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00:00:00Just like you're going to get along with me.
00:00:02So come on.
00:00:03Give each other a hug.
00:00:06I'm careful with my husband.
00:00:09He'll run amber lights, but I'll run red lights.
00:00:12You should talk to your daughter and tell her that her eyesight is failing.
00:00:16And I'll tell you one thing.
00:00:17If you say anything to my daughter, she'll make your life a living hell.
00:00:20Look, just like Sabino, I'm going to start thinking that you should transmit something.
00:00:26Who do you think shot you? Didn't they?
00:00:29Look, Frasquito didn't shoot.
00:00:32So what did he do?
00:00:33I don't need to tell you, do I?
00:00:35I just called an expert to replace you.
00:00:38Guess who?
00:00:39Whom?
00:00:40To Dr. Inchoncel.
00:00:41Fat?
00:00:42Look, I want a divorce.
00:00:43That it's going to sink me.
00:00:44And so that I sink, I sink myself.
00:00:47If he was indeed the one who fired the shot, you can tell a rabbit from an ass.
00:00:50I'm going to get tested right now, Joe.
00:00:52Go kiss that lying toothpick seller.
00:00:55I'm not going to allow my daughter to go around with mules when she deserves a thoroughbred.
00:00:58Look, what I find a bit strange is that he's no longer on duty in the quadrant.
00:01:02But hey, maybe the quadrant is wrong.
00:01:05Yes, the quadrant is wrong.
00:01:07And then there are those who ask me for trust.
00:01:08I need you to get me the letters for the ophthalmology screen in less than an hour.
00:01:12I've been paranoid, messing with a girl who has absolutely nothing.
00:01:16You can see it coming.
00:01:18And right now I'm going to make her feel like a mother at home.
00:01:22Elena, how are you? What do you think?
00:01:24I?
00:01:26Like a friend?
00:01:29Forgive me, I should have trusted you a little more.
00:01:34Damn, you're acting like a total jerk.
00:01:36Have you helped Antonio pretend he can see well?
00:01:38I'll leave.
00:01:39You've screwed me over, big time.
00:01:41Do you really think I would lie to you about something so serious?
00:01:44I don't know what I wanted anymore.
00:01:46I don't know what I wanted anymore.
00:02:18What's wrong?
00:02:19How threatening, José! Doesn't this thing have shock absorbers or what?
00:02:21Dude, shock absorbers, four by four.
00:02:23And he presses a button that's here by the ashtray and puts the hood up.
00:02:26Shut up!
00:02:26And here we go, morning humor.
00:02:28Dude, relax.
00:02:28What a temper she has.
00:02:29It looks like a whip in a go.
00:02:31Now, it also has a bit of a temper at night.
00:02:33He moves you around a lot in bed.
00:02:34Why are you keeping all the sheets?
00:02:36Halfway through the night I had to cover myself with a Telepizza brochure.
00:02:38I like the cool breeze, just the way I like to sleep naked.
00:02:40Go on, be quiet, be quiet, be quiet.
00:02:41I'm never going to get rid of that image.
00:02:43Well, that's the first night until you get used to it.
00:02:46Will you see how she sleeps like a baby tonight?
00:02:47Like silk and at home, I'm going to sort everything out with Carmen and that's it.
00:02:50Wait a minute, how are you going to fix it? With a stuffed animal?
00:02:53No, by telling him the truth.
00:02:54Saying that his father doesn't see, that nobody should have a duck up their ass
00:02:56and that he falsified the evidence, making me look like an idiot.
00:03:00Well, maybe we can skip that last part, right?
00:03:02Which one? The one about looking like an idiot?
00:03:04No, kid, it's about the tests.
00:03:06If Carmen finds out I've helped her old man, I'll be in deep trouble.
00:03:09Don't worry, José, he won't find out.
00:03:10In other words, anyone could have falsified the evidence in exchange for money.
00:03:14No, it's true. They're going to know it was you.
00:03:16And from there I'm going to Trini. Trini will definitely kick me out of the clinic.
00:03:19Now that I'm involved in physiotherapy.
00:03:20Honestly, they're not going to let me bend the elbow even in the pipe.
00:03:23Yes, yes, but I have to talk to Carmen, José.
00:03:25Come here. In a relationship, sometimes silence is the best argument.
00:03:30And this is coming from a guy who lives alone and talks to his motorcycle.
00:03:32Kid, at least I have a job to take refuge in.
00:03:34Do me a favor. What's it to you?
00:03:36Okay, fine.
00:03:37At least if he were here with the crew to comfort me...
00:03:39Look, I miss them so much that I think I can even see Coldo.
00:03:45Coldo.
00:03:46Coldo.
00:03:48Coldo!
00:03:50Coldo!
00:03:50If only I could go to El Zapata here to console myself.
00:03:58Coldo!
00:04:00Coldo!
00:04:03Yaki!
00:04:04You see, Soskega.
00:04:06Dude, look at your face.
00:04:08I have seen cataleptics with rosier cheeks.
00:04:11What happened to you?
00:04:12Well, nothing, nothing.
00:04:13I had a little argument with Carmen, but I'm sure it'll be sorted out.
00:04:16I already know.
00:04:17Those are just pebbles in the road.
00:04:19In the end, love always triumphs.
00:04:22Okay, okay.
00:04:22And what about you?
00:04:24I, uh...
00:04:26Divorced.
00:04:27That?
00:04:27Well, it was just a matter of time, Iñaki.
00:04:30That's how it is, and that's how I was able to accept the replacement of Dr. Almenar.
00:04:34And here I am.
00:04:34And to think about living a little too, damn it.
00:04:37Well, at least until the divorce decree comes out.
00:04:41Izas Kun stole my breath away.
00:04:43Well, knowing Izas Kun, she'll probably pull a divorced Barbie on you.
00:04:47No, he's going to keep your house, your car, and even the dogs, Coldo.
00:04:52Oh, Iñaki, I'm fine, I'm fine, I feel free.
00:04:56In fact, I'm looking for a small apartment that, look, if you need a few days to stay, you know where.
00:05:00No, no, don't worry, it won't be necessary.
00:05:01You'll see, before the day is over, Carmen and I will be together again.
00:05:04Okay, that's it.
00:05:05Good.
00:05:05Hey, Carmen, do you have a minute?
00:05:08Depends.
00:05:09If you're going to apologize for unfairly attacking my father, fine...
00:05:12But I didn't attack him.
00:05:13I see that's not the case.
00:05:15See you later.
00:05:18Well, uh, the days are longer here.
00:05:22Is it going to be?
00:05:30Good morning.
00:05:32What? How did your body feel this morning?
00:05:34That's the problem, Carmen, nothing at all has been built here.
00:05:37Oh my God, go.
00:05:40But this needs to be framed.
00:05:43In addition, it hasn't gone up for three days now.
00:05:45But, Carmen, damn it, you have to rub it in my face too, young man.
00:05:46What's wrong with me? He's 36 and a half.
00:05:50Not bad at all.
00:05:51Are you really okay, Robert, darling?
00:05:53I, I'm not well, Carmen.
00:05:54You know that when I enter sacred ground, I like to enter with the candle lit.
00:06:00But Holy Week is coming up very soon, isn't it?
00:06:03Carmen, damn it, I remembered you being faster.
00:06:05Forgive me, Robert, if I have the brain of a clothes hanger, but I slept terribly last night.
00:06:09Because of Iñaki.
00:06:10Are you going to rub that in my face too?
00:06:11Man, that's not it, son.
00:06:13We've had an argument and he's slept away from home.
00:06:15Well, look, I'm glad you're not continuing to share your facts with a murderer.
00:06:19Man, Robert, murderer, murderer, please.
00:06:23Iñaki has been a little paranoid, a little selfish.
00:06:26But murderer, murderer, no.
00:06:29And now that you're not all warm and cozy, I'm leaving here quickly.
00:06:33Carmen, with that whole thing, damn it.
00:06:37How's the beast?
00:06:39Well, you, beast, are nothing but a miserable little kitten.
00:06:42It happens to you later, very bad.
00:06:44I've been here for more than ten seconds and no one has called me incompetent yet.
00:06:47Look, Celia, let's see, ever since you noticed me, our friend here, hasn't he been able to get his head around the wall?
00:06:54Let's take a look.
00:06:56Wow, this looks really good.
00:06:59We'll go horizontally like this.
00:07:01Look, Robert, what you're going through is normal after the trauma you've experienced, son.
00:07:04But what trauma? I didn't have any trauma in my life until I was shot.
00:07:07What you have to do is think about little things, about things.
00:07:11You'll see how it all happens again.
00:07:13That's the issue.
00:07:14As a professional, do you think this will happen again?
00:07:16Look, I had a being, a being.
00:07:18Of course it will happen again, man.
00:07:21And if not, we can always install a hydraulic pump.
00:07:24As?
00:07:24Hey?
00:07:25Just kidding, man.
00:07:27Okay, just relax and we'll figure out what to do about...
00:07:30With that.
00:07:31Yes, I know the problem, Celia.
00:07:34I'm too relaxed.
00:07:37How can I tell you, Juani?
00:07:39Yes, yes, man.
00:07:40Okay, and all that.
00:07:42Sir, I'll put you through to the plastic surgery department right away.
00:07:46Honors?
00:07:48What, you don't need to pretend?
00:07:50I know you're talking about me.
00:07:52Kid, seriously, you're so dirty-minded, Ñaki.
00:07:54What's happening?
00:07:54Just because you heard that I'm a gossip doesn't mean I'm always the gossip, right?
00:07:57Well no.
00:07:58The problem is that this clinic doesn't have a plastic surgery department.
00:08:02Ah.
00:08:02Well, that's true too.
00:08:04But come on, what I don't like is being labeled.
00:08:06Yeah, yeah, I don't blame you.
