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00:00Jean, you are the new director of the clinic.
00:02From now on, your being a nurse race.
00:06We need to convince Mr. Juan to forget about the neuronavigator.
00:11We're going to get it, I'm going to help you and he's going to readmit me.
00:14We need a golden bachelor for Jean.
00:18What you need is to kick the closet and get out like I did.
00:22No, no, but it's very different with my father, yes.
00:25I assure you that he would kick me out of the family.
00:27You can't act like this because it's natural and normal for your daughter to be a lesbian.
00:32Lesbian?
00:33I'm not going to quit my job, but I never want you to speak to me again.
00:37Because of the courage her daughter has shown in confessing to everyone that she is a lesbian,
00:41That value is not shared by the top 100 kamikaze pilots in Beijing.
00:44Be careful because those are from Japan.
00:46It's all the same. She should look out a little more for her daughter's happiness and less for her own.
00:52Has he apologized to her?
00:53The truth is, I wouldn't live here even with Dolly Parton.
00:55I'm trying, I really am trying for José.
00:58But I just can't get the hang of this site.
01:00There is another, much more effective method: preventing him from winning the elections.
01:04José.
01:05How did you catch me? The campaign's over. Let's see.
01:07José Gregorio Narváez can make us laugh, but he can't pull our leg.
01:11This is proof of a fake acupuncture master's degree.
01:15If you want to condemn me for accompanying a friend of mine who was alone
01:18or for trying to find a job, I apologize.
01:21If you vote for me and want me to be your mayor, I will be your mayor for life.
01:26This is a gang bar.
01:28And this crew spends three times as much as you in half the time.
01:31So come on, here you go.
01:32Guys, get everything ready, the next ship arrives in an hour.
01:35Let's see, let's see, let's see!
01:36Go away, let's see, let's see!
01:37Enough of this nonsense!
01:38Hey, he's got a gun!
01:43Bello, you moved your arm, you did it like a killer!
01:46You almost made me deaf for defending the neighborhood.
01:48And you almost ruined poor Iñaki's business.
01:51Gang!
01:52Go on, air!
01:53Shut your mother up!
01:54May you rise at night shitting milk!
01:56The crew is broken up for good!
02:26Shut your mother up!
02:30Castro Fidel needs an artificial beach because we all have the right to show off a perfect tan.
02:35No, what Castro Fidel needs are more jobs.
02:39So you're against brown people.
02:41You are a racist, admit it.
03:07Kid! Kid, wake up!
03:09Let me go, communist!
03:11Let me go!
03:14What were you dreaming about?
03:16Oh, oh, oh, oh!
03:17What a terrible nightmare for my weapon!
03:19Nightmare?
03:20Well, I was pouting, huh?
03:22Little girls of what?
03:23Who were you dreaming about, bird?
03:25Your little brother woke up before you.
03:28Me with no one?
03:30You see us all smoky; we always wake up like that.
03:34We are descendants of Casanova.
03:37Go on, then be careful with the broom handle.
03:41Is the bathroom over there to the left?
03:54But I was so eager to see my little ones.
03:57Oh, my dear, it's going to be hard for you not to see the gang together in the street, huh?
04:01They won't be able to resist a good steak.
04:04Dad, dad!
04:05Dad!
04:07Yes, yes, yes, yes!
04:08Hey, you like a good drama, huh?
04:10If they are all there together playing mus.
04:15Hey, crew!
04:17Damn it, Iñaki!
04:18Hey man, dude!
04:19Hey!
04:22Hey dad, nephew!
04:23Sabine!
04:25Hey, kiddo!
04:26What's wrong? You don't say hello, Sanchón.
04:31Are you playing mus with others?
04:34Yeah.
04:35Mus is sacred, Iñaki.
04:37And the crew is history.
04:39Come on, nephew, let's play a game of Urbino.
04:40Either we all do it together or nothing.
04:43Iñaki, they almost made me deaf with a gunshot.
04:46With one shot?
04:46Hey?
04:49Look, Iñaki, it was unintentional.
04:51I was trying to take the gun away from Pachi and it went off by itself.
04:55A small explosion in the ear and it's all complaints.
04:57Hey, we're Basques when it comes to what we want, too, you know?
05:00Okay, let's see, why don't we all sit down together and talk things out?
05:04Clear!
05:05Why don't we meet at Ibai's bar?
05:08Oh, well, I don't know.
05:09I had already thought about the calla.
05:10But if you want neutral ground...
05:12Well, no, no, we can't.
05:14We can't because his friend Asiel closed it to put up one of those powerful escape routes.
05:22See?
05:24What should be done with all the new business is to have it built in the neighborhood.
05:28Destroy them.
05:29I wouldn't sit down with those people even if I were drunk on pacharán.
05:33So no, huh, Alchon?
05:38Not even...
05:40for this ribeye steak.
05:44Watch out, here I come.
05:45Old man's meat.
05:48Two one-kilo pieces nailed together.
05:54Ribeye.
05:57A month and a half of maturation.
06:01And if you want to try it, just sit down and as soon as Anson and Peyo arrive, *chop!* On the grill.
06:06Yes, Iñaki, you see it very clearly.
06:07But there are some things I just won't swallow, not even if you paid me.
06:10Hey, look.
06:12Speaking of old cows.
06:14You finally made up your minds.
06:16Schematic.
06:16Well, we've come to negotiate.
06:18It's one thing for us not to get along, and another for us to waste the steak.
06:22We want to talk about this like adults.
06:24Hey, that's the spirit, Peyo.
06:26Why does the crew always come in handy?
06:27We're going to share the time with Iñaki.
06:29We had the starters and the first part of the meat.
06:33And you, from the second part of the meat to the desserts.
06:36Yes of course.
06:36And we eat the frozen pork chop.
06:38No way, come on.
06:39Okay, then we'll take the second part of the meat and the dessert.
06:43No no.
06:43Vigo made me a gozúa for dessert.
06:45No.
06:46But.
06:47This is a real crew song.
06:48Not the one you've created with Colbo.
06:50Excuse me, Ancho.
06:51No, wait, wait, wait.
06:52I can't believe it.
06:53Are you seriously telling me that we're not capable of sitting down and eating like adults?
06:59No.
07:00Do you see it?
07:01No, no, no.
07:09I hadn't done a job interview since Expo '92.
07:12I was this close to doing these kinds of jobs.
