Allí abajo - 4x02 - El regreso de la hija pródiga - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Ver Allí abajo - 4x02 - El regreso de la hija pródiga - HD 1080 - Aquellas Maravillosas Series en Dailymotion

Transcript

00:00:00Who is that Sevillian woman with the sweet, velvety voice, that rogue?

00:00:02Her ex!

00:00:03We've only been here two days and this feels like a move.

00:00:05If the girl is not baptized from the north.

00:00:07Reservation and menu confirmed.

00:00:09No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

00:00:11no, no, no, no, no, no, no, no, no, no, no.

00:00:11I bet you don't know where the manager is?

00:00:13Don't tell me it's in Logroño.

00:00:14Oh, really?

00:00:14It might sound crazy, but we could hold the christening here.

00:00:18That?

00:00:18How are you?

00:00:19Good, good, much better than the last time we saw each other when you said goodbye to me, remember?

00:00:23In the last week alone, three doctors have left, and the new director is taking them with him.

00:00:27La Flore clinic.

00:00:29She looks really pretty, doesn't she?

00:00:30Trini has a toto.

00:00:32He sends you those emails unintentionally.

00:00:34You're going to keep passing me information.

00:00:36And if all this comes to light and people find out, if I were you I'd say goodbye to ever coming back.

00:00:40to work on your life.

00:00:41When were you going to tell me that the Calla is being sold to set up a surf school?

00:00:46We're going to celebrate the feast here, in the Calla.

00:00:48Is this for my daughter?

00:00:50All!

00:00:50Including your friend, enemy, boss, and lover, right?

00:00:54I mean, with chanes.

00:00:55I have to get baptized.

00:00:56Well, get used to the idea, with this fever at most a cold shower is appropriate.

00:01:00So we have neither a godfather nor the missing priest.

00:01:05When did you find out about Calla?

00:01:07What's for sale in Calla?

00:01:08Don't you have a priest?

00:01:09Yes, I do have a gynecologist who can cover you, even if it's just for one or two months until you find something.

00:01:13more fixed.

00:01:14If a good offer is made to chef Arzac to keep Calla as a restaurant...

00:01:19And who is making the offer?

00:01:21Do we have a new director?

00:01:23Yeah.

00:01:24Oh, I'm worse than a sardine ice cream.

00:01:28Now that Iñaki is going to buy the Calla, it's normal that you live here.

00:01:31As?

00:01:31I'm sorry, Iñaki, but I don't intend to give this up.

00:01:34Well, I'm sorry, Carmen, but I can't either.

00:01:36Carmen, we really can't solve this like two adults.

00:01:39Do you want to stop and talk?

00:01:40I'm sorry, Iñaki. If you want to talk to me, it should be through a lawyer.

00:01:59Thank you!

00:02:17That the cost was something I could have easily done on my own.

00:02:20Yes, yes, yes, yes, I know you can do things on your own without consulting anyone.

00:02:23Sorry?

00:02:24Look who's talking, the one who decides to buy a bar like this, on his own.

00:02:28No, no, no, no, that's not how it was.

00:02:29Okay, I was going to consult you, but you've already decided to be the director of the clinic.

00:02:33Sorry?

00:02:34Look, look, look, look, we've already come to the little couple for the christening.

00:02:39Hey, did you bring us any souvenirs from the north?

00:02:42What do I know?

00:02:43A chistorra sausage or a ribeye steak.

00:02:46For example, the important thing is, there was a kiss, right?

00:02:49But it was a christening, not a wedding.

00:02:52And?

00:02:53There was a cure, wasn't there?

00:02:54Was the girl going to wear white or was that it?

00:02:56Carmen, you do speak, right?

00:02:58You have faces tighter than asses.

00:03:01No comment.

00:03:03Oh, oh, oh, oh, oh, oh.

00:03:06It seems to me that these people have sold the exclusive story, Lola, huh?

00:03:10You should have let us know and we'll give you a free pack of salt for your christening.

00:03:14You are, you are!

00:03:16Bye, bye.

00:03:19Hey, hey, Carmen, Carmen.

00:03:21Elaya, who came with me, right?

00:03:23Is it her turn to breastfeed?

00:03:24Do you give it to him?

00:03:40Wait, crew, I'll put you on video.

00:03:44Ah.

00:03:45Hey Iñaki, how are you? How are you?

00:03:47Well, I don't know, less tight than you, who leave nothing to the imagination.

00:03:50What are you doing?

00:03:51We are training hard for the rowing regatta.

00:03:54I've gone back to the gym to strengthen my muscles.

00:03:56Look, watch out, I'll give you a piece of my mind, okay?

00:03:57I told the lazy one to buy royal jelly for the extra effort.

00:04:01If the street is going to have the best owner, it'll have to have the best team, right?

00:04:05Good!

00:04:06Good!

00:04:07Good!

00:04:08No, look, let's not get ahead of ourselves, okay?

00:04:10That has been moved to pending tasks.

00:04:11First I have to reconcile with Carmen.

00:04:13Is she still angry?

00:04:15I don't know, tell your lawyer.

00:04:16He doesn't talk to me.

00:04:16Don't be such a worrywart, man.

00:04:18That happened to me with Izasko's divorce; I could only talk to her lawyer.

00:04:21In the end we became such good friends that she invited me to her daughter's communion.

00:04:24Yes, I know, Coldo, but in your case at least there were no children involved.

00:04:28And just thinking that I'll see my little girl when and how a court order dictates.

00:04:33Cheer up, Iñaki.

00:04:34This is like rowing.

00:04:35When the water is choppy, the trainera doesn't move forward.

00:04:38We have to wait for things to calm down.

00:04:39Yes, but this is not a tidal surge.

00:04:41This is the Cantabrian gale.

00:04:44A subramín.

00:04:44If I were a Basque woman, I wouldn't say no.

00:04:46But being like that Andalusian woman, you know they're just hot-headed and then it passes...

00:04:51Well, what a great group.

00:04:53Hey, and let's win at rowing, okay?

00:04:54Cheer up.

00:04:55To the oars?

00:04:57We are fighting.

00:04:57To the oars!

00:04:58To the oars!

00:04:59Where have we ended up?

00:04:59To the oars, God!

00:05:01Ah!

00:05:11Yes, darling, I'll feed you right now, my love.

00:05:14I'll feed you right now.

00:05:19Are you coming for the beech tree?

00:05:21No no.

00:05:21I can't believe it because I haven't even had time to take my breast out yet.

00:05:24No, no, no.

00:05:25I just want to talk.

00:05:28May I come in?

00:05:33Look, Carmen.

00:05:36I think a number of hasty decisions have been made.

00:05:39that do not benefit you,

00:05:41They don't benefit me.

00:05:42but above all they do not benefit the beech tree.

00:05:45Already.

00:05:46Yeah.

00:05:47That's why I believe that leaving our daughter's future in the hands of strangers is wrong.

00:05:53It's not the best option.

00:05:54I thought we could organize ourselves, huh?

00:05:58I could have her at the bar in the mornings

00:06:00until my mistress arrives

00:06:01and then you in the afternoons when you leave the clinic.

00:06:04Yes, I see flaws in the plan too.

00:06:06But Carmen, I'm trying to be fair.

00:06:09No, Iñaki, please, the girl bit my chest.

00:06:12Oh.

00:06:15And when you buy the calla lily, what then?

00:06:16To get the calla, I'll first have to get the money.

00:06:19Anyway, I have to tell you

00:06:21I don't like the idea of lawyers either.

00:06:23Oh, thank you, Carmen.

00:06:24Look, you'll see how we get organized

00:06:25as the responsible adults that we are.

00:06:28Ay, cuchi, cuchi.

00:06:29Hey!

00:06:30Iñaki, please, I'm feeding the baby.

00:06:32Yes, I see that too.

00:06:33I'll bring it to you when it's cooked.

00:06:34with the gases out of the taps.

00:06:37Hey, what about the diaper change?

00:06:40Don't be cheeky.

00:06:49Hey, Ana Mari, what is it?

00:06:50That?

00:06:51Vigo, you're moving.

00:06:53What a morning of moving furniture!

00:06:57What are you saying?

00:06:59Ana Mari is a little crazy, you know.

00:07:02Sabine!

00:07:02That?

00:07:03Oh, it's gotten into our house!

00:07:04What are you saying, woman?

00:07:06Get in the back, I've got your back.

00:07:07What are you saying?

00:07:08Come on, let's go up.

00:07:09Oh my God!

00:07:09Come on, let's go!

00:07:10Oh, Sabino, be careful with the oar, or I'll get a nasty shock!

00:07:12Sabine!

00:07:13Oh, Jesus, my son!

00:07:15You look like the churnor and his khaldun!

00:07:16Let's take the pig!

00:07:35Stop the name of the sow!

00:07:38Daughter!

00:07:39Pirechu!

00:07:40Surprise!

00:07:55How does this sound for the first day of work?

00:07:59Too serious, don't you think?

00:08:00And this?

00:08:04Too informal.

00:08:05They should have to make sure everyone who's a director wears a uniform.

00:08:11Yeah?

00:08:12Can?

00:08:13Happens!

00:08:14Damn it, Carmen, what if I have to wait for you to bring it to me?

00:08:17I'm sorry, are you going to be saved now?

00:08:18Yes, late.

00:08:20As usual?

00:08:21Oh, oh, oh!

00:08:22Oh, oh, oh!

00:08:23Oops!

00:08:24Hey, what about the pendant that the gang gave him?

00:08:27The one of the Virgin of the Blue Dance?

00:08:30The pendant?

00:08:31Hey?

00:08:32I took it off him.

00:08:34The chain was very long and I was afraid it would choke.

00:08:37You know.

00:08:38Security.

00:08:39Hey, look, I've noticed that this...

00:08:42Given that?

00:08:44Should I take it off too?

00:08:45The little dew medal that the girls gave them.

00:08:49Yes, security.

00:08:51Security.

00:08:51Do you know why?

00:08:51Because it's so bright.

00:08:53And suddenly the sun might hit her, reflecting off the girl.

00:08:55And of course, the girl is cross-eyed and doesn't...

00:08:59In the end.

00:09:00Security.

00:09:01Okay.

00:09:04Thank you.

00:09:04Goodbye, Carmen.

00:09:06Stain!

00:09:08And here?

00:09:09No, man, one more mile over there.

00:09:11No, to the other side, over there, to the other side.

00:09:13No, you can't see the faith that the director has.

00:09:15Look, you have to see the bad temper of four guys who can't even put up a sign, huh?

00:09:18Well, you come with your friends and do it.

00:09:20No, I'm feeling unwell.

00:09:21I'm...

00:09:22Oh, oh, oh, oh, oh, oh.

00:09:23But what's going on here?

00:09:24Oh, oh, oh!

00:09:24It was me, I'm the hairdresser.

00:09:27Oh!

00:09:27And my pretty little slut.

00:09:29What else is there?

00:09:30Was?

00:09:31Hey, ñaqui.

00:09:31And what about the little medal of the Virgin of Rocío that we all chipped in to give her?

00:09:34Yes, yes, yes, yes.

00:09:35It's true there was a medal, wasn't there?

00:09:37That...

00:09:37Uh!

00:09:38Well, maybe they're taking advantage of him...

