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00:00:00Stop humming the wedding march already, the wedding was three days ago.
00:00:03I'm sorry, darling, but I had such a good time.
00:00:05Oh, but it's still closed on me, but it calls me like a married woman.
00:00:09Well, gentlemen, as long as our bodies hold out, this beautiful lady and I are going to travel the whole world.
00:00:17Give me the camera, I'm going to take a picture.
00:00:23Oh my God, may your handkerchief die!
00:00:26Little boy!
00:00:28Little boy!
00:00:30What am I saying, Chone? Has she arrived?
00:00:31Two hours earlier. Come on, I already know you here.
00:00:33The assistant position is for one person, and Chone is coming in strong.
00:00:36Two days listening to you on Sky like a weapon in mourning, crying, crying, crying.
00:00:39I had no choice but to ask for two days off to come and see you.
00:00:42If I were you, I'd focus a little more.
00:00:44Look, Chone, you're the only one who comes here to mess with my cooking.
00:00:48Well, that's it. The funeral you've fought so hard for.
00:00:51It's the least he deserves.
00:00:52We would have waited a little longer, Marich.
00:00:54The fact that they didn't find her body doesn't mean her soul doesn't need a farewell.
00:00:58He was Don Bejomea's lawyer.
00:01:00Mr. Bejomea?
00:01:01It means they're looking for you because you have to be at the reading of the will.
00:01:04If you are seeing this, it is because I am no longer with you.
00:01:07I'm going to give the family's little house to my daughter Eugenia.
00:01:11To you, José.
00:01:13I want to bequeath to you the land I inherited from my great-grandmother.
00:01:15In Guipúzcoa?
00:01:16José, you're going to be Basque.
00:01:18I'm rich! I'm a rich Basque!
00:01:20What are you going to ask me for?
00:01:21Your semen.
00:01:22Why do you think I would accept?
00:01:23Hey?
00:01:23Because if you accept, I'll give you the house in Zumaya.
00:01:25There's a little secret I want to confess to you.
00:01:28I am the owner of the clinic where I have lived these past few years.
00:01:32Therefore, I want to bequeath it to my son Cristóbal.
00:01:36No, wow! No, wow!
00:01:37To my beloved wife, Maricho.
00:01:40I'm sure they'll know how to do the right thing with her.
00:02:06No way!
00:02:12A clinic.
00:02:14But why is Benito leaving my sister a clinic?
00:02:16Let's see.
00:02:17Look, it's unbelievable that he was so in love with your mother.
00:02:20Because what a mess they've gotten themselves into.
00:02:22Hey, excuse me, it's no misfortune to inherit the best clinic in Seville.
00:02:26With a team of magnificent professionals.
00:02:28And better people.
00:02:30Look, an inheritance is just like a divorce.
00:02:33At first it seems like it's going to change your life for the better.
00:02:35And then you have some hell of a headache.
00:02:38And even more so when the person you have to deal with is a stuck-up rich kid.
00:02:42Headbutts! Stop it already!
00:02:44Now the most important thing for Ama is to recover from Benito's death.
00:02:47So I ask you, please, that when I arrive,
00:02:49Don't drive him crazy with the subject.
00:02:51Okay.
00:02:53Until next time!
00:02:54Until next time!
00:02:55How are you?
00:02:56Did you get a good night's sleep?
00:03:01Perfectly.
00:03:02Better than ever.
00:03:12But nobody's going to say it.
00:03:14But I just don't understand how Benito has left me with such a huge problem.
00:03:17And on top of that, he shares the child.
00:03:19So, what do I do now with the clinic?
00:03:21That?
00:03:21And if you sell the shares and get rid of the dead weight, what happens?
00:03:26Stain!
00:03:27Metaphors aren't your strong suit, are they?
00:03:28No, no, no.
00:03:29Watch out, watch out, watch out, watch out.
00:03:30Love, if you sell, you'll avoid all the hassles.
00:03:32It's a relief.
00:03:33A relief?
00:03:35According to whom, darling?
00:03:36Because for the clinic staff, it isn't.
00:03:39I don't know if Benito would like me to sell.
00:03:42If only I could communicate with him.
00:03:45Like in Ghost.
00:03:46Yeah, well I'd tell you to be happy.
00:03:47And I, my dear, don't see you very happy with the clinic.
00:03:50Iñaki, I remind you, darling, that you have a business up and running there, eh?
00:03:55Yes, but I don't understand how that affects me.
00:03:57who loves selling stocks.
00:04:00Well, if Cristóbal remains the sole owner of the clinic,
00:04:03Your business turns it into a cocktail bar.
00:04:05Yes, that's true.
00:04:06But hey, our life is here now.
00:04:08And maybe it doesn't make much sense to maintain a business in Andalusia, does it?
00:04:17Honey, right now our life is here,
00:04:20But for now, because we're going back to Seville, right?
00:04:29Carmen, would you mind if we discussed this in private?
00:04:33Strip.
00:04:39The one that was missing.
00:04:40Keep making these kinds of posts,
00:04:42Marichu is going to have to put in some Western-style living room doors.
00:04:46Is it possible to find out whose car is parked in the loading and unloading zone?
00:04:49Model?
00:04:50Poorly implemented model.
00:04:51It's mine.
00:04:52But I was leaving now, okay?
00:04:53If I got a euro for each person who told me that,
00:04:56I would have retired years ago to live the crazy life.
00:04:59Rosamari,
00:05:00Wasn't your jurisdiction in the Gros neighborhood?
00:05:02Yes, but oh well,
00:05:03The neighbors made the request online and have forwarded it to me.
00:05:06What's happening?
00:05:06Wow, what a loss.
00:05:08Hey,
00:05:08Aren't you going to take the car?
00:05:10That?
00:05:10I'm getting the breathalyzer out right now and I'm going to line you all up to blow into it, okay?
00:05:13No, no, Rosamari,
00:05:14Come on, I assure you I came by bus.
00:05:16You'd better.
00:05:17Hey,
00:05:18Are you really not going to waive Peyo's fine?
00:05:19Based on what?
00:05:21Isn't your son just like him?
00:05:23AND?
00:05:23As if it were just an excuse for me to break the law.
00:05:27Thirty days to pay it.
00:05:30Hey, Peyo,
00:05:30I'll be waiting for you at home for lunch, okay?
00:05:32I've done it on Monday.
00:05:36I mean,
00:05:36Was it a lie that he would return to Seville?
00:05:38No.
00:05:39But there's still time for that,
00:05:41You still have your leave of absence.
00:05:42Already,
00:05:42But if you keep pressuring your mother to sell her,
00:05:44My leave of absence from the clinic is going to be permanent.
00:05:47One moment.
00:05:48You didn't do it for that reason, did you?
00:05:49Let's see, Carmen.
00:05:50I'm interested in my mistress selling.
00:05:52It's all about her and her peace of mind,
00:05:53not with us.
00:05:55How can you think that?
00:05:57You're right, darling,
00:05:58forgive me.
00:05:59But I've been here for six months.
00:06:00looking for jobs
00:06:01without any results
00:06:02And I think the sofa is already shaped like my ass.
00:06:04Look,
00:06:04That sofa has never looked so beautiful.
00:06:07Besides,
00:06:08You don't start going to your Basque classes.
00:06:11Noski?
00:06:12Clear,
00:06:12It's Noski.
00:06:13Oh,
00:06:13I'm sorry honey,
00:06:14I've only read the first page.
00:06:17I have to go to the zac.
00:06:18Maybe one of these days
00:06:20I manage to arrive before Gozune.
00:06:21Yeah,
00:06:22little one.
00:06:24Bye.
00:06:26Well,
00:06:27What are you going to do with the clinic?
00:06:28daughter?
00:06:28Make up your mind now.
00:06:29But stop asking me about the clinic,
00:06:31please,
00:06:31You're driving me crazy.
00:06:33Well,
00:06:33Stay calm,
00:06:34women.
00:06:35Yeah,
00:06:35I'm sure Christopher is in the same boat as you.
00:06:37not knowing what to do.
00:06:39Of course I want to sell.
00:06:40The thing is, I can't waste
00:06:42my father's legacy
00:06:42with the first offer you make me,
00:06:44Do you understand?
00:06:45Hey?
00:06:48How much did he say?
00:06:50That's 6-0, right?
00:06:51Can I have a second to think about it?
00:06:53Edward,
00:06:54Just a moment,
00:06:55please.
00:06:59Edward,
00:07:00Look,
00:07:00I've already thought about it,
00:07:01Hey?
00:07:02My answer is yes,
00:07:03I sign the sale.
00:07:05What did you say?
00:07:06To set up a luxury hotel.
00:07:08Like setting up a ball pit,
00:07:10That's your business.
00:07:11Hey?
00:07:11Very good,
00:07:12come on,
00:07:13see you later.
00:07:13Oh, I'm going to make a fortune!
00:07:15I'm picturing myself in Puerto Banu
00:07:17taking selfies
00:07:18on the sling of my yacht.
00:07:19The first 3.
00:07:21Vol!
00:07:27No,
00:07:29if the name of the yacht
00:07:30It suits him perfectly.
00:07:32Trini!
00:07:33Red alert!
00:07:35Maximum alert, Trini!
00:07:36Dolores,
00:07:37I'm in the middle of a meeting
00:07:38very important.
00:07:40Already,
00:07:40But what I have to tell you
00:07:41It's much more important than this.
00:07:42with all due respect,
00:07:44of course.
00:07:45Well,
00:07:45what I was telling him,
00:07:46Mr. Dominguez,
00:07:47Our facilities include
00:07:48with the latest technology.
00:07:50Dolores,
00:07:50please,
00:07:50Does it matter to you?
00:07:51Yeah.
00:07:52Well, you wait.
00:07:53Or maybe not.
00:07:54Or maybe it will.
00:07:56What I was saying,
00:07:57Mr. Dominguez,
00:07:58we want to continue
00:07:59with our policy
00:08:00of using instruments
00:08:01of the best quality.
00:08:03And for that purpose,
00:08:03we want to tell
00:08:04at our clinic
00:08:05with their devices.
00:08:06We could set up
00:08:07electrocardiogram machines
00:08:08high quality.
00:08:09Excuse me, Mr. Dominguez,
00:08:10But you here
00:08:11He's not going to set anything up.
00:08:12Dolores.
00:08:13It's not going to be set up here.
00:08:14nor machine,
00:08:15nor electrocardiogram,
00:08:16nor electro-elf.
00:08:17Aren't you worried?
00:08:18because of what they might do
00:08:18The new owners?
00:08:19In worse bullrings
00:08:20Today she always came out angry.
00:08:22Well, let's see how Torea does
00:08:22that the son of Don Benjumea
00:08:23has put up for sale
00:08:24the clinic.
00:08:26I hadn't been informed
00:08:26You know about that, huh?
00:08:27One moment,
00:08:28one moment,
00:08:28that here is safe
00:08:29that there is a misunderstanding,
00:08:30Right, Dolores?
00:08:31There was no misunderstanding.
00:08:32Trinity,
00:08:33I've heard it
00:08:33from Christopher's own mouth.
00:08:35For the evening news
00:08:36We've stayed the same.
00:08:37without jobs
00:08:38and you without a sales commission.
00:08:40And now I'm really leaving.
00:08:52Good.
00:08:55Hey, Carmen!
00:08:57What is it?
00:08:58How are you?
00:08:58I learned in Basque
00:08:59to know
00:09:00when he speaks ill
00:09:00Marichu, you know?
00:09:03Well,
00:09:04I learned in Basque
00:09:05to find a job.
00:09:07Here in Basque
00:09:07always, therefore,
00:09:08It opens doors for you, doesn't it?
00:09:09It's just a matter of getting the hang of it, isn't it?
00:09:11Good morning!
00:09:11Good morning!
00:09:12Good morning!
00:09:18Today we are going to learn
00:09:20How to introduce ourselves
00:09:22for a job interview.
00:09:24Hey?
00:09:24Any volunteers?
00:09:25Is he going to practice?
00:09:26She,
00:09:27that the Andalusians
00:09:28They're very funny.
00:09:29Let's see, then.
00:09:31name and profession.
00:09:32Well, then,
00:09:33My name is Carmen
00:09:34and...
00:09:35I am a nurse.
00:09:37Are you kidding me?
00:09:38But in Basque.
00:09:40Nor reisena,
00:09:41Carmen gives.
00:09:42Eta eris aña,
00:09:44nais.
00:09:44Repeat.
00:09:46Nor reisena,
00:09:47little girl,
00:09:48Carmen.
00:09:49AND...
00:09:49Nor who.
00:09:53Iguain,
00:09:54for a sea-themed cover
00:09:55Which isn't so bad, huh?
00:09:57The pronunciation
00:09:58It's not your strong suit.
00:10:00No.
00:10:00Let's try something else, shall we?
00:10:02This is going to come to you
00:10:02very good
00:10:03In a job interview, huh?
00:10:06Amarur te bathe
00:10:07that already goto
00:10:09Daucat experience.
00:10:15Vocal purchase.
00:10:17But let's see,
00:10:18maitía.
00:10:19You don't come from PL1.
00:10:20I took the GI 20.
00:10:23Oh, damn!
00:10:24And what was I planning to call?
00:10:26saying
00:10:26that he was sick
00:10:27Why not come?
00:10:28Maitía, maitía,
00:10:29no, maitía,
00:10:30I don't mean
00:10:31to the itinerary,
00:10:32I mean
00:10:33at the basic level
00:10:34of Basque,
00:10:35the PL1.
00:10:37Ah,
00:10:38But isn't this it?
00:10:40Cabenzot.
00:10:41Look,
00:10:42You said that right, didn't you?
00:10:43You're starting to sound good
00:10:43in Basque.
00:10:44Sorona!
00:10:54Megay!
00:10:54Megay!
00:10:56Sunken Neptune.
00:10:57Urgent meeting
00:10:58of the G3.
00:10:59Dolora, come on,
00:10:59Stop taking desipanpine.
00:11:00And come on.
00:11:01Corner her, everyone!
00:11:02Angela,
00:11:03I think you're taking
00:11:04very much to the heart
00:11:04Your same position, huh?
00:11:05Come on, it's not like it's a clinic
00:11:06out of yours.
00:11:06Well,
00:11:07nor yours
00:11:07nor almost from the new owners.
00:11:09Because this is going to change
00:11:10of hands,
00:11:10But now.