07:14The thing is, they demanded I stay quiet inside the puppet, and the truth is I couldn't do it.
07:18Well Dolores, Cari, if I had known it was so long ago, I might not have asked you for advice.
07:23Girl, we've left these people speechless.
07:26Look, resume plus experience equals...
07:28Just like all the other candidates.
07:29We're not very special, Dolores.
07:32As?
07:33Look, everything in life is special.
07:35This table is special.
07:36This folder is special.
07:38The bag here is special.
07:39The chair I'm setting aside is special.
07:41And you, you are special.
07:43You are very special, Irene.
07:45And I, more than you, am the one who actually read the self-help phrase that...
07:48says.
07:49That clinic is going to hire us.
07:52Listen to me, we have to believe in success and success will believe in us.
07:56Oh my God, I have to stop eating so much sugar because I know everything.
07:59It's a motivational phrase from those little envelopes, come on.
08:02I need that job.
08:03Oh, I know, Dolores, and I know it a little more than you.
08:06I have to get out of this town.
08:07They loved us.
08:08They said they would give notice today, so the call is imminent.
08:20Dolores, honestly, we've been waiting so long that I can recite the front page of the clinic's newspaper from memory.
08:25Yes, Dolores.
08:28Ebola cases are on the rise in Uganda.
08:29Only 46% of the population.
08:32Oh my God!
08:34I told you, I told you.
08:35But, take it, take it!
08:36No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
08:37Honestly, I don't want to know.
08:38Okay, yes, take it, take it, take it, but take it.
08:40Oh my God, the splinter's mark is sweating and I can't take it down.
08:44Take it down yourself.
08:44Let's see.
08:45Hello good morning
08:47No, I'm Irene, Irene Escobar.
08:48But I have it right here, so just a moment and I'll put it on speakerphone, okay?
08:53Okay, thanks then. I'll take this opportunity to talk to both of them because I also had to call her.
08:56That's good, that's good!
08:58I wanted to let you know that we have concluded the process with you.
09:02Oh, they've given it to us, they've given it to us!
09:05Oh, thank you so much!
09:06Who can imagine how much we needed it?
09:08No, I don't think they understood me.
09:10Yes, yes, yes, we understood you perfectly.
09:12That we're going to work together again
09:13Oh, and what if you needed a really, really, really good director!
09:16I have a friend named Carmen who has an exceptional resume
09:18What I meant was that they are no longer in the process
09:21We've closed the deal with you, you're out.
09:25What? Have you made a mistake?
09:26Because just this morning you told us that we had delighted them
09:29She is, but my boss told me they are, how to put it?
09:34Troublesome workers
09:36Excuse me? You're saying we're the troublemakers?
09:38When he called to ask for references at the Hispale clinic, his former boss told him.
09:43I'm sorry
09:44Oh dear, oh dear, oh dear, but well, well, nothing much, we'll see each other in the next interview
09:50This was Mr. Mister One, who banned us, Dolores, who banned us
09:54Well, he's going to find out, the pretty boy.
09:56Come on, get your things
09:58He doesn't know what beast he has awakened
10:00Come on!
10:02Come on, let's go, the bus is waiting to take us to the team building session with the managers.
10:05And what about team building? Is that just some American thing?
10:08It is.
10:09My father is coming from Africa with his partners from the investment group.
10:12To meet their best employees
10:14And he wants to follow Columbus's route to America
10:16But why don't they know each other here?
10:18Because he/she gets to know people and establishes relationships outside the work environment.
10:21It's a trend towards staff motivation
10:23Yes, but it's a shame that José isn't working.
10:25Because he had a strong tendency to enjoy these trips, especially when he was getting paid.
10:29Let's see, if that person works here with the prawns, the budget would be much higher
10:34Also
10:41Mine
10:44Hey, you piece of junk!
10:47Come on, with a fountain and everything
10:50Hey, hey, excuse me, the owner of this farmhouse
10:53What?
10:55Go on, in English
10:57I don't know speaking English nothing, sorry, in Russian
11:02Sir, that's not a farmhouse
11:05It's a hospital
11:07Man, yes, I know, sorry.
11:08But that's just a figure of speech, you know?
11:10I'm looking for Benito
11:11Without your room number, I can't help you.
11:15Okay, if you'll excuse me, I have to go.
11:17Otherwise, I'll miss out on a day trip.
11:19Super, no, not yet
11:21Benjumea, Benjumea
11:22Benito Benjumea
11:23Mr. Benjumea
11:25Yes, I think, I think, I think, I think
11:26That was there, reception
11:29By reception, already
11:44I need to talk to you
11:45Goes
11:46What's the matter?
11:47You are sick
11:48You know you can count on my clinic for whatever you need.
11:50Workers prefer social security to handouts
11:54I've come to ask you a favor.
11:56Well, a very particular way of asking me
11:58But you were always a little bit peculiar
12:01Tell your son
12:03He is not running for mayor.
12:05I've already told him
12:07That?
12:08And he didn't listen to me.
12:09As usual
12:10Besides, I don't find it funny at all.
12:12That it interferes with your accent
12:14Clear
12:14Okay, well, I'm ready now.
12:15To meet the Chinese millionaires
12:17Eye
12:18Is this your home?
12:20What's happened? With your daughter?
12:21Come on, it's not that I don't want to see it.
12:23Don't have anything to do with her.
12:24Come on, we're campaigning and all that.
12:25Come on, I'm saying this because of how you all are every day
12:26Look, I'm going to tell you something
12:28Look, ever since I saw you coming
12:30I told myself
12:31Here comes the donkey
12:32And I'm not wrong
12:33I saw you and José together.
12:36Huh? What's up?
12:38Right next to each other?
12:39I don't know him at all
12:41Hey...
12:42I'm going there because it has a snail.
12:44That he sees you the opposite
12:45One week before the elections
12:46What's coming up is...
12:51That we have gone to other consultations
12:53And the thing is, they don't even want to interview us.
12:56Because of Mr. One
12:57We've been banished from Seville.
12:59Oh
12:59Now I understand
13:00How poor Simba must have felt
13:03Nobody passes through here
13:05And when I say no, I mean no.
13:06I drank this glass
13:07I'm going in wearing sneakers
13:08Neither tennis nor balls
13:10I don't want any trouble with the single one.
13:12Well, we do.
13:13And many even came to blows.
13:15Well, if you don't know martial arts
13:17Clear
13:17He surely knows
13:18Since it's Chinese
13:18No?
