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Aquellas Maravillosas Series

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Transcript

00:00:00Our reporter encountered a half-naked and disoriented white man.

00:00:04Dad?

00:00:06Don't worry, I've already been dewormed.

00:00:08Now that Don Benjumé has returned, let's just say my strategy with Cristóbal must be put on hold.

00:00:14I wanted to apologize for what happened the other day.

00:00:16Well, don't worry, I couldn't have known either.

00:00:18And we hadn't discussed an exclusive deal either.

00:00:20There's nothing like seeing things for yourself.

00:00:23Look, I know you're trying to avoid me, because I hit you with my car and my smackdown.

00:00:27She wanted to have a son who was very committed to helping her.

00:00:29They confuse me, Carmen, they confuse me.

00:00:31The gang, José, all of them made me paranoid that Horacio liked you.

00:00:36The next time something like that crosses your mind, please tell me.

00:00:40me first.

00:00:41A relationship without trust goes nowhere.

00:00:44I think I need a little more space.

00:00:46I don't want to suffer, and in the end I always end up suffering.

00:00:49Please, Christopher, respect me, okay?

00:00:51Is something wrong with you?

00:00:52Yeah.

00:00:53I've met someone.

00:00:54I'm sorry, the last thing I want in the world is to hurt you.

00:00:57No, but I think it's better that you know.

00:00:59Were you upset that I left the farmhouse to your sister?

00:01:01Because I thought you were more excited about the clinic.

00:01:05I'm referring to that letter you left for Marichula, where you said I don't know how to write it or with

00:01:08a joint.

00:01:09At least your death has helped me to know what you really think of me.

00:01:11I am your father, John.

00:01:12I can't wait to meet you, Dad!

00:01:15Wow, that raffia is amazing, little one!

00:01:17Finding out that he has a child.

00:01:19Just like that, out of the blue.

00:01:20What is true?

00:01:21Does something like that happen to me?

00:01:22I don't even want to imagine it.

00:01:25That cannot be erased.

00:01:27They are not gas.

00:01:37Thank you!

00:01:46Thank you!

00:02:02No, Dolores, five minutes haven't passed yet.

00:02:05And now?

00:02:06No.

00:02:08And now?

00:02:09No, Dolores, please.

00:02:10Five minutes?

00:02:10How many are there?

00:02:11Five minutes?

00:02:11Five?

00:02:11Yes, yes, yes.

00:02:12Yes, yes.

00:02:13Already.

00:02:16What does it say?

00:02:17What does it say?

00:02:19Positive.

00:02:20Is that safe?

00:02:22As reliable as the five pregnancy tests I've taken previously.

00:02:26Well, maybe it belongs to a batch of defective tests.

00:02:30Yeah, well, it might be a lot, but it would be a very remote possibility, right?

00:02:34Most likely, it's...

00:02:39Pregnant!

00:02:40Oh, how awful that she's pregnant!

00:02:42Yes, I'm pregnant, but please try not to let the whole hospital know before I tell them.

00:02:47I'm going to Iñaki, right?

00:02:48Well, what are you waiting for?

00:02:49Grab your laptop, we're going to tell you.

00:02:51No, woman, look, I have to tell you this, well, a romantic scene, right?

00:02:55More privately, you know, without other people around.

00:02:57Okay.

00:02:58Well, at least he could record it and show it to me later.

00:03:01So, teaching, like that.

00:03:02Hello.

00:03:03Hello hello.

00:03:06Hello, Dolores.

00:03:07Hello.

00:03:09Don't you think you're having a beautiful day?

00:03:11Well, it'll have to be there, because here there are such dark clouds that I'm about to build Noah's Ark myself.

00:03:16Hey, what a lovely smile you have, you look so happy.

00:03:18Of course, I'm not going to be happy because...

00:03:21Hey, she just separated from her husband!

00:03:24Say?

00:03:27Hey, are you all about divorce?

00:03:31Yeah.

00:03:36Honey, do you have any plans for tonight?

00:03:40A romantic scene.

00:03:42Uh, it's cut out!

00:03:45Oh, that's great.

00:03:46Anything but work, huh?

00:03:48So many fall, so many fall.

00:03:50I'm doing fieldwork.

00:03:52Go to the countryside.

00:03:57Well, Mr. Bejumea, after 48 hours, full board, it's about time to leave the room.

00:04:04Here is your discharge papers.

00:04:07And do you have any plans for when you get out of here?

00:04:09Well, look, I'm going to tell you for sure what we're not going to do.

00:04:13A hot air balloon ride.

00:04:15Not even by plane, huh?

00:04:16I've had enough high altitudes with the Amazon.

00:04:20Well, goodbye.

00:04:21Bye bye.

00:04:23Bye bye.

00:04:24And we got on the train.

00:04:26Do you want us to get in now?

00:04:27Well, why not?

00:04:29I have no business here.

00:04:30We're not in that much of a hurry, are we?

00:04:31If we have to be there a little longer, we will be.

00:04:35But you look so beautiful when you lie to me.

00:04:39Your body is here, but your head has already passed Zoria.

00:04:48No cardamom either, Anol is for curry...

00:04:50Look, I'm doing tests for a new suit.

00:04:53Can?

00:04:54Yes, go ahead.

00:05:00A bit dry, isn't it?

00:05:02Oh, sorry, okay?

00:05:03I might give you the impression that I've taken your opinion to heart.

00:05:05Although not as dry as the author.

00:05:07Mom, you've caught me at a really bad time.

00:05:09Very badly.

00:05:11Yes, tomorrow is my birthday, I remember.

00:05:14What surprises me is that you remember.

00:05:19That?

00:05:21Do you want to come?

00:05:22No, you can't.

00:05:24Because my friends are going to throw me a party.

00:05:27That is.

00:05:29No, Mom...

00:05:31What are you doing?

00:05:32What are you doing?

00:05:33I'm trying to have a private conversation.

00:05:35Hey?

00:05:36You don't need to come, Mom, really.

00:05:38See you at Christmas, okay?

00:05:40Well, during Holy Week.

00:05:41Better next year.

00:05:43Come on, goodbye, goodbye, goodbye.

00:05:45The family.

00:05:47The job?

00:05:49Come on, auntie, palcaya.

00:05:51So much talk, so much talk.

00:05:58Yeah?

00:05:59Hey, Carmen.

00:06:01Dad, how are you?

00:06:01Hey, I'm at the doctor's office.

00:06:03You know it's Saturday, right?

00:06:04Yes, yes, no, but I've come to organize some files.

00:06:07The ones I ordered last week?

00:06:09No, but I've tried and I can't find a report.

00:06:11The ones I'll have to reorder next week?

00:06:13What did they say?

00:06:14Nothing, look, on Monday you can ask me for whatever you want and I'll do it for you.

00:06:17Carmen, please, goodbye.

00:06:17I promise you, but I have to leave this weekend.

00:06:19Bye.

00:06:28Let him ask you for whatever he wants.

00:06:31I want you to leave a sign and sell yourself to me.

00:06:35That's what I want, damn it.

00:06:42What are you doing?

00:06:43Holy shit!

00:06:44Are you playing hide-and-seek by yourself or what?

00:06:46For me, for all my colleagues, and for me first.

00:06:48What are you doing here, José?

00:06:50I've come to hog your wifi a bit, because at Iñaki's house the connection is really bad.

00:06:54And YouTube really doesn't eat up your megabytes, huh?

00:06:57Are you staying here?

00:06:58Which Saturday?

00:06:58Well, I come here to work on weekends.

00:07:01Well, it's not about unemployment, is it?

00:07:02You Basques are so rich because you work for the sheer joy of it, come on.

00:07:06No, I come to work to forget about Carmen.

00:07:09Well, that's a good topic, isn't it?

00:07:10Because having him here from Monday to Friday for two hours a day, well, you tell me.

00:07:14Every time I think about how happy she is with Iñaki, I die, I really do.

00:07:19Man, Iñaki is a good-looking guy, huh?

00:07:21I'm telling you this from my heterosexual perspective, okay?

00:07:23And a nice, friendly Basque guy, huh?

00:07:28Sometimes I arrive and say, we have to see the marked spot.

00:07:35It has its flaws, you know?

00:07:36Look, José, don't misunderstand me.

00:07:38I mean, I'm really glad that she's doing so well.

00:07:45You can tell he's very happy.

00:07:47No, don't you see that face, son?

00:07:49Come on, man, cheer up.

00:07:50What do I want, to forget about Carmen?

00:07:52Well, I'll give you a hand, okay?

00:07:54We're going out, you and I are going to party, right?

00:07:56We didn't just mess things up, huh, man?

00:07:58The fair is going to stay at Arturo's wake.

00:08:00Isn't it?

00:08:01Hey?

00:08:02Well, look, if I pass it to you a mile, that's fine.

00:08:06Shall we go for a swim?

00:08:08Boat, yes.

00:08:09Hey, you closed it.

00:08:10Come on, let's go.

00:08:14Come on, I'm going back to San Sebastián.

00:08:16Well, daughter, you were taking your sweet time.

00:08:18I was expecting to hear something like, what a joy, Marichu?

00:08:20No, no, no, I'm glad.

00:08:22But the ringtone doesn't come through well over the phone.

00:08:24Ah, I thought that was with WhatsApp.

00:08:27Hey, can you go to the farmhouse and tidy it up a bit for when we go?

00:08:31Of course, man.

00:08:32I have no other option but to go to the farmhouse now and work my kidneys off cleaning.

00:08:36Hey, if you're busy you don't need to go.

00:08:38What are you saying?

00:08:39If I don't have anything better to do.

00:08:41Look, I'd love to go to the farmhouse.

00:08:43Ala, agur.

00:08:44Goodbye.

00:08:44You've been good.

00:08:46Hey Carmen, will you come with me to Marichu's farmhouse?

00:08:48Are you going to give a quick refresher?

00:08:50Oh, Vego, darling, I'd love to, but I have errands to run.

00:08:53I have to cook, prepare you.

00:08:54Okay, fine, fine, yes, don't overthink it.

00:08:55Just tell me no, I feel like helping you, Vego.

00:08:58Okay, I understand.

00:08:59Ala, agur, hija.

00:09:01Goodbye.

00:09:02Hello.

00:09:03Hey, auntie, Vego.

00:09:03Okay, see you later.

00:09:08What's wrong with my aunt?

00:09:09Well, I don't know, but she's very, very angry.

00:09:12Then nothing will happen to him.

00:09:13And what about you? Where are you going, little one?

00:09:15Nothing, I'm just going to run some errands.

00:09:16I'm going to buy some things to cook with, yummy things.

