Allí abajo - 1x10 - No sin mi hijo - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

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Transcript

00:00:01Hair! What are you doing there?

00:00:03What the hell!

00:00:04So, how are we supposed to go home now?

00:00:06Oh, my little fish!

00:00:09Now we're really out on the street, dude.

00:00:11And why don't we buy any bolvás?

00:00:13The franchise offers more than 200,000 euros.

00:00:15You have to go to that girl and throw her a challenge.

00:00:17A daredevil and he leaves the Basque flag flying high, damn it.

00:00:21I want to buy the premises.

00:00:22I'm not in the mood for jokes, okay?

00:00:23That's 201,000 euros.

00:00:25It's Nekane and she says she's in love with me.

00:00:28Hello.

00:00:29Your letter was the best thing that happened to me yesterday.

00:00:32What you need to do is go there.

00:00:33Are you crazy, Bego?

00:00:34Hey, you're not going to be scared of Andalusian women, are you?

00:00:37We're Basque!

00:00:39Ah!

00:00:40Iñaki!

00:00:41Nekane!

00:00:41You want to get rid of the bar, turn it into a profitable business

00:00:44And maybe one day I'll even buy it for you myself.

00:00:47He bought the clinic's bar with his father's savings.

00:00:49Hey?

00:00:49You don't know if you're falling in love with Iñaki.

00:00:52Right?

00:00:52Sure, but if the same thing happens to him, you only have to look at him.

00:00:55That?

00:00:56You don't need to leave.

00:00:57Yeah, you know what? But I want to leave.

00:00:59I just don't want you to leave.

00:01:01That?

00:01:03Iñaki!

00:01:04Love!

00:01:06Love!

00:01:07Where am I?

00:01:08Well, here in Neuskadi.

00:01:12And here?

00:01:13When are you going to tell him the truth?

00:01:14Tell him what, Anjón.

00:01:15Tell him what.

00:01:16I moved to Seville while she was in a coma.

00:01:19That I've bought a bar and that I live in a woman's house.

00:01:21Hey, Maritú!

00:01:22You look beautiful, then.

00:01:24And what does Inácio say?

00:01:25I think we should talk about what happened.

00:01:27What about the kiss?

00:01:29It's because we Andalusians kiss, it's where she got it up the ass.

00:01:32Oh, and our kiss was one of those.

00:01:34No!

00:01:35Yeah?

00:01:36No, yes.

00:01:37Love!

00:01:39Mom, I was going to explain everything to you.

00:01:41We are here, we are in...

00:01:44We're in hell!

00:02:30Mom, I was going to explain everything to you.

00:02:38Already.

00:02:38If you had told him earlier, we might have stayed this long.

00:02:47Look, Carmen, I need to talk to you, clear things up.

00:02:50I don't think there's anything to clarify.

00:02:53Yes, there is.

00:02:54Okay, about the kiss and...

00:02:55Ah, about the kiss!

00:02:56Yes, we've already decided to believe in nonsense, haven't we?

00:02:58In fact, I wanted to tell you not to go around talking about it as if it were important.

00:03:02because people are very prone to misinterpretation.

00:03:05Because of robe, you know.

00:03:07Sure, sure.

00:03:08O rober.

00:03:17Oh, oh, oh!

00:03:18Oh, you're hurting me, man!

00:03:20Oh!

00:03:20Girl, it's just that you're putting out flags.

00:03:22Oh, watch out, man!

00:03:23But anyway, what about this meeting of pastors?

00:03:25What are you all doing here together?

00:03:26The mother of the Basque man who is acting Soviet.

00:03:28Look, Carmen, that woman is worse than a pillow.

00:03:30A double pillow on top of a fistula.

00:03:32As?

00:03:32What did he find so unpleasant about learning that he was in Seville?

00:03:34I mean, there are worse places to wake up.

00:03:36Malaga, for example.

00:03:37We'll get through this, right?

00:03:38Hey, dude, look, that woman who woke me up from a coma is normal, she's disoriented.

00:03:42The protest won't be that big of a deal.

00:03:44What's happening?

00:03:45It won't be that bad.

00:03:46What did he say to you, little girl, that sounds like he's from Andalix?

00:03:49Well, then, he can go ahead and draw blood from my dad.

00:03:51Mother.

00:03:55I already went in two hours ago.

00:03:57And I'm taking early retirement in no time.

00:03:59I cannot abandon my job.

00:04:01Oh no, then what are you doing here?

00:04:03You wouldn't want me to miss this, would you?

00:04:05Wow, what a bunch of brave souls.

00:04:07Come on, be careful.

00:04:09Inside?

00:04:09But be careful with the Basque woman.

00:04:11Come on, let's parade.

00:04:12Vasca, Jami.

00:04:21Go on, Menchu.

00:04:24You'll come from the gastet, won't you?

00:04:26Marchu, come and draw blood from him, by fair means or foul.

00:04:28Otherwise, I'm going to have to tie her up.

00:04:29No, well, what kind of customer service do you have here?

00:04:31Are you going to give me electroshocks too?

00:04:34Oh, daughter, don't be resentful.

00:04:35If we've already apologized to you at least twenty times.

00:04:38We lied for your own good, so as not to traumatize you.

00:04:40Oh, well, you could have euthanized me too.

00:04:43Much less trauma.

00:04:44Well, don't go all Martí on me, okay?

00:04:45We've all done everything we can to help you, Marichu.

00:04:48What you have done is a conspiracy.

00:04:50So, you think I'm that stupid?

00:04:51that he won't realize we're on the other side of the world.

00:04:54Man, woman, who exaggerates as much as on the other side of the world.

00:04:56Well, and there was a time when it worked, you know?

00:04:59Don't laugh on top of that, chocholo.

00:05:01You'll be proud of lying to your mother.

00:05:03Well, the important thing is that you've recovered.

00:05:05And you'll see that this isn't so bad.

00:05:07Love, if you have your sister, your son, your...

00:05:13Anecanez.

00:05:15Be careful, you're not putting banderillas on a ball of yarn.

00:05:19Okay, this is ready.

00:05:21Alright, I'm going to torture the Basques I have buried.

00:05:25Hey?

00:05:26I wouldn't be surprised if he was serious.

00:05:29Oh, honey, can't you see that these people are just doing their job?

00:05:31Well, let's see if you guys make your own and get me out of here.

00:05:34Hey?

00:05:34I don't want to spend even a minute more away from home

00:05:37and tell Coldo to take me to his hospital right away.

00:05:40Nobody knows where Coldo is!

00:05:47No!

00:05:53No!

00:05:55No!

00:05:56Fuck!

00:05:59Anchón!

00:06:00Whoa!

00:06:01What's happening?

00:06:02What's happening?

00:06:03I called you last night and you didn't answer.

00:06:05Ah, yes, well, phew, I had a busy night.

00:06:08Did you happen to run into the neighbor?

00:06:10No, what are you saying, man? No, no, it's this heat, it just doesn't let you rest, you know? Turning over and over.

00:06:16So, how's everything? Is Marichu okay?

00:06:18Marichu? Very well. Marichu is perfect. Marichu, you know she's strong, she's recovered a lot, really, I'm telling you, okay?

00:06:24By the way, I have to go see her now, I have to go, come on, bye.

00:06:27Coldo, Col, wait, Col!

00:06:31He hung up on us! He seems very strange to me.

00:06:33It shouldn't have gone down.

00:06:35That's a trap, I told you, it's a trap.

00:06:38Well, our patient is doing great.

00:06:41You look great, Marichu!

00:06:43What you still haven't explained to me is how I could have hit myself and ended up like this.

00:06:47Eñaki?

00:06:48Okay, that's a good question.

00:06:50That?

00:06:50Your mistress, let's see, how did the blow happen?

00:06:53Oh, it was an accident. You idiot. Some hotel stairs you didn't see.

00:06:57Ah, well, we'll have to report the hotel, huh? My eyesight has never failed me in my life.

00:07:01Well, it's not like we need to get so worked up, Marichu, is it?

00:07:03These things happen, they can happen to anyone.

00:07:05Yes, but it happened to me, you know? And here we are, and my son is left here suffering.

00:07:10Well, well, I was suffering, but it wasn't that bad.

00:07:12Oh, no. Well, what have you been doing all this time?

00:07:14You?

00:07:15And where have you been sleeping, my dear?

00:07:19In a hotel.

00:07:21Another one.

00:07:21Yes, very beautiful. And very close.

00:07:23Ah, well, let's see if you can take me to see it.

00:07:25Well, very close, considering how far away it is.

00:07:27Okay, come on, let's stretch our legs.

00:07:29Ah, no, no, no, no, no, no, no.

00:07:31Yes, it's like throwing your legs out.

00:07:32Yes, I don't even make side motels for it.

00:07:34But can't you see I just woke up from a coma, man?

00:07:37That's precisely why, Marichu.

00:07:38The sooner she loses her fear, the sooner she returns to her normal life.

00:07:40Go ahead, go ahead, I'm not afraid, okay? Watch out.

00:07:42What I have is respect.

00:07:43Okay, Marichu, that's enough.

00:07:45Is the doctor right?

00:07:46It's time to start moving, because otherwise, things will just stay that way.

00:07:49Look, you don't have any problems with your legs.

00:07:51It's all upside down.

00:07:51Look, I already said no.

00:07:53What I need to walk is to set foot on Basque soil.

00:07:56When am I going home?

00:07:57Let's see, Marichu, we just need a few more tests.

00:07:59Everything is OK for me.

00:08:00All that's missing is for the doctor to inflate you and agree.

00:08:01No, everything's OK for me too, everything's OK.

00:08:03Yes, the CT scan came out perfectly.

00:08:04The nervous system response is fabulous.

00:08:06In other words, the only thing would be to coordinate the transfer to the hospital in Donosti.

00:08:09Well then, let's coordinate as soon as possible.

00:08:11You're already calling.

00:08:12Yes, Coldo, the only thing is that there's better coverage in the hallway.

00:08:15Oh no, there are already some here.

00:08:18Coldo, I can't leave.

00:08:20That?

00:08:21I bought the bar.

00:08:22Llama has no idea.

00:08:23You have to slow down the transfer somehow.

00:08:25Coldo, I'm asking you, please.

00:08:25No, no, listen to me, what if your mother finds out that I'm slowing down the move,

00:08:29The blow I'm going to get, I assure you it won't be slowed down.

00:08:33Yes, yes, but I need time, let's see, what do I do?

00:08:37Coldo.

00:08:37No, you can't take me out...

00:08:39For fuck's sake!

00:08:41Bring it, I'm already slowing down.

00:08:43You're a helmet.

00:08:47No, man, Sabino.

00:08:48Don't cut yourself all the way up.

00:08:50That's also true.

00:08:51It's just that I've always had my wife here, on my back, you know...

00:08:54Come on, this is my treat.

00:08:55Of course, man.

00:08:56Opa, and Sabino, living la vida loca.

00:08:59What's wrong with you and that glum face?

00:09:02I'm worried about Coldo.

00:09:04Down there, all alone.

00:09:06Are you worried or envious?

00:09:07I'm worried, damn it.

00:09:09Damn, Coldo's a friend, huh?

00:09:11And I've noticed he's been acting very strange on the phone before, look.

00:09:14Yaki.

00:09:15Opa, Yaki.

00:09:17All good?

00:09:18Is something wrong?

00:09:19No, man, no, bench.

00:09:20Look, I need to raise the bar and it has to be quick.

00:09:23And I wanted to ask you for advice.

00:09:24The bar, the one at the clinic?

00:09:25Ah, yes, you see it as difficult, don't you?

00:09:27Well.

00:09:28It's all about money.

00:09:29Oh.

00:09:30Well, I don't have any money right now, okay?

00:09:31Let's see.

00:09:32Yaki, there everything Basque sounds exotic.

00:09:35Take advantage of it.

00:09:36That's what I do, but you need some time.

00:09:38Also, keep in mind that it's a clinic bar and they're not going to give her three stretch marks, love handles, and so on.

00:09:41So.

00:09:42Well.

00:09:43And why don't you open a tapas bar?

00:09:45They don't have any of that there.

00:09:46You won't have to make any renovations or investments.

