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00:00:00I'm moving here, you know? Not forever, just for a few days, I hope.
00:00:03Oh, well welcome, my weapon.
00:00:05I'm Lucy, the neighbor on the third floor.
00:00:07She's not much of a cook, is she?
00:00:08This one? She only eats what the Chinese and the pizza place bring her.
00:00:11Do you want something to eat?
00:00:12No, no, I prefer to cook myself.
00:00:14Hey, I heard that the Basque guy is living with Carmen.
00:00:17Don't you mind if Carmen finds you a replacement?
00:00:20Opaí!
00:00:2120 euros worth of hake, Rafi, let me cook it here.
00:00:23Am I interfering with your independence?
00:00:25No.
00:00:26Well, don't you go into my kitchen.
00:00:27They're going to discharge me.
00:00:29Congratulations!
00:00:29Let's go home!
00:00:31I'm already in it.
00:00:32What are you saying, Dad?
00:00:34I'm old enough to decide where I want to live.
00:00:36Excuse me, do you know where the elevator is?
00:00:39I met the girl and I fell head over heels for her.
00:00:41She's beautiful, beautiful, an angel.
00:00:43The thing is, I didn't remember his name.
00:00:44José, my granddaughter.
00:00:46Ah, we already know each other.
00:00:47What's up north with you?
00:00:49Okay, okay, I'm only going away for a few days, okay?
00:00:50Of course, man, after all, you can wait just as long.
00:00:52There, we have to here.
00:00:53Is it that cheesy?
00:00:56Come on, look, you really know how to laugh.
00:00:58Am I going to put Basque?
00:01:00This is awesome, huh?
00:01:01It seems to have a lot of hidden charms, huh?
00:01:03I would like you to take charge of the bar's kitchen.
00:01:05Well, that's quite tempting.
00:01:07I would give you the green light.
00:01:08Everything you have in your head, everything you have dreamed.
00:01:10It seems that he has finally decided to stay.
00:01:12Yeah.
00:01:13It's just that I've realized I can't be away from her.
00:01:17From my mistress.
00:01:18Ah.
00:01:19Well, don't worry.
00:01:20I also try to keep an eye on her.
00:01:24From her mistress.
00:01:25As?
00:01:25He's not coming; he prefers to stay there.
00:01:27Did he tell you why?
00:01:28The kid likes it.
00:01:29And what if they pay him on top of that?
00:01:30That?
00:01:31Look, I can accept that he's gay, but that he gets paid for it too.
00:01:34That?
00:01:35What are you up to?
00:01:37Nothing.
00:01:38That?
00:01:38Watching the sunset with Benito.
00:01:40Is Benito the doctor?
00:01:41This will be another one.
00:01:42This guy is Basque even when he comes out of the closet.
00:01:46That?
00:02:15I told you that you can't come with me, that it's very far away and very hot.
00:02:19You're from colder climates.
00:02:22Pipo.
00:02:23That's bad luck too, isn't it?
00:02:25Go to Seville now, cross all of Spain by car, with...
00:02:29With your crew and without having to put up with your wife.
00:02:32And what a coincidence, right in the middle of the April Fair.
00:02:36Be nice to the visitors, okay?
00:02:38Let the children see you swim like you know how.
00:02:41Pipo.
00:02:41Champion.
00:02:42You're a champion.
00:02:44Just imagine if the bosses see you talking to fish.
00:02:50Where are you going?
00:02:52Where are you going?
00:02:53Hey?
00:02:54Here it goes.
00:02:55Honey, you look so beautiful.
00:02:56That...
00:02:57Squeak!
00:02:58Mierre!
00:02:59I let you explain everything perfectly in a note yesterday.
00:03:02What is it that...
00:03:02Iñaki, his mother, who has made things very complicated and...
00:03:05I need to go downstairs urgently.
00:03:07To Seville, now?
00:03:08Hey?
00:03:09Yes, yes, of course.
00:03:10Okay, but we'll be back tomorrow, I think.
00:03:12Okay, okay, I'll call you, alright?
00:03:14Come on.
00:03:16You see.
00:03:16What to do with a friend.
00:03:18Already.
00:03:18Do what you want, as always.
00:03:20Yes, well, if that's the case...
00:03:28Let's see, Trini, in basic Christian terms.
00:03:29Do you speak in Christian?
00:03:30You're throwing us out on the street, aren't you?
00:03:32Let's see, Rafi, I'm saying it very clearly.
00:03:34You're not the only ones who can run the cafeteria.
00:03:37No.
00:03:37I have a few other options.
00:03:39You've never liked us.
00:03:41That's what happens.
00:03:42Do you know you're going to put the little knife down, you're making me nervous?
00:03:45We'll see, we'll let you know what decision we make when the time comes.
00:03:49But for now I can't tell you anything more.
00:03:51Well, I won't be silent.
00:03:52This list wants to install one of those vending machines that only sell sandwiches and fries.
00:03:57And they don't complain like you and me.
00:03:59A little respect, Isabel, please?
00:04:01Let's calm things down.
00:04:01I'm not stupid, you know?
00:04:03Many suited men, hair-snatchers, with a measuring tape in their hand, have paraded through here, living
00:04:06all the walls.
00:04:07They're going to replace you with a gumball machine, Rafael.
00:04:09Isabel?
00:04:10That?
00:04:10Isabel?
00:04:10If instead of monitoring customer traffic I had been paying more attention to
00:04:13If you improved your kitchen, we wouldn't be talking about change right now.
00:04:15What are you telling me?
00:04:16What are you saying?
00:04:17That I'm a bad cook?
00:04:18Go ahead, tell me to my face.
00:04:19Look, everyone has eaten here, the sick and the quacks, and nobody has said a word.
00:04:23Not much.
00:04:24Isabel, let's not lose our composure, okay?
00:04:25First and foremost, education.
00:04:27But what education and what dead dog, Rafael?
00:04:29They're kicking us out and on top of that they tell me I'm a bad cook.
00:04:33Very politely, yes, but I'll tell them to go to hell as always.
00:04:35No, I already know which foot to start studying from.
00:04:38Trini, Trini, Trini, please don't hold it against her.
00:04:40We're nervous because our daughter is doing terribly in school, and of course, the mothers get worried.
00:04:43nervous.
00:04:44We'll talk about those options little by little, okay?
00:04:46Because it's possible to find out who they are.
00:04:48Rafi, the VAE has been in deficit for a long time and he knows it.
00:04:51Well, you can earn a little more money.
00:04:53I agree with you there.
00:04:54I'm sorry, but I can't keep using clinic money to pay for this mess.
00:04:58Let's imagine this is like a football team, with a deficit, but generating excitement.
00:05:02Yeah, like the lottery, right?
00:05:03Of course, generating joy.
00:05:04And with joy we can turn the economy around a little, right?
00:05:07Thank you.
00:05:08Oh, by the way, Rafi, Iñaki is joining you today.
00:05:11She will be in charge of the kitchen.
00:05:12Well, I'm not saying anything, he's a cook.
00:05:14You don't know how lucky we are that he wants to work here with us, do you?
00:05:16Yes, yes, I am extraordinarily lucky today.
00:05:18The day has started well.
00:05:20So Basque is one of the options.
00:05:21I would like her to feel at home.
00:05:24Okay, see you later.
00:05:25Hey, eh!
00:05:27What happened, Rosita?
00:05:29I just can't move my hand, Dad.
00:05:31Come on, that means she's fallen asleep.
00:05:33You move it like this, little by little, you'll see?
00:05:34Look, he moves his fingers, as if he were playing the piano.
00:05:38No, yes, the surprise delivery man is being generous with your father today, you know?
00:05:42Oh!
00:05:44Hey!
00:05:45Dean, haven't you prepared some sandwiches?
00:05:48God.
00:05:48And this is where I get fired.
00:05:51Marriage, I'm taking a gamble, beautiful.
00:05:53The crew is above contracts and sacraments, okay?
00:05:58And we're going to cross Spain to remind little Grasshopper of that.
00:06:03before the south swallows it up.
00:06:07Bighead!
00:06:08Under way!
00:06:09He speaks so well!
00:06:10When he's right, he gets it.
00:06:15Lucy, what are you saying?
00:06:17I swear to God, I curse the dead of the Charis laundry.
00:06:20Manco and Ortrai have eaten half of the moles.
00:06:23Come on, I wouldn't put this on even with a kilo of Vaseline, come on.
00:06:26Your ass is the one that swallowed the moles, Lucy.
00:06:29My army that has been skipping the bikini operation for 20 years.
00:06:33I already told you to do the artichoke syrup diet, girl, it's a miracle!
00:06:37I've already made a mess.
00:06:43Blackout, I mean, good morning.
00:06:45Good, good.
00:06:46I've had a fight with the coffee maker.
00:06:48But I won.
00:06:48You have freshly brewed coffee and I've taken all the clothes out of the kitchen cupboards.
00:06:52Yes, thank you. Hey, it smells really good, doesn't it? Like coffee.
00:06:56Who are you talking to, kid, who has a stiff neck?
00:06:59No, no, I'm just thinking about my own things.
00:07:01And here, please, these are some legs, they're not the first ones you've seen, are they?
00:07:04Just look me in the face, that's all.
00:07:06No, no, I have nothing against your legs, Carmen.
00:07:09I would like to recover some of the habits I had when I lived alone.
00:07:13Sure, your house, your legs.
00:07:15Yes, when I get home I like to take off my shoes, get comfortable, and stay close.
00:07:19I'm telling you this so you don't get scared if you ever arrive and see me wearing panties.
00:07:21You can go however you want, even if you want to go in...
00:07:24No, no, no, I like to wear clothes around the house.
00:07:26That? Dressed in a trench coat or a suit.
00:07:30Each one is their own person.
00:07:31That?
00:07:33Well, your first day at the bar.
00:07:34Yes, yes, I'm already looking forward to it, huh?
00:07:36Let's see if we can bring some order to that kitchen.
00:07:39Well, you know a lot about me, Isabel.
00:07:40You must be very skilled to organize it.
00:07:43Yeah.
00:07:43Okay, I'm leaving.
00:07:44Let's see if I can find the hospitality clothing store.