00:09:19Do you want more cava or champagne?

00:09:21Wait a minute, champagne or cava, if Christmas is still a long way off.

00:09:24And what does that have to do with anything, darling?

00:09:25You never know when you'll have an opportunity.

00:09:27Start thinking about what to celebrate.

00:09:29Okay, I'm leaving.

00:09:31Hello.

00:09:32You look very beautiful today, don't you?

00:09:33Thank you so much.

00:09:35Bye.

00:09:36Bye.

00:09:38Iñaki, do you know if Coldo has returned from Seville yet?

00:09:40Wow, you've been asking about him a lot lately.

00:09:43Well, yes, it's because of divorce stuff, you know, the kind of stuff that doesn't concern you.

00:09:47What's wrong, do you still have something to take away from him?

00:09:50Yes, something remains.

00:09:52Well, I have to go.

00:09:53So, if you see Coldo, please tell him to call me.

00:09:57Don't worry.

00:09:58Let's see.

00:09:59Agurri, Zaskun.

00:10:00Oh, you look like a tapa of Iberian ham mousse.

00:10:03Oops, I dropped my pen.

00:10:05Zaskun!

00:10:06Zaskun!

00:10:12Well, for me.

00:10:17Okay, what should I put on for you?

00:10:18How are things going with your son?

00:10:20The chapá is coming to terms with it; he sees that he has a handsome and good father.

00:10:24A cod pintxo and a small bottle of water for seven o'clock.

00:10:28Father Rafi.

00:10:29Don't call me that, Juan, I've told you before, it sounds like you're coming to confession, son.

00:10:32Yes, this is all very new to me.

00:10:33I just found my father and my father is also my boss.

00:10:36And I don't know what to call you, what should I do?

00:10:39Ton, Dad?

00:10:41I'll come by at seven, come on, champ.

00:10:44Let's just say we're at a point where everything sounds weirder than milk.

00:10:48That's normal, you haven't known each other long and normally a father and son have a very... well, you know. relationship

00:10:53life.

00:10:53That's clear.

00:10:54And not like you, who has missed out on everything.

00:10:56You've missed its first steps.

00:10:57Well yes.

00:10:58The first time he said a word.

00:10:59Already.

00:11:00The first day of school.

00:11:01All his dreams, his hopes.

00:11:03And also...

00:11:03Irene, look, I didn't bother you, huh?

00:11:05Better late than never.

00:11:06Those first Christmases.

00:11:07Irene, come on, let's go upstairs, don't tell her any faster.

00:11:10But I've thought of even more things.

00:11:11Yes, yes, I believe you, I believe you.

00:11:13The first girlfriend, Rasti.

00:11:14Come on, Irene!

00:11:19Or hasn't he prepared tapas for you, Juan Antonio?

00:11:21How strange, isn't it?

00:11:23The strange thing is that he's not wearing his house ring.

00:11:25And so?

00:11:26Look, I wanted to tell you earlier, but I was a little embarrassed.

00:11:30If you don't have to give any more explanations, Dolores, it's perfectly clear what happened.

00:11:33Yeah?

00:11:33Did you leave your ring with the lunch mat at home?

00:11:36Yes, Irene, I already.

00:11:37That was more logical.

00:11:38Could it be that she has left her husband?

00:11:41That's it, that's it.

00:11:42I knew it.

00:11:43What happened?

00:11:43Well, sometimes relationships wear down over time, the initial passion is lost.

00:11:48You don't have to give explanations.

00:11:49Do we know your husband?

00:11:51It's going badly.

00:11:52Who got the apartment?

00:11:54For now, him.

00:11:55I felt so guilty for having left him.

00:11:58Besides, what?

00:11:58Where is he going to put all those calendars he has?

00:12:00That has a horrible calendar collection.

00:12:03It even has the earliest Mayan artifacts.

00:12:04Hey, well, if you want you can stay at my house.

00:12:06And won't they complain about a roommate?

00:12:08No way?

00:12:08Look, there's one that invited her boyfriend four months ago and he's still there.

00:12:11And the other one has invited four friends over for the weekend, so we were going to be a little cramped.

00:12:16No?

00:12:16If you want, look, you can come to my house.

00:12:18Do your children still live with you?

00:12:19The four of them.

00:12:21Could it be because they want to kick him out of the house?

00:12:22But since they are minors, daughter, by law, they have been stopped.

00:12:25Sure, that's normal.

00:12:26Well, I appreciate it on the weapon, but I think I'll look for other options.

00:12:30Well.

00:12:30Thank you.

00:12:31Luck.

00:12:32Thank you, daughter.

00:12:37Let's see where I'm going to stay now.

00:12:40Hello gorgeous.

00:12:41Hello.

00:12:43How are you?

00:12:45I feel like when they remove an IV line.

00:12:48It's bad because it hurts when they pull off the tape, but good because they've finally taken off the bandage.

00:12:54Hey, Dolo, I was going to tell you that if you don't have anywhere to stay, you can stay at my house for as long as you need.

00:12:58whatever you want.

00:12:59That would be a bit strange, wouldn't it?

00:13:00Sure, why?

00:13:01I live alone, you have nowhere to go, and besides, I wouldn't mind seeing your face when you wake me up.

00:13:06the mornings.

00:13:06I already have a place to stay.

00:13:09I didn't mean to make you feel uncomfortable, okay?

00:13:11No, no, no, no.

00:13:11Not uncomfortable at all.

00:13:12No, no, it just so happens that a friend of mine suggested I go to her house

00:13:16with her and I said yes.

00:13:17But don't worry, she's not a lesbian or anything like that.

00:13:20Don't worry, Dolo.

00:13:21It's not overwhelming at all, I'm not overwhelmed.

00:13:23Me, me, me, what I have to do is go to work and that's it.

00:13:27I'm going to work, that's all.

00:13:33Besides, it's very difficult to see on my face in the morning.

00:13:36It's a painting, come on, it's a Picasso.

00:13:47Don Benjomea, how wonderful to find you.

00:13:49Poor Mr. Zandogal.

00:13:51Do you have a moment?

00:13:53Well, I have plenty of moments, but here in the south I have few left.

00:13:56I am moving in with my beloved wife, Adam Sebastian.

00:13:58You can't leave.

00:14:01Let's see.

00:14:02If you're worried about losing your cushy job, don't worry.

00:14:06Despite the thousand kilometers, will you still be able to contact me remotely?

00:14:10No, that's not what it's about.

00:14:11It's about his will.

00:14:12What do we do with the money he donated to charity and with the clinic?

00:14:17Well, but we don't need to worry about that now, do we?

00:14:20It's just a few simple procedures.

00:14:22Excuse me, ma'am, but they're anything but simple.

00:14:24I don't know many people who have died and come back to life just like that.

00:14:29Oh no, well look here, Lazarus.

00:14:30He died, he came back to life, and he was perfectly fine.

00:14:32I don't know that man, nor the lawyer who represents him.

00:14:36But now that he's behaving like a baby, everything has become complicated.

00:14:39I am so sorry that my return to life has caused you so much trouble.

00:14:44Don't misunderstand me, Mr. Benjumea.

00:14:46I'll try to speed things up, but he's going to have to stay in Seville for a few more days.

00:14:59Yes, Degocho, what are you doing?

00:15:01Oh, well look, right now I'm at Zurriola beach, surfing.

00:15:04So, what do you think?

00:15:05Cleaning your house, as you asked me to.

00:15:07In the end we stayed in Seville for a while, so you don't need to clean.

00:15:11Oh, really?

00:15:11Oh girl, thank goodness I didn't carry the vacuum cleaner around like a pack mule when I was cleaning.

00:15:16from home.

00:15:17Because if not, imagine how angry I would be now.

00:15:19Yes, girl, thank goodness, you've put my mind at ease.

00:15:21Marichu, honey, you don't get it, I'm being ironic.

00:15:24Well, what do I know?

00:15:25If you always seem ironic, I never know when you're being serious.

00:15:28Okay, fine, whatever, it doesn't matter.

00:15:31Okay, goodbye, megocho, megocho.

00:15:42Hey, two of changurro ojalave and one of garatinado de bacalao.

00:15:45Ear.

00:15:46Oh, and there's a woman asking about you.

00:15:47Now I don't have time for customers to tell me how great everything is.

00:15:50I know it's good, I made it myself.

00:15:52Don't worry, I won't be here long.

00:15:54I don't want this fried food smell to stick to me.

00:15:57Mom, what are you doing here?

00:15:59I'm glad to see you too.

00:16:01I told you your birthday was coming.

00:16:03Yes, but I told you no.

00:16:05And I told you yes.

00:16:07Wow!

00:16:09Iñaki!

00:16:11Look, this is my mom, Edurne.

00:16:13Ah.

00:16:16Sorry I can't give you two kisses, but you smell like fish from here.

00:16:19Yeah, well, work stuff, right?

00:16:21It will be yours.

00:16:22My other son is an architect and smells like Paco Rabanne.

00:16:27Is this one of the people who's going to throw you a party?

00:16:29Yes, exactly.

00:16:30He'll take care of it.

00:16:31What party? What are you talking about?

00:16:34It's supposed to be a surprise.

00:16:37But don't worry, I'll just pretend to be surprised.

00:16:41Already?

00:16:41Hey, Gordon, seriously, I have no idea what you're talking about.

00:16:45And take care of everything here, because I'm going for a walk with my mom.

00:16:48Come on.

00:16:50Hey, nice to meet you.

00:16:55Don't you wear those typical white hats that chefs wear?

00:16:58No.

00:16:59Because?

00:16:59Well, because of the smoke and the stuffy atmosphere in the kitchen

00:17:02It's the last thing your hair needed, with how oily it is.

00:17:07Real Sociedad, Sevilla, two.

00:17:09That?

00:17:10Do you want to earn money?

00:17:12Will it fit?

00:17:12Two.

00:17:13I wish I could speak Japanese fluently.

00:17:16By?

00:17:16To tell you that food is meant to be eaten, not photographed.

00:17:21They are rare.

00:17:22Let's see.

00:17:24Sabine.

00:17:24Yeah.

00:17:25What's that?

00:17:26It's a pen I found.

00:17:27But that's an abnormal pregnancy test.

00:17:29No way, that's disgusting.

00:17:30But I used to suck it because it didn't paint.

00:17:33And where did that come from?

00:17:34It fell...

00:17:36With Zasco.

00:17:37With Zasco.

00:17:40Damn, that's why I wanted him to come so fast from Seville yesterday.

00:17:43Can someone explain what's going on here? I don't understand anything.

00:17:46Well, you know that Zasco wanted to keep everything for himself, right?

