Allí abajo - 1x07 - El órdago - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Ver Allí abajo - 1x07 - El órdago - HD 1080 - Aquellas Maravillosas Series en Dailymotion

Transcript

00:00:00Are you going to be scared of having a friend from the other side of the street now?

00:00:02Imagine we arrive and find him holding hands with the other one, all lovey-dovey.

00:00:06But what are you doing here?

00:00:07Today, Iñaki joins us to work. He'll be in charge of the kitchen.

00:00:10They've given me the head of the kitchen, I mean, I thought I was going to start as an assistant.

00:00:13And in Anchón, I'm innovating with the menu.

00:00:15Iñaki just wants to help us.

00:00:16What he wants is to get rid of him.

00:00:18No, if we show Trini that we are a team.

00:00:20So, what do you think of the letter for Iñaki?

00:00:22But all he needed to do was put his heart in the envelope.

00:00:24I've even had time to regret writing it.

00:00:26It's the best thing you've done in 20 years.

00:00:30Just thinking about him being there surrounded by Andalusian women.

00:00:33I'm not very good at understanding women.

00:00:35But Carmen's case is a special one.

00:00:36I don't know who you are, the chosen one.

00:00:38Look, that woman doesn't know what she wants.

00:00:39And what does she know, daughter? And what does she know?

00:00:41The thing is, he's afraid of having found it.

00:00:44Thank you for taking care of my Rafa and my Isabel.

00:00:47Well, I'm going upstairs because I have to take care of my husband.

00:00:49I've heard that your father is a very good friend of the health minister.

00:00:52I imagine he'll go to your fair booth.

00:00:54Two years and he's never invited me to his father's booth.

00:00:56Does he think I'm not good enough to go to his little booth?

00:00:58I don't think that's it because he invited all the Basques.

00:01:00Are you going to the fair dressed like that?

00:01:02Who are those people, Carmen?

00:01:04We're going to Robert's father's cabin.

00:01:06If you want, you can come with us.

00:01:08We're going to have a great time!

00:01:11Of course, you brought me here to make Robert jealous, didn't you?

00:01:14Stop pretending.

00:01:15We know you like it, damn it.

00:01:16Maybe I like it a little, huh?

00:01:18There, I've said it.

00:01:19We can't think of a better boyfriend for our friend Iñaki than you, Robert.

00:01:23So welcome to the crew.

00:01:25Did you have time to give the letter to Iñaki?

00:01:27A friend of yours left this at my shop.

00:01:30Okay, I'll give it to him.

00:01:31Come here, little sea bream.

00:01:34This isn't getting out of hand, is it?

00:01:36Crew, we've reached this point.

00:01:37You have to let yourself go.

00:01:38Viva!

00:01:40But we're not going to put it on the little gadgets.

00:01:42That's it, let's get started.

00:01:53Viva!

00:02:22Thanks for watching the video.

00:02:34Thanks for watching the video.

00:03:22Thanks for watching the video.

00:03:24No, no. I just came from bed, I couldn't sleep with so much Sevillana music.

00:03:28Look, I'm going to cook something for my friends, okay? They eat like animals.

00:03:32What an ugly fish, son.

00:03:34This, this is a scorpionfish. Look, look closely at how beautiful it is, eh?

00:03:38I'm sure you didn't find it in Carmen's fridge, huh? I'm telling you.

00:03:43Because the only fish they serve there is canned.

00:03:46No, no, not at all. I did my shopping yesterday. I went out to buy some fresh bread that has a fancy menu.

00:03:51Where are they now? Still at the fair, right?

00:03:53Yes, definitely at the fair. Set up the rides. I can see it coming.

00:04:14Little girl, are you awake?

00:04:17Girlfriend, are you awake? He hasn't even started to sleep.

00:04:20Neither you nor anyone else, girl. What a weight I've gained! I've lost at least five kilos.

00:04:26In just one night, I've tried the melon diet, the artichoke diet, and the...

00:04:32sausage.

00:04:35Little girl, that delicious-looking back of food, where does it come from?

00:04:39Yes, the Basque one, Carmen's. Just like we each have a Basque one now.

00:04:45Hey, but yes, ma'am, right here in the thick of it. If it smells good, it's nourishing.

00:04:50No, finally it smells like home.

00:04:53So, what are you doing there?

00:04:55Ñaqui, are you there or what? I live here.

00:04:59Oh, in this building?

00:05:01Damn, I didn't even notice it in the doorway last night, to be honest.

00:05:04Not in the doorway or in the bathrooms, because I already saw you peeing in the courtyard.

00:05:07I knew those urinals were big.

00:05:10Hey, Ñaqui, thank you so much for bringing the products from the north.

00:05:14Good morning.

00:05:15Let him know that we've used every last bit of it, from head to tail.

00:05:20What's the matter?

00:05:22My world is collapsing.

00:05:30Ñaqui, she looks terrible, she has the same face she had when your mother was admitted.

00:05:33No, no, I'm fine. It must be the fair going to my head.

00:05:37A lot of south, isn't it?

00:05:39Ugh, too much.

00:05:40Well, I'm off, as always I'm in a hurry.

00:05:43Oh, Carmen, wait.

00:05:45What lunch have I prepared for you?

00:05:47Oh!

00:05:47What have you prepared for me? A gazpacho cake like the ones you make?

00:05:50Not gazpacho, scorpionfish.

00:05:52Oh, well, let's see if you stay up later, huh?

00:05:54Because this is so good.

00:05:57And cheer up, man.

00:05:59Even if it's just for your friends, who are sure to give you a great day today.

00:06:02When they give him signs of life.

00:06:04No, yes, they have already given signs of life.

00:06:05Of life and of a great life, even.

00:06:07I'm living the high life, huh?

00:06:09Come on!

00:06:10Onegin!

00:06:11Bye!

00:06:12Bye!

00:06:15Bye!

00:06:30Viva!

00:06:32I'm sure you don't want to leave it a little longer, since the job can still be finished, right?

00:06:37Man!

00:06:37What a face I made!

00:06:38That's because of the hair and the width.

00:06:40Know?

00:06:40I can't go north with casualties.

00:06:42Oops!

00:06:43Oops!

00:06:43I'm going to be Samson.

00:06:47Wow!

00:06:49Wow!

00:06:50Can you hear?

00:06:50Please turn the music down.

00:06:52Coconut!

00:06:52What music?

00:06:52If there is no music.

00:06:53Oh!

00:06:54Well, I've had trouble with the guitar.

00:06:56I'm hearing folk songs in my head, Coco!

00:06:57Hey, you're not going to leave without saying goodbye, are you?

00:07:00No no.

00:07:01Well, bye, bye.

00:07:03And me, and me.

00:07:04Hey.

00:07:07Here it goes.

00:07:12You're still the worst tip!

00:07:15God!

00:07:16What have we done, Ancho?

00:07:17What have we done?

00:07:18Don't ask me difficult questions.

00:07:20Fuck!

00:07:21Even my watch hurts.

00:07:22Wow!

00:07:23Wow!

00:07:25What? What's going on?

00:07:28Make room for me.

00:07:34What a mess, huh?

00:07:36No!

00:07:37Fatty!

00:07:39So, how are we supposed to go home now?

00:07:41Okay, that's up to you guys.

00:07:42I've been playing cards with Lucy all night.

00:07:45Cards?

00:07:46You didn't gamble away the trip jackpot, did you?

00:07:47Well yes.

00:07:48He's left me penniless.

00:07:50That woman has something supernatural about her.

00:07:51Yeah.

00:07:52The ass.

00:07:55Shame on you, Peyo!

00:07:56But you're the one responsible, damn it.

00:07:58And you married people, doesn't that piss you off?

00:08:01Damn, don't mess with me.

00:08:02It's true.

00:08:11Añaki, don't look at us like that, damn it.

00:08:13We already feel bad enough.

00:08:14Okay, we've hit rock bottom, haven't we?

00:08:16We are aware.

00:08:18Besides, I already feel like throwing up.

00:08:19Already.

00:08:21But, man, you'll have some, right?

00:08:26No?

00:08:32Do you eat a lot?

00:08:33Hey?

00:08:33Why feel so guilty?

00:08:35For getting the price right, Inés.

00:08:36What have you done?

00:08:37Coldo, Anchón, you are married.

00:08:39You guys aren't like that, damn it.

00:08:41Hey, damn it, we already know that too, right?

00:08:43But we shouldn't take things too far, right?

00:08:45What have we done?

00:08:46No, wait, what have we done?

00:08:48How much did we sleep?

00:08:49We have...

00:08:50There has been a bit of friction.

00:08:51Touch and enjoyment.

00:08:52Leave him alone, Coldo.

00:08:53We have sinned through lust, Iñaki.

00:08:55But please understand, we weren't prepared for this.

00:08:57Here, women touch you without knowing you at all.

00:09:00They're touching you, Iñaki.

00:09:01And they ask you to dance.

00:09:03Like it was nothing, you know?

00:09:05And here you don't have the boiler welded on, like up there.

00:09:07Damn, this gives you.

00:09:08It's all the fault of those rebujitos.

00:09:10You can calmly take 20, and by the 21st you're already up on a table crying for shrimp.

00:09:15A monster, shrimp.

00:09:16Fuck!

00:09:17That!

00:09:18Change it!

00:09:19Change it!

00:09:21I mean ugly.

00:09:22Let me tell you something, okay?

00:09:23This year...

00:09:23You'll see me soon during Donosky's big week.

00:09:27Come on, you haven't exaggerated either.

00:09:28Well, freaks.

00:09:30So what are you going to do now?

00:09:31A mind wipe, a change of clothes, and we'll get laid as soon as we're done with this.

00:09:36Aren't we going to say goodbye to the association?

00:09:39No.

00:09:40No.

00:09:45Hey, you really don't mind giving me a ride to work?

00:09:47Of course, you'll find your way.

00:09:49And so we said goodbye to Marichu.

00:09:50Hey, hey, come on, let's go.

00:09:51Let's go, Sancho, the wild beasts are coming.

00:09:53Look, no, girl, it's the Basques, who are escaping the French way.

00:09:58Hey, you don't think, it's hard to ask you.

00:10:00No, no, man, yes, man, no, no, no.

00:10:02The thing is...

00:10:02Do you know what's happening?

00:10:03We still have a long, long way to go, and it can even be done at night.

00:10:07But it's been a pleasure, hasn't it?

00:10:09Hey, we had a great time, huh?

00:10:11Yes, that's true.

00:10:12Don't make such a big speech, my dear, or we'll start crying.

00:10:15Don't cry, don't be ridiculous, there hasn't been time to get attached yet.

00:10:18Oh, I started liking him as soon as he grabbed my little butt.

00:10:23My weapon, a little kiss.

00:10:26Look, I bought you a little gift from Seville.

00:10:29So that it leaves you with a good taste in your mouth.

00:10:31No, girl, I'll take the flavor with me.

00:10:33Thanks, Lucy, that's a nice touch.

00:10:36Nothing, it's very little, my weapon.

00:10:37Well, we haven't had time to buy anything, have we?

00:10:40No, with all the rushing and everything.

00:10:41How are you?

00:10:43That's all.

00:10:49Although I have another good memory of you.

00:10:51My weapon, apart from the shoelaces.

00:10:55Oh, my little fish!

00:10:58Hey, this is comfortable, let's go now, we need to refuel.

00:11:01Come on, let's go.

00:11:02Well, there's no real rush, is there?

00:11:04Look, like this.

00:11:05Okay, that's it.

00:11:08Wow, that's beautiful.

00:11:11They're going at a moderate temperature!

00:11:12Oh, oh, oh, look at them!