13:19Come inside
13:20That's there, epi
13:21If I see you working here
13:22I've realized
13:22We're in cahoots.
13:23I don't work here, look
13:24So what do you do?
13:25We have come to speak with Don Juan
13:27Well, you send him an audio message on WhatsApp
13:28Because he's arriving with his partners
13:30From I don't know what country
13:30Buying I don't know which companies
13:31From I don't know what renewable energy
13:33Well, much better.
13:34Because they make him very angry.
13:36Let them make a fool of him.
13:37So what we're going to do
13:38It's embarrassing for him
13:38In front of all those people
13:40Referring to some really awful things...
13:43Sure, sure
13:43We can say that he is a bad person.
13:45A bad boss
13:46A son of an unknown father
13:47A cocoon
13:48Oh, oh, oh
13:49How naughty!
13:50I didn't know this about you.
13:52I can already imagine it
13:53Watching in Malaga
13:53Saying things to the referee
13:54If I tell you
13:55Where will it be?
13:56Disappear here
13:56Yes, 20 euros
13:5820 euros
13:59When I was in the jungle
14:01It helped me a lot
14:02Look, girl
14:04Bad, good horror
14:05The reception
14:06To pick jungle fruits
14:07What do you say?
14:08To scare away the mosquitoes
14:10Wow, what a stud!
14:11Little girl
14:11That one works for me.
14:13Migrata and the reform
14:14Come on, I'll stay
14:15Per day throwing yourself into a bike
14:16I have to go, I'm late for a meeting
14:18Okay, goodbye
14:21Oh, what's wrong, Epi?
14:22I was looking for you.
14:23Because I wanted to teach you
14:24You who like
14:25Technology
14:26Ufax
14:26From the year 97
14:28Glory to see
14:29Oh no, no
14:31I'm not staying
14:32In this resort for the wealthy
14:34Not even if I were dead
14:35What are you doing?
14:36What are you doing?
14:37Release
14:38No, Epi
14:39No, you can't leave
14:40You can't leave
14:41Because there is a union leader
14:43The poor thing is sick.
14:44He needs it
14:45Communist blood
14:46Yours is double red, isn't it?
14:48Now, let's see
14:49What's wrong with you?
14:49Are you missing a nervous system or what?
14:52Oh, God
14:53What makes me look
14:53When he gets angry, huh?
14:54It turns me on too.
14:56I know he's hiding something.
14:57And I'm going to find out.
14:59That?
15:00That?
15:00That?
15:00That?
15:00That?
15:01That?
15:01That?
15:01That?
15:02That?
15:02That?
15:02That?
15:03That?
15:15That?
15:16I love these kinds of activities
15:18Yeah
15:19This river is a bit like the Mississippi, isn't it?
15:21Are they both equally navigable?
15:23No, I say that because both of them
15:24They have this color
15:25Brown
15:26Brown turd
15:28Please, but if we already
15:29You're more Sevillian than I am
15:43Chinlay!
15:55Hi, honey, how are you?
15:56How are you?
15:57Walking down the street where Eloy's bar is
15:59Although they have closed it
16:00And my children?
16:01In Yomba soup and the beech
16:03She's going blind, bread.
16:04The two of them together are like garlic soup
16:06Please send me a photo.
16:08Your land is so beautiful
16:09Are you missing me?
16:11Very much so, you know that very well.
16:13Furthermore, I'm sure that if you were here
16:14Could you think of something to reconcile the gang?
16:16Well, if they're our children
16:19I'd put the beech tree and John in.
16:21In a room like my father used to do.
16:22With Rafi and me
16:23And you'll see that they'll soon be sorted out.
16:25Take it away, take it away
16:26Come on, the crew in one room
16:27That's more dangerous than getting the team in.
16:29In a garage
16:30It's not that easy.
16:32Just in case?
16:34Hey Carmen, I'll call you later, okay?
16:36I love you
16:38Look, Maytia, this is Asier
16:40The one who helped us rent the curb
16:42Ah, Asier
16:43Viñaki, delighted
16:44Hey, how does this escape room thing work?
16:47It's a game
16:48People are locked in a room with riddles.
16:50And they have to figure them out in order to
16:51Escape, escape
16:53Room, from the room
16:55Oh, look
16:56Ah, well look
16:57I'm going to put one of those in my storage room
16:58Although the difficult part is getting in.
17:00Don't go out
17:01If you didn't have that Diogenes syndrome
17:03Hey, so is this for rent?
17:05And can we choose the theme or what?
17:07Of course
17:07I am a parishioner of the church of customization
17:10Fancy a Sherlock Holmes thing?
17:13Prison Break
17:14And alien castola?
17:16No, no, no, no, no
17:18I want him from my crew
17:45Dad, are you okay?
17:46You don't look well.
17:47Tired of flying
17:48Don't worry about me
17:51Make sure everything goes well
17:52Not wanting surprises
17:53Relax, none
18:10Another dream, no
18:11No, no, I'll wake up before you fall again.
18:13Christopher, stay calm
18:14Calm down, you've fainted.
18:15When have you seen my father's blood?
18:16It's clear that you don't like the color red very much.
18:20Is this house here?
18:21No, calm down
18:22You had an accident, don't you remember?
18:24You are currently under observation.
18:26Accidente de quello, esto superamente
18:27Don't move, no, it's because you have bad breath
18:29The quotation mark!
18:33What have you put on me?
18:34In the same room as the communist?
18:35What is this?
18:36A biblical punishment, Dad?
18:37No no
18:37I want a single room for myself right now.
18:40Nurse!
18:41And I want to be taken to a public hospital.
18:43You're kidding me.
18:43I told him I couldn't stand this even if I was sedated
18:46Take your daughter with you too, so she doesn't take advantage of me.
18:48What are you talking about?
18:49Hey?
18:51In the campaign, the photos and all that stuff that you guys like
18:54Christopher, please don't make a fuss, you're not alone
18:57Public quality is not for sale, it must be defended.
19:00Epifanio, please don't make a fuss, you're not alone
19:07My daughter, raise your fist for me, because they have me repressed.
19:10Neither plaster casts nor dripping glasses will stop the day laborer
19:14I think they overdid it with the sedative, huh?
19:16They charge you for everything here, even the band-aids.
19:19Because they are capitalists
19:21Dad, please don't mess things up, okay?
19:23You can hear what the doctor said.
