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00:00:00Oh, Marichu, Marichu, don't you make me feel as excited as you do about having breastfeeding with you at
00:00:04afternoon?
00:00:05Although I confess that I would prefer to go north and serve it to you myself.
00:00:10So you're back with him, right?
00:00:12Yes, my boyfriend and your son-in-law, Dad. So get used to it.
00:00:19Look, I'm not going to the doctor.
00:00:21What's the excuse to keep Begoña from finding out I'm spending the day with Benito?
00:00:25Stay away from Elena, she's clearly out of her mind.
00:00:28What that girl needs is to stop chasing ghosts.
00:00:32Find someone who matches your age.
00:00:34Young, single, handsome.
00:00:38Isn't that the Marquis of the clinic?
00:00:40What the hell are you talking about with marquesses?
00:00:42Stay here. I told him not to come.
00:00:44I was already here.
00:00:45The usurper.
00:00:47Look, I was going to order a coffee, but maybe you'd like to try it before I have it.
00:00:50Robert, you're so paranoid.
00:00:52I have you checking my metencephalon.
00:00:57Marichu?
00:00:58So much for small change.
00:01:00We secretly forgot our story.
00:01:03I would call him to bring me another plate.
00:01:06Marichu is killing me.
00:01:08Okay, that's it.
00:01:08Oyaque, you're right, Robert.
00:01:10Look, it's done.
00:01:11We cannot continue with this health crisis.
00:01:14Goodbye, couple.
00:01:18Yaki, wait, I have something inside...
00:01:20Hush, hush, Rafi.
00:01:22That the surprise is precisely what it carries within.
00:01:25What's inside?
00:01:27Or what's on top of you, Yaki?
00:01:29Hey?
00:01:32Are you asking me to marry you?
00:01:34Hey?
00:01:36Yeah?
00:01:37Wanna!
00:01:38You don't have to say anything.
00:01:40Long live the groom!
00:01:41Viva!
00:01:42Viva!
00:01:42Viva!
00:01:43Viva!
00:01:43Viva!
00:01:44Viva!
00:01:44Viva!
00:01:44Viva!
00:01:45Viva!
00:01:46Viva!
00:01:47Viva!
00:01:49Viva!
00:01:50Viva!
00:01:52Viva!
00:01:53Viva!
00:01:55Viva!
00:01:57Viva!
00:01:59Viva!
00:02:03Viva!
00:02:05Viva!
00:02:05Viva!
00:02:06Viva!
00:02:07Viva!
00:02:08Viva!
00:02:09Viva!
00:02:09Viva!
00:02:09Viva!
00:02:10Viva!
00:02:11Viva!
00:02:12Viva!
00:02:12Viva!
00:02:13Viva!
00:02:13Viva!
00:02:14Viva!
00:02:14Viva!
00:02:16And you without me, and me without you, I don't like this.
00:02:33Wait, wait!
00:02:35They don't even let him develop the REM phase here, the oyster.
00:02:42I hope so!
00:02:45Okay, what did I do wrong, Coldo? What did I do wrong?
00:02:48What are you saying? What are you saying?
00:02:50It seems like they're chasing you like this, like an oyster.
00:02:52I messed up last night. Well, not me.
00:02:55Rafi, for putting the damn ring on him.
00:02:57And it was just a dessert.
00:02:59Not with a ring, with chance.
00:03:00Okay, what are you saying? I don't understand anything you're saying.
00:03:02Damn, Carmen thinks I've asked her to marry me.
00:03:04Carmen and you to the clinic.
00:03:05That?
00:03:07How could you even think of showing a woman a ring?
00:03:10Look, rings and women don't...
00:03:11So what do I do? What do I do? Have I messed up?
00:03:14You have two options.
00:03:15The A.
00:03:16The A.
00:03:17Tell him it was a mistake.
00:03:19B.
00:03:20Tell Malhecho to go buy a pabela.
00:03:22There's no C, damn it! You've screwed me over!
00:03:27Okay, calm down.
00:03:29Look, do you know what I'm going to do?
00:03:32I'm going to talk to Carmen.
00:03:34Yes, do you know why?
00:03:35Because we've never talked about marriage.
00:03:36And I'm sure she's not very convinced.
00:03:39You'll see.
00:03:40Girls!
00:03:42I'm getting married!
00:03:46Oh my, I can't believe it!
00:03:48Look, look, look how it shines, it's like Saturday Night Fever.
00:03:51Let's see, let's see, let's see, let's see.
00:03:52The Basques may not know much about anything else, but they certainly know a lot about Pedrusco.
00:03:55Oh, oh, oh!
00:03:56I didn't expect this to happen so soon, damn it.
00:04:00Neither do I.
00:04:00Carmen, there won't be an Iñakito or an Irán Sazún on the way without this, will there?
00:04:05You're right!
00:04:07I'm telling you, no, I saw her turning purple the other day, love.
00:04:11Move it, move it, let me see.
00:04:17Man!
00:04:18Future husband!
00:04:19Have you told him yet?
00:04:21Yes, well, he wasted no time telling me, he's happy.
00:04:25She came in like a charm.
00:04:28And the Basque man seemed foolish.
00:04:30And look how little time it took him to get the garden or the golden ring.
00:04:35Yes, yes, it was so fast that I didn't even realize it myself.
00:04:38Listen, he'll invite us to the feast, won't he?
00:04:40That?
00:04:41Since I couldn't sneak into the one with the Infanta, I'm not missing this one for anything in the world.
00:04:46Chicken!
00:04:48And where will it be?
00:04:49The fact that?
00:04:51Because?
00:04:52The wedding, damn it!
00:04:53Oh!
00:04:54Carmen, this must be it, eh?
00:04:56But let's still have lovers as always.
00:04:58Look, girl, we still have a lot of things to think about.
00:05:02Decide.
00:05:04Yes, yes, yes.
00:05:05See.
00:05:05Yeah.
00:05:06Look.
00:05:07Yeah.
00:05:08Everything's calm, okay?
00:05:10Yes, that's it.
00:05:11Ole!
00:05:12Relax.
00:05:13Very calm, there you are.
00:05:14Ole!
00:05:16Ole!
00:05:18This is going to be the time!
00:05:19Ole!
00:05:21Ole!
00:05:21Ole!
00:05:23Ole!
00:05:24Ole!
00:05:26Ole!
00:05:28It still starts your motorcycle.
00:05:29Ole!
00:05:30Any day now it could fall to pieces.
00:05:32Of course, you're going to have to retire her.
00:05:35What is he talking about?
00:05:36You don't hear this, silversmith.
00:05:38I love you more than...
00:05:39Who are you going to retire her from?
00:05:40You?
00:05:40Are you going to pay his pension?
00:05:41No, man, she's your first cousin, the youngest one.
00:05:44Go on, put the saddle away, daughter, lest someone steal it.
00:05:46Man, of course.
00:05:48What's wrong, José?
00:05:49Hi, what are you doing?
00:05:50That polluting machine isn't yours, is it?
00:05:53What machine is talking?
00:05:54That dodgy motorcycle.
00:05:55Oh, no way!
00:05:56No way?
00:05:56No way?
00:05:57This is painful.
00:06:00This isn't going to happen, it won't recycle or anything.
00:06:02This...
00:06:03This...
00:06:05This pollutes more than a stamp at Christmas.
00:06:07I knew I didn't see you riding motorcycles much.
00:06:09No, I like motorcycles.
00:06:11I don't like them.
00:06:11Me on top of...
00:06:12By bike.
00:06:13Is this your bike?
00:06:15Oh, how nice!
00:06:17And the saddle?
00:06:18I like it this way.
00:06:19For aerodynamics.
00:06:22This has more pine nuts than a candy store.
00:06:24Ah, well, I don't see the gears.
00:06:25I'll put the gear in.
00:06:27I'll do this so he can't see me.
00:06:29Hey, if you want a break we can have a little garden in the park or somewhere, I don't know.
00:06:33Yes, that's how I do it when it's already given.
00:06:34Look who's coming over there.
00:06:35Hello good.
00:06:36"Good day," he'll say, "look."
00:06:37Hey, what's up!
00:06:39What are you doing?
00:06:40Kind of good.
00:06:41As if nothing happened, huh?
00:06:43Happiness.
00:06:44Okay, sorry.
00:06:45Getting married is a good thing, isn't it?
00:06:46I mean, that doesn't pollute or anything.
00:06:48Well, it doesn't drive me crazy.
00:06:50But hey, everyone is free to do whatever they want.
00:06:52Man, couple happiness.
00:06:56What a little alley I had for you, huh?
00:06:57These Basques are so hot they'd rather than have a car.
00:07:00You know what happens, it was a surprise.
00:07:03For everyone.
00:07:04Look at the poor guy's face.
00:07:06He just doesn't like being the center of attention at all.
00:07:08Oh, Iñaki, you have nothing left to endure.
00:07:11No, no, man, don't pay any attention to him.
00:07:13You'll see, people won't bother us so much anymore.
00:07:15Well.
00:07:28Congratulations, Carmen.
00:07:29I'm happy for you.
00:07:30Not so much because of the Basque language.
00:07:32But for you, yes.
00:07:33Thank you so much, Rob.
00:07:34I'm glad you're happy, even if it's just for my sake.
00:07:38Come here, you bastard.
00:07:40Oh, I could eat you up!
00:07:44Oh, how wonderful!
00:07:46How sweet!
00:07:48Oh, let me see, let me see it.
00:07:50Oh, how lovely!
00:07:52Come on, I've really made it carat-sized here, huh?
00:07:54Oh, please!
00:07:55Oh, oh, oh!
00:07:56Look, look, look, it fits me perfectly.
00:07:58Come on, it fits me like a finger.
00:08:00Ah!
00:08:02Oh, learn, Ralfi!
00:08:04This, the last stone he gave me, was for sharpening the knife.
00:08:07I won't say any more.
00:08:07Can I have a quick chat with my brother-in-law in the kitchen?
00:08:10Alone?
00:08:11Yeah.
00:08:12We have a dish we're still waiting to make.
00:08:14With some big eggs.
00:08:21Look, what?
00:08:22I see you haven't said anything to Carmen yet, have you?
00:08:24What's up with the Basques, huh?
00:08:26You've got a lot of balls to stand in front of an ox,
00:08:28But then you are incapable of facing the truth.
00:08:30So, what's the truth, Ralfi?
00:08:31Ah, well, I know, tell me to take it.
00:08:33Is Carmen the woman of my life?
00:08:35Yeah.
00:08:36Did I ever plan to marry her?
00:08:39Yeah.
00:08:40Maybe it's still too early too.
00:08:43What are you talking about, Iñaki?
00:08:45Maybe this is a sign, Ralfi.
00:08:47Sign?
00:08:49Yes, man.
00:08:50I left the sign for the ring, damn it.
00:08:52It's just that a Basque person takes advantage of a nice gesture I make towards my wife.
00:08:55You have no idea how much I've sweated.
00:08:57It's very hard for me, Iñaki, because I work very hard here to play.
00:09:01But come, I have an idea,
00:09:02And I have an idea,
00:09:03And I have an idea,
00:09:03And I have an idea,
00:09:04And I have an idea,
00:09:05And I have an idea,
00:09:06And I have an idea,
00:09:06And I have an idea,
00:09:06And I have an idea,
00:09:08And I have an idea,
00:09:09What did it cost you?
00:09:09The total amount or the monthly payment?
00:09:11Everything, Ralfi, everything, I'll buy it from you.
00:09:13Come on, I'm getting married.
00:09:14I'm getting married.
00:09:21Little one, what are you doing?
00:09:23But what's going on?
00:09:23Can't I kiss my future wife?
00:09:25Let everyone know,
00:09:26Let everyone hear it,
00:09:27I don't care,
00:09:28that we got married.
00:09:29Ralfi,
00:09:30Get yourself a free round.
00:09:32Look at the Basque,
00:09:33How romantic, huh?
00:09:34And yet Andalusia is the birthplace of Becker,
00:09:37learn.
00:09:39Hey, Carmela!
00:09:41Little bottles, my Carmen!
