Allí abajo - 2x12 - Resacón en Triana - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

Ver Allí abajo - 2x12 - Resacón en Triana - HD 1080 - Aquellas Maravillosas Series en Dailymotion

Transcript

00:00:00Actually, not even here, huh? It's a good thing and a bad thing, huh?

00:00:03Okay, let's start with the good one. Let's see, the good one.

00:00:06Well, it turns out José Mari isn't coming to the farewell party.

00:00:08Man! Okay, what about the bad one?

00:00:10Yes! Carajaula! Take that!

00:00:12So you can start practicing for your bachelor party.

00:00:15This isn't going to end like this, Robert.

00:00:17You think you saw me angry, but you're very wrong.

00:00:20Be careful, Trené, be careful.

00:00:23Perhaps you're talking about a new clinic director.

00:00:25Hey, did you bring me grandma's ring?

00:00:27No, damn it, he's still at the farmhouse.

00:00:29Father, please, the wedding is here.

00:00:31Maybe he can do something better, something that might cheer you up.

00:00:34Well, man, the truth is that everything...

00:00:35Shut up, shut up, shut up.

00:00:37Tomorrow, Iñaki's bachelor party will say goodbye, and in Zocorlo Pascos it's going to be like going to the Olympics.

00:00:42I need to gather strength.

00:00:42No, damn it, we imitated Antonio.

00:00:44But, saint, what are you imitating Anthony from?

00:00:46Why did you tell us to imitate the father?

00:00:48Well, now I'm really leaving, because neither the taxi nor the plane will wait, so...

00:00:52Well, I'm not going to the bachelor party.

00:00:56Are you sick?

00:00:56No, it's better.

00:00:58He has died.

00:00:59Look, this is Grandma's ring.

00:01:04Thank you, Father.

00:01:05Well, better late than never, right?

00:01:07Oh, damned!

00:01:08Bye bye!

00:01:09Damn it!

00:01:09I did it!

00:01:11I've broken the record for Basque reconciliation!

00:01:13One piece of advice, Robert.

00:01:15If you become a director, be careful about flitting from one person to another, because you might get yourself into trouble.

00:01:19in many legal problems.

00:01:21You speak from your own experience.

00:01:23And be careful, little one.

00:01:25Well, you better watch out, because I don't trust your gang one bit.

00:01:28But do enjoy it.

00:01:32What could happen?

00:01:34Thank you!

00:01:36Thank you!

00:01:38Thank you!

00:01:52Thank you!

00:02:09Thank you!

00:02:26Thank you!

00:02:26Hehehe!

00:02:28Oh!

00:02:29Oh, shit!

00:02:35Oh!

00:02:36Oh!

00:02:37What's happening?

00:02:38What's happening?

00:02:39What's happening?

00:02:39Hey!

00:02:41Ah!

00:02:42Oh, wow!

00:02:44Oh!

00:02:48What's happening?

00:02:50God.

00:02:51But what is this?

00:02:52What did we do yesterday?

00:02:53I don't know.

00:02:54The last thing I remember is you saying that I was going to have an unforgettable farewell.

00:02:58No, you weren't far off the mark.

00:03:00Oh, really, I don't remember anything, huh?

00:03:02Oh, now I don't know what I drank last night and what to look at from my chest.

00:03:06Ah, my look of how I look from the outside.

00:03:09Holy shit, I have hair!

00:03:10What have you done to yourself, José? Have you blown a cigarette over yourself?

00:03:14Host!

00:03:15Hey!

00:03:17What's a costalero doing sleeping in your house?

00:03:22Gentleman.

00:03:30Gentleman.

00:03:38Sabino, but can you tell me what you're doing dressed like that?

00:03:41As well as?

00:03:42Turban on the head.

00:03:43It's called a sack.

00:03:46This must have been the bull.

00:03:49What bull? What bull? What bull? Do we have a bull?

00:03:52No no.

00:03:53Yesterday, at the bullfight, before coming to Seville for the Cups.

00:03:58I remember it perfectly.

00:04:00There it is, let's see.

00:04:02Staring intently into my eyes.

00:04:04Until he charged at me like a vicious beast.

00:04:08"Perfect" isn't the right word, okay? But here's the python's mark.

00:04:13Has anyone seen Frasquito, huh?

00:04:15Hey, eh, eh, eh, eh, and that hickey?

00:04:18That?

00:04:19Like a hickey?

00:04:21What, I have a hickey?

00:04:22I'm not going to ask for a hickey.

00:04:24Could it be...?

00:04:24This is a leech.

00:04:25Holy shit, it's a hickey!

00:04:27What have you seen in my friend, huh?

00:04:28Which friend?

00:04:29What kind of friend is he going to make?

00:04:31To my soulmate, to my buddy, to Frasquito, eh.

00:04:35Little bottle?

00:04:36Who is Frasquito?

00:04:38Let's see, Antonio, maybe he's gone back to the farm.

00:04:40Why don't you call him?

00:04:42Frasquito, I would never leave without my son, eh.

00:04:44We have to find him; he's a country man and it's the first time he's been alone in Seville.

00:04:47Only in Seville during Holy Week?

00:04:49Come on, Dad, man, please.

00:04:51Well, I can't go to work, you know.

00:04:53Is there a little bottle around?

00:04:54Everything hurts, colleagues.

00:04:55My liver is going to ask me for political asylum in another body.

00:04:58No, well mine won't be, eh, Joselito.

00:05:00Mine won't be.

00:05:00Nobody knows where he is, listen.

00:05:02We have to find it, damn it.

00:05:03And how much sooner?

00:05:05I can't.

00:05:05I'm about to faint.

00:05:07I think I'm seeing the light at the end of the tunnel.

00:05:10That's Sabino's forehead, which is sweating profusely like a chicken.

00:05:13Oh, nephew, you don't know how hot it is to sleep with a sack over your head, do you?

00:05:17No.

00:05:18Look, I think the best thing is for everyone to go home and I'll call someone

00:05:22Just clean this up and that's it.

00:05:23Hey, hey, hey, nobody's leaving here, damn it, until we've turned the whole building upside down and Frasquito shows up.

00:05:28Dad, I can't leave Isabelita alone and upset.

00:05:30Look, I have to sign Antonio, you understand, listen.

00:05:33Come on, Antonio, calm down, man.

00:05:36Frasquito is an adult, I'm sure nothing has happened to him.

00:05:40You're an adult too, aren't you? And how did you wake up?

00:05:43Making the padlock and with an earring in his nose, listen.

00:05:46Main mission: find Frasquito.

00:05:49Okay, okay, Antonio, please, it will appear.

00:05:51Our main mission is to go to work.

00:05:55Main mission: find Frasquito.

00:05:57And I'm not leaving this house until my buddy shows up, you hear?

00:06:01Come on, Antonio, please, look, get a grip.

00:06:03Yes, I would go, but where am I going to get to the street with all this here?

00:06:07I'll rip that out by the roots, man.

00:06:09No, no, no, I'm already asking him for the trick, come on.

00:06:11Okay, José, Rafi.

00:06:14I'm not saying a word at the clinic, okay?

00:06:15About what?

00:06:16Otherwise, we won't agree.

00:06:23Main mission: find Frasquito.

00:06:33I know, I've been waiting for half an hour, but I'm sorry, I only have two hands.

00:06:37A toaster and a missing waiter.

00:06:40Do you know what Saint Teresa of Jesus said?

00:06:42Patience achieves everything.

00:06:47Did my brother Rafi not sleep at home tonight either?

00:06:49No, girl.

00:06:50I hadn't slept alone since I spent the night dilating.

00:06:53But at this rate, he's the one who's going to delay things.

00:06:56So what?

00:06:57How do we spend our nights?

00:06:58Yes, girl, but just imagine, she ends up in the bar of the stitching guy's friend.

00:07:03Yes, there are lots of good-looking guys, they're all very handsome, and the music is great.

00:07:07But what do I know, when you're all dressed up, the least you can do is give a little wink, a look of desire.

00:07:14Something I shouldn't have said.

00:07:16And?

00:07:17And what about the dancing we did?

00:07:18Those of the king.

00:07:20My goodness, except for poor Trini, who became so tight-fisted from the drunkenness she got.

00:07:23with the bat.

00:07:25What a pity!

00:07:26Oh, both of them.

00:07:29Man, it's here.

00:07:30If it takes a little longer, I'm able to call lost and found.

00:07:34Isabelita, could you please lower your voice a little today, and also the blinds and the lights?

00:07:38Yeah.

00:07:39Where do you come from, Golfo?

00:07:40Hey?

00:07:41Where did you leave it here?

00:07:42You didn't leave her unconscious on the Sauta ferry, did you? Like you did to your cousin Luis.

00:07:45No, no, no, no.

00:07:46Although that was a good one, huh?

00:07:48Are you still partying?

00:07:50What a great example of a boss.

00:07:51But let's see, what's wrong with a man not coming to work one day?

00:07:54That's what I say, what's wrong with a man not coming to work one day?

00:07:57Totasio, do we have to prepare the wedding today?

00:07:59Well, it's okay because I'll do it myself.

00:08:01It doesn't have to be that difficult, does it?

00:08:02What is it?

00:08:03Let's see, we need to confirm the 100 guests we're going to invite.

00:08:06Are we going to put up a tent?

00:08:07Shall we put up a tent?

00:08:08Shouldn't we put up a tent?

00:08:09Well, yes, carp, yes.

00:08:10Because if it rains, what happens?

00:08:11Well, it's not a big deal, it's not that much, is it?

00:08:13The little gifts from the guests, the flowers, the cutlery.

00:08:16I don't know, but I think I'm going through a crisis.

00:08:19Crisis?

00:08:19Just listening to you is getting to me.

00:08:21Come on, baby, how could you leave all this until the last minute, you little devil?

00:08:24Look, Isabelita, there where you see her, it all started with the "ajuá" the day I gave her her first kiss.

00:08:29What do you mean you've broken up with him, Rafi?

00:08:30We've broken up!

00:08:32What's happening?

00:08:32Just because I'm a woman, does that mean I have to hide my face and look drunk?

00:08:35Man!

00:08:36Don't even mention getting drunk, okay?

00:08:38Besides, brother, I've been feeling bad for a few months now, like a Roman's leg, son.

00:08:41Okay, okay, okay, the important thing now is for you to calm down.

00:08:44Late, sister-in-law, late.

00:08:45Mom, baby, how many coffees has he had?

00:08:47With the one I'm going to ask you for now, yes.

00:08:49And why haven't I taken an echo of that cereal thing from you?

00:08:51This is a disaster, sister-in-law.

00:08:52I'm not getting married.

00:08:53That's it, it's okay, I'm not getting married.

00:08:55Girl, you're not going crazy, are you?

00:08:57No, not crazy, yes, I'm crazy.

00:08:59Oh, I'm just not good at organizing even the closets from winter to summer.

00:09:03No.

00:09:04Okay, that's enough.

00:09:05You are the head nurse.

00:09:07You are able to organize the shifts of an entire staff

00:09:10and to place the medications, each one of its color, for all the patients in this clinic.

00:09:15How could you not be able to organize a wedding?

00:09:17Your wedding, that's a piece of cake for you.

00:09:20You're right, sister-in-law.

00:09:21That's my girl, huh?

00:09:22Besides, Isabel and I, from a place of peace and calm, okay?

00:09:27We'll help you with everything you need, okay?

00:09:30Yes, thank you very much, Iñaki.

00:09:32I mean, Rafi, that was exactly what I needed to hear.

00:09:36Well, I'm going to make lunch now, because I'm going to be caught off guard.

00:09:39I'm going to get to work, baby, because with this hangover I have, I'm slower than hell today.