00:11:16Well, well, Adela!

00:11:17They both destroyed me.

00:11:18What rare specimens!

00:11:20Oh, we have to put this in the WhatsApp group, girl!

00:11:22I'm going to break my fingers!

00:11:24And everyone in the square already knows it.

00:11:26Even the blind man who sells coupons knows it.

00:11:33Oh, the water, it's like vegetables!

00:11:35Well, you know I'm on a diet, right?

00:11:36You're going to put us in charge of the regime.

00:11:38Come on, complain about that and your stomach will close up.

00:11:40Or you lose the desire to gome.

00:11:41Hey, I don't know what's wrong with that, huh?

00:11:42Look, cauliflower, broccoli, artichoke, and green beans.

00:11:45None of this smells bad.

00:11:46Well, it must be the combination, because come on, this can't be a lie.

00:11:50Look, it doesn't look very good for your situation either.

00:11:52Well, it's delicious.

00:11:54I made the Basque for the glass.

00:11:55Try the papacho cake.

00:11:57Yeah.

00:11:58I don't eat things that I don't know how they died.

00:12:00Ah, the sweet toast.

00:12:01He has to try it, that's all the Basque has to offer.

00:12:03Less air, huh?

00:12:04As if we haven't cooked ourselves up here in the south, or what?

00:12:06Hey, nobody says that anymore.

00:12:08But it's great to try different things.

00:12:11Can?

00:12:12Oh, speaking of trying different things.

00:12:15Another one, who likes to eat Basque food.

00:12:18What's happening?

00:12:18You've all heard what happened at the fair, right?

00:12:21Well, the rumor has spread and it hasn't even been necessary on the internet.

00:12:25Well, then you've probably also heard that it was all a misunderstanding, right?

00:12:29That's right, it seems you're a little confused.

00:12:35Carmen, can I talk to you alone for a moment, please?

00:12:47That?

00:12:47You'll be laughing about it for a while, won't you?

00:12:50Hey Robi, you have to admit it.

00:12:52What a load of crap!

00:12:52And your father's face was a sight to behold.

00:12:56Yes, it must be admitted that it had its charm.

00:12:59Well, I thought that today we finish our shift at the same time.

00:13:01So, could we go for a drink away from the hustle and bustle of the fair?

00:13:04Well, let's grab a drink and see what happens.

00:13:12Oh! What's wrong? What?

00:13:14Damn it!

00:13:16Okay, so what?

00:13:18Dolores leaves at the same time.

00:13:19Why doesn't he tell her?

00:13:22Look, Carmen, I'm not going to say anything bad about Dolores,

00:13:24But the one I want to get drunk is you.

00:13:26With you, beautiful words come to me naturally without me having to force them.

00:13:29Look, Robi, I don't know, the day is very long and we'll see how I end up, okay?

00:13:35So, that's a maybe, right?

00:13:38That's a maybe, a...

00:13:42We'll see, maybe.

00:13:46Olé!

00:13:47Well, Marichu, we're glad to see you too.

00:13:51Chuan, don't yell at him so much, damn it, he's not in the afterlife.

00:13:55I'm just a little tense after saying goodbye to them.

00:13:57Besides, seeing Marichu like this fills me with respect.

00:14:00Just like when I was awake.

00:14:02That's also true.

00:14:03Look, Marichu, we really have to leave,

00:14:06But we're still keeping an eye on things, in case Iñaki, for whatever reason, for anything at all,

00:14:10It needs... Come on, if we have to go down again, we'll go down.

00:14:12Look, really, I'm here like God.

00:14:14I have a mom nearby, I have the ETV.

00:14:16If a little drizzle fell from time to time, it would be like being at home.

00:14:19Well, there's no place like home, Iñaki, which I imagine you'll miss from time to time.

00:14:23a game of mousse or a fronton.

00:14:29What? What did I say, then?

00:14:50You've got everything here, huh?

00:14:52Don't tell me you've also planted a Guernica tree?

00:14:54No, but I've found a market with fresh fish that even the best fish market in the Basque Country can't match.

00:14:58Okay, that's it.

00:14:59It seems to me that fresh fish isn't what you like most about here.

00:15:03Yesterday at the booth you said you liked someone.

00:15:06And if it's not the doctor, it has to be the nurse, that Carmen woman, right?

00:15:11The one that has you hooked.

00:15:12Man, caught, caught.

00:15:14Caught, caught.

00:15:14Sodom and Gomorrah, I'm telling you.

00:15:16That's the good stuff, champ.

00:15:17Why didn't you tell us before that you were having an affair?

00:15:20Man, because I don't even know that I like it.

00:15:22Oh, I almost forgot.

00:15:24The tailor told me that one of you had dropped this.

00:15:28How clumsy of you, Kondo!

00:15:29Do you have to say everything or what?

00:15:31Let him read it and find out once and for all.

00:15:35What should I find out?

00:15:36About what?

00:15:38No, those will be matters of necane.

00:15:39That has nothing to do with you.

00:15:41From necane?

00:15:42You have to give so many clues.

00:15:43And you have to say it's a clue?

00:15:45Yeah.

00:15:46Okay, we're leaving now, okay?

00:15:49I haven't given the parking attendant a euro and he's probably scratching my whole car.

00:15:56What, dude?

00:15:58What are you saying?

00:16:00You don't know.

00:16:02Well, we have a feeling.

00:16:03Of course, we weren't going to read it, that's private and we have personal ethics.

00:16:09Well, she's a little crazy and says she's in love with me.

00:16:15Look at that, lovestruck girl.

00:16:16Life gives you a surprise.

00:16:17Yes, but the thing is, he says it in a few words.

00:16:20I didn't know a Basque woman was capable of saying this.

00:16:22No, man, Basque women don't speak, but they write.

00:16:25And what are you going to do with it, I ask?

00:16:27Well, what am I going to do, stay silent, not even mention the subject, come on.

00:16:30I don't know, I don't understand these things, but I suppose the girl will want an answer, right?

00:16:35Okay, so what do I tell him, Anchón?

00:16:36Hey?

00:16:37Thank you very much, but I'm passing on her.

00:16:39No, man, no.

00:16:39I'll stay quiet and let her connect the dots, man.

00:16:41The one I like, or think I like, is Carmen.

00:16:45I can't get it out of my head.

00:16:47And I had to put it in Necane.

00:16:48In the head.

00:16:50Well, look, it's fixed.

00:16:51You go for the Andalusian one, and the other one will find some other guy to keep her entertained.

00:16:55Sure, I'll take her to the berriguna myself, there are some good, eager kids there.

00:16:58I vote for the Andalusian one.

00:17:01That's right, ñaqui.

00:17:02You have to do us proud, huh?

00:17:04Ah, important.

00:17:07Not a word about us, okay?

00:17:09Repair.

00:17:10Relax.

00:17:11Well.

00:17:12I.

00:17:22On Onda Cero, with more than one.

00:17:27Who do you think it will be?

00:17:30I don't know.

00:17:31They've been looking at everything for half an hour.

00:17:33It looks like something out of CSI.

00:17:34What if they're going to renovate it to make it prettier?

00:17:37Coming from Trini, nothing can be pretty.

00:17:40I don't trust him one bit, that's for sure.

00:17:41Go Isabel.

00:17:42Go Rafi.

00:17:43Good morning.

00:17:44Rapier?

00:17:45Did Carmen kick you out of the house again?

00:17:47No, man, no.

00:17:47Look.

00:17:48I've made some Basque dishes.

00:17:50Let's see if the customers like them.

00:17:52Scorpionfish pie.

00:17:53By rusalda.

00:17:54And a Navarrese dessert.

00:17:55Chanchigorri.

00:17:56Man, if I offer this to the clientele, they're going to think I'm insulting them.

00:18:00Hesitate to try them first.

00:18:01Arsa.

00:18:02How are you?

00:18:03Hi, Trini.

00:18:04Hello.

00:18:04Hey, who's this stuck-up guy?

00:18:06More paint.

00:18:07In the end, you can't have it, huh?

00:18:08He is the forensic wolf as if he were one.

00:18:11He is the representative of a franchise chain.

00:18:13Franchise?

00:18:14Don't say that word in front of a professional truck driver, Trini.

00:18:16That's how the bug says it.

00:18:18Well, this thing is very profitable, Rafi.

00:18:19They're called the thousand and one tapas.

00:18:20And they have already spread across half the world.

00:18:22Well, a thousand and one traps, I'd say, huh?

00:18:24Those have already reached San Sebastián.

00:18:26And they're shady characters.

00:18:27Come on, they buy premises at ridiculously low prices while losing money.

00:18:31And then, well, they ruin the entire local restaurant industry.

00:18:34Until they take everything.

00:18:36Well, that's the law of the market, isn't it?

00:18:38The big fish ends up eating the little fish.

00:18:41And why were you showing the place to that piece of trash?

00:18:45Because that shark made me an offer.

00:18:48Let's see, with so many fish this looks like a documentary.

00:18:50An offer for what?

00:18:50An offer to buy the premises.

00:18:52Very advantageous.

00:18:54And I'm going to accept it.

00:18:56And what about us?

00:18:57Are we part of the lot or are we the ones who will make the murderous gallows eat what?

00:19:00Well, you'll have to discuss that with the new owners.

00:19:02It's not up to me anymore, okay?

00:19:04Come on, they're firing us to hire cheap labor, aren't they?

00:19:06And what future awaits us, Trini?

00:19:08Being inside a machine selling blood sausage, reheated food, and chewing gum?

00:19:11Or should we buy a djellaba and make a quepa, Rafi?

00:19:14Trini, let's see.

00:19:15You supposedly hired me to make this work better.

00:19:18And besides, you're the first one who likes my sauces.

00:19:22I am convinced that the three of us can pull this off.

00:19:25Hooray!

00:19:25Hooray and bravo!

00:19:26Yes, Iñaki, but this bar is a ruin.

00:19:28And no matter how low you are, you won't be able to lift this up.

00:19:30Think about it for a bit, Trini.

00:19:31Can we take a pay cut if necessary?

00:19:34Or a two-for-one deal?

00:19:36EITHER...

00:19:36Or half a day?

00:19:37Or is this thing that's trendy?

00:19:38Or a mass layoff?

00:19:39EITHER...?

00:19:39Look, the sale will be signed tomorrow, Rafi.

00:19:42I'm sorry.

00:19:42Or early retirement?

00:19:44EITHER...

00:19:45EITHER...

00:19:46Or a shitty thing, Trini?

00:19:47Did he really screw us over?

00:20:00What is it?

00:20:04I don't know.

00:20:06It looks like a car decoration, doesn't it?

00:20:12Man.

00:20:14Beautiful, beautiful...

00:20:16It's not.

00:20:18A memory.

00:20:26Damn, it's a failure!

00:20:27Damn it, we came south to save Iñaki!

00:20:32And we've lost ourselves.

00:20:45This is the future of the hospitality industry.

00:20:47They're going to switch us for one of those franchises that records orders with a little cross on a piece of paper.

00:20:52Rafi, we've been dealt a bad hand.

00:20:55Oh...

00:20:56I was doing so well in the kitchen.

00:20:57It was like conquering virgin territory.

00:20:59Well, she's going to stay a virgin.

00:21:01Well, at least you'll get a good severance package.

00:21:04Mine must be around...

00:21:07Three euros.

00:21:08But what are they saying?

00:21:09It will last two or three months.

00:21:11And then what?

00:21:12Hey, what are we going to do about Rosita?

00:21:14Oh, the mortgage!

00:21:15I think something is going to happen.

00:21:17They can rehire us.