00:09:40Why don't you ask Carmen instead?

00:09:42Where is the most beautiful thing?

00:09:43Hey?

00:09:44What about your little José?

00:09:45What's up, what's up, what's up?

00:09:46What about you, what about you, what about you, what about you?

00:09:50It has to be here by now, right?

00:10:01Thank you very much, sir.

00:10:05Horacio, darling, forgive me, forgive me.

00:10:08My first day was already late, a total failure.

00:10:11But until I finally made up my mind...

00:10:13What do you think?

00:10:17Lovely.

00:10:19But because of the suit or...

00:10:20In other words, do you think it's appropriate?

00:10:22Ah, the...

00:10:23The suit, the...

00:10:25The phenogenial.

00:10:26The suit, I mean, phenomenal.

00:10:27You mean?

00:10:27It's not great.

00:10:28Well, yes, it's kind of phenomenal, it's kind of great.

00:10:31It's a bit of a strange thing, but I like it.

00:10:33Good.

00:10:33I like it, yes.

00:10:34Yes please.

00:10:35The fringes are with him too.

00:10:37Excuse me, tell me, Rafi.

00:10:39Sorry?

00:10:40No.

00:10:40Rafi, please.

00:10:42But what kind of image am I going to project if the first thing I do on my first day as director is go to the

00:10:46bar.

00:10:47No, no, no, no, darling.

00:10:48You're not going to take my baby away from me, are you?

00:10:50Hi how are things?

00:10:52Oh...

00:10:53Ah, yes, I've already done it.

00:10:54Horacio, you want a little coffee, right, darling?

00:10:56I'd like a little coffee, right, darling?

00:10:58Uh, Carmen, yes.

00:10:59I'm going there.

00:11:00Yes, I'm going there.

00:11:03Oh, uh...

00:11:04Just a second.

00:11:05Ah, ah, ah, ah, I'm coming.

00:11:05Goes?

00:11:06Yeah.

00:11:09Hello.

00:11:09Hey, hi Carmen.

00:11:12Oh, uh, Laia is asleep.

00:11:14Yeah, Rafi has...

00:11:15Okay, Rafi, Rafi, what?

00:11:18I don't see Rafi.

00:11:19I can't see Rafi because I'm alone.

00:11:21Well, me and this sandwich.

00:11:24Ah.

00:11:26Me and this sandwich.

00:11:27Uh-huh.

00:11:29Me and this sandwich.

00:11:30This sandwich, sandwich, sandwich, sandwich.

00:11:35Welcome!

00:11:35Get me ready!

00:11:41Welcome!

00:11:42Welcome!

00:11:43But, but, but...

00:11:43Welcome!

00:11:44Pe, pe, pe, pe, but please, guys, what...

00:11:45What's he doing with this circus, man, huh?

00:11:47This is a hospital, not Chiquipar.

00:11:49Please put this mess away.

00:11:54What a joke, I'm the director!

00:12:00Let's see!

00:12:02I thought the position had gone to your head, huh?

00:12:04Not yet, give me a few months, you'll see.

00:12:06So, how are you?

00:12:07Are you already on the rise?

00:12:08Ah, the director has already gone out to work.

00:12:09I'll free up the bed for you shortly.

00:12:11No, man, that's not why I'm saying it.

00:12:12I say this because the first thing I plan to do is

00:12:14as director, apart from redecorating

00:12:17my office and forward it to you.

00:12:18What do you think?

00:12:19What are you saying?

00:12:21What you hear.

00:12:22Unless you have something else.

00:12:23What am I going to have?

00:12:24If I have the unemployment card with the most stamps

00:12:26Willy Fogg's passport.

00:12:31Hello.

00:12:32Hello.

00:12:33There you go.

00:12:34Now that's a surprise!

00:12:35and not what we just organized.

00:12:36Yes, guys.

00:12:37He's coming to replace the gynecologist.

00:12:39Trinita stole from us.

00:12:41Hey, well, nothing.

00:12:42Welcome to the clinic, huh?

00:12:43Very good.

00:12:44Here we'll treat you like family.

00:12:46You have nothing left.

00:12:48Oh, Cormencita,

00:12:49You don't know how happy we are

00:12:50that you are the new director.

00:12:51Look, I made the confetti myself.

00:12:52with the Trini circulars.

00:12:54Look, be quiet, be quiet.

00:12:55Leave the Trini on the shovel.

00:12:56The important thing is that you are here,

00:12:57that you're going to be the director

00:12:58And that we'll see Trini again.

00:12:59in life.

00:13:00Isn't that right, Dolores?

00:13:01Yeah.

00:13:03Trini...

00:13:03I don't even remember the name.

00:13:06It's absolute.

00:13:14Yes, man, it was about time.

00:13:20Look, when I worked here

00:13:22He wouldn't let me talk on the phone, huh?

00:13:24And now I have to pick it up whenever you want,

00:13:25Well, that's called inconsistency.

00:13:27No, Dolores.

00:13:29That's called blackmail.

00:13:30And someone is supposed to...

00:13:32He had to give me information about the clinic.

00:13:34Or have you forgotten?

00:13:35No, no, no, no.

00:13:36Not at all, not at all.

00:13:37But I can't right now.

00:13:38I'm really busy with, well,

00:13:40arrival preparations

00:13:41of the new director.

00:13:43New director?

00:13:45Do you have a new director?

00:13:47And can we know who it is?

00:13:50Look, Trini,

00:13:51I don't care about the blackmail.

00:13:53I don't care, okay?

00:13:54Or you can find a Ouija board for yourself.

00:13:55because I don't intend to say anything,

00:13:56I am all tomb.

00:13:57Carmen is the director.

00:13:59Carmen is the director!

00:14:01Carmen is the director!

00:14:03Carmen.

00:14:06So Carmen is the new director

00:14:08from the clinic.

00:14:09That's good to know.

00:14:12Thank you very much, Dolores.

00:14:13You're a sweetheart.

00:14:15Carmen is the director!

00:14:17Carmen is the director!

00:14:18Carmen is the director!

00:14:20Once my mouth fell off?

00:14:25Oh boy, it's about time!

00:14:26Come on, grab your suitcase

00:14:28And we're whistling to the street.

00:14:29Begocho and Miren are going there.

00:14:31I want to tell you two things.

00:14:32One, I'm not going to receive Miren

00:14:34because I have some errands to run

00:14:35important things he does, okay?

00:14:36And two, I haven't packed my suitcase

00:14:38because I'm going to stay here,

00:14:40in San Sebastián.

00:14:41As?

00:14:42Yes, Dad, yes.

00:14:43I'm going to stay here

00:14:43to forget Trini.

00:14:45It's because in Seville

00:14:46Everything reminds me of her.

00:14:48The restaurants,

00:14:48to those of us who were going,

00:14:50the streets we walked along,

00:14:51happy.

00:14:53His name placed

00:14:54on the office plaque.

00:14:56I hope this isn't an excuse.

00:14:58so as not to recognize

00:14:59that you don't know how to pack a suitcase.

00:15:01I admit I don't know how to pack a suitcase.

00:15:03Dad, but that's not it.

00:15:04The thing is

00:15:05I need to distance myself.

00:15:07so that my mind can escape

00:15:08and don't stay entrenched

00:15:10in the well of heartbreak.

00:15:12Forgive me.

00:15:23Stretch.

00:15:24That's not how you read it.

00:15:24Do you each jump?

00:15:25on your side

00:15:26or I don't know...

00:15:26Millo!

00:15:28But what little foundation there is,

00:15:29please.

00:15:30Get that right,

00:15:31who is my niece

00:15:31and not a space station.

00:15:33Hey?

00:15:34Ah, look.

00:15:34Ha!

00:15:36But if you throw...

00:15:37Put it down there, man!

00:15:38You're going to make a mess of everything.

00:15:40And then you'll get all fussy.

00:15:41and it falls off a little bit

00:15:42cork to txakoli.

00:15:44Well, everyone here knows.

00:15:47Okay, we're all here now, right?

00:15:49Well, no, not all of them.

00:15:50My ñaqui is missing.

00:15:51Well, no,

00:15:52Let's take things out

00:15:52Crazy too, huh?

00:15:53Look, he's going to be here for a few days,

00:15:54In other words, there's time.

00:15:56And here it is.

00:15:57in two days

00:15:57to sign the papers

00:15:59from here in Calla.

00:16:00Hush, hush?

00:16:01Yes, Benito, from the quiet one.

00:16:02What, no, coscaller?

00:16:03Coming?

00:16:04Hey, listen!

00:16:05Shh!

00:16:08He's coming, love!

00:16:10Get down, get down!

00:16:12Lower that, freak.

00:16:13Hey, excuse me, crew,

00:16:14I was so scared.

00:16:15Hey, do you recognize his look?

00:16:17You have no shame.

00:16:25What is it that's pulling a gun on you?

00:16:27Hocilla!

00:16:28Hocilla!

00:16:28Hey, hey, hey!

00:16:32Hocilla!

00:16:35Hocilla!

00:16:36Hocilla!

00:16:37Hocilla!

00:16:37See you later!

00:16:38There!

00:16:39You look just as I remembered you!

00:16:41No, no, no, I'm much better.

00:16:42You look beautiful!

00:16:43You look beautiful!

00:16:45Hey, crew!

00:16:46Yes, me too!

00:16:49Oh my God, you've grown so much, you look gorgeous.

00:16:52So, what's new? Have you left any boyfriends in Canada?

00:16:55Oh, no way. You're ahead of me there, huh? Two weddings already.

00:17:00Well, well. And I see that beauty in this family is hereditary.

00:17:04Thank you.

00:17:05Oh, eh, don Juan, eh? Gentleman.

00:17:08What's up, gang? Or have you grown up too, huh?

00:17:10Yes, in every sense. Well, Ancho Gracia lives up to its name now.

00:17:15What? And what brings you here?

00:17:16Yes, it's very cold there.

00:17:18For a Basque woman? Here goes.

00:17:21Things are going great for me there, but well, I miss the warmth of my people.

00:17:25And how did my job interview go here?

00:17:27Well, the girl is very well prepared.

00:17:29Oh, they're all raffling him off, you know?

00:17:30Well, she's very well prepared.

00:17:31How does he have two master's degrees?

00:17:33Mom, please, three.

00:17:36Three? Three, it has three.

00:17:37That's what I said, three.

00:17:38Did you say two?

00:17:39Three. And he works at the best law firm in Canada.

00:17:42But you live in Canada.

00:17:46The center?

00:17:47Yes of course.

00:17:54They're from the firm, which means they can't live without me.

00:17:58I'll call them later.

00:17:59Well, I'm sorry to interrupt this reunion, but we're going to call each other and, damn, we'll miss our flight.

00:18:04But do you have to leave now?

00:18:05Oh, well yes, my child, there's no other way.

00:18:06We're going back to Seville to take care of my granddaughter.

00:18:08Oh, be quiet, Iñaki de Aita.

00:18:11The one who couldn't sleep because he was partying all night, no longer has the party at his house.

00:18:16Oh, you see how life changes.

00:18:18Oh, but you can't leave now.

00:18:20Stay, even if it's just for one more day, at least.

00:18:22Sure, woman, if it's just for one day, I'm sure Iñaki will manage.

