Allí abajo - 1x04 - Allí arriba - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

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Transcript

00:00:00Don't you know of any place?

00:00:01I just got it today in a spare room.

00:00:04OK.

00:00:05I'm moving here, you know? Not forever.

00:00:07For a few days, I hope.

00:00:08Well, I'm Lucy, the neighbor from the third floor.

00:00:11It turns out that a man has just entered Carmen's house.

00:00:13I already knew she was sleeping around with someone else, the nurse.

00:00:16Where are you, Iñaki?

00:00:17With her, huh? 24 hours a day.

00:00:20You must be under the bed, because I can't see you around here.

00:00:23Cabezot?

00:00:24How was the blow? The nurses don't want to tell me.

00:00:26Look, he slipped on one of those crappy games they give to old people in hotels.

00:00:30And he took a bad fall. Bad luck.

00:00:32I'm telling you, this trip to Seville is going to kill me.

00:00:36Carmencita has married her off.

00:00:38Or will she be the first nurse to try and fail?

00:00:41Well, I'm so happy for her, because they would have gotten a real jerk, but a top-notch one.

00:00:45How many times do I have to apologize? A hundred?

00:00:48I believe he still loves you.

00:00:49Carmen's house key doesn't fit you, does it?

00:00:52Look, why don't you go back to the hotel and take a proper nap?

00:00:54We are no longer at the hotel.

00:00:56I have a friend living here and he has rented me a room.

00:01:00Dear.

00:01:01Stop right there!

00:01:02Damn, that ñaki. He's gay. He's gay.

00:01:05What worries me here is a small blood clot in the temporal lobe.

00:01:10Important enough to recommend that you don't move your mother here.

00:01:13He told me it's very strong. It can handle a transfer with roundabouts, gear changes, and everything.

00:01:17You're a beast.

00:01:18And Nekaneke?

00:01:18I'm sure the girl is also eager to see her walk through that door.

00:01:22But what's the issue?

00:01:23Well, I've decided that you'll be the father of my children.

00:01:26Have you considered that it might take you years to wake up?

00:01:28In the end you'll have to decide between staying here or going back home.

00:01:31There's a lot of risk involved, I already warned you. So, do you want me to talk to Bego?

00:01:34Uh, no, no, no. It's not necessary.

00:01:36And Nekaneke, how long are you going to let women control you?

00:01:39I won't sign. If she loves me, she has to die here because that's what God or something wanted.

00:01:43He will be far from his homeland but close to his son, which I think is the most important thing.

00:02:14Good morning!

00:02:18Good morning!

00:02:23Good morning!

00:02:29Good morning!

00:02:42Good morning!

00:02:46Good morning!

00:02:55Good morning!

00:03:19Good morning!

00:03:43Good morning!

00:03:54Good morning!

00:03:56Good morning!

00:04:09Good morning!

00:04:10Good morning!

00:04:11I'm coming, I'm just walking fast!

00:04:12Very kind!

00:04:12What a useful way to call yourself fat!

00:04:14So me!

00:04:15No, no, no!

00:04:16I didn't want to!

00:04:16It's all the same!

00:04:17But you're just a child!

00:04:18The oldest is fish!

00:04:19Ah!

00:04:20Well, today I woke up feeling like a fish.

00:04:22But it's my fish, eh?

00:04:23Northern.

00:04:24Fish with a fish name.

00:04:25Because here, between the marinade, the dogfish, and that fried stuff, you might as well be eating...

00:04:30You'd see a frog and not even notice.

00:04:32Will he carry a hake through all of Seville?

00:04:34Shh!

00:04:34The best fish in Seville is sold on the street, in front of the building entrance.

00:04:38Yeah!

00:04:39Between the frogs and the toads.

00:04:41It's rare that the hake isn't waiting for you.

00:04:44And don't look her in the eyes, lest you fall in love, you big dummy.

00:04:48Oh!

00:04:49Oh!

00:04:51This whole "living downstairs" thing is killing me, huh?

00:04:53Did I miss something?

00:04:54You've lost everything.

00:04:55But hurry downstairs, you'll be back in a minute.

00:04:58Down again?

00:04:59Or so you know, I've heard about the hake, okay?

00:05:02Don't you understand, daughter?

00:05:03You know more than a sparrow, you son of a bitch.

00:05:06Yeah, he doesn't know anything.

00:05:07Do you think birds suckle?

00:05:09They don't suck, it stings.

00:05:10It's stinging, little one.

00:05:11The little birds sing, sing.

00:05:19The little birds sing, sing.

00:05:23The little birds sing, sing.

00:05:29Hello.

00:05:31Oh well.

00:05:32Where is he going?

00:05:33What's it going to be?

00:05:33What's up in Santiago?

00:05:34Don't start, Carmen, okay?

00:05:35I've only come to collect my things.

00:05:37Well, a shoebox would have been enough.

00:05:39Already.

00:05:39But then what were the neighbors going to talk about?

00:05:42Yeah.

00:05:42Hey, Dr. Sucho.

00:05:44Let's see if he's going to believe that we spend all day worrying about other people's lives.

00:05:47No.

00:05:48And besides, if you don't want us to find out, you'd be doing us a huge favor, would you?

00:05:52Because you didn't see the mess you made yesterday.

00:05:55What are you saying?

00:05:56Yes, I wasn't here all day yesterday.

00:05:58Ask the doctor, girl, who showed up in front of your father with his stethoscope sticking out in the air.

00:06:03Air is coming in here now!

00:06:05Nothing.

00:06:06It gives you a strong current.

00:06:07Come on, now.

00:06:08What do these say?

00:06:10From you and my father?

00:06:11No, nothing from your father, damn it.

00:06:13The Basque's uncle, whom I met here yesterday.

00:06:15With the stethoscope in the air?

00:06:19Carmen, I wanted to surprise you.

00:06:21And you're here almost without my permission?

00:06:22I'm sorry, okay?

00:06:23I wanted to win your heart and I almost ended up paralyzing the Basque's.

00:06:29That way I couldn't look you in the face.

00:06:30What I hope is that he doesn't go around saying that the cuts have arrived in Andalusian healthcare.

00:06:35Well, I'm glad, because that way you learn for next time.

00:06:38Next?

00:06:39But then, that means there might be a next one.

00:06:47Opaí!

00:06:49Look, I bought a hake.

00:06:50And I wasn't going to leave her out there in this heat.

00:06:54Meteorological, I mean.

00:06:56Don't worry, Robés was already leaving.

00:06:58Right?

00:06:59Yes, it seems so.

00:07:02I'll come back another day.

00:07:03If the Basque guy is okay with it.

00:07:05Now that it's also their home.

00:07:08But Robés, if he shows up, what do you know, mate?

00:07:12Goodbye.

00:07:16Oh, damn, it's late, huh!

00:07:19Let's see if we can catch him before...

00:07:20Before?

00:07:22Oh, Robert!

00:07:23What a coincidence!

00:07:24What a coincidence, right?

00:07:25You were passing by and said, let's set up a stairwell watch to see who leaves their house

00:07:28Carmen.

00:07:29Doctor, you understand, don't you, son?

00:07:31We have a horrible pimp.

00:07:33Whether you're from the hake business, whether you go in, whether you come out, the fact is we don't know anything about

00:07:37Nothing, son.

00:07:37Come on, are you two together or not?

00:07:41Well, if he doesn't want to, he doesn't have to tell us.

00:07:43Man, I really appreciate you letting me choose.

00:07:46Oh, you all looked so happy, I miss you so much.

00:07:49And that bed frame screaming at night.

00:07:52My God, it helped me sleep so much.

00:07:54Taca, ta, ta, ta, ta, ta!

00:07:56Well, just ask your neighbor Carmen at the next building association meeting and let her tell you.

00:07:59because now he prefers to have a pension rather than live a passion.

00:08:03God be with you!

00:08:03Hey kid, if you like the neighborhood, here's a sick woman, doctor.

00:08:09Call an ambulance, honey, because I'm not in the right frame of mind to do first aid.

00:08:12This one has a waiting list, that's why he's turning Carmen away.

00:08:16There is a lot of vice in his gaze.

00:08:24God, what a disaster.

00:08:31Hey Carmen, would it be too much to ask for a container for the hake, please?

00:08:39As?

00:08:41Damn, my shoes.

00:08:43For God's sake, I'm so late.

00:08:45What were you saying?

00:08:45A container for hake.

00:08:47A container?

00:08:49Damn, let me think.

00:08:50I don't know, I have a soap dish somewhere.

00:08:52I do have a basin there under the ironwork.

00:08:54Okay, I'm off, I'm running really late.

00:08:56Come on.

00:08:57Bye.

00:08:58Come on, please.

00:09:24Isabel, my sister, I would live with the snails that seem to have stuck to your rhythm.

00:09:27Oh, Rafi, my mind's elsewhere.

00:09:29Yes, but you haven't even had time to make the tomato sauce.

00:09:32It hasn't come to me, Rafi.

00:09:33What do you mean, no?

00:09:34If the guy with the vegetables brought tomatoes yesterday, he's going to have three tomato fights.

00:09:36The other tomato.

00:09:37Hey?

00:09:39I have a knife.

00:09:41But what if we say that and we copulate less than a starfish?

00:09:43A month ago, to Norbeti.

00:09:48What am I going to do next time?

00:09:52What are we going to do now?

00:09:54If we can't afford to have the ones we have, how can we afford others?

00:09:57Don't worry, where three of us eat, four more can eat.

00:10:00With those jugs, you have enough milk there to feed the child for at least ten years.

00:10:04How rude of you!

00:10:06What do you think about waiting a while before making it official?

00:10:08Waiting with Carmen, woman.

00:10:10And when are we going to tell him?

00:10:11Oh, it's raining.

00:10:13No, it's me, I'm breaking water.

00:10:15Rafi, it's too early.

00:10:16And with these things it's best to give it time to settle, to solidify.

00:10:20What does he agree with?

00:10:21Yeah.

00:10:21But what are you doing coming in?

00:10:22A child pouring a cement mixture?

00:10:25Okay, okay.

00:10:26Let's wait a little while, unless Carmen suspects something.

00:10:28She's my sister, but she's very clever, isn't she?

00:10:31But seriously, what's going on in this house?

00:10:32Nobody answers, I have to go all the way into the kitchen.

00:10:35Yes, yes, of course.

00:10:36Do you want something baby-related?

00:10:37Ah, well, that would be perfect for me.

00:10:39A quick coffee.

00:10:41And do you want it with some churros, with a pringada, or with a preñado bun?

00:10:44No, just and fast.

00:10:46And are you sure you don't have any cravings?

00:10:48How annoying, huh?

00:10:49Rafi, what's wrong?

00:10:50Do you see it?