00:21:18Because we know our customers and we bring them joy.

00:21:20Those people don't want joy.

00:21:23What he wants is for us to work 12 hours for 600 euros.

00:21:25Yaki!

00:21:27Yaki!

00:21:28Joy for them, then.

00:21:31Come on, shall we?

00:21:32We must keep going.

00:21:34Angela!

00:21:35Yaki!

00:21:35Listen to me.

00:21:36Do you have that pistachio cake?

00:21:39From scorpionfish.

00:21:40So, do you have it or not?

00:21:41I have it, I have it.

00:21:42Shall I put a new one on you?

00:21:43Four best.

00:21:45Happens?

00:21:45Would you like to invite my colleagues over?

00:21:47Invite your colleagues?

00:21:48When have you invited anyone?

00:21:50You know, I get along wonderfully with my colleagues.

00:21:52And anyone who says otherwise, get ready, because I'm going to make their life impossible.

00:21:55One, two, three and four of scorpionfish.

00:21:58Here it goes.

00:21:59Do you have anything sweet too?

00:22:01Chachigorri.

00:22:02What called me?

00:22:03No, it's a dessert.

00:22:04It is made with pork rinds.

00:22:05Oh, what a mess, right?

00:22:06Well, give me four too.

00:22:07Come on.

00:22:08Hey, that'll be good for the regime, won't it?

00:22:10Man.

00:22:10Perfect, come on, tell me how much it is.

00:22:12Well, four starters and four desserts, 28 euros.

00:22:17Raffi, get paid.

00:22:17Okay, I'm going to go upstairs for a moment to visit Rama.

00:22:22Here you go, teacher.

00:22:23He gave me money.

00:22:28Pretty.

00:22:29Pretty.

00:22:43Oh, Mom, what's that? A rat?

00:22:44Oh!

00:22:47Oh, no, no.

00:22:49It would be, it would be a fluff.

00:22:51Hey?

00:22:51Turre?

00:22:55Boss!

00:23:00Absolutely.

00:23:06Hey, Iñaki, son!

00:23:10What's happening?

00:23:12What's with that face?

00:23:14I'm going to introduce myself.

00:23:16Don Benito Benjumea, the neighbor from the next room.

00:23:19That?

00:23:20Does he know me or not?

00:23:22What's the matter?

00:23:23Listen.

00:23:24And those flowers?

00:23:25My God, I'm going to tell you something.

00:23:27Next time, bring your father flowers, but not plastic ones.

00:23:31And don't steal it from the hallway.

00:23:33She's already in a coma, but she deserves real flowers.

00:23:35Yes, that's right.

00:23:36I was in a hurry and...

00:23:38But are you still going?

00:23:39Where are you going?

00:23:40They run so much and so much and so much.

00:23:42The Basques certainly need to learn to walk more calmly.

00:23:45Well, I'm off, I'm in a hurry.

00:23:50Are you okay, son?

00:23:53Yes, yes.

00:23:54Because?

00:23:55Because?

00:23:56Because he looks worse than Marco on Mother's Day.

00:23:58You might have a stroke and we'll have to admit you here with the sleeping pills.

00:24:01No no.

00:24:02I'm fine.

00:24:03Besides, I have to go to the bar.

00:24:05But you hadn't come to see your mother.

00:24:08Relax a little, son.

00:24:10In that state, a phone company will call you and try to sell you a DCL for the microwave.

00:24:16Yes, yes.

00:24:17That had come.

00:24:18To visit.

00:24:20But I said yes.

00:24:21So, what's the point?

00:24:22If I can come later.

00:24:23Up then.

00:24:24Come on.

00:24:26That?

00:24:27It's completely jammed, isn't it?

00:24:29Look, José.

00:24:30Look, I've seen many plants bloom.

00:24:33Even tropical ones.

00:24:35But I recognize that the burst of spring in the oak...

00:24:41He's already charmed her.

00:24:43I'm not quite understanding.

00:24:44You talk about plants and...

00:24:46Sometimes you'll invite me for some of those little pills you're taking because you're having a great time.

00:24:50Hey?

00:24:53Ah, I've been there.

00:24:58So, if Iñaki is an oak tree, at least I would be a palm tree.

00:25:04No, not a palm tree that has coconuts.

00:25:05A fig tree.

00:25:06No, that's chaleche.

00:25:08Oh, this is good.

00:25:09I'll think about it, I'll let you know.

00:25:12Yes, we've just left Andalusia.

00:25:16Well, what a relief, right?

00:25:17I'm telling you.

00:25:24What is Nekane? What do I do?

00:25:25So, what are you going to do? Answer.

00:25:26Do you want to know about the letter?

00:25:28Careful, okay? Take it easy with that.

00:25:30Ah, I'm not going to take that mess alone, okay? I'm using hands-free.

00:25:32Hey, hey! No, no, don't even think about using Hands Free.

00:25:33Hey, Nekane!

00:25:35Hi, Kondo.

00:25:36Are you in the car?

00:25:37Yes, yes, back again with the Hands Free, with Pello and with Anchón.

00:25:41Hey!

00:25:41Hey, how's it going?

00:25:43Oh, dear!

00:25:43Nothing, I was just calling to see how things were going.

00:25:47Good, good, very good, yes, right?

00:25:49Yeah.

00:25:49Yes, don't think that either...

00:25:52No!

00:25:52That's just ridiculous.

00:25:54What does it say?

00:25:54No, no, no.

00:25:56Iñaki, how are you doing?

00:25:58Hey...

00:25:59Good, right?

00:26:00Yes, I...

00:26:01Look, I've seen Iñaki very happy.

00:26:03Uh, no, no, well, let's go, but without exaggerating, okay?

00:26:06A bit more like a downcast, sad, no, no, like that.

00:26:10Oh, oh, oh, oh, come on, huh?

00:26:13There, there, there.

00:26:13So-so.

00:26:14Oh, and you gave him the letter, right?

00:26:18What are they saying?

00:26:19I don't know, they've remained silent.

00:26:21Okay, hands-free off.

00:26:22This is Begoña speaking, can you hear me?

00:26:25Damn, even without a phone, Bego.

00:26:26Let's see, did you give the letter to Iñaki or not?

00:26:30Hey...

00:26:31We're on the lookout...

00:26:34Not to dogs...

00:26:36Hey, to the mark and all that, man.

00:26:39If the call is cut off without you answering, I swear I'll be waiting for you at the border of the Basque Country.

00:26:43With your hand wide open, eh?

00:26:48Hey Begoña, the coverage's back.

00:26:50Yes, we gave him the letter, we are trustworthy people.

00:26:53And did she read it?

00:26:55Yes, yes, well.

00:26:56And how wonderful, how wonderful to read.

00:26:57Well, Iñaki, watch how he reads, be careful.

00:26:59And what did you think?

00:27:01Did he say anything?

00:27:02Now the lines are really going down, not anymore...

00:27:05No, there's no coverage anymore, if that...

00:27:07Goodbye, goodbye, goodbye, goodbye, goodbye.

00:27:09Well, I think we've weathered the storm well, don't you think?

00:27:14We have emerged as champions.

00:27:16She has read it.

00:27:17If she's read it, she'll call me, right?

00:27:19He'll have to tell me something; he won't stay silent.

00:27:21Well, I don't know what to tell you, because Iñaki could be given the trophy for the biggest fool in the Basque Country, I mean.

00:27:25He's going to call me, you'll see, I'm sure of it.

00:27:31He's going to call me.

00:27:33I'm sure he's thinking about me right now.

00:27:44Chabalote, we wanted to talk to you.

00:27:45Now? Can't you wait until it's over?

00:27:47Kid, can't you see that this is the most discreet place to talk about the whole clinic?

00:27:49There's no nurse here.

00:27:51To talk about what?

00:27:52Of love.

00:27:55Hey, you guys know that my homosexuality thing was just a misunderstanding, right?

00:28:00Relax, little one, we know what's wrong.

00:28:03The problem is you won't let me pee in peace.

00:28:05But do you think we haven't noticed what happened in the room a while ago?

00:28:09moment?

00:28:10What happened?

00:28:11That your pova falls off looking at Carmencita.

00:28:14Iñaki.

00:28:15These flowers weren't for your mother.

00:28:18No way.

00:28:19No way.

00:28:20This tan has been lost.

00:28:22Is it that obvious?

00:28:23A little friend.

00:28:24It's kind of like you're not from Utrera.

00:28:25What we didn't know was that you had already decided to take action.

00:28:30Yes indeed.

00:28:31He'll have to perfect the plastic flower thing.

00:28:35And you have to get your act together, okay?

00:28:37And to jump in, huh?

00:28:38Nurses are in high demand here.

00:28:40And anyone can come along and take it from you.

00:28:42It's not that easy.

00:28:44In the north they don't prepare us to seduce a woman.

00:28:46And even less so to a woman like Carmen.

00:28:49But some technique will work in there.

00:28:52What are you like when you want to go out and pick someone up?

00:28:55You're more into dancing, strolling, chatting, playing around, under the table, huh?

00:28:59We don't go out to pick up women.

00:29:02We went out for drinks with the gang.

00:29:04Well, but the crew is now dead, right?

00:29:05No.

00:29:06There are women's crews and men's crews.

00:29:08They go separately.

00:29:09Okay, friend, fine.

00:29:10But if you come across, for example, a woman without a bag, what do you do?

00:29:13It is usually very difficult to approach.

00:29:15Because the friends form an inward-facing circle in a defensive position.

00:29:18Okay, but if you run into her, what do you say to her?

00:29:21Well, hey, listen.

00:29:24And then what?

00:29:28Then nothing.

00:29:29We continued drinking with the group.

00:29:32I said it in a holy way and that the cow breed has not yet become extinct.

00:29:34You understand my problem now, right?

00:29:36Okay, okay, okay.

00:29:37Don't worry, we'll help you.

00:29:39Look, the art of seduction has its techniques.

00:29:43First, you have to talk to the girl, otherwise you're off to a bad start.

00:29:49Hey, Mr. Benjumea, we talked and talked.

00:29:50Yes, we talked, we already talked.

00:29:52Yepa, that's what you say to the cow, kid.

00:29:54We're talking about talking to one half of something.

00:29:57With a...

00:29:57With smooth talk.

00:29:58With grace, Gonzalero.

00:30:00But you haven't seen where I'm from.

00:30:03We don't have those things.

00:30:05They search your inner self, like Yetis.

00:30:10Inside I feel overwhelmed and I'm measuring the rejection.

00:30:12I don't even know if Carmen liked it.

00:30:14Let's see.

00:30:15Not here, listen.

00:30:16What you need to focus on now, okay?

00:30:18It's about her changing.

00:30:21Change.

00:30:22You have to do something that will impress her.

00:30:25So that?

00:30:26So that she'll look at you differently?

00:30:28Something that will impress her.

00:30:31Like what?

00:30:32Oh, friend!

00:30:34Find it!

00:30:35The solution lies within you.

00:30:39That's from the Yetis too.

00:30:47What are you eating, Angela?

00:30:48Fat pussy.

00:30:49Fat pussy?

00:30:50But weren't you part of the regime?

00:30:51This is Basque cuisine, it doesn't make you fat.

00:30:52Oh, let me try a little bit.

00:30:53What does she want, to be left with a cripple or what?

00:30:54Well, with the Basque guy at home I have haute cuisine.

00:30:57Come on, I have my own Michelin star.

00:30:59Although tonight he will have to tell Michelin

00:31:00He sleeps somewhere else, right?

00:31:01And why should I have to tell the child that?

00:31:03Oh, don't act like a saint.

