:48look,
00:18:48Look at this wonder!
00:18:49Pussy,
00:18:50It has a marvel.
00:18:51What a wonderful thing!
00:18:52look,
00:18:52look,
00:18:53down,
00:18:54up.
00:18:55This has more features
00:18:57than the Thermomil.
00:19:01And what happened to you?
00:19:03burnet?
00:19:03Nothing for me,
00:19:04I feel better natural.
00:19:05than in the headboard.
00:19:06Look,
00:19:07look,
00:19:07look,
00:19:08look,
00:19:08look,
00:19:09look,
00:19:09look,
00:19:09look,
00:19:09And what are you doing smoking?
00:19:16inside the clinic.
00:19:17Look,
00:19:18little banana,
00:19:18Don't be humble,
00:19:19Hey?
00:19:19I'm blowing smoke
00:19:20outside the clinic.
00:19:22Ah,
00:19:22Yeah?
00:19:22Yeah,
00:19:23look,
00:19:26inside,
00:19:30out.
00:19:32That's enough.
00:19:33please,
00:19:33That's enough.
00:19:34bring it here,
00:19:34man,
00:19:34bring it here,
00:19:35Bring it here.
00:19:36No,
00:19:36no,
00:19:36no!
00:19:37Damn it,
00:19:38oh well,
00:19:39I'll give it to you.
00:19:40Oh,
00:19:40God,
00:19:40I'll give it to her in her fucking mother.
00:19:43Damn it, Mom.
00:19:43Take,
00:19:44Pussy,
00:19:44already.
00:19:45Please,
00:19:46that there are more people admitted here
00:19:47apart from you,
00:19:48Hey?
00:19:48Front.
00:19:49Yeah.
00:19:51And besides,
00:19:52that they are going to bring you
00:19:53the afternoon snack
00:19:53inside a mouse.
00:19:54You don't say!
00:19:55This is better
00:19:56than the Arab baths
00:19:57where you took me,
00:19:58Merce.
00:19:59Come on.
00:20:00I'm coming for you.
00:20:01Come on.
00:20:01I don't eat potatoes
00:20:02ever since the little mouse
00:20:03He put a suju on me
00:20:04under the pillow.
00:20:05Ah,
00:20:05Well, look,
00:20:05What a pity.
00:20:07Listen to me,
00:20:07It gives me a headache
00:20:08with potato.
00:20:09This is going to be difficult for me
00:20:10longer than a day
00:20:11without Facebook.
00:20:18Well,
00:20:19Well,
00:20:20how generous
00:20:20It was the nuns,
00:20:21No?
00:20:22Absolutely,
00:20:23I'm dying to
00:20:23to see it again
00:20:24to those twins.
00:20:25But if you loved them so much,
00:20:27Benedict,
00:20:27Why did you hand them over?
00:20:28to the nuns?
00:20:29I don't know,
00:20:29I didn't think about it,
00:20:30Marichu.
00:20:31Now that I'm happy
00:20:31that those nuns
00:20:32have decided
00:20:33that they may be for us.
00:20:34Stone.
00:20:36Unless you get involved
00:20:37in your bed,
00:20:37Right now,
00:20:38Call the ugly nurse
00:20:40so that it puts you
00:20:40a suppository
00:20:41of the greats.
00:20:42What a kiss,
00:20:42How will I get there?
00:20:43What do you see?
00:20:47And now,
00:20:48marching,
00:20:49Dolores,
00:20:49You've earned it.
00:20:50It has triumphed
00:20:51like the paquera.
00:20:52Olé!
00:20:57Take,
00:20:58take!
00:21:02Hey,
00:21:02girls,
00:21:03Do you think
00:21:04Trini is coming
00:21:04Or not?
00:21:05Well,
00:21:06Do you know
00:21:06who are the
00:21:07That they're not coming?
00:21:08My neighbors
00:21:09and nothing more
00:21:09That's why
00:21:09this party
00:21:10It's worth it.
00:21:11How are you
00:21:12Don't come in 10 minutes.
00:21:13listen,
00:21:13I'm already opening it.
00:21:14the bottle of tequila.
00:21:15She's dead!
00:21:17Oh,
00:21:17The bride!
00:21:18Attention!
00:21:19Attention!
00:21:20Oh!
00:21:23Ta-da!
00:21:26Let's see,
00:21:27let's see,
00:21:27let's see,
00:21:27Don't get so high up
00:21:28tomorrow
00:21:29We have to work,
00:21:30Hey?
00:21:30Of course,
00:21:31Trini,
00:21:31which on top of
00:21:32that we set up for you
00:21:32a party.
00:21:33Well yes,
00:21:33because if there were
00:21:34mounted by me,
00:21:34none of you
00:21:35You would be invited
00:21:36and they had come
00:21:37my true friends.
00:21:38Oh,
00:21:38Trini,
00:21:39I didn't know
00:21:39that you had friends.
00:21:41Eight,
00:21:41It's happening to me!
00:21:42Oh!
00:21:43Angela,
00:21:43blood alcohol
00:21:44lasts approximately
00:21:45ten hours
00:21:45and you start working
00:21:46within eight.
00:21:47Are you planning to go drunk?
00:21:49Of course,
00:21:50Trini,
00:21:50You're Georgie Dan
00:21:51of the party.
00:21:52Are you OK?
00:21:52Really,
00:21:53daughter?
00:21:53What a bummer!
00:21:53Well, that's just how it is.
00:21:55Come on.
00:21:55And now,
00:21:56smile
00:21:56we're leaving
00:21:57to take a selfie
00:21:58so that Christopher
00:21:59see that we are not
00:21:59passing by death.
00:22:01That you lie to Cristobal
00:22:02in which he wants it
00:22:02It has a pass,
00:22:03but that you lie to him
00:22:04that you're having a good time
00:22:05That is unforgivable in God's eyes.
00:22:06But if it's because
00:22:07Leave me alone
00:22:07with this farewell thing
00:22:08who has been a pain.
00:22:09Come on.
00:22:11Now toasting.
00:22:16And now we're going to do
00:22:17as I have told you
00:22:19a very funny thing
00:22:20And you guys are laughing a lot,
00:22:21Okay?
00:22:22And it doesn't give me as much anymore.
00:22:23that I'll gather you, we are
00:22:23in the center of a theater,
00:22:24dear.
00:22:26Well,
00:22:26Well, I think that with this
00:22:27That's enough.
00:22:28But you don't have any left.
00:22:29a little while longer
00:22:29that we have prepared for you
00:22:30a surprise.
00:22:31Oh yes!
00:22:31The stripper.
00:22:33Sorry,
00:22:33sorry,
00:22:34which was a surprise.
00:22:35A stripper,
00:22:36please?
00:22:36That's vulgar.
00:22:37Those things aren't for me.
00:22:38Have a good time,
00:22:39but not too much.
00:22:41Bye.
00:22:42Bye bye.
00:22:42Bye bye.
00:22:46Like a wedding
00:22:47have been cut
00:22:48with the farewell,
00:22:48I'm not going to wear
00:22:49some comfortable shoes
00:22:50spare,
00:22:51that's how it was.
00:22:52Whatever I tell you,
00:22:53this,
00:22:53abandons the invitation
00:22:54before cutting the cake,
00:22:55No?
00:22:56Very good.
00:22:57Ah!
00:22:58You're not leaving!
00:23:00Attention,
00:23:01friend driver.
00:23:03Who is it?
00:23:04Oh my God.
00:23:06Police.
00:23:09Get ready, girl,
00:23:10the flight is coming.
00:23:11Little girl,
00:23:11Give it your all.
00:23:12Oh!
00:23:18Here's an emergency.
00:23:21Fatty!
00:23:21Three.
00:23:22Three emergencies.
00:23:25Ooh!
00:23:26Ooh!
00:23:26It has a straight edge.
00:23:28remains silent
00:23:29And enjoy!
00:23:30with the police force.
00:23:32Ole, ole, ole!
00:23:34Long live the security forces!
00:23:37Give me everything!
00:23:38Ole, ole!
00:23:39Ooh!
00:23:40Ooh!
00:23:40perek quote!
00:23:49Ole, ole, ole!
00:23:57We're amazing!
00:24:02Ole, ole, ole!
00:24:05Ooh!
00:24:05Ooh!
00:24:06Ooh!
00:24:08Ooh!
00:24:18You guys, you guys, oh my God, I'm leaving, okay?
00:24:25Now, listen, I'm going to say something, okay?
00:24:27The father hasn't come out.
00:24:44Girls! Are you awake?
00:24:46What? Breakfast is coming?
00:24:48No!
00:24:49Let's see what you want now, damn it, I'm watching public mirror.
00:24:52Girl, this is wonderful, isn't it?
00:24:54I have a TV with more channels than Venice.
00:24:57You're telling me, girl? They've even made my bed.
00:25:00Well, they just gave me the medal, what do you think of that?
00:25:03You don't say! Well, I had to make the dough.
00:25:07Listen up, listen, guess what I found out yesterday?
00:25:10Oh dear! Dr. Bueno Roo is on duty tonight.
00:25:13No! Much better, it turns out that...
00:25:16Wait, what kind of scandal is this?
00:25:18I'll bring you a clothesline and you'll feel right at home, that's for sure.