00:11:13Spill the beans, Dolora,
00:11:13that you retain information
00:11:15it can cause you
00:11:15a long ulcer.
00:11:17Christopher is trying
00:11:18sell the clinic
00:11:19And from what I've seen
00:11:20They must have done it to him
00:11:21a great deal.
00:11:21Her eyes were shining.
00:11:22like Candy Candy.
00:11:24That this was a monopoly,
00:11:25Pussy,
00:11:25And who wants to buy?
00:11:26Now the clinic?
00:11:29Don't know.
00:11:30But whoever it is
00:11:31must have
00:11:31the account with the most zeros
00:11:33that your children
00:11:33in the school notes.
00:11:35They are going to build
00:11:36a luxury hotel
00:11:37five stars
00:11:38of these that they put on you
00:11:38a mint candy
00:11:39under the pillow.
00:11:43Sorry,
00:11:43These aren't the bathrooms, are they?
00:11:44No,
00:11:45But I'm getting them
00:11:46I really want to shit myself
00:11:47in one that I know.
00:11:47What a mouth, daughter,
00:11:49matching the hair.
00:11:50What's missing from my movie!
00:11:52Hush, girl,
00:11:53who is still the owner.
00:11:55Can we help you?
00:11:56In something, Don Cristóbal?
00:11:58If you wish,
00:11:58we can put
00:11:59in the operating room
00:12:00and we'll make a few adjustments,
00:12:01Hey?
00:12:01And without anesthesia,
00:12:02to make it easier for him
00:12:03the postoperative period.
00:12:04Thank you so much,
00:12:05I haven't...
00:12:08This is not a kind
00:12:09offering
00:12:09to your employer,
00:12:10TRUE?
00:12:11Unsubmissive,
00:12:13biting the hand
00:12:13that feeds you.
00:12:15Very nice, man.
00:12:16beautiful.
00:12:17Very good,
00:12:18very good.
00:12:24If she can have a morra
00:12:25in the world,
00:12:25it says to the hand
00:12:26and he wants to take it away from us
00:12:27the whole plate of food.
00:12:28Unfortunate,
00:12:29Since I lost my job,
00:12:30I thread it
00:12:30on the skewer of the spindle.
00:12:36Hello,
00:12:36how are you?
00:12:37Marichu,
00:12:37I'm Trini,
00:12:38the director
00:12:39from the Hispalis clinic.
00:12:40Well,
00:12:41perhaps I already have
00:12:42What more can I say?
00:12:43from the Galarza clinic.
00:12:45Come on, woman,
00:12:46As far as I'm concerned, it can continue.
00:12:47taking him to the Hispalis clinic.
00:12:49Well, that's it.
00:12:50that I wanted to leave
00:12:50spend a reasonable amount of time
00:12:52so you don't get overwhelmed.
00:12:53But today I thought
00:12:54which was about time.
00:12:56It was about time I called you.
00:12:57and to know how you are.
00:12:57How are you, Marichu?
00:12:59I've missed it
00:12:59when he was in a coma.
00:13:00Look,
00:13:01at least then
00:13:01She was calmer.
00:13:03Don't say that, woman.
00:13:04Also, look,
00:13:05I'm calling you right now
00:13:06to put
00:13:06at your complete disposal
00:13:08my great experience
00:13:09as director.
00:13:10And well,
00:13:10to help you
00:13:11in any decision
00:13:12that you have to take
00:13:13with respect to
00:13:14your clinic.
00:13:15Thank you.
00:13:17Trini?
00:13:17They don't deserve it.
00:13:19Hey,
00:13:19and while we're at it
00:13:19helping each other,
00:13:21I don't know,
00:13:21I wondered
00:13:22if you have had
00:13:23some kind of conversation
00:13:24with Christopher
00:13:25with regard to the clinic.
00:13:27The only words
00:13:27that we have exchanged
00:13:28about inheritance
00:13:29have been
00:13:29griffon vulture
00:13:30and envious brat.
00:13:32Well, look,
00:13:33I feel much more at ease now
00:13:35with respect
00:13:36I hope you're okay.
00:13:37and so.
00:13:38Well,
00:13:39Well, nothing.
00:13:39Marichu,
00:13:40Continue taking care of yourselves.
00:13:41And you know,
00:13:42for anything,
00:13:43here I am.
00:13:43Thank you, Trini.
00:13:44Come on,
00:13:44see you later.
00:13:53And finally,
00:13:54Joselito,
00:13:54your Antequera roll
00:13:56with olive oil
00:13:57extra virgin
00:13:58from the Sierra de Jaén
00:13:59and her little lunch
00:14:00of aged ham
00:14:00acorn
00:14:01black hoof
00:14:01from Huerva.
00:14:02Ole!
00:14:03really!
00:14:03How good things are!
00:14:04Hey?
00:14:04What do you like?
00:14:05Put it on my account.
00:14:06Let's see,
00:14:06Joselito,
00:14:07however you need to aim
00:14:08everything you owe me,
00:14:08We are going to deforest Spain
00:14:09with all the paper
00:14:10that we need.
00:14:11Obvious,
00:14:11kid,
00:14:11if I as soon as
00:14:12grab the inheritance
00:14:13I'll pay you
00:14:13everything I owe you.
00:14:14The land
00:14:14They're going to take those away from me.
00:14:15of the hands
00:14:15And I don't know.
00:14:16What am I going to do?
00:14:17with all your money.
00:14:18Christopher,
00:14:19clinic,
00:14:20catastrophe.
00:14:21Calamá,
00:14:22pig.
00:14:22What are you talking about?
00:14:24We're not playing around.
00:14:24to the words
00:14:25that begin with C.
00:14:26No,
00:14:26no,
00:14:27that Christopher
00:14:27He sells the clinic
00:14:28to an investor
00:14:29and this one wants to ride
00:14:30a big hotel
00:14:31five stars.
00:14:31Oh,
00:14:32now that Iñaki
00:14:33he had appointed me
00:14:33a loaded
00:14:33that doesn't last long
00:14:34stardom
00:14:35in this country.
00:14:35Let's see,
00:14:36tranquillity,
00:14:36tranquillity,
00:14:37Don't panic,
00:14:38in all hotels
00:14:39There are bars.
00:14:40I'm sure it counts
00:14:40with us.
00:14:41Yeah,
00:14:41Does it sound familiar to you?
00:14:42of something
00:14:42Investors without borders?
00:14:44It's just that these people
00:14:44They are not exactly
00:14:45the little sisters
00:14:46of charity.
00:14:47Rafi is right,
00:14:48for the investor
00:14:48we are just tiny ants
00:14:49and if we get in his way
00:14:51They're throwing us out onto the street.
00:14:52Do you know what I'm saying?
00:14:53That this little ant
00:14:54He doesn't care
00:14:54what happens to him
00:14:55to the clinic,
00:14:56because it's getting too small for me,
00:14:57man.
00:14:58What the hell?
00:14:59My name is the carpegote.
00:15:00I shit on my father.
00:15:01Ladies and gentlemen,
00:15:02because of my inheritance,
00:15:03open bar
00:15:04for my dear colleagues
00:15:05and for the unwanted
00:15:06also,
00:15:06Screw him.
00:15:07Fuck them.
00:15:08that they see how good it is
00:15:08I don't care.
00:15:09Hey,
00:15:09the cackle
00:15:10I'm going to smash you.
00:15:11you'll see
00:15:12to a kebab
00:15:13how not to remove it
00:15:13from the open bar.
00:15:14Isabelita,
00:15:15It's already late.
00:15:16Send yourself forward
00:15:17and come here so you can run,
00:15:17This is war.
00:15:19Rafi,
00:15:19with the uncertainty
00:15:20that is the future,
00:15:21I'm going to take it
00:15:22the word to that one.
00:15:23Oh,
00:15:24clinical media,
00:15:24Dolores.
00:15:26Take the tracksuit
00:15:26And don't come back again.
00:15:28that I don't see you,
00:15:28And don't order paella.
00:15:29that there is no more
00:15:29nor what the most significant milestone was.
00:15:30Come on,
00:15:30fast,
00:15:31to Guanajera.
00:15:31I ordered a small glass,
00:15:32come on,
00:15:32a small glass.
00:15:33Let's come with me!
00:15:33Oh, oh, oh, oh!
00:15:35Oh, how I've made you!
00:15:36Celia!
00:15:37Go for it!
00:15:37I didn't put myself on
00:15:38me too!
00:15:39No problem.
00:15:40I've always wanted to
00:15:40to have a patterned robe.
00:15:41Me too!
00:15:44Go on.
00:15:45Do you want me to ask you?
00:15:46another small plate of food,
00:15:47but dry,
00:15:53a small plate
00:15:53And what about me, a hose?
00:15:55But not!
00:15:56Rapier?
00:15:57Lunch so early,
00:15:58as if we were
00:15:59Scandinavians, damn it.
00:16:00Everyone
00:16:01to your posts
00:16:01to the fence.
00:16:02Angela,
00:16:03leave the paper
00:16:04from Lieutenant Onís
00:16:04and relax
00:16:05and asks for the letter
00:16:06who invites José.
00:16:07He asks me for the colajetoro
00:16:09and a little empanada for him.
00:16:10Let's go!
00:16:10But, Josiquito,
00:16:11What did he do to you, man?
00:16:12We're leaving.
00:16:12to add more drawstring.
00:16:13Relax a little bit,
00:16:14man, boy,
00:16:15that with a little bit
00:16:15of land
00:16:16that gives you, we're even.
00:16:16And what do I do?
00:16:17with your land?
00:16:18So much for a pine tree, isn't it?
00:16:19Yeah, man!
00:16:20Damn it all
00:16:20that which moves.
00:16:21Now, for real!
00:16:23Hey, monkey!
00:16:24That's enough.
00:16:24Get off the chair
00:16:25And stop making a scene.
00:16:26which I know perfectly well
00:16:27what you're looking for.
00:16:28Oh, really?
00:16:29And why am I riding
00:16:30This, ex-sister-in-law?
00:16:31Look, I wasn't planning to say this,
00:16:32But he's won you over.
00:16:33Let's see, let him know
00:16:34everyone
00:16:35Here's your friend José,
00:16:37the one who makes you happy
00:16:37to the people,
00:16:39He's putting on this show
00:16:40because it has no value
00:16:41to request voluntary resignation
00:16:42And that's why he's provoking me.
00:16:44so that he can fire him
00:16:45because he wants to get paid
00:16:46a good severance package.
00:16:50Mistake!
00:16:52I'm going to do great!
00:16:53all this morning, daughter!
00:16:54For your information,
00:16:56I just ordered
00:16:57voluntary resignation.
00:16:58Well, look,
00:16:59You have no idea how happy that makes me.
00:17:00Rafi, give me a beer.
00:17:01to celebrate.
00:17:03Hey?
00:17:04Sign me up too
00:17:05and everything the brunette asks for
00:17:06that when I return
00:17:06from the Basque Country
00:17:07You're going to have to call me.
00:17:09Oh, come on!
00:17:09Come on!
00:17:10I'm jumping!
00:17:17What's wrong, Koldo?
00:17:18You're as white as a sheet of cod.
00:17:20Come on, that's enough!
00:17:21Any problem with Izaskun?
00:17:22Hey, I'll leave you in the end
00:17:23the scalder.
00:17:25No no.
00:17:26I'm very worried, huh?
00:17:27With a cousin of mine,
00:17:29Gorka.
00:17:29Gorka?
00:17:30Do you have a cousin?
00:17:30Whose name is Gorka?
00:17:31I didn't know.
00:17:31Yeah.
00:17:32Well, maybe you don't know him.
00:17:33But a long time ago,
00:17:34you understand me?
00:17:35He went on a trip,
00:17:36far,
00:17:36to French Brittany.
00:17:38He went away.
00:17:38Well, the thing is that
00:17:39my cousin Aitor
00:17:40It has always been
00:17:41an undecided oyster.
00:17:42Wasn't it Gorka?
00:17:45Gorka and Toro.
00:17:46Gorka and Toro.
00:17:47Look, don't confuse me,
00:17:48fuck,
00:17:49Listen for a moment.
00:17:49This has always been
00:17:50very undecided,
00:17:51you understand me?
00:17:51And it has a problem.
00:17:53from the milk
00:17:53because it turns out that
00:17:54his wife,
00:17:55Well, now she's his ex-wife.
00:17:57because he has suggested
00:17:58That's a hell of a move, isn't it?
00:18:00Well, more like
00:18:00ovaries, right?
00:18:01But the thing is...
00:18:03You're okay,
00:18:04what is it?
00:18:05I?
00:18:08I?
00:18:15Yeah?
00:18:15Hi, it's me.
00:18:16Who?
00:18:17Dolores?
00:18:17Oh, Dolores!
00:18:18How are you?
00:18:19Well, the truth is that
00:18:20since you left here
00:18:21They're all misfortunes.
00:18:22Oh, darling,
00:18:22I thought that misfortunes
00:18:23I had brought them all myself,
00:18:25I can't find a job
00:18:25by the time I find it
00:18:27It's my turn to retire.
00:18:27What happened to her?
00:18:29Nor do you need
00:18:29Do you get a permit?
00:18:30of residence, let's go.
00:18:31What I need to know is
00:18:32or that I can't get it to work.
00:18:34I think I'm going to have
00:18:35to have a transplant
00:18:36of the pharynx.
00:18:37Well, thank goodness
00:18:38that the clinic
00:18:39I will always have it
00:18:39because...
00:18:40Okay, go back to the clinic.
00:18:41come back.
00:18:42That would sound like a failure, Carmen.
00:18:44What you have to do
00:18:45It's about looking around there.
00:18:46Search, search,
00:18:46whoever seeks
00:18:47And rescue finds, huh?
00:18:48And a little kiss.
00:18:49Okay, goodbye.
00:18:49Bye, bye.
00:18:50Okay, fine.
00:18:51Calm down, Dolores.
00:18:52Bye bye.
00:18:54Oh, what a coincidence!
00:18:55Who is here?
00:18:56Garri!
00:18:57Hello.
00:18:57How are you?
00:18:58How have you been?
00:18:59Basque class?
00:19:01It's like you can tell me
00:19:02What is casaja?
00:19:02It doesn't even look the same on me anymore.
00:19:04Hey!
00:19:05Oh, I see you
00:19:06A little discouraged, huh?
00:19:08Me?