00:09:43horse of brothers fed up with tranquility and more without.

00:09:49But weren't they going to help me?

00:09:53Hey boss!

00:09:54But can anyone tell me why everyone is shouting so much today?

00:09:57Let's see if you're the one who ends up screaming.

00:09:59The Board's decision was due today, wasn't it?

00:10:02That's how it is.

00:10:03Although you shouldn't get too carried away either after the words you dedicated to Mrs. Pineda.

00:10:07Yes, that's a shame.

00:10:08Especially because your office would suit me much better.

00:10:11Look, I had even thought about putting a picture of myself on the desk at the top of Napurna.

00:10:17Say yes, son, say yes.

00:10:18You're crazy about climbing.

00:10:20Even if you end up crashing.

00:10:28That remains to be seen.

00:10:31Thank you.

00:10:33He's not at the clinic, Antonio.

00:10:34So at least we know that nothing serious has happened to him.

00:10:37What do you mean, no, damn it?

00:10:38It could be in any other clinic or lying around on the street.

00:10:41Or not?

00:10:42Look, my house isn't there, okay?

00:10:43Have you looked under the bed?

00:10:45Under the bed I have two drawers for storing clothes.

00:10:47But have you looked?

00:10:49Arpello, unless Frasquito hasn't hidden his contortionist side,

00:10:54It's impossible for a person to fit in a drawer, isn't it?

00:10:56So you haven't looked.

00:10:58You're getting a beating, huh?

00:10:59I'm just trying to help.

00:11:01There is nobody in the bathroom.

00:11:02But have you looked in the bathtub?

00:11:04Fuck.

00:11:05And you're going...?

00:11:07Yes darling.

00:11:08Damn, I promised Carmen I would finalize the details of the mouth with her.

00:11:11I can't not be there.

00:11:12Because my daughter is capable of doing that on her own and much more, you know?

00:11:15Don't go looking for an excuse to back out now.

00:11:18Not in the bathtub either.

00:11:19That wine, please, would you like to sit down?

00:11:21That you're not well.

00:11:23Okay, okay.

00:11:25What do you say to him, Jun?

00:11:26Uh, no, no.

00:11:30It was mercy, damn it.

00:11:31Wow, Codo, establishing ties with the neighbors.

00:11:34And have you asked him if he's seen Frasquito?

00:11:38Well, no, look.

00:11:39We haven't talked about Frasquito.

00:11:41That's without her having asked.

00:11:44Ball!

00:11:45But what is this, Antonio?

00:11:47Its name is Sol and it rises every morning.

00:11:49Specifically in Levante.

00:11:50Balls.

00:11:51Lucy!

00:11:53Hello good morning.

00:11:54What's happening?

00:11:55What's up?

00:11:56Listen to me for something.

00:11:57Frasquito is around here somewhere.

00:11:58The fact that?

00:11:58She is deaf.

00:11:59If we have a little bottle.

00:12:01What's a little bottle for?

00:12:03Stay.

00:12:04No, no, Frasquito is a person.

00:12:07A little jar to put a person in?

00:12:09A little jar to put a person in?

00:12:10No.

00:12:11Mine are very small.

00:12:13At most it's for putting spices in.

00:12:15No, let's see, if there are...

00:12:16Is there a name in your house?

00:12:18Look at how nosy that Basque bastard is.

00:12:21No, there are no men here.

00:12:23Hey, are you suggesting something to me?

00:12:25No, no, no, no.

00:12:26What I mean is that what we've lost is a friend.

00:12:30Oh, as silly as ever.

00:12:31Or we had friends when it was lost.

00:12:34Well, thank you very much, huh?

00:12:36You're welcome, my friend.

00:12:37Bye bye.

00:12:38Goodbye.

00:12:38Well, it's not there.

00:12:39So what now, Antonio?

00:12:41Now we're going to the police and reporting the disappearance, Joe.

00:12:44We're not exaggerating a little.

00:12:46It doesn't fulfill me.

00:12:47Here on capeas.com it says that a goring can cause internal bleeding

00:12:54only noticeable after a few hours.

00:12:57Can I die?

00:12:58Now we're really exaggerating.

00:13:00Well, you can stay there and wait for death if you want.

00:13:02You guys, do whatever you want.

00:13:04But I'm going to look for my friend right now.

00:13:06Balls.

00:13:07Oh!

00:13:10Well, anyway.

00:13:17Beautiful.

00:13:19So you're leaving me alone with the little fighting bull.

00:13:23Already.

00:13:25And to this...

00:13:26You call this...

00:13:28Gang.

00:13:32Nephew, count on me.

00:13:46And so?

00:13:47Have you seen it?

00:13:49You look like a rapper from the nineties.

00:13:52Are you sure I don't know how this could have happened?

00:13:55Really.

00:13:55I believe you, yes.

00:13:56What are you going to tell Carmen?

00:13:58Damn, I have a ton of missed calls from Carmen.

00:14:00Look, I'm not going to say anything to him.

00:14:01As long as he doesn't call again...

00:14:09Damn, it's Carmen.

00:14:10Or does he have to lie?

00:14:12Are you asking me to lie to your daughter, Antonio?

00:14:13Well, if it's for his own good, cage.

00:14:15Let's see.

00:14:16Sometimes you have to lie for the good of others.

00:14:18If my daughter is going to handle the wedding on her own.

00:14:20This is the last thing he needs to know.

00:14:23But you just told me that he's capable of all this and more.

00:14:26Yes, but that was to reassure you.

00:14:27Well, you're not succeeding.

00:14:28I don't know, just tell him we're going to prepare a surprise together.

00:14:32A surprise?

00:14:33What a surprise?

00:14:34That's a lie, Sabino.

00:14:35He's asking me to lie happily.

00:14:37But if it's to buy time.

00:14:38We'll think of something.

00:14:39No.

00:14:40I don't plan to lie to my future wife.

00:14:41Don't count on me, okay?

00:14:46Carmen, darling.

00:14:48How was your night?

00:14:49Well, Iñaki, it was certainly much shorter than yours.

00:14:53Because when I saw that I hadn't come home to sleep and that you weren't answering my calls,

00:14:57I said, is he putting up the lamppost or eating churros?

00:15:00The thing is, Iñaki, I need you here.

00:15:03There?

00:15:04So, what's going on?

00:15:05Is something wrong?

00:15:06No, nothing.

00:15:06As for me, Iñaki, this whole business of organizing a wedding and all the logistics...

00:15:12It makes me very nervous.

00:15:13Son of, says she's nervous.

00:15:15Hey!

00:15:16Well, that's very bad, isn't it, darling?

00:15:18What you need to do is stay calm.

00:15:20Yes, honey, but that doesn't help me.

00:15:22Yes, yes, I know.

00:15:23But your father is determined that we give you a surprise together.

00:15:27You already know him.

00:15:28Precisely because I know him, Iñaki,

00:15:30I find it very strange that my father wants to prepare a surprise for me and you.

00:15:36Well, because he's a great guy.

00:15:39Iñaki, the details, the details.

00:15:41To lie, it is very important to be clear about the details.

00:15:43Your uncle, who is a married man, tells you so.

00:15:46Shut up, Sabino, please.

00:15:47Iñaki, what's wrong?

00:15:49Are you OK?

00:15:50Yes, yes, yes, yes, I'm fine, I'm fine.

00:15:51The thing is, I feel very close to your father.

00:15:56My goodness, then.

00:15:57You've really combined the party, haven't you?

00:16:00You have no idea.

00:16:01Okay, Iñaki, darling, let's do one thing.

00:16:03I'm counting on you as soon as you finish the surprise.

00:16:06What a surprise?

00:16:07Look, Iñaki, let's leave it at that, okay?

00:16:10Because you have neither body nor head with the hangover you're carrying.

00:16:13Goodbye.

00:16:14Goodbye, goodbye.

00:16:18Look, we just lost a human being.

00:16:20I'm skipping work and I just lied to my fiancée.

00:16:23It could get worse, it could get worse.

00:16:25Man, I, for example, am bleeding out inside,

00:16:27But I don't know if anyone here cares about that, huh?

00:16:30Caperas.com.

00:16:42Has the Board's decision been made public yet?

00:16:44I think that's pretty clear.

00:16:45But if you want to stay here to celebrate my renewal...

00:16:48Why not?

00:16:49I'm not resentful.

00:16:52It belongs to the Board.

00:16:54Do you want me to close the door so they don't see you cry over your defeat?

00:17:01Draw?

00:17:02Do you want me to close the door so they don't see you cry?

00:17:04But what do you mean, a tie?

00:17:05If Mrs. Pineda withdrew her support.

00:17:07Yes, but I've moved my thread.

00:17:09And I also have to thank Lourdes for awakening ambition in me.

00:17:11You, you, you, you, don't get so cocky, you only tied, huh?

00:17:14Well then, we'll have to do another round.

00:17:16According to the statutes, ties are broken through employee evaluations.

00:17:20As?

00:17:21Do we depend on what that gang we work with thinks?

00:17:26I couldn't have said it better myself.

00:17:28Well, we're in trouble.

00:17:29Because you and I have about as much popularity here as a comb in Jamaica.

00:17:34Okay, here goes Uncle Sabino, Aunt, not Marichu here and Aunt Bego.

00:17:39Brilliant.

00:17:41Auntie, aunt, aunt, aunt, aunt, aunt, aunt, aunt, aunt, aunt, aunt.

00:17:52Oh, oh, oh, oh, oh, oh, oh, oh, oh.

00:17:55Angela, darling, if you want to say something, just say it directly.

00:17:58Because if I have to decipher it, I'll miss the wedding date.

00:18:00Please, look.

00:18:02Do you really plan to put Robert in Trigny's place?

00:18:04Oh, where do you want me to put them?

00:18:06Honey, that's the clinic table.

00:18:08Should I put them with the Basques?

00:18:10Irene, what?

00:18:11Hey?

00:18:11Irene, why are you sitting next to good old Robert from Dr. Morales's show?

00:18:14And they give me three or six [units of medication], and this nurse is all squeaky-clean?

00:18:18Yes, little girl, because I've thought

00:18:19which would be great to put next to José and Elena.

00:18:22Come on, come on, look how good it is, eh?

00:18:24Thinking about everyone's romantic future, except mine, huh?

00:18:28Carmen, man, don't you know that one wedding leads to another wedding?

00:18:31Well, please don't call me to organize it.

00:18:33Wow, how inconsiderate! Come on, come on, we're going to be like this now!

00:18:36Look, they've already set up the children's table and my whole world is back.

00:18:38Well, be careful, I still have time.

00:18:41Hello.

00:18:43Hello.

00:18:43Oh, what's going on here? Are you planning to invade Poland?

00:18:47Well, this is much more complicated than any military strategy.

00:18:52And who are the suppositories over there?

00:18:54You and your husband?

00:18:57Thank you very much, daughter.

00:18:58Oh, forgive me, Dolores, darling, it's just that I've run out of blisters.

00:19:01Well, oh, don't tell me, come on, next to Roba and Trini,

00:19:04Not even my little girl, no way, no way, and definitely not the wig.

00:19:07But, Dolores, darling, where do you want me to put you like that, right?

00:19:09Well, look, there are two holes there, you can see it perfectly.

00:19:12Why can't we be in those two slots, huh?

00:19:13Why? Why? Tell me, there are two gaps there.

00:19:15Yes, man, at the bride's table.

00:19:17Why not?

00:19:18Dolores, darling, we're friends, very good friends,

00:19:20But it seems a bit harsh to me, don't you think?

00:19:22Well, if Dolores is at your table, then so am I, eh.

00:19:24Having me at the table is an advantage all around, huh?