00:25:22But Miss Pepi, that girlfriend, well, she abandons you, she abandons you.
00:25:26And why does she have dark circles under her eyes today?
00:25:28What? Was there a party last night?
00:25:32That doesn't matter to you.
00:25:37Oh, look, and take it, and bang, bang, and bang, bang on the counter.
00:25:44Darling.
00:25:52Come on!
00:25:56Lucy!
00:25:56Okay, what?
00:25:57Let go now, girl, before they scatter us.
00:25:59The marquis, girl, the marquis.
00:26:01The father smelled.
00:26:02The father, the father, who turns out to be more of a father than we thought.
00:26:06He's a priest.
00:26:07What the hell cures?
00:26:08Nor a cure.
00:26:08Hey, that's enough.
00:26:12It turns out he has two children, an illegitimate twin, whom he gave to the nuns.
00:26:21Hey?
00:26:22What do you think?
00:26:23Dead?
00:26:24Dead.
00:26:24And you find out about all that on the first day?
00:26:27Oh, this place is paradise, isn't it?
00:26:29I'm not moving from here, not even if you offered me hot water.
00:26:32Neither do I.
00:26:38Oh, Carmen, I really want to leave.
00:26:40It's going to be like going from Espeñaperro to Seville, blowing kisses along the A92.
00:26:45Do you think you'll refer me to the clinic?
00:26:47What I think is that the exercise I'm doing isn't yours, José.
00:26:51Oh, this one here, right?
00:26:52Yes, that one.
00:26:53Yes, I must have dropped this here.
00:26:55You must have dropped it, of course.
00:26:57And did you drop your sandwich maker too?
00:26:59Oh dear, this has gotten misplaced here with the...
00:27:02I have the same shirt, which also has both things, and the shirt also opens up, you know?
00:27:07That's it.
00:27:07I'm going to open it for you.
00:27:09Oh.
00:27:13Carmen, no, not Carmen.
00:27:14Carmen.
00:27:15Hey, Horacio.
00:27:16Good morning.
00:27:17How are you?
00:27:18Nothing much, I was just passing by the port and thought, well, I'll upload the sugar test result.
00:27:23And that's better, isn't it?
00:27:24You are beautiful, really.
00:27:25Thank you.
00:27:26Thank you.
00:27:33Leave.
00:27:34I'm going to take advantage of the fact that I've opened the door and have breakfast.
00:27:36That?
00:27:36I'm going to have a coffee.
00:27:37What's up?
00:27:38A coffee, José, but you never drink coffee.
00:27:41Right?
00:27:42No.
00:27:43Well, I'm going to start today, because I'm old enough to enjoy a good coffee, a manly thing, a bitter one.
00:27:49I really want to.
00:27:50Good day to start, José, of course.
00:27:52Let's see if he wakes up, he's a bit slow.
00:27:54José, José.
00:27:56That?
00:27:57Can I get a glass of water?
00:27:58Of course, man, that goes without saying.
00:28:05Oiva, this tap's a little loose, huh?
00:28:07Yes, my sugar levels are great.
00:28:12But, Horatio.
00:28:14Do you see?
00:28:15I told you this is very loose, huh?
00:28:17Well, I'm going to have to fix it for you.
00:28:19Hey, you know how to fix taps too.
00:28:21I?
00:28:21That?
00:28:22You'd be surprised by the things I can do, wouldn't you?
00:28:24I'm much more of an alpha male than I seem.
00:28:27Come, come.
00:28:29No.
00:28:33No.
00:28:38Are you OK?
00:28:39I?
00:28:40I do.
00:28:41I'm fine, of course.
00:28:45Here you go, José.
00:28:46This is what the house invites you to.
00:28:48Wow, really!
00:28:49No, man, in the end...
00:28:51I've grown fond of him, huh?
00:28:53Go on, shut up, no sorghum.
00:28:54What I don't want is for them down there to think that you've gone hungry up north.
00:28:57Come on.
00:29:17When you do the Orfeón thing, it's dead, huh?
00:29:20Rapier?
00:29:20The song of the summer?
00:29:22The song of the summer.
00:29:24Get ready for a typical Basque day.
00:29:26No, give me the blowjob up there, thanks.
00:29:28Already in Sots.
00:29:29We've prepared a send-off so you leave here with a good feeling.
00:29:32We've even ordered the sun.
00:29:34No, I appreciate it as if we had been together for a long time, truly.
00:29:37But I have a train tonight and I'm dying to leave.
00:29:39I don't want to arrive at the last minute and be overwhelmed.
00:29:41Ah, José, we've been preparing it all night.
00:29:43Oh, really?
00:29:45Well, I haven't done anything.
00:29:45Me neither.
00:29:46No, you've been preparing the farewell all night.
00:29:49It's just a figure of speech.
00:29:51Did those bags come?
00:29:52It's a little something for José.
00:29:56I don't see the cap.
00:29:58What hat or what bullshit?
00:29:59This is a beret.
00:30:00Put on that veil, it looks like you're wearing one...
00:30:02Here, a casserole dish.
00:30:03Come on.
00:30:04Have you suffered cervical damage?
00:30:06That's not the attitude, is it, José?
00:30:07Holy shit!
00:30:08Ah, now there, come on.
00:30:10Where is?
00:30:11They're relocating me here.
00:30:13Sabino, where do you think you're going?
00:30:16With the squadron at José's farewell.
00:30:19At the farewell?
00:30:20Well, be careful with those goodbyes, I know you, okay?
00:30:22When your cousin went to that oil tanker, you forgot this
00:30:25to leave attached to the anchor.
00:30:35Well, I'm going to have to shut off the main valve, huh?
00:30:38But well, a little bit is so serious.
00:30:40No, no, no, don't come any closer, please.
00:30:41Carmen, we need someone here...
00:30:44...brute force.
00:30:46Ah.
00:30:51Hello, Carmen.
00:30:53Hello, Iñaki.
00:30:55And that guitar?
00:30:57You know, I've been doing some research and I've read that music is very good for development.
00:31:01of the baby.
00:31:02Already.
00:31:02Yes, and I've also heard that they already recognize their father's voice, so I thought, why
00:31:06Why not combine those two concepts, huh?
00:31:08And I've composed a song for you.
00:31:09As?
00:31:10Shall I sing it for you?
00:31:11Whom?
00:31:13Who else would it be, Carmen?
00:31:14Hey?
00:31:14Of course.
00:31:15Yeah.
00:31:17Hey man, what's he doing here?
00:31:18Nothing, just fixing a tap.
00:31:20Yes, but I already fixed it.
00:31:21Well, you must not have fixed it very well.
00:31:24Iñaki, darling, sing me the song because I'm in a hurry, I have plans.
00:31:26Yeah, yeah, yeah, but you know what's going on?
00:31:31Yeah.
00:31:32It's called Paralaya.
00:31:34Hey?
00:31:34Because it's Paralaya.
00:31:36And you too, a little.
00:31:42Hey, Laya?
00:31:46I am your Father.
00:31:49Uh, sorry.
00:31:50Hey, do you mind?
00:31:51I'm trying to prevent it from getting worse.
00:31:52Yes, that's clear to me.
00:31:54Iñaki, hey, what can I tell you?
00:31:56Beautiful, darling.
00:31:57Yeah.
00:31:58It's flamenco punk.
00:31:59But now comes the best part, it's when we strengthen our bond, the baby and I.
00:32:03Ah.
00:32:03So.
00:32:04Hey, scientifically speaking, it's not proven that the baby hears music or anything.
00:32:08Come on, please, scientifically, scientifically.
00:32:10Not everything is science, Horacio.
00:32:12Gynecology, science, father, love.
00:32:15Mother, I'm going for a walk.
00:32:16Did my gynecologist recommend it?
00:32:18Good luck with the bifo.
00:32:21Okay, see you later.
00:32:22Very good.
00:32:22A loose nut, isn't it?
00:32:24What a dirty trick.
00:32:25Well, look at that little song.
00:32:27The beech tree.
00:32:29Enidious.
00:32:30Amateur.
00:32:45That's ridiculous.
00:32:48What's that for?
00:32:49So that he can win the palm in the clams or what?
00:32:52Hey?
00:32:57Bye.
00:32:58Son, have you gotten back together with Carmen yet?
00:33:00Hello to you too, love.
00:33:02No, I haven't gotten back together with Carmen.
00:33:03But perhaps it will comfort you to know that she has decided to have the baby here in San Sebastián.
00:33:07Oh, what joy!
00:33:08Well, now all that's left is for this absurd wedding to be over and for me to go upstairs to be with my granddaughter.
00:33:13Love, the truth is I really want to see you, you know?
00:33:15I need your advice, your affection, your health.
00:33:17Come on, come on, enough of this chatter.
00:33:18And save your smooth talk to win Carmen back.
00:33:21Goodbye, my dear.
00:33:21What do you mean, goodbye?
00:33:22Love.
00:33:31Fuck.
00:33:32You look more like a phone-sharing guy than a cook.
00:33:34Yes, yes, well, it's my people who support me or...
00:33:37Yes, yes.
00:33:39AND?
00:33:40Hey, Iñaki!
00:33:41And the ribeye steak, the ribeye steak.
00:33:42Now, now, now it's coming.
00:33:43Hey Iñaki, how did it go with that little guitar, huh?