00:19:09Yes, you remind me of Sabino.
00:19:10The first time
00:19:11that I went to badminton class,
00:19:12Daughter, do you remember?
00:19:13He didn't get a single one right.
00:19:15Sabino, Sabino,
00:19:16Okay, see you later.
00:19:17Hey,
00:19:18you know
00:19:19what I did
00:19:19to cheer him up?
00:19:22I just don't know
00:19:23If I want to know, I'll go.
00:19:25No, it's not.
00:19:27I bought it from the store.
00:19:30And I'm going to do the same with you.
00:19:31Of course, Sabino,
00:19:32We're going shopping.
00:19:33Okay, thank you, really.
00:19:34I'm fine.
00:19:35No, no, no, no, no way.
00:19:36You're coming with us
00:19:38I'm going to take you to a store
00:19:39that you're going to love.
00:19:40Look, she has some cute outfits.
00:19:41so youth
00:19:42that cure hiccups.
00:19:44Yeah.
00:19:45And the will to live?
00:19:48Don't worry
00:19:49that Bego
00:19:50He has a very good eye.
00:19:51for this clothing thing.
00:19:51Well, it takes me
00:19:52always done a brush.
00:19:54Look,
00:19:55You go ahead and try it on.
00:19:56For example, this one.
00:19:58This clothing looks great.
00:19:59when you put it on.
00:20:05Gorgeous.
00:20:05Look, Sabino,
00:20:06She looks like an angel.
00:20:07An angel had just left the bingo hall
00:20:09And with 30 more years, right?
00:20:10Go on, go on, be quiet,
00:20:11You look amazing.
00:20:12Right, Sabino?
00:20:16Look,
00:20:17Look how elegant.
00:20:18Doesn't he look very elegant, Sabino?
00:20:23Look,
00:20:24That one comes in very handy.
00:20:25here in the north.
00:20:26Right, Sabino?
00:20:27If you say that again,
00:20:28You're eating your purse, huh?
00:20:33Yes, Carmen.
00:20:35You can't tell me this.
00:20:36that you don't like.
00:20:37But I don't know.
00:20:38Is anything missing?
00:20:40Man,
00:20:40I, rather than disrespect him,
00:20:41the truth is that
00:20:41It's not really my style, Begoña.
00:20:44Don't you want to integrate?
00:20:45Well then
00:20:46you will have to get dressed
00:20:46How we Basque women dress.
00:20:48No frills.
00:20:49Elegant.
00:20:50Well, I
00:20:51I prefer a hair comb.
00:20:52A hair comb?
00:20:54Yeah.
00:20:54Clear,
00:20:55that is.
00:20:56The hair.
00:20:57We're going to the hairdresser
00:20:58of his childhood.
00:20:59No, no, no, no.
00:21:00Me in the hair
00:21:00I don't do anything to myself.
00:21:06Peaceful,
00:21:06that Suriño
00:21:07It has an art
00:21:07with scissors.
00:21:08Yeah,
00:21:09the art of showering
00:21:10if not to get wet,
00:21:11if not to offend.
00:21:11In Suriño?
00:21:13Suriñe!
00:21:14That.
00:21:15But that I in the hair
00:21:16I'm not going to do anything to myself.
00:21:18Oh, woman,
00:21:19come on,
00:21:19Give it a chance.
00:21:20Come on,
00:21:21I'll leave you alone.
00:21:21That I have seen
00:21:22that you have there
00:21:22the soon this week.
00:21:23come on,
00:21:24to wine.
00:21:30Nice hair salon.
00:21:48What are you going to do to me?
00:21:49Aren't you going to ask me?
00:21:51What do I want?
00:21:52Peaceful,
00:21:53that Suriñe
00:21:53That one will adapt
00:21:54very good
00:21:54to young girls
00:21:55like you
00:21:55and it's going to make you
00:21:56a short long one.
00:21:57Well,
00:21:57or a short long one.
00:21:59And there's no other option?
00:22:00Yeah,
00:22:00the cut I have.
00:22:01Do you like it?
00:22:03Pretty?
00:22:04Yes sir,
00:22:04beautiful.
00:22:06But I am not
00:22:06very much like a splinter
00:22:07because
00:22:09I sweat a lot
00:22:10and they come out
00:22:12grain.
00:22:13Come on,
00:22:13Suriñe,
00:22:14hollow it out well,
00:22:14like you do with me.
00:22:16No, no, no,
00:22:16Suriñe,
00:22:17don't hollow it out.
00:22:17Well,
00:22:17what I do?
00:22:18Do I hollow it out or not?
00:22:19Yes, woman,
00:22:19hollow it out.
00:22:28Hello,
00:22:28Trini.
00:22:29Whatever you want to say
00:22:30faster
00:22:30I'm very busy.
00:22:32Look,
00:22:32really,
00:22:32Christopher,
00:22:33It's so nice to talk to you.
00:22:34You, as always.
00:22:35so diplomatic.
00:22:36Go on, son,
00:22:37You look so little like me
00:22:38to your father.
00:22:38We're going to leave my father
00:22:39In peace, and tell me
00:22:40Why are you looking for me?
00:22:40I have quoted you here
00:22:41because I want to know
00:22:42What are your intentions?
00:22:42for the clinic.
00:22:43Intentions?
00:22:44Well, I hope it goes well.
00:22:45May it go smoothly,
00:22:47which is what interests us
00:22:48To everyone, right?
00:22:49Christopher,
00:22:49I don't know if you know
00:22:50that to keep us
00:22:51in the ranking
00:22:51of the best clinics
00:22:52It's not in our best interest.
00:22:53take no false steps
00:22:58This is news to me.
00:22:59Look,
00:23:00really,
00:23:00Christopher,
00:23:01I'm not going to walk around
00:23:02through the branches.
00:23:03I know perfectly well
00:23:03that you're in talks
00:23:04with potential buyers
00:23:05from the clinic.
00:23:06And if that were the case,
00:23:07what's happening?
00:23:07I can do
00:23:08whatever I want
00:23:09with my father's inheritance.
00:23:10An inheritance
00:23:10that you share
00:23:1150% off with Marichu.
00:23:13I say
00:23:13that if you're going to sell
00:23:14You'll have to talk
00:23:14First with her, right?
00:23:15Well,
00:23:16at worst
00:23:16I'm selling my share
00:23:17And she acts as if she's doing
00:23:18a bun with hers.
00:23:20You know perfectly well
00:23:21that's not the case.
00:23:22If I were you
00:23:23I would ask for his advice.
00:23:24to my lawyer.
00:23:27Of course
00:23:28I'm going to ask him for advice.
00:23:29That's what it's for.
00:23:29I have the best lawyer
00:23:32from Seville.
00:23:32Of the good things,
00:23:33Okay, okay.
00:23:34From what he has given
00:23:34Good morning
00:23:34and he gives you a summary
00:23:35with three zeros.
00:23:36See if it's good.
00:23:45Let's see where I can find it.
00:23:46I am a lawyer
00:23:47right now.
00:23:48What if I don't have
00:23:49renewed casnipas
00:23:49for golf clubs?
00:23:51Oh my God.
00:23:52If I knew
00:23:52some expert
00:23:53that I...
00:24:04Irene, please.
00:24:05Can you leave us?
00:24:06only to Mr. Jiménez
00:24:07and me
00:24:07that we have to deal with
00:24:07a few things?
00:24:08Look, I just
00:24:09I receive direct orders
00:24:10Angela's
00:24:10That's what being my boss is all about.
00:24:12Yes, and I am
00:24:13your boss's boss.
00:24:14So you're leaving right now
00:24:15And you study along the way
00:24:15a bit
00:24:16the universe of hierarchy.
00:24:17That I see you a little green.
00:24:20Well, give it a little bit
00:24:21faster
00:24:21I'm in a hurry, please.
00:24:22You cannot wait
00:24:23until I finish
00:24:23With dialysis, man.
00:24:25You didn't just hear
00:24:26My masterclan hierarchy, right?
00:24:27I am the owner
00:24:28of this clinic
00:24:29and you are using
00:24:30my dialysis machine
00:24:31And it's the least I can do.
00:24:32It's returning the favor.
00:24:34Let's go.
00:24:35Let's see.
00:24:38Oh,
00:24:39Well, here's a clause
00:24:40that specifies
00:24:41that if the other party
00:24:41does not sign
00:24:42You cannot sell
00:24:43the shares.
00:24:44How is that going to be?
00:24:45How is that going to be?
00:24:46That's what it says here
00:24:47well cat
00:24:48His father has left him.
00:24:49If one doesn't sell
00:24:50Neither did the other one.
00:24:51It says so right there.
00:24:52How about the other party?
00:24:54With such...
00:24:56Marichu...
00:24:57Galarza, Galarza, Galarza.
00:24:59It sounds familiar.
00:24:59Galarza.
00:25:02Opportunistic.
00:25:03Manipulator
00:25:03very relegated.
00:25:04What I gave myself.
00:25:05Gazette.
00:25:05From the ration.
00:25:08There's a small squabble
00:25:10nothing serious
00:25:11that's sure
00:25:11that I will be able to solve
00:25:12with their invaluable help,
00:25:13TRUE?
00:25:13With me?
00:25:14No, I can't help anymore.
00:25:16And now, if you'll allow me.
00:25:17I'd like to concentrate...
00:25:18Yes, yes.
00:25:19In mediating with my partner
00:25:20and in stepmother
00:25:21so that also
00:25:22want to sell.
00:25:24He can read my mind.
00:25:25In ten minutes
00:25:26organizes me
00:25:27a videoconference
00:25:28with her.
00:25:28I'm not going to organize
00:25:29no videoconference
00:25:30nor with her partner
00:25:31nor with anyone.
00:25:32Are you right?
00:25:34It's better if I speak.
00:25:35with Marichu in person.
00:25:36I'm leaving right now.
00:25:36For San Sebastián, man.
00:25:47Iñaki?
00:25:47Hey, Carmen.
00:25:51Carmen.
00:25:52What happened to you?
00:25:54I notice you seem more...
00:25:55Say it.
00:25:56Say it.
00:25:57Old?
00:25:58No.
00:25:58Outdated?
00:25:59I was going to say more Basque.
00:26:01Hey, and that hair...
00:26:03Look, look,
00:26:04if you don't want to
00:26:05that he takes me
00:26:05the first flight
00:26:06for Seville,
00:26:06Don't mention me.
00:26:07hair all over the food.
00:26:09I'm asking you, please.
00:26:10Yes, now that you mention it
00:26:11the food,
00:26:12Do you know what's happening?
00:26:13that Juan Mari
00:26:13he has entrusted me
00:26:14a squid ink foam
00:26:15for a client
00:26:16very important?
00:26:17Does it have to be today?
00:26:18Yeah.
00:26:19Today, darling, please,
00:26:20and the chochone
00:26:21with what he likes
00:26:21to be seen because she doesn't do it.
00:26:23No, that's the problem
00:26:23that Gostone
00:26:24He wants to do it too
00:26:25And this, Carmen,
00:26:26It's like the Hunger Games.
00:26:27There can be only one.
00:26:28No, no, no.
00:26:28You're not going to let yourself be beaten
00:26:29by no climb.
00:26:31No witch.
00:26:31Ah, but the witch...
00:26:32It was the witch Avería.
00:26:33I told you so...
00:26:34Man, Gostone,
00:26:35I didn't even see you come in.
00:26:35Look, precisely
00:26:36I'd like to introduce you to my wife.
00:26:37This is Carmen.
00:26:38Carmen Gostone, Gostone...
00:26:39Hello.
00:26:40Nice to meet you.
00:26:42That's her, isn't it?
00:26:43The witch.
00:26:45The companion.
00:26:46Ah, but don't worry,
00:26:46no problem.
00:26:48Well, Gostone,
00:26:49nice to meet you.
00:26:49I'll see you at home.
00:26:50Yeah.
00:26:52But wait a minute,
00:26:52Aren't you going to eat or what?
00:26:54No.
00:26:54Yes, always yes.
00:26:55Don't worry,
00:26:56I'll take care of it.
00:26:57from squid ink foam.
00:26:58No, no, no, no.
00:27:00What I was
00:27:00I don't quite understand it,
00:27:01but the intentions
00:27:02to this flight
00:27:03They stay here.
00:27:04I'm staying.
00:27:05Okay.
00:27:07Well...
00:27:07A pleasure, huh?
00:27:08Equal.
00:27:09Look at her.
00:27:10Look at her running,
00:27:11like the Road Runner
00:27:11if it then stalks like a coyote.
00:27:13Yes, yes, yes.
00:27:14Don't let yourself be beaten
00:27:15by no means without taking a bribe.
00:27:16Come in and prove it
00:27:17to the Iñaki that he carries inside, huh?
00:27:19Don't get your jacket dirty.
00:27:20Strip.
00:27:27Please,
00:27:27but if every time
00:27:28I'm more like Begoña.
00:27:38Are you going on a trip, or what?
00:27:39Yes, I'm leaving.
00:27:40To San Sebastián.
00:27:41Half pleasure, half business.
00:27:42The pleasure thing
00:27:43It's so you can get lost from sight
00:27:43a time for all the chumas.
00:27:45Look, well, me too.
00:27:45I'm going to San Sebastian.
00:27:48Hey?
00:27:48Are you waiting for a taxi?
00:27:49to get to the airport?
00:27:50I'm going in a car with a driver,
00:27:52leave.
00:27:53Look, double coincidence,
00:27:55because I'm going to San Sebastian
00:27:56in a car with a driver.
00:27:58You have to inherit it.
00:27:59and my benzoin vein comes out
00:28:00through the pores.
00:28:00Well, I can see the vein in you.
00:28:01rather dry,
00:28:02because instead of San Sebastián
00:28:03It looks like you're going to a bowling alley.
00:28:04My soul has so little class!
00:28:07Not very classy,
00:28:08You say so?
00:28:08I have more classes
00:28:09in a high school, brown.
00:28:10What is this?
00:28:11How noticeable is it?
00:28:12who cannot bear to be silent
00:28:13from the small plots of land?
00:28:14Hey?
00:28:14I'm leaving, I picked myself up
00:28:15at the clinic, brother.
00:28:17Camorapos,
00:28:18Don't you dare call me,
00:28:19brother,
00:28:19file a complaint against you
00:28:20for defamation
00:28:20and misappropriation of kinship.
00:28:21Are you finding out?
00:28:22mamarras?
