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00:00:00Don't you hear it?
00:00:02No, I'm not saying anything.
00:00:03The neighbor.
00:00:05Where are they?
00:00:10Child!
00:00:11They're not coming here!
00:00:12They're not coming here!
00:00:13They're not coming here!
00:00:14They're here!
00:00:15They're here!
00:00:16You can't see it!
00:00:18Where is the girl from Santa María?
00:00:20Tura!
00:00:20Elena?
00:00:21Carmen!
00:00:22Elena?
00:00:24You and I aren't understanding each other, are we?
00:00:27Well, not much, to be honest.
00:00:28But if you don't like what's there, maybe you should try somewhere else.
00:00:31Iñaki, have you found a new waiter?
00:00:34No, no, no, I haven't even put up an ad yet.
00:00:36That's it, you don't even have to put it in anymore.
00:00:38Here it is.
00:00:39My sister.
00:00:40How about there?
00:00:41I'm not going into that.
00:00:42Because?
00:00:43By the calajau, the one from that Basque guy.
00:00:45Carmen, I just found out your father is here.
00:00:47Here it is.
00:00:47Why don't you introduce me to him?
00:00:48I would love to meet you.
00:00:49Oh my God, my clinic is full of journalists.
00:00:52Can this get any worse?
00:00:54Well yes.
00:00:56That?
00:00:57When were you planning to tell me?
00:00:58The fact that?
00:00:59I'm a boyfriend, damn it.
00:01:01Okay, should I send him the Ignacios or not?
00:01:04And why don't you bring it to me in person?
00:01:06He's inviting me to Seville.
00:01:07To spend the day.
00:01:08I'm thinking of staying tonight with Robert and you to celebrate that you're together.
00:01:12I swear I've tried.
00:01:13You don't have to have a boyfriend and a daughter every day, do you?
00:01:15That's your father.
00:01:17Yeah.
00:01:18Okay, Dad!
00:01:19Come here, yucuta.
00:01:20You don't like little bulls, do you?
00:01:22Don't you think I'm a savage?
00:01:24Dad, look at my boyfriend!
00:01:26That?
00:01:28Dad!
00:01:29Because it was a mistake.
00:01:30Look, one can't make a mistake here.
00:01:33I mean...
00:01:35I'm a mistake, aren't I?
00:01:36Just like you will understand me.
00:01:39So come on, give each other a hug.
00:01:44You're sorely mistaken, you son of a bitch.
00:01:46You're sorely mistaken, you son of a bitch.
00:02:21What a trip back, girl!
00:02:23Those shady dealings really upset me!
00:02:26You're a real swindler, you're so stupid!
00:02:28It's called a changurro!
00:02:30And let that be the last Basque word I ever hear in my entire life, okay?
00:02:32Well, that's difficult, my friend!
00:02:34We have a Basque husband in the building!
00:02:37Oh, don't talk to me, don't talk to me!
00:02:39Oh, well, they're back!
00:02:41Peace is over!
00:02:43Did my alarm clock go off?
00:02:45Oh no, child, it's still too early!
00:02:48Yes, I wanted to get up earlier to make breakfast for your father.
00:02:51What are you taking?
00:02:52Does he kill a goat and drink its blood?
00:02:55Oh, let's not start!
00:02:56One coffee is enough.
00:02:59Also, I wanted to ask you a favor.
00:03:00The fact that his underwear isn't showing is perfect.
00:03:02Yes, well, besides that.
00:03:04Listen, girl, my father is going to want to catch you.
00:03:06I know him and he's very big.
00:03:08All I'm suggesting is that you tell him no, that he shouldn't let you get carried away.
00:03:11Oh, you're such an exaggerator, little one!
00:03:13Yeah.
00:03:13I know of parents who bark but don't bite.
00:03:19Come on, don't you get it, little one!
00:03:23Damn it! What are you doing?
00:03:25Find out!
00:03:25Check what?
00:03:26Check the cups, okay?
00:03:28Relax, guys, it's not loaded.
00:03:33Listen, stranger baby.
00:03:34Get your planes ready, come on, we're not going hunting.
00:03:36Well, they only scare a Basque person.
00:03:37What about a Basque person?
00:03:38I'm saying that maybe you're just tough in words.
00:03:40and that the only thing you've ever caught in your entire life is a stuffed animal at the fair.
00:03:44Yes, well.
00:03:45No, the truth is I've never been hunting.
00:03:48But not because I'm scared, okay?
00:03:49That's what I thought, you know.
00:03:52That?
00:03:53What's coming? My room to make my bed or what?
00:03:55No.
00:03:56In fact, I used to go hunting with you.
00:03:58Yes, ma'am.
00:04:01Hello good.
00:04:02Hello.
00:04:05How are you?
00:04:06Okay, here's your boyfriend, who's coming hunting with me.
00:04:09As?
00:04:10I already know, I like it.
00:04:12Dad, Iñaki isn't a hunter, he doesn't like being at home.
00:04:15And you shouldn't go anywhere until I give you the medical results.
00:04:19But I can't stand being here so many days anymore, little one.
00:04:21In other words, I go to the farmhouse and while I'm there, I sit down with the stranger.
00:04:24Iñaki has to take care of his business, father.
00:04:27Besides, I don't like those sports that, according to you, are for men.
00:04:31I don't like them.
00:04:32So, my Carmen has to be here and give you a hand.
00:04:36What about me?
00:04:37Don't you know how to face the bull alone or what?
00:04:39Boo, boo.
00:04:40Carmen.
00:04:43What a little excitement it makes me to go hunting!
00:04:45Iñaki, you're definitely going to drive me crazy, aren't you?
00:04:48If you are unable to kill mosquitoes.
00:04:50Ah, but well, I would have to kill.
00:04:52Rabbits and hares, if that's alright with you.
00:04:54We don't have elephants here.
00:04:55Dad, why don't you take Iñaki another day to pick asparagus?
00:04:59That's right, later.
00:05:00No, I'm going to take this meat with me.
00:05:02I no longer need to goad the young bull that has no bravery whatsoever.
00:05:06Nothing to do with the doctor.
00:05:07A man with a well-loaded shotgun, damn it.
00:05:09I don't go in as much, I don't go in as much.
00:05:11No, no, it's not necessary.
00:05:13That's all there is to it.
00:05:16I'm going hunting.
00:05:17If you speak, stranger.
00:05:19Get yourself a change of clothes, come on, we're going to have dinner at the farm.
00:05:22That?
00:05:26Are you kidding me?
00:05:28Yes, sweetie.
00:05:30Listen to me carefully.
00:05:31Nothing is going to happen.
00:05:33Okay?
00:05:34I'm going there.
00:05:35I fire four shots into the air and go back to your father singing bularias.
00:05:39You can't even sing your multiplication table with my father.
00:05:43Unless he brings you at least three, four, or five rabbits.
00:06:01Jesus, what a scare, son.
00:06:03My God.
00:06:07But hey, what about you guys?
00:06:08Do you sleep here?
00:06:09Let's see, at home.
00:06:11A friend.
00:06:12Bye bye.
00:06:14Of course, they're kicking you out earlier every day.
00:06:17Hey, friends, look, maybe having a kale smoothie in the car for breakfast would help.
00:06:21For breakfast alone, who better to share it with?
00:06:24So what?
00:06:25What should I get you?
00:06:25Now, you're going to have to wait, huh?
00:06:27Because the bread dough hasn't even fermented yet.
00:06:29No, don't worry.
00:06:30Don't worry about us.
00:06:31Take out whatever it is.
00:06:32A little bit of pork loin with cheese, peppers, some walnuts and cod that you probably had left over from yesterday.
00:06:37And you're the ones who have too much of it.
00:06:40We've been sitting here eating all day.
00:06:42Look, solid wood, well, it already has the mark of your butts.
00:06:46Look, Bego, I go up the stairs at home every day, okay?
00:06:49Oh, but you live on the first floor.
00:06:51I have a step in the bathroom.
00:06:53Didn't you do any work to install a ramp?
00:06:55Bego, sweetie, bring out some pastries, whatever you have.
00:06:58And if it will make you feel more at ease, you can give Karina the coffees.
00:07:01And saccharin.
00:07:02A good gastroenteritis is what you need.
00:07:05Well, maybe it's true that we're a bit too comfortable.
00:07:08And that's saying something, because I at least bathe with the fish in the tank.
00:07:11But you two, the only thing you do to move my legs is to change gears.
00:07:16The truth is that I have some belts that no longer fit me.
00:07:19Yes, and I've never been much of an eater, you know?
00:07:21But it's also the anxiety of not knowing who's going to walk through that door.
00:07:26I'll tell you who's coming in.
00:07:27Cholesterol.
00:07:28We must have collapsed veins.
00:07:30How many years have I been living?
00:07:32Gang?
00:07:33We need to start getting this metabolism moving now, before...
00:07:36It hurts.
00:07:37Hello, there you have it, breakfast.
00:07:44Look, if we're going to burn, we'll have to put something in our bodies to burn later.
00:07:56Let's see how today goes.
00:08:02I don't know about me, but keep you far away from my boss, you're making him happy.
00:08:05What are you saying?
00:08:06But it was your fault, Rafi, because I asked you to cover for me.
00:08:09That would cover you?
00:08:10But what do I know if you're going to stand there in front of half of Spain with everything exposed?
00:08:14You were trending at the top until 3 in the morning.
00:08:16Man, what?
00:08:18Aren't you hot with so many clothes on?
00:08:20If you've come for your severance pay, you haven't had time to accumulate it.
00:08:23I'm sorry, Iñaki.
00:08:25Although I fulfilled my obligations at work, those were personal matters.
00:08:28Didn't it seem a little too soon to see if it was a personal day?
00:08:31Give me another chance, please, Iñaki.
00:08:33Look, Elena, this is a serious bar.
00:08:36Rafi, I'm going to the countryside all day.
00:08:37Great, that way I'll be here alone with Isabel, huh?
00:08:40Oh, look, I'm going to put the tables together so I can serve them earlier.
00:08:43Or you can give me another chance and I can put into practice what you have taught me.
00:08:47Yes, because you've already taught us quite a lot.
00:08:57Alright.
00:08:59Rafi.
00:09:02But one more day, right?
00:09:04One.
00:09:05Another whole day watching over her?
00:09:09Calm down, darling.
00:09:10This way you and your ex can catch up.
00:09:13Mom, Isabelita, how many times do I have to tell you that what happened between Elena and me was just a fling?
00:09:16youth?
00:09:17An innocent flirtation in the gamble of the unconsciousness that adolescence creates.
00:09:21Yes, I know what I'm getting at.
00:09:31Hey Rafi, do you know if your dad has a stove at the farmhouse?