00:10:50He caught me.

00:10:51I told you she's my sister, but she knows me like she gave birth to me.

00:10:53Well, we're going to tell you straight up, you're going to be an aunt.

00:10:57I'm an aunt now.

00:10:57Well, auntie, again.

00:10:59Are we pregnant?

00:11:01Oh no, don't look at it!

00:11:02Well, that's it!

00:11:03But how many squares has your tummy gone past?

00:11:05I'm one month pregnant.

00:11:06A month?

00:11:07A month!

00:11:08A month?

00:11:09Have you been to the gynecologist?

00:11:11No, no, that'll come later, right?

00:11:12With the ultrasounds, to find out if it's another girl or a Betis player.

00:11:15No, no, no, no.

00:11:16You're leaving right now and taking some from me.

00:11:18We are?

00:11:19I can already see it.

00:11:20Marking something that will take us back to the first division.

00:11:22Come on, first division.

00:11:24Get me a coffee, I'm in a hurry.

00:11:29Forgive me, love, forgive me.

00:11:31I know I'm late, but I've fallen behind with the hotel.

00:11:34Having breakfast?

00:11:35What chaos there was, because there's a flamingo convention.

00:11:38Uh, not the birds, of course.

00:11:40Those of...

00:11:40Olé, my weapon!

00:11:41Hey, hey, hey!

00:11:42And all that.

00:11:45Well, well, here we are.

00:11:47Another day, huh?

00:11:48Lying down.

00:11:50Let's get you up a bit, eh, mom, it's already daytime.

00:11:52Okay, go up.

00:11:54There we are.

00:11:57Perfect.

00:11:58Okay, I'm going to watch some TV, alright, Mom?

00:12:04Fuck.

00:12:06Again, verses like these.

00:12:07There's no way.

00:12:10Damn, Juan and a half.

00:12:127 years old.

00:12:13What are they really giving these Andalusian children, huh?

00:12:15Juan, we need to think about it.

00:12:18Oh, let's see if Jose gets us the MOT done once and for all, because we're going to...

00:12:23Processions.

00:12:24Come on, processions.

00:12:28But what does he do?

00:12:29Damn, they don't show anything else.

00:12:30I tell her mother, who is losing her.

00:12:32Hey?

00:12:32I'm not going to call.

00:12:33If he's sitting on top of the controller.

00:12:35Osus, what firm glutes.

00:12:36I can't achieve that even by going down.

00:12:37The street is always squatting.

00:12:38That's crazy, this one's hot.

00:12:40I just wanted to post...

00:12:42Well, it's best if you don't add anything else.

00:12:43Leave the favor of going to tend a little garden, we're going to call your mother.

00:12:46Yes, yes, yes.

00:12:46Come on.

00:12:47Hey, uh...

00:12:48Whatever you need, eh?

00:12:50Come on, yes, yes, yes, yes.

00:12:51Walking.

00:12:52Bye bye.

00:12:57Beware, beware, beware of the Basque.

00:12:59So much independence, you're always in the way.

00:13:01Let's go on the attack.

00:13:07It was very strange.

00:13:09Spectacular.

00:13:09Come on, from the Circus of the Purges.

00:13:11And that deformed guy, I don't know where he was.

00:13:14And suddenly he tells me, miss, miss, that it hurts a lot.

00:13:17The companions.

00:13:18And I'm left like this.

00:13:19I mean, oh my God, where am I supposed to look now?

00:13:21Little girl, the companions, what are the balls.

00:13:25I looked at his mouth.

00:13:32Did you need anything?

00:13:33Uh, no, no, no, no.

00:13:34And you?

00:13:37No no.

00:13:39Well, hey, eh.

00:13:47No.

00:14:03Beautiful, isn't it?

00:14:04Don Benjumea.

00:14:05No.

00:14:05What have we come here to do but smoke?

00:14:07Are they tightening the net?

00:14:09Besides, I like coming here to admire the views.

00:14:12Look, son, look, look.

00:14:13Look at this beautiful city.

00:14:16Just seeing this Andalusian landscape brings tears to my eyes.

00:14:20Yes, something similar happens to me, Mr. Benjumea.

00:14:23Call me Benito, even though we don't have much time left.

00:14:26Don't say that, man, you're as strong as an oak.

00:14:29That's exactly why, son, that's exactly why.

00:14:32They're going to discharge me.

00:14:33Congratulations!

00:14:34That's good news, isn't it?

00:14:36If you say so.

00:14:38Oh, sorry.

00:14:38Come on, come on!

00:14:39What a way to ruin one's surroundings, man!

00:14:43Anchón!

00:14:44Something will be known tomorrow.

00:14:46Do we know what?

00:14:47Let's see if they bring the Olympics to San Sebastián.

00:14:49It doesn't bother you.

00:14:50About the position of assistant to Arzac.

00:14:52Juan Mari will tell me something tomorrow.

00:14:54Damn, Sanchón, don't fuck with me.

00:14:55But am I here?

00:14:56What should I cook? Over Skype?

00:14:58Don't worry about that time, relax.

00:15:00If your mom finds out, she might even wake up.

00:15:03Okay, I'll call you later.

00:15:05Good luck!

00:15:07Well, we've made the little grasshopper happy now.

00:15:10What's wrong, Nekané?

00:15:11What are we?

00:15:11Getting ready for bikini season?

00:15:13Add a little more, won't you?

00:15:14Shut up, go on.

00:15:15Swallow it.

00:15:16It's really delicious, isn't it?

00:15:17It's obvious you've been influenced by Iñaki.

00:15:20I mean, about his kitchen, damn it, I mean...

00:15:23Leave him alone, Coldo.

00:15:24I understand you now.

00:15:25Sabino, sit with us, we haven't seen you since you arrived.

00:15:29But tell us.

00:15:31How did it go?

00:15:32How are you, Marichu?

00:15:33Well, things are going well there.

00:15:34She was so quiet it felt strange.

00:15:35And what about Iñaki?

00:15:37How are you doing?

00:15:38Wow, good, good, good.

00:15:40Just as loose.

00:15:42Very loose.

00:15:43What's happening?

00:15:44Some Andalusian woman who drives him crazy, right?

00:15:46Hey?

00:15:46No, no, no, no.

00:15:47The truth is, I wouldn't even look at the Andalusian women.

00:15:49What a guy, this Iñaki is, he's a rock, damn!

00:15:53Well, it's okay, isn't it?

00:15:55He's happy, he's comfortable, he takes care of himself, he eats well, or what?

00:15:58Yes, yes.

00:16:00Eat...

00:16:00Eat new things.

00:16:03Mecané, that's enough, we're not going to war.

00:16:07Oh, how strange.

00:16:08What's happening?

00:16:09Oh, I have a new email from Dr. Almenar, Marichu's doctor.

00:16:14Ah, he sends me the new reports.

00:16:16Okay, let's go.

00:16:17What's up with this doctor, huh?

00:16:18It's clear he's paying attention.

00:16:20Yes, yes, you have no idea.

00:16:25Today, crab salad.

00:16:27What a surprise, huh?

00:16:28Thank goodness I'm going to have dinner in a little hake.

00:16:32But what do you want me to say?

00:16:33I would prefer kokotxas.

00:16:35But come on, the Basque newspaper doesn't reach here enough for them to have that.

00:16:39Can?

00:16:40Yes, yes, of course.

00:16:41Is everything alright?

00:16:42Any news?

00:16:43None.

00:16:44Her mother remains stable within the network.

00:16:48And you?

00:16:49Uh, yes, I'm stable too.

00:16:51Within the realm of gravity?

00:16:52Already.

00:16:53I suppose it can't be easy, can it?

00:16:55For the family to be here doing nothing, with everything you must have left up there.

00:16:59If I told you, tavern, house, gang, gang, house, tavern...

00:17:05And any women?

00:17:06At the tavern?

00:17:07Some, among themselves.

00:17:08But it's more about work crews and that sort of thing.

00:17:11Well, what I wanted to tell you is that your mother will be very well taken care of here in this case.

00:17:17that you decided to go up to your own house to fix your things.

00:17:22To the Basque Country?

00:17:23Yeah.

00:17:25Ufa.

00:17:25And leave Ama here alone?

00:17:28Well, she won't be attended to by a top-notch medical team when she's alone.

00:17:32In addition, Dr. Inchaustegui is being kept regularly informed of his mother's condition.

00:17:37Have you spoken with Coldo?

00:17:38Man, please, you asked us to talk to him and that's what we're doing, keeping him constantly informed.

00:17:44That's great, because he's a genius, right?

00:17:46Come on, he shakes your hand and he's already telling you how your blood pressure is.

00:17:49What a star.

00:17:50Well, as I said, if you decide to leave, don't worry, the moment your mother

00:17:55If she improved, she would be transferred immediately to the Basque Country.

00:17:58Well, seen that way, maybe I am more useful there than here.

00:18:02It's up to you, okay?

00:18:04Ask your friend Coldo if you wish.

00:18:07It's Coldo.

00:18:09Yeah, that's it.

00:18:14Don't look at me like that, okay, love?

00:18:16I don't do anything here.

00:18:17And you're the first one who can't stand seeing me with my arms crossed.

00:18:22Look, love.

00:18:24How beautiful.

00:18:2913.7, Mr. Bejumea, do you have the attention of a Buddha?

00:18:32Well, I don't know.

00:18:33A little while ago I felt like I was listening to some drums here.

00:18:36But it will be the excitement of going home.

00:18:39Okay, touch my forehead.

00:18:40I feel like I'm being deranged.

00:18:41Don't you think I have a fever?

00:18:42Touch me.

00:18:43Fever?

00:18:43Saturday night.

00:18:45Hey, Mr. Bejumea, what's wrong?

00:18:46I'm not happy with you.

00:18:47If he goes home, he goes to the fair.

00:18:50Yes, I'm happy.

00:18:51But, I don't know, I don't feel ready to leave.

00:18:55Come on.

00:18:56Let's see if it turns out you're going to have Stockholm syndrome now.

00:18:59Well, call us whatever you like, Carmen, daughter.

00:19:01But I feel very lonely out there.

00:19:05But well, his children aren't there.

00:19:07Wow.

00:19:08Dad, what's wrong?

00:19:09Hey, I came from the farm as soon as I found out.

00:19:12Listen, we've been told it's coming out tomorrow.

00:19:13So as soon as you tell me, I'll tell Miguel to come and pick you up in the car.

00:19:16Dad.

00:19:18Oh, you're very thin, aren't you?

00:19:19You deserve a good stew with its broth and its fat.

00:19:22As soon as we get home, I'll tell Ramona to make you one.

00:19:24No, for God's sake, don't bother, they've given so many orders for me.

00:19:28Well, since we're here, put on a coat and let's go for a walk.