00:17:48But in the end he let me have the house in Zumaya, right?

00:17:50Yes, indeed.

00:17:51We still need to go, okay?

00:17:52Yes, well, we'll go.

00:17:52The thing is, he didn't just give it to me like that.

00:17:54She traded it for...

00:17:55Well, as far as I'm concerned...

00:17:56In other words, for what is necessary to get pregnant.

00:17:59A drunken stupor.

00:18:00No, fuck it.

00:18:01Because of my seed and from what I've seen, well...

00:18:04I'm incredibly fertile because...

00:18:06I'm going to be a father.

00:18:07That?

00:18:08We should celebrate, shouldn't we?

00:18:10Hey?

00:18:11Iñaki!

00:18:12Iñaki!

00:18:14Again, dude!

00:18:15Put on an olive pit!

00:18:16No, no, no!

00:18:17Iñaki!

00:18:18He didn't choke, what?

00:18:20I'm going to be Aitacho.

00:18:22That?

00:18:26Oh, you guys!

00:18:27Sorio, a color!

00:18:29No way!

00:18:30No, a good one!

00:18:30Wait, wait, wait.

00:18:31Who is the mother?

00:18:32What kind of question is that?

00:18:33Well, a reasonable one, because the kid here is a real hothead.

00:18:36Who is the mother?

00:18:37Perhaps you blame the mother.

00:18:37But she doesn't know it.

00:18:39What do you mean you don't know?

00:18:40Well, she doesn't know that Coldo knows.

00:18:42Oh, no.

00:18:43Well, that's no excuse for not having a proper celebration.

00:18:46Let's all make a toast, shall we?

00:18:48Come on, let's get a new member for the crew.

00:18:51And may three more be born.

00:18:53And that's how we ensured the replacement at the museum.

00:18:55Oh, well!

00:18:57Dad!

00:18:59Dad!

00:19:10We've finally had a go at it, Perita, huh?

00:19:11These guys are handsome, aren't they?

00:19:12Hey?

00:19:12These handsome guys.

00:19:13Oh, damage!

00:19:14The flamenco thing.

00:19:14I tell you I want to forget about Carmen, and then you take me to see a flamenco show.

00:19:18Thank you so much.

00:19:20Excuse me, man, but I felt a huge wave of nostalgia when I saw it.

00:19:22And honestly, I thought they were going to give away ham.

00:19:25Well, thank goodness I'm going on a retreat in a little while and I'll be able to disconnect and forget about everything.

00:19:31Yes or what?

00:19:31I really have one...

00:19:32Damn, I can't believe it.

00:19:35That?

00:19:35Or maybe not.

00:19:37What happened?

00:19:38The friend I was going to go with, who in the end couldn't.

00:19:40Oh, what a bummer, guys!

00:19:44How's this retirement thing going?

00:19:46It's a secluded place up in the mountains where you go to rest, disconnect, relax...

00:19:51Is it turned off?

00:19:52Yeah.

00:19:53Am I coming with you?

00:19:56José, being silent is one of the important parts of retreat.

00:20:00What's happening?

00:20:00Since I'm Andalusian, I can't just keep quiet anymore, can I?

00:20:03Well, if I want to, I'll be quiet, I'll be quiet.

00:20:04What's happening?

00:20:05Let the one from Malaga not know, let him keep quiet.

00:20:06Of course, look, I can keep quiet as a tomb if I want to.

00:20:08Please!

00:20:12I just can't stay silent.

00:20:14Not a chance.

00:20:22Listen, dude, this is a really weird spa, isn't it?

00:20:24It's not a spa, José, it's a monastery.

00:20:27How could we come to a place that was so peaceful, restful, and quiet?

00:20:29Ah, a monastery, yes.

00:20:31Monastery?

00:20:32He couldn't have told me, I might have bought a hat and a swimsuit.

00:20:36You are very strange.

00:20:38José, you're weird.

00:20:39Or if we came to a spa, what would you like me to bring?

00:20:40A cape?

00:20:40Which spa?

00:20:41Which spa?

00:20:43A ba will come, won't it?

00:20:47Come in, go on, come in.

00:20:50Well, now the monks will come to greet us.

00:20:53Why are they fighting, why are they throwing a party?

00:20:54No, no, out of respect.

00:20:56Since she understands this, I vote silently.

00:20:58So when they arrive, no one does the word, okay?

00:21:03Come on, man.

00:21:04Are we going to spend the whole weekend without talking?

00:21:06And if we want to tell each other something, what do we do?

00:21:07Should we send each other a WhatsApp message or what?

00:21:08No, no, you can't bring mobile phones in here.

00:21:10How can they not enter with mobile phones?

00:21:11But this place that's supposed to be a monastery is a dump.

00:21:13Shut up, kid!

00:21:14This raises many concerns.

00:21:15There are graves, this is where things have died.

00:21:16No, kid, if there are graves, yes.

00:21:18It's so dark, it looks like Batman's cave.

00:21:20Shh!

00:21:21Damn it, Batman!

00:21:22Shh!

00:21:22Come on, look, Robin.

00:21:30Good afternoon.

00:21:31Shh!

00:21:32Hey?

00:21:42Yeah?

00:21:43Carmen, I've caught you at a bad time, can you talk?

00:21:45I'm quite busy.

00:21:47Genius.

00:21:48Okay, first of all, how's your pregnancy going?

00:21:50Well, that's two more hours developed since the last time we spoke, Dolores.

00:21:55You can't imagine what happened to me.

00:21:57No, because I don't have time.

00:21:58I'm preparing dinner to tell Iñaki that we're going to be parents.

00:22:02It turns out that Celia has suggested that I come live with her.

00:22:05Oh really?

00:22:06How does that sound?

00:22:07And he says that if I don't have to go to sleep, I should go to his house.

00:22:09But, Dolores, darling, that sounds more like the little girl wants to help you, not that she wants to live with you.

00:22:13No, no, no, you weren't there when he said it.

00:22:15No, because I was here shopping.

00:22:17By the way, what larger ordinary did you buy?

00:22:19But it's not what he said, it's how he said it.

00:22:21That's it, you stay here, tomorrow you come, you bring your things, we get married and adopt.

00:22:27Oh, Dolores, darling, I think you're exaggerating a lot.

00:22:29No.

00:22:30Yes, I don't know, I'm just so confused.

00:22:32Can I stay overnight at your house?

00:22:34Oh, my love, I would love that.

00:22:35But my mother-in-law is staying; she's decided to stay a few more days.

00:22:40You can stay at home in the light, but not in the cordo.

00:22:42No, no, no, get out of here, get out of here, what a shame, with how serious it is, man, I'll find a way to make a living somehow

00:22:45the paquera.

00:22:46Well, that's it.

00:22:47Hey Dolores, darling, I have a question.

00:22:49Do you know, Dolores, where they make sea bass?

00:22:52In the magazine?

00:22:53They hatch from little eggs that the father has previously inseminated.

00:22:56Okay, I'll manage, thanks.

00:22:58Bye.

00:22:59Bye, bye, bye.

00:23:03But, but aren't you so beautiful?

00:23:09How are you getting around with the child?

00:23:12With the child well.

00:23:13Look, I just confessed to a list of things for the two of us to do together.

00:23:16Rollito, father, son, to make up for lost time.

00:23:19Let's see.

00:23:21My goodness, what a lot of things.

00:23:24But you, how many lifetimes do you need to do this?

00:23:26Have you become a Buddhist?

00:23:27Oh, Buddhist, Buddhist, Dolores.

00:23:29The thing about that list is that I've been getting carried away from the beginning.

00:23:31I've put everything, everything, everything, everything, everything, everything, everything.

00:23:33From diapers to the present moment.

00:23:39Hey Juan, son, get ready, we're going to make up for lost time.

00:23:44No, I knew that the "I'm late every day" thing would eventually come back to haunt me.

00:23:48No, I mean I have plans for us to do together, father, son, you know?

00:23:53Oh, what's this about you being late?

00:23:55I'm coming, I'm coming, they're calling me.

00:23:58I have gathered you here because, as you may have noticed, I am alive again.

00:24:02Something that, apparently, worries my lawyer quite a bit.

00:24:05And that makes all the rest of us very happy.

00:24:09Okay, Trini, if you don't mind, let's leave the comma part for last, shall we?

00:24:14Since what concerns us is the clinic, I have gathered here the co-owner and the director.

00:24:21Cristóbal, who is also an owner, is missing.

00:24:23Yes, but Christopher is the reason for this meeting, that's why I haven't said anything to him.

00:24:27Honey, how would you feel about giving up your half of the clinic?

00:24:33Benito, that's what I've wanted to do since the moment you left it with me.

00:24:35How do you think he could handle the management?

00:24:38Well, I think the kid has tried hard, sometimes.

00:24:43Whether he was watching him, whether he was taking advice.

00:24:45I don't know, I think Christopher is not prepared for such a big responsibility.

00:24:53My goodness, and I was hoping you would clear up my doubts.

00:24:56Let's see, the best thing is for you to keep the clinic and for me to manage it.

00:25:00And in a while, let's say many years, who knows, maybe, perhaps, your son will be ready.

00:25:09You may be right.

00:25:11I have it, trust me.

00:25:13And now if you'll excuse me, I have a lot of things to do.

00:25:22I think you're mistaken.

00:25:24In whom? Should I keep the clinic?

00:25:26Asking for my opinion and Trini's when the most important one is Cristóbal's.

00:25:31But he may have matured, or it may just be an illusion.

00:25:35But you'll only know that if you ask him and give him a chance.

00:25:45Christopher, I have to tell you something very important.

00:25:48Me too, Gordi, me too.

00:25:50But I'm going to tell you with a poem I've written for you.

00:25:57What poetry?

00:25:59You say, while staring into my eyes...

00:26:01You didn't write that.

00:26:02What do you mean no? It's my handwriting.

00:26:03Look.

00:26:04Gordi, listen to me, Gordi, listen to me.

00:26:06I know you've asked me for time, but my feelings are still the same.

00:26:10Yes, yes, yes.

00:26:10But the best thing, Christopher, is that we leave it at that.

00:26:12It's not about you, it's about me.

00:26:15I was starting to like it too much, and honestly, I don't want to suffer.

00:26:18But Gordi, Gordi, listen to me, listen to me.

00:26:20Will you stop dressing me, Gordi?

00:26:21Okay, Trini, listen to me, listen to me.

00:26:23Don't leave me, please.

00:26:25There's nothing I can do.

00:26:26Don't make this more difficult.

00:26:36Watch out, kid.

00:26:37Can you tell me where you've brought me?