00:09:42What a joy it always gives me to see,
00:09:44your name jumping
00:09:45on the screens of this gossip show,
00:09:46young.
00:09:46And for me to listen to you,
00:09:47a lot.
00:09:48How are you?
00:09:49How are you?
00:09:50Well, you know,
00:09:51Here dealing with the bugs,
00:09:52that many wars take place,
00:09:53But they are very grateful.
00:09:54And what about you?
00:09:54Any news out there?
00:09:56Novelty!
00:09:57There are some.
00:09:58Anything good?
00:09:59Have you broken up with the stranger?
00:10:01No,
00:10:02Not exactly.
00:10:03I'd like to tell you in person,
00:10:05father.
00:10:06So,
00:10:07bad,
00:10:07I'm thinking of taking a trip to Seville.
00:10:08and I'm there in less time than it takes
00:10:10the birth of a network.
00:10:11No,
00:10:11No,
00:10:11father,
00:10:12It's not bad.
00:10:13It's beautiful,
00:10:14pleasant,
00:10:15sympathetic.
00:10:15Why don't you tell me?
00:10:17Damn?
00:10:19Because I'd like to see your face
00:10:21Let's see how he reacts.
00:10:22when you tell yourself.
00:10:24So I head home.
00:10:25Yeah,
00:10:26Whatever you say,
00:10:26clear.
00:10:27I love you,
00:10:28father.
00:10:28Bye bye.
00:10:31That I,
00:10:31I'm going to Seville,
00:10:32It caters to all vices,
00:10:33Go on.
00:10:34This looks worse.
00:10:34that the lump
00:10:35that came out on the mare.
00:10:36Yeah,
00:10:36come on.
00:10:39Come on,
00:10:40Carmencita,
00:10:41that those who arrive
00:10:41The wounded are the ones of fashion.
00:10:43Come on,
00:10:43go up.
00:10:48Well,
00:10:49congratulations,
00:10:50No?
00:10:51That?
00:10:52Did I tell your father?
00:10:54You don't dare,
00:10:55Don't tell me,
00:10:55I can tell you.
00:10:56No no,
00:10:56Dolores,
00:10:57thank you,
00:10:57I'll tell him tonight,
00:10:58which is not a full moon,
00:11:00He'll be calmer.
00:11:01Don't worry,
00:11:02If the hills in your case
00:11:03He's going to take them here now.
00:11:05What was that?
00:11:06Please.
00:11:07Oh,
00:11:07For God's sake,
00:11:09What a scare!
00:11:10Is everything all right?
00:11:11All good.
00:11:12Thank goodness we haven't been locked up.
00:11:14because I
00:11:14I suffer from claustrophobia.
00:11:16My little paw would like to see
00:11:16living in a 20 square meter space
00:11:18with three teenagers,
00:11:19two cats and a garret-style living room.
00:11:21It's fixed now.
00:11:22girls.
00:11:23Life
00:11:23She doesn't smile.
00:11:25Yeah.
00:11:27Until now.
00:11:30At lunchtime
00:11:31summon your nurses
00:11:32in my office.
00:11:33We have a meeting.
00:11:34Ah,
00:11:34by the way,
00:11:36congratulations.
00:11:37Thank you so much,
00:11:38Trini.
00:11:39I just hope
00:11:40that the preparations
00:11:41don't interfere with your work.
00:11:42Well,
00:11:43Trini,
00:11:43You are one of those who
00:11:44They cry their hearts out about the wedding,
00:11:45No?
00:11:55Sorry,
00:11:55Rosary,
00:11:56the cause of their hearing loss
00:11:58in the left ear
00:11:59It could be for many reasons.
00:12:01What did you say?
00:12:01Nothing.
00:12:02I can't hear.
00:12:03through the left ear.
00:12:04Already,
00:12:04Well,
00:12:04let's see,
00:12:05Look,
00:12:05that the cause of his deafness
00:12:07you can see
00:12:08from an infection,
00:12:09to a stopper,
00:12:10to a tumor.
00:12:11That?
00:12:12A tumor.
00:12:12What, I have a tumor?
00:12:13No,
00:12:14Well,
00:12:14Yeah,
00:12:14Well,
00:12:14I don't know.
00:12:15That's what we need to look at.
00:12:17But I can have it.
00:12:18Man,
00:12:18It's a possibility.
00:12:19And can you die from that?
00:12:20Man,
00:12:20One of them dies from that.
00:12:21that a flowerpot will fall on his head.
00:12:22Am I going to die?
00:12:23Of course not,
00:12:24of course not,
00:12:25Rosary,
00:12:25How are you going to die?
00:12:27With that healthy face she has?
00:12:29Well,
00:12:29Now I feel a little dizzy.
00:12:30But that's for sure.
00:12:31which will be normal,
00:12:32Right, doctor?
00:12:33Man,
00:12:33It depends on what we find.
00:12:35He doesn't see.
00:12:36Let's see,
00:12:37that there is a wide range
00:12:41of the possibilities,
00:12:42trust her,
00:12:42Rosary.
00:12:43And trust too
00:12:44in that nature
00:12:45so resistant that it has
00:12:46and in good hands
00:12:47of the professionals
00:12:48that surround us.
00:12:49Because with a positive attitude,
00:12:50Rosary,
00:12:51all,
00:12:52absolutely everything,
00:12:54It is possible.
00:12:56Thank you, Diego.
00:12:59Robert,
00:13:01I don't think it's appropriate.
00:13:02that you treat the patients
00:13:03in such a cold manner.
00:13:05And I don't think it's appropriate.
00:13:06that the hospital director
00:13:07Come on and get on my land
00:13:08giving him false hope
00:13:10to the patients.
00:13:10This is a hospital
00:13:11not a church.
00:13:12What I intend
00:13:13It's that communication
00:13:13doctor-patient
00:13:14flow in a way
00:13:15more constructive.
00:13:16What is about to begin
00:13:17to flow here
00:13:18unless you move
00:13:18middle
00:13:19It's going to be something else.
00:13:33Fuck,
00:13:34Trevi.
00:13:35Robert,
00:13:35You will be evaluated.
00:13:36As if we were
00:13:37imported once.
00:13:39Let's see,
00:13:39Robert,
00:13:40I mean
00:13:40to your patients
00:13:41that they're going to start
00:13:42to be evaluated as a doctor.
00:13:43Well,
00:13:43to you and everyone.
00:13:44And so?
00:13:45What has turned me back
00:13:45To school?
00:13:46No,
00:13:47Let's say it's a way
00:13:48to know
00:13:48if the patients
00:13:49They leave here happy.
00:13:50I thought they had
00:13:51that leave here healthy.
00:13:52And satisfied
00:13:53with the treatment received.
00:13:54We have prepared
00:13:55a glossary
00:13:56positive language
00:13:57that helps the patient
00:13:57to feel more satisfied
00:13:59with the deal.
00:14:00And you know,
00:14:01If he's happy...
00:14:03We moved up in the rankings.
00:14:04Very good, Robert,
00:14:05I see you're getting it.
00:14:06Ah,
00:14:07And remember,
00:14:09aim well.
00:14:10When have I ever missed the mark?
00:14:11with a diagnosis?
00:14:12I mean
00:14:13in there.
00:14:21Iñaki,
00:14:22soch fit,
00:14:23Make it official.
00:14:23Come on.
00:14:25Come on.
00:14:31Come on,
00:14:31Iñaki.
00:14:32Iñaki.
00:14:32Hey?
00:14:33Three, three.
00:14:34No,
00:14:34I hear.
00:14:34You can smell it
00:14:35a mackerel.
00:14:36Host.
00:14:38Iñaki.
00:14:39Iñaki.
00:14:40How are you?
00:14:40Term
00:14:41Valentine's Day dish?
00:14:43Good,
00:14:43good.
00:14:43Put on hands-free.
00:14:45It ended well.
00:14:46What a day!
00:14:46who is getting married,
00:14:47soch fit!
00:14:48That?
00:14:51Hey,
00:14:52Hey,
00:14:52let's see,
00:14:52let's see,
00:14:53that you are the first
00:14:54to know it.
00:14:55First things first.
00:14:56The crew.
00:14:57That my mistress
00:14:58He doesn't know yet.
00:14:59Hey?
00:14:59By the way,
00:15:00to my mistress
00:15:00Not a peep about this...
00:15:01Iñaki?
00:15:02No,
00:15:02No,
00:15:03No,
00:15:03No.
00:15:03I know her.
00:15:05First he will put
00:15:06that mother's face
00:15:06superior to a psychopath,
00:15:09then it will cross
00:15:10with arms,
00:15:13will frown
00:15:14and will say
00:15:16Iñaki,
00:15:17without sorghum.
00:15:19No.
00:15:20Finally,
00:15:21tilting his head
00:15:22and turning around.
00:15:24So,
00:15:25I prefer to tell him
00:15:26little by little,
00:15:27calmly.
00:15:28Yeah,
00:15:29But don't take too long,
00:15:30Hey?
00:15:31Nimu!
00:15:32Well,
00:15:33Goodbye,
00:15:34I'll leave you now.
00:15:35that I have here
00:15:36a mounted
00:15:37from a palerante.
00:15:38Goodbye.
00:15:40What has he done to me?
00:15:41All good?
00:15:43This is capable
00:15:44to call
00:15:45to the Civil Guard.
00:15:46Vego!
00:15:47A lot,
00:15:48but...
00:15:48that Iñaki are getting married.
00:15:49I'm leaving right now.
00:15:50for Seville.
00:15:51What do you mean you're going to Seville?
00:15:52What is a wedding now?
00:15:54She returns from the spa
00:15:55as soon as possible
00:15:55that you have to do
00:15:56tavern manager.
00:15:57We'll talk later.
00:15:58Agurbegochú.
00:15:59Marichu!
00:16:00Wait!
00:16:00Marichu!
00:16:02Is Marichu getting married?
00:16:04Yeah,
00:16:04penalty kick,
00:16:05doesn't it bother you?
00:16:06Iñaki,
00:16:07Iñaki is getting married.
00:16:08Hello,
00:16:08Andalusian.
00:16:10Look,
00:16:10Sabine,
00:16:10Why don't you leave?
00:16:11to the cold jets?
00:16:12That these muds are for you
00:16:12They lower your blood pressure.
00:16:30How was your getaway?
00:16:34With you precisely
00:16:35I wanted to talk.
00:16:36Can?
00:16:36I have something for you.
00:16:39That?
00:16:40What do you think?
00:16:41Man,
00:16:42He shouldn't have gotten involved.
00:16:43You do nothing.
00:16:43Has it brought me
00:16:43Matching earrings?
00:16:45What isn't for you,
00:16:46man?
00:16:47I need you to send
00:16:47This to San Sebastián.
00:16:49Yes, I was
00:16:49all excepted,
00:16:50really.
00:16:50Did you just arrive?
00:16:52No,
00:16:52but let's say that
00:16:53on this last trip
00:16:54Well, I won.
00:16:55some positions.
00:16:58But this,
00:16:59This is a precious stone.
00:17:01Not because it's pretty,
00:17:02I like it,
00:17:03come on,
00:17:03I mean that
00:17:04This is from
00:17:05Hurdeles,
00:17:06of banknotes.
00:17:07You have not gained positions.
00:17:08You've been going from one thing to another.
00:17:09Well,
00:17:10Well, go ahead.
00:17:11Send it urgently
00:17:12before they send me
00:17:13I'm back to square one.
00:17:15Hey?
00:17:16Mr. Begumea?
00:17:17Oh!
00:17:20That?
00:17:20How was that trip?
00:17:22Well, that's it.
00:17:23a business trip
00:17:24like anyone else.
00:17:25Already.
00:17:27Well,
00:17:28What for?
00:17:29Good,
00:17:30Well, we've given it to him.
00:17:30from high to twelve,
00:17:31Juana too
00:17:32He's already home.
00:17:33we have attended
00:17:34two births
00:17:34and I'm getting married
00:17:36with Iñaki.
00:17:37I can't believe it.
00:17:39Two births.
