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00:00:00So, what do you think of the letter for Iñaki?
00:00:01If you have any doubts, just give it a second thought tomorrow before sending it.
00:00:05I've already sent it, that is, I've given the go-ahead for Iñaki to deliver it.
00:00:08I vote to read it.
00:00:10Oh, come on.
00:00:10But he only forgot to put his heart in the envelope.
00:00:13My granddaughter's thing.
00:00:14Ah, we already know each other.
00:00:16What trouble has he gotten himself into, girl?
00:00:17They're blackmailing me, okay?
00:00:18Your grandfather will find out that my name is José Guerrero.
00:00:21What double is true?
00:00:22This is delicious.
00:00:25Where is he looking? But he knows how to laugh.
00:00:27Hey, union. I mean, good morning.
00:00:29Please, daughter, take things one step at a time.
00:00:32The escolaris has us scared.
00:00:34Look, that woman doesn't know what she wants.
00:00:35How do you know that, daughter? How do you know that?
00:00:37The thing is, he's afraid of having found it.
00:00:40Today Iñaki joins you to work and will be in charge of the kitchen.
00:00:43I didn't know this. Trini told me to come and lend a hand.
00:00:46This evil woman is playing with all of us.
00:00:48When he found out that they wanted to throw us out on the street,
00:00:50He has offered to teach Isabel how to cook.
00:00:52The chicken fillets are proving to be a hit.
00:00:54Cheer up, girl, we're succeeding!
00:00:56Thank you for taking care of my Raffi and my Isabel.
00:00:58What? Well, I'm going upstairs because I have to take care of my husband.
00:01:01Ah, yes.
00:01:01Hey?
00:01:02You're not really thinking of firing him, are you?
00:01:03Yes, I'm considering it more seriously every day.
00:01:05Does that worry you for any particular reason, or what?
00:01:08In poker, what are worth more? Three of a kind or two pair?
00:01:12Look, I'm more of a threesome guy, but with those cards, I'd pass if I were you.
00:01:17No, Rubén, no, no, no. We had a great time and it was a lot of fun.
00:01:21In a couple of days, this will turn into a "come on, honey, like my name is Roberto Alpera" kind of thing.
00:01:25Dear.
00:01:27Stop right there!
00:01:27Well, damn Iñaki.
00:01:29It's G! It's G!
00:01:31G!
00:01:32Are you going to be scared of having a friend from behind now?
00:01:35Imagine we arrive and find him holding hands with the other one, all lovey-dovey.
00:01:39Are we looking for Iñaki?
00:01:41Holy shit!
00:01:41But what are you doing here?
00:02:10Sox are allowed, but what are you doing here?
00:02:13We were coming to visit, but we'll come by later when you're more free.
00:02:17No, no, no, no, no, but we're already finished.
00:02:19Vulture!
00:02:19Are you crazy to come from so far away, man?
00:02:22Ah!
00:02:23Oh, oh, oh!
00:02:24He was checking the equipment!
00:02:26Well, Iñaki, I'm going to continue my round of visits.
00:02:30Don't worry, your mother is still stable, okay?
00:02:32I'm sending Carmen now to check your blood pressure.
00:02:34Thank you, doctor.
00:02:35It's a done deal!
00:02:36Host!
00:02:37Here's the oyster!
00:02:38There!
00:02:40Man!
00:02:41I was so looking forward to seeing the judge!
00:02:43But you're skin and bones!
00:02:45What do you eat here?
00:02:47But me!
00:02:48Hey?
00:02:49That?
00:02:50What, what?
00:02:51How's Mom?
00:02:52Well, there it is.
00:02:53You can see it now, right?
00:02:54Had she never been so still in her life?
00:02:55Look at her!
00:02:56This woman was really moving.
00:02:58It already looks like one of those moths that get stuck to a lamp.
00:03:02Hey, you little rascal, you spend so much time dealing with fish that you don't know how to deal with people, or what?
00:03:06Hello.
00:03:08That's outrageous, Iñaki!
00:03:09You drank water after twelve o'clock because you reproduced like gremlins.
00:03:13It's my crew, Carmen.
00:03:14Pello, Anchón, Coldo.
00:03:15I don't know where one name starts and the other ends, but hello.
00:03:18Hello!
00:03:19Thank you.
00:03:20Anchón, let the young lady through, she'll have to do her thing, won't she?
00:03:34As he keeps inflating that contraption, it's going to put him in another orbit.
00:03:38Come on, you rascal, if you'd known you had so many visitors, wouldn't you have put a little blush on me?
00:03:42Ah, Carmen thinks that maybe she can hear.
00:03:45Ah, well, oh, damn, sorry, I didn't mean to compare you to a moth.
00:03:49Right now you are more like a butterfly.
00:03:52I don't want to call him a sissy either.
00:03:55As you can see, we also come with a natural gift for words.
00:03:5713-7, Marichu.
00:03:59Not even the people of the Basque Country bother you.
00:04:02Hey?
00:04:03Okay, see you later, queen.
00:04:05See you later.
00:04:06See you later.
00:04:07Bye bye.
00:04:08Goodbye, Carmen.
00:04:10But are we there?
00:04:10Bye bye.
00:04:15How salty, right?
00:04:19I mean, how salty.
00:04:20No?
00:04:21Damn, you really mess me up.
00:04:23I had forgotten how rude I am, damn it.
00:04:25So, how are you?
00:04:27Okay, okay, here.
00:04:28You're sure?
00:04:29Well, with the ma and all that, but little by little I'm getting used to it.
00:04:34No, you look like you've been molded.
00:04:36And there's nothing else you want to tell us, nothing more.
00:04:43Hey?
00:04:44Hey?
00:04:45Oh, damn.
00:04:46Yes, yes.
00:04:47With all the fuss, I had forgotten the most important thing.
00:04:51They've given me control.
00:04:53That?
00:04:53As?
00:04:54That's a metaphor, isn't it?
00:04:56What the hell are you saying, Pio?
00:04:57When has Vasco ever needed a metaphor?
00:04:59I mean, they've given me control of the kitchen.
00:05:01I thought I was going to start as an assistant, but I didn't.
00:05:03I'm going as Nagusi, I'm going as the boss.
00:05:05And Anchón.
00:05:05I'm innovating with the menu, putting new things in there.
00:05:08Okay, okay.
00:05:09Well, it's time, so I have to go downstairs.
00:05:11So then we are.
00:05:11Sure, go down, go down.
00:05:12Nothing, don't worry, we'll just keep the hand.
00:05:14Come on.
00:05:14Yes, we told him things about the town and stuff.
00:05:17Ah, well, let's go down for lunch later and catch up.
00:05:19Yeah.
00:05:20We need to catch up, even by dinnertime, okay?
00:05:24God, I'm so glad to see you all.
00:05:26The four of them again, riding together.
00:05:33Riding.
00:05:34Now that's a metaphor, isn't it?
00:05:39The child is said to have attention deficit disorder.
00:05:42There wasn't as much literature in our time.
00:05:44You'd go to the doctor with that and they'd give you a slap on the back of the head and that was it.
00:05:48The thing is, of course, you can't say it in public now.
00:05:50Not even in private, dude.
00:05:51Let's see if it's going to be like my grandmother, who wouldn't do anything to cure our colds.
00:05:54Yes, just between you and me.
00:05:56It worked like a charm, Robert, it worked like a charm.
00:06:01Good morning, boss.
00:06:02Good morning.
00:06:03Hey Trini, what are you doing in the engine room?
00:06:06Nothing.
00:06:07Checking that everything is going well.
00:06:09And how the hell do you install this?
00:06:11Go on, bring it.
00:06:14That's it.
00:06:16What's happening?
00:06:17What, there wasn't a budget for one of those pill machines or what?
00:06:20No, but to unite that in the new yes.
00:06:22Go on, look.
00:06:23They're bringing it next Monday.
00:06:24Well, with that I'll be able to read even his thoughts.
00:06:27Hey, Robert, one thing.
00:06:29I've heard that your father is a very good friend of the Minister of Health.
00:06:32Well, we have to go straight to Eretri, with you there's no need to scan, eh?
00:06:35Well, my father has friends and enemies, why?
00:06:38That's a yes.
00:06:39Yes, why?
00:06:40Well, because I imagine he'll go to your fair booth.
00:06:42You mean my father's.
00:06:43Well, what else?
00:06:44Tell that to my father.
00:06:46I don't know if you know this, Robert, but the Health Minister is looking for private hospitals to outsource some services to.
00:06:51So anyway, I thought that if I was going to be there it would be a good opportunity to introduce myself.
00:06:56Trini, I don't have to make up this whole story for you to invite me to my fair booth, okay?
00:07:01Oh, no?
00:07:02I don't know, maybe you already have a companion.
00:07:05Well, I'm not going to tell you what number it is, but...
00:07:08Although if it's to help my boss, I can always pull some strings.
00:07:13So, what kind of threads is that, Robert?
00:07:15Well, look, I've heard that you're looking for a chief surgeon.
00:07:18Wow, and I was the direct one, wasn't I?
00:07:21That's precisely what I like most about you.
00:07:24I'm not going to beat around the bush.
00:07:27Okay, but remember that the one you have to lead into the garden is the Minister of Health.
00:07:33The night is long, Trini.
00:07:35The night is long.
00:07:39Assorted skewers.
00:07:40What is this, some kind of torture?
00:07:42No, man, no.
00:07:43It is the typical appetizer of the Basque Country.
00:07:46I know.
00:07:46Do you think I'm illiterate?
00:07:48I said that because a surgeon is going to spend five hours on an operating table
00:07:52You can't feed him with a piece of bread with a toothpick on top, my dear.
00:07:56Be careful, a skewer can be quite substantial, you know?
00:07:59Not like a good pudding.
00:08:00Or some veal offal, a bull's tail, blood with onions.
00:08:04Yes, and something other than the haunted house.
00:08:06Look, Isabel, it's not all about feeding people.
00:08:08You also have to entertain and surprise the customer.
00:08:11Well, they should buy a Kinder Surprise egg.
00:08:13So, what's this?
00:08:14Cocos, chachangurros, chicharros, chiquillos.
00:08:16Customers will have to wear a raincoat so Rafi doesn't take up space every time he feels like it.