00:09:35And does your mother have camping gas in the farmhouse?
00:09:38Well, I say this because I'm going hunting with him.
00:09:41Oh, look, my ears are blocked.
00:09:42I just heard that you're going hunting with my father.
00:09:45Yes, that was heard correctly.
00:09:47Are you sure?
00:09:49Look, Yaki, a shot came out of a broom.
00:09:54Stay alert, with your eyes wide open, like a little owl.
00:10:03Hey, but are you sure?
00:10:05Peño, we've already talked about this.
00:10:06We need to look presentable, because at our age we quickly go into a downward spiral.
00:10:11Yeah, well look at the west side without being presentable.
00:10:14Okay, let's focus because I need to relieve these nerves.
00:10:17That's why you're dragging us into this gym mess, to soothe your guilty conscience.
00:10:21Let's see, man, Peño.
00:10:22Sport is good for everyone.
00:10:24In addition, it prevents a lot of diseases.
00:10:26Damn it, I'm a doctor.
00:10:28Look, Peño.
00:10:29Let's go, then.
00:10:30Opa.
00:10:30Look, turn.
00:10:32Yes or no?
00:10:32Hey?
00:10:33Yes or no?
00:10:33Yes or no?
00:10:34Swimming area, sauna area.
00:10:36This is a luxury, man.
00:10:37Look at the machines.
00:10:38The latest trend?
00:10:39I scream, yes, it doesn't surprise me.
00:10:40They look like instruments of torture.
00:10:42I don't know, but I have the feeling that something is missing.
00:10:45Well, there are no women.
00:10:46But that's better.
00:10:47That's how we focus on the muscle.
00:10:49What are we here for?
00:10:49No, no, no.
00:10:50I've done something else.
00:10:51I don't know what it is, but I've forgotten something.
00:10:52You forgot to put Vaseline on your nipples.
00:10:54Look, I've realized.
00:10:56Hey, you idiot with the shirt.
00:10:58It's not out of habit, I have them very far out, like my father.
00:11:02Who had you forgotten?
00:11:03The shampoo?
00:11:04No, I don't use it.
00:11:05Flip-flops for the shower?
00:11:05No?
00:11:06The spare sock?
00:11:07Let's see what we can bring.
00:11:08Sabine!
00:11:09We forgot to bring Sabino!
00:11:11Cabinsot!
00:11:12Having a substitute member in the crew causes lapses in concentration.
00:11:17There it is, look.
00:11:19Iñaki.
00:11:21Iñaki.
00:11:22Wow!
00:11:23Wow!
00:11:24Pepe!
00:11:25Man!
00:11:25Hey Casanovas, you really made a mess of things yesterday, didn't you?
00:11:28You've got me all worked up.
00:11:30Yeah, shut up, you bastard, if you had given me a hand things wouldn't have gotten so out of hand, okay?
00:11:34Hey, you wouldn't happen to have seen Piedad around, would you?
00:11:37Well, look, no, I haven't seen it, but I've heard it.
00:11:39And the nicest thing he says to you is that you're a little rascal.
00:11:43A little one...
00:11:44Ugh, that sounds bad.
00:11:45So, how are you?
00:11:46At least you'll do well with the Andalusian woman, right?
00:11:48Well, well, wonderful.
00:11:50To tell you the truth, I'm going hunting with his father.
00:11:52How about hunting?
00:11:53Wasn't he hospitalized?
00:11:54I was, but after meeting me, I've been filled with energy.
00:11:58What does it say?
00:11:58He's going hunting.
00:12:00Iñaki out hunting?
00:12:01But last year he pardoned a lobster in the Christmas stew as a sign of pity.
00:12:06Okay, okay, what about you guys?
00:12:08Where are you?
00:12:09Hey?
00:12:10Where are we?
00:12:11Uh, yes, well, uh...
00:12:13Eh, eh, eh, eh, eh...
00:12:15And here?
00:12:15We're here at the fish market, unloading, but unloading tuna, eh, with the sailors, we are.
00:12:22I don't know, I just wanted to say something that sounded more manly.
00:12:27TO...
00:12:29To Selina?
00:12:35So, you left a boy happily going hunting with my father?
00:12:39Searching on Google for rabbit uses and habits.
00:12:42Well, knowing your father, he'd better start figuring out how to get that partridge out of his ass.
00:12:47Oh, but I think it's super romantic to go rabbit hunting to win over a lady.
00:12:51Yes, come on, romantic, very romantic, unless you're the one who ends up tearing him apart later.
00:12:55Who is the only one who's going to get skinned alive out of all of them?
00:12:57This is my boyfriend.
00:12:58Because knowing my father, he won't stop until he sees Iñaki running with the cartel.
00:13:03behind Welcome to Andalusia.
00:13:04Oh my God, you're such a busybody, really, huh.
00:13:07But, kid, don't worry at all.
00:13:09If this man is Basque, he won't have survived the storm in the Cantabrian Sea, that's for sure.
00:13:13As if to not surpass four bushes, eyes, and a rabbit.
00:13:16Oh my God.
00:13:19Wow, that was a scare, seriously, that glass was really well inserted.
00:13:22Honestly, thank goodness I have good bearings.
00:13:24But who took away our sofa from the nurses' room?
00:13:26But who has taken away our entire nurses' lounge, Irene?
00:13:29But, but, but, but, but, what is this, man?
00:13:32It's a preventive medicine consultation.
00:13:34Yes, well, they must know very little about prevention, because if I don't have my first coffee of the morning, I won't
00:13:37I'm going to do it, that's it, I've already said it.
00:13:39And what about the second one, daughter?
00:13:40I really can't believe it.
00:13:42It took them two months to call to order the new uniforms.
00:13:44And to take the room away from us?
00:13:46They haven't even told us.
00:13:47No, and at night too.
00:13:48This is underhanded, treacherous, and downright malicious.
00:13:51I already know the one with the Andalusian bob, momona, momona, but she has fewer friends than Tarzan.
00:13:59And this is what someone who didn't know Trini, as I know her, would say.
00:14:04and did not have the appreciation and admiration that I have for him.
00:14:06What's wrong, Trini?
00:14:08What's happening?
00:14:08He's been here a long time.
00:14:10Working, you say?
00:14:11More than some, yes.
00:14:13Dolores, may I have a moment?
00:14:15Forward.
00:14:16Trini, what does this mean?
00:14:19Well, Carmen, this means that I consulted a very prestigious medical blog and they gave us eight stars.
00:14:25And how much have they given the flower clinic?
00:14:29Little stars?
00:14:30Yes, little stars.
00:14:32Nine and a half.
00:14:33One and a half stars more than us.
00:14:35And why?
00:14:35Because they have set up a preventive medicine clinic.
00:14:38So, girls, congratulations.
00:14:40You've just gotten at least, at least the tip of a little star.
00:14:44Trini, congratulations.
00:14:45You've just managed to get at least a few nurses really annoyed.
00:14:49We need a place to distribute shifts, rest our legs, have a coffee, and change our clothes.
00:14:55No, of course, where we can meet each other and where we can share different inputs.
00:15:00Where does she gossip?
00:15:01Come on?
00:15:02Well, don't worry, I've got it all figured out.
00:15:06Ticket office?
00:15:07But what's this now, the NBA?
00:15:09Look, you can leave your clothes here and change in the bathroom.
00:15:11And for coffee you have that state-of-the-art machine.
00:15:14It has up to three types of cappuccino, but the modest price is 0.15 cents.
00:15:17Oh, so they are going to charge?
00:15:19Well, daughter, it's a symbolic price.
00:15:20Like the money I have left in my account at the end of the month?
00:15:23Symbolic?
00:15:23No, and they won't replace us because we're sure to have a worse agreement than the machines.
00:15:28Look, Trini, taking away our ward isn't going to improve the hospital's service.
00:15:32But it does improve our position in the blog ranking.
00:15:34Girls, seriously, I recommend number three, with milk foam.
00:15:38Delicious.
00:15:41I've already lost all desire to take anything.
00:15:43And what about me?
00:15:44And what about me?
00:15:49What do you want, Jolín? I have low blood pressure.
00:15:52That?
00:15:59Relax, Sabino, don't worry.
00:16:01Who needs a crew to have a good time?
00:16:03Look, right now you and I are going to go to the Punto Roma classroom and we're going crazy.
00:16:07Oh, what a shame I have to stay and work.
00:16:10You shut up and come to the kitchen, I'm going to explain the dishes of the day.
00:16:20Sabine.
00:16:22Sabino, there are no taxis at the taxi stand.
00:16:24That's a sign that this trip is crazy.
00:16:26Or that there are few taxis in San Sebastián?
00:16:28Look, I really don't know what I'm doing in Seville again.
00:16:30It was so hard for me to get out.
00:16:32Look, Marichu, you're only going to eat when I'm smoking.
00:16:34You're not even going to spend the night.
00:16:37You have all sorts of things, Sabino.
00:16:39That's why Marichu is calm.
00:16:41Benito is a true gentleman.
00:16:45You're right.
00:16:47Come on, take me to the airport.
00:16:48Who? Me?
00:16:49No, no, no.
00:16:50I've arranged to go to Olot in Punta en Blanco today.
00:16:55Well, I don't know what this woman told me, to be honest.
00:16:56Don't give me any more trouble, Sabino, because I'll regret it, okay?
00:17:00Okay, but wait for me outside.
00:17:03Come on, come on, come on.
00:17:10Mecrane, the snails are cooked thoroughly, okay?
00:17:12The other day one almost escaped from the plate.
00:17:14Come on, let's go!
00:17:15No, it won't be possible.
00:17:17The crew called me and they're waiting for me with...
00:17:22With...
00:17:24With...
00:17:24With the slingshot, huh?
00:17:26With the sling, you, Sabino.
00:17:28Yes, yes.
00:17:28But if you have trouble turning the window crank.
00:17:31It's a commitment.
00:17:33Well, it's up to you.
00:17:34But then sugar water, right?
00:17:35Don't forget.
00:17:36Very good.
00:17:36Goodbye, darling.
00:17:38Goodbye.
00:17:42Look, Bego.
00:17:43If I cook them a little longer, the shells dissolve.
00:17:46Oh!
00:17:47Oh my God!
00:17:47But what have you done?
00:17:48They're past their prime!
00:17:49Oh, really, Necanija!
00:17:51There's just no way to work with you.
00:17:52The other day they were raw.
00:17:53Come by today.
00:17:53You either fall short or you go too far.
00:17:55Go on, go on.
00:17:55Pull, pull, pull.
00:17:58Dad!
00:17:59Dad!
00:18:01Hey, Bego.
00:18:03Where are you, Sabino?
00:18:04We owe an apology.
00:18:06So, where are you, Sabino?