00:28:24Tell me,
00:28:24You sound like a parrot.
00:28:25Hey?
00:28:26It's like this.
00:28:27He has to go soon
00:28:28So they can take a look at it, huh?
00:28:29Brother.
00:28:34Me too!
00:28:35You!
00:28:35The slicked-back hairstyle!
00:28:36I am the ablaca!
00:28:37Balls!
00:28:38Who speaks more softly?
00:28:38Isn't this Mercasevilla?
00:28:39Okay, fine.
00:28:40But does it go up or what?
00:28:43And what about the suitcase that's passing by?
00:28:45to that extermination or what?
00:28:46About what?
00:28:46Open the trunk for me
00:28:47At least, right?
00:28:48Damn, well, that's not going to happen, man.
00:28:49because I'm carrying the umbrellas,
00:28:50three blankets,
00:28:51Christmas decorations
00:28:52and four box-shaped ones.
00:29:01I'm taking you to San Sebastián in a hurry, eh?
00:29:03Just a moment
00:29:03We have to pick up another one, huh?
00:29:08Hey, ablaca,
00:29:08You're carrying the suitcase, okay?
00:29:11Okay, fine.
00:29:12Let's go on the attack.
00:29:13Come on.
00:29:14Look how things are here, son.
00:29:16My God.
00:29:18Man!
00:29:21Triple coincidence, huh?
00:29:22We'll even have the same driver.
00:29:24I know, bun,
00:29:25that we had a roll
00:29:26like brothers
00:29:27separated at birth,
00:29:28like a brother.
00:29:29Don't call me brother
00:29:30Don't even talk to me on your trip.
00:29:32As if it were a hologram.
00:29:35My God,
00:29:35How's the brown bear doing, hey?
00:29:37And how much has he said
00:29:37What happened here?
00:29:39So, we'll see.
00:29:42Your cousin's ex-wife
00:29:43what he wants
00:29:43is that your cousin
00:29:44make a garden for him
00:29:45to plant the seed there.
00:29:47No way, buddy.
00:29:47What does the cousin want?
00:29:48It's like watering the garden.
00:29:50to the ex.
00:29:50Isn't that right?
00:29:51Okay, one last time, okay?
00:29:53My cousin
00:29:54I should leave him the seed
00:29:56to procreate
00:29:57to his ex,
00:29:57yes or no.
00:30:00Depends.
00:30:01It depends on what.
00:30:02Well, if he wants to
00:30:02to be a father or not.
00:30:04But they fit,
00:30:04you say it's not a question
00:30:05paternity yes
00:30:06or paternity no.
00:30:07Besides,
00:30:07my cousin's ex
00:30:08wants the son
00:30:09all for herself.
00:30:09Ah, but he too
00:30:10He'll have to decide something, won't he?
00:30:11Well, that's what it's about, it's about.
00:30:13with the fuck.
00:30:13And next time
00:30:14I'm going to explain it to you.
00:30:15with puppets.
00:30:15But all I know
00:30:16is that your cousin
00:30:17He's incredibly indecisive.
00:30:18He can't decide.
00:30:19not even to choose a brush.
00:30:20Watch out, watch out,
00:30:20choosing a toothbrush
00:30:21It's not nonsense, is it?
00:30:23Which is better, a finite one?
00:30:24that between easy and ta, ta, ta
00:30:25or a wide one
00:30:30by anyone
00:30:31and even more so because of an ex.
00:30:32They fit, you know, let's see,
00:30:33which also in compensation
00:30:34my cousin's ex
00:30:35He's going to give her a property
00:30:36which he likes very much.
00:30:38Yes, yes, yes, whatever you want.
00:30:40Look, I don't know
00:30:40if your cousin is a close cousin
00:30:41or a distant cousin.
00:30:43The only thing I know
00:30:44He's a creep.
00:30:45Dragged?
00:30:46Dragged along, a worm.
00:30:47Okay, I'm going to work.
00:30:48The Chono and Iñaki
00:30:49They are so competitive
00:30:50that instead of moving forward
00:30:51I'm going to have to hang myself
00:30:52a whistle.
00:30:53Now!
00:30:55A worm.
00:30:59Sabine,
00:30:59Give me a beer.
00:31:08That?
00:31:09Your ex.
00:31:11How do you know?
00:31:12No, why do you say that?
00:31:13Because that's your face, you silly goose.
00:31:16No, no, no.
00:31:17He's a cousin of mine.
00:31:19which has some problems
00:31:20who doesn't know whether to have children
00:31:21or not to procreate.
00:31:22Were you asking for my opinion?
00:31:24Look,
00:31:25Children are a blessing.
00:31:26It's the greatest
00:31:27What could happen to him?
00:31:28to a man this life.
00:31:30Never.
00:31:30Damn, Sabino.
00:31:32He is a man
00:31:32of few words
00:31:33but accurate.
00:31:35Well.
00:31:37Well yes,
00:31:37I'm going to say yes.
00:31:39To my cousin,
00:31:40say,
00:31:40It's the one from...
00:31:41I don't know whether to give it to him or not.
00:31:46Zascun,
00:31:47yes,
00:31:48I want to have a baby.
00:31:50Sabine,
00:31:50Help me change the menu
00:31:51that we have been doing for 20 years
00:31:52with the same skewers.
00:31:53more, more, more, more, more.
00:31:55Notice that anchovy one
00:31:57I was already craving it
00:31:58when I was pregnant
00:31:58hairy.
00:31:59Calculate.
00:32:03Marichu,
00:32:04sorry,
00:32:04I'm not trying to be a bother,
00:32:05But that crack
00:32:07from there
00:32:07It looks really bad.
00:32:09I don't like it one bit.
00:32:10Hey?
00:32:11It might be damaged
00:32:13everything that comes to be
00:32:13the building's structure,
00:32:14Do you understand?
00:32:15Hush, hush, hush.
00:32:16What nonsense are you talking about?
00:32:18Rosamari, please.
00:32:20The building is in perfect condition.
00:32:22Look,
00:32:22right now
00:32:23They're living up here
00:32:24my son and Carmen.
00:32:25Ah, look,
00:32:26Well, that will be the cause.
00:32:27That's the racket
00:32:28of a newlywed
00:32:29They cut you open.
00:32:31to the cathedral
00:32:31of Good Pasture.
00:32:34Oh, that's great.
00:32:36What are you doing?
00:32:37Well, call her at the town hall.
00:32:38so that an inspector can come.
00:32:39Well, Rosamari,
00:32:40Forget about town halls,
00:32:41Please, okay?
00:32:42Now, come on,
00:32:43Have a little wine, woman.
00:32:44That invites you to the house.
00:32:45Let's see, Marichu,
00:32:47How can you offer me
00:32:48a wine when I am
00:32:48service?
00:32:49Respect.
00:32:50Girl,
00:32:50a glass of wine and some tacos
00:32:52de Diazabal,
00:32:52It's free, woman.
00:32:54You are trying
00:32:55bribe me, Marichu.
00:32:56You're so suspicious,
00:32:57Rosamari.
00:32:58What it means
00:32:59that...
00:32:59Free snack
00:33:00Monday to Friday
00:33:01and three less free
00:33:01per week for a year
00:33:02And you haven't seen anything.
00:33:07Look, Marichu,
00:33:08I,
00:33:09personally
00:33:10I'll take care of it.
00:33:11that he/she comes
00:33:12an inspector
00:33:12and control that crack.
00:33:14Bribe me.
00:33:22Benedict,
00:33:23Don't tell me
00:33:23that are drowning me
00:33:23a glass of water.
00:33:25That the last
00:33:26that I was missing
00:33:26It's having problems
00:33:27with the silence.
00:33:32Benedict.
00:33:40I have cramps
00:33:41in the nargas
00:33:41I don't wish it on them.
00:33:42nor my pawn, friend.
00:33:44This has to be
00:33:44symptoms of the classes
00:33:45Safe tourists, let's go.
00:33:46Relax, man.
00:33:47These trips
00:33:48Do you know when they start?
00:33:49But not when they end.
00:33:58Listen,
00:33:59I'm a geography student.
00:34:00I'm doing okay,
00:34:01come on,
00:34:01know the governor,
00:34:02but there at night
00:34:03in Murcia
00:34:03It was a bit far away for us.
00:34:05Murcia,
00:34:05But if I entertain you
00:34:05It would be direct to San Sebastián,
00:34:07Hey, hey.
00:34:08Well,
00:34:08then
00:34:09let's have a laugh
00:34:10of claim.
00:34:20Well,
00:34:21I hope it is
00:34:22a short trip.
00:34:30Ufu.
00:34:31Yes, yes.
00:34:31I've put in two days
00:34:32the pony eyelashes I'm wearing.
00:34:33No, well, to me
00:34:34the little stop he made
00:34:35the man
00:34:35in Tomelloso
00:34:36to see Grandma
00:34:37It's been good for me, huh?
00:34:37I went to the hairdresser
00:34:38and I've put on Nike.
00:34:39I have to go now
00:34:40Go see the land, brother.
00:34:41But the monkey
00:34:42It has been seen from thirst
00:34:42The monkey stays.
00:34:43Hey?
00:34:43Yes,
00:34:44that have made you look great.
00:34:45Clear.
00:34:45Listen to me,
00:34:46It remains definitively
00:34:47prohibited on this trip
00:34:48with no one.
00:34:48What happens is the blacá
00:34:49It stays blank.
00:34:50And I wish it hadn't happened.
00:34:52Listen, listen.
00:34:53Are you fat?
00:34:55We are going to wake up
00:34:56in torrullar, huh?
00:34:58What a monster!
00:35:00Look,
00:35:00Is this the tavern?
00:35:01from Marichu?
00:35:02Yeah,
00:35:02come on.
00:35:03Ah,
00:35:03We are modern.
00:35:06How can he be late?
00:35:07a public official?
00:35:09Four minutes late.
00:35:10Girl, four minutes.
00:35:11Will the woman arrive soon?
00:35:12Sit down, then.
00:35:13It seems you want it.
00:35:14to receive Puerta Gallola.
00:35:15Oh, look at him!
00:35:17Good morning.
00:35:18Good afternoon,
00:35:19technically,
00:35:19because it is 12:04,
00:35:21Hey?
00:35:21And you were left
00:35:22to arrive in the morning.
00:35:23Okay, go ahead.
00:35:24Mr. Inspector.
00:35:24I am Iñaki,
00:35:25the owner of the street.
00:35:25And don't worry about this.
00:35:26the protocol expert.
00:35:28Hey, Inspector,
00:35:29We are customers
00:35:30here all my life
00:35:31and there never has been anything,
00:35:32but nothing that I've put
00:35:33Nobody's in danger, huh?
00:35:34Well, I did three years ago
00:35:35I broke my big toe
00:35:36of the foot with a skirting board.
00:35:37But thank you very much.
00:35:38Thanks for your contribution, mate.
00:35:40Hey, I'm telling you,
00:35:42this place
00:35:43It will never collapse
00:35:44because it has the pillars
00:35:45more robust
00:35:46that a bar can have.
00:35:47They are his parishioners.
00:35:50Very good,
00:35:51If you'll excuse me,
00:35:51I'm going to begin
00:35:52my inspection.
00:35:53That's just how it is
00:35:53I'll go with him, okay?
00:35:55Hello, come on.
00:35:56I'm here to get to the point.
00:35:57Look,
00:35:58these damp stains
00:36:00at least for me
00:36:00I don't like them at all.
00:36:01I don't know.
00:36:02But those are stains.
00:36:03of coffee, Rosa Mari.
00:36:04Don't you remember?
00:36:04the machine broke down
00:36:05What, boom, did it explode?
00:36:06Really,
00:36:06as if they were faces
00:36:07from Belmez,
00:36:08that's something he has to consider.
00:36:09the inspector.
00:36:10We already guided him,
00:36:11Rosa Mari.
00:36:13And how about you?
00:36:14You could have thrown
00:36:15a hand, right?
00:36:16Yes, but I didn't want to
00:36:17Take away your merit
00:36:18of making a fool of oneself.
00:36:20Let's see,
00:36:20which is that I have
00:36:21mind on other things.
00:36:22What could it be?
00:36:24right now
00:36:24most important
00:36:25How can we save this bar?
00:36:27That?
00:36:28Shall we go?
00:36:28Yes, we're leaving.
00:36:29Both?
00:36:29Yes, we've arranged to go
00:36:32To the gym, right?
00:36:34It's because of this
00:36:35of divorce,
00:36:36well, the subscription
00:36:37from my gym membership card,
00:36:37which has changed its name
00:36:38And not that way.
00:36:39Damn, huh?
00:36:41Poor Colgo.
00:36:42First he takes away the floor,
00:36:43then the car,
00:36:44Now the muscles.
00:36:45What's going to happen next?
00:36:47We are nobody.
00:36:50Pillars,
00:36:50favorable,
00:36:51roof condition,
00:36:53favorable,
00:36:53soil quality.
00:36:55Well,
00:36:57in doubt.
00:36:57But what do you mean, in doubt?
00:36:59If Sabino
00:36:59He left his kidneys behind.
00:37:01stabbing him
00:37:01last summer.
00:37:02But if since then
00:37:03every time he bends down
00:37:04It sounds like a rattling noise to him
00:37:05from Santiago to the poor,
00:37:06TRUE?
00:37:06No.
00:37:07Unfavorable crack.
00:37:08Crack length.
00:37:09Can you help me, please?
00:37:10Yes, favorable.
00:37:12Should I stand behind?
00:37:13From the bar to picking toothpicks?
00:37:14Well, don't try to direct.
00:37:15my inspection.
00:37:16Son, give him some air.
00:37:17that's going to put us
00:37:18unfavorable behavior.
00:37:20Come on, Sabino,
00:37:21Help him.
00:37:21Okay, okay, yes.
00:37:22Come on, son.
00:37:23Okay, okay.
00:37:23Ah, very well, thank you.
00:37:24Yeah.
00:37:24Crack length, please.
00:37:25Length.
00:37:26Length, yes.
00:37:30Favorable length.
00:37:31Good.
00:37:33Good.
00:37:35Width, please.
00:37:37Apañaki.
00:37:38We have three favorable ones
00:37:39against two unfavorable ones.
00:37:40At this rate, we'll save our hair.
00:37:41That's it, that's it.
00:37:42And on top of that, he hasn't said a word.
00:37:43of the crack
00:37:44which is next to the door.