00:33:46Marnofler?
00:33:47Good or what?
00:33:48Well, to tell you the truth, it could have gone better.
00:33:51Otherwise, Horacio would have sabotaged me.
00:33:53Why don't you come to the cider house and stop with the clowning around?
00:33:56Hey, very funny, Anchón.
00:33:58But you know that when I'm drinking cider, I'm drinking cider.
00:34:00And now I'm working to win Carmen back.
00:34:03What I do?
00:34:04Well, I'll do a little work, for a change.
00:34:05Cochone, please.
00:34:08If I don't do something soon, I'm going to receive the divorce papers along with an invitation.
00:34:12of Carmen and Horacio's wedding.
00:34:14So don't worry, I don't think they'll invite you.
00:34:17Thanks for your support, Peyo.
00:34:20Do you know what I don't understand?
00:34:21What does he have that I don't?
00:34:23Well, look, nephew, he's a different kind of Basque.
00:34:27Okay, what do you mean by different?
00:34:28Well, different from you.
00:34:29In what?
00:34:30Well, look, it's not like us.
00:34:32He's more, uh, more modern, more vegetarian, with interests, uh, he does yoga, he likes
00:34:39Surfing, you know, that kind of thing.
00:34:41Slightly cooked, but nicely cooked inside too, with chives.
00:34:45What the hell are you talking about, Anchón?
00:34:47This is what I'm saying, look.
00:34:49Eat a little bit.
00:34:50Eat a little bit.
00:34:52How many times have you corrected this line here?
00:34:55Oh my god, sorry, sorry.
00:34:56Goodbye, sorry.
00:34:57Goodbye.
00:34:58Look, if you give me an interpretation like this, when I come and you're not sovereign, you're going to...
00:35:03You'll have to set up a chestnut stand, yes, because you'll be cooking in the street.
00:35:06Okay, okay, I take it back.
00:35:07I take it back.
00:35:08Yes, withdraw, withdraw.
00:35:08No, forgive me, you fools, I'm not here.
00:35:09Girl, take it off.
00:35:10Okay.
00:35:14Good morning.
00:35:15Good morning, officer.
00:35:16Shut up, you slaughterer!
00:35:19What's going to happen around here?
00:35:20A baton.
00:35:22Well, it was more like a churro, wasn't it?
00:35:26For God's sake, I'm not interested, my father, I work like a stirrup, please, I beg you.
00:35:29Don't worry, don't worry, I'm trying to forget it so I don't get traumatized, it's just that
00:35:33Me, but how could you even think of getting involved in that?
00:35:36Because what I earn as a waiter isn't enough to make ends meet, let alone help out.
00:35:39to my mother at home.
00:35:40Yeah, no, I really understand you, okay?
00:35:42When I was a resident, I had to work as a babysitter to make ends meet.
00:35:45Yes, it's the same case, let's go.
00:35:47Okay, so what?
00:35:49Sharing little details about the farewell, aren't you?
00:35:52It wasn't much, really.
00:35:54So you don't remember how much spirits went into his veins, do you?
00:35:58Yes, it wasn't so much the spiritual as the carnal.
00:36:01What do you mean by carnal?
00:36:03Don't tell me you called homeboy.
00:36:07Oh, what happened?
00:36:08You didn't like the boy, did you?
00:36:09No, the boy is very well, very well.
00:36:11The thing is, it wasn't what we expected.
00:36:13No, you keep quiet, you didn't find out anything.
00:36:14No, no, we got carried away there with the gin and tonics, pim, pam, pum, tiquitiquitiquitiquiti
00:36:18And we didn't call a boy or anything, and we were just among ourselves playing Parcheesi, Goose Game, and whatever else came up.
00:36:23Better, Dolores, better, because that's outdated.
00:36:26That's tacky.
00:36:27A guy with pubic hair wearing a thong.
00:36:29In front of a bunch of somewhat sophisticated girls, she ended up looking like a total loser.
00:36:32Disgusting!
00:36:34Let's see, look, what's going on?
00:36:35A job as dignified as any other.
00:36:36In addition, women also have fabrics, some bigger, some smaller.
00:36:39That's just ridiculous!
00:36:41Look, he's from the boy's union.
00:36:43It seems that enjoyment comes with him.
00:36:46Hello, body.
00:36:48Give me three coffees to go.
00:36:50Go on.
00:36:51Marching.
00:36:53Oh!
00:36:54Girl, what's wrong?
00:36:55Did you go for coffee or to re-pick it?
00:36:57Oh, it was the waiter's fault, he started telling the nurses stories about his tripping.
00:37:02Out of thin air, huh?
00:37:03That kid's a real jerk, huh?
00:37:05But he moves the tray around like a drunken monkey.
00:37:08Well, let me tell you something, she's got a nice ass, huh?
00:37:10That?
00:37:10That?
00:37:11You're not going to do it.
00:37:11Like when he comes to collect the glasses, I'm going to put the tip in his underwear.
00:37:21Well, go on, I've got it figured out, man.
00:37:23I hit the nozzle here, the pipe comes out like this and I grab it and go full speed ahead, that's it.
00:37:27Pitorro says, cider is pouring, as God has given it to me.
00:37:30Come on, go for it!
00:37:31Choc!
00:37:32Come on, dude, I'll take the risk, come on, here it goes.
00:37:33Come on, come on, come on!
00:37:35Oh!
00:37:35So, what did you get left?
00:37:36It seems like he's been doing it his whole life.
00:37:38Not a single drop of this will fall from me.
00:37:40So, you don't have a Basque great-grandmother, do you?
00:37:42No, I don't have the money to pay for all these drinks, please.
00:37:46Pay, he says.
00:37:47The drink is included in the menu, it's free.
00:37:49Ah, that's why I'm rich, because getting high is free.
00:37:54What the hell are you doing today, huh?
00:38:00Okay, come on, I'm enjoying my little Basque thing, huh?
00:38:03Bye!
00:38:04Bye, bye, bye!
00:38:06To be Basque, you need many generations with surnames full of TX and K.
00:38:10And to help you start looking like that, we've prepared a surprise for you.
00:38:14Oh please, let it be a two-kilo ribeye steak, I beg you.
00:38:17No, José, four kilos of meat to start with.
00:38:20Oh, okay, really!
00:38:21You have no idea how happy this makes me, right?
00:38:23I feel sorry for the miso, but I'm going to eat it, and I'm going to eat it.
00:38:29That?
00:38:29Is that laughter for us?
00:38:31Huh, anemias?
00:38:32Oh, because to eat those chops you have to be very Basque, huh?
00:38:36And your friend looks more like he'd prefer a plate of fried squid and a glass of rebujito (a sherry-based cocktail).
00:38:41No, no, I'm not bringing the kid along, can't you see the child has a tongue-tie?
00:38:44Look, you, our friend here is more Basque than all those from Iparralde.
00:38:48That's it, French Basque corn.
00:38:51Choose once and for all, you are either Basque or you are French.
00:38:53Look at it, hello, we are Basques and we will prove it whenever you want.
00:38:56Your friend against one of ours, who eats more meat.
00:38:59That's not fair. Our colleague isn't Basque.
00:39:02Call them what I call them, because Bego has me eating vegetables.
00:39:05What's happening? We're backing down...
00:39:08What? José, to uphold the bar.
00:39:11You fit in Xoch, you are a gudari.
00:39:12You're going to dig yourself into the tray.
00:39:14Come, come.
00:39:20V!
00:39:22Fascist at night!
00:39:30Look, darling, this photo is of...
00:39:35When did I arrive?
00:39:37Oh well, it doesn't matter.
00:39:38Look, look, look, look.
00:39:40And this is because I told a joke that was hilarious
00:39:44And all the girls laughed a lot.
00:39:47Well, I can't show you any more photos.
00:39:49because the police came
00:39:51and they forced me to delete it.
00:39:54Can I feel you with my hands?
00:39:55I didn't know that Animal Party side of you.
00:39:58You can't even imagine it.
00:40:00If not, here's Dolores
00:40:01To confirm what a great time we had, right, Dolores?
00:40:05Uh!
00:40:05Yes, yes, yes, yes.
00:40:06It was, well, a crazy thing.
00:40:09Well, it's a miracle the police didn't come.
00:40:12So, did he come or not?
00:40:13Ah, wine, wine, no, wine.
00:40:18Whiskey, rum, beer, let's go, let's go.
00:40:20That looked like Sabina's house.
00:40:23I'm going to my office.
00:40:24because I have a terrible hangover
00:40:26And I want to be rested for the day
00:40:30most important of my life.
00:40:34Oops!
00:40:46Oh, that was awful.
00:40:47that you didn't invite us to your wedding.
00:40:50This is a wedding for VIPs
00:40:51and of high birth.
00:40:53Pijón, don't lie, we know
00:40:54Your twin brothers are going, huh?
00:40:55I don't have twin brothers.
00:40:56Oh!
00:40:57Poor little creature.
00:40:58They haven't told him yet.
00:41:00What do you have to say to me?
00:41:01It was definitely a wedding gift.
00:41:02A wedding gift?
00:41:03The fact that?
00:41:04They're going to take them out of the convent.
00:41:06Who are they going to take out of the convent?
00:41:08To your bastard brothers, you asshole.