00:18:07He just went to the scuttle, so I've stayed with you.
00:18:10Hey?
00:18:11Hey?
00:18:12Hey?
00:18:12Oh!
00:18:13Don't tell me you've forgotten about him again.
00:18:15No, no, Bego.
00:18:17No, no, Sabino.
00:18:19No no.
00:18:19Yes, exactly.
00:18:20Look, we brought the sports bags for that.
00:18:22to go to...
00:18:23Now, let's row, let's row.
00:18:25We're looking forward to going rowing with Sabino.
00:18:27We're here now.
00:18:28Come on.
00:18:30Hey, when are we meeting up with Sabino Pera, the dugout?
00:18:32I don't know.
00:18:33We've forgotten again.
00:18:34Host.
00:18:35Furthermore, this man has less presence than a box seat bug.
00:18:40Ole!
00:18:42Take this, take this!
00:18:44Go, Don Benito!
00:18:45Hello, I'm Marichu.
00:18:46You look so handsome.
00:18:47Oops, what I said.
00:18:48Stop talking nonsense, man.
00:18:50Marichu doesn't talk like that.
00:18:51Well, I'll play hard to get.
00:18:52Oh, sorry.
00:18:53I didn't want to catch him...
00:18:54Don't saddle the mannequin for me, man.
00:18:57Wow, what a mess we have here, huh?
00:18:59This is enough to make a canopy for the Rose Garden.
00:19:02Okay, so what?
00:19:03How does it look on me?
00:19:03It'll fit me now, huh?
00:19:05He didn't measure me until he saw the roof of my mouth.
00:19:09And the fabric is really nice, isn't it?
00:19:10Marichu must love getting close to this.
00:19:13Flowers or stirrups?
00:19:15Flowers, right?
00:19:16I don't think Marichu likes stirrups.
00:19:18I'm talking about the handkerchief, man.
00:19:20Floral or equestrian motifs?
00:19:23I don't really know.
00:19:24And flowers on the zolapas?
00:19:26A bow tie?
00:19:27I don't know.
00:19:28Do you think Marichu's Mario wore a bow tie and flowers on his lapels?
00:19:31I don't know, José, I don't know.
00:19:33I am full of insecurities.
00:19:35I don't know what's wrong with me.
00:19:36I do know what's wrong with him.
00:19:37You're acting like a teenager.
00:19:39No, no, no.
00:19:41The thing is, I'm not the best person to give you advice on elegance.
00:19:44For me, being well-dressed means having the buttons fastened.
00:19:48Perfect, Juan.
00:19:49As usual.
00:19:50Thanks, huh?
00:19:51Today is a special day for me.
00:19:53I want to look dazzling.
00:19:54I want to be in harmony.
00:19:55Don't let my outfit overwhelm my personality.
00:19:58But, of course, you have to hold her hand.
00:20:01If he has the looks, Mr. Beumea, he has the looks.
00:20:04One more, thank you.
00:20:07This fabric has a great drape, doesn't it?
00:20:10Don't worry, I'll take it.
00:20:12The suit too.
00:20:13I'm talking about the child.
00:20:21Anything else?
00:20:22No, no, thank you.
00:20:24Yes, I've been eating a ton.
00:20:25But hey, I'll be back, okay?
00:20:27Because I had never eaten such delicious sardines in my life.
00:20:29Oh really?
00:20:30Oh really.
00:20:31Well, you know, it's not something I do very often.
00:20:34Well, anyone would say that.
00:20:36Did they seem a little small to you?
00:20:38Well, yes, a little.
00:20:40But with dark meat, the way I like it.
00:20:42Well, here they are whenever you want them.
00:20:44Okay.
00:20:45Hey, sorry, you have this one.
00:20:48Will you let me?
00:20:49Will you let me?
00:20:52Ah, yes.
00:20:54I had mayonnaise for you.
00:20:56Well, it's just that it's delicious.
00:20:57Sorry.
00:20:58Goodbye.
00:20:58Goodbye.
00:20:59Goodbye.
00:21:00Goodbye.
00:21:01Goodbye.
00:21:03Hey, Karen.
00:21:04If we're bothering anyone, we'll just go back the way we came, okay?
00:21:08What are you saying?
00:21:09No, no, no, no, no, don't pretend, it's clear that it's your smack.
00:21:13That?
00:21:13Come on, come on, come on, you've left the atmosphere charged with zero monkeys.
00:21:17Tariro, tariro.
00:21:19Okay, fine, fine.
00:21:21Uh, uh, yes, he was my boyfriend.
00:21:24But that's it.
00:21:25You can stop asking me about him now.
00:21:28Okay, okay, okay, okay.
00:21:29We are discreet.
00:21:31Well, well, anyone would say he's just released some tension.
00:21:36Opa.
00:21:40First of all, I apologize.
00:21:42Did we forget that we were supposed to meet you at the rowing boat?
00:21:45No, it's not important at all.
00:21:47If I really...
00:21:50Yeah.
00:21:51Yes, yes.
00:21:51That's enough.
00:21:52That's enough.
00:21:56Some churros, Don Benjomea, because Isabelita has finally got the new grill master under control.
00:22:00I appreciate it, Rafi, but I want to keep my stomach super flat.
00:22:04I have a very important appointment today.
00:22:06Oh, well put them on me, Rafi, I don't have a problem with being fat.
00:22:08Can't you see that you can only see me from the waist up?
00:22:11Well, Mr. Benjomea, who have you arranged to meet?
00:22:14Has she put on makeup?
00:22:16The runner's friend.
00:22:19Go on.
00:22:20What's happening?
00:22:21If even mobile phones have it, why shouldn't I, my darling daughter?
00:22:25Year.
00:22:28Oh, what power, son.
00:22:31What's up, brother-in-law?
00:22:33Uh, well, nothing, here, chandolita.
00:22:35Father, another snack?
00:22:37Go on, woman, leave him alone.
00:22:38What? Is it to add a little cheer to the coffee?
00:22:40Yes, yes, my daughter.
00:22:42Look how well I chose my Rafael.
00:22:45Father, let's not start.
00:22:46That ñaki can still surprise you.
00:22:48I've already got the sandwiches ready for the camp.
00:22:50Yes, son, yes.
00:22:51Don't forget the petit suits.
00:22:53A small coffee.
00:22:55And would you like me to refill your specialty coffee?
00:22:58What I want is to hit the road and hit the bus, damn it.
00:23:00This is like a donkey giving birth, she's been waiting so long.
00:23:02Okay, fine.
00:23:04I'm going to check the car's oil.
00:23:06Now he's got it, Antonio.
00:23:07Rafi.
00:23:09The old lady, Dad.
00:23:11So that he can pull my heart out through my mouth.
00:23:12You're quite stubborn, aren't you?
00:23:14What, are you finally leaving home with my father?
00:23:16Okay, it's been said, little one.
00:23:18Well, things are discussed here as many times as they need to be discussed, ñaki.
00:23:21But haven't you ever heard that the devil loads shotguns?
00:23:24Or that a shot comes out of a broom?
00:23:25Look, another one with the little broom.
00:23:27You guys are so dramatic.
00:23:29That you go from farce to Nordic drama in a flash.
00:23:31We're not Norwegians, ñaki.
00:23:32Already.
00:23:32But whatever you want.
00:23:34Yourself.
00:23:34If you want to leave, go ahead.
00:23:36Come on.
00:23:37Go to the countryside.
00:23:38Enjoy.
00:23:39Connect with others.
00:23:39Send me lots of messages.
00:23:41And there you go.
00:23:43Come on.
00:23:43See you later.
00:23:44Worrydog.
00:23:44Worrydog.
00:23:49Girl, I don't know how you let ñaki go.
00:23:51Hey Rafi, you've got nothing wrong with you either.
00:23:54Have you already forgotten that Dad ruined your cousin Paco?
00:23:56Look, you kill a cat and they call you a cat killer.
00:23:58Hey?
00:23:58Are you admitting that he shot the cat?
00:24:00I mean, Paco.
00:24:01Rafi, that was an accident.
00:24:02It was a tragedy.
00:24:04That was an injury to both legs.
00:24:05Cogito for his entire life.
00:24:06That's what it was.
00:24:07And let me tell you something.
00:24:08Dad, for some boundaries and for a daughter, will do whatever it takes.
00:24:13Hey?
00:24:16Girl, what?
00:24:17Hey!
00:24:18Get out of there, man, because this guy gives bad orders, I understand.
00:24:21Give me that.
00:24:22Come on.
00:24:26Go on, get in there.
00:24:28There?
00:24:28Yes, damn it, there.
00:24:29No, man, no.
00:24:30I'll go ahead with you; my driver will appear soon.
00:24:31Happens.
00:24:33Sorry for the delay, Antonio.
00:24:34Good morning.
00:24:35Good morning.
00:24:36Come up, teacher.
00:24:40But what are you doing here, Robert?
00:24:41Aren't you invited?
00:24:43Did someone have to come and cover your back?
00:24:45Yeah, as if I were going to help you.
00:24:47It's very honorable of you to come hunting, Iñaki.
00:24:49But this land, its women and its customs, are what we locals understand.
00:24:54Well, I get along quite well with a woman from here.
00:24:56Don't you think so, Robert?
00:24:57Be careful, Iñaki.
00:24:58Don't go and ruin your chances by investing too soon.
00:25:01Don't go and ruin your chances by investing too soon.
00:25:26Don't go and ruin your chances by investing too soon.
00:25:33José, this won't open for me, huh?
00:25:34Come on, bring me a crowbar or a car so I can break through it, for God's sake.
00:25:37Well, kids, and let this be the Bank of Spain.
00:25:40It's a ticket booth, you don't know the trick.
00:25:41Look, put this in here like this.
00:25:43Look, it's done.
00:25:45This is a really big pile of rubbish.
00:25:47I can see myself wearing flip-flops in winter because my boots don't fit.
00:25:51And especially not if it's not very big, because who's the cool guy who puts an umbrella in here?
00:25:54Come on, daughter, put up a little photo, some Christmas cards, a Bethlehem cover.
00:25:58Yes, very funny, very funny.
00:26:00Sure, because you have the broom closet all to yourself.
00:26:02A very nice place.
00:26:04If it weren't for the elegy tab, I'd set up my own little reading room.
00:26:06Don't mess around.
00:26:08Where?
00:26:09I've been attacked again, huh?
00:26:10Go.
00:26:11The girl is the one who opens the way with a drill.
00:26:13Oselito, he heard you, huh?
00:26:14He's going to wake up; he's sleeping there.
00:26:16Come on, come on, he's planted it on you, huh?
00:26:18See, it's done, daughter.
00:26:19We value skill over strength.
00:26:20Thank you, Sara.