00:08:20the menu.
00:08:20Don't worry, Isabel, if necessary, I'll hire a speech therapist for myself here.
00:08:24But what I need now is for you to pay a little attention to Iñaki, okay?
00:08:27But you've seen the menu he wants to make.
00:08:29He didn't even leave the potatoes.
00:08:31Come on, Isabel, sometimes you're more closed-minded than a sparrow's ass.
00:08:34Iñaki just wants to help us.
00:08:35Yes, help us.
00:08:36What he wants is to get rid of us.
00:08:38No, if we show Trini that we are a team.
00:08:40What can we improve?
00:08:42We know how to be different, more sophisticated, too.
00:08:44Oh, what do you want?
00:08:45What, cook with a wide-brimmed hat?
00:08:46No, what I want is for him to listen and learn.
00:08:50Is there nothing left for them to learn?
00:08:51Because as far as I know, it was already being cooked up before he arrived.
00:08:53Yes, he's really looking forward to seeing your kitchen.
00:08:55He told me so himself.
00:08:56He told me he wants to do...
00:08:59infusion.
00:09:00Infusion of the two cuisines.
00:09:02Go on, do it for the baby.
00:09:04Even if it's just to pay for her orthodontics.
00:09:07Okay, fine.
00:09:15What do I have to do?
00:09:16Take a step back, Isabel.
00:09:18I knew it.
00:09:19Do you see it, Rafi?
00:09:19All he wants is to get rid of me.
00:09:21No, no, no.
00:09:22You're stepping on my toes.
00:09:24Ah.
00:09:25Oh, wow.
00:09:27Well, and now, if you'll allow me,
00:09:29I have a lot of coconuts to do.
00:09:35The mother who gave birth to her.
00:09:39So, why isn't this can coming out, damn it?
00:09:42Don't beat the machine like that, woman.
00:09:48Benedict?
00:09:49Oh, oh, oh, oh, oh.
00:09:50Oh, Manuela.
00:09:52Oh, oh, oh.
00:09:53What a joy.
00:09:55Okay, so what about your house?
00:09:57Well, just a visit to the clinic.
00:10:00I'm going to get breast implants.
00:10:03No way, man, no way.
00:10:04Maduna Rechucho de nada
00:10:05And my children are determined to have me admitted.
00:10:07Ah, well look,
00:10:08My people are determined to get me out.
00:10:12And get me out?
00:10:12Ah.
00:10:15Benedict,
00:10:16Do you remember when we were young we used to say
00:10:17that they weren't going to have children?
00:10:18Well, I failed.
00:10:19I've had two.
00:10:21And do you remember when you used to say
00:10:22that they weren't going to own property?
00:10:24Well, look, I still don't have them, huh?
00:10:26Hey?
00:10:26Yeah.
00:10:27That has been sorted out.
00:10:28TRUE?
00:10:28Wait.
00:10:30Do you have one?
00:10:31A soft drink?
00:10:33Come, I'll show you the palace.
00:10:36But can you walk freely around here?
00:10:38Well, he's even provided me with a driver.
00:10:40so that he can push my wheelchair.
00:10:42Ah.
00:10:43Suddenly,
00:10:45And so a light appeared,
00:10:46It was completely filled with light
00:10:47And of course, I went blind for a moment
00:10:50And well, I think I even lost my bearings.
00:10:52Look.
00:10:52What happened to you?
00:10:53What did an oven do to you?
00:10:55No, it's just that the lighting ceremony was over there at the fair.
00:10:58And you have no idea what that feeling was like,
00:11:00Honestly, that's something.
00:11:02Don't let him come tonight?
00:11:04Yes, and can't you see me wearing a flamenco dress?
00:11:08No, daughter, I was born out of plastic until the weekend.
00:11:10But come on, Saturday
00:11:12I think he shakes the steering wheels so much
00:11:14I do not rule out the disco ethnicity.
00:11:17So, what about you, are you coming or not?
00:11:18I am a mother of Holy Week.
00:11:21Oh, the clinic's bell!
00:11:23And so I would have to find humor in my lack of joy,
00:11:25because you have your guard covered.
00:11:28Well, you can count on me too.
00:11:30I don't want any fairs this year.
00:11:32But Carmen, aren't you coming?
00:11:33With those men, and their suits,
00:11:35the lanterns, the music, the colors,
00:11:37the dust, the horses.
00:11:39Will I get a Bonanza?
00:11:42But this year I want peace and quiet.
00:11:45Excuse me, miss.
00:11:46Well, if they let me.
00:11:47Tell me, sir.
00:11:49Do they have service here?
00:11:51Yes, well, more or less.
00:11:53In the open field opposite we have a small hole
00:11:55And I'll give you a little shovel and you can manage.
00:11:58As?
00:11:59Sorry, sorry.
00:12:00Nothing, just go that way.
00:12:03Go upstairs and on the first floor there's a really comfortable one.
00:12:06Thank you.
00:12:08And this?
00:12:09Does it mean that no matter what someone does, they always look Basque?
00:12:21Today, three bars, Amaya.
00:12:22Only?
00:12:23But if that's not even enough to feed yourself
00:12:25the birds outside.
00:12:26Look at the state of the bar.
00:12:27Meanwhile, the crew has left.
00:12:28And Sabino isn't coming anymore?
00:12:29And why isn't Sabino coming?
00:12:34Don't tell me any more.
00:12:35Let's see if you can bring me the bread a little more cooked today.
00:12:38daughter, it seems you judge them by their breath.
00:12:39It's because Ñaki likes it tender.
00:12:41Another one that needs a boil.
00:12:46A good heat-up.
00:12:47Shh, be quiet.
00:12:49Speaking of heat,
00:12:50Do you know if the crew has already delivered the letter?
00:12:52Look, be quiet, I haven't slept a wink thinking about that.
00:12:54I've even had time to regret writing it.
00:12:57Come on, Mecane, please, eh?
00:12:58What's the best thing you've done in 20 years?
00:13:00You'll see when Lea comes running here
00:13:02and he picks you up in his arms like an officer and a gentleman.
00:13:05Mecane, come on, daughter, get started on the potatoes
00:13:07that roots are growing there.
00:13:10That said, with this political family
00:13:12I don't envy your Christmas dinners.
00:13:14What do you say about Christmas?
00:13:16Nothing, Mecane, girl,
00:13:17You're carrying a nougat on you, what for?
00:13:19I'm just really nervous.
00:13:21Well, then call Anchón and you'll find out.
00:13:23Can't.
00:13:24Damn, Mecane, huh?
00:13:25You want to put in a little effort, huh?
00:13:26You can't achieve anything in life that way.
00:13:28I can't call Anchón
00:13:29Because I don't have my phone, damn it.
00:13:30Well, then call Coldo.
00:13:31Okay, you lower your voice.
00:13:33Bego is there with the antenna up
00:13:34And it hears you even when you blink.
00:13:40Hello good.
00:13:41Dad?
00:13:51Wow, you're getting more and more...
00:13:53How timely, huh?
00:13:59Rotor Inchaustegui, tell me.
00:14:02Damn, Necane, you caught me at a moment.
00:14:06No, not yet, I haven't been able to.
00:14:09Hey, I'll call you, okay?
00:14:10Okay, that's fine.
00:14:12Why do I say that?
00:14:13Well, it's just a figure of speech, isn't it?
00:14:15One way...
00:14:16He's fine, calm, and accompanied.
00:14:20Accompanied by a bunch of Sevillians.
00:14:22Well, we're in Seville, where do you want...?
00:14:23Hey, look, you've caught me at a terrible time.
00:14:25I'll call you later.
00:14:25Okay, fine, goodbye.
00:14:28Dr. Inchaustegui?
00:14:30Yeah.
00:14:31I am Dr. Almenar.
00:14:33I'm sorry I didn't introduce myself earlier.
00:14:34I know who you are, man.
00:14:36I remember now.
00:14:37I already stole it.
00:14:39Well, I like mine.
00:14:42Well, whenever you want I'll tell you how the situation is.
00:14:46I wanted to talk to you precisely because...
00:14:47Thank you.
00:14:48We were just minding our own business and then suddenly, bam!
00:14:50His muscle contracted.
00:14:52To Iñaki?
00:14:54No, to his mother.
00:14:55The pronator muscle.
00:14:57It was a kind of spambola.
00:14:58Ah, well, well.
00:14:58But that's good, that's normal.
00:15:00That means there's brain activity, huh?
00:15:02I actually had a very similar case, which I discussed at a conference I gave on
00:15:06deep brain stimulation.
00:15:07Oh really?
00:15:09I would have loved to hear it.
00:15:11I am very interested in everything related to neurostimulation and such.
00:15:15Next week they are bringing us a scanner specialized in structural neuroimaging techniques with MRI.
00:15:20Here?
00:15:21Yeah.
00:15:22That's too much for a quack from the south, isn't it?
00:15:24No, sorry.
00:15:25If I'm used to it, it's because of the accent, right?
00:15:27It seems we're about to start with an LP joke, we open our mouths.
00:15:31There's some truth to that, isn't there?
00:15:32It's just that those stereotypes are like us; we talk and it sounds like we're about to punch someone.
00:15:37Well, but apart from that, the truth is that I've realized for some time now that Maricho is in
00:15:41very good hands.
00:15:42Okay.
00:15:45Well, Maricho and her son.
00:15:51Bye bye.
00:15:55Do you see that one over there?
00:15:56Yeah.
00:15:57Well, it's Dr. Hinchautegui.
00:15:58Hey, is that Hinchautegui?
00:16:00Wow, I expected more from it.
00:16:03You guys really make a killing with lab coats, huh?
00:16:06Well, look, there he is, a true eminence.
00:16:09He has more than 50 publications, three of them in the Lancet journal.
00:16:12And he is a European leader in neurosurgery.
00:16:14Come on, she supports him in seeing the sortie.
00:16:17Robert, this could help us a lot with the Health Advisor.
00:16:22I don't know, maybe he'll see that we have relationships with doctors from other communities,
00:16:25that we share diagnoses,
00:16:28research...
00:16:29Damn, Trini.
00:16:30You're a machine when it comes to strategy.
00:16:32You come to live through World War II
00:16:34and you completely change the European political landscape.