00:07:46And if you don't find it, kid, ask, or we'll bite you.
00:07:51Yes, I know, I know.
00:07:53Now!
00:07:54Come on, Carmen, now!
00:08:09Carmen, my brother, please, daughter, take things slowly.
00:08:15The escolaris has us scared.
00:08:17Lucy, whenever you want, come to the clinic and we'll give you an express replacement.
00:08:20What kind of bitch are you?
00:08:22Are you going to find out?
00:08:23Wait, Lucy, wait.
00:08:27Rafi, tell me.
00:08:30That?
00:08:32What do you mean you're being fired?
00:08:39What a book date, really, huh?
00:08:41I would need to be reincarnated three times to read all of this.
00:08:44Or break your leg in three places and be immobile for a while.
00:08:49Life gives you many surprises, José.
00:08:51I'm more of a music listener, you know?
00:08:53I still see you like this, even though so many words make me feel overwhelmed.
00:08:57Please do not smoke here anymore.
00:08:59Latest.
00:09:00I'll stop when I finish this package.
00:09:01If Carmen is in a state of disarray, which means we're going out into the street, you, me, and the books,
00:09:05if they catch us.
00:09:06Are you getting caught doing what?
00:09:08Be careful, man.
00:09:10Grandfather.
00:09:11Yes, look who's here.
00:09:15She is the prettiest girl in all of Andalusia.
00:09:17Grandpa, girl, girl.
00:09:19Well, little woman, I can manage all of London on my own.
00:09:23Look, look, look, look.
00:09:24Look how beautiful.
00:09:26London.
00:09:27You've always said I was the artist in the family, right?
00:09:29Uh-huh.
00:09:31That art must be cultivated.
00:09:33What do you need, Azucena?
00:09:35She gives me the same look your mother gave me when she wanted more pay.
00:09:40One thousand euros.
00:09:41Hello, really!
00:09:44I want to take a photography course in London, with a really great teacher.
00:09:49And my parents don't want me to until I finish my degree.
00:09:51And if photography is my true calling, then this is my chance to find out.
00:09:55Yes, yes.
00:09:56But I'm guessing that the camera is included at that price, right?
00:10:01Well, and the tripod and the fly, the album to keep it in.
00:10:04I'll shut up now.
00:10:05They even teach us how to retouch it on the computer afterwards.
00:10:09By favorite.
00:10:11Okay, on one condition.
00:10:13Then you can take a picture of me and remove all my wrinkles with the photo.
00:10:18Oh, how much I love you, wrinkles and all.
00:10:22Oh, by the way.
00:10:35What's up, don't you trust me or what the hell?
00:10:37Stop making a fuss about it already.
00:10:39It's customary.
00:10:40My mother has fainted three times on long trips and look, nothing has ever happened to us.
00:10:44We haven't had a single skid.
00:10:45Yes, look Marichu, she goes to mass every day and the one time she leaves here, she's in a coma.
00:10:50It doesn't bother you.
00:10:50Hey, I don't know if we should call Iñaki to let him know we're coming, okay?
00:10:54Hey, we agreed that we wouldn't.
00:10:55You yourself said that surprise was better.
00:10:57Yes, but imagine we arrive and find him holding hands with the other one, all lovey-dovey.
00:11:03Are we modern or are we not modern, Coldo?
00:11:05Are you going to be scared of having a friend from behind now?
00:11:08Look, I have no problem accepting that Iñaki is...
00:11:11Gay?
00:11:14Because he's gay, right?
00:11:16Are you looking at me?
00:11:17I don't have a single problem.
00:11:19Gay.
00:11:20I'm telling you, gay.
00:11:22No, no, I'm saying it for him.
00:11:24Well, if he thinks we won't understand, that we're old-fashioned.
00:11:27That's just your bullshit.
00:11:31Okay, fuck.
00:11:33We'll get used to this too, little by little, okay?
00:11:36Little by little.
00:11:42Just one.
00:11:45Look, huh?
00:11:46Look what I've brought you.
00:11:48Hey, you could have told me I'm a size L, huh?
00:11:51We would have saved ourselves a lot of time.
00:11:53Because between this and what they're saying here, the lady has really put me through the wringer.
00:11:57Whether he wanted more or less cotton.
00:11:59I say yes to everything.
00:12:00That?
00:12:02What do you think?
00:12:04You'd have to see me in the ranch now.
00:12:07I know you're proud of my mistress.
00:12:15Oh, we're getting so silly, aren't we?
00:12:20Well.
00:12:28Iñaki, what a surprise.
00:12:30Nekane, yes, yes.
00:12:32It's a surprise to me too.
00:12:34But it was you who called.
00:12:35Ah, yes, yes, yes, of course.
00:12:36Okay, so what?
00:12:37Is everything alright there?
00:12:37Is everything alright?
00:12:38Is everything alright there?
00:12:40Yes all ok.
00:12:41Is something wrong?
00:12:42Uh, no, no, no, no.
00:12:43I wanted to tell you that I haven't forgotten about you, Nekane.
00:12:48Me neither, Iñaki.
00:12:53No no.
00:12:54I was saying that, well, since you've been working there for many days without a break, I really appreciate it.
00:12:59Don't worry, we'll do whatever it takes.
00:13:01You, take care.
00:13:02Look, Nekane, I've made a decision.
00:13:04I don't know what you'll think.
00:13:06I'm sure it'll be fine.
00:13:07Okay.
00:13:07Look, I've been thinking about finding a replacement while I'm gone, you know?
00:13:10Someone you can trust.
00:13:12He'll be around today.
00:13:13No, no, no, no.
00:13:14No way, Sabino.
00:13:15I already told you that's my business.
00:13:16Man, you're inside the bar, that's all we needed.
00:13:19If you're already in danger outside, I can't even imagine what it's like inside.
00:13:22Alcoholic, what do you do?
00:13:23Oh.
00:13:24Good morning?
00:13:26They've arrived already, haven't they?
00:13:27Yes, yes.
00:13:28Well, that's it, Nekane.
00:13:30Hey, I'll let you get organized, okay?
00:13:32Okay, bye.
00:13:33Goodbye.
00:13:35Okay, so what?
00:13:37We need to understand each other, you and I.
00:13:38No, sweetheart?
00:13:42Mrs. Rosa Almonte.
00:13:43It's me.
00:13:44Ah, it's you.
00:13:46So, what's the point of this?
00:13:46Are you looking for prescriptions or consultations?
00:13:48For consultations, my aunt Carmen already gives me the recipes.
00:13:52Ignore him.
00:13:53Please come with me.
00:13:55Don't worry, my girl, nothing's going to happen, okay?
00:13:57I'm going there now.
00:13:59It's serious, Robert.
00:14:00The truth, first and foremost.
00:14:01No.
00:14:01I'm sure the girl is fine.
00:14:03If I need a hand transplant, I'll cut off both of mine, okay?
00:14:05Robilo, as needed.
00:14:06Very well, then put it on ice for me, because I'll be right back for it.
00:14:08But.
00:14:09Look, I think the girl is just trying to get attention for something.
00:14:14Nothing else.
00:14:15Don't worry.
00:14:17Auntie Carmen, look, I'm going to the doctor's office.
00:14:20Oh.
00:14:21Well, I'm sure you won't, no, tell me later, okay, my love?
00:14:26Carmen, I was looking for you.
00:14:27For?
00:14:28Because we have a Zapis set up in the emergency room.
00:14:30They've brought in a famous actor from that series they're filming here, okay?
00:14:34I'm on my way there now.
00:14:34Okay, give me a minute.
00:14:35Come on, Zora.
00:14:36Thank you.
00:14:39So what?
00:14:40That the daughter of the great one has come down and I said it just like that, exactly as it was.
00:14:43Well, technically he's said he has other options.
00:14:45Other options?
00:14:46Well, I asked him and he told me that we are in deficit.
00:14:49And of course, I've had to keep my mouth shut because he's right.
00:14:52You're wrong, Rafi, you're wrong.
00:14:53She lies more than she speaks.
00:14:55Isabel is the one who is taking it the worst.
00:14:56She gets very nervous, she takes it very badly.
00:14:59And now the girl has a clumsy hand, a disaster, baby, a disaster.
00:15:03Don't worry, nobody can silence my Isabel.
00:15:06Is it wrong?
00:15:06But nobody.
00:15:16Don't cry on me, okay?
00:15:17Don't cry to me.
00:15:18She doesn't deserve even half a tear from you, come on.
00:15:21No, if it's because of the onion that I'm crying, I'm fine, really.
00:15:25You're cutting yourself a little bit of pepper, wedge.
00:15:34What are we going to do with the girls now?
00:15:37Precisely now that he will need medication for paralysis.
00:15:41Oh, my poor little thing, she was clapping so well.
00:15:43All the little girl needs is strong, cheerful and happy parents, like you.
00:15:47They don't pass to the girl's hand.
00:15:48Because look, I can work anywhere as a cook, you know that.
00:15:51But your brother, your brother has no job, I mean, take him out of here and he won't be worth a damn
00:15:56pasta to your street food.
00:15:57Don't worry, you know nobody's kicking us out of here, okay?
00:16:01Nobody.
00:16:02Yes, Carmen, they're kicking us out.
00:16:03You've already told us, it's Vasco who's going to keep all this.
00:16:07Iñaki?
00:16:09Iñaki, that's just how Basques are.
00:16:11The moment you let your guard down, they'll take advantage of you.
00:16:14Obviously, the Basque looked foolish with the little stove.
00:16:17And this morning, putting coffee on her, she was half drunk around the house.
00:16:19Have you done it?
00:16:20Nothing, thank God.
00:16:28Have I already gotten the thousand euros?
00:16:32Yes, money.
00:16:33I don't find it funny at all, you know?
00:16:36It doesn't matter to you that you gave them to me, I have them and that's it.
00:16:40Okay, I'll bring it to you later.
00:16:44Oh, how are you?
00:16:46I don't know.
00:16:47That?
00:16:48Enrolling by course, right?
00:16:50That might be good, but the teacher doesn't need me to be rude, does he?
00:16:52Look, this is none of your business, José.