00:18:25Clear.

00:18:26Yes, ma'am, don't worry, I have everything under control.

00:18:29But are you sure?

00:18:30Iñaki, how obvious is it that you're a father?

00:18:32Now we have to ask your permission?

00:18:33Yes, cousin, yes, you've had to ask for a lot of permission to do whatever you want.

00:18:37Come on.

00:18:38Oh, always trying to destroy my reputation as a good girl.

00:18:42Of course, because it's fake, because it's faker than supermarket baby eels.

00:18:47Hey, love, look, I'll see you the day after tomorrow, okay?

00:18:49And you, when I get up there, you slut.

00:18:52Hey, behave yourselves and get home soon, okay?

00:18:54Okay, but are you sure you can manage?

00:18:56Yes, yes, yes, come on, everything is under control, like I told you, okay?

00:18:59Come on, goodbye, mistress.

00:19:00Come on.

00:19:01Goodbye.

00:19:03Goodbye.

00:19:25Can?

00:19:27Clear.

00:19:27My God, I don't see how good, how deadly, huh?

00:19:31Everything's great, man.

00:19:33Oh, not you.

00:19:34Uh.

00:19:36That?

00:19:39Don't you notice?

00:19:40The fact that?

00:19:40It doesn't smell like sulfur here anymore.

00:19:42Ah.

00:19:43What's wrong, do you regret it and now you love me or what?

00:19:45No, quite the opposite.

00:19:47You have to wake up tomorrow.

00:19:49It incorporates you.

00:19:50Hey?

00:19:51Here is your registration.

00:19:52No no.

00:19:53Cicelia told me I had to stay for at least a week, right?

00:19:56Well, kid, that's much better, isn't it?

00:19:58So you're going back home now, huh?

00:20:00Ah, to my house, yes.

00:20:01To your home?

00:20:02To my home.

00:20:05The thing is...

00:20:06Uh, uh, a swell is coming through the strait.

00:20:09Oh, how wonderful!

00:20:10Oh, how lovely!

00:20:11Oh, how wonderful!

00:20:13Precious!

00:20:14Hey, I kept that quiet.

00:20:17We found out from Mari; otherwise, they would have found her at the chiropodist's office.

00:20:21Mari.

00:20:22My gun has a fantastic office!

00:20:24This, come on, not even Presley has this.

00:20:26Oh, congratulations, my friend!

00:20:28Oh, thank you so much!

00:20:31I looked good, but you know what, girls, you have no idea how happy that makes me?

00:20:34You may like my office, but I have to run a clinic.

00:20:37So I'm going to ask you, please, to start leaving.

00:20:40And if it can be quick, even better.

00:20:42So come on, stamina.

00:20:43I'm excited because I'm busy.

00:20:46Look how quickly the little girl learned to take orders.

00:20:49How much?

00:20:51Hey, Carmencita, aren't you going to treat us to something for your promotion?

00:20:54Sure, something refreshing, something.

00:20:57I just can't stand it, come on.

00:20:59Something.

00:21:00Daughter, we missed our appointment with the chiropodist because we came to congratulate you.

00:21:04Of course...

00:21:06Okay, fine, yes.

00:21:07A quickie, huh?

00:21:08Oh, how I love you!

00:21:12Oh, I prefer a little bit of love!

00:21:15Come on, put some tacos here like it's for cardboard, little box, we're celebrating.

00:21:20Ale!

00:21:21Nothing, they've found out I'm the new director.

00:21:24Hey, you know I'm one to stick my nose where it doesn't belong.

00:21:27Yeah.

00:21:28You're going to leave the baby here.

00:21:29That's right, why don't you let us have it?

00:21:32I've already had two.

00:21:34And this is how you ride a bike, you never forget.

00:21:36No, no, no, it's not necessary, Merche.

00:21:38Honestly, everything is under control.

00:21:39Listen to me, the girl who always paints old things.

00:21:41When it can be taken in Marial Vista Park.

00:21:43All the clothes are there.

00:21:45No, but it's okay, Carmen, really.

00:21:47I have it on the terrace all day, where it gets all the sun, really.

00:21:49You don't realize it.

00:21:50If they're only going to make one for me.

00:21:51Besides, your mom is about to leave, huh?

00:21:53Oh, look, that's what I was going to tell you, that my mom won't arrive until tomorrow.

00:21:56My cousin has arrived from Canada and they are throwing her a welcome party.

00:21:59Oh, look, that makes it even better.

00:22:01Uh, well of course, the girl will have plenty of time to be among shoes.

00:22:05Hey, berets.

00:22:06Whatever you say.

00:22:08Let's go for a walk!

00:22:10What about me, dude?

00:22:12What's up, Fali?

00:22:12Look, they've given me the details, I'm coming over to your house.

00:22:15Uh, no, man, even if it's just for a couple of days, right?

00:22:19It's hard for you, so I'm even hard for it.

00:22:21I don't care if the sofa is broken on the floor, I'll adapt, I'll make it work...

00:22:26Your girlfriend doesn't.

00:22:27Your girlfriend doesn't bother me.

00:22:30Ah, I bother her.

00:22:32Hello, José.

00:22:33Hello good.

00:22:34Hey, by the way, I didn't say anything to you, congratulations on finally going back to the clinic.

00:22:37Yes, yes.

00:22:38Well, to get back I first have to leave, right?

00:22:42Oh no, although I don't know, eh?

00:22:44I don't know if I should go and get another test or something, I feel strange.

00:22:49But that's weakness, that does happen to you.

00:22:51Neither weakness nor weakness, if you've just eaten two such big mortadella and olive sandwiches in the

00:22:55bar.

00:22:55You're as strong as an oak, the tests came back perfect.

00:22:58Just like an oak tree, right?

00:22:59Well then, I'm going to the forest with the oak tree.

00:23:02Okay, see you later.

00:23:02We'll see each other soon.

00:23:04Come on.

00:23:05Oh, how cursed everything is!

00:23:08Are you okay, José?

00:23:09He's said goodbye to me.

00:23:11You've never introduced me to your twin sister before?

00:23:14Absolutely.

00:23:16Stay and enjoy a day crashing into us, you, Don Benjumea.

00:23:19Everything here is very well controlled, very calm.

00:23:22Yes, yes, yes, really.

00:23:23Come on, enjoy.

00:23:25A little kiss.

00:23:26Bye bye.

00:23:30The mother who gave birth to him.

00:23:32But how could he have let me say "here, Christopher"?

00:23:34What has he been doing these past few months?

00:23:35Well, I'll say it all now.

00:23:37Go shopping, cry, ride a horse and cry.

00:23:40Cry?

00:23:40I feel like crying when I see this.

00:23:42It's impossible, not even a position, not even a payroll, come on.

00:23:45As if to balance a budget.

00:23:46Don't worry, that's what I'm here for.

00:23:48To lend you a hand, I'll do whatever it takes, whatever it takes, look.

00:23:51Okay, but only until 3:30, when I have an appointment to have my fortune told.

00:23:53Oh, Pain, my love.

00:23:54Thank goodness I have you.

00:23:57Because I have to confess that everything has piled up on me a bit, you know?

00:24:00Between, well, the new job, motherhood, and the separation.

00:24:05Well, it's been a few months since you separated from Ñagui, hasn't it?

00:24:08No, man, I'm referring to Laia's separation.

00:24:10So, I've been with her since she was born, and being separated from her for the first time is a little...

00:24:15painful.

00:24:18Woman, how dramatic.

00:24:20No.

00:24:21Man, please, it's the breasts that are so sore, that's why I'm getting so much milk.

00:24:26I have to look at them and not touch me.

00:24:28Well, that's something we need to keep an eye on, you know?

00:24:30Because from there to mastitis is just a small step.

00:24:32The one I have to keep an eye on is Trini.

00:24:34I don't want her to find out I'm the new director of the clinic, okay?

00:24:37I want to catch her by surprise.

00:24:41Don't be surprised that he already found out, huh?

00:24:44Because she's already very young and people talk a lot.

00:24:46And everyone, well, that's for sure, it won't be because of me because I...

00:24:51Better.

00:24:52It's better if you let us know that I have a couple of ideas and I don't want you to steal them.

00:24:56You already know her.

00:24:57Look, let me tell you.

00:24:59I want to give...

00:24:59Dina, you really don't need to tell me anything because you're going to spoil it for me and

00:25:03then I dream at night.

00:25:05Seriously, it's funny, isn't it?

00:25:07Yes, yes.

00:25:08Listen, look, I want to propose some free pediatric services for...

00:25:13But you really don't need to tell me so much, please.

00:25:16But how could I not tell you, Dolores, that you are the best nurse we have in this hospital.

00:25:20You know him inside and out, lifelong companion.

00:25:24Look, there's no one else I trust, okay?

00:25:29It's true.

00:25:33Dolores, are you crying?

00:25:38But, girl, if I take you I won't say anything, you're silly.

00:25:43Look, it would have been better.

00:25:49Let's see, but he's already spoken to the bank.

00:25:51He didn't say he was busy, that he was coming later.

00:25:53So much for the idea that money can't buy happiness.

00:25:56Well, it depends, huh?

00:25:57If Iñaki manages to buy the place, I'm going to have to put up with him around here again, huh?

00:26:01Hey.

00:26:02Are you kidding me, man?

00:26:03I don't want this to get filled with surfer-crazy kids either.

00:26:07No, now it's going to be because of Sabino that he doesn't arrive.

00:26:09In the end we're going to row with flashlights.

00:26:10Ah, there it is.

00:26:11Damn, Sabino, what a time to come here, huh?

00:26:13Forgive, forgive.

00:26:14But every two steps people stopped us to greet Peña.

00:26:17But if you stopped them to tell them about my life and miracles.

00:26:20For once your mother's not here and I can chime in a little...

00:26:23Well, and besides, what's the rush?

00:26:24If not, there's Julen.

00:26:25And what are those ironers doing out there?

00:26:29Ah!

00:26:32But, because...

00:26:33Oh, Father, we're talking!

00:26:34That?

00:26:36That?

00:26:36What are you doing here?

00:26:38Man, Anxon.

00:26:38Opa?

00:26:39Well, we're waiting for the one we need to go train with.

00:26:41And while we're at it, we'll take measurements of the Kaya for the new surf school.

00:26:46Sorry?

00:26:47Look at that little surf school as if you were mounting it on a windmill.

00:26:51But Iñaki is going to buy the Kaya here.

00:26:53Is that clear?

00:26:54They call you Bobby, huh?

00:26:56Well, Iñaki is good at business.

00:26:58Just like you.

00:27:00Row.

00:27:03Hey, you.

00:27:04If you want, we can meet in 15 days in Getaria.

00:27:07And why wait so long?

00:27:08If the sea is open every day, at all hours.

00:27:11Cabin shots.

00:27:14Are we Basques or mice?

00:27:15If there are eggs, tomorrow.

00:27:18Hey, less giggling and more putting a number on it.

00:27:21Goes.

00:27:22It's just a figure of speech, you know?

00:27:23Don't get too carried away.

00:27:25Hold your daughter.

00:27:27Let it be one thousand euros, then.

00:27:28Thousand?

00:27:29But what waves do you catch?

00:27:31The ones in the bathtub?

00:27:32Two thousand or nothing?