00:19:30You don't want to let it grow up peacefully in the room, man.

00:19:33I've been told that walking is very good.

00:19:35Well, he'll give you another little walk, because you're always hogging it.

00:19:37Well, it's a good thing someone is hogging it, because if it were up to you, well, you wouldn't have wanted to come.

00:19:39Dad didn't want to come, I had to bring him to the farm's slaughterhouse.

00:19:42Because I was working.

00:19:43Yes, working, working, walking.

00:19:45Haven't they told you that walking is good for you?

00:19:46Look, you're really annoying, Christopher.

00:19:47Elite thing.

00:19:48What do you want?

00:19:48The other thing is driving me crazy.

00:19:50So what?

00:19:51You're just partying and making tortillas with a bunch of paper on the counter.

00:19:55All it does is put José Manuel Sotolo on you all the time and then everything happens to you.

00:20:01Yeah?

00:20:02Mecane, opa, what? How are you?

00:20:04I just remembered that today the...

00:20:06The wine merchant, yes, has already been here.

00:20:08I've asked him for three more cases of red wine because so many people came yesterday that I almost had to ask him for extra.

00:20:11priest of the sacristy.

00:20:12Ah, very good, very good.

00:20:13Hey, what about the butcher? Have you spoken to him?

00:20:15Look, don't let it come back...

00:20:16Yes, I returned everything he brought.

00:20:18I've already told him to come with less nervousness next time.

00:20:20No, I can see she's got plenty of nerves, but you never know.

00:20:23Hey, if you need anything else, because the doctors have told me why I shouldn't go up.

00:20:27What are you saying, Iñaki?

00:20:28Why am I not going to go up?

00:20:30As?

00:20:30Why am I not going to go up?

00:20:33What are you going to upload?

00:20:35Iñaki is coming.

00:20:36That?

00:20:37No, no, no, no, necane, necane, wait.

00:20:39No, it can't be, leave me alone.

00:20:41Iñaki?

00:20:41What's happening?

00:20:42Yes, man, yes.

00:20:43Wow, big heads, what a thrill.

00:20:45Of course, man, after all, you can wait there or here for the same thing.

00:20:48Iñaki?

00:20:49That?

00:20:49Did you tell Arzaki's hand and I'm sure it got up from the wine cellar?

00:20:52No, no, no, let's see, he hasn't gotten up.

00:20:54Hey Iñaki, aren't you coming tomorrow? Let the ball tournament start, we're signing up now.

00:20:57Okay, wait a minute.

00:20:59Ama remains in a coma.

00:21:00And is moving up just a possibility?

00:21:02Iñaki, don't mess around, we've never missed the tournament.

00:21:04Not even when they waited for Peyo de Fimosis.

00:21:06Yes, they could have made another ball with what they took from me.

00:21:09Come on, Iñaki.

00:21:10Come on, head.

00:21:12Iñaki, Iñaki, Iñaki.

00:21:16What the hell, yes, we're in!

00:21:19Get in, Iñaki!

00:21:20Get the chapar out!

00:21:22What are you going to watch, dude?

00:21:23What are you going to see?

00:21:29And Iñaki?

00:21:30Does your mobile phone have a compass?

00:21:32Do I have what?

00:21:33Compass on my phone, because since I don't know where north is, I'm putting this KGB on you.

00:21:37ETV?

00:21:37Don't mess with me, and if I don't have it, I'll install it for you right now.

00:21:40No need, man, I already have it installed.

00:21:42That's all I have left, I hooked up this cable.

00:21:44Are you serious?

00:21:44As if he were Basque.

00:21:46And listen to me, this whole tech thing has cost me a fortune, you know?

00:21:48It didn't cost you more than what I pay you for the TV cards, did it?

00:21:51Come on, with all the money I've given you, the ETV guys could come down to Seville and do the...

00:21:55live program to Ama.

00:21:56What are you talking about, man? There wasn't even an article about the audiovisual.

00:21:59Anyway, they're perfect for me. I'm heading north today.

00:22:01So what do you want them for?

00:22:02Because I don't want Ama to lack anything.

00:22:04You put on the TV and let him see a little bit of green.

00:22:06Well, don't worry, I'll take care of the 2 million Zapping.

00:22:09I connected this cable to this one and...

00:22:12How's it going, MacGyver?

00:22:15That's it, motor.

00:22:16You'll see how well it tunes the channels now.

00:22:18If we're not careful, we'll end up at the Rota naval base.

00:22:20Yes, the TV is on Rota.

00:22:29No, but it's still not well understood.

00:22:31They're speaking Basque, José.

00:22:32Do you really understand what you're saying?

00:22:34But it looks like a beat-up old motorcycle.

00:22:35And you with so many "es, es, es, es, as, as, as," you sound like wasps, doesn't that piss you off?

00:22:40Look, look, that's Mount Soyuve.

00:22:43And when Soyuve gets wet, how do you fare?

00:22:46Don't listen to me, don't listen to me.

00:22:47It was silly and it's really nice, isn't it?

00:22:49And hey, how much green, huh?

00:22:50Ah, that's a paradise.

00:22:53Well, whatever, man, let him enjoy it, even if it's from a distance.

00:22:56It's because it's so rich.

00:22:57I know this is all awful, but you'll see, it'll pass.

00:23:03What do you think, mistress, huh?

00:23:05A little drizzle and we're right at home.

00:23:12And they only remember their father when it's time to loosen their purse strings, because Andakan asked

00:23:17due to hip surgery.

00:23:18On top of that, one is divorced and the other is causing trouble in the courts.

00:23:21What is Rafi talking about?

00:23:23Aren't you talking about King Juan Carlos?

00:23:25Velocico, Rafi, we're talking about the children.

00:23:27How lucky you are to have only one.

00:23:29Yeah I know.

00:23:30But large families get a discount on Renfe, right?

00:23:33Rafi, you've got it.

00:23:35About what?

00:23:36As a baby?

00:23:36No, man, no, the snails.

00:23:38Don Bejumea, look at the little plate of snails I prepared this morning.

00:23:42Go on.

00:23:43Try it, Mr. Bejumea.

00:23:45Try it.

00:23:46Come on, they don't bite.

00:23:47Come on, come on.

00:23:48But you too, Carmen.

00:23:52What I'm not sure about is whether I've added too much salt.

00:23:55I arrive one morning, with my head everywhere and nowhere.

00:23:58Isabelita, two purges for the gynecologist.

00:24:00And he told me he'll find some time this afternoon to see if we have an aquarium or a Capricorn.

00:24:04Handle!

00:24:07The mother who bore her, she's gone too far and says...

00:24:10But you're there to suck it and have a tequila.

00:24:12Oh, but tell her you're very handsome, because she's having a very bad day, poor thing.

00:24:16Well, you tell him he's sticking to ham sandwiches.

00:24:18You remember your sister-in-law, right?

00:24:19Mr. Purguita!

00:24:21That?

00:24:22How are those snails doing?

00:24:24Delicious.

00:24:25However, I wouldn't recommend them for high blood pressure.

00:24:27But, as Don Bejumea...

00:24:29Come on, come on, come on.

00:24:31I'd rather have my hip break right now than ever before.

00:24:34this.

00:24:35Ole, ole, ole, ole.

00:24:36Go ahead and eat, eat without fear, they don't bite.

00:24:38Eat, eat.

00:24:38I appreciate it, daughter, but I've already pushed my luck enough.

00:24:42Finish up to you, Carmen.

00:24:47Oh, Trini, my daughter!

00:24:49Take this little lid, it'll blow your mind.

00:24:52Can there be flavor?

00:24:53No, woman, don't be like that.

00:24:55Carmen loved it, didn't she?

00:24:57Well, coming from Carmen, that's a compliment.

00:24:59Because you can feel the same way about food as you can about surgical materials...

00:25:03Come on, try it.

00:25:04Let's see.

00:25:07What? Is it good or not?

00:25:09This is terrible, Isabel.

00:25:12Let's see if you understand.

00:25:13The families who come to eat here want quick, simple things.

00:25:17We're not at a carnival bar, honey.

00:25:18That's precisely why.

00:25:20I don't think I have to eat the same as them.

00:25:23We'll have to add a little bit of cheer, a little spark.

00:25:25Or he puts a little umbrella in the coffee.

00:25:27But this is not going well.

00:25:28And I really don't want to, but...

00:25:30Either you improve the service, or I'm going to have to rethink the bar contract.

00:25:34Come on, Trini, please.

00:25:36He doesn't see the creatures that never stop.

00:25:38Furthermore, my brother-in-law has not had any faults.

00:25:40But if not, Carmen, then what we work for is how we work.

00:25:43And between you and your brother, you're going to ruin me, okay?

00:25:45No problem.

00:25:47I'll take the lid and that's it.

00:25:49Could it be that the woman is not mute like a snail?

00:25:51No, I can see there are more options.

00:25:57Who can say no to these people, love?

00:26:00Hey man, don't look at me like that.

00:26:02At least you don't have to interact with the natives.

00:26:05I look like Captain Cook.

00:26:09Besides, you won't even have time to miss me, will you?

00:26:12I'll be going back and forth all day.

00:26:14Oh my god, come on, you've started talking and wow.

00:26:18Yes, well, it's because I'm saying goodbye to my mom.

00:26:20What's up? What's up north with you?

00:26:23Oh, Marisu, you're leaving her, boy.

00:26:26Okay, okay, I'm only going away for a few days, okay?

00:26:27Time to get my things in order.

00:26:29Furthermore, I will come as many times as necessary.

00:26:33Thirty-six.

00:26:34Well, yes, thirty-six, or however many there are.

00:26:36I mean, the temperature.

00:26:38Ah, yes.

00:26:40Well, that's it, the new tenant didn't last very long.

00:26:43But I'm happy for you, man, that way I can get back to your life a little bit too.

00:26:46Yes, well, I wasn't very convinced anymore.

00:26:48But Dr. Almenar has encouraged me, and I think he's right.

00:26:51Dr. Almenar?

00:26:53What consideration?

00:26:54Yes, because it's true that I don't do anything here, you know?

00:26:56And besides, who better than Carmen to take care of you, huh?

00:27:00A little short.

00:27:02Well, yes, you're a little short, but my mom doesn't care, you know?

00:27:05Oh, I mean the tension.

00:27:08Ah.

00:27:10See how I'm completely irrelevant here?

00:27:11Well, don't worry, I'll ask Dolores directly for it.

00:27:14Okay, thanks.

00:27:14Thank you.

00:27:16Excuse me for a moment.

00:27:18Dolores, when you get the results from the cranial tag at 114, let me know, okay?

00:27:22Made.

00:27:23And I'm warning you that Storm is approaching.

00:27:26Can you tell me what game you're playing, do you see?

