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00:00:00Why did my son buy the bar?
00:00:01According to my source, he wanted to buy it to impress a girl he likes.
00:00:04Carmen.
00:00:05That witch.
00:00:06I've been looking at you for a while now and I realize that I'm losing you.
00:00:11In poker, what are worth more?
00:00:13Threesomes or double couples?
00:00:15So you're going to have to hunt down Iñaki in two days.
00:00:18This is a guerrilla war.
00:00:20Okay, Iñaki?
00:00:21AND?
00:00:22Thank you.
00:00:22I don't know why you wanted to go back to the clinic.
00:00:24What a long walk you've given us!
00:00:26Because there's something I want to teach you.
00:00:27Come.
00:00:28Grandfather?
00:00:29Hey, look who's here.
00:00:33I still have matters to resolve here.
00:00:36Well, their desires last forever.
00:00:37That way we can continue to enjoy their company.
00:00:40But I had thought about taking you to the Guadalquivir.
00:00:43Iñaki, damn it, give the girl a little kiss, even if it's just on the cheek.
00:00:45Hey, about the touch.
00:00:46But Iñaki, don't be like that.
00:00:48Iñaki doesn't turn off.
00:00:51Carmen!
00:00:52Don't worry, I'm coming.
00:00:53Where are you, Captain Pescarobas?
00:00:54Carmen!
00:00:57Well, you're going to come see us, which I don't think is a good idea either, right?
00:01:01Jose, are you offering me your house?
00:01:05No, no, it's not real.
00:01:06What is this?
00:01:07Oh, Raffi, people keep arriving for the wedding.
00:01:09At this rate, they won't even leave us the toothpicks.
00:01:11Everything's going terribly wrong, Marichu.
00:01:13I don't know if matriarchal connections are lost here or what,
00:01:15But all I've managed to do is make a fool of myself.
00:01:17Well, and pay 15 euros for this.
00:01:19And speaking of London, how's your dinner?
00:01:21I don't want to know anything about your relationship with my granddaughter.
00:01:24Where do you come from?
00:01:25I pack my things and head up to Euskadi.
00:01:26But what is Anchor doing here?
00:01:29He has stayed here to sleep.
00:01:30Was it the one who slept here last night?
00:01:31And if it had been Nekane, would you care about me?
00:01:35I'm coming back to you, Euskadi.
00:01:36I think this trip has disrupted everyone's biorhythm, huh?
00:01:39Haven't you really noticed?
00:01:40About what?
00:01:41Iñaki, are you in love with Carmen?
00:01:44Hey.
00:01:49Thank you!
00:01:56Thank you!
00:02:19Wow, I see I've discovered my secret place.
00:02:23I thought it was a place where I could be alone.
00:02:25Don't worry, I'll keep you company in your solitude.
00:02:28You're immune to hints, aren't you?
00:02:31Hey, what's that?
00:02:33Are you waiting for a call?
00:02:36Last night my son and Nekane left together.
00:02:38And you know, I'm waiting for confirmation that the disgusting matriarchy is perpetuated.
00:02:43Ah, right, that explains the little smile.
00:02:47There is no greater satisfaction for a mother than being able to decide on her son's romantic future, right?
00:02:53Look, I didn't decide that, okay?
00:02:55He decided it.
00:02:56Sure, but you arranged everything so that he alone could decide what you wanted.
00:03:00That is a mother's job.
00:03:02Or not?
00:03:07Iñaki.
00:03:07What Iñaki? It's Bego.
00:03:09Hey, can anyone tell me what happened to Nekane?
00:03:11Bego, but why do you say that?
00:03:12I have it right here next to me.
00:03:13She came straight from the bus and has been floating on the bar and swearing for four hours.
00:03:17Do you want to quit, damn it?
00:03:19But last night she went home with Iñaki.
00:03:21Look, look, don't talk to me about Iñaki, he's stood her up for the Andalusian girl.
00:03:24That?
00:03:25Look how you hear it.
00:03:26It backfired on us, Parichu.
00:03:28Does Iñaki no longer like Basque women?
00:03:32Nothing.
00:03:33Well, for the moment the Basque matriarchy is not perpetuated.
00:03:38What do you want?
00:03:39Her sister can be heard from Gibraltar.
00:04:00How did it turn out?
00:04:01That sounded really good to me.
00:04:02Right?
00:04:03You're a wonderful teacher, girl.
00:04:05Now explain to me what you have done.
00:04:07Hey?
00:04:08What did we have to read and understand?
00:04:10Well, you have to explain that before you start, because that requires a different kind of concentration.
00:04:14It's all a very complicated text.
00:04:15But he only brought a piglet.
00:04:17But?
00:04:18Suck me, it was Shepi.
00:04:19How is the student doing?
00:04:20If a knot forms in the tongue, Rosita will tell me and I'll bring osmetic.
00:04:24He's in the mood for accordion, isn't he?
00:04:25Because I know I'm learning a lot, a whole lot, come on, very much.
00:04:28Ah, well, then you'll be going to see Azucena soon, won't you?
00:04:31Okay, let's see, let's relax about this topic.
00:04:33Going to London like that, just for the hustle and bustle, that's a big deal.
00:04:36Well, what are you going to expect?
00:04:37Does having perfect English mean he'll have to go looking for her in a cemetery?
00:04:40No, doesn't she see that she will wait for me?
00:04:42What, did you believe that?
00:04:43Look at this.
00:04:45What's wrong with you? Wouldn't you wait for me?
00:04:46No.
00:04:48Would you wait for me?
00:04:49I, Joselito.
00:04:50Well, I'm going to have to go now.
00:04:52Do you see me as ready for where?
00:04:54No, it doesn't matter, but she'll be happy if you surprise her.
00:04:57Sure, you go ahead, impulsive and senseless things like that are what drive women crazy.
00:05:01Yes or what?
00:05:02Clear.
00:05:03Why am I going?
00:05:03I bet you don't.
00:05:04What for, Jess?
00:05:05I bet you don't.
00:05:06The guy's already getting on a plane, so you fly there, let's go.
00:05:09Thank you very much, and well to everyone.
00:05:12Look, Rosita, when he gets to London they won't even let him go down the airplane stairs.
00:05:25Look, I'm going to have to put a bell on you.
00:05:27We need to talk, Carmen.
00:05:29I'm sorry, I can't right now, I'm very busy.
00:05:32This is more urgent, go over there.
00:05:33Oh, that's got me hooked.
00:05:35We have firsthand information that will interest you, about Vasco.
00:05:39Iñaki? What happened to him?
00:05:41Nothing happens to it the other way around.
00:05:42That Basque woman? The Mecano one?
00:05:45The Necane.
00:05:46That one, which has turned north.
00:05:48But he was here with Iñaki last night.
00:05:50Well, he was there and then he left.
00:05:52And without co-sleeping or rubbing.
00:05:54First-hand information from my local area.
00:05:56The lizard has gone back north with him.
00:05:59Well, he must have gone north because he has something to do there.
00:06:02Hey?
00:06:02Do you cry for their sorrows?
00:06:03You don't get it, Carmencita.
00:06:05The reason he left is because Vasco prefers you.
00:06:09What could be easier, daughter?
00:06:11The fish is already on the hook.
00:06:13Now you just have to pull the fishing line.
00:06:16Okay, are you sure about this?
00:06:17Because what you're telling me is very dangerous.
00:06:19Robe is also involved.
00:06:20But, Carmen, come on.
00:06:22Did you and Robe do anything last night?
00:06:24No way?
00:06:24If it got stuck.
00:06:26The canary was awakened by the snoring coming from here.
00:06:29Well, if nothing happened, it's because it wasn't meant to happen.
00:06:32Period.
00:06:33So let's see if they decide for you.
00:06:34And assemble.
00:06:35Or gaspacho.
00:06:36Or cod with pirpí sauce.
00:06:44Passed.
00:06:45Goes.
00:06:46I'm betting.
00:06:47Iñaki.
00:06:48Anchón in life.
00:06:50As?
00:06:50Well, I don't know.
00:06:51I don't know if he's sent any signals.
00:06:52Nothing.
00:06:53I think it was a tic, huh?
00:06:54He's a nervous guy.
00:06:55Don't you think...?
00:06:56José María, holy shit.
00:06:57Okay, Iñaki, what are you saying? Do you want to or not?
00:06:58We've been here for half an hour and we haven't even played a single game, damn it.
00:07:00Okay, calm down, beast.
00:07:02Hey?
00:07:02Is the coverage going out?
00:07:04Tell me, Iñaki.
00:07:05Yeah.
00:07:06Okay, yes.
00:07:07Okay, yes, yes...
00:07:08Who the hell are you talking to now?
00:07:10With Iñaki, no, yes, I'll pass, I'll pass.
00:07:12What a coward.
00:07:13What's happening?
00:07:13Didn't you see my sign or what?
00:07:15We've all seen it.
00:07:16Ah, now it turns out I don't know how to give signals.
00:07:18Come on, Kudo, we know you're going through a rough patch with your wife, but don't take it out on us.
00:07:22Hey?
00:07:23Ah, said the other one, who has come all glum in the south.
00:07:25That?
00:07:25You look like a barrel of vinegar.
00:07:27That?
00:07:28Okay, okay, okay.
00:07:29Laser, laser.
00:07:31Come on, let's stop arguing and see if we can make some progress, shall we?
00:07:35Sorry.
00:07:37Come on.
00:07:39I'm bringing the game.
00:07:40I wish.
00:07:40No.
00:07:41Yes, yes, yes, yes, yes.
00:07:42Yes, I'm wearing it, yes, yes, yes.
00:07:44While I'm alive?
00:07:45Look, it's a hand.
00:07:47He said that while he was alive.
00:07:49As?
00:07:51Okay, okay, okay.
00:07:53I review!
00:07:58Umarch.
00:08:00He's made a bold move.
00:08:03Iñaki, don't be a coward.
00:08:04Iñaki.
00:08:06Iñaki, can you hear me?
00:08:07He's leaving.
00:08:08It's the same, we want it.
00:08:09We played with the chuchuchuchotos a lot, huh?
00:08:11Does Iñaki want to or not?
00:08:13Iñaki is a coward.
00:08:15We want it!
00:08:1632.
00:08:18You're carrying it, right?
00:08:2033.
00:08:26Iñaki, they've pulled a fast one on us.
00:08:29Hey, it's your fault for stopping me.
00:08:31You're playing.
00:08:33Iñaki.
00:08:34Wait, it's slipping away.
00:08:35I'm already feeling the heat, with my revenge and brother-in-law.
00:08:39José María.
00:08:40Hey you, big clothes, can you hear me?
00:08:42José.
00:08:43Cabenzot.
00:08:44Man, boss.
00:08:45Banchadito in a glass?
00:08:46Come on.
00:08:47Hey, how's it going?
00:08:48You all looked great with the wedding, didn't you?
00:08:50Well, it seems they took to the whole skewer thing.
00:08:52I think they were happy with the situation.