00:08:08After the little stunt at the bar...
00:08:10Hey, have you seen Carmen?
00:08:11Out of the corner of one's eye.
00:08:13The poor thing didn't even want to drink her coffee this morning because of the tantrum she was throwing.
00:08:16Yes, the angry one.
00:08:17A bit.
00:08:18But seriously, if you talk to her, try not to be behind a staircase, because she already knows.
00:08:25Hey Carmen, please, I want to clear up this misunderstanding.
00:08:28Which one?
00:08:29That it was your father who shot.
00:08:31I saw it with my own eyes.
00:08:32That's how you plan to fix it.
00:08:34Accusing.
00:08:34No.
00:08:35Accusing.
00:08:35No.
00:08:36No.
00:08:36Yes, is there anything I can't tell you?
00:08:38Come here.
00:08:39Oh, look.
00:08:40How are you?
00:08:42Nothing.
00:08:42We're going to physiotherapy, right, son?
00:08:44Yeah.
00:08:45Who would have told the boy that he was going to give up the mop?
00:08:48Well, she hasn't left the mop for her either, huh?
00:08:51It doesn't matter.
00:08:52But he's taken other things, damn it.
00:08:54You are the living image of overcoming adversity, of self-love.
00:08:57From wanting to be someone in life by embracing knowledge anew.
00:09:01At your age.
00:09:03With your stubbornness.
00:09:09Well.
00:09:12Come on, and here.
00:09:13Have a good day.
00:09:14One of those great days, huh?
00:09:15About helping people.
00:09:19He could have spared us the "hard-headed" bit, couldn't he?
00:09:22Hey?
00:09:22Although it takes.
00:09:26Okay, so what?
00:09:26Come on, tell me.
00:09:27What is it that you know?
00:09:28I just don't know.
00:09:30I'm sorry, I can't tell you.
00:09:32Come on, please, Iñaki.
00:09:34Your father is lying, and I'm right.
00:09:36So I'm just asking you to trust me, let's forget all this and get on with our lives.
00:09:40That until now it was perfect.
00:09:41Yes, she was perfect.
00:09:42Until you ruined it.
00:09:44With your nonsense, your stubbornness, and your jealousy.
00:09:47And who's being stubborn now?
00:09:50But you don't see it, Iñaki.
00:09:52The fact that?
00:09:53The loop.
00:09:54Loop.
00:09:56Let me know when you decide to break it.
00:10:01Well, I'd say the same to you.
00:10:04Stubborn.
00:10:07Oh!
00:10:08Gesús, what energy!
00:10:10It seems he slept well.
00:10:12Yes, wonderful, stubborn one.
00:10:14Hey son, where's the water main?
00:10:16Mom, to turn the key you have to bend down and you don't even kneel at mass.
00:10:19He can't help you, Nekane.
00:10:21Nekane?
00:10:22Ah, but nobody has told you anything.
00:10:24Tell me what.
00:10:26Has he gone to France?
00:10:27With the boyfriend.
00:10:28Because there was no boyfriend.
00:10:30And you?
00:10:30I!
00:10:32I'm a boyfriend!
00:10:34Oh!
00:10:34You've got some things going on, my son!
00:10:37No.
00:10:38What are you going to do with the bar?
00:10:39Ah!
00:10:40Well, what am I going to do?
00:10:42Should I carry it myself?
00:10:43Couldn't that scientist handle a whole gang of gorillas?
00:10:47That's it.
00:10:48Don't worry, my aunt.
00:10:50Wow!
00:10:50Goodbye?
00:10:51Goodbye, my love.
00:10:55Goodbye, no.
00:10:56Goodbye, no.
00:10:57Jesus, you're up so early.
00:10:59What's wrong, Sabino?
00:11:01Haven't you fixed the blind yet?
00:11:02No way, woman?
00:11:03We're here to help.
00:11:04Now that Nekane is gone, you'll need help.
00:11:06Running a bar alone is a lot of work.
00:11:07No, but I've already done that before.
00:11:09Look, when my late Juancho was away at tournaments, I looked after the entire Real Sociedad squad by myself.
00:11:15And with Iñaki he was grabbing her chest, huh?
00:11:18Let's go, family!
00:11:19Yepa!
00:11:20Damn, they're early risers!
00:11:22It's going to be true what they say about old people not sleeping much.
00:11:24Man, the crew.
00:11:26Or what's left of the crew.
00:11:27Hey, calm down, okay?
00:11:28Koldo will be back here in a couple of days.
00:11:30We made sure they only brought two changes of clothes.
00:11:32Two short ones, a bonito sandwich with peppers and another with rabaz.
00:11:35Yes or yes.
00:11:36Heard in the kitchen.
00:11:41The steam has gone, your steam is going away.
00:11:44Small advantages, where are they?
00:11:45Peaceful.
00:11:46The hand, glasses, glasses.
00:11:47What beautiful glasses.
00:11:48I'm going to get lost there.
00:11:49Well, I can have a drink too.
00:11:52No, don't worry, the cream is coming out now.
00:11:54Oh!
00:11:55There it is!
00:11:56There it is!
00:11:56There it is!
00:11:57There it is!
00:11:58There it is!
00:11:58Let's see, let's see, your skin is like cigarette paper.
00:12:01Go and pour a little water.
00:12:02No, no, no, toothpaste is better, but without granules, okay?
00:12:04If it's not exfoliating.
00:12:05Exfoliating scrub?
00:12:06I'm feeling dizzy, father.
00:12:09What about you?
00:12:10What are you doing there like fools?
00:12:11Come on, let's sit down at the table!
00:12:12Now we get along.
00:12:13Yes, yes, yes, yes, yes, yes, yes.
00:12:20Damn, you'll see when they have to give us the change.
00:12:25Holy shit.
00:12:26Boom!
00:12:35Well, you're getting ahead of them, huh?
00:12:36Enjoy your freedom.
00:12:38Oh, come on...
00:12:39And with the money he's carrying,
00:12:41I always invite you to some humble ones with your colleagues.
00:12:43Come on...
00:12:44Yeah?
00:12:45Oh, I'll take it.
00:12:46No, you've really made me happy, huh?
00:12:50But I'm happy you've made me.
00:12:52Excuse me, Carmen.
00:12:53I already told you, right?
00:12:55I'm sorry.
00:12:55I didn't fully grasp the consequences and...
00:12:58The consequences of what?
00:12:59What if we don't take the Petri dishes to microbiology?
00:13:03And Petri will be looking for the plates, right?
00:13:05Tell him I'll bring him the microbes in my...
00:13:08Of course, between one person's nonsense and the other's nonsense,
00:13:11You're going to drive me crazy.
00:13:13Crazy!
00:13:14Here, excuse me for...
00:13:20Iñaki!
00:13:21Hey, wake up!
00:13:21Come here, come here, come here, man.
00:13:23Thank you very much, uncle.
00:13:24Because I don't forget anything I've done myself, man.
00:13:25We are inseparable.
00:13:26We are Uñicanes, the fat one and the thin one,
00:13:28Ortega and the Gazette.
00:13:29How's your face?
00:13:29Come here.
00:13:30What are you saying?
00:13:31What are you doing?
00:13:31What are you playing?
00:13:32And I, thank you very much for not betraying me.
00:13:34You are a walking monument to Basque nobility.
00:13:36That's because you have a brother here for whatever you need.
00:13:39Come on, whatever you need.
00:13:40Ask, ask.
00:13:40What do you want?
00:13:41Blood?
00:13:41Your motorcycle.
00:13:42Oh, my motorcycle!
00:13:43Jose, I need your motorcycle for a short trip.
00:13:45How short?
00:13:46Farmhouse.
00:13:48To Cádiz.
00:13:49Hey?
00:13:49I need to break a loop.
00:13:51Kid with my silverware?
00:13:52Look, if you don't want me to betray you, you'll have to confess who the culprit is.
00:13:55Okay, here, I owe you one.
00:13:58And see if you can ignore my part.
00:14:01Hey?
00:14:02And be careful, because Don Antonio will break your loop, your arm, and whatever else he can get his hands on.
00:14:06Already.
00:14:10Good morning.
00:14:12Rafi.
00:14:16Kid, what are you doing with the cheese?
00:14:17What kiss?
00:14:18Not even a kiss.
00:14:18Hey?
00:14:19Hey?
00:14:20Rafi, wake up, kid.
00:14:22Ah, kid.
00:14:22Look, I thought I'd never say it, but learn a little bit from Elena.
00:14:26Look at her, since we cleared things up yesterday, she's much more focused.
00:14:30There's nothing like clearing things up, right, Rafita?
00:14:33You said it.
00:14:35Go on, pick all this up.
00:14:39And what to clarify?
00:14:41Isn't that clarifying things?
00:14:41What happened yesterday was workplace harassment.
00:14:43Do you understand?
00:14:43Workplace harassment.
00:14:44What do you mean?
00:14:44To the kiss we shared?
00:14:45But you're talking about misfortune, about kisses, not kisses, not that we gave each other, not that we gave each other.
00:14:48Yesterday you stole it from me, you ripped it away.
00:14:50And look, these lips belong to another woman.
00:14:51And if he finds out, he'll tear me apart.
00:14:53Don't worry, Rafi, our secret will be safe with me.
00:14:55What are you talking about?
00:14:56No secrets, no secrets, what a shame.
00:14:57All that's here is nonsense from your head, which is more lost than ever.
00:15:00Rafi, free yourself a little.
00:15:02Seriously, so much repression.
00:15:04Those of you who were educated in a Catholic school are psychologically extremely castrated.
00:15:09Elena!
00:15:12Ah, well look, that's exactly what it's for.
00:15:14Hey?
00:15:14An emotional and material eunuch.
00:15:20Castrati.
00:15:21Dad, how are you?
00:15:22Did it arrive safely?