00:16:54What trouble have you gotten yourself into, girl?
00:16:55You're going to get yourself into serious trouble if you don't leave me alone.
00:16:58I'm going to tell you one little thing.
00:16:59You can do whatever you want with your life, okay?
00:17:01But your grandfather is my friend, okay?
00:17:02And I'm not going to let him scam anyone, even if it's his prettiest granddaughter in London.
00:17:05He's going to find out again right now.
00:17:06You can think of it now.
00:17:07If you open your mouth, I'll tell him you're making me sleep with you.
00:17:11So, who are you going to believe?
00:17:13Or to his friend or his granddaughter?
00:17:15Are you already out of your mind?
00:17:17Yes, yes, I'll take a picture, but don't even think about uploading it to Facebook.
00:17:20Dolores, I know you, you know?
00:17:21Well, no.
00:17:22Oh, Carmen, have you seen Iñaki?
00:17:24Angela says he looks hilarious, dressed as Arguiñano.
00:17:27Thank you.
00:17:28Well, that's funny, chorcarapapa.
00:17:30But what happened?
00:17:31Are you OK?
00:17:32I'm not well, Irene, I'm not well.
00:17:34My brother Rafi and my sister-in-law Isabel are going to be out on the street.
00:17:36And can you guess who's behind all this?
00:17:38That damn Iñaki?
00:17:39What are you telling me?
00:17:40Well, that's what you're hearing, auntie.
00:17:42Trini says she's not renewing his contract because she has other options.
00:17:45And what a coincidence that he hired the Basque guy.
00:17:47But hey, maybe it wasn't the Basque guy's fault, was it?
00:17:49Look, she left my house today saying, well, I'm going to tidy up a bit.
00:17:54the kitchen.
00:17:55That?
00:17:56He's going to come to jail to steal.
00:17:57They had definitely discussed that.
00:17:59Well, look at her, she's coming this way.
00:18:01But wait, wait, not just because of the series I represent.
00:18:04I ask this for the sake of Andalusia.
00:18:06If you associate our land with accidents, the big production companies won't want to come and film here, you understand?
00:18:10I understand now.
00:18:11So I trust in their discretion and professionalism.
00:18:14The fewer people who know this, the better.
00:18:16And it's important that no images of our actor are leaked from the clinic.
00:18:21Our press department will take care of all the details.
00:18:23Relax, don't worry about anything.
00:18:25This will remain between you and a small team of professionals coordinated by me.
00:18:28Very good.
00:18:29Look, I'll show you the room, if that's okay with you, alright?
00:18:31Yes, perfect.
00:18:35Trini, do you have a minute?
00:18:36Not now, Carmen, I'm busy.
00:18:38It's an urgent matter, a life or death situation for a patient.
00:18:41Alright.
00:18:42One minute.
00:18:44Wait for me, please.
00:18:45Yes of course.
00:18:47Thank you.
00:18:53Hello good.
00:19:00You've gone a little too far, haven't you, Trini?
00:19:02What do you mean, Carmen?
00:19:04As?
00:19:05Oh, sorry, maybe you didn't know, I'll tell you now.
00:19:08Rafi and my sister-in-law Isabel are going out on the street.
00:19:10And they told him today in a very subtle way, by the way.
00:19:13Can you explain why?
00:19:15I don't have to give you explanations about how I manage the resources of this clinic.
00:19:19Come on, Trini, for God's sake, drop that super-director act already.
00:19:22You'll solve any problems you have with me with me.
00:19:24My brother shouldn't have to pay for it.
00:19:26Look who's going to talk about posing.
00:19:27The savior of humanity and lost causes.
00:19:30The bar has been losing money for a while now, Carmen.
00:19:32What I do?
00:19:34This is a business, you know?
00:19:35And just so you know, your salary depends on whether it's profitable.
00:19:38Disgusting.
00:19:40Money, money, money is all you care about.
00:19:42No, honey.
00:19:42There are other things that matter more to me.
00:19:44Do you want me to show you the complaints I have about the food at the bar?
00:19:47Do you want to read what your friends outside think about what your sister-in-law cooks?
00:19:53What happened to you, Trini?
00:19:54Where is your heart?
00:19:56What happened to you?
00:19:57You, however, must have such a big heart that you allow some patients to completely disregard the rules.
00:20:02And they smoke inside a health center, right?
00:20:04Well, Carmen, to me that's being undisciplined and incompetent.
00:20:08So look, take care of what's within your control and stop giving me moral lessons.
00:20:13Okay, see you later.
00:20:30Have any of you complained about the food at the bar?
00:20:34No.
00:20:36Ah, my own business.
00:20:48And you, why did you say that I'm the one who did that?
00:20:51Because you often say that eating at the bar is like doing a test for Chinese competitions.
00:20:54Well, but I'm just joking, Dolora and Jolín.
00:20:58Besides, you're the one who always says that the best diet is Isabel's cooking.
00:21:01Well, daughter, that's a comment, a metaphor, an expression of...
00:21:06Disgusting?
00:21:06You only have to see the look on your face when you say it.
00:21:09Well, but come on, one thing doesn't necessarily lead to the other.
00:21:11And besides, she could very well have been an angel.
00:21:14What was I?
00:21:16Have you filed a complaint with Trini about the food at the bar?
00:21:19It's because some people are complaining.
00:21:21But come on, that's just rumors, you know.
00:21:23Hey, a complaint, no, man, no.
00:21:25I have filed a complaint for the criminal nature of the act, for cruelty, for the spiciness and continued mistreatment of the delivery person.
00:21:30Well, now that I think about it, correct me if I'm wrong, okay?
00:21:34You and I may have posted some written comments.
00:21:37No, not me.
00:21:38Yeah.
00:21:39No, I only put an X in the box for not very satisfied with the food.
00:21:43But that's it.
00:21:47What's that going to be?
00:21:49That's going to be it.
00:21:52Okay, okay, okay.
00:21:54Okay, let's do something, you and me.
00:21:57Close your eyes.
00:21:58Are you going to prick me?
00:21:58No, trust me.
00:22:00You close your eyes.
00:22:06Are you watching me?
00:22:07Close it, seriously, I can see you, okay?
00:22:09Both.
00:22:10Strong.
00:22:11So.
00:22:12Very good.
00:22:13Now open your eyes and take as many as you want.
00:22:17I?
00:22:17Come on, take it, take it.
00:22:19Wow, that hand seems to be starting to react a little, doesn't it?
00:22:22Well, look, take it.
00:22:23Oops!
00:22:24Wow.
00:22:25Now they have fallen.
00:22:26What are they doing?
00:22:27Hello.
00:22:29How is my Moorish queen?
00:22:32They're waiting for you on the radio.
00:22:34Very good.
00:22:37The girl doesn't have anything wrong with her, okay?
00:22:38The girl is trying to get attention for a reason.
00:22:40So be patient.
00:22:42Goodbye, Rosita.
00:22:43Bye bye.
00:22:44Thank you.
00:22:45Bye bye.
00:22:46What's wrong with that hand?
00:22:48I think what he really wants is to get moving.
00:22:52He's a little better now, but before he was in bad shape.
00:22:55Guide, you believe me, right?
00:22:57Of course I believe you.
00:22:58But let's do one thing.
00:23:00Now we're going to forget about the little arm for a bit, okay?
00:23:02And you're going to tell your aunt what's worrying you.
00:23:05I don't want my parents to lose their jobs.
00:23:08They're going to be fired.
00:23:09Don't worry, your aunt will take care of that.
00:23:11You believe me, right?
00:23:12But now we have to make sure this little arm gets better.
00:23:16Today is a great day, José.
00:23:18I've got a granddaughter who's an artist.
00:23:21Yes, it certainly has a lot of artistry.
00:23:22They say art is missing a generation.
00:23:25And I believe it, you know?
00:23:26I've taken some very good photographs.
00:23:28My Azucena has things very clear.
00:23:31That little bit of rebellion.
00:23:33I've been the same, you know?
00:23:34An indomitable one.
00:23:36Well, it's on the shelf now.
00:23:37It's already on the shelf, man, I'm talking about my granddaughter, son.
00:23:40Yes, I've already heard about the photos and all that.
00:23:42Yeah I know...
00:23:43I already know.
00:23:46I'm already seeing you today, Benny.
00:23:52You think I shouldn't have given him that money, right?
00:23:56Yes that's fine.
00:23:57But just like that, without any further information...
00:23:59Lend me a thousand euros, I need to take a picture.
00:24:01And you take it and give it to him...
00:24:04That you are very generous, which is very honorable.
00:24:06I'm leaving, I have things to do.
00:24:09Then.
00:24:17Pay me in Negunón.
00:24:25Did you see?
00:24:26I finally found the store you told me about.
00:24:28And without asking, huh?
00:24:29No, look how nice.
00:24:31Now I was going to the bar, eh?
00:24:33Right now, exactly.
00:24:34They better get ready, huh?
00:24:35There goes the Basque to conquer the kitchen.
00:24:38Would you mind stepping outside for a moment to talk, please?
00:24:42Yes, yes, of course.
00:24:45Nothing's wrong with Ama, is it?
00:24:46Alright.
00:24:46Let your mother hear what she has on top of her, the one who is best off.
00:24:49Strip.
00:24:56I don't want your mother to hear us.
00:24:59I want you to take all your things out of my house.
00:25:01Because?
00:25:02I don't have to give you any kind of explanation,
00:25:04But if it can be today, all the better.
00:25:07But I've done something wrong.
00:25:08I don't know, but I want to be alone.
00:25:09Alone in my life and in my house.
00:25:11Yes, but I just don't understand this reaction.
00:25:13So, if it's because of what happened before,
00:25:15I don't mind you walking around the house naked, okay?
00:25:16Look, I'm not interested in talking.
00:25:24Good heavens, daughter, look at all the dental floss you have here for Barbie.
00:25:28You don't surprise me, they don't even have butts.
00:25:29Neither she nor my nephew.
00:25:31And what are you looking at?
00:25:33But you told me to stay here.
00:25:35Here? No.
00:25:36No, no, Sabiro.
00:25:36I don't want you here all morning.