00:08:54By the way, I just got a call from a journalist who's interested in doing a story on a certain Basque bar that
00:09:00triumphs in Seville.
00:09:02Hey, what is it? A food magazine or...?
00:09:04No, no, better. Regional television.
00:09:07Is the TV crew coming?
00:09:08To our bar?
00:09:10Sign that he wants.
00:09:17Okay, fine.
00:09:19But, Isabel, let's prepare a special menu.
00:09:22And, Rafi, get moving, because we're going to have to organize the whole bar.
00:09:24Look, did I know that it falls on me like brown somewhere?
00:09:27Oh, Rafi, darling, don't be sad.
00:09:29What is television?
00:09:31The TV.
00:09:32Well.
00:09:33Good morning.
00:09:36That?
00:09:37How is my husband today?
00:09:39Like the queen of the carnival.
00:09:41Say yes, woman.
00:09:42We must take life with joy.
00:09:44That's two days.
00:09:47Opa.
00:09:48Hey.
00:09:49According to [unclear].
00:09:49Hey.
00:09:53My goodness, what a day yesterday was, huh?
00:09:58And what a night.
00:10:04Divinely, Maricho.
00:10:06Divinely.
00:10:06Yes, yes.
00:10:07Well, it won't be for lack of the joys that life gives me.
00:10:09Well.
00:10:10Then she goes to the doctor to see her.
00:10:13Goodbye.
00:10:16Goodbye.
00:10:18Goodbye.
00:10:23What's happening?
00:10:25Don't you have anything to tell me?
00:10:28That?
00:10:29The bar thing.
00:10:30Oh, what about the bar?
00:10:32What happened yesterday with Nekane?
00:10:34With Nekane?
00:10:36Nothing.
00:10:37What's going to happen?
00:10:38Yeah, you don't have much imagination.
00:10:40That?
00:10:41How did Nekane return to San Sebastián?
00:10:43Yes, look, love.
00:10:44I know you had high hopes for it, but...
00:10:47What do you want me to say?
00:10:49In the end, it wasn't possible.
00:10:51In the end, it wasn't possible.
00:10:53Dude, you say it like I've lost the real thing.
00:10:55Perhaps you didn't want to.
00:10:57Look, thank goodness we're finally heading north.
00:10:59Try to focus a bit more there, son.
00:11:01Ch, ch, ch.
00:11:02When are we leaving?
00:11:03I was discharged today.
00:11:05Yes, ma'am, but I can't leave today.
00:11:07Well, if not today, then tomorrow.
00:11:08Tomorrow?
00:11:09No, but not tomorrow either.
00:11:10Look, I can't just leave the bar like that.
00:11:13I need to put someone in charge.
00:11:15And how long will that take you?
00:11:17Look, love, the best thing would be for you to go up there and I'll go in a few days and that's it.
00:11:21I don't know, maybe two weeks.
00:11:36We have to assume that this crew has been left crippled, right?
00:11:40As things stand, I don't think Iñaki will be back anytime soon.
00:11:43Can you stop talking about Iñaki?
00:11:45All day long, Iñaki, Iñaki, Iñaki, Iñaki, Iñaki, Iñaki, Iñaki, Iñaki.
00:11:48I'm going for a run.
00:11:52Okay, let's focus on our own thing.
00:11:55A crew of three is not operational.
00:11:57It takes four to play bus, four to go ball.
00:12:00Cuadrilla comes from cuatro.
00:12:01No, no, it's clear that three is a very bad number.
00:12:04No matter how you look at it.
00:12:07That's good, Iñaki?
00:12:08All day.
00:12:09We need to find a replacement for Iñaki in the crew.
00:12:11Don't even talk to me about this guy's brother-in-law.
00:12:13I'm not talking about something occasional.
00:12:15I'm talking about someone who's a regular.
00:12:17Fixed?
00:12:17Yeah.
00:12:18Come on, Anchón, that's a big deal.
00:12:21I'm with Pello, okay?
00:12:22In other words, you can't just whip up a crew, right?
00:12:25Anchón, please.
00:12:26A crew is like a geographical feature.
00:12:28It is forged over the years, little by little, in a natural way.
00:12:32We don't have time for volcanoes, Colbo.
00:12:33If we want to become functional again, we need a candidate now.
00:12:39Yeah.
00:12:40Chemmy?
00:12:41The butcher?
00:12:43Yes, it's 20 years old, it's unfinished.
00:12:44A little yogurt.
00:12:45What are we going to do?
00:12:46Kangarooing with him?
00:12:47Your friend, the one with the doghouse, the one who only has one ear.
00:12:50Zacita?
00:12:51No, impossible.
00:12:52You won't believe it, he doesn't like the ball.
00:12:54No?
00:12:55Look at the strange people in this world.
00:12:57We need someone we know well.
00:12:59That it integrates quickly.
00:13:00Let him be Basque.
00:13:01Trustworthy and good-hearted.
00:13:03Aopa, crew.
00:13:04Aopa, Sabino.
00:13:05Sabine.
00:13:14Look, these are the flights available to London.
00:13:16Ah, okay, cool.
00:13:17And listen, how much is it worth?
00:13:19I don't see the price.
00:13:19Here, in this column right here.
00:13:21What will the prices be like?
00:13:22Man, that must be the flight number, right?
00:13:25Wow!
00:13:25It's the prices.
00:13:26It's the prices.
00:13:27And this is still in Libra, look.
00:13:29What has he done?
00:13:30They are changing the euro.
00:13:30But it's not the other mouse, man.
00:13:32That it's already gone up at least double with the euro crap and...
00:13:35The euro is in bad shape.
00:13:37I mean, we have to admit it.
00:13:39That's how it is.
00:13:40The euro has gone up, the PI has gone down, we're doing so-so, and the risk premium is... well, you can imagine.
00:13:45You don't quite understand it either, do you?
00:13:47Neither.
00:13:48Well, get it for me even if it's from, I don't know, a low-cost store or something.
00:13:51But I don't care if I'm going to hook up a wheel.
00:13:52Yes, but those are the cheapest ones.
00:13:55Well, I'm going to have to tighten my belt, huh?
00:13:56Because I'm at least four hundred and something euros short of the cheapest one.
00:14:01If that's what the flight costs.
00:14:02I know.
00:14:03I feel sorry for you, don't I?
00:14:04Yeah.
00:14:04Lend me something.
00:14:05I?
00:14:05Yes, lend me something.
00:14:06No, man.
00:14:06Come on, man, whatever.
00:14:08There's nothing loose there.
00:14:09And he lends me a hand.
00:14:10Go on, for a friend.
00:14:11Get involved.
00:14:12Come on, anything for a colleague.
00:14:14Come on.
00:14:14Let's see, let's see how much I have here, huh?
00:14:16Whatever it is?
00:14:16Everything for you.
00:14:18Look, let's see.
00:14:19Okay, thank you very much.
00:14:19Wait, because look, let's see.
00:14:21And here.
00:14:22Okay, that's it.
00:14:25So much for the idea that we in Spain aren't supportive.
00:14:28Thank you so much.
00:14:30Hey, listen, don't worry about deleting it.
00:14:32Oh ok.
00:14:35Did they deduct the VAT?
00:14:41There's the bar.
00:14:45The skewers.
00:14:51And that's where you enter.
00:14:58And that's about it, more or less.
00:15:01That's it.
00:15:02Is that what you're going to say?
00:15:03Damn, what more do you want me to say?
00:15:05Oh, girl, this is the TV.
00:15:07We need to sell the place, give it joy and color.
00:15:09Get your genarguiñano out.
00:15:11And you keep going on about the genarguiñano, Isabel, I don't have any of that.
00:15:13That one of my ancestors must have skipped it.
00:15:16Well, you might run into some obstacles, son, but add a little bit of zest, a little bit of joy.
00:15:19You're drier than a breadcrumb omelet, for fuck's sake.
00:15:22Look, Iñaki, it's great that you're Basque, that's what the report is about.
00:15:25But couldn't it also be a little bit Andalusian, a little friend?
00:15:28Leave it, leave it, because every time I try to act Andalusian I end up making a fool of myself.
00:15:32Look, it's best if Rafi does the report.
00:15:35I?
00:15:36Me in person?
00:15:37Oh, my Rafi looks great on camera.
00:15:39And darling, you have more than enough charm.
00:15:42Ah, yes, yes, yes, yes, but the responsibility here is yours, Iñaki.
00:15:45Okay, put that Leo thing into you, because I'm in charge and I know you're going to do great.
00:15:49Now, I'm going to tell you one thing: study the ingredients of the pinchos for me, in case they ask you.
00:15:54Look, I'll study even the lyrics of the Basque Country anthem if necessary.
00:15:57What's it called?
00:15:57Euskoa Bendaren, Ereserquía.
00:16:00I'm not going to sing it, but I'll hum it.
00:16:03Rafi, champion, go get them.
00:16:14But hey, they manage it somehow, don't they?
00:16:18And they haven't even tried this?
00:16:19Are you not going to compare Niñaki's kebabs with that soup that looks like dishwater?
00:16:24We're not breaking any rules here, are we?
00:16:29Oh, oh, oh, oh!
00:16:30But that's without alcohol.
00:16:33Yes, just like the cigarettes you have down here.
00:16:36What are they? Tobacco-free cigarettes?
00:16:38Who put that far?
00:16:39Besides, I don't smoke that brand.
00:16:41Look, I'm going to let it go for today because Maricho is leaving us.
00:16:44Yes, and I'm also going with my son.
00:16:47Huh?
00:16:49And is Niñaki leaving too?
00:16:51Yes, well, as soon as I get everything organized at the bar.
00:16:55Well, look how great that is.
00:16:58The whole floor to myself.
00:17:02That was a little unnecessary.
00:17:05Yes, but like all the good things in life.
00:17:10One little thing.
00:17:12You know how to bypass security to leave the clinic, right?
00:17:17Long-term discharge process?
00:17:18Just a moment, just a moment.
00:17:19You are asking me to help you organize an escape.
00:17:24And an aggrieved.
00:17:28Maria, excuse me, have you seen Robert?
00:17:31Yes, I'm in a recession, I'm chatting.
00:17:33Thank you.
00:17:41See you later.
00:17:43Good morning, princess.
00:17:46Robert, can we talk somewhere?
00:17:48Well, I have an operation now, but if it's urgent, let me know.
00:17:51Look, Robert, you know that I have a lot of affection for you.
00:17:58Well, I appreciate it a bit more, I say.
00:17:59I appreciate it, I appreciate it.
00:18:00And that's precisely why, because I don't know if the affection we have will ever go beyond that.
00:18:04not appreciation.
00:18:05Sorry?
00:18:07Robert, what we have isn't going anywhere, it's best if we forget about it.
00:18:10Sorry?
00:18:12Just a moment, just a moment.
00:18:12What are you leaving me for in the middle of the hospital?
00:18:14Well, technically we're not there, are we?
00:18:17That's what you say.
00:18:18That's what I say.