00:15:24But Dad, how can they let you drink so much, kid?
00:15:26That you were traveling in an albia on the Loring Express.
00:15:30Hey, it's starting to feel like home.
00:15:32Working in coffee?
00:15:33No, Dad, I don't want to talk right now, no.
00:15:36Yes, I've argued with Iñaki.
00:15:38And before you start clapping your hands, I'll leave you now.
00:15:40I love you.
00:15:42Oh, Carmen, another ex.
00:15:44At this rate you're going to sow more corpses than Agatha Christie.
00:15:46Hey, Iñaki isn't an ex.
00:15:48Although I'm really tempted to put it on the list.
00:15:50Yes, daughter, at least you have a list.
00:15:52But my sexes were all in a confetti.
00:15:54I'm tired of men, I really am.
00:15:57When I left Robe I said I don't want any more roosters in my life.
00:15:59I thought Iñaki was going to be more...
00:16:02Pigeon?
00:16:02Pigeon.
00:16:04Proud, obsessive, stubborn.
00:16:06Come on, all it was missing was the crest.
00:16:07Well, tell him to go to hell, it's about time all men stopped ruining our fun.
00:16:12Shall I bring you some kebabs?
00:16:14Skewers and sticks, beautiful.
00:16:16We shouldn't be too harsh on the entire gender, okay?
00:16:18I say this for her sake, because rather than a flow, it seems she goes from bud to bud.
00:16:21Sure, but maybe it's her, she's just having a mental block.
00:16:24Yes, I'd like a block like that for myself.
00:16:26Hello, excuse me, girl.
00:16:27Hi, I'm here, blocked, but here.
00:16:30If you want to talk about me, I have more to my life than men and my job.
00:16:37Okay, fine, I don't have it.
00:16:38Well, it's about time we got it.
00:16:40Do you know what I would do if I were a nurse?
00:16:41Open the medicine cabinet.
00:16:43As if she needed it.
00:16:45No, laugh all you want, but I wouldn't waste my last years of youth on a man who doesn't deserve it.
00:16:49No, please, Elena.
00:16:50Look, I actually have a friend who works for an NGO in Africa and she's always looking for a healthcare worker.
00:16:55You just need to fill out the application and have an interview with her.
00:16:58Yeah, well, maybe I'll fill out an application to go to Mars.
00:17:03Sure, Mars.
00:17:04There's definitely no man there.
00:17:08But I think that's a bit radical.
00:17:10She went to pick up the houses from the warehouse and they just finished painting it.
00:17:13Go on, bring the beautiful bale.
00:17:23Hi, Trini.
00:17:24And this is the nurses' station.
00:17:26Or rather, where people stop being efficient for a while.
00:17:30Relax, girls.
00:17:30You can stay crouched down, I'll come and go.
00:17:35I mean, I just came to look.
00:17:41Let's see.
00:17:43Shall we continue, doctor?
00:17:44Please.
00:17:46A pleasure.
00:17:46A pleasure?
00:17:46How are you?
00:18:38Antonio, what can I say? Have you lost count already or what?
00:18:40Oh, sorry, I was just saying hello. Well, what's up? I see it's not sheep.
00:18:46Studs, or what? But right now I don't see any that deserve my female.
00:18:51Well, we've already started with the bullfighting analogies.
00:18:53And what have you come here for, huh? To get sunstroke?
00:18:55No, Antonio, I've come to talk to you.
00:18:59From man to man.
00:19:01Speak, damn it?
00:19:03Yes, yes.
00:19:04Well, I've come to ask you to speak with your daughter and confess that you were the one who fired the shot.
00:19:11to Robert.
00:19:11And that you were the one who manipulated the eye tests.
00:19:14Anything more than that?
00:19:15Yes, Antonio.
00:19:17Look, I love your daughter.
00:19:18And I can't think of any other way for Carmen to forgive me.
00:19:22Well, I'm very glad to know that that forgiveness depends only on me, you know.
00:19:25Oh, really?
00:19:25Yes, because that's never going to happen.
00:19:28As?
00:19:29Are you going to stand there or are you going to step aside when the tones come out?
00:19:33What a bad day to wear that thing in red!
00:19:35He won't be able to.
00:19:36No, nothing.
00:19:37Good milk!
00:19:52Everything is very well organized, yes, yes.
00:19:54And from there, everything else leads to administration.
00:19:57And don't worry, you'll see that when you least expect it, you'll feel right at home.
00:20:00Yes, Trini, I already feel at home.
00:20:03Yes, I can see how long it took Dr. Inchauta to make my bed.
00:20:07Well, well, Dr. Almenar, what elegance and what energy, eh?
00:20:11Lots of energy, yes.
00:20:13Especially accumulated.
00:20:14So if you've come here to take my job, you can go back north.
00:20:17Look, Robert, calm down, Coldo here doesn't want to take anyone's job.
00:20:20He has only signed one one-off collaboration.
00:20:22Yes, and point by point a line is made.
00:20:25Ah, Andalusian humor.
00:20:27Okay, okay, I hadn't caught it.
00:20:29It's very...
00:20:30Yes, ole.
00:20:31Excuse me, Doctor, could you excuse Dr. Almenar and me for a moment?
00:20:35Yes, man, yes, of course.
00:20:38Ah, I do, that's what I'm going to do...
00:20:43Let's see, Robert, can you tell me what's wrong?
00:20:45I already told you that this collaboration would give us stars.
00:20:48Damn it, with the little stars, Trini, for crying out loud.
00:20:49Instead of looking like a clinic director, you look like a little pony.
00:20:51Well, what I mean is that it should be less rigid.
00:20:56And on top of that, a little teasing.
00:20:57I'll talk to Celia about the issue of professional secrecy.
00:21:00What are you saying, Robert?
00:21:01If Celia doesn't...
00:21:04And can you tell me what happened to your stiffness?
00:21:07Basically, she's neither here nor expected.
00:21:11Okay, come on, just relax.
00:21:13You'll see that when you least expect it, that will once again govern your decisions.
00:21:20I hope so, Trini, I hope so.
00:21:21And I say that in the meantime you couldn't...
00:21:24Oh no, no, you're not even dreaming about it.
00:21:28No...
00:21:30Man!
00:21:33Hey, Panchón!
00:21:34Oh, Pacondo!
00:21:35That?
00:21:36How did the Andalusian woman treat you?
00:21:38That's it, man, don't get your hopes up, okay?
00:21:39More like a bit Basque.
00:21:41Look, but you weren't the blue one, Sabino.
00:21:43No, I'm blue, Sabino is pink.
00:21:46And Pink can't work on Saturday because he has to go shopping with Blue.
00:21:50Pello, what's going on there?
00:21:52What is that noise?
00:21:53Nothing, just organizing the quadrant of circles.
00:21:55...of barla, damn it, they look more like allies dividing up the world after the Second World War.
00:22:00So, what about you, Koldo?
00:22:01What are you going to do now?
00:22:02Because, come on, you've pulled off a brilliant move, haven't you?
00:22:04You've gone from having two women to having none.
00:22:09No, no, but, let's see, but everything's fine, okay?
00:22:12No, calm, happy, excited, look.
00:22:15Look, without going any further, today I'm going to look for a small apartment here in Seville.
00:22:18Because, look, I'm going to tell you something.
00:22:19It's not the same to say, "I invite you to my house in Seville," as to say, "Will you come to my little apartment in..."
00:22:24Rentería?
00:22:25I don't.
00:22:26Are you going to look for an apartment on your own?
00:22:29Let's see, buddy, I'm discovering blood clots in brains.
00:22:32So, do you really think I'm going to have trouble finding a small apartment in Seville?
00:22:35Hey?
00:22:37No, look, no, really, I don't need the fair to be visible from the window.
00:22:41If you like, we'll put up a sign full of light bulbs that says, "A divorced Basque lives here."
00:22:46No, no, it's just my own business.
00:22:48So, what other offer do you have?
00:22:51Okay, so what kind of bargain are we talking about?
00:22:55Small farmhouse on the outskirts.
00:22:59Let's see, what part of "I need a centrally located apartment" didn't you understand?
00:23:03No, well, a country estate and a medical emergency don't mix.
00:23:06No, let's go back to that first floor we talked about, the one that didn't have good views.
00:23:10Come on, I don't care, I'll just put out some Giralda-style desserts and that's it, I'll manage.
00:23:15That.
00:23:16Okay, I'll take it.
00:23:18Hey.
00:23:20Take the sot.
00:23:21If I'd known, I would have brought a tent and pitched it here, damn it.
00:23:34Look, Benito, at the moment I don't have a single day off.
00:23:37If you knew how colorful this is, it looks like Gay Pride Day.
00:23:41Well, woman, there must be some opening, right?
00:23:43And I won't be offended if, as a bit of a scowl, you put on the notice board that you have an appointment with the dentist.
00:23:48I'm sorry, but I couldn't show you the city in the time it takes to get a filling.
00:23:52Don't be fooled into thinking there are many monuments here.
00:23:54I'm currently talking to one.
00:23:57Oh, and I still haven't gotten used to their hospitality.
00:24:03Furthermore, until I speak with Iñaki and know which days he is coming, I cannot take any risks.
00:24:07That's why I said it, to take advantage of the fact that since they're angry, they're not going to go.
00:24:11But how? Are you angry?
00:24:14Are you angry?
00:24:14No, no, I said get muddy, I said get muddy, get muddy, woman.
00:24:19Well, work frustrations, the day-to-day grind, what do you do?
00:24:22Don Benjumea, a Basque woman is not fooled by even a trompe l'oeil.
00:24:26He's already talking.
00:24:28Attention, please, Mr. Benito Benjumea, come to the plantation.
00:24:33Don Benito Benjumea, come to the plantation.
00:24:37I have to go, Merichu.