00:27:33Oh, daughter, calm down, calm down.

00:27:35We appreciate your trust, but faith doesn't move mountains.

00:27:38There it is, there it is, there it is.

00:27:39Don't tell me you're scared, okay?

00:27:41No.

00:27:41We have Yulín on the team.

00:27:43This is a done deal.

00:27:44How much did he say?

00:27:45How much did he say?

00:27:45Let it be two thousand, then.

00:27:48Made.

00:27:49And just so you know, with that money you're going to help Iñaki buy the calla lily.

00:27:54Because we're going to beat you.

00:27:55Well, well, we'll see.

00:27:57Well, let's see, if Iñaki doesn't participate, it's the same.

00:27:59Hey, Yuler!

00:28:00Hey!

00:28:00Hey, what a young man's wife!

00:28:01Hey, man!

00:28:02And what for?

00:28:04Sorry, guys.

00:28:06It's not me.

00:28:07It's you.

00:28:08I was born with a winning gene and I wanted to have some chance.

00:28:11And there...

00:28:13He will be a traitor.

00:28:14Look, kid, I'll remind you that my mother is your boss.

00:28:16How did I talk to her?

00:28:17But I...

00:28:18Who do you think gave me the advice?

00:28:23Come on, come on.

00:28:25Hey, run, run, cowards!

00:28:27Come on, guys, we have to cheer up, okay?

00:28:29First and foremost, find a good motivation.

00:28:32I propose that the money be for us.

00:28:34No, the money is for Iñaki and for the other guy.

00:28:37More motivation than that is impossible.

00:28:40Well, we only have one option.

00:28:43To find the best rower in the Basque Country.

00:28:48And this is the best they had?

00:28:49And what do you want?

00:28:50Hey?

00:28:51The whole thing is sold.

00:28:52People start choosing the good ones, and that's what...

00:28:54Hey, you have no idea how thrilled I am that you've included me, huh?

00:28:57Hey handsome, how are you at rowing?

00:29:00Divinely.

00:29:01Look, once I was in Madrid and I took one of these boats from Retiro Park.

00:29:04Well, he rowed faster than the ducks.

00:29:06Ducks, did you say?

00:29:07Ducks?

00:29:12See you later, Juan.

00:29:13I'm going straight to the bank.

00:29:14Host!

00:29:15Wow!

00:29:16Hey, how do I...?

00:29:17No, man, no.

00:29:18That's the pressure cooker, I have it on the stove with the mussels.

00:29:20Take a look at them, okay?

00:29:22Shit!

00:29:22I've already forgotten.

00:29:23Salt?

00:29:24Never mind, I've already done it.

00:29:24No, not the salt.

00:29:25The tax certificate, which the bank also requires.

00:29:28I have to go home, damn it.

00:29:30Hey, watch out for the...

00:29:32Cavensots!

00:29:33Already.

00:29:34I definitely have to chop that up.

00:29:37Oh, I don't know, girl, really.

00:29:39I don't know, since they say work is good for your health, and I've been unemployed for so long, maybe I'll...

00:29:42It has affected me, I don't know.

00:29:44I don't know if it's because he doesn't stop moving his ass all day, standing still.

00:29:46All day long, up and down and on...

00:29:48From now on I'm going to keep an eye on you.

00:29:50Do you understand?

00:29:50I don't want to move you from here, but come on, not even this one.

00:29:53Do you understand?

00:29:54Okay, that's it.

00:29:55No, go.

00:29:56How obvious it is that you're a mother, daughter?

00:29:58And a nurse.

00:29:59Hey, speaking of motherhood, I have to go because my daughter's lunch is demanding, I'm leaving now.

00:30:03Ah.

00:30:04Thank you.

00:30:05Good information.

00:30:06Hey, stay still!

00:30:15I think I'm going to do a proper Benjumea.

00:30:18I think I'm going to do a proper Benjumea.

00:30:48Oh, stay still, stay still!

00:30:49I think I'm going to do a proper Benjumea.

00:30:52Hey, hey!

00:30:53Ole!

00:30:54What are you doing, Vasco?

00:30:55What, what?

00:30:57Can someone tell me what this is?

00:30:58The Triana twins.

00:31:00Well, to me it looks more like a tricycle.

00:31:02Look, the girl needs to eat and then sleep.

00:31:04That will happen in your country, because there we are always in the dark amidst so many storms.

00:31:09But here, with this light, the girl will sleep when she goes out at night.

00:31:12What? Have mercy, please. Have mercy.

00:31:15Tower, tower. Tower and tachoki.

00:31:17Tower and tachoki.

00:31:18What have these crazy women dressed you up as, please?

00:31:22I'm not dressing up at all, okay, monkey?

00:31:24This outfit is typical of Andalusia, from here in Seville, okay?

00:31:27Already.

00:31:29We saw it at the Chinese store and couldn't resist.

00:31:32By the way, chicken, you owe us 10 euros.

00:31:34You know what I've been thinking, Merche? I'd rather give you 12.

00:31:36And what if the girl has an allergic reaction from wearing this polyester suit?

00:31:41But whatever this is, we've got it.

00:31:44You're such a jerk, aren't you?

00:31:47Yes, yes. Look, I'm going to tell his mother.

00:31:49I'm going to call her right now, you know. Let's go.

00:31:51Wait until this topic is over, okay? That's true too.

00:31:55Okay.

00:31:56Let's go!

00:31:57Let's go!

00:31:59Let's go!

00:32:00Let's go!

00:32:01Let's go!

00:32:03Let's go!

00:32:05Let's go!

00:32:06Let's go!

00:32:07Let's go!

00:32:09Let's go!

00:32:10Let's go!

00:32:11Let's go!

00:32:27Mirror, mirror on the wall, who's the laziest one here?

00:32:30Oh, sorry, Trini.

00:32:32But what am I saying? Are you, are you leaving here?

00:32:35Calm down, woman.

00:32:36I've only come to see my friend Carmen.

00:32:38My friend, the alarm went off when you two were on the ascent together.

00:32:41Well, that's because you'd be afraid of me.

00:32:45Afraid of what?

00:32:46For your information, Carmen is a great director, very well prepared and willing to give her all.

00:32:54He's really giving it his all, isn't he?

00:32:57Carmen, excuse me, but...

00:32:59Nothing, nothing, don't worry.

00:33:02What a surprise, Trini!

00:33:03Well, Carmen, I really wanted to congratulate you in person on the position.

00:33:07Yeah.

00:33:08Well, thank you very much.

00:33:11How did you find out?

00:33:12News travels fast.

00:33:14Right, Dolores?

00:33:25Okay, Trini, sit down, please.

00:33:29How are you?

00:33:30Look, Trini, if you're coming here to start some kind of war, honestly, I'm...

00:33:34War?

00:33:34No, no, no, Carmen, really, quite the opposite.

00:33:37Yeah?

00:33:37Yeah.

00:33:38Don't you know how happy I was when I found out it was you?

00:33:42Already.

00:33:43Okay, fine, obviously it's not you I'm happy about.

00:33:46But what does please me is that we are two women in charge of the two most important clinics in

00:33:51Seville.

00:33:52Good.

00:33:53Admit it, it's a little exciting.

00:33:56Brilliant.

00:33:58Disgusting!

00:34:01Oh, look, she's already seen it.

00:34:04Sorry to interrupt, but look, Carmen, we've already found the balance sheets for the last quarter.

00:34:09But either it's been a very short quarter or there's not even half of it here.

00:34:14Bye bye.

00:34:16Thank you.

00:34:18Problems with the financial side.

00:34:20Oh well, nothing that can't be fixed.

00:34:23The part I hate most about our job.

00:34:25But don't worry, you'll see how quickly you'll have it under control.

00:34:28You have the brains for that and more.

00:34:31Thank you so much, Trini.

00:34:32I'm really glad about your change of attitude.

00:34:34Whenever you want, we can celebrate with a latte, okay?

00:34:37Okay.

00:34:38It won't happen today because I'm leaving you now, as I see you're very busy.

00:34:42But I've said it, Carmen, really, whatever you need.

00:34:45Hey?

00:34:45Thank you.

00:34:46Bye.

00:34:47Bye.

00:34:54Juan, please.

00:34:55Yes, I know.

00:34:57But if you were in a hurry to order a short coffee, not an Americano tea, which you have to look up online,

00:35:00How do you do it, dude?

00:35:03Juanillo.

00:35:03Hey?

00:35:04Please give me some chamomile tea.

00:35:05Okay.

00:35:06Oh my goodness, between Trini's visit and the mess Cristóbal has made of me, I could really use a...

00:35:10Huescazo.

00:35:10How are you?

00:35:11How are you?

00:35:12Well, I'm doing great, but I have to go, I'm really busy, okay?

00:35:17Yes, where are you going?

00:35:18Okay, let's go.

00:35:19Wait, go ahead.

00:35:20Yes, kid, take your tea in peace.

00:35:23As if I were going to Trini.

00:35:24Although, of course, you've never worked with her.

00:35:27But it was...

00:35:28Look at her.

00:35:30She looks even better as a director than in her nurse's uniform.

00:35:34Oh, with that new haircut.

00:35:36The hair is so short.

00:35:38And that intense blue of the eyes.

00:35:40My God.

00:35:41And who could kiss those full lips?

00:35:46Are you listening to me?

00:35:50Of course, what else would I be doing?

00:35:52Yes, yes, yes.

00:35:52Yes, it's just that I'm dealing with a very complicated case that's got me a little...

00:35:56Actually, I'd better go, okay?

00:35:58Hey, stay still, stay still, stay still, here's the American tea.

00:36:01Enjoy your meal.

00:36:02Tea.

00:36:03Okay, quick tea and I'm off, okay?

00:36:06Ah!

00:36:08Ah!

00:36:09Ah!

00:36:10Ah!

00:36:12Are you OK?

00:36:13Host!

00:36:15Ah!

00:36:17Excellent!

00:36:18Excellent!

00:36:19I like it when it's burning because it makes you wake up feeling bad, you know?

00:36:25Well, I recommend it to you.

00:36:27Come on, let's go.

00:36:27Fuck.

00:36:33Piety.

00:36:34Piety.

00:36:35What's wrong with the girl?

00:36:37Has something happened?

00:36:37That it's not there.

00:36:40Iñaki.

00:36:42But why?

00:36:43Because?

00:36:45Yes, thanks.

00:36:46Piedad, I'm going to call.

00:36:47Yeah.

00:36:47Bye.

00:36:48But this guy is stupid.

00:36:50Hey, the little tiguita.

00:36:54And now he communicates.

00:36:55But who is he talking to?

00:36:56Oh, no way?

00:36:57With what they give me at the bank?

00:36:59Look, I don't even buy the K from Calla.

00:37:02Look, it's best if we forget about it, okay, love?

00:37:03But how can you forget me?

00:37:05Look, son, why don't you let Benito help you?

00:37:07No, no, no, absolutely not.

00:37:09Look, she already has enough with two leech-like children without me going around asking for money, right?

00:37:13I'll see what I do, really.

00:37:14Well, son, I don't know, you'll know.

00:37:17Come on, a little kiss.

00:37:18And a chuchonela already.

00:37:20Okay, bye!

00:37:21Goodbye.