00:18:19But, but, are we okay?
00:18:20Well, that's what you say.
00:18:21But that's just how you are, right?
00:18:25Wait a minute, wait a minute, Carmen.
00:18:28Let's discuss this more calmly elsewhere; I don't think this is the most appropriate place.
00:18:31More peace and quiet, okay?
00:18:31I don't think there's much more to say.
00:18:33But what do you mean there's nothing more to talk about?
00:18:35We'll have to talk, I'll have to express myself, won't I?
00:18:37Wait a minute, Carmen, I know I'm a bit of a weirdo, I don't know, but, well, I haven't gotten back together with Trini.
00:18:42to have nothing, neither with Trini nor with anyone else.
00:18:43It's not Trini, it's not you, it's me, me.
00:18:48It's not you.
00:18:49Yeah.
00:18:49It's not you.
00:18:50It's because of the Basque language.
00:18:52You're leaving me for the Basque guy.
00:18:54Robert.
00:18:54Damn that Basque bastard!
00:18:57Look, I'm going to tell you something.
00:18:59You're not going to leave me.
00:19:00I'm going to leave you.
00:19:03It hurts me.
00:19:06But I understand you.
00:19:08One moment.
00:19:08You're being condescending to me.
00:19:11You are absolutely right.
00:19:13Of course I have it.
00:19:14Furthermore, never speak to me again in your life.
00:19:17Okay.
00:19:18That's your decision, I respect it.
00:19:20That said, I would love for us to remain friends.
00:19:24Friend?
00:19:25Friend?
00:19:27Friend?
00:19:35I don't know, I don't know what to tell you.
00:19:37Sabino's idea doesn't quite convince me.
00:19:39I'm more inclined to think that a team can't be improvised.
00:19:41Let's see, Elbow.
00:19:42Sabino is trustworthy and a nice guy.
00:19:44Man.
00:19:45Kid?
00:19:46I don't think you can call him a kid, can you?
00:19:48Look, we're not kids either.
00:19:50Besides, Sabino is here all day.
00:19:51Understand the dynamics.
00:19:52Yeah.
00:19:53But what bothers me is that he doesn't have his own crew.
00:19:56Damn, something's weird.
00:19:56No, no, no, but she had it.
00:19:58Oh, really?
00:19:59Of course, the thing is, one of them went to live in Badajoz.
00:20:01The other two have died.
00:20:03Don't mess with me.
00:20:05What a bummer!
00:20:07To Badajoz?
00:20:08Bo.
00:20:10OK that's fine.
00:20:11I'm not saying the man doesn't deserve a chance, damn it, am I?
00:20:14But there is something that has me very worried.
00:20:17And we all know what I'm talking about.
00:20:20Meringues.
00:20:21Come on.
00:20:22Endives.
00:20:23And pears.
00:20:23Oh, and bring some Paraguayan peppers, but don't let them be damaged.
00:20:26It's like last week, and they keep screwing you over.
00:20:28Okay, okay, okay.
00:20:29Don't worry.
00:20:31Eggplants.
00:20:31What did you point out to us, son?
00:20:45She needs help, woman, in systems.
00:20:46Shh, you don't need to come with me.
00:20:48Heavy.
00:20:49The woman is leaving the clinic for the first time since the accident.
00:20:53Someone will have to show him the wonders of this city.
00:20:55And I, like any good Andalusian, have a tour guide inside me.
00:20:59That and a washed-up Don Juan.
00:21:01And other things that I keep quiet about to preserve the mystery.
00:21:04Okay, where do we get a taxi?
00:21:06A taxi?
00:21:07Please.
00:21:09Do you deserve better?
00:21:10If he tries to get on a carriage, I'll throw him at the horses' feet.
00:21:14Give notice or you're there.
00:21:15Well, we'll have to find something in between.
00:21:22Okay, okay, okay.
00:21:24Like the Queen of England, in a convertible.
00:21:27Won't he complain?
00:21:28We are a breeding ground for mosquitoes and flies here.
00:21:32Cars with roofs aren't bad either.
00:21:34Well, this is much better for introducing him to Seville.
00:21:38Yes, I know, I know.
00:21:39It's not as beautiful as San Sebastián.
00:21:42But admit it, it has its charm too.
00:21:46I see too much color.
00:21:48But it's not bad.
00:21:50Ah, something was saved.
00:21:51Coming from you, that's almost a compliment.
00:21:54I'm more into gray tones in the landscape.
00:21:58You're wasting your time looking at me like that and you're going to end up melting.
00:22:02Okay, please.
00:22:05We're talking about ice cream, Marichu!
00:22:07It's going to end up being eaten alive by the sun before it becomes like you.
00:22:11Well, here you come, Marichu.
00:22:13I think that in Basque, as difficult as it is, I could eventually learn it.
00:22:19Oh, oh, oh!
00:22:20I'm surprised.
00:22:21Oh, no.
00:22:22Man, I have a very good ear for accents.
00:22:25Well, I would obviously need some good help.
00:22:28A good teacher.
00:22:30Well, he has very good teachers there.
00:22:32And eager to make some money, huh?
00:22:34Ah, I was thinking, I don't know, about you.
00:22:38So, little by little, we could practice.
00:22:42Yes, because of the mess you have with the affectation and the Basque language.
00:22:45That's all it's missing.
00:22:47No, seriously.
00:22:49Okay, how would you say it?
00:22:50So, for example, right?
00:22:51Sell out soon.
00:22:52The first thing that came to mind.
00:22:54How would you say it?
00:22:56Whose?
00:22:58I would start with the numbers.
00:23:00From one to a thousand.
00:23:01One, bat.
00:23:01Two, one thousand, three, and one.
00:23:03Four, lao.
00:23:04Go, go, go, go.
00:23:05Four, mao.
00:23:06Wow!
00:23:06Four, mao.
00:23:08Five, post.
00:23:09Let's see, it's a park.
00:23:10This post!
00:23:11Ten, six, post, post?
00:23:14Six, six, six.
00:23:16Six, I can't go, go.
00:23:18Ah!
00:23:19Seven, six.
00:23:22Wow!
00:23:23Wow!
00:23:24Wow!
00:23:25She stayed behind from the tutoring, huh?
00:23:26Made of stone, isn't it?
00:23:26White as paper.
00:23:28They got caught!
00:23:28They got caught!
00:23:29They got caught!
00:23:29They got caught!
00:23:29They got caught!
00:23:30They got caught!
00:23:31They got caught!
00:23:35They got caught!
00:23:42Niaki, iaki!
00:23:44You haven't heard, have you?
00:23:45I knew it.
00:23:46Find out what?
00:23:47Oh, I'm so excited to be the first to tell you!
00:23:50It's not to gossip,
00:23:52But the truth is that sometimes life puts wonderful things in front of you.
00:23:55And it's human to want to share them.
00:23:56Yes, thank you very much, Dolores, for this reflection.
00:23:59Now, if you don't mind, I have to go to work.
00:24:00That Rob and Carmen have argued.
00:24:04That?
00:24:05She stood him up in the middle of the recession.
00:24:08that according to her, she wasn't there at all,
00:24:09But come on, it was just as humiliating.
00:24:11Equally painful and very funny, really.
00:24:14because...
00:24:15Oh, what a shame about my Rob, and with the story he had!
00:24:18Yes, but why are you telling me this?
00:24:20Don't play dumb, Iñaki,
00:24:22According to Rob, she left him for you.
00:24:26For me?
00:24:27I mean, the betting pool we have, that's the version that wins the most.
00:24:30Although I have my doubts,
00:24:32Because a Basque man and an Andalusian woman is an experiment.
00:24:34Well, Dolores, I don't have time to waste on gossip.
00:24:37But thank you for the information.
00:24:39Hey, Iñaki, what are you going to do?
00:24:42Give me a title, even just one.
00:24:45I have a reputation to uphold!
00:24:50Don't worry, we're ready.
00:24:53Are you sure you don't need help?
00:24:55Please, Marichu, but I'm being heard.
00:24:58You have asked me to do a silly thing for these redheads,
00:25:01To Monica, Marichu.
00:25:03Oh, oh, oh!
00:25:04What a cute sofa!
00:25:06And it even looks like that comfortable one.
00:25:08I'll see, I'll see.
00:25:12What do I say, Marichu?
00:25:13Where did you get the keys?
00:25:15I looked at them this morning on my son.
00:25:17Right pocket of the pants.
00:25:19Oh, as if I didn't know him!
00:25:21Wow, what a place!
00:25:22This has no more colors, because they don't exist.
00:25:25My goodness, and this kitchen!
00:25:27This is wonderful.
00:25:28That's an American kitchen.
00:25:31Yes, the atomic bomb is also American.
00:25:32And that doesn't mean it's good.
00:25:35And this?
00:25:36This?
00:25:37Did they pull this out of the trash?
00:25:39Recycled furniture.
00:25:40That's breaking news.
00:25:42Everything vintage is in now.
00:25:44For example, you and I, well, we're very vintage.
00:25:47You'll tell that to all of them.
00:25:49I'm going to the bathroom.
00:25:50Let's see if I can find one of the sons.
00:25:56Oh!
00:25:58You fucking bitch! You scared me half to death!
00:26:01What called me?
00:26:02You whore, you whore!
00:26:04Girl, daughter, for God's sake, what a scandal this is.
00:26:06Oh, I was taking a nap, for goodness sake.
00:26:08And why don't you go take a nap at home?
00:26:11Because it doesn't come out the fig, she looks at her.
00:26:13Weren't you in the shower?
00:26:14The water from my showerhead comes out with the force of a pee.
00:26:17Girl! What's wrong?
00:26:19What are these screams that almost made my harmonicas fly away?
00:26:21No problem!
00:26:22Did some people give me a fright?
00:26:25Come on, come here!
00:26:26I'm coming, I'm coming!
00:26:28But can we know...
00:26:29Who are you?
00:26:30Lucy, Merche, and Piedad are coming now.
00:26:34Come on, the three graces.
00:26:38And can you tell me what they do at my son's house?
00:26:41And damn, if only the Basque man could see it!
00:26:43And come on, but why are you calling me a whore?
00:26:45It's an affectionate expression.
00:26:47It depends on who you say it to.
00:26:48That's true!
00:26:49Oh, oh, oh!
00:26:51Delighted to meet you, Marucho.
00:26:54You wouldn't believe how much stuff his son ate!
00:26:57Iñaki, quite the artist, huh?
00:26:59And he also brings us his friends who delight our five senses.
00:27:02And I get the sixth one!
00:27:03Yes, yes, yes.
00:27:04Marichu is also delighted to meet you.
00:27:08Man, look at her, listen, she's as enthusiastic as her son, girl.
00:27:12Well, you'd better start to like Seville, eh?
00:27:14Because I think he's her son and he's going to stay for a while.
00:27:17And why do you say that?
00:27:19I spoke with Carmen and she told me that she has finally broken up with the doctor.
00:27:24With Robert?
00:27:24Well, it was about time, wasn't it?