00:16:37Yes, yes, you laugh a lot.
00:16:39But you'll thank me when they change the plaque in your office.
00:16:44And it's Azucena Coli.
00:16:47No, that's not its name.
00:16:50Azucena Benjumea.
00:16:52It's Azucena.
00:16:54Like the flow, we cojones.
00:16:56Know?
00:16:57Look there, is or isn't it?
00:16:59I teach English at school.
00:17:01Very good, daughter, don't give it up.
00:17:05Rosita, we look beautiful today.
00:17:08I'm coming, bring it.
00:17:10Hello.
00:17:12I'd like to talk to Azucena Benjumea, please.
00:17:16Uh-huh.
00:17:18Yes.
00:17:19Yes.
00:17:21Okay.
00:17:22Bye, bye.
00:17:23That it's not there.
00:17:24What do you mean it's not there?
00:17:25If it is...
00:17:26Well, it says what I said, doesn't it?
00:17:28English, what a silly language, really.
00:17:30José.
00:17:31Hey?
00:17:31Your sandwich.
00:17:32I'm not even hungry.
00:17:33What's wrong, José?
00:17:35But where is my queen?
00:17:38What are you doing here?
00:17:39Nothing, just watching my mom argue with the man who speaks funny.
00:17:42Isabel, every time I'm not looking, you're putting out a plate of lupin beans.
00:17:45The lupins?
00:17:47Isabel, what is the girl in front of?
00:17:48No, kid, that's what they're called here.
00:17:51Sweets?
00:17:52I'm afraid to think what you call Frankfurt sausages.
00:17:54Wow, sausage.
00:17:57Isabel, we had agreed that we would try the skewers today.
00:17:59Yes, but this doesn't fit here.
00:18:01It's like in the sled, there's no way out.
00:18:04Mommy, this skewer is good, what's in it?
00:18:06That's very controversial, daughter, very controversial.
00:18:08Eat it quickly, we have to go back to school, okay?
00:18:11Joke.
00:18:12Girl, I do it to spend money.
00:18:14Rafi, can you set a table for my group, please?
00:18:17They're coming down to eat and I want them to feel at home.
00:18:20Yes, and you put a little bit of mucus in.
00:18:23Isabel, listen and learn, daughter.
00:18:24Listen and learn.
00:18:25Isabel.
00:18:26What's happening?
00:18:30Okay, let's see, Manuela.
00:18:32We thought we had everything under control, but it seems it has spread to the pancreas.
00:18:36which is a very delicate organ.
00:18:37That doesn't mean we can continue...
00:18:39Get to the point, doctor.
00:18:40I'm dying, aren't I?
00:18:41Well, it's important to be positive.
00:18:43Well, I'm dying a little.
00:18:47We could delay it for a few more months.
00:18:48Why delay it?
00:18:49Death should not be reached by crawling.
00:18:51Manuela, you can't stop fighting.
00:18:54There is always hope.
00:18:55And faith is very important.
00:18:57If you're referring to God, I'm sorry, but I'm about to delete you from my favorites.
00:19:02Let's see, doctor.
00:19:03Do you really want to help me?
00:19:04But not telling me to reese, or to be positive, or any of that nonsense.
00:19:08Will you really help me?
00:19:09Of course, Manuela.
00:19:10Whatever you want.
00:19:12What I want is to go back to painting.
00:19:14And sometimes I have so much pain that I don't feel like picking up a paintbrush.
00:19:17I could increase your dose.
00:19:19Already.
00:19:20But I was thinking of something a little more virginal.
00:19:24Like Mary.
00:19:25That's the one I have faith in.
00:19:26But, Manuela, marijuana is illegal.
00:19:28Already.
00:19:29And dying when you don't want to should be too.
00:19:31Don't you think so?
00:19:35Okay, Nekane.
00:19:38I'm sorry.
00:19:39I haven't been able to give it to her yet.
00:19:41I haven't had time.
00:19:42Look, you have no idea what a rough morning we've had, you know?
00:19:45Like what?
00:19:46By giving Iñaki a hand.
00:19:48Damn, with his dealings.
00:19:50What do you mean, "manage"?
00:19:51Well, keep an eye on Marichu, if you like.
00:19:55Don't be an animal, man.
00:19:56Of course he's not going to escape.
00:19:57Look, listen to yourself.
00:19:59I promise I'll give it to you this afternoon without fail, okay?
00:20:01Trust me.
00:20:02Come on, you've caught me completely off guard.
00:20:03We'll talk later.
00:20:04Come on, guru.
00:20:07Hello good.
00:20:07Hello good.
00:20:08A patient who has very little of the qualities of a patient.
00:20:12That's what it's like being a doctor, isn't it?
00:20:13That we are, 24 hours a day.
00:20:15Yeah.
00:20:16Although sometimes it's good to let our hair down, isn't it?
00:20:20Hey?
00:20:22Yeah, well, I don't have a mane of hair.
00:20:25Well, if you don't have any plans for this afternoon, I've invited you to my fair booth if you'd like.
00:20:29Which fair plan?
00:20:32The Seville April Fair.
00:20:33Ah.
00:20:34My father has a small shop on Juan Belmonte street and, well, there will be doctors, colleagues, and so on.
00:20:39It would be a real honor for me if he came, you know?
00:20:41Well, man, let's not say any more.
00:20:43The April Fair, huh?
00:20:44The April Fair.
00:20:46Of course, man.
00:20:47Yes.
00:20:48That's a really good idea, man.
00:20:49It's about time we got to know each other a little bit.
00:20:51It fits in SOS.
00:20:52Give me a hug, damn it.
00:20:53There it is, damn it.
00:20:54I didn't know that Ñagir's friends are open.
00:20:58Yes, well, open, but not as much as Ñagir, eh?
00:21:05Tiencita, please make sure the prosthesis fits me properly.
00:21:08And if necessary, next year I'll walk the Rocío pilgrimage route.
00:21:13With heels and a tube top.
00:21:15You might think so, that it will fit you too, that the people from Ikea will come to take your note
00:21:18and all.
00:21:19Hey, José, I heard in the doctors' lounge that he's assigning you some errands.
00:21:26That's true?
00:21:27Well, I don't know, because I never go to that room.
00:21:29Come.
00:21:32You're still praying here, huh?
00:21:33There's very good coverage here.
00:21:35Okay, my weapon.
00:21:38What is this?
00:21:40A little reminder.
00:21:41I've put the amount next to it.
00:21:45Look, José, it's a bit unorthodox, but it's for a patient who is...
00:21:49No, no, no, I don't know what it says.
00:21:50I spent seven years studying and then he forgets how to write.
00:21:52What does it say here?
00:21:54The lyrics are what matter, damn it.
00:21:57What I'm going to bring you are some blonde workbooks.
00:21:59I'm going to bring you.
00:22:00Marijuana, damn it, I want them to bring me marijuana.
00:22:02Marijuana, what is this H?
00:22:04Dope.
00:22:04Are you going to bring it to me, yes or no?
00:22:06Yes, yes, yes.
00:22:07I'll have to make a call, but don't worry, I can get everything.
00:22:10Come, speak English, I can get you everything.
00:22:12Okay, thanks, José.
00:22:26Approach.
00:22:30And wouldn't it have been better to stay in the clinic bar, huh?
00:22:33Just to see what's typical here.
00:22:35And to be able to speak freely.
00:22:37Kiñaki certainly wouldn't come with so much bullfighting and testosterone.
00:22:40Well, I don't know, you know?
00:22:41Because with these tight little shorts and these ballet flats, they seem a bit...
00:22:46Good meat, my friend.
00:22:48I'll clear the table for you right now.
00:22:55What do they want?
00:22:57Me too, I need Biodoramina.
00:22:59Three little ones.
00:23:00Little ones? Little ones from the road?
00:23:01You're so uncultured.
00:23:03Take out three chamomile flowers, but the kind that don't make infusions.
00:23:07What a look you have.
00:23:08And what would you like to eat?
00:23:10What's in season?
00:23:11Well, look, I have part of the letter outside.
00:23:14Cured meats, breaded pork rolls, pork rinds, blood sausage, onion, oxtail, castor bean, pig's foot, pork cracklings, Lebrija goats, cod fritters, cod in red sauce
00:23:20cuttlefish, steelworks, anchovies, squid and baby squid.
00:23:23And to top it all off, some Utrera-style almond cookies.
00:23:25Okay, so look, you're going to take out some corn nuts to go with the chamomile tea.
00:23:37Manolo.
00:23:38Be careful with the tablecloth, this stuff has so much grease that it can soak through the folder.
00:23:45Well, let's see, I haven't told you yet, but I ran into Robert.
00:23:50Hey, buddy, kid, huh? He seemed eager to please.
00:23:53No way.
00:23:54She knows that we are the groom's friends and that our opinion is very important.
00:23:57Ask your wife, we didn't stop being your wife until she learned the net's alignment.
00:24:01bride.
00:24:01Hush, hush, he's even invited us to the fair.
00:24:05Which fair?
00:24:08That.
00:24:10Well, it seems that what they say about Andalusians giving you everything when they get to know you is true.
00:24:14But they dress just like the little dolls that come to the gas station shops.
00:24:19So what, Colbo?
00:24:21Are we going to the fair or not?
00:24:24Of course we're going, aren't we?
00:24:26Let's see who Iñaki's boyfriend is.
00:24:27I suppose he'll want to introduce us to his family.
00:24:30You're right, we need to go and support them.
00:24:33Look, look at the mess they're making.
00:24:35Look at those hams.
00:24:37I don't see anything with so much fabric in the skirt.
00:24:39The people with the dishes arrived.
00:24:40Ah!
00:24:42Here you have it, the chamomile flowers.
00:24:44And if you don't have enough with the corn nuts, I'll marinate it for you.
00:24:48And then, with the character that women have here, it's no wonder there's so much foot traffic on the sidewalks.
00:24:54Look, Oriñaki.
00:24:56He's her boyfriend.
00:24:57Hey?
00:24:58I'm back, you've got it.
00:25:06Hello.
00:25:07Hello.
00:25:09Is it going up?
00:25:10Yes, I'm going up.
00:25:11Although not as fast as some.
00:25:14But I'm going up, I'm going up.
00:25:36Hello good.