00:24:39But there's no public address system there.
00:24:41Benito, Benito.
00:24:44I've messed it up.
00:24:49Rosalito.
00:24:53Hey boss, are you coming from the grape harvest?
00:24:55No, I've just been running from a bull.
00:24:57And my silverware?
00:24:58Your silversmith could now handle the hills better.
00:25:01You didn't go to see my father, did you?
00:25:03Well, yes, and I'm telling you, he's not much of a money-seller when it comes to visitors, you know?
00:25:06And why did you go there, which was your northern home?
00:25:08Weren't there enough injuries the other day during the hunt?
00:25:10Look, the only thing that was affected that day was my relationship with Carmen.
00:25:13I just wanted your father to fix it.
00:25:15And you haven't fixed it, have you?
00:25:16Well, no, José, you haven't fixed it.
00:25:18Well, you fix it then.
00:25:19I can't fix it.
00:25:20No, no, you can't fix it, okay?
00:25:21Well, it's as easy as apologizing and saying that you did it.
00:25:25Ah, well, that's true.
00:25:26No, no, no, no, I'm not going to apologize, I haven't done anything, man.
00:25:29Look, it doesn't matter what you did or didn't do, okay?
00:25:32Now I'm a prosecutor.
00:25:34Look, Iñaki, in a relationship the truth is relative to marital harmony, you know?
00:25:38Being right and having a wife are incompatible.
00:25:41No, I'm sorry, Rafi.
00:25:43Look, we Basques may like to eat well, but not so much that we'll swallow our pride.
00:25:47Aul.
00:25:47I'm a noble person, you know?
00:25:49I am the kind of person who would never betray a friend.
00:25:51Remember that, Iñaki.
00:25:52Aul, dad!
00:25:57Tell me, love.
00:26:00No.
00:26:02Well, yes, yes, Carmen and I have had a bit of an argument.
00:26:06But hey, it's none of your business, okay?
00:26:08And besides, how did you find out?
00:26:09What's happening?
00:26:10Did you leave microphones all over the clinic when you left or what?
00:26:16No, I didn't get her pregnant.
00:26:19And besides, I'll leave you now, Coldo is calling me.
00:26:21Ah, but I'm sure you also know what he wants.
00:26:24Okay, bye.
00:26:32Hey Iñaki, how are you, Carmen?
00:26:34Well, I'm feeling warm, Coldo, so I hope you have a bed to offer me.
00:26:38Yes, man, yes, yes, that's precisely why I was calling you.
00:26:40I just rented a bachelor pad that's begging for rebellion.
00:26:44Well, to tell you the truth, I don't even put the toilet seat down...
00:26:47Well, thank you, Coldo.
00:26:48Because right now I need to disconnect from Carmen and her whole family.
00:26:53Well, maybe disconnecting, but not really disconnecting that much...
00:27:04Coldo, there wasn't another apartment to rent in all of Seville.
00:27:07I swear it wasn't me, damn it.
00:27:09Fate is playful.
00:27:11Look, you look at it on the bright side.
00:27:14We know the neighborhood and we can do the move with a pole.
00:27:18Lucy, it's my own business.
00:27:19I hear bass from all sides.
00:27:21Hey, little one!
00:27:23I can't believe it!
00:27:26Hello, Carmen.
00:27:27Nothing, apparently Coldo has rented this apartment.
00:27:31Coldo?
00:27:32Is it at your house?
00:27:33Yes, well, I'd invite you for a drink, but I don't even have any glasses.
00:27:37Of course.
00:27:38Iñaki, cut it short, I've kept the controller ones.
00:27:41Short.
00:27:42Okay, Carmen, how am I supposed to choose this apartment?
00:27:44It is this one, which is hooked with pity.
00:27:47No, no, that's not true.
00:27:48I am only subject to the flows of the real estate market.
00:27:52I'm telling you, man, the flow is loose, you, champ.
00:27:55It seems to me that the Basques here don't understand what the word rejection means.
00:27:59Oh dear, oh dear, I reject it.
00:28:01I'm not rejecting it, okay?
00:28:02For me, it's a matter of honor.
00:28:04Honor?
00:28:05Stubbornness, that's what you have, Iñaki.
00:28:07And now who's the stubborn one, huh?
00:28:09Who is it now?
00:28:09Again?
00:28:11Are we going through the loop again?
00:28:12And on and on, loop, loop, loop.
00:28:14Loop!
00:28:15Loop, loop, loop, loop!
00:28:17Look, go, you bastard, give it to me!
00:28:20Damn it, Iñaki, I haven't even paid the deposit yet!
00:28:23Well, look.
00:28:29No, it doesn't happen.
00:28:31Look, Iñaki, if we have to forget Carmen, we forget her, period.
00:28:35Hey?
00:28:36We are single.
00:28:37Good-looking.
00:28:39Appetizing.
00:28:40Yes or no?
00:28:41Damn, we have a little apartment all to ourselves.
00:28:43Do you know what I call that?
00:28:46Failure?
00:28:47Chance!
00:28:47Agonies!
00:28:48You're such a pain!
00:28:49Come on up!
00:28:50Where are you going?
00:28:51We're going to conquer the world.
00:28:53And we're going to start here, in Seville.
00:28:54We're going to buy some of those loafers that you can wear without socks.
00:28:57Yeah!
00:28:57We're going without socks.
00:28:59Hey?
00:28:59And with some of those American-style pants with the little diaper here so you can see the food from the back down,
00:29:02that pulls the neck and I shit on milk and burn all the bars in Seville.
00:29:05Hey?
00:29:05They're going to have to drag us out of there while we sing in the witch's nest or something.
00:29:10Yes or no?
00:29:12And here, welcome to your new life.
00:29:33Carmen, please forgive me.
00:29:34I am stubborn and proud, and I am to blame for everything.
00:29:36I want to go back.
00:29:50Well, we'll have to go home then.
00:29:52Yes, I've been told that you're getting on in years and it's a long time to be on your feet.
00:29:55I say this for your sake, without sorghum.
00:29:58Instead of standing here like idiots wasting time, you could talk to my son.
00:30:02He's in a bad mood.
00:30:04That?
00:30:04They asked him again there if "perrechico" is a type of reggaeton or what.
00:30:09Well no.
00:30:10He has already argued with Carmen.
00:30:15As?
00:30:16Didn't you know?
00:30:20Clearly, in these work crews, the only feeling that seems to matter to you is hunger.
00:30:26No?
00:30:33Like the socho, poor thing.
00:30:34Their first argument as a couple, and he asks her to leave so far from home.
00:30:38Well, thank goodness he has Koldo to cheer him up.
00:30:42A separated man.
00:30:43Those two are going to end up throwing something from the qibir.
00:30:46Those poor people need the crew as much as I do.
00:30:53Well, you're right, Sabino.
00:30:55A crew is like a raft of logs.
00:30:58As soon as it separates, it leaks everywhere.
00:31:01We cannot be separated.
00:31:02That?
00:31:03Another road trip to Seville?
00:31:05I just finished the milk.
00:31:05We're going to finish off Saudi Arabia's gasoline shovel.
00:31:10Sabino, you are pink.
00:31:13Pink?
00:31:14But what rose?
00:31:15You're the pink post-it note.
00:31:16You're opening the bar tomorrow.
00:31:42It smells so good.
00:31:44How are you?
00:31:45What's happening?
00:31:50Our scrambled eggs are burning.
00:31:52I don't know if I want scrambled eggs or another kind of scramble.
00:31:56I'm starting to get a taste for this reconciliation thing.
00:32:00Oh, really?
00:32:00Are we fighting over control tonight?
00:32:02Come on.
00:32:04Come on.
00:32:11Hey, look who's here.
00:32:13Merche!
00:32:14That?
00:32:15Listen, there's no need to take the moba up the stairs.
00:32:18Apparently, someone crawled up to the house last night.
00:32:22Eh, eh, eh, eh, eh.
00:32:23Not by dragging myself along.
00:32:24It's called diplomacy.
00:32:26Piety, avoid conflict.
00:32:28This is a complete capitulation, come on.
00:32:32Hey, they fit on their own.
00:32:33Do you want them to go already?
00:32:33My head is all messed up...
00:32:35What's up, Coldo?
00:32:36Did you go out last night or what?
00:32:37Well, no, look, I didn't go out.
00:32:39I decided to assemble that wardrobe and the rod fell on my head...
00:32:43Well, the bar and a myth.
00:32:46Iñaki, I didn't know you were going to stoop so low with Carmen.
00:32:50Hey, hey, hey, let's see, let's see, let's see.
00:32:51That you can't always be right.
00:32:54And who told you that?
00:32:55Henpecked husbands.
00:32:55Four eyes.
00:32:56For the broom.
00:32:57Large clothing.
00:32:58There it is, let's see, there.
00:33:01Let's see, let's see!
00:33:03Let's see, let's see!
00:33:14Fuck.
00:33:15But after everything I've given you, how can you fail me like this?
00:33:18You're like plants, aren't you?
00:33:19Talking to him there a little to see if he grows.
00:33:21Celia, you didn't even cheer me up with the humor of Cadiz anymore, you turned it into drama.
00:33:24What was that about the hydraulic pump?
00:33:25Come on, come on, but nothing's wrong with you, Robert.
00:33:27Look, I just brought your tests and you're perfect.
00:33:30Look, the only thing I won't envy you for is when they take the tape off your bandage.
00:33:33Look, at least that way I'll feel something.
00:33:36Come on, man, cheer up.
00:33:37And are you thinking about something else?
00:33:39As if there were anything else to think about.
00:33:47José, José, come, come.
00:33:53What's wrong, Robert?
00:33:54I don't go in there, I've seen people coming out crying.
00:33:55No, I'm not even a shadow of what I used to be.
00:33:58Don't tell me, man, did they have to amputate?