00:19:26because I'm very talkative, and I'm also a great conversationalist.

00:19:29Too much.

00:19:29No, don't get like that, all we want here is to help you, okay?

00:19:32Of course.

00:19:33Will you help me?

00:19:34Completely.

00:19:35Really?

00:19:36He's asking you with that little mouth of his, come on.

00:19:37Well, keep your mouth shut, at least until I finish setting the table.

00:19:42This one, right here.

00:19:44Wow!

00:19:47Look, leave me alone, okay.

00:19:52Hey, hey.

00:19:54Here.

00:19:55Trini to the support table.

00:19:57Go on, kick.

00:19:58And my husband and I, I'm going to stand here.

00:20:00No, first I'm going to eliminate people from the table.

00:20:02I'm going to go with Dr. Morales.

00:20:11Well, well, well.

00:20:13But look who we have here.

00:20:15Man, the Basque.

00:20:17What have you done now, creature?

00:20:18Did the statue of Curro Romero take you away or what?

00:20:20How do you know these two?

00:20:21Okay, so what's up?

00:20:22Are there no more police officers in Seville or what?

00:20:24No, in Andalusia we have two police officers per province.

00:20:26Here we are that clever.

00:20:28Well, we understand that you have a few more up there, because you guys tend to cause quite a bit of trouble.

00:20:32And speaking of causing trouble, what are you up to here?

00:20:34One person has already disappeared.

00:20:36Yes, we want to file a complaint.

00:20:38Okay.

00:20:39So, how much of your expression do you do?

00:20:41Phew, less four or five hours.

00:20:43Yes, seven or five hours too.

00:20:45If you forget eight, we've been around the block a lot, huh?

00:20:47No, and ten.

00:20:48Well, eight hours, right?

00:20:51Okay, okay, gentlemen, gentlemen.

00:20:54We have a lot of work to do, man.

00:20:55Why don't they come back when they have a clearer idea?

00:20:57But we can't wait.

00:20:59Look here.

00:20:59A country man wandering through the city.

00:21:02Who knows what kind of heart-shrinking and soul-crushing he will feel.

00:21:05Through the grim solitude of helplessness.

00:21:08Do you understand me now?

00:21:09What's wrong with you, Sabino?

00:21:11I got emotional, damn it.

00:21:12You're still drunk, aren't you?

00:21:14Which description does the alleged missing person match?

00:21:18He has the rugged demeanor of someone raised among olive trees.

00:21:21And the skin tanned by the harsh sun of the countryside.

00:21:24If I were a bull, I'd be a Miura.

00:21:26If it were a tree, it would be a wail.

00:21:29If I were a mountain, I would be...

00:21:30Okay, okay, okay, okay.

00:21:31We'll leave the section on descriptions in Machado's verses for later.

00:21:34I was referring to hair color, height, size.

00:21:37From a little bottle?

00:21:39Well, he has brown hair and is small and quick-witted, like a ferret.

00:21:45I have a great memory, Joselito.

00:21:47But I don't even remember the first drink from last night.

00:21:49Me neither, dude.

00:21:51I remember...

00:21:51We didn't take the car to get out of the escape.

00:21:54We all then decided to go to Seville.

00:21:56I remember that as I walked in I said,

00:21:58Look at the Giralda and...

00:21:59I don't remember badly anymore.

00:22:01Now that I'm out, we're out, isn't that clear?

00:22:03Well, if we came in today, we had to come out at some point.

00:22:06But are you listening?

00:22:07Come on, if we put the lagoons of one together with the lagoons of the other,

00:22:11We reached the middle of the shore.

00:22:12That seems like a lot to me.

00:22:14Come on, in the end I'm going to be left wondering.

00:22:16How did this bachelor party happen, huh?

00:22:18That's for sure, but hey, if you want, I'll tell you what it's like.

00:22:20the hangover of the married man.

00:22:22No, I can see that already.

00:22:28I know you.

00:22:30Of course, in this profession you meet a lot of people.

00:22:32Or maybe you're confusing me with Brad Pitt.

00:22:34It happens to me often.

00:22:36You didn't find it funny, did you?

00:22:37It happens to me often too.

00:22:38You're the same person you were last night.

00:22:40Please tell me, for God's sake, and for the Blessed Virgin Mary's,

00:22:43that we spent the night together.

00:22:44You are one of the thieves.

00:22:46What are you talking about?

00:22:46A thief?

00:22:47Did I steal them?

00:22:48They don't steal my life.

00:22:49I feel bad about taking the parsley home for free from the fruit shop.

00:22:51Well, if you took something else, mate, where did you put it?

00:22:55I swear on my sister's life that I don't know what you're talking about.

00:22:57Look, if you don't say once and for all where it is,

00:22:59I'm going to make a permanent devour of you.

00:23:01Violence doesn't lead to anything, right?

00:23:02Let's calm down and reach an agreement, okay?

00:23:04Or you tell me right now where it is.

00:23:07Or you won't forget this face.

00:23:08That's not an agreement, that's a threat, huh?

00:23:10There is a big difference in the terms.

00:23:12If you want, we can look it up in a dictionary I have there in the kitchen.

00:23:15I'll bring it, I'll be right back, okay?

00:23:16Stay put here, don't move.

00:23:18I don't remember anything.

00:23:19I don't believe you.

00:23:20Well, you're going to have to believe him.

00:23:22Yesterday was our anniversary and we spent the night together.

00:23:24Leave him alone, buddy.

00:23:25It might be someone else, and we've made a mistake.

00:23:27with one who had the same goofy face as this one.

00:23:31Let's go.

00:23:34I don't look like a fool, you know?

00:23:36Shut up and don't tempt fate.

00:23:38What did you steal last night?

00:23:39Let's see, he knows I don't remember anything.

00:23:41I don't remember.

00:23:43Let's see, last night they put a little bit of burundanga in my drink.

00:23:45Why burundanga or burundango, Rafael?

00:23:48I just hope that what you stole was more theft than crime.

00:23:55But, man, what could possibly be dead, for fuck's sake?

00:23:57Those are the rules, sir.

00:23:59And if I can't help you any further.

00:24:01Of course you can.

00:24:02Put all your agents out on patrol.

00:24:04Find a parasite, damn it.

00:24:05Yeah man, we're thinking the same thing.

00:24:06To leave everything we're doing in the city

00:24:07to look for a drunk guy who looks like a ferret.

00:24:10Come on, man, man.

00:24:11Attention to all units.

00:24:12Looking for a medallion of the Virgin of the Sleepless Nights.

00:24:14It was stolen last night under unknown circumstances.

00:24:17I will now proceed with the description.

00:24:20Gold medallion marquise

00:24:21with the image of the Virgin of the Sleepless Nights

00:24:23sculpted in the center

00:24:24and a two-tone cord, purple and yellow.

00:24:27I repeat, purple and yellow.

00:24:30Antonio, we have to go.

00:24:32Come on.

00:24:33I'm not leaving here

00:24:34until these gentlemen

00:24:35They'll track us all over Seville

00:24:36how they have become

00:24:36in a hunt.

00:24:37Yes, yes, Antonio,

00:24:38that it's better to leave.

00:24:43Rafi.

00:24:44Iñaki.

00:24:45Yesterday we really messed things up.

00:24:47Yes, yes, everything points to yes.

00:24:49We stole something from some guys

00:24:50and that apparently must be

00:24:53very important to them

00:24:54that they're looking to beat us up.

00:24:56Yes, I've found something out, Rafi.

00:24:58I'll tell you later.

00:24:59What do you mean, later?

00:24:59What have you found out?

00:25:02As far as I know

00:25:04I'm not going to let myself down.

00:25:05to my friend.

00:25:06Yes, we found it later.

00:25:07Antonio, but now it's my case

00:25:08Let's get out of here.

00:25:09Let's go!

00:25:09Ah, rib!

00:25:11Touch me, touch me,

00:25:11I think I broke it.

00:25:12Let yourself be touched and pull, go on, pull.

00:25:14Here, the only one who felt

00:25:15Apparently, last night it was this...

00:25:16Well, I don't remember anything.

00:25:17Do you remember?

00:25:20Yes, yes, exactly, yes.

00:25:23It would be to place an order

00:25:24to the home of Mr. Benito Benjumea,

00:25:28regular customer of the fluiceria, yes.

00:25:30Do you have the address?

00:25:33Great, perfect, yes, yes.

00:25:34I have the catalog here.

00:25:36Just a second, sir.

00:25:37Hello!

00:25:38Guess what I have planned for you?

00:25:41Anything with the noclele?

00:25:42Oh!

00:25:42You've always been very fast.

00:25:44Yes, she has always been very fast.

00:25:45But Dolores,

00:25:45I've been caught very busy lately.

00:25:47Sir, yes, look,

00:25:49I think 25 and 56

00:25:50They are the ones I like the most.

00:25:51It's a song I wrote for you.

00:25:53Yes, well, there are two actually,

00:25:55one of jorgorio

00:25:55and another one about love.

00:25:56Well, the budget

00:25:57It fits me perfectly.

00:25:58What should I sing, one or two?

00:25:59Number 26, the one I like.

00:26:01Yeah, man,

00:26:01I have one more than two songs,

00:26:02No. 26.

00:26:03Dolores, isn't he talking to you, darling?

00:26:05No, with you yes,

00:26:06Yes, with you.

00:26:07Don't address me formally,

00:26:08that there is trust.

00:26:09And that combination,

00:26:11How much would it cost me, more or less?

00:26:13Hey, Carmen,

00:26:13Excuse me for interrupting,

00:26:14But he has a patient

00:26:15waiting in 303.

00:26:17The 303?

00:26:17Yes, she already made that plant today.

00:26:19It will be the 203rd,

00:26:20which is the plant I haven't made.

00:26:22No, no, no.

00:26:23Gentleman,

00:26:24that's not about you,

00:26:24I don't talk about plants,

00:26:25I'm not talking about flowers.

00:26:27Girls, please,

00:26:27Can you give me a second?

00:26:29This is important, okay?

00:26:33I'll say one second,

00:26:33But let's leave it at that

00:26:34like two annoying flies.

00:26:35Yes, Carmen,

00:26:36But I don't know

00:26:37if I have to take her blood pressure

00:26:38or the temperature.

00:26:39The one from the 26th was not hypertensive.

00:26:41But what if we don't have room 26?

00:26:43Oh, excuse me,

00:26:43I say 203.

00:26:46No, sir,

00:26:47You are not...

00:26:47Oh yes,

00:26:48I don't know you very well

00:26:49what I told him.

00:26:50Carmen, just a moment.

00:26:51Do you remember the temperature?

00:26:52that this gentleman had

00:26:53overweight person we just admitted?

00:26:54I need to fill out your report,

00:26:55look,

00:26:56And that way you don't have to do it anymore, right?

00:26:5838.

00:26:59Thank you, Angela,

00:26:59thank you.

00:27:01Gentleman.

00:27:03Gentleman?

00:27:05Gentleman?

00:27:07Did they hang up on me?

00:27:08Was that what I asked for?

00:27:10Shall I sing it to you now?

00:27:12Yeah.

00:27:13Yes, yes, sing it, darling.

00:27:14While I'm going to the rooftop

00:27:16Let's see if I jump in too.

00:27:17I'll be back later.

00:27:26That's wrong, isn't it?

00:27:28I bring the chest today

00:27:29what Isabel could do here

00:27:30a grilled prawn.

00:27:31But, José,

00:27:31How can you not remember?

00:27:32Why does she have a chest?

00:27:33As...

00:27:34As if you had been ripped away

00:27:36violently a pile of chewing gum.

00:27:39For you who are,

00:27:39and watch it whenever you want.