00:37:29How's my X-File coming along?

00:37:32Hey?

00:37:32Ah, eh!

00:37:3642 and a half, but this is outrageous, José.

00:37:39You're going to take a shower right now, but a really cold one.

00:37:42No, no, no.

00:37:43What do you mean no, little girl?

00:37:44But if you are...

00:37:46Cold?

00:37:47It's that I go from fever to chills.

00:37:51This is very strange.

00:37:52I feel strange, I feel strange.

00:37:54This is a very rare painting.

00:37:56TRUE?

00:37:57It's always looked like a big tile to me, hasn't it?

00:38:00What do you say, José, the medical team?

00:38:03The fact is that no test yields anything.

00:38:05It will happen, it will happen.

00:38:07So this is very strange.

00:38:08I get all the tests that are necessary.

00:38:10One week, one month.

00:38:11Or health first, right?

00:38:13Of course, with how silly you are, huh?

00:38:16And what a good sick person you are.

00:38:18I wish all fools were just as docile.

00:38:21Uh, that sounds familiar, Iñaki.

00:38:25Is this the bad thing?

00:38:26No.

00:38:27Well, yes.

00:38:28And now that I'm going up north, it's even worse.

00:38:30Do you want me to ask my cousin Candela about these whirlpools?

00:38:33She married a foreigner and it didn't end well.

00:38:36And they were a mediator and it went very well for them.

00:38:38Ah.

00:38:39Hey, the mediator idea isn't bad, is it?

00:38:42I hadn't thought of that.

00:38:43I'm only going to comment on Iñaki.

00:38:49Hey Efe, how's it going?

00:38:51Well, uh, bad.

00:38:54Oh man, with the banks.

00:38:55Everyone here is saving the banks, and now you go into one and they won't even give you a pen.

00:38:58They have him tied up there.

00:39:00Okay, so what then? What are you going to do?

00:39:03Well, I had thought about selling the clinic's bar.

00:39:10How horny!

00:39:15Is this a joke?

00:39:17Damn, I'm so sorry, Rafi, but if I want to get my dad's bar back, I don't see any other solution.

00:39:22Okay, don't worry, okay? We're going to be great here, okay?

00:39:25Didn't they kick us out of Andalusia and now we've reconquered it?

00:39:27Let's see, Rafi.

00:39:29You're sure?

00:39:30Absolutely!

00:39:32Thanks, Rafi.

00:39:34I'm really going to put an ad on it.

00:39:35Sure, cheer up.

00:39:37Yes, likewise.

00:39:41No, Dad, you're right.

00:39:43Hey, maybe the new owner won't raise the salary, right?

00:39:46The new owner, no new owner, kid.

00:39:47If this sells, you and I are out on the street.

00:39:50Ah, okay.

00:39:51Holy shit, that's a bad vibe, isn't it?

00:39:55Yes, Mr. Bejumea, you heard right.

00:39:57Trini.

00:39:59It must be because of him there, because she looks so innocent.

00:40:01I want to wake her up, but in the end, I wake up myself.

00:40:05No, no, no, no.

00:40:06I don't plan to let my guard down.

00:40:07Yeah.

00:40:09Carmen, Carmen, I know you've had a terrible day.

00:40:11But if I didn't tell you and that person disappeared,

00:40:14Well, I wasn't telling you.

00:40:15But since it's not going to disappear, even though I wish it would...

00:40:16Yes, Dolores.

00:40:18Who?

00:40:19An auditor is waiting for you downstairs.

00:40:22An auditor?

00:40:23And who sent us an auditor?

00:40:39Locate security maps.

00:40:44Carmen, how are you?

00:40:46You seem a little stressed, don't you?

00:40:48You're so mean, Trini.

00:40:49Really.

00:40:50So, that's how you planned to support me, by giving me a push.

00:40:53Hey Pepe, excuse me a moment, but I don't know what you're talking about.

00:40:56Ah, you don't know what I'm talking about, do you?

00:40:57If it was you.

00:40:58You saw that you were doing terribly with the clinic's accounting.

00:41:01and you ran out of time.

00:41:02Ah, I still don't know what you're talking about.

00:41:04But okay, if what you're telling me is true

00:41:06and you're not even able to pass a simple audit,

00:41:09It's clear that the position is a little too big for you.

00:41:12I haven't mentioned any audit.

00:41:14Your way of operating is obvious.

00:41:16But you know what?

00:41:16I'm going to run the clinic much better than you.

00:41:19Oh, really?

00:41:20Yes, the staff were delighted with me.

00:41:23In fact, I've had no problem bringing over anyone I've wanted.

00:41:26I know that there are things that cost you very little,

00:41:28But you know what?

00:41:28This is going to end, Trini.

00:41:30It's going to end.

00:41:31And please, I ask you to look me in the eyes when I speak to you.

00:41:34Well, Carmen...

00:41:36Milk.

00:41:39And?

00:41:47Paquito, you too?

00:41:56Are you sure it's a good idea to drink alcohol while competing at the wedding down the street?

00:41:59Well, it wouldn't be good if they made us blow, would it?

00:42:02That.

00:42:03Besides, with or without alcohol, it doesn't matter.

00:42:04We're going to lose.

00:42:05Wow!

00:42:06Chapel!

00:42:08This is not worthy of an athlete.

00:42:10Look, we really appreciate your interest and all that.

00:42:12But you're a little late, because we've practically thrown in the towel.

00:42:15Huh?

00:42:15Well, pick it up again, because I have the solution to win.

00:42:18I'm going to make sure Julen doesn't make it to the regatta.

00:42:20With one less player on the team, they won't bother competing.

00:42:23And the championship will be ours.

00:42:26She calls me, what a cheat.

00:42:29Remind me not to play rock, paper, scissors with you.

00:42:32Well.

00:42:32And how are you supposed to achieve that?

00:42:34Well, using my weapons.

00:42:36Okay, let's see, what do you mean by "with weapons"?

00:42:38Julen also has a gun, and it's not about it getting to the point of bloodshed.

00:42:40My womanly weapons, Poppy.

00:42:45Goodbye, what do you mean, with the modern-day Delilah?

00:42:47But not a word about this, my father, okay?

00:42:50To him I'm still his little boy,

00:42:52The most he's ever done is kiss the poster of Super Pop magazine.

00:42:55So if he finds out, goodbye, Blas.

00:42:59Sabine?

00:43:02No, from the law firm.

00:43:04But I'll pass, I'm among friends now.

00:43:07And soon, among champions.

00:43:11And not?

00:43:12No, not again.

00:43:13No, no, no, you're mistaken,

00:43:15There's no bar in Vento here, man.

00:43:16This is a police station.

00:43:17And if you do any more, you're going to lose your hair.

00:43:20Have a good day.

00:43:21See you later.

00:43:22Come, friends.

00:43:28The salespeople, the DSL ones,

00:43:29They're just so heavy.

00:43:31And of course, he tells her once that no, no, no,

00:43:32And they kept saying yes, yes, yes, and well, well...

00:43:34Juan, come on, do you think I'm stupid?

00:43:36Obviously not, I...

00:43:37But what's going on here?

00:43:38I don't know, ask your son.

00:43:39What's up, Juan?

00:43:40Did he catch you reaching into the bag of corn nuts or what?

00:43:42Do you do that?

00:43:43Well, that's nonsense, isn't it?

00:43:45Juan just sabotaged a call from a potential buyer.

00:43:50What is that, right, Juan?

00:43:52Well, look, yes, Dad, yes, it's true.

00:43:53That's it, because that's how I see you and me

00:43:56selling rosemary at the door of the Girarda,

00:43:57Because what we see here is that the boss, huh?

00:43:59Whatever happens to us, well, it seems to matter to him...

00:44:00Listen to me, Juan, please.

00:44:03Listen to me.

00:44:03Look, I swear this is the last thing I want to do.

00:44:09But if I want to buy the Kaya, I don't see any other solution.

00:44:13And here, why do you want another one?

00:44:14If you already have this one.

00:44:17Juan, Kaya is not a bar.

00:44:20The Kaya is my home.

00:44:21The house that my father founded

00:44:22and his legacy to me, his son.

00:44:26And now that I'm a father,

00:44:29Well, I would also like it to be the case for the Aya someday.

00:44:32If she wants to.

00:44:35Rafi, you're a father, do you understand?

00:44:38And I'm sure you would do the same for your children.

00:44:42You are a great professional.

00:44:44And also a beautiful person.

00:44:45You won't be short of work.

00:44:50And yes, you too will one day be a great professional.

00:44:54When you stop putting your hand in the corn nuts.

00:44:58And now I'm going to...

00:44:59Okay.

00:45:07Juan, Iñaki, you're right.

00:45:09I'm going to be a great professional.

00:45:11No, man, there's no doubt about that.

00:45:12I say this when he refers to the fact that I would do the same for my children.

00:45:15And I'm going to do it.

00:45:17I'm going to buy the bar.

00:45:20AND?

00:45:22I don't know how.

00:45:23But I'll buy this.

00:45:33Look, look, look, look, look who's here.

00:45:36Uncle José who is...

00:45:39What are you doing, José?

00:45:40Hey, I'm going for a walk to heal faster, right?

00:45:45For recovery, but I just can't.

00:45:47I walk a mile and I get very tired and exhausted.

00:45:51It even gives me flatulence.

00:45:52How are you and Carmen?

00:45:53Okay, okay.

00:45:54Now he was going to the office.

00:45:55For the mediator thing and all that, right?

00:46:01Which mediator?

00:46:02That?

00:46:04Did you say mediator?

00:46:05No, I said they'll give me the pill in half an hour.

00:46:08José, don't play with me.

00:46:09Did you say mediator?

00:46:10What am I supposed to say, mediator?

00:46:11I agree that it's not that or anything.

00:46:12I'm leaving.

00:46:14José.

00:46:15I feel dizzy.

00:46:16José.

00:46:16I feel very bad.

00:46:17José.

00:46:17I feel very bad.

00:46:18I feel very bad.

00:46:41That witch has definitely gotten on my nerves, I mean.

00:46:46I think I'll breastfeed the baby right now and put her to sleep.

00:46:49Hey, Carmen, hello.

00:46:51Is it possible you've heard something about a mediator?

00:46:56Oh.

00:46:59Iñaki, forgive me, I completely forgot about the auditor.

00:47:03Ah, it's been happening to you a lot lately, huh?

00:47:05I say this because of how busy you are and all that, director.

00:47:08Yes, and precisely because of how busy I am and the disagreements we've been having lately,

00:47:12I think the mediator will be very helpful to us.

00:47:14As her name suggests, she is a mediator.

00:47:16Mediation between two people who do not understand each other.

00:47:19But I don't understand what the mediator has to do.

00:47:22Carmen, we're okay, right?

00:47:23Yeah.

00:47:25Or not?

00:47:27Look, Iñaki, it won't be bad for us.

00:47:29That's also true.

00:47:30Of course, and if we are in this situation right now, I don't want to think, I don't want to think.

00:47:35Come on, Carmen, what's with this obsession with jumping the gun, really?

00:47:38Are we okay now?

00:47:39So let's just think about the present and that's it.

00:47:44Please, just one.

00:47:47Just one?

00:47:49A.

00:47:50Okay, okay.