00:26:38He is silent.

00:26:39Yes, we were also supposed to come here to relax and disconnect.

00:26:42And this gives us more than just looking at each other.

00:26:43It's about living like monks do.

00:26:45Traces of the worries and stresses of society.

00:26:49Upon arriving at...

00:26:55Hey, what's that?

00:26:56Hey?

00:26:57Is it a wasp?

00:26:59What wasp?

00:26:59No, no, that sounds like he's the rapist of...

00:27:02Dolores!

00:27:03How did you get that in here?

00:27:05What is prohibited?

00:27:06Don't even think about answering.

00:27:07No, not at all.

00:27:07No.

00:27:07For the one person I can talk to, I'm going to stay here with you, who does nothing but send me messages.

00:27:10shut up.

00:27:11Jose, man!

00:27:11But let me go!

00:27:12Tell yourself!

00:27:13What's wrong, Dolores?

00:27:15Why is she whispering?

00:27:16Because here, with the time change, it's nighttime.

00:27:18No, man, I'm on a spiritual retreat, having a blast with Horacio.

00:27:23Water!

00:27:23Copper water jug that's there in the...

00:27:26Child!

00:27:27José?

00:27:29Excuse me, what happened, a monk?

00:27:30Oh, my dear, I don't know what you're talking about, but could you let me into your room?

00:27:34from Seville?

00:27:35That's going to be complicated.

00:27:36When I came here, up north, three colleagues were fighting over her, and I thought that

00:27:40In the end, they kept it for all three of them.

00:27:42Why doesn't he ask Carmen for the house?

00:27:43Yes, I already asked her and it's because she's busy.

00:27:46Besides, I don't want to bother her in her condition.

00:27:48In what state?

00:27:49In Spanish?

00:27:52Don't tell me that...

00:27:53Damn, he's already messed up.

00:27:56Look, I'm going to have to go because a monk is passing by here too.

00:28:05What's happening?

00:28:06What's happening?

00:28:07What did Dolores tell you?

00:28:09Like what?

00:28:10Like what?

00:28:12Touch your balls.

00:28:13And now you're going to shut up?

00:28:14Right now?

00:28:15What did he tell you?

00:28:16Please tell me.

00:28:21This needs salt.

00:28:23I'm glad, because it's a dessert.

00:28:26González, one little thing.

00:28:27Look, I'm trying to make a cake and it says here that I have to marble the pan.

00:28:33What does that mean?

00:28:35That recipe is probably too advanced for you.

00:28:38Carmen, I'd like you to meet Durne.

00:28:40She is my mother.

00:28:41I have noticed the resemblance, in the shapes, I mean.

00:28:45Is this one of your many friends?

00:28:47Carmen.

00:28:49Carmen is actually my best friend in San Sebastián.

00:28:52Oh really?

00:28:55Oh, and all your friends are so critical of your cooking?

00:28:59No, no, no, no, not with that criticism, sorry. It's just that I'm... I'm... I'm... I'm just daydreaming.

00:29:06But come on, Gozón and I aren't... he's your brother.

00:29:10I have to answer that it's definitely important.

00:29:13Tell me, son.

00:29:15What says that you and I are friends?

00:29:19In short, my mother has come to celebrate my birthday...

00:29:22Yeah.

00:29:22...and I told him that my friends are going to throw me a party.

00:29:25Which friends?

00:29:26You've answered your own question.

00:29:28My mother is capable of anything to make my life impossible.

00:29:31Already.

00:29:32In the end, mothers always end up doing the same thing.

00:29:35I don't plan to do that with my son.

00:29:37I'm going to be a good mother, I'm going to understand him, I will, of course, the day I have a child,

00:29:40Because I don't know if I want to have children, if you want to, if I will have children, or... I don't know.

00:29:45What are you talking about?

00:29:46Nothing. I don't say anything.

00:29:48Hey, Carmen.

00:29:50The point is that...

00:29:53I need you to pretend to be my best friend so I can kiss my mother.

00:29:58Hey?

00:30:00And what's wrong with you now?

00:30:02Nothing, Gozón.

00:30:03The thing is, I've always seen you as so cold, so calculating, so... without feeling,

00:30:07that I see you so vulnerable and look, it... it makes me feel tender, it makes me feel very tender,

00:30:14a lot.

00:30:18Guess what your brother was calling about?

00:30:21Walling in the future?

00:30:22Oh, how funny.

00:30:23He has been given another award.

00:30:26As?

00:30:29Congratulations.

00:30:29Oh, you must feel super proud, right?

00:30:32I will feel just as proud of my son, even if he doesn't receive an award.

00:30:35Because a child, a child must be loved, cherished, and cared for.

00:30:39What's wrong with her?

00:30:40Take care of it.

00:30:41What is Andalusian?

00:30:43Do you know how these people handle the topic of feelings?

00:30:45Well, I'm leaving.

00:30:46Come on, I'll go with you.

00:30:49I'm just saying one thing, Gozón, that no...

00:30:51Didn't you tell me... what should I do with the cake in the end?

00:30:54Oh, don't do it.

00:30:57Wow!

00:30:58Will tomorrow's party draw a big crowd, or is it just a girl who...

00:31:02Man, love.

00:31:03More friends will come.

00:31:04Ah, you have more.

00:31:06Okay, I'll see you later.

00:31:07I'm going to buy you some clothes because it looks like you're just shoehorning those pants in.

00:31:11they train you.

00:31:16Chiu!

00:31:17I can't wait for you to grab your broom and go back to your biting claw with the rest of the

00:31:21Witches?

00:31:29Hello.

00:31:30AND?

00:31:32I wanted to invite you to my birthday party.

00:31:36Oh, that day is terrible for me.

00:31:38I haven't said when it's going to be yet.

00:31:40It's going to be tomorrow.

00:31:42And where are you going to celebrate?

00:31:43I'm going to celebrate it here this afternoon.

00:31:45Well, I was actually planning to stay home tomorrow to watch a movie I bought.

00:31:51AND...

00:31:52Couldn't you see her another day?

00:31:54Already.

00:31:55I'm actually planning to watch it at home tomorrow.

00:31:58Well, you get it out of your head and don't see it another day.

00:32:00Okay, okay.

00:32:01Excuse me, and can we bring girlfriends and stuff?

00:32:04Wow!

00:32:05Yasmín is not in Burgos.

00:32:08Yes, well, but it was a question.

00:32:09What a silly question, isn't it?

00:32:11Yeah, well, your excuse about the movie is...

00:32:14Okay, that's enough.

00:32:15Tomorrow I want you all here to celebrate my birthday and have a blast.

00:32:19Hey?

00:32:21He's bipolar.

00:32:22Cabe, I almost prefer that she's always angry.

00:32:24With these mood swings, you don't know if he's going to give you a caress or a slap.

00:32:27Boom!

00:32:34Ready for one of our plans, father and son?

00:32:37Man, I've been waiting my whole life.

00:32:38Well, look, this one is special because it's so closely tied to our bond that it's going to...

00:32:43to grow again, gumbilic cord.

00:32:45Close, close your eyes.

00:32:50Poor thing?

00:32:51No, wait, wait.

00:32:55Betty!

00:32:56We're going to the glorious Juanillo, to Pellamarín.

00:33:00This isn't big, this isn't big.

00:33:05What's wrong? Don't you like the scarf? Do you want me to buy you the shirt? The officiant.

00:33:08No, no, no, not at all, not at all, not at all. I mean… I mean, I'm a Sevilla fan.

00:33:18As?

00:33:20I'm from Seville, Dad.

00:33:21I'm going to give you such a beating, kid, I'll knock your head off. Kid, Sevilla fan, kid, Sevilla fan, but you

00:33:24You could be, I don't know.

00:33:25Sevilla fan? Washbasin?

00:33:28Give me a little air, put water on it and cover a linden tea.

00:33:30Careful, child, basin.

00:33:32A child, a basin.

00:33:33Good!

00:33:34For the first baby of the crew.

00:33:35Good!

00:33:36For the new generation of Basques.

00:33:38Good!

00:33:38By coldo chiqui.

00:33:40Good!

00:33:41For the following sleepless nights.

00:33:43Good!

00:33:45Well, you'll see how beautiful it is when the baby wants to hold your finger with his little hand.

00:33:50And the first smile!

00:33:53When you give him the bottle before bedtime.

00:33:55Well, and at night, because babies eat every three hours.

00:33:58And when you change their diapers, you can put on face masks. Ah, the smell!

00:34:02Yes, so you don't catch it, because they get sick every week.

00:34:05Not to mention Izasco, there's no hormone overload, anyone can handle that.

00:34:08No, no, don't worry, don't worry.

00:34:10No problem.

00:34:11Well, nobody's perfect.

00:34:12Here, where you see me, I, for example, don't ride bicycles.

00:34:16Oh, no?

00:34:18Hey, I'm sorry, it's just that...

00:34:20No, no, no, no, no, taboo subject. Okay, this is settled, right? This, the two of us together, right? Rowing in the

00:34:25If we go in the same direction, we'll get through this. What's more, I think that with time I can cure you of this.

00:34:29Let's look for other things we have in common. I don't know, for example, rock and roll.

00:34:36Look, I had a rock and roll band when I was your age. Do you like rock and roll?

00:34:39I am the mother of the Latino extro.

00:34:40And what's that, Juan Coñón? A Peruvian who fixes plugs?

00:34:43Ah, as I said, for the first baby of the group. Come on.

00:34:46Yeah!

00:34:47Here comes the other protagonist.

00:34:48You're with me!

00:34:49Sorry, Anak!

00:34:50You kept quiet about it, huh?

00:34:52The fact that?

00:34:53Don't pretend, we already know.

00:34:56They're dumber.

00:34:58What have you heard, Colo?

00:35:00Well, that's about our own thing, right?

00:35:02Have you told them our secret?

00:35:05Uh, yeah, well...

00:35:06Well, the pregnancy is good news. It's not like you need to hide it. Besides, it's a little noticeable.

00:35:13What? I'm not pregnant anymore!

00:35:16That?

00:35:17And what's this about it being a little noticeable?

00:35:19Well, what I mean is that it might just be a little gas thing or that sudden feeling that makes you...

00:35:24a little bit of burto.

00:35:24Okay, okay, okay, so that pregnancy test you dropped?

00:35:27I haven't dropped anything, but hey, you might get a slap in the face.

00:35:30I'll be damned for telling them I want to get pregnant.

00:35:34Sascon!

00:35:35Wait, there was proof, it's not my doing, damn it!

00:35:38What? You're not going to the fair?

00:35:40Yeah.

00:35:41What kind of person are you, huh?