00:26:23Oh, little girl, I'll help you, all you need is a unicycle.
00:26:25Not even, my dear, if I can find the vein in a 200-kilo truck driver,
00:26:29I won't be able to carry these coffees.
00:26:32Well, screw it all.
00:26:35Let them suck on a coffee candy.
00:26:36They should take the coffee out of the machine; that's what it's there for.
00:26:39No, my dear, Rafi.
00:26:40No nurse is going to humiliate herself by putting a coin in that slit, okay?
00:26:44Oh, how scary.
00:26:45Now that's what I call making a statement.
00:26:46Well, that's true.
00:26:47I might have to paint my boobs.
00:26:50I want to get the nurses' room back.
00:26:52Oh, you wish you could fit all that in.
00:26:54Oh, little coin.
00:26:55Carmen, my daughter, I remembered you as more of a warrior.
00:26:58Well, do you remember when in the summer, instead of going to the pools,
00:27:01Were we going to protest in Largarrobico?
00:27:03It's true?
00:27:04Girl, girl, don't pay any attention to this one, okay?
00:27:05She's a woman who specializes in getting into trouble.
00:27:08Another one like it?
00:27:08It really sounds like I'm listening to my dad talking, Rafi, dude.
00:27:11You used to be cool.
00:27:12Do you want to lower your voice?
00:27:13Every moment of nostalgia you have is a problem with my wife.
00:27:17I can see you on stage.
00:27:19With your long hair.
00:27:20Hey?
00:27:21When you were going to play at the Alameda fan club.
00:27:23The versions by Silvio and Sacramento.
00:27:25Tentos.
00:27:32Piti, this is Rafael speaking.
00:27:35It's Rafi, damn it, the sexiest little guy.
00:27:36Look, I've been thinking about it for a few days and we have to go back, man.
00:27:38We need to make a compilation album or one of these with the greatest hits.
00:27:41like the Smashing Panky.
00:27:43As?
00:27:44Who do you have to take care of?
00:27:47Are you a grandfather?
00:27:49Pirate, big pirate.
00:27:50What a jerk!
00:27:51Yes, of course time has passed.
00:27:52It's been at least 20 years since we last performed on stage.
00:27:55Well, and you remember how crazy we were, huh?
00:27:57Those races in front of the police, the demonstrations, the sticks, the bottles.
00:28:02As?
00:28:02So now you're Lieutenant Bermúdez?
00:28:04That I am the leader of the group.
00:28:06Of the scoundrels.
00:28:07Yes, the leader.
00:28:09What do you say about an order, you crazy fool?
00:28:10The leader?
00:28:11No, no.
00:28:12The leader of...
00:28:13Fermín.
00:28:15Fermín!
00:28:16Fermín!
00:28:18I knew he was standing too close to the speaker.
00:28:22Oh, Mr. Benjumea, what a group.
00:28:23A concert.
00:28:25With these, I don't even have enough to go and ask for help here in Nardón.
00:28:27Well, at least your friends aren't being used as fertilizer.
00:28:31Well, that doesn't exactly encourage me.
00:28:33Well, I should.
00:28:34Look at me, man.
00:28:36Enjoying every second that brings me closer to an appointment I have this afternoon.
00:28:40Oh, oh, oh!
00:28:43You should see how happy a grandfather is at mealtimes.
00:29:00Dude, what's this?
00:29:01A stampede?
00:29:03You don't enjoy the scenery, damn it.
00:29:05Inland Spain will be very beautiful.
00:29:07But in Andalusia, there's nothing in Andalusia, man.
00:29:10And now, if we're talking about my house there...
00:29:12Yes, that's right, Antonio.
00:29:13We have everything we need here.
00:29:14There are far fewer people who dislike our culture.
00:29:16Especially the art of bullfighting, damn it.
00:29:19Sometimes it's a lie that there are still people who don't understand it.
00:29:21Because there are a lot of ignorant people, Antonio.
00:29:23Many ignorant people.
00:29:25And the fighting bulls live like royalty, damn it.
00:29:27Otherwise, I just asked in gold and cloth.
00:29:29That seedbed is practically human, you know?
00:29:35Man.
00:29:37How do you want it?
00:29:38What are Juanolas?
00:29:40Mascajo tobacco, huh?
00:29:42And this?
00:29:42I don't know why I'm asking, damn it.
00:29:44Here, Roberto.
00:29:45Did I say no to tobacco?
00:29:47Of course, damn it.
00:29:49Of course, Antonio.
00:29:50Let's go, let's go.
00:29:57Quite an addiction, huh?
00:29:58Do you want more?
00:30:00No, no, no.
00:30:00Don't go, I'm going to...
00:30:04I...
00:30:05No, no, no.
00:30:06Cover?
00:30:07As?
00:30:09Wouldn't there be water around there?
00:30:11Let me know as soon as you see a sale, monster.
00:30:12Let's stop and I'll buy you a small bottle to refresh our throats.
00:30:15What a great idea!
00:30:18I'm fine, I brought my snacks with me.
00:30:22Shit.
00:30:31It's a facade, it's a ghost room simply to accumulate points.
00:30:34What you say doesn't matter, Trini is the boss.
00:30:37And as far as I'm concerned, we can sing "La Zarzamora" after the surgery to make it more bearable.
00:30:41Dolores, that sounds conformist.
00:30:43No, a mother of three with a husband whose whereabouts are unknown, Carmen.
00:30:46Girls, what do you want?
00:30:48Are we supposed to stay here with these lockers?
00:30:50Hey?
00:30:50So, without having a place to have coffee, tell each other things, laugh, cry on a colleague's shoulder
00:30:55and without anyone finding out why.
00:30:57Careful, careful.
00:30:59Look, I haven't seen so many nurses together since I found that calendar under my cousin's mattress.
00:31:04Look, your stitches are going to come undone.
00:31:06Yes, yes.
00:31:07That?
00:31:08You're absolutely right, Carmen.
00:31:10I'm with you.
00:31:11Because you can't comment freely here.
00:31:12Okay, fine, I'm in too, okay?
00:31:14But I'm warning you, I can handle anything except a hunger strike, okay?
00:31:17Brilliant.
00:31:18Those are my girls.
00:31:19This afternoon we all met at the door of the training office.
00:31:21Yeah.
00:31:22And while we're at it, we ask that you put chocolate in the machine.
00:31:50What is a little bottle?
00:31:52Shh.
00:31:53Shut up!
00:31:54There is the marquis.
00:31:56He left last night.
00:31:57I haven't said anything to you.
00:31:58Better.
00:31:59Little bottle, damn, what a joy.
00:32:01Fuck!
00:32:02It's been so long!
00:32:03Yeah.
00:32:04What a gift for words he has.
00:32:05And this one comes as filler.
00:32:06He catches me with odd numbers, it brings me bad luck, you know.
00:32:09Man, I didn't know that was my job.
00:32:11Pleased to meet you, Frasquito.
00:32:12How are you?
00:32:14Has the young gentleman who addresses you formally screwed you over, or does he want to screw you over?
00:32:19What kind of eyes does this little Frasquito have?
00:32:21Is this a gentleman from the north?
00:32:22Well, since I have that label, I'd like to eat something.
00:32:25In my haste, I left the sandwiches at home.
00:32:28Well, you're just gnawing on your elbow, for crying out loud.
00:32:30Frasquito, you get the shotgun ready.
00:32:31Go on, I'll take a look at the bugs.
00:32:32I'll be right back.
00:32:33Yeah.
00:32:34Are you there when you'll have some delicious mountain black pudding and good mollate?
00:32:38Do mollate and bueno not hunt well?
00:32:40If you want good wine, it has to be either fino or manzanilla.
00:32:43You're more resourceful than a tin can jug.
00:32:45And you, kid, take a little stroll through the countryside and get to know Andalusia and stop being such a cliché.
00:33:06Iñaki!
00:33:07How are you? Have you arrived yet?
00:33:09Hello, Carmen, my aunt.
00:33:10Here, in the countryside, breathing fresh air and enjoying the camaraderie here with...
00:33:15Did you know Robert was coming?
00:33:17As?
00:33:18He has passed away.
00:33:19My dearest mother.
00:33:20Everyone is conspiring to do things behind my back.
00:33:23That?
00:33:24Nothing, nothing.
00:33:25Enjoy yourself, take care of yourself, and look back.
00:33:27Hey?
00:33:28I'll take care of my colleagues.
00:33:29Don't worry, Carmen, nothing's going to happen.
00:33:31Come on, we've faced worse situations.
00:33:33Yes, you are fitting in well.
00:33:35If you already speak like a true mountain man.
00:33:37You see.
00:33:38Hey, Carmen, I'm leaving.
00:33:40Your father is signaling to me.
00:33:43He's going to offer me a nice cold bottle to cool my stick down.
00:33:48Get yourself.
00:33:48Yes, that's it, the gañate.
00:33:50Anyway, to Gourma and aunt.
00:33:52Bye bye.
00:33:53And remember, Iñaki, he who endures, wins.
00:33:55We will not be moved.
00:33:59My family.
00:34:24Don Mejumea has chosen this table and this appetizer for me to enjoy while I wait for him.
00:34:29As a friend, huh?
00:34:30I'm waiting for him as a friend.
00:34:33Because he is a true gentleman and would never make you lay a hand on me.
00:34:37Be careful, it's hot.
00:34:38Well, let it cool down.
00:34:40Oh, sorry.
00:34:41The little casserole dish, ma'am.
00:34:46Very good.
00:34:47Very good, yes.
00:35:05Marichu, have I made you laugh yet?
00:35:07I'm already at the hotel.
00:35:08You don't say.
00:35:09We arrived ahead of schedule.
00:35:11The pilot had to be Basque.
00:35:13Or Canary, because of the hour earlier.
00:35:16Well, I'm going.
00:35:17Flying there, huh?
00:35:19Every minute you spend waiting for me feels like a stabbing pain.
00:35:26Jesus.
00:35:27What a character, kids, this man.
00:35:29Benedict.
00:35:30Are you OK.
00:35:31Oh.
00:35:33That means no, right?
00:35:34Oh.
00:35:35You've killed me, son.
00:35:37You've killed me.
00:35:38Don't even come near me, okay?
00:35:39Don't even come near me.
00:35:40Oh.
00:35:50There it is.
00:35:51Love!
00:35:52Come.
00:35:53Hey, watch out.
00:35:54Don't be scared, okay?
00:35:59These fish eat a lot, don't they?
00:36:01Not as much as others.
00:36:09That?
00:36:10Are you sure they were related?
00:36:12Let's see, they called each other Aita, Amá and sons.
00:36:15What will the next test be?
00:36:17Perform a DNA analysis.
00:36:18Furthermore, my colleague knows her from ICASTOLA.