00:47:52Oh, my love, she won't be able to be with her mom today.

00:47:56Ah, take it, Iñaki, please.

00:47:59Iñaki, you have a little Manoa mast, come on.

00:48:02Carmen, you're going to have to look into that urgently, okay?

00:48:18How are you?

00:48:19José, how are you?

00:48:20I've heard you don't eat anything, right?

00:48:21Mmm, I'm okay.

00:48:23You didn't train me, I'm a piece of shit, really.

00:48:25What do you have in your mouth there?

00:48:27Phlegm, phlegm, phlegm.

00:48:28Where to, poor thing?

00:48:28And what are you?

00:48:29How are you?

00:48:30Damn, I think I've broken more than just my heart because of Carmen.

00:48:34Listen, whatever you do thinking about Carmen, you keep it to yourself, right?

00:48:37Disgusting.

00:48:37No, no, no, that's why.

00:48:39José, please, I'm so spaced out that I've caught my hand in a door

00:48:43and I've broken my metacarpal bone.

00:48:44Yes or what?

00:48:44Yeah.

00:48:45No, well, that actually happened to me once too.

00:48:47I was walking down the whole street thinking about an aunt.

00:48:49It so happened that they were once riding a pine tree without helmets.

00:48:51Well, I've now agreed to cover this absence, damn it.

00:48:54What you want to cover up is something else, sparrow.

00:48:59Avoid her, avoid her, kid, as if I owed her money.

00:49:01Like you used to do with me, right?

00:49:03Yeah.

00:49:04Yeah, I wish it were that easy.

00:49:05Well, it's up to you to keep it in your office, don't leave there and...

00:49:08What, are they going to hit it with the bat?

00:49:09No, no, well that's it.

00:49:11Man, that's true.

00:49:12Sure, and if you fancy a tea, well, she'll go to the machine and get it for you.

00:49:14Tea.

00:49:15What do I do?

00:49:16So, what do I do when I'm feeling good?

00:49:17Because now I can't move here.

00:49:18Very well, you're right.

00:49:19José, good idea.

00:49:20Yes, I'm going...

00:49:21I'm going to go in there and that's it, I'll forget about her.

00:49:23Perfect, thank you very much.

00:49:26Horacio, the breasts.

00:49:36And now for the bathroom.

00:49:46Oh, look, love.

00:49:50Yes, I'm going to bathe the girl.

00:49:51Yes, of course I took the temperature.

00:49:54No, I haven't put it in yet.

00:49:56Because?

00:49:56Because I need two arms, and if you call me, well, I don't have one free.

00:49:59So, goodbye, Carmen.

00:50:08Yes, I haven't forgotten the diaper cream, Caro.

00:50:11And the diapers too, the nighttime ones, I've got them under control right here, okay?

00:50:14Okay, see you later, Carmen.

00:50:15Honestly, everything is under control.

00:50:23Carmen, seriously, will you please stop calling?

00:50:25We'll never finish like this.

00:50:26Neither I nor you should be bathing the baby.

00:50:28And Elaya will be here waiting for you to give her a goodnight kiss, okay?

00:50:32Iñaki, I just wanted to tell you that I already have an appointment with the mediator.

00:50:36Yes, I know, Carmen.

00:50:37You've told me five times already, all five times you've called me, okay?

00:50:40So now, nothing, just leave us alone.

00:50:42Don't interrupt our bath.

00:50:48I?

00:50:49Look, go on, pass it to me.

00:50:50Pass it to me, I'm going to sing to my grandma.

00:50:54Chiqui, chiqui, chiqui, ya.

00:50:56The year?

00:50:57Which wing?

00:50:58Arina, they're from Chiqui, now.

00:51:02Ay, Zanik, the disgust, laite, saifo.

00:51:08Oops!

00:51:10Oh.

00:51:13I was hanging on while I was singing to my nanny.

00:51:20The phone number you are calling is switched off.

00:51:22And now it's turned off?

00:51:34Carmen, Carmen, Carmen, Carmen, Carmen, wake up.

00:51:38The auditor is waiting for you.

00:51:40The auditor?

00:51:41Yeah.

00:51:42Yes, yes, the auditor.

00:51:43Right now?

00:51:44Just a moment, wait, if you want to take me, grab this, this, this, this, this, I'm ready.

00:51:53I'm here, I'm here.

00:51:54Carmen, what?

00:51:56Carmen, what?

00:51:56Stick out your tongue.

00:52:00Let's go.

00:52:01Well, I'm not staying for personal reasons, let's say, yes.

00:52:12How long have you been there?

00:52:13Well, enough to find out that they are looking for a replacement.

00:52:17Yes, well, what did you want?

00:52:19Bring you some tea.

00:52:19Well, and to check if you're still alive, because since you've been locked up in the office all day, I don't know if

00:52:23They've killed you, yes...

00:52:23No, well, with a lot of work, that's all.

00:52:25Yeah, well, more like trying to get rid of him, right?

00:52:28I'll tell you if you promise not to tell your wife.

00:52:30Hey, look, please, stop it, it's a malicious act of respect that is perfectly capable of keeping a secret and...

00:52:38I'm a tomb.

00:52:41When I agreed to help Carmen, I wasn't aware of how I was developing feelings for her, you understand?

00:52:47That's pretty intense, isn't it? The exact same thing happened to me.

00:52:50And what did you want?

00:52:51Go to Africa.

00:52:53Yeah, well, I don't think a safari will make me forget all this.

00:52:55But what safari or what dead child, no, I went with Doctors Without Borders for six months.

00:52:59Hey, do you want me to give you the phone number of an event planner?

00:53:01I want you to give me the phone number of an organizer, yes, yes, please.

00:53:04Okay, I think I have it in...

00:53:07Well, then look for it, please.

00:53:11Anchón is referring to whether Miren can hold Julen long enough to prevent him from reaching the regatta.

00:53:16Well, the regatta is ours, you understand?

00:53:17But what if Miren doesn't succeed?

00:53:20Well, if not...

00:53:20If he doesn't get it, what then?

00:53:23No.

00:53:24No, look, no, you look...

00:53:27Pello was talking about Miren, Miren, that is, the second person plural, the present tense, the subjective mood.

00:53:34You look, from looking.

00:53:35Okay, stop, stop, stop, stop.

00:53:37So, since when are we two?

00:53:39We had to start with...

00:53:40And above all, why did Pello start sweating like he'd been rowing for half an hour?

00:53:44Hey?

00:53:45No.

00:53:45That?

00:53:47Okay, fine, yes.

00:53:48Look, he's at your house, trying to seduce Julen so he doesn't come to the regatta.

00:53:52Hey?

00:53:52Those guys, Pello, I mean, if the CIA gets hold of you, you'll spill the beans before you even get involved.

00:53:56van.

00:53:57No, but look, Sabino is our friend, Miren is his daughter, and now that I see him, he's getting...

00:54:01very red.

00:54:02Sabino, are you okay?

00:54:03But how do you think that's okay?

00:54:04If you have prostituted my children just to win a regatta.

00:54:07Hey, hey, hey!

00:54:08Nobody here has prostituted anyone, okay?

00:54:10Furthermore, the idea was Miren's.

00:54:11And she's old enough to do whatever she wants, I mean, right?

00:54:14And mind you, we're talking about restraining Julen for a short time, so you won't suffer at any point.

00:54:19his honor.

00:54:19Can you let go?

00:54:21Hey?

00:54:21That's it, right here.

00:54:22Hey!

00:54:23Watch out, watch out!

00:54:26Watch out!

00:54:35Watch out, watch out!

00:54:38Sorry, that's enough.

00:54:41It's here.

00:54:43Oh, oh, oh, oh.

00:54:45Sorry, I had a very important meeting.

00:54:48That doesn't mean this isn't important to me, because it is.

00:54:51Truly, no more than the other one, but what is truly important to me is my daughter.

00:54:57Hello my love.

00:54:58Can we begin?

00:54:58Yeah.

00:55:01The first thing I want you to know is that I am not here to judge you, I am here to help you.

00:55:06And I appreciate it, but also this is going to be very short, because we're doing well.

00:55:11Well, we're not doing too badly.

00:55:14Good.

00:55:15For example, last night you hung up on me while I was singing a lullaby to the baby.

00:55:19No, Carmen, don't hang up.

00:55:20I dropped my phone in the bathtub because you kept calling.

00:55:22I have it in rice.

00:55:23Yes, well, I like to worry about my daughter.

00:55:26Yeah, you know what happens?

00:55:27That you worry more when she's with her father than when she's with the neighbors, for example.

00:55:31The neighbors have already come out.

00:55:32The crew gets together and you can't hear a thing.

00:55:35No, but you know what, Carmen?

00:55:36That the group hadn't set up that flamenco stage in a building with neighbors.

00:55:40My God.

00:55:41Well, I much prefer that my little girl absorbs the warmth, the joy, the flamenco

00:55:45and not from the dryness that you have.

00:55:48I was going to say my mother.

00:55:50I was going to say my mother.

00:55:50Not you, earth.

00:55:51Land.

00:55:52Well.

00:55:52Land.

00:55:53It seems you two do have some friction.

00:55:57And that's now.

00:55:59When he goes to live up north, because he is going to live up north.

00:56:02When we truly had a beautiful, peaceful life here.

00:56:05Well, but it's their decision.

00:56:07No, you know what happens?

00:56:08She is a futurologist.

00:56:09She has a crystal ball.

00:56:10And see the future.

00:56:11No, no, see the future.

00:56:12No, forgive me.

00:56:12And yours?

00:56:12Forgive me.

00:56:13Just a little, because you know everything that's going to happen.

00:56:15You know everything that's going to happen.

00:56:16Well, hopefully he'll know.

00:56:17I am in 2018, but I am in 2023.

00:56:20Sorry.

00:56:21The registration.

00:56:21I am indeed from my country.

00:56:23Wait a minute, please.

00:56:27One thing is clear.

00:56:29And soon one will be in the north and the other will be in the south.

00:56:33Have you thought about how you're going to deal with that in front of your daughter?

00:56:36Yeah.

00:56:40Let's see.

00:56:41Let's calm down, okay?

00:56:42Yeah.

00:56:43Well, I think, Carmen, that the fairest thing would be one week with you and one week with me.

00:56:48One week, Iñaki?

00:56:49No, no, no, darling.

00:56:51A weekend at most.

00:56:52Yes, and only if I go down to Seville, right?

00:56:54I don't plan on going a week without seeing my daughter.

00:56:57I do.

00:56:57But do you plan to breastfeed?

00:56:59Of course, you don't want formula.

00:57:02It is true that the nanny has to stay with her mother throughout the entire breastfeeding period.

00:57:07But what do you have planned afterwards?

00:57:09Well, then, to the and castola.

00:57:11To the y castola?

00:57:14And of these necklaces, which one do you plan to write it on?

00:57:17I mention the stone lifting because I had to do it myself.

00:57:20Well, maybe so.

00:57:22Because what do you prefer?

00:57:23Would you like your daughter to learn to dance Sevillanas, or perhaps to learn a new language like Basque?

00:57:28All I want is to be with my daughter.

00:57:30And me too, Carmen.

00:57:32So you want to stop thinking about yourself and think about the girl for once.

00:57:36And you?