00:27:40I don't remember,

00:27:41If I don't remember,

00:27:42Well, I don't remember.

00:27:42I've finished painting you,

00:27:43uncle.

00:27:45I have a back

00:27:45that I have taken off

00:27:46in a chincher

00:27:46and a mind of truth.

00:27:47Does it hurt a lot, buddy?

00:27:48A bit.

00:27:50But it hurts me more

00:27:50not having been able to catch those

00:27:52bastards born at night.

00:27:54Relax, buddy,

00:27:54which they certainly don't have

00:27:55that is very far away.

00:27:56But what happened?

00:27:57Was it an accident or something?

00:27:58An accident?

00:27:59A trick

00:28:01from some hooligans

00:28:02who don't know how to respect anything.

00:28:03Now, that's for sure,

00:28:04Hey?

00:28:05We have all our colleagues

00:28:06searching for them all over Seville.

00:28:07And hopefully they catch him soon.

00:28:09Especially that guy.

00:28:10The joker who said

00:28:12that thrones are better

00:28:13than the steps of Seville.

00:28:14The man from Malaga.

00:28:15Which one is from Malaga?

00:28:16Like the people in Malaga.

00:28:20Is it bad of him, man?

00:28:21I'm still watching

00:28:22the hyena face it has

00:28:23laughing at us

00:28:24before running away.

00:28:25Okay, I'm going

00:28:26physiotherapy.

00:28:30Although to get rid of

00:28:31this knot

00:28:31I'm going to need 15 sailors.

00:28:33Oh ok,

00:28:34This is going to affect him.

00:28:35What's happening?

00:28:36Staying alive.

00:28:37Although, as mentioned

00:28:38I'm also going to have

00:28:38that I remain anonymous.

00:28:44Hey,

00:28:45What if we send the medallion?

00:28:46via anonymous email?

00:28:47Ow, sir!

00:28:48We have to go to that church

00:28:49And that's it.

00:28:50Clear,

00:28:50We stood there

00:28:51and we tell them

00:28:51Hey, sorry,

00:28:52we've taken

00:28:53the borrowed medallion

00:28:53accidentally.

00:28:54What, damn it?

00:28:55That the medallion

00:28:56it is returned

00:28:56because it is sacred.

00:28:57You're kidding.

00:28:59Look,

00:28:59I have a face

00:29:00of being a joke.

00:29:01The truth is that you

00:29:02You have no shame.

00:29:02just kidding

00:29:03not even when you're joking.

00:29:04Let's see,

00:29:05thanks to the children

00:29:06that those people

00:29:06He wants to lynch us.

00:29:07The truth,

00:29:08It's worth it for us

00:29:08take risks.

00:29:09Do you want to arrive on time?

00:29:10to help your girlfriend

00:29:11about the wedding

00:29:12Or would you rather get married?

00:29:13at a campsite

00:29:13tracksuit dress

00:29:14and eating you

00:29:15A crab sandwich?

00:29:16Well,

00:29:18What a ridiculous idea

00:29:19Have we decided?

00:29:20Well, let's go to the brotherhood.

00:29:21And let God's will be done.

00:29:23Oh, well.

00:29:25That?

00:29:25What kind of mercy is that?

00:29:26No, it wasn't mercy,

00:29:27It was Izascun.

00:29:28Fuck,

00:29:28Two sides again?

00:29:30No, let's see,

00:29:31I've been chosen by both of them

00:29:32And I don't know how to say no.

00:29:33No no,

00:29:34if seeing the flap

00:29:34that you wear on your nose

00:29:36It's already noticeable.

00:29:37What you're going to get

00:29:38It's a heart attack

00:29:38as if you were figs

00:29:39with such a rhythm.

00:29:40I'm telling you.

00:29:41Tell me?

00:29:42Look, Sabino,

00:29:43that the most exciting

00:29:44that it happened to you

00:29:45be to shoot off

00:29:46of the trampoline

00:29:46from your nephew

00:29:47does not mean

00:29:47that I in this life

00:29:48cannot have

00:29:49some kind of emotion.

00:29:52Neither you nor you.

00:29:53Will you all be quiet now?

00:29:54please,

00:29:54walk?

00:29:56I haven't had

00:29:56a worse hangover

00:29:57in my life.

00:30:08José,

00:30:08He's so handsome, isn't he?

00:30:10Yeah,

00:30:11TRUE?

00:30:12With four little things

00:30:13that I've taken one out

00:30:13It's easy for me.

00:30:15Whatever you do with your look

00:30:16That's your problem.

00:30:17What matters to me

00:30:18It's your professionalism

00:30:19And I trust her.

00:30:20Oh, really?

00:30:20And in your common sense.

00:30:22That already annoys me.

00:30:22A little, you see.

00:30:23And speaking of common sense,

00:30:24I've brought you a form

00:30:26with ratings

00:30:26about my work

00:30:27managing this place

00:30:28that I would like

00:30:29that you would fill.

00:30:30Now?

00:30:31Do you know that thing about

00:30:32Don't leave it for tomorrow.

00:30:33What can you do today?

00:30:34How could it not sound familiar?

00:30:35if my father gave me

00:30:36a dessert with that phrase

00:30:37so that she would put it on

00:30:37on the headboard of my bed?

00:30:39And what happened?

00:30:40It took me six years

00:30:41in putting it.

00:30:42Well, take your time.

00:30:43But think about it, if you don't

00:30:44You risk it being Robert

00:30:45whoever runs this place.

00:30:46Oh, yes, right?

00:30:47What will the consequences be?

00:30:48You see, I don't anymore...

00:30:49I trust you, okay?

00:30:50Yes, yes.

00:30:54Hey, hey.

00:30:55Damn it, José,

00:30:55How elegant!

00:30:56makeover.

00:30:57Yes, if you come to laugh at me

00:30:58You've got me now

00:30:58just average.

00:30:59Laugh at you?

00:30:59Me in life,

00:31:00If I were people like you

00:31:01that comes from below

00:31:01I admire her

00:31:02with the ability to reinvent themselves,

00:31:03chameleon-like,

00:31:04eclectic, versatile.

00:31:05I'm not understanding you correctly,

00:31:06But if you want, you can

00:31:07give a form.

00:31:08Form?

00:31:08Which form?

00:31:09Oh, this form?

00:31:10Here, take that!

00:31:10If you're that interested

00:31:11And let me tell you something,

00:31:12Those glasses look amazing on you.

00:31:14Divine.

00:31:15Yes, yes, you're getting there.

00:31:18I don't know why I'm getting involved

00:31:19I'm not writing anything.

00:31:20speech or anything

00:31:20as if I were from now

00:31:21Peman.

00:31:22Look.

00:31:22Yes, but I think this

00:31:23It's a bit intense, isn't it?

00:31:24I just can't...

00:31:25A metaphor is missing,

00:31:26a rhythm, a rhythm...

00:31:27Hey girls!

00:31:28How's your morning going?

00:31:30Look, I've brought some pastries.

00:31:32in case you were interested.

00:31:35Oh, Trini,

00:31:36And have you thought about this other one?

00:31:37Clear.

00:31:37No way, man,

00:31:38that will have the stomach

00:31:39re orchard over there

00:31:40And you won't want them, will you?

00:31:41You're wrong, Angela.

00:31:43I bought these little cakes

00:31:44especially for you

00:31:45and the stomach

00:31:46I've got it more settled now.

00:31:47Thank you for your concern.

00:31:48Isn't that lovely?

00:31:49And there's cream.

00:31:50Sure, look.

00:31:50Look, man,

00:31:51That's strange.

00:31:52No, Angela,

00:31:53who was just passing by

00:31:55And I've thought

00:31:56I'm going to have a drink

00:31:56with people

00:31:57most important of this clinic.

00:32:02Us?

00:32:03Clear.

00:32:04Without you

00:32:05This place would be so cold.

00:32:07It's already cold here.

00:32:09Even colder.

00:32:12It is important

00:32:13that the workers

00:32:15you will be aware

00:32:16of what is valued

00:32:16your work.

00:32:17It is important

00:32:18that this clinic

00:32:19keep working

00:32:20as before,

00:32:21without any surprises,

00:32:22without insensitive people

00:32:23who are only concerned

00:32:24for their own benefit.

00:32:26It is important

00:32:27that we remain united

00:32:28for the good of the patients

00:32:29and for our own future.

00:32:32It is important

00:32:32that you fill

00:32:33this form

00:32:35as soon as you can,

00:32:36Hey?

00:32:37And give me a good grade.

00:32:39We're done.

00:32:40What's happening?

00:32:40Don't you like cupcakes?

00:32:42What I don't like

00:32:42It's the rodeos, Trini.

00:32:44Already.

00:32:45Alright.

00:32:47Girls,

00:32:47fill out that form

00:32:48And I assure you

00:32:49that your life

00:32:50at the clinic

00:32:51It will be even easier.

00:32:53Think about it carefully.

00:32:55Beautiful.

00:32:57Bye.

00:33:01People are like that

00:33:01one must think

00:33:02We're idiots, aren't we?

00:33:03Not really, Trini.

00:33:05Hello.

00:33:06It's time to toast

00:33:08with my favorite nurses.

00:33:10And steal.

00:33:11Come on.

00:33:13Pure for them

00:33:14and a fan for the women.

00:33:16Classic.

00:33:17Thank you.

00:33:18Even though I know

00:33:19more than one

00:33:19that he would smoke a cigar.

00:33:21For example, me.

00:33:22Oh,

00:33:23You have no idea how happy that makes me.

00:33:24that you've changed your mind.

00:33:25About what?

00:33:26In the part about throwing yourself

00:33:27from the rooftop.

00:33:28Oh, no,

00:33:28No, no, I've changed.

00:33:29Except they haven't let me.

00:33:30because I've been meeting people.

00:33:32I might go later.

00:33:33Okay, so what?

00:33:33Shall I sing it to you now?

00:33:34That?

00:33:35I'm not going to get away with it, am I?

00:33:36No.

00:33:38This one's for you, Carmen.

00:33:39And by Iñaki.

00:33:40And for all the guests.

00:33:42Come on.

00:33:42Thank you.

00:33:43I love you all very much.

00:34:03You know what, Dolores, darling?

00:34:05I'm talking about that jerk.

00:34:06in front of the groom

00:34:07I think it's ugly.

00:34:09No, this is just a sketch.

00:34:11Hey?

00:34:11You just can't even begin to imagine it

00:34:12because it's still

00:34:13missing three or wardrobe,

00:34:14a pony I ordered

00:34:15from an EVA foam

00:34:16with a flower bud.

00:34:17I apreciate it.

00:34:18Did you know?

00:34:19I like it.

00:34:20I like it a lot.

00:34:21And I thank you for that.

00:34:22in my heart, Dolores,

00:34:23But I don't see it as a good idea.

00:34:24that in the chapel

00:34:25So let's do these things.

00:34:26I prefer that they read

00:34:28the close friends

00:34:29and a little bit.

00:34:30But I'm a close friend, right?

00:34:32Yes, yes, you're close friends.

00:34:34are you close,

00:34:34But this is a chant,

00:34:36Hey?

00:34:36And if I let you sing,

00:34:37My sister-in-law is going to want

00:34:38to sing Sevillanas,

00:34:39Cóldo will want

00:34:39tell jokes,

00:34:40Anchón will want

00:34:41dance a response.

00:34:42That's going to look

00:34:43Your face, does it look familiar?

00:34:44You understand, right, my love?

00:34:46Okay, how do you...?

00:34:47I don't know.

00:34:48Do you remember the speech?

00:34:49that you told me

00:34:50What did you want me to write to you?