00:41:10That your father left them.
00:41:11when the nuns were born
00:41:13And now they want them back with the family.
00:41:14You don't get it.
00:41:17My father?
00:41:18Hm?
00:41:19And how do you know that?
00:41:20Your father, the same one who saw Icarza,
00:41:22I was telling him just yesterday
00:41:23here at Marucci.
00:41:24Yes, yes, yes.
00:41:25I actually saw a nun walk by yesterday.
00:41:27and she wasn't sick.
00:41:29That he was vivetecoleando.
00:41:31I can't believe it.
00:41:33I can't believe it.
00:41:39Cordi!
00:41:40Christopher, please,
00:41:41Do you want to unfollow me?
00:41:42to kiss me?
00:41:43That's not it, that's not it.
00:41:44You won't believe it.
00:41:45I have twin brothers.
00:41:47Sorry?
00:41:47I swear to you, from my father
00:41:49and they're going to take them out of the convent.
00:41:50Let's see, let's see, Cristobal,
00:41:51What are you telling me?
00:41:52What you're hearing.
00:41:53I just don't know
00:41:54When is my father going to tell me?
00:41:56Twin brothers,
00:41:56me, Gordi, twin brothers.
00:41:58What are you saying?
00:41:58Are you serious?
00:42:00Let's see, Cristobal.
00:42:02Do you know what they mean?
00:42:04Two brothers who suddenly appeared out of nowhere?
00:42:06Yes, because I'm the older brother.
00:42:07And that I finally have someone
00:42:08Who to take the bulls to, right?
00:42:09Clear.
00:42:10And who will we share part of the cake with?
00:42:12Man, of course
00:42:13who will have a month at the feast.
00:42:14I swear to you.
00:42:14That's not what I meant, Cristobal.
00:42:16I mean, they're going to want to
00:42:17share the clinic.
00:42:18A clinic that is not yours.
00:42:22And why would they want the clinic?
00:42:23Because it belongs to them just as much as it belongs to you.
00:42:25because it is benzoin.
00:42:27Doesn't it seem suspicious to you?
00:42:29that a right now appears
00:42:31when your father has risen
00:42:32from among the dead?
00:42:33Well, I don't know, Gordí.
00:42:34Have you seen it like this?
00:42:35Look, really, Christopher,
00:42:37How innocent you are, huh?
00:42:38Thank goodness I'm here
00:42:39to defend him.
00:42:40It's not yours.
00:42:42And what else do you do, Gordí?
00:42:44First, talk to the lawyer.
00:42:46and put things in order.
00:42:52And is this little thing triple?
00:42:54But if that's like taking it away
00:42:56the wrapper to a popsicle stick.
00:42:58Ah, here's the coffee.
00:43:00for the golden girls.
00:43:00Yes, my soul.
00:43:02Let's see if he takes a little more care.
00:43:03to your son
00:43:04that you have it filthy.
00:43:06That's it, that's it.
00:43:07We're going to call him tonight
00:43:08so that he can do his little act for us.
00:43:11Well, I don't know.
00:43:11what type of medication
00:43:12They are giving it to you,
00:43:13but tell him up there
00:43:14that they lower your dose a little.
00:43:15I don't understand anything
00:43:16about what's happening here.
00:43:16Or are you going to tell us?
00:43:18that you don't know
00:43:19that Juan works as a bull
00:43:20at night?
00:43:21What are you talking about, you lunatic?
00:43:22Fear,
00:43:23your son is showing off his churrasco
00:43:25for money.
00:43:26What does it say?
00:43:26Wash your mouth
00:43:26to speak about my son like that.
00:43:27The child is embarrassed
00:43:28move out of my way.
00:43:29He hides in the kitchen.
00:43:30Where are you ashamed?
00:43:32Here
00:43:32and in front of other people
00:43:33He takes off other things.
00:43:34It says so here.
00:43:35Look, look, look, look, look.
00:43:37Tripper Sevilla.
00:43:39Dances and strict
00:43:40for those who have been fired from their cushy jobs.
00:43:41Ask for Juan del Bailón.
00:43:4424-hour service.
00:43:45As if there were a John
00:43:46the most in the world.
00:43:46Damn, Juan Tanamera is there,
00:43:48Fearless John,
00:43:49Juan Tamarí and Juan de Borbón.
00:43:50And Juan del Bailón?
00:43:54Take.
00:43:55Call him, you'll see.
00:43:56This is not the number.
00:43:57Marine.
00:43:58What isn't it?
00:43:58Yeah.
00:43:59No?
00:43:59No?
00:44:00No?
00:44:01No?
00:44:01What isn't it?
00:44:02Isn't this it?
00:44:04Hello, I'm Juan del Bailón.
00:44:07Tell me about your dream
00:44:08And I'll make it easy for you.
00:44:12The mother who gave birth to the child.
00:44:15I don't know if it bothers me
00:44:16so that the child
00:44:16Show your dick for money
00:44:18or that easy rhyme.
00:44:20Oh.
00:44:24Bego, seriously, man,
00:44:26that I'm not going to get
00:44:26I'm giving birth right here, girl.
00:44:27What does it mean that you're all here?
00:44:28They're really annoying, aren't they?
00:44:30Just let go, just let go,
00:44:31that the sea breeze
00:44:31It really helps with dilation, huh?
00:44:32Yeah, how's it going to dilate?
00:44:34the sea breeze?
00:44:34Yes, it's very good.
00:44:35Oh, Carmen,
00:44:37Diabego.
00:44:37Iñaki.
00:44:38I've never seen you before.
00:44:39through surfer territory.
00:44:41But what are you doing dressed like that?
00:44:42What's happening?
00:44:43That Gocho sent him
00:44:44to fish for hake.
00:44:45Come on, no, man, no.
00:44:46I've started doing sports
00:44:47And you know what?
00:44:48Running bores me.
00:44:49So I have chosen
00:44:50for something more modern.
00:44:51Yes, more modern.
00:44:53Some do yoga
00:44:54and all that nonsense
00:44:55and others of us like it more
00:44:56freedom, the sea.
00:44:58Freedom from what?
00:44:59Going to bed
00:45:00With whomever you want, right?
00:45:01Carmen, Carmen,
00:45:01let yourself be infected
00:45:02for the surfer spirit.
00:45:03Any day,
00:45:04Come with me and I'll show you
00:45:05to catch some waves,
00:45:05which is what I called
00:45:06surfers go surfing.
00:45:07Surf, surf.
00:45:09Thank you, Iñaki,
00:45:10But you know what?
00:45:10Surfing, in my state,
00:45:12I don't know if it's highly recommended.
00:45:14A question,
00:45:15to be surfer,
00:45:16Doesn't one have to get wet?
00:45:18Clear.
00:45:19No, I say this because
00:45:19You have the GB neoprene
00:45:21and drier
00:45:21than a dried tuna, Iñaki.
00:45:23Damn, I knew it.
00:45:25Do you know what's happening?
00:45:26That my last bath
00:45:27It was 20 minutes ago
00:45:28And with this sun,
00:45:29the south wind that does this,
00:45:30It dries in a jiffy.
00:45:31Yes, it does have it.
00:45:32that the suit is good,
00:45:33Because, you know what?
00:45:34You haven't dropped it
00:45:35nor the label.
00:45:37Of course,
00:45:37What a waste of money.
00:45:39Well,
00:45:40Where else are we going now?
00:45:43Surfer, that's enough, son.
00:45:44I was giving you, I was giving you surfing.
00:45:45Yes, what do you want?
00:45:47Oh, I can't turn it back now.
00:45:50Hey?
00:45:52God, who is a coincidence.
00:45:56It's delicious, isn't it?
00:45:58Carmen.
00:45:59Carmen.
00:46:00Hey?
00:46:00Hey?
00:46:01What a coincidence!
00:46:02It looks like today's the day
00:46:03of coincidences.
00:46:04Yeah.
00:46:05Well, speaking of coincidences,
00:46:06Notice that he was talking
00:46:07with my friend
00:46:08from his job, right?
00:46:10From his job
00:46:11and it turns out
00:46:12which is, which is
00:46:12marriage lawyer.
00:46:14Vibe!
00:46:15Yes, yes.
00:46:16That too
00:46:16Is it a coincidence?
00:46:17Well,
00:46:18Things of fate,
00:46:19You never know,
00:46:20It's not a thing...
00:46:20Hey, go ahead
00:46:21your card.
00:46:22Uh, no, no, no, no.
00:46:23No, no, no, no, no.
00:46:24He's persistent, isn't he?
00:46:24He's persistent, isn't he?
00:46:25He's persistent, isn't he?
00:46:26He's persistent, isn't he?
00:46:27He's persistent, isn't he?
00:46:28He's persistent, isn't he?
00:46:29He's persistent, isn't he?
00:46:30Doesn't he insist a lot?
00:46:41But, phew,
00:46:42It's already getting chilly.
00:46:43and it's not convenient for me
00:46:44to get sick.
00:46:45Right, doctor?
00:46:46Uh, no.
00:46:48Okay, then.
00:46:48Another time, okay?
00:46:49Ala, delighted.
00:46:50Come on.
00:46:51Okay, see you later.
00:46:53See you later, see you later.
00:46:54When I arrived
00:46:55I'm not,
00:46:55I can never imagine
00:46:56that it was so small.