00:09:49And if it works well for you, it's customers coming in, going out, and spending.

00:09:52And you don't get confused with the food.

00:09:53Damn, Ancho, in a tapas bar.

00:09:55Well, that hadn't occurred to me.

00:09:56That's a good idea.

00:09:56And if you need me to come down and help you with the issue, I'll be there tomorrow morning.

00:10:02No, it's not necessary, Ancho.

00:10:03It's already failed me on its own.

00:10:04Thank you.

00:10:04It's no trouble at all, man.

00:10:05Also, I'm keeping Coldo company because we're worried here.

00:10:09I've spoken to him and he seems stranger.

00:10:11He already told you, didn't he?

00:10:13Hey?

00:10:14Yes, yes, he told me.

00:10:15Well, that was also my fault.

00:10:16I took him home and, of course, that was tempting fate with the neighbor.

00:10:20With the neighbor?

00:10:21Well, yes, he'll see.

00:10:23Hey, Ancho, I'll let you go, okay?

00:10:24I have to go down to the bar.

00:10:25It's that I'm fed up with everything and goodbye.

00:10:27Goodbye, goodbye.

00:10:29Sabino, the glass, filled to the top.

00:10:30What was that like?

00:10:31What were you saying, that the south was a trap?

00:10:34Like a trap.

00:10:40And?

00:10:41How's it going with Iñaki?

00:10:42Have we made any progress?

00:10:43I don't know, it depends on what you call progress.

00:10:45Have you spoken?

00:10:46Ah, no, not that.

00:10:47Oh, woman, what are you waiting for?

00:10:49There just hasn't been an opportunity with all the Marichu mess.

00:10:51Look, I already know that you're very Basque and that's great.

00:10:54But we're in Seville.

00:10:56Daughter, if there's a place to start being launched, it's this.

00:10:59Hey, I can be very forward if I want to.

00:11:01The thing is, you have to choose the right moment, plan it well.

00:11:03Yepa, Euron!

00:11:05Oh, well I think it's going to be this one.

00:11:07I'll leave you now.

00:11:07I'm going to lift Marichu's heart.

00:11:18Here we are, huh?

00:11:19Yes, yes.

00:11:22In Seville, who would have thought?

00:11:28Hey Iñaki, I wanted to thank you for trusting me with the bar and...

00:11:31Well, Nekani, you're also doing me a favor.

00:11:33Iñaki, I by faith.

00:11:34Do I really have to get all dolled up?

00:11:36You look like you're from an Asian restaurant.

00:11:38If you look really good, people will pay more attention to you just because you're dressed like that.

00:11:41What's happening?

00:11:42That things were going badly before.

00:11:44So what if I make a mess?

00:11:45For that we have two games.

00:11:46What if I get it dirty again, should I drop everything and do a load of laundry?

00:11:49Look, Isabel, there are going to be a lot of changes and we have to get used to it.

00:11:51But everything will be for the best.

00:11:53We are not people who change.

00:11:55We are people of routine, of the same old things.

00:11:57If this isn't going to stop being a regular old-fashioned bar.

00:11:59The thing is, it's a bit further away, a few hundred kilometers.

00:12:03Wouldn't you like to open a Cordoban bar?

00:12:04I won't go there.

00:12:05No, I'm going to open a Basque bar.

00:12:08Yeah?

00:12:08This is going to become a Basque pintxo bar.

00:12:10Basque pintxo?

00:12:11In Seville?

00:12:12Well, I think it's a very good idea.

00:12:13Of course it's a good idea.

00:12:14You'll see how this becomes a place where you can eat standing up while having a beer.

00:12:19Eating while standing up?

00:12:19You think that's good publicity?

00:12:21It's like saying, let's rest by running.

00:12:23Afe, my starches, little vaccine.

00:12:25And who's going to make the skewers?

00:12:26Because we're already at our limit.

00:12:27Eva, I can continue to lend a hand these days and you already have me hired anyway.

00:12:31What difference does it make to me whether I work here or in San Sebastián?

00:12:33It's a helmet, that's what it is.

00:12:34Hey, I have something very important to tell you.

00:12:36Don't ask us to speak Basque, okay?

00:12:37I'm already finding it hard to understand the people from Cádiz.

00:12:39No, Rafi, that's not it.

00:12:40Look, my mother can't know that I own the bar.

00:12:44Come on, he's had enough surprises, without finding out now that I've spent Aita's inheritance on this.

00:12:49Oh, and Aunt Bego, please.

00:12:52What if your mother comes, what do we do?

00:12:54He's not coming because he's not leaving his room.

00:12:56We are?

00:12:57We're here, we're here.

00:12:57Come on, let's get to work, let's get to it.

00:13:00Apron, can you leave it here?

00:13:02Rafi, let's get rid of all this processed pastry and those cutlery pieces too, please, let's hide them down here, okay?

00:13:07This is going to take on a color that will be a pleasure to see.

00:13:09Yes, it did have a special color.

00:13:11And what about me, the little knife?

00:13:12Wait for my weapon, or can't you see me?

00:13:14Come on, Rafi, go, go, let's go.

00:13:20Good afternoon, Mrs. Marichu.

00:13:22Man, the merchant marine.

00:13:25Yes, yes, I know you're aware of everything.

00:13:28I, Doña Marichu, came to offer you my sincerest apologies.

00:13:32I only intended to help.

00:13:34Help to make fun of me.

00:13:36Ma'am, to help you have the most pleasant recovery possible.

00:13:41Don't worry.

00:13:41Of all the scoundrels who have deceived me, you are the one I like best.

00:13:45Well, it's something.

00:13:48Well, let me formally introduce myself.

00:13:51Benito Benjumea of the Benjumea family, a family of long standing.

00:13:53And a lifetime patient of this clinic.

00:13:56At his feet.

00:13:57He may not be a merchant marine, but he's still a real character.

00:14:00But why don't you like this, woman?

00:14:03Here we have good weather, we make good people, we have good food.

00:14:06Don't put that cape in front of me, I'm coming in, okay?

00:14:09I promise you that before you leave here, I have to get you to end up singing praises about

00:14:16Andalusian excellence.

00:14:17Uh, I should set myself simpler challenges.

00:14:19For example, peace in Laza.

00:14:21There it is, one thing after another.

00:14:26Well, I finally see her smile.

00:14:29Let's take advantage of that enthusiasm to go for a little walk.

00:14:31Oh, no, no.

00:14:32I've already told the doctor that I don't plan to walk until I'm transferred.

00:14:35But, Marichu, for God's sake, don't be stubborn.

00:14:37Rehabilitation needs to begin.

00:14:38As soon as possible?

00:14:38I said no.

00:14:40Marichu?

00:14:40No, I didn't say that you're going to set me back for the year.

00:14:42Okay, okay, okay, okay.

00:14:43I'm not going to force her.

00:14:44Yes, you're going to have to stay locked up here all day, and that's a shame.

00:14:48What a beautiful day it is in Seville.

00:14:51A little proud, so that's you.

00:14:54But why doesn't she want to walk, woman?

00:14:56Just to mess around.

00:14:57Does that seem like a good reason to you?

00:14:59I suppose that's for being Basque.

00:15:01Yeah.

00:15:12Perfect, Rafi, so you understand about the chopsticks, right?

00:15:15Yeah.

00:15:15Okay, now listen.

00:15:17The little bit of oil for the salmorejo.

00:15:20Just one drop.

00:15:21Oh, boss, what a busy day!

00:15:23Not even so many spikes have been seen together, not even in the Melilla net.

00:15:26Come on, come on, there's confusion, this is just the beginning.

00:15:28Well, I'm going to prepare a dozen sautéed mushrooms now, if the boss agrees.

00:15:32That seems perfect to me.

00:15:34Mecane, you're a machine.

00:15:37Hello.

00:15:38Rafi, why just a takeaway coffee?

00:15:40Well, how elegant, isn't it?

00:15:41This already seems like something else.

00:15:43And this?

00:15:44Well, I finally decided to go for the tapas.

00:15:47What do you think?

00:15:48Very good.

00:15:48But do you give it away for free or how does it work?

00:15:50Yeah, man, what do you think this is, a pinchopote?

00:15:52No, they are very, very, very economical prices.

00:15:55A euro for the pincho.

00:15:56One euro, he says.

00:15:57But here they give you the tapa for free with the beer.

00:16:00I've said that myself, that this isn't going to stick here, but he doesn't listen to me.

00:16:03Well, the customers seem to like it.

00:16:04There.

00:16:05Why the novelty?

00:16:06But come on, people aren't going to spend three or four euros a day.

00:16:08Having a bar right next door that gives it away for free with a beer.

00:16:11Forgive me, Isabel, but it's not the same.

00:16:13This is ultimately haute cuisine in miniature.

00:16:15And the other day at the bar they gave me a beer

00:16:17and they took out I don't know what liver scraps or I don't know what it was that I

00:16:20Yes, yes, there are few rich people who are still with their blood, huh?

00:16:22And its little bit of oil, huh?

00:16:23Yes, Rafi, but I'll have to try.

00:16:25Besides, Trini, you told me I'd run the bar my way, right?

00:16:28Yes, yes, yes, that sounds good to me, but...

00:16:30Well, look, as long as I don't receive any complaints at the clinic,

00:16:33I don't care what he does.

00:16:33There!

00:16:36What's on the menu at this table, Rafi, son?

00:16:38At this table there have been seven beers, four potato salads,

00:16:41Two prawns, a fish-battered fish and four mini tortillas, right?

00:16:44Twenty-nine thirty.

00:16:45Wow, seriously, you're a machine!

00:16:47You're losing money here, come on.

00:16:48You have to go to a contest for zodempollones, they're going to be a huge hit.

00:16:51But Iñaki hasn't explained the toothpick thing to you.

00:16:53He thinks so, but I'm not convinced.

00:16:55Look, what? I don't get the concept of this?

00:16:56Let's see, each skewer has a toothpick.

00:16:59Customers eat them and keep them.

00:17:01Then they show them to you and you do the math.

00:17:03Who keeps the toothpicks?

00:17:04The customers?

00:17:05No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

00:17:07no, no, no, no, what?

00:17:08Because here you can't trust that people will keep their toothpicks.

00:17:11Yeah, well, if we were in Malaga maybe, but here in Seville you can't trust anyone.

00:17:15Hey, let's see what you're going to say about the people from Seville, smarty pants.

00:17:17No, no, I'm just really clever, but what a joke, huh?

00:17:19You might run into someone who takes advantage, but in general people are reliable.

00:17:23Let's see, you little creature from the north, I've been a waiter my whole life.

00:17:25And I know perfectly well what each one consumes.

00:17:27But the chopsticks thing will happen, because Iñaki wants a Basque place, a real Basque place.

00:17:33Oh well, the northerner doesn't like anything else, huh?

00:17:36Too much.

00:17:37The thing is, I've been all over Seville and it ends up on that street...

00:17:41Let's see if there was a number for him.

00:17:42But what kind of foot does it have?

00:17:43He has a...

00:17:44Good night.

00:17:45Good night.

00:17:4745.

00:17:48What's happening?

00:17:50Hey, how are you getting on with Basque?

00:17:52Oh, I'm going to tell you so that tomorrow you can go to Plaza España and announce it.

00:17:56Excuse me, are you calling me Gossip?

00:17:59Gossip, busybody, loose-mouthed, rumor mill.

00:18:03That's it, that's it, nothing.

00:18:06I was only worried about one colleague, but it's clear that everyone here is out for themselves.

00:18:10Okay, okay, okay, excuse me, woman, but there are things that are personal and painful.

00:18:15What has the Basque done to you?

00:18:16Did the Basque man do anything to you?

00:18:17No, he hasn't done anything to me.

00:18:18What he has done is not tell me everything he has to tell me.

00:18:21Omitting information, that can be serious.

00:18:23I tell myself that if someone has a girlfriend, well, at some point they'll let it slip, right?

00:18:26But the Basque guy has a girlfriend?

00:18:28What makes me angriest is that it pisses me off.

00:18:30I didn't think I'd like Basque so much?

00:18:32When a gentleman meets an attractive lady, the first thing he does is ask her if she has a girlfriend or not.

00:18:37bride.