00:25:38Hello good.
00:25:40Hello good.
00:25:43I climbed the stairs feeling so healthy.
00:25:48Hey, Robert.
00:25:49I'll arrive a little late to your father's cabin.
00:25:51About half an hour or so.
00:25:52I was walking around like crazy.
00:25:53I have to go try on the dress.
00:25:55Well, you know, she's already beautiful.
00:25:56Already.
00:25:57Well, don't worry.
00:25:58You can arrive whenever you want.
00:25:59There's no rush.
00:26:00You're not going to be blown away by the dress.
00:26:02It's from Gaviño.
00:26:04So, aquamarine, with lace, super fitted.
00:26:07Uh-huh.
00:26:07You see, I'm going to have to rub myself with my daddy's oil, who's going to put it on me?
00:26:10It will be the only thing I have that is virgin.
00:26:12What did you say?
00:26:14What, should I get off here?
00:26:17Here?
00:26:17Yes, yes, here.
00:26:18I prefer to take the stairs.
00:26:20Sometimes my legs swell up a lot.
00:26:34Okay, these are some skewers.
00:26:37And this one is from chingurro.
00:26:41Chanchullo and cucúsclán.
00:26:42Let me explain, Rafael.
00:26:44They are made of chingurro, macharro and anchovy piquillo camembert.
00:26:48I'm really bad with names.
00:26:49When I was a kid, I didn't even know the names of the Three Wise Men.
00:26:52Come on, cheer up, Rafi.
00:26:54Mmm, mmm, the taste of the sea is exquisite.
00:26:56This has just transported me to the bay of Villarriz.
00:27:00Is that near London?
00:27:04The truth is, no.
00:27:05And speaking of London, how's your dinner?
00:27:07Let's see, José.
00:27:08Do you know why I never read uric acid test results?
00:27:12For the same reason that I don't want to know anything about your relationship with my granddaughter.
00:27:16Because there are some things that are better left unknown.
00:27:20And I don't read the analyses so he can pee in the pot.
00:27:23You've got me there.
00:27:28That shows you it's better to leave your fly closed.
00:27:35This must be it.
00:27:36There it is.
00:27:38Iñaki.
00:27:39What's happening?
00:27:40It's great to see you behind the bar.
00:27:42It feels like we're home.
00:27:44Are you filthy?
00:27:45Are you inside, they're from the north?
00:27:46Wow, really.
00:27:47Well, that's it, José Gregorio.
00:27:48So the less you do, the less you need for a move.
00:27:49Hey?
00:27:50He's happy to meet you.
00:27:51His name is José.
00:27:53Ah, because of what I said.
00:27:56Welcome, Sac.
00:27:58But stop it now, woman.
00:27:59Have I told you a thousand times that not everyone likes vaginas?
00:28:03Hey?
00:28:03What do you think, Enchón?
00:28:06Phenomenal.
00:28:07Hey, everyone has their own tastes and...
00:28:09But if you haven't tried it.
00:28:10No, no, I haven't tried it and I won't try it.
00:28:13And why the hell don't you go and see if it's a skewer?
00:28:16Ah, ah, ah, ah, well.
00:28:24You're blossoming, Iñaki.
00:28:26Hey, and speaking of this blossoming, Iñaki has invited us to the fair, to his booth, Robert, right?
00:28:32Robert.
00:28:34Dr. Almenar?
00:28:35Well, Dr. Almenar, there's trust in Robert, isn't there?
00:28:40Robert.
00:28:40I mean, we'll have to go with him, all together, right?
00:28:44And what for?
00:28:45I'm not involved at all.
00:28:46Aren't you going?
00:28:47Are you going to be rude to your...?
00:28:49Ah, let's see, Iñaki, we...
00:28:53...we understand you.
00:28:54Ah, one second.
00:28:56Then you'll understand that I have no business being in that booth, that I have to be here with my mistress.
00:29:01Robert, Robert.
00:29:01You look like frogs.
00:29:04Do you know what's happening?
00:29:05This is the rush that we don't know about these things.
00:29:07And now, well, he's walking around in shame.
00:29:09Yes, yes, yes, that's it, he really thinks we're old fogies, damn it.
00:29:14Well, look, let me tell you something, I have a nephew who's a Zumba instructor, and at home everyone's into it.
00:29:17Life has treated him like a normal person.
00:29:20Whatever my name is Anchón or whatever he does, I'll take him to the booth.
00:29:23She says she wants to see her mistress.
00:29:25I'll make sure she sees it.
00:29:27So what are you going to do?
00:29:28Tie it to your back with octopuses?
00:29:37Come on, Anchón, focus already, damn it, it's not going to be blurry anyway.
00:29:41Damn, hairy.
00:29:43Okay, that's it.
00:29:44Iñaki, bring your mobile phone.
00:29:45That?
00:29:46Damn, Iñaki, don't you know about those cameras they put up for kids so you can watch them on your phone?
00:29:50Well, this is the same, a spying app.
00:29:52My brother used it with my nephews.
00:29:53Damn, what for?
00:29:55So they wouldn't destroy the world?
00:29:57No, they were stealing it from me.
00:29:59Look, with this you'll be able to keep an eye on your mistress from the fair.
00:30:03Damn it, and they're still going on about the fair.
00:30:05That's not the big week, Anchón.
00:30:07That's where they dance.
00:30:08Look, Iñaki, if we have to dance, we'll dance.
00:30:11Besides, why do you have to go?
00:30:12What is Robert's... booth?
00:30:14AND?
00:30:15As if it were María Jiménez's.
00:30:17Furthermore, that...
00:30:20Robert and I have had our issues.
00:30:22Well, come on, Iñaki, it's happened to all of us, I mean, definitely, right?
00:30:26But that's normal, I mean, nobody said it would be easy, right?
00:30:30It's been a while, you guys, that's it.
00:30:31But what are you saying?
00:30:32Look, you stay here to check that out and we'll go test the gadget, okay?
00:30:38Pello, you too, huh?
00:30:40I?
00:30:40Because?
00:30:41As?
00:30:43Because six eyes see more than four, right?
00:30:45Suns fit.
00:30:46Iñaki, oh, oh, you looking here, still as a maricho.
00:30:49And eight is better than six.
00:30:50Eight, wow, I'm going to give it to you.
00:30:53Look, I didn't want to leave him alone.
00:30:56It has me very worried.
00:30:58They've argued, I knew it.
00:31:00Well, they've made their choice for now, huh?
00:31:01Just when we're visiting.
00:31:03And one thing, it's probably because of us.
00:31:06I am convinced that this Robert guy wants to bring everything to light.
00:31:08But, of course, Iñaki doesn't dare.
00:31:10This guy is so naive, he even swallows his homosexuality.
00:31:12Well, we have to tell them straight up.
00:31:14Iñaki, we know and we're happy.
00:31:17We're happy, Peyo.
00:31:18So come to the booth, grab his arm,
00:31:21Put on a hair comb if you need to and enjoy.
00:31:23That?
00:31:24That?
00:31:26That?
00:31:26What about me, Anchol?
00:31:27Look, Lea.
00:31:28He looks so lost.
00:31:31Can you see me?
00:31:44Can you believe it?
00:31:46Robert has invited the trio and his father's booth.
00:31:48Can you believe I've gained three kilos?
00:31:50That?
00:31:51My daughter, everyone uses me as a scapegoat for their outrage
00:31:54And I'll have to vent to someone, won't I?
00:31:55Well, now you have to put up with me, auntie, it's my turn.
00:31:58Two years, two years and he has never invited me to his father's booth.
00:32:01What's happening?
00:32:02Does this guy think I'm not good enough to go to his little booth?
00:32:04I don't think that's it because he invited all the Basques.
00:32:07As?
00:32:08And he's messed up again, hasn't he?
00:32:11No, don't worry.
00:32:12Look, there is one thing I will have to thank Robert for.
00:32:14I suddenly got a crazy urge to go to the fair.
00:32:19Carmen, Carmen.
00:32:20Hey, what about my weight?
00:32:22No, yes.
00:32:23Look, what we have to do is go in there and drag him out if necessary.
00:32:28It's unbelievable that you don't know him.
00:32:30Iñaki is a common bighead.
00:32:31Do you have anything to do this afternoon?
00:32:33No, why?
00:32:34To go to the fair.
00:32:35Okay.
00:32:36Brilliant.
00:32:38Well, in the end it wasn't so difficult.
00:32:44Well, he doesn't call, huh?
00:32:49You've got battery, huh?
00:32:51And coverage, huh?
00:32:52Oh, Amaya, don't make me any more nervous.
00:32:53Something might have happened to him.
00:32:55Or they gave him the letter but he hasn't read it.
00:32:57Or he smoked it, I'm telling you.
00:33:02That's not the wine we save for First Communions, is it?
00:33:05Yeah.
00:33:07Well, get me a glass, go on.
00:33:37Uh!
00:34:07Well, if you hear it between Sevillanas, why...
00:34:08It's not that he's a very prestigious tailor here in Seville.
00:34:11And very serious, huh?
00:34:12Serious.
00:34:14Ah!
00:34:16Careful, princess, look at the wardrobes you've brought me.
00:34:18And this is how I've seen it.
00:34:20If I need to cover those backs...
00:34:22a tent.
00:34:24Well, it turns out it's true that...
00:34:25Seville has a special color.
00:34:29Hey, what's up, José?
00:34:31Here's the guy.
00:34:35And what's there?
00:34:36What he asked me for.
00:34:38Oh my God.
00:34:39But there's marijuana here for your hibiscus.
00:34:42It's not that big of a deal, man.
00:34:43Two hundred grams.
00:34:44But if you ask for two decigrams, kid.
00:34:46Two decigrams?
00:34:48Two decigrams...
00:34:49Oh my God!
00:34:49I understood two hundred grams.
00:34:50Sometimes you write better.
00:34:51What am I supposed to do with all this now?
00:34:52Well, don't worry, I'll pay you the money.
00:34:54Well, that's what fixes it.
00:34:55You take it.
00:34:56No, no, but he'll take it.
00:34:58But will you pay me?
00:34:59Yeah.
00:35:00But should I take it with me?
00:35:00Yeah.
00:35:02Wow, really!