00:46:58It is pretty, isn't it?
00:47:04But look, look,
00:47:05Look how he cleans the bone.
00:47:07What amazes me
00:47:08It's been like this for a while now.
00:47:08the fourth chop
00:47:09and every piece
00:47:10that he puts in his mouth
00:47:10She accompanies her
00:47:11with a piece of bread.
00:47:12Pan puagón, huh?
00:47:13Uh, well,
00:47:14Is this already won or not?
00:47:15Are we going to win?
00:47:16If the fourth one is already over
00:47:17and that still
00:47:18She's going for her second one.
00:47:20In the end, this is going to be
00:47:21more Basque
00:47:22than the marmitako.
00:47:23Okay, since I'm going to have to
00:47:23to check the drop.
00:47:25Bo.
00:47:26Has there been suffering?
00:47:28Shit.
00:47:29Let one of us beat them.
00:47:29that feeds
00:47:30of gazpacho.
00:47:32We want revenge!
00:47:33That's done.
00:47:34This one can handle anything.
00:47:35It is a chapeldun.
00:47:37Hey, but don't be rude, okay?
00:47:38The chapeldún is the champion, José.
00:47:39Ah, well yes, yes.
00:47:40Am I a chapeldún dezo, or what?
00:47:42Zocatira!
00:47:43Oh, no, look!
00:47:44Now let's get started throwing
00:47:45a rope.
00:47:46Why don't we stay here?
00:47:47We ordered some bacon
00:47:48of heaven, of desserts,
00:47:49a shot,
00:47:49that we digest.
00:47:50I've told you
00:47:51that joke.
00:47:52Oh, look, the little hen has come out!
00:47:55What's happening?
00:47:56What in the Spanish Basque Country
00:47:57No eggs?
00:48:01"Do you have any balls?" he's going to say.
00:48:03Look, Maron,
00:48:04Here are my colleagues
00:48:04I beat myself up
00:48:06archbaquina that
00:48:06He's going to be blown away.
00:48:07Did you catch it live?
00:48:09Direct?
00:48:10Well, I'm going for it!
00:48:11Ha ha ha!
00:48:12Ha ha ha!
00:48:24Wow, how handsome!
00:48:25Mr. Bejumea!
00:48:25You look like a groom!
00:48:28I'm not going back.
00:48:29to hunt, rebound.
00:48:30Oh, why is that?
00:48:31Because I already found
00:48:32to the woman of my life,
00:48:34to my other half,
00:48:35to my partner.
00:48:36Oh, how romantic!
00:48:38With her, there are no
00:48:39the secrets.
00:48:41Sorry.
00:48:44My lawyer.
00:48:45Tell him to pay me.
00:48:46Tell me, Easter.
00:48:47Yeah.
00:48:49As?
00:48:52How can that be?
00:48:54Yeah.
00:48:55Okay, okay,
00:48:56Don't worry.
00:48:57As soon as I finish here
00:48:58I'm going to the clinic
00:48:59immediately.
00:48:59Okay, bye, come on.
00:49:01What's up, Benito?
00:49:02My lawyer,
00:49:04which says that it is rumored
00:49:05in the court
00:49:06that someone wants to sue
00:49:07to my two children
00:49:08because of my inheritance.
00:49:09Christopher and Eugenia?
00:49:11No.
00:49:13To two other children.
00:49:16Let's see,
00:49:17What do you mean, two more children?
00:49:19Two more children?
00:49:19How am I going to have it?
00:49:20two more children?
00:49:21I don't know, Benito.
00:49:22You'll know.
00:49:23I don't know,
00:49:25Marichu.
00:49:25If I knew,
00:49:26I would have told you.
00:49:31Oh,
00:49:37Iñak, my son,
00:49:38Sit down.
00:49:39Benito has
00:49:40two bastard children
00:49:41And they're not the ones you know.
00:49:43Sorry?
00:49:44First news to you, Iñak,
00:49:45and right now
00:49:46Let's go see the lawyer.
00:49:47I'll call you now.
00:49:47But whose are they?
00:49:49Well, not mine,
00:49:50I'm telling you that.
00:49:51They could belong to anyone,
00:49:52dear.
00:49:53As?
00:49:53I mean
00:49:54from anyone in the past.
00:49:55Okay, let's see,
00:49:56You don't argue.
00:49:58Where are they?
00:50:01But what are you doing?
00:50:05Posone,
00:50:05What the hell are you doing?
00:50:06No, what the hell are you doing?
00:50:07Iñaki,
00:50:08that you've been wearing all day
00:50:09Talking on the mobile phone?
00:50:10Yes, yes,
00:50:11I'm talking on my mobile phone,
00:50:12But it's because
00:50:14I'm having problems.
00:50:15The only problem
00:50:16that you have to have
00:50:17right now
00:50:17to impress
00:50:18to Inara Segurola,
00:50:20so
00:50:20to work,
00:50:21But now.
00:50:22Yes, yes.
00:50:24Iñaki.
00:50:25That?
00:50:26You were right.
00:50:27Look.
00:50:27Just look at one card,
00:50:28not that he's right.
00:50:29Look,
00:50:29I gave her a divorce lawyer.
00:50:32Horace has been given
00:50:33casually to Carmen.
00:50:34Uncle.
00:50:35Iñaki,
00:50:36This guy
00:50:36He wants to make you go to bed.
00:50:37Is,
00:50:37Aunt Bego,
00:50:38I was right,
00:50:38I was right,
00:50:39I knew it!
00:50:40so much testing,
00:50:41so much sugar.
00:50:43I can't
00:50:44with these two.
00:50:46Hey,
00:50:46Aunt Bego,
00:50:47Don't you have one now?
00:50:48Prenatal class with Carmen?
00:50:49Yeah,
00:50:49now in a little while.
00:50:51Already,
00:50:51Well, you know what I say?
00:50:52Whether Horacio has made a move,
00:50:54I'm going to do it
00:50:54a checkmate.
00:50:56Hey,
00:50:57Iñaki,
00:50:57Don't even think about it
00:50:58Leave me alone now,
00:50:59Hey.
00:51:00Because we have to start
00:51:01the zero menu
00:51:01Because of you
00:51:02and I don't have enough time on my own.
00:51:04Okay,
00:51:04let's see,
00:51:04look,
00:51:05Gochone,
00:51:05I promise you tomorrow
00:51:06that I will be here
00:51:06before the sun rises,
00:51:07But right now I'm...
00:51:09I have to go,
00:51:10Dragú.
00:51:10Iñaki,
00:51:11Iñaki,
00:51:11Iñaki,
00:51:12Iñaki,
00:51:12No.
00:51:13Let's see,
00:51:14if you want
00:51:14I'll help you.
00:51:15daughter.
00:51:16Hey,
00:51:18Well, look,
00:51:19This could be useful for me
00:51:20a little bit of help
00:51:21from a graduate
00:51:23in gastronomy
00:51:24and expert in techniques
00:51:26signature cuisine
00:51:27and recipes from around the world.
00:51:28Yeah.
00:51:31Daughter,
00:51:31with a no
00:51:32That was enough for me.
00:51:35Come on,
00:51:36Come on,
00:51:36Incredible.
00:51:38Oh.
00:51:39The sergeant.
00:51:41Do you believe
00:51:41Are these the right hours to arrive?
00:51:44You are admitted
00:51:45and you can't leave
00:51:45of the room.
00:51:46Hey,
00:51:47You are not our mother,
00:51:49We are your patients
00:51:50And you are our nurse.
00:51:52I no longer have
00:51:53to be on the lookout
00:51:54of you.
00:51:55Okay?
00:51:55Take.
00:51:56Pin,
00:51:56put,
00:51:57snail,
00:51:58These are your reports.
00:51:59You've been fed up.
00:52:00Congratulations.
00:52:01I have never been happy
00:52:02so much so that
00:52:03some patients
00:52:03regain their health.
00:52:05Bye bye.
00:52:05Oh, oh, oh,
00:52:06How infuriating!
00:52:07How courageous.
00:52:08Just tonight
00:52:08that we ate tortillas
00:52:09potato for dinner.
00:52:11When was that?
00:52:11that had remained
00:52:12to see your face
00:52:13It sounds familiar, like the one on the seat.
00:52:14Well, I have
00:52:15a pile of married people
00:52:16for washing up,
00:52:17You know?
00:52:18Let me tell you something,
00:52:19that here
00:52:19I don't plan to move.
00:52:21So come on.
00:52:22Well, I wouldn't fit in.
00:52:23more like Dolores,
00:52:24If we have to leave,
00:52:26We're leaving.
00:52:27Well, you'll know.
00:52:28Benedict,
00:52:28But I can't get them to work.
00:52:29illegitimate children out there.
00:52:30Women,
00:52:31go ahead.
00:52:31Let's see what he says.
00:52:32the lawyer.
00:52:33No, it will appear
00:52:33some from the jungle too.
00:52:35Oh, oh, oh, oh, oh.
00:52:36Now I'm really not leaving.
00:52:38This is getting out of hand.
00:52:39Very interesting.
00:52:40I'm fine, damn it.
00:52:41If this heals
00:52:42with an aspirin,
00:52:43two ring cups
00:52:43and a good nap.