00:17:42Come here,
00:17:44come here.
00:17:47Oh,
00:17:47congratulations.
00:17:49Thank you.
00:17:49You don't see,
00:17:50the heart of the Basques
00:17:51It's as hard as a rock,
00:17:52but
00:17:52You have to be persistent
00:17:54like a wave
00:17:55to eventually erode it.
00:17:57Well, I hope so.
00:17:58that you have eroded
00:17:59well the heart
00:18:00up there,
00:18:01because I don't know
00:18:01Let's give Marichu more
00:18:03or to my father.
00:18:04But I'm sure both of them.
00:18:05They take it wonderfully,
00:18:07man.
00:18:08I know you all see
00:18:08Marichu like a wild animal,
00:18:10But I assure you
00:18:11that behind that image
00:18:12a little rough
00:18:13A woman is hiding
00:18:15very sweet.
00:18:16Behind,
00:18:16but far behind.
00:18:18Well,
00:18:19between father and son
00:18:20There is always prejudice,
00:18:21But you have to let yourself be surprised.
00:18:23I, for example,
00:18:23I'm freaking out
00:18:24with my own,
00:18:25mother,
00:18:25who have been here for two days
00:18:27of laborers
00:18:28and without complaint.
00:18:33Man,
00:18:34with more enthusiasm,
00:18:35a little bit of sympathy,
00:18:36which are straw,
00:18:38that I am not building
00:18:38a pyramid.
00:18:39A little more energy,
00:18:40man,
00:18:41the sun is rising
00:18:41and I've only brought
00:18:42factor 14.
00:18:44What a Sevillian.
00:18:45On top of that, we're
00:18:46doing their job,
00:18:47We have to put up with it.
00:18:48That?
00:18:49I can hear you,
00:18:50Hey?
00:18:51A little bit of respect
00:18:52who pays our salary,
00:18:53for something
00:18:53We have hired you.
00:18:55Subcontracted.
00:18:55And halfway through the day
00:18:57You should have been there
00:18:58jumping for joy
00:18:58instead of messing with us.
00:19:00I'm fed up with you all.
00:19:01I want full-time work
00:19:03I won't pick up another bundle from you.
00:19:04and the money upfront.
00:19:06With those looks
00:19:07that you have
00:19:08I don't trust you at all.
00:19:10What does it look like?
00:19:10Does it look like us?
00:19:12Sorry,
00:19:13what I'm wearing
00:19:14It costs more than your house.
00:19:15with your whole family
00:19:16and your friends inside.
00:19:17Don't heat it up any more.
00:19:18Don't you see that you have
00:19:18hands full of calluses,
00:19:19He slaps you.
00:19:20And does the garden give you money?
00:19:22We're going to get along,
00:19:24Hey?
00:19:25Well, I'm not following
00:19:26if you don't pay me
00:19:27full-time.
00:19:28How did I get through that?
00:19:29Don't you see that if we pay you
00:19:30the entire salary
00:19:31We don't charge anything?
00:19:32Total,
00:19:32You haven't moved
00:19:33not a finger.
00:19:33Why do you have to charge anything?
00:19:34Because the work is ours,
00:19:36we resold it to you
00:19:37at market prices.
00:19:39If we go down the wrong path,
00:19:40We're going to take you away
00:19:42all the nonsense.
00:19:43But look,
00:19:43Let's not go now either
00:19:44Let's get started,
00:19:45Hey?
00:19:45Look, look.
00:19:53Hey?
00:19:53Where are you going?
00:19:54Where are you going?
00:19:54We get paid.
00:19:55Are you abandoning us now?
00:19:57Oh, what a baby.
00:19:58What a lack of professionalism.
00:20:00Oh, yes, in the end
00:20:00He was right.
00:20:01the priest's college
00:20:02when he said
00:20:02that the pages
00:20:03They bring nothing good.
00:20:04I don't know
00:20:05How have we fallen so low?
00:20:06He was coming, for real.
00:20:16Break the ties
00:20:17that hurt you
00:20:18and do not harm
00:20:19the ties
00:20:20that make you strong.
00:20:21Very good,
00:20:22But let's see,
00:20:23What do I do with the ribbon?
00:20:24Should I put it on?
00:20:25I'll take it off
00:20:25Or do I tie a knot?
00:20:27How funny, isn't it?
00:20:29Let's see.
00:20:30This is a glossary
00:20:31of inspired quotes
00:20:32in positive psychology
00:20:33applied
00:20:34and self-management
00:20:35of human talent.
00:20:36What did he say?
00:20:37Don't know,
00:20:38I haven't found it yet.
00:20:39I don't link it.
00:20:39Let's see
00:20:40which isn't that difficult.
00:20:41From now on
00:20:42the patients
00:20:43They're going to start evaluating you.
00:20:44and obviously
00:20:45They'll give you a higher grade
00:20:46the kinder
00:20:46show them.
00:20:48I don't see this, Trini.
00:20:49That comment
00:20:50it refers us directly
00:20:51to point number four.
00:20:53Lee, Angela.
00:20:55Never say no
00:20:57immediately.
00:20:59Okay, let's see,
00:21:00Do you know what's going on, Trini?
00:21:00that we always
00:21:02We are very kind
00:21:03with people,
00:21:03Right, guys?
00:21:04Right, guys?
00:21:06Point number five.
00:21:08Read.
00:21:11We need to be open.
00:21:12to new experiences,
00:21:14Behold.
00:21:14Yeah, man,
00:21:15more experiences.
00:21:16As far as I know,
00:21:17I am a caretaker,
00:21:17physiotherapy assistant
00:21:18and maintenance technician.
00:21:19If you want,
00:21:20Give me a scalpel
00:21:20that I see myself
00:21:21with possibilities.
00:21:22What we need
00:21:23They are happy patients.
00:21:25Well,
00:21:25I mean, happy,
00:21:26euphoric.
00:21:27That is why I ask you
00:21:28that you be a little bit like psychologists
00:21:29and that you go
00:21:30always to them
00:21:31in a positive way.
00:21:32Well, you tell me.
00:21:33How does it affect me?
00:21:34a positive wedge,
00:21:35Trini.
00:21:36Angela,
00:21:37Criticizing is exhausting.
00:21:38Well, criticizing is exhausting.
00:21:39I'm going to criticize
00:21:40a little more
00:21:40because I'm throwing
00:21:41a butt from sitting down.
00:21:43Well,
00:21:44That's enough.
00:21:45Read that
00:21:46and get your act together a bit
00:21:47because I notice this room
00:21:48very full of negativity.
00:21:49Come on,
00:21:50to work.
00:21:51Well,
00:21:51come on,
00:21:52come on.
00:22:08Fuck,
00:22:08Broad,
00:22:09But what is a fucking tap?
00:22:10not a fire extinguisher.
00:22:11You are a cook.
00:22:12The mother who bore you, you faggot
00:22:13that we are here
00:22:13to help Marichu.
00:22:14How the hell
00:22:15Is this going to stop?
00:22:16Pussy,
00:22:16Marichu,
00:22:16that we haven't warned Iñeki
00:22:18that it will arrive
00:22:18the seventh cavalry.
00:22:20You call.
00:22:20No,
00:22:21No,
00:22:21You call.
00:22:21You.
00:22:22Let's see,
00:22:22It was you
00:22:22the one who put
00:22:23the bad guy is free.
00:22:24Yeah,
00:22:24But why do you have
00:22:24to find out everything.
00:22:26Well,
00:22:26Okay,
00:22:27But I'll call Kodo
00:22:28who is a doctor
00:22:29and is more used to it
00:22:30to deliver bad news.
00:22:32Let's see,
00:22:33Kodo,
00:22:34I am hairy.
00:22:35Fuck,
00:22:35coat,
00:22:35You've been calling me more lately
00:22:37that Iztascun
00:22:37when he still loved me.
00:22:40Let's see,
00:22:40Kodo,
00:22:41You'll see,
00:22:41do you remember
00:22:42when before Iñaki
00:22:43he told us
00:22:43that we don't tell him anything
00:22:44to Marichu
00:22:45What was she going to get married to?
00:22:46The Virgin,
00:22:47Don't tell me
00:22:47that you said something to him.
00:22:49No,
00:22:49It hasn't been necessary
00:22:50because she heard everything.
00:22:52It was on hands-free
00:22:53of the joke.
00:22:54That?
00:22:55Here you go!
00:22:56John and the shit
00:22:57speaker,
00:22:57He looks like a union leader.
00:22:59fuck.
00:23:00Fuck.
00:23:01What's happening?
00:23:03No,
00:23:04nothing,
00:23:04that we are here
00:23:05in charge of the bar
00:23:05And Anjon is causing trouble.
00:23:07Let's see,
00:23:07And Marichu?
00:23:08Well, Marichu.
00:23:09good,
00:23:11good,
00:23:11good,
00:23:11thank you.
00:23:12It's there,
00:23:14It's going there
00:23:17to mess things up too
00:23:19to Seville.
00:23:22Okay,
00:23:23here.
00:23:24Fuck,
00:23:25I have to warn him,
00:23:26Iñáquez.
00:23:28But it's not a small number.
00:23:29alone them.
00:23:30Doctor,
00:23:31What are they waiting for?
00:23:32in the operating room?
00:23:33Now?
00:23:34Well,
00:23:37now,
00:23:37Now is the best time
00:23:39to begin the change.
00:23:41Hey?
00:23:42Well,
00:23:43yes,
00:23:43than now.
00:23:45Okay.
00:23:45Doctor.
00:23:46Already,
00:23:47over there,
00:23:47Yeah,
00:23:47Okay,
00:23:48Yeah.
00:24:06See you later.
00:24:07Come on,
00:24:08see you later.
00:24:29Man,
00:24:30Marichu!
00:24:31You this way.
00:24:32She'll be happy,
00:24:33No?
00:24:33Yeah,
00:24:34very happy.
00:24:34Well, his son is upstairs.
00:24:35Ah,
00:24:36thank you.
00:24:36Well,
00:24:37bye bye,
00:24:37Hey?
00:24:38Bye bye.
00:24:48Well,
00:24:49that?
00:24:49Did he get the message or not?
00:24:51I've explained it to him at least 20 times already.
00:24:52Yeah,
00:24:53man,
00:24:53Yeah,
00:24:53Yeah,
00:24:53Yeah,
00:24:53right now
00:24:54And now I'm giving it to you here.
00:24:56No!
00:24:57Oh,
00:24:57No,
00:24:57kid,
00:24:57that's where you can disconnect.
00:24:59You've been in more rare sessions than a judge,
00:25:00Hey?
00:25:01Oh,
00:25:01José,
00:25:02But for a man my age
00:25:03These technologies are more difficult to understand
00:25:05than a hieroglyph.
00:25:07For you, an effort,
00:25:08man,
00:25:08jumea,
00:25:09If you have the sleepyhead in the boat,
00:25:10Hey?
00:25:10It's definitely on the other computer.
00:25:12Waiting for you to connect
00:25:13to tell him that he has arrived safely.
00:25:14No,
00:25:15I hope so.
00:25:16Hey,
00:25:16Send yourself the package.
00:25:17No,
00:25:17I'm carrying the rock here
00:25:18in the middle of the chest hairs.
00:25:19Of course,
00:25:20kid.
00:25:21Arrive first thing tomorrow morning.
00:25:22mega ultra service,
00:25:23pre ultra,
00:25:24the most expensive thing we had,
00:25:25that it will cost him
00:25:25The shipping cost more than the necklace itself.
00:25:28Come on,
00:25:28I'm finishing this.
00:25:29I'll plug it in again,
00:25:30Don't give it to him,
00:25:31Hey?
00:25:31Do you put on your headphones?
00:25:33This is for talking about here,
00:25:34Okay?
00:25:34And this is in case you want to add volume,
00:25:36Okay?
00:25:36When you connect to the green intercom.
00:25:38Yeah,
00:25:39Yeah.
00:25:53Excuse me.
00:25:54No,
00:25:54go.
00:26:06Yeah,
00:26:07It's hot for this time of year.
00:26:09Hey?