00:27:25I think he's his son, he just tries a little harder.
00:27:29Carmencita is ovulating!
00:27:32That's it, that's it!
00:27:33Let's merge cultures, ma'am.
00:27:36Goodbye, it was a pleasure!
00:27:37See you later!
00:27:38That's what I said!
00:27:39A pleasure!
00:27:40And we'll see each other around here!
00:27:43See you later!
00:27:46See you later!
00:27:52What am I thinking, Marichu?
00:27:54It's true, this American kitchen that doesn't fit in at all.
00:27:59But have you seen that?
00:28:01My ñaki can't stay and live here.
00:28:04I have to save him.
00:28:12Sabino, what we have to tell you is very important.
00:28:16But what?
00:28:17Is something wrong?
00:28:18Please let us finish.
00:28:19Hey, can you all stop talking about Iñaki already, please?
00:28:22Look, we're not talking about Iñaki.
00:28:26But you're thinking about it.
00:28:31Let's see, Sabino.
00:28:33Circumstances beyond our control have resulted in this crew being left with an undesirable number of members.
00:28:40Ah, right, because Iñaki has left...
00:28:41We are considering starting a selection process to add a new member to the team.
00:28:47Oh, you're a real jerk.
00:28:48Well, that is indeed an important step.
00:28:50Damn, of course.
00:28:51And you want me to help you find that...
00:28:53Well, no, that's going to be very difficult.
00:28:55Sabino, that's not it.
00:28:56We don't want to get your hopes up, but we're considering that maybe, perhaps...
00:29:02Probably.
00:29:02Thank you, Pio.
00:29:03You are a plausible candidate.
00:29:08Look, I'm not entirely sure what "plausible" means, but "candidate" sounds great.
00:29:12Damn, what a surprise, really.
00:29:15I wasn't expecting that, was I?
00:29:16No, no, no.
00:29:17When I was left without a crew, well, I was kind of lost.
00:29:20Sometimes I'd go out for drinks with my partner, with a friend, sometimes alone, but it's not the same.
00:29:25To suddenly have a crew again, that's...
00:29:31Well, don't get too excited, okay?
00:29:33This is not a proposal.
00:29:36To join the crew, you'll first have to pass some tests.
00:29:40Of course.
00:29:41Come on, let's see the evidence, come on.
00:29:43The first one, little ones, no.
00:29:47Easy.
00:29:50Yes, yes, yes, I'm sorry, really.
00:29:52That wasn't the point.
00:29:53No, no, don't look at me like that, Cordo, damn it, really.
00:29:55This happens because of not heating up properly.
00:29:58Heat?
00:29:59If you got injured in the warm-up, if we haven't even played a game.
00:30:02Yes, but the thing is, you can't just heat things up like crazy.
00:30:04We need to warm up, damn it.
00:30:08I swear this will never happen again, I really mean it.
00:30:10Ah!
00:30:10Fuck.
00:30:11Go, go, go, go!
00:30:12Uh, uh, uh!
00:30:14Fuck!
00:30:15A little further down, too.
00:30:19Drink it!
00:30:21Great, it's turned out well!
00:30:23Goes!
00:30:24Leyor!
00:30:25Come on, let's go!
00:30:30That?
00:30:31Delicious, huh!
00:30:34What a mess!
00:30:36What was I saying?
00:30:38Come on, you little shit!
00:30:44You'll be able to improve soon, how disgusting.
00:30:46Am I going to give myself the time of day?
00:30:48Good afternoon, Rafi.
00:30:49How's it going, as usual?
00:30:50The same old story.
00:30:51And today, he's inviting us over.
00:30:52Damn, did he hit you or what?
00:30:53Am I going to have to give you a scan to celebrate?
00:30:55A scan.
00:30:57Face like...
00:30:57Since we're on the subject, do you happen to have 200 euros to lend me?
00:31:02Hundred?
00:31:04Ten?
00:31:06Here, go on.
00:31:07He caught me feeling generous.
00:31:08Take it easy on my health.
00:31:09Okay, great!
00:31:10May God reward you with many children.
00:31:11Well, no.
00:31:12Well, what do I know?
00:31:12Oh, Robert.
00:31:13I'm so glad to see how well you're handling it.
00:31:16The fact that?
00:31:16And we're here for whatever you need, okay?
00:31:18If you want to go out to take your mind off things.
00:31:20Or if you want to talk about it.
00:31:21But what is he talking about?
00:31:21What are you talking about?
00:31:22About my sister leaving you and all that.
00:31:24Let's see, let's see.
00:31:26First of all, that's private information.
00:31:28And secondly, nobody has left me.
00:31:30Hey?
00:31:30Either I or I, the one who has decided to end a relationship.
00:31:32Robert, that's not what's being said.
00:31:34What are people saying?
00:31:35He gave you the boot to go off with the Basque guy.
00:31:37That is misinformation and malicious information.
00:31:39Say yes, doctor.
00:31:40We are with you and with your informed information.
00:31:42And we're here for whatever you need.
00:31:44Hey?
00:31:45Just a moment, just a moment.
00:31:46You're not feeling sorry for me, are you?
00:31:48No, man, no.
00:31:49Poor thing.
00:31:50Are you feeling sorry for him?
00:31:51No.
00:31:51Me?
00:31:52No.
00:31:53Man, we know it must have been tough.
00:31:55Let's see.
00:31:55I am a neurosurgeon.
00:31:56And as a neurosurgeon, I demand that you stop pitying me.
00:31:59Understood?
00:31:59Hey?
00:32:00I'm doing great.
00:32:01Better than ever.
00:32:01Damn, I'm as happy as a clam.
00:32:03Yes, yes.
00:32:03That's the attitude.
00:32:04Don't touch me!
00:32:05Damn, no woman has ever left me in my life.
00:32:06And even less so for a Basque.
00:32:07I'm not listening to it anymore.
00:32:08Man, leave him alone.
00:32:09Man, just leave him alone already.
00:32:14I'm going to tell you something.
00:32:15That's a nasty detail, isn't it?
00:32:17For talking.
00:32:29Wow!
00:32:37It's already lost its heat, hasn't it?
00:32:40It's the heat, as you say here.
00:32:53See you later.
00:33:01Excuse me.
00:33:02Did he call me?
00:33:03Happens.
00:33:07Look, these are your shifts for next month.
00:33:09Take a look when you can, okay?
00:33:11Okay.
00:33:11Anything else?
00:33:13Well, yes.
00:33:14I'm glad you're helping to get rid of the errand boys on the roster.
00:33:19The gossips?
00:33:20Yeah.
00:33:20Stop talking about Robert and you all the time.
00:33:23I think you've come up with the best solution.
00:33:25You know that, right?
00:33:27Well yes.
00:33:28Robert is completely free for you.
00:33:31Do you think it was your decision?
00:33:36Whose else?
00:33:38Who do you think convinced your Basque friend to work at the bar?
00:33:40Or better yet, so that he would buy it.
00:33:43Who put an aunt in charge of your mother?
00:33:46Carmen.
00:33:48Thank me for that.
00:33:49Because in this clinic, nothing happens that I don't want to happen.
00:33:53Okay.
00:33:54Well, thank you, Trini.
00:33:56I will remember it.
00:33:58I will remember it.
00:33:59When a patient dies, I will take it into account.
00:34:06Let's get back to our topic.
00:34:08Sabine.
00:34:09It pisses me off to admit it, but he's not ready.
00:34:12No, and it won't be.
00:34:14He doesn't have it, period.
00:34:15And we've made the tests really easy for them, you know?
00:34:17Guaralmus, to the ball.
00:34:18Like making him play the txistu by lifting the 100-kilo cube.
00:34:22Look, that would have been a good test.
00:34:24Then there's something else I haven't told you.
00:34:27It is rumored that Sabino...
00:35:00It's not the real one.
00:35:00Can that do it?
00:35:01With two balls.
00:35:02What is more important?
00:35:03Whether someone knows how to play mus or pelota well, or is there, sitting like a friend, when
00:35:08He is needed.
00:35:09It's a trick question.
00:35:10Escaldo, I'm with Lanchón.
00:35:14But why does it take so long?
00:35:15That's not good, is it?
00:35:17Look, if they don't want you in their group, too bad for them.
00:35:20We're leaving your pots.
00:35:22I love you very much, darling, but it's just not the same.
00:35:24Sabine!
00:35:38Aliti!
00:35:45She hasn't even moved an eyebrow.
00:35:47Sabino, you're the real one, right?
00:35:49Wow, always has been.
00:35:51Okay, there you go.
00:35:53We will trust you.
00:35:54Anyway, the tests you've done, well, well, well, you didn't pass, huh?
00:35:58Rather, bad, bad, bad.
00:35:59You haven't failed at things we didn't even know were possible to fail at.
00:36:02That was due to a lack of practice.
00:36:05So you're not going to accept me, are you?
00:36:08After much deliberation, we have made a decision.
00:36:12We're going to give you another chance.
00:36:14Yeah?
00:36:15Yeah?
00:36:17Fuck, fuck, fuck!
00:36:18Stop, stop, stop, Sabino.
00:36:20There is still one test left where you will have to demonstrate your dedication and your courage.
00:36:24It's the most difficult of all.
00:36:27Which?
00:36:28Sabino, you know which ones.
00:36:36The...
00:36:36I see her, right?
00:36:42Mrs. Galarza, good afternoon.
00:36:44Well, well, it seems you have worked today.
00:36:47You have more variety, huh?
00:36:48His son, who has done the rest because the TV people are coming to interview us this afternoon.
00:36:52Wow, look how great!
00:36:54Ah, so that's why you're dressed like a professional, right?
00:36:58Of course, Marucci, I'm so sorry to see you go.
00:37:01Not so much, huh?
00:37:02I plan to come every week.
00:37:04All?
00:37:05Well, he's going to spend a fortune on the ship.
00:37:06Look, I'm not going to do it for fun.
00:37:08It's for my son.
00:37:10Everything would be easier if Iñaki came back north with me.
00:37:13And he can't be convinced?
00:37:15Oh, he doesn't listen to me anymore.
00:37:17Maybe to you.
00:37:19Hey, this whole thing doesn't affect us at all, okay?
00:37:22Furthermore, I understand why Iñaki wants to stay after having bought a bar.
00:37:25Look, the bar thing isn't a problem at all.
00:37:28Iñaki would feel much more at ease if he left you in charge.
00:37:31Me?
00:37:32As manager?
00:37:33And who would it be for, right?
00:37:35But oh well, what can you do?
00:37:40Dear.
00:37:42In charge?
00:37:43It would just be you and me doing this our way.
00:37:46No pressure, no boss, no Basque.
00:37:48And what do you want me to do?
00:37:49How can I convince Iñaki to leave?
00:37:52Precisely?
00:37:54No, no, no, no, no.
00:37:55My sister finds out that the Basque guy left because of me.
00:37:58and it cuts off my manhood.
00:37:59Come on, come on.
00:38:05Mrs. Galarza.