00:27:29You see, I've already started to thunder.

00:27:31Can you tell me what I've done now, Carmen?

00:27:33I don't think I've had time to hook up with anyone in the last 20 minutes, have I?

00:27:36Well, some don't need that much, because...

00:27:41What do you want? Tension makes me hungry.

00:27:47What interest does he have in him going to the Basque Country?

00:27:49I have no interest whatsoever.

00:27:50Oh, really? Then why are you encouraging him to leave by telling him he's not welcome here?

00:27:53Well, it's true that his mother is now stable.

00:27:56And it's also true that he's not doing anything here.

00:27:58Well, yes, it's a bit of a pain in the ass.

00:28:02Look, Robert, if you and I aren't together,

00:28:04It's because you don't know how to commit to anyone other than yourself.

00:28:07Not because stars with my house.

00:28:09Is that clear, or should I put it on the board?

00:28:12Crystal clear, Carmencita.

00:28:13So don't worry, you won't have to repeat it to me again.

00:28:16From now on, you do your thing and I'll do mine.

00:28:21That's it.

00:28:26And I'll do my own thing too, right?

00:28:28I say so.

00:28:35Donkey, what?

00:28:35Ah, we're getting there.

00:28:37We don't walk much, I take you everywhere, okay?

00:28:38But don't worry, your José is here to take you wherever you need to go.

00:28:42Excuse me, do you know where the elevator is?

00:28:45Hey?

00:28:47Yes, I'm like an elevator or a box that goes up and down.

00:28:52Yes, man, the elevator, how could I not know?

00:28:54Clear.

00:28:54Shall I come with you?

00:28:55Come on.

00:28:56I asked her to come with me as a companion, because we have to go to rehabilitation.

00:28:59That's right, little worker, son.

00:29:00Let's see how it doesn't make you feel better now.

00:29:02Look, it's very easy.

00:29:03This is the way, okay?

00:29:04Everything else.

00:29:05And not on the left.

00:29:06Not to the right.

00:29:07It's stiff.

00:29:08That plastic surgery is there, but you don't need it.

00:29:12Where exactly do you want to go?

00:29:14That's what I'm trying to figure out.

00:29:16Look.

00:29:16But leave it, okay?

00:29:17I'll manage.

00:29:19Come on.

00:29:20Thank you.

00:29:20Nothing.

00:29:21You're priceless as a GPS, huh?

00:29:26Grandfather!

00:29:26Oops!

00:29:28Oh, oh, oh, oh, oh!

00:29:32I know, he looks so handsome.

00:29:35I'm sure it'll drive the nurses crazy.

00:29:37Well, I'm crazy about them, but not exactly because I'm handsome, right?

00:29:42And Mom?

00:29:43Up there, arguing with your uncle.

00:29:45I'm sure they haven't even noticed that I left.

00:29:47Go on.

00:29:47Well.

00:29:47Let's stretch our legs.

00:29:48That's why I'm here, grandpa.

00:29:50Already.

00:29:51Hey?

00:29:51I'm better off here than at home.

00:29:53Where is the girl?

00:29:54What a nerve, huh?

00:29:55I told him it was early because he was with his grandfather.

00:29:57Never come with all guns blazing, have you?

00:29:59Ah, what a beard.

00:30:00And sorry, sorry.

00:30:02Miss, when you see my father, please tell him that we'll be here at 10 o'clock sharp?

00:30:05No, not at 10.

00:30:06Better at 11.

00:30:07Why's that?

00:30:08Well, because I have an appointment at the hairdresser's and you know how they are at the salon, they give you a hard time.

00:30:11three months in advance.

00:30:12Well, that's it, now I have to be at the farm.

00:30:14Well, I'm always here, so when you decide, just let me know, okay?

00:30:18Thank you, sorry, okay?

00:30:18Nothing.

00:30:19I'm always thinking about you, daughter, ever since I was little, come on.

00:30:21But have you seen my hair?

00:30:22Unclear.

00:30:23When you comb your hair with a chisel.

00:30:26My goodness, those pimpinellas!

00:30:28Well, we're doing our own thing, you know?

00:30:30Here's a train that leaves at 10 in the morning.

00:30:33Straight?

00:30:33No, man, with a stopover in Madrid.

00:30:35To get to Pallarba you need to go through Madrid.

00:30:37Okay, take that one for me, and thanks for everything, Dolores.

00:30:40You are welcome.

00:30:40And don't worry, we'll dress your mother in a polka-dot outfit for the fair.

00:30:44That?

00:30:44No, no, no.

00:30:45Let's see, by hand...

00:30:47How innocent, huh!

00:30:48How innocent, huh!

00:30:50Oh, how I'm going to miss you, Don Iñaki.

00:30:51Don't worry, I'll be back in a week.

00:30:53Let's see.

00:30:53You take it.

00:30:54This will be useful for you as a reviewer.

00:30:57Oh, and one more thing.

00:30:58Hey, I have a little something for you.

00:31:01A whim.

00:31:02What should I buy for a Cordoban hat?

00:31:03Come on.

00:31:04I'm innocent, but I'm not that guilty, you know?

00:31:06Yes, indeed, Mr. Iñaki.

00:31:07Come here, man.

00:31:09My brother works in a very famous hat shop around here.

00:31:12Do you know?

00:31:15Oh.

00:31:16With its little flag and everything.

00:31:20But try it out and see if you got the right measurement.

00:31:22No, no, it's not necessary.

00:31:23No, yes, yes, please, please, please.

00:31:25I still have time to exchange it.

00:31:29Oh my God, my life is irresistible.

00:31:31He seems to see some odd things, huh?

00:31:33It's missing the ham.

00:31:34And it's a real hat, too, you know?

00:31:35With his chin strap, his ribbon, he rides a horse.

00:31:38Thank you for the thoughtful gesture, Dolores.

00:31:40Hey?

00:31:40And for the ticket.

00:31:45Oh, Dolores.

00:31:46I didn't know that one of your duties was to be a personal secretary to family members.

00:31:49Oh no, woman, it's just that I like her, that's all.

00:31:52And besides, Carmen doesn't have internet at her house, kid.

00:31:56And what does Carmen's house have to do with this?

00:31:58Oh, you didn't know that?

00:32:00It's very simple: Carmen has given him a room for his suitcases.

00:32:03But as a tenant, without co-sleeping or anything.

00:32:06Go on, look.

00:32:08Hey, girl, don't go saying I said anything, okay?

00:32:12As if I had to say it.

00:32:20Hey Trini, I need you to authorize this.

00:32:25Do you mind if we ask Kepler?

00:32:27Kepler?

00:32:28Yes, the surgical material, I mean.

00:32:30I would like to ask Kepler for it.

00:32:32Of course, Kepler.

00:32:33Perfect, Kepler.

00:32:35Thank you.

00:32:36You have no idea how tired I am of fighting so hard to get things done the way I want them done.

00:32:40Well, I think it's good for everyone.

00:32:42I'm also very tired of so much fighting already.

00:32:44Hey, I heard that the Basque guy is living with Carmen.

00:32:48Who told you that?

00:32:49A little bird.

00:32:50Not a little bird, a big bird named Dolores.

00:32:53Do you really not care if Carmen finds a replacement for you?

00:32:56Substitute, substitute.

00:32:57They are roommates.

00:32:58I couldn't care less that Carmen lived under the same roof as the Basque guy.

00:33:01Wow, what a surprise.

00:33:03The fact that?

00:33:04Well, I don't know, I thought I knew more about women.

00:33:06Well, I don't have to prove to you what I know about women, do I?

00:33:09I don't know if you know that a woman who brings a man into her house always has some hidden intention.

00:33:14And what is the intention of a woman who brings a man into her office?

00:33:17Well, probably the same one.

00:33:18But you know this is a two-way street and it's not enough for just one of us to want it.

00:33:22What I'm doing is supplying my troops before attacking the flanks and defending the

00:33:26rear.

00:33:31What are you saying?

00:33:33Hey, Coldo, take notes.

00:33:35Talgo, Madrid, Donosti. Arrival at 6.30.

00:33:386:30, 6:30.

00:33:39Are you coming to pick me up or what?

00:33:41Okay, fine.

00:33:42Dad, I'm going up now.

00:33:45AM or PM?

00:33:46PM, what's up? Fucking great, because there it is.

00:33:48Yes, yes, but let's see if he won't have time to get there, the match is at

00:33:517.

00:33:51What? Plenty, man, otherwise it'll be warming up in the train car.

00:33:55Sabino, you can go and find Iñeki.

00:33:57To Seville?

00:33:57No, no, to the station, he's coming to San Sebastián, he's going back home.

00:34:00Juan Maricho.

00:34:01No, man, no. For now, he's coming on his own, but he's coming.

00:34:05I'm surprised.

00:34:06Man, a little faith is coming.

00:34:07What? Who's trying to make us change our minds?

00:34:14You?

00:34:25Lower yourself a little, son. It looks like an exorcism.

00:34:27But are you talking to me, Mr. Bejumea? This is a really great Basque group.

00:34:30The thing is, I don't really understand what they're saying.

00:34:31I assure you, there is no love ballad.

00:34:36Do you know what I find hardest to bear, José?

00:34:38I'm going there without seeing those eyes.

00:34:40Look, you might think it's silly.

00:34:42This woman has won me over.

00:34:44I don't know, that face, that dignity she has even when she's asleep.

00:34:50Don't listen to me.

00:34:51I'm a sentimental old man.

00:34:52Don't talk nonsense, Mr. Bejumea.

00:34:54The same thing happened to me.

00:34:56Do you like Marichu too?

00:34:57No, no, damn it.

00:34:59I've met a girl and I've fallen for her.

00:35:01Oh, wow, wow.

00:35:03Today Cupid is working overtime.

00:35:06Well, and she's beautiful, she's an angel.

00:35:08The thing is, I didn't remember his name.

00:35:10I only saw her eyes and I was left speechless.

00:35:13What? Just chatting?

00:35:15Here, saying goodbye to his mother.

00:35:16But if you don't leave.

00:35:17But I'm dumber, you know.

00:35:19Oh, José, one thing.

00:35:20When I leave, make sure my mother doesn't lose her ETB connection.

00:35:23And no songs.

00:35:24I want her to feel at home.

00:35:26He won't lack for glory, mate.

00:35:28I'm going to dance for Churrescu every morning.

00:35:30It was done to Churrescu.

00:35:31And no, it's not necessary.

00:35:32Relax, Iñaki.

00:35:33His mother is doing wonderfully well here.

00:35:35I've felt better here than in my own home.

00:35:38So, what must your house be like, Mr. Bejumea?

00:35:40What is he talking about?

00:35:41If this man lives in a palace.

00:35:42My entire house fits on its landing.