00:26:09Oh,
00:26:10Of course.
00:26:11Here's the jacket
00:26:12Only the guards put it on.
00:26:14Say,
00:26:15I hear.
00:26:16Go on.
00:26:17So what happens now?
00:26:19It seems to me that this is a setup.
00:26:21That's all I needed.
00:26:26Listen,
00:26:26And wouldn't it be better to press
00:26:28the alarm button?
00:26:29Alarming?
00:26:30But if you press all the buttons
00:26:31past and future.
00:26:32The only buttons missing
00:26:33by pressing
00:26:33They are the shirt buttons.
00:26:35There's only one thing you can do here.
00:26:36Call the fire department.
00:26:37Yeah.
00:26:40Listen.
00:26:41Is anyone there?
00:26:43Man.
00:26:44My God.
00:26:45What, have they given the day off in heaven?
00:26:47Have the angels come down here or what?
00:26:49You're feeling pretty good, aren't you?
00:26:51Is your skin like it's transparent or what?
00:26:53Transparent.
00:26:54Almost as much as your intentions,
00:26:56José,
00:26:56Of course.
00:26:57What a technique!
00:26:58cheaper and older.
00:26:59I didn't expect that from you,
00:27:01But come on,
00:27:01Whatever it is,
00:27:02what you want to ask me,
00:27:03The answer is no.
00:27:04Anything else?
00:27:05Can I borrow your bike?
00:27:05No.
00:27:07Little girl,
00:27:08Don't say no immediately.
00:27:09It's because you haven't learned.
00:27:10And nothing about the Trini book.
00:27:12Be positive.
00:27:13The thought
00:27:14It's like a fris.
00:27:16No.
00:27:16Like a boomerang, José.
00:27:18Like a boomerang.
00:27:19But come on,
00:27:20You're not going to beat me there.
00:27:21To me, the phrase is a cliché.
00:27:22not a peep.
00:27:24But little girl,
00:27:25We are with...
00:27:25Be quiet.
00:27:27Or they're filming
00:27:28the fifth part of King Kong
00:27:29or some animal
00:27:30has remained
00:27:30trapped in the elevator.
00:27:31Come on, damn it,
00:27:32that we got trapped.
00:27:34There's nobody here...
00:27:34Look through the toolbox.
00:27:36See you there.
00:27:37Let's synchronize the clocks.
00:27:39We're trapped!
00:27:40Maria,
00:27:41But what are you doing?
00:27:42For God's sake,
00:27:42that's going to make a hole
00:27:43at the door.
00:27:44Come!
00:27:45Someone is listening to us!
00:27:49Someone is listening to us!
00:27:50And what did I want?
00:27:51enter discreetly?
00:27:52Listen!
00:27:54We're trapped!
00:27:56Hey, anyone?
00:27:57If we go,
00:27:57It would be a miracle
00:27:58that you couldn't hear us.
00:28:00Don't worry,
00:28:00that there is no panic.
00:28:02Don't panic!
00:28:03Don't let people
00:28:05disrespect you.
00:28:06Surround yourself with positive people.
00:28:07Author unknown.
00:28:09Come on,
00:28:10that our incident technician
00:28:11He's working on it.
00:28:13Is that me?
00:28:14Ah, yes, yes.
00:28:15In one mile.
00:28:16He's fixing a small problem.
00:28:17Don't worry,
00:28:18It's a mile.
00:28:18Hey, little problem, José.
00:28:19Did you say "little problem"?
00:28:21There's no problem here.
00:28:23What there is
00:28:24It's an opportunity
00:28:25to improve
00:28:25the operation
00:28:27of the elevator.
00:28:27Ah, finally!
00:28:29It was about time.
00:28:29that they were made
00:28:30charge for the damage.
00:28:32That seems to be the case, yes.
00:28:33I hope they get us out.
00:28:34soon from here
00:28:34because I'm missing
00:28:35more air than José Mercé.
00:28:36No, it doesn't surprise me.
00:28:38It has consumed it
00:28:38all in one minute.
00:28:40What time is it, woman?
00:28:41I'm feeling a bit suspicious.
00:28:42Because I have a daughter here
00:28:43that something serious is wrong
00:28:45And he didn't want to tell me.
00:28:46That's precisely why
00:28:46I've come to see her.
00:28:47I'm really sorry, eh.
00:28:49I hope it's nothing serious.
00:28:50Well, we'll have to see about that.
00:28:53Well, what about you?
00:28:55What's good about it?
00:28:56Let's see if there's a relative or...?
00:28:57A son, yes.
00:28:59Is he hospitalized?
00:29:00What is
00:29:01is disinherited
00:29:02because I can't believe it
00:29:03that I'm going to give
00:29:04the most important step
00:29:05of his life
00:29:05without consulting me.
00:29:07Come on,
00:29:07at this rate
00:29:08I find out
00:29:08that she's going to get married
00:29:09when he sends me the invitation.
00:29:11Don't talk to me,
00:29:11Don't talk to me.
00:29:12Thank goodness
00:29:13that my daughter still
00:29:13He has not taken that step.
00:29:14because it's going to give me
00:29:15old age.
00:29:16Oh, children,
00:29:17if they were no longer heard,
00:29:19TRUE?
00:29:20I'm telling you now.
00:29:21Because I'm with my daughter's boyfriend
00:29:22I just wouldn't want it.
00:29:24not even to cover
00:29:24to one of my cows.
00:29:27Okay, Trini,
00:29:28This is almost done.
00:29:28But it's a workaround.
00:29:29The sooner we get it out, the better.
00:29:30the brown beast
00:29:31that one over there
00:29:31everyone loves me.
00:29:32It's almost done,
00:29:34dear passengers.
00:29:36Women,
00:29:37Children first.
00:29:38What does Dolores say?
00:29:39It's just that I've always wanted to
00:29:41say that phrase.
00:29:43Come on, damn it!
00:29:43What's here?
00:29:44an elderly lady!
00:29:47Man,
00:29:47It seems that this is already done.
00:29:49Let's see,
00:29:50how are you?
00:29:51What's wrong with the promotion?
00:29:53Nothing,
00:29:54a little problem,
00:29:54But we have already arrived.
00:29:55Incidence, José.
00:29:56Incidence.
00:29:57Let's see,
00:29:58Sot,
00:29:58I finally caught you,
00:29:59It's already been difficult for me.
00:29:59He had not operated
00:30:00a meninge so fast
00:30:01in life.
00:30:02Let's see,
00:30:02what's the matter?
00:30:03Do we have a problem?
00:30:04Coldo!
00:30:04Even if you are a contributor,
00:30:06You also have to adjust
00:30:07to the protocol.
00:30:07This protocol?
00:30:10Hey!
00:30:11With pleasure,
00:30:11lady!
00:30:12I hope you read it
00:30:13the primer
00:30:13to that son of his.
00:30:14Don't hesitate.
00:30:15And you,
00:30:16I hope I can get
00:30:17that her daughter
00:30:18forget
00:30:18that despicable person.
00:30:19Hello.
00:30:20Is called
00:30:21Positive Language.
00:30:22It's a glossary
00:30:22of inspired quotes...
00:30:23You will forgive yourself,
00:30:24But I just can't see it.
00:30:25nothing positive
00:30:25in what I have for him.
00:30:26Let's see,
00:30:26let's see,
00:30:26let's see,
00:30:27What do you have to tell me?
00:30:28Well,
00:30:31well...
00:30:36Love?
00:30:37Dad?
00:30:39Love?
00:30:41Dad?
00:30:44Yeah,
00:30:45her daughter is
00:30:45with Antonio.
00:30:46You explain it to him now.
00:30:48Well,
00:30:48let's see,
00:30:48let's see,
00:30:49let's see,
00:30:49boy,
00:30:49It's true
00:30:50that same
00:30:51about the wedding,
00:30:51well,
00:30:52It's been a little bit
00:30:54precipitate.
00:30:54Precipitate,
00:30:55says?
00:30:55I've seen traces of cellophane
00:30:56think about it more
00:30:57before letting yourself be mounted
00:30:58for a bull,
00:30:59turkeys.
00:30:59That's outrageous!
00:31:00They are cows,
00:31:01loves,
00:31:01Antonio is a cattle farmer.
00:31:02I don't care.
00:31:03When did you think
00:31:04Tell me,
00:31:04on your golden wedding anniversary?
00:31:06That's for sure,
00:31:07You haven't told me yet
00:31:07killed by disappointments.
00:31:08He told me
00:31:08that the relationship...
00:31:09Love,
00:31:10Don't exaggerate.
00:31:12I wanted to tell you.
00:31:13face to face.
00:31:14Remove,
00:31:14no if face
00:31:15That's what you don't lack
00:31:15to your face.
00:31:16Daughter,
00:31:17actually
00:31:17You're seeing a Basque man
00:31:18of the Basque Country.
00:31:20Look at this
00:31:20It's for life,
00:31:21Hey?
00:31:22Father,
00:31:22For God's sake,
00:31:22I'm getting married because I'm in love.
00:31:23The fact that he's Basque is the least important thing.
00:31:25Wow!
00:31:25Hey,
00:31:26So, where do I go?
00:31:26I start to tear you apart
00:31:27my identity?
00:31:27Well,
00:31:28loves,
00:31:28let's see,
00:31:28I'm getting married,
00:31:29cabenzos.
00:31:30That's good news.
00:31:32You're not telling me
00:31:33whenever he settles down.
00:31:36Well, I have a life
00:31:37And I am happy.
00:31:39You could cheer me up a little,
00:31:40No?
00:31:42Well,
00:31:42glad to hear it,
00:31:43my aunt,
00:31:43I'm glad,
00:31:44But gosh,
00:31:45You could have told me sooner.
00:31:46What does it matter?
00:31:49Well,
00:31:51You must have thought of something,
00:31:52No?
00:31:53Because you must have thought of something,
00:31:54I say so.
00:31:56About what?
00:31:57About what?
00:31:57About what?
00:31:58From extinction
00:31:59of bluefin tuna.
00:32:00What will it be about?
00:32:00From the wedding?
00:32:01Well,
00:32:02let's see,
00:32:02loves,
00:32:02Antonio,
00:32:03calm down,
00:32:04really,
00:32:04please,
00:32:05There will be time for everything.
00:32:08Why now?
00:32:08Didn't we celebrate it?
00:32:11Well,
00:32:12I'm going to see
00:32:13if the skewers are done
00:32:14that maybe
00:32:14You bring hunger from the journey.
00:32:19And I'm going to lie down
00:32:20a hand in emergency
00:32:21that there surely are
00:32:21minute of citation here.
00:32:27Tranquillity,
00:32:27says.
00:32:28If we don't arrive
00:32:29to be here,
00:32:30They get married
00:32:31behind the bar.
00:32:32Well yes,
00:32:33because he is very clever.
00:32:33What is said
00:32:34quick-witted
00:32:34He is nowhere to be seen.
00:32:36Look,
00:32:37Antonio,
00:32:38because it's Antonio,
00:32:39No?
00:32:39It will serve her.
00:32:41You get angry
00:32:41with her daughter
00:32:42that with my son
00:32:43I'm already angry.
00:32:44Look.
00:32:47Adaña!
00:32:51Doctor,
00:32:52doctor,
00:32:53Look,
00:32:53We were looking for you.
00:32:54Here you go.
00:32:55Come on.
00:32:56José.
00:32:58Man,
00:32:59Don Rosario,
00:33:00that,
00:33:00How are you?
00:33:01I'm not walking,
00:33:02They carry me in a chair
00:33:03because with one ear
00:33:04deaf
00:33:04I get dizzy.
00:33:06Already,
00:33:06Well,
00:33:06But that too
00:33:07you can see
00:33:07like the glass
00:33:08half full of water.
00:33:09At least
00:33:09It still works
00:33:10the other.
00:33:11Well, I don't know,
00:33:11because, like today
00:33:12at this clinic
00:33:13They talk about everything
00:33:13a little strange.
00:33:16Well,
00:33:16Look,
00:33:17You'll see,
00:33:17I wanted
00:33:18to talk to you,
00:33:19Okay?