00:34:00No, damn it, all the pieces are in their place,
00:34:01But the thing is, the batteries are a little bit off on this island.
00:34:04Ah, your little human isn't getting up, is he?
00:34:08That's why I need your help.
00:34:12It's not fake help, no, man.
00:34:14No, no, what I need is an audiovisual stimulus.
00:34:18Ah, a movie.
00:34:19Okay, fine, I understand, I'll get you a movie.
00:34:21But I've gotten rid of the extra skin,
00:34:22I don't want any trouble, really.
00:34:24Not even if I pay you your salary for a week.
00:34:25Hey, seriously, I'll star in it for you.
00:34:28No, don't get carried away either.
00:34:29I need a stimulus, not a shock.
00:34:31Come on.
00:34:31Well, let me tell you something.
00:34:33I have my thing when I'm naked.
00:34:36Any theme?
00:34:44Man, man, man, the little couple.
00:34:46So, have you two reconciled?
00:34:49What is that? I hear violins.
00:34:51It's a car horn, Dolores.
00:34:53Yes, we have reconciled.
00:34:55Because Iñaki has done what he had to do,
00:34:57confess and ask for forgiveness.
00:34:59Very good.
00:34:59Oh really?
00:35:00Oh really.
00:35:01Oh, you don't know how grateful I am.
00:35:02Thank you so much from the bottom of my heart.
00:35:04You've brightened my morning.
00:35:05The second coffee of the morning
00:35:07I already have it activated.
00:35:08Thank you very much, huh?
00:35:09I'm getting ahead of myself.
00:35:11Well, it's not necessary either.
00:35:12You should tell everyone, right?
00:35:13Hey, what about Kike?
00:35:14Haven't I told everyone?
00:35:16Well, yes, I told Dolores.
00:35:18But it's much better if you introduce yourself like this,
00:35:20like a noble man,
00:35:22not like a manipulative liar.
00:35:25Much better this way.
00:35:27Come on.
00:35:28Come on.
00:35:31Carmen, you're quite a trip.
00:35:32I was really looking forward to stretching my legs.
00:35:34It made you go over 80.
00:35:35So many cars, so many cars
00:35:36and you can't even shift into fifth gear on the plateau.
00:35:38It's because of the eggplants we bought in Almagro
00:35:39that so many drug dealers muddy them.
00:35:41Your brain, your brain is clouded.
00:35:44Carmen, I met up with my friend yesterday.
00:35:46Oh, yes, look, I got my wax done.
00:35:48My friend, the one from the NGO.
00:35:49I was talking to him about you, about your lack of enthusiasm.
00:35:51What about me?
00:35:52I got your contact information.
00:35:53Hey, are you vaccinated against rabies?
00:35:55No, but right now I'm having an outbreak.
00:35:57Okay, Elena, thank you.
00:35:58But no, I'm very calm.
00:35:59very happy with my little girl and with my laziness.
00:36:01Let's leave it at that.
00:36:02Talk to her, you have nothing to lose.
00:36:04Also, don't put dams on the river of your life.
00:36:07Elena, did you give him the contact information?
00:36:10Or do you smoke it?
00:36:16Damn, you could kick a tile here.
00:36:19And there's an interior courtyard, huh?
00:36:24Hey, what a surprise!
00:36:27Well, ow, cold.
00:36:30Anchón!
00:36:31But what are you doing here?
00:36:32So, what are we going to do?
00:36:33Sweep and lift off the ground
00:36:34what little remains of your trampled heart.
00:36:37Okay, but what are you saying?
00:36:39Carmen and I have reconciled.
00:36:42And so?
00:36:43Uh, well, that...
00:36:46I assessed the situation,
00:36:47I gauged a bit what was at stake
00:36:49and I decided to put my ego aside for a bit
00:36:51and give in a little...
00:36:52Come on, let's get on board with this sheathed cloth.
00:36:54They fit, so...
00:36:55Soon this begins to lose ground.
00:36:57Okay, okay, so what's going on?
00:36:58Hey?
00:36:58The important thing is that we're together.
00:36:59and that I am happy.
00:37:02Very happy.
00:37:04What should I get you?
00:37:05Uh, no, nothing, no, not now, later, later we'll celebrate
00:37:09that you have already...
00:37:10Hey, come on, you're a...
00:37:12very happy.
00:37:15Hey?
00:37:15Yes, okay, yes, celebrate.
00:37:17But, well, first I'll have to consult with...
00:37:20With?
00:37:20With?
00:37:21With, with, with...
00:37:23With...
00:37:24With, with, with...
00:37:25With Coldo, with Coldo, eh?
00:37:26To have a dinner party at your group's house
00:37:28For guys, for macho men, huh?
00:37:30God.
00:37:30Yes, yes.
00:37:31Yes, yes.
00:37:32Okay, so here?
00:37:33Well.
00:37:34Come on, come on.
00:37:35Oh, in favor.
00:37:36Come on, in favor.
00:37:45Hello.
00:37:46Hello.
00:37:53All good?
00:37:55That's it?
00:37:55Don't worry, we've already sent you the results, okay?
00:37:58Thank you.
00:37:59Thank you, good morning.
00:37:59Good luck with the deaf kids.
00:38:01Thank you, thank you.
00:38:19José.
00:38:36Jose, hello hello
00:38:41Home here, if this is from the nurse and you're not a nurse anymore, no, no, well, you
00:38:45You're not a pilot either, and you're daydreaming all day. What are you doing here, José? I've come
00:38:53Haven't you heard that they're desperately looking for you to replace Nazareth in
00:38:56Physio, if I heard you, I'm coming, I'm coming, I'm running, if I'm going
00:39:12How can I tell you, the boy has started to confess and he's saying everything, he's really going on
00:39:17stretching everything out down to the smallest detail, he only needs to mention that he was the one who beat Manolete or
00:39:21It's between the mother on the stairs and Rober, the boyfriend, with a gunshot and where you know I am.
00:39:26I don't know if I should get in an elevator alone with him. Hey Dolores, if they ask about me, I'm going to...
00:39:32Being in pediatrics, I was thinking of putting on some cartoons for the children tonight beforehand.
00:39:36Oh, how wonderful to sleep! Amazingly, you haven't said anything silly. It's because...
00:39:40Today's cartoons are very educational and also teach a lot.
00:39:43Go with you over there, come on now, man, man, man, Van Man and Robin, but oh well
00:39:51It's going to be infinite and beyond, oh how much it's going to be missed around here
00:39:55freshly bought eggplants, pains, there's little justice in the name with the
00:39:59The joy you bring is immense, thank you so much! Look at Druba, who has started showering compliments and gifts on everyone.
00:40:04But anyway, let's focus on what matters, what brought you here to the clinic because
00:40:10I see you guys, Musanote, nothing, the crew that's falling apart, and someone's going to have
00:40:14that bringing all the members together, be careful with the metaphors, Pello, we have come to inaugurate the
00:40:20I'm going to organize a little party in my apartment, no, no, no, it's just a dinner, well, a buffet dinner with
00:40:28Ambient music, so if you want to come with a friend, you're very welcome!
00:40:35Thanks, but I have a quick question about one of those Basque festivals where they bring flowers or...
00:40:41Mugos is an apartment, not a nativity scene, and be careful with the "friends" thing, it must be small because it isn't.
00:40:49HE
00:40:49Don't worry, we're coming. I'm just passing it on to those closest to us. There are better arrivals.
00:41:03What's up, how's your body? Listen, she's got the body for a little party. Well, daughter, could it be that...
00:41:11Basques have their own calendar like the Mayans. Hey Guillermo, guess who's throwing a party today?
00:41:19Carnival at home, but we can't miss it!
00:41:43Sugar, you know I prefer sucrose, these pastries look great today, I don't know
00:41:50It's going to be in the south, they put a lot of butter in them, you're missing out because these pastas are in the
00:41:55nuns
00:41:56Bechiclana on the days when the Levante wind blows, that is, every day
00:42:03Oh Marichu, Marichu, you don't give me the same thrill I get from having tea with you every day.
00:42:08good afternoon, although I confess that I would prefer to go north and serve it to you myself, now that
00:42:14His son has reconciled; we could take advantage of the fact that they have reconciled.
00:42:23No
00:42:39No
00:42:41reconciled, not reconciled either, but why do you want me to tell you if you find out before that
00:42:46occur
00:42:48No, she's not in control, she's the one in control, she's not even close, she's in such a hurry where it's already smoking.
00:42:54me
00:42:54Ask your daughter, why do I keep putting my foot in it?
00:42:58I'm going to hang up, I'm going to hang up, I'm going to hang up
00:43:02Hey, I heard there's a huge party tonight and the whole hospital is going, we're in!
00:43:07Yeah
00:43:07No, no, today I'm having an intimate dinner with my crew, just men expressing our masculinity and cooking.
00:43:15Cooking is also a very manly thing.
00:43:17Oh, and don't insist, okay? Because I don't plan to give in. I'm making my own decisions now to make my own plans.
00:43:24my opinion
00:43:25But it gives me my coffee
00:43:29Like freshly latte, please.
00:43:31come
00:43:36Okay, we'll leave a little earlier today for the little party, right?
00:43:38No, we're not going.
00:43:40It's like it won't let you put a girl in.
00:43:42because it's necessary to dislocate her
00:43:44Oh no no no no no
00:43:46No way, man, no, and look, I'll stay here making the meatballs and you guys can go over there.
00:43:49Yeah man, you're on the low Tunis route, out until the good
00:43:51I don't know how to get there; I need someone to guide me.
00:43:54That's for sure.
00:43:55Well, I won't know any more. See you there.
00:44:02Are you sure about this?
00:44:03Rafi wants to do a favor
00:44:05I'm fine, honey, you were right
00:44:07Elena is a very good girl
00:44:09I feel terrible for having doubted her and for having become so jealous.