00:35:47Well, at least it's turned out to be a nice, sunny day.

00:35:53I just prefer cloudy days.

00:35:59And if you weren't Isascun's, whose were you?

00:36:01Well, the only woman who was with Isascun in the bar was Gochone.

00:36:05Gochone.

00:36:05And she's been acting very strange lately.

00:36:08Oh, don't talk nonsense! How could it be Gochone?

00:36:10I can't stand it anymore, love! I don't want to keep loving that!

00:36:19There you have it. When have you ever seen Gochone even half-cry?

00:36:24Pregnant Gochone.

00:36:27Poor baby.

00:36:28And I thought my mother was the meanest.

00:36:33Poor baby!

00:36:40What's wrong with you? You look like you're going to a funeral.

00:36:43Pado, sit down, sit down.

00:36:47Oh, Don Benito.

00:36:50You?

00:36:51Have you ever felt that you have nothing to do with your child?

00:36:56Me and everyone who knows him.

00:36:59That?

00:37:00Problems with the newly arrived kid?

00:37:03Exactly, Don Benito, exactly.

00:37:05Look, sometimes I get the feeling that we are two complete strangers.

00:37:11My dear son!

00:37:12But that's not a feeling, it's a fact.

00:37:15How long have you known him?

00:37:16A month?

00:37:17So, what am I supposed to do?

00:37:19Ah, well, I can't tell you that.

00:37:21But I will tell you what I'm going to do with mine.

00:37:25I'm going to ask him tonight if he wants the clinic.

00:37:31If she says yes, I'll give it to her.

00:37:33Because?

00:37:34Because he is my son.

00:37:36And because I have complete faith that he will know how to defend this clinic.

00:37:41Very good, very good.

00:37:43Clear.

00:37:44What can you do?

00:37:46But me?

00:37:49I don't have a clinic to give him.

00:38:02You're fine, Christopher.

00:38:05They served you goat instead of champagne and you didn't say a word.

00:38:08Ah, ah.

00:38:09I'm doing great.

00:38:12Great.

00:38:12Can you tell me why you called me for dinner?

00:38:14Oh, well, for no particular reason.

00:38:16What's so special about a father wanting to chat with his daughter?

00:38:20Are you dying, Dad?

00:38:21Are you dying?

00:38:21Oh, he's dying, Christopher.

00:38:23Well, I don't know, he's inviting me to dinner.

00:38:24You're being nice to me.

00:38:25That, plus the fact that he is already 80 years old.

00:38:27Well, I think I know.

00:38:2868.

00:38:30Otherwise, I'm dying.

00:38:32The thing is, now that I'm back, I want to get my things in order.

00:38:35Let's see.

00:38:35What are your plans?

00:38:37Well, I was going to play padel, but he called me.

00:38:41From the future?

00:38:43About the future, he says.

00:38:44There's no point in planning the future, Dad.

00:38:46So that?

00:38:47You get your hopes up about someone and then suddenly...

00:38:51Everything is falling apart like a house of cards.

00:38:56He is very sad.

00:38:58Oh, does it have something to do with the mysterious lady you told me about?

00:39:03Am I saying something else, Dad?

00:39:05Oh, oh, oh, oh.

00:39:07Oh, Christopher, Christopher.

00:39:09Well, these setbacks are part of the maturation process you're going through.

00:39:13But is that a good thing?

00:39:14Well?

00:39:15That's good?

00:39:16That's good?

00:39:16Okay, okay, okay.

00:39:17Well, he says.

00:39:18If I'm responsible, it's only served to break my heart.

00:39:21And may my hair fall out from the disgust that...

00:39:22Look, look, these two gray hairs I have here, this one is white, white.

00:39:25Do you see it here?

00:39:26Well, with the clinic.

00:39:28What's happening?

00:39:29What about?

00:39:30Come on, now that he's back, I'm not going to take responsibility for anything.

00:39:32I'm just passing by, come on.

00:39:32I'm just passing.

00:39:33What's more, do you know what I'm going to do?

00:39:34I'm going back to my old life.

00:39:36That's what I'm going to do, man.

00:39:36That's it, that's it, man.

00:39:37Where I was only turned away when the Club de Campos was at full capacity.

00:39:40That's it, that's it.

00:39:41Well, son, but in life you have to evolve, you have to move on.

00:39:45No, but I do move.

00:39:46Look, in fact, I've left the clinic room and gone to a five-star hotel

00:39:49stars until you pay me for a mansion, of course.

00:39:52Well, that's it, that's it.

00:39:53Look, kid, he's going to give us a lobster, the biggest one there is, and he's going to pay for it.

00:39:57my father.

00:39:58That's it, man, that's it, that's it.

00:40:04Mr. Sandoval, hello, good day, I am Trinidad Lozano, the director of the Isparis clinic.

00:40:09I'm calling you to clear your schedule for tomorrow.

00:40:13I have received information that Mr. Benjumea is going to name the clinic after himself.

00:40:17Yes, I imagine he'll tell her tomorrow, but anyway, I've taken the liberty of giving her

00:40:22the exclusive.

00:40:23Okay, well then, see you tomorrow for the signing.

00:40:27Bye.

00:40:29No, I wear my own, because I feel it, but I'm not the same person I was in high school.

00:40:34I am another person, a very different person, that you don't know who I am.

00:40:42What are you doing?

00:40:46Preparing the room for the next patient.

00:40:49And doesn't Irene do that?

00:40:51Malucha has been put on and she's asked me to replace her.

00:40:54I just saw her a moment ago at the bar.

00:40:56Oh really?

00:40:57Dude, that's intense, seriously.

00:40:59Look how he lied to my face, they certainly have some nerve.

00:41:02Let's see, Dolores.

00:41:03Do you think I'm stupid or what?

00:41:05I don't have to answer that, do I?

00:41:07And you, Bata?

00:41:10Is...

00:41:10And these suitcases?

00:41:13Dolores, I know perfectly well that you're not doing it in bed with any patient.

00:41:18Who else am I going to do it to?

00:41:19Well, to you.

00:41:20I know that you left your husband and that you feel so guilty that's why you left him.

00:41:24The house and now you have nowhere to go.

00:41:25Olín, Trini, so much information about other people's lives... you remind me of myself.

00:41:32Let me tell you one thing, starting tomorrow things here are going to change a lot.

00:41:36And I'm not going to allow you to do whatever you want.

00:41:39Understood?

00:41:40Yeah.

00:41:41Very good.

00:41:44Oh, listen, one little thing.

00:41:47Could you help me with the pillowcase, it's difficult?

00:41:51He just said the change would take effect tomorrow.

00:41:57I'm going alone.

00:42:09And look at all you're saving here in Luz, huh?

00:42:25Thank you so much.

00:42:26Shh!

00:42:36Shh!

00:42:38I'll smoke you, look, look, the flavor, huh?

00:42:40Every day they tell people to be quiet.

00:42:42Shh!

00:42:43Shh!

00:42:43They look like people.

00:42:45What is this? The attic?

00:42:46No, it's our cell.

00:42:48But if I just got out of one prison, how can they put me in another?

00:42:51At least I'm going to bed.

00:42:53But please, no nonsense.

00:42:54Because it has a sense of intimacy that makes it welcoming.

00:42:58Ah!

00:42:59Come on.

00:43:00To meditate.

00:43:01To meditate.

00:43:02In silence.

00:43:05What a great afternoon we're having!

00:43:11Well, that's it for me.

00:43:13Hey, what do you think about us doing...

00:43:17And this?

00:43:19Well, that's what to prepare for dinner.

00:43:21Already.

00:43:22But by "prepare" do you mean take it out of the packaging and heat it in the microwave?

00:43:26No, darling, I cooked it myself, it's hard to believe, isn't it?

00:43:35No, no, no, no, no, I mean that she's pregnant.

00:43:41Is Gozón pregnant, huh?

00:43:43Yes, apparently they saw her pregnancy test on the floor of the Calla.

00:43:45What do you think?

00:43:48That's intense, isn't it?

00:43:51Can I have a moment?

00:43:53Yes of course.

00:43:55I'm pouring the wine.

00:43:57At last.

00:43:59Huh? What's up, my favorite?

00:44:01Man, you really thought so.

00:44:03Well, it's like you know him.

00:44:05What a mess!

00:44:06Yes, because you have to be stupid to leave a pregnancy test at the Callao, come on.

00:44:11Silly, so silly, darling.

00:44:13Horace.

00:44:15Horacio, I swear my foot has fallen asleep...

00:44:17Be quiet, please, José.

00:44:19Oh, please.

00:44:20Horacio, I have to tell you something.

00:44:22What part of silence didn't you understand?

00:44:24It's because it's made of meat.

00:44:25Cap! Cap!

00:44:27Chap!

00:44:28I came here to forget about Carmen, and you want to tell me something about her.

00:44:31Seriously, leave me alone, José, please.

00:44:35Excuse me, sir.

00:44:36You have to see that to believe it, huh?

00:44:37How shameless.

00:44:38We are here, those of us who want to meditate, and this individual is here forming these candlesticks.

00:44:43Excuse me.

00:44:44It won't happen again, sir...

00:44:46What did you say his name was?

00:44:48Gift...

00:44:49Look, I think it's irresponsible.

00:44:51Oh, really?

00:44:52With a new business open, with all the work that's there.

00:44:55Look, these things are planned, they're not done haphazardly.

00:44:58Yes, honey, but well, many times these things happen like this, without warning.

00:45:02Yes, but a child isn't created by spontaneous generation, unless you're the Virgin Mary, of course.

00:45:06Already.

00:45:07Okay, so, I don't know, wouldn't you have a child with me?

00:45:12Yes, of course, but everything in its own time, right?

00:45:15Right now, with the new Calla, my career taking off, your work with Horacio, and all the hours we put in

00:45:20Can you imagine us there?

00:45:22That would be crazy.

00:45:23Yes, how crazy is that?

00:45:24But let's not talk about that now.

00:45:25What is it you wanted to tell me?

00:45:28Uh... well...

00:45:29Surprise!

00:45:30I managed to cook the sea bass in the oven and it didn't turn out raw.

00:45:34Well, let's drink to that.

00:45:37Yes, let's make a toast.

00:45:44What's wrong, why aren't you drinking?

00:45:45Yes of course.

00:46:02Regible?

00:46:03Was that it?

00:46:05Renewable?

00:46:06Yeah.

00:46:26What are you doing?

00:46:28My mobile phone has been stolen.

00:46:29Please be quiet!

00:46:30My mobile phone has been stolen.

00:46:32Hey?

00:46:32And it was the monks, that's for sure, come on.