00:52:44Oh, Antonio,
00:52:45What happened to you?
00:52:46my soul?
00:52:46Nothing,
00:52:47a cow in a rage.
00:52:49A cow?
00:52:49Yeah.
00:52:50And what was wrong with her?
00:52:50Are you above?
00:52:51Oh no,
00:52:52less more.
00:52:52I was
00:52:53helping to give birth,
00:52:54But when he came out
00:52:54That calf, yes
00:52:55What happened to me?
00:52:56overhead
00:52:56which seemed
00:52:57one of those curlers
00:52:58of flat roads.
00:52:59Eye,
00:52:59How heavy the creature was,
00:53:00like, like...
00:53:01Yes, like a calf,
00:53:02come on.
00:53:02That.
00:53:03And I think I'm going to call him
00:53:04by name
00:53:05Falete to yours.
00:53:06Total,
00:53:07that I've gotten
00:53:08a hernia
00:53:08and he left me
00:53:08more folded
00:53:09that an archery
00:53:10turned inside out.
00:53:10Oh,
00:53:11And Carmencita?
00:53:12What did he say?
00:53:12She must be worried, right?
00:53:13Carmen Nimú,
00:53:14Siton,
00:53:15that doesn't tell him anything
00:53:16and to the excessive
00:53:17a piece of land
00:53:17with the calf
00:53:18of the balls.
00:53:19That this is operated
00:53:20and in two days
00:53:20it's me
00:53:20like those senagas
00:53:21strong,
00:53:22Damn.
00:53:23We pointed in the mouth
00:53:24who has believed
00:53:25you who we are.
00:53:26That.
00:53:26In two days,
00:53:27says.
00:53:28Yeah.
00:53:28And what symptom did he have?
00:53:29my soul.
00:53:34What are you doing here?
00:53:35Had I arranged
00:53:36with my lawyer?
00:53:37We have summoned him
00:53:38us.
00:53:38I know everything, Dad.
00:53:39Ah, yes,
00:53:40Well, you're already telling me.
00:53:41because I don't know anything.
00:53:42Don't play dumb, Benito,
00:53:43that if he thinks
00:53:44that we are going to distribute
00:53:45the inheritance,
00:53:46It's ready.
00:53:47Fuck,
00:53:47She already wants
00:53:48sweep everything away.
00:53:49Yeah,
00:53:50This is my future wife,
00:53:51So show some respect.
00:53:51that here the only
00:53:53that has been left
00:53:53to be carried by its distinct bass
00:53:54He was my father.
00:53:55What are you talking about?
00:53:56Of the twins
00:53:57that you gave to the nun
00:53:58that they want to take from me
00:53:58the family patrimony.
00:54:10And on top of that, with a little laugh.
00:54:11No?
00:54:12They laugh
00:54:12because we caught them.
00:54:14But come on,
00:54:15son of my life,
00:54:16Yeah,
00:54:16it's true
00:54:17that exist
00:54:18twins,
00:54:19Yeah,
00:54:20but made of silver.
00:54:25Silver cufflinks
00:54:26that the nuns
00:54:27They're going to give you back
00:54:28along with other jewels
00:54:30family
00:54:30your wedding day.
00:54:31And we talked
00:54:33of many jewels?
00:54:42Hello, Carmen.
00:54:43Oh,
00:54:43hello,
00:54:43Dade.
00:54:44Are you not bringing a companion today?
00:54:45No,
00:54:46But the truth is
00:54:46that I'm starting
00:54:47to think
00:54:47which I don't need either.
00:54:51Hello.
00:54:52Pussy,
00:54:53Josecho,
00:54:53I didn't know.
00:54:54Soriona.
00:54:55Hello, Carmen.
00:54:55But,
00:54:56And here?
00:54:57What are you doing here?
00:54:58It's that in the end
00:54:59Aunt Bego
00:54:59I couldn't come
00:55:00And here I am.
00:55:01to replace it.
00:55:02You don't have
00:55:02to prepare a menu.
00:55:03And you don't have
00:55:03preparing for childbirth.
00:55:05Well, here I am
00:55:06to help.
00:55:07Carmen.
00:55:07Hey,
00:55:08hello.
00:55:09Hello,
00:55:10uncle.
00:55:10Yeah,
00:55:11What are you doing here?
00:55:12And you?
00:55:13Well,
00:55:14I think so.
00:55:14I'd have to ask that myself.
00:55:17Well,
00:55:17Let's start the class.
00:55:18Yeah,
00:55:19Alasne,
00:55:19Don't worry
00:55:20that the two of them
00:55:20They're leaving now.
00:55:22Do you know what's happening?
00:55:23Alasne,
00:55:24Let me introduce myself,
00:55:24I am Iñaki,
00:55:25the baby's father.
00:55:26Well,
00:55:27I am the gynecologist.
00:55:28And I'm the one who's going to give birth.
00:55:30Girl,
00:55:31How well taken care of.
00:55:32Too much.
00:55:33Well,
00:55:33peaceful
00:55:34that can stay.
00:55:35Perfect.
00:55:36For some exercises
00:55:36four hands
00:55:37They help more than two.
00:55:38Yeah,
00:55:39Well,
00:55:40we're getting into position
00:55:41behind our couple
00:55:42on our sites.
00:55:43Okay?
00:55:44Very good.
00:55:45Let's see.
00:55:46Let's see.
00:55:47Well.
00:55:54But you,
00:55:54What are you doing like that?
00:55:55little girl?
00:55:55If they've sent you
00:55:56the fed up.
00:55:57They send you the harlot
00:55:58of anticipation,
00:55:59But I'm going to give
00:56:00the low
00:56:01because of the henna.
00:56:02Oh,
00:56:03For God's sake,
00:56:03But what are you saying?
00:56:05Lucy?
00:56:05What you hear,
00:56:07I'm not leaving here,
00:56:08Pussy,
00:56:08that this is like a spa.
00:56:10But what spa?
00:56:11not even a spa?
00:56:11If you're never there
00:56:12at a spa.
00:56:13But I know perfectly well
00:56:14that there
00:56:15They put it on for you
00:56:16everything ahead
00:56:16And there's the mother.
00:56:17to relax
00:56:18and he can take you for a ride
00:56:19in aborno.
00:56:21Sorry?
00:56:21What do you do?
00:56:22lying down
00:56:22Are you fed up?
00:56:24Sorry?
00:56:25It has an ethnicity.
00:56:26This,
00:56:27I have strong
00:56:28abdominal pains,
00:56:30nausea and vomiting.
00:56:31But how are you doing?
00:56:32to have you
00:56:32an ethnic group
00:56:33If that's what it's for
00:56:34it is needed
00:56:35perform some kind
00:56:35of physical exertion?
00:56:37But I was
00:56:37with Antonio
00:56:38when they admitted him
00:56:39and I could catch it.
00:56:40But the thing is
00:56:41ethnic groups
00:56:41They don't get infected.
00:56:43Well, I didn't leave.
00:56:43from a nurse.
00:56:44I want
00:56:45a second opinion,
00:56:46so
00:56:46let him come
00:56:47the doctor
00:56:48handsome
00:56:48from the ponytail.
00:56:52Are you envious?
00:56:53These eight?
00:56:54Yes, yes, yes.
00:56:55Tonight
00:56:56in Fundidores 25.
00:56:57But Melted
00:56:58You're going to be the ones left.
00:57:01Yes, yes.
00:57:01The number
00:57:02of the Indian and the cowboy.
00:57:03The Indian
00:57:03with the arrow pointing
00:57:05and the cowboy
00:57:05with the gun
00:57:07shooting.
00:57:09Yeah,
00:57:10until tonight
00:57:10my weapon
00:57:12prepare.
00:57:13See you later.
00:57:15Two meltdowns are coming.
00:57:16I mean, two of...
00:57:17In fact,
00:57:18What did you ask me for?
00:57:19Order, child.
00:57:19Order, order.
00:57:20I was going to ask you.
00:57:21I was going to ask you
00:57:21you couldn't even go out
00:57:22a look, Dad.
00:57:24Because?
00:57:25Do you have a plan?
00:57:26Dance?
00:57:27A bit?
00:57:28Maybe?
00:57:29Yeah.
00:57:30Dance?
00:57:30A bit?
00:57:31Maybe?
00:57:36Go on,
00:57:37that the child
00:57:37He comes up with excuses.
00:57:41The most important thing
00:57:42is that you hold
00:57:43the baby's head
00:57:44with one hand
00:57:44and with the other
00:57:45behind.
00:57:46Okay?
00:57:47Okay.
00:57:49Now let's imagine
00:57:50that our baby
00:57:51has finished eating
00:57:52and you have to get the air out of it.
00:57:54So we support him
00:57:55on the shoulder
00:57:56and we give it to him
00:57:57a few light taps
00:57:58on the back.
00:57:59No.
00:58:03Do you have a second?
00:58:04Yes of course.
00:58:06What's happening?
00:58:09Do you see a gynecologist?
00:58:10here?
00:58:14No, no, right?
00:58:15Do you know why?
00:58:16Because here
00:58:17We are the parents
00:58:19me too,
00:58:19I am the father.
00:58:21Oh, really?
00:58:22Oh, I'm glad
00:58:23that now
00:58:23don't be so sure.
00:58:24No, with doubts.