00:44:12Don't worry, you have no reason to feel bad, I assure you.
00:44:15Oh yes, darling, yes
00:44:17And I'm truly sorry.
00:44:19So now you're going with her
00:44:21because that girl needs
00:44:23is someone who can help him
00:44:25that protects him
00:44:26to give him a good hand
00:44:27And who better than your heart?
00:44:29And that's all there is to it.
00:44:30I'm in the mood for some fun tonight.
00:44:39The bad thing is that others do too
00:44:49Okay, look, here's the topic.
00:44:53It's not such a strong definition, but it's not an auteur film either.
00:44:56You have to see the things I have to see
00:44:58I find the ending for you
00:44:59in the end they hunt
00:45:00go to hell
00:45:01Here is your order
00:45:04fried egg with sausage, right?
00:45:05yes or yes
00:45:06It's already working
00:45:07take advantage
00:45:08Very good, Angela.
00:45:09see you later
00:45:14bye
00:45:14You don't see it, do you?
00:45:16You are what you eat.
00:45:42We didn't know it was coming out soon.
00:45:44Man, why am I making dinner?
00:45:45Look.
00:45:47Hey, where are you going with so many beers?
00:45:49Well, maybe a couple more people are coming.
00:45:52Like a couple more?
00:45:53Yeah.
00:45:53I see you with three prawns per head, Anchón.
00:45:55They might not come.
00:46:04Hello!
00:46:07We'll wait, we won't arrive soon.
00:46:09Well, it's not so much the speed as...
00:46:10What are you doing dressed like that?
00:46:12He's very handsome, isn't he?
00:46:13The member has lent it to a colleague who owns a fry shop.
00:46:15By the way, shrimp fry.
00:46:16It's really cool, he lent it to me in exchange for me promoting it.
00:46:26Oh, Iñaki, I'm not going to let him cut me off in the street, am I?
00:46:29No, I'm not in costume.
00:46:30It's because as the message has spread,
00:46:32Well, things have gotten terrible.
00:46:34You already know about word of mouth.
00:46:36Dolores, how many more mouths are we talking about?
00:46:44Hello, Iñaki.
00:46:46Hello, Iñaki.
00:46:52Hey, Elvis, look, you've killed it.
00:47:02No, not everyone has gone in yet.
00:47:04Who's missing?
00:47:05Hey?
00:47:06By...
00:47:07Come on, Iñaki.
00:47:08Have you joined the party too?
00:47:10Not me, no.
00:47:11Have you decided to do it?
00:47:12Because this is my party, with my crew.
00:47:17What's happening?
00:47:18We're going to have a good time, kid.
00:47:24Is there any beer?
00:47:26Is there anyone?
00:47:28This might have gotten a little out of hand, don't you think?
00:47:30It's not going to happen.
00:47:50Well, I've already done my part.
00:47:53Now it's your turn, eh, mate?
00:47:56Come on, let's go, kids.
00:47:57Okay, great.
00:47:59And you can sit down, very good.
00:48:01Come on, everyone.
00:48:02Because now, while everyone else is having dinner, I'm going to put on a movie.
00:48:06Good!
00:48:08And we really like that, don't we?
00:48:10Yeah!
00:48:11Very good, great.
00:48:25The mother who...
00:48:29José!
00:48:30Yeah!
00:48:40Hey, hey, hey, hey, hey!
00:48:43Girl, have you seen the trouble your fat friend is causing?
00:48:47All it needs is a foam cannon and two eggs.
00:48:51Either it won't have two, or it will have three.
00:48:53Come on, girl, let's go.
00:48:55I'm not going.
00:48:57I have no business being there.
00:48:58Girl, with all the people there, we'll find something, right?
00:49:02Hey, what are we doing there? Distracted?
00:49:06Come on, let's go.
00:49:07A tomato from the community statute.
00:49:10All the neighbors have the right to enter the entire fountain.
00:49:13That.
00:49:14I didn't know you were coming, have mercy.
00:49:16Pity? No.
00:49:18My worlds, my universes and my Aljarafés.
00:49:22And just so you know, my degree is real, okay?
00:49:24I got it in the 80s when curves and fans were still common.
00:49:29I hang up, I hang up.
00:49:30I have two nurses there who have just finished a drainage techniques course.
00:49:34No no.
00:49:36Wow!
00:49:36No, but they're top-notch professionals, aren't they?
00:49:40Don't hold back on these two, okay?
00:49:42They treat you like you're being drained or left drier than a damn raisin.
00:49:45That.
00:49:46I'm really glad Dolores stirred this up.
00:49:50That's enough of this bad vibe, isn't it?
00:49:52Okay.
00:49:53And Yagri, the little crayfish is very good, huh?
00:49:54What does he do with his head?
00:49:56Are you going to eat it or save it for nothing?
00:49:57I break their heads.
00:49:59Let's go to the bathroom.
00:50:01Isabelita, my dear, couldn't you find another costume?
00:50:03What are you saying?
00:50:04I'm feeling weak.
00:50:05Have you seen yourself?
00:50:06With so much straw, he looks like a lost soul.
00:50:08No, no, no, no.
00:50:09I'll do it...
00:50:09Hey, let's get out of here in the kitchen, I'm stuck on the countertop all day.
00:50:12Come on, the kitchen is where the cool kids hang out at every party.
00:50:14But, darling, can't you see that this house is open concept?
00:50:17Already.
00:50:18Yes, yes, it's true.
00:50:18You're right.
00:50:19Who wants to be cool?
00:50:21Wow, Elena, you look beautiful.
00:50:22Look at her, so pirate-like.
00:50:24You're bound to approach someone tonight, aren't you, Rafa?
00:50:27Well, he shouldn't come near me, because I've hurt him.
00:50:30So, how are you doing?
00:50:33She'll be a little bored.
00:50:34I'm sure you didn't know many people.
00:50:35Oh, good, enough.
00:50:36Ah, I haven't touched anything, I haven't done anything, I haven't done anything.
00:50:40What do you mean, nothing?
00:50:41What do you mean Simátima has all the gin and tonis?
00:50:43I'm going to have to have another drink.
00:50:46Ah, well I'll go with you.
00:50:47What a name, it's not necessary, really, I won't take any time.
00:50:50Do you want something?
00:50:51Ah, I do, but I don't know if they'll have what I like.
00:50:56Come on, dance.
00:50:58They say I'm good enough to eat, huh?
00:51:00Oh, look, they're calling me.
00:51:02Just a moment.
00:51:04I'm with you now, okay?
00:51:05Yeah.
00:51:06Shrimp speaks.
00:51:08Did I steal?
00:51:08But what the hell have you brought me, José?
00:51:10This is an animated movie.
00:51:12Cheerful!
00:51:13Ha ha, kid!
00:51:14That's the point, to get her excited about the topic that's been bothering you.
00:51:17But no, damn it, that cartoon parakeet!
00:51:20But then who has the other film?
00:51:23Go to hell.
00:51:25What a party poor Irene is missing out on!
00:51:28Yes, and it's pediatrics, too.
00:51:30Thank goodness he's going to put on a movie for the kids.
00:51:31which is like Anestesia Bayón, my three little creatures.
00:51:33The fact that?
00:51:34When you have children, if you want to read poetry,
00:51:35I can't see you, huh?
00:51:36Oops, oops, oops, sorry, I bumped into you with my foot.
00:51:38But there's no tension here, huh?
00:51:46Okay, kids, and now, since you've all been so incredibly good,
00:51:49Now we're going to see the drawings.
00:51:52And in English too, okay?
00:51:54So that you can start learning languages.
00:51:55Good!
00:51:56No, no, no, no!
00:51:59No, no, no, no!
00:52:00But, José, what are you doing?
00:52:01You're scaring him.
00:52:02No, I'm not José.
00:52:05Am...
00:52:06Little antenna, here I come to the part of tuning in with my antenna of imagination.
00:52:15Hello, Little Antenna!
00:52:16Hello!
00:52:17Clear!
00:52:18I'll grab you with a pair of tweezers!
00:52:19I'll get you!
00:52:20They're going to fall apart!
00:52:21Well, Antenita is going to stay with us all night in the world of imagination.
00:52:26Good!
00:52:27Maybe I can't!
00:52:29Yes, you can!
00:52:30And now we're going to make a whole hat, because Antenita is going to sing something for us.
00:52:33Oh, yes!
00:52:34Ah, how things improve, huh?
00:52:36Clear!
00:52:36Come on, watch your face, okay?
00:52:38Hey, hey!
00:52:39The song says...
00:52:42Shrimp, shrimp is being better.
00:52:45I'm a shrimp!
00:52:46No!
00:52:47I'm a lobster!
00:52:48No!
00:52:49I'm a shrimp!
00:52:50I'm a shrimp!
00:53:03Come on, what's wrong?
00:53:04Don't be Mormons!
00:53:05That zombie looks better than you guys!
00:53:08What do you want, you rascal?
00:53:09The first bachelor party I've ever thrown in Seville and...
00:53:12An ex is coming to visit me.
00:53:13Two exes.
00:53:14Look, what are you like?
00:53:16This is what happens when you plant the flag without having explored the area.
00:53:19Go Mike Gerson, go!
00:53:21Let's explore the bar cabinet!
00:53:26Oh, not even here!
00:53:28Hold my jacket for me, please, I've been needing to pee since I was a girl.
00:53:31If I take too long to come back from the bathroom, call the fire department, because I can't get my pants off.
00:53:35Okay, Olivia...
00:53:36You can help him too, okay?
00:53:39And you have plenty of experience downloading it.
00:53:40Yes, me, me, me!
00:53:42Carmen, turn it on!
00:53:45Yeah?
00:53:47An NGO?
00:53:49Which NGO?