00:37:45Pepe, Pepeyo,
00:37:46The crack is next to the bar.
00:37:48And then?
00:37:49The crack that is next
00:37:50at the door.
00:37:53Will it fit?
00:37:55Emergency lights.
00:37:57But what are you doing there?
00:37:58This is the best corner of the bar
00:38:00because the air is blowing
00:38:01And it suits me very well.
00:38:01for the throat
00:38:02to tell you...
00:38:02But you're blocking the exit
00:38:03and what if there's an emergency?
00:38:04This is where the San Fermín festival is held.
00:38:06Okay, come on,
00:38:07Take them away from there, come on.
00:38:08Get out of there, guys.
00:38:10really.
00:38:11Oops!
00:38:11What are you watching?
00:38:12Oops!
00:38:13What a little piece of ass!
00:38:14that's here.
00:38:15Oops!
00:38:16Well, thanks to my son
00:38:17that she has seen her
00:38:17because otherwise
00:38:18We don't really notice this, do we?
00:38:20Very good, noted.
00:38:20They will receive tomorrow
00:38:21a complete report.
00:38:22Good afternoon.
00:38:23Goodbye!
00:38:24Handsome!
00:38:25Okay, I'll go with you then, come on!
00:38:26Very good.
00:38:29Good afternoon.
00:38:31It will be a paper
00:38:32because I greatly fear
00:38:33that for us
00:38:34It's going to be
00:38:35unfavorable.
00:38:43Hey, honey!
00:38:45How are you?
00:38:46How did the special go?
00:38:48Not very favorably,
00:38:50the truth.
00:38:51He only lacked the ability to measure
00:38:52flexibility
00:38:52of the chopsticks.
00:38:54Oh well,
00:38:54I don't know,
00:38:55in the end,
00:38:55We'll see.
00:38:58Hey!
00:39:00We are,
00:39:00Dark with class.
00:39:02Also, darling,
00:39:04me too.
00:39:04Already,
00:39:05I see that with Basque
00:39:06You're still finding it a bit difficult, aren't you?
00:39:07When you stop spitting
00:39:09to say a word,
00:39:10so,
00:39:10It will be a little bit.
00:39:11Well,
00:39:12poliqui, poliqui
00:39:12And cheer up.
00:39:14Thank you.
00:39:15Hey!
00:39:16Oh well,
00:39:17We have a main entrance.
00:39:19I thought it was the one about being quiet.
00:39:20In fact,
00:39:21I pick up the mail around there.
00:39:22Come on, be quiet, be quiet.
00:39:25Hey!
00:39:26Hey!
00:39:27Hey!
00:39:28Oh well!
00:39:29Hey!
00:39:30Hey!
00:39:30Hey!
00:39:31What a joy!
00:39:32Hey!
00:39:33But since you're here,
00:39:34Hey!
00:39:36What a joy to see you!
00:39:38And most importantly
00:39:39that you come from Hawaii.
00:39:40What's happening?
00:39:41I'm not handsome,
00:39:42Hey?
00:39:43I have prepared
00:39:44to view the land
00:39:45from Don Mejumea.
00:39:46Well,
00:39:47to see it,
00:39:47to see if I can sell it.
00:39:48Already,
00:39:48I didn't imagine it
00:39:49that you came to work the land.
00:39:52Well,
00:39:52hey,
00:39:52I'm going to see him now.
00:39:53Will you come with me?
00:39:54I need some sherpas
00:39:55of the area.
00:39:56Go on,
00:39:56I mean,
00:39:56which is a plot of land.
00:39:57You will not see him.
00:39:58Be quiet.
00:39:58And if I get lost
00:39:59and they find me in 10 years
00:40:01living with wolves,
00:40:02wild.
00:40:03Have they caught each other?
00:40:04Yeah,
00:40:04in Walt Disney movies
00:40:05So, like...
00:40:06I have to go back to Arzac,
00:40:07But Carmen,
00:40:08Are you sure he's coming with you?
00:40:09Of course.
00:40:09Oh,
00:40:09with the desire that I have
00:40:10from listening to the Andalusian saint,
00:40:12I mean,
00:40:12Just look how much I want it
00:40:13that many times myself
00:40:14I record myself with my mobile phone
00:40:15and I listen to myself.
00:40:16How exaggerated!
00:40:16Ole!
00:40:17Really!
00:40:18Ole!
00:40:18The phrase without a ca!
00:40:19Ole, Yoli!
00:40:21Well done!
00:40:21My weapon!
00:40:22Well, I'm leaving.
00:40:23Ah!
00:40:23Yeah.
00:40:24Be very, very careful
00:40:25with the bears
00:40:26that there are many there.
00:40:26Bears?
00:40:27Yes, bears.
00:40:29And spiders?
00:40:32Hey,
00:40:32It's a truth.
00:40:34No?
00:40:35Oh,
00:40:35I don't know, Diego.
00:40:37I haven't been winning lately.
00:40:38for unpleasantness.
00:40:39I don't know.
00:40:40How many more misfortunes
00:40:41I'm going to get in trouble.
00:40:41Oh, son of God!
00:40:48Holy shit!
00:40:50And this one?
00:40:53Hello, Marichu.
00:40:54Please make some rebujito.
00:40:55What are you doing here?
00:40:56I have come to share
00:40:57My sorrow with you, Marichu.
00:40:59This grief, daughter.
00:41:01This duel
00:41:02It's that it won't let me live.
00:41:04Is that rebujito coming?
00:41:11Take.
00:41:12Here you go.
00:41:15Or what?
00:41:16It's a reserve wine
00:41:17with designation of origin.
00:41:22This was loved!
00:41:23Clear,
00:41:24because of its long-standing tradition.
00:41:26Of course.
00:41:27One comes to ingratiate oneself
00:41:28with the northern family
00:41:30And that's how they treat him.
00:41:31We treat everyone here
00:41:32as they deserve
00:41:33And you deserve no less.
00:41:35And now tell me
00:41:36What are you doing here?
00:41:37I've already told you, Marichu.
00:41:39I wanted to find relief
00:41:40to the loss of my father
00:41:42through your empathy
00:41:43because I know
00:41:44that you feel
00:41:45the same sorrow as me.
00:41:46I know it shows.
00:41:47on the face.
00:41:49Do you see it?
00:41:50You're an open book.
00:41:52You don't miss me
00:41:52that my father
00:41:53fell in love with you.
00:41:55With that look of yours
00:41:56so...
00:41:57eloquent.
00:42:00That's what I did.
00:42:00He keeps flattering me.
00:42:02And tell me what you want.
00:42:03I want to sell to a clinic
00:42:04And I need it
00:42:04have him sign the papers.
00:42:10Look, two little coffees
00:42:12and paying
00:42:13That's the sunken one, huh?
00:42:13Come on.
00:42:1420 euros.
00:42:15No, 20 euros
00:42:17for two quick coffees.
00:42:18Two coffees?
00:42:18And the five dishes
00:42:19full of food
00:42:20that you got yourselves into
00:42:20between chest and back
00:42:21at José's farewell party?
00:42:22Is that why she invited him?
00:42:23What invited him?
00:42:24Did he pay you?
00:42:25Because not me, come on.
00:42:26Free-for-all of slapping
00:42:27This is going to have
00:42:27when he comes back from selling the land.
00:42:28Well, when José from the North returns
00:42:30Maybe it doesn't exist
00:42:31nor the clinic.
00:42:32Sorry?
00:42:33What did you say?
00:42:34What, the clinic won't exist?
00:42:35I don't want to say anything.
00:42:36Because then everything comes out.
00:42:37But José sent me a WhatsApp message
00:42:39telling me that he had gotten on
00:42:40North in the same
00:42:41the Blacat that Christopher.
00:42:42The posh guy with hair gel
00:42:43on a Blackcat?
00:42:44I don't want to say anything.
00:42:45Because then everything comes out,
00:42:47But it turns out that Christopher
00:42:49I was also going to San Sebastián
00:42:50And that can only mean
00:42:52one thing.
00:42:53Well, tell him now.
00:42:53that you prefer the attention
00:42:55than a bare wire.
00:42:56Because I don't want to say anything.
00:42:57But this looks very much like it.
00:42:58that Marichu
00:42:59has agreed to sell the clinic.
00:43:01Where are the boxes?
00:43:01empty cardboard boxes?
00:43:03Are you going to start selling cardboard boxes?
00:43:04No, no, I'm going to make a poster
00:43:05in case we have to leave
00:43:06with Rosita to ask
00:43:07at the entrance to the subway.
00:43:08Come on, come on, don't talk nonsense.
00:43:09and waits on the tables.
00:43:10That for the moment
00:43:10We're still here.
00:43:11Come on.
00:43:11No, no, no, no.
00:43:13Choo, choo.
00:43:15Before closing the sale
00:43:17I want to check the space.
00:43:20I think if we replace
00:43:22the white coats
00:43:23by bathrobes
00:43:24with our logo
00:43:24That's exactly what we're looking for.
00:43:27I'll keep you posted.
00:43:28Bye.
00:43:29Good afternoon.
00:43:30Good afternoon.
00:43:31Do you know where I can find
00:43:32to Don Cristóbal Benjumea?
00:43:35It's juju, with a j.
00:43:36Ben juju, juju.
00:43:38No, no, no.
00:43:39Well, a little bit of fun remains
00:43:40but it's with a j
00:43:41like the body he has.
00:43:43Juju Benjumea.
00:43:45As?
00:43:46Excuse me, let me introduce myself.
00:43:48I am Dolores Ocaña,
00:43:49the recessionist
00:43:50from the Hispali clinic
00:43:51and the secretary person
00:43:53by Don Cristóbal Benjumea.
00:43:55Did you have an appointment with him?
00:43:56Yes, but I've had
00:43:57than to bring it forward.
00:43:58It's because tomorrow
00:43:59I'm opening another hotel
00:44:00and we still don't know
00:44:02whether to put towels
00:44:02lavender color
00:44:03or blue sky.
00:44:05Oh, that's a real problem, isn't it?
00:44:08Well, I feel it in the weapon
00:44:09but right now
00:44:10Don Cristóbal is in...
00:44:12Nice to meet you.
00:44:13Here's Don Cristóbal
00:44:14by Benjumea and Don Sicilia.
00:44:15Come on, come on.
00:44:16Come with me.
00:44:17Sit down
00:44:17and make yourself at home.
00:44:19Excuse me for coming like this
00:44:20informal dress
00:44:21But it's what we have
00:44:22the blue class people
00:44:23who educate us
00:44:24to appear down-to-earth.
00:44:27Because of her voice
00:44:27I figured as much.
00:44:28otherwise.
00:44:29It's that voice
00:44:30It's a voice that I provide.
00:44:31for business
00:44:32but right now
00:44:32I'm out, Jordi Ferrado Obrero
00:44:33and I show him the clinic
00:44:34from top to bottom.
00:44:35A coffee and two tapas.
00:44:37I don't feel like it right now.
00:44:38Thank you so much.
00:44:39And Fonso's,
00:44:40Go on, throw it
00:44:40You have five minutes left, son.
00:44:42They go out of their way for you.
00:44:44That's just how it is.
00:44:44That's just how it is.
00:44:45One pays him
00:44:45And what happens, happens.
00:44:46Oh well,
00:44:46Now you rest
00:44:47I'm going to bring you a little drink
00:44:49while I give myself
00:44:49My final touches, huh?
00:44:51But that's here.
00:44:52I'm going to touch up my makeup.
00:44:58I won't have any around here, will I?
00:44:59a sherry,
00:44:59a decent plate of ham
00:45:00What should I wear?
00:45:01And then I climb onto the bar
00:45:02And I sing to you in a seguidilla.
00:45:06And some concave water?
00:45:08Well, at least
00:45:09Take this calimocho step away from me
00:45:10I'm feeling dizzy
00:45:10with the smell of cheap, cheap wine.
00:45:12Give me a small glass of water,
00:45:13please.
00:45:14I'm coming.
00:45:14From the tap, huh?
00:45:15Look, excuse me,
00:45:16Can you ask me for something?
00:45:17He just won't listen to me.
00:45:17Here is the Olympic champion
00:45:18You know, it's a subtle dig.
00:45:20Hey, excuse me,
00:45:21you are?
00:45:21Hello, I'm Cristóbal Bejumea,
00:45:23of the Bejumeas of Seville,
00:45:25but of those who have
00:45:25titles of nobility,
00:45:26none of the others.
00:45:28It's Christopher,
00:45:28Benito's son,
00:45:29that has come
00:45:30because he wants to sell the clinic
00:45:31and needs my sister
00:45:32the bandage too.
00:45:33Oh, Marichu,
00:45:34That's great for you, huh?
00:45:36With the extra expenses
00:45:36that you're going to have,
00:45:37It's perfect for you.
00:45:39What extra expenses?
00:45:40None.
00:45:41What do you mean, none?
00:45:42And the rift?
00:45:43It's just a tiny crack.
00:45:45Yes, you're welcome.
00:45:46meter and a half.
00:45:46Yes, but it lacks depth.
00:45:48Does it lack depth?
00:45:49It's amazing.
00:45:50I'm blushing.
00:45:52But if the inspector
00:45:53He was not happy at all.
00:45:55You already saw it.
00:45:56I'm going to the bathroom.
00:45:58Well, with something like that
00:45:59It would be perfect for you
00:46:00Some extra income, huh?
00:46:01I'm not going to sell anything.
00:46:02Marichu, listen to me,
00:46:03I understand
00:46:03be ashamed
00:46:04admit that he is in need,
00:46:05But if it sells, kid...
00:46:06Are you telling him
00:46:07in a Basque
00:46:07What do you have to do?
00:46:08No.
00:46:09Get out of here right now.
00:46:10Hey, no, Marichu...
00:46:10Get out of here
00:46:11or I'll shove the papers in your face
00:46:12where it gets lost
00:46:13the noble title.
00:46:18Wait, wait, Christopher.
00:46:20Leave me alone, leave me alone.
00:46:20Let's see if he's going to throw me.
00:46:21a megalithic stone
00:46:22of this...
00:46:23Calm down, calm down
00:46:24that my sister is going to sell, huh?
00:46:25Well, she told me no.
00:46:26That's because she's hurting.
00:46:27And because you wake him up
00:46:29the worst instincts.
00:46:30But if I talk to her,
00:46:31I swear I'll convince her
00:46:33My name is Begoña Galarra.