00:31:06Because I heard perfectly

00:31:07How Robé suggested we go out tonight

00:31:08Let's have a drink and see what happens.

00:31:10And whatever comes up doesn't sound like holding hands.

00:31:12Robé is very smooth-talking

00:31:13And you have very good hearing.

00:31:15But come on, he needs more than just smooth talk, you know?

00:31:16To regain ground with me.

00:31:18A couple of rebujitos, like many of us who know you.

00:31:21Neither rebujito nor rebujita, eh?

00:31:23He won't fool me again.

00:31:24Until he proves to me that he's serious.

00:31:25But if he's following you around all day,

00:31:27What else do you want me to do?

00:31:28You're definitely stupid, daughter.

00:31:29The most eager doctor in the entire clinic

00:31:30And you're acting tough.

00:31:32Come on, if it came within my reach

00:31:33and squeezed it like an orange

00:31:34It was molded dry.

00:31:36God, oh, they dimasen.

00:31:37Oh, that's some very romantic stress, huh?

00:31:39But who's talking about love and love?

00:31:42Lotus flower, you are beautiful, you are pretty,

00:31:44You are nice.

00:31:45Take advantage now and give your body a treat

00:31:46because then this will end.

00:31:49I was going to take her with me for a good while.

00:31:50without giving him joy?

00:31:53Well, how do you know that?

00:31:55Man, Carmela, you know everything

00:31:56and it is shared.

00:32:00Okay, fine, fine, fine.

00:32:01It is true that we spend a lot of time together.

00:32:04And man, that's a joy for me.

00:32:05Yes, I would like that.

00:32:06But I'm not going to be the skinhead of the step.

00:32:07But what do you want the poor man to do?

00:32:09Well, let him prove it to me.

00:32:11That he really likes it.

00:32:12That leaves me speechless.

00:32:14She's going to love the open-mouth thing.

00:32:43Why are you looking at me like that?

00:32:44You feel sorry for me, don't you?

00:32:45I used to be a waiter, and now I'm unemployed.

00:32:47No, Rafi, no.

00:32:48That's not it.

00:32:49So?

00:32:50What was I thinking?

00:32:52Rafi, you know your sister Carmen well.

00:32:54My sister?

00:32:55As if I had saronged it.

00:32:57She leaves the house without a coat.

00:32:58And I get cold.

00:33:01Okay, then you'll know more or less.

00:33:02What are your tastes, right?

00:33:04What impresses him and that.

00:33:05Yes, yes, yes, that's under control.

00:33:06Look, what impresses him the most

00:33:07They are zombie movies.

00:33:09Hey?

00:33:10And it doesn't suck blood.

00:33:11It can't take ten minutes.

00:33:12without closing your eyes.

00:33:12I'm not referring to that, Rafi.

00:33:14I'm referring more to...

00:33:19To men.

00:33:22What do you like?

00:33:23Did your sister Carmen get involved with a man?

00:33:25Look.

00:33:27Will I be more, Aaron?

00:33:28How could I not have noticed this before?

00:33:30I'm freaking out, come on.

00:33:31If we love nothing.

00:33:33Sorry.

00:33:34You're obsessed with my sister.

00:33:36Encorilao.

00:33:37What do you like, Carmen?

00:33:38Did you get a bad case of mold, huh?

00:33:39Damn, I'm wearing a sign on my forehead or...

00:33:42Here, brother-in-law, brother-in-law, your egg there.

00:33:45Let's see, let's see.

00:33:46Brother-in-law, brother-in-law.

00:33:47Man, I'm really excited about it.

00:33:49that you're at Christmas Eve dinner

00:33:50there with the family, in our house,

00:33:52cooking everything delicious.

00:33:53Let me tell you something,

00:33:53your mustache cake,

00:33:54That has been a success.

00:33:55From scorpionfish.

00:33:56Okay, Rafi,

00:33:57I have nothing against your sister Carmen,

00:33:59That's the problem.

00:34:00And I don't know how to get closer to her.

00:34:02Well, that with a little bit of...

00:34:04No, don't tell me about the salt shaker too.

00:34:06Ah, of course.

00:34:07You don't have that up north.

00:34:09No, we don't have any.

00:34:09Oh well,

00:34:10According to information I have received,

00:34:12I think I might have a chance.

00:34:13The thing is, he's waiting.

00:34:15to impress her.

00:34:16And I don't know how.

00:34:17That's very easy, kid.

00:34:19Look, you have to behave

00:34:20like someone very normal.

00:34:22He does things that are very local.

00:34:23In other words, a man with his bearing,

00:34:25his gallantry,

00:34:26his...

00:34:27He doesn't look like a Martian from the north, does he?

00:34:28Yeah, that's easy to say,

00:34:30But to think about it...

00:34:31I've got it!

00:34:32Yes, yes, yes, yes, I've got it.

00:34:33It's risky, isn't it?

00:34:34But if it goes well,

00:34:35You are going to leave the bullring

00:34:36with the ears and tail cropped.

00:34:39That's good, isn't it?

00:34:41Do you trust me?

00:34:42Or what?

00:34:47Look, I'm sorry, Rafi,

00:34:48But I don't see it that way, you know?

00:34:50But why not?

00:34:51With that pose and those curls in her bangs,

00:34:53This is gorgeous.

00:34:54His name is Charlemagne,

00:34:55Emperor's name.

00:34:56Yeah, and look at me, huh?

00:34:58Two days in a row dressed like this.

00:35:00I mean, is it possible to be more ridiculous?

00:35:03Well, yes.

00:35:04Look, my sister has been doing this since she was a child.

00:35:05dreaming that a man dressed in shorts

00:35:07He declared his love while riding a horse

00:35:08in the middle of the Seville fair.

00:35:09But, Rafi,

00:35:10She's not a child anymore,

00:35:11She is a woman.

00:35:12All the more reason,

00:35:13more accumulated hope

00:35:14for so many years.

00:35:15Look, when you arrive,

00:35:16You put her on the back of Charles the Great,

00:35:17They give him a ride

00:35:18through the finest parts of the city

00:35:20And if he doesn't fall in love with you there,

00:35:21Ñaki,

00:35:22That's why I don't understand women anymore.

00:35:23Maybe

00:35:24You don't understand women, Rafi.

00:35:25Hey?

00:35:26Did Eucar López speak?

00:35:27Oh, Iñaki,

00:35:28If this is the most beautiful thing

00:35:29What's going to happen to you in life?

00:35:29This is what you're going to tell him.

00:35:30to your grandchildren.

00:35:32Let me explain it to you, Rafi.

00:35:33I don't know how to ride a horse.

00:35:35Am I bad with animals?

00:35:38Do they dislike me?

00:35:38Come on, how are you?

00:35:39we can take a foot.

00:35:39Come on, let's go, let's go.

00:35:41Let's go,

00:35:41Don't be afraid, little boy.

00:35:42Let's go, let's go.

00:35:44Carefully,

00:35:45Carefully, Rafi,

00:35:45carefully.

00:35:48But you must be Basque, you creature,

00:35:49the horse jumped on you.

00:35:50That's to stay on top,

00:35:51Ñaki,

00:35:52You're so stupid, damn it.

00:35:54Come on up, kid,

00:35:55Let it not be said

00:35:55that the Basques

00:35:56They don't know how to ride a horse.

00:35:57Come on.

00:35:57Who is John Wayne?

00:35:58John Wayne,

00:35:59Come on, throw it,

00:35:59or in Arteche

00:36:00or in its bizarreness,

00:36:00But pull up, damn it.

00:36:02Álvaro, Álvaro.

00:36:02Take care, Rafi,

00:36:04carefully.

00:36:04There's the guy.

00:36:05Wow, that's wonderful!

00:36:06What a print.

00:36:06Long live the mother who gave birth to you,

00:36:07Ñaki, ale.

00:36:09Rafi, are you sure?

00:36:10That this isn't going to change?

00:36:11What's going to move?

00:36:12This is what he just ate,

00:36:12He has 10 or 12 hours left

00:36:13of digestion.

00:36:14Look, stay here

00:36:14I'm going to look for my sister.

00:36:16Don't mess with me, Rafi.

00:36:18Rafi, don't leave me alone.

00:36:19Have you seen my sister?

00:36:21Up above, he's looking at him

00:36:21the ass to a patient.

00:36:29It's only going to be for a little while.

00:36:31Charlemagne,

00:36:33Where are you going?

00:36:34Where are you going?

00:36:36Calm down, Charlemagne.

00:36:37Okay?

00:36:38Don't worry.

00:36:39Charlemagne, please,

00:36:40that you're going to ruin me.

00:36:41Charlemagne, where are you going?

00:36:43Carmen, you can leave.

00:36:44there at any time.

00:36:45Charlemagne,

00:36:46Charlemagne,

00:36:46You want to behave.

00:36:47Stop, stop, stop.

00:36:49To Chaldeón.

00:36:51Charlemagne, please.

00:36:53Guard!

00:36:54Hundred!

00:36:54How true!

00:36:55Iñaki,

00:36:56A horse is going to be thrown out!

00:36:57For Charlemagne,

00:36:58Please, Charlemagne.

00:36:59Look at the chua, look at the chua,

00:37:00which looks like a Lucien.

00:37:01It doesn't make a sound because of its construction,

00:37:02come on.

00:37:03No, no, not that way.

00:37:04Okay?

00:37:05Not that way.

00:37:05If he's going to declare his feelings to Carmen.

00:37:07That's it.

00:37:08Hey?

00:37:08What else is he going to do?

00:37:09a Basque man riding a horse

00:37:11short dress

00:37:12in front of a clinic?

00:37:13Yes, aunt,

00:37:13It definitely won't come with a prescription.

00:37:15The child doesn't realize

00:37:16that it's going to be ridiculous.

00:37:18Come on, man, come on, come on.

00:37:19Go on.

00:37:20Tell him to get down from there

00:37:20before it's too late.

00:37:22Go on.

00:37:23You're stupid!

00:37:24Tell him in person

00:37:25and run

00:37:26before Carmen sees it.

00:37:27Run now!

00:37:36Carmen, come with me, quickly.

00:37:37Raffi, please,

00:37:38I'm with a patient.

00:37:39Is it a matter of life or death?

00:37:41Man, kid,

00:37:41of course not.

00:37:43Oops!

00:37:44No!

00:37:45No!

00:37:47Raffi!

00:37:48I swear on your mother!

00:37:51Raffi!

00:37:52Raffi!

00:37:53Oh, little boy!

00:37:54But where is it being taken, Raffi?

00:37:55To touch the sky!

00:37:56Oh!

00:37:58Oh, little boy!

00:38:02Good.

00:38:03Good.

00:38:04Hey?

00:38:04We're going to get along.

00:38:06Raffi!

00:38:09Hey, little one, little one, little one, little one!

00:38:12Cacalo, Magno!

00:38:16Raffi!

00:38:18Hang in there!

00:38:21What do you think of this?

00:38:23Bullshit, Raffi!

00:38:24Bullshit!

00:38:25No, there was something here that I wanted you to have, and now it's gone...

00:38:27Ouch!

00:38:28Careful!

00:38:36And the Basque?

00:38:41Raffi!

00:38:42And you made me leave a patient unfinished for this?

00:38:45Hey?

00:38:46That?

00:38:49What a stench, damn it!

00:38:54What a stink, damn it, little one, little one, little one, little one, little one?

00:39:21Stop, stop, stop, elite!

00:39:25Stop, stop, elite!

00:39:29Isa, do you have any of that monstrosity cake left?

00:39:31It's called cabracho.

00:39:33I know it perfectly well, but how has the Basque done it?

00:39:37It's over.