00:35:43It was big, yes, but only the ghosts and I remained there.

00:35:47Well, you know what I tell him?

00:35:48Leave the palace.

00:35:49And go where they want you.

00:35:52You know what I'm saying?

00:35:54You're absolutely right.

00:35:59Are you OK?

00:36:00Divinely.

00:36:01Because if I'm fine here, being here more,

00:36:04When I'm well, it'll be better.

00:36:10See you later.

00:36:13This man's medication was taken off too soon for my taste.

00:36:15I'm telling you, yes.

00:36:18Come on, Rosita, my darling.

00:36:21Do you sometimes feel lonely?

00:36:24No.

00:36:25No?

00:36:26Not even a little bit.

00:36:28Will you bring me some bread?

00:36:29Yes, of course, but don't you feel lonely sometimes?

00:36:32No, all I feel is hunger, daddy.

00:36:36So, how would you feel about having to share that piece of bread with someone else?

00:36:41With whom else?

00:36:42With you?

00:36:42No, no, not with me.

00:36:44With someone who wants a piece of that bread.

00:36:45Okay?

00:36:46You'd be delighted to share that piece with that person, wouldn't you?

00:36:50Look, you see that it's not without bread.

00:36:51If Mom finds out, you're going to be in big trouble.

00:36:54No, no, no, no.

00:36:54We have plenty of bread.

00:36:55That's not the problem.

00:36:56Okay, so, how do I do this, Rosita?

00:36:59Have you ever thought about having a little brother or sister?

00:37:02Yeah.

00:37:03Yeah?

00:37:04And what do you think?

00:37:05From bread.

00:37:06What bread or what milk?

00:37:07Are you going to have a little brother, Rosita?

00:37:08Mom is pregnant.

00:37:09Okay, that's it, I've said it.

00:37:10Hey, it's so hard to say things tactfully in this house, damn it.

00:37:12Am I going to have a little brother?

00:37:13Shh.

00:37:14No, no, no, shout.

00:37:15This is a secret between you and me.

00:37:16And don't tell anyone.

00:37:17And even less so to Mom, okay?

00:37:18Mom, does one know?

00:37:20More or less, Rosita.

00:37:21More or less.

00:37:25You can get dressed now.

00:37:26And do you know what time your doctor's appointment is?

00:37:28Oh.

00:37:29Well, little one, with this mischievousness you've shown me,

00:37:31Instead of paying attention to me, it seems like I'm going to put a banknote in my underwear.

00:37:36Hey, shh.

00:37:37What does it say?

00:37:37What have I seen in you?

00:37:39Come on, Angela, what does it say?

00:37:40It silences.

00:37:41Don't you see it?

00:37:42Look, forget about protocol with me,

00:37:43I'm the one who gives you the grandchild in the mornings for digestion.

00:37:46Yes, but I'm bound by professional secrecy.

00:37:47And your flatulence too.

00:37:49Woman, understand this, I can't go around leaking reports

00:37:52as if you were from Wikileaks.

00:37:53Just tell me how far along I am, because I have a belly

00:37:55I look like I'm eight months pregnant.

00:37:57Or maybe a little anise would do you good.

00:37:59Angela, if you tell me something, I'll make you your godmother.

00:38:03Maybe you don't have a child, you know?

00:38:05What's going to have two?

00:38:22Merche, what are you hanging out, my dear?

00:38:25A parachute, a girdle.

00:38:27"Ea," spoke the sylph.

00:38:29Hush, daughter, I keep widening.

00:38:31I think I'm retaining fluid.

00:38:33Yes, yes, you retain liquid, solid, and gas.

00:38:36Because wow, what a stew you ate yesterday!

00:38:39The whole staircase smelled.

00:38:40Honey, you better take care of yourself now.

00:38:42because the flamenco dress you wore to the fair last year,

00:38:46The moles, well, they were bursting.

00:38:49It was a merembuchao.

00:38:51I swallowed it whole.

00:38:55Holy shit.

00:39:07Oh, God.

00:39:11So what do we do with you now?

00:39:13Because here, if it's not sushi...

00:39:15Twenty euros worth of hake, Rafi.

00:39:17And I'm not going to throw it away just because your sister doesn't have a frying pan at home.

00:39:20And what do you want me to do? Adopt her?

00:39:21No, man, no, let me cook it here.

00:39:23No, no, no, no.

00:39:24Rafi, I own a bar, I know what I'm talking about.

00:39:26Yes, but you have a woman like Isabel by your side in your bar, right?

00:39:29You don't know how she gets when you touch her pots and pans.

00:39:31Already.

00:39:31And where is Isabel now?

00:39:33Isabel has gone out to do some shopping.

00:39:36No, no, no, no, no.

00:39:37It's not like you're going up north and I'm staying and sleeping with her every night, huh?

00:39:40Rafi, it's ten minutes.

00:39:43A little chopped garlic, virgin olive oil and a chuchu.

00:39:47Okay, fine.

00:39:48But a little choo-choo, huh?

00:39:49A chuchu.

00:39:54At three o'clock the price of the painkiller goes up by 650.

00:39:56And the one at twelve o'clock has surgery tomorrow.

00:39:58So don't give him any dinner, no matter how much he gives you puppy-dog eyes.

00:40:02Don't worry, darling, if necessary I'll even take the flowers out of the room.

00:40:10Here, Dolores, the order is material.

00:40:12Yes, sir.

00:40:14But the Kepler thing might take a little while because the sales department closes at five.

00:40:19No problem.

00:40:19Robert, do you have a moment?

00:40:21Yes, of course, Carmen, tell me.

00:40:25I thought we didn't work in that Ceutan skirt.

00:40:27Yes, but the thing is, I no longer commit to certain causes.

00:40:31It seems I only make commitments to myself.

00:40:34Robert, it's not because of me.

00:40:35It's a matter of professional ethics.

00:40:37Yes, Carmencita, but your house is no longer my house,

00:40:39Your fight is no longer my fight.

00:40:42See you tomorrow.

00:40:49Oh, you've already finished?

00:40:52That's it.

00:40:53That's it.

00:40:55Come on, olive oil.

00:40:58There we are.

00:41:00One last little shake here.

00:41:04Okay, okay.

00:41:08Damn, with the chuchu.

00:41:09Hey?

00:41:10But I think this is the first time I've seen so many fires lit at once in this kitchen.

00:41:14Fire?

00:41:14Do you call an electrician fire?

00:41:16Oh, come on...

00:41:16Hey, don't spend too much on this, okay?

00:41:18My wife has more affection for the Extra Virgin than for the Virgin of Bacarena, you know?

00:41:20Look, Rafi, even Merlucita had to be accompanied by something, man.

00:41:24You'll see how good it's going to be with the artichoke chips and the bed of potatoes.

00:41:27Yes, yes, I'll have to sleep on the potato bed if Isabel finds out what I've done.

00:41:30It's happening here.

00:41:30Well, that's it.

00:41:32Rafi!

00:41:35Honey, I want to kiss you.

00:41:36Oh, get away, get away, I'm not in the mood for a kiss.

00:41:38What are you saying, woman?

00:41:39How radiant you become when you carry the miracle of life within you?

00:41:42I'm going through menopause, Rafi.

00:41:44Pussy?

00:41:44And all I feel inside is a tremendous desire to take you for a walk.

00:41:47Come on, woman, could that be hormones?

00:41:50And what happened here?

00:41:52Here?

00:41:52Yeah.

00:41:53Nothing, well, nothing, I've gotten carried away, some artichokes, some potatoes, a little fish, I'm getting sick, I'm getting sick and...

00:41:58Yeah, so what's that for?

00:42:00To kill a fly?

00:42:01Hey, Isabel.

00:42:03No, you see, I'm leaving tomorrow.

00:42:05And I had a little hake and I wasn't going to throw it away.

00:42:07But don't worry, I'll take this little bit and give you back the kitchen, okay?

00:42:12And the potatoes should be oiled cold, right?

00:42:15What's that?

00:42:15Am I interfering with your independence?

00:42:18No, no, no, no, no.

00:42:20Well, don't you go into my kitchen.

00:42:29The apron?

00:42:30Ah, yes, yes.

00:42:34This is...

00:42:34To scrape the countertop clean?

00:42:37No, but your waste reduction purge is nothing to scoff at, huh?

00:42:40You clean this up.

00:42:51Oh, good!

00:42:55Oh my God, what a day I'm having today.

00:43:01What does it smell like?

00:43:03Sorry?

00:43:04Can you please close the window that the people from the neighbor's kitchen came into?

00:43:08No, no, it's here.

00:43:10I've made dinner.

00:43:11Pas pedochina?

00:43:11No, man, no, I did it myself.

00:43:13It's called cooking.

00:43:15So, where did you cook all this?

00:43:17In the microwave?

00:43:18No, man, no.

00:43:19In the toaster.

00:43:21Come on, Carmen, let's have dinner.

00:43:23You'll see, eating hot food is quite an experience.

00:43:25With wine and everything?

00:43:28What are we celebrating?

00:43:28Nothing.

00:43:29Well, you've finally lost sight of me.

00:43:32When I return, I will come with less luggage.

00:43:36Go, what do you regret?

00:43:37This is exquisite.

00:43:38And what are these crunchy things?

00:43:40Those are artichoke chips.

00:43:41That's what gives it that crunchy touch.

00:43:43because there always has to be a harmony between the textures

00:43:46so that afterwards...

00:43:48I'm boring you.

00:43:49No, no, no.

00:43:50I'm fascinated.

00:43:51I didn't know he owned a fine dining restaurant.

00:43:53No, no, no, no.

00:43:53No way, I own a bar.

00:43:54But I'm about to get caught in one of the most important ones.

00:43:57In fact, I have a lot of ideas for new dishes.

00:44:00The thing is, well, I haven't been able to try them yet.

00:44:03I like round plates.

00:44:05It really is exquisite.

00:44:06If you stayed, I'd buy you a pressure cooker

00:44:09and gave you ten Michelin stars.

00:44:14Come on, look, you really know how to laugh.

00:44:15Yes, and watch out, because I can also dance a Sevillana for you, okay?

00:44:19It has taught me pain.

00:44:20Oh really?

00:44:21No, what it has taught me is to hesitate.

00:44:26Health.

00:44:27Yes, yes.

00:44:30You should have seen how she reacted as soon as she saw me arrive with the injection.

00:44:34Roja, screaming, grabbed me, even by the arm and everything.

00:44:37Poor little girl.

00:44:38What does the girl say?

00:44:39The mother started to struggle with me,

00:44:41He managed to deflect the needle's trajectory.

00:44:43that I ended up stabbing her in the wrist.

00:44:44To the mother?

00:44:45No, the girl's doll,

00:44:46a Dora the Explorer doll.