00:25:38Go outside and get some fresh air.
00:25:39Isn't there any construction nearby that you could go and look at?
00:25:41Look, I'm going to look for my crew, they're sure to be around here somewhere.
00:25:44See you later at home.
00:25:45No, no, no, not at home.
00:25:46Here in a little while.
00:25:47Begoña, please.
00:25:48Look, you tell those scoundrels that you have to come through here every two bars.
00:25:51Already.
00:25:51Now that I can keep an eye on you?
00:25:53Hello.
00:25:55And you?
00:25:56Hey!
00:25:56Come on!
00:25:57Croquettes don't make themselves!
00:25:59I'm placing the bread order.
00:26:01Yes, the one for the whole year.
00:26:02It doesn't bother you.
00:26:03Come on!
00:26:05So, what do you think of the letter from Pareña here?
00:26:07Does this happen to me or not?
00:26:09Do you understand?
00:26:10Very good, Necane.
00:26:12Very well, yes sir.
00:26:13Let's be clear, and it's obvious you're serious, no mystery involved, right?
00:26:17Let's call a spade a spade.
00:26:19Thank you.
00:26:20The only thing is, if you have any doubts, well tomorrow, before sending it, you can take a look at it and change it.
00:26:26something.
00:26:27No, but I wrote it on the tablet and then typed it out by hand to make it seem more personal.
00:26:31Yes, I've already sent it.
00:26:32In other words, he has been given the go-ahead to hand it over to ñaqui.
00:26:35Oh, yes, well, that's it, that's it, don't dwell on it.
00:26:39Oh, what's happened to me, huh?
00:26:40No, no, Necane, no, no.
00:26:42You've even gone too far, haven't you?
00:26:45If you're also calm down there, they use "I love you," "my soul," "my heaven," even
00:26:52to ask for the time.
00:26:53If ñaqui will be immunized.
00:26:56Necane, we have non-stick pans.
00:26:58My tortilla has stuck to the bottom of the pan, that's for sure.
00:27:03Oh.
00:27:13What's with that letter, buddy?
00:27:14Nothing, they gave me a scan to give to them, ñaqui.
00:27:17Well, they were papers from the bar, damn it.
00:27:18Stop investigating there, you sound like James Bond's brother-in-law.
00:27:23What, Coldó?
00:27:25No, well, that's it.
00:27:26Maybe we haven't given ñaqui enough love.
00:27:28That's why he's had to go looking for it elsewhere.
00:27:30I don't even shit on beings.
00:27:31If ñaqui is one of the group, if we are together all day.
00:27:33What affection do you not want?
00:27:35You're already encouraging him with this cooking stuff, aren't you?
00:27:37Come on, all you're doing is taking away his enthusiasm, you big dummy.
00:27:40That.
00:27:40I admire you.
00:27:41She spends her days making recipes.
00:27:43And what about you?
00:27:43Ignore it.
00:27:44No.
00:27:44If it turns out that ñaqui is going to be a trout, it's my fault.
00:27:47No, I'm not saying that, damn it.
00:27:48That we are all responsible.
00:27:50The problem is that sometimes we treat him like a child.
00:27:53Hey, what if this letter from Necan is to ask for his dismissal?
00:27:56No, no, disgust, ñaqui, right?
00:27:58I think we should open it.
00:28:00Are you crazy, buddy?
00:28:01Don't mess with me, man.
00:28:02It's a personal letter.
00:28:03Hey, do you also open other people's reports at the hospital?
00:28:05That's personal too.
00:28:06But you're such a little kid.
00:28:07Perhaps this letter holds the key to understanding what's happening.
00:28:10We need to open it.
00:28:11But what?
00:28:11And what is it like?
00:28:12Look, I'm fed up with you all.
00:28:14The Agonies and the CIA one.
00:28:16We are near Segovia.
00:28:17I would stop to exchange opinions.
00:28:19Near Segovia?
00:28:20Well, if we have to detour 100 kilometers.
00:28:22You're blatantly ignoring the route.
00:28:24No.
00:28:24And opening a personal letter is a step in the right direction.
00:28:27We're going to have a proper suckling pig.
00:28:29Roasted in a wood-fired oven and cut with a plate.
00:28:32And the only letter we're going to read is the one about wines.
00:28:34We are?
00:28:37Hey, what about the sandwiches we brought?
00:28:39What do you mean, no?
00:28:56Hey boss, how about a coffee?
00:28:57Because I think I can still serve it to him.
00:28:59Yes, thank you, Rafi.
00:29:00A quick coffee and let's get to work, there's a lot to do.
00:29:03I'm also going to serve it to you with cold milk.
00:29:04So you can tame it quickly and start chopping heads as soon as possible.
00:29:07Hey Rafi, do you know if something's wrong with your sister Carmen?
00:29:10Are you referring to someone in general, or specifically to someone from the northern area?
00:29:14He just told me to leave the house, that's all.
00:29:17Well, Carmen is very influenced by the things that happen to her family.
00:29:20And we're not going through the best of times, to tell the truth.
00:29:23It's normal that she wants to be alone.
00:29:25Hey, well, I'm sorry, okay?
00:29:26If there's anything I can do for you...
00:29:28No, no, you do your own thing.
00:29:30These things happen in life.
00:29:31Besides, money talks.
00:29:33I know I haven't done very well, but...
00:29:35Look, all I ask is that you treat Isabel well.
00:29:37that she is the one who is taking it the worst.
00:29:38Left hand, you understand?
00:29:40Tell him things as if you weren't telling him.
00:29:42Look, of course.
00:29:43Look, I've only come here to help, okay?
00:29:45To lend a hand.
00:29:45Yes, to the neck.
00:29:48Look, Iñaki, try to understand us, we've spent a lot of time here,
00:29:51more than in our own home.
00:29:52Ah, well that's not good, Rafi.
00:29:54As soon as I get organized in the kitchen...
00:29:58I won't need you all that much here.
00:30:01Bravo, diplomacy!
00:30:03Hello, good morning, Isabel.
00:30:04Can I help you with anything?
00:30:06Well, it'll be for you.
00:30:10Ah, uh...
00:30:11Well, if you tell me what to do, I'll get started on whatever it is, okay?
00:30:14Well, I don't know.
00:30:15So far I haven't needed any help.
00:30:17I can manage on my own here.
00:30:19But he sends you.
00:30:21Yeah, well, yes, yes, yes.
00:30:22I've already seen that you manage very well here.
00:30:24I'm just here to learn.
00:30:31Well.
00:30:32I see that today we're having chicken fillets, right?
00:30:35Among other things.
00:30:36Would you like chicken or should we change it to a ribeye steak?
00:30:39No, no, no, no.
00:30:39The chicken is fine.
00:30:40Chicken has many more possibilities than steak.
00:30:44Look, I have an idea: we could make a side dish for it.
00:30:46with mushrooms and raisins with a virgin Malaga reduction.
00:30:50To go with the steaks, which I make really well, you know?
00:30:52Okay.
00:30:53And French fries, which are very popular here.
00:30:55And of course, french fries too.
00:30:57Then I'll take care of the steaks.
00:30:59Yeah.
00:30:59Come on.
00:31:09Excuse me, okay?
00:31:10I got emotional.
00:31:12It almost took out a finger.
00:31:15The whole hand could carry you.
00:31:24Hey, is that the actor, that famous one we have admitted, the American one?
00:31:28Yeah.
00:31:28He's handsome, isn't he?
00:31:31She has a certain look, she has something about her, I don't know.
00:31:34Come on, let's...
00:31:34Not bad.
00:31:35Okay, another one.
00:31:37Today?
00:31:38Today, yes.
00:31:39Yes, yes, it's true.
00:31:40He is short.
00:31:41Which is like John and a Half, but without the John.
00:31:44No?
00:31:44As...
00:31:45Come on, we can just wrap him up as a mummy with a roll of bandages and that's it.
00:31:48The truth is you're more brutish than insensitive.
00:31:51Don't you watch the series, Carmen?
00:31:52I?
00:31:53No.
00:31:54Come on, I'm quite busy.
00:31:54I've got you guys here all day, like it's a TV series, come on.
00:31:57Well, just so you know, he's the best, okay?
00:31:58That what it lacks in height it makes up for in skill.
00:32:00Come on, I'm a huge fan.
00:32:01Yes, well look what they've left in the emergency room, a...
00:32:04A walking stick.
00:32:06But is that Peter Niel's spear?
00:32:08The one from the filming?
00:32:10Okay, okay, okay.
00:32:11Just so you know, there are people on the internet who would pay thousands of euros for that, you know?
00:32:14Yeah.
00:32:14Should we auction it online and split the cost?
00:32:16Come on.
00:32:17Come on.
00:32:18Well, I'm off, I'm going to see it live.
00:32:20And you say that, you sound like a magpie.
00:32:22Grab everything that glitters.
00:32:23Come on, let's do our thing.
00:32:24Come on, give the souvenir.
00:32:25Come on.
00:32:26How much do you think the internet can give us for this stunt?
00:32:28Hey, but you're not actually thinking of auctioning it off, are you?
00:32:32No, nothing.
00:32:36Hello.
00:32:37Fausto, press department.
00:32:39Tell him I'm going to talk to the doctor who will be treating him, and that I'll call him later.
00:32:42Now say it.
00:32:43Hello, I am Fausto Baños, the series' delegate producer in Spain.
00:32:47The bad guy in the movie.
00:32:48Delighted.
00:32:49She is Carmen, the head nurse, and I am Roberto Almenar, a neurologist.
00:32:53The bad guy in the movie.
00:32:55So, we bad guys will understand each other perfectly.
00:32:57I suppose Trini has informed them of everything.
00:32:59The fact is that one of our main actors has been in an accident.
00:33:03It was a risky scene, and well, he insisted on doing it himself.
00:33:06And well, by a few centimeters they almost stuck a spear in his eye and we had to stop filming.
00:33:09Good heavens.
00:33:10Well, the show must go on, right?
00:33:12So don't worry, we'll do everything in our power to help you get back to slaying dragons soon.
00:33:18Thank you very much, doctor.
00:33:19Passed.
00:33:20Thank you.