00:53:51Oh, this is great!
00:53:53Tomorrow I'm going to disinfect the countertop just with my breath.
00:53:57That's something I can do to get you out of bed.
00:53:59Come on, let's go now, Isabelita, my daughter.
00:54:00Come on, let's go!
00:54:01Don't be a zeta on me, okay?
00:54:02The last time we went out, we danced the little birds.
00:54:05Well, dressed like that is what suits it.
00:54:07Beep, beep, beep!
00:54:07That I'm sick, that I have scoliosis and that my shoulder blade is broken.
00:54:10Come on, you've decided to do it, haven't you?
00:54:12It was a bit of a job.
00:54:13It's just that Rafi finds it hard to take the plunge.
00:54:16Oops!
00:54:16You said it.
00:54:17But in the end you end up liking it, right, Rafita?
00:54:19No, no, no.
00:54:20I don't like it at all, I don't like that thing about...
00:54:22Can I join?
00:54:23Of course, woman.
00:54:24There's always room for one more.
00:54:26What's up, bro?
00:54:27We're suffocating.
00:54:30Carmen.
00:54:31Tell me.
00:54:32Oh, thank you.
00:54:33What's this about you going to Africa with an NGO?
00:54:35I'm going for a rum and coke.
00:54:37Oh no, I'm not leaving.
00:54:39Of course, and that's why you've asked for an appointment.
00:54:42It was Elena.
00:54:43And what if I wanted to leave?
00:54:45No, well, nothing happens.
00:54:46But if you want, I also apologize for leaving Nurses Without Borders.
00:54:50What are you saying here?
00:54:51Well, I'm here giving in like an idiot so you can go put on band-aids in the Congo.
00:54:56Sorry, you apologized because you did something wrong.
00:54:59Yes, but I didn't do anything.
00:55:01It was your father.
00:55:02The one who shot Robert and the one who forged the damn thing.
00:55:04So why did you apologize to me?
00:55:06Because you have to lie to make a relationship last.
00:55:08Rafi told me.
00:55:08Or not, Rafi?
00:55:10Did you tell him that?
00:55:11Well, I told him that, but in other words, in another context.
00:55:15What have you lied to me about?
00:55:16Me?
00:55:16I?
00:55:17To you?
00:55:18When Elena kissed me.
00:55:21Okay, that's it.
00:55:21I've already said it, damn it.
00:55:23Oh, I forgot some ice.
00:55:24Well, bring the ice bucket that smashed it all over everyone's head.
00:55:28Isabel, calm down, calm down, it was me.
00:55:30It was me.
00:55:30He is not to blame for anything.
00:55:32The thing is...
00:55:33That I'm crazy about him.
00:55:35I like him, I like his nobility, I like his manliness, I like everything about him.
00:55:40Unless he's married.
00:55:41Well, don't worry.
00:55:43That from now on, that will no longer be a problem.
00:55:48It's the little candle of my innermost being.
00:55:51Don't touch me.
00:55:56Nena, Iñaki, can you make room for me in your house, please?
00:56:02I don't know, brother, ask him, Iñaki.
00:56:04Maybe he'll make room for you in the guest room.
00:56:06Car...
00:56:09Damn, crew.
00:56:10You're leaving more X's in Seville than in a football pool.
00:56:17Aparza!
00:56:18And impos.
00:56:22Iñaki?
00:56:24Oh, bring it home now
00:56:28I'm bringing it home now
00:56:51Baby
00:56:54Rafi, darling
00:56:56Isabel
00:56:56No, I'm not Isabel
00:57:01So what happened there wasn't a nightmare?
00:57:03No, well, less than José was a shrimp
00:57:07All real
00:57:08All real
00:57:09Baby, I have to go with you to Africa, okay?
00:57:12Isabel, when spiteful, is more dangerous than a deranged lion.
00:57:14Not to Africa
00:57:16But we're definitely going to Cádiz; we need to talk to Dad.
00:57:19Holy shit, today they're winning by a landslide!
00:57:27Hello
00:57:31Scandal!
00:57:33Get up, where's the stain remover?
00:57:35Hey?
00:57:36The stain remover
00:57:37Which stain remover?
00:57:38How should I know?
00:57:39I haven't come
00:57:40This cancer pain is not normal
00:57:43Let's see
00:57:45Miss Universe and the First Lady
00:57:47Get off my couch
00:57:51Your sofa? What do you mean, your sofa?
00:57:52Yes, my sofa
00:57:53I think I'm going to spend a good while there.
00:57:55Well
00:57:58Eh, agonies
00:57:58You and I are going to be so comfortable here
00:58:00Hey?
00:58:01Okay, leave it, Coldo
00:58:02Hey?
00:58:03And get the lemon off your face
00:58:04Are you exfoliating or what?
00:58:06Look, it's normal.
00:58:07But...
00:58:08What's wrong with him?
00:58:08Which lemon?
00:58:10The lemon
00:58:17No, damn it
00:58:19As?
00:58:20With the neurology department?
00:58:24Could you give me a phone number?
00:58:25Oh, sorry.
00:58:26It's me
00:58:27Yes, I am number
00:58:30There it is
00:58:32Oh, this day is going to feel so long.
00:58:34For God's sake
00:58:34Well, you shouldn't complain so much, okay?
00:58:36I'm so thirsty for all those little worms
00:58:38Come on, I'm about to open a path
00:58:39And for putting me on an IV drip
00:58:40From serum
00:58:41Whatever
00:58:42God, what a mess!
00:58:43I'm more tired than the mechanic of the Transformers
00:58:46But what are you saying? You left yesterday.
00:58:48During children's party hours?
00:58:49Oh, be quiet, be quiet
00:58:50Don't even say the word "childish," man.
00:58:51Children in the hospital have so much energy, don't they?
00:58:53Are they sick here?
00:58:54Because it seems that they are being inaugurated and enriched
00:58:56They're all great with me, you know?
00:58:58Well, they had me dancing for three hours
00:58:59The chichihuahua wearing this suit
00:59:01This really gets to me, doesn't it?
00:59:03Oh, the children, how lovely.
00:59:04But hey, you didn't miss much of the party, huh?
00:59:07One infidelity, two breakups
00:59:09And a very good water
00:59:11Agu?
00:59:12Iñaki, who again blamed everything on Carmen's father
00:59:15Yes or what?
00:59:16Did he provide any data to support the hypothesis?
00:59:19Well, it was actually Carmen who gave it to Iñaki.
00:59:21With the whole door slammed in their faces
00:59:23Because that's what I see in those people
00:59:25Less future than Google Glass
00:59:27Where is Carmen?
00:59:28It's your turn to talk to her.
00:59:29He's gone to the countryside
00:59:30To the countryside?
00:59:30To his father's farmhouse
00:59:32Talk to Don Antonio and see if they can clear things up.
00:59:34No, Antonio, that one isn't clear even with bleach.
00:59:36I'm not going to suck up to the care.
00:59:38Suck?
00:59:38And what do we do with the shrimp?
00:59:41Should we coat it in breadcrumbs for frying?
00:59:43A little tortilla, Dolores
00:59:45Well, I would eat one
01:00:13Okay, baby
01:00:15Interest and determination
01:00:16Keep your pulse and tone steady.
01:00:18Yes, Rafi
01:00:18But all I'm going to ask is what really happened.
01:00:21And what about the advice you give?
01:00:22You'd better shut your mouth.
01:00:24Well, I'll keep quiet.
01:00:25But I support you fully
01:00:26Oh, one thing
01:00:27Stay calm
01:00:28And above all
01:00:29Don't give up
01:00:30Okay
01:00:30Come on
01:00:31So let's go upstairs, shall we?
01:00:38Man, my little calf
01:00:39What's happening?
01:00:40Is it my birthday today or what?
01:00:41No
01:00:41Isabel has left me
01:00:43What?
01:00:44Wow, what poise he has!
01:00:46And you, of course
01:00:47This is going to give me double the grief.
01:00:48Telling me you've gone back to the cook
01:00:50True or not?
01:00:51Father
01:00:51I've come so you can tell me what happened.
01:00:52What really happened
01:00:53I need to make decisions.
01:00:55He's going to Africa, huh?
01:00:56San Sebastián is a walk in the park compared to this.
01:00:58Brother, are you coming to help me?
01:01:00Raciones
01:01:00Behave yourself like a man, Joe.
01:01:02And sort things out with your wife.
01:01:04And as for Iñaki
01:01:05Everything has already been said.
01:01:06There's nothing more to say.
01:01:22Come on, Gregory
01:01:23It's already something to be grateful for, having a decent guy.
01:01:36Wow, man
01:01:37I haven't even been here a minute
01:01:38Making decent
01:01:39And it already dragged me down into the shit
01:01:41No, man
01:01:49I don't know
01:01:51But what is this doing here?
01:01:53Or apart from catching all the bases along the way
01:01:55I'm shaking my ass like a crazy gorilla
01:01:57He said something that he hadn't said in a while.
01:01:58What he must have said
01:01:59So, what the hell are you going to do, huh?
01:02:01Here in the countryside, it's best to be stealthy.
01:02:03Lest some wild beast be awakened
01:02:05Well, Don Antonio
01:02:06Don't make it any harder for me.
01:02:07That you and I know
01:02:07That we are doing the right thing
01:02:08What the hell happened?
01:02:10I'm not up for any more misery, you know?
01:02:12That?
01:02:13Is this José speaking?
01:02:13What happened?
01:02:15Father, please
01:02:16Don't look at it that way
01:02:17It looks like you're going to rip it out.
01:02:19Well, Iñaki was right.
01:02:20Okay?
01:02:21May it help your father
01:02:22To pass the eye tests
01:02:23That's it, I've said it, damn it
01:02:24And the money he gave me
01:02:25Here it is
01:02:26I'll give it back to you.