00:34:52No.

00:34:53What do you mean, no?

00:34:54It was a little while ago.

00:34:55that you wanted

00:34:56a speech on behalf of

00:34:57of the colleagues

00:34:58from the clinic

00:34:59And you said,

00:34:59It would be an honor.

00:35:00that you wrote it, Angela.

00:35:02Didn't he tell you?

00:35:03It would be awful.

00:35:04Angela, that you wrote it?

00:35:06Look, Carmen,

00:35:07I don't want to go crazy,

00:35:08who asked me for this two hours ago.

00:35:09Do you remember me or not?

00:35:10So only family members

00:35:12More intimate, huh?

00:35:13The closest family members

00:35:14And Angela, who is she?

00:35:15Is your twin sister?

00:35:15missing?

00:35:17No further questions, Your Honor.

00:35:18Good night.

00:35:20This, of course,

00:35:22He's making a mess.

00:35:23Things couldn't get any worse for me.

00:35:25Excuse me, where did we leave this?

00:35:27Well, gentlemen,

00:35:28Where is the dead man?

00:35:29This comes in the name of

00:35:30by Carmen Almonte,

00:35:32florist order

00:35:33Fleur-de-lis.

00:35:34No, no, no,

00:35:35This has to be a mistake.

00:35:36I haven't asked

00:35:36funeral wreath.

00:35:38What do you mean, no?

00:35:39Catalog request,

00:35:40Let's see, number 203,

00:35:41303,

00:35:42215,

00:35:4338,

00:35:4325,

00:35:44Should I continue?

00:35:45And the premium one,

00:35:47There we are,

00:35:48and the classic one with gerbera.

00:35:50But really?

00:35:50Was this a mistake?

00:35:52What am I supposed to do with this?

00:35:53Carmen,

00:35:53if you see it as death

00:35:54to single life,

00:35:55It'll work just as well, right?

00:35:56Angela, please.

00:35:57Gentleman,

00:35:58I had asked

00:35:58that the flowers

00:36:00will be sent

00:36:00home

00:36:01by Don Benito Benjumea.

00:36:03This is the address

00:36:04which appears as

00:36:05house of Don Benito Benjumea.

00:36:06Don Benjumea?

00:36:07He sleeps here,

00:36:08eat

00:36:08and receive people,

00:36:10but...

00:36:11in my town

00:36:11We call that

00:36:12home.

00:36:13Can you give me your signature?

00:36:14But, sir,

00:36:15How am I supposed to sign?

00:36:16This is truly a mistake.

00:36:18Here we are.

00:36:18This is a mess.

00:36:20Ah, and that's why

00:36:21You speak it

00:36:21with the orders.

00:36:22I'll upload the rest now.

00:36:23And I'm leaving.

00:36:24Further?

00:36:24I have some gladioli

00:36:25in the van

00:36:26that won't be of any use to me

00:36:27nor to procure,

00:36:27with God.

00:36:28Oh, God.

00:36:30Angela,

00:36:31So what am I supposed to do with this?

00:36:33But, look,

00:36:34So be positive.

00:36:34because I'm sure

00:36:35that Arian dies

00:36:36throughout the day,

00:36:37Carmen.

00:36:37Well, yes.

00:36:39For example, me.

00:36:40Well, I'm going to give myself what I need.

00:36:45Let's see

00:36:45if these little chapels

00:36:46Do they know anything about the little bottle?

00:36:47hey.

00:36:47They might be holding him hostage.

00:36:49until we return them

00:36:50his relic.

00:36:50Damn, hairy.

00:36:51Since you see

00:36:51Imperfect Crimes

00:36:52You're a creative.

00:36:53But then,

00:36:54What do we do with the medallion?

00:36:56Shall we knock on the door?

00:36:57Or do we put it in the mailbox?

00:36:58You're a fucking idiot.

00:37:00We called, Joe.

00:37:01No, that won't be necessary, okay?

00:37:04Those two!

00:37:05Damn, what a bunch of snobs, huh?

00:37:08Relax.

00:37:09We are friends.

00:37:10And we have the medallion.

00:37:13Hey, Ancho, they're not sius.

00:37:14Okay, first of all.

00:37:15I haven't seen my buddy around.

00:37:16A true Christian,

00:37:18faithful, good companion.

00:37:19No.

00:37:20We here

00:37:20We haven't seen anyone.

00:37:23Give us back the medallion.

00:37:24So what am I supposed to do with this?

00:37:26Hey?

00:37:52Sabino, three-point basket.

00:37:53Clean, without touching anything.

00:37:57Holy shit!

00:37:59Hey, and here are three women

00:38:01among the parishioners.

00:38:03I have it here.

00:38:03Okay, here goes, auntie.

00:38:05Not equally, brave one!

00:38:06Not equally, brave one!

00:38:08Not equally!

00:38:11Not equally!

00:38:31Well, it's about time.

00:38:32A little while longer here, still for today.

00:38:34They sing me a saeta.

00:38:37Excuse me, I was in a terrible mess.

00:38:39Now it's very important that you stay relaxed.

00:38:41and keep your eyes closed.

00:38:45But why is that?

00:38:46What do the eyes have to do with the back injury?

00:38:48Well, a lot, a lot.

00:38:50I don't know if you know that there is a nerve

00:38:52that connects the lumbar region.

00:38:54With the eye area.

00:38:56And relax, always looking towards the wall.

00:39:00Towards the wall, not the physiotherapist.

00:39:02To the wall.

00:39:03Well, well, what about you and that accent?

00:39:04Italian or Galician?

00:39:07Galician.

00:39:08I like pasta, but I prefer barnacles.

00:39:11Well, well, with that accent and that thing,

00:39:13I don't know, you have a rather strange technique.

00:39:15It's a technique I learned in the Ríos Baixas region.

00:39:18You have no idea how many barnacle harvesters I've cured with this.

00:39:21as well as ocean waves.

00:39:23Okay, so is this technique going to take a long time or what?

00:39:25Okay, relax, relax and look over there.

00:39:27No, no, I don't want to relax.

00:39:28What I want is for you to solve this problem for me.

00:39:30to go and find those wretches

00:39:33who have taken the brotherhood's medallion.

00:39:36What? Well, let's buy him another one, shall we?

00:39:39What are you saying?

00:39:40Man, they've taken away what's most sacred.

00:39:41that hangs from the most...

00:39:42Oh, the most sacred thing!

00:39:45Damn, huh?

00:39:46And out of curiosity, you know?

00:39:48What else did those kids do?

00:39:51What do you mean they did it?

00:39:52But what are you saying?

00:39:54You're putting your word on it, kid.

00:39:55No, man, relax, relax!

00:39:58You're just tense up for the sake of tense up, aren't you?

00:40:00His neck is getting stiffer

00:40:01than the feet of a pilgrim.

00:40:04Oh, oh, oh!

00:40:19Oh, oh!

00:40:21Ugh, Angela, please!

00:40:23What's happening?

00:40:24Do you not have faith in the clinic's care either, or what?

00:40:27Can you tell me why she's in the nurses' station?

00:40:29filled with funeral wreaths?

00:40:31Fill up, fill up, fill up, fill up!

00:40:33Neither!

00:40:34Let's see if yesterday's incidents

00:40:36They're doing double duty on you.

00:40:37I wonder if I'll start seeing your mistakes twice too.

00:40:40Look, please take all this away from here,

00:40:41But please, don't take it out through the terminal plant.

00:40:44Okay.

00:40:47Oh, and...

00:40:48Since I'm not opening a case against you for this,

00:40:51Remember that from my assessment.

00:40:52Uh-huh.

00:40:53Okay?

00:40:54Bye.

00:40:58Unfortunately, his mother.

00:41:00Yes, yes, yes, Don Pascual.

00:41:02Yeah.

00:41:03Is everything organized yet?

00:41:05Yeah.

00:41:06One question, Don Pascual.

00:41:08Have you had a lot of burials lately?

00:41:12No, no, no, no, not at all.

00:41:15Well, I'll see you soon, okay?

00:41:17God be with you, Don Pascual.

00:41:21Tell me that's Trini who just came out.

00:41:24And tell me, please, that he hasn't seen a single crown.

00:41:26Man, I'm sorry, you know?

00:41:28But the only crown he hasn't seen is the one on my molar.

00:41:30Hey, don't worry, she's just being nice today.

00:41:33Already.

00:41:35Well, you know what?

00:41:36Not even my charm will fix my day today.

00:41:42No, I can't take it anymore.

00:41:43I think my internal hematoma is getting bigger.

00:41:45Look, your nonsense is getting bigger, Anchor.

00:41:48Hey, you're fine, I've checked you thoroughly.

00:41:49Yes, in some bushes that I haven't been able to nestle on the ground.

00:41:51Well, you're going to a private school.

00:41:53Cábez, now, damn it!

00:41:54Damn, if the bearers don't have Frasquito,

00:41:56It has to be somewhere, right?

00:41:58Papelón, papelón is ours.

00:42:04Look!

00:42:06But what is that, huh?

00:42:07Don't find lamps.

00:42:08What are you doing, Antonio?

00:42:09Antonio, please.

00:42:10Damn, it's Frasquito's cap, can't you see it?

00:42:13FP.

00:42:13What does that mean?

00:42:14I don't know why he doesn't have the higher degree.

00:42:16No, damn it!

00:42:16Are those Frasquito's initials?

00:42:18Francisco Pancorbo, damn it!

00:42:20They could also be someone else's initials.

00:42:22Fernando Portillo, Fabio Parra...

00:42:24Sabino, do you want to stop?

00:42:25And he gets a coffee.

00:42:26Or better yet, six.

00:42:27Antonio!

00:42:28Antonio, for God's sake!

00:42:29What's coming?

00:42:30The Civil Guard.

00:42:31Or worse, the band of porters.

00:42:33Oh my goodness!

00:42:34It's Carmen Silencio.

00:42:35I ask you, please.

00:42:36Francis!

00:42:39Carmen.

00:42:40Iñaki.

00:42:41I need you.

00:42:43And I love you too, Maytía.

00:42:44How nice of you to call me to say that.

00:42:46Yes, nice.

00:42:47No, I need you here and now.

00:42:49Look, Iñaki, I admit that for some things, look, yes, I am good.

00:42:52But not for organizing.

00:42:53It's getting out of hand.

00:42:55She doesn't know what you're getting into...

00:42:55Yes, yes.

00:42:56Look, I'll be there in half an hour, okay?

00:42:58Yeah?

00:42:59Thank you.

00:43:00Goodbye, my aunt.

00:43:04Antonio, Antonio.

00:43:05Where are you going, please?

00:43:06The end of the world if necessary for a friend, man.

00:43:08Okay, Antonio, listen to me for a moment.

00:43:11Frasquito is probably sleeping off his hangover on some park bench in Seville.

00:43:15What do you mean, no, damn it?

00:43:16Frasquito knows how to drink better than all of us put together.

00:43:18Given what we've seen, I don't know if that's much of a guarantee, eh?

00:43:20Oh, damn it, I told Carmen we were going to the clinic and we don't know where Frasquito is, where is he?

00:43:24the car.

00:43:25I'm coming, I'm coming, what's the rush? I'm in the bathroom and when you're on the toilet, well, you have

00:43:29that be...

00:43:29Small bottle.

00:43:30No, Euterio will do.

00:43:32Hey, the Basques!

00:43:34I am a respect, that one falls.

00:43:35Hey, hey, wait.

00:43:36Do you know us?

00:43:37Well, how could I not know you guys?

00:43:39But you almost ran out of stock, of everything, huh?

00:43:43Come on, you guys mixed more than a DJ.

00:43:47A dark-skinned, lean, wiry man with a sharp gaze was with us.