00:44:48Now I'll put the souvenir one on in six months.

00:44:51Dora?

00:44:51Rafi, you don't understand.

00:44:53Come on, get me some dinner, I have a very long night ahead of me.

00:44:56I have some snails here.

00:44:58No snails.

00:44:59They're incredibly salty, I'm telling you.

00:45:00I've had them in my stomach since noon

00:45:02that they're sucking all my fluids.

00:45:04Don't go down that road, it's going to get you into trouble.

00:45:06Okay, then give me something more bear-like.

00:45:08I have a little melucita left over here.

00:45:10Hello.

00:45:13Ole.

00:45:17Thanks, Rafi.

00:45:20And why are you giving him that now?

00:45:22Because that's food, and we serve food here.

00:45:24And relax, this time.

00:45:25Have a chamomile tea, a yogurt, an isoflapon, one of those, and that's it.

00:45:27And why don't you take it out on your damn mother?

00:45:29How's it going, Isabel?

00:45:31This meluce is spectacular, isn't it?

00:45:34Go on, relax your expression.

00:45:36Doesn't he see that when he wants to...

00:45:38Oh.

00:45:48Come on, Sabino, I'm closing up.

00:45:50Besides, what are you doing here alone so late?

00:45:52Vego, what is it?

00:45:53Pilates?

00:45:54No, no, I was already leaving.

00:45:56Hey, I wanted to ask you a quick question.

00:45:57Why do you spend so much time with Iñaki?

00:45:59Haven't you noticed anything about him?

00:46:02Something like what?

00:46:03Well, I don't know, as far as his tastes are concerned,

00:46:05according to your preferences.

00:46:06For example, if it's more of a western movie.

00:46:08or gladiator movies.

00:46:10Oh, I think I charged you for fewer little ones than you have.

00:46:13No, no, look, what I mean is...

00:46:15Okay, Nekane,

00:46:17Has Iñaki ever looked at you like you're a woman?

00:46:19Hey, you can tell me that with such confidence.

00:46:21I am his uncle.

00:46:24You've noticed it too, haven't you?

00:46:25That to him I am invisible.

00:46:27His life consists only of the kitchen and his crew.

00:46:31I don't know if we're walking a little or if you should leave it for tomorrow, okay?

00:46:34Iñaki can come now, nice and cool.

00:46:37That one's going to be super fresh.

00:46:39Hey Sabino, is something wrong?

00:46:42Because lately he's been acting mysteriously...

00:46:44Well, the thing is, I don't know what he told you,

00:46:46But I don't see him coming.

00:46:48I was there and what I see is that he's very settled.

00:46:51Settled?

00:46:52Look, it's like my name is Pello, who shakes his ass.

00:46:54Look, that's the general idea.

00:46:55Nekane, get some of those aquariums with a little bit of...

00:46:58We were dehydrated.

00:46:59I'm sorry, but the bar is closed.

00:47:01Come on, go home.

00:47:03Everyone out of here.

00:47:04Come on, everyone out of here.

00:47:06Come on, come on, man.

00:47:10And you too, Sabino.

00:47:11Come on, your eyes are closing.

00:47:14Rather, opening.

00:47:17See you tomorrow.

00:47:18Goodbye.

00:47:22And for dessert I have my niece's gummy bear.

00:47:25and a soft nougat from last year's Christmas.

00:47:28Ah, well look, it might already be hard.

00:47:31Look, the nougat is the crunchy touch.

00:47:34The gummy candies provide a contrast in texture.

00:47:37You're not doing badly, you're not doing badly.

00:47:39For haute cuisine, for high-class cuisine, for low-class cuisine, for the center.

00:47:43Oh, damn!

00:47:44With the Basque, what power!

00:47:46I'm sorry, I'm sorry.

00:47:47No, no, nothing, don't worry.

00:47:49Just one drink at home is more than enough for me.

00:47:52Well, when you look at it that way, me too.

00:47:55Now that I'm going to be alone.

00:47:57Well, being alone isn't so bad, look at me.

00:47:59Now without Robi, free.

00:48:01That gets involved with the trini.

00:48:03Well, he's hooking up with Trini.

00:48:04We were such good friends, weren't we?

00:48:06Robi's arrival ruined everything.

00:48:08But you know what I'm saying?

00:48:09I'll drink to that.

00:48:11Let them burst with love.

00:48:12Well, Carmen, I'm going to leave now.

00:48:16He's an idiot.

00:48:17Well, I'm not leaving.

00:48:18I'm an idiot.

00:48:20Who do doctors sleep with?

00:48:22With the nurses.

00:48:23But who do they marry?

00:48:25Hey?

00:48:25With who?

00:48:26With the trinis.

00:48:27Not anymore?

00:48:28The trinis and all that, right?

00:48:30Carmen, I'm going to leave, okay?

00:48:32I'm going to grab my suitcases and leave.

00:48:35That's what we're here for, for first aid.

00:48:38To revive hearts.

00:48:39To give affection.

00:48:40But they prefer to sleep on silk sheets afterwards.

00:48:47It's always like that.

00:48:49Sleeping on silk sheets.

00:48:54Little girl.

00:48:55What's happening?

00:48:56Little girl.

00:48:57I just found out that Vasco is leaving, girl.

00:48:59Don't tell me, is Vasco leaving already?

00:49:01I mean, I mean, I've seen it all, even the suitcases, girl.

00:49:03She looks so good.

00:49:05What a great neighbor we're losing.

00:49:07Of course, girl, in this house men last about as long as a candy on a doorstep.

00:49:11school.

00:49:16Carmen.

00:49:42Gabon, Carmen.

00:50:03Oh, didn't I know you were on duty today?

00:50:05No, I ordered it.

00:50:06Didn't he have anything better to do today?

00:50:09I don't know, Trini.

00:50:10Do I have anything better to do?

00:50:11Well, I don't know if there's anything better to do, but there's definitely something you do better.

00:50:17Isabel, make me a little coffee, please.

00:50:18Do you want it with a little bit of pain reliever?

00:50:20Stop with the fancy names, girl, and give me a proper coffee.

00:50:25Isabel, what does this carry?

00:50:26Well, hake, don't you see it?

00:50:28I see it, honey, but it's turned out amazing, hasn't it?

00:50:31You could add it to the menu.

00:50:32And you could operate in bullfighting suits, I'm telling you?

00:50:35My weapon, what face does it have for you?

00:50:36For once you get something right?

00:50:37Didn't I do it, for fuck's sake?

00:50:39What did the Basque do?

00:50:40But, Trini, don't worry, I've already told him to stay away from my stove.

00:50:43You said coffee, right?

00:50:45Yeah.

00:50:50Hey, this is awesome, huh?

00:50:52What about the Basque?

00:50:54It seems to have a lot of hidden charms, huh?

00:50:57Well, hidden depending on who you ask, of course.

00:50:59Well, for you.

00:51:00Don't you want any more?

00:51:01I've lost my appetite.

00:51:03Well.

00:51:04The coffee, if it's made in a pot, is much tastier.

00:51:07A little coffee and a glass of wine, and you know this is top-notch, come on.

00:51:10I mean, I'm not going to be underestimating the Basque guy and all.

00:51:12Yes, let's go.

00:51:13I'm already crying.

00:51:19I'll leave this here for you, okay, love?

00:51:21By the time you wake up, huh?

00:51:24You'll want to put your things on.

00:51:28And I'll be right back, okay, ma'am?

00:51:29I promise you.

00:51:31Oh, Carmen will take very good care of you.

00:51:34She's a very good nurse.

00:51:36Well, that's true.

00:51:37Thank goodness he gives you IV fluids, huh?

00:51:39Because if she had to cook for you...

00:51:54Let's go, Mom.

00:52:13Juan, see if you have anything trivial to talk about over coffee, because I don't feel like thinking today.

00:52:18No, not today, not yesterday, not tomorrow.

00:52:20What do you think about this for people?

00:52:21Oh, and what about people like you?

00:52:23For people, for people.

00:52:25Look, you're more of an action type.

00:52:27At least you see something and you're already stretching it out.

00:52:30What are you saying?

00:52:31Hey, you're more like me.

00:52:32Like a personal imprint, right?

00:52:33"Imprinted," he says, "from the printing press for the prettiest girl in the whole clinic."

00:52:38Olé, thank you.

00:52:39You're nearsighted, but you mean well, which is what counts.

00:52:42Let's see if anything comes up from the fair.

00:52:43Damn, those Sevillians.

00:52:45Do you like a bit of gossip?

00:52:46This doesn't happen in Granada.

00:52:47You wouldn't happen to know a really bad fucker, would you?

00:52:50Let's see if you'll finally accept that Seville is the capital.

00:52:53And let's see if you all accept that Granada has a beach.

00:52:56You're dying of envy.

00:52:57Well, Granada, Granada, not at least a driving force.

00:53:01Well, if we're going to be like that, we'll be killing the reeds and chipionas too.

00:53:04Come on, no way.

00:53:06Envy of the beach when we have a golden tower at the foot of the Guadalquivir.

00:53:10Juan, do you have sunglasses?

00:53:11Save one for each of them because when they go to Malaga they're going to be blinded by so much beauty

00:53:15Seville and Granada are a lot compared to my Malaga.

00:53:19No, what you need to do is find a good way to avoid passing on your ignorance.

00:53:23This gentleman.

00:53:24Well, look, I don't have it right now, but if you want I can ask you for it with the Vasco diary.

00:53:27You have to see the Basques, those who cling to the land more than a punch.

00:53:31Good morning.

00:53:32Good morning.

00:53:32Juan, do you have my stuff around here?

00:53:34You won't find a single piece of good news today. The world is in a terrible state.

00:53:37Well, don't be so sure, okay? I think people complain for the sake of complaining.

00:53:40Look, for example, I run a clinic that is operating at full capacity.

00:53:44I could even offer jobs if I wanted. But you know what it takes? People willing to work.

00:53:57Look, Rosita, having a brother wasn't exactly a walk in the park either. Besides, a little brother is really stressful, I'm telling you.

00:54:03I.

00:54:04Juan, give the girl what she asks for.

00:54:06What is needed?

00:54:06I want a blackberry, a peach pit, a Coca-Cola, a wild strawberry, a melon, a little brick, a lollipop and

00:54:15a shark.

00:54:16Anything else, daughter?

00:54:18Yes, look, a little brother.

00:54:19Are you still here?

00:54:21Rafi, we're open on time, period. And that girl should have been in that situation by now.

00:54:27I got carried away, you know? I got all excited, and one thing led to another. Look, look.

00:54:31What I've done. I've gotten him his Betis membership card.

00:54:32They've left the name field blank. I'll fill it in myself later when he's born.