00:36:20He says his name is Andoni and he works at a grill restaurant in Igueldo.
00:36:24Damn, this guy knows him better than he did in Igueldo.
00:36:28What a scoundrel, huh?
00:36:29Playing both sides that day.
00:36:31Bacá, colo!
00:36:32That bastard is still out there somewhere, huh?
00:36:35Okay, okay, okay, okay, okay.
00:36:37Perhaps Nekane knows this and is having an illicit relationship with him.
00:36:41That?
00:36:43Nekane as a lover?
00:36:44Yes of course.
00:36:45And I work nights in a bar in Yigoló.
00:36:49Okay, calm down.
00:36:50This can only be fixed by going to the source.
00:36:55Nekane?
00:37:04Rafi?
00:37:07I thought you were taking the girl to the optician, not to a flea market.
00:37:11What is he talking about?
00:37:11Is the flea market on my jacket, which you rescued from the back of the closet?
00:37:14Yes, from the Ramoncín closet.
00:37:16Who is that?
00:37:17That's one.
00:37:18Well, I think he's handsome.
00:37:20Hey Rafi, you've put your leather jacket back on, mate.
00:37:23I love it.
00:37:24Well, she was never completely hung up.
00:37:25You know, once a rocker, always a rocker.
00:37:29Oh, Rosita, I'm so pissed off...
00:37:30Oh, daddy, I'm sorry.
00:37:31Don't worry, I shit on the...
00:37:32And look, I'll have to take this to the dry cleaners myself, won't I?
00:37:35When should I bring it?
00:37:35Tomorrow, I have to go to the Leroy Meslinde in Tomares.
00:37:37Of course, because the Vides Board has broken down.
00:37:40AND...
00:37:41Wow, this doesn't sound very Mick Jagger, does it?
00:37:43Who is that?
00:37:45Oh, I'm not cool anymore, am I?
00:37:48What's more, it's not even cool anymore for me to say I'm not cool anymore.
00:37:58Yes, he has a small crack here, in his femur.
00:38:01It's not serious, but he'll have to rest.
00:38:04Ah, thank you very much.
00:38:05I will be resting from tomorrow onwards.
00:38:07Hey, hey, hey, hey, Mr. Begomea, see how he can't move, that any wrong step could hurt him, that his hip
00:38:13It's already second-hand.
00:38:15But that can't be, I have to go to that appointment.
00:38:19Well, if he doesn't come to the mountain, to Muhammad, I'm sorry, Mr. Begomea.
00:38:29Benito, but where is he?
00:38:30I didn't know you were so unpunctual.
00:38:32Also, there's a waiter who keeps staring at me.
00:38:35But that's because you're beautiful, Marichu.
00:38:38Look, stop with the flattery.
00:38:40Where is?
00:38:41Uh, well, uh, there's been a slight change of plans.
00:38:46But what change of plans?
00:38:47Okay, so, let's just say I've had to change the location.
00:38:51But don't worry, I've already sent someone to rescue her, okay?
00:38:55As?
00:38:55Look, I knew it, didn't I?
00:38:57I knew I was going to get confused.
00:38:58I really don't like surprises.
00:39:01Trust me, Marichu.
00:39:02Please.
00:39:05How's it going, sleepyhead?
00:39:12We need to get the information out, but subtly, okay?
00:39:14Don't let her notice anything.
00:39:16Hey, Nekane, your ninety will be a single man, right?
00:39:19Damn, which one is subtle?
00:39:20Of course, man.
00:39:22Single and very single.
00:39:23If he's never had a girlfriend.
00:39:24So, a brand new body, huh?
00:39:27Hey, Nekane, so what?
00:39:29Have you already made life plans there?
00:39:31You ask a lot of questions, don't you?
00:39:32Woman, we are interested.
00:39:34Well, after spending so much time together, of course.
00:39:36Already.
00:39:37Well yes.
00:39:39We've made a lot of travel plans and stuff.
00:39:42Travel to where?
00:39:43To Vizcaya?
00:39:44Further afield, France.
00:39:45That?
00:39:47We both studied oenology and are considering going to work in some vineyards.
00:39:53Damn, there are vineyards everywhere, and you've got them in abundance here.
00:39:57Yes, but we want a change of scenery.
00:39:59What kind of air?
00:40:00I don't know about that, Anchón, what interrogation?
00:40:02Well, do what normal couples do.
00:40:05Traveling and thinking about starting a family.
00:40:08Yes, from the French.
00:40:09Look.
00:40:11Poor Nekane, damn it.
00:40:12So young and with so much heartbreak inside.
00:40:14Look, okay, I might be skeptical at my age, but she, I don't know, deserves to have hope.
00:40:18Right now, I'm getting a strong urge to go to that grill and put all my meat on it.
00:40:23spit?
00:40:24Say yes, you rascal.
00:40:24Let's go for that Latin Loverly.
00:40:26Let's make things perfectly clear.
00:40:28You don't mess with the women of San Sebastián.
00:40:31Because the andoli is the one we saw, so it was like...
00:40:34Andoli?
00:40:35I'll leave it looking squat, right?
00:40:36He's not even half a god.
00:40:42Dolores, concentration, Trini's office.
00:40:44Okay, Carmen, that's what I wanted to talk to you about.
00:40:46No, no, no, no, the conclusions will be made later at the assembly.
00:40:49Now we have to act and stand together.
00:40:53Or none at all.
00:40:55And the girls?
00:40:56That's what I wanted to tell you, which is that they've thought about it a little more.
00:40:59And some have gotten their revenge on the matter.
00:41:02Well, there's always one for sale somewhere.
00:41:04But the important thing is that all of us from the plant are here, together.
00:41:08Well, the ones from the plant haven't come either.
00:41:10Come on, no one's come, just me, and only because you just called me...
00:41:14You're giving it to me, you fucking revolutionaries, aren't you?
00:41:17What's up, Trini? How's your day going?
00:41:20What are you doing here?
00:41:21What are we doing here?
00:41:23Well, we're checking.
00:41:25Let's see if the air conditioning blows.
00:41:29Blow.
00:41:29It blows quite a bit.
00:41:30It's very nice.
00:41:31Come on, let's go.
00:41:33Let's go, this is going to stop being just another protest for a while.
00:42:00Be careful with that.
00:42:04Let's go, further ahead.
00:42:05Step back!
00:42:06Pussy.
00:42:08And keep quiet, okay?
00:42:09Silence, for fuck's sake.
00:42:10I don't want to hear a fly.
00:42:17Blow.
00:42:17Shhh!
00:42:22Shhh!
00:42:26Shhh!
00:42:27Ah, you fucking idiot, you're really messing around with the phone, damn it!
00:42:29Hey, the shotgun's there!
00:42:31Sorry, sorry!
00:42:31The shotgun, damn it!
00:42:33Sorry!
00:42:34God!
00:42:35Hey, hi Carmen!
00:42:37Iñaki, what's wrong, how are you!
00:42:39That Basque bastard must have sucked some serious milk, huh?
00:42:41This is the day with the cricket stuck in my ear.
00:42:43The idiot.
00:42:44Uh, I can't talk right now, okay?
00:42:45But don't worry, everything's going great.
00:42:47Damn, my father!
00:42:49Honey, I'm finding out about everything, what?
00:42:51They're dressing you up in crimson and gold, aren't they?
00:42:53No, that's Andalusian country slang.
00:42:56Hey, Antonio!
00:42:57Now that he has stopped moving.
00:42:58Do you throw it or do I throw it?
00:42:59Go ahead and throw it, you're more eager to do it, man.
00:43:01As?
00:43:02Inaci, what's going on there?
00:43:04Carmen, don't get carried away, please, they're talking about a rabbit.
00:43:07Ah.
00:43:09No, nothing, nothing.
00:43:10Since more than one person there has a criminal record, God.
00:43:12No.
00:43:13Hey, come back soon.
00:43:15The thing is, I feel very lonely here in the hospital, and I don't want to feel just as lonely in
00:43:18home.
00:43:19Oh, don't worry, little one, I'll be there tomorrow morning.
00:43:21And I'll make you some rice with rabbit.
00:43:23And in the worst case scenario, a three-delight rice dish.
00:43:26Okay.
00:43:27Bye bye.
00:43:29I'm shitting myself.
00:43:31Be careful, Robert, they might escape alive.
00:43:34Andalusian rabbits are very playful.
00:43:37But they always end up coming back into view.
00:43:39Stop with that nonsense, damn it, we're going to get caught out.
00:43:42This day isn't going to bring anything good, is it?
00:43:44And he can say that again, little bottle.
00:43:49At the clinic?
00:43:50I don't plan on going in there.
00:43:51She already told me with a kiss that I shouldn't say anything to her.
00:43:53But anyone can see me there.
00:43:55But who's going to know him, man?
00:43:56Furthermore, Iñaki is not out hunting.
00:43:58Has he broken up with the nurse?
00:43:59You tell me once, you tell me.
00:44:01Did you just tell me that?
00:44:02Has he gone hunting?
00:44:05No.
00:44:05Not hunting their prey, but shooting.
00:44:09I do get it right once in a while, Connie.
00:44:11That does put my mind at ease.
00:44:13Ma'am, this stuff is fast, huh?
00:44:15Clear.
00:44:16Come on, Marichu, trust me.
00:44:18I have a great plan.
00:44:20Is this all you could come up with, José?
00:44:22Now it's your turn, go in through the morgue.
00:44:24I'm telling you, you're going to lose your appetite for lunch.
00:44:25Oh, three hours at the hairdresser for this.
00:44:28Now, if I don't put on the gag.
00:44:30Oh, look who's coming this way.
00:44:31Tame, tame, tame, tame.
00:44:32Hello, Carmen.
00:44:33Hi José, how are you?
00:44:34Hey, one little thing.
00:44:35Have you seen the girl from my floor around here?
00:44:36You haven't seen it around here, have you?
00:44:38I'm with this woman who has a huge problem.
00:44:40But come on, I don't even know what her name is.
00:44:42Already.
00:44:42Well, nothing, nothing.
00:44:43Can you believe they're hiding from me?
00:44:46They're going to give it to me.
00:44:47If only...
00:44:48Well then, ma'am, get well soon.
00:44:49See you later.
00:44:50See you later.
00:44:50Nothing.
00:44:51Oh my God, how did I end up in this mess?
00:44:54Yes, what do you want?
00:44:54If you're more of a friend here when you can be than when you left, don't...
00:44:57What is this?
00:44:57The mask, the mask, the bag, whatever, it's coming and I'm not going to shoot you.
00:45:00Oh, José.
00:45:01Hello.
00:45:01José.
00:45:02Hi, Lore.
00:45:02Listen, if she sees Irene and Angela, please tell her to hide from Carmen because...