00:18:38He who does not do it is not a gentleman.

00:18:40Or she's going whoring.

00:18:41He's acting like nothing's wrong.

00:18:43What does she say she wants to talk to me about regarding the kiss?

00:18:46Kisses aren't for discussion, daughter.

00:18:47Kisses are remembered.

00:18:49Wow, Corín's really sealed off today, huh?

00:18:52Hey, who's the girlfriend?

00:18:54She certainly wasn't going to be from Andalusia.

00:18:55The little thing, the dead fly, the half meter.

00:18:58Who, who?

00:18:59The Basque girl, daughter, we have to send you things by telegram.

00:19:02Was the Basque woman dating the Basque man?

00:19:04Oh, fatso.

00:19:05Well, I don't call him fat, but I do call him many other things.

00:19:08Normal.

00:19:15Look, look, Huelva king prawn.

00:19:17Yes, how wonderful.

00:19:18Hey, Carmen, look.

00:19:19Look what we've managed to achieve at the central market, huh?

00:19:21Top quality, look at those legs.

00:19:23Nothing to envy from the northerners, huh?

00:19:24Yeah, nothing to envy.

00:19:25But then people stick with the ones from the north.

00:19:27Well, it depends on the people, doesn't it?

00:19:28Well, you Basques.

00:19:30You eat an Andalusian spider crab and, well, you find it curious, even tasty.

00:19:34But then, what do you keep from the northerners?

00:19:37Because they are yours, the ones you've always known.

00:19:39Have you already changed your mind about a whole Basque?

00:19:41Okay, I'm going to stop talking so much nonsense.

00:19:43Excuse me.

00:19:47She certainly knows her stuff, doesn't she?

00:19:49First news.

00:20:03How's it going, sleepyhead?

00:20:05Hey?

00:20:06What a lovely, lovely temperature it's been!

00:20:08Isn't that right?

00:20:09Yeah.

00:20:09If you like living in hell...

00:20:13Well, I see they haven't taken away his sense of humor.

00:20:15Well.

00:20:16And one more thing I wanted to tell you, Marichu, is that if you have a whim, anything,

00:20:20If you need anything, here's your uncle.

00:20:23You ask for laziness, mouth.

00:20:25Whatever you want.

00:20:27What do you have in mind?

00:20:29Well, and in this room where we rest, they give us a little coffee and stuff.

00:20:33Oh, oh, oh!

00:20:34Stop, stop, stop, stop!

00:20:37Hello, did you need something?

00:20:40Oh, excuse me, it's just that I'm a nurse by profession and a hairdresser by passion.

00:20:45Come on, if you ever decide to change your electricity provider, call me, and I'll invite you over.

00:20:49No, no, thank you.

00:20:50I can't wait to turn myself into a Christmas tree.

00:20:52How's my move going?

00:20:54What transfer?

00:20:55We've run into bureaucracy.

00:20:56Let's see.

00:20:57Dr. Inchauste and Dr. Almenar are coordinating with a hospital in the Basque Country

00:21:01so that I can be transferred there as soon as possible.

00:21:04Well, I don't know anything about any transfer, I'm very sorry.

00:21:06Well, find out, beautiful.

00:21:08Okay, okay, let's see, let's see.

00:21:10Look around, little girl, because maybe something has been misplaced.

00:21:13No, no.

00:21:14No, come on, if I haven't heard about it, it hasn't happened, it's not underway.

00:21:17Look, I'm the one here who knows everything, you know?

00:21:20And besides, I'm the one who takes care of transporting the patients.

00:21:23And I can assure you that to this day no procedure has been initiated for its transfer.

00:21:29Just like at the bar!

00:21:31You, Josechu, go look for her at Dr. Inchaustegui's!

00:21:34Come on!

00:21:34Okay, let's take the elevator, we'll just skip the stairs.

00:21:37And the less ironic it is, the more doors close.

00:21:45Seven toothpicks, seven skewers, it's that easy.

00:21:47Hi Rafi, here's your order.

00:21:50How about I leave it in the warehouse?

00:21:50Where always?

00:21:51Okay, thanks.

00:21:52Thank you, monster.

00:22:00Two more that we didn't get paid for.

00:22:01Yes, the tapas are proving popular, but people think they're free.

00:22:04Look, I waste ten minutes explaining the toothpick thing.

00:22:06And people think I'm joking.

00:22:07But, Rafi, all of humanity's great inventions provoke suspicion at first.

00:22:11Don't give up.

00:22:12Yes, but it's not like we're inventing the printing press, Iñaki.

00:22:18Iñaki.

00:22:19Sorry, Anecán, I haven't slept at all last night.

00:22:21Why don't you go home?

00:22:22Am I got you covered here?

00:22:24If this has already been released.

00:22:25Yes? Really?

00:22:26Well, a nap wouldn't be so bad, would it?

00:22:28And a shower.

00:22:30Okay, so look, I'm going to Bergama and then I'm going home, okay?

00:22:33Hey, thanks, guys, huh?

00:22:34Really.

00:22:36And I'd better take this off.

00:22:38I don't want to tempt fate.

00:22:41If you want a helmet, Anecán.

00:22:42Good.

00:22:45You really do have a lot of devotion to your boss, huh?

00:22:47Here I am working for him, and for free too.

00:22:49What does it cost me to lend a hand?

00:22:50Iñaki has always treated me very well.

00:22:52Yes, but a boss is always a boss, right?

00:22:54But hey, I've seen worse.

00:22:55Besides, the guy's a good cook, huh?

00:22:56With a bit of luck, I hope to have him in the family soon.

00:22:59Although I love my Isabel madly.

00:23:01The thing is, she doesn't have any culinary skills, what you might call art.

00:23:04What is the family like?

00:23:06Haven't you noticed?

00:23:07Iñaki and Carmen.

00:23:09Carmen, my sister, Marichu's nurse.

00:23:11They're there, there...

00:23:13There, there how?

00:23:14What do you mean, how?

00:23:15He bought it to impress her.

00:23:17Look, before the year is out we have a flamenco-style wedding here.

00:23:20With all this filled with dancing and flamenco.

00:23:22Ole!

00:23:23Oh, really?

00:23:24You don't say.

00:23:26Ole!

00:23:27Pepe, but I said something wrong.

00:23:29Take this, take this!

00:23:32Ah, Nekane.

00:23:33Hey, have you seen Mom?

00:23:34No, I haven't seen it.

00:23:36What's happening?

00:23:37I need to be here for whatever you need.

00:23:39Sorry?

00:23:40Just so you know, a woman has dignity.

00:23:41And a glove.

00:23:42And I'm fed up with being the fool of the group.

00:23:44But wait, Nekane, we were just...

00:23:46Don't touch me.

00:23:47Screw you.

00:23:58Boh!

00:24:00Beludo arsenal!

00:24:01Damn, it feels like I'm in the old part of San Sebastián.

00:24:04And is that a good thing?

00:24:05Yes, great.

00:24:07He'll keep the chopsticks, won't he?

00:24:08I'm going to save it.

00:24:10What is this?

00:24:10What do you mean it won't save?

00:24:12But if you are family.

00:24:13Dr. Koldo in Chaustegui.

00:24:17Marichu!

00:24:18Can you tell me why you haven't started the transfer process yet?

00:24:22The move.

00:24:23Well, that's where we're at.

00:24:25I was about to start...

00:24:26Have you called the clinic in San Sebastián or not?

00:24:28Yes, well, no.

00:24:30I haven't called.

00:24:31But we're in the south, Marichu.

00:24:32It must also be understood that this is another hemisphere.

00:24:35They have a different rhythm.

00:24:35There's a lot of paperwork to do here.

00:24:37You have to talk to a lot of people.

00:24:38Let's see, Koldo.

00:24:39Neither papers nor bagpipes.

00:24:40Get everything ready now.

00:24:41I don't want to stay here one more day.

00:24:43Understood?

00:24:44I won't understand.

00:24:45I'm calling them right now and I'm going to raise hell.

00:24:47I mean...

00:24:48Well then, let's raise hell.

00:24:50Come on.

00:24:53And where has this integration boy gone?

00:24:56Stop, stop, stop.

00:24:58Hey, what's with all these skewers?

00:25:01Who did this?

00:25:02Me, me, me.

00:25:04Because?

00:25:05Already.

00:25:08Oh, sorry!

00:25:09No, nothing, nothing.

00:25:10I'll clean up.

00:25:10Sorry, I wasn't looking and...

00:25:13Okay, let's have more spider crabs, right?

00:25:15No, to get some fresh air.

00:25:20Listen, all I want for Iñaki is for him to be happy.

00:25:23And me, me too.

00:25:25Therefore, whatever he wants is surely fine.

00:25:29Clear.

00:25:30She will decide what she wants to do with her life.

00:25:31Whether to stay in the south or return to the north.

00:25:36Pleased to meet you.

00:25:38I'm wondering the same.

00:25:42Yes, I shit, you son of a bitch.

00:25:45Iñaki.

00:25:47What has your mother caught me doing?

00:25:49What do you mean he caught you?

00:25:50Well, she's found out that I'm slowing down the move.

00:25:52And he told me I have to do it now, and I'm going to have to do it.

00:25:55Don't mess with me, Coldo, please, hold on a little longer.

00:25:57Hey, you can't lie to a mother, okay?

00:25:59And especially not yours, which is quite intimidating.

00:26:00By the way, the tapas were delicious.

00:26:02Well, they look like it, because I haven't been able to try any of them.

00:26:06How are you doing?

00:26:07Hey Coldo, where have you seen Ama?

00:26:09Well, at the bar.

00:26:10Where will the tapas be in the bar?

00:26:12Don't mess with me, Coldo, don't mess with me.

00:26:16Host!

00:26:18And you say you made these skewers yourself.

00:26:21Yes, yes, yes, yes, that's right, with these little hands.

00:26:23Yes, here where you see me is Madarguiñano.

00:26:26Shall I tell you a dirty joke?

00:26:27Don't even think about it.

00:26:28Okay.

00:26:29So, if you made them,

00:26:30Can you guess which of these three skewers has dill?

00:26:34Come on, man.

00:26:36Come on, Rafi, show off.

00:26:39You see, I also create things, you know?

00:26:40I'm losing my mind, I'm having a Picasso-esque moment

00:26:42And in the end I don't even know what I'm doing, huh?

00:26:45Are you going to catch me?

00:26:48But I'm not buying it.

00:26:49Look, none of these three skewers have dill in them.

00:26:50All three of them wear it.

00:26:52Ready.

00:26:52My son made these skewers.

00:26:54I know him well,

00:26:56I know he always goes overboard with the dill.

00:26:58Oh dear, I have to pick up the little tables.

00:27:00You stay here, explain to me what my son is doing cooking kebabs in this bar.

00:27:04Look, Manucci.

00:27:05Marichu.

00:27:06That's it, whatever you say, I don't want any trouble with the boss.

00:27:09Like the boss?

00:27:11Is Miñaki the boss?

00:27:13No, no, here we call each other that, everyone, boss, I don't know, boss.

00:27:17What's up, boss?

00:27:18See you later, boss.

00:27:18The bosses are bosses of bosses.

00:27:20What's up, boss?

00:27:20See you later, boss.

00:27:21Hey, don't leave.

00:27:23Okay, but what's going on here?

00:27:25Hey.

00:27:26Hey.

00:27:27Doctor.

00:27:28That?

00:27:28You have a Hippocratic oath about that, so tell me what's going on here.

00:27:32Of course, woman.

00:27:33Look, your son has spent his inheritance savings on buying this bar.

00:27:38The kid seems excited.

00:27:40That?

00:27:41But no, no, don't worry, don't worry, he's in the middle of a recovery process.

00:27:45Me, oh, oh.

00:27:46Hey, but...

00:27:47Beacon!

00:27:48Where is my son?

00:27:50Someone help me with this chair.

00:27:52I'm going to kill my son!

00:27:55Iñaki!

00:27:56Iñaki!

00:28:04Marichu, are you going to pick me up?

00:28:06Fuck.

00:28:07How are you going to explain to him now why I bought the bar?

00:28:09I don't even know why I did it myself.

00:28:11Anchovy?

00:28:13What are you doing here?