19:24It's not serious, but you need emergency arm surgery.
19:27Hello!
19:29Oops, sorry!
19:29Look, here I bring you a little sandwich of starmongoma, the best thing in the cafeteria
19:33I don't want posh whims
19:35Oh, it's because I'm the one who spilled the oil and I'd like to make it up to you.
19:38Oh, I'm more of a "menu" kind of person, like I go to a public hospital, you know?
19:43Social security
19:44So bring me some cool soup first.
19:46And for the second course, a small fish cooked in white sauce without salt.
19:49I'll bring it to you right now.
19:51Handsome
19:53Excuse me, I'm sick too.
19:54Let's see, that Norwegian salmon, let's see if it doesn't smell.
19:57Let's see
19:57Okay
19:58The Norwegian, this is how I fly
20:00He can't eat it!
20:03Okay, we're going to the operating room now.
20:04Well, finally some good news!
20:05Don't worry if you overdo it with the anesthesia
20:07The later it dies, the better
20:08Come on, go to sleep now
20:14Come on, hang in there
20:16Oh, oh no, don't worry about me
20:21Look, Christopher
20:22I think he's hiding something.
20:24And that something could be key to our campaign.
20:27Already
20:27Now that you mention it
20:29Earlier, when I approached him, he started trembling like a teenager.
20:33There's something about this clinic they don't want us to know.
20:35Just stick to him until you figure it out, okay?
20:38Oh dear, such tactless social security.
20:42Dad!
20:44Hey!
20:45Oh, scrap touch
20:46Oh, oh, miss
20:49Can you give me a little more?
20:52Oh
21:06Here are the passwords
21:11Passwords
21:12Ah
21:13Yes, great.
21:14Good
21:14Okay, I'm going to leave and I'll be back in a little while.
21:17Ah, in the gang's escape room
21:23The time is 60 minutes
21:27Understood?
21:28Very important
21:29You cannot use force
21:30And that's true.
21:31You have to leave your mobile phones outside
21:33No, no, no
21:33Mobile phones don't
21:34If I call the baby
21:35I don't catch it before the third tone.
21:36I sleep two nights on the sofa
21:38Don't do that to me
21:38We're bidding, nephew
21:40Sabine
21:40Okay, the fun part is getting out of the room
21:43Without any outside help
21:48Come on, let's go inside
21:58Well, they consist of a lot of tests
22:00Good
22:00Well, that
22:03But what are you doing here?
22:06Hey, no!
22:07The fools are in the boat
22:10Welcome to the escape room
22:12The crew edition
22:14If he's part of the crew, Sabino, what's he doing here?
22:16Sorry
22:17Sabino has more gang principles
22:19That's great, others would love to have it.
22:22All drawers are locked.
22:24Like in my mother's room
22:26Okay, time to go out
22:27You will have to solve the riddles together.
22:29OK?
22:32You see your picture, right?
22:34You will have to find the missing pieces
22:36Each piece has a number
22:37Which corresponds to a code
22:38That opens the door
22:39You have
22:39One hour
22:50But she doesn't have a motorcycle or anything.
22:51Besides, a lot of old people have sat there.
22:53I want it disposable
22:55Mr. Benjomea
22:56The clinic is full.
22:57So, is this it or is this one?
23:02Hello, Christopher
23:04How are you?
23:05How are you?
23:06Good
23:08I was going to sleep right now
23:09What the doctor told me
23:09It's very good for the knees
23:14Look, that
23:16That I wanted to tell you
23:17That deep down
23:19I'm glad all this happened
23:21The fact that?
23:23That we have dislocated our joints against the ground
23:24Like a watermelon falling from a fifth floor
23:28How funny you are
23:30Yes, because
23:31It has helped us to see
23:32That behind the political rival
23:34There's always someone
23:35With their problems
23:37With their doubts
23:40His secrets
23:42Don't you have any secrets, Christopher?
23:44I?
23:46Yeah
23:48I'm freezing cold.
23:49Can you bring me a blanket?
23:50What's in the bathroom, please?
23:53Yes of course
23:53I'll bring it to you so you'll be happy.
23:55And tell me everything
23:56That?
23:57Yeah
24:26Thank you!
24:28It is a great honor for me to present the new team at Clínica Spallis.
24:51Don't be shy, okay?
24:53This is the best place to try delicious ham and excellent wine.
25:05What are you doing here, like a fanner?
25:07We've been cut like urologists from the rear.
25:10We've come to tell Don Juan a few things.
25:12Man, Carmen, it's just that a lot of clinics have banned us.
25:14As?
25:14He hates me and I don't know why.
25:16Ah, well, I don't know, you'll say it's because of the signatures, the neuronavigator thing.
25:20Did you humiliate him in the middle of a restaurant?
25:22It was a rhetorical question, okay?
25:23Look, guys, damaging the clinic's reputation won't get you anywhere.
25:28Carmen, girl, but my reputation isn't exactly great,
25:31But the man is making a mess of things wherever he goes.
25:33And besides, everyone has the right, he knows that Mr. Juan is an exploiter.
25:36Shut up, some people here speak Spanish.
25:38As?
25:38Mr. Juan is good.
25:41Yes, well, but he doesn't pay severance, he doesn't pay severance.
25:44Yes, yes, well, give an orange.
25:45I'm like an orange, I could have an orange, but it's not even enough for half a smoke.
25:49Hey, by the way, doesn't Mr. Juan look a little more yellow than usual?
25:53It's true, it has the face of someone else's foot.
25:57Kill!
25:58Kill!
25:59Kill!
25:59Kill!
26:00Kill!
26:00Let's see, we're not going to kill him for a long time.
26:09Excuse me, have you ever seen a posh kid in a wheelchair like that with the cardboard cutout and a white streak in his hair?
26:14Were you there?
26:14Yeah.
26:14No, I haven't seen it.
26:25Christopher?
26:27Wait, let me help you.
26:28No, no, no, no.
26:29Yes, yes, I can.
26:30I can do it alone, I can do it alone, right?
26:31Hello, my daughter.
26:32Don't wave the communist flag at me, please, you tropic, okay?
26:34What are you saying?
26:38You're bringing me the knees, God, I'm leaving.
26:41Christopher!
26:48Hello!
26:50Here's your warm soup, because I've been told that anesthesia makes you cold.
26:54Hmm!
26:55Look.
26:55It smells so good!
26:57And you too, beautiful!