00:46:34The monks aren't going to steal your phone, please, you haven't lost it somewhere.

00:46:38Yes, where am I going to lose it?

00:46:39Here, behind the cross, I'm going to lose him.

00:46:40Can't you see that this is empty?

00:46:41What are you echoing, kid?

00:46:42Give me a hand in finding it.

00:46:43I'm not going to help you at all, because I came here to relax, not to look for cell phones.

00:46:47please.

00:46:48Oh, so you're taking the side of the thieving monks?

00:46:50No, I agree that you should shut up.

00:46:53Stop with the nonsense about your phone being stolen and getting wet, please.

00:46:56And who else is going to do it?

00:46:57It's just us and them here, right?

00:46:59That's why they wear those wide robes, to put the plasma and microwave ovens in them.

00:47:03Stop with the mobile phone thing.

00:47:03Look, let's go to the vegetable garden to see if there are any eggs for breakfast.

00:47:06I'm telling you, there are some balls.

00:47:08That's how big mine are.

00:47:09Grab your backpack, because as soon as I find my phone we're getting the hell out of here, but

00:47:12Okay, let's go.

00:47:14I refuse.

00:47:16You're really annoying, really annoying.

00:47:18It's not that I'm being a nuisance, Father, it's that I'm poor and I don't have money for another mobile phone.

00:47:21For not bringing it to you.

00:47:22That one that I and why we argued in whispers.

00:47:24Because you can't talk.

00:47:25That's true, Julio.

00:47:26Why did I get a hand job or not?

00:47:28Yes, yes, what choice do I have, yes, yes.

00:47:31Anyway, you're not going to shut up, with or without your phone.

00:47:33That means you're the rule, huh?

00:47:34You're a good friend.

00:47:37So what, Cordo?

00:47:38How's it going with Izascun?

00:47:40Well, it wasn't pleasant, Iñaki.

00:47:43There was everything.

00:47:43There were shouts, recriminations, and tears.

00:47:47Many.

00:47:48Izascun crying?

00:47:50Izascun crying?

00:47:51No, I mean, never.

00:47:52Me, me of me.

00:47:53Oh, poor thing.

00:47:54Well, he was really excited about becoming a father, and they had even ruined baby booties.

00:47:59Well, you can always give them to Gochone.

00:48:01Yeah.

00:48:02Knowing her, instead of baby booties, she's going to put military boots on her son.

00:48:07Let's see, let's see!

00:48:08Let's see, let's see!

00:48:12Complain about stupid things, man!

00:48:14Fuck!

00:48:14How does some people feel about their birthdays, right?

00:48:16And for some, what else does it feel like to have been born?

00:48:21Okay, okay, what about those bags?

00:48:23Ah, these are the things for the party.

00:48:25Everything has to be set up before my mother arrives.

00:48:28Look, you're going to be in charge of the Soriona poster.

00:48:33You're going to take care of the cake.

00:48:36Carmen, the little hats are for you.

00:48:38Oh, and you're going to take care of the skewers.

00:48:41We like the chorizo ones.

00:48:44Just talk!

00:48:45Still!

00:48:45There you go, I'll take care of it.

00:48:47Here it goes.

00:48:48And you're going to inflate the balloons.

00:48:50Perfect.

00:48:51Let's see.

00:48:52And the candles.

00:48:55I think they've dialed the wrong number.

00:48:57What are you saying? Are they okay?

00:48:59I'm turning 28.

00:49:04What's happening?

00:49:05Nothing, nothing, nothing.

00:49:08Very well, take them.

00:49:08Okay.

00:49:09Here are the gifts you're going to give.

00:49:13You're going to wrap them.

00:49:14They are a book and a sweater.

00:49:16I don't like the sweater, but since I'm one of those people who return gifts, it seems more realistic this way.

00:49:21Good.

00:49:21But did you buy your own gifts?

00:49:24What a victim!

00:49:26The truth is, it's quite sad.

00:49:28Very sad.

00:49:29What's sadder is spending all day in the bar being lazy and not saying anything.

00:49:33Look, don't take it out on Gozoni either, it's normal for him to be like this.

00:49:36After all, your body is undergoing changes.

00:49:40Hey, Iñaki, I'm only turning 38, okay?

00:49:42See how wrong they were with the numbers?

00:49:45Gozoni, now that you've finished the topic, Iñaki, are you really not going to say anything to your mother?

00:49:50Tell him what?

00:49:51So, let's see about your little secret.

00:49:54Oh no, no, no, no way, okay?

00:49:56My mother can never find out about that.

00:49:58Little girl, how can you hide something like that from your mother?

00:50:01But don't exaggerate, it's nonsense.

00:50:03Oh, well, that topic doesn't really bother me, you know?

00:50:06God, Dad, the one who has no teeth.

00:50:08Let's see, Gozoni, I would tell him...

00:50:10What? What?

00:50:11What, my mother can never find out about this?

00:50:14Understood?

00:50:16Already.

00:50:17It's my dog.

00:50:24This ham is really good, Rafi.

00:50:26Let's see if it gets rid of these...

00:50:28New Ronnie.

00:50:29But what has happened now?

00:50:32Fatherhood has overwhelmed me.

00:50:35Well, now there are two of us.

00:50:36Because after what we talked about, I've realized that the only thing I have in common with my

00:50:40son, Don Benito,

00:50:41The thing is, we both work in a bar.

00:50:42But yours isn't useless, like mine.

00:50:44That's because you haven't seen him giving the change.

00:50:48I thought, you know, that my son Cristóbal was going to change.

00:50:52But I've realized that it's impossible.

00:50:55Look.

00:50:57It is much easier to take care of a two-month-old baby than a forty-month-old one.

00:51:04You can say that again.

00:51:06Enjoy your meal.

00:51:08I have my own worries too.

00:51:14Please forgive me.

00:51:16But creature.

00:51:18Kids, let's see, Juan.

00:51:20When I forbade you from serving tables on roller skates, that also included coming in here with all kinds of

00:51:24wheeled vehicle, son.

00:51:25But this isn't for me.

00:51:27This is for you.

00:51:27Hey?

00:51:28Since you don't know how to ride a bike, I thought I'd teach you.

00:51:32But what are you going to teach me, child, if you don't even know how a fork works?

00:51:36Well, well, you never know.

00:51:38Don't underestimate the kid, man.

00:51:40I'm dying to spend more time with you, Dad.

00:51:44Don't tell me you did this so we could be together.

00:51:47And to make up for lost time.

00:51:49And thus be able to strengthen ties for your subsidiaries.

00:51:53Yeah.

00:51:53I think that's what it's for too.

00:52:00You can never underestimate a child.

00:52:04They can still surprise you.

00:52:20Carmeli, what's up? How was last night?

00:52:22I'm sure he didn't go crazy with joy here, throwing strings and shouting with happiness, right?

00:52:26Well, more like he was kicking and snoring like a bear.

00:52:30You didn't tell him.

00:52:32No, I haven't told him anything yet.

00:52:34But why?

00:52:35Because I don't know, I don't want to tell him yet.

00:52:37I prefer to wait a little longer.

00:52:39But what are you waiting for? For the child to grow up and tell him himself?

00:52:42That would be great.

00:52:43Hey, and you? How are you? How was your night?

00:52:45Well, fine. Except for the time when the bed closed up like a sandwich maker.

00:52:49With me inside, the rest of the night was wonderful.

00:52:51But darling, you can't go on like this.

00:52:53No, but don't worry, I'm fine, okay?

00:52:54It hurts me the least.

00:52:55Only when I breathe and when I move.

00:52:58Look, Colvo has his house in Seville available.

00:53:01I'm going to tell her I left it with you, period.

00:53:03No, I don't want to bother you.

00:53:04It's not annoying, either. Tell me what other option you have.

00:53:07Sleeping on a park bench?

00:53:08No, at least those are static, they don't move.

00:53:10No, I'll just tell him and that's it.

00:53:12Okay, thanks.

00:53:14To you. Bye.

00:53:15Bye.

00:53:15Sleeping on a park bench?

00:53:22Sleeping on a park bench?

00:53:26Sleeping on a park bench?

00:53:27Sleeping on a park bench?

00:53:27Tell me, Carmen.

00:53:28Just a quick question.

00:53:29Look, uh...

00:53:31Let's see...

00:53:31Tell me?

00:53:32Do you have your house in Seville?

00:53:34You have it free, right?

00:53:35Yeah.

00:53:35Can you lend it to my friend Dolores?

00:53:37It's just that Dolores...

00:53:38I don't know, I don't know her that well either.

00:53:39Don't you have anywhere else to go?

00:53:41She just got divorced, poor thing, and...

00:53:43Ah.

00:53:43She is alone.

00:53:44Sola is the one who came sleeping on the street, on a bench, feeling cold.

00:53:48Poor thing, my Dolores, my best friend, Colo, my best friend alone.

00:53:52Carmen, calm down.

00:53:53Man, he's not going to stay on the street.

00:53:55I have an account with my house.

00:53:56Did I want more?

00:53:57He's a sweetheart, Colo.

00:53:58OK.

00:53:59Thank you so much.

00:54:00The emotional rollercoaster you all experience.

00:54:03To be slovenly.

00:54:04You're not pregnant.

00:54:05Ah!

00:54:07Ah!

00:54:08Ah!

00:54:12Ah!

00:54:13Ah!

00:54:14Ah!

00:54:15Ah!

00:54:16Ah!

00:54:16My God.

00:54:20Well.

00:54:21I have gathered you here to inform you about the decision regarding the clinic.

00:54:26It hasn't been easy work, don't think otherwise.

00:54:28A difficult task.

00:54:29Because?

00:54:30Because this decision should be carefully considered.

00:54:33Nevertheless, it is curious...

00:54:36And to the sparse, for God's sake, you have us on the hook.

00:54:40Well.

00:54:41Gentlemen, I have decided to give ownership of this clinic to my son, Cristóbal.

00:54:50Entirely?

00:54:51Completely!

00:54:52You were absolutely right, Marichu.

00:54:54You had things going on with him when I wasn't there.

00:54:56And I firmly believe that Cristóbal will know how to defend this clinic.

00:55:01So, are we going north?

00:55:05Of course.

00:55:06We're coming to your house today.

00:55:17Tell me, Marichu.

00:55:18Digocho, I have good news.

00:55:20Finally I'm going up to San Sebastián.

00:55:21You'll think it's beautiful, won't you?

00:55:22Well, I do.

00:55:23I hoped you would too.

00:55:25No, it's a pain.

00:55:27Because you've already picked up all the cleaning supplies and I've turned off the main power.