00:45:07They're looking for him because he's incredibly angry.
00:45:09Come on, that's normal too, because that's combined with the nerves of having
00:45:13Poor Iñaki, out hunting somewhere.
00:45:16No, man, I haven't seen anything.
00:45:17I really have to go, I'm worried sick about this woman who's got a huge problem...
00:45:20Asthma, she has asthma.
00:45:21Asthma and cold.
00:45:22We have to cover it up like a tablecloth, look.
00:45:24Oh, what a shame.
00:45:25Come on, he sees a blade of grass and puffs himself up like a toad.
00:45:27What a pity.
00:45:28Well, nothing that concerns me...
00:45:29Hey?
00:45:30I know him.
00:45:32Where do you spend your summer vacation?
00:45:33I spend my summers in the Mecca canyons, you know?
00:45:35I'm going head to head.
00:45:36My house was built on mud jets.
00:45:38No?
00:45:38Come on, my house is your house.
00:45:39Perhaps we have agreed on that.
00:45:40No, man.
00:45:41No way?
00:45:42How can this woman spend her summer there in the Caños de Meca, with the wildness that is there?
00:45:45That one, the Pino one that's there.
00:45:46Come on, open the car door and he'll die.
00:45:48Okay, see you later.
00:45:50Come on.
00:45:50No, but wait, I haven't told you the best part yet, which is that Robe has also gone to
00:45:54paste
00:45:54I'm going for the hunt, and with the desire I had for Ñaki, that's going to be war.
00:45:58of the galaxy.
00:45:58Come on, come on, you like a soap opera and topaz more than doing well.
00:46:02Oh my God.
00:46:03But how could this man think of stealing a guy's girlfriend and then giving him a gun?
00:46:08Only he would think of that.
00:46:10Nothing's going to happen, Marichu.
00:46:11At most, your son will come home with a bug bite; let's get to the urgent matter I have.
00:46:15with Mejume to wait.
00:46:19Well, damn it, we haven't even caught a single bad rabbit.
00:46:23I think that guy is more unlucky than a one-eyed bull.
00:46:27Well, it seems I'm getting all the compliments today, isn't it?
00:46:30Hey Robert, could you lend me your phone, please? My battery's dead and I have
00:46:33What to call?
00:46:33Yeah.
00:46:34No way, I'm the same.
00:46:36That's what happens with planned obsolescence; batteries are rubbish.
00:46:39Hey, and Antonio, could you...
00:46:41No, no, I left the cricket at the farmhouse.
00:46:43And this one doesn't look like that, so why would it?
00:46:45Well, then when we get back to the farmhouse...
00:46:48We're not going back to the farmhouse.
00:46:49Today we slept outdoors.
00:46:51Out in the open?
00:46:52Eye.
00:46:54Out in the open!
00:46:55Get outdoors, John Baine!
00:46:57Like the convoys of the Wild West, damn it!
00:47:01The Gaditanian wasa.
00:47:04I have a face like a wasa, damn it.
00:47:05But how are we going to sleep in the middle of the countryside?
00:47:07It's not because of me, it's because of the Basque.
00:47:09It's because they're probably disgusted by bugs.
00:47:11Ugh, I don't care about bugs.
00:47:13Have you seen the spiders of Bilbao?
00:47:14They make you want to put them on a leash.
00:47:15But you haven't seen the vermin that live in the Andalusian countryside.
00:47:18Tell him, little bottle, tell him.
00:47:19He's sleeping in the countryside tonight and hasn't said a word, huh?
00:47:22Frasquito, the condominium is there under the tapestry.
00:47:24Take it off, go on.
00:47:24Yeah.
00:47:31Out in the open?
00:47:33So what are we doing here now?
00:47:34Look, José, I don't think this is a good idea.
00:47:37I agree, but it makes me wonder what someone who's had it is asking.
00:47:42Welcome, Marichu.
00:47:45Please forgive me for not getting up to greet you or bow to you,
00:47:49But I injured my hip due to an accident.
00:47:54Well, with your permission, the misfortune is leaving, right?
00:47:58José.
00:48:00I was going to put on something by the choir,
00:48:02But with this scenery, it seemed like a crime to me.
00:48:05Nice shawl, Marichu.
00:48:07But, oh, but how gorgeous Marichu looks!
00:48:10What, am I going to look pretty?
00:48:11That hat has flattened all my waves.
00:48:15Wow, what a great idea to bring me here.
00:48:18José, and I appreciate it, okay?
00:48:20But I couldn't imagine you coming all the way to Seville and not seeing her.
00:48:23Well, there won't be much for me,
00:48:25because I have to catch a plane in an hour.
00:48:28But he just arrived.
00:48:31Look, Benito,
00:48:33All of this seems crazy to me.
00:48:35I understand that we get along well and all that,
00:48:38But I can't walk around like a teenager.
00:48:40hiding, lying to my sister,
00:48:42lying to my son, endangering my pet.
00:48:45Shh!
00:48:46Stop for a moment.
00:48:47Stop.
00:48:50Take a deep breath.
00:48:52Listen to this music.
00:48:53Look at this landscape.
00:48:55Let yourself go for the first time in your life
00:48:59and don't think about anything else.
00:49:02Well, yes.
00:49:03Eating those tiger prawns
00:49:06They look so shiny they appear varnished.
00:49:09Okay.
00:49:10But because I think wasting food is a crime, you know?
00:49:25Look how it turned out.
00:49:26Glamour eludes me,
00:49:28But what about stains...
00:49:29Come on, Rafael.
00:49:31You don't need that.
00:49:32That now you are a settled, composed person.
00:49:35Damn, Isabel, it sounds like you're talking about paella.
00:49:37Oh, really?
00:49:38All this because of a brat who's got more nonsense than brain cells?
00:49:41Let's see, all she's done is open my eyes.
00:49:44You're right, I did things when I was young, I was rebellious.
00:49:47And now the most I transgress is stopping at an amber light.
00:49:50Amber?
00:49:50Didn't she see you, Rosita?
00:49:52Look, Rafael, changes aren't bad.
00:49:54The bad thing is not evolving.
00:49:57Look, Esteban, at first we didn't like it,
00:49:59But the change has been good for us, hasn't it?
00:50:00Well, yes, that's also true.
00:50:02Know?
00:50:03Well, I also have a bouncy body.
00:50:05So tonight, you and I are going to that fan club.
00:50:08Let's see what's going on over there, eh?
00:50:10Okay.
00:50:11No, it can't be.
00:50:12Because Rosita has a math exam tomorrow
00:50:15and he buys a Swiss roll to see the fractions.
00:50:18Okay.
00:50:25Elenita, you little creature, well, you see.
00:50:33I'll give it to you.
00:50:35Me?
00:50:35Clear.
00:50:36Oh really?
00:50:37Oh, thank you, Rafi.
00:50:40Oh, she's so authentic, man.
00:50:42And still with the rum and coke.
00:50:44What rum and coke?
00:50:45That's a discount I've applied to it.
00:50:46so that it doesn't lose its readiness.
00:50:55Elena, come here.
00:50:59You'd better be very careful.
00:51:01Ah, so don't worry about it, okay?
00:51:02That I will take care of her like she's the most precious thing.
00:51:04I mean, be careful with my husband.
00:51:06He will run amber lights,
00:51:08But I spend them in red.
00:51:13Traffic light?
00:51:20Here it goes.
00:51:22The steak cooked to perfection.
00:51:24Come on, a little something.
00:51:25I'll bring the other one now.
00:51:32Come on.
00:51:33A guin.
00:51:34Yeah.
00:51:36Hey squad, what can I get you?
00:51:38You're making them look bad, Andoni.
00:51:39Bad.
00:51:40As?
00:51:41As?
00:51:42I like to go around deceiving people, huh?
00:51:44Andoni.
00:51:44What the hell?
00:51:45I don't know what you're talking about.
00:51:47Oh, no, huh?
00:51:48As?
00:51:48Do you want us to refresh your memory?
00:51:57Okay, fine.
00:51:58Alright.
00:51:59The temera is not seen that many.
00:52:00A cousin of Yarton's macro worker brings it to me.
00:52:02What the hell are you saying, man?
00:52:05Who are you saying this to now?
00:52:06No, it's clear that's the case...
00:52:09About that.
00:52:10From Yarton's macro, the veal
00:52:11There's room for sochandones and hostias.
00:52:13Look, I'm going to make it perfectly clear to you.
00:52:15If you ever come within 100 meters of the street again
00:52:17You won't have the Basque Country to run in.
00:52:19Hey?
00:52:20No.
00:52:20No?
00:52:20You've heard it already, huh?
00:52:21Go back to your wife.
00:52:23Hey?
00:52:24And don't get into trouble, Andoni.
00:52:26That lead nowhere.
00:52:27I'm telling you.
00:52:29Then you turn it over and over and over.
00:52:31And you see his face everywhere
00:52:32and in the end...
00:52:34Cape of the whore,
00:52:35If your heart is in your throat...
00:52:37Leave Necane alone.
00:52:39Forget his name.
00:52:40That's clear.
00:52:41Oenologist.
00:52:41Who is Necane?
00:52:42Very good.
00:52:44That's the antithesis.
00:52:45Okay, now that everything is clear,
00:52:47Can you give us some small ones? We're broke.
00:52:49Come on.
00:52:50Okay, get going.
00:52:51Meda del macro caben soch.
00:52:56He's smart.
00:52:58Womanly.
00:52:59But that's it.
00:53:00That?
00:53:00That?
00:53:07Well.
00:53:08Come on!
00:53:09Happiness!
00:53:10¡Añaja!
00:53:12Hey, Orgacho!
00:53:14Well, I spilled a little bit of liquid on myself, son.
00:53:16It seems that champagne is very expensive.
00:53:24Okay, Chiche.
00:53:26Moré, that good guy who just lost.
00:53:30What could it be, Eze?
00:53:32But that's a bird.
00:53:37Maybe you're the one who's losing your mind.
00:53:42We lose our minds together.
00:53:45Well.
00:53:47Let's serve a little more.
00:53:48But otherwise, it loses all the pressure.
00:53:54Okay.
00:53:55Sit down.
00:53:59Bye.
00:54:02Marichu, where are you?
00:54:03Where are you?
00:54:05Sabine!
00:54:06Well, things have gotten a little complicated for me.
00:54:09I stayed a little longer.
00:54:11Well, it's going to get a little more complicated for you.
00:54:12Because Begoña is determined to go to your house.
00:54:15That?
00:54:15Damn, Marichu.
00:54:16We had agreed that I could give you coverage all the way to school.
00:54:18But I've run out of arguments with Bego.
00:54:21It's held up pretty well so far.