00:28:14Anchón!

00:28:15Anchón!

00:28:15Let's go!

00:28:16What's happening?

00:28:17Holy shit, I've done that to myself!

00:28:18Oh my God!

00:28:19But what?

00:28:20What are you doing here?

00:28:21What I do?

00:28:21I came to help him with the skewer issue.

00:28:24I noticed you were very stressed.

00:28:25I caught my first plane.

00:28:26Yes, I already told you it wasn't necessary, Anchón.

00:28:28Look, I didn't just go down for that reason.

00:28:30Someone's going to have to keep an eye on this guy, right?

00:28:32Hey?

00:28:33What, watch me for what?

00:28:34About what?

00:28:35Are you going to deny to me, to one of your own gang, that you have fallen into the arms of adultery?

00:28:40Very well, Iñaki, you've let it slip, haven't you?

00:28:42There are no secrets between us.

00:28:44We're like brothers.

00:28:45There.

00:28:45You're right, you're good at it.

00:28:46Look, I swear I didn't mean to.

00:28:48But this place makes you lose perspective.

00:28:50And you lose it right where you pull down your pants, doesn't that piss you off?

00:28:54Yeah, yeah, that...

00:28:55Well, we got through one night.

00:28:57If I tell you...

00:28:58Better not.

00:28:59Or no, better yet.

00:29:00Without boasting, Escoldo.

00:29:01I'm going to stick to you until we go up there.

00:29:04Hey, Anchón, if you want you can leave your things at my house, at Carmen's house.

00:29:09And can you stay overnight, if that's okay?

00:29:13Come on!

00:29:14Hey, over there!

00:29:15Hey, the neighbors are here!

00:29:18Hey, to avoid them, I mean, hey!

00:29:21Avoid!

00:29:21Already!

00:29:30Well, it's clear for now.

00:29:32At the slightest sign of activity from the neighborhood, everyone hide, okay?

00:29:35Okay.

00:29:36Well, I hope Carmen doesn't mind you staying here.

00:29:39because she's acting weirder around me.

00:29:41You must have done something.

00:29:42You'll never know what, but you've done something.

00:29:44Well, I must have done something.

00:29:45Because two days ago he kissed me and today he won't even look at me.

00:29:47A kiss?

00:29:48Like with a kiss?

00:29:48Like the ones your mistress gives you.

00:29:49My mom doesn't kiss me.

00:29:50A kiss, a kiss.

00:29:52With tongue and...

00:29:52Oh, come this way!

00:29:53And what happened?

00:29:54Well, the lady woke up and everything went to hell.

00:29:57Have you spoken to her?

00:29:57I mean, not with your mom, with Carmen.

00:29:59Yes, yes, yes.

00:30:00That's what I'm trying to do.

00:30:00But every time I try to say something to him, he looks at me like I'm from Mars, and I don't know what to do.

00:30:03because.

00:30:04Of course, how strange are Andalusian women?

00:30:07Host.

00:30:10Anchón, what are you doing?

00:30:11I feel your warmth.

00:30:12The neighbors are going to see you, you freak.

00:30:14Damn, I forgot the hell about it.

00:30:17Okay, so what?

00:30:18Okay, go on.

00:30:18No, they're not from Andalusia.

00:30:20It's the same in Ekan.

00:30:21You remember that letter he wrote to me, don't you?

00:30:24How could we forget?

00:30:25Well, today I'm going and they're going to tell me either to keep my pride to myself and give it to me.

00:30:28You've done something.

00:30:29You don't know what, but you've definitely done something.

00:30:30Nothing, I swear.

00:30:31I left it there yesterday and it was perfectly normal.

00:30:34Well, Basque women are complicated too, aren't they?

00:30:38What the hell are you doing, Anchón?

00:30:40I forget.

00:30:42I bet it won't be the Andalusian women.

00:30:44And is Andalusia like that in itself?

00:30:45Is this climate disruptive?

00:30:47Well, I don't know what it is, but any advice you can give me would be welcome.

00:30:50Because I don't know what to do anymore.

00:30:51Well, it's easy, Iñaki.

00:30:53Before, you could keep two.

00:30:54And now you're not going to park with any of them.

00:30:58Excuse me, no, miss.

00:30:59I don't know if we'll be able to help you much.

00:31:01That?

00:31:01We'll have a drink later, right?

00:31:05What are you doing?

00:31:09It's the weather.

00:31:10It's a safe climate.

00:31:18Carmen, have you managed to get me to walk yet?

00:31:21No.

00:31:22He says he won't move a foot until he's on solid ground.

00:31:24Well, try it again, okay?

00:31:26Because it doesn't move quickly, it can have complications.

00:31:29Yes, I try, Robert, but with that woman there's no way.

00:31:32Look at all the difficult patients he has, huh?

00:31:34But she is unbearable.

00:31:35That?

00:31:35When do women get argumentative?

00:31:37Maybe women don't get angry because of you.

00:31:39No, because what are you pretending to be, noble, or cocky?

00:31:42But afterwards, you can't trust them.

00:31:43It can't be done.

00:31:46Excuse me, I'm a little tense.

00:31:48No, no, you don't have to apologize to me for anything.

00:31:50Yes, I've been a little tense lately too.

00:31:52Why not, look, why don't we go to my house, huh?

00:31:55And we relaxed each other.

00:31:57Look, why don't we do one thing?

00:31:58You go away and relax on your own, you know, right?

00:32:01Well, look, because there's nothing like the little bit of fun one has...

00:32:06Seriously, come on, I'm meeting some colleagues from college for dinner tomorrow.

00:32:10Come on over, just for dinner.

00:32:13We'll see tomorrow.

00:32:15Okay, we'll see you tomorrow.

00:32:23Maricho?

00:32:25But seriously, where did this woman go now?

00:32:39That?

00:32:40He won't take his son, will he?

00:32:41What? Nothing.

00:32:43Thank you for your concern.

00:32:44No, I have to close.

00:32:46You have to leave, come on, this isn't an after-hours club.

00:32:48Not at all.

00:32:49Are you going to get me a couple of tapas, and some nice cold sparkling water?

00:32:52I have a craving, and some cards to make myself a solitaire game.

00:32:54Ma'am, what are you saying about us closing down?

00:32:57Let's see if we can make this perfectly clear.

00:32:59I'm your boss's mother, aren't I?

00:33:01So you're going to have to suck up to me a lot.

00:33:03if you don't want my son to reconsider your continued employment.

00:33:06Whatever the boss says.

00:33:09Watch out for that tone.

00:33:10This is like a Basque reality show.

00:33:12And we complained about the son.

00:33:13Maricho!

00:33:14Oh girl, finally.

00:33:15I've been sending you messages for two hours.

00:33:17Yes, daughter, I got caught up in the shopping and missed my chance to jump to heaven.

00:33:19I've bought a lot of things.

00:33:21Don't you know about the great shops here?

00:33:23And cheap, huh?

00:33:24Of course, through the black market.

00:33:25Who knows what they've tricked you into thinking.

00:33:27Well, we're in a bad mood, aren't we?

00:33:29What's happening?

00:33:30Did you know that my son bought this bar?

00:33:32That?

00:33:33What are you saying?

00:33:34All of his father's money invested in this bar that closes at 10 pm.

00:33:37And I was the one who got hit.

00:33:39But what did he say to you?

00:33:40Nothing.

00:33:41Why won't you answer my phone?

00:33:42Go ahead, call him.

00:33:43And tell him he has to come right now.

00:33:45Come on.

00:33:45Come on, and if not, I'll drag him by the ear.

00:33:47Take note of what I'm telling you.

00:33:48Hey, Bebochu, want something to drink?

00:33:50Invite him to the house.

00:33:51Oh yes, I'm hungry.

00:33:53Tease out!

00:33:54Come on.

00:33:56What did he say?!

00:33:57What are you doing down here?

00:33:58Here, my daughter, living as if there were no tomorrow.

00:34:02Don't you want to expedite the discharge?

00:34:03Okay Ale, let's run the tests.

00:34:05The sooner we do them, the sooner we'll finish.

00:34:07And it's going to be so much better for everyone, right?

00:34:09But how can this be?

00:34:10Begochu!

00:34:11Begochu!

00:34:12May God repay you, baby.

00:34:14You guys clean up, okay?

00:34:15And let's pack up, come on.

00:34:16But Marichu, where are you going?

00:34:17Wait!

00:34:18Jesus!

00:34:19Marichu!

00:34:35That?

00:34:36Has Ñequi fallen asleep yet?

00:34:37He fell like a log.

00:34:39It's very early.

00:34:40We were meant to be having Gin and Tonics right now, you and I.

00:34:42Stop with the Gin and Tonics.

00:34:43Don't get carried away, they're not going to take away the streets.

00:34:46Merche!

00:34:46How are you?

00:34:51Girl, what are you doing?

00:34:53Hey?

00:34:54Hide them.

00:34:55What's happening?

00:34:56The neighbors are there, girl, right here.

00:34:57Lucy, what's wrong?

00:34:59The girl, who has seen movement at Carmen's house.

00:35:01Have you seen your Basque friend today?

00:35:02No way, daughter, not in a bad way.

00:35:04I don't know anything, okay?

00:35:05That one's flown away!

00:35:06I'm telling you.

00:35:07These northerners are just bed-warmers.

00:35:10Well, I'm going to stay up all night watching TV.

00:35:12So if I see anything, I'll tell you.

00:35:14Hey, I'm going to stand guard, girl.

00:35:16Well, that's fine, my friend, see you tomorrow, okay?

00:35:19Hey, see you tomorrow, buddy.

00:35:21Goodbye, doll.

00:35:24Coldo, are you going to have to speak with compassion?

00:35:26Yes, running.

00:35:27About what?

00:35:28Will you know?

00:35:29No, no, no, I don't have to talk to him about anything.

00:35:31Okay, so if I'm here, how do you say it here?

00:35:32To support, dao?

00:35:33That.

00:35:34Do you want me to go talk to her now?

00:35:36Stain.

00:35:36Yeah, you're really relaxed, huh?

00:35:38Let's not complicate things, okay?

00:35:39And where are you going like that?

00:35:41Aunt Bego sent me a message,

00:35:42so that she can go to the clinic.

00:35:43I hope you're doing well, love.

00:35:44Hey, if you need us to come with you...

00:35:46It's not necessary.

00:35:47Better.

00:35:50Hey, sleep well!

00:35:52Oh, man, I'm not getting up, okay?

00:35:56Well, it's going to be a long night, isn't it?

00:36:03What's happening?

00:36:04Are you okay, love?

00:36:05Yes, yes, the blonde is doing some tests.

00:36:07Huh?

00:36:07And what's with all the rush?

00:36:08Well, your mom wants to talk to you.

00:36:09That?

00:36:10No, leave it, leave it.

00:36:11I'll talk to her when she's asleep.

00:36:12which was easier.

00:36:13Iñaki, your mother wants to talk to you,

00:36:14behave like a man.

00:36:15Damn, you're so strong, Aunt Bego!

00:36:17Yes, you put it on.

00:36:17No, but...

00:36:18Come on.

00:36:21Dad, how are we doing?

00:36:22Well, a little confused, to be honest.

00:36:24If we mind waiting outside,

00:36:25that we are doing tests.

00:36:26Sure, if it were up to me.

00:36:27No, let him stay, I want to talk to him.

00:36:30Maricho, but you have to stay still and calm,

00:36:32Otherwise, we'll have to repeat the test again.

00:36:34I don't know, I'm completely calm.

00:36:35I just want to say a few words to my son.

00:36:38Iñaki, tenzai.

00:36:39So what do you want to talk about, then, mistress?

00:36:41This afternoon I was at the bar downstairs.

00:36:44Oh, really?

00:36:46Hey, what a nice place, right?

00:36:48Yes, yes, yes, yes.

00:36:49And it also has spikes, like the ones there.

00:36:51Go on.

00:36:52In fact, they're exactly the same as the ones at your bar.

00:36:54Damn, what a coincidence.

00:36:55Well, we've talked, right?

00:36:57Well, Iñaki, it's about time you bought that bar,

00:36:59For God's sake.

00:37:00Please repeat the test, Iñaki.