00:54:36Well, I'm going back to the best one, okay?

00:54:37Okay.

00:54:38Rosita, darling, don't be sad, my little girl.

00:54:40Look, we're not going to have a little brother, but he has lots of friends. Dad and Mom, and Auntie.

00:54:46Oh? Well, from having a little cousin.

00:54:47Is my aunt pregnant?

00:54:49No.

00:54:51I mean, your aunt will meet someone sooner or later, and, well, things like that will happen little by little...

00:54:56To Robert.

00:54:57Yes, to Robert.

00:54:58We don't know, Isabel, we don't know.

00:55:00Well, let my sister freely decide about her marital issues and her offspring.

00:55:04And let's go, you're going to get to school at recess time.

00:55:07And the gummy bear?

00:55:08For another day?

00:55:10Oh my god, girl, look at all the water he's poured on you, it's suffocated you, I need it to last me this long

00:55:14evening.

00:55:14But you weren't going to have dinner with Dad.

00:55:15No, no, no, you were going to have dinner with Dad, I'm going to the Peraltas' house.

00:55:18And do I have to go to the estate where the hunting season is starting?

00:55:19Okay, so you go home with Dad and hunt down your spider daughter.

00:55:24As soon as I get to near-time, I'll upload it.

00:55:26Very good, don't forget the cuare.

00:55:28The quare?

00:55:29Yes, what's wrong?

00:55:30I am a Renaissance man.

00:55:32I can write you a poem or design a court suit for you.

00:55:35OK?

00:55:36Hey, lean on me, Dad.

00:55:38But, Dad, what are you doing?

00:55:39I know, I know.

00:55:41Doctors have said they are monitoring those fats.

00:55:43But one day, one day.

00:55:44Dad, we have the car downstairs, you're supposed to come out now.

00:55:47Yes, yes, yes, yes, but there have been last-minute changes.

00:55:49But what's wrong, are you worse off?

00:55:51Worse?

00:55:52I'm better than ever.

00:55:53Look, then, let's go home.

00:55:55I'm already in it.

00:55:57What are you saying, Dad?

00:55:58Have you noticed those plants that don't finish blooming until they find their place?

00:56:03Well, here I am, flourishing.

00:56:05What are you going to bloom about, Dad, you're 62 years old?

00:56:07That's exactly why.

00:56:09I'm old enough to decide where I want to live.

00:56:11So whenever you want to see me, you know where I am.

00:56:15That's intense, Dad.

00:56:16I imagine staying here isn't free, is it, Dad?

00:56:20That's what I have the money for.

00:56:23Apart from spoiling some children.

00:56:26Now, if you'll excuse me, my toast is getting cold.

00:56:29To be realzalí, that there is a current.

00:56:43Can?

00:56:44Look here, what do you think? Come in.

00:56:45Everything's on fire.

00:56:46Well, I didn't want to leave without saying goodbye and...

00:56:48Yes, give it to her, thank you.

00:56:50Oh, what?

00:56:51Sit down, go on.

00:56:51Yeah.

00:56:53And well, I've written down some numbers for you, okay?

00:56:55For anything.

00:56:56Okay, I've written you down here.

00:56:57My landline, my mobile, the bar's number, Aunt Begoña's number, Uncle Sabino's number, Dr. Rinchostegui's number, the

00:57:02from home, the mobile phone, the one from Anchón and...

00:57:04Well, the truth is that I didn't write down the one about hair.

00:57:06The Virgin.

00:57:07Tartaria looking at the Uzcati yellow pages.

00:57:09Yes, but I want to be reachable at all times, you know?

00:57:13I imagine it can't be easy to be separated from your mother, right?

00:57:16Well, no, well, no.

00:57:17But up there I have things to do, and here, after all, I'm not doing anything.

00:57:23Well, that's something that can be fixed.

00:57:27What did you say?

00:57:28I'm referring to doing nothing here.

00:57:30If you'd like, I'd be happy to offer you a job.

00:57:32Oh, well, I appreciate it.

00:57:34But I don't know how it is here, but in the Basque Country to be a doctor you need a degree.

00:57:38No, man.

00:57:41Yesterday I was lucky enough to try your cooking.

00:57:42And if I'm being honest, it changed my day.

00:57:45I don't know what you'll think of this idea, but I'd like you to take charge of the bar's kitchen.

00:57:51Well, let's see, a restaurant or a hospital isn't exactly my dream.

00:57:54And I'm about to start as an assistant at Arzac.

00:57:57How can it be the same?

00:57:58There is a lot of competition there with the super-cheese players.

00:58:00Here you could become king in two days.

00:58:03I'm not asking you to cook for the sick.

00:58:05But we healthcare workers like the good things.

00:58:08And don't even get me started on the family members, come on.

00:58:10Yes, but there's a line here, a style, that also...

00:58:13And here, please, just between you and me, the food at the bar leaves much to be desired.

00:58:16I would give you the green light.

00:58:18Everything you have in your head, everything you have dreamed,

00:58:20You could put it there, on your plates.

00:58:22Well, it's quite tempting, to be honest.

00:58:25But I don't know what...

00:58:26How much are they taking from my father?

00:58:28Sir, please, one moment, I'm busy.

00:58:30No, no, no, I was already leaving.

00:58:31Yes, my taxi should be arriving any minute now.

00:58:36Thank you, Trini.

00:58:37How much are they taking from my father!

00:58:39How outrageous, how shameless!

00:58:41Hey!

00:58:46Hey, Isabel!

00:58:47Can you get me a coffee?

00:58:49Why don't you come in here at the bar and do it yourself?

00:58:52Well, bury the hatchet, the man is leaving.

00:58:54Alright.

00:58:55Have a good trip.

00:58:57And the hake wasn't bad.

00:59:00A bit bland, but edible.

00:59:06Hey Rafi, would you mind giving Carmen back the keys, please?

00:59:10And this is for the whole month, okay?

00:59:12Ah, well, Carmencita is going to miss you, huh?

00:59:15Oh, really?

00:59:15Because?

00:59:16Because a tenant like you isn't something you find every day.

00:59:19You're not at home, you don't make a mess, you don't make noise.

00:59:21Come on, living with you is like living with a gay poster.

00:59:25Yes, yes, of course, that's why.

00:59:26But hey, life goes on, right?

00:59:27And it's better that way in hospitals.

00:59:29Chap!

00:59:29By the way.

00:59:30Yes, well, I guess.

00:59:35And speaking of life, mine is about to change, huh?

00:59:40Anchón, Iñaki, how are you?

00:59:43I've been waiting for you all day.

00:59:45That?

00:59:45What do you say?

00:59:46The position you were going to take, Iñaki, is going to be given to a kid who comes from the culinary basketball world.

00:59:51center.

00:59:52Oh, wow.

00:59:53I can't do anything, please understand.

00:59:54No, no, no, no, no, I understand, I understand, the other one had more experience and not everything has to be there

00:59:59The day is spent traveling up and down, isn't it?

01:00:01Are you OK?

01:00:02Yes, yes, I'm fine.

01:00:04I promise you there will be another opportunity soon.

01:00:06See you in a few hours, Anchón.

01:00:08Goodbye.

01:00:10What, not so caught?

01:00:13No.

01:00:14Well, look, if it's any consolation, I wasn't picked for the youth team at the local field either.

01:00:18And look at me now, a successful man.

01:00:21It's no consolation to me.

01:00:22But hey, life goes on.

01:00:26See you soon, Rafi.

01:00:38Apaí.

01:00:39Hello.

01:00:40Where are we going, boss?

01:00:41To Santa Justa station, please.

01:00:43Oh, and one more thing.

01:00:45If we could avoid traffic jams, fairs, and processions, I would be grateful.

01:00:49Come on, boss.

01:00:50That's like going to New York and asking not to see the skyscraper.

01:00:52But don't worry, we'll get there, okay?

01:01:10As I'm telling you, if your father wants to stay, there's nothing I can do.

01:01:13This is a private clinic.

01:01:14Yes, of course, private.

01:01:15Not so private.

01:01:16It's about money, right?

01:01:18Beam.

01:01:18Or of course it's for money, right?

01:01:19They are taking advantage of an old man who is not right in the head.

01:01:22I think his father is perfectly sane.

01:01:24So, why doesn't he want to go back home?

01:01:26Well, that's a question you should be asking yourselves, shouldn't you?

01:01:28Let's go, Cristóbal, we're no longer needed here.

01:01:30Well, look, we agree on that.

01:01:32And don't worry, your father will be perfectly taken care of here.

01:01:34This isn't going to end like this, okay?

01:01:37Ah, one moment, one moment, one moment!

01:01:39Just so you know, I play polo with the best lawyer in Seville.

01:01:42And I intend to prove that they are taking advantage of an elderly man.

01:01:44We are?

01:01:53Well, well, well, look what I've learned.

01:01:55What will stay with us?

01:01:57Wow, really!

01:02:00What a joy!

01:02:01Okay, José, take notes.

01:02:02Starting today, we're going to need...

01:02:04Let's see.

01:02:04...a full-length mirror, plus a hanger, a handsome guy.

01:02:08A heartthrob, isn't he?

01:02:09Have we already got you here?

01:02:12Ah, Azucena, peace, daughter!

01:02:14To Azucena?

01:02:15Look, José, my granddaughters.

01:02:17Ah, we already know each other.

01:02:18You're the one who tried to explain to me how the elevator works.

01:02:21I almost ended up in the morgue.

01:02:23Yes, I know that.

01:02:25These hallways are treacherous, you have to be careful, okay?

01:02:28Grandpa, thank you, okay?

01:02:30What a mess you've made.

01:02:31Mom doesn't even remember that yesterday I arrived home just as the birds were starting to catch fire.

01:02:37The little birds, no, not for any reason.

01:02:40I'm not going, I have to go to...

01:02:43Go get the hangers, José, go get the hangers.

01:02:46Yes, to the hangers.

01:02:47Well, we'll see each other around here, right?

01:02:48Yes, of course.

01:02:49Why are you working here?

01:02:52What's wrong with you?

01:02:53Have you ever defaced a painting or something?

01:02:55Oh, your grandpa's a real pro, huh?

01:02:57I'm stuck to him like a rock.

01:02:59Oh, and paper.

01:03:00Two rolls.

01:03:02Controlled.

01:03:08I have aches in muscles I didn't even know I had.

01:03:10I have it in my hand.

01:03:12Oh!

01:03:12My muscles are so sore!

01:03:14Sugar water, Nekane!

01:03:15Stop with the coffee, I am.

01:03:17I hope Ñequi comes in good shape, because we don't even have the strength to fart.

01:03:21Okay, what?

01:03:22Damn, Nekane, what happened to your face?

01:03:24Nothing for me, and for you?