26:59Me!
27:00What a shame I can't eat a little before my surgery!
27:04But they've already patched you up!
27:06Okay, bye!
27:08Besides being beautiful, she's funny.
27:11Come on, come on!
27:12I can die peacefully in the operating room now.
27:17The last one I saw was a beautiful woman.
27:19Come on, you've already had the operation, you old fart.
27:22And don't say those things, your wife will hear you.
27:26Oh, well, a miracle has to happen!
27:28Because poor little Lucia, may she rest in peace, died a long time ago.
27:33And he told me, when I die, come back home.
27:37And look, here I am.
27:41The whole thing is for you.
27:42Where is it that your danger is not present or anything?
27:44And you have dazzling eyes.
27:47Like two streetlights with LED lamps underneath with sumo.
27:51Come here.
28:02Well.
28:03Well, I'll come back and set a plate later.
28:05But where are you going, little girl?
28:07I'll be right back.
28:09Come on, come on, come on.
28:10Come on, come on, come on.
28:10Come on, now come on.
28:13Hello good.
28:14What happened, Epifanio?
28:15How are we doing, huh?
28:16Expert, come, come, come, come.
28:19Thank goodness you're here.
28:21I want to tell you something, in case the operation goes wrong, you know?
28:25What are you saying, man?
28:26But you just had surgery.
28:27What, what...
28:30What do I know...
28:31That you had a history with...
28:33With Lucia.
28:35And how do you know?
28:36Because she told me so.
28:38And then you went back abroad.
28:41Well, I went through a very bad time when my wife died, you know.
28:45Besides, I didn't want to drag her along with me.
28:48AND...
28:49And then when you...
28:50I saw you again with your son there in the olive grove and...
28:54And I saw what you had become, and I thought...
28:57I don't tell him.
28:58But now...
29:01You have to promise me that you'll take care of Lola if I die in the operating room, okay?
29:07Well, don't worry, nothing's going to happen to him.
29:09And now try to sleep, you've lost your mind a little.
29:12Okay.
29:13Thank you.
29:15Benedict.
29:19That...
29:19You know that Lola is...
29:21Well, the apple of my eye.
29:24No...
29:26But she's your daughter.
29:30As?
29:32Even she doesn't know.
29:34But I'm not taking these to my grave.
29:40That...
29:40That your daughter...
29:43Is...
29:44My daughter.
30:06Okay, what's the matter, are you all going to be quiet now?
30:07And you're the ones who used to go to the pro-dialogue demonstrations years ago, right?
30:12Look, I want to say something.
30:14We've been carrying...
30:15Almost an hour, right?
30:16Yeah.
30:17Are you going to let us out now or what?
30:18Don't insist.
30:21You will not leave until you resolve everything, all together.
30:24Besides, there's no rush.
30:26I have rented the room until tomorrow.
30:27You have eight hours.
30:32Come on, Sabino.
30:33We'll solve this together, you and I, without the help of the flare gunner and his little friend.
30:38Oh, really?
30:39And how are you going to achieve that?
30:40Destroying the room, just like you've destroyed the neighborhood.
30:44Okay, please, just stop it.
30:46You won't get out of this now if you don't all work together.
30:50Collaborate?
30:51Well, it seems I'm going to be locked up here until the day of the berri in one.
30:54Oh, don't worry, okay?
30:55You can stay until Easter.
30:57What reservations do you have?
30:59Come on, let's see.
31:01This has a lock, right?
31:02There has to be a photo or something here.
31:04There's a little piece of paper.
31:05Let's see what it says.
31:07How many kilometers can a salmon travel in a day?
31:10A salmon, a salmon...
31:11Ah, okay, I get it.
31:12This means, that is, whatever the number of kilometers may be,
31:15You will need to enter the combination in the lock to open it.
31:17Man, I know how much a salmon costs at the market,
31:19But this isn't...
31:21There!
31:21It seems someone needs an expert in oceanography.
31:26A Basque doesn't need an expert in oceanography.
31:31As long as you have hiking boots.
31:34No no.
31:35But what are you doing?
31:35What are you doing, please?
31:36No no!
31:37Not like that!
31:37That's not fair!
31:44Don Benjumea, Don Benjumea, you've caught me a bit busy.
31:47Hello, Ñequi.
31:48Hey, just a quick question.
31:50Are you hesitant to tell Jun who his mother is?
31:57Wait, wait, take it from there.
31:59Pull, pull, pull.
31:59Stop, stop, stop, stop, stop, stop, stop!
32:03Calculating the volume of this room,
32:05What quantity of materials would be needed?
32:08to rebuild it completely?
32:10What is this?
32:11That's a laser for making houses.
32:13Let's see, Soch!
32:14You know that Sabinosa!
32:16Let's see, Don Benjumea, I'll tell you, okay?
32:18I'll tell him.
32:19She is his mother.
32:20Oh, of course it's a baby.
32:22But what if I were in my thirties?
32:24No, no, no, no, no.
32:26But what are you doing?
32:26Please, no, no.
32:27Anchon!
32:28Anchon!
32:29You can't erase what's on the board!
32:31God!
32:33Iñaki?
32:35Iñaki?
32:36Hey!
32:37Iñaki!
32:49Lola, Lola, Lola, excuse me for a moment.
32:51Hello.
32:52How are you?
32:53Hey, I was just thinking.
32:54It's amazing how little we've talked, isn't it?
32:56I would love it, well, I don't know, if you told me things about yourself.
32:59I'll tell you things about myself.
33:00Benito, if you think that because I'm giving medical assistance to my father I'm going to come here like a lapdog
33:06to kiss her benevolent hands, it's because she doesn't know me.
33:10Look, your son is a cretin, but deep down I feel sorry for him, because he hasn't known anything else.
33:16But you betrayed my father and his ideals without even mussing your hair.
33:21The same brilliant person as Christopher, it's very clear, is my daughter.
33:29Stop, stop, stop!
33:30Hey, hey, hey!
33:30That could leave you impotent, right?
33:32Aim, aim!
33:32Stop playing Star Wars, man!
33:34He can't leave you, you blind man!
33:35Hail, stay still, stay still!
33:36Okay, that's enough!
33:39Are you giving?
33:40I feel sorry for you.
33:41So, just because of your pride, you'd stay locked up here for life, right?
33:46Thank goodness, thank goodness I'm out there, otherwise...
33:50And here!
33:52Let's see, big guy!