00:37:02That I haven't done anything.

00:37:03Why did you spend Aito's inheritance?

00:37:06Mom, I think I'm old enough to spend my money on whatever I want, right?

00:37:09Yes, of course.

00:37:10And that's why you hadn't told your mother, right?

00:37:12I had told him everything before deciding anything.

00:37:14The thing is, you were in a coma.

00:37:15Ah, look how clever.

00:37:17Besides, that bar isn't bad at all.

00:37:19It has a regular clientele and its own style.

00:37:22I see a lot of potential in it, you know.

00:37:24Look, it's a clinic bar, with tiles, a thousand kilometers from your house.

00:37:28What you've done makes no sense.

00:37:29No matter how you look at it.

00:37:31Well, I disagree.

00:37:32Okay, we're getting worked up.

00:37:34But come on, there has to be some reason why she's acting like that.

00:37:37Tell me which one it is.

00:37:38And I promise I'll try to be understanding.

00:37:47No, well there's no reason.

00:37:48I failed, I messed up, and there's no going back now.

00:37:50Oh, look, I don't know what's happening to you down here.

00:37:53But this is not typical of you.

00:37:54Well, you see, mistress, I'm not perfect.

00:37:56Nobody said you were.

00:37:57Well, everything's been discussed, right?

00:37:59Well, I'm going to look for Nekane, who's gone missing.

00:38:01Do you know where it is?

00:38:02That's party time over there.

00:38:04Another one who's out and about, away from home.

00:38:06But how can I be so stupid, Amaya?

00:38:09Do you know anyone as stupid as me?

00:38:11No, woman, don't say that.

00:38:12No?

00:38:13I'm going to Seville.

00:38:14I help him at the bar, I support him in everything.

00:38:16And all this time he's been chasing after an Andalusian woman.

00:38:19Do you see anything fleeting?

00:38:20Basques often short-circuit when a woman laughs at their jokes.

00:38:24No, Amaya, it's me!

00:38:25Didn't he like me?

00:38:27What are you saying?

00:38:28The thing is, you don't go there and take the easy way out by putting your tits in his face.

00:38:31Well, maybe I should.

00:38:33I have very few.

00:38:34No, Nekane, okay?

00:38:35Are you a woman?

00:38:36Elegant.

00:38:37And you have things clear.

00:38:38And men value that.

00:38:39I don't want him to value me.

00:38:40I want him to desire me.

00:38:41And since he doesn't want me, I'm going to another host.

00:38:44I'm going to the hotel, I'm getting my things

00:38:45And I'm going to catch the first bus that leaves in the morning.

00:38:50Fuck!

00:38:50What's happening?

00:38:52I have no idea where I am.

00:39:08Good morning, family.

00:39:13Oh, sorry.

00:39:14I didn't want to bother you.

00:39:15Oh no, no, no, calm down.

00:39:16If you are going to work.

00:39:17Come on, two more minutes and I'll throw the magazine at his head.

00:39:20Let's see, apparently not, uh, mom.

00:39:22I love you too.

00:39:22Okay, okay, okay.

00:39:24Since I can see that the atmosphere is a little tense,

00:39:27I have taken the liberty of bringing some Andalusian delicacies

00:39:30to educate the palate of our friend Mrs. Galarza.

00:39:35Oh, and mind you, my palate is very refined, you know?

00:39:37Yes, yes, I know, but not for this delicacy.

00:39:41Look here.

00:39:42Pestiño with esija honey, dozuna villagers,

00:39:45quince jelly from Puente Genil

00:39:47And all this simply to whet your appetite.

00:39:50Well, passable.

00:39:52I hope that's what "pasable" means in Basque.

00:39:55It's the most delicious thing I've ever tasted.

00:39:58It means passable.

00:40:00What are you doing, Mr. Mejumea?

00:40:01Stay put, get to work.

00:40:02You now have two businesses.

00:40:04Hello.

00:40:05Isn't Nekane here?

00:40:06Oh, daughter, I can't find her anywhere.

00:40:07He doesn't answer my calls or anything.

00:40:09I'm starting to get worried.

00:40:10Look, she's out with some Andalusian guy.

00:40:12Well, or not.

00:40:13No, the girl is having a very good baby.

00:40:15I wouldn't be surprised if she had suitors.

00:40:18No, Nekane isn't like that.

00:40:19Oh, no?

00:40:20So which ones is it, then?

00:40:23Girl, are you getting yourself into trouble?

00:40:25Already.

00:40:25If that's the case, I'll go to the bar.

00:40:27Oh, yes.

00:40:28I'm going downstairs for breakfast now.

00:40:29Well, you can eat croissants now.

00:40:31That Miñaki has to recover 201,000 euros.

00:40:37I hope the baby's umbilical cord reaches the bar.

00:40:41Look, I'll forgive him for the little joke because I'm starting to like these pesticides.

00:40:45Pestiños, pestiños.

00:40:46Well, it sounds just as bad.

00:40:47Doña Marichu, your son is old enough to make his own decisions.

00:40:52Yes, but I just can't understand why Narices had to buy that bar.

00:40:55It's just not typical of him to make decisions like that, without thinking.

00:40:59Well, I'm sure he has a good reason.

00:41:03A good reason?

00:41:04Do you know anything?

00:41:05I?

00:41:06Please.

00:41:07I was just talking for the sake of talking.

00:41:09Do you know something that I can see in your eyes?

00:41:13Some looks can be deceiving, huh?

00:41:16Jesus, even when you're trying to stall, you can get your act together in a poem.

00:41:19Are you going to answer us or not?

00:41:21When it's May, it's tide; in March, it's March.

00:41:25He's keeping something from Miñaki and I intend to find out what it is.

00:41:31Good morning, Garza daughter.

00:41:32Hello, what's up?

00:41:33You said you're the one here who knows everything that's going on, right?

00:41:36Man, I'm an informed woman, okay?

00:41:39Namely, because there's a lot of talk here, but then...

00:41:42Nothing but talk.

00:41:43I know this hospital better than anyone.

00:41:45What do you want to know?

00:41:46Why did my son buy the bar?

00:41:48Do you know it or not?

00:41:49Yes, I do know, but that's confidential information.

00:41:52And as you can understand, I'm not going to tell you.

00:41:54Well, I don't see why, because my son isn't patient.

00:41:57That's also true.

00:41:57Well, you're already working.

00:42:00Let's see.

00:42:03According to my source, it turns out that his son found out that the bar

00:42:05I was going through a difficult time

00:42:07and he wanted to buy it to impress a girl he liked.

00:42:10But seriously, this kid is stupid.

00:42:12Why doesn't she buy flowers like everyone else?

00:42:13Well, because he's Basque and wanted to make a bold move.

00:42:16A challenge?

00:42:17A challenge to a fool.

00:42:18But who is the girl?

00:42:20Carmen.

00:42:21Carmen.

00:42:22Which Carmen?

00:42:23Carmen, your nurse, your nurse.

00:42:26That?

00:42:26That witch?

00:42:27Listen, Carmen has taken great care of you, hasn't she?

00:42:31And she has treated her son wonderfully.

00:42:32He's even let her sleep at his house and everything.

00:42:34But how?

00:42:35Are they living together?

00:42:36Look, I'm not saying there's been anything more than pure and simple cohabitation.

00:42:41But I know firsthand that they kissed the other day.

00:42:45But wait, did they kiss like, really kiss?

00:42:47Or how can Iñaki kiss his mother?

00:42:49Look, I don't kiss my son.

00:42:50You know what I mean.

00:42:51I don't know, because at this point the data is imprecise.

00:42:55And besides, this little cow has gotten involved in the middle of it all.

00:42:59But come on, they've already had a fight.

00:43:00Don't worry, because the person I see Iñaki is really betting on is Carmen.

00:43:04He even rode an Andalusian horse the other day to declare his love for her.

00:43:07On horseback?

00:43:09And dressed in a short dress.

00:43:11He was looking sharp, let me tell you.

00:43:14One moment.

00:43:16Plant control?

00:43:18What's going on here, Marichón?

00:43:19They want to rob me, friend.

00:43:24Five headlight spikes, right?

00:43:25Do the people of Pareña not lie?

00:43:26No, the people from Pareña don't lie, but I'm sure none of you have dropped any on the floor, huh?

00:43:30Rafi, damn it, I'm a neurosurgeon, dude.

00:43:34Health!

00:43:35Whoa!

00:43:36Well, well, well, but the glowworms are here.

00:43:39What? How did you sleep?

00:43:41Did I sleep? What's that?

00:43:42We've been paying attention all night.

00:43:44Yes, we were crouched down all night, huh, Anchón?

00:43:45It looked like a trench on the front lines.

00:43:47We had to crawl even to go pee.

00:43:48Yes, but you've managed to keep me from having any fun, haven't you?

00:43:51That in itself is a victory.

00:43:52Don't mess things up, damn it, come on, let's eat something and see if I can fix my body.

00:43:56What is this, sir?

00:43:58This is the latest in Lebanese cuisine.

00:43:59Well, skewers, that's what we were talking about.

00:44:01And these presentations?

00:44:02It seems like they're being dumped with Buddofer.

00:44:04Isabel, you can't make these mixtures.

00:44:06You have to balance colors, textures, flavors; for example, with chaca, well, with chaca, a little bit of...

00:44:12But anyway, who are you?

00:44:14Isabel, Rafi, do you remember Anchón?

00:44:16Opa.

00:44:17One of the best chefs in the Basque Country.

00:44:19He's going to help us fix this place.

00:44:21Oh, what's wrong?

00:44:22That it was previously out of order.

00:44:23And there's a lot of work to be done.

00:44:24The site is not helpful at all.

00:44:25I, Iñaki, would rethink everything.

00:44:28Weigh the letter carefully, move all those tables...

00:44:30The tables?

00:44:31Again?

00:44:31But we just moved them.

00:44:33Well, it's moving again, Rafi.

00:44:34There's a lot of work to be done here.

00:44:35But it's also a beautiful challenge.

00:44:37Iñaki, show me the kitchen.

00:44:39Come on.

00:44:39And, Rafi, make Coldo a coffee.

00:44:41Uh, coffee.

00:44:42And you?

00:44:43Aren't you going to say anything to him?

00:44:44Patience, my love.

00:44:46We are strong.

00:44:48It's incredible.

00:44:49Poor Lecane spends years throwing shade and now this fresh one comes along, wow.

00:44:53And in four days, you won't be our Iñaki.

00:44:55It's my fault.

00:44:56If I hadn't insisted that she accompany me on that senior citizen trip.

00:44:59Look, Marichu, there's no need to torture yourself, daughter.

00:45:01These things happen.

00:45:02But hey Marichu, we still can't walk.

00:45:05You have to try, at least pick up the crutch.

00:45:08And I already told you that my legs don't respond.

00:45:10Not like others, which open very easily.

00:45:15Sorry?

00:45:15Here, you know, Marichu, everyone becomes great friends right away.

00:45:18But as soon as you turn around, they stab you in the back.

00:45:21Look, I've been on duty for fifteen hours and I'm really not in the mood.

00:45:24I came to tell you that the tests went very well and that you will be able to go home very soon.

00:45:28Look how great, everyone's happy.

00:45:29Ah, yes, some more than others.

00:45:32Marichu, is there something wrong with you and me?

00:45:34Me?

00:45:34Nothing.

00:45:36But I really want to be treated by real professionals.

00:45:40Excuse me, what are you trying to say?

00:45:41That I don't do my job well?

00:45:43A word to the wise.

00:45:46What are you doing?

00:45:47Never mind, I just remembered we have one more test.

00:45:50And what are you doing here?

00:45:53Hey, but where are you taking me?

00:45:55Relax, Marichu, it's just a test.

00:45:57A.

00:46:00But where are we going here?

00:46:02Hey, what is this?

00:46:03Peaceful.

00:46:05Hey, what is this?

00:46:06This is a consecrated courtyard.

00:46:08No, we're going to stay here for a little while, okay?

00:46:11Shall we sit there, please?

00:46:13Here?

00:46:14Hey, hey.

00:46:15Okay, be careful, okay?

00:46:16I know you.

00:46:17Very carefully.

00:46:18Let's see.