00:35:02Next time it will be cheaper to hire a writer.
00:35:05José.
00:35:06Yeah?
00:35:07My decigrams.
00:35:08Oh yes, you're going to pay me for them.
00:35:12Two decigrams and a gelado.
00:35:13No, let's see, two decigrams are exactly, they are exactly one and two decigrams.
00:35:22Wow!
00:35:23It really hits hard, doesn't it?
00:35:24Wow!
00:35:27Can I store my backpack here while...?
00:35:30Take it away!
00:35:31Okay.
00:35:40Well, nobody's coming.
00:35:41Well, it's not like we didn't put our heart into the wine, eh?
00:35:43Well, you're one of the last ones, huh?
00:35:45Well, they're always the ones who drink.
00:35:47For one day, let us drink...
00:35:49What I've always wondered is what they talk about when they're in a huddle.
00:35:53Yes, they don't speak.
00:35:53Just enough to make you envious.
00:35:55And yet they are missed, aren't they, Nekane?
00:35:59Well, with more bodies, it's not so cold.
00:36:03More bodies, he says.
00:36:04But if the only body you're interested in is one.
00:36:06The fire department one, you say.
00:36:08Well, Nekane, don't pretend.
00:36:09I know you're crazy about me, ñaki.
00:36:12Which I don't think is a bad thing, you know?
00:36:14Of course, that's what ñaki needs from women.
00:36:16A Basque woman like you, who can center him.
00:36:18This is what I'm telling you, Bego.
00:36:20But hey, it's already been launched, right?
00:36:21He even sent her a letter.
00:36:23A letter?
00:36:24Meat cunt.
00:36:25And then there's me, the old one.
00:36:26Well, all you needed to do was send a scapular.
00:36:28I don't know, Bego.
00:36:29If it's not going to be useful to me...
00:36:31Just thinking about him being there surrounded by Andalusian women...
00:36:34What? Come on, come on, come on.
00:36:35Don't talk nonsense.
00:36:37My nephew, my nephew is from Andalusia.
00:36:38My nephew has less of an Andalusian in him than I have of a geisha.
00:36:42Ale!
00:36:44What! What!
00:36:45Do you have a horse?
00:36:47Oh, are you going to give me a horse too?
00:36:50No.
00:36:50What am I saying?
00:36:51If you don't have a horse and a short suit to wear to the Seville Fair,
00:36:54It's kind of ugly.
00:36:56What's more, you're just making a fool of yourself.
00:36:58Yes, but Dolores said we had to...
00:37:01The mother who gave birth to Dolores.
00:37:02The mother who gave birth to Dolores is the same one who gave birth to me.
00:37:04And I'm telling you right now that you're going to wear a suit.
00:37:11Look, look, look, they're the diva.
00:37:13Now, those lapels are practically begging for flowers.
00:37:17Shouting?
00:37:18This suit is desperately asking for more fabric.
00:37:20More fabric.
00:37:21You, go inside, I'll bring you your suit jacket.
00:37:24Okay, yes, you can go inside.
00:37:28You look so beautiful in that flamenco dress.
00:37:31That's what's most popular this year, darling, the canastera dress.
00:37:33When I put on your earrings, necklaces, shawl, hair comb, and flowers,
00:37:38You're going to dazzle the fair, you're going to dazzle.
00:37:40Short ring, you're capable of making curtains for my house just to sell me out.
00:37:43If you go there to a fancy booth, you'll have to bring more valuable money.
00:37:47Give me a good flower and a good slope.
00:37:49And to that one over there, he puts a flower that looks awful with my suit.
00:37:52That one, that one needs a pencil sharpener more.
00:37:57Come on, Mr. B, one month, keep at it until my shift is over.
00:38:00Of course, by then the police dogs will probably already be sniffing me.
00:38:03This time you've gone too far with the genre, José.
00:38:05No, but if not for me, then Dr. Cóngora has assigned it to a patient who is finished.
00:38:10Finished? Your contract was ending, what if they catch you?
00:38:12That's why you have to keep it for me.
00:38:14But you're crazy.
00:38:15That's like asking a fox to guard your chickens, José, please.
00:38:18I've got my eye on you.
00:38:20So what do I do? Is the pizza ready?
00:38:21I don't know, I'll save the room for someone who doesn't have that much before that sale.
00:38:25Hey, let's see if the Pope has already been admitted for a dogfish.
00:38:31She won't want a little bit, will she?
00:38:33Okay, fine, that's it.
00:38:35See you later, this José may have the soul of a Phoenician, but the brain of a Neanderthal.
00:38:47Paco, hello, it's me.
00:38:49Hey, no, no, no, no, nothing serious.
00:38:52Look, I need you for an urgent service.
00:38:55Let's see.
00:38:56I want you to have the car running at the door of the Hispaly clinic in a quarter of an hour.
00:39:02Not a word of this to my children, okay?
00:39:05Secret mission, Paco.
00:39:07Okay, see you later.
00:39:12And you, my friend.
00:39:14I know, I know I've lost a little bit of muscle mass.
00:39:17Being here, it's normal.
00:39:19But now you're going to give me my body like a glove.
00:39:22That is your obligation.
00:39:24We are!
00:39:38Listen, if you see my father saying something strange, stuttering, or something like that, don't be alarmed, okay?
00:39:44That he's not like that.
00:39:45The thing is, he'll get really nervous when he sees you.
00:39:48Do I make you a little nervous?
00:39:49Me?
00:39:50I'm on the verge of a meltdown, but...
00:39:53Don't I faint because I'm not ugly to you?
00:39:56Look, I'm happy as long as this float doesn't turn into a pumpkin at midnight.
00:40:03Go on, throw it.
00:40:15Ole.
00:40:16Excellent?
00:40:17Guess.
00:40:18Seville, Seville, Seville, Art and Flavor.
00:40:22Good.
00:40:24Art and flavor.
00:40:25Good one, Paco.
00:40:25Good.
00:40:26Seville, Seville, Seville, Art and Flavor.
00:40:30Seville, Seville, Seville, Seville.
00:40:30Of course, with that suit the advisor will provide you with service and give you a
00:40:35ministry and will give you blessed glory.
00:40:37Look, there's my father.
00:40:38Look, with the stick, they sound like the sun.
00:40:41What's happening?
00:40:44Does everything seem strange to you?
00:40:47Son, I'd like to introduce you to Mr. Eduardo Villaplana, Minister of Health.
00:40:51This is my son, Roberto, who is also a doctor.
00:40:54Delighted.
00:40:55Likewise.
00:40:56Trinidad Lozano, director of the Isfali clinic.
00:40:59It was a pleasure meeting her.
00:41:00Likewise.
00:41:01And there is a father who makes our community very proud of its medical professionals.
00:41:06Let's hope my son soon has another Robertito Almenar doctor and we perpetuate the service to the community.
00:41:12Look, I'm always willing to perpetuate the species, always.
00:41:15Ha ha ha.
00:41:44But where did I eat? What are you doing? Where are you going?
00:41:47I'm going to give the warning right now, okay?
00:41:49Just a moment, just a moment, please
00:41:50One moment
00:41:53Hey...
00:41:53You see, it's just that...
00:41:56You haven't heard, have you?
00:41:58About what?
00:42:01The psychologist, huh?
00:42:03This suit has been prescribed to me
00:42:05To see if I can lift my spirits
00:42:08This is the first fair of my life that I'm going to spend here admitted.
00:42:13AND...
00:42:14Forgive me
00:42:15Oh no, but don't cry for me
00:42:16Not you, you're the joy of the clinic
00:42:19Well, you see, daughter, you see
00:42:20Joy also suffers
00:42:23I'm going for a short walk in this outfit
00:42:26Let's see if I forget that I don't believe it.
00:42:28That I'm in here
00:42:30Of course
00:42:31And if you'd like me to, I don't know, sing you some Sevillanas
00:42:34Well, I'll go and sing them for you, okay?
00:42:37Thank you so much, beautiful.
00:42:39Well, just one thing
00:42:41I'm okay with it because I'm very embarrassed.
00:42:43As long as not too many people find out about this
00:42:46Sure, sure, this stays between you and me.
00:42:48Well, and the psychologist, of course.
00:42:49The psychologist
00:42:51Okay, bye, beautiful
00:42:55Bye
00:42:55Well, here you go
00:42:57But if this is because of the rent...
00:42:58I don't even want to think about how much it will cost to buy it.
00:43:00Don't complain
00:43:01To give color to a Basque
00:43:02It's priceless.
00:43:03With how drab you always look.
00:43:05Without anything, you just have to see the Guggenheim
00:43:07I have never seen a sadder museum.
00:43:08This looks like a giant woodlouse.
00:43:12Yeah?
00:43:12What do you do with that?
00:43:14No, no, no, no
00:43:15You need a finer straw
00:43:17What did you say?
00:43:18What do you mean, how do I say it?
00:43:19With so much money, your brain is going to rot.
00:43:21Here, a Panama
00:43:23Look how good the Panama hat looks on you
00:43:24Oh, Panama, Panama
00:43:26What's happening?
00:43:27Remember me
00:43:31My children of the verdeja
00:43:39Body, do you already have our dresses?
00:43:41Man, I have the dresses
00:43:43I have the dresses, right, girl?
00:43:44Now you with those great bodies you have
00:43:46We need dresses
00:43:47With a frill at the navel
00:43:49Oh, what a shock!
00:43:50Oh, Carmen! How beautiful my soul is!
00:43:53Yes, it really does look like a Christmas tree with so many decorations!
00:43:56Who are those people, Carmen?
00:43:59Your bodyguard?
00:44:00We're going to Robert's father's cabin.
00:44:03Oh, what luxury, my dear! What glamour, my darling!
00:44:06Wow, what a powerful place! You're going to have a blast!
00:44:09Oh, daughter! And we have to go to the one in the district,
00:44:11that we shouldn't go there and...
00:44:13Sorry, but if you want you can come with us.
00:44:16Oh, my dear! But this is like vampires!
00:44:19If they don't invite you, they won't let you in.
00:44:21Oh my god!
00:44:22We're inviting ourselves, eh!
00:44:25Hey, we're close!
00:44:27Look, come here!
00:44:28Juanillo, there's nothing more to say.