00:33:20Because I feel that
00:33:21I have been before
00:33:21a little too direct.
00:33:23So let's go
00:33:24to start again.
00:33:25Look,
00:33:25what we are going to do
00:33:25is to order a tag
00:33:26to see which one it is
00:33:27the reason
00:33:28of his left hearing loss.
00:33:29I have that too.
00:33:31No,
00:33:32No,
00:33:32That's his deafness.
00:33:33What I want to tell you
00:33:34is about finding
00:33:35something
00:33:35I'm telling you
00:33:36that same
00:33:36Nor is there one.
00:33:37But if there were
00:33:38and it was small
00:33:39surgery could be performed.
00:33:40Ah,
00:33:41And if not,
00:33:41what I do?
00:33:41Should I give it a name?
00:33:43Well,
00:33:43There would be other options.
00:33:45Already,
00:33:46which?
00:33:47Well,
00:33:48Let's not get ahead of ourselves.
00:33:49events.
00:33:50What did you say?
00:33:51Look,
00:33:52I'm going to go
00:33:52asking for the tag,
00:33:53Okay?
00:33:59And now,
00:34:03little green telephone.
00:34:06absent.
00:34:08These technologies,
00:34:09I don't know,
00:34:10How beautiful!
00:34:10and how easy
00:34:11because they were
00:34:11the relationships
00:34:12pistols.
00:34:14Marichu.
00:34:14Come on,
00:34:15appears.
00:34:16Marichu.
00:34:17Hello,
00:34:17Benedict.
00:34:18I hear her,
00:34:19I hear her,
00:34:19far,
00:34:20But I don't see her.
00:34:20Marichu.
00:34:21Benedict.
00:34:22I don't see her.
00:34:23Benedict,
00:34:23that I am here.
00:34:25What a scare!
00:34:27This is real,
00:34:28It's virtual.
00:34:29So real
00:34:29like my son
00:34:30She gets married.
00:34:32Well,
00:34:33Well,
00:34:33Well.
00:34:34And judging by that face,
00:34:36Something tells me
00:34:37that I shouldn't give him
00:34:37Congratulations,
00:34:38No?
00:34:39And you too
00:34:39I knew it before
00:34:40Me?
00:34:41Marichu,
00:34:42What does the order matter?
00:34:42The important thing
00:34:43It's that the boy
00:34:44She has fallen in love.
00:34:45And you,
00:34:46better than anybody,
00:34:47knows what it is
00:34:48unable to avoid
00:34:48feel something
00:34:49by another person.
00:34:51I don't know
00:34:52What does it refer to?
00:34:53Marichu,
00:34:54What has come
00:34:55to see me?
00:34:55I just wanted
00:34:56visit a friend.
00:34:57Ah,
00:34:58A friend?
00:34:59Well, afterwards
00:35:00of our last
00:35:01approach,
00:35:02the word friend
00:35:03It's not enough for me.
00:35:05The thing is,
00:35:05I just don't know
00:35:06What are you talking about?
00:35:07Well, you see,
00:35:08I would explain it to him,
00:35:09but I prefer
00:35:10deduce it
00:35:10yourself
00:35:11when I see
00:35:12the gift
00:35:12that I have sent him
00:35:13to the tavern.
00:35:15Gift?
00:35:15A little gift,
00:35:17sent by courier.
00:35:18I've been told
00:35:19which will arrive tomorrow.
00:35:20But let's see,
00:35:21Benito cannot
00:35:22do those things
00:35:22without warning me.
00:35:23But the thing is
00:35:24these things
00:35:24they are going to do,
00:35:24I've been told
00:35:25some surprises,
00:35:26They don't give each other notice.
00:35:26Well,
00:35:27But I do.
00:35:28that I don't buy
00:35:29the Three Kings' Cake
00:35:29to spare me the suspense.
00:35:31And on top of that
00:35:31now I have
00:35:32to warn Sabino.
00:35:33Dad,
00:35:34Hey?
00:35:35You,
00:35:36What are you doing here?
00:35:37Wasn't he already fine?
00:35:38Better than you.
00:35:40Move aside.
00:35:43Well, well, well.
00:35:45Blessed are the eyes.
00:35:46What do we come from? From the countryside.
00:35:47The field
00:35:48We don't want to see it
00:35:49Not even pictured, Dad.
00:35:50We're not going back there.
00:35:51We're burned out
00:35:51from working so much.
00:35:52I have a sore muscle.
00:35:53from having to sleep standing up
00:36:23like birds.
00:36:24that you're going to get paid
00:36:24the minimum wage
00:36:26interprofessional.
00:36:27How much is that?
00:36:27A pittance.
00:36:281500 euros, come on.
00:36:30No, my love, no.
00:36:31We are not living
00:36:32in Germany,
00:36:33We are in Spain.
00:36:36655.20.
00:36:38655.20.
00:36:39How vulgar!
00:36:40But if that
00:36:40I don't even have enough for my skin
00:36:41nor facial.
00:36:42Well, I was showing my face.
00:36:43with lizard soap.
00:36:44That he doesn't see
00:36:44How does that peel?
00:36:45Wow!
00:36:46Come on!
00:36:52Try this hair.
00:36:53I'm telling you.
00:36:54which is not the one we usually
00:36:55put Marichu.
00:37:01I found it
00:37:02under the sink.
00:37:05Come on, come on, come on.
00:37:06Os pa' de ahí
00:37:07that we are already here.
00:37:08Marichu, have you arrived yet?
00:37:08To Seville?
00:37:09I imagine he must have
00:37:10given a good soup
00:37:11for Iñaki
00:37:11for being outcast.
00:37:13But how soon
00:37:14You've arrived, haven't you?
00:37:15Not really.
00:37:16Look,
00:37:17Sabino still
00:37:17He has mud in his ears.
00:37:25Sabino, it's me.
00:37:26Don't say my name
00:37:27If Begoña finds out
00:37:28It rips your phone out.
00:37:30Who is Sabino?
00:37:31Hey,
00:37:32They are the ones from the spa
00:37:35that...
00:37:37Sabine,
00:37:38tomorrow it will arrive
00:37:39a package.
00:37:39A package?
00:37:40But don't repeat it.
00:37:41without sorghum.
00:37:42Where is a package?
00:37:44They are the ones from the spa
00:37:46that they give you
00:37:47a package of...
00:37:47massage
00:37:49for varicose veins.
00:37:50Varicose veins?
00:37:52You have varicose veins.
00:37:53you in the brain.
00:37:53Varicose veins, yes, man.
00:37:55We're not interested, miss.
00:37:57What are you saying, you idiot?
00:37:59Okay, be quiet
00:37:59And listen, Sabino.
00:38:01He's coming tomorrow
00:38:01a package.
00:38:02It's a gift
00:38:03from Don Benjumea.
00:38:04You have to intercept it.
00:38:05OK?
00:38:06Yes, yes, miss.
00:38:07Very kind,
00:38:08But no, right?
00:38:10Well, yes to that,
00:38:11but not to...
00:38:13Sabino, do you want to hang up?
00:38:14They're selling you.
00:38:15even a trip to Tibet.
00:38:39I'm not going to let you have the bike, José.
00:38:46Hey?
00:38:47Come on, little girl,
00:38:47Get involved,
00:38:48I'm heading towards Elena
00:38:49and I need...
00:38:51Pretending to be someone else
00:38:52to look for him?
00:38:53That's right, how do you know?
00:38:54Well, I don't know.
00:38:55It turned out this way.
00:38:56What, aunt?
00:38:56Hello, José.
00:38:57Hello.
00:38:58Should I come to your house?
00:38:59Yes, I'm leaving in my...
00:39:01Hey, shall we go together?
00:39:03Yeah.
00:39:04No?
00:39:04If I have already finished working,
00:39:06Why can't I leave?
00:39:11Come on, come on.
00:39:12Nothing,
00:39:13go on your bikes
00:39:15that I...
00:39:15I'm leaving now...
00:39:19some bus or...
00:39:20Aren't you going on your motorcycle, Dolores?
00:39:22Which motorcycle?
00:39:22Little girl, your motorcycle?
00:39:24The motorcycle that's stuck there...
00:39:25Oh, the motorcycle!
00:39:26Yes, the motorcycle.
00:39:28What a silly motorcycle,
00:39:29the motorcycle that is...
00:39:30that I am...
00:39:31Oh dear, I'm feeling awful!
00:39:32Why do you want to...?
00:39:33Are the keys falling out?
00:39:34The key, the key, the motorcycle.
00:39:36Oh, I'm so absentminded.
00:39:37I'm already...
00:39:38Do you know why?
00:39:39Do you know why you're so clueless?
00:39:40from the fumes you're sucking
00:39:41Is the exhaust pipe so polluted?
00:39:44That's going to be it.
00:39:46Oh well,
00:39:46I'm leaving right now on my motorcycle,
00:39:48No?
00:39:48What is a diary?
00:39:49because I take it every day,
00:39:51even on a Sunday.
00:39:53That's how it is.
00:39:56There!
00:39:56Well, that's it.
00:39:57Come on, have a nice walk.
00:39:59Already!
00:40:00Let's go!
00:40:01Okay, let's go!
00:40:01Already!
00:40:02Okay, let's go!
00:40:03Okay, let's go!
00:40:05We see you on the loose!
00:40:07Yes, yes.
00:40:08I have this habit.
00:40:10I like speed.
00:40:12I am a lover of...
00:40:13Since I was a girl,
00:40:14I got on the motorbike.
00:40:15Much, much to my people.
00:40:17Well, that's going to be better.
00:40:18that you take her with you,
00:40:20pushing
00:40:20to avoid polluting.
00:40:22I wish!
00:40:23But I live in Santi Ponce.
00:40:26Be careful!
00:40:29Hey, that's fine.
00:40:30Her face has turned pale.
00:40:31Yes a bit...
00:40:32Oh no!
00:40:33No, no, no!
00:40:34No, no, no, no!
00:40:34Oh, get out of the way!
00:40:36Well, she's not needed.
00:40:37We'll go.
00:40:38And the saddle?
00:40:39It's overrated.
00:40:41I'm telling you that too.
00:40:42I like it, and so
00:40:43And I'm making twins.
00:40:45Sillizo, I'm going to do it.
00:40:53Do you see it, Don Rosario,
00:40:54How come nothing was happening?
00:40:56If this tag thing
00:40:56It's like getting involved
00:40:57in a car wash.
00:40:59Well, I'm still going
00:40:59A little dizzy, to be honest.
00:41:00Well, but that
00:41:01It's a side effect.
00:41:02for the test.
00:41:04Are you sure?
00:41:05With the tumor
00:41:05I don't know if dizziness is a good thing, huh?
00:41:07And there you go,
00:41:07that I already told him
00:41:08which it doesn't necessarily have to have.
00:41:09And besides,
00:41:10the tag has not revealed
00:41:11nothing strange.
00:41:12Yes, at first glance.
00:41:13So, is there a second view?
00:41:15How are you?
00:41:16Is everything alright here?
00:41:17Everything was perfect.
00:41:18I was just telling him
00:41:19here to Don Rosario
00:41:20the positive aspects of the test
00:41:21and that the tag noise
00:41:23it's no big deal.
00:41:23Man, nothing, nothing.
00:41:24We'll see.
00:41:25if now those rays
00:41:26They haven't amplified my tumor.
00:41:28I already told him
00:41:28which doesn't necessarily have to
00:41:29worry about nothing,
00:41:30Don Rosario.
00:41:31Unclear.
00:41:32That's why I'm involved
00:41:33inside a tube
00:41:33and not on the beach.
00:41:34Well, look,
00:41:34I think precisely that.
00:41:35this very afternoon
00:41:36He can now be discharged.
00:41:37Come on,
00:41:38which already gives me up for lost.
00:41:39I already told him
00:41:39that has nothing
00:41:40inside the head,
00:41:42Hey, Alberto,
00:41:44Would you mind accompanying me?
00:41:45to Mr. Rosario
00:41:46to your room?
00:41:51Thank you.