00:39:38But if you want, I can give you San Singorri cake, which is also very tasty.

00:39:41What is that?

00:39:42You have to see the strange names that Basque saints have, huh?

00:39:45That's true.

00:39:46Come on, let's kick him out.

00:39:48Put it on to go.

00:39:49But don't go cutting yourself, okay?

00:39:51Give it to me all at once, we'll see.

00:39:53Hey?

00:39:53How do you do it?

00:39:54So take advantage now, because the gourmet food here will soon be over.

00:39:58Everything prefabricated.

00:39:59I know, darling, I'm sure it's Artura from this world.

00:40:02All my support.

00:40:03And if you need anything, let me know.

00:40:06Leave it, leave it.

00:40:07Bye bye.

00:40:07Goodbye, beautiful.

00:40:08Make a long coffee, brother-in-law, yes indeed.

00:40:11Hey, listen to me, you were talking about how from now on food is going to be pre-made.

00:40:16What am I going to change the menus for?

00:40:17The menu, the beer, the decor, the staff.

00:40:21What do you mean, the staff?

00:40:23Haven't you heard?

00:40:24I don't.

00:40:25La Trinique is going to sell the premises to one of those shady franchises.

00:40:28The thousand and one sons of their fucking mother.

00:40:30Come on, now we're really going to be out on the street, brother-in-law.

00:40:33But girl, how's that going to be, huh?

00:40:35"Well, tomorrow then," says the posh girl.

00:40:37Look, I don't know what your brother and I are going to do now with the girl, because there's the problem.

00:40:40as well as finding a job.

00:40:42I don't know, I'm going to have to emigrate to Finland or something like that.

00:40:46Imagine that, at my age I'm starting to study Finnish.

00:40:49I can't believe it.

00:41:01Charles the Great, we're going in the opposite direction.

00:41:05And besides, look, I'm not from here, but I think Seville is on the other side.

00:41:08What do you want from me, huh?

00:41:09Should I take it to San Sebastián?

00:41:11Can't you see I can't go like this?

00:41:14Charlemagne, in the end I'm going to have to get angry.

00:41:21Sir, please stop your horse.

00:41:23I wish I could, but...

00:41:25Sir, stop.

00:41:27Charlemagne, the police.

00:41:29Stop, stop.

00:41:30Sir, what was the horse for you, please?

00:41:32Gentleman.

00:41:34Stop it, man.

00:41:35That?

00:41:36You didn't stop until you got your way, did you?

00:41:39Carmen, please, I'm eating.

00:41:41Well, eat, eat and swallow, while I talk to you.

00:41:43You got into my brother Rocio's head, and my sister-in-law Isabel's,

00:41:46And you didn't stop until you achieved it.

00:41:47I don't want to kick anyone out.

00:41:49Oh, no?

00:41:49Well, we hid it very well.

00:41:51And what did you hire Vasco for?

00:41:53To boost business, right?

00:41:54Yes, Carmen, but I really can't wait any longer.

00:41:56The Basques know a lot about lifting stones,

00:41:57But starting a business is very difficult.

00:42:00Have you satisfied yourself on this little issue or what?

00:42:02You even dare to make jokes?

00:42:04Do you want me to explain how a clinic works now?

00:42:06I want you to explain many of your opportunities to me.

00:42:09Carmen, I am responsible for all of this and for making sure it works well.

00:42:12And if there's any chance to settle the score,

00:42:14My obligation is to take advantage of it.

00:42:15Yes, Herod's duty was also to kill the children.

00:42:18Well, I think she's being very biased.

00:42:21Very little, very little.

00:42:22And do you know why?

00:42:23Because the people you throw out onto the street are good people,

00:42:25hardworking people and, above all, people I care about.

00:42:28Carmen, please understand.

00:42:29This opportunity will save the year's balance sheet.

00:42:31Yes, the year's balance sheet will save him.

00:42:32And you'll surely sleep very peacefully too.

00:42:35And to think that you and I have shared and laughed together.

00:42:38Well, it wasn't because of me that we stopped doing it.

00:42:40It wasn't me who turned around like a slipper

00:42:42and became a...

00:42:43Carmen, I'm sorry, but I have no other choice.

00:42:46And I hope you understand that this is nothing personal.

00:42:48I hope all this isn't because of Robert.

00:42:51What are you saying, Carmen?

00:42:52I'm sorry honey,

00:42:53But not everything that others do has anything to do with you.

00:42:55Robert has nothing to do with this matter.

00:42:57Do you know what this has to do with?

00:42:59With the nasty temper he has.

00:43:01Hopefully it will attract you sooner.

00:43:09Yes, here is the local rejonador.

00:43:12One of those people who thinks that art can be bought with money.

00:43:17Any problem?

00:43:18No no.

00:43:19Everything is under control.

00:43:20Right, Charlemagne?

00:43:22Well, everything is under control here.

00:43:23But you've left a trail of chaos in your wake, you wouldn't believe it, huh?

00:43:26That's how it is.

00:43:27That's right, gentlemen, that's right.

00:43:29We've had to change the direction of traffic in half of Seville

00:43:31so you can play cowboys and Indians.

00:43:33I can explain everything to you.

00:43:35Yes, yes, yes, very good.

00:43:35But before it opens its little mouth, it's going to scare the horse.

00:43:37and shows us the documentation.

00:43:38Get off my high horse, right?

00:43:39Yeah.

00:43:40That's easy to say.

00:43:49Come on!

00:43:52Come on!

00:43:59It's here, at that portal.

00:44:01I'll go up and bring her down.

00:44:03No, no, no, no, no.

00:44:04Look, you don't need to come with me, okay?

00:44:06So, can you trust me?

00:44:07Please, have mercy.

00:44:08I don't want to attract attention.

00:44:10Out of pity?

00:44:11Oh, my mother!

00:44:11Well, considering we found it on this radio station

00:44:13with a runaway horse,

00:44:15The truth is, we don't make it easy for us to trust you.

00:44:17Look, I didn't have my documents with me.

00:44:19Because these pants are so big you can't even fit your ID card in them.

00:44:22Come on, it's cutting off traffic.

00:44:24Besides, it's not my house to my house

00:44:26And I want to go unnoticed.

00:44:28Well, you're not exactly being discreet, my friend.

00:44:30Just a moment, just a moment.

00:44:31What do you mean it's not your house to your house?

00:44:32Explain yourself.

00:44:32I'm just passing through.

00:44:34So, what kind of relationship do you have?

00:44:35with the people he's living with?

00:44:36Are you registered here?

00:44:37More like pissed off.

00:44:38The census, sir!

00:44:40Have mercy, Lucy!

00:44:41Piety!

00:44:42What's wrong, girl?

00:44:43Are you going to pay for the fire?

00:44:44The Basque, Iñaki,

00:44:46who has reported us to the police.

00:44:48What are you saying about the police, girl?

00:44:49They're out there on the street,

00:44:51that are rising now.

00:44:52I think they're coming for you, have mercy.

00:44:54Why me?

00:44:55Well, look, Iñaki said

00:44:57arrest them, please.

00:44:58I just heard it myself, come on.

00:45:00But let's see what I've done, girl,

00:45:02Because here, we all spy, we all spy.

00:45:03Well, it must be because of the kiss.

00:45:04that you've given the street a cord.

00:45:06Oh, my mother!

00:45:08What a basis for crime!

00:45:08kissing in public

00:45:10in the Basque Country!

00:45:11That's the last thing I needed!

00:45:13To prison for a bite!

00:45:14Piety!

00:45:15I believe that if you surrender,

00:45:16They forgive your fine.

00:45:19Girl, go inside, girl!

00:45:21Go inside!

00:45:25What's happening?

00:45:26Are you going to accompany me to the room too?

00:45:27Or can I go by myself?

00:45:29Please note

00:45:30that I can jump out the window.

00:45:31Jump out the window, my soul!

00:45:32Jump!

00:45:33To finish off the day's work

00:45:35All that's missing is for them to stay prisoner

00:45:37on a clothesline.

00:45:39Let's see if he can find the driver's license.

00:45:41He's so talented, isn't he!

00:45:45Basque!

00:45:47Okay, we'll call him then.

00:45:48to tell you about the 12 or 14 inflations

00:45:50that he will have committed.

00:45:51Because it won't be free.

00:45:52The little walk, my friend.

00:45:53Already.

00:45:53Thank you so much

00:45:54and please excuse the inconvenience.

00:45:55The annoyance that will telemañanar the rear end

00:45:57as if it were the first time he rode.

00:45:58Okay, officers,

00:46:00well...

00:46:00We're finished.

00:46:08Alright.

00:46:09I surrender.

00:46:10But let it be known that he also collaborated.

00:46:12We did it together.

00:46:14That?

00:46:15Agents,

00:46:16Arrest me too.

00:46:17I am just as guilty as she is.

00:46:19Me too.

00:46:21Agents,

00:46:22that they have only given a little bit,

00:46:23Hey?

00:46:23It wasn't even with tongues

00:46:25nor with anyone.

00:46:25One moment,

00:46:26I've missed something.

00:46:26Can someone tell me what this is all about?

00:46:28Let's see,

00:46:28Haven't you reported us?

00:46:29for abusing your friends?

00:46:31I?

00:46:31Abuse?

00:46:32Let's see,

00:46:33What types of abuse are those?

00:46:34How old are your friends?

00:46:38Nothing,

00:46:39nothing,

00:46:39people,

00:46:40Look,

00:46:40the children who have been abused by these

00:46:42They are 40 years old

00:46:43and well fulfilled.

00:46:44And the only crime,

00:46:45some horns,

00:46:46like a house.

00:46:47The mother who gave birth to you.

00:46:49Go on,

00:46:49pull down

00:46:50I'm going to eat your head.

00:46:51There,

00:46:51there!

00:46:51You've got me!

00:46:52What a shame!

00:46:53Breath.

00:46:54Leave,

00:46:55I have the pot ready.

00:46:56And how he says goodbye to me,

00:46:57The lenses are on the ceiling.

00:46:59Go on,

00:46:59Let's get out of here

00:47:00And I'm going to do it.

00:47:00Let the horse be presented

00:47:02who has fallen in love

00:47:03in search of his guinet.

00:47:04Bye bye,

00:47:05This lonely feeling is gone.

00:47:06There goes from there.

00:47:07He's bald,

00:47:08Hey?

00:47:16Everything is ready,

00:47:17that I, how can I forget

00:47:18while my stomach hurts

00:47:20I don't remember

00:47:20What a mess we've made down there.

00:47:22Hey,

00:47:22Don't mess with me,

00:47:23Don't mention that to me.

00:47:27Here it goes.

00:47:29Pussy,

00:47:30Iñaki.

00:47:31Bring,

00:47:31I put it on hands-free.

00:47:32I'll put it on your band.

00:47:34Hey Iñaki!

00:47:35Yeah!

00:47:36How's it going?

00:47:37That,

00:47:38Iñaki?

00:47:38How's it going with the girl?

00:47:39Have there been any advances?

00:47:41Well,

00:47:41There has been progress,

00:47:43but not in the direction

00:47:43that I wanted.

00:47:44I've finished riding

00:47:45on a horse

00:47:46on the outskirts.

00:47:46To a horse?

00:47:47And so?

00:47:48Because they convinced me

00:47:49that this is the typical way here

00:47:51to declare his love to a woman.

00:47:52What if it convinces you?

00:47:53that is typical

00:47:54cut off your dick

00:47:55Are you going to cut it off or what?

00:47:56Hey,

00:47:57less joking around

00:47:58that I have been in danger,

00:47:58Hey.