00:44:30Loosen your sash, I think we're going to get fed up with love!
00:44:33Let's go!
00:44:44Benito! Are you suddenly walking down the aisle?
00:44:46And you too!
00:44:47Come on, get dressed up, we're going to the fair!
00:44:49I have a car waiting at the door!
00:44:50Look, we had some prawns, some ham tacos,
00:44:54a few shots of chamomile tea,
00:44:56A few well-danced onion dances and back to the booth again!
00:45:00Come on!
00:45:00How crazy! I don't even have a suit.
00:45:03Oh no! Well, we'll stop by your house, okay?
00:45:04Or will you buy one on the way?
00:45:06No, thank you! Go on, you go, I'll stay!
00:45:09Come on, woman!
00:45:10I'm sure that if you come with me, whatever you have will go away!
00:45:13Oh, you see!
00:45:14That health improves simply by changing the air.
00:45:17I don't think there's enough air to change mine.
00:45:21I thank you from the bottom of my heart, Benito, truly.
00:45:24Look, you go, enjoy yourself and have a little drink on my behalf.
00:45:27Do you promise?
00:45:29I promise you.
00:45:33Rest.
00:45:38I don't know if you're aware, counselor, that we maintain relationships with doctors at our clinic.
00:45:42very prestigious people from San Sebastián, such as Dr. Inchasti.
00:45:45A true eminence in neurosurgery.
00:45:48In fact, it has to be here soon.
00:45:49We have invited him.
00:45:50As you can see, this booth always has the best of the best.
00:45:56Speaking of the king of Rome.
00:45:58Sun!
00:45:58Sun, no, get up!
00:46:01Padrilla!
00:46:02But this is a bar!
00:46:03Bye bye!
00:46:04Padrilla!
00:46:05There!
00:46:06Hey, amazing!
00:46:07Oh, 10, 12!
00:46:08Hey, that robbery!
00:46:10What a rise!
00:46:12Oh no!
00:46:13Bye bye!
00:46:14I kept going, no, I kept going, no, I kept going!
00:46:15No, keep going, no, keep going, no!
00:46:20Let's dance, Sole!
00:46:22He dances for you, he dances for you, he dances for you, he dances for you with his gaze!
00:46:25He dances for you, he dances for you, he danced for you with his gaze!
00:46:32With his life
00:46:34In Bruja, her flamenco step
00:46:35Wow, I thought you had only invited me.
00:46:39Well, I don't know who invited Carmen here.
00:46:41I only have eyes for you.
00:46:43Yeah, sure.
00:46:44Oh, girl, look.
00:46:45Tiger prawn.
00:46:47Instead of a fair, it feels like we're in a mushroom hole.
00:46:53But this one coming, with all his patients?
00:47:00Oh, Irene.
00:47:01What I would give right now to see Carmen and the Basques at the fair.
00:47:04And above all, Robe's face must be a sight to behold.
00:47:07Oh yes, what a shame.
00:47:08And here we are.
00:47:09We're going to have to ask the psychologist to prescribe us something, like Don Benjumea.
00:47:13What does the psychologist say?
00:47:15Haven't you heard?
00:47:16Well, you see, I ran into Don Benjumea in the hallway earlier, dressed in a suit.
00:47:19Are you wearing a suit this way?
00:47:20Yeah.
00:47:21Of course, the most elegant man was there, but it surprised me.
00:47:24And then she explained to me that the psychologist prescribed that for her.
00:47:27Because he's so sad, because this is the first year he hasn't gone to the fair...
00:47:31The psychologist.
00:47:33Have you seen what innovative techniques we have?
00:47:35Yeah.
00:47:36Irene, a question.
00:47:38When you see one of those magicians on TV who cuts a girl in half,
00:47:41You're not calling 061, are you?
00:47:43Of course not, Dolores, what things she does.
00:47:45Because?
00:47:46Because Don Benjumea has tricked you with the psychologist's trick.
00:47:49That?
00:47:50Huh?
00:47:50Honestly, I sometimes seem silly and I don't understand it.
00:47:53So, she went to the fair, but right in front of me, right?
00:47:55I'm holding your face.
00:48:21I'm holding your face.
00:48:23Look, look, it's very easy.
00:48:25I pick up the apple, I bite into the apple, and I throw away the apple.
00:48:28Does he understand?
00:48:29I pick up the apple, bite into the apple, and throw it away!
00:48:33Look, the desiccator we could make with the apples that are going to waste.
00:49:02Look, if they were to write hell for a Basque person, this is what it would be, huh?
00:49:34If you're going to have more fun, I'll buy you a wide one, put you to work as a log cutter.
00:49:36Let's go there, our Romeo has fallen down on his own.
00:49:39Get lost!
00:49:42Well, if he missed me so much, he could have at least asked me to invite you to the booth instead of
00:49:46come with the Basque.
00:49:47Perhaps the Basque is smarter than you, because he didn't need to be asked.
00:49:50But how can I ask you if you're always criticizing this environment?
00:49:52That I've always made you angry.
00:49:53And now look at you, the only thing you haven't done is come and ride horses at the fairs.
00:49:57No, you bring the horse there.
00:50:00Health!
00:50:06That?
00:50:08How are you?
00:50:08Ah, good, good.
00:50:10Well, she's doing alright, don't worry.
00:50:12Yes, you too.
00:50:13Too calm, isn't it?
00:50:14What are you waiting for?
00:50:16Get them to ask you to dance.
00:50:17And will Alma give me three rebujitos?
00:50:19Hey, Lucie, there are four of us.
00:50:22No, but if I say three for each of us, we'll give your friend a small prawn.
00:50:26Let's see if your face looks better, because you have a face, my son, that looks like you've been...
00:50:29eaten a cod.
00:50:30This one's more like barbecue.
00:50:32Barbecue?
00:50:33Or are we going to have to give him double the steak?
00:50:36So where will Sabino be?
00:50:38On the shelf?
00:50:40Guys, on the first shelf, the one right in front of your eyes.
00:50:44A red tape.
00:50:46Well, take the lettuce away, damn it.
00:50:49But how can you send me a picture of the fridge, Sabino?
00:50:51Look, I'm going there.
00:50:53Look, I'm leaving.
00:50:55Because Sabino, if it weren't for me, would feed on air.
00:50:58You're leaving too, aren't you?
00:50:59Yeah.
00:51:01When I finish washing up.
00:51:02Oh girl, so much scrubbing, so much scrubbing.
00:51:04That does look like a crime scene.
00:51:06Oh, let's see if my nephew calls you soon and you channel that anxiety, because you're going to wear out the bar.
00:51:11Come on, soap.
00:51:12Oh, mobile.
00:51:18Crime scene.
00:51:20There will be crime when I return to Coldo.
00:51:26Thank you very much for inviting us, Mr. Roberto.
00:51:28It doesn't matter.
00:51:29That was a very thoughtful gesture.
00:51:30Things are going very well.
00:51:31Well, the advisor is impressed by the clinic's collaboration with Dr. Inchao.
00:51:36And me too.
00:51:37This is the push my son needed.
00:51:40He is a good professional.
00:51:42Yes, yes, yes, nobody doubts that, but...
00:51:44But he lacks ambition.
00:51:45What I'm telling you.
00:51:46Come on, let's go.
00:51:51Come on, doctor!
00:51:53Come on, a toast.
00:51:54Health!
00:51:55For the fair!
00:51:56Whoa!
00:51:56For the fair!
00:52:00For the fair!
00:52:03You know what I'm saying?
00:52:03I am very happy about the new relationship that has started for me.
00:52:08No, we're happy too, aren't we?
00:52:09Yes, at first it was a surprise.
00:52:12But...
00:52:12But anyway, we're delighted that you approve.
00:52:15How could I not try it?
00:52:16This is great news.
00:52:18My son's work is more of a vocation.
00:52:20Even as a little boy he showed promise.
00:52:22Dad!
00:52:23Look.
00:52:24Well, I wouldn't say the same about ñaki.
00:52:26But it is true that he has taken to it with great pleasure.
00:52:29Oh, Dad!
00:52:31Excuse me, huh?
00:52:36What's that noise?
00:52:37Where are you?
00:52:38At the fair.
00:52:40Ah, if you've had time to go to the fair,
00:52:42Did you have time to give the letter to ñaki?
00:52:44Son, well, he hasn't given me...
00:52:45Anyway, young man, dog, huh?
00:52:47What a long-winded letter.
00:52:49If I know, I'll tell you to send him an email.
00:52:50Look, Koldo, stop messing around.
00:52:52Either you give the letter to ñaki now,
00:52:54Or I'll tell your wife you're out partying.
00:52:56Can you hear me?
00:52:57Like what...?
00:52:57No, perfectly.
00:52:58Listen, calm down.
00:52:59I'll give it to you right now.
00:53:01Is Iñaki at the fair too?
00:53:04Hey, hey, hey, I'm not telling you, hey, I'm not telling you.
00:53:08Come on, bye.
00:53:10That one, no.
00:53:12The letter, listen.
00:53:14The letter.
00:53:16The letter.
00:53:16It's over and one hits him.
00:53:18Let's go home now.
00:53:23Cabenzos.
00:53:24It's over and one hits him.
00:53:26Cabenzos.
00:53:26Cabenzos.
00:53:27Cabenzos.
00:53:28Cabenzos.
00:53:30Cabenzos.
00:53:31Cabenzos.
00:53:31Cabenzos.
00:53:32Cabenzos.
00:53:33Cabenzos.
00:53:35Cabenzos.
00:53:45Cabenzos.
00:53:52This is incredible, come on.
00:53:53This isn't mine, really, I swear.
00:53:55What are you talking about? A dustpan?
00:53:57I know, it's strange to see you with one in your hand.
00:54:00What do you want it for?
00:54:01For the one from number 12, whom I have loathed.
00:54:03But we haven't quite gotten fed up with the one on the 12th.
00:54:06Well, it must be from the excitement, I guess.
00:54:09Are you going there?
00:54:10Me nothing.
00:54:11Absolutely nothing.
00:54:12Just trying to get this ketchup stain off.
00:54:15I look like I've just had open-heart surgery.
00:54:19And what else?
00:54:21It smells, it smells weird.
00:54:23Like fine herbs.
00:54:25Look, don't you think so?