00:43:51We're here, we're here, what is it?

00:43:53What did this cap leave on top of the bottle, huh?

00:43:55No, but I remember they came with a guy from Malaga who bet on getting his chest waxed in a bet.

00:44:00José.

00:44:00Oh, and a blond man from Seville who was speaking emotionally to the perch again.

00:44:05How is that possible?

00:44:06Well, by climbing onto the chair, because the chest plate is quite high, isn't it?

00:44:09How is it possible that we don't remember anything?

00:44:11Well, I'll help you, I have a video.

00:44:13Hey?

00:44:14A video of what?

00:44:15Look, look, it already has 20,000 visits, let's see, let's see.

00:44:22It's me, isn't it?

00:44:23Come on!

00:44:30Hermen!

00:44:33Well, I don't know if you fixed her brown hairs or broke her neck.

00:44:35But at least they didn't recognize me.

00:44:37What nonsense, Joselito? What did we do to them?

00:44:39Apparently, he stole a relic, I don't know what the deal is.

00:44:42Steal a relic?

00:44:43Us?

00:44:44But what are we going to do now, Indiana Jones?

00:44:45And wasn't that the worst thing we did to him?

00:44:47But is there anything worse than stealing a relic, kid?

00:44:49How should I know?

00:44:50Sacrificing a goat in a satanic ritual?

00:44:51What does Rafi do?

00:44:52Didn't I just stay there chatting with the kids either?

00:44:54I left as soon as I could.

00:44:55Look, I think it's best if they don't see us together.

00:45:01José.

00:45:05Yes, the form issue.

00:45:09You've forgotten.

00:45:10Do you remember what I told you about that post my father gave me?

00:45:13Yeah.

00:45:14Well, that's how it is all day, daughter.

00:45:15But come on, José, what are you thinking?

00:45:18Don't you think the future of this clinic is important?

00:45:22Well, what I think is important is that we workers come in strong,

00:45:25eager to live, eager to face the challenges that come our way.

00:45:29No, no, yes, that seems important to me too.

00:45:32That's why I say that maybe an hour for breakfast would be a good idea, huh?

00:45:36Because it's the most important meal of the day.

00:45:38I'm not the one saying it, nutritionists are.

00:45:40Yes, the nutritionists.

00:45:43And I imagine you'll also want to stop for afternoon tea.

00:45:47Well, look, I hadn't thought about it, but I've been told that tea is an antioxidant.

00:45:50Come on, José, you're not serious, are you?

00:45:53Man, as seriously as you're asking me to fill this out.

00:45:58Well, on second thought, an hour seems reasonable to me.

00:46:01And another thing, the coffee we have there in the break room is pretty awful, huh?

00:46:05No, if you like, I'll make you a coffee on the rooftop.

00:46:09Okay, okay, I'll see what I can do.

00:46:11That's the spirit, Trini.

00:46:12So, can I count on your vote?

00:46:14And can I count on a parking space for my motorcycle?

00:46:16You're not going to stop, are you?

00:46:17I'm on my break, Trini.

00:46:20Okay, but promise me you'll vote for me.

00:46:23I swear to you, Trini, I swear on my mother's life.

00:46:25Okay, I'll get started now, look.

00:46:29We observe.

00:46:33I swear to you, Robert.

00:46:35You free me from having to fill out a form on Fridays and I'll fill this out for you.

00:46:37But I'm sure I can count on you, right, José?

00:46:40I swear to you on my mother, may she rest in peace.

00:46:44But your mother is not dead.

00:46:46So what? Does that mean she can't rest peacefully?

00:46:53Well, there's your bull, Anchón.

00:46:56No, no, it wasn't a bull.

00:46:57I must have bumped my head on a chair corner, but I'm better now, okay?

00:47:00Hey, the little bottle doesn't appear in the video then, right?

00:47:03No, the video only shows Anchón and what little dignity he has left.

00:47:07Well, you did lose a little bit of dignity, didn't you?

00:47:09But they were noble people, weren't they?

00:47:10Man.

00:47:10That you came to pay the debt.

00:47:12Hey?

00:47:13What debt, damn it?

00:47:15Invitation.

00:47:16You said you were inviting everyone present for the next round.

00:47:19Then you disappeared.

00:47:20But I knew you'd pay for it again.

00:47:22Hey, were there any women among those present?

00:47:26Oh no, no, son.

00:47:27What more could you want?

00:47:28And here, what do you control about Seville?

00:47:31How many bars are there around here, more or less?

00:47:33I don't know, Coldo, I don't know.

00:47:34Let's see, approximately.

00:47:36Well, between bars and restaurants.

00:47:38Ah, five, okay.

00:47:39Five thousand.

00:47:41That?

00:47:42Five thousand?

00:47:43Are there five thousand bars here?

00:47:44And out of all of them we had to choose this one.

00:47:47Damn, we're so unlucky.

00:47:49Coldo, don't get upset, or you'll miss your pitch.

00:47:53It's over.

00:47:54What is owed?

00:47:55500 euros.

00:47:56That?

00:47:58Will the bachelorette party cost more than the wedding?

00:48:00Antonio Tijuja is killing me.

00:48:01And what about me?

00:48:01Well, you'll have to forgive me, but I only have 10 euros and the coin I keep, I remember.

00:48:10Well, I'm sorry, but we don't have 500 euros.

00:48:14Well, you have to pay me.

00:48:16That's just how it works here.

00:48:17I'll give you something to drink.

00:48:19You pay me, and if you don't pay me, then I'll call the police.

00:48:23No, no, no, no, no.

00:48:23Not the police.

00:48:25Now here's the cashier.

00:48:26Ah, of course!

00:48:27Hey, hey, hey!

00:48:27Where are you going, where are you going, where are you going?

00:48:29What do you think?

00:48:29Am I stupid or what?

00:48:30At least three of them will stay here, under warranty.

00:48:33Yeah.

00:48:33But I say, let's go.

00:48:34Hey, Iñaki, watch out, but come back for us, okay?

00:48:38Already.

00:48:39Oh!

00:48:41Oh!

00:48:41Hey, hey, hey!

00:48:42Hey, hey!

00:48:43Hey, hey, hey!

00:48:43Already!

00:48:47Dolores, with all the mess they've charged me for the wreaths, and not only have they charged me,

00:48:51that they won't give me my money back.

00:48:52And not only do they not give me back my money, but they don't even take her away from the hospital.

00:48:55Can you believe it?

00:48:57My goodness, I'm going to tell you something, Dolores.

00:48:59However things go with Iñaki.

00:49:00The one who is here will never go home again.

00:49:02Oh, how awful.

00:49:05Dolores, Dolores, are you listening to me?

00:49:08Oh, sorry.

00:49:09Is it me?

00:49:10Clear.

00:49:12Dolores, are you still really angry?

00:49:15No, woman.

00:49:16No way, the only thing I don't understand is why you're talking to a stranger like me.

00:49:21Dolores, you're not a stranger, okay?

00:49:23Oh, forgive me, I didn't mean to hurt you.

00:49:26You're not hurting me, little girl.

00:49:27If we were friends, then fine, but since that's not the case, I don't care at all.

00:49:32Dolores, we're friends, very good friends, okay?

00:49:34And I need you, I need you to help me get all the crowns out of here.

00:49:38If Trini sees me, I'll be in deep trouble.

00:49:40I see.

00:49:41Now you need me.

00:49:43I need you now and I need you always, okay, Dolores?

00:49:47I love you.

00:49:48But please understand, I don't think a song about

00:49:53a cocoon.

00:49:55Look, it's done.

00:49:57Let's stop this nonsense, please.

00:49:58Because if the problem is that you don't like the song, just tell me and that's it.

00:50:02You don't like the song, and that's okay.

00:50:03Because we are both mature enough and I have the capacity for self-criticism not to get angry about that

00:50:09kind of things.

00:50:10But please, Carmen, be honest with me.

00:50:15I don't like the song.

00:50:18Do you think that's really intense, auntie?

00:50:21You despise my talent like that, come on.

00:50:23But, Dolores, darling, you didn't tell me to be sincere.

00:50:26Yes, but not that much.

00:50:27Look, just so you know, if I go to your wedding it's not because of you, okay?

00:50:29It's because I bought a dress that really suits my style.

00:50:32It's certainly brave of you to ask me for help now, after having shown me this contempt, and then on top of that, I'm writing you a song.

00:50:39One-of-a-kind, just for you, and for nothing.

00:50:40Let's see what fault it is of mine that I call unopened flowers buds.

00:50:45Don Loret.

00:50:56Damn, Peyo, at this rate they're going to accuse us of stealing the Calixtinus codex.

00:51:00How could we have messed things up so badly without remembering anything?

00:51:04Peyo, that woman is looking at us.

00:51:06Now he's going to try to beg us?

00:51:08Yes, and she's armed with her gun, no kidding.

00:51:11Peyo, you over here.

00:51:13I?

00:51:14How many hairs are there in Seville?

00:51:16Excuse me, but I think there's a mistake.

00:51:18Your name is Peyo, right?

00:51:19Uh, yes.

00:51:20And you're here?

00:51:21Yes, but...

00:51:22So the only mistake was that we didn't spend the night together.

00:51:27That?

00:51:31What are you saying?

00:51:33That there has been a remote possibility.

00:51:37Remote.

00:51:37You and I...

00:51:39Don't you know how many things we could have done?

00:51:42Do you really not remember anything?

00:51:44You must have a very busy sex life to forget it.

00:51:47Yes, that's exactly it.

00:51:49Poor thing, it's beautiful.

00:51:49Yes of course.

00:51:50How obvious is it that your love life isn't at stake?

00:51:52It is precisely my love life that is at stake.

00:51:54You really screwed me over.

00:51:56You told me you were married to your crew and didn't have time to dedicate to anyone else.

00:52:01Did you tell me that?

00:52:02What were you thinking about?

00:52:03Clearly, I wasn't thinking about anything.

00:52:05José, how can I be so useless?

00:52:07Look, that's what I thought, yes.

00:52:09No, for once I'm telling her she's beautiful, because she is beautiful, beautiful.

00:52:12And I don't remember anything.

00:52:14Well, since you remember things.

00:52:16Yeah.

00:52:16Do you remember if a dark-skinned, thin, rough, wiry guy came with us?

00:52:20Oh yes, a very funny one.

00:52:22Like in the countryside.

00:52:23Yeah.

00:52:24Little boat?

00:52:24Little bottle!

00:52:25That!

00:52:26I remember you were going to get a tattoo together.

00:52:28Where?

00:52:28Up the ass.

00:52:31Where? In which neighborhood?

00:52:32You didn't mention that, but the tattoo parlors are in the Macarena area.

00:52:36Okay, let's go.

00:52:37Do you believe in second chances?

00:52:46No.

00:52:50I deserve it.

00:52:52You deserve it.

00:52:54Married to the gang, married to the gang.

00:52:58Yeah.

00:53:03Good.

00:53:04Oh my God.

00:53:06Carmen.

00:53:07Do you really think you can walk around a clinic with that?

00:53:09Look, how true.

00:53:10I'm sorry, Trini.

00:53:11Honey, you're right.

00:53:12But I have no other way to get it out.

00:53:13I take it out like this and wear it as a tiara.

00:53:15Already.

00:53:16So, how's it going?

00:53:16It's been going on all day.

00:53:18Good.

00:53:19Very good.

00:53:19As usual.

00:53:20Oh, Trini.

00:53:21Come on.

00:53:21There.

00:53:22Where is Trini from last night?

00:53:23And the Trini I know from college.

00:53:25And who is this Trini?

00:53:27Well, Trini relaxes and talks about the good and bad things too.