00:46:19Come on, Marichu.

00:46:21There.

00:46:22Oops!

00:46:23Be careful, then!

00:46:23Oops!

00:46:24Let's see.

00:46:25Oh, God!

00:46:26What patience!

00:46:30Hey, where are you going with those crutches?

00:46:32Nothing.

00:46:33There you have it.

00:46:34Does it have anything metallic?

00:46:38The mobile phone?

00:46:42Thank you.

00:46:43Where are you going?

00:46:44I?

00:46:45Let's get to work.

00:46:46You're going to stay here until you feel like it, and that's it.

00:46:48Does that sound good to you?

00:46:49You wouldn't dare.

00:46:50Of course I dare.

00:46:51And I dare.

00:46:52Criste can say whatever she wants because nobody here is going to listen to her.

00:46:54Not a soul passes by.

00:46:55If you want to urinate on yourself, fine.

00:46:58If not, grab your crutches and walk.

00:46:59I know he can.

00:47:00Hey, hey, you can't do this, okay?

00:47:02Hey, I'm going to sue you.

00:47:04Look, I'm going to give you such a hard time you'll never forget it.

00:47:07Shameless!

00:47:09Iñaki!

00:47:11We can't leave gaps in the plates

00:47:12because the skewers that are left behind look like they've been there for hours.

00:47:15They wear them.

00:47:16Evil.

00:47:17The skewers have to be as freshly made as possible.

00:47:20So what do we do?

00:47:20Spend the day cooking as people order?

00:47:23Exactly.

00:47:24And a quick turn in the microwave?

00:47:25No microwaves, please.

00:47:27No microwave.

00:47:27The customer has to experience the pincho in all its fullness.

00:47:31There!

00:47:32Let's see, little creature from the north,

00:47:33that the client is not at a philharmonic recital,

00:47:35We're talking about snacks.

00:47:39Snack?

00:47:41A snack, did you say?

00:47:41Panchón, Rafi, this is an art, a philosophy of life.

00:47:45Yes, the art of eating standing up, as old as time.

00:47:48You're not going to achieve anything with this Stafiñaki.

00:47:51They lack attitude.

00:47:51We have attitude, but one you don't like.

00:47:53Come on, come on, come on.

00:47:54This is going to be difficult for everyone.

00:47:56Let's take it one step at a time, okay?

00:47:57Today is test day.

00:47:59Father, Maria!

00:47:59Wow!

00:48:00Yeah?

00:48:00Rafi, give us a couple of vaccines here, come on.

00:48:02No, sorry.

00:48:03I prefer a fishing rod.

00:48:05Come on, I'm taking it.

00:48:06Come on, grab some skewers.

00:48:17Did you see?

00:48:19The fact that?

00:48:20He's hiding the chopsticks.

00:48:21That he wants her back the other time.

00:48:22Are you perhaps mistrusting a client?

00:48:23Of course.

00:48:24The thing is, this toothpick system is a failed system.

00:48:26This is like independence,

00:48:27a poorly thought-out concept.

00:48:29Aven, sot!

00:48:31Iñaki!

00:48:33Come on, I'll hold on.

00:48:34I'll keep writing things down, okay.

00:48:37Just so you know, we already have the results for the male.

00:48:40So we can arrange the transfer whenever you want.

00:48:43It has already been discussed with San Sebastián,

00:48:44So if you'd like, we can do it this afternoon.

00:48:46Perfect.

00:48:47If that's the case, I'll go up with her.

00:48:48Because they've stretched the rope quite a bit, haven't they?

00:48:50Yeah.

00:48:51Good news, huh, champ?

00:48:53Yes, yes.

00:48:55Now I have to explain to him that I'm staying here.

00:48:57Well, your mother is an understanding woman.

00:48:58And he'll understand, won't he?

00:49:04Hey!

00:49:06Iñaki!

00:49:07Hey!

00:49:32Hey!

00:49:43Let them inform the episcopate that the miracle has occurred.

00:49:47But how long have you been there?

00:49:49Enough to see that he has overcome his fear.

00:49:52What fear? That I was afraid?

00:49:54I'm scared, please.

00:49:56Fear, he says.

00:49:57Okay, okay.

00:49:59Whatever you say.

00:50:00Okay, fine, yes.

00:50:01I was scared.

00:50:02Glad?

00:50:03Look, I've spent weeks in a coma.

00:50:05Without understanding anything, like a vegetable.

00:50:07What if I don't wake up?

00:50:09What if I never saw my son, my home, my people again?

00:50:13What if my legs give out again and I fall again?

00:50:15But that's not going to happen again, Marichu.

00:50:18That's like bombs in wars.

00:50:20They never fall in the same place twice.

00:50:23Wow, you really know how to say nice things to women.

00:50:27Marichu, what do you still have?

00:50:28Lots of rope.

00:50:29Look at yourself.

00:50:30It is full of life.

00:50:32Walking on his own two feet.

00:50:33Yes, but not thanks to you.

00:50:35Can you tell me why you haven't helped me all this time?

00:50:37I have helped you to decide to stand on your own two feet.

00:50:41Did it work or not?

00:50:42And here I was thinking you were a gentleman.

00:50:45Marichu, don't get angry, woman.

00:50:47Marichu.

00:50:50Look, look, look, look, look how he treats the kid goat.

00:50:56Nothing, it doesn't pick me up.

00:50:59Where could Marichu have gone?

00:51:01Oh, I don't know, they took him to do some tests a long time ago and look, still nothing.

00:51:04What tests? Let's see if we've already done all the tests that needed to be done.

00:51:07Oh, Colo. Let's see if there's been any complication.

00:51:10No, well, calm down. No, things have gone completely off the rails, huh?

00:51:12Oh, I don't know, but the poor thing is still very weak.

00:51:16Marichu, how are you?

00:51:17Move aside, I can see you.

00:51:18Oh, holy shit, but he can walk.

00:51:21Marichu, my daughter, where have you been all this time that you had me worried?

00:51:24I'll tell you now.

00:51:26No, I'll tell you.

00:51:28You can go to San Sebastián today.

00:51:30Yeah.

00:51:31We can now organize the move.

00:51:32I've had to do a lot of paperwork and procedures, so here we are.

00:51:36But today he sleeps in the Basque Country.

00:51:39No, I'm staying in Seville.

00:51:42That?

00:51:43But how in Seville?

00:51:44If you can't stand this.

00:51:46That's why I don't want my son to stay here.

00:51:48This is war.

00:51:52Damn, Sabino, what did you have for breakfast?

00:51:54If normally you can't stand even half a host.

00:51:56Fried egg, paceta, chistorra and remains of purusala.

00:51:59Since I've been on my own, I eat whatever I want and I'm as strong as a bull, damn it.

00:52:02Sabino, is that Bego?

00:52:05Take!

00:52:06Damn, that's his name and it drains my strength.

00:52:09What's wrong, Bego?

00:52:12Yes, yes, here it is, missing you.

00:52:14Hey, have you spoken to Nekane today or last night?

00:52:16Yes, why?

00:52:18Well, you're going to tell me right now where it is, and don't you dare lie to me, okay?

00:52:22Excuse me, your pastor.

00:52:24What a shame, daughter.

00:52:25If I had a reservation for more days.

00:52:27What's the rush?

00:52:28I'm no longer involved here.

00:52:29Well, you never know, huh?

00:52:31And don't suffer.

00:52:32So what you have is lovesickness, huh?

00:52:34You know how to cure that.

00:52:36With another love.

00:52:37As if it were that easy.

00:52:38Okay, I'll save the room for you.

00:52:39Just in case you change your mind, okay?

00:52:41Begane!

00:52:43Begoña.

00:52:44Can you tell me where you're going?

00:52:45To the bus station?

00:52:46Not at all.

00:52:47I want to go back to San Sebastián.

00:52:48I'm fed up with chasing after an idiot who doesn't even realize I exist.

00:52:50Look, you're going to be fed up when I tell you.

00:52:52Come on, come on.

00:52:53No, Begoña.

00:52:53Come on.

00:52:53No.

00:52:55Damn, you're strong.

00:52:56Where are we going?

00:52:57To take an exam.

00:52:59So you like my son, huh?

00:53:01But do you like it, is it just a whim, or is it something you enjoy?

00:53:03No, no, no.

00:53:03Yes, yes, I like it.

00:53:05Quite.

00:53:06Quite.

00:53:07A lot.

00:53:08And when you've worked together, haven't you told him anything about your feelings?

00:53:12No.

00:53:13Good.

00:53:13That's great.

00:53:15Why doesn't a Basque woman go around declaring her love at the first opportunity?

00:53:18Well, there's the matter of the letter.

00:53:20Which letter?

00:53:20No, no, nothing, nothing.

00:53:21Yes, he didn't seem to notice.

00:53:23Hey, how do you see yourself in 20 years?

00:53:27Forty-something.

00:53:28But are you seeing my son?

00:53:30Man, yes, yes.

00:53:31If he wanted to.

00:53:32With children?

00:53:34With children?

00:53:36Yes, I suppose so.

00:53:37How many?

00:53:38Two?

00:53:40Five?

00:53:42Three, three, three, right?

00:53:46And where to live?

00:53:48San Sebastian.

00:53:49Or in the village?

00:53:50I don't know, in the housing development.

00:53:52No no.

00:53:52Hamlet, hamlet.

00:53:55Do you have a "knowledge card"?

00:53:57Yeah.

00:53:58By?

00:53:59How many men have you had sexual relations with?

00:54:01That?

00:54:01Look, Mario Chuyo.

00:54:03Stay right there!

00:54:05Dale.

00:54:08What's happening?

00:54:13Dean, you're going to be my daughter-in-law.

00:54:15Oh, really?

00:54:16Congratulations.

00:54:17You're not exactly the ideal choice, are you?

00:54:19But right now it's the only thing we have on hand with a certificate of origin.

00:54:22Thank you.

00:54:23I guess.

00:54:24But one little thing.

00:54:26Shouldn't Iñaki also have a little say in this?

00:54:28Of course, absolutely.

00:54:30But Iñaki will decide what we say.

00:54:33Ah.

00:54:33And we're going to have to fight for it.

00:54:35Because that nurse is ahead of us.

00:54:37Okay, girls.

00:54:39We're playing away from home.

00:54:41We will use all our cards and resort to their own weapons.

00:54:45What weapons?

00:54:47You're going to look gorgeous, gorgeous.

00:54:49You'll see.

00:54:50It has to be a radical change.

00:54:51Don't look Basque, okay?

00:54:52Well, I can't perform miracles either.

00:54:53Let's see.

00:54:54The thing is, there's no raw material here, ma'am.

00:54:56A wig, some extensions.

00:54:58Extensions?

00:54:59Of course, man.

00:54:59Daughter, and whatever else is needed.

00:55:00And then we'll go shopping.

00:55:02You need to update your wardrobe.

00:55:03Hey, and some naughty things wouldn't hurt either.

00:55:05And lots of makeup, huh?

00:55:06A lot.

00:55:07And alcohol too.

00:55:08A lot.

00:55:08Well, and if Iñaki still doesn't get you into his bed, we'll get you ourselves.

00:55:12And we'll tie it for you if necessary.

00:55:13And don't you worry.

00:55:14If you don't end up getting him for whatever reason, you buy yourself 50 Shades of Grey and you'll be...

00:55:19It gets hotter than coyote guns.

00:55:21I have it.

00:55:34And that little brat.

00:55:36Where are they?

00:55:37Well, come in if you want.

00:55:39See what I was telling you?

00:55:40It smells Basque here.

00:55:41Look.

00:55:42This is yours.

00:55:43Caniján, do you Basques sleep here at eleven o'clock?

00:55:45I don't know, two of them, what do I see?

00:55:47I, who have been on duty.

00:55:48What a bunch of jerks.

00:55:50Girl, they're giving us the cold shoulder.

00:55:52I saw movement last night, but I'm saying, all I see is a pobote.

00:55:56And I say, these tapes are capable.

00:55:58It had four legs, it doesn't know that I can't see them.

00:55:59I'm not talking about four legs.

00:56:01The other night I hooked up with my boyfriend, giving my body the pleasure of Alegría Macarena.