00:47:59If I fall,

00:47:59I'll break my neck,

00:48:00that there have been times

00:48:01from a lot of running.

00:48:02But the thing is

00:48:02How did you come up with that?

00:48:03Let's see,

00:48:04Iñaki,

00:48:04that you with animals

00:48:05You don't understand yourself.

00:48:06Even the fish

00:48:07from the aquarium

00:48:07They turn their backs on you.

00:48:08I know,

00:48:09Coat,

00:48:09But here

00:48:09approach the young women

00:48:10It has its complications.

00:48:12We need to assemble

00:48:12These Christs.

00:48:13But has it worked?

00:48:14Or has it not worked?

00:48:15Oh,

00:48:15Oh.

00:48:16No way,

00:48:16Charlemagne

00:48:17has left

00:48:17before Carmen

00:48:18would see me.

00:48:19And thank goodness.

00:48:19that has arrived

00:48:20a patrol

00:48:20to the police.

00:48:21But,

00:48:21I end up doing

00:48:22triumphal entry

00:48:22in San Sebastián.

00:48:24It seems that a lot

00:48:24You're making things complicated

00:48:25you for good things,

00:48:26Hey.

00:48:27And I'm not leaving anymore.

00:48:28to complicate things further,

00:48:29Hey.

00:48:30Abandonment.

00:48:30I'll pass.

00:48:31to do more

00:48:32ridicule.

00:48:33What do you mean you're quitting?

00:48:34Let's see,

00:48:35if you're collapsing

00:48:35because of that girl,

00:48:37that nobody said

00:48:37that this

00:48:38It was going to be easy.

00:48:39Already,

00:48:39I know,

00:48:40But here

00:48:40They like

00:48:41other kind of guys.

00:48:42They like this.

00:48:42Let them speak to them,

00:48:44that they tell them things.

00:48:45Look,

00:48:45It doesn't answer me,

00:48:46What are poets looking for?

00:48:47I don't know.

00:48:48Of course,

00:48:48Basques no.

00:48:49Let's see,

00:48:49Iñaki,

00:48:49that's because

00:48:50They don't know us.

00:48:51We are not

00:48:52of empty words,

00:48:53We're into taking

00:48:53to the bull by the horns.

00:48:55That,

00:48:55Espello is right,

00:48:56that we

00:48:57We are not players

00:48:58as a girl,

00:48:58that we are awesome.

00:49:00You have to go

00:49:00where that girl

00:49:01and challenge him.

00:49:02Exactly,

00:49:03a bold move

00:49:03and leaves the pavilion

00:49:04of the Basques

00:49:04very high,

00:49:05Pussy,

00:49:05the island.

00:49:06A bold move,

00:49:07sure?

00:49:08Clear,

00:49:08Órdago agarrande,

00:49:10fuck.

00:49:10All in, grab it

00:49:11with two balls,

00:49:12Iñaki.

00:49:12Of course,

00:49:13a bold move.

00:49:14What do I have to lose?

00:49:15well?

00:49:15Go all in.

00:49:16The girl speaks.

00:49:17Come on,

00:49:18lady,

00:49:18Iñaki.

00:49:20Come on.

00:49:25We came anyway

00:49:26a little higher,

00:49:26No?

00:49:27Yeah,

00:49:27a bit,

00:49:28Yeah.

00:49:29Few possibilities

00:49:30The kid has it.

00:49:30No,

00:49:31none.

00:49:32Wait,

00:49:32do not remove the dilution.

00:49:34This is what you will say.

00:49:35Oh,

00:49:36come on,

00:49:36face.

00:49:38Follas,

00:49:39you're not going to fuck.

00:49:40It's sudden.

00:49:41Carlo,

00:49:42human!

00:49:48Angela,

00:49:49hey,

00:49:50Have you seen Carmen?

00:49:51Did I want to see you?

00:49:52Which command?

00:49:52In the car

00:49:53They're finished

00:49:53your portions?

00:49:54Ah,

00:49:55already,

00:49:55because they were only

00:49:56some tests

00:49:56and I made a small amount.

00:49:57Yeah,

00:49:57Well, what a load of crap.

00:49:58customer service

00:49:59leaving us with gray hair

00:50:00and on top of that

00:50:00You tell me

00:50:01that are going to close,

00:50:01goes.

00:50:02Man,

00:50:02But that's already...

00:50:03It's not our fault.

00:50:04Besides,

00:50:04You weren't on a diet.

00:50:05Look,

00:50:06I'm on the diet

00:50:06I don't give a damn.

00:50:07I've already said it,

00:50:08Are you happy?

00:50:08No?

00:50:08You take it first,

00:50:09You hook me

00:50:09And now it goes

00:50:10and you cut me off

00:50:10the supply.

00:50:11That's not nice.

00:50:12Hey?

00:50:12Let's see,

00:50:12But the thing is

00:50:13How was I to know...

00:50:14But you will continue

00:50:16cooking at home,

00:50:17open a restaurant

00:50:18or something,

00:50:19No?

00:50:20Argo?

00:50:21Well no.

00:50:22Then what we don't want

00:50:23We work

00:50:23the Andalusians.

00:50:25Look,

00:50:25Angela,

00:50:25Do you know where Carmen is?

00:50:26Or don't you know?

00:50:27Look,

00:50:27in the bullet it has.

00:50:28But just so you know

00:50:29that what you have done to me

00:50:29It's very ugly.

00:50:30Hey?

00:50:30But it's very ugly.

00:50:33Brave,

00:50:33happy.

00:50:36That's tough.

00:50:38A wasted piece of paper.

00:50:41Carmen,

00:50:41sorry,

00:50:42Do you want a moment?

00:50:43I want to tell you something.

00:50:49I knew nothing,

00:50:50I'm sorry.

00:50:51They've told you

00:50:52about the horse.

00:50:53Which horse?

00:50:53On the horse?

00:50:54We have told him

00:50:54about the bar,

00:50:54Iñaki,

00:50:55about the bar.

00:50:55Ah,

00:50:56Yeah,

00:50:56clear,

00:50:57about the bar.

00:50:58You already know.

00:50:58Man,

00:50:59clear,

00:50:59about the bar.

00:51:00Hey,

00:51:00And what about me, we can't...

00:51:01stand idly by?

00:51:02Now that we were

00:51:03making a comeback with your dishes,

00:51:04Iñaki,

00:51:04we've had an avalanche

00:51:05of people

00:51:05asking for the paparacho

00:51:06and the beach bar.

00:51:07Hey?

00:51:08It doesn't matter,

00:51:09But come on,

00:51:09that it has all been for nothing.

00:51:11And why don't we buy

00:51:12We ourselves will run the bar?

00:51:13We can form a cooperative,

00:51:15I'm selling my apartment.

00:51:16Well, you can go up now.

00:51:17the price,

00:51:17dear.

00:51:18Those from the franchise

00:51:19They offer more than 200,000 euros.

00:51:21200,000?

00:51:22200,000.

00:51:23We didn't put that together

00:51:24not even by selling the organs

00:51:26of all patients

00:51:27from the clinic.

00:51:30Now,

00:51:31and in teplá.

00:51:32Well,

00:51:32guys,

00:51:33hey,

00:51:33really,

00:51:35Keep your spirits up.

00:51:37Carmencita,

00:51:37I wanted to talk to you

00:51:39of something else,

00:51:39in private,

00:51:40If possible.

00:51:41Clear,

00:51:41man,

00:51:42no,

00:51:42This is done in turns,

00:51:43Now it's my turn,

00:51:44I have first

00:51:44I have something to tell you.

00:51:45from the bar,

00:51:45from before.

00:51:46He's on edge.

00:51:47What are you doing?

00:51:49What do you intend to do?

00:51:50unfortunate?

00:51:50Let's talk to Carmen.

00:51:52What is he talking about?

00:51:52Feelings?

00:51:53Man,

00:51:53Well, that's the general idea.

00:51:55But come on,

00:51:55let's see,

00:51:55You haven't had enough.

00:51:56about the horse.

00:51:56By the way,

00:51:57I've had to pay

00:51:57a bonus for my buddy

00:51:58that you got hit

00:51:59He lost three hours there.

00:52:00Ah,

00:52:00And I've had to pay

00:52:01several fines,

00:52:02Hey?

00:52:02And they almost arrested me.

00:52:04Good,

00:52:04about the horse

00:52:05It didn't go well.

00:52:06But it wasn't exactly

00:52:06because of me,

00:52:07Hey?

00:52:07The idea was good,

00:52:08The execution failed.

00:52:09That's why,

00:52:10I'm going to declare myself

00:52:11without horses,

00:52:12without hats

00:52:13and without embellishment,

00:52:14in my style,

00:52:15like in my homeland.

00:52:17All in,

00:52:17with two balls.

00:52:18Like crazy?

00:52:19But you don't realize it

00:52:19that it's not the right time

00:52:20to talk about those things.

00:52:21I don't see why not.

00:52:22Clear,

00:52:22You don't see it because you are

00:52:23brutish than the one who

00:52:23separated Ceuta's tariffs.

00:52:24Let's see,

00:52:25Carmen is in a very bad mood.

00:52:26And how do you tell him now?

00:52:27in a corner there romantically

00:52:28who loves her,

00:52:29He might even slap you twice

00:52:30because of being hasty.

00:52:34Already,

00:52:34But I'll have to try.

00:52:36No?

00:52:36Then try again another time.

00:52:37when it's resolved

00:52:38the bar

00:52:38and she will be calmer,

00:52:40Doesn't she see that she

00:52:40he takes things

00:52:41very personal?

00:52:46And what's with that face she's making?

00:52:47Because I think it's expensive

00:52:48of wanting to cause you trouble.

00:52:50Rafi,

00:52:51I can't wait any longer.

00:52:53I need to talk to my mother.

00:52:54With your mother?

00:52:57I'll pull you off the horse

00:52:58And he hasn't said anything to me.

00:53:01Love,

00:53:05I have to tell you something.

00:53:08Look,

00:53:09The thing is, I've met

00:53:10to someone,

00:53:11Well,

00:53:11someone,

00:53:11a girl

00:53:12that I like

00:53:15And I want to do

00:53:15Things are going well.

00:53:16That's why,

00:53:16first of all

00:53:17I was coming to tell you.

00:53:19Because,

00:53:20I don't know if you can hear me,

00:53:21But I respect that.

00:53:22I've got it for you,

00:53:22Just so you know.

00:53:25Yeah,

00:53:26as you know me.

00:53:28There's something more.

00:53:30And that's because,

00:53:30to get it,

00:53:32I'm going to have to do

00:53:33something risky.

00:53:35I know you're not going to like it,

00:53:36I know you're not going to like it,

00:53:37but,

00:53:38Hey?

00:53:38Me too,

00:53:39I'm already of a certain age.

00:53:39And it's time for me to take

00:53:40my own decisions.

00:53:42After all,

00:53:43life

00:53:44They are hordes,

00:53:45No?

00:53:46That's it.

00:53:51I will keep you

00:53:51aware of everything,

00:53:52love.

00:53:54I hope this

00:53:54I hope it goes well,

00:53:55Because if it goes wrong,

00:53:56It's going to be a mess.

00:54:03The good one,

00:54:04love.

00:54:12Trini,

00:54:14I want to talk to you,

00:54:15from the bar.

00:54:16I'm sorry,

00:54:16Iñaki,

00:54:17But I just finished

00:54:17my work schedule,

00:54:18I'm exhausted

00:54:19And I can assure you

00:54:20that I'm not wearing today

00:54:20a great day,

00:54:21Hey?

00:54:23What's that?

00:54:25I want to buy the premises.