00:41:56But let's see, Robert,
00:41:57Do you think you
00:41:58that you can speak like that
00:41:58to a patient?
00:41:59Wait for the evaluation
00:42:00What are they going to do to you?
00:42:01Do you think
00:42:01What do I care?
00:42:02What the hell is the evaluation?
00:42:03Hey?
00:42:04As if they were going to...
00:42:04to choose my Seville.
00:42:05Well, it matters to me.
00:42:06Every evaluation matters,
00:42:07Okay?
00:42:09I believe this
00:42:10It has nothing to do with it
00:42:11with the patients.
00:42:13Of course it's related.
00:42:14And what about that famous ranking?
00:42:16It won't have anything to do with it
00:42:17with some benefit
00:42:18for the director
00:42:19from the clinic?
00:42:20What are you saying, Robert?
00:42:22No,
00:42:23because I haven't seen you
00:42:24never so devoted
00:42:25unless there was
00:42:25a benefit in between.
00:42:28Okay, fine, yes.
00:42:29But I assure you
00:42:30that the fact
00:42:30that you're bitter
00:42:31It's not going to screw me over
00:42:32nor the ranking
00:42:32nor the increase.
00:42:34Excuse me, you bitter person?
00:42:34I?
00:42:35Not at all,
00:42:36I have selective sympathy.
00:42:37Yes, of course.
00:42:38And so selective,
00:42:39so much so that he can't stand it
00:42:40that those who are
00:42:40around you
00:42:41Be happy.
00:42:42If you say so
00:42:42because of that wedding
00:42:43by Carmen Iñaki,
00:42:44I already told you
00:42:45I don't care
00:42:45not even the slightest bit.
00:42:46I don't care if they get married
00:42:46through the Guarani rite.
00:42:47Well, who would have thought?
00:42:48I'm telling you.
00:42:49Oh, really?
00:42:50You?
00:42:50Yes, does that sound good to you?
00:42:52Or am I being
00:42:53too direct,
00:42:55director?
00:42:57That?
00:43:04That?
00:43:06That?
00:43:09That?
00:43:13That?
00:43:30Are you going to live here?
00:43:31I don't know. We haven't thought about it yet.
00:43:33I don't know if I can see that you haven't thought anything through.
00:43:35Because the wedding, at least, was in San Sebastián.
00:43:37In Cadiz and in the cathedral.
00:43:38If it hasn't sunk yet.
00:43:39Like your mother and me, young man.
00:43:41Although I hope things go better for you.
00:43:42Okay, Dad. We'll decide something.
00:43:45Carmela, you're not getting married. Your father is.
00:43:48And I assure you that wedding is going to be Andalusian, but truly Andalusian.
00:43:51Basque, Basque.
00:43:52With Aurescu, Chalaparta...
00:43:54With his bullfighting...
00:43:55And Rinchis...
00:43:56And her flamenco choir, young.
00:43:58Because Carmen will be Catholic, right?
00:43:59And that scoundrel shouldn't appear in Alpargata.
00:44:02Of course she's Catholic, she loves it.
00:44:04Seville is full of virgins.
00:44:05Oh, it won't be her.
00:44:06Ama, a boyfriend like God intended, in a breeches and a fancy jacket.
00:44:10Carmen is not going to wear your wedding dress.
00:44:12You got married in December, man. All it's missing is a turtleneck.
00:44:15Ma'am, it's already difficult for you to put on a striped shirt here.
00:44:18He's going to dress him like this.
00:44:19If you'll excuse me, I'll go get another pillow.
00:44:22And while I'm at it, suffocate myself with it.
00:44:27Are you going to share the rest of your life with this jerk?
00:44:32Relax, Antonio.
00:44:33As soon as he enters the room, you can continue criticizing that idiot.
00:44:43Damn it, I can't take it anymore.
00:44:45And it's only the first day.
00:44:47God, this is hell. Tell me you're not going to tell him.
00:44:50No, no, no.
00:44:51But all they haven't done is comment on our stance on the wedding night.
00:44:53Well, Iñaki.
00:44:55I can tell you right now that my father isn't going to give his opinion on that.
00:45:00Damn it, Carmen, I just want to be alone with you.
00:45:02But I can't stand this anymore, I can't stand it.
00:45:03Yes, yes, I understand, neither do I.
00:45:06Then no...
00:45:07Are there no weddings?
00:45:09No, no, no, no, no.
00:45:11You and I got married, but without irrincis, without aurrescus.
00:45:15Aurrescus?
00:45:15This is crazy, Iñaki.
00:45:18Carmen.
00:45:19That?
00:45:19Let's put a stop to this.
00:45:22As?
00:45:33Ah, wait!
00:45:36Oh, yeah!
00:45:37Wait a minute!
00:45:39They don't get up any earlier than in Finland, the oyster.
00:45:43Ah!
00:45:43Coldo, you have to help us!
00:45:46Are you trying to relax me? You're going to ruin the curtains!
00:45:49Coldo, we're getting married!
00:45:51Yeah.
00:45:52Oh, the news is out now!
00:45:53I know, it seems like I'm stuck in time.
00:45:54No, no, we're already married.
00:45:56Secretly and as soon as possible.
00:45:57Yeah?
00:45:58Carmen, will you marry me?
00:46:00Yes, I want to marry you, Iñaki.
00:46:06Damn, Iñaki, what a titan!
00:46:09Who sees you and who sees you now?
00:46:10But if until now I always hesitated, even to change...
00:46:12Could it be that you are...?
00:46:14Again.
00:46:14Just like collaborating wheat!
00:46:16No!
00:46:16Maricho, you're in my house, so I'm not going to be able to stay in my life.
00:46:19You need to take Maricho to the airport and get him on a plane, please.
00:46:22I am Humphrey Bogart.
00:46:23Come on, I have a job.
00:46:24Coldo and we have a marriage to celebrate!
00:46:26Yeah.
00:46:30Alright.
00:46:32You're all troublemakers.
00:46:35Go.
00:46:36Hey?
00:46:39A package.
00:46:40If we haven't received anything since Sabino finished his collection of pillboxes.
00:46:44Egonón.
00:46:45Egonón, what's up?
00:46:46What are you waiting for?
00:46:48Oh, Christmas tips!
00:46:50Damn, Bego, you give kids stones to suck on for Halloween.
00:46:55Look, Sabino, a package has arrived. It must be one of Pachadan's calendars.
00:47:00It's mine, it's mine, it's mine.
00:47:02Sabino, but what is good pottery?
00:47:05It fits in Sot, Sabino, and that they were padded underpants.
00:47:09No, no, it's a special hook for fishing, Sea Bass, because the season is just starting...
00:47:14Well, with the shaky hands you have, if you don't catch a tire, go on, pick that up.
00:47:18What's up, Bego? Any news about the engaged couple?
00:47:21Look, don't talk to me because my sister is always on the phone.
00:47:24The mobile phone must have been left off the hook.
00:47:25Yes, or the operator is having breakfast.
00:47:29Look, Bego, these things shouldn't happen with mobile phones these days.
00:47:32Well then, you tell me what my sister is doing to avoid answering my calls.
00:47:35Oh, what things Benito says!
00:47:37Another poem?
00:47:38But they probably don't have any left.
00:47:40At this rate, he's going to have to start reciting raps to me.
00:47:45I don't know, oh...
00:47:47OK that's fine.
00:47:48A short stroll through Maria Luisa Park
00:47:50And I'm leaving in the afternoon, because I have to talk to the priest.
00:47:54No, Benito, I have nothing to confess.
00:47:57It's for wedding preparations.
00:47:59That?
00:48:01Oh, Coldo!
00:48:02Marichu.
00:48:04What are you doing here?
00:48:04Me, nothing.
00:48:06And you?
00:48:07Here?
00:48:08Are you leaving?
00:48:10Where to?
00:48:11I'll report it.
00:48:11Come on, I'll come with you.
00:48:12Ah, no, no, no, no, no.
00:48:13I'm not leaving yet.
00:48:15I've delayed my flight.
00:48:16Well?
00:48:17Well, look, I suddenly remembered that I need to buy some scapulars.
00:48:23Oh, darling.
00:48:24Wow, girl, that little beard is so pretty.
00:48:27Oh my, that's awful.
00:48:28Pretty.
00:48:29Oh, how good it feels to my soul that you've given birth to a child, doesn't it?
00:48:32And well, thank you.
00:48:33This is nonsense, isn't it?
00:48:34The only thing I have for in-between seasons.
00:48:36Oh yes, she must be happy about her son getting married, woman.
00:48:40For a Basque who knows what he wants.
00:48:43Hey, hey, excuse me, I've always been very clear about this, you know?
00:48:46Yes, yes.
00:48:47After much dizziness, I lost her.
00:48:50That if you put a string around your neck, it spins more than a top.
00:48:53But anyway, I mean, we'll see.
00:48:55Look, with the utmost respect for everyone.
00:48:58But there won't be a single day when I can speak compassionately without you all attacking me.
00:49:01jugular.
00:49:02Hey?
00:49:03Say.
00:49:03What are you talking about?
00:49:04If you don't talk to anyone, not even a single word, without wanting to sleep with them.
00:49:08Please.
00:49:09Sea...
00:49:09Sea...
00:49:10Marichu?
00:49:11Come, soch!
00:49:13Marichu!
00:49:24We're here, we're here.
00:49:30Jesus, Coldo.
00:49:31Are you back from driving to a bad airport?
00:49:33Hey, you know that for domestic flights, arriving an hour early is fine, right?
00:49:36How have we been?
00:49:37Has the plane returned?
00:49:40And your mother is going to be given the keys to the city.
00:49:42Okay, Carmen, so what do we do now?
00:49:43Because your father has also delayed his return, Rafi told me.
00:49:46Well, we really have to get married now, Iñaki.
00:49:47Otherwise, my father and your mother will ruin us.
00:49:50I'm telling you.
00:49:50Yes, but it's difficult.
00:49:52They won't give it to you at the town hall even if you're three months old.
00:49:54And even more so for us, since we have to keep it a secret.
00:49:56Already.
00:49:57Excuse the intrusion, okay?
00:49:58But the issue of secrecy is going to get a bit complicated.
00:50:02Excuse me, guys, he's fixing the elevator cables here and you can hear everything.
00:50:06Everything, huh?
00:50:07Dolores?
00:50:08Tell me!
00:50:09Dolores, get out of there!
00:50:11Go, Colo.
00:50:12Oh!
00:50:12I was freaking out.
00:50:14And I was complaining about having to lift the pliers.
00:50:17If only I had known what a surprise I was in for.
00:50:19Yes, Dolores, for your mother's sake.
00:50:22Don't say anything.
00:50:23Well, I'm not saying anything, but then I'm not going to tell you how I can help you either.
00:50:27Well, keeping a secret is definitely not an option.
00:50:29I meant that my brother-in-law is a notary.
00:50:32Very good, Dolores.
00:50:33My cousin just opened a dry cleaning business.
00:50:35No, no, it's good.
00:50:36Now notaries can perform weddings.
00:50:38Well, it doesn't have the same presence as a priest, but hey, I can put together a mortgage will package for you.
00:50:43Yes, and my wedge fits together very quickly.
00:50:46Come on, he's done more favors to the marriage will than he's written about Balaguay.
00:50:49Look.
00:50:50This?
00:50:51Notary?
00:50:51Yes, no, I'm going to the same notary.
00:50:54Come on, Carmela.
00:50:56Come on, come with me to see the priest.
00:50:57He hasn't vetoed it for the last two papal conclaves, has he?
00:51:00Yes, daddy, you see that I...
00:51:01Come on, come with me, let's go.
00:51:12Dolores, darling, would you mind going to the notary's office?
00:51:15I?
00:51:16Yeah.
00:51:17And to leave control without control?
00:51:18Yeah.
00:51:23I?
00:51:23And leave the bar without me?
00:51:29I?
00:51:30I barely know Seville.
00:51:32I can't go alone.
00:51:38I?
00:51:39No way.
00:51:40Although...
00:51:43Can you go?
00:51:45I'll go with you, I'm the last one here and these people are busy.