00:38:08I'm here to officially discharge him.
00:38:09Take care of yourself, get your checkups, and well, you're fully recovered now.
00:38:13Dr. Almenar, I want you to know that I am very grateful for everything you have done for me.
00:38:17Well, there's no need to give it.
00:38:19And that face looks happy, because she's finally going back to the Basque Country.
00:38:21Yes, but I would be much happier if my son came with me.
00:38:24Look, me too.
00:38:26Yes, yes, yes, yes.
00:38:27I've already heard some rumors about his relationship with that nurse.
00:38:31What the hell, it's been in the press or what?
00:38:33But know that I am on your side.
00:38:35What does he mean?
00:38:37What he means is that we would both be much happier.
00:38:40if my son were to go far away from here.
00:38:42Look, we agree on that, yes.
00:38:44Would you be willing to do anything to achieve it?
00:38:50Depends.
00:38:51What was I thinking?
00:38:52Are you referring to that code of ethics?
00:38:56How flexible is it?
00:39:08Hey?
00:39:09It sounds like a big drop, doesn't it?
00:39:12You see.
00:39:13But, uff, with this heat it's no wonder you don't play ball here.
00:39:18Wow, what courage.
00:39:21How are you?
00:39:23Okay, okay.
00:39:24Good.
00:39:24I've heard that you and Meccani are no longer together...
00:39:28No no.
00:39:29Not anymore.
00:39:31How are you feeling?
00:39:32Good.
00:39:34Good?
00:39:35Yes, yes, yes.
00:39:36Okay, okay.
00:39:37Oh no.
00:39:38Glad to hear it.
00:39:39I hope you're okay.
00:39:42Oh, forgive me.
00:39:45I've heard that Robert and you...
00:39:48Ah, yes, yes, yes, no, Robert and I...
00:39:50No.
00:39:54Things happen.
00:39:56Yeah.
00:39:57Well, I thought maybe you and Robert...
00:40:00No, Robert and I...
00:40:03No.
00:40:07I'm glad, me too.
00:40:10Hey, do you have a wick here?
00:40:12I.
00:40:22Good, right?
00:40:30Iñaki, Iñaki.
00:40:31That?
00:40:31Your mother.
00:40:32Something's wrong with your mother.
00:40:33Love?
00:40:33Runs.
00:40:40Love?
00:40:41It's okay, son.
00:40:42I'm fine.
00:40:43What happened?
00:40:45Nothing, she just fainted.
00:40:46But are you okay?
00:40:47Yes, it was a silly fainting spell.
00:40:49Don't worry, my dear.
00:40:51That must have been a drop in voltage, right?
00:40:53Well, luckily we were here to help her.
00:40:56We did an emergency test and I'm waiting for the result.
00:40:58But there will surely be a result.
00:41:01Hey, Iñaki.
00:41:03Yeah.
00:41:03Yeah.
00:41:04No, you told me a month.
00:41:05That's better than disqualifying.
00:41:07A lot more.
00:41:09Okay, Iñaki, just relax.
00:41:11What I'm telling you is true, okay?
00:41:12Nothing serious is wrong with your mother.
00:41:14But?
00:41:15But it could have been if we hadn't caught it in time.
00:41:18Episodes like this often occur in cases like hers.
00:41:22So, are you telling me that Ama has to stay in Seville?
00:41:24No, no, it's not necessary.
00:41:25She has decided to go home and I think that's a good thing.
00:41:29The problem is that if it happens again while she's alone and there's no one who can call an ambulance,
00:41:35Yes, it could be dangerous.
00:41:36I think your mother shouldn't live alone.
00:41:39Okay, okay.
00:41:40Well, thank you.
00:41:42But come on, your mother still has plenty of time left.
00:41:44Don't worry.
00:41:48Queer.
00:41:49What? What's wrong?
00:41:50Nothing, just the CT scan.
00:41:51Which I find very strange.
00:41:53It's not a test that's done like that on the spot.
00:41:56Come on, Carmen, you're not saying Robert is lying to us, are you?
00:41:58No, no, no, for God's sake.
00:42:02So, what about you?
00:42:05What are you up to?
00:42:09Calm down, Carmen.
00:42:11That's it, I'll take care of it.
00:42:25Calm down, Sabino.
00:42:32Sabino, can you tell me what you're doing here?
00:42:34Didn't we arrange to go and look at the curtains?
00:42:36So come on, leave that, yes, quickly.
00:42:38Oh, and grab a raincoat, it's pouring.
00:42:43Sabino, come on, son, but why aren't you moving?
00:42:50I'm here, I'm not going to look at curtains.
00:42:54What's happening?
00:42:55Are you feeling unwell?
00:42:56I'm not going because I don't feel like it.
00:42:58I feel like staying here playing mus and drinking some red wine.
00:43:03Okay, so now when we're finished, you'll get...
00:43:05Yes, some red wine on a Tuesday afternoon.
00:43:07Here, enjoying myself with my friends.
00:43:09This is something you need to understand.
00:43:15He's going to destroy it.
00:43:19Okay, so.
00:43:20For how little help you give me with the curtains?
00:43:22Don't you know how to tell cream from beige?
00:43:24I can't tell them apart because they're the same color, Bego.
00:43:26Beige, cream, ecru, and champagne.
00:43:29Everything is the same.
00:43:30Off-white too.
00:43:33Sabino, son, you're acting strange today.
00:43:36Well, that's it, see you at home then.
00:43:39Have a good time with your friends.
00:43:42Bego.
00:43:43Okay, bye.
00:43:48Well, the good news is, wine.
00:43:50Welcome, Laurita.
00:43:51This calls for a celebration.
00:43:52Come on, let's see the best wine review.
00:43:54That's it, this one's out.
00:43:55Come on, forgive me.
00:43:59Good signing, huh?
00:44:05But don't call me so soon, darling.
00:44:06Okay, so what?
00:44:07Did it work or not?
00:44:08Yes, yes, yes, I'm already in, thank you.
00:44:10Not knowing how important this is to me.
00:44:12Hey, don't worry about the curtains.
00:44:14We'll come another day.
00:44:15Dude, don't get discouraged now.
00:44:17You had done so well.
00:44:19Hey, I can't help it.
00:44:20That's been many years of taking away my self-confidence, huh, darling?
00:44:22Well, it'll be the other way around now, won't it?
00:44:24That when I met you, you didn't know how to tie your shoes.
00:44:27Well...
00:44:39Excuse me, sir, a few coins wouldn't be lucky, would they?
00:44:41It's to buy a ticket to London, which I have there.
00:44:43Hello, ma'am.
00:44:44A few coins or some loose change for a good cause.
00:44:48Hello, sir.
00:44:49Wouldn't you have what is a...
00:44:50Hi, she looks very pretty.
00:44:52José, do you think this is the right place?
00:44:54Why are they asking patients for money?
00:44:56No.
00:44:56It's for a good cause.
00:44:58Charity, let's go.
00:44:59It will be beneficial when you have to ask for money to eat
00:45:01because you'll lose your job.
00:45:03You understand me?
00:45:04I understood perfectly, I understood.
00:45:06Now that I've got the tone, I'm going to get to work.
00:45:09José.
00:45:09Tell me, tell me, tell me.
00:45:14Wow, really.
00:45:15And bring me back some souvenirs from London, okay?
00:45:17Yes, you can count on it.
00:45:18I have the most beautiful boss in the world.
00:45:20And what an ass.
00:45:22What did a guard say to you?
00:45:23I'm feeling silly.
00:45:24What's wrong with me?
00:45:25It's gone.
00:45:31Sabine.
00:45:35Sabine.
00:45:42Sabine.
00:45:45Sabine.
00:45:47We are very proud
00:45:48that you join the crew.
00:45:50Come on.
00:45:51And with this drink we will seal our friendship
00:45:53for the rest of our days.
00:45:55But be careful,
00:45:56This isn't a gift, is it?
00:45:58This is a commitment.
00:46:00I am fully aware.
00:46:03The crew!
00:46:06That?
00:46:07Have they finished yet?
00:46:08Oh, daughter,
00:46:09But don't lift too much weight
00:46:09that you're going to hurt yourself.
00:46:11I'm cleaning the warehouse.
00:46:12But I cleaned them this morning.
00:46:15I needed another lap.
00:46:18Go.
00:46:19I'm going to the bathroom.
00:46:19that with the emotion
00:46:20My bladder is going to burst.
00:46:22Tell me, Sabino.
00:46:23So, what do we have to say?
00:46:24a very warlike night.
00:46:28No, no, no, no, no!
00:46:36Yeah?
00:46:37Oh, Marichu!
00:46:38How are you?
00:46:40Hey!
00:46:40You're coming tomorrow!
00:46:42Oh, what joy!
00:46:44As?
00:46:45Oh, well, just wait a moment,
00:46:46I'm communicating it.
00:46:47Wait, wait.
00:46:48Iñaki is coming tomorrow.
00:46:50Tell Marichu not to hesitate.
00:46:52No, it's true,
00:46:53who already has the tickets.
00:46:54She says she's coming with her
00:46:55and to stay.
00:46:57Oh!
00:46:58Daughter, be careful!
00:46:59Marichu, wait, wait, forgive me.
00:47:01Let's see what we do with Sabino now.
00:47:03No, it's unnecessary.
00:47:07I've already taken care of it.
00:47:08that Iñaki will come back to me.
00:47:10Well, it means what it means.
00:47:13Well, let's see if you can get us ready.
00:47:15a warm welcome.
00:47:16Hey?
00:47:18Come on, then.
00:47:19See you tomorrow.
00:47:24Jesus.
00:47:25Would you mind being less stealthy?
00:47:27I'm not stealthy, you know?
00:47:29I'm into elegant movements.
00:47:31like the crane.
00:47:34Already.
00:47:35And the crane too
00:47:36He listens to other people's conversations, doesn't he?
00:47:38No, for God's sake.
00:47:39Although I must confess
00:47:40that certain aspect
00:47:41of their strategy
00:47:42with his son
00:47:44They have caught my attention.
00:47:46You, of course, talk.
00:47:47They didn't put it on as standard, huh?
00:47:49If you want to say something,
00:47:50Say it.
00:47:51Okay.
00:47:52He goes around saying
00:47:53that your son is going with you,
00:47:54But she asked him.
00:47:56The fact that?
00:47:56Yes, she's going with you.
00:47:58And why would I ask him?
00:47:59To find out what he thinks.
00:48:00Yes, I already know what he thinks.
00:48:01He wants to make me happy.
00:48:02But maybe
00:48:03He does not have
00:48:03of all the necessary information
00:48:05to make the right decision.
00:48:06Speak clearly, man.
00:48:08Okay.
00:48:08You invented it
00:48:09about the fainting
00:48:10with the selfless
00:48:11help from Dr. Almenar.
00:48:12Okay, okay, okay, okay.
00:48:14I don't know where from
00:48:15to come up with such nonsense.