33:59You're kidding, right?
34:21They're going, finally!
34:27We need to clear this up, let's go!
34:28This is a different agency!
34:29Come on, we'll pick it up later!
34:30One, two, three!
34:31Up you go!
34:32Up you go!
34:32Come on!
34:32Oh, oh, oh!
34:33Okay, okay, okay!
34:35Okay, okay!
34:36It appears that nothing has been broken.
34:38Mr. Wang, how are you feeling?
34:40Everything is spinning.
34:42It's normal, because we're on a boat, I'm seasick too.
34:45But come on, this man is on fire!
34:47You want my doctors!
34:48Leave me alone, please.
34:50It may have been a stroke.
34:51I don't think it was a stroke, because he reacted too quickly and with a lot of resentment.
34:55And it's hotter than a foot in the ear.
34:57Perhaps a heat stroke, that would explain the high fevers.
35:02Heat?
35:02But if it comes from Uganda, it can't get any hotter than that.
35:04Uganda?
35:05But from the capital.
35:06Now he comes, he comes from there from doing an investigation of fracking.
35:11Uganda...
35:12He has a high fever and is having trouble breathing.
35:14Smell my chest a lot!
35:16I know what you're thinking, but don't say it, because we're not sure if we could create chaos.
35:21He has Ebola!
35:22Shut up, girl, you don't know that much!
35:24No, he read it in the clinic's magazine; it said "Ebola surges in Uganda" and that
35:28These were the symptoms.
35:29Okay guys, like my niece used to say, relax, because we have nothing to worry about, right?
35:35Yes, yes, yes, yes, yes, exactly.
35:37We're all going to die!
35:39No.
35:52Looks like you're not the only one who's good at closing deals, huh?
35:57I have avenged the death of my friend Eloy's bar owner.
35:59It was you!
36:05Iñaki!
36:06If you're there, open up!
36:08Iñaki!
36:14If you're there, open up!
36:16Okay, okay, calm down.
36:18I'm sure Asier's out there, huh?
36:20Asier!
36:21Get us out, Asier!
36:22Stop calling that smart, posh kid, he's the one who brought misfortune to the neighborhood.
36:27Okay, fine, man, not all changes have to be for the worse, right?
36:30If it were up to you, we'd still be operating without anesthesia.
36:33Okay, that's enough!
36:34Yeah.
36:35What do you want, to divide the crew forever?
36:37Well, let me tell you something, I don't care.
36:39Hey?
36:40You're not the crew I chose either.
36:44But, Sabino...
36:45What are you saying?
36:46You heard right, Uncle Sabino.
36:48I had another crew.
36:49Another group with people, well, my age.
36:52People your age?
36:53He's calling us old!
36:55Look, Anchón, we both know that working in the kitchen is very demanding.
36:58And I didn't have time to go out with anyone.
36:59And since you guys were out on the street drinking wine the whole time, I said...
37:02That's just how it is.
37:04In other words, are we the second course?
37:07Iñaki, I have never felt so used in my life.
37:10Then we have to be ungrateful for all the times we've sung "Iñaki, Iñaki."
37:16On the other hand, we have never sung Coldo, Coldo, or Anchón, Anchón, or Sabino, Sabino.
37:26Ah, very nice.
37:27So now we're all in agreement, right?
37:28To pick on the little one, as always.
37:31You've ended up like a bullfight here.
37:33By force.
37:47What are you doing hiding, Christopher?
37:49Hiding from whom?
37:50Come on, let me push you for a while.
37:52I'm fine here, Dad.
37:53I'm really fine here.
37:54Okay, let's go, Christopher, just talking.
37:57What is your relationship with Lola like?
37:59No relationship whatsoever.
38:01Zero potatoes.
38:01Really bad, right?
38:02Already.
38:03Well, at first glance it's clear that you have opposing ideologies.
38:07But if you delve a little deeper, you'll see that you have many things in common.
38:12You already have me, you already have me.
38:14More than you can imagine.
38:18Honestly, Dad, when we discuss the rallies, you can tell there's something going on, you know?
38:24As a link.
38:26You realize that, don't you?
38:27No.
38:28What do I do? Should I say something to him?
38:29Of course.
38:30Go and talk to her.
38:31I am sure that a beautiful relationship can develop between you.
38:36And he grabs me, and he kissed me all over.
38:40Look how successful she is.
38:41He could have eaten a better chorizo sandwich, damn it.
38:43Hey, hey, hey.
38:44This is like Grey's Anatomy, but without the Grey.
38:47And without the hottest girl, but that's because she was only 25 years old.
38:51It's us, we look like two 15-year-old kids.
38:54If not, look, come, come, you'll see?
38:56Hello.
38:58Who's here?
39:03You, aren't you?
39:04What's happening?
39:05Are we now addressing each other formally?
39:08That?
39:09Are you embarrassed that there are people in front of you?
39:11We are her friends.
39:13Do you have a fever, son?
39:15Because of the outburst you had earlier.
39:20You're the one who spilled the oil on me, aren't you?
39:23Yes, but we're tied because you came on to me.
39:27Kid, give it a good shovel, he's acting crazy!
39:30Come here and give me a kiss, go on.
39:32He's stupid.
39:33Look, this patient care service is not provided by social security.
39:38Haven't you seen it?
39:39I'll give you another one.
39:40No, no, no, not an overdose.
39:42No, no, I'm fine with a dose.
39:44Hey, you've got some nerve.
39:46That?
39:46You used to stick your tongue all the way down my leg.
39:48I got you to talk.
39:50Man, I'm telling you this far.
39:52Look at this.
39:53Oh, it's because with the sedative you forget things, huh?
39:56Oh, really?
39:56Hey?
39:57You know what I'm saying?
39:59Screw you.
40:00Loose penises.
40:01Look.
40:01Relax, my dear, this nonsense isn't worth it.
40:04Besides, how are you supposed to know that this guy was on drugs?
40:06Man, for God's sake.
40:08Is it because of men?
40:09Listen to me.
40:10Don't worry, my dear.
40:12No problem.
40:14Now, the next guy who kicks you out, give him Viagra, okay?
40:16That.
40:17That will surely bring you more joy.
40:18What a guy!
40:20Come on.
40:20Man, screw this guy.
40:22What happened, Epifario?
40:23So you don't remember anything after the operation?
40:27Well, what do I know, the truth is I don't.
40:31What else did I do?