00:33:21Excuse me.
00:33:21Please pass.
00:33:22No, please.
00:33:24Well, here it is, doctor.
00:33:29Hello.
00:33:29No no.
00:33:30He doesn't understand anything.
00:33:31He doesn't speak Spanish.
00:33:32Ah.
00:33:37Okay, okay.
00:33:38Yes, he wants to know if the operation is necessary.
00:33:41Yes, tell him that it is necessary to explore the wound to avoid possible subsequent complications.
00:33:46Yes, Peter.
00:33:47It's better to check the wound to avoid complication, okay?
00:33:51Okay, okay, okay.
00:33:53Do you know when was the last time you ate?
00:33:56At nine in the morning.
00:33:56A plate of ham.
00:33:58Yes, give it back to him with ham.
00:33:59Normal.
00:34:00He's also added some Rioja.
00:34:02I can assure you of that.
00:34:03Carmen, no ham.
00:34:05We need to intervene as soon as possible.
00:34:06Okay, no ham.
00:34:08Yeah.
00:34:11Okay, okay.
00:34:11He's a little nervous.
00:34:13And he wants to know if it can be local anesthesia.
00:34:16Local?
00:34:17Local.
00:34:18Local.
00:34:19Local.
00:34:26If you'll excuse me for a moment.
00:34:36Please, Tommy, look at the face you were making.
00:34:39What looked like a wet little knob?
00:34:42Oh, forgive me, Robert, for laughing, but it's either I laugh or I get bitter.
00:34:46No, no.
00:34:47You laugh, you always laugh, Carmencita.
00:34:49You look very pretty when you laugh.
00:34:51Local anesthesia and being fucked.
00:34:52But what if it's very small, if you don't have room to cut it?
00:34:59Robert.
00:35:00Robert, I'm going to ask you a favor.
00:35:01Whatever you want, my love.
00:35:02Oh, I'm going to find another nurse for this warrior because once I've had my laugh, he'll be gone.
00:35:08I'll mess it up, I'll mess it up, I'll mess it up.
00:35:09On one condition, okay?
00:35:10Let's go for another beer after work today, okay?
00:35:14And that's how we talked about the little warrior.
00:35:18Okay, listen to me.
00:35:20Why don't you go have a beer with a coworker, huh?
00:35:23Oh, with a coworker?
00:35:25Well, well, you have to start somewhere.
00:35:29Hey, we have mini syringes for...
00:35:43Look, look, how simple, how silly.
00:35:46And the presentation is much better.
00:35:48Don't tell me it doesn't give it a special touch.
00:35:50It's not bad, it's so good.
00:35:52Look, look, woman.
00:35:54There's no comparison.
00:35:55They are different styles.
00:35:57And all with a mold, huh?
00:35:58You don't need expensive equipment to improve presentations.
00:36:00Look, people come here to eat so they can keep working.
00:36:03If he wants to use that nonsense, that's his business.
00:36:05You'll see.
00:36:06A success.
00:36:07The chicken fillets are proving to be a hit.
00:36:09Even the gynecologist told me to congratulate you.
00:36:12And that sauce, we have to patent it, Iñaki, before the Chinese get their hands on it.
00:36:15Nobody's going to take anything here, Rafi.
00:36:18Cheer up, girl, we're succeeding.
00:36:20About time, Rafi, about time.
00:36:22And that's wonderful, Iñaki.
00:36:25This looks like...
00:36:25a bullfighter's wedding.
00:36:37And what about you?
00:36:39What about what?
00:36:40That's it.
00:36:41With everything that's going on, how are you coping?
00:36:44Okay, okay.
00:36:45I try to help.
00:36:46Already.
00:36:47Iñaki, right?
00:36:49To everyone.
00:36:50Yes, well.
00:36:51I work here.
00:36:53You two get along well, Iñaki, don't you?
00:36:56He treats me very well.
00:36:58I have no complaints.
00:36:59Yes, yes.
00:37:00Oh, come on...
00:37:01What a pair, a perfect match.
00:37:03Be careful, there aren't many like those left.
00:37:05Because we have to take care of them, because we have to take good care of them.
00:37:09Ebulun, beautiful.
00:37:11Three children.
00:37:12Three, three.
00:37:13Leave it to me.
00:37:19Very good.
00:37:20And for you?
00:37:22Must.
00:37:22You're already carrying a lot of weight.
00:37:24Three noses like Fofito's.
00:37:25Come on, not now, God.
00:37:27What do you want?
00:37:27What about the test results?
00:37:28Well, I have them there, in my bag, you know?
00:37:30Hey...
00:37:30Goes.
00:37:31Goes.
00:37:34Yes, the dwarf from the series, so you understand.
00:37:36His name is Peter Diner.
00:37:38It is registered here.
00:37:39Well, like we've done before.
00:37:41I don't know what you call it.
00:37:43That's it, a stolen one.
00:37:46Okay.
00:37:47I'll let you know the time and the door we'll be taking him out through.
00:37:51Okay?
00:37:52No, I swear, I only told you.
00:37:55Ah, well, but that's true.
00:37:56This time I want the clinic's name to be clearly visible, okay?
00:37:58Let's not let what happened with the singer happen again.
00:38:01That.
00:38:01Okay, see you later.
00:38:02What skill do you have in keeping secrets?
00:38:04You understand the concept of discretion, but like fire indiscriminately, right?
00:38:07Robert, put the bandage on, okay?
00:38:09But make sure it's clear that it's him.
00:38:10It wouldn't hurt us if we were talked about a little in Hollywood.
00:38:14Trini, we're more into Spanish things, I'm telling you.
00:38:17Well, but it pays like it's Hollywood and that's what matters.
00:38:20Very good.
00:38:20I've only come to tell you that we're expecting him tonight, so tomorrow, if you want, you can discharge him.
00:38:24I want to be informed of every minute, Robert.
00:38:27Hey, by the way, you really gave Rafi a fright this morning.
00:38:31What have you done to motivate him or what?
00:38:33You're not really thinking of firing them, are you?
00:38:35Well, to tell you the truth, yes.
00:38:37Every day I'm considering it more seriously.
00:38:39What's happening?
00:38:40Does that worry you for any particular reason, or what?
00:38:43Nothing at all for me.
00:38:44I'm worried about the general atmosphere.
00:38:45Rafi and Isabel are two very well-liked people at the clinic, and I don't think it's a very popular decision.
00:38:50Nothing else.
00:38:50Okay, thanks for the advice.
00:38:53Hey Robert, I'd like to calmly discuss a topic that the insurance company has suggested to me.
00:38:59I invite you to dinner tonight.
00:39:01Tonight?
00:39:03It's just not going to be possible, right?
00:39:04Can't we leave it for another day?
00:39:05What's happening?
00:39:06Do you have a plan or what?
00:39:07A small group of friends who met up to play poker and we've arranged to meet again tonight.
00:39:13Chance.
00:39:14What a coincidence!
00:39:16Well, if it can't be, then it can't be.
00:39:19Should I call a friend to listen to me?
00:39:21I hope you get good cards.
00:39:23Thank you.
00:39:24Robert.
00:39:26One thing.
00:39:29In poker, what are worth more?
00:39:32Threesomes or double couples?
00:39:36Well, look, I'm more of a threesome guy.
00:39:39But with those letters, I'd pass if I were you.
00:39:48We single people are hypermobile.
00:39:50Our weak point is our joints.
00:39:52I've accepted that.
00:39:53The good thing is that the ligaments never actually tear.
00:39:56We are very flexible.
00:39:58In fact, my mother, to give you an example, at 50 years old, still touches her forehead with her
00:40:03ankles.
00:40:03José, José.
00:40:11Paco, Paco, how are you?
00:40:13Look, I'm going to introduce you to a guy.
00:40:15Paco is a student of the subject.
00:40:16He's a fantastic short story writer.
00:40:18It hits the back of the neck with the heels.
00:40:20We see that right now in the circus.
00:40:22Tell him, Paco, about your little things.
00:40:28I'm not going to get too close, I'm not going to make her report me.
00:40:30Oh, I'm sorry about before, really.
00:40:33I've been a complete idiot.
00:40:35I want to tell you something, José.
00:40:38Come on, tell me.
00:40:39But not here, in a more discreet place.
00:40:42I don't want my grandfather to see us.
00:40:43Well, you can see I'm working, I have one here and in a double row.
00:40:46I'm in a mess that'll knock your socks off, please.
00:40:52What's that over there?
00:40:55I lost the money for the trip.
00:40:57Because I invented the photography course.
00:40:59I needed the money for my ticket and for a friend's.
00:41:05And in the end I lost their money.
00:41:09And mine too.
00:41:13Well, José, we've been robbed.
00:41:15My God.
00:41:17Can you tell me what's wrong, really?
00:41:22They're blackmailing me, okay?
00:41:25I'm in a terrible mess.
00:41:27Your grandfather will find out about this right now.
00:41:29I have enough on my plate without getting involved and causing more trouble.
00:41:31If you say anything to my grandfather, I'll report you, okay?
00:41:33Well, he's going to sue me, that's for sure.
00:41:34Your grandfather will find out about this as soon as I learned my name was José...
00:41:38Please help me.
00:41:40I'm in a really big mess.
00:41:44Will you help me find a place to stay tonight?
00:41:48Okay, fine.
00:41:50Let's see what we can do.
00:41:53I'm doing this for your grandfather, okay?
00:41:55Yes, yes, of course, of course.
00:42:02Hey Ancho, take the stench off, I'm not a kid.
00:42:05No, I don't see you as an adult either, huh?
00:42:07You drank the luxury bottle straight from the bottle.
00:42:09What kind of image have we projected?
00:42:10Let's see, he said courtesy of the house.
00:42:12Yes, courtesy, but you can't just take a shot out of your house.
00:42:15Come on, come on, let me go see the nuns.
00:42:17My aunt is a nun, I'm sure you know her, she's over there making cakes.
00:42:21No way, you're capable of planting a kiss on the Mother Superior there and we'll be in trouble.
00:42:25Aunt Lourdes, they have me kidnapped here.
00:42:27Good morning, look, blessed.