00:54:30I'm leaving.
00:54:35Wait.
00:54:38You leave your sports bag behind.
00:54:42Go.
00:54:43Like ketchup, huh?
00:54:46What's going to make you run?
00:54:48I lack nothing.
00:54:51Oh my God.
00:54:55And when I was little, I always took off my electrostimulator.
00:54:58and he was dedicated to performing electroencephalograms on him
00:55:01to the bull heads that he had hanging on the wall of the farmhouse.
00:55:05There, there, in a pinch.
00:55:06How funny.
00:55:08It seems he wanted to imitate his father since he was a child, right?
00:55:11But not only that,
00:55:12who has also copied my passion for beautiful women like you.
00:55:16Come on, Iñaki, tell me something.
00:55:17As?
00:55:20What's up, Iñaki?
00:55:22What does it say?
00:55:24Carmen, if I were you I wouldn't drink any more bujito, okay?
00:55:28I don't know why we didn't have a good time, damn it.
00:55:30that we are two bored people.
00:55:31That's just who we are, Carmen.
00:55:36What are you doing, Carmen?
00:55:37To take a tonco out to dance.
00:55:53That's a load of crap.
00:55:55Of course, you brought me here to make Robert jealous, didn't you?
00:55:58What's happening?
00:55:59Couldn't you have found someone else?
00:56:00Man, who have they invited?
00:56:02To you?
00:56:03Oh you, Patebe, I'd love to dance with a Basque.
00:56:06What do they have in my home with Boquedown?
00:56:10Naki, please, in due course
00:56:12I extended my hand to you and let you have my house.
00:56:14So I ask you, please, to raise those arms and dance.
00:56:20But what are you doing, Iñaki, making Robert jealous with the nurse?
00:56:23The poor man keeps a close eye on them.
00:56:25Ah, man, you don't need to study much psychology.
00:56:27to realize that the kid is faking it for us.
00:56:30This has to stop now.
00:56:36Hey, Mr. Benjomea, have you just finished the technical inspection of the fair?
00:56:40Everything is in order.
00:56:42Well, I've had to give a little ear-pull.
00:56:44by some tie, combined
00:56:46and those details of margusto.
00:56:48We'd know soon, wouldn't we?
00:56:49They could have escaped, stayed a little longer, couldn't they?
00:56:51In the midst of all that hustle and bustle, I was missing this tranquility.
00:56:57Is there anyone here?
00:56:59Any problem?
00:57:00Bah, that's just my business.
00:57:03I'm going to log in again.
00:57:07I'm going to log in again.
00:57:39Marichu, don't you go snitching, daughter, or I'll get you an apartment in Fonjirola.
00:57:56Look, Carmen, that's it, I'm not dancing anymore.
00:57:58Kid, I'll call your dance class if anything comes up.
00:58:00All I need is for him to add a little bit of artistry.
00:58:04Iñaki, I need to talk to you.
00:58:05Oh, damn it, that Basque guy!
00:58:07Excuse me, girl, okay?
00:58:08Wow, what a temper!
00:58:14Well, I don't know what the hell you saw in the Basque guy.
00:58:16Because what is art dancing, instead of a duende, seems to have a troll.
00:58:19You?
00:58:20It's best not to ask what it is about the Basque.
00:58:23Look, Iñaki, that's enough.
00:58:25Stop pretending.
00:58:26We know you like it, damn it.
00:58:29Anchón, what are you talking about?
00:58:30If there's nothing more to it than seeing you, that seems fine to us.
00:58:34Besides, it was about time you got excited about someone.
00:58:36This is not what we expected from you.
00:58:39But if it makes you happy, go for it.
00:58:43Look, we're mostly just friends, you know?
00:58:45But, like it?
00:58:46Well, what I'd call liking it...
00:58:50Well, maybe I like it a little, huh?
00:58:51That's it, I've already said it, that's it.
00:58:53What are these two banks doing here all by themselves?
00:58:56No, it's obvious you like independence, huh?
00:59:01Come on, son, let's get your fritters down.
00:59:07Anchón.
00:59:16What the hell.
00:59:19Marichu, I'm going to tell you something.
00:59:21We're going out to party right now, you and I.
00:59:23But don't wake up today, daughter.
00:59:24with the glory of your mother.
00:59:27Damn, Iñaki, I'm walking so many kilometers dancing to this!
00:59:31But you, how do you think I am this piece of body, my soul,
00:59:35Doing the Durkandú diet?
00:59:37Hey!
00:59:41What's wrong, Iñaki? Where are you going?
00:59:43It's me, me.
00:59:45We had talked about something, you and I, hadn't we?
00:59:46Or what?
00:59:47No, it's just that I have to go to the clinic, okay?
00:59:48I've left something out.
00:59:49You left your brain behind.
00:59:51You just admitted it to me, Iñaki.
00:59:53Come on, man, relax.
00:59:55If it's necessary to put up the rainbow flag in the tavern,
00:59:58We'll put it on, they fit!
00:59:59Sorry!
01:00:02Without meaning to offend anyone, I would like to thank Robert,
01:00:07To Dr. Almenar, well, this invitation, right?
01:00:10This celebration and coming together.
01:00:13And well, the crew has been talking, right?
01:00:16And if it has to be a boyfriend, well, we can't think of a better boyfriend for our friend Iñaki.
01:00:23than you, Robert.
01:00:24So welcome to the crew, huh?
01:00:26For our part, we raise a toast to the couple, wishing you much happiness.
01:00:31and for free love.
01:00:32Why not?
01:00:33TRUE?
01:00:33Hey?
01:00:34He loves you, a lot, right, guys?
01:00:37¡Apa y olé!
01:00:41Okay, I won't bother you anymore.
01:00:42Okay, thanks, huh?
01:00:49What a luxury, a father-in-law.
01:00:51We've been treated like royalty.
01:00:51A hug, man.
01:00:53Okay, daughter!
01:00:54Dad, no, I swear I'm a man.
01:00:57Yeah bro, Iñaki too.
01:00:59Go you, my friend!
01:01:01Long live love!
01:01:03Tas, tas, tas, perrión!
01:01:05Take!
01:01:05You can make my weapon stomp there with your balls!
01:01:09Come on!
01:01:10Let's dance!
01:01:11Come on, damn it!
01:01:11Wow, I'm already feeling it!
01:01:14Take that, take that, take that!
01:01:17Take that, take that, take that!
01:01:21Go you, damn it, come on!
01:01:22Take that, take that, take that!
01:01:26You go, damn it!
01:01:28Go you, damn it, damn it, damn it!
01:01:40You go, damn it!
01:01:47You see how useful this is. Do you have a light? Sure. I was just about to try it with two sticks.
01:01:57And that cigarette? I have a feeling you didn't buy it at the tobacconist's, did you? Don't look at me with
01:02:03Benito's fussiness, you used to knock down shrimp in your day. Ana, don't remind me, Ana.
01:02:12Oh, Manuela, what a mess we've made! I'd do them all again.
01:02:17Again. You know what? Give me some zacocite over here.
01:02:30The milk with the bank, which looks like a gaucho weapon.
01:02:34Are you OK?
01:02:35It's not the main thing anymore, man.
01:02:36I'm getting a bad day, I'm a bank, huh?
01:02:38Hey, wait, what now? Wait for what? Huh? Let's see what surprise this fair has in store for me.
01:02:46Everything has an explanation, right?
01:02:47Anchón, Anchón, no, I'm not in the mood for explanations, okay? I'm not.
01:02:52No, not anymore!
01:02:55Damn, hairy.
01:02:56Two rounds of applause were enough; there was no need to dismantle the entire Andalusia.
01:02:59Well, how was I supposed to know this was demountable? In the Basque Country, bars are made of brick.
01:03:04Bricks are what they're going to throw at the three of us.
01:03:08If you give me a little thread, I could sew this myself.
01:03:11Peace.
01:03:12Wow, look at the tear the awning has made!
01:03:15I can't imagine how to tear off a dress, son.
01:03:18I told you, I take the apple, bite it, and throw it away.
01:03:21I don't pick up the booth and knock it down, I pick it up.
01:03:25With Roberto, I'm really sorry, it wasn't our intention to dismantle the whole operation.
01:03:29The beach bar is the least important thing.
01:03:31You have ruined my life.
01:03:32Well, that's not quite right either, is it? I mean, if we have to pay for damages, it's not going to be with money, I mean...
01:03:38Dude, you stay still now.
01:03:41Look, Sots, if we're red wine drinkers, I knew that so much rebujito was going to cause us problems.
01:03:49What do you think?
01:03:50A huge mess.
01:03:56Does it look like that, monk? They look like two fried eggs with a grasshopper on top.
01:04:01Do they seem to believe you?
01:04:03Look, look, look, look.
01:04:06I think he's alive.
01:04:12Does it seem like it's going to cause you problems?
01:04:14Ah!
01:04:16Ah!
01:04:17Ah!
01:04:18Ah!
01:04:18Ah!
01:04:18Ah!
01:04:18Ah!
01:04:19Ah!
01:04:20Ah!
01:04:35Ah!
01:04:35Making the rounds, aren't you?
01:04:37Yes, I like coming to...
01:04:38So, how are you, Mauricio?
01:04:40Of course, I'm not going to be the one...
01:04:41Yes, and this is the time.
01:04:43I come, I cover him up, I sing to him.
01:04:45So, why are you here? For the stash, right?
01:04:48That's not mine.
01:04:49No, no, no, no, it belongs to my mistress.
01:04:51He can't get out of bed because of how high he is, right?
01:04:54Go on, go on and take this out of my sight, but immediately.
01:04:59Angela.
01:04:59Angela.
01:05:01The temperature.
01:05:04Hi Angela, well, I just came because Iñaki charged me, and this lamp was there...
01:05:09And it seems to be okay, huh?
01:05:10Look, it turns on, it turns off, it turns on, it turns off, it turns on, it turns off...
01:05:14What has that stopped doing?
01:05:15I had an epileptic seizure.
01:05:1836.7.
01:05:20Oh!
01:05:2136.7?
01:05:22Well, you can leave now, okay?
01:05:23Damn, mom, what a great temperature, huh?
01:05:26Champion.
01:05:27One of the best there is, one of the very best there is.