00:55:30Now I have to go back there and turn it on.

00:55:31Well, honey, if you're busy, don't do it.

00:55:33I'll do it when I get back.

00:55:34Ah, of course.

00:55:35And then you come and find everything upside down.

00:55:37No way, I'll go and do it now.

00:55:39Well, thank you.

00:55:40No thanks or funny, let this be the last time.

00:55:43Oh, I'm glad you're coming.

00:55:44Goodbye.

00:55:48Good.

00:55:50We need to review the facts and timeline of our friendship.

00:55:54Timeline?

00:55:55My mother can never find out about this.

00:55:57Understood?

00:55:58Come on, Gonzona, it's not that easy.

00:55:59A friendship can't be faked; this isn't Twitter.

00:56:03Oh, but I don't have any photos with you guys.

00:56:05Oh, God.

00:56:07What good are friends if I have no proof?

00:56:09No no.

00:56:12Let's go.

00:56:14Uh-huh.

00:56:15Come on, smile a little, man.

00:56:18Let it be known that you're staying.

00:56:20Here are the last ones.

00:56:21I have to go.

00:56:23You don't stay for birthdays.

00:56:24No way, I can't.

00:56:25Marichu called me, and I did finally see Nosti.

00:56:28I have to go to a hamlet.

00:56:29Hey, that's great, isn't it?

00:56:30Excellent.

00:56:30Another one like your mother?

00:56:32Look, I really want to fall into a coma too.

00:56:34Let's see if you can sort everything out for me.

00:56:36I'm good now.

00:56:37Okay, let's get to the important stuff.

00:56:40Carmen.

00:56:44What is my favorite color?

00:56:48Is it white?

00:56:50No, plain blue.

00:56:52Why do I know?

00:56:53But you always wear white.

00:56:54Because it's my uniform.

00:56:55Already.

00:56:56Seriously, huh?

00:56:57How can you really be my friends?

00:56:59What if you don't give me a single one, even though you're my fake friends?

00:57:02I told him to go to hell, but only so as not to cause stress to the baby.

00:57:05He took it out of my mouth, but don't worry about the baby.

00:57:08You are useless.

00:57:11And some incompetent ones.

00:57:13Yes, and the best friends someone like me could have.

00:57:19Love.

00:57:22They are the friends I told you about.

00:57:25Dad.

00:57:26Yepa.

00:57:27Yepa.

00:57:28And where did you meet them?

00:57:29At the Wegenheim?

00:57:31What a sight.

00:57:39Dad, this is important.

00:57:41You have the strength, you have the will

00:57:43And you have everything you need to achieve it, okay?

00:57:45Okay, but don't forget one thing, Juanillo.

00:57:48I'm doing this for you, okay?

00:57:49And come on, safety first.

00:57:51Yes, yes, and don't blame me for your father, because that's me, okay?

00:57:52Don't worry, I'm not going to let go of you, but come on, we have to start with the basics.

00:57:56Sit down.

00:57:56Come on, tell yourself there.

00:57:58Do you have it?

00:57:58Yes, yes, I think I've got it.

00:58:00Come on, seriously, you couldn't even teach me the instruction manual for this, could you?

00:58:04What other instructions are there?

00:58:05Ove, move your feet, move your feet, pedal.

00:58:06Let me tell you something, Juan, we couldn't have strengthened our bond playing petanque, damn it.

00:58:10No, don't grab me, grab, grab, handle.

00:58:13This slows things down, does this slow things down?

00:58:14Yes, this slows things down.

00:58:15How wonderful!

00:58:15There it goes, no, no, no, but not there.

00:58:17There it goes, there it goes, there it goes, very good, very good.

00:58:18Okay, that's great.

00:58:19Pedal, pedal, pedal.

00:58:20I won't jump you, come on, pedal.

00:58:21Now, now, now.

00:58:22But this is wonderful, you're a genius, you're a genius, you're...

00:58:25You're a son of your mother!

00:58:26You've let go of me, little handcuffs!

00:58:29Look.

00:58:32Dad!

00:58:33Dad, are you okay?

00:58:35Call an ambulance or something!

00:58:37Call on Our Lady of Mount Carmel, Juan!

00:58:39Oh!

00:58:40Oh!

00:58:41I imagine you've already finished all the inheritance paperwork, right?

00:58:45Yes, daughter, what a relief.

00:58:46With the legal terminology I've heard, they could validate my first year of law.

00:58:51But hey, look on the bright side.

00:58:53Now you'll have more time to decide where to live, right?

00:58:56We've already decided.

00:58:57Oh, yes, where else would it be?

00:58:59At his estate or at the Triana mansion?

00:59:01At my house, in San Sebastián.

00:59:04As?

00:59:06But what about the clinic?

00:59:07The clinic remains under its current owner, Cristóbal.

00:59:12Sorry?

00:59:14But what about you? What's wrong with you?

00:59:16Trini, I've already told you.

00:59:17I'm going to San Sebastián with Benito.

00:59:19Daughter, for someone so young, it's amazing how hard of hearing you are.

00:59:27Desperate situations.

00:59:29They require desperate measures.

00:59:50Girl, girl, there's a new one in Four Eyes' house.

00:59:54Damn, damn, is he already with someone else?

00:59:56Look.

00:59:58Teba, that's a friend of Carmen from the hospital.

01:00:00And what is Dolores doing there?

01:00:02Because it's going to be like that, she's folding her panties, she doesn't see it.

01:00:13But how did you know I was here?

01:00:15Come on, don't you think you're the only gossip in the clinic.

01:00:20He called seat four, as if he saw it often, and put it to his ear when he walked with the stretcher after the

01:00:24operating room.

01:00:25Do you already have visitors?

01:00:26Look.

01:00:27I think they're both arguing.

01:00:29And what do they say?

01:00:30I don't know, I can't hear it from here, but you can.

01:00:33Me neither.

01:00:34A voice visits her, saying that people no longer know how to fight unconditionally, come on.

01:00:37That's it, that's it.

01:00:38Why didn't you want to come with me when I suggested it?

01:00:41I tend to sing a lot in my sleep.

01:00:44And if I have a country night, great, fantastic.

01:00:47But if I get into reggaeton, I'm completely lost and I'm capable of setting off a building's alarm clock.

01:00:53Sure, sure.

01:00:56Okay.

01:00:58I got a little scared.

01:01:01Look, Dolo, I asked you to share apartments, not to buy one together.

01:01:05Yes, but I want this to go well and I don't want to rush, get ahead of myself and ruin it.

01:01:13Oh, woman, look at her, they've already made up.

01:01:16How beautiful friendship is.

01:01:17They clearly like each other, huh?

01:01:19Besides, this house is much better than mine.

01:01:21I have some very gossipy neighbors and I couldn't do what I'm about to do.

01:01:27What is he going to do?

01:01:30Girl, look, it seems like she's loving herself too much.

01:01:34Oh God, God, God, God.

01:01:36How beautiful love is.

01:01:38This doesn't sound like my friendship, does it?

01:01:40This is a duripuro bun roll.

01:01:53Okay, so if both parties agree, we can proceed to the signing.

01:02:05Well, I'm not sure, am I?

01:02:08Let's see, son.

01:02:10I know that the clinic isn't exactly your cup of tea.

01:02:12No, I'm saying I'm not sure about signing with blue ink.

01:02:14Don't you have a black pen?

01:02:15No, I've forgotten.

01:02:16And also the seal of the cre.

01:02:18Well, the important thing is that you're sure you want to own the clinic, right?

01:02:22Well, you're probably already sure that I've ordered new cards with my name in gold lettering.

01:02:25Oh, I thought you wanted to live the dolcevita.

01:02:28Yes, but something has happened that has given me a broader perspective and made me see the

01:02:33things from another perspective.

01:02:35Hey, you didn't buy those lift boots you mentioned, did you?

01:02:39Doesn't it ever happen to you that you've met someone with whom you feel capable of doing anything, huh?

01:02:44I thought you didn't believe in love.

01:02:47Well, that was before I got that Garmin stain on my face.

01:02:51No, Christopher?

01:02:52Where? Where? Where are you? Where are you?

01:02:54No, leave it, leave it.

01:02:54Oh, Dad, it's just that she's finally put her doubts behind her and told me she wants to be with me.

01:03:00He said it.

01:03:01But hey, that's great.

01:03:03Excuse me, but I remind you that I charge by the hour.

01:03:06Can you shut your mouth, man? I'm here opening my heart, please.

01:03:08Man, for God's sake.

01:03:11Dad, that woman has made me realize that I am capable of taking my family to the clinic with her.

01:03:15The two of them, there, like a team.

01:03:16No, I'm sure that girl will be great for you.

01:03:20Now sign, darling, sign.

01:03:21And the black blouse?

01:03:22My life, it doesn't matter, even the blue pen, you're not Gustavo Adolfo Beque.

01:03:33José, José, no.

01:03:35No, no, no, no, this is not right.

01:03:38José, this is not right.

01:03:46Look, the best way to find a mobile phone is to call it and see where it rings, so let me open it.

01:03:51doors, yes?

01:03:51And who's going to call me? Is the child Jesus?

01:03:53Come on, man, give me a hand, kid, what's it to you?

01:03:55No, please.

01:03:55No, go!

01:03:57Have you come across it?

01:04:00This is good wine.

01:04:02This isn't for taking communion, I'm telling you, okay?

01:04:04He takes a vow of poverty when it suits him.

01:04:06Leave it there, please.

01:04:07What are you doing?

01:04:08No, no, no, no, no, no, no, no, no, no, no, please, leave it there.

01:04:11An eye for an eye and a cell phone for wine, as the Bible says in the letter of the apostle Saint Joseph.

01:04:15Come on, Carlos!

01:04:16What are you doing, what are you doing, what are you doing!

01:04:18We're going to get ourselves into trouble.

01:04:19These people haven't understood anything, man, they're all day long, just leave it, let's see.

01:04:23Uncle.

01:04:24Come on, son.

01:04:28Come on, friar fathers.

01:04:33Oops!

01:04:35Who put that in there?

01:04:36So, who put that there?

01:04:38Let's go, these people will have to go to mass at 12:20.

01:04:40No, apologize.

01:04:42And shut up, please, José.

01:04:43No, man, this isn't what it seems.

01:04:46This is him, mmm, yes, he's picked up the bottle, he's picked it up, he's picked it up.

01:04:51But that's because you guys took my phone first, huh?

01:04:53Or do you think I'm stupid?

01:04:55Hey?

01:04:55Come on, I don't have a quincado.

01:04:56The phone's worthless, but I had a saved copy of Candy Crush, already well advanced.