00:54:27Look,

00:54:27really,

00:54:28It's very late

00:54:28And the thing is, I'm not

00:54:29jokingly,

00:54:29Hey?

00:54:29Yeah,

00:54:30That's 201,000 euros.

00:54:311,000 euros more

00:54:32of those that the franchise gives you.

00:54:35Now it's going to turn out

00:54:35Vasco's jokes

00:54:36They were true.

00:54:38Where does he get it from?

00:54:38You, that money?

00:54:39That doesn't matter,

00:54:40No?

00:54:41Man.

00:54:43They are savings

00:54:43that left me

00:54:44of itinerancy.

00:54:45I had them just in case

00:54:46I was opening my restaurant

00:54:46some day,

00:54:47oh well,

00:54:47This is supposed to be here

00:54:49I can do that too,

00:54:49No?

00:54:50To the people

00:54:51He's enjoying it

00:54:51my food.

00:54:52But you really

00:54:53you want to ride

00:54:53your Basque restaurant

00:54:54in the cafeteria

00:54:55from a clinic?

00:54:56Well, to tell you the truth

00:54:57That's not what I had planned.

00:54:58But it's also a challenge,

00:55:00You accept or you don't.

00:55:01You yourself said

00:55:02that it was only an economic issue.

00:55:04You're sure

00:55:04What about this, Iñaki?

00:55:05Look,

00:55:05the only condition I set

00:55:06It's that you don't throw

00:55:07neither Rafi nor Isabel.

00:55:09If you buy the bar

00:55:10They will be your employees,

00:55:11what you do with them

00:55:12It's your business.

00:55:18Go ahead, come in.

00:55:19I have the contract ready.

00:55:21All that's needed is to change

00:55:21the buyer's name.

00:55:32What's happening?

00:55:33You've started smoking again, haven't you?

00:55:34No, I don't smoke anymore.

00:55:37Is it because of your brother?

00:55:40I just found out,

00:55:41very sorry.

00:55:42Robert, I don't know

00:55:43What are we going to do?

00:55:44Hey?

00:55:44A very complicated situation.

00:55:46The mortgage,

00:55:47the girl,

00:55:47all.

00:55:48But woman,

00:55:48Don't worry,

00:55:49If your brother is one of the people

00:55:50with more resources than I know of.

00:55:52You'll see,

00:55:53in two days

00:55:54has ten jobs

00:55:54waiting for him.

00:55:56Now I'm crazy

00:55:56to see the resume

00:55:57that he is going to write.

00:55:58It's going to be a literature

00:55:59that he must have given

00:56:00a Nobel Prize winner.

00:56:00Robert.

00:56:01If you like,

00:56:02Can I do

00:56:03ten pages

00:56:04of recommendations?

00:56:06I apreciate it,

00:56:07heart,

00:56:07But really

00:56:08that the situation

00:56:08It's very complicated.

00:56:12No no,

00:56:13five less

00:56:13They're going to stay.

00:56:14If necessary,

00:56:15I'm going with them

00:56:15to rob supermarkets.

00:56:17That?

00:56:18Isn't this the first time?

00:56:19Listen,

00:56:20I have a bulging back of my neck,

00:56:21It's from the slaps

00:56:22that they gave me

00:56:22for stealing candy

00:56:23of boys.

00:56:23No no,

00:56:23no no,

00:56:24no no,

00:56:25no, no, no,

00:56:25no, no, no, no,

00:56:26I know what you are.

00:56:28Thank you.

00:56:29Because?

00:56:31To give me direction,

00:56:33You're right,

00:56:34because of things

00:56:34very dark

00:56:35There is a ray of light

00:56:36He will have to come.

00:56:37No?

00:56:40That?

00:56:42Nothing, nothing,

00:56:43I was thinking

00:56:44that maybe

00:56:45perhaps this morning

00:56:46we could convert it

00:56:47in a...

00:56:47or come on,

00:56:49leave, you and me

00:56:49to have a drink.

00:56:53Come on,

00:56:53You invite.

00:56:57Okay then.

00:56:59Thank you.

00:57:00You click here

00:57:01and when the little beep sounds

00:57:03enter the password

00:57:04And that's it.

00:57:05There's no more to it.

00:57:06Very good,

00:57:06thank you so much.

00:57:07Well, that's it.

00:57:07You already have your own business

00:57:09in Seville.

00:57:10Congratulations.

00:57:11Here's your key.

00:57:12Thank you, Trini.

00:57:14Hey, Iñaki,

00:57:16What about buying the bag?

00:57:17You do it for yourself

00:57:18or by someone else?

00:57:20No no,

00:57:21I don't understand you, Trini.

00:57:22You don't understand me.

00:57:23Or you don't want to understand me.

00:57:25Oh well,

00:57:25I understand myself.

00:57:27You'll do it today, right?

00:57:28Yes, yes, of course.

00:57:30Oh, little sparrow.

00:57:32See you later, Trini.

00:57:42José,

00:57:43when a person

00:57:44He shows you some keys.

00:57:46smiling,

00:57:46What do you interpret?

00:57:48Hey, José...

00:57:49José, call me soon.

00:57:50Whatever comes to mind first

00:57:51at the head.

00:57:52Hey, José,

00:57:52that I have lost it,

00:57:54The man has found her,

00:57:54She wants to give them back to me.

00:57:55Well, well, well,

00:57:56You're not far off the mark.

00:57:58That people believe

00:57:58that I'm a fool and neither.

00:57:59But you have lost

00:58:00some keys.

00:58:01I don't.

00:58:01Me neither.

00:58:03That means

00:58:05about the horse

00:58:06which is still

00:58:07nonsense

00:58:08She's a sweetheart

00:58:09for what I've done now.

00:58:12I'm not quite understanding.

00:58:13Did Iñaki buy the glass?

00:58:15Which?

00:58:16This is the one that is accepted

00:58:17You right now, man.

00:58:18Yes, son, yes, yes.

00:58:20The glass

00:58:21He doesn't understand nuances.

00:58:24What machine, Iñaki?

00:58:26Of course...

00:58:29What if it goes wrong?

00:58:30Man,

00:58:32if it turns out badly,

00:58:33You can still buy

00:58:34the whole of chemistry

00:58:35with everything inside.

00:58:37I assure you of that.

00:58:38that the nurse

00:58:39He doesn't miss a thing.

00:58:50Carmen?

00:58:52Are?

00:59:00And Iñaki?

00:59:02Son, what joy!

00:59:02I'm so glad to see you, son.

00:59:04What was he thinking?

00:59:04What was in jail?

00:59:05No no.

00:59:06It wasn't that bad.

00:59:07To jail

00:59:07Did you want to go?

00:59:08Or so it seemed.

00:59:10That's Merche

00:59:11who has messed everything up.

00:59:12You're tired of seeing

00:59:13soap opera

00:59:13and then they put

00:59:14all the worst.

00:59:15Yes, the fans

00:59:16to the entanglement

00:59:16I've seen it too.

00:59:17Child,

00:59:18You hadn't seen

00:59:19this morning.

00:59:19Yes, well,

00:59:20I cooked this morning

00:59:21but now I wanted

00:59:21prepare a delicious dinner

00:59:23for...

00:59:24Oh, yes, yes.

00:59:25Well, it doesn't matter.

00:59:26to whomever.

00:59:27But listen to me

00:59:27I have a very good night,

00:59:29my soul.

00:59:31Goodbye, rider.

00:59:32Goodbye, Lucy.

00:59:34Bye bye.

00:59:35Hello hello.

00:59:39Sorry,

00:59:39I'll tell you right now, okay?

00:59:41Dean,

00:59:42the little ones

00:59:42that I asked you for

00:59:43ten minutes ago?

00:59:44That?

00:59:44The little ones, daughter,

00:59:45that you're clueless.

00:59:46Okay, okay.

00:59:47I forgot, woman.

00:59:48How could you not get over it?

00:59:49If you're being cheeky

00:59:50glued to the mobile phone

00:59:51And you've been the same all day.

00:59:52Girl who's going to call me

00:59:53whenever,

00:59:54You'll see.

00:59:54I'm sure.

00:59:55Look, have you heard that?

00:59:56that if someone wants something

00:59:58with a lot, a lot of strength

00:59:59Is it fulfilled?

01:00:00Yeah.

01:00:01Well, that's a lie.

01:00:02So stop waiting

01:00:03to the fairies.

01:00:04And if you want to talk to Iñaki,

01:00:06You pick him up and call him.

01:00:06No way.

01:00:07I don't want to seem desperate.

01:00:08Well, I think it is

01:00:09A bit late for that, isn't it?

01:00:11Or have you already forgotten?

01:00:12The little letter you sent her?

01:00:14Bring it.

01:00:15What are you doing?

01:00:16Well, put a little courage into this.

01:00:17Where do you have Iñaki's contact information?

01:00:19Let's see.

01:00:20Look, here it is.

01:00:22The only one with capital letters

01:00:24and double exclamation.

01:00:25Would you mind paying me back?

01:00:26My mobile phone?

01:00:27Of course not, woman.

01:00:29Nekane?

01:00:29Iñaki?

01:00:30Is it going there?

01:00:31No, wait,

01:00:32What happened with Nekane, huh?

01:00:33Ah.

01:00:38Iñaki?

01:00:40Nekane?

01:00:40What's happening?

01:00:41How's everything going?

01:00:43Osondo, here,

01:00:44preparing something for dinner.

01:00:45Ah, well.

01:00:47Yeah.

01:00:49And, hey, well,

01:00:50Were you calling about something or...?

01:00:52Uh, no, well,

01:00:53to see how you had done

01:00:55with the crew and all that.

01:00:57Okay, okay.

01:00:58Well,

01:00:59These things are very dangerous,

01:01:00you already know.

01:01:01Oh, really?

01:01:02Did you take them out somewhere or what?

01:01:04Rather, they took me out.

01:01:07Oh, and...

01:01:08And they haven't taken you?

01:01:09Anything from here?

01:01:12Like what?

01:01:12Uh, well, I don't know,

01:01:14some food,

01:01:15some...

01:01:16reading.

01:01:19Well, no, no,

01:01:21nothing that I recall.

01:01:23And you?

01:01:24That?

01:01:24How are you doing over there?

01:01:25All good?

01:01:27Yeah,

01:01:29all good.

01:01:29Here, as always,

01:01:31nothing changes.

01:01:32Okay, well,

01:01:34It's great to have you there, isn't it?

01:01:36Yeah.

01:01:38We got along very well.

01:01:39At the distance.

01:01:42Hey, my dog,

01:01:42look,

01:01:43I have to leave you.

01:01:43I have a chicken there

01:01:44that will be wasted,

01:01:45Okay?

01:01:46Yeah,

01:01:47I'm in the same boat here.

01:01:49Little Holland,

01:01:50This is what it looks like.

01:01:52Well,

01:01:53talk later.

01:01:55Goodbye.

01:02:02That?

01:02:03Did he tell you anything about the letter?

01:02:04No.

01:02:06He must have forgotten

01:02:07with all the mess it has.

01:02:09Let's see,

01:02:10necane,

01:02:10If you read a letter like that,

01:02:12You may like it or not,

01:02:13But you won't get over it.

01:02:17What has...

01:02:19omitted,

01:02:20Begoña?

01:02:22Well yes,

01:02:23the truth.

01:02:25Oh,

01:02:26necane,

01:02:27But don't be defeatist.

01:02:29You'll see

01:02:29how in the end Iñaki

01:02:30It's going to be yours.

01:02:32And how do you know that?

01:02:34Because when a Basque woman

01:02:35Something is proposed,

01:02:36There is no force of nature

01:02:38who opposes,

01:02:38and even less so a man.