00:46:35Here, give me the papers.
00:46:36that he has to sign.
00:46:38Hello, go away.
00:46:38Leave before I see you
00:46:39and serve as a skewer
00:46:40of the week.
00:46:41That?
00:46:48Of course,
00:46:49childbirth has nothing
00:46:50that's enviable
00:46:50to a movie
00:46:51Japanese horror.
00:46:55Well,
00:46:55the miracle of life
00:46:56They call him, huh?
00:46:58Well,
00:46:59Well, you'll have to tell me.
00:47:00how are you.
00:47:00Hey, Nerea,
00:47:02Come on, gu...
00:47:02Ooh, woof, woof.
00:47:04You are the gynecologist
00:47:05so good,
00:47:05because it has a pulse
00:47:06to tie the knots.
00:47:08Let's see,
00:47:09Sorry, yes.
00:47:10I'm confused,
00:47:11There's not much care involved.
00:47:11Let's see,
00:47:12uh, next,
00:47:13Izaskun,
00:47:13that you're here for the choreography
00:47:14of the second quarter,
00:47:15TRUE?
00:47:16Hey...
00:47:16No no,
00:47:17You're not five months pregnant.
00:47:18Oh, you don't say.
00:47:19Not new, Lynx.
00:47:20Let's see,
00:47:20Ah!
00:47:21Here,
00:47:22Here's the curve
00:47:23of happiness.
00:47:24Hey,
00:47:24Can you see it there?
00:47:25Excellent.
00:47:26Hey,
00:47:26Well,
00:47:27Forgive me for all this mess,
00:47:28the thing is,
00:47:29It's because there's not enough supply.
00:47:29since my nurse
00:47:30She left me for a chiropractor.
00:47:31as if that were medicine.
00:47:33Ah!
00:47:34In the end,
00:47:35I am with you now,
00:47:35Hey,
00:47:35come in,
00:47:36please.
00:47:36Good.
00:47:38Let's see.
00:47:43My God,
00:47:43What a mess.
00:47:47Hey...
00:47:47Well,
00:47:48It's the same.
00:47:49Hey...
00:47:49Tell me.
00:47:50Yeah,
00:47:51Well,
00:47:51I'll tell you.
00:47:51The thing is, there are two of us.
00:47:53TRUE?
00:47:53Well,
00:47:53It's obvious
00:47:54and we are either thinking about it,
00:47:54considering the possibility
00:47:55If there are three of them,
00:47:56TRUE?
00:47:56Because we've been at it for a long time.
00:47:58being two,
00:47:58It must be said.
00:47:59And perhaps the time has come
00:48:00to change,
00:48:01Well,
00:48:01I don't know if I'm explaining myself well.
00:48:02good or bad.
00:48:03Yeah,
00:48:03Of course you want to
00:48:04have a threesome.
00:48:05That?
00:48:05No.
00:48:06No.
00:48:07Well,
00:48:07I'm not saying I haven't thought about it.
00:48:08more than once,
00:48:09but not,
00:48:09No.
00:48:10No.
00:48:11Just kidding.
00:48:11Hey?
00:48:13Clear.
00:48:13Yeah,
00:48:13clear.
00:48:14That you want to have a child,
00:48:15TRUE?
00:48:15Yeah.
00:48:16Perfect.
00:48:17Well, that's it.
00:48:17Zascun,
00:48:17I'll get everything ready for you.
00:48:18to perform the analyses
00:48:19and see that everything is alright
00:48:20so you can get started.
00:48:21No,
00:48:21We hadn't thought about it.
00:48:22do it that way.
00:48:23Ah,
00:48:24Do you have a problem?
00:48:24to conceive naturally.
00:48:26Yeah.
00:48:27A divorce is underway.
00:48:28Yes indeed.
00:48:29Here it goes.
00:48:31Well,
00:48:31I wouldn't go in there, not even to save anyone.
00:48:32No,
00:48:33Neither you nor this one.
00:48:34We had considered resorting
00:48:35to in vitro fertilization.
00:48:37Perfect.
00:48:38Well,
00:48:38before I explain
00:48:39the different options
00:48:39I must warn you
00:48:40of the risks involved.
00:48:42Forgive me,
00:48:42But I am a neurosurgeon,
00:48:43come on,
00:48:44I know the risks
00:48:45perfectly.
00:48:45Even the risk
00:48:46of having a woman
00:48:47more carmona on the side.
00:48:48TRUE?
00:48:49What have I done?
00:48:49It's a joke,
00:48:50it's a joke.
00:48:51Well,
00:48:52you will know perfectly well
00:48:53that success in these cases
00:48:54It is not guaranteed.
00:48:55If you're lucky,
00:48:56fertilization occurs
00:48:57on the first try,
00:48:58But if not,
00:48:59Well, you'll have to go through
00:48:59several times
00:49:00because of all the paperwork,
00:49:01through hormone injections,
00:49:03Well,
00:49:03besides money,
00:49:04clear.
00:49:05And how much does it cost?
00:49:06Between 6,000 and 8,000 euros.
00:49:07Well,
00:49:07But money is not a problem.
00:49:09Pay for this.
00:49:09Well,
00:49:10It's not a problem.
00:49:11I don't know,
00:49:12because they are over 40 years old
00:49:13There is no prize card,
00:49:14No?
00:49:14As colleagues.
00:49:15No,
00:49:16not even among colleagues,
00:49:17No.
00:49:17Alright,
00:49:17Alright.
00:49:18Man,
00:49:18But since there are many possibilities
00:49:19that it is a multiple pregnancy,
00:49:21one could say
00:49:21that for the price of a child
00:49:22You can have two
00:49:23or even three,
00:49:24if it's any consolation.
00:49:25Well no,
00:49:26It's no consolation to me
00:49:27not at all,
00:49:27come on.
00:49:27No,
00:49:28Neither do I.
00:49:29Already.
00:49:30So,
00:49:31If you don't mind,
00:49:32We'll think about it.
00:49:33Perfect.
00:49:33Well,
00:49:34In any case,
00:49:34here I am,
00:49:35Hey?
00:49:36Well,
00:49:36if I haven't buried it
00:49:38with so much paper.
00:49:39My nurse.
00:49:42What chaos.
00:49:47Here is the entrance.
00:49:48Yeah,
00:49:48Yeah,
00:49:49Let's see how big they are.
00:49:49They are the earthlings.
00:49:50Let's see.
00:49:50According to the map,
00:49:51the orientation of the sun
00:49:52and the paths we have traveled
00:49:54We are in Chinchón.
00:49:56Chinchón.
00:49:58You have it backwards,
00:49:59dear.
00:50:00Yeah,
00:50:00because I wanted you to see it.
00:50:02Come on,
00:50:02come on,
00:50:03let's see,
00:50:03private head you,
00:50:04this,
00:50:05Yeah,
00:50:05He must have put that there
00:50:05It smokes there twice.
00:50:06for me,
00:50:06José's entrance.
00:50:07Yeah.
00:50:08Oh,
00:50:08This is in fair condition.
00:50:10The first thing we're going to do
00:50:11It's putting a door on.
00:50:12under conditions
00:50:12with a little padlock
00:50:13that's going to slip through
00:50:14to everyone.
00:50:14Come on,
00:50:15strip.
00:50:19Ladies first?
00:50:20Ladies first.
00:50:22Coward!
00:50:23You're a coward.
00:50:24What are you saying, coward?
00:50:25If my mother
00:50:25He didn't put me at risk.
00:50:26because I didn't know
00:50:27What a day to celebrate so much.
00:50:28I am a gentleman.
00:50:29Coward!
00:50:31And this is ours
00:50:32humble family business.
00:50:34My father lived here
00:50:35for many, many years,
00:50:36but I preferred to live
00:50:38on the Soto Grande estate
00:50:39because I'm here
00:50:40I can't ride
00:50:40my purebred
00:50:41through the corridors,
00:50:42You understand, right?
00:50:43Let's go this way.
00:50:44Why don't we take
00:50:45the elevator?
00:50:47The elevator is obsolete,
00:50:48It has the cables
00:50:48second-hand.
00:50:49Mount there
00:50:50It's like playing
00:50:50to Russian roulette.
00:50:51It takes you up,
00:50:52It takes you down,
00:50:53but it can also lead you
00:50:55to the other side.
00:51:07That means you have to be careful.
00:51:07The alarm, right?
00:51:08Yes, the alarm.
00:51:10Let's see, look.
00:51:12Let's pick up this stick
00:51:14And come on, mine.
00:51:17My God,
00:51:18I don't know who it was
00:51:19the last one who passed through here.
00:51:20It had to be King Arthur.
00:51:23José, I'm starting to have doubts
00:51:25the affection
00:51:25that I had you
00:51:26Mr. Vejumea.
00:51:27Man,
00:51:28It's a bit neglected,
00:51:29But this is what we include,
00:51:29Don't kick me,
00:51:30Don't kick me,
00:51:30But we put this in
00:51:31a machine,
00:51:32we plain,
00:51:33Hey?
00:51:33and we fixed it a little bit,
00:51:36man,
00:51:36This is Jamonique's.
00:51:38I'm thinking of tiling it.
00:51:40Well, he's got a job, huh?
00:51:45Ford.
00:51:46What's the matter?
00:51:47What have you seen?
00:51:48You've got me.
00:51:50What have you grabbed from me?
00:51:51Who grabbed you?
00:51:51Kill him,
00:51:52Kill him.
00:51:52that he has killed me.
00:51:53Come on,
00:51:54which is a branch
00:51:54that you're hooked.
00:51:55Go to hell.
00:51:57Come on, you vulture.
00:51:58That I can't.
00:52:00But, little one,
00:52:01strip,
00:52:01Do your part.
00:52:02That I can't.
00:52:03Already!
00:52:04Oh!
00:52:06Have you broken up?
00:52:07Oh no!
00:52:08My elbow is fine.
00:52:09The elbow?
00:52:10I mean, the jacket.
00:52:11Look,
00:52:11Look at the red it's made me.
00:52:13What's going on here?
00:52:13What, I can't or what?
00:52:16Look,
00:52:17let's go,
00:52:18before you let yourself go
00:52:19your land in the ball.
00:52:22Look,
00:52:23here,
00:52:25I,
00:52:26This way is better.
00:52:27Be careful, okay?
00:52:28I don't know you're very stupid.
00:52:30Very shiny.
00:52:32The building
00:52:33It is very bright.
00:52:34Exactly the same
00:52:35what the last inspector said
00:52:36who was here.
00:52:37Which building enjoyed
00:52:38very bright?
00:52:39Or he said
00:52:40aluminosis.
00:52:42Uh, excuse me,
00:52:43have
00:52:44Aluminosis in a hospital?
00:52:45Yes, yes,
00:52:46There is aluminosis in the hospital.
00:52:48mister,
00:52:48oh well,
00:52:49we have decided to fix
00:52:50in case of a leak,
00:52:50the leaky world.
00:52:51Here,
00:52:51When it rains,
00:52:52This seems
00:52:52the Odiel marshes.
00:52:56And this one?
00:52:57Is this the way?
00:52:59Already done.
00:53:00Little girl,
00:53:01What kind of person did you grow up to be?
00:53:01In a curtain overlooking the countryside
00:53:02or in a Swiss boarding school?
00:53:04Enjoy the surroundings,
00:53:06enjoy the contact
00:53:08with animals.
00:53:10Like a spider
00:53:11that you have on your shoulder,
00:53:12son.
00:53:13Take it off!
00:53:15Take it off!
00:53:16Take it off, José, please!
00:53:17Why should he jump on me again?
00:53:19Little girl,
00:53:19Take it off me.
00:53:20Wait.
00:53:22Already?
00:53:23Look, José,
00:53:24I can't take it anymore,
00:53:25really.
00:53:26Let's go home.
00:53:27I'm so hungry
00:53:27that gives a cramp
00:53:28and in the pocket
00:53:29nothing else I have
00:53:30shell pipe, daughter.
00:53:31Oh, come on...
00:53:31Let's go, come on.
00:53:32Yes, let's go.
00:53:33Come on.
00:53:34Here.
00:53:35It's that way.
00:53:36No, it's that way.
00:53:37Let's see.
00:53:38Whose land is it?
00:53:39these?
00:53:39Me or not?
00:53:40Who would know better?
00:53:41Did I leave here, daughter?
00:53:44Okay, fine.
00:53:45I haven't got a fucking idea.
00:53:46But the green of the trees,
00:53:48that green stuff,
00:53:49That's to the north.
00:53:50I learned that myself
00:53:51in a camp
00:53:51that I was as a boy
00:53:52and in Malaga.
00:53:53That's already distilled
00:53:53coconut in a potato
00:53:54and a Bolivian.
00:53:55I've never explained it to you.
00:53:56Look, he's eating the potato.
00:53:58And I, and I, and I, and I,
00:53:59and me, and me, and me.
00:53:59What, what, what, what?
00:54:00Go that way.
00:54:02Something else.
00:54:03How crazy!
00:54:04that...
00:54:05How does it pull up
00:54:06What was a mountain camera?
00:54:07That is here
00:54:08the piece of jacket
00:54:09means
00:54:09that's why we've come this way.
00:54:13Well, that's it.
00:54:14Let's continue with the visit
00:54:15because this is a must-see
00:54:16calmly with...
00:54:19I'm thinking
00:54:20that a plant
00:54:20viewed all.
00:54:21So let's see
00:54:22the best rooms
00:54:23And that's how you do it.
00:54:24an idea
00:54:24of what the hotel might be.
00:54:26What do you think?
00:54:28Depends.
00:54:29The patient, I suppose,
00:54:30not included
00:54:31in the price, right?
00:54:34Well, they seem spacious.
00:54:35and quite peaceful.
00:54:37Well, that's because
00:54:37It hasn't happened yet.
00:54:38the garbage truck.
00:54:39Oh well,
00:54:40We've solved it
00:54:41putting in this
00:54:42hospital wing
00:54:42to the patients
00:54:43who have hearing problems,
00:54:44Do you know?
00:54:52We're better off this way.
00:54:54Uh, but not yet
00:54:55You've seen that side of me.
00:54:56It's that side
00:54:56They are fumigating it.
00:54:58Fumigation, do you understand?
00:54:58A plague
00:54:59of dreadful termites.
00:55:01No, let's go this way instead.
00:55:03No, he told me
00:55:04that the elevator was malfunctioning.