01:05:02And I felt sorry for him, man, I was fond of him.

01:05:03By the way, let me tell you something, it's pretty shameful to go around stealing people's phones.

01:05:08who comes here to spend a little while with you, I mean, you're boring, we come here

01:05:10to get some fresh air and he steals my phone.

01:05:12Don't you think this is beautiful or anything?

01:05:14You should be blessing pets or scraping heads, the things you

01:05:18You leave it to me, I don't know, I don't get involved.

01:05:19By the way, how do you make that circle so perfect?

01:05:21You put on a movie...

01:05:22Why don't you shut up?

01:05:31Thirty years!

01:05:33Thirty years of silence, fuck it!

01:05:37I didn't utter a single whimper when I broke my hip, nor when the Ciri Pascual fell on me,

01:05:45not even when I hit my crotch with the heel.

01:05:50But my son, you are worse than all of that put together.

01:05:56Thirty years!

01:05:58That's a long time, huh?

01:05:59You're going to have to go and have him look at the Guinness World Records book.

01:06:02No, no, no, let's go, José.

01:06:04Shut up already, please.

01:06:05Dale.

01:06:06Okay, let's talk about it, shall we?

01:06:07Truth, give it to me, you, give it to me!

01:06:09TRUE!

01:06:09Oh, how spiteful!

01:06:10Haven't you guys been to catechism, or what?

01:06:14TRUE!

01:06:15TRUE!

01:06:16TRUE!

01:06:17TRUE!

01:06:19TRUE!

01:06:20TRUE!

01:06:21TRUE!

01:06:22TRUE!

01:06:23TRUE!

01:06:25TRUE!

01:06:26TRUE?

01:06:27One minute?

01:06:28No, thanks.

01:06:28No, that's strange.

01:06:29I don't feel like it.

01:06:30Ik!

01:06:31Oh!

01:06:32So, how did you become friends with my daughter?

01:06:37Well, at Arzac, she came to do the tests.

01:06:40Why don't we move on to the gifts?

01:06:41Hey?

01:06:44Oh, what could they be?

01:06:46Uh!

01:06:47I have a question.

01:06:48I'm sure you can't even imagine what they are.

01:06:51Uh!

01:06:52A book!

01:06:54Wow!

01:06:55We knew it was perfect for you as soon as we saw it was from...

01:06:59Of...

01:07:00...eastern.

01:07:01Uh-huh.

01:07:01Thank you so much.

01:07:02You could have bought him something else.

01:07:04That's like giving my son, who is an architect, an Ikea instruction manual.

01:07:09Mom!

01:07:10Another little gift!

01:07:11Another little gift!

01:07:12Let's go!

01:07:13I have a feeling it's going to be a sweater.

01:07:16Oh no!

01:07:17Uh, or not.

01:07:17Oh no!

01:07:18Oh no!

01:07:21Oh!

01:07:22A sweater!

01:07:23Hey!

01:07:24Hey!

01:07:25Daughter, I don't know why you're so excited.

01:07:28It's not even good for dusting.

01:07:31Well, don't worry because you have a gift certificate and you can exchange it.

01:07:34Well, they should have just given him the money.

01:07:36Mom!

01:07:38Look, daughter, I have to tell you.

01:07:40What friends with bad taste you've made.

01:07:42They couldn't have given you worse gifts.

01:07:44It's like they don't know you.

01:07:45Mom, what matters is not the gift, but the intention.

01:07:49Well, these guys are definitely trying to ruin your birthday.

01:07:52What great friends.

01:07:54They're not my friends, Mom!

01:07:59They hate me, everyone hates me.

01:08:02Hey, look ma'am, hate, hate, we don't hate you.

01:08:05We just have a bit of a grudge against him, oito.

01:08:07And all this partying?

01:08:08I assembled it myself.

01:08:11With the gifts, with the snacks, like everything else.

01:08:14You don't need to tell me what you think, okay?

01:08:16I know you think this is bullshit.

01:08:18The cake looks good.

01:08:20It's the only thing I haven't done.

01:08:22It's over.

01:08:23I've made you a drink.

01:08:25Hey, hey, hey!

01:08:25Costone, ostone!

01:08:26What are you doing?

01:08:26What is bad for the baby?

01:08:27What is it?

01:08:31Yes, yes, look, I have to say it.

01:08:33Yes, yes, I know you don't want your mother to find out, but it's important.

01:08:36Costone is pregnant!

01:08:37That's it.

01:08:39But how can I be pregnant?

01:08:40Well, it's been ages since I've done a case...

01:08:43And if the pregnancy test wasn't Zascun's, and now you're telling me it's not yours...

01:08:48Who is pregnant?

01:09:08Yes, you do have your...

01:09:09Yeah...

01:09:14What, am I going to be a father?

01:09:24What, am I going to be a father?

01:09:29That?

01:09:34Just a moment, just a moment, just a moment, but

01:09:38Doesn't that seem like a bad idea to you?

01:09:40Please, if I'm about to get on the table, you're going to go kicking the road.

01:09:56Packed

01:09:58Let's see if you enlarge

01:10:10Come on, are you ready?

01:10:13Oh yes, I'm prepared, I'm wearing a thermal undershirt under this blouse

01:10:18Well, let's go north

01:10:19Hi, how are you? Bye

01:10:21Trini, we're leaving Seville

01:10:23Oh, really?

01:10:25Rubén, we're leaving.

01:10:26I'm sorry I can't say goodbye, but I've arranged to meet someone very special at the opera.

01:10:31Trini, you look very beautiful

01:10:33Thank you

01:10:33New shade?

01:10:34Yes, and it was just released this morning

01:10:38Have a good trip, Maricho

01:10:39Thank you

01:10:40And you take good care of yourself, okay?

01:10:42We'll be back here again.

01:10:43I assure you of that.

01:11:13What's happening?

01:11:15I think I know you're your son's girlfriend

01:11:17Ah, yes

01:11:22Maricho

01:11:23I have everything ready for when you arrive

01:11:25I've even dusted the picture of Zazuki's aunt.

01:11:27My daughter was

01:11:28Don't bother

01:11:29In the end we stayed in Seville

01:11:31That?

01:11:33That?

01:11:38You wouldn't believe how fast the friar ran with his sandal, huh?

01:11:41She rolled up her sleeves...

01:11:43It's your fault, I won't be able to go back to that retreat

01:11:45And all because of a mobile phone whose location you know.

01:11:47That's what I say.

01:11:47If the moes can't talk, why shut down a mobile phone?

01:11:49Let's see...

01:11:53Is the backpack making noise?

01:11:54Yeah

01:11:55And it's my mobile phone

01:11:57It is the...

01:11:58Oh, that must have slipped through that false bottom I have

01:12:02Do you remember that I had a...?

01:12:04Yes, yes, yes, yes, yes

01:12:04So...

01:12:05I was almost lynched by some monks

01:12:08And what if the accomplices in a robbery and all

01:12:11By mobile phone

01:12:12You were carrying it around the whole time!

01:12:14He's sick

01:12:17But let me tell you one thing.

01:12:18I bet you don't remember Carmen?

01:12:19Do you remember Carmen?

01:12:21No, right?

01:12:22That's true

01:12:22Yes, the only good thing about all this, huh

01:12:25At least

01:12:26I don't remember Carmen

01:12:28Okay

01:12:30Because of Carmen's pregnancy

01:12:32For the pregnancy!

01:12:36Carmeniña!

01:12:39Carmeniña!

01:12:42Carmeniña!

01:12:46This is what I wanted to tell you about Carmen

01:12:48Do you remember that I wanted to tell you in the room?

01:12:50I couldn't because you told me to shut up.

01:12:52And then the monk

01:12:53And I couldn't tell you.

01:12:55We had a great time

01:12:57Horace

01:12:58What do I think? That he took it well?

01:13:00Not for the water, not for the water, that's not possible for the water

01:13:07The godfather is the one who hands out the cigars.

01:13:09And as far as I know

01:13:10Neither Carmen nor Iñaki

01:13:12They have spoken yet

01:13:13Well, he'll have to make a statement soon, won't he?

01:13:15I say

01:13:16Well

01:13:16The three of us are here now.

01:13:17Four, huh?

01:13:18The four

01:13:19Please, Perumita

01:13:20It seems I've swallowed

01:13:21A chickpea

01:13:23What we have to do

01:13:24It's about making money.

01:13:24What do you think?

01:13:25Go back to bingo?

01:13:26Bingo?

01:13:26What the hell is bingo?

01:13:27Time to work?

01:13:28You?

01:13:28But how could you do something like this to me?

01:13:30Having a child without telling me

01:13:31That has not yet been born

01:13:32Okay?

01:13:33Besides, you should be happy.

01:13:34Are you going to be a grandmother?

01:13:35Of course I'm happy

01:13:36What's happening?

01:13:36Can't you tell?

01:13:37What's happening?

01:13:38It's my bag and mollo

01:13:39And that's not right

01:13:40Joseph, listen to me

01:13:41Take care of him like a son

01:13:42Someone is rolling us alcohol

01:13:44Please look

01:13:45I have neither the time nor the inclination for your paranoia

01:13:47My father and Marichu

01:13:48Yeah

01:13:49They want to eat with me.

01:13:50And I think it's a good time

01:13:51To introduce ourselves as a couple, right?

01:13:53Or what?

01:13:53That?

01:13:54I haven't lied

01:13:55He slept with Horacio

01:13:56The night of the congress

01:13:57The night you got angry?

01:13:59Yeah

01:13:59The night we got angry

01:14:02And do you know what the job requirements are?

01:14:05It's because I speak French

01:14:06It's a little rusty

01:14:09With the bottle trap

01:14:10And the cameras

01:14:12Well, we caught him, son.

01:14:13Where are you going with that, José?

01:14:14It is an ancient bonsai, brown

01:14:15I'm taking care of him, Horacio.

01:14:16And I'm taking care of it like it's brand new.

01:14:17I have no glory left to see it

01:14:18Hey!

01:14:18Oyeo!

01:14:20I want to expose Trini

01:14:21To get on the rot as soon as possible

01:14:23What's going on?

01:14:24The Basque woman

01:14:24If he thinks he's ahead of my ballista

01:14:27When she goes

01:14:28I've already been there and back twice.

01:14:30I wish it weren't so.

01:14:30To avoid running into Iñaki, shall we?

01:14:33Why's that?

01:14:34He found out

01:14:35We slept together in Seville

01:14:37And that's for the sake of the homeland's plants?

01:14:37What's going on?

01:14:37Come on?

Allí abajo - 3x10 - Embarazo múltiple - HD 1080

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