40:32No no.
40:33I would refuse to go to a public hospital, wouldn't I?
40:36No, man, no.
40:37Quite the opposite.
40:38You were fighting until the very last moment.
40:41The same as your daughter.
40:44Well, hopefully I'll win the election.
40:46And everything will be as it was before.
40:48Everyone's happy.
40:50Yeah.
40:51Yes indeed.
40:52It's much better for everyone if things stay as they are.
40:58Carmen, please, you have to help him.
41:00We are in the middle of the NADES and we call emergency services.
41:02It will take them half a day.
41:03Jane, darling, the ship is already returning to Seville.
41:05We can't get close.
41:06It's too contagious.
41:14What faith, huh?
41:15Playing tag was so much fun as a kid, wasn't it?
41:20No, no, no.
41:21No, no, no, no.
41:22No, no, no.
41:22I'm going to be on that stretcher, man!
41:24He didn't grab her, but please, you have to help her, she's having trouble breathing.
41:27Dude, we have to help him so he doesn't make it to Seville alive.
41:29But how do we do it, Carmen?
41:30We don't have medical equipment or anything here.
41:32Okay, fine, Mr. Juan isn't exactly our favorite person,
41:35But we're professionals, aren't we?
41:37Yes.
41:37We have to keep the oath we took back then.
41:40Yes.
41:40I'm leaving.
41:42Guys, my boo.
41:45Come on, count us in.
41:46She can count on me.
41:47Thank you.
41:48To heaven with her.
41:49But first we need to find an insulation system.
41:52But Carmen, Carmen, how are we going to do this here?
41:54Here?
41:54Here there are only raincoats and life jackets.
41:58Honey, I've made a shepherdess costume with much less.
42:01This is ready.
42:02Tommy, how about wearing eye protection?
42:04They're perfect.
42:05The only thing is that my glasses are fogging up a little.
42:07Do you experience the same thing, Irene?
42:09I am José.
42:10Honestly, you can't see anything with this; it looks like we're in London.
42:14Hey, we look like the Minions, huh?
42:15Just a moment, just a moment.
42:17We need it to be one of the approved protections.
42:20And which one?
42:21The one about the Virgin of Miracles.
42:23Good.
42:24Okay then.
42:25Good luck and stay put, guys.
42:33Damn, your plan to get the gang back together, huh?
42:36Come on.
42:37You're the Basque Yoko Ono.
42:41Iñaki Ono.
42:44It doesn't surprise me that he was ostracized by the other crew.
42:48He probably killed her too.
42:50Ah.
42:51Well, let's see, the crew is dead, right?
42:53Then there's no point in staying here together for even a minute longer.
42:56Sabine.
42:57Out.
43:02I might have a little while longer.
43:04What is this?
43:05A plaster cast?
43:07Ah.
43:09Ah.
43:09Yeah.
43:11It's from the day of Iñaki's father's funeral.
43:14Look, there are all the signatures of the crew.
43:16Do you remember?
43:18Of course I remember.
43:19I won't remember.
43:21Here, the artist.
43:22She locked herself in her room, saying she didn't want to know anything.
43:25And what do you want?
43:26I didn't want to see anyone.
43:28And everyone respected my decision, huh?
43:31Well, everyone...
43:34Everyone except you.
43:36Why did you have to say goodbye to your father, Iñaki?
43:38If you hadn't regretted it for the rest of your life.
43:40Naturally.
43:41And in the end we convinced you
43:42and we sped after the hearse
43:46in my colorful tourism.
43:47What face did we make when we realized
43:49Were we mistaken about the hearse?
43:53Shut up, shut up.
43:54We were late, you had already buried him.
43:56Damn, you're in the highest niche of all up there.
43:59Yes, but you all worked together to make sure the coffin arrived.
44:02What a tower we built!
44:03Do you remember that lady, how amazed she was?
44:05It was the first time a castellete had been seen in the Basque Country.
44:11The mistake was putting this one underneath, huh?
44:14Well, I really messed up.
44:16They almost found out about me too.
44:17I'm bald.
44:18But you were able to toast your father before going to the emergency room.
44:21And with the bad arm.
44:22Look, if it weren't for you guys I would never have said goodbye to him.
44:26You helped me when I felt most alone.
44:34Come on, maybe you're not the crew I chose.
44:39But I wouldn't trade you for anything in the world.
44:44Sabino, come here, today you're part of the crew.
44:48Yes, this football is a mess. It's the only thing missing.
44:51Take it easy, okay? Don't get too carried away.
44:55Well, we'll have to get out of here, won't we? Because it's starting to feel like a game.
44:59Yes, yes, yes. But you've already seen that it's impossible.
45:01That?
45:02How obvious it is that you're the young one?
45:04Yeah.
45:04What do we always say?
45:05One person can defeat us!
45:06The crew!
45:08Sabino, help me with the bank.
45:10Eh, eh.
45:10But we can't just wreck the place like that, okay?
45:12That!
45:13Fuck him!
45:13Dad!
45:16Torrid!
45:23Dad!
45:25Dad!
45:26Dad!
45:27Dad!
45:41Hey, what's up with the flare?
45:43Dude, please, if a bull run couldn't break the gang, I'm telling you, gentrification of
45:49Neither.
45:50That is!
45:51Kisses!
45:53Hey! Hey! Where were you?
45:55The difficult part here is supposed to be getting out, not getting in.
45:58The crazy guy from Pachiquets.
46:00But what have you been doing in here, animals?
46:03The united crew is like a hurricane. We sweep everything away!
46:12Temperature?
46:13I'm dead tired of questions, Calogracia.
46:15The thermometer?
46:1636?
46:1736? What if I had a fever before?
46:19Well, it doesn't have it anymore.
46:22Oh, Tommy, for the glory of Michael Jackson!
46:24Be careful because Ebola is very dangerous.
46:26No, he doesn't have Ebola, he doesn't have a fever.
46:28Hello?
46:29Isn't it Ebola?
46:30No.
46:31Let's see.
46:32If I had a fever before and now I don't, maybe you were right.
46:35It was heatstroke.
46:36Yes, but he's still having trouble breathing.
46:37That's also true.
46:38It could be a homothorax due to the blow he received from the marvel.
46:41We need to react quickly.
46:42Body big, big!
46:43Is the topic right for writing little things now, girl?
46:45To do a plenary.
46:48Hey, the whistle!