00:57:38Who are you thinking about?

00:57:39Well, at the Aya, naturally.

00:57:41Well, because of the Aya.

00:57:42Precisely because of the Aya, because I think about the Aya.

00:57:45I think about his future, about his father in the north, about his mother in the south.

00:57:48That's why I wanted a mediator to help us, but I'm seeing that it's not going to do any good.

00:57:53Thank you.

00:57:54Carmen.

00:57:55Carmen, wait a little while.

00:57:56No, no, no, really.

00:57:56I'm sorry I'm not leaving.

00:58:01Let's go, my love.

00:58:06Iñaki.

00:58:06Yes, it's just that...

00:58:08If you don't have a holiday to pay for the session, I've brought the card reader.

00:58:16Uh, how's the...?

00:58:19Uh, you see, Dolores?

00:58:21From not being fed, he has become tiny, tiny, tiny, like a borrower.

00:58:26José!

00:58:27José!

00:58:28They've called him in for an ultrasound.

00:58:30Women!

00:58:33Dolores!

00:58:34Dolores, for God's sake!

00:58:35Little one, what's an ultrasound, not a lobotomy?

00:58:37No way, look, there's blood on the bed!

00:58:45Oh!

00:58:57Blood?

00:58:58Blood?

00:58:58Where did you get your nursing degree, little girl?

00:59:00Second-hand, this is strawberry jam.

00:59:03Strawberry.

00:59:12He's had his fill of bread.

00:59:14This one isn't bad or anything.

00:59:16No way?

00:59:16Well, I'm telling you, I know a little bit of sugar is going to show up in his blood.

00:59:26Already?

00:59:27Have you looked in both rooms?

00:59:29Fourteen times.

00:59:30I could tell you from memory what's in each of them.

00:59:33Don't worry, nobody has come in.

00:59:34And have you looked under the beds?

00:59:38Includes flashlight.

00:59:40Wait, wait, wait.

00:59:42What, what, muscles?

00:59:44Yeah.

00:59:45Do you remember when you immobilized me yesterday?

00:59:47My first thought was, he probably goes to the gym a lot.

00:59:51Yes, you like what you see.

00:59:54Hey, hey, I have to go.

00:59:55Wait, man, wait.

00:59:57Have a drink, won't you?

00:59:58For the inconvenience.

01:00:02No!

01:00:03No!

01:00:04Don't do it, daughter, please.

01:00:06Not for the regatta.

01:00:09You'll be bad.

01:00:10You were holding me back with your charms.

01:00:12Okay, what do you say?

01:00:13Very badly.

01:00:17Sabine.

01:00:23No.

01:00:24But.

01:00:26Draita, don't let her escape!

01:00:29Look!

01:00:30What's wrong, Sabino?

01:00:31But what's causing the crying here?

01:00:33Have we been robbed?

01:00:35No, honey.

01:00:36I wish you were.

01:00:39Shit!

01:00:40We're already late.

01:00:41That's not your car, Peyo.

01:00:42But all is not lost yet.

01:00:43Look, is that the Yule car?

01:00:44Exact.

01:00:45I have an idea.

01:00:46Anchor, come with me.

01:00:53Mom, yes, look, I'm here in Ross.

01:00:57I'm told someone's been deflating car tires around here.

01:01:01Yes, Yule will be patrolling around here, won't he?

01:01:04Okay, okay.

01:01:05Come on.

01:01:06Come on, you put the wheel in front.

01:01:12Run, Father, run.

01:01:14Hey!

01:01:16What are you doing, freak?

01:01:17But it's not that wide and hairy there that you think they'll get caught.

01:01:20But hey, do you want to weld me?

01:01:23What's going on?

01:01:24Touch yourself, sir!

01:01:24Put it in!

01:01:25Put it in!

01:01:26Ma'am, your purse!

01:01:27Oh!

01:01:28Run, Father!

01:01:29What a nuisance!

01:01:32Come on, go for it!

01:01:33Come on, go for it!

01:01:34Okay, okay, okay, okay.

01:01:36It's so rich, bye.

01:01:38Goodbye?

01:01:38Is it rich?

01:01:43Yes, boss.

01:01:45Yes, yes, I'm around here, yes.

01:01:48No, no, and why not?

01:01:50And why isn't Andoni going?

01:01:51Not that I won't make it to the regatta.

01:01:55Yes, yes, sorry.

01:01:58Yes, yes, I'll comb the area to see if I can catch him.

01:02:01Good.

01:02:14Oh, you're here.

01:02:16You have no idea what I have to tell you, Carmen.

01:02:19What's the matter?

01:02:20The auditor has criticized us.

01:02:23No, come on, we don't know anything yet.

01:02:25The mediator.

01:02:27Total failure.

01:02:29Look, it's the first session, kid.

01:02:31That takes time.

01:02:32Time?

01:02:33Time?

01:02:34That's the point, Dolores.

01:02:35Time.

01:02:36Look, I have the feeling that I'm doing everything wrong.

01:02:38As a director, as a mother, as...

01:02:40Don't say that, you little girl.

01:02:41That it's true.

01:02:43What am I achieving with all this?

01:02:44To fight with Iñaki.

01:02:45Spending less time with my daughter because I'm dedicating time to things that aren't going well for me either.

01:02:50If they're turning out well for you, convince yourself of that.

01:02:52The thing is, she can't pretend to be superwoman.

01:02:54Well, we're all superwomen, Dolores.

01:02:57What I want is to be a supermom.

01:02:59And yes, supermom, you're almost there.

01:03:02The thing is, well, being a supermom doesn't mean being glued to your daughter all day.

01:03:07Carmen, Iñaki is her father.

01:03:11Basque, okay.

01:03:12But your father, not your enemy.

01:03:16Does he want to take her up north to enroll her in a school to teach Uquera?

01:03:20Couldn't he teach it to her?

01:03:21Please.

01:03:22Look, look, look.

01:03:23First, she will have to wait until the girl learns to speak.

01:03:25Well, that's still a long way off.

01:03:30Time passes like that, Dolores.

01:03:33That's exactly why, little girl.

01:03:34You need to learn how to make the most of your time.

01:03:36Enjoy the moment.

01:03:38You can't be anxious about something that hasn't happened yet.

01:03:40And you don't even know if it's going to happen.

01:03:42Already.

01:03:42What if it happens?

01:03:43Well, if she passes, she'll be with her father who loves her.

01:03:46And when she goes to Jarsu with her mother who adores her.

01:03:48You both want what's best for her.

01:03:50And that, that's what should reassure you and put your mind at ease.

01:03:58Thank you so much, friend.

01:03:59You're right.

01:04:04Well.

01:04:05Tell me about it.

01:04:06What is it that's so exciting that you have to tell me?

01:04:09It's exciting, but hold on tight, because there are twists and turns ahead.

01:04:11Come here, I'll tell you.

01:04:12But what's going on?

01:04:23Oh, oh, my lower back hurts and everything.

01:04:26Oh.

01:04:27Oh, I didn't hear you, sorry.

01:04:29I've been there throwing up.

01:04:30He doesn't see that I've messed things up.

01:04:31Why is that?

01:04:34With the amount of bun that the body also has.

01:04:36Hey?

01:04:37No, that's not mine.

01:04:38Disgusting.

01:04:39She hasn't mentioned anything about cleaning the room, has she?

01:04:41You wouldn't believe it, you wouldn't believe it.

01:04:43Did someone put that there?

01:04:44Yes of course.

01:04:45And did someone put the chocolate there too?

01:04:48Ah, it's chocolate.

01:04:49This.

01:04:51That?

01:04:56Okay, yeah, right?

01:04:57You caught me.

01:04:58Come on, I'm perfectly fine.

01:04:59A mile full, but...

01:05:01José, but why have you lied to us like this?

01:05:04I'm sorry, Carmen, I really didn't mean to deceive you.

01:05:06Do you think I want to deceive you?

01:05:08My pot's lost, I'm penniless, my landlord's been killed.

01:05:11Today, without a payslip and without social media, you're nobody.

01:05:14Nobody, nobody.

01:05:14And then that volume of the kiss hit me and it was divine, I had a free bed.

01:05:20I'm lengthening it by a mile.

01:05:21But I already have a job.

01:05:22The moment I save a little bit, I'm leaving.

01:05:23I'm leaving in a month or less, I swear.

01:05:27No, José, I'm sorry, but you can't stay here.

01:05:29Hey kid, well, Mr. Bejumea was here for a while and I haven't told anyone anything.

01:05:33Well, maybe the former owner of the clinic had something to do with it, right?

01:05:38Yes, well, Carmen, but you're the director and you're my colleague.

01:05:41Well, my colleague, you're my sister.

01:05:43Yeah.

01:05:43I have taken that creature from your womb.

01:05:47And of course, when you want to be dramatic, you get all worked up, huh?

01:05:50That's exactly why, José.

01:05:52I cannot allow you to stay here.

01:05:54You're coming to live with me and the baby.

01:05:55Yes, Carmen, but so what?

01:05:58What did he say?

01:05:59You've heard it, but wait until you get something.

01:06:05This is my own creation, my own work, okay?

01:06:08It's delicious.

01:06:10Come on.

01:06:12Hey, buddy, let's see, what do you even have a cell phone for?

01:06:14Well, my switchboard has been a bit busy with the 100 calls your sister has made to me.

01:06:18Oh, and I also dropped my phone in the water and no, it's not waterproof.

01:06:21I have it in rice.

01:06:22I've called you 200 times.

01:06:23Next time I send you carrier pigeons?

01:06:25Hello.

01:06:26How are you?

01:06:27Honey, we need to talk.

01:06:28It's me.

01:06:29I'm sorry, brother.

01:06:30Like when we were little.

01:06:32I sneak in.

01:06:35Then we talked.

01:06:37Look, Iñaki, I didn't like what happened earlier in the office at all, and I don't want you to

01:06:42may happen again.

01:06:43Let's see, Carmen.

01:06:45The idea of having a mediator was yours.

01:06:47I don't mean that, Iñaki, I mean arguing in front of the child.

01:06:51Lately, whenever we're together, it's the only thing we do.

01:06:53Well, now we're together and we're not arguing.

01:06:58Look, Iñaki, you're the best father for the beech tree.

01:07:05But...

01:07:05But if you stayed in Seville, it wouldn't be the best.

01:07:08The best of the best.

01:07:09Let's see, Carmen.

01:07:11I haven't left yet.

01:07:14If I want to buy the calla, I first have to sell this bar.

01:07:16What do you mean, sell this bar?

01:07:18And my brother?

01:07:18He's already been spoken to.

01:07:20And he understands it perfectly.

01:07:21This is not the first time we have been in this situation.

01:07:23But I still don't have a buyer.

01:07:24So let's stop jumping the gun and solve problems as they arise.

01:07:30But we need to start looking for a nursery for the beech tree.

01:07:33Daycare?

01:07:35Let's see, Carmen.

01:07:36Whether I'm here or not, the one who will be here is my mom.

01:07:39Then there's no problem.

01:07:41Look, Iñaki, I'm not going to have your mom in my house all day.

01:07:44No, no, no, all I'm saying is that she's his mistress.

01:07:46The auditor, sorry.

01:07:47Yes, yes, yes, I'll be there in a minute.