01:02:27Stick the money up your balls
01:02:29Father, please
01:02:32So, it was you.
01:02:33The one who shot Robert
01:02:34Accidentally
01:02:36Hey?
01:02:36Accidentally
01:02:37Let's see
01:02:38Who would think of that?
01:02:39Get ahead and hide
01:02:40Behind some bushes, for God's sake?
01:02:41If only the people of the City
01:02:42He gives her two mastic trees
01:02:43And Oremu loses, damn it!
01:02:45Yeah, yeah, yeah
01:02:45And a stubborn father
01:02:46You give her a wonderful boyfriend
01:02:48He goes ahead and becomes insane
01:02:50So you're back with him, right?
01:02:51Yeah
01:02:52My boyfriend
01:02:53And your son-in-law, father
01:02:54So get used to it.
01:02:57Well, that way we're less alone
01:02:58At Christmas
01:02:59That now there are fewer of us.
01:02:59The man cooked very well.
01:03:01Rafi, damn it!
01:03:03Come on, let's go
01:03:08Well
01:03:12You don't like it here, Fanega, huh?
01:03:15How vast
01:03:18Antonio, come on, that's enough.
01:03:19Man, that's enough.
01:03:20If you know that Iñaki
01:03:20And her daughter loves each other.
01:03:22If a blind person is going to be like that
01:03:24Sorry
01:03:24I didn't want to rub salt in the wound.
01:03:27And how are you doing?
01:03:29Stagnant?
01:03:30What about me?
01:03:30Because?
01:03:31Okay then, Sara, run!
01:03:32If you don't want to take a souvenir
01:03:34Of this immensity, damn it
01:03:35The fence, man, but, man
01:03:36You don't make it cornery
01:03:37Come on, yes
01:03:37But wait, Antonio!
01:03:40But wait, Antonio!
01:03:41Hey there, you old gossamers!
01:03:44Have you seen it, Lucero?
01:03:46These city people
01:03:47He can't tell the difference
01:03:48A bull from a cow
01:03:50Here goes
01:03:50Yes, hehehehe!
01:04:08and
01:04:14and
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01:07:13and
01:07:13Five minutes.
01:07:20Well, better yet.
01:07:28What are you doing?
01:07:30Well, take advantage of the situation a little, won't you?
01:07:32I didn't grasp the situation.
01:07:34You've already taken full advantage.
01:07:35That it wasn't me.
01:07:36It wasn't me.
01:07:45There you go, do something.
01:07:46Oh, gossip.
01:07:48And move it, Anchón, because with how slowly you're going we're going to have to make a fuss to a judge.
01:07:52There are good asparagus today.
01:07:53Yes, and a good aqueduct in Segovia too.
01:07:55If you want, we can take some stones in the trunk.
01:07:59Come on, Coldo.
01:08:00We have now completed the emotional support mission.
01:08:02It almost cost me my liver, but God, we did it, huh?
01:08:05Well, you'll recover at home.
01:08:07Hey, Anchón, there with...
01:08:08God, with the fresh air, the food and the greenery, that takes everything away, damn it.
01:08:13If that's paradise, there's no better place than kissing.
01:08:15Come on, let's go.
01:08:16No.
01:08:19Hey, I'm not going, I'm staying.
01:08:23Look, I have a job here and they're bringing me the sofa tomorrow and...
01:08:27And well, maybe then...
01:08:29Fuck.
01:08:30We're like a game of Parcheesi.
01:08:32They always have to send one of us back to square one.
01:08:35Come on, to the crew.
01:08:40Have a good trip.
01:08:45Shell.
01:08:46Poliqui, huh?
01:08:56Hi, girls.
01:08:57Angela, darling.
01:08:58The shifts.
01:08:59I'm sorry, but this time you've been assigned emergency services.
01:09:01Well, it's okay, daughter.
01:09:03It's definitely quieter than a Saturday at home with my kids.
01:09:05Hey Carmen, can you put me on call in pediatrics again?
01:09:08At last.
01:09:08But you're crazy, you want to go there voluntarily.
01:09:11Yeah.
01:09:11Oh, and put José in too, okay?
01:09:12I promised the children that I would come to Antenita to tell her a story.
01:09:15Well, you have no idea how much influence he has with them, huh?
01:09:18Oh, this is José.
01:09:21Man, look, it's the Angelina Jolie of the hospital.
01:09:24For being humanitarian and for being a breakup.
01:09:26Carmen, I'm truly sorry, I just wanted you to have an adventure.
01:09:30Already.
01:09:32Don't worry, you were right, I had to do something with my life.
01:09:35I called your friend.
01:09:36Oh really?
01:09:36Yeah.
01:09:37Okay, so what are you going to do?
01:09:38Because I can't see Iñaki serving pintxos to the helm and boom.
01:09:41No.
01:09:43I've had a much better idea.
01:09:46What do you mean, a cooperation project, Carmen?
01:09:48Let's see what we can help with from here.
01:09:50We can bring in patients who need treatments and interventions.
01:09:54We can create an eye surgery program for children.
01:09:57How lovely, Carmen.
01:09:59No, no, yes, I think it's a great idea and...
01:10:01Yeah.
01:10:02Did you know?
01:10:02That?
01:10:03We can set up a chocolate fountain at the entrance.
01:10:05So, like Hansel and Gretel.
01:10:07No, I knew this wasn't going to be easy.
01:10:11Okay, Trini, I'll explain it to you in your language, okay?
01:10:13What am I saying, little star?
01:10:15Big stars.
01:10:16The sky for your medical blog.
01:10:18Prestige.
01:10:20Advertising.
01:10:21No, no, I think it's a good idea.
01:10:24Yeah.
01:10:24The thing is, for that we need to create contacts with the country.
01:10:28Yeah.
01:10:28And the truth is that I don't really know how to carry out that type of procedure.
01:10:31We already have the contacts.
01:10:33Yeah?
01:10:33Yeah.
01:10:34Carmen, I want you to bring me a detailed report so I can present it to the Board, because if
01:10:38No, I don't know how I can justify it.
01:10:39Okay, here's your report.
01:10:41I was wondering why you weren't involved in this matter.
01:10:43Come on, Trini, you know it's a very good idea.
01:10:48Okay, fine, that's all right.
01:10:50Alright.
01:10:51But let one thing be clear to both of you.
01:10:52We are going to help people.
01:10:54No bringing rhinos with broken horns or anything like that.
01:10:57Fiance.
01:11:08So you arrived safely?
01:11:10Oh, and Marichu?
01:11:13And did he take it well?
01:11:15Fuck!
01:11:15You can see he's getting older.
01:11:18Yeah.
01:11:18Who, me?
01:11:19Nothing, just a little movie and off to bed.
01:11:22Yeah, man, what do you want?
01:11:23We have to get up early tomorrow.
01:11:24Come on, gang, bye.
01:11:41Goodbye, doctor, you're such a snob.
01:11:43Hello.
01:11:45Heart.
01:11:49But what the hell?
01:11:55Rafi, I can't, I can't, I can't.
01:11:57I can't sleep with Iñaki, with my sister.
01:11:59I can't stand their happiness.
01:12:00I was just about to leave.
01:12:02Sure, you have fun.
01:12:04I'll keep the house for you.
01:12:05Because I haven't been able to save my marriage.
01:12:08Okay, are you alright?
01:12:09Yes, yes, perfectly.
01:12:10Just one question.
01:12:12From your point of view as a doctor.
01:12:13From what height do you have to fall
01:12:14to achieve an immediate cessation of brain activity?
01:12:22No.
01:12:23Shots are allowed.
01:12:26Canal Sol is showing a western.
01:12:30Gia.
01:12:36Look.
01:12:37Valentine's Day.
01:12:39Does he see it?
01:12:40No.
01:12:41You don't mind being alone today, do you?
01:12:42Today?
01:12:43Impossible.
01:12:44And so?
01:12:46Well...
01:12:46Because I have very important things to do.
01:12:48We don't need that, do we?
01:12:52Well no.
01:12:53That's not the Marquis of the clinic.
01:12:55What the hell are you talking about with marquesses?
01:12:57Stay here.
01:12:58I told him not to come.
01:12:59I was already here.
01:13:00So, how's the hipster doing?
01:13:03It's true.
01:13:04It's absurd.
01:13:05It's absurd that they even give it to you for free.
01:13:06a shitty bouquet of flowers.
01:13:08Because what do I do now?
01:13:09I don't have time.
01:13:10Well, you'll see.
01:13:11But it's testing you.
01:13:13Oh, I don't know.
01:13:14Don't believe it, Carmen.
01:13:15Maybe he's excited about it.
01:13:17But think that you're not excited about it.
01:13:18I don't want to put any more pressure on you, Iñaki.
01:13:19But these kinds of details
01:13:21They put relationships at risk.
01:13:23Why doesn't he do that Basque dance for her?
01:13:25He...
01:13:25The churresco.
01:13:26But you need an athletic body.
01:13:29Hey, Gordo,
01:13:29I have to inform you
01:13:30that I in school
01:13:31She was the best at spreading her legs wide.
01:13:34Elena, what do you think?
01:13:36In what sense?
01:13:37Well, as a woman, kid.
01:13:38Ah, well, I don't know.
01:13:40She's pretty, isn't she?
01:13:41Two days surrounded by doctors
01:13:42And he's going to trust me as a warden.
01:13:43Nothing beats sleeping in your own bed
01:13:45and stop seeing each other for a while.
01:13:47Come on, doctor.
01:13:48Don't tell me he doesn't miss it
01:13:49my morning care.
01:13:51I now work at this clinic.
01:13:53and they have asked me
01:13:54that completes the diagnosis.
01:13:56Excuse me for interrupting.
01:13:57So who's going to be my doctor?
01:13:59I.
01:14:01I.
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