01:02:40Look,

01:02:40Do you see my Sabino?

01:02:42Well, there he is, as you see him.

01:02:43when I met him

01:02:44He was a heavy metal fan.

01:02:45I was there all day

01:02:45What if he cuts your barricade...

01:02:48Hey?

01:02:48Sabine?

01:02:50Well...

01:03:09Have you prepared dinner?

01:03:11Hey, Basque man!

01:03:12What's happening?

01:03:13You're going to be awesome!

01:03:15Damn it!

01:03:16What have you prepared?

01:03:17Dinner and everything?

01:03:18What a thoughtful touch!

01:03:21Well,

01:03:21the day I'm having today.

01:03:22This is a gift,

01:03:23thank you.

01:03:25Thank you.

01:03:26Nothing,

01:03:26They're two silly things.

01:03:27They'll last you two minutes.

01:03:33That's lovely!

01:03:35It's made in a kitchen,

01:03:36Hey?

01:03:36Look, baby,

01:03:38I don't want to

01:03:38to anticipate events,

01:03:40but if in the end

01:03:41There's a wedding here,

01:03:42we already know

01:03:43who are we going to hire

01:03:44to prepare the feast.

01:03:45Where are you going?

01:03:46Fiti Paldí,

01:03:47that's going to crash you.

01:03:49It's just a way of speaking, woman.

01:03:50A way of speaking.

01:03:53Come on.

01:03:55Well?

01:03:56Shall we have dinner?

01:03:57Yes, yes, of course.

01:04:04The candle already,

01:04:05If that's the case.

01:04:16Gang,

01:04:17We have just entered the Basque Country.

01:04:18We're home now.

01:04:20Hey,

01:04:21And exactly?

01:04:22What are we going to talk about?

01:04:23of all this

01:04:24excellent,

01:04:25Has this happened to us?

01:04:26Absolutely nothing.

01:04:27We're not going to say anything.

01:04:29Man,

01:04:29above all

01:04:30to your wives.

01:04:31What's happening in the south

01:04:32He stays in the south.

01:04:33We're not coming back

01:04:34to talk about it.

01:04:35Not even

01:04:35Let's think about it.

01:04:37Don't mess with me.

01:04:38What's happening?

01:04:39What was last night's?

01:04:39Piety.

01:04:40Throw the phone?

01:04:41Are you crazy?

01:04:42What am I going to...?

01:04:43I don't know.

01:04:44I don't know.

01:04:44Fuck,

01:04:45who sent me his picture.

01:04:47What's happening in the south?

01:04:48Ah, good sunshine!

01:04:51Hey, hey!

01:04:52No!

01:04:59Everything was delicious, wasn't it?

01:05:02The chick was missing

01:05:03some fried duck breasts already

01:05:05to be left in blessed glory.

01:05:06Oh well,

01:05:07It was edible.

01:05:07Come on.

01:05:08What are you saying?

01:05:09Iñaki,

01:05:10as usual,

01:05:11Everything was delicious.

01:05:12Yes-yes-yes-absolutely.

01:05:13I'm getting

01:05:14hard lor, man,

01:05:15so that it doesn't get too big

01:05:15the head.

01:05:18What is this?

01:05:20It's a reminder

01:05:21mine from my bar in the north.

01:05:23Oh Thomas,

01:05:24Don't lose it,

01:05:25that you're going to need

01:05:26coming soon.

01:05:27Hey,

01:05:28I don't want you to pick it up

01:05:29not even a glass

01:05:30Not even a plate, huh?

01:05:31Let it be my turn.

01:05:32Oh!

01:05:47Is something wrong?

01:05:49Do I have to tell you?

01:05:50Out loud or what?

01:05:52If you don't say it,

01:05:52I don't understand.

01:05:55Well, it's like I'm telling you.

01:05:56in the most elegant way

01:05:58possible.

01:06:00What's left over?

01:06:01Or what about me, the one who dumped you?

01:06:03But I live here.

01:06:04You live here,

01:06:05But you live here

01:06:06borrowed.

01:06:07And now Carmen and I

01:06:09We are together again.

01:06:12Let's see, Iñaki.

01:06:13You'll see that your dessert

01:06:14It was very good,

01:06:15but the dessert

01:06:16that I want

01:06:17Only Carmen can give it to me.

01:06:18And for that

01:06:19It's better to be alone, isn't it?

01:06:21Do you understand?

01:06:22Or should I explain it to you in Basque?

01:06:23I was going out

01:06:24anyway.

01:06:28I'm going to bring him water, man.

01:06:38Iñaki?

01:06:39He's gone

01:06:40like a weapon in torment.

01:06:41He told me

01:06:41that I had to go

01:06:42Let's see the big-breasted woman.

01:06:45How strange, isn't it?

01:06:46I'm telling you.

01:06:47And also

01:06:47without saying goodbye or anything.

01:06:50Let me tell you something.

01:06:51That kid

01:06:52He has an Oedipal condition

01:06:53Damn it, huh?

01:06:56Already.

01:07:00Okay, baby,

01:07:01Better, right?

01:07:02That way we have more space

01:07:04just for us.

01:07:05Robes, robes, robes,

01:07:06that you when you get on the motorcycle

01:07:07You don't let go of her.

01:07:08And I'm having the best day ever.

01:07:17Come on

01:07:17that I've noticed

01:07:18goosebumps.

01:07:19Well, look,

01:07:20to call a woman hairy

01:07:21It's not the best way

01:07:22to compliment her.

01:07:23Women,

01:07:24You already understand me.

01:07:25I've noticed you

01:07:25that you have traveled

01:07:26a shiver

01:07:26the whole body.

01:07:29And you understand me,

01:07:30Robes.

01:07:32Things slowly

01:07:33little by little

01:07:34They turn out better.

01:07:35That I don't want to

01:07:36that we return

01:07:36simply because of a moment of passion.

01:07:38Ah, but then

01:07:39We're having a meltdown.

01:07:42Good evening, Robes.

01:07:48Well.

01:07:50Leave

01:07:51Because I'm a gentleman, you know?

01:07:53Yeah.

01:07:54And why did I do this to you?

01:07:55Well, a compilation of things.

01:08:00Good night.

01:08:02Bye bye.

01:08:23Let's go, Alexi!

01:08:25Let's go, Alexi!

01:08:25Let's go!

01:08:28Let's go!

01:08:30Let's go!

01:08:38Ahoy, Charles the Great!

01:08:42Let's go!

01:08:52Let's go!

01:08:53Let's go!

01:08:56Let's go!

01:08:57Let's go!

01:09:03Let's go!

01:09:04Let's go!

01:09:05Let's go!

01:09:08Let's go!

01:09:09Let's go!

01:09:10Let's go!

01:09:12Let's go!

01:09:13Let's go!

01:09:14Let's go!

01:09:15Let's go!

01:09:16Let's go!

01:09:17Let's go!

01:09:24Love.

01:09:28Okay, how can I tell you this?

01:09:33I've spent my father's inheritance

01:09:36in a bar in a clinic in a city where I don't want to live.

01:09:40And all to impress a woman who is going to spend the night with someone else.

01:09:46Yes, yes, I know.

01:09:47Yes, you were right, as always.

01:09:53Why won't I listen to you when you tell me these things, huh?

01:09:57The problem

01:10:00It's just that sometimes we don't want to hear what we're being told.

01:10:04Mr. Mejumea, what are you doing sitting there at this hour?

01:10:07Taking care of my Marichu.

01:10:09The son is a bit busy.

01:10:12looking for the winning horse.

01:10:19And where do you want me to go, Rafi, damn it?

01:10:21Your sister is making me suffer like a dog.

01:10:23Dating your sister is like collecting a series of magazine installments, huh?

01:10:26Well, think of it this way: they have the covers and the first two issues.

01:10:29Now let me tell you something,

01:10:30Focus on this collection,

01:10:31Don't start with another one.

01:10:34You already know me.

01:10:35That's why I'm telling you,

01:10:36because I know you

01:10:37And I know you like collecting.

01:10:40Man, boss.

01:10:41Yep?

01:10:43That?

01:10:44I see you've fallen for a man.

01:10:46I?

01:10:47At all.

01:10:49Yes, you've annoyed me.

01:10:50I'm breathless.

01:10:51Have I deceived myself?

01:10:52I mean food.

01:10:54Food, but real food, right?

01:10:56Andalusian food,

01:10:57so she doesn't see how delicious she is.

01:10:59Yes, the Andalusian one is very good.

01:11:01I've already tried it.

01:11:04When it's fresh in season

01:11:05as if you couldn't resist sinking your teeth into it.

01:11:10Well, look,

01:11:11You know how much he talks about food.

01:11:13I've developed an appetite.

01:11:15I'm going there

01:11:15Let's see if there's any pottage.

01:11:19Be careful with the sweets, they're cloying.

01:11:41I think he's going to be disappointed.

01:11:43from the third fascicle of cooking.

01:11:46That Kiyoskot has now been closed.

01:11:50My own things.

01:11:51Would you like something to drink?

01:11:52Yeah.

01:11:53General anesthesia.

01:11:59The less I run into Carmen, the better.

01:12:01much better.

01:12:02Or you live with her

01:12:03And now you work with her.

01:12:04What you have to do

01:12:05It's about turning the page once and for all.

01:12:07Forgotten.

01:12:08Do you want to go here?

01:12:08Hello.

01:12:09The letter was the best part

01:12:10that happened to me yesterday.

01:12:11Foncito.

01:12:12Yeah?

01:12:13What do you do for a living here?

01:12:14Here?

01:12:14A doctor?

01:12:15Looking forward to traveling north.

01:12:17Damn, it's mercy.

01:12:18I already invited him to come to Donosti,

01:12:19But I don't remember anything.

01:12:20Anshon.

01:12:21Are you Basque to buy

01:12:22the bathroom

01:12:22and keeps us as a staff.

01:12:24Oh, what joy, Iñaki!

01:12:26Tell me too

01:12:26Where is the consultation?

01:12:27by Dr. José Gregorio Narváez?

01:12:30What does a virgin do?

01:12:31inside the closet?

01:12:32Well, bring us luck.

01:12:33What's it going to be?

01:12:34Thank goodness I didn't give him the address.

01:12:35Munday Street 6, 6,

01:12:37next to Koldo's house.

01:12:39I'm going to look for something just for myself.

01:12:40And don't worry about the money.

01:12:41I'll pay you for the whole month.

01:12:42Would you mind?

01:12:43Take a look?

01:12:44I don't see it clearly!

01:12:46What you have to do

01:12:47It's about going there.

01:12:47What buses are there in Seville?

01:12:49You have every five hours

01:12:50to go twenty

01:12:50and to the minus twenty.

01:12:51It's not necessary

01:12:52that you get so close, Carmen.

01:12:53You really don't know

01:12:54What's wrong with the bank?

01:12:55Well no.

01:12:55Come on, that's the last thing I needed.

01:12:56that this man had bought

01:12:57And this one's for me.

01:13:00Now I'm going to show him

01:13:01one of the rooms

01:13:01with better views.

01:13:03But what are you doing?

01:13:04With a virgin, son?

01:13:06Now it's your turn

01:13:07return it to Rio.

01:13:08But,

01:13:08One hundred years of bad luck.

01:13:11Iñaki.

01:13:11Where is he going?

01:13:12I need to talk to him.

01:13:13Carmen,

01:13:13tonight

01:13:14You lose sight of me.

01:13:15It's just that I don't want to

01:13:16Have a good one.

01:13:17Iñaki!

Allí abajo - 1x07 - El órdago - HD 1080

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