00:58:25that you had.
00:58:26That?
00:58:27Look, don't go
00:58:27We've got it somewhere, huh?
00:58:28Shh, shh.
00:58:30Yeah.
00:58:32And also
00:58:32who do you think you are?
00:58:33I'm stupid, huh?
00:58:34I didn't find out.
00:58:35about the marriage lawyer.
00:58:36marriage lawyer.
00:58:37Yes, you know what's happening?
00:58:38It's just that she, I mean,
00:58:38Carmen,
00:58:39who wants a divorce.
00:58:44He said that
00:58:45in a fit of anger.
00:58:46Yeah.
00:58:47You know that
00:58:47You know quite a lot.
00:58:48That?
00:58:49Look, you'll be...
00:58:50Enough is enough!
00:58:51Already!
00:58:52Already!
00:58:53Enough is enough!
00:58:56Okay, then...
00:58:58Baby, no, no,
00:58:59Relax, relax.
00:59:00I'll take the baby.
00:59:00which is for a reason
00:59:01my baby.
00:59:03I'll take it.
00:59:04That you,
00:59:05that you haven't seen
00:59:06a child,
00:59:06nor diabetes,
00:59:07The lottery brings...
00:59:08What do you know?
00:59:08Hey, no,
00:59:09Bring them for yourself.
00:59:10Please, please.
00:59:11No!
00:59:12No!
00:59:13No!
00:59:14Hey!
00:59:14He started it!
00:59:15It's started!
00:59:16You kicked me out!
00:59:17It didn't break the frame!
00:59:22No!
00:59:23No!
00:59:23No!
00:59:23No!
00:59:25No!
00:59:26No!
00:59:28No!
00:59:29There's no need to remind them!
00:59:29It already smells like...
00:59:34No!
00:59:40He hasn't asked!
00:59:47Oh!
00:59:58Outside of my class.
00:59:59Yeah!
01:00:02Okay, Josecho, I'll be able to shut you up.
01:00:08Do you think they will come?
01:00:10Come, a Basque person can miss his own funeral or even not go.
01:00:14I'll give him a bet on life.
01:00:16I'm serious, I'll keep that in mind.
01:00:18Kill me.
01:00:21How beautiful.
01:00:22When did I remember these times?
01:00:23Beautiful.
01:00:24Mom, do you know what's happening?
01:00:25We've arranged to make a bet with some French Basques.
01:00:28Ah, well, I feel much better now.
01:00:30Listen, don't mess with me, she's leaving tonight and I wouldn't want that for anything.
01:00:34world that they were going to give more time, huh?
01:00:36Which side are you going to?
01:00:37I know she's playing hard to get, but she's really shut me up, honey.
01:00:40Yes, I know.
01:00:41Come on, a little kiss.
01:00:42Come on, stop, stop kissing so much, hey, I know what you're up to.
01:00:46"Kiss," he says.
01:00:47Okay, fine, I'll continue with the round.
01:00:49Hey, as soon as you get there, write me a postcard, okay?
01:00:52So I know you're far away.
01:00:53Who is it?
01:00:55"Kiss," he says.
01:00:56That was my mother's language, she's going to miss you.
01:01:00Well, I'm getting homesick and they hadn't even left yet.
01:01:03Ah, I see.
01:01:04We thought you weren't coming anymore.
01:01:06Hey man, look who's here, the vegetarian.
01:01:10Look, I'm going to tell you one thing.
01:01:12A Basque person can place bets at the funeral of...
01:01:15What was it like?
01:01:16Okay, okay, José.
01:01:17You're going to vomit up what little you've eaten.
01:01:20Okay, fine.
01:01:21It'll be over in a flash.
01:01:25Loosen up, loosen up a little, Torricel.
01:01:27A little more.
01:01:28Here it goes.
01:01:29We're in one.
01:01:30We're ready, we're ready.
01:01:32Let's go.
01:01:37Come on, come on, yes.
01:01:39I can't, I prayed, man.
01:01:41I've eaten four steaks, man.
01:01:42I'm going to mess things up.
01:01:43Show some guts, José.
01:01:45You can't leave this land with your head down.
01:01:47This land was in pretty good shape.
01:02:07Come on!
01:02:07Here it is!
01:02:24I don't know! We won!
01:02:29Yes, I want you to know that we are very proud of you.
01:02:35José!
01:02:39José!
01:02:41José!
01:02:46I had even joined the choir, for real.
01:02:48I'm so pissed off.
01:02:49Look, I'm going to tell you one thing.
01:02:51I was dying to leave, I swear.
01:02:54But the day I've spent here...
01:02:57I'll keep that to myself forever.
01:02:59You don't have a friend here, you have...
01:03:00You have a brother here for whatever you need.
01:03:04Like I'm not going anywhere, I'm staying here, man.
01:03:06I'm going to register my address.
01:03:07Let's see, I've done the memberi here and...
01:03:09Here it is!
01:03:10There's a car!
01:03:11There's a car!
01:03:12The car, please!
01:03:14The car, the car!
01:03:15The car isn't going to my...
01:03:17The car, the car!
01:03:19No!
01:03:25No!
01:03:29No! No, man, no!
01:03:36See you later!
01:03:38There are some spelt people!
01:03:40Don't tell me it put you into labor!
01:03:56No way! I wish! Because it's funny to me and here's the bun.
01:03:59Well, I'm one of your neighbors, you can't imagine.
01:04:02These women are capable of anything
01:04:03just to stay here and gossip.
01:04:05In fact, Lucy has made up that she has developed an ethnicity.
01:04:08It is known that he has crossed paths with Antonio
01:04:09when they admitted the man and copied his symptoms.
01:04:13Antonio who Antonio? Does my father have an ethnicity?
01:04:15No.
01:04:18Antonio Banderas.
01:04:19Antonio Banderas, who is here in Seville
01:04:21filming an advertising expo in Cologne
01:04:22and he has hurt himself.
01:04:24I had a feeling I was going to get a family-sized bottle.
01:04:26And you know that many years of de-influence,
01:04:29lots of dealings, lots of foxes, lots of isolated faces.
01:04:32Dolores, please, will you stop with the nonsense?
01:04:33Is my father okay?
01:04:35Yes, it's fine, really.
01:04:37But most likely he will need surgery.
01:04:40The thing is...
01:04:41But look, if you want to put your mind at ease, call him, okay?
01:04:43But it's very important, please.
01:04:45Don't tell him you found out from me.
01:04:47Don't worry.
01:04:48Thank you so much.
01:04:50Okay, goodbye.
01:04:50Bye bye.
01:04:52And then it turns out that the hatch that cracked it
01:04:56It's us.
01:04:58Come on, it costs nothing on both sides.
01:05:02Hello, Carmen.
01:05:02Goodbye, Carmen.
01:05:03I'm going to Seville.
01:05:04And I'm with you.
01:05:31And me, who works here as a waiter
01:05:34to perfect the...
01:05:35The technique.
01:05:35That's why you wear clothes smaller than a cookie, right?
01:05:37Please.
01:05:38What are you saying, Dad?
01:05:39Whatever you do at night, Juan Bailón.
01:05:44Look, Dad, I'm sorry,
01:05:44But I have to pay the rent.
01:05:45And with the little that a technical brother has earned with you
01:05:47The mayor wasn't going to pay me.
01:05:48Or throw in a million, you idiot.
01:05:50Or sell things for the gualapum.
01:05:51Well, no, no, not that.
01:05:52Don't end up selling your body.
01:05:53But my body, what are you saying, Dad?
01:05:54All I do here is dance.
01:05:56The difference is that instead of building a nightclub,
01:05:57Well, I'll do it in front of this girl.
01:05:58And besides, do they pay me pretty well?
01:06:00Well, there are some things that money can't buy, Juan.
01:06:01And less of that degrading stuff, damn it.
01:06:03What do you mean, no?
01:06:04Within a week?
01:06:05No no.
01:06:06I don't know now.
01:06:06Host!
01:06:08Hey, fuck, fuck, fuck!
01:06:11What if I were this person without coming?
01:06:12What did you tell yourself, that you were going out?
01:06:14No, no, I have to go out.
01:06:14that I have been paid in advance.
01:06:16And if I don't go out, I have to pay double.
01:06:17That?
01:06:18Is this a serious business?
01:06:19Even if it doesn't seem like it?
01:06:19Is your father serious?
01:06:20Your father is going out
01:06:21And he's going to tell these enraged women
01:06:22that there is no function, period.
01:06:23No, no, no, no, I can't, I didn't go out.
01:06:25Besides, aren't you who you say you are?
01:06:26Always give the customer what they ask for.
01:06:27Let the little bird come out?
01:06:30According to what he's asking for, son?
01:06:31Dad, please help me get out of this.
01:06:32Please, I'm begging you.
01:06:33We're saying goodbye,
01:06:34But I'm not getting married.
01:06:36Dad, let's see, Juan,
01:06:37that I have a wife
01:06:38and a girl of age
01:06:38to make communion, damn it.
01:06:39Oh, you have a son
01:06:40that his partner just abandoned him
01:06:42in the middle of a bowling alley.
01:06:43Dad, please,
01:06:44Help me get out of this
01:06:44And I swear to you truly
01:06:45I'm never doing this again.
01:06:47Never again, okay?