00:55:05But you
00:55:05Isn't he an old investor?
00:55:09The exit
00:55:10It has to be...
00:55:12Hey...
00:55:16As a Sherpa
00:55:17You're a machine, huh?
00:55:18No problem.
00:55:19No problem
00:55:20because we're coming back
00:55:21in pieces of jacket
00:55:22And that's it.
00:55:23We're back.
00:55:23Come on, go for it.
00:55:24Do you mean this one?
00:55:27Silly rabbits
00:55:28Or do you do it?
00:55:29Little girl,
00:55:29I got it
00:55:30because this
00:55:30It's a waterproof jacket.
00:55:31probably
00:55:31Can you cook it for me?
00:55:32otherwise
00:55:32I'm going to get soaked here.
00:55:35Now we are lost.
00:55:37Look,
00:55:37after a tiring day
00:55:38Let's sit down
00:55:39at that table.
00:55:40She is the only one
00:55:40that didn't catch
00:55:41throughout the entire establishment.
00:55:44Girl, girl,
00:55:45Isabelita, please.
00:55:46A couple of coffees
00:55:47here for the mister
00:55:48And for me.
00:55:49He's going to love the coffee.
00:55:50I'll bring it directly
00:55:51from some coffee plantations
00:55:52that I have in Colombia.
00:55:54Excuse me, Mr. Christopher.
00:55:55Do you have
00:55:55Just a moment, please.
00:56:00Would you like to do me a favor?
00:56:01to stop playing
00:56:02to millionaires
00:56:02around the world?
00:56:03He's going to catch you
00:56:04and then
00:56:05They're not going to believe us
00:56:05not even to pry a sheet.
00:56:07Patience, Isabel,
00:56:08that he will not sign.
00:56:09I've practically convinced him.
00:56:11Could we sign it now?
00:56:13It's because I have
00:56:14a little hurry.
00:56:15Already?
00:56:16But what happens?
00:56:17with all the problems?
00:56:18It doesn't matter.
00:56:20I had my doubts,
00:56:21But thank you
00:56:21to his sincerity
00:56:22I have decided
00:56:24tear it all down
00:56:24and build from scratch.
00:56:26What did you say?
00:56:27We signed.
00:56:28What happens
00:56:28that on this tour
00:56:29What have I done to him?
00:56:29by the clinic
00:56:30I've started
00:56:30a little nostalgic.
00:56:32This place brings me
00:56:32countless good memories.
00:56:34Are you telling me
00:56:34What doesn't he want to sell?
00:56:36But by phone
00:56:37I was very convinced.
00:56:38It's because of the phone
00:56:39I was doing
00:56:40the interesting one,
00:56:40You understand me,
00:56:41But I've realized
00:56:41that I'm a sensitive guy.
00:56:43You know the saying,
00:56:44Even the rich cry.
00:56:45You're sure
00:56:45of your decision?
00:56:46So sure
00:56:47like what my name is
00:56:47Don Cristóbal.
00:56:49I'm so sorry
00:56:50who doesn't want to sell,
00:56:52but above all I feel
00:56:54that has done to me
00:56:54wasting so much time.
00:56:56Well,
00:56:56That's what we have
00:56:57the aristocrats.
00:56:58We went from being easygoing to being friendly.
00:56:59to capricious
00:56:59in a flash
00:57:00and the blink of an eye.
00:57:04Hello?
00:57:05Eduardo?
00:57:06Hello!
00:57:07I am Christopher
00:57:08It is also smoking.
00:57:09You don't say.
00:57:12I'm going here
00:57:12in...
00:57:14in my private jet
00:57:15on the way to Seville
00:57:16And I say,
00:57:16man,
00:57:16I'm going to call him
00:57:17to confirm the sale,
00:57:18that I have spoken
00:57:19with the other party
00:57:21and wants to sell.
00:57:22You have no idea how happy I am.
00:57:25Above all
00:57:26which is difficult
00:57:26to be in two places
00:57:27both.
00:57:28As?
00:57:29No,
00:57:30I don't understand him.
00:57:31Can I put you through to someone?
00:57:32who will be delighted
00:57:33would you like to speak with me?
00:57:37Tell me,
00:57:37Who is it?
00:57:38Who am I talking to?
00:57:39With Don Cristóbal
00:57:40from Benjumea
00:57:41And two Cecilias?
00:57:42Who's on the line?
00:57:43What do you mean, Cristóbal Benjumea?
00:57:44If Cristóbal Benjumea
00:57:45I am you,
00:57:46who are you?
00:57:47I,
00:57:47I,
00:57:48I, you,
00:57:48you, you.
00:57:49Future me?
00:57:50Ah,
00:57:50This voice sounds familiar to me.
00:57:51Can you say
00:57:52Just a moment
00:57:52Shall we get that wine?
00:57:54How about that wine?
00:57:55Are you already leaving?
00:57:56of pretending to be me?
00:57:57Or should I file a complaint against you?
00:57:58by impersonation
00:57:59personality?
00:58:00Are you finding out?
00:58:01But what are you
00:58:01Speaking of imposter?
00:58:02Oh,
00:58:03I choked on my milk
00:58:03with the...
00:58:04Ah,
00:58:05Okay, that's enough!
00:58:06Ah!
00:58:07A type
00:58:08impersonating me,
00:58:09Do you think you are?
00:58:10It's the middle class
00:58:10She is very envious.
00:58:12Hey,
00:58:12Rafi,
00:58:13Can you make me a coffee?
00:58:13When can you finally?
00:58:14My name isn't Rafi,
00:58:15Miss.
00:58:16This is not what it seems,
00:58:17Hey?
00:58:17Excuse me,
00:58:18Don Rafael,
00:58:19Being in charge is really something else.
00:58:20He raised his head from the "enough" position.
00:58:22Well, it looks like it will be.
00:58:23which is what it seems.
00:58:24I already figured as much.
00:58:25that suit
00:58:26of communion
00:58:27It was not an eccentricity.
00:58:29How much will it take to sign the sale?
00:58:31I hope I don't see him.
00:58:32Never again here.
00:58:33Good afternoon.
00:58:34Man,
00:58:34Don't say that,
00:58:35Mr. Investor.
00:58:36If you need a censor
00:58:37or a governess
00:58:38for the hotel,
00:58:38my wife and I
00:58:39we are very versatile
00:58:39for the hotel,
00:58:40Mr. Investor.
00:58:41Mr. Investor.
00:58:42Investor, Rafi?
00:58:43What's going on here?
00:58:44Look,
00:58:44Trini,
00:58:44I'm going to save you
00:58:45the details.
00:58:46The fact is that Christopher
00:58:46has gone up north
00:58:47so that Marichu
00:58:48sign the sale.
00:58:49But that can't be,
00:58:50Rafi.
00:58:51I was talking
00:58:51with Marichu two days ago
00:58:52and he told me
00:58:53that he wouldn't do anything.
00:58:54Well, he must have told you.
00:58:54in Basque
00:58:55and not a tantrum of anything.
00:59:01And did I already have something?
00:59:03That's all I see
00:59:04It's myself
00:59:05six hours ago
00:59:06making the worst decision
00:59:07of my life
00:59:07which was to get on
00:59:08with you in the car.
00:59:09Come on, man,
00:59:10little girl,
00:59:11worst decisions
00:59:12will have taken in your life.
00:59:13Look, Robes.
00:59:14Since I'm not joking,
00:59:15José, please,
00:59:16we are lost
00:59:17in the middle of the forest
00:59:18about to be attacked
00:59:19by any animal.
00:59:20What animals are here?
00:59:21Bear?
00:59:22Come on, woman,
00:59:23How can there be a bear here?
00:59:24If there isn't one here
00:59:25There's no coverage at all.
00:59:28A bear!
00:59:29A bear!
00:59:29No,
00:59:30I've pricked myself.
00:59:33José,
00:59:33you know
00:59:33What are we going to happen here?
00:59:34All night, right?
00:59:36Yes, you know
00:59:37that is possible
00:59:38that we are going to die.
00:59:40Come on, man,
00:59:42How are we going to die?
00:59:44Look,
00:59:45Let's get in
00:59:45in this cave,
00:59:46They look fantastic,
00:59:49with its branches.
00:59:50It seems not here.
00:59:51They've never killed anyone, have they?
00:59:54José,
00:59:54You're trying to calm me down.
01:00:06Hello, Carmen.
01:00:12Carmen.
01:00:16Little one.
01:00:26Hey, where's my little girl?
01:00:28Oh,
01:00:28Well, if you don't know.
01:00:30Yes, but he hasn't come back.
01:00:30to accompany José.
01:00:32Ah,
01:00:32What has José come for?
01:00:33Clear,
01:00:34They went this morning
01:00:35to look at some land
01:00:35that left him
01:00:36where it smokes me.
01:00:37And what has only been left?
01:00:38in Soria?
01:00:38Because it's been eight hours
01:00:39They've come out, huh?
01:00:40Yes, Anchón,
01:00:40Well, I've been here for a while.
01:00:41I'm looking for it and I can't find it.
01:00:42Don't worry,
01:00:42Iñaki,
01:00:43Maybe nothing happened
01:00:43and he's only gone to Seville.
01:00:45Yeah,
01:00:46That leaves me with a lot.
01:00:46more peaceful, Anchón.
01:00:48I'm sure he's been entertained
01:00:49with something,
01:00:49And that's it.
01:00:49And what have they been doing to entertain themselves?
01:00:51When are we picking flowers?
01:00:52Besides,
01:00:52nor his phone
01:00:53nor that of Joseph
01:00:54they have pointed him out,
01:00:54I mean,
01:00:54Has something happened?
01:00:55No,
01:00:55There are some,
01:00:55There are some,
01:00:56Not even here?
01:00:56Don't worry,
01:00:57Don't worry,
01:00:57We'll call him right now.
01:00:58to my mother
01:00:59And you'll see.
01:00:59how it helps us.
01:01:03Beautiful,
01:01:04look into your holes
01:01:05because I think your mother
01:01:05He's planted microphones on you.
01:01:07They can do a little bit
01:01:07water,
01:01:08few.
01:01:10What faces are those?
01:01:12There's no need to issue fines here.
01:01:14to no one.
01:01:15Carmen,
01:01:16It has already disappeared.
01:01:17Let's see,
01:01:17mother,
01:01:17that has been lost.
01:01:18They have climbed the mountain
01:01:19and they haven't returned
01:01:20and his phone
01:01:21It's not giving a signal.
01:01:22Then,
01:01:23The action is clear,
01:01:24We need to do a sweep.
01:01:25Mother,
01:01:25We'll accompany you,
01:01:27that women
01:01:28from our friends
01:01:28They are our women
01:01:30friends.
01:01:31We're going to make groups,
01:01:32we're going to split up.
01:01:33Let's see,
01:01:33You're going to go
01:01:33in the northern area,
01:01:35You, the area...
01:01:36Which one do we need to talk about?
01:01:37You're going with them.
01:01:37and you do the remaining area,
01:01:39OK?
01:01:40Which area?
01:01:40The remaining one.
01:01:42Yeah,
01:01:42the current,
01:01:42Are you not interested in facing off?
01:01:44This one?
01:01:44I'm telling you,
01:01:44I'll explain along the way.
01:01:45Come on,
01:01:46come on.
01:01:46We're staying here
01:01:47in case he appears,
01:01:48No?
01:01:48That is,
01:01:48stay here.
01:01:50Let's see,
01:01:50I request reinforcements.
01:01:51Your nephew,
01:01:52don't worry,
01:01:52It's because if the Andalusians
01:01:53survive their summers,
01:01:55They can handle anything.
01:01:56Already,
01:01:56go.
01:01:57Yeah.
01:02:08Man,
01:02:08Antonio,
01:02:10how are you?
01:02:11Good,
01:02:11carajola,
01:02:12good.
01:02:12Here,
01:02:13I just put the calves to bed.
01:02:14So how's everything going over there?
01:02:16Good,
01:02:17good,
01:02:17perfectly.
01:02:17My little girl,
01:02:18Pass it to me,
01:02:19go on,
01:02:19I'm calling her,
01:02:20But his phone is turned off.
01:02:21that the air conditioning
01:02:22from a glass.
01:02:22Do you know what's happening?
01:02:23She's busy.
01:02:23Then she calls you.
01:02:25Well,
01:02:25Alright,
01:02:26No?
01:02:26Yeah,
01:02:26Yeah,
01:02:26Yeah,
01:02:26Yeah,
01:02:27better than ever.
01:02:28You,
01:02:29Bring me down one of Carmen's items of clothing
01:02:30so that the dogs can sniff it.
01:02:31What does it say about a dog?
01:02:32Not even a dog,
01:02:33Damn.
01:02:34Are you sure my daughter is okay?
01:02:35Yeah,
01:02:35Yeah,
01:02:36Of course it's fine.
01:02:36The thing is
01:02:37We are educating them
01:02:38so they can say hello to Carmen,
01:02:39which he is very excited about.
01:02:40It's a good thing nothing happened to him.
01:02:42to my daughter,
01:02:42Because I'll catch you
01:02:43and I hang your head
01:02:44and falls in the living room
01:02:44as if it were a Miura bull.
01:02:45Do you understand?
01:02:48Yeah,
01:02:48Yeah,
01:02:49very knowledgeable.
01:02:51Pasadino,
01:02:52come on,
01:02:52with two balls.
01:02:53Come on.
01:03:04I thought we were going to look for Carmen,
01:03:05no to doing an 8,000.
01:03:06Light it up and be quiet.
01:03:08Well,
01:03:09This is the plan,
01:03:09There is no time to lose.
01:03:10We're all going to go separately.
01:03:12I don't know,
01:03:13Cinema has always taught us
01:03:14that ends in disaster.
01:03:17Companion,
01:03:18come on.
01:03:21This one goes...
01:03:22No,
01:03:23No,
01:03:24That's where you get it.
01:03:27This is going to be the plan.
01:03:29Let's see,
01:03:29both of you,
01:03:30you are going to travel
01:03:30an area of two kilometers
01:03:32always towards the northeast.
01:03:33You to the south,
01:03:34500 meters always
01:03:35without leaving the established area.
01:03:37And the rest,
01:03:38you are going to do
01:03:39everything that comes to be
01:03:40the rest
01:03:41towards the southeast.
01:03:43Understood?