00:54:22Bego can even detect when my cholesterol goes up.
00:54:25Let's see, Sabino, Sabino, Sabino.
00:54:28Listen to me.
00:54:29Take a deep breath.
00:54:32Listen to the music.
00:54:33What music?
00:54:34What music?
00:54:35It doesn't matter.
00:54:37Just let yourself go.
00:54:50Come on, Sabino, let's take the leftover beans to Marichu.
00:54:53We can't.
00:54:55But if it's stopped raining, he won't take your car.
00:54:58No, no, that's not it.
00:55:00I had other plans.
00:55:02Well, that is, if the gang hasn't forgotten about you again, right?
00:55:05That's not what I meant, Bego.
00:55:06What's wrong with you, son?
00:55:08Has your cholesterol gone up again?
00:55:09No, that's not it.
00:55:11You see, I just remembered that I don't have to hand in the drum major's uniform until tomorrow.
00:55:18And, I don't know, I had thought that maybe...
00:55:25Well, maybe so, it's still drizzling, huh?
00:55:29Yeah?
00:55:37Hey, eh, eh, eh, Angela, come here.
00:55:41What's happening?
00:55:42Why have you been avoiding me all afternoon?
00:55:44Oh no, woman, come on, I've been attending a multiple birth all day.
00:55:49Come on, I don't know how many children have come out of there.
00:55:51Come on, I was already on the doorstep ready to go on strike.
00:55:53Another child?
00:55:54Going backwards again?
00:55:55I don't know how many children came out of there.
00:55:56Look, they looked like little sausages from Ronda, Carmen.
00:55:58Angela, please.
00:55:59You've all left me high and dry with Trini, man.
00:56:02You know what I'm saying?
00:56:03I'm not going to buy any more of those end-of-year trip tickets from you.
00:56:06your children.
00:56:07Look, Carmen, I think you're being dramatic, huh?
00:56:10I'm wondering if you're going to be out playing The Lion King, or if you're just going to be out there playing the Lion King. Why not?
00:56:12Did Natila take you?
00:56:14Because I have nowhere to take it, Angela.
00:56:16Okay, Carmen, fine, I'm sorry.
00:56:17But if I have to choose between a living room or having a job, as you can understand, I choose the job.
00:56:22Well.
00:56:24Okay.
00:56:25But don't anyone ever talk to me about that damn machine again, okay?
00:56:27Well, that's it.
00:56:29Carmen.
00:56:29Tell me.
00:56:30Do you have change for the machine?
00:56:31Oh dear, it's getting late, Carmen.
00:56:34It's time to escape, to do something far away from here.
00:56:36Bye bye.
00:56:38No, no, I don't have any money.
00:56:41But, Ramón, do you know where there's a wonderful coffee machine that doesn't require coins?
00:56:50Pretty luxurious, huh?
00:56:51Excellent, Antonio.
00:56:52We can't stand how good things are here.
00:56:54Shall I tell you?
00:56:55What is that?
00:56:57Ah, a cabal.
00:56:58A cabal.
00:56:59Everything you eat.
00:57:02Stranger, eat a little bit of crushed black pudding, go on.
00:57:06Thank you.
00:57:08Ah!
00:57:10Pigheaded!
00:57:10Yes, you big-headed, big-headed grandpa.
00:57:14I've cut myself badly, damn it.
00:57:16What did I tell you?
00:57:16The customs here are not for outsiders.
00:57:19Do you have first aid kits in the Land Rover?
00:57:21First aid kits?
00:57:21Holy shit, in vinegar.
00:57:22What do you think?
00:57:22Is the Land Rover an ambulance?
00:57:24Put some spit there, son, okay?
00:57:25Or better yet, tie my hand.
00:57:27Yeah, man, he's going to pee in my hand.
00:57:29She's bleeding quite a bit.
00:57:30Put it here and we'll sauté it with onions.
00:57:32It's this way.
00:57:37But where did you guys study first aid, man?
00:57:40In the jungle?
00:57:41Look, nobody can beat me at being stupid.
00:57:43Came.
00:57:46Come on.
00:57:48Far better.
00:57:50Okay, come on, let's make some soil for your olive tree, now.
00:57:52Come on, we have to get up early tomorrow to kill rabbits.
00:57:55Rasquito, you pick it up.
00:57:57AND...
00:57:59I'll bet you anything, tonight he's going to shit his pants, you'll see.
00:58:03This guy won't sleep a wink tonight, huh?
00:58:17Cabali!
00:58:38He came.
00:58:39He came.
00:58:50He came.
00:58:51Fighting.
00:58:52Fighting, huh?
00:58:54I won.
00:58:54Listen.
00:58:55From now on, you'll never have to worry about that scoundrel Andoni again.
00:59:01Right, crew?
00:59:02Whose?
00:59:03Very well, you've already forgotten.
00:59:05And after our threats, he won't want to deceive you again.
00:59:10That's how we've had it.
00:59:11What are you saying?
00:59:12Well, he has a wife and children, and you're more innocent than poppies.
00:59:16Bet you didn't know that!
00:59:17No, I didn't know that.
00:59:19I didn't know that, I didn't know anything.
00:59:21Because I don't know him.
00:59:23Hey?
00:59:24I made it up so you'd leave me alone and stop looking at me with pity.
00:59:30Exactly as you are looking at me now.
00:59:37Hey, no, no, don't look at me, okay?
00:59:39I've been doing backing vocals for my baby all afternoon, you know?
00:59:42Porro, cucú.
00:59:44But how can you be so pathetic, so pitiful?
00:59:46How could you even think of doing something like that?
00:59:48Because we couldn't let you go to France with a scoundrel.
00:59:51Clear.
00:59:53But did you make it up or not?
00:59:56The thing is...
00:59:56Yes, that's what Andoni said.
01:00:00But what happened in France is true.
01:00:02That?
01:00:03I'm going to do an oenology internship in Bordeaux, at some vineyards.
01:00:07And if it goes well, they'll offer me a contract.
01:00:10So, you're leaving.
01:00:14And you're not going to be there anymore?
01:00:17Behind the bar?
01:00:18But yes, that's like going to La Concha beach and finding Santa Cruz Island not there.
01:00:22Clara.
01:00:24Say yes, Nekane.
01:00:26Say yes.
01:00:26You go study, prepare yourself, and drink wine.
01:00:29What the hell?
01:00:30You never know, man.
01:00:31Look, maybe your Iñaki isn't here, but your rat could be there, you and...
01:00:36Or you to Lendelón.
01:00:47And from there I went to spend a few months in Bolivia living with the Indians and in Minaguas.
01:00:53I'm going to give Maricho some advice.
01:00:55Don't even think about doing a tap dance at four thousand meters altitude.
01:01:05But anyway, tell me about yourself.
01:01:07He told me that I've been talking to him for an hour and a half about my escapades.
01:01:10That?
01:01:11But all I've ever done in my life is work in a bar.
01:01:15Oh, well, and once I went to a spa in La Toja.
01:01:18A woman like you doesn't need to travel to have a rich life.
01:01:24Benedict.
01:01:25What is that thing over there?
01:01:28An antenna?
01:01:29No, no, no.
01:01:31I'm referring to that light.
01:01:33Ah, the sun, Maricho, it's dawning!
01:01:37You don't see much of it up north, do you?
01:01:40I hadn't stayed up late since Iñaki had adenoids.
01:01:44Oh my God!
01:01:45But how could I have gotten so late?
01:01:47Because he's having a good time, Maricho.
01:01:50Well, I have to go to the airport.
01:01:52So how do I get out of here?
01:01:54Do I tie a knot in the shawl and lower myself down by it?
01:01:57Don't worry.
01:01:58I'm talking to José now.
01:01:59He's an expert at getting things out of here.
01:02:02Without anyone seeing it.
01:02:15Oh!
01:02:16You have to see it properly, because I know how to see myself outdoors, you know?
01:02:18Actually, it's about silence.
01:02:20Silence?
01:02:20If you have more life in the countryside than on the street,
01:02:22Always on sale, damn it.
01:02:27Aliquindoy, huh?
01:02:27That?
01:02:28Isn't it time to take the bull by the horns?
01:02:31Yes, yes.
01:02:31Nobody leaves here without killing at least a couple of rabbits.
01:02:35We are?
01:02:35Yeah.
01:02:54Take it away, you idiot.
01:02:56Take it away, you idiot.
01:03:02Oh, I curse everything that's poisoned!
01:03:06Oh, the mother who lost me!
01:03:09Roberto!
01:03:11What are you trying to do to finish me off, you jerk?
01:03:13You're wrong, Robert.
01:03:14What were you doing so far ahead of your time, teacher?
01:03:16Don't you dare lay a hand on me, you bastard!
01:03:18What's happening?
01:03:18You got your way, didn't you?
01:03:19It was the only way I could make sure Carmen and I didn't get back together.
01:03:22I swear it wasn't me, I swear.
01:03:24The mistake wasn't the outsider's doing, teacher.
01:03:26Don't defend her just because you're dating your daughter!
01:03:28Damn it all, it wasn't his doing!
01:03:31The mistake was my fault!
01:03:33I'm sorry, teacher, I saw something move ahead and...
01:03:36And I shit on your dead body, you little bottle, please!
01:03:38Take the clinic to be set up!
01:03:39Come on, I'll take you to set up the clinic!
01:03:41Oh, oh! Watch out, watch out, watch out!
01:03:44Watch out, watch out!
01:03:44Watch out, watch out!
01:03:49Don't touch my life, in my life!
01:03:52This hole, and that's the end of it.
01:04:04How wonderful that it has arrived!
01:04:06Look, the ristretto is finished!
01:04:08Sorry.
01:04:18Hello.
01:04:20What are you doing here?
01:04:21Because as far as I know, I haven't called any meeting.
01:04:24Calm down, Trini.
01:04:25Just a quick coffee and we're off.
01:04:27How about a coffee here?
01:04:28But?
01:04:28Well, the nurse's room was better for us.
01:04:30But hey, here we have a brand-name Magdalena.
01:04:33Already.
01:04:33Do you know what's out there too, darling?
01:04:35A sign that says "Director's Office".
01:04:38Come on, woman.
01:04:39You're not going to let us relax here for a bit between operations.
01:04:43Good.
01:04:45Oh my God, oh my God.
01:04:46What a great atmosphere, right?
01:04:47What are you giving away?
01:04:49Overtime?
01:04:50Carmen, this was all your idea, wasn't it?
01:04:52Mine?
01:04:53I have no control over the doctors.
01:04:55We are simply nurses.
01:04:57Already.
01:04:57Carmen, this isn't going to end like this.
01:04:59The fact that?
01:04:59What if your office is full of people and we don't have a nurses' room?
01:05:03Of course not.