00:42:29We're all limping, see you here tomorrow.
00:42:31Yes, for the Betis fans, the Sevilla fans, and for all the residents of Torreón in Andalusia.
00:42:34Have you seen my aunt? She's a Franciscan nun.
00:42:37No, Benedictine.
00:42:37The Clarissa is.
00:42:38She looks gorgeous, she's given me lots of love for you.
00:42:41Yes, you told him to ask for Marichu.
00:42:45Well, for Iñeki, for everyone, right?
00:42:48Yes, I've stopped praying.
00:42:49Have you already left any sweets from the convent?
00:42:51Hush, hush.
00:42:52I left behind a gorgeous nun, a real brunette.
00:42:55I've gotten sick, huh?
00:42:56I'm not kidding, I imagined her with her hair down and...
00:42:59Come on, he's taken your entire salary.
00:43:00The salary...
00:43:02Whether I have jaldrinas, whether I have madeleines, and I'll take out whatever you have to take out.
00:43:07I shit on you, I'm right here.
00:43:07I have the money to bury you.
00:43:10Gorgeous, I've already said it.
00:43:11If you're having a crisis of faith, here's my phone number.
00:43:14What makes her a mother of a man?
00:43:15At the window, always the prettiest ones.
00:43:17So you'll get hooked, you're there watching and you don't even notice.
00:43:19We're going to take a driver for the return trip, because the water knocks me out.
00:43:22I shit on you.
00:43:23I think she was Venezuelan.
00:43:24From Venezuela, judging by the accent, yes, and green, green eyes, gorgeous.
00:43:28Oh my God, you really know how to choose them, huh?
00:43:30Oh, God.
00:43:32Hey, how was my aunt?
00:43:34Fuck.
00:43:35Take out one of those muffins and see if the alcohol soaks both of you up.
00:43:38Holy shit.
00:43:39What merit do I have?
00:43:49Wiki!
00:43:51This residence also does not accept people for one night.
00:43:54And you told us I'm a student?
00:43:55No, he sells drugs and the police are after you.
00:43:58Sure, girl, a student with good grades, but there was no way.
00:44:01Do you want me to go and ask?
00:44:02No, no, no, it's going to be worse, because they're going to ask for your documents, they're going to investigate.
00:44:07And in half an hour they have to go to your parents' house, slashing tires with the car.
00:44:11The same thing happens in one case, and it's very expensive, and a very nice pension, right?
00:44:15Well, wouldn't there be an empty room for me at the clinic?
00:44:18You're crazy.
00:44:20Besides, your grandfather is there.
00:44:22But you'd know where to put me without him noticing.
00:44:25But your grandfather has the nose of an old lynx and...
00:44:29Since we're there, the man is going to be very upset, given his current situation.
00:44:32But it's fine.
00:44:33Okay, okay, okay, in the hospital.
00:44:34You can't be very happy in the hospital either.
00:44:37And there, well, your defenses are down, there are a lot of viruses, you know.
00:44:40And you don't have a car?
00:44:41Because I wouldn't mind staying there, and it doesn't work the first time.
00:44:43I have a motorcycle and I'm not going to let you sleep without a helmet.
00:44:47I'm not going to let you sleep on the motorcycle, little girl.
00:44:51Look, you know what?
00:44:52I have a friend who definitely won't say anything.
00:44:53No, no, no, no, no, no, no, no, I don't trust him.
00:44:57If you don't know her.
00:44:58Yes, but those little things always end badly.
00:45:00Because you'll end up arguing about it and she'll end up dragging it out.
00:45:04No, the best thing to do, maybe, instead of leaving, is to go and see each other.
00:45:10I don't think that's right either, do you?
00:45:11But...
00:45:12Jose, you're offering me your house.
00:45:15Well, look, I hadn't thought of that.
00:45:18But, well, since you're bringing it up, I think it's a great idea.
00:45:23I'm doing this for your grandfather, okay?
00:45:25Me too, huh?
00:45:27Well, look, it's right next door.
00:45:29Beside!
00:45:30From one half onwards?
00:45:31Come on, now.
00:45:32Just a little bit?
00:45:48Hey?
00:46:05Irene, who has escaped the cough.
00:46:11High!
00:46:40Thank you!
00:47:09Thank you!
00:47:12Weren't you the one who said you liked movies in their original VHS version?
00:47:16Well, yes, but...
00:47:17Look, there you have it. A short film in its original version in 3D and smoking hot. Go for it! Go for it!
00:47:23Go for it!
00:47:25Oh, maybe I can't say anything to him, because I have a lot of respect for him.
00:47:28Look at it, I can just imagine it. Then there's the series and it's not...
00:47:31Do you see?
00:47:32Yeah.
00:47:32Come on.
00:47:40Hello.
00:47:43Good. No smoking here.
00:47:49Not even famous bullfighters here, damn it, turn around, damn it, huh?
00:47:52They don't smoke either, no matter how fit you are. Okay?
00:47:58I'm so fed up. I see the little kids.
00:48:01Look, to the room now, now, okay?
00:48:05Who do you think you are? If you were Josh Clooney, I'd smoke one with you.
00:48:08But come on, not even my little girl. To the region.
00:48:11We're here. Let's go.
00:48:14Man.
00:48:19What happened? What did you say to him/her?
00:48:21No matter how famous he is, we have Armando at a distance and we can change our channel whenever we want.
00:48:26Oh yes, that's great.
00:48:33Can you imagine if tomorrow we go and film Alastos from behind with his shirt open and you can see him?
00:48:39The man's ass?
00:48:41And we uploaded it to YouTube.
00:48:42And we call it Trini's Game.
00:48:45My dearest mother.
00:48:47Or Trini's Game?
00:48:49She certainly enjoys being the queen of her castle hospital.
00:48:52I'm telling you.
00:48:53And you? What role do you play in this series?
00:48:56I?
00:48:57Yes, you.
00:48:58Well, I play the faded Prince Charming, who only wants to wake the princess up with a kiss.
00:49:08No, Rubén. No, no, no. We had a great time and it was a lot of fun.
00:49:13And that's important, isn't it?
00:49:16But let's take advantage of this now, shall we?
00:49:18That you are alone.
00:49:19Before he puts another worthless person up there again.
00:49:25Not today.
00:49:27Not today?
00:49:29Doesn't today mean that another day will?
00:49:33No.
00:49:36See you tomorrow, right?
00:49:38See you tomorrow, right?
00:49:42See you tomorrow, right?
00:49:45See you tomorrow, right?
00:49:45Bye bye.
00:50:13God tests us, but He does not drown us.
00:50:19Well, in a couple of days this will turn into a "love me" situation, like my name is Roberto Alpera.
00:50:31Well, I thought I'd had a bad day, but I see someone else has too.
00:50:36worse.
00:50:37Good evening, Mr. Benjumea.
00:50:40What's wrong, son?
00:50:41I just sat you down here, didn't I?
00:50:44Your suitcases have traveled around Seville more than the Pazo de la Macarena.
00:50:47Look, Mr. Benjumea, I may not be very good at understanding women, okay?
00:50:52But Carmen's case is a special one.
00:50:56Carmencita, Carmencita.
00:50:58So you're the chosen one.
00:51:01First he tells me to go to his house, then to leave.
00:51:03Yesterday we were having dinner as if we were friends, and today as if we didn't know each other at all.
00:51:08Look, that woman doesn't know what she wants.
00:51:10He knows it, daughter, he knows it.
00:51:14The thing is, he's afraid of having found it.
00:51:29Well, anyway, this is José Cueva.
00:51:33When...
00:51:36When I'm not moving sick people from one place to another, well, here I am, lying down.
00:51:39Cool, it's kind of like that, your style.
00:51:42Which one is in my style?
00:51:44With personality, José, just like you.
00:51:46Yes, well.
00:51:48No problem, you sleep here and I'll go to the living room.
00:51:52If my colleague Fran arrives and finds you in the living room, I'm not responsible for Fran's actions.
00:51:58I'm here, okay?
00:51:59If I'm crazy about José and all that, I'll come, okay?
00:52:03Good night.
00:52:04Good night.
00:52:08Have you called?
00:52:09No.
00:52:10No? Ah, I thought I heard a whistling sound.
00:52:12No, no, it was the street.
00:52:14Good night.
00:52:15Good night.
00:52:17Yeah.
00:52:18Are you cold?
00:52:20A lot.
00:52:21Yes of course.
00:52:22These houses are old and get damp.
00:52:25I'll lend you a blanket, I think there are blankets here.
00:52:28Look, here's a blanket.
00:52:29It's uniquely made, but...
00:52:33We folded it and...
00:52:35And that's it.
00:52:36Yeah.
00:52:36It's from Betty, but...
00:52:38It's warm.
00:52:39Ah, yes, very warm.
00:52:41Yeah.
00:52:52Yeah.
00:53:11Thank you so much.
00:53:13Come on, it's nothing, because...
00:53:14No.
00:53:15I'm here.
00:53:16Okay.
00:53:16And here I am?
00:53:17And you there.
00:53:18Great.
00:53:20Good night.
00:53:27Yeah.
00:53:29Yeah.
00:53:30Yeah.
00:54:01One more pillow.
00:54:09Good night.
00:54:10Good night.
00:54:43Good night.
00:54:44Good night.
00:54:46Good night.
00:54:57Good night.
00:54:59Good morning, Lucy.
00:55:04What do you want?
00:55:05Well, look...
00:55:06We found this on the stairs.
00:55:08And I don't know whose it could be, do you know?
00:55:10Well no.
00:55:11Don't know.
00:55:12But give it to me.
00:55:13I'll put it on the clinic's notice board.
00:55:16The owner might pass by there.
00:55:18Oh, girl.
00:55:19The poor man was going down the stairs.
00:55:21The girl was going like a donkey with the suitcases, pulling and tugging.
00:55:25I felt a bit sad having to take it down.
00:55:27I feel so sorry for you, daughter.
00:55:28Oh my God.
00:55:30Okay, very good, Lucy.
00:55:31Come on.
00:55:32See you later.
00:55:34Listen, listen, listen.
00:55:35The boy said goodbye to us.
00:55:37Look, with kindness and affection.