00:48:18I've been here for months
00:48:18extending my stay here,
00:48:20so
00:48:20in the matter of faking illnesses
00:48:22There's no one to give me anything.
00:48:23Then it can't either.
00:48:24going around giving lessons.
00:48:25But that you
00:48:26This is what he's doing
00:48:26out of pure selfishness
00:48:27to have their child close by.
00:48:29And there you go,
00:48:29which is not selfishness,
00:48:30which is a mother's love,
00:48:31that I know my ñaqui
00:48:32And I know that if he stays here
00:48:33in the long run
00:48:34He'll be a wretch.
00:48:35And if I have to lie
00:48:36to prevent him from suffering,
00:48:37I will do that.
00:48:38It's my duty.
00:48:41Wouldn't you do the same?
00:48:42for their children?
00:48:43That?
00:48:44Tie them to the leg of my bed?
00:48:45Please.
00:48:46Let them fly, let them fly.
00:48:47And the further away, the better.
00:49:00Does he know how to silence a man?
00:49:03Did he steal his son's mobile phone?
00:49:04Leave it.
00:49:12I dropped it.
00:49:33Listen.
00:49:34Fuck.
00:49:34Don't jump, okay?
00:49:36The Basques are very stubborn,
00:49:38Don't break the patio.
00:49:38What's wrong, José?
00:49:40You're calling like a madman.
00:49:41Where have you gone?
00:49:41I just don't know what the hell
00:49:42I did it with my mobile phone.
00:49:43Ah, I see, I see.
00:49:44Look, it's just that I loved you
00:49:44ask a quick question.
00:49:45Look, you wouldn't happen to have one around here, would you?
00:49:47Money to lend me, right?
00:49:48I haven't given it to you yet.
00:49:49the opportunity to collaborate
00:49:50for a good cause.
00:49:51I was already wondering about it.
00:49:52How much do you need?
00:49:53Approximately 43.65.
00:50:00Oh, hey, and I wasn't going to jump, okay?
00:50:02I was thinking about my own things.
00:50:04Whether it pulls up or down, right?
00:50:05Well yes.
00:50:06It's just that everyone
00:50:07He recommends that I go up north.
00:50:09My mother, Robert, my aunt,
00:50:10Rafi, Isabel.
00:50:12And for once,
00:50:13Well, I don't want to disappoint everyone.
00:50:14Already.
00:50:15The little bit of money that he has...
00:50:16Furthermore, Amas is going north
00:50:17And I don't want to leave her alone.
00:50:19It's been many years already.
00:50:20And well, not right now.
00:50:22Come on, girl,
00:50:23Don't pay any attention to it.
00:50:24what people want.
00:50:25What is it that you want?
00:50:26Don't know.
00:50:27Well, if you don't know,
00:50:28How would I know?
00:50:28I'm not saying you know.
00:50:30Well, you're not asking me.
00:50:30No, I'm expressing my doubts to you.
00:50:32Okay, so what are they?
00:50:33Don't know.
00:50:34No, man.
00:50:36It's because I like them Basques,
00:50:37I do overthink things, you know?
00:50:38Man, I keep thinking about it.
00:50:39because it matters.
00:50:40Here are the important issues
00:50:42We don't see them any other way.
00:50:43That the love of my life
00:50:43It's in London.
00:50:45The guy's already in London, huh?
00:50:47Simple, quick, on the outside.
00:50:48Yes, but my case is more complicated.
00:50:49My situation is more complicated.
00:50:50My situation is more complicated.
00:50:50Come on, for you in store.
00:50:51These cooks, these,
00:50:53modern toys,
00:50:54Don't you reduce things?
00:50:56That's it, kid.
00:50:57Reduce, simplify, huh?
00:51:00I'm going to give you a really good recipe.
00:51:01Reduction of jar eating
00:51:03to the Josés.
00:51:04How did it turn out?
00:51:04It's not like the jar, you think?
00:51:06Believe.
00:51:06And the money, man,
00:51:08that's going to get wasted there in your wallet,
00:51:09No?
00:51:09He's the one who was going to give it to me, remember?
00:51:11You get it, right?
00:51:13Yes, it reaches me, it reaches me.
00:51:14But you wouldn't believe it.
00:51:16what they're nailing now
00:51:17for a juice at the airport.
00:51:18It's crazy.
00:51:19I can't believe it.
00:51:20Well, I'll have to have a snack.
00:51:22Now yes.
00:51:23Hello, really.
00:51:25I really appreciate it, okay?
00:51:27Really.
00:51:27The guy's already in London.
00:51:29In search of the love of my life.
00:51:33He...
00:51:33Love...
00:51:34The love of...
00:51:36The love of my life, kid, huh?
00:51:38That we need to learn languages,
00:51:39that they take you out of Basque
00:51:39And you're nobody.
00:51:42And it simplifies.
00:51:47Love my life.
00:51:58Hello good.
00:51:59You're the ones from TV, right?
00:52:01Where do we do it?
00:52:01Well, I'll set up a table for you here.
00:52:03or if you prefer
00:52:04a tall little board...
00:52:05It'll be fine at the bar.
00:52:06Oh, great.
00:52:07At the bar.
00:52:07This way you can show
00:52:08all our skewers
00:52:09and our delicacies.
00:52:11Okay, we need to illuminate.
00:52:12This way, okay?
00:52:13The camera is there.
00:52:14The interviewee.
00:52:15He's inside.
00:52:16She is getting dressed.
00:52:17He's my husband, you know?
00:52:18Is your husband Basque?
00:52:19What does it say?
00:52:20Am I going to get married?
00:52:20With one of those?
00:52:22My man is 100% Andalusian.
00:52:24Designation of origin.
00:52:25Acorn-fed?
00:52:27Listen,
00:52:27we have come
00:52:28because this is a Basque bar
00:52:30from a Basque.
00:52:31If I show up
00:52:32in the newsroom
00:52:32with an interview
00:52:33to an Andalusian waiter,
00:52:34They put me in first.
00:52:35on the list
00:52:36for the next workforce reduction plan.
00:52:37Are they going to lay him off?
00:52:38Always,
00:52:39There is a redundancy plan.
00:52:40So if there's no Basque,
00:52:41We're leaving.
00:52:42Let's go!
00:52:43Wait, wait, wait,
00:52:44peaceful.
00:52:44We have a Basque, a Basque.
00:52:46Iñaki,
00:52:47He's going to like it a lot.
00:52:49Start putting everything together, okay?
00:52:55Rafi.
00:52:55That?
00:52:56Are they there?
00:52:57Yeah,
00:52:57But they want a Basque
00:52:58or nothing.
00:52:59Hey?
00:53:00Well then, he'll have
00:53:01That must be Iñaki, right?
00:53:03What's happening?
00:53:03Is he not answering the phone?
00:53:04It's disconnected.
00:53:06And these people without him
00:53:08He's leaving us.
00:53:08Is this what you want?
00:53:09the exotic one from the north?
00:53:11Uh, well, to Iñaki
00:53:12We can't let him down with this,
00:53:13Hey?
00:53:13Something has to be done.
00:53:14You entertain him,
00:53:15that they don't leave.
00:53:16Meanwhile, I'm going to look for Trini.
00:53:17that she knows how to handle
00:53:18these situations.
00:53:19OK?
00:53:20Yes, yes, yes.
00:53:30Carmen.
00:53:31Oh!
00:53:31Hey, Iñaki!
00:53:32How much does he love her?
00:53:33Okay, okay.
00:53:34He has been discharged.
00:53:35Already?
00:53:36Yeah, man,
00:53:37Dr. Almenar
00:53:38He said that everything is fine.
00:53:38That was fast, wasn't it?
00:53:40You see.
00:53:40Hey, I'm glad.
00:53:43Yes, yes.
00:53:44Hey, Carmen,
00:53:45Look at this.
00:53:45Can you leave me
00:53:46House keys?
00:53:47Because that's why
00:53:48I don't know what I've done
00:53:48with mine.
00:53:49Did I leave them behind?
00:53:50in the other pair of pants or...?
00:53:51Oh, how strange,
00:53:52with who you are and your order.
00:53:54You and your right pocket.
00:53:56Thank you.
00:54:01Will I see you at home tonight?
00:54:03No no.
00:54:05Amma has asked me
00:54:05that he spends the night with her.
00:54:06I'm going to get some things
00:54:07and I'll be back.
00:54:11Tomorrow?
00:54:13Tomorrow.
00:54:13Tomorrow.
00:54:15Acute.
00:54:16Agud, Carmen.
00:54:28They get along so well.
00:54:29Maricho and her doctor.
00:54:32Looking at them like that
00:54:33one might think
00:54:34until, until, until...
00:54:35Come on,
00:54:35that are capable
00:54:36even to conspiring.
00:54:40What are you trying to tell me?
00:54:42Where is a pee?
00:54:43Don't make me do anything.
00:54:44Things an old doddering man would say.
00:55:04Bye bye.
00:55:09What's wrong, Dolores?
00:55:10What are you doing?
00:55:11Hey, do you have any around here?
00:55:12Maricho's tag?
00:55:13The fact that?
00:55:14The tag they made for him
00:55:16urgently to Maricho.
00:55:16He told Robert that they had made one for him.
00:55:18Let's see.
00:55:18Wait, because today
00:55:19They catch me one day in a bad mood, you know?
00:55:22It's not here.
00:55:23Not here either.
00:55:25No, it's not there, it's not there.
00:55:27Yeah, maybe he doesn't have it.
00:55:28Well, the same thing.
00:55:29Someone has taken it.
00:55:30No, it doesn't have it.
00:55:31because it doesn't exist.
00:55:33They have been invented
00:55:34the fainting.
00:55:35Carmen, what are you telling me?
00:55:36That's a very serious accusation.
00:55:38Have you seen Maricho?
00:55:39faint?
00:55:41Any nurses?
00:55:45Yes or no?
00:55:46I just can't confirm it
00:55:47nor deny it, Carmen,
00:55:48Because I haven't seen anything.
00:55:50Thank you.
00:56:01Okay, we're leaving.
00:56:03Come on, start cleaning up.
00:56:06Wait, wait.
00:56:07Are they leaving already?
00:56:09Of course, man.
00:56:10We have two more reports
00:56:11that I have recorded
00:56:11and we can't keep waiting
00:56:12Here's that Iñaki guy.
00:56:14To Iñaki?
00:56:15Yeah.
00:56:16Iñaki, is it me or what?
00:56:18Ah, you're Basque.
00:56:20Basque?
00:56:21What has the jet done?
00:56:22Of course,
00:56:22from Guernica itself.
00:56:23The thing is, it sticks to me.
00:56:24the east accent
00:56:25of the Andalusians
00:56:26of the balls.
00:56:26Oh well,
00:56:27What do we do?
00:56:28Shall we do the interview?
00:56:28Or what the hell?
00:56:31Come on, I don't have all day.
00:56:36But you,
00:56:36How can you be so...
00:56:38so...
00:56:39so...
00:56:39shit?
00:56:40Good morning, Carmen.