46:49From Salesian to lifeguard, I've seen him back there before.
46:51Perfect!
46:52You're so clever, girl!
46:52You'd think, Karikuki, that this man's breathing is getting worse and worse.
46:55And it's also getting a color that I don't like, you know?
46:58The whistle!
46:59Yeah!
47:00No!
47:01Yes or no?
47:02No no!
47:03The whistle is, let's see...
47:04I've never done one of these before in my life.
47:06So why did you want to stay on the ship?
47:08I'm staying to help, not to do business.
47:10Calm down!
47:10And if he makes a mistake, what happens?
47:12What will happen if he makes a mistake, little girl?
47:14This shouldn't be done roughly, in a Basque style.
47:16Hey, hey!
47:17Coldo did it once, I saw him do it!
47:18I saw it too!
47:19Call him!
47:20Calling, calling!
47:21Thank you!
47:21You are welcome!
47:24Tell me, Dolores.
47:25Let's see, Coldo.
47:26Carmen?
47:27What are you doing?
47:28Hey, you're at a costume party!
47:30There's no time for apps!
47:31Hey, Coldo!
47:32Oh, Sam!
47:33I am standing in front of Mr. Juan, okay, to perform a pneumothorax on him.
47:35I need to do a drainage procedure, but I don't know which ribs to practice between.
47:38But what happened?
47:40You are on a boat.
47:41There's no time for apps!
47:43Coldo, please point out Tommy!
47:45Okay, okay, then take the phone and point it at the ribs.
47:48No way!
47:48Juan's!
47:50Oh, I'm coming!
47:53Below.
47:54More, more, more, more, more.
47:55Dolores, take your finger away.
47:57Oh, sorry!
47:57This finger always heals on all the surfing.
47:59More, more.
48:00Stop right there!
48:01That's the point.
48:02Hey, it's your turn.
48:03Do you notice a lump?
48:07And is it?
48:08Correct, okay.
48:09Well, one centimeter to the right, that's the point.
48:11That's where you have to finish it off, I mean, finish it off, no.
48:13In other words, where to apply the...
48:15We're counting on you, okay?
48:16Yes, you can.
48:18Go for it.
48:37No!
48:39No!
48:39My God!
48:40No!
48:40No, no, no, no!
48:41I can't, I can't, I can't, I can't, I can't.
48:43He just can't.
48:44No, no, I can't, I can't, I can't, I can't, I can't, I can't, I can't, I can't.
48:48Tommy, come to me.
48:50If anyone can do this, it's you.
48:54So go ahead.
48:59Yes, yes, yes.
49:03Yes.
49:07Yes.
49:22Oh, thank God, huh?
49:24Thankfully we managed to save him in time.
49:27Sorry?
49:28Okay, I'm leaving.
49:30Yes, thanks.
49:30Good.
49:34I don't know if I'll ever be able to eat barbecue ribs again, huh?
49:37Hey?
49:38The ribs.
49:42Well, the good thing is that when they removed the tube from this man, neither his pancreas nor anything else came out.
49:45the liver, or anything of that importance.
49:48Yes, yes, yes, we didn't throw up on the boat, we were going to throw up.
49:51No, well, there was a lot of plastic cutlery on the boat anyway; we use that for the transplants.
49:55that have been missing.
49:56Yeah.
49:57Fools of life.
49:59My God, after everything you've done to my father, you go and save his life!
50:02without worrying about your own.
50:04Thank you so much to you and your team.
50:07Sorry?
50:08Yes, thank you.
50:11Thanks to you.
50:12They were always the best.
50:14Oh, and I'm going to make sure my father gives you your job back.
50:20Look, let's see if it can be Monday, since the weekend starts now.
50:23That?
50:24Starting at night.
50:44I'm going to recycle myself, because with all the gas you'll be releasing from so much meat,
50:49It's like giving them a cheat sheet and expecting them to start speaking in Neanderthal.
50:53Anyway, it's nice to see them all together, even if they're speaking in prehistoric language.
51:08Yes, yes, I already know that he's confused her a little.
51:10I apologize.
51:11Do you know what's happening?
51:12He feels very bad under the anesthesia.
51:14And of course, since we are also part of the public health system.
51:19Oh, excuse me.
51:21Christopher, can you tell me why you're running away from me?
51:24I know you're hiding something from me.
51:26I?
51:27Nothing.
51:28I swear to you on my father's life.
51:29Because of your traitorous father?
51:31Well, then, for yours.
51:33He was the one who told me you're hiding something.
51:35Have your parents noticed?
51:37And then they say I'm not a transparent politician, you know?
51:40Christopher, what's wrong?
51:42I'm not going to move from here until he tells me.
51:54This is what I get for asking questions.
52:09This is really weird, huh?
52:12I don't think he's just eating buns.
52:16Congratulations!
52:17Yeah!
52:18I'll treat you to coffee later, okay?
52:20To celebrate.
52:20Look at the shifts they've given us, we're not going to coincide anymore.
52:23On a day of reflection and posting photos.
52:26Draw my blood quickly, please.
52:28I have to stop populism and posturing on social media.
52:31No, no, no, no, no!
52:33Dad, what are you staying for?
52:36A few days?
52:37You are both A, B negatives.
52:39Can you imagine what happens?
52:40What is my favorite telenovela like?
52:41The blood that gave birth to you.
52:43They eventually discover that they are brothers.
52:45No, no, no, no, no, no!
52:47Oops, sorry!
52:48Cuadriña, this is Nayara, my...
52:50Bride.
52:51Didn't you hear anything strange when they spoke?
52:53The girl is from Bilbao!
52:54What light!
52:55Holy shit!
52:58You went, didn't you?
53:00You have changed the shift.
53:01Oh, I'm sorry!
53:02No, I'm sorry, we don't know anything.
53:05Oh, Moreno!
53:06What a massive Talgoña!
53:08Look, Nayara, he lied to you and we're going to prove that he's from Bilbao.
53:11He's not going to pass the San Sebastian test.
53:13You have to kiss that shield.
53:17Are you coming to celebrate the New Year before lunch?
53:18Yes, and let's have a baby.
53:19That's right, goto, there's no phone, no daycare, John.
53:21It's because you're designing here, I don't understand you.
53:24Okay, Carmen, forgive me.
53:25Constores isn't answering my phone and he's missing from daycare; I've taken him away.
53:27Thank you!
53:27Thank you!
53:27Thank you!