00:56:05If I don't see it, he got up in the morning and went to that undecided place.

00:56:08And the guy, he keeps sending me messages every night and then goes down to Seville and doesn't say a word to me.

00:56:13He's shameless.

00:56:14But what do you expect from a bunch of forty-something Basques, you idiot?

00:56:17By playing a serenade.

00:56:20Lucy is absolutely right.

00:56:22You can't trust the Basques, I've forgotten.

00:56:24Oh dear, oh dear, I see a lot of resentment here, huh?

00:56:28Carmencita, what happened to you and your Iñaki?

00:56:30He's not my Iñaki.

00:56:32And nothing has happened.

00:56:33Except I didn't see it, look, he's forgotten, pass on the information.

00:56:36Oh, how chubby.

00:56:38And can we know who the lizard is?

00:56:41A Basque woman, a colleague of hers from work.

00:56:43Necane, I think that's her name.

00:56:44Like there, it seems they give the names with ill intent, right?

00:56:47Yes, Iñaki isn't with that crazy woman.

00:56:49And what do you know?

00:56:50What do you mean, what do I know?

00:56:51That my sheep, between joy and joy, doesn't see what it sheds.

00:56:54Apparently, the girl is in love with Iñaki.

00:56:57Mamon even wrote her a letter declaring his love, but he doesn't want to go with her.

00:57:02Are you sure about that?

00:57:04Are you absolutely sure?

00:57:04If Iñaki loves you, my dear, then why do you think he got on the bus?

00:57:09The horse, huh?

00:57:10You bring nothing, see nothing.

00:57:11You're going to the best ones, babe.

00:57:13You're being a jerk.

00:57:17My goodness, everything looks so good, doesn't it?

00:57:20No, Isabel, the fish ones go to the other side.

00:57:23No, let's see, those skewers, Isabel, the freshly made ones.

00:57:25Better here.

00:57:26So, Iñaki, we can attract the customer through smell.

00:57:28Hey, come on, man, that's a cheap trick.

00:57:30Hey, Isabel, where did I tell you?

00:57:32You don't want to clarify anymore, this is like Sevilla, Betty.

00:57:35She's standing still, damn it.

00:57:37That?

00:57:37Comfortable, isn't it?

00:57:39It depends on what, yes, maybe I'm comfortable, why not?

00:57:41Hey, two minutes to bring some skewers to the table?

00:57:44They were teasing me and I had to tell them a joke.

00:57:46They are the charms of the house.

00:57:47But while you were doing stand-up comedy,

00:57:49Those at table three and those at table four were left unattended.

00:57:52And here, time is of the essence.

00:57:54Well, if you like, I'll throw the skewers from the bar.

00:57:55And that's how they catch them on the fly, right?

00:57:56It's faster.

00:57:57It's good.

00:57:58Okay, Rafi, if we're going to take it easy, you can joke around as much as you want.

00:58:00But if we're in a hurry, time is of the essence.

00:58:03And that goes for you too, Isabel,

00:58:05that the tortillas should have been here already.

00:58:07Twenty minutes.

00:58:08Between the two of them, they're behind schedule.

00:58:10I won't say any more.

00:58:10Hey, hey, hey.

00:58:11What's going on?

00:58:12Yani!

00:58:13Fióstias!

00:58:14Take advantage.

00:58:15Hey, your mom says she's not leaving.

00:58:18But how come he's not leaving?

00:58:19But wasn't everything planned?

00:58:20Well, don't tell me, damn it.

00:58:22Yes, it's perfectly fine.

00:58:23If he gets up, he walks, he runs.

00:58:24But he says he's staying here in Seville.

00:58:26for as long as it takes.

00:58:28But how is it necessary?

00:58:29I know she's your mother.

00:58:31I know he'll want to help you at the bar later.

00:58:33That's what's needed here, right, Rafi?

00:58:34More people in charge.

00:58:35That's enough, damn it.

00:58:36Rafael.

00:58:37Neither Rafael, nor anything else.

00:58:38Everyone has their limits.

00:58:39Iñaki arrives first.

00:58:40And of course, we're showing it to her because her mother is in a coma.

00:58:42And we feel sorry for them.

00:58:42Then Nekane appears

00:58:43to tell us what to do, huh?

00:58:45And then your mother gets up

00:58:46and he comes to be a pain in the ass.

00:58:47And then this guy shows up, huh?

00:58:48The Toche

00:58:48to start a culinary revolution here.

00:58:50And then the mother comes again

00:58:51because she was not satisfied

00:58:52to be a pain in the ass again.

00:58:54And here everyone says something different.

00:58:55One, another, another, another and another, another.

00:58:56And this is a joke, Iñaki.

00:58:57A joke.

00:58:58And I'm fed up, damn it, with Vasco.

00:59:00I'm getting Basque from my balls.

00:59:02What art.

00:59:04Iñaki.

00:59:05Or they stop coming, Vasco

00:59:06giving us orders

00:59:06Or we resign.

00:59:08And before resigning

00:59:08I'll set the Basque on fire

00:59:09with the Basques inside.

00:59:10Damn, I didn't think

00:59:11that this was going to be so difficult.

00:59:13Look, Iñaki.

00:59:14I think it's great.

00:59:16that you want to have, you're going to be a skewer.

00:59:17Yes, I'm delighted.

00:59:18But this is Andalusia,

00:59:19little creature from the north.

00:59:20And here people have their own rhythm

00:59:21and they tell jokes and do things.

00:59:23And here's more pirate

00:59:24than in the Caribbean.

00:59:25Do you see it or not?

00:59:26You're going to ruin yourself.

00:59:27This is a test

00:59:28that I had done to you

00:59:28And he has passed it.

00:59:30Look, Rafi, sorry.

00:59:32Anchón.

00:59:32No, I understand, I understand, I understand.

00:59:34Besides, I've already given you

00:59:35Some guidelines, huh?

00:59:36Maybe you should organize yourselves

00:59:37just the two of you.

00:59:38Much more comfortable, huh?

00:59:39You're almost there.

00:59:40that we go up above.

00:59:41Us.

00:59:43I don't understand this guy at all.

00:59:44I'll explain it to you now.

00:59:45on the trip.

01:00:02But seriously, what are you doing here?

01:00:04With Carmencita's,

01:00:05I was looking forward to seeing you.

01:00:07I see that he has come

01:00:08at the best moment.

01:00:09Stop taking me away

01:00:10the towel with the solos.

01:00:11No, no, no.

01:00:12If you want, I'll take it off for you.

01:00:12with the teeth.

01:00:14What do you want?

01:00:15Nothing, let's see if you come along

01:00:16dinner with my friends.

01:00:18I've been on duty,

01:00:19I'm very tired

01:00:20And I'm not going to meet anyone.

01:00:21You're going to get to know me

01:00:22And I'll introduce you to everyone.

01:00:23I already know you quite well.

01:00:25Shall we leave it at that?

01:00:26for a better day?

01:00:28Look, Carmen,

01:00:29You know that doctors

01:00:30we have a sixth sense

01:00:31to know when a patient

01:00:32He's going to pull through.

01:00:33or when we're losing it, right?

01:00:35Yes, what do you mean by that?

01:00:38I've been watching you for a while now.

01:00:39And I realize that

01:00:41I'm losing you.

01:00:44I'm not going to demand anything from you.

01:00:46I'm not going to ask you for anything, okay?

01:00:48But I think if you want

01:00:49that we are together

01:00:50You have to put a little bit in.

01:00:51From your side, right?

01:01:06And here?

01:01:07What's that

01:01:07Are you staying in Seville?

01:01:09I thought it best

01:01:10recover well

01:01:11before I leave.

01:01:12But if Coldo

01:01:12and Dr. Almenar

01:01:13They said you're okay.

01:01:14Oh, son,

01:01:15I'm not good for your mother.

01:01:16I already went up to it

01:01:17when she feels ready.

01:01:18Clear,

01:01:19This isn't so bad.

01:01:20Look, the people are very friendly,

01:01:21It's warm

01:01:22and they have every kind of sweet treat,

01:01:24Hey, Bego?

01:01:25Love, I don't recognize you, huh?

01:01:27Look, also,

01:01:28I want to apologize.

01:01:28because of how hard it is

01:01:29I've started working on the bar.

01:01:30That you already know

01:01:31What you do, huh?

01:01:32And I am aware

01:01:33of the effort

01:01:34what you have done to take care of me.

01:01:36Oh, Mother,

01:01:37that I am your son.

01:01:40With you to the end of the world.

01:01:42Oh, look,

01:01:44Here comes Necane.

01:02:09Hello, here.

01:02:10AND?

01:02:11Long live the land below

01:02:12And all the green ones, daughter.

01:02:13My God,

01:02:14I'm becoming a legend, honey.

01:02:15What rotten?

01:02:16What was that?

01:02:17Oh daughter,

01:02:18a compliment.

01:02:19I'd never had one thrown at me before.

01:02:21Man,

01:02:21Well, it won't be.

01:02:21because you don't wake up.

01:02:24And here,

01:02:25look,

01:02:25Necane is going to give

01:02:26a walk around the city.

01:02:27Why don't you go with her?

01:02:29I?

01:02:30Clear,

01:02:31And that gives you a little bit

01:02:31Out in the open, huh?

01:02:32Man,

01:02:33I'm busy

01:02:33with the bar.

01:02:34Oh, come on,

01:02:35go on,

01:02:35just because you're absent for a few hours

01:02:36It's not going to sink either.

01:02:37the business, son.

01:02:38They'll call you.

01:02:39in case of an emergency.

01:02:39Clear.

01:02:41Are you coming?

01:02:44Yes, yes.

01:02:45Wow!

01:02:49Very good.

01:02:50Wow!

01:02:50Have a good time, eh!

01:02:51What a great couple!

01:02:52Oh!

01:02:53What a pair of lovebirds, my goodness!

01:02:55Hey,

01:02:55Have you put it in?

01:02:55Condoms in the purse?

01:02:56And lubricant.

01:02:58Ah!

01:02:58Don't overdo it either.

01:02:59I don't know.

01:03:05What's happening?

01:03:06What a mysterious message!

01:03:07that you sent me,

01:03:08kid.

01:03:09As if it were outside the CCI.

01:03:10I mean,

01:03:11we could have stayed

01:03:11At home, right?

01:03:13Well, yes, no.

01:03:14I just preferred

01:03:15to be on a piece of land

01:03:16neutral for...

01:03:17Oh!

01:03:17What are we going to sign?

01:03:18a peace treaty?

01:03:20Let me explain, okay?

01:03:21Yeah.

01:03:22Look,

01:03:23I'm not much.

01:03:24to speak,

01:03:25You know?

01:03:25Because I'm Basque, right?

01:03:26But you and I

01:03:27We need to talk, don't we?

01:03:29I mean,

01:03:30after the...

01:03:31That this...

01:03:32Very good.

01:03:33Talk later,

01:03:33speak little.

01:03:34It's been a long time.

01:03:35that I am from...

01:03:36But if I have

01:03:37I need to talk to you,

01:03:38I speak.

01:03:38But take it easy, okay?

01:03:40Besides...

01:03:40AND...

01:03:40Fuck,

01:03:41I've already confused myself.

01:03:42Kisses.

01:03:43Oh...

01:03:44You get on

01:03:44To your house, right?

01:03:46That you also want

01:03:47to your wife

01:03:47and that your site

01:03:48It's up there

01:03:49And that you won't forget me

01:03:51never

01:03:51because you haven't met

01:03:53to another woman as beautiful,

01:03:54so pretty,

01:03:55with this body

01:03:56as mountainous as I am,

01:03:57TRUE?

01:03:58It's that easy.

01:04:01That's it.

01:04:11Have a good trip,

01:04:12my fat one.

01:04:20Wow, what a temperature!

01:04:21girl!

01:04:21It's so hot!

01:04:23Temperature at which I take myself

01:04:23I'm going up.

01:04:24I'll tell you later.

01:04:25How are you,

01:04:26as?

01:04:27Look.

01:04:27Okay, okay,

01:04:28Everything's great,

01:04:29girl.

01:04:29When things are discussed,

01:04:30Everything flows.