00:55:39And it's a shame to lose such a good neighbor as this one.
00:55:42Well, that sounds great to me, Lucy.
00:55:44Anything else?
00:55:45That's all, pussy.
00:55:46Okay, then.
00:55:48See you later.
00:55:49Have a good one.
00:55:50Bye bye.
00:55:56What do you want me to say, Lucy?
00:55:57Yes, my brother Rafi and my brother-in-law Isabel from the hospital will be there.
00:56:00And it's Iñaki's fault.
00:56:02Or I don't know, but I just lost it there, period.
00:56:06You have to put yourself in our shoes.
00:56:07We can see some things from the window, but you can't see them, right?
00:56:10But come on, I don't see that guy as a psychopath.
00:56:14Already.
00:56:14Well, Lucy, neither you nor I know that boy.
00:56:18But that boy has a pure gaze, just like you.
00:56:21If I were your mother, I would advise you to give him another chance.
00:56:25Well.
00:56:26Well, thank you very much, Lucy.
00:56:28You're welcome, my dear.
00:56:30See you later.
00:56:36Yes, love, yes, you're right.
00:56:39I've gotten my hopes up too high.
00:56:41My place is up there, in the north, with my people.
00:56:44But I'll tell you one thing, okay?
00:56:45I won't rest until we turn our donut bar into a restaurant.
00:56:49Yes, that's what I want.
00:56:52Look, I'll go downstairs right now and tell Rafi and Isabel that you're not taking them.
00:57:05He stole two thousand euros from his father and we spent it all on a weekend at the cape.
00:57:09cat.
00:57:09Two thousand euros in one weekend?
00:57:10Often the day wouldn't go by and no.
00:57:12Well, his father caught him and told him to return them.
00:57:15And we agreed to do it halfway.
00:57:17I paid my share.
00:57:18But now he says I have to pay for his too.
00:57:20If I don't pay him today, he'll ruin my life.
00:57:24But hey, it's going to ruin your life.
00:57:25How is it going to ruin your life?
00:57:27For a photo.
00:57:28That took me out that weekend.
00:57:32Look.
00:57:33She says she's going to post them on social media.
00:57:36Wow, thanks to the photo.
00:57:37You didn't leave anything to the imagination, huh?
00:57:40What son of a bitch?
00:57:41Look, if my father sees these photos, he'll kill me.
00:57:43Normal.
00:57:44Jose, please help me get money.
00:57:46Can I have it?
00:57:49I swear I'll give it back to you.
00:57:51Don't worry, nobody's going to pay anything here, okay?
00:57:54Are there more photos of you?
00:57:55No.
00:57:56Okay.
00:57:57And any from the chabatín?
00:58:00Right here.
00:58:01Anything more than this?
00:58:01Only this one.
00:58:02Well, he has quite a few more of yours, huh?
00:58:05Is it dead or does it make a medium size?
00:58:07More or less like you.
00:58:09Ah.
00:58:09And has he ever mentioned anything about having to do karate?
00:58:12Or where did I put the kimono?
00:58:13No.
00:58:14Well.
00:58:14He plays football.
00:58:15And he says they're going to give the Sevilla players a test.
00:58:17From Sevilla?
00:58:19We're going to look for a man, because I'm getting paid today.
00:58:22Go to that damn boarding house.
00:58:24There were cockroaches in the ration.
00:58:25Disgusting.
00:58:26Don't complain, you could have slept in a police station.
00:58:29What is it?
00:58:29Regarding yesterday, the situation is under control at all times.
00:58:32Under control?
00:58:33Climb the aqueduct, shout with Euskadi.
00:58:35I'm taking those stones home with me.
00:58:37Hey, hey, hey.
00:58:38There wasn't much control there, period.
00:58:41Exaggerated.
00:58:44Let's not forget Nekale's letter.
00:58:47It's here, it's half open.
00:58:49Hey, in the end it wasn't clear if we were going to read it.
00:58:51Open media?
00:58:53Of course not, you've stopped scratching.
00:58:54What do you want?
00:58:55Get to this point, I would read it.
00:58:57We need to know all the coordinates.
00:58:59Coordinates?
00:58:59Come on, don't mess with me, man.
00:59:01This is gossip, pure gossip.
00:59:03I vote to read it.
00:59:05We need information.
00:59:06Come on, I'm asking.
00:59:07Do whatever you want to him.
00:59:13Oh, come on.
00:59:17Fuck.
00:59:18But this is a real gamble.
00:59:20But all he needed to do was put his heart in the envelope.
00:59:23Don't you see how it had to be seen?
00:59:24Well, with this letter, if you're still not clear on the gay issue, we'll get you back on track.
00:59:29Panchón, start.
00:59:31I'm not going to continue working here.
00:59:33I didn't come to the bar to bother anyone.
00:59:35I came to help.
00:59:36But I'm telling you this in confidence.
00:59:38I've noticed a certain tension in the atmosphere.
00:59:41Listen, girl, try to understand us.
00:59:42Trini said she had other options for the bar.
00:59:44He's going to throw us out on the street, come on.
00:59:45And then you come along and of course, having the enemy playing on your own team is a bit strange.
00:59:49Because you're one of those options, aren't you?
00:59:50What the hell?
00:59:52No, no, I didn't know this.
00:59:54I swear to you on my mother's life.
00:59:55Trini told me to come and lend a hand.
00:59:58But I had no idea about what's happening to you.
01:00:01Rafi, I have a bar in San Sebastián.
01:00:03And that, that's my only option.
01:00:05This evil woman is playing with all of us.
01:00:07The bar isn't doing well because no money is coming in.
01:00:09If I know, Isabel is not a good cook.
01:00:11I'm not stupid, but I can learn.
01:00:13Look, the other day was the first time she was congratulated on her dishes.
01:00:16And I'm thinking that if you teach him one of those chuchuchu tricks...
01:00:21Rafi, nobody's going to kick us out here.
01:00:23We are a team.
01:00:25There are three of us.
01:00:27AND...
01:00:28Cabenzos.
01:00:30We won a hell of a win, huh?
01:00:33Wait here, man.
01:00:34Wait.
01:00:38Good morning, Rafi.
01:00:39And for less than usual.
01:00:48We, the Almonte Nena family, are always driven by our eagerness.
01:00:51We had crucified him, and this is not the Christ.
01:00:53The man has come to say goodbye with good reason because you have kicked him out of his house.
01:00:56And you haven't received any affection here, that's for sure.
01:00:59But now that he's found out they want to throw us out on the street,
01:01:01He has offered to teach Isabel how to cook.
01:01:04This is a gentleman, this guy is a lord.
01:01:06Because?
01:01:07Man.
01:01:12I'll be right back, Rafi.
01:01:21Hello.
01:01:23Pepa.
01:01:24Hey, I forgot to tell you yesterday that that chef's jacket looked really good on you, didn't I?
01:01:29I've left it up there.
01:01:30Thank you.
01:01:32Thanks to you.
01:01:33For taking care of my Rafi and my Isabel.
01:01:36Well, I'm going upstairs because I have to take care of my husband.
01:01:38Ah, yes.
01:01:39Hey?
01:01:40Come on.
01:01:41See you later.
01:01:42See you later.
01:01:48I'd rather catch him in here to be sure.
01:01:50Prolong the goodbye, I'll need a minute.
01:01:52Okay, but without drawing attention to it, Julio.
01:01:54And if you get caught, that's your problem, you know?
01:01:55You'll just make up whatever, that the leak came to you from somewhere else, but it didn't reach me.
01:01:58get me into trouble.
01:01:59Relax, boss.
01:02:00Are there gorillas?
01:02:01No, they don't want to attract attention.
01:02:05Well, now they need to be a little more careful with the issue of cures.
01:02:08And that they go a couple of times a week, that they go to a place where robberies happen and that they go and see it.
01:02:12there or however it is.
01:02:14Well, it's been a pleasure having you here with us.
01:02:17Thank you for the treatment received.
01:02:19He has been very generous.
01:02:20And now let's hope we don't have to come back.
01:02:22And if that were the case, we wouldn't hesitate for a single moment.
01:02:25Peter is very grateful for all of this.
01:02:27Well, tell him to give us a nod in one of the scenes.
01:02:29We'd be thrilled.
01:02:45Roselita, my love, what has happened to you?
01:02:47What are you doing here, Maria, darling?
01:02:49That everything is known.
01:02:50Your brother called me and told me.
01:02:52She's my wife.
01:02:53Have you lost your eye?
01:02:54Who called that photographer?
01:02:55But wait, who is that man?
01:02:57Does that man speak Spanish better than I do?
01:02:58I think the move has worked out well for both of them.
01:03:00Because you called that photographer, right?
01:03:02I?
01:03:03I have no idea what you're talking about.
01:03:04Do you have any idea?
01:03:06I'm fine darling.
01:03:07Are you the doctor?
01:03:08Yes, yes.
01:03:08How are you?
01:03:09Okay, the bandage is a bit cumbersome, but the wound is small.
01:03:15You're coming with me, okay?
01:03:16No, no, ma'am, wait.
01:03:17This man has a very important contract signed with us.
01:03:20Yes, and another one who signed it with me at the church in El Salvador
01:03:22in front of his holy mother, right?
01:03:26Yeah.
01:03:27Let them find someone else.
01:03:27And that there are no actors in the eyelid, it debulted.
01:03:29Let's see, madam, your husband is Peter Dine's doppelganger.
01:03:32Man, double.
01:03:33Or that idiot can say that his fucking mother is going to get the beatings.
01:03:36Let's go.
01:03:38Peter!
01:03:39Peter!
01:03:39I mean, this...
01:03:40José!
01:03:41Little Bear!
01:03:42Oselito, you and I need to talk, okay?
01:03:44I can't believe what's happening.
01:03:47Damn, that little astor, what a big squid it has.
01:03:50I've told you, Trini, Hollywood is too much for us.
01:03:58Doctor, the Basque man's mother, there are problems.
01:04:01Grandma shot.
01:04:14Oh, is that the guy?
01:04:17My God.
01:04:18Or maybe it had to grow tonight, huh?