00:53:32What did I tell you yesterday, Carmen?

00:53:34Robert wants to take your address, right?

00:53:37Look, honestly, I don't know who told me to drink.

00:53:41Did I cry, Carmen?

00:53:42That's very pathetic.

00:53:43Tell me the truth.

00:53:44A bit.

00:53:46Oh, how embarrassing.

00:53:48Well, luckily I always carry my waterproof mascara with me.

00:53:52Trini, the Rimmel.

00:53:53And to your friends.

00:53:55You forget, little girl.

00:53:57Come on.

00:53:58Give me the form, okay?

00:54:00Yeah?

00:54:01Clear.

00:54:02But please, I ask that this stays between us, because I also have to maintain my reputation.

00:54:07Thank you.

00:54:09And right now I want those crowns out of here, Carmen.

00:54:12Yes, boss!

00:54:15What's happening?

00:54:16What's wrong, Carmen?

00:54:22What's happening?

00:54:24Bye bye.

00:54:25Yeah.

00:54:28Look, there's nothing new at the moment.

00:54:31And did I cry?

00:54:31300.

00:54:33One?

00:54:33400.

00:54:34Doesn't it work?

00:54:35Bust.

00:54:36500.

00:54:36And the tip?

00:54:37But not top fist, which one would I prefer?

00:54:39Let's see, let's see.

00:54:40Let's think about it for a bit.

00:54:41So, why don't we go to the Macarena?

00:54:42We know that Frasquito was there with us, right?

00:54:44It's true.

00:54:45Well, let's go already, damn it, we're running out of time.

00:54:48Come on.

00:54:51Yes, yes, yes.

00:54:53Well, and that's it.

00:54:55Yeah.

00:54:56TRUE?

00:54:57No way, Izasco.

00:54:58And if he sees me with this on my nose, he's going to think I'm having a midlife crisis.

00:55:02You're with two women at the same time.

00:55:04Rather than a midlife crisis, I would call it a moral crisis.

00:55:07And when you're right, I'm good at it.

00:55:15But these tapas are worthy of the buoy, Isabel.

00:55:18Seriously, you're a real whiz in the kitchen, aren't you?

00:55:20Ignore it, Isabel.

00:55:21All you want is for me to vote for him in the tiebreaker.

00:55:24Oh, no.

00:55:25Don't involve me in your affairs.

00:55:26I don't have to suck up to anyone to win points, Trini.

00:55:29That's why, if I promise Isabel that her daughter will have a free pediatrician until she turns 30,

00:55:35I am chosen,

00:55:35I do it selflessly.

00:55:37Oh really, Robert, I think it's very low of you to use a child to get what you want.

00:55:42I would never do that.

00:55:43What I would promise Isabel was a completely free, revolutionary treatment to eliminate varicose veins.

00:55:51I don't have varicose veins.

00:55:52Still.

00:55:53So, you're offering me free treatment for something I don't have.

00:55:57If you don't know how to manage this, how can you manage a clinic?

00:55:59Well, Isabel, it's only a matter of time before you get varicose veins.

00:56:03You're working on your feet all day and it's obvious your legs are swelling and

00:56:07One thing leads to another.

00:56:08Ah, so besides having varicose veins in the future, I have swollen legs.

00:56:12Well, woman, at your age it's normal, isn't it?

00:56:15And what do you think my age is, Monica?

00:56:19He doesn't know, he doesn't know.

00:56:20Can't you see that he doesn't care about his employees?

00:56:22On the other hand, I know that what you'd really like is a good dietician to help you

00:56:26lose weight.

00:56:27And all at the clinic's expense, of course.

00:56:29Are you calling me fat?

00:56:32You know very little about female anatomy, Robert.

00:56:34No, there are few things they know better.

00:56:36But don't you realize that Isabel, no matter how many dieticians she hires, will continue to accumulate?

00:56:40fat around the waist.

00:56:41Come on, it seems like a complete waste of time and money to me, you know?

00:56:44What's going on? Have you set out to ruin my day?

00:56:51There you go! You have my ratings.

00:56:53And now? Air, air!

00:56:54I have a lot to eat.

00:56:55What should I do?

00:56:58Come on!

00:56:58The pen.

00:57:02I'm fat.

00:57:04Bravely.

00:57:12Well, I don't know, does it ring a bell?

00:57:14Do you remember being here?

00:57:15Nothing for me.

00:57:16Look, you tell me we've been to carnivals in New Orleans and I believe you.

00:57:19That doesn't help Pello.

00:57:20I don't remember anything either.

00:57:21At most, a street with white houses, flowers on the balconies and some ochre color.

00:57:26Ah, that helps a lot, Ancho.

00:57:27Damn, we're in Seville, for crying out loud.

00:57:29That?

00:57:29You don't discuss it anymore.

00:57:29Damn.

00:57:30With each passing moment, my little strip is getting more lost.

00:57:32Damn, we're the ones who are lost.

00:57:34I don't even know where I am.

00:57:36That's where they put the piercing, damn it.

00:57:39Now I remember, of course.

00:57:40You, Valdés.

00:57:41Yes, I don't know, maybe.

00:57:42Damn, Franjito might be in there too.

00:57:44And what is he doing there?

00:57:45Tattooing your Chinese dragon?

00:57:46Ah, well it must be a very long dragon.

00:57:50I was going there last night.

00:57:51I'm going in to see if they can get rid of this crap.

00:57:53Yeah.

00:57:55And I hope we didn't get the urge to invite someone over for a round of tattoos.

00:57:59I know I've got the wrong number.

00:58:01I'd like to see you try to organize your wedding alone in a hospital.

00:58:04While her future husband is with his father-in-law, who is my father.

00:58:06And I don't know where it is, to be honest.

00:58:08It's a girl.

00:58:09Clear.

00:58:10But on top of that...

00:58:11How can you leave the flower here?

00:58:12On top of charging me for it, you want to leave it here.

00:58:14Please, ma'am.

00:58:16No, no, no.

00:58:17I have a lot of patience.

00:58:19Carmen.

00:58:20Thank you very much, ma'am.

00:58:22What the hell does Rafa want?

00:58:23One little thing?

00:58:24And what do you want me to ask you?

00:58:26Why is it strict?

00:58:27Well, I'm very busy.

00:58:28Look, honey, there are some people with a tent on the terrace.

00:58:32As?

00:58:33Rafa, please, when you say carp, tell me you mean a fish.

00:58:49Obviously, baby, this is the other exception of carp.

00:58:57That?

00:58:57How did it go?

00:58:58Wow, great, let's go.

00:59:00A professional, huh?

00:59:01He took it from me and I didn't even realize it.

00:59:02No, no, I mean Frasquito.

00:59:04Ah, not a trace, listen.

00:59:06I'm starting to fear it will get worse.

00:59:08Well, the truth is that Charlie, the tattoo artist, remembers all of us, except for himself.

00:59:13But then, Frasquito never arrived here.

00:59:15That means we must have lost it on the way from the bar to where we are.

00:59:19Okay, okay, there are only two ways to get here.

00:59:23One way along the street we came from and the other along the parallel street.

00:59:26Well, that's it then, Frasquito must have gotten lost on the parallel street.

00:59:29Elementary, my dear Peyo.

00:59:31Okay, so who is it now?

00:59:33Piedad or Izasko.

00:59:35Your mother, Peyo.

00:59:37Tell me, damn it, that in a couple of hours it will be night, that makes the search more difficult.

00:59:40Let's go, damn it.

00:59:41Well, look, this isn't the countryside, Antonio.

00:59:43There are streetlights here.

00:59:44Wind.

00:59:45Hey Sabino, would you mind taking a look at my ass for a moment?

00:59:48One ass and one minute.

00:59:50Look, I'm going to pretend it didn't work out for you.

00:59:52Okay.

00:59:53Yes, yes, yes, yes!

00:59:54Where are you going?

00:59:55Stop, stop, stop, stop.

00:59:56But he hasn't asked for a demonstration.

00:59:58A demonstration, sir.

00:59:59I wanted, I don't know, a DVD or a YouTube video, but not this.

01:00:01I'm going to set up a tent here at work.

01:00:03Guys, guys, guys.

01:00:04Forget that, this isn't what it's supposed to be.

01:00:06Whatever you want, okay?

01:00:07But we still have to get paid.

01:00:09Sir, how are you going to charge me?

01:00:10I haven't asked you for anything.

01:00:12It's up to you, but we still have to charge.

01:00:14Don't you know how to say anything else?

01:00:16Yes, when we get paid we say thank you.

01:00:18Leave it.

01:00:19Whatever they want, they shouldn't leave the tent.

01:00:21We absolutely have a circus, clown included.

01:00:23Yes, the beast is here too.

01:00:25Ah, well, be careful, because the beast might just take a bite out of you.

01:00:28Excuse her, she's had six or seven coffees.

01:00:30Honey, calm down, I'll take care of it.

01:00:32You can't take care of it.

01:00:33Look, let your older brother deal with that like a man.

01:00:37Hey, hey, how much is this?

01:00:40Six hundred euros plus transport costs.

01:00:42Can't.

01:00:44But what's going on here?

01:00:46Don, it's smoking me, what's not happening?

01:00:48What is it that doesn't happen?

01:00:49Am I a disaster?

01:00:50Okay, calm down, what's the problem?

01:00:53Well, the problem is me, I'm not good at doing these things.

01:00:55And everything is a mess, except for the boyfriend, who hasn't come either.

01:00:58Well, we...

01:01:00We still have to get paid.

01:01:01Okay, so tell me how much it is.

01:01:04Six hundred plus transport costs, that is, seven hundred euros.

01:01:07My dear son, did you come by plane?

01:01:09Gasoline, which has gone up a lot.

01:01:10Yes, and what has it gone up, sir, in the last ten minutes?

01:01:13Okay, okay, okay, calm down.

01:01:15I'll pay it anyway, okay?

01:01:17Come on, and remove this immediately before the girl goes into post-traumatic shock.

01:01:22Yes, post-traumatic, traumatic, and pre-traumatic.

01:01:26Come on, do you trust me?

01:01:27Man, in you more than anyone else.

01:01:29Chick.

01:01:29Ah, you shut up, brother, because this morning he left me in tatters.

01:01:32Well, I know the person who's going to be in charge of your wedding.

01:01:35Oh, really? Who?

01:01:37A protocol expert who won't let you down.

01:01:40Thanks a lot.

01:01:41What do you know?

01:01:41I want a simple wedding.

01:01:43A wedding without much fuss.

01:01:46You understand me, right?

01:01:48I'm also thinking of dressing all the women in dark gray.

01:01:51forming a sort of arch shape at the entrance

01:01:53And as the men dressed in sky blue pass by,

01:01:56Let Total Eclipse or The Heart by Bonita Aguilera play.

01:01:59Once inside, we put the panda bear which gives it a very exotic touch.

01:02:02Besides, I have a friend who owns a private zoo who I'm sure will let me use it.

01:02:05Dad, you weren't wrong to choose me to organize the wedding.

01:02:09You're going to end up in a private zoo,

01:02:11unless you strictly adhere to what I have asked of you, Christopher.

01:02:15Man, I...

01:02:17Simple, I don't see it.

01:02:19Well, I've ruled out ice tattoos,

01:02:20The chocolate fountain I find, come on, this isn't easy, for God's sake.

01:02:23Your definition of simple says a lot about how badly I've raised you and your sister.

01:02:27Listen to me, listen to me.

01:02:30Then, with fireworks,

01:02:33on behalf of the couple.

01:02:38Carmen and Iñaki.

01:02:41Well, in this case it would be with him, wouldn't it?