01:07:49Okay?

01:07:50Thank you.

01:07:51Let's see if I can avoid the hefty fine.

01:07:53I'll leave the girl with you.

01:07:54We'll keep talking about this, okay?

01:07:55Okay.

01:07:55Bye.

01:07:56Good luck with the auditor, Carmen.

01:07:58Thank you.

01:08:28Good luck with the auditor.

01:08:33Even though there are three of us, we're going to kick your asses.

01:08:44Oh, daughter, they're finding it hard to go out now.

01:08:45That?

01:08:46What do you think?

01:08:46Oh, it's a close race, but I think we'll win.

01:08:51Come on!

01:08:55Stop!

01:08:57Stop!

01:08:58Graze!

01:08:59Graze!

01:09:00Push, damn it!

01:09:05Come on, we have one more rower and the best skipper, because my Sabino keeps the rhythm like no one else.

01:09:09Look at it.

01:09:09I'm doing great!

01:09:11Come on, darling!

01:09:16Come on!

01:09:25Come on!

01:09:28Come on!

01:09:30Come on!

01:09:33Come on!

01:09:36Come on!

01:09:48Come on!

01:09:55There you go, show what you're made of!

01:09:57Pray, pray! Pray, pray!

01:10:04No! Oh, oh, oh!

01:10:06What has he done, Edison?!

01:10:08Edison, I knew it! It wasn't the right time!

01:10:11I've fallen, damn it!

01:10:12Man, they should definitely move aside, they're doing the same thing!

01:10:14Men, girls too!

01:10:18I've fallen, begochus!

01:10:21I shit on my hand!

01:10:32Guys...

01:10:39Audit...

01:10:43Approved!

01:10:46This is great, Kreni!

01:10:47That one and many more.

01:10:49From now on we will work together.

01:10:50Because what does unity do?

01:10:51The Force!

01:10:52That is!

01:10:56And Horatio,

01:10:58I wanted to thank you.

01:11:00for being here.

01:11:02I'm going to Africa.

01:11:03That?

01:11:03Carmen.

01:11:04That?

01:11:05Yes, when I told you to avoid her,

01:11:07That's not what I meant either, okay?

01:11:09I'm going with...

01:11:10With Mekos Without Borders.

01:11:11So, to Africa and...

01:11:13Well, don't worry, I've already found a replacement.

01:11:14that covers my leave and...

01:11:15Everything is sorted.

01:11:17But...

01:11:18And that decision was so...

01:11:20Really?

01:11:22Well, a friend of mine...

01:11:24He briefly mentioned the possibility to me, and I said...

01:11:27Well, it could be a good experience, huh?

01:11:29AND...

01:11:30And well...

01:11:31who's head over heels for you.

01:11:32That's it.

01:11:33I've already said it.

01:11:34What difference does it make if you go to Africa, so I...

01:11:37Horacio, forgive me.

01:11:39Oh really?

01:11:42Well yes.

01:11:43Yes, I...

01:11:44I didn't think so when I agreed to cover this absence,

01:11:47But I've realized that it is, and...

01:11:49I'm putting an ocean between us.

01:11:52or I'll never be able to forget you.

01:11:55And well, I don't really feel like it...

01:11:57to keep suffering, you know?

01:12:01Did you know...

01:12:03I wish you all the best.

01:12:05And now more than ever I thank you for what you have done for me...

01:12:08and by Ispali.

01:12:11Luck.

01:12:14Thank you.

01:12:15Horacio Basauri?

01:12:17Yes, it's me.

01:12:18Hello.

01:12:19I'm Mamen.

01:12:20From Doctors Without Borders.

01:12:21Shall we talk on the phone first?

01:12:23Yeah.

01:12:24Yeah.

01:12:24Well, we're already there...

01:12:26Talking in person is much better, isn't it?

01:12:29I'm listening, suck it.

01:12:30There's definitely something going on, isn't there?

01:12:31Did you know?

01:12:33And why should I be happy?

01:12:34And doesn't it remind you of Aria?

01:12:36Doesn't it remind you a bit of Aria?

01:12:39Well, that's true.

01:12:40A smaller portion, that's all, but...

01:12:42She looks like Lucy, doesn't she?

01:12:43Lucy?

01:12:44Lucy, no, eh.

01:12:45Yes, yes, yes.

01:12:45Lucy as a young woman.

01:12:46You seem so sure of yourself, don't you?

01:12:48As if she were your mother.

01:12:52Do you like it more curdled?

01:12:53Less curdled?

01:12:54Well, you give it more or less, huh?

01:12:57You're going to eat better tortillas.

01:12:59Now it's really happening.

01:13:00Iñaki, don't move, we have something very important to tell you.

01:13:03More important than letting me finish this omelet?

01:13:05Important fact.

01:13:08Okay, so change the tortilla option on the menu to...

01:13:13wasted eggs.

01:13:16What do you think?

01:13:17Well, we've found a buyer.

01:13:21That?

01:13:23Who?

01:13:24First clue.

01:13:25He knows them.

01:13:26A long time ago.

01:13:27From here?

01:13:34I can't believe it.

01:13:36You?

01:13:38The first one.

01:13:39And you were saying that at least three more pizzas would be needed.

01:13:41Okay, Juan.

01:13:42Wait, wait, wait.

01:13:43Rafi.

01:13:45Are you sure?

01:13:49Absolutely!

01:13:52Oh, mother, what joy!

01:13:54Please come here.

01:13:55Please come here.

01:13:56Please.

01:13:58You saved my life, damn it.

01:14:05Oh!

01:14:07Was I going to ask you how the regatta went?

01:14:09Well, better not.

01:14:10That's how bad it is, huh.

01:14:11The worst thing is not losing.

01:14:12The worst part is having to pay the 333.3 euros that we owe.

01:14:16Barca, you just divided the debt by 6.

01:14:19And as far as I know, there were 5 of you in the boat.

01:14:21Sorry?

01:14:22It will be about letters.

01:14:23But my girl has always been good with numbers, huh?

01:14:25Not letters, but faces.

01:14:27Hey, you got us into the bet.

01:14:28Hey, I didn't force anyone.

01:14:32Sabino, what do you have to say in your defense?

01:14:40I didn't assume.

01:14:41Look, leave Sabino alone, okay?

01:14:43The water has fallen because you didn't catch the wave properly.

01:14:47They're from the law firm.

01:14:50Then answer.

01:14:50Come on, come on.

01:14:51Don't be rude.

01:14:52Dale.

01:14:53Look, where are you?

01:14:56Where is our money?

01:14:57Where is our money?

01:14:58We want to go back right now.

01:14:59Thank you, thank you.

01:15:00But I'm not interested.

01:15:02Look.

01:15:03Oh, what did they tell you?

01:15:06When am I coming back?

01:15:07Oh, how annoying, huh.

01:15:10But I've made it very clear to them that I'm going to stay for another season.

01:15:14To disconnect, love.

01:15:15Of course, my dear.

01:15:17Oh, what joy, daughter.

01:15:22Look, Iñaki.

01:15:24It's Iñaki.

01:15:25There's a sot.

01:15:27How upset he'll be when we tell him we can't help him with the money.

01:15:32We have a bar!

01:15:34We have a bar!

01:15:36We have a bar!

01:15:37We have a bar!

01:15:37Love!

01:15:38Love!

01:15:39You hear what they're singing!

01:15:40Yes, yes, yes.

01:15:40I hear it now.

01:15:41We want to spread!

01:15:42We want to spread it!

01:15:44Wow, your salmorejo turned out so delicious!

01:15:46It turned out great.

01:15:47Well, no.

01:15:48That doesn't matter now, does it?

01:15:49They are Juan and Rafi.

01:15:50Hey!

01:15:51What do they buy at the bar?

01:15:52And that means...

01:15:53I'm going to buy the calla lily!

01:15:56That?

01:15:57Oh, my dear!

01:15:58Oh, how exciting!

01:16:00What's wrong, Marichu?

01:16:01Nothing, they're just buying the bar.

01:16:02So Iñaki can buy the calla lily!

01:16:05Oh!

01:16:08Iñaki!

01:16:11Iñaki!

01:16:13Iñaki!

01:16:17Iñaki!

01:16:18Iñaki!

01:16:19Iñaki!

01:16:19Now!

01:16:20Now!

01:16:21Now!

01:16:22And do they do this very often?

01:16:24Oh yes, daughter.

01:16:25Whenever they can.

01:16:28Uh, what...

01:16:30Is there anything to celebrate?

01:16:31I say so?

01:16:32No?

01:16:33But what's going on here?

01:16:34What's going on here, baby?

01:16:35That we are the owners.

01:16:37We want to buy the whole bar, Iñaki.

01:16:38Yeah!

01:16:39What have you done?

01:16:44Host.

01:16:46Isabel?

01:16:54Miñera?

01:16:55What nonsense is that?

01:16:56Mama Marichu is here to take care of her treasure.

01:17:00Hey, where are you two going without suitcases?

01:17:02You go up from Seville and we go down.

01:17:04To Seville.

01:17:05To the fair.

01:17:06Huh?

01:17:06First news?

01:17:07Well, I've heard it's going to pour.

01:17:09What is it that you do?

01:17:11Oh!

01:17:14Oh!

01:17:15Oh!

01:17:15But there are cockroaches here in this house.

01:17:18Who told you that Hispali has it in Don Bejumea's booth?

01:17:20You.

01:17:21Right now.

01:17:22Who's going?

01:17:23Oh, Your Eminence...

01:17:25I don't know, Gorman.

01:17:26From the Marzo clinic or something like that.

01:17:28May.

01:17:28Yeah.

01:17:29A month of warmth.

01:17:30What are you talking about?

01:17:31Me, with the leper, you're welcome.

01:17:33He's getting involved, he's getting involved, Don Bejumea.

01:17:35Greetings, Don Bejumea!

01:17:37Oh!

01:17:38Oh!

01:17:39Do you know if Rafi is hiding something from me?

01:17:41I have a cimoci operation.

01:17:43Oops!

01:17:43Go!

01:17:44I'm going to do everything I can to...

01:17:46Give us another chance and make it work out for us.

01:17:49Booth 27?

01:17:51What happened?

01:17:51Train.

01:17:52We're going to cut ham as if we wanted to wipe out the Iberian pig.

01:17:56I need a representative.

01:17:57Well, I can get you one.

01:17:59Dad, dad, change of plans.

01:18:00We're going shopping,

01:18:01But to celebrate that this Basque man has found me a representative.

01:18:04He's a Gorman.

01:18:08Cut, cut!

01:18:09Did I do anything?

01:18:10Because I...

01:18:11Man, you have to steal my blueprint!

01:18:12Do you think that's not enough?

01:18:12The blonde!

01:18:13I'm not giving up.

01:18:14What? Who?

01:18:15Did you get it?

01:18:17Chest eye!

01:18:18You never mess things up, and it has to be today when I need you most.

01:18:20Let's give it our all!

01:18:22But everything!

01:18:23Come on, enough with the stockings!

01:18:25Ole!

01:18:26Weapon!

01:18:27Let's give it our all!

01:18:28Let's give it our all!

Allí abajo - 4x02 - El regreso de la hija pródiga - HD 1080

Categoría

Transcripción

Comentarios

Recomendada