01:05:04He's going to give us back the room.
01:05:05Because that's what makes the staff feel at home, Trini.
01:05:10Preventive medicine.
01:05:12See you later, guys.
01:05:13See you later.
01:05:15Carmen.
01:05:16Dolores, let us know that we have a nurses' room again.
01:05:19Hey, listen to me for a moment, please.
01:05:21They called from your father's farmhouse, saying they're bringing in someone wounded by shotgun pellets.
01:05:23As?
01:05:24From my father's farmhouse, but who's coming?
01:05:26The injured man.
01:05:27He...
01:05:27How was it?
01:05:28Please, Dolores, tell me.
01:05:30What have they told you?
01:05:31I don't know who he is.
01:05:33You don't know that, Dolores.
01:05:34Damn, do you understand this?
01:05:34Less than you need to know?
01:05:36She screams, but it's not like...
01:05:37We're going to die!
01:05:39But watch out, damn it, I'm not a sack, Dad.
01:05:42Don't worry, teacher, you'll come out of this one fine.
01:05:44Sédric is well positioned when Vasco goes home.
01:05:46Where is the dam?
01:05:48Celia, Celia, no.
01:05:48Look, doctor, I respect you a lot as a professional, but I want you to see me.
01:05:51Dr. Velázquez.
01:05:52Well, I didn't study here today, because Velázquez is on vacation.
01:05:54Come on, mate, let me take a look at the air.
01:05:56But, Celia, why does he have to put you in there?
01:05:57Because it's my job, Robert.
01:05:59And can't I just take a quick look?
01:06:00Son, seriously, don't be a pain, but if it was possible with all the ones I've seen
01:06:03put and bring me Benito Villamarín.
01:06:04Come on, let's go.
01:06:05Celia, Celia, the shot can have several trajectories, but don't you dare cut anything.
01:06:09And the Basque guy should go home.
01:06:10What bad luck!
01:06:21I prefer the other mask.
01:06:22I'm going to start hyperventilating.
01:06:24My hyperventilating self knows what it's really good to be quiet, Marichu.
01:06:26You're causing more trouble than when you were a member.
01:06:28A wounded man is arriving from a hunt, come with me.
01:06:31Apparently, Dr. Almenar was also there.
01:06:33Oh my god, what the hell!
01:06:35That's Viñaki!
01:06:36Live here!
01:06:37But there are many hunts.
01:06:38Marichu!
01:06:39Miracle!
01:06:40Miracle to score!
01:06:42Marichu!
01:06:44Oh, Robert, calm down, breathe.
01:06:46I'm going to give you a local sedative, okay?
01:06:47Oral.
01:06:47Local.
01:06:48Oral.
01:06:48I want it oral.
01:06:49He's a little impressed.
01:06:51Okay, Irene, let's clean with a jet of saline solution and a field, okay?
01:06:54When I look again, I'll see if there's anything left inside.
01:06:56All my descendants, do you think that's not enough?
01:06:58Fuck!
01:06:58All your descendants.
01:07:00I'm going to get the materials.
01:07:05Oh, the poor thing.
01:07:06But it does look like a still life.
01:07:15Iñaki!
01:07:16Marichu, run.
01:07:18I should have put it in through the flag.
01:07:20Iñaki!
01:07:21Marichu.
01:07:23Crenellate!
01:07:25Sorry.
01:07:27He told me.
01:07:28Marichu, I've told her not to rush to the clinic, or she'll just get sick.
01:07:31But shut up and get me out of here before Iñaki sees me.
01:07:35Dad, Iñaki!
01:07:36Oh, thank God.
01:07:37Oh, how are you? How are you feeling?
01:07:39How can I find you, Iñaki?
01:07:40Better than others.
01:07:41No, don't worry, little one.
01:07:42I'm fine.
01:07:43We're perfectly fine.
01:07:44But what happened?
01:07:45And Robert?
01:07:45The little bottle that missed a shot.
01:07:47But thank God there's no loss to mourn.
01:07:50No no.
01:07:50We were just about to see him in the pits.
01:07:52But don't worry, it seems to be okay.
01:07:54Thank God.
01:07:58Are you Marichu?
01:07:59Damn, my mother.
01:08:00The chair, the chair.
01:08:01Come on.
01:08:05Robert.
01:08:06Honey, are you okay?
01:08:07Marichu.
01:08:08Marichu.
01:08:09Marichu.
01:08:10But what the heck is Marichu?
01:08:11She is Iñaki's mother.
01:08:12Ah, then it's no wonder he remembers his mother.
01:08:15If that bastard hasn't been messing with us the whole hunt.
01:08:17No, it's here.
01:08:19Who has seen her?
01:08:20My mistress?
01:08:21Let's see, let's see, let's see.
01:08:22How much sedative did they give her?
01:08:23No, that must be lack of sleep, Joe.
01:08:25This man has slept less than a turkey listening to a tambourine.
01:08:28It's there.
01:08:29Marichu, she's there.
01:08:30No, baby!
01:08:30Marichu, she's there.
01:08:32It's there.
01:08:34But now, why has he suddenly become obsessed with my mistress?
01:08:37Are you sure he hit us on the head?
01:08:44Vego!
01:08:49Sabine?
01:08:59Surprise!
01:09:04That was quite a scare!
01:09:06What did you think?
01:09:07Weren't we going to give you the send-off you deserve?
01:09:09Well, it's a round!
01:09:10Yeah!
01:09:11I'll serve this one.
01:09:12Now, Nekane, you have to enjoy yourself.
01:09:15So, you're going to make me cry today.
01:09:17Oh, girl, what do we care that you're going so far away?
01:09:20Have you thought it through properly?
01:09:22Yes, Vego.
01:09:23I've certainly had time to think, if nothing else.
01:09:25Besides, it's a change of scenery if I meet people...
01:09:28He will practice other languages.
01:09:35Hey, where could Marichu have gone?
01:09:37He's had his mobile phone switched off all morning.
01:09:39Well, I don't know, it'll be in the garden.
01:09:41You know that next to the hygra there's no kind of coverage.
01:09:43Look at me, there it is.
01:09:45Marichu, that's it.
01:09:47I'm here now.
01:09:49I've been getting caught up in...
01:09:51With the figs.
01:09:54That.
01:09:55Daughter, you almost missed Nekane's farewell.
01:09:59Yes, you know I called you yesterday.
01:10:01Remember that he couldn't go out because it was raining.
01:10:04Ah, yes, yes, yes, that's right, that's right.
01:10:07Let's see if you eat more tails.
01:10:10Raisins?
01:10:11That's good for memory.
01:10:14Sabino, what are you doing?
01:10:15Start serving.
01:10:16Yes, yes, yes.
01:10:17You all seem so strange today, don't you?
01:10:19Okay, where are you going?
01:10:20Well, so you're leaving us.
01:10:24Yes, Marichu.
01:10:25And don't try to stop me because I've made up my mind.
01:10:29I don't plan to do it.
01:10:31Nekane, daughter, leave.
01:10:33And enjoy.
01:10:35Oh really?
01:10:38Nekane.
01:10:39Nekane.
01:10:43Nekane.
01:11:07Nekane.
01:11:09Which leads me to recommend that this little bottle please never touch a gun again.
01:11:12No, I totally agree.
01:11:14That weapons bring nothing good.
01:11:16As they say here, a shot came out of a broom.
01:11:18And from a pretty girl, a pesky fly.
01:11:20Celia, please, would you mind leaving me alone with two indefinite men?
01:11:25Judging by your face, that's going to hurt more than a gunshot, huh?
01:11:31Thank you.
01:11:35What's up, kid?
01:11:3724 hours together and we have to mourn a tragedy?
01:11:39Well, the doctor has already said that it was just a scratch in the area.
01:11:42Come here, please.
01:11:44I told you not to leave home with my father.
01:11:46You wasted no time grabbing a rifle and going on a shooting spree.
01:11:49It was a shotgun, Joe.
01:11:50Father, I don't like those Western games of yours.
01:11:54I don't like them.
01:11:55Iñaki is my boyfriend.
01:11:56And I don't need him to go home with the elephants.
01:11:58Nor should you put on a loincloth and dance around a fire to love him.
01:12:01I don't need it.
01:12:03Thank goodness.
01:12:07And I love you madly too, father.
01:12:09But with madness.
01:12:10So I ask you both, please, let this end today.
01:12:14We are?
01:12:16We're here, we're here.
01:12:17We are.
01:12:18Perfect.
01:12:19Thank you so much.
01:12:22I'll see you both at home tonight.
01:12:25Goodbye.
01:12:31Antonio.
01:12:33Well, you and I know that Frasquito wasn't the one who fired the shot.
01:12:39But what are you even thinking?
01:12:40No, no, no.
01:12:41I don't want to offend him.
01:12:42But I say that maybe you're the one who's a little too old to be handling a weapon.
01:12:50Listen to me for something, damn it.
01:12:51There were only three of us there.
01:12:53And if I truly say it was you, no one will doubt it.
01:12:56And much less my daughter.
01:12:58That?
01:12:58The hunt is about to begin.
01:13:13Nurse!
01:13:14Are you that bad off?
01:13:15I've never heard so many screams together in my life.
01:13:17Not even in the delivery room.
01:13:20If I say anything to my daughter, she'll make my life a living hell.
01:13:23But if he was the one who shot, he can't tell a rabbit from an ass.
01:13:27Oh!
01:13:27A piece of glass hurts you!
01:13:29But what happened to you?
01:13:30Look, it's a video.
01:13:31He's getting checked out.
01:13:34Now I understand why you don't want to leave the clinic.
01:13:36But if this is like a spa, but without music, cool.
01:13:39You look great.
01:13:40Oh, oh!
01:13:41Other nurses could take care of Robert.
01:13:43Are you jealous?
01:13:44Look, I want a divorce.
01:13:45That it's going to sink me.
01:13:46So that I sink, I sink myself.
01:13:47Ah!
01:13:48Ah!
01:13:49Oh, sorry.
01:13:50I just called an expert to replace you.
01:13:52Whom?
01:13:53To Dr. Inchauter.
01:13:54Fat?
01:13:55Come on, I don't even remember his face anymore.
01:13:56Take note of what I'm telling you.
01:13:58Ah, daddy, da.
01:14:00You wouldn't think of leaving without getting tested, would you?
01:14:02I need you to get me the letters for the ophthalmology screen in less than an hour.
01:14:06It moves more than the mechanical bull at the fair, damn it.
01:14:08Elena, how are you? What do you think?
01:14:12Me, as a friend.
01:14:17Do you really think I would lie to you about something so serious?
01:14:20I don't know what he believes anymore.
01:14:26Damn, he's made a mess!
01:14:29Damn, he's made a mess!
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