00:51:49Well, here we are.
00:51:51From now on I can go on alone.
00:51:53You don't need to keep escorting me, Benito.
00:51:56But you're already firing me, for God's sake.
00:51:58He always leaves me speechless.
00:52:00Hey, Benito.
00:52:01With what you're saying, it's hard not to leave him speechless.
00:52:05Yes, yes, but we still have very important things to talk about.
00:52:09You're right.
00:52:11Look, since your last visit, I've thought about many things and...
00:52:17Look, where is it?
00:52:18What, Dad?
00:52:19Will you be happy?
00:52:20No, daughter.
00:52:21I'm not happy.
00:52:23Nasiste y de madrugada y desde entonces, no doyes, choma.
00:52:26It's a pain.
00:52:28See you later.
00:52:31Is this lady admitted here or is she seeking other income?
00:52:33No, my dear, not everyone thinks like you.
00:52:36Okay, what's wrong with you now?
00:52:37The thing is, the DreamCon sale has forced us to put our essential items up for sale.
00:52:43Kites?
00:52:44No, the furs and the car.
00:52:47Okay, that's enough.
00:52:48I was determined to maintain the same lifestyle, despite the cuts, the pay, me
00:52:53It looks great.
00:52:53But we must be consistent.
00:52:56So you can start selling the Mercedes now.
00:52:57And you, selling the furs.
00:52:59That he wasn't in Russia.
00:53:06Don't you know anything?
00:53:07Well.
00:53:08The notary says, sorry.
00:53:09He says, man, if I move you a little closer.
00:53:11Don't you know anything?
00:53:13Hey, this bike belongs to your niece.
00:53:15No, this one's mine.
00:53:16I'll set you up, crazy.
00:53:17I'm going to ride you.
00:53:18If I put the briefcase in the basket.
00:53:19Come on, you didn't have a motorcycle.
00:53:21I brought up the topic of the donkey, I didn't bring up the topic of the donkey.
00:53:24He crashed it there.
00:53:25Dolores against a chirimbolo.
00:53:26Yes, well, my contraption isn't being set up here because we'll look like the characters from Verano Azul.
00:53:30Okay, see you there.
00:53:31Come on.
00:53:32Hey, huh?
00:53:33But where would I go to the notary?
00:53:35Taxi.
00:53:35Stop, stop, stop.
00:53:38Quick, follow that bike.
00:53:48So.
00:53:49Hello.
00:53:52Here are the results from Mr. Rosario.
00:53:55Thank you, Dolores.
00:53:56You'll be here very soon.
00:53:57That means I'm very ill.
00:53:58Or that I am very efficient.
00:54:00Efficient and very witty, Dolores, as always.
00:54:02Come on, Robert, you've changed quite a bit, haven't you?
00:54:05It used to be vinegar, and now it's a cream cake.
00:54:09You're giving Trini's people a hard time, aren't you?
00:54:11As?
00:54:12Yes, yes, yes.
00:54:13Come on, we can see you perfectly.
00:54:14It works for Trini's people.
00:54:16Oh, no.
00:54:18But what about Trini?
00:54:19Kid, the Flappy Highway thing, from everyone's good side, positive thinking, not for me, but for you, this thing.
00:54:24Sure, sure, sure.
00:54:25Okay, let's take a look at this brain.
00:54:27In this brain...
00:54:31There are two brains in this brain.
00:54:34That is very serious.
00:54:35That's impossible.
00:54:37And they are also two different brains.
00:54:39Could it be the brain of the tumor?
00:54:41Oh, Dr. Almeral, I think I'm getting dizzy now, I really am, you know?
00:54:45No, no, no, everything is fine, don't worry, don't worry.
00:54:48But how can everything be alright if this man has two brains?
00:54:50I wonder if he's going to have a brother, since I've already gone in there.
00:54:52To the one who saw everything blurry.
00:54:53No, no, that's a mistake.
00:54:55This test is not for you, Don Rosario.
00:54:56Okay, so whose is it then?
00:54:58Well, I don't know.
00:55:00Well, I'll take it to study anomalies.
00:55:02I don't study it, I'm the doctor for that.
00:55:04Well, you're already late, because this man needs twice the attention.
00:55:06Miss Ocaña, come out with me.
00:55:11Don't worry, Dolores, I'll take care of this.
00:55:13Oh, and not a peep about the two brains, huh?
00:55:15No, no, not a word, don't worry.
00:55:21My God, what a day, so much information.
00:55:24I need to make a plan.
00:55:26Come on, two coffees with a little bit of Chirrista, shall we?
00:55:29Yes, and I can't give you anything to eat, because I've just run out of bread.
00:55:33Come on, Sabino, go buy some bread.
00:55:35Hey, this mesh must think we've all become celiacs.
00:55:38Don't forget the oil, virgin is the usual kind, okay?
00:55:41Anything else?
00:55:42No, it's already done.
00:55:44Sabine.
00:55:46Oh, Sabino!
00:55:47Here, take the jacket, otherwise you'll get cystitis.
00:55:55And this, right?
00:55:56This?
00:55:57Is that the hook Sabino bought?
00:55:59Ah, yes, the hook.
00:56:00And who invited her fishing?
00:56:02Flavio Briatore?
00:56:03What is it?
00:56:04Because he bought it at a jewelry store.
00:56:07A jewelry store?
00:56:08What is it?
00:56:12What is it?
00:56:12What is it?
00:56:16Well, well, Vego, it won't be a hook, but it seems he wants to win you back with a little something.
00:56:21Hush, hush, hush!
00:56:22The only nice thing Sabino has done for me is let me go into the bathroom before him.
00:56:26Oh, how beautiful!
00:56:27Save it before it comes.
00:56:29Oh!
00:56:31Oh, you fool!
00:56:40Who's going to stop me here?
00:56:41Who's going to stop me here?
00:56:41What do I owe him?
00:56:45Come on.
00:56:47Nothing, keep the rest.
00:56:49Damn, Durain.
00:56:50You're in good shape, huh?
00:56:52How do you hit it?
00:56:54So this is where people come when they have important things in life, right?
00:56:57My turn will come someday, won't it?
00:56:58Of course, definitely.
00:57:00Here it goes.
00:57:03They fit so...
00:57:03Kid, what's wrong with you?
00:57:05Well, they're my crew and we've never, ever lied to each other.
00:57:08And now Iñaki and I are getting married, what am I supposed to say to him?
00:57:10I mean, I'm so pissed off at the Basque nobility, damn it.
00:57:11Hey, no, relax, relax, you're talking to a professional on the subject, okay?
00:57:15I'm here to support you.
00:57:16Just breathe and let it flow, you'll see how the lie comes out on its own.
00:57:19But he coeled.
00:57:19Ah, well, he coelo.
00:57:20Fuck.
00:57:21Ah, Panchón!
00:57:23Here we are at the clinic.
00:57:25Yeah.
00:57:26Wait, let me put you on speakerphone.
00:57:27That?
00:57:28No, don't put the contraption on, Mr. Menon.
00:57:30Iñaki is getting married.
00:57:34He already told us that this morning.
00:57:35You're way behind too.
00:57:37As if you lived on the Greenwich Meridian.
00:57:39That it is not substantial.
00:57:40She's getting married today, right now, in a little while, damn it.
00:57:44That?
00:57:44Without us?
00:57:46Yes, without us and without anyone.
00:57:49It's your decision, okay?
00:57:50And we will respect it.
00:57:51Just as we respected when you said
00:57:53I'm going to get a hair transplant from my back to my head.
00:57:56And...
00:57:56No, that...
00:57:57No, no, listen to me.
00:57:58So what do we decide?
00:57:59That...?
00:57:59Ah, well, this is the same.
00:58:02Well, if that's your decision,
00:58:04Even if it's crazy, we'll have to respect it.
00:58:07Goodbye, Koldo.
00:58:08Arrive, Agur.
00:58:10But...
00:58:10But what's going on?
00:58:12Now you're going to tell me he's bought a bar in Morocco.
00:58:14Happens?
00:58:15The thing is, he doesn't know this crew anymore.
00:58:17not even her own mother.
00:58:18What are you saying?
00:58:19Do you see how we need to put free brothers?
00:58:21Then I never find out anything.
00:58:28But what about these?
00:58:31Honestly, I don't know what's going on.
00:58:32But lately you've all been acting mysteriously...
00:58:37So what?
00:58:40You have nothing to give me, huh?
00:58:42Damn, Gochu, you're so clever.
00:58:44You don't miss a thing, do you?
00:58:45Come on, take it.
00:58:53The turns of the bread.
00:59:08Ah, here it is, here it is, yes.
00:59:10Let's see, what are you leaving as an inheritance?
00:59:13Twins?
00:59:15Oh no, this is an adoption.
00:59:17Uh, excuse me, could I call you back in a little while?
00:59:20Yes, yes.
00:59:21Ah, thank you very much, Mrs. Vitruvius,
00:59:22Thank you for your patience and understanding.
00:59:24Thank you, that's very kind of you.
00:59:26Hey...
00:59:27Angeline!
00:59:28Can anyone tell me where Mrs. Vitruvio's inheritance is?
00:59:31He doesn't have a house on Monsalve Street.
00:59:34No, I mean the paper.
00:59:36Let's see if we can computerize this.
00:59:38Don Leandro, there's a couple waiting for a wedding right there at the door.
00:59:43Oh, so they want to get married?
00:59:45Yes, yes.
00:59:45Or her?
00:59:46They say it comes from his sister-in-law Dolores.
00:59:49Well, you're leaving, hurry up, come on, run.
00:59:51Hurry, run and get through.
00:59:53Listen, gentlemen, you can come in now.
00:59:55Thank you.
00:59:57Good afternoon.
01:00:00Relax, man, it'll only take a moment.
01:00:01I'm nervous, it's the first time.
01:00:04Ah, I thought that...
01:00:05But come in, come in, come in, come in.
01:00:07She has already updated my secretary.
01:00:09Thank you very much, Don Leandro, for receiving us unannounced, eh?
01:00:12Ah, sit down, but sit down.
01:00:14No, no, thank you, no.
01:00:15Not this one, because he's a spoiled brat.
01:00:17But my ass is wrecked, thank you.
01:00:19Okay, come on, let's sit down.
01:00:21Well, well, that's all.
01:00:23The important thing is that you've come here
01:00:25Because you need me, right?
01:00:26Yes, well, you'll see that it's not your typical wedding.
01:00:30Sure, no, well, but the important thing is that you've made it this far.
01:00:33Well, how could I not?
01:00:34He's my lifelong best friend,
01:00:36the one who wanted to take the step
01:00:38And one has to be there to support.
01:00:39Well, we just decided to give him a cheek.
01:00:42Well, maybe I'm getting a little carried away...
01:00:44What I was saying at the beginning is that I wasn't very convinced,
01:00:47But he was the one who made me understand.
01:00:49What do you mean you didn't understand at first?
01:00:51I've always been very traditional.
01:00:54Mixtures have never worked for me.
01:00:56Once you try it, well, of course.
01:00:59Things are seen differently.
01:01:00Sure, sure.
01:01:01Well, but the important thing is to love each other, right?
01:01:04Okay, so what kind of ceremony had you thought of?
01:01:08This is the first time I've officiated a wedding for two people.
01:01:11But man, no.
01:01:12Well, we're not a couple.
01:01:14Watch out, watch out, watch out, watch out.
01:01:15No, no, no.
01:01:16Man, may God preserve his sight
01:01:18that the authorship you have lost so much studying.
01:01:19So you've actually come?
01:01:21To marry a couple, but friends.
01:01:22but boy and girl.
01:01:23So, that...
01:01:24Clear.
01:01:25Man, I wouldn't get involved with this guy even if he were gay.
01:01:28Well, and...
01:01:29Look, they couldn't come
01:01:30And we have come to see
01:01:31When do you have time for me to see her?
01:01:34Ah, well, well, I don't know,
01:01:35But that would mean I would have to...
01:01:36The procedures needed to be expedited, and I don't know why.
01:01:39Algerians!