01:06:53Show me the change, friend!
01:06:57Damn it
01:06:58who gave birth to Billy the boy.
01:06:59Listen,
01:07:00after that
01:07:01You owe me
01:07:01Every day off, huh?
01:07:02The August pay and the Christmas bonuses.
01:07:04I owe you whatever you want.
01:07:05But move it.
01:07:05But how am I going to move?
01:07:07if I'm more squeezed
01:07:07The Lady of Elche, damn it?
01:07:09It's not the same,
01:07:09They're going to take it away from you.
01:07:10Hey?
01:07:11They're going to take it away from me, shake it!
01:07:12wiggle?
01:07:24Take that!
01:07:26Trini, Trini,
01:07:27that I've found out
01:07:28Maricho and Don Benjumea
01:07:29They just had triplets, didn't they?
01:07:33How funny, Dolores.
01:07:35Wow, I see the news
01:07:36They fly around here, don't they?
01:07:37Well, especially lately
01:07:39You wouldn't believe it with the golden triplets.
01:07:41Oh well,
01:07:41That's another issue.
01:07:42By the way, what are you doing here?
01:07:44Well, since when
01:07:45I have to give you explanations.
01:07:46To you, huh?
01:07:46Woman, how are you getting married today?
01:07:48Yes, I'm getting married today.
01:07:50But I also have to
01:07:51call the distributors
01:07:53and close the month's balance sheet.
01:07:56You should compose a ballad
01:07:58because it's super romantic.
01:08:00Little girl, please,
01:08:01That can't wait.
01:08:02Dolores, if only I could wait,
01:08:03I assure you I wouldn't be here.
01:08:05I would be at home
01:08:05with a liter of ice cream
01:08:06and watching one of those programs
01:08:08on the home renovation TV show
01:08:09which I love.
01:08:10Yes, or maybe
01:08:11You could be at church
01:08:12with your boyfriend to get married.
01:08:13Also.
01:08:15But anyway, why are you?
01:08:16You're so annoying
01:08:16Should I get married or not?
01:08:18Because my brother
01:08:18Orpes Punte
01:08:19That's the one you saw, huh?
01:08:20And if you arrive late,
01:08:22It's going to be me
01:08:22to whom he is going to give the money.
01:08:23Well, look,
01:08:24If I call your brother,
01:08:25You tell him that with what he earns,
01:08:26waiting is included
01:08:27in the price.
01:08:30Oh my God, Lucy,
01:08:31Don't you think you're carrying
01:08:32too far
01:08:33this thing about denying yourself
01:08:34Are you going to be discharged, woman?
01:08:35No,
01:08:35Nothing can move me from here, not even God.
01:08:37Oh God, God,
01:08:38I would pray to him
01:08:39because of what might happen.
01:08:40As?
01:08:40What are you saying?
01:08:41Man,
01:08:42that the ethnicity operation
01:08:43It does carry its risks.
01:08:44For example?
01:08:46For example,
01:08:46that they give you too much anesthesia
01:08:47and you'll be left with a little bird
01:08:48in the operating room,
01:08:49or that they put you
01:08:50too little,
01:08:51or that the operating room
01:08:52not sterilized
01:08:53and catch an infection
01:08:54with all that this entails.
01:08:56Oh my God.
01:08:56No no,
01:08:57This isn't going to happen to me, is it?
01:08:59No, no, no,
01:09:00No, of course not.
01:09:01At worst
01:09:02There is an 85%
01:09:03of chances of success.
01:09:05Only?
01:09:06Well,
01:09:06that in an exam
01:09:07It's almost outstanding.
01:09:09Hali!
01:09:10Oh, Irene!
01:09:11Where does it come from?
01:09:11with that bloody apparatus?
01:09:13Well, then,
01:09:13This is the instrumental
01:09:14for the operation.
01:09:15Am I that sharp?
01:09:16No, woman,
01:09:17They are scalpels
01:09:18for incisions.
01:09:19Look, with that
01:09:19We will proceed
01:09:20to the placement
01:09:21of the protuberance
01:09:23and we'll sew you up
01:09:24after the operation.
01:09:25Man, if only I were
01:09:25a cushion with a tear,
01:09:27my soul.
01:09:27Well then,
01:09:28then already from
01:09:29postoperative
01:09:29we didn't even talk
01:09:30because you're going to have
01:09:31that take a certain amount
01:09:31of energetic
01:09:32important.
01:09:33Oh my God!
01:09:34Miracle!
01:09:35Oh, miracle!
01:09:35That work
01:09:36the remains of life.
01:09:37Eye!
01:09:37Oh my God!
01:09:38I'm cured, girl!
01:09:40I'm cured!
01:09:42Oh yes!
01:09:43Oh, we're leaving!
01:09:44To hell with it!
01:09:45To the cafeteria!
01:09:49Oh!
01:09:51It worked perfectly!
01:09:53The plan!
01:09:53What a plan!
01:09:54What a plan!
01:09:55What are you saying!
01:09:55That's intense!
01:09:56about the Virgin of Olores,
01:09:57No?
01:09:57Yes, I knew it.
01:09:58that behind science
01:09:59There had to be something more.
01:10:00Of course, darling!
01:10:01Now you're leaving
01:10:02to the rest area
01:10:03and you start watching little me.
01:10:04Oh yes, how wonderful!
01:10:05You don't deserve it!
01:10:07What has been lost
01:10:07Wikili.
01:10:24From Christopher, your future husband,
01:10:28the flowers wither
01:10:29and they die,
01:10:30but our love
01:10:31It's forever.
01:10:39forever.
01:10:42I don't see the little cup.
01:10:42who has not kept quiet
01:10:43throughout the entire trip, huh?
01:10:44What a joy!
01:10:44TRUE?
01:10:45I like it when people talk.
01:10:47Oops!
01:10:48Well, look, look, be quiet.
01:10:49What are you doing here, little girl?
01:10:51And how dare you travel
01:10:53With this drumbeat, mother?
01:10:54Don't worry, I've still stayed for a month.
01:10:55Don't worry, I'll stay
01:10:56when I get out of this fucking slaughterhouse.
01:10:58Goodbye, my soul!
01:10:58Goodbye, my soul!
01:10:59Runs!
01:11:00Runs!
01:11:00Oh!
01:11:01And that they were going to operate on her.
01:11:04And how is this?
01:11:05And how is this?
01:11:06How disgusting to see!
01:11:07How obvious is it that I'm not here?
01:11:08Oh, come on...
01:11:09It takes care of you,
01:11:09Don't slip
01:11:10with that puddle you have there,
01:11:11why would you...
01:11:15No, no, no.
01:11:16No, no, no.
01:11:19I've broken water, José.
01:11:29It's broken water
01:11:30No problem
01:11:32It's okay, we'll stay calm.
01:11:33We're not nervous at all.
01:11:34Look, I'm going to put a chair there
01:11:36Come on, sir, come on
01:11:37You're not doing so badly.
01:11:38Come on, the premature discharge
01:11:42The prison is in labor.
01:11:46Where is?
01:11:46Well, I went to Seville
01:11:47And as far as I'm concerned, it can stay.
01:11:48Because he no longer works here.
01:11:50What are you doing here?
01:11:51How did you even think of traveling in your state?
01:11:53He also told me he kept me away from you for a long time.
01:11:54If I wanted all the free tickets
01:11:56Let them stay to fly to Seville
01:11:57As?
01:11:58In total, there are 12 bills
01:12:00No?
01:12:00What are you doing to my neighborhood?
01:12:01No, no, no, no
01:12:01No, no, no, no, no
01:12:02Don't you have a wedding to attend?
01:12:05Come on, Iro, she looks gorgeous
01:12:06Don't worry, I'll come.
01:12:07Before this girl comes out
01:12:08Andorra, what is it like?
01:12:09Pelaya, Pelaya, Pelaya, darling
01:12:11Don't go out without your aunt in pain
01:12:13Come on, huh?
01:12:13Excuse me, is this Carmen's baby?
01:12:14Yes, it was just born
01:12:16Shall we give you a ride?
01:12:17Carmen needs to rest
01:12:18Did I come by bus?
01:12:20Yes, yes, it's a long story to tell.
01:12:22But I'll be there to help you right away.
01:12:24Okay?
01:12:24No, I'm here, I'm here to help you.
01:12:25I'm going to help you much more than he will.
01:12:26I'm here, but what are you doing in this room?
01:12:28If Carmen is...
01:12:30Pregnant
01:12:31Damn, damn!
01:12:32I'm getting quite shaken up.
01:12:34My daughter is going to be born with ringlets.
01:12:36What have you done wrong, you fools?
01:12:38Fuck!
01:12:39We've kidnapped this creature!
01:12:41No, no, no!
01:12:44Holy shit, holy shit, tell your mother to pay him with your driver!
01:12:46He's attacking me here, please!
01:12:48Come on, no, no way!
01:12:48Come on!
01:12:49No, no, it can't be.
01:12:50My son is about to fall
01:12:51And we have to wait for him.
01:12:53Aaah!
01:12:56I don't!
01:12:57We will continue
01:12:57Are we all here?
01:12:59Yeah
01:12:59Yes, yes, we're all here.
01:13:01Hey!
01:13:01Please!
01:13:02Love me now!
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