00:56:42That?
00:56:42What have you made up?
00:56:42Marichu's thing
00:56:43To force Iñaki to leave, right?
00:56:44Hey, hey, hey!
00:56:45Let's see...
00:56:45The Arab,
00:56:45I've seen you do many despicable things,
00:56:47But I really thought
00:56:47that you were an upstanding doctor.
00:56:49And you know perfectly well
00:56:50that I am, Carmen.
00:56:51Please,
00:56:51if you've made it up
00:56:52a diagnosis
00:56:52And you lied
00:56:53to the patient's son.
00:56:54Yes, I did it.
00:56:55But for love, Carmen,
00:56:56for love.
00:56:56Ha!
00:56:57For love,
00:56:58Look at that word within you.
00:56:59It sounds like a joke.
00:57:00Well, think whatever you want.
00:57:01Okay?
00:57:02But just so you know
00:57:02that you have chosen wrong.
00:57:03I was willing to change.
00:57:05He had even decided
00:57:06Marry you, Carmen.
00:57:07And what has the Basque decided?
00:57:08Return to his homeland.
00:57:09So you know
00:57:10that you're going to stay
00:57:10without either of them.
00:57:11What are you telling me?
00:57:12But I have seen it.
00:57:13with my own eyes
00:57:14who already has the tickets.
00:57:17When you're alone
00:57:18Don't come knocking on my door again.
00:57:19Hey?
00:57:26I had forgotten.
00:57:38I came from Bilbao
00:57:39to discover the world
00:57:40and I stopped in Seville
00:57:41to have a few glasses of wine
00:57:42and they put a lid on me
00:57:43shitty
00:57:43And I said to myself
00:57:44Iñaki, Iñaki,
00:57:46about the skewers
00:57:46Here, it would resonate.
00:57:48And of course,
00:57:49when a Basque
00:57:49Something gets inside him
00:57:50between the eyebrows,
00:57:51Well, let's get down to business,
00:57:51fixed gear.
00:57:52And here I am,
00:57:53Holy shit,
00:57:53that's awesome.
00:57:54Very good, Iñaki,
00:57:56thank you so much.
00:57:57We would like
00:57:57that you would tell us
00:57:58now a little
00:57:59of the spirit
00:58:00that you follow
00:58:00at the time
00:58:00to create the menu.
00:58:02Spirit?
00:58:03What the hell?
00:58:04What kind of question is that?
00:58:05Cashon Chos?
00:58:06Spirit nor spirit.
00:58:07Here's the main point
00:58:07It's that the products
00:58:08be fresh
00:58:09and from the north.
00:58:10Eye.
00:58:11Oh, you bring the products.
00:58:12Daily from the north?
00:58:15Bring, bring
00:58:16It's a figure of speech,
00:58:17Hey?
00:58:17Let's see,
00:58:17Things happen here
00:58:18very diverse.
00:58:19For example,
00:58:19If you want, I'll do it for you today.
00:58:20a chirrinchi.
00:58:23Rafi,
00:58:24Can we know?
00:58:25What is he saying?
00:58:26Rafi,
00:58:27But isn't this Iñaki?
00:58:28What have you done to yourself, Rafi?
00:58:29It has given me
00:58:30for entertainment,
00:58:31he told me
00:58:32entertain him
00:58:32before they leave
00:58:33and I've put myself here
00:58:33to do what I could.
00:58:35I am the director
00:58:36from the clinic.
00:58:37I spoke with you
00:58:37this morning.
00:58:38Yeah,
00:58:38And what do you think?
00:58:39normal to put ourselves
00:58:40a fake Basque
00:58:40for a report,
00:58:41No?
00:58:41Salsa?
00:58:42Didn't it work?
00:58:42Man, after you told me you had a log-lifting license,
00:58:46Well, I've started to get suspicious.
00:58:48Okay, let's go, just now.
00:58:49We collect.
00:58:50It's quiet for everyone, huh?
00:58:51And nobody's moving here, man, not anymore.
00:58:53What are you doing?
00:58:55To give orders, because that's the only way to get anyone to listen to a woman in this country.
00:58:58This country is our home, isn't it?
00:58:59Okay, you guys, keep recording.
00:59:01And you, Rafi, stand there and do what only you know how to do.
00:59:04In Andalusian.
00:59:05What should I do?
00:59:06Be yourself.
00:59:07Sing the recommendations to him.
00:59:09Come on, come on.
00:59:12Well, welcome to the mosque of Basque pintxos.
00:59:15Today's recommendations are
00:59:16Prawns in batter, stuffed zucchini, Iberian cured meats assortment,
00:59:19harmony of tuna and foie gras,
00:59:20We have anchovy skewers and crab skewers,
00:59:22mini prawn burger,
00:59:24mini mussel skewer,
00:59:25venison with mushroom
00:59:26and crispy ravioli with oxtail.
00:59:28What do we have for dessert?
00:59:29For dessert we have
00:59:30Idiazabal cheese with quince paste,
00:59:31homemade flan with ricotta and honey,
00:59:33citrus carpaccio
00:59:33And we also have a mini portion of Basque cake
00:59:36with forest fruit sorbets,
00:59:38all this washed down with txakoli wine.
00:59:41Excellent!
00:59:42But how handsome you are!
00:59:44Did he do the same thing to me when he confessed his feelings?
00:59:47How can I say no, huh?
00:59:49Listen, reporter,
00:59:50The food here is Basque.
00:59:52but the spirit is Andalusian
00:59:53And that's what sells, the merger.
00:59:55And now he goes and tells everyone.
01:00:06Well, we'll have to say something to him, won't we?
01:00:08Look how happy the poor man is.
01:00:09No way, Peyo, damn it!
01:00:11Iñaki is coming back,
01:00:12Iñaki and I are the perfect team.
01:00:13We can't be five.
01:00:14That's unnatural.
01:00:15Let's see,
01:00:16This is like removing a bandage.
01:00:18If you do it all at once,
01:00:19Ra!
01:00:20It hurts less.
01:00:21They talk and...
01:00:22What a stroke of luck I've had!
01:00:23Well yes.
01:00:24You don't know,
01:00:25It had been a long time since I'd danced like that.
01:00:27Come on,
01:00:27another combo.
01:00:28No,
01:00:29Stop matching for today.
01:00:31Sabine,
01:00:32We have something to tell you.
01:00:33No,
01:00:33No,
01:00:33No,
01:00:34No,
01:00:34No,
01:00:34Before you say anything,
01:00:36I have to tell you something.
01:00:37I am aware that even though you have chosen me,
01:00:40I'm not the perfect candidate.
01:00:42No,
01:00:42perfect,
01:00:43You are not perfect.
01:00:45I promise to do my best,
01:00:46Hey?
01:00:46And since I don't like to start like this,
01:00:48with lies and guides,
01:00:49I have to confess
01:00:50that for almost my entire life
01:00:53I've been a bit of an Atletico fan.
01:00:55Hey?
01:00:55Damn!
01:00:56But I promise to change
01:00:56for you,
01:00:58Hey?
01:00:58Because I feel very honored
01:01:00to belong to this quadrangle
01:01:02and because you
01:01:02from now on
01:01:04You are going to be my brothers
01:01:05me too
01:01:06I'll be there,
01:01:07through thick and thin
01:01:08and the armor.
01:01:09Come on,
01:01:10quadraria,
01:01:10May it be the greatest day of my life,
01:01:12Pussy.
01:01:12And now,
01:01:13What did you want to tell me now?
01:01:14Come on.
01:01:17Well,
01:01:19Hey...
01:01:19Nah,
01:01:20tomorrow,
01:01:20Bring clothes for the mountains
01:01:22we're going mushroom hunting.
01:01:23Hey, man!
01:01:24Bolt!
01:01:29Change teams.
01:01:30It's the most beautiful thing.
01:01:31What has someone done?
01:01:32for me in life.
01:01:33What the hell!
01:01:34If there was a fifth Vitel,
01:01:35Why don't we do five?
01:01:36Well,
01:01:37but without rhymes,
01:01:38Hey?
01:01:48Will it fit?
01:01:50What are you doing here so far?
01:01:52Well, that's it.
01:01:53that it was very busy
01:01:54And I just finished now.
01:01:57And I wondered
01:01:58if you feel like going for a drink.
01:02:00And what exactly did you have in mind?
01:02:03Well,
01:02:04What do I know?
01:02:05some tapas,
01:02:06some wine
01:02:06and the part about not asking for it.
01:02:10Robert,
01:02:11What does it say?
01:02:12on that little plaque out there
01:02:13next to my door?
01:02:15Address?
01:02:17That's it, direction.
01:02:18He's not bringing the second course, is he?
01:02:20Are you bringing the second course?
01:02:23No.
01:02:24No.
01:02:25So if you come to this office,
01:02:27You're coming to see the director
01:02:28from this clinic,
01:02:30Shouldn't you come looking for
01:02:31The second course?
01:02:33Already.
01:02:37Robert,
01:02:37close the door,
01:02:38Go on.
01:02:53Another thing
01:02:55It's that the director
01:02:56I want to see you
01:02:56because he has matters
01:02:58that to settle with you.
01:03:23Iñaki,
01:03:24Iñaki, for God's sake,
01:03:25that we're going to miss the plane.
01:03:26But it's time.
01:03:27We're running out of time.
01:03:28To get a taxi, huh?
01:03:29So don't get upset
01:03:30now with goodbyes.
01:03:31No no,
01:03:32peaceful,
01:03:32Yes, goodbyes are for me.
01:03:34I'd rather leave here
01:03:35without making a big show of it.
01:03:36Besides,
01:03:37I don't know what I've done
01:03:38with the mobile phone,
01:03:38I've been missing it since yesterday.
01:03:39Oh, my mobile phone,
01:03:40the mobile,
01:03:41You left it here.
01:03:42Yes, damn it.
01:03:45Well, it's not going to work.
01:03:47whether it's the battery or...
01:03:48Well,
01:03:49you have put
01:03:50all the suitcases are safe,
01:03:51No?
01:03:51Yes, yes,
01:03:51Love, calm down.
01:03:53Well, that's it.
01:03:54forward.
01:03:55Ch, ama,
01:03:56what's happening,
01:03:57that you're not going to say goodbye
01:03:58from your room?
01:04:02Goodbye.
01:04:10I knew that the Basques
01:04:11You were very much about firing people.
01:04:13or French style.
01:04:15I knew you
01:04:16I'd be around here somewhere
01:04:16on the prowl
01:04:17to deliver a speech.
01:04:18Women,
01:04:19But what could be more beautiful?
01:04:20What a farewell?
01:04:21A short goodbye.
01:04:24I'm going to miss her.
01:04:27Well,
01:04:28I suppose that
01:04:29The time has come
01:04:30of a hug.
01:04:31You don't miss an opportunity,
01:04:33Hey?
01:04:33Well,
01:04:33if you prefer a farewell
01:04:34Basque,
01:04:35blow to the sword
01:04:36and I scratch my crotch.