01:04:31Okay, then,

01:04:32reaing,

01:04:32that the plane doesn't wait.

01:04:33As?

01:04:34But aren't we leaving?

01:04:34Are we going to say goodbye to Iñaki or what?

01:04:36Oh,

01:04:36Iñaki is very busy right now.

01:04:38Should we call him on his mobile or what?

01:04:39No no,

01:04:40not now,

01:04:40tomorrow, yes.

01:04:41And the later the better,

01:04:43Hey?

01:04:44Well,

01:04:44Marichu,

01:04:45daughter,

01:04:45a little kiss.

01:04:46Are you sure you won't need me?

01:04:48No,

01:04:48peaceful.

01:04:49You go with Xavino,

01:04:50That's what really needs you.

01:04:51Oh,

01:04:52and I to him.

01:04:52Really,

01:04:53daughter,

01:04:53I'm really looking forward to it,

01:04:54I don't know what it is about the south.

01:04:56Well,

01:04:56Marichu,

01:04:58Let's see if you send it to us soon.

01:04:59Up with Iñaki,

01:05:00Hey?

01:05:00Oh,

01:05:00That's what we're working on,

01:05:01Broad.

01:05:01Come on,

01:05:01pretty.

01:05:01That's what we're working on.

01:05:03Come on,

01:05:04guide.

01:05:04Come on,

01:05:05guide.

01:05:05Take care of yourself,

01:05:06Come on.

01:05:07Aren't you leaving?

01:05:09No,

01:05:10I still have matters to attend to

01:05:11that to resolve here.

01:05:12Well, hopefully it will get slaughtered.

01:05:14If we can continue enjoying it

01:05:15of your company.

01:05:17Don't be a flatterer,

01:05:19Hey?

01:05:20In my land,

01:05:21for less than that,

01:05:21The men get slapped.

01:05:23Ah,

01:05:23But we are not in their land,

01:05:24friend,

01:05:25We're in my own world.

01:05:26And here are the beautiful women

01:05:28Let them get their revenge,

01:05:32That's the Hotel Alfonso XIII,

01:05:34Hey?

01:05:34And behind there

01:05:35Peace would remain for Spain.

01:05:36And then,

01:05:37This is the area

01:05:38from the Port of Jerez.

01:05:39Then we'll lie down

01:05:40some little edges there,

01:05:41Hey?

01:05:41Yeah.

01:05:41Yeah,

01:05:42No?

01:05:44Yeah.

01:05:48Yeah.

01:05:50Yeah.

01:05:57Yeah.

01:05:58Yeah.

01:06:00Yeah.

01:06:05Yeah.

01:06:05What are you going to do?

01:06:06No, no, no.

01:06:10Yeah.

01:06:21Here we go,

01:06:21Yeah.

01:06:22Seem to you?

01:06:23Yeah.

01:06:24Hey,

01:06:24last room!

01:06:35Carmen, can you tell me why you left a patient lying in the courtyard for hours?

01:06:39Well, it took him a while to complain in the Basque style.

01:06:41It makes you laugh, doesn't it?

01:06:43Well, just so you know, he has filed a formal complaint.

01:06:44Twelve pages.

01:06:47Damn it, Carmen, you're leaving me no choice but to open a file on you.

01:06:50Trini, please, let me see.

01:06:51All I've done to that lady is put pressure on her, because I know she can walk perfectly well.

01:06:55So, what do you know? Are you a doctor to know if he can walk or not, or what?

01:06:58She didn't, but I did. And I told her to push as hard as necessary.

01:07:02Because Mrs. Galarza was at risk of losing mobility in her legs.

01:07:04And sometimes you have to be a little tough with patients.

01:07:07Well, but you didn't tell him to leave her alone.

01:07:09That's exactly what I told him, to leave her alone.

01:07:11And it was a firm order.

01:07:13So if you have to open a file on someone, you have to open it on me.

01:07:16OK?

01:07:19Come on.

01:07:23Thank you.

01:07:24You don't have to give it to me, you know how much I like to compete, to see who has the longest one.

01:07:28Well, not in this case, but anyway.

01:07:29Whatever the reason, thank you very much.

01:07:32And what are you doing here at this hour?

01:07:33I've come to pick up the uniform so you can leave it for me to wash.

01:07:35Well, I finish my shift in half an hour, so if you want to come, the offer to have dinner with my friends is great.

01:07:39Friends, it's still standing.

01:07:47Come on, to the highest one.

01:07:48No, no, Sabino.

01:07:49See you tomorrow.

01:07:50But what's going on?

01:07:51Why are you leaving?

01:07:52Well, you'll have to tell me at this hour.

01:07:54Stay, man.

01:07:54Let's go grab a drink somewhere.

01:07:56If you want, I'll take a car and we'll go on a party flight.

01:07:58Ah, but how are we going to go partying?

01:08:00Look, Sabino, I have to work tomorrow morning, and not to keep up with this Rodríguez-style pace you're keeping.

01:08:03you.

01:08:03No, what rhythm or what the hell, Peyo.

01:08:05The house is going to fall on top of me.

01:08:06Last night I re-ironed the clothes I had already ironed because I can't sleep alone.

01:08:11Colo, what's going on?

01:08:12Are you coming back already?

01:08:14What are you saying?

01:08:15No way.

01:08:18Okay, okay.

01:08:19Is my Vego returning?

01:08:20No no.

01:08:21Well, yes.

01:08:22But it is Sanchón who stays.

01:08:26Yes, I knew it.

01:08:27The south is a death trap.

01:08:30Wait.

01:08:31Let me take this off.

01:08:33I have pain from my ankles to my neck.

01:08:36Look, touch, touch.

01:08:37Let's see.

01:08:39Phew.

01:08:40Well, you're going to need a good physiotherapist, huh?

01:08:41It's your fault.

01:08:42Mine.

01:08:43Yes, I don't know why you wanted to go back to the clinic.

01:08:45You've really gone on a long walk.

01:08:47Because there's something I want to teach you.

01:08:48Come on.

01:08:51Take.

01:08:52Here, otherwise all this will go to waste.

01:08:54Yes, well, whatever's left over, a donkey of this tapas bar will give it to me.

01:08:57So this is mortal sin throwing.

01:08:59Hey, isn't it near Kiñaki?

01:09:01No, he left an hour ago.

01:09:02Because?

01:09:03No, not at all.

01:09:04I wanted to tell you something about your mother.

01:09:06Is that out there celebrating success?

01:09:07If today you have triumphed like the Chichos.

01:09:08Yes, we would have been even more successful if people had handed over the chopsticks instead of keeping them.

01:09:12Ah, kid, don't be resentful.

01:09:13That it's going to come up and something bad is going to enter your body or

01:09:16something.

01:09:16Yes, well then you'd be fed up with the little guy who sends the cops.

01:09:19Stop being ungrateful, okay?

01:09:20The better the bar does, the better for you.

01:09:22You win, I win.

01:09:23Well.

01:09:23That's until I manage to sell it.

01:09:25Sell it?

01:09:26Clear.

01:09:27Why do you think he tries so hard?

01:09:28Well, to recover the investment as soon as possible.

01:09:30He's desperate to go north.

01:09:32He's seeing that he wants to mask the bar.

01:09:36Go on, look.

01:09:37There's the wikiko.

01:09:41Do you know where my pelota court is?

01:09:55Wow, that's amazing.

01:09:57I hadn't seen this before.

01:09:59You see, the south has its own things too.

01:10:03Look, look, at the Giralda.

01:10:07How beautiful.

01:10:13What's happening?

01:10:15Nothing, Coldo.

01:10:17He says that Ancho hasn't taken the train.

01:10:19And that I call him.

01:10:28Broad!

01:10:29What's wrong, Iñaki?

01:10:30You're staying in Seville, so what?

01:10:31I've thought it through and...

01:10:33I said, I can't leave Iñaki alone with all the mess at the bar.

01:10:36Come on, come on, it wasn't necessary.

01:10:38Yes, damn it.

01:10:38Also, I promise I won't bother you at all.

01:10:41You're risking a lot, it's very important to you.

01:10:42And I have to support you in every way I can.

01:10:44If I have to stay and live here in Seville for you, Iñaki, I'll stay.

01:10:48We're friends, Iñaki.

01:10:50That you friends.

01:10:50You and I are brothers, damn it.

01:10:53Damn, Ancho, I don't know what to say.

01:10:56We'll talk tomorrow, okay?

01:10:57And we organized everything.

01:10:58Come on.

01:10:59Goodbye.

01:10:59Goodbye, goodbye.

01:11:04Tell your little brother not to interrupt anymore.

01:11:08You know that what we're doing isn't right, right?

01:11:10That's why you like it, isn't it?

01:11:12Oh, my dancer.

01:11:16God.

01:11:23What's happening?

01:11:25Ancho, which is a piece of homemade bread.

01:11:27Well, just like you.

01:11:28Yesterday you didn't seem to think that.

01:11:30Sorry, I had a bad day yesterday, I don't know.

01:11:33No, no, you're not wrong, I'm no saint.

01:11:36You know I haven't told Ama that she went into a coma because of me.

01:11:39Well, but she'll understand that.

01:11:41If all he wants in life is what's best for you.

01:11:43Is that why he wants to trick us?

01:11:46Come on, woman, it's more than obvious.

01:11:48Well, he's gotten involved a little bit, yes.

01:11:50I don't know why, she thinks that you and I...

01:11:51Maybe he read your letter.

01:11:53Damn, I really regretted writing it.

01:11:56Because?

01:11:56Well, just because, because it was one silly thing after another and I didn't know what I was saying.

01:11:59No, no, you knew very well what you were saying.

01:12:04It's my fault.

01:12:05That in all these years I haven't realized what you were feeling.

01:12:11Necane, I've been an idiot.

01:12:12And I ask for your forgiveness.

01:12:47Necane, I'm truly sorry for making you think I felt the same way.

01:12:54Necane, I appreciate you.

01:12:56And are you a friend to me?

01:12:59Like from the crew?

01:13:01Well, no, the crew first.

01:13:03Well, they are.

01:13:04You later.

01:13:06I don't.

01:13:08Could you hold my bag for a moment?

01:13:10Yes, yes, of course.

01:13:11Because?

01:13:16I said something I shouldn't have.

01:13:27Don't tell me you slept in the Basque woman's company.

01:13:30With the Basque girl?

01:13:31And all night, bread.

01:13:33And bread?

01:13:33Which coffee?

01:13:34I can't believe it.

01:13:35Which dad?

01:13:36Has he sold the Jerez hunting reserve?

01:13:37Hey, yesterday I said something I shouldn't have.

01:13:40No no.

01:13:41The truth is, you didn't have time.

01:13:42But who thinks you're so stupid, Carmen?

01:13:44To Iñaki.

01:13:45I calmed him down in the room, not his girlfriend.

01:13:48Necane.

01:13:48Ale, are you going to become a nurse?

01:13:50What's happening?

01:13:51Is this what a PC is like?

01:13:52Coffee, boss?

01:13:53No.

01:13:53They give him chocolate with churros because he needs to recharge his energy.

01:13:56Ancho is not weak like you.

01:13:58Ancho is not pure granite.

01:14:00Oh, what is this?

01:14:02The clown of my color?

01:14:03I would love for him to stay with us, but I have no choice but to ask him to collect his things tomorrow.

01:14:08So you're going to have to hunt down Iñaki in two days.

01:14:11In two days?

01:14:11It took me five years to be able to look him in the eye.

01:14:14So you're telling me that Necane drank too much and came on to you.

01:14:17Let's see, José.

01:14:18I'd jump in, but I'm...

01:14:20What's holding me back?

01:14:21The instinct for survival.

01:14:22Very good.

01:14:23And my instinct for sanity holds me back, okay?

01:14:25But I had thought about taking you to the Guadalquivir.

01:14:28I'm coming out on top.

01:14:30Like when we were 15 and we used to go camping in the Landes region.

01:14:33Come on, be quiet, be quiet.

01:14:34No, you shut up!

01:14:35No, no, no!

01:14:37And let's raise a glass because it's better to make love than war.

01:14:41I want to say that I'm going to ask my wife for a divorce.

Allí abajo - 1x10 - No sin mi hijo - HD 1080

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