01:02:45Carmen and Iñaki.

01:02:46Iñaki?

01:02:47What do you say like that in Basque?

01:02:49Hey, I'm going to write that down because these local details are highly valued.

01:02:53Note from you.

01:02:54Carmen and Iñaki.

01:02:55With E.

01:02:56Iñaki.

01:03:05Oh, thank goodness, because I was already missing the old José.

01:03:09The usual José miraculously escaped today, so I'm going to celebrate.

01:03:12What's scarier than a Gresli in an automatic car wash?

01:03:14Not every day does one escape death.

01:03:16Here, a little gift for you.

01:03:17Oh.

01:03:23You?

01:03:24Are you from Malaga?

01:03:26Me, from Malaga?

01:03:27No, I'm from A Coruña.

01:03:29Well, from a small village nearby.

01:03:30Stop talking nonsense.

01:03:32You are the Malaga thief.

01:03:34Well, look, yes.

01:03:35No, I mean I'm from Malaga, but I'm not a thief.

01:03:40Maybe so, actually.

01:03:41I just don't remember anything.

01:03:42Well, I'm going to refresh your memory.

01:03:44Okay, look, whatever, but make it quick, okay?

01:03:46Because I have a terrible hangover.

01:03:47If you're going to hit me, then go ahead and hit me.

01:03:48It hurts, doesn't it?

01:03:50The way her neck is, I'd hit it with the other one.

01:03:53And don't lift it so high.

01:03:55That ultimately counteracts the trapeze, I'm telling you.

01:03:57So, what do I do?

01:03:58Anything, just make sure your neck isn't stiff.

01:04:00Of course, this puts a lot of strain on the calvarium; it becomes tense.

01:04:02more than to go rigid in Sabéigana.

01:04:03Look, I'd better hit my friend.

01:04:05I?

01:04:05Yes, you hit him. For you and for me.

01:04:07But, man, that's how it is when you look at it objectively, isn't it?

01:04:10Okay, this is going to be over quickly, I've made plans, okay?

01:04:13Well, I have a better idea.

01:04:15No, no, no, we're not going to hit you.

01:04:17No.

01:04:18Look, of course, man, it's Holy Week, right?

01:04:20It's a time for forgiveness, isn't it?

01:04:22But, in return, you're going to do us a small favor.

01:04:30Little one.

01:04:31But there's no brand, is there?

01:04:33No, no, no.

01:04:33Listen, you must have seen it.

01:04:35Hey?

01:04:35Yeah.

01:04:35She was gorgeous.

01:04:37And I tell him no.

01:04:38Now you tell me what the chances are of something like that happening to me again.

01:04:42Well, the same reason why all women in the world should grow gills.

01:04:45Coldo, Coldo, isn't that your rental car?

01:04:48Here it goes.

01:04:48Well, it's going to happen, yes.

01:04:49Yeah?

01:04:50Damn, it's fragile in there.

01:04:51Uh, well...

01:04:54Ah, Antonio, Antonio, this is not the time to make excuses.

01:04:57They're coming to lynch us.

01:04:59How's the key?

01:05:00I can't find it.

01:05:01Come on, go on, go on.

01:05:02No, damn it, I'm tying the kiss.

01:05:03No, not everything is at risk.

01:05:04No, no, not that either.

01:05:05Open, open, open, open!

01:05:07You're stepping on it!

01:05:09Come on, come on.

01:05:10Come on!

01:05:11Open!

01:05:12Go!

01:05:12Open!

01:05:13Open!

01:05:14Open!

01:05:15Open!

01:05:16Open!

01:05:18Open!

01:05:19Open!

01:05:22Open!

01:05:24Let's go, let them want to!

01:05:25Let's go, let them want to!

01:05:26Let's go, now!

01:05:30Let's go, now!

01:05:31Let's go, now!

01:05:32Let's go, now!

01:05:33Let's go!

01:05:33Let's go, now!

01:05:39How many do you have?

01:05:4023.

01:05:41Ha!

01:05:41I am 24.

01:05:43As?

01:05:46Robert, please, Dr. Gonzalez retired four years ago.

01:05:50So what happens?

01:05:50In this country, retirees don't matter anymore, do they?

01:05:52Well, let me tell you something.

01:05:53We need to take the opinions of the elderly more into account, Trini, because they have the voice of experience.

01:05:58Know!

01:05:59That won't fly, will it?

01:06:00Well then, we're tied.

01:06:02Look, if I had known, I would have saved myself the cakes for the nurses.

01:06:05Did you give her cupcakes?

01:06:07But, for goodness sake, Trini, what an easy trick.

01:06:09Look, I'm talking about Pedro Jiménez.

01:06:11I'm going to tell you something.

01:06:12A bad situation is coming that they didn't drink, because they could have faced disciplinary action for drinking during working hours.

01:06:15AND?

01:06:16Robert, no matter how much you get them drunk, they're not going to see you in a better light.

01:06:19This isn't an after-party.

01:06:20Well, you don't exactly dazzle them either, do you?

01:06:22Because you wouldn't believe how they react when they turn their backs on you.

01:06:25Because they're losers who envy me for everything I've achieved.

01:06:28But also, what do you say if you don't know the name of half of them?

01:06:30Because I don't need it.

01:06:31Yes, I would.

01:06:32Nurse.

01:06:32And they come.

01:06:33Honestly, darling, you haven't quite grasped the key.

01:06:36You need to know you're superior, but without making it seem like it.

01:06:39Of course.

01:06:40Whoever wins.

01:06:41We're the ones who are going to lose out here, huh?

01:06:43Just so you know.

01:07:02What's wrong, Joselito?

01:07:03Did something go wrong with you?

01:07:05A piece of junk?

01:07:06Sixteen bearers have passed me by the stretcher there, triqui, triqui, triqui, triqui.

01:07:10But what has given the whole brotherhood a massage?

01:07:11Halfway there, because the other half was looking for the crew.

01:07:14Was that it, or would they smash my face in?

01:07:17Now, if I had to choose again, I'd think twice, you know?

01:07:19What spite, really, what spite, for God's sake.

01:07:22Now, what I don't understand is what we did after we took the relics.

01:07:28And what about Lumi's verb?

01:07:29Isn't that the brotherhood of the two?

01:07:31The comptrollers of this brotherhood have left him stuck inside an alley.

01:07:35After their escape, these men, mostly from northern Spain, took the opportunity to steal the medallion of

01:07:41the Virgin.

01:07:42Doesn't someone else do that?

01:07:44But what's Pello doing playing a crooner?

01:07:46Did she come singing a saeta?

01:07:51Where are we running to?

01:07:52The medallion has not only a high economic value for the city.

01:07:55Oh, Dad, Rafa.

01:07:57José Lito, who was not mentioned in the news.

01:08:00...created by Juan Antonio Rodríguez de Mesa, an author who is unknown due to his high imagination.

01:08:05All the brothers of the brotherhood are dismayed...

01:08:09I'm sorry, Antonio, but I promise you that the first thing we'll do tomorrow is go to the police.

01:08:13Let's see if they do something, damn it, because your buddies quickly abandoned us.

01:08:16I'm sure more people are expected to be looking for mushrooms.

01:08:18Well, they had a good side to it.

01:08:19They've been searching all day.

01:08:20Yes, it may be very Basque, but they've left us more alone than a rabbit in a greyhound race.

01:08:23Shh, be quiet, be quiet, be quiet. What's there, Carmen?

01:08:25Okay, how do we explain all this to him?

01:08:26Well, good luck, you little rascal. I'm taking the bar to the farmhouse to look for Frasquito.

01:08:29But how? Are you leaving?

01:08:31Man, there's nothing that scares me more in this life than my angry daughter.

01:08:33And you've already seen how it is.

01:08:36But, Antonio.

01:08:44Baby, little one.

01:08:46Little one?

01:08:46Of course, Iñaki, I'm not going to forgive you for leaving me alone today, okay?

01:08:49Look, Carmen. Can you believe me when I swear I would have preferred to be here with you?

01:08:53Yes. And my father?

01:08:55Your father has suddenly become homesick and has hurried off to the farmhouse.

01:08:59Very quickly.

01:09:00So, what about the surprise that's kept you so busy all day?

01:09:04What a surprise?

01:09:05What do you mean, "what a surprise," Iñaki? Please, the surprise that my father and you were preparing for me.

01:09:09Ah, yes, the surprise, yes.

01:09:13Well, the surprise is that, look, you and I are going on our honeymoon to...

01:09:22Ah, surprise.

01:09:23Good heavens, after all the time you've taken to prepare this trip, where are you going to take me? To the

01:09:28moon?

01:09:28Well, darling, I have another surprise too.

01:09:31Oh, yes, which one?

01:09:32Well, congratulations, we have 30 funeral wreaths.

01:09:56Damn, what's this?

01:10:02Paquito, damn it, what a nasty scare.

01:10:04And here she is, sleeping off her hangover, isn't she?

01:10:07Paquito, wake up.

01:10:10Paquito, damn it, already.

01:10:14Oh, Paquito.

01:10:16Now I'm off to work, and I hope I don't run into any more surprises.

01:10:21Very good.

01:10:22Bye.

01:10:22Come on.

01:10:23Bye.

01:10:30It's cold and it has no course.

01:10:32What is that, Antonio, a riddle?

01:10:34No way, damn it, I just found Frasquito.

01:10:41As he thought.

01:10:47I think it's taken Carmen 100 hours to find out everything.

01:10:50But not everything, not everything, not the hell, not anything added.

01:10:52We don't even know what happened.

01:10:53Now, according to you, what we have is a dead body in the car.

01:10:57But if you survived Iñaki's farewell, surely he did too.

01:11:01He was there, on that fine line between calm and boring.

01:11:05Antonio, not even the car.

01:11:08I don't know, I was here, son, huh?

01:11:10I've discovered something about my mom.

01:11:13That?

01:11:13He knows everything.

01:11:14He knows everything about us.

01:11:15He knows you've married Isabel, he knows who this Rosita is, he knows I'm getting married soon.

01:11:20Please, you can't let it go, I've already told you that your friend is inside the car.

01:11:24And let's see if we can look inside before bringing dinner, damn it.

01:11:26And you also had to be careful, right?, so as not to get caught inside.

01:11:31You deserve to go alone!

01:11:32Alone? Yes, like you, who doesn't even have deodorant with you.

01:11:34Look, if I'm going to be like this, I might not even go to the wedding.

01:11:37But I'm the one who's not going yet, I'm going to be told it's cancelled.

01:11:40But what criteria is this?

01:11:42But anyway, the band is still going to the wedding.

01:11:44Why invite her if we don't know where she lives?

01:11:45But hey, it won't be that hard to find, will it?

01:11:47I don't care if they get angry, but they're talking about not going to Iñaki's wedding.

01:11:51And if they don't go, I'll personally slap them with the seed.

01:11:56Let's leave the slap as a last resort.

01:11:58Look, we have an emergency.

01:11:59We have a man who has spent many hours inside a car.

01:12:02No, driving us, hopefully.

01:12:03He's not here.

01:12:04He's not here.

01:12:04What do you mean it's not there?

01:12:05What's not there?

01:12:06This.

01:12:06It's not here!

01:12:08He's not here.

01:12:08"If you're leaving home in two days, at least give the woman time to buy herself a Pamela hat?"

01:12:11Oh, Dolores, we have a lot to talk about.

01:12:13I don't know, I don't know.

01:12:16You're right, these things need to be reflected upon.

01:12:19I'm going to give you a little something to think about.

01:12:21Have you thought about it yet?

Allí abajo - 2x12 - Resacón en Triana - HD 1080

Categoría

Transcripción

Comentarios

Recomendada