01:04:38Then they'll complain.
01:04:38of Andalusian stereotypes.
01:04:40You too,
01:04:41Are you okay with that?
01:04:43See?
01:04:45It has been a pleasure
01:04:46like the jumea.
01:04:48Well, the pleasure
01:04:50It has not been
01:04:51just yours.
01:04:58He hasn't whispered in my ear.
01:05:02Well,
01:05:03Well.
01:05:05Well,
01:05:05Well then.
01:05:07I already, I
01:05:08Hey?
01:05:08From time to time.
01:05:09Well, I'm feeling like it.
01:05:10to visit San Sebastián,
01:05:11Hey?
01:05:11And I have there
01:05:11some old friends
01:05:12that also annoy me
01:05:13at home.
01:05:14Ah,
01:05:14Well, we'll break it.
01:05:14other leg
01:05:15and we put it in
01:05:16in some hospital.
01:05:16Wow!
01:05:19Well,
01:05:20Well, nothing.
01:05:22Even more,
01:05:23See.
01:05:25Goodbye, Benito.
01:05:27Agurro.
01:05:35Agurro.
01:05:37Agurro.
01:05:56Agurro.
01:06:26Rosita.
01:06:27Do you know
01:06:28what is the
01:06:32woman.
01:06:33Go on,
01:06:34bring.
01:06:34Where,
01:06:35where,
01:06:36And that's it.
01:06:37Where what?
01:06:38Where?
01:06:39Where?
01:06:39Where, no?
01:06:40Where?
01:06:41And now people
01:06:42Let him see it, right?
01:06:42Okay.
01:06:43She is a teacher
01:06:44Great, Rosita.
01:06:45Bye bye.
01:06:46Okay, really.
01:07:08Maria.
01:07:09Hey,
01:07:10Have you seen Iñaki?
01:07:11to Maricho?
01:07:12I think they've already left.
01:07:15Okay,
01:07:15thank you.
01:07:24Don Benjomea,
01:07:26Have you seen Iñaki?
01:07:31What's happening?
01:07:33She's gone with Maricho
01:07:34to catch the plane.
01:07:36But what about Iñaki?
01:07:38That's what he told me.
01:07:40Don't I feel much, daughter?
01:07:42No, no, but
01:07:43Iñaki is not going to leave
01:07:44without saying goodbye to me.
01:07:45Besides,
01:07:45He told me that today
01:07:46would be here.
01:07:47No, no, no,
01:07:47with these Basques
01:07:48You never know.
01:07:50You have to see it
01:07:51which are difficult,
01:07:52Hey?
01:07:53They just left.
01:07:54I think that
01:07:55if you hurry
01:07:56They might catch him.
01:08:03To the airport.
01:08:04Quickly, please.
01:08:05Oh,
01:08:05Should I take the ring road?
01:08:07No, no, no.
01:08:08No ring road,
01:08:08I already know the story.
01:08:09Ah,
01:08:09And don't go through Triana,
01:08:11Hey?
01:08:11If he charges me more than 15 euros,
01:08:13I don't pay him.
01:08:13Well,
01:08:14Relax, okay?
01:08:15Calm down, man.
01:08:16Here on the right,
01:08:16please.
01:08:17Iñaki!
01:08:19Iñaki!
01:08:21Iñaki!
01:08:23Iñaki!
01:08:24I can't believe it!
01:08:36At last,
01:08:37I'll get you out of here.
01:08:38Take it to the side.
01:08:40Listen,
01:08:41stop here for a moment,
01:08:41please.
01:08:50Iñaki?
01:08:51Don't worry,
01:08:51We'll buy the sweets later.
01:08:53at the airport,
01:08:53If there's no pastry shop here,
01:08:54boy.
01:08:55Love,
01:08:58I'm staying in Seville.
01:08:59You go back on your own.
01:09:00That?
01:09:02This is not how a mother treats her.
01:09:04Man,
01:09:05fake a faint
01:09:05so that I'll come back to you.
01:09:06It's not exactly playing fair either.
01:09:08Hey?
01:09:08As?
01:09:09Are you accusing me of that?
01:09:10Love,
01:09:11that we know each other
01:09:12And I know when you're trying to pull a fast one on me.
01:09:13Besides,
01:09:14that they discharge you
01:09:15the same day
01:09:15that you fainted
01:09:16with everything you've been through.
01:09:17Come on.
01:09:19Okay, fine.
01:09:21He's exaggerating a bit.
01:09:22But I did it for you,
01:09:24because I know that here
01:09:24You'll never be happy.
01:09:26Love,
01:09:26Yes, I know you do it.
01:09:27Because you love me
01:09:28And I love you too,
01:09:29But it's about time.
01:09:30that they take
01:09:30my own decisions.
01:09:31But you're taking them wrong.
01:09:32Okay, well, I'll breastfeed.
01:09:33Me, with my mistakes.
01:09:34But, Ama,
01:09:35I'm fed up
01:09:35that all people
01:09:36decide for me,
01:09:37that all people
01:09:37conspire against me
01:09:38and that everyone
01:09:39Give your opinion about my life.
01:09:42Love,
01:09:45I love Carmen.
01:09:47That's awful.
01:09:51I love Carmen
01:09:53And I can't help it.
01:09:55It's not something I decided,
01:09:56It's something that has happened to me
01:09:58And I think that
01:09:59I have to try it with her.
01:10:02You suddenly remind me
01:10:03both your father.
01:10:06Aita was also
01:10:07Clear decisions, right?
01:10:09He was a stubborn man,
01:10:10especially when
01:10:11He was wrong.
01:10:13Oh well,
01:10:14if it had not been so,
01:10:17probably
01:10:17We wouldn't have ended up together.
01:10:21Well,
01:10:22put on your undershirt,
01:10:24Hey?
01:10:24It gets cool at night.
01:10:25And you sweat a lot,
01:10:26This is very treacherous.
01:10:27Yes, love.
01:10:29Boss,
01:10:30I didn't charge her for the farewell.
01:10:32I'm so excited about everything today.
01:10:33Besides,
01:10:33Let me tell you something,
01:10:34if he misses the plane,
01:10:35I'll take her to Normandy
01:10:36if necessary.
01:10:37No no.
01:10:38No.
01:10:39No.
01:10:49What's happening?
01:11:17Pussy
01:11:31Coldo!
01:11:32Coldo! Yes, it's me, Iñaki, it's Iñaki, yes
01:11:34No, I'm calling you from a phone booth because my mobile phone has died.
01:11:37No, look, listen, Colo, listen to me carefully
01:11:39I'm not going home
01:11:40No, in the end she goes up higher on her own
01:11:43Well, what do you think, Coldo? I've fallen in love, damn it!
01:11:46Yes, yes, yes, no, no, I'm determined.
01:11:48I'm going to find Carmen right now and tell her that I love her.
01:11:51Yeah
01:11:51No, no, no, no, no, I'm going like a bull
01:11:53Seriously, wish me luck
01:11:56Goodbye
01:12:02Thank you, Seville
01:12:04Finally, everything makes sense
01:12:07Oh, Carmen, at last it's just you and me, if nothing else
01:12:11Hey, yo!
01:12:13Calm down!
01:12:16And me? Where does he put his foot in it, he's on the edge of the precipice?
01:12:19No, no, no, I'm already here
01:12:20I'm going like a bull, I'm jumping into the pool
01:12:22But not...
01:12:23What does he get out of it?
01:12:24What does he get out of it?
01:12:25What does he get out of it? And the crazy guy? What about me?
01:12:26I know the subway entrance is further over there
01:12:28What about me?
01:12:29Are you OK?
01:12:30Ah!
01:12:31Yeah!
01:12:32Manuel, call the archaeologist
01:12:33Tell him he found me so capable
01:12:35But who in their right mind would dig a trench in the middle of the street, idiots?
01:12:38Did he call you big-headed?
01:12:39Yeah
01:12:40Are you the big-headed one, dude?
01:12:41I'm telling you that I'm going to do the same to you, I'm going to do the same to you
01:12:44And nothing, he just doesn't listen to me.
01:12:46Give me a commandment
01:12:47But wait, wait
01:12:47And instead of laughing so hard
01:12:50Why don't you call me an ambulance?
01:12:52The mate's already calling, mate.
01:12:54Relax, nothing's going to happen beyond that.
01:12:55This has to be because of blind man's bluff.
01:12:58Damn karma
01:13:05Stop, stop, stop
01:13:07He's got a piece of metal up his ass, dude.
01:13:08But I just can't believe it
01:13:09If we said we'd talk tomorrow
01:13:11Tomorrow, tomorrow
01:13:12She's left and we haven't spoken.
01:13:13Here Sabino Goycolea
01:13:14We are looking for my nephew Iñaki
01:13:16That he has disappeared
01:13:17That?
01:13:18Anyway, we're going to take an x-ray of you.
01:13:20Before you take out the pin, okay?
01:13:21Now?
01:13:21No, not for Christmas
01:13:22And so I have a skewer for the pabón
01:13:23What mess have you gotten yourself into?
01:13:25What am I going to do to you, great-grandfather?
01:13:26There will be a father in all of this.
01:13:27José
01:13:28As?
01:13:29Angela, I need to talk to Carmen
01:13:30Please, it's urgent.
01:13:31Well, Carmen isn't here.
01:13:32He doesn't even talk to her
01:13:33Having stayed
01:13:34What are you doing?
01:13:35A fire?
01:13:36Because this is the only thing that brings you to you
01:13:37It's bad memories of the ship.
01:13:39Listen to me carefully
01:13:39That's a note for Carmen.
01:13:41He has to read it, no matter what.
01:13:42I've spoken to Rafi
01:13:44The one from the bar downstairs
01:13:45Iñaki is not there
01:13:46Possible?
01:13:46To unload the ship?
01:13:48Too much solid matter
01:13:50Carmen and I are back
01:13:51No, no, that can't be.
01:13:52I, José Gregorio Narváez
01:13:54In the middle of...
01:13:55What are you doing?
01:13:56I am asking for Zonieta's hand in marriage.
01:13:58What's going north?
01:13:59Yes, that's why I wanted to talk to you.
01:14:01Rafi, you're left uncharged
01:14:02I mean...
01:14:03No, no, no, but he'll tell your friend
01:14:04Let him stay in the north
01:14:05If I get off the phone, I'm going to start playing.
01:14:06Fronton with its balls
01:14:08How are things going over there?
01:14:09In an ambulance?
01:14:10Well, I don't know.
01:14:11The train leaves at night
01:14:11And I still don't have a way to get there.
01:14:12If you want, I'll take you
01:14:13Carmen, I'm having surgery
01:14:15I haven't left
01:14:16I love you
01:14:17Hey, what if the train leaves without me?
01:14:18Will you take me to San Sebastián in a taxi?
01:14:20By your mother, who is the same as mine
01:14:21Take me to the station
01:14:22We all have a bad boy inside.
01:14:27Iñaki!
01:14:28Iñaki!
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