01:03:44Yeah,
01:03:44Yeah,
01:03:44Yeah,
01:03:46Yeah.
01:03:48Perfect.
01:03:49I will go alone,
01:03:50Waiting for reinforcements.
01:03:52Who came to get me down from here?
01:03:53Okay.
01:03:54Very good.
01:03:56Let's go!
01:03:56What's happening?
01:04:00Uncle,
01:04:01I see you, it sounds.
01:04:02you,
01:04:02Hey?
01:04:03Yeah,
01:04:04Yeah.
01:04:05Carmen.
01:04:06Carmen!
01:04:07Carmen!
01:04:15It looks like Dracula is going to appear.
01:04:17Hey?
01:04:17Yeah.
01:04:18I mean,
01:04:18Stay here,
01:04:19that you're taking away my belly.
01:04:21Sorry.
01:04:22What's the matter?
01:04:22What keeps you moving?
01:04:24Let's see if you'll be there
01:04:25sitting on top
01:04:25of an anthill.
01:04:27Hopefully!
01:04:29I'm about to pee myself!
01:04:30as an elderly person,
01:04:31come on!
01:04:32I can't take it anymore.
01:04:33I'm going right here.
01:04:35Yes, man!
01:04:35How do I get here?
01:04:37I mean,
01:04:37Go over there!
01:04:37In the end,
01:04:38just one mile.
01:04:39Yeah, man!
01:04:39a mile!
01:04:40Please go away!
01:04:41We are in the dark.
01:04:43Dark ones, what do you want?
01:04:44Will you accompany me?
01:04:45Come on,
01:04:45I'm going to take advantage
01:04:46now that you've camped.
01:04:47Come on.
01:04:49And be careful,
01:04:50Hey?
01:04:51Be careful.
01:04:52I'm not going to do it
01:04:53Give them a bite.
01:04:54Go on,
01:04:55be quiet.
01:04:59Anyone could pull it out
01:04:59The bitches are here to pee.
01:05:01I'll definitely tell myself that.
01:05:02with the cold
01:05:03I'm feeling a bit queasy.
01:05:05of a balloon.
01:05:08Who is it?
01:05:10Who is it, sir?
01:05:11Whoever that is,
01:05:12please,
01:05:12I'm not going to win
01:05:13my horse.
01:05:15Oh, sir!
01:05:16Oh, my horse!
01:05:18Oh, horse!
01:05:22Oh, horse!
01:05:23Oh, horse!
01:05:24Oh, horse!
01:05:25Oh, horse!
01:05:28Uncle,
01:05:29Be careful with the...
01:05:32stone.
01:05:33Too late, nephew.
01:05:34Late.
01:05:34Are you OK?
01:05:52What are you doing here?
01:05:53And you?
01:05:54We had south-southwest.
01:05:56South-northwest.
01:05:57No, we had the south.
01:05:58We had a bit of a southern vibe too, huh?
01:06:00Okay, fine.
01:06:00Let's see.
01:06:02Why don't we go
01:06:04you on the left
01:06:05And what about us on the right?
01:06:06Your right or my right?
01:06:08You guys over there
01:06:08And here we are.
01:06:09come on.
01:06:18Yes, I know.
01:06:20I know it's the south, the south, the south, the south, the south.
01:06:24Carmen!
01:06:24Oh, horse!
01:06:27But the drag we're taking...
01:06:29Look, I don't even know why I brought water.
01:06:31Wait.
01:06:32Prague?
01:06:32No.
01:06:33Let's see.
01:06:33Oh.
01:06:34Let's see.
01:06:36What is that, man?
01:06:38What a thing, huh?
01:06:39When we were married
01:06:40We didn't do anything together.
01:06:41And look at you now.
01:06:42Looking for a corpse.
01:06:44Don't be a fool, man.
01:06:45A corpse.
01:06:45At the moment she is missing.
01:06:48Today, are you hoisting...?
01:06:49Why did you go to the corn earlier?
01:06:51I've been thinking
01:06:53in the alternative options
01:06:54to assisted reproduction.
01:06:56Oh, let's see.
01:06:57You know I've got you.
01:06:58by a very intelligent woman.
01:06:59Oh, I respect your ideas, okay?
01:07:01But as a doctor, I can tell you
01:07:02that homeopathy
01:07:03It's a scam...
01:07:04That is ampartition.
01:07:04I'm not saying it for that reason.
01:07:06But for practicing
01:07:08the ancestral technique
01:07:09of making children.
01:07:10Ah.
01:07:15But you mean
01:07:15that you and I...
01:07:17Yes, I'm going to start.
01:07:18It's the simplest way
01:07:20and cheap.
01:07:20I think it's great.
01:07:22You know that I always
01:07:22I have been very traditional.
01:07:24Okay.
01:07:25And how would we do this?
01:07:27So, we're coming to your house.
01:07:30to mine or...
01:07:32we take advantage here
01:07:32the darkness.
01:07:34Still.
01:07:35See you in 20 days
01:07:36no hoax.
01:07:37So...
01:07:38And I'll tell you one thing.
01:07:39We're going to do this.
01:07:40Yeah.
01:07:41Yes, yes.
01:07:41But without enjoying it.
01:07:44Understood?
01:07:45Yeah.
01:07:46Yes, yes.
01:07:47Good.
01:07:48Come on.
01:07:49Look.
01:07:52Yeah.
01:08:02Carme.
01:08:04Carme.
01:08:05Carme.
01:08:06We're not going to stop now.
01:08:07just like in the movie.
01:08:08We are colleagues.
01:08:09This is wonderful.
01:08:10How do I get out of here now?
01:08:12Now?
01:08:14A car, a car, a car, a car?
01:08:19Don't you have a key?
01:08:21Look, I need a key, damn it.
01:08:22Who would have thought?
01:08:23That my bad head was going to save my life.
01:08:25Don't go that way.
01:08:27Let's do...
01:08:30No, kid, does this have more wire than my dad's 131?
01:08:34Okay, you.
01:08:35Come on.
01:08:37We're going, we're going, we're going, we're going.
01:08:39Come on, damn it, damn it!
01:08:41What have I given to anyone?
01:08:43Police!
01:08:45Police!
01:08:45Oh, it's me!
01:08:46Damn it, stop this!
01:08:49What did I give him?
01:08:51But sir, are you crazy?
01:08:53Don't touch me!
01:08:57Baron, an 80.
01:08:58Are you OK?
01:09:00Moron!
01:09:04Look, the siñaki has inherited the widowhood thing.
01:09:06Has anything happened to Carmen?
01:09:08Oh, Marichu, don't talk nonsense, it's bound to seem that way.
01:09:11Safe and sound.
01:09:12Take.
01:09:13What is this?
01:09:15What Christopher was trying to explain to you, but you didn't let him.
01:09:18Do you want to boss me around like he does?
01:09:20All I want is for you to be okay.
01:09:22How long has it been since you slept?
01:09:23Ah, now you're my psychologist, aren't you?
01:09:26No, I'm your sister.
01:09:27And I care about you.
01:09:29He says that by selling the clinic, you'd take a big weight off your shoulders.
01:09:33Two weeks.
01:09:34As?
01:09:35That's how long I've been without sleep.
01:09:36Two weeks.
01:09:37And the truth is, yes.
01:09:39I'm a little tired.
01:09:42Who is it?
01:09:43Yeah?
01:09:44Carmen has finally appeared.
01:09:46Is she alive yet?
01:09:46Of course she's alive.
01:09:47Everything is under control now, so rest and relax.
01:09:50Yes, my aunt.
01:09:52Goodbye, you see?
01:09:56You're right, Diego.
01:09:58It would be best if I sold it.
01:10:00Very well, of course.
01:10:01You call this kid and tell him I'll send him the papers by registered mail tomorrow.
01:10:06Hey?
01:10:07I'll take care of it.
01:10:08Carmen, who has really messed things up, Carmen, who has really messed things up.
01:10:11That it's going to break me.
01:10:13And that's if he doesn't grab my chest and feed me those sharks he's taking care of.
01:10:17Calm down, I'm asking you nicely, okay?
01:10:18It's true, he broke the woman's leg, but the hairy one will understand perfectly.
01:10:22That's the crew, José.
01:10:24Right?
01:10:24You, matricide!
01:10:26No.
01:10:29Calm down, calm down, calm down, damn it, okay?
01:10:32It was unintentional, man, we were lost, right?
01:10:35Tell him yourself, Carmen.
01:10:36And I came across a car, I jump-started it and suddenly the car jerked to a stop.
01:10:39Look, man, a pull!
01:10:40Come here!
01:10:41Come on, go for it, damn it!
01:10:42What's happening?
01:10:43But don't you watch police dramas?
01:10:44The key is always in the glove compartment, always, you idiot.
01:10:46Let's see, let's see, let's see, let's see.
01:10:48It was an accident.
01:10:50A silly, left-handed, and stupid accident.
01:10:56But look at the eye, huh?
01:10:57He did it unintentionally.
01:10:58How is your mother?
01:10:59Do you want me to do rehabilitation for you for free?
01:11:01You will never touch my mother again.
01:11:02Well, look, that's what I'll take.
01:11:04They can leave.
01:11:05Oh, really!
01:11:06Thank God!
01:11:08Well, Mr. Erchancha, you're a great guy.
01:11:13No, no, you are under arrest.
01:11:14Me? Why?
01:11:25Tell your mother something, that it was an accident, that it really was...
01:11:27Oh no, no, no, no.
01:11:45Thank you!
01:12:04My dearest Marichu, she will be asking you why the clinic's ownership is divided in two.
01:12:11I know it seems more like revenge, but I see it as an opportunity for my son, under your guardianship,
01:12:18grow up and become the man I couldn't make him to be.
01:12:21Only a mother like you can achieve that miracle and keep him in line, because you possess the necessary qualities to do so.
01:12:31Intelligence, Determination, and Kindness
01:12:49Man, Robinsona!
01:12:54Carmen, Carmen, Carmen
01:13:00What's wrong with you?
01:13:06Good afternoon
01:13:07Good afternoon
01:13:08I've come to bring you the structural study report of the premises.
01:13:11Already
01:13:12And what is the verdict?
01:13:14Unfavorable
01:13:15Okay
01:13:17And... they'll have to close.
01:13:18That?
01:13:19But kid, how can that be for these kids? What a mess, he can't even close their businesses. Don't you see that
01:13:24Kayaking is like the neighborhood's social services.
01:13:32Hello everyone
01:13:34Well, I mean workers
01:13:36As you all know, my illustrious father, Don Benito Benjumea y dos Sicilias, owned this clinic and very wisely
01:13:43He passed the torch to me as the owner.
01:13:46You mean co-owner?
01:13:47Okay, enough with the technicalities. The point is, to avoid rumors, I've decided to break the news myself. That's all.
01:13:55As a preamble, I am informing you that the clinic is for sale.
01:13:58That?
01:14:00Well, it's temporary, only until they figure out what the structural problems are.
01:14:05Yes, and you can't keep even a little bit open, a stool, a little corner...
01:14:09Impossible, the danger of collapse is high and I'm not going to carry any misfortune on my conscience.
01:14:13And you want to charge for leaving a crew homeless, huh?
01:14:18Now it's time for questions, quickly please, because I have to choose leather upholstery for the car, okay?
01:14:22Is there any chance, however small, that this won't become a hotel and will remain a
01:14:27clinic?
01:14:27Yes, medical franchises are all the rage right now.
01:14:30For all I care, they can open a frozen yogurt franchise, that's none of my business, you know?
01:14:34I have never felt so orphaned in my life.
01:14:37Okay, come on, calm down, it's not that big of a deal.
01:14:40With the money Marichu will get from selling the clinic, she could even buy the Hotel María.
01:14:44Cristina, the whole thing, if she wants.
01:14:46And we can all move there, right?
01:14:47Yes, well first we have to give him the news.
01:14:50Is there a view, Mom?
01:14:52Well no.
01:14:53I can't believe Marichu agreed to win.
01:14:56He underestimates my natural talent for negotiation and public speaking.
01:15:00And to be a pain in the ass too, because not everyone is cut out for that.
01:15:03And what will become of us without the clinic?
01:15:06Well, reinvent yourselves, because in this life you shouldn't become bourgeois.
01:15:10Get used to the idea.
01:15:11The clinic is for sale.
01:15:22Not at all.
01:15:24The clinic is not for sale.
01:15:27Marichu.
01:15:34My goodness, I haven't seen a twist like this since Pasión de Gavilanes.
01:15:46Hey, Sala, you've disappeared.
01:15:49Did you call my house in Seville?
01:15:50To Seville?
01:15:51This is for you.
01:15:52Me too?
01:15:53Well, he's reporting me for attempted robbery and assaulting an officer.
01:15:56See you in court.
01:15:58Two alike, my brave ones.
01:16:00There he is.
01:16:01Oh!
01:16:02Lampard!
01:16:03That she has known me as a scolded person.
01:16:05Maybe you can't live here.
01:16:06And why not?
01:16:07My father lived here for a long time.
01:16:09But your father was hospitalized.
01:16:10Ah, don't worry about that.
01:16:12I have approved my own admission as a patient.
01:16:13If you gave my resume to Horacio,
01:16:15How is it possible that it was in your jacket pocket, all wrinkled and puffy?
01:16:19We have to go down to Seville.
01:16:21Let's see, what's the point of going to Seville?
01:16:22Talk to your mother.
01:16:24If we tell him that the calla is in danger,
01:16:25He's sure to sell his share of the clinic, right?
01:16:27I've hired a girl to help us.
01:16:29A girl?
01:16:30Look at her!
01:16:30Very good, thank you Mari.
01:16:33He's given them quite a lot already all these years.
01:16:36It's not so terrible to get rid of it either.
01:16:39What would you think as a claims expert?
01:16:40What if I tell you that my father could have been murdered?
01:16:43I don't need to know your recipe to win you over.
01:16:45And you, well, you're very motivated too.
01:16:47First of all, colleagues.
01:16:48Investing in a bar that's been shut down due to an unfavorable report...
01:16:51Ah, but you know this will be sorted out in a couple of weeks.
01:16:53And you will become a capitalist partner of a renewed calla.
01:16:57Is she in labor?
01:16:58Do you have something to do?
01:16:59I?
01:17:00From now on the street is closed to the public.
01:17:03And when I say public...
01:17:05I'm leaving, thanks for coming.
01:17:07No, woman.
01:17:08Thanks to you.
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