01:03:26Don't pay any attention, Nekane, you look very elegant.

01:03:29Are you coming to the pelota court to see us later?

01:03:30So that?

01:03:31To watch you lose?

01:03:32What are you saying?

01:03:33With our current shape, it's impossible.

01:03:36He'll be on the train right now.

01:03:42So we arrived peacefully, right, champ?

01:03:45The station is right next door, we'll be there in no time.

01:03:47Okay, I'll get off and go for a walk.

01:03:49Whatever.

01:03:49Come on.

01:03:53Well, it will do him good to reinforce his accent in his homeland.

01:03:55Because here, even meaning is lost.

01:03:57Already.

01:04:00Carmen?

01:04:02Carmen!

01:04:03Carmen!

01:04:04Carmen!

01:04:06Let him be here!

01:04:08What a joy, what a joy to see you here!

01:04:11I wasn't expecting it, but...

01:04:13Traveling as always.

01:04:14I never imagined I'd find you here.

01:04:16What a joy!

01:04:27Don't worry, I didn't charge you for the traffic jam, okay?

01:04:29I still have enough of an accent to stay around here a little longer.

01:04:32You know what I'm saying?

01:04:33I'm not leaving.

01:04:35Iñaki comes to the pelota court.

01:04:38Iñaki comes to the pelota court.

01:04:41Shh, shh, shh!

01:04:42Iñaki, the one from the pelota court.

01:04:44Because he's had enough of eating ham.

01:04:49Wow!

01:04:53Iñaki, Iñaki, Iñaki.

01:04:59What's happening?

01:05:01What's not coming?

01:05:03Cabensoch!

01:05:04He was about to board the train when I spoke to him.

01:05:07What's happening?

01:05:08Did he back out?

01:05:09What are we going to do now?

01:05:10What are we going to do?

01:05:10Well, that's what we've done so far, right?

01:05:12Or what?

01:05:12Do you want to make t-shirts with his face on them?

01:05:14No, man, no!

01:05:14I'm talking about the ball game.

01:05:15Hey, there, crew!

01:05:21And those gray hairs?

01:05:23What's happening?

01:05:24Did that mean the cod had been desalted?

01:05:34Two little coffees, Isabelita.

01:05:36Let's go!

01:05:36Rafi, for God's sake, don't shout, it gives me a headache.

01:05:39Well, that's it, it can be fixed with a good broth.

01:05:41But first you need a pot.

01:05:43But hey, what are you doing here and why didn't you leave?

01:05:45Well, you see, it seems that's no longer the case.

01:05:47By the way, would you rent a room to the bar's new cook?

01:05:52As?

01:05:56I do.

01:06:08Pussy.

01:06:09Man!

01:06:11Go up, yes.

01:06:16Well, it seems he's finally decided to stay.

01:06:19Yeah.

01:06:20It's just that I've realized I can't be away from her.

01:06:23From my mistress.

01:06:25Don't worry, I'll try to keep an eye on her too.

01:06:30From her mistress.

01:06:36By the way, Irene, how many times are you going to click on channel two?

01:06:38Oh, look, look, look, don't remind me, I couldn't find the point and in the end he looked like a bull.

01:06:42from Tordesilla, the poor man.

01:06:43And so tomorrow she'll be marked with an X, sweetheart, but don't let it happen again.

01:06:46The man has left me marked like a Christ.

01:06:50Papa Dolores, well, in the end you see.

01:06:52He's staying, I know it.

01:06:53Yes, well, they've offered me the job of...

01:06:55I know the bar manager position.

01:06:56Ah, okay, okay.

01:06:57Okay, and you'll also know what I'm going to charge?

01:06:59No, not yet, but give me a little while.

01:07:08Dolores, you're finally filing everything away.

01:07:11Hey, Carmen, are you still learning Basque?

01:07:13What do you mean I'm still speaking Basque?

01:07:15Well, it generally stays with us here in Seville, right?

01:07:19But it's because she lives with you.

01:07:21Well, he lives in my house, which isn't the same thing.

01:07:24It's not the same, it's not the same, is it?

01:07:26Look, since he'd already put both feet in, I'd taken a risk.

01:07:30Did you know that Trini offered her a job at Herba in the clinic?

01:07:34As?

01:07:35What are you telling me?

01:07:37You heard me right.

01:07:38And besides, he must have offered her a shepherdess, Imperio, because she's staying.

01:07:44I already knew that, Dolores.

01:07:47Pastora Imperio.

01:07:48I don't know what he offered him, but I'm telling you, the Basque guy is more interested in one

01:07:52frying pan that a woman.

01:07:53You said that, didn't you?

01:07:56You don't like it, Tina.

01:07:59The reports.

01:08:06Hello, mistress.

01:08:07No, don't say anything, I already know.

01:08:10I was leaving, yes.

01:08:11Well, you see, I'm not leaving.

01:08:12I'm staying.

01:08:19I know, I know all this might seem a little strange.

01:08:22But what I find even stranger is that you're staying here in a coma in Seville.

01:08:25You started this.

01:08:26I'm adapting as best I can.

01:08:29That one also has feelings.

01:08:31I don't mean to say that I'm staying because of that.

01:08:36Look, look at what life is like.

01:08:37Now they want me to be the cook here.

01:08:39Maybe I'll prepare the serums for you from now on.

01:08:44I'm almost done.

01:08:45No, no, no, no, calm down.

01:08:46Okay, I'll come by later if you want, okay?

01:08:49That's it, love.

01:08:51I'll help you there.

01:08:55That sounds very nice without understanding it.

01:08:58Understanding it, that has to be glorious.

01:09:01No, no, no.

01:09:22No no.

01:09:45Be quiet!

01:09:50Shut up! Open a bottle of Txakoli! They're paying!

01:09:53What a beating, shots are in order.

01:09:55I haven't been humiliated this much since they told me my grandfather was from Teruel.

01:09:57No, it's his fault, he looked like he was dancing the bandit lover.

01:10:01Oh, sorry I don't have any clubs for hands.

01:10:05For the macho men.

01:10:06Go on!

01:10:07Hey, Iñaki wasn't on the train.

01:10:10This one has fallen asleep and this one is now in Biarritz.

01:10:12Oh, come on, don't tell me it was...

01:10:13Sorry, Sabino, we haven't told you anything.

01:10:15In the end, Iñaki decided to stay.

01:10:17As?

01:10:18He's not coming; he prefers to stay there.

01:10:24I told you so, but did he tell you why?

01:10:28Yes of course.

01:10:28Look, Sabino, we didn't expect it either, but...

01:10:32Why don't you give it a try?

01:10:33Ah, so you think it's great that I'm trying it now, right?

01:10:36Come on, Sabino, the kid likes it.

01:10:38And what if they pay him on top of that?

01:10:40That?

01:10:41Look, I can accept that he's gay, but that he gets paid for it too.

01:10:44That?

01:10:54At the end of the ejido you are seen.

01:10:57Well, it's not so bad, but it's missing some clouds, isn't it?

01:10:59Hey, one thing.

01:11:00Now that he's going to work at the bar, if José brings me some fried prawns, would you make them for me?

01:11:05Grilled?

01:11:05Don't go too far, Mr. Benjumea.

01:11:10Sabino, let's see, Iñaki isn't gay, he's a cook.

01:11:14Damn, he's really got you guys fooled too.

01:11:18I saw his mother's doctor naked in his house.

01:11:21Damn, what?

01:11:23Sabino, don't mess with me, I'll have noticed.

01:11:26There have been times when we've shared a tent.

01:11:28Caben Sot is calling him right now.

01:11:32Hey Coldor, what's up?

01:11:34Hey, Iñaki, how did we miss you...

01:11:37Hey, what are you up to?

01:11:39Nothing much, just here, watching the sunset with Benito.

01:11:43As?

01:11:44What did he tell you?

01:11:45Wait, what is Benito watching the sunset for?

01:11:50Is Benito the doctor?

01:11:51No, no, no, this will be another one.

01:11:53Damn, Iñaki, he's really picked up speed.

01:11:55This guy is Basque even when he comes out of the closet.

01:11:58Come on, let me explain to Benito.

01:12:00Okay, does this see this here?

01:12:03Yes, the line is there.

01:12:04That's the sheet metal.

01:12:05That's the sheet metal.

01:12:06That's the sheet metal.

01:12:07On top of the sheet metal...

01:12:08Good.

01:12:09It's good.

01:12:09But underneath it's not good enough.

01:12:11It's not valid.

01:12:12What bothers me is that he hasn't told us anything, even though we're around all day.

01:12:15Together, we're his friends, holy shit.

01:12:17Codo, Peyo, we have to rescue him now, before it's too late and he loses his way forever.

01:12:24What time do we leave?

01:12:26They better get ready down there.

01:12:31And we're going to cross Spain to remind little Grasshopper of that before the south swallows him up.

01:12:36Under way!

01:12:37Today, Iñaki joins you to work.

01:12:39She will be in charge of the kitchen.

01:12:40Who needs their dinner?

01:12:41One thousand euros.

01:12:42Wow, really!

01:12:43I've thought about finding a replacement while I'm away.

01:12:45Someone you can trust.

01:12:46That?

01:12:47Well, you and I need to understand this.

01:12:48Prettier?

01:12:49They're kicking us out and on top of that they tell me I'm a bad cook.

01:12:52And can you guess who's behind all this?

01:12:54That son of a bitch Iñaki.

01:12:55Are you going to be scared of having a friend from the other side of the street now?

01:12:58Well, if you think we won't understand, that we're old-fashioned.

01:13:01I want you to take all your things out of my house.

01:13:03If it can be today, all the better.

01:13:04So, what do you think of the letter for Iñaki?

01:13:06Things are clear, and it's obvious you're serious, no mystery surrounding it.

01:13:09What's with that letter, Peyo?

01:13:10He gave me a scan so we can give it to him, Iñaki.

01:13:12They are blackmailing me.

01:13:13Okay?

01:13:13They made a terrible mess.

01:13:15Do you want me to show you the complaints I have about the food at the bar?

01:13:17Have any of you complained about the food at the bar?

01:13:19No.

01:13:20In poker, what are worth more?

01:13:22Threesomes or double couples?

01:13:23I think we should open it.

01:13:25Oh, come on.

01:13:26What's happened to me, huh?

01:13:27No, no, Iñaki, no.

01:13:29But all he needed to do was put his heart in the envelope.

01:13:31If you say anything to my grandfather, I'll report you.

01:13:33Your grandfather will find out that my name is José Guerrero.

01:13:35But let's take advantage of this now, shall we?

01:13:37Before he puts another helpless person up there again.

01:13:40No, it's not real.

01:13:43Please, Maricho Galarza's room.

Allí abajo - 1x04 - Allí arriba - HD 1080

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