01:04:19Because he's a little more fed up than I am.
01:04:22You smell a tad more fed up.
01:04:23It's a bit of a hassle and a real pain, isn't it?
01:04:26Are you scared or what?
01:04:27Why am I afraid?
01:04:28You're digging your nails in, José.
01:04:30Oh, sorry.
01:04:32Do you want me to go and take him the money while you stay here and keep watch?
01:04:35That would be the right thing to do.
01:04:37It would be ideal if it were me, wouldn't it?
01:04:39And you're staying here, okay?
01:04:41Now, I'm going to tell you one thing.
01:04:43If things get complicated for any reason,
01:04:45I don't think so, because I can beat this guy,
01:04:47But anyone can have a bad day,
01:04:49and things aren't going as well as we had planned,
01:04:53You run like there's no tomorrow, okay?
01:04:55As if you hadn't lost it, Quina.
01:05:04Are you going or not?
01:05:05I'm waiting for my colleagues to leave.
01:05:08So there are no witnesses?
01:05:13I'm coming, yes.
01:05:36Hello, Carmen is doing well, I'm happy to stay as I am.
01:05:37May the good guys win today, right?
01:05:43I don't know.
01:05:45Come on.
01:05:46Excuse me, sir.
01:05:48Uh, one...
01:05:52Oh my God!
01:05:54Guaca!
01:05:55What are you doing?
01:05:57God, what a slap I gave you, huh?
01:05:59The...
01:05:59But hey, I haven't done anything, man, what do you want?
01:06:02That?
01:06:03Look, uh...
01:06:04Look, I'm going to tell you one thing.
01:06:06This shit.
01:06:07Azucena is with me, okay?
01:06:09So he's already paid you everything he owed you, right?
01:06:12Yes, yes, yes.
01:06:12Ah, yes.
01:06:13Go away!
01:06:14I'm completely crazy, huh?
01:06:15But I just wanted to see her, really, yes.
01:06:17And I had no idea I was with you.
01:06:19Well, now you know.
01:06:21That's bleeding a lot, huh?
01:06:23Damn, it hurts so much, man.
01:06:25Don't worry, I'm a nurse.
01:06:26I think you've broken it, huh?
01:06:27I've given it to you, I've given it to you hard.
01:06:29I've given you...
01:06:29But what are you doing?
01:06:31I want you to delete the photo, okay?
01:06:32Yes, yes, yes.
01:06:33I swear I'll delete it.
01:06:34Hello, I'm José.
01:06:36Yeah.
01:06:37Send me an ambulance here to the Elite Sport Club.
01:06:40No, it's not for me.
01:06:40A girl who tripped over a dumbbell
01:06:43and hit his nose.
01:06:46You're going to be treated at the best clinic in Seville, right?
01:06:48In the end, you're going to be lucky that Yoito hit you, huh?
01:06:51Oh, forgive me, forgive me!
01:06:53There you go...
01:06:54Well, in principle it doesn't seem like we should worry,
01:06:56But to put our minds at ease, I'm going to order an MRI.
01:06:58Have them prepare it right now, Carmen.
01:07:00And what could it be, doctor?
01:07:02A hint of awakening or...?
01:07:03There is no sign to indicate it.
01:07:04For now, her mother is stable.
01:07:06So if you want, you can go and rest at the hotel.
01:07:10And we'll let you know when we have the results.
01:07:13Excuse me, but this is the first time anyone has called my house a hotel.
01:07:17How many stars would you give me?
01:07:18Four or five?
01:07:20Ah, but I thought I no longer lived at Carmen's house.
01:07:24No, I mean, yes, yes.
01:07:25The thing is, he didn't spend much time there.
01:07:28Well, anyway, it's none of my business where you're living.
01:07:31So he will get in touch with you.
01:07:37Man, I'd like to know where I'm going to spend the night.
01:07:41If it's not too much to ask, huh?
01:07:43Kid, so where do they have that thirst at your house?
01:07:45Haven't you missed him?
01:07:46Well, I haven't had time.
01:07:48Carmen, are you sure you want me to come back?
01:07:50Look, I wanted to apologize for my behavior yesterday.
01:07:53And I'd love to share neighbors with you.
01:07:58Okay, what can you assure me of?
01:08:00A week.
01:08:01For now, two days.
01:08:04We'll see.
01:08:06We are?
01:08:12But you think your grandfather is stupid.
01:08:15Your mother sent me a text message saying that you had just arrived in London.
01:08:19And I had you right in front of my nose.
01:08:22I didn't mean to worry you, grandpa.
01:08:24Look, my parents think I'm there.
01:08:26I'm going today.
01:08:27I swear.
01:08:28From here to the airport.
01:08:30That's true, because I got the tickets for him.
01:08:32But what happened?
01:08:34You can trust your grandfather, but without lies.
01:08:40Look.
01:08:42Well, I'll tell you because...
01:08:43He is so humble that he is even embarrassed.
01:08:45The truth is, you have a granddaughter who is Teresa of Carcutta by your side.
01:08:48It doesn't even reach the height of a slipper.
01:08:49Azucena is helping one of her classmates,
01:08:52a boy, a pity for a mother.
01:08:54Come on, he has some problems.
01:08:55Oh, the gambling addict has lost his father,
01:08:57hook up the machines.
01:08:58And she's paying for his ticket with her own money.
01:09:00Look at this.
01:09:04Well.
01:09:07I am proud of you.
01:09:10And where did you spend the night?
01:09:12Hey?
01:09:15Oh, never mind.
01:09:16I'm sure that friend of yours
01:09:18He treated you wonderfully.
01:09:23Damn, what a level.
01:09:25Anyone can come to work like that, huh?
01:09:27Oh, damn.
01:09:28But this looks like the mosque in Granada.
01:09:31The Alhambra of Granada.
01:09:32Hey, Anchón, I've never been to Granada.
01:09:34I don't know if this is more of a mosque or more of an Alhambra.
01:09:36Leave it.
01:09:38That?
01:09:39Yes, Mañaki, to tell you that we are here.
01:09:41No, Kodo.
01:09:42Since we're here,
01:09:43Should we surprise him, or what?
01:09:44Yes, of course, surprise.
01:09:46Look, you know how to navigate these environments with the examination tables,
01:09:49Why don't you ask where Manichu's room is?
01:09:51Ask, go on, go on.
01:09:55This has...
01:09:55It has to be this one, no, not that one either.
01:09:58There, definitely.
01:09:59Here.
01:10:02Pello, you're getting lost.
01:10:04Well, I'm not in the mood for the fair this year.
01:10:06No way, nobody will see me there this year, not even God.
01:10:09Well, daughter,
01:10:10Single and with that body, if I were you I'd go to the fair and get all dolled up.
01:10:15And you, Irene, who have a body like this, like a fairground or a funeral.
01:10:19Well, like that, like that.
01:10:19Look, I might not go.
01:10:20I'll go too, in a horse-drawn carriage, fanning myself.
01:10:23Take note of what I'm telling you.
01:10:24Carmen, Carmen, Robert called me.
01:10:26He told me everything was fine, right?
01:10:27Yes, your mother is already in the room and the doctor too.
01:10:29Okay, thanks.
01:10:35Doctor, how is my mother?
01:10:36Okay, calm down.
01:10:38We have not found any anomalies.
01:10:40And what about those spasms he gets?
01:10:41What is the reason for this?
01:10:42It must be the nervous system acting independently.
01:10:45But we're within what we consider normal, don't worry.
01:10:49Oh, Amacho!
01:10:50You gave us quite a scare, didn't you?
01:10:54We thought you were going to wake up already.
01:11:03Excuse me, Maricho Galarza's room?
01:11:08Yes, the second one on the left.
01:11:10Okay, thanks.
01:11:17Oh, hey, is it normal for this bag to be there?
01:11:20Well no.
01:11:21He may have fallen while moving the bed, but wait for a security guard to call.
01:11:23No, no, no, don't worry, I'm coming.
01:11:27Be careful not to stain the floor.
01:11:29Hey, we're looking for Iñaki.
01:11:36Holy shit.
01:11:38But what are you doing here?
01:11:41Damn, it seems like the surprise is coming from Vela, isn't it?
01:11:45Look, the fair is starting now.
01:11:53I'm going to the water after twelve because you've reproduced like Gremlins.
01:11:57Hello!
01:11:58Thank you.
01:11:58Bring me marijuana.
01:11:59What is this, an H?
01:12:00Dope?
01:12:01They've charged Dr. Congora for a patient who is finished.
01:12:03Do you know if the crew has already delivered the letter?
01:12:05I haven't slept a wink thinking about that issue.
01:12:07But if you ask for two decigrams, kid.
01:12:10My goodness, I understood a hundred grams, sometimes you write better.
01:12:12What am I supposed to do with all this now?
01:12:13We understand you.
01:12:16I didn't know Iñaki's friends were so open.
01:12:19Open, but not as much as Iñaki.
01:12:21What's wrong? Does she think I'm not good enough to go to her little booth?
01:12:24I don't think that's it because he invited all the Basques.
01:12:26Are we going to the fair or not?
01:12:28We're not going, but we're going to see what Iñaki's boyfriend is like.
01:12:30Is that fair in Seville itself or do we have to go to an industrial park?
01:12:34I know you're crazy about me, Iñaki.
01:12:37Who are those people, Carmen?
01:12:38We're going to Robert's father's cabin.
01:12:40If you want, you can come with us.
01:12:42Did you have time to give the letter to Iñaki?
01:12:44Don't worry, I'll give it to you right now.
01:12:47Of course, you brought me here to make Robert jealous, didn't you?
01:12:50We're mostly just friends, you know?
01:12:52But, well, maybe I like it a little, you know?
01:12:54There, I've said it.
01:12:55We can't think of a better boyfriend for our friend Iñaki than you, Robert.
01:13:00So welcome to the crew.
01:13:02What the hell are we going to do!
01:13:03Bye!
01:13:05Bye!
01:13:06Bye!
01:13:06Bye!
01:13:07Bye!
01:13:07Bye!
01:13:08Bye!
01:13:08Bye!
01:13:08Bye!
01:13:08Bye!
01:13:09Bye!
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