01:05:29Because in their condition, even a few tenths of a degree can be lethal.
01:05:32Already?
01:05:33The same with a stupid child?
01:05:35Oh.
01:05:36Go on, go take a shower, it's obvious you've been to the fair!
01:05:40It smells like vice!
01:05:41How shameless!
01:05:42The bad mother and the child at the fair.
01:05:44Imagine that!
01:05:45Oh, what...
01:05:46Come here.
01:05:48Okay, take this, okay?
01:05:50And if you ever use my box office mistress again,
01:05:53You'll understand why we Basques don't play with a racket.
01:05:56Yes, yes, I just understood.
01:05:57Hey?
01:05:58Okay, okay.
01:05:58Air!
01:06:02She doesn't want a little bit, does she?
01:06:13Cane, I assure you that this is not the best time to talk.
01:06:16So, that's why he wanted to invite the advisor, right?
01:06:18To laugh at me right to my face.
01:06:20What's happening?
01:06:21If I come with the mayor, you'll come with your little shell.
01:06:23Who is that?
01:06:25Where is Iñaki?
01:06:26Let's see, Dad.
01:06:26But you know me perfectly well and you know that I'm more macho than a Peralda horse.
01:06:30Damn it, Trini, you tell him, you're the one who stayed behind to sing.
01:06:33Sorry.
01:06:34No, Robert, I didn't mislead you.
01:06:36Our relationship is purely professional.
01:06:39Can you give me a ride?
01:06:40Wherever you want?
01:06:42This comes from your mother's side of the family.
01:06:44From your uncle Eusebio.
01:06:46He never wanted to go to either football or bullfighting.
01:06:49But, Dad.
01:06:50Well, I guess so.
01:06:51It's probably Iñaki's fault, he's very secretive about information.
01:06:53Well, I won't even tell you about his crew.
01:06:55Hey, honey, this doesn't concern you, damn it.
01:06:57Besides, we didn't invent this ourselves.
01:07:00If Robert hadn't appeared naked in front of Sabino...
01:07:02That?
01:07:05Look, I'll call you later, okay?
01:07:07Dad.
01:07:08Dad.
01:07:08Come on.
01:07:09This party has given everything it had to give.
01:07:12This party and the bathroom, shit.
01:07:15Well, let's go to the rides.
01:07:16On the Viking ship, the ships will surely feel right at home.
01:07:20Come on.
01:07:20Let's go.
01:07:25Hey, are you okay, man?
01:07:27To Robert.
01:07:28I feel sorry for you.
01:07:30Do you know what's happening?
01:07:31That in the end you choose love.
01:07:33You open your heart to them and suddenly...
01:07:36They disappear from your life.
01:07:38What I don't understand is whether Iñaki wasn't referring to Robert when he told me he liked him.
01:07:43someone.
01:07:44Who the hell was he talking about?
01:07:47Let's see those three sycophants.
01:07:49What are the Dulcineas waiting for?
01:07:50Come on.
01:07:51Yes, daughter.
01:07:52Are you mixing up the stories?
01:07:53Dulcinea is the one from the sleeping guide.
01:07:56The mix is what I'm going to make tonight.
01:07:59Okay, so what?
01:08:00To the little gadgets, then.
01:08:02Come on.
01:08:03Hey, are you sure?
01:08:08What, Peyo?
01:08:09Which shed are you going to tear down now?
01:08:11You have hundreds to choose from.
01:08:15But if your goal is to succeed.
01:08:18Two ears and a tail will take you to this fair.
01:08:20Little one from the Basque Country.
01:08:22We took home six ears and three tails.
01:08:25Well, the distribution is done.
01:08:28Come here.
01:08:31Versuguita.
01:08:32Look, like Noah's Ark, the little animals are already paired up.
01:08:35Now it can come, a universal flood.
01:08:38But what if we don't have an ark?
01:08:40Hey, Tashi.
01:08:42Why do we want an ark?
01:08:43We are carrying out our duties.
01:08:46Come now.
01:08:46Let's go to the rides.
01:08:49Panchón.
01:08:51This isn't getting out of hand, is it?
01:08:54Don't worry.
01:08:55One spin here, two on the Ferris wheel and we'll say goodbye to these.
01:08:58Yes, I see danger here.
01:09:01Promise me we'll leave on time.
01:09:03Everything is under control.
01:09:04No zippers are being undone here.
01:09:06I'm telling you.
01:09:07Kid, stop the chat already.
01:09:10Every two people in the carriage turn into a pumpkin.
01:09:14That's my Cinderella.
01:09:16Maybe we shouldn't call Inequi and ask how he is doing.
01:09:20He probably doesn't want to know anything about us for a while.
01:09:22That's also true.
01:09:24As?
01:09:24There are things you have to experience once in your life to be able to tell your grandchildren about.
01:09:28And this looks like it might be one of them.
01:09:32Anchón!
01:09:32Everything is under control.
01:09:34Like in a flash.
01:09:35Take that!
01:09:39Dance for me, dance for me like a Sevillana, because I want to sing to you.
01:09:43Dance Sevillana for me, I want to see you dance.
01:09:48That's the one I have.
01:09:50Oh my God.
01:09:52Of course, look, what a great pleasure it is to get rid of all this.
01:09:55Good heavens, I look like a street vendor.
01:09:57You can always give it to Robes.
01:10:00Look, I would have given my costalero medal for a kiss.
01:10:05I would have given all my Dolly Parton records to be able to tell the story in the clinic.
01:10:10Enough already, enough already, we've been at the little hill for half an hour.
01:10:13Say.
01:10:14Well, he put the door here, look.
01:10:16Dancing Queen.
01:10:19Sorry, Iñaki, but news travels fast here.
01:10:21They fly right up to the roofs of the booths here
01:10:25Of course
01:10:26It's been the best fair I've ever been to.
01:10:28I don't even want to think about what it must be like with you.
01:10:30Holy Week
01:10:31A Holy Week with Vasco, you'll see
01:10:33One step in one hand with the Virgin here
01:10:35And with the other hand, giving a slap, clearing the way
01:10:38Well, well, let's see, I must have gotten used to fried food.
01:10:40And that you all speak as if you had mashed potatoes in your mouths
01:10:43But to Vasco's jokes
01:10:44I'm not used to that.
01:10:46Listen to me, speaking of Vasco
01:10:48A friend of yours left this at my shop
01:10:51I mean, how could it have fallen out of his pocket?
01:10:53With how tightly I had it
01:10:55Okay, I'll give it to him.
01:10:57Come on, Iñaki, so you'll cheer up and see that we're paying attention to you.
01:11:00I've created one of your skewers
01:11:01You have created
01:11:04Kid, yes
01:11:05Look, I've fused the traditional cuisine from here
01:11:07With the coast of that piece of bread over there
01:11:10And the result is surprising
01:11:11A skewer of Moorish kebab
01:11:13Surprising and redundant
01:11:22This is good
01:11:23Is it tasty
01:11:27And I'm going to tell you something else.
01:11:29It has the crispy point
01:11:31Crunchy?
01:11:32Oh, oh, oh, the toothpick that's been left inside
01:11:34Spit, I climb everything
01:11:35Water, water, water
01:11:36What a sad man.
01:11:40Yes, of course, the Basques in the north
01:11:42They are like oak trees
01:11:43But they go down south
01:11:44And they become orchids
01:12:08Haha ...
01:12:09Don't kill yourself! Don't kill yourself! Don't kill yourself!
01:12:15Cover it up, cover it up, cover it up!
01:12:17Come on, Lesslie!
01:12:19Oh, how annoying!
01:12:24Hush-hoo, little fish! Do you like DIY projects?
01:12:27I have a picture to hang in my house, but I don't know how to use a drill.
01:12:32Look, they call me the woodpecker, that's all I'm saying.
01:12:35God!
01:12:37Hey, you rascal! Take it to this point, you have to let yourself go, eh?
01:12:40We're either Basques or mice!
01:12:43Pull, pull!
01:12:46Oh my God!
01:12:54But weren't we going to ride the rides?
01:12:57What? Getting a ride? That's the contraption I want to see you ride.
01:13:11Iñaki, Peyo! What are you doing there?
01:13:12So, how are we supposed to go home now?
01:13:14But you're the one responsible, damn it.
01:13:15And you guys marry them, don't mess with me.
01:13:17He is the representative of a franchise chain.
01:13:19He has made me an offer to buy the premises.
01:13:20And I'm going to accept it.
01:13:21Won't you think about whether you were asked?
01:13:23No, no, man, yes, no, no, no.
01:13:25Oh, my little fish!
01:13:27Did you give the letter to Iñaki or not?
01:13:30I think I like Carmen; I can't get her out of my head.
01:13:33We finish our shifts at the same time today, so we could go for a drink.
01:13:36Well, let's grab a drink and see what happens.
01:13:38Oh, what's wrong!
01:13:39It got into your hair, man, my brother Rafael, my sister-in-law Isabel,
01:13:42And it doesn't stop until you've got it.
01:13:43If you've read it, she'll call me, right?
01:13:45And what do I tell him, Anchón?
01:13:46Thank you very much, but what happened to her?
01:13:47Well, with Vasco at home, I have my own Michelin star.
01:13:50Although tonight you'll have to tell Michelin to sleep somewhere else, won't you?
01:13:52Basque man, what's up?
01:13:54I hope all this isn't because of theft.
01:13:55I'm sorry, darling, but not everything we do has anything to do with you.
01:13:58You haven't given your phone number? Are you crazy?
01:13:59I don't know, damn it, he just sent me his picture.
01:14:01Look, my sister has been dreaming since she was a little girl about a man dressed in shorts
01:14:04He was declared while riding a horse at the Seville fair.
01:14:07Oops!
01:14:08But what's wrong with that?
01:14:11Damn it, man!
01:14:14Go for it! Oh, kid!
01:14:16What did you think of this?
01:14:18That's bullshit, Rafi.
01:14:19What's the big deal, Quillo, that I should tell you to get lost?
01:14:20And now Carmen and I are getting back together?
01:14:23You have to go to that girl and throw her a challenge.
01:14:25A daredevil and leaves the Basque flag flying high, damn it, go for it.
01:14:30What's that?
01:14:31I want to buy the premises.
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