01:01:40I have a schedule, right?
01:01:41So much...
01:01:43Could they be here within an hour?
01:01:46What does Coldo say?
01:01:47The notary will marry us in one hour.
01:01:49One hour?
01:01:50No, no, no.
01:01:51So, what do you think?
01:01:52I don't know.
01:01:54Okay, so I can say yes.
01:01:57I have 55 minutes to spare.
01:02:00Oh!
01:02:01We're coming, okay.
01:02:02Now let's go.
01:02:04Hey!
01:02:05Hey!
01:02:06Naki!
01:02:07How about meeting at Don Hosti?
01:02:09next week with Don Ramón?
01:02:11Will we have to start with the marriage file?
01:02:13Yes, the file, of course, yes.
01:02:14Very good, very good.
01:02:15The thing is, now we're walking
01:02:16In a bit of a hurry, aren't you, Carmen?
01:02:17Why don't you stay here and wait with...
01:02:19I know.
01:02:20With Rafi!
01:02:21Yeah.
01:02:21Rafi!
01:02:22He is also very fervent.
01:02:23Yeah.
01:02:24Right, Isabel?
01:02:26Fervent, my Rafael?
01:02:28Tell me about it.
01:02:29My Surri is still working for me
01:02:31despite what we have been through
01:02:32just like the first day.
01:02:32The same beautiful one.
01:02:33Oh!
01:02:34Isabelita refers to religious fervor,
01:02:36no to the forbidden or carnal.
01:02:38Ah!
01:02:39Phew!
01:02:40Yes, we didn't make it.
01:02:41Have a good time.
01:02:42That's late.
01:02:43We didn't make it, yes.
01:02:43Boring?
01:02:44Bye!
01:02:44Okay, bye.
01:02:45I'm staying here.
01:02:55What brought me here?
01:02:57A souvenir.
01:02:58A souvenir?
01:02:59Well, it turns out that the CT scan
01:03:00has left a record
01:03:02for posterity
01:03:02of our 45 minutes of passion.
01:03:05Oh.
01:03:06I thought that CT scans
01:03:06It only took 20 minutes
01:03:08in being carried out.
01:03:09Who is the professional here?
01:03:10You or me?
01:03:14Has anyone else seen this?
01:03:16Well, not many people.
01:03:19Only Rosario and Dolores.
01:03:21Oh.
01:03:21Great!
01:03:22We can be completely at ease.
01:03:24Robert,
01:03:24I'm not going to gamble my future here
01:03:26due to a very unprofessional outburst.
01:03:28But Trini, damn it,
01:03:29we did it on a CT scan,
01:03:30not in a photo booth.
01:03:31You can't tell it's us there.
01:03:33Now that's right.
01:03:34It wasn't a good idea to do it there.
01:03:36No, no, of course not.
01:03:38Not there or anywhere else, Robert.
01:03:41Because it was a mistake
01:03:41that will not happen again.
01:03:42OK.
01:03:43It will not happen again.
01:03:44But don't call it a mistake, Trini.
01:03:47Using that positive language
01:03:48that you like so much
01:03:49You can call it
01:03:49a way to bring positions closer together.
01:03:52Goodbye, Robert.
01:03:54Goodbye, Trini.
01:03:57It's amazing how fast it is.
01:03:58that get off
01:03:59at this clinic
01:03:59little endorphins and such.
01:04:13Angeline!
01:04:14The file has arrived!
01:04:16Yes, Mr. Leandro.
01:04:18I'm coming with the slip of paper.
01:04:22"I'm not going," he says.
01:04:24Pussy.
01:04:26Sorry.
01:04:29Damn, she's my boss.
01:04:30Is there any way
01:04:31To expedite the process, Don Leandro?
01:04:33Thank you, Angeline.
01:04:35Well, here they are.
01:04:37Let's see.
01:04:37Very good, the ID cards.
01:04:38Yes, yes, yes.
01:04:39The file.
01:04:40Yes, yes, it's all there.
01:04:41Sorry.
01:04:45Pussy!
01:04:47Well, but it gives a little something.
01:04:53Angeline, you can pick up the papers!
01:04:57What happens now?
01:04:59No, no, no, no, no, no.
01:05:00She's one of a kind.
01:05:02Oh, oh, my mother.
01:05:04What was he doing here?
01:05:06But don't worry,
01:05:07that I help her.
01:05:08I help her pick up her things.
01:05:10Don't worry.
01:05:12Ma'am, I'll give it to you.
01:05:14Here you go, sir.
01:05:16Well, that's it.
01:05:17Now, Mr. Leandro.
01:05:18Okay, okay, let's see.
01:05:20So you are...
01:05:25Iñaki...
01:05:25Yeah.
01:05:29Iñaki Irazabalbeitia.
01:05:31Irazabalbeitia.
01:05:32Please, get to the point, Don Leandro.
01:05:33For God's sake.
01:05:34Okay, let's see.
01:05:35By the power vested in me,
01:05:37I now pronounce you husband and wife.
01:05:41Please sign here.
01:05:42Please sign here.
01:05:44Here, here.
01:05:45And the witness is over here.
01:05:46And then, if that's the case, I'll fill everything in later.
01:05:48I'm a witness, I'm one of the crew, you know?
01:05:50Okay, I need to take a picture now.
01:05:52Man, he's made history.
01:05:53Faggot!
01:05:54Oh, wait, wait!
01:05:55Don Leandro, thank you.
01:05:57You don't give each other any more.
01:06:00José?
01:06:01That?
01:06:02Are you crying?
01:06:03Me, but I've already thrown myself at it,
01:06:05It's gotten in my head a little.
01:06:06I'm crying.
01:06:08Let's see.
01:06:09Well.
01:06:11Take.
01:06:25That?
01:06:26Man!
01:06:27That you become.
01:06:29No, I can't pick you up at the airport.
01:06:33Of course I have the package.
01:06:35Yes, yes.
01:06:36Listen to this.
01:06:37Let's do something.
01:06:39If I manage to avoid Bego,
01:06:41I'll come to your house and leave you the necklace.
01:06:44Don't worry, you're calm.
01:06:45She suspects nothing.
01:06:47Come on.
01:06:48Goodbye.
01:06:54José!
01:07:08José!
01:07:08José!
01:07:09José!
01:07:09José!
01:07:10José!
01:07:11Oh, what can I ask of you!
01:07:13José, Josélito!
01:07:14How are you?
01:07:15José!
01:07:15I come here from...
01:07:16I climbed the mountain.
01:07:17I'm a machine now.
01:07:19Indurán next to me is...
01:07:20Nobody!
01:07:21No ping pong!
01:07:21How cool is that?
01:07:23So, what gear did you get in, crazy?
01:07:26March...
01:07:26Forward march, right?
01:07:27I don't know why I didn't want the car, come on.
01:07:30But how could he possibly want it?
01:07:31If the only thing you haven't told her
01:07:32The thing is, to stop I had to take one foot out.
01:07:34Because it didn't seem like a good buy to me.
01:07:36Already.
01:07:37Well, at least you haven't told this one.
01:07:39than in the back seat
01:07:39Did the girl on the curve remind you of her?
01:07:41If Dad finds out,
01:07:43that you're scaring away buyers,
01:07:45You'll find out.
01:07:45Yes of course.
01:07:46Like you, the one I wanted to buy the tolas from.
01:07:48that you told him it was squirrel.
01:07:49Well, that's it, the problems are over.
01:07:51Here's a buyer.
01:07:53Shut up, Dad.
01:07:54But if you don't drive,
01:07:54What kind of radios did cars have that were portable?
01:07:57It's for me.
01:07:58Ready.
01:08:00José.
01:08:03Do you want a Mercedes?
01:08:05Mercedes?
01:08:07This?
01:08:07All yours?
01:08:10Obe?
01:08:12Man, really!
01:08:14Man, really!
01:08:16Oh my God!
01:08:20I can't believe it!
01:08:21Why should I believe him anymore?
01:08:22I can't believe it!
01:08:23Man, really!
01:08:24Man, really!
01:08:26This won't pollute or anything, will it?
01:08:28This car, you say?
01:08:29That's my topic.
01:08:30Gas that octoberfé!
01:08:31Come on, you won't ride me anymore even if I'm dead.
01:08:33No no.
01:08:34In other words, it's not electric.
01:08:36Mom, go, son.
01:08:37I'm giving it to you as a gift.
01:08:40I've heard it.
01:08:41Yes, and I thank you for that, Don Mejumea,
01:08:44But then you start to think
01:08:47in the atmosphere and animals
01:08:51What did he say he gave away?
01:08:53And with full coverage insurance?
01:08:55No, no, no, no, I don't want it.
01:08:57I'm so proud of you, Roselito!
01:09:00Let's go!
01:09:01Let's go!
01:09:12Okay, so what's so important?
01:09:13What did you have to tell us?
01:09:14Did Frasquito call me?
01:09:15And is the young woman receptive?
01:09:17It's from a different cow,
01:09:18They want to cross it.
01:09:19Yes, well, speaking of crossings,
01:09:21Hey?
01:09:22Yeah.
01:09:23We wanted to inform you
01:09:24that the wedding
01:09:25It's not going to be like you think.
01:09:28We're here.
01:09:29What the hell has gotten into his head, right?
01:09:31No.
01:09:32And what does he want?
01:09:33Getting married on top of a cliff
01:09:34with one of those dancers
01:09:35that lift the legs
01:09:36Or with a skirt and a bagpiper?
01:09:38Yes, face paint,
01:09:39like in Braveheart.
01:09:40Not at all.
01:09:41It will be a Basque-style wedding.
01:09:43Mother.
01:09:43With his dancer,
01:09:44Not a dancer, huh?
01:09:46With his txistu,
01:09:47his chalaparta and his accordion.
01:09:49Man, accordion.
01:09:49Yes, little commission.
01:09:50Who should bear the burden of all that?
01:09:51on the bird?
01:09:51I don't care.
01:09:52But what bird are you talking about?
01:09:54No, no, nothing about birds, okay?
01:09:55They're getting married in San Sebastián.
01:09:56Not in Seville.
01:09:57Who said that?
01:09:58The wedding is going to be in Cadiz, listen.
01:10:00"Oh," says the other one!
01:10:01That's just what I needed.
01:10:02Of course, the wedding isn't going to be
01:10:03nowhere
01:10:04because we got married.
01:10:05There, I've said it.
01:10:06As?
01:10:07Did you get them married?
01:10:11Well, yes,
01:10:12We got married.
01:10:14Coldo,
01:10:16marriage contract.
01:10:20Here it is.
01:10:22She's pregnant with me.
01:10:23I didn't know,
01:10:23I'm going to put up with less
01:10:24than the rear guard.
01:10:25Okay, please.
01:10:26I got married
01:10:26because I'm in love
01:10:27and I didn't want to make a scene.
01:10:28Well, let's see what happens.
01:10:29We got married.
01:10:30That's enough.
01:10:31There is nothing left.
01:10:32that you can do.
01:10:32Hey, Iñaki...
01:10:33No, no, no.
01:10:34Coldo, let me finish.
01:10:36I'm fed up
01:10:36of listening to people.
01:10:37Now it's my turn.
01:10:38Yes, but this
01:10:38It is important
01:10:39over the wedding.
01:10:39No, you know what?
01:10:40About the wedding
01:10:41It's settled now.
01:10:42Well, it's going to be the same then.
01:10:43no.
01:10:44Well yes,
01:10:45There is something else
01:10:45What can we do?
01:10:46Have some snacks
01:10:47and celebrate it.
01:10:48You'll be quiet soon,
01:10:49soch fit.
01:10:50According to this
01:10:51You are not married.
01:10:54What do you mean we got married?
01:10:55Okay, what?
01:10:56Let's see, let's see,
01:10:57So, you do, but I...
01:11:00But with another one.
01:11:03What other?
01:11:05What other?
01:11:09Come on,
01:11:09There's no way to get a drawer, eh.
01:11:11How is?
01:11:13I'm not very fond of you, father.
01:11:14Okay, but what's going on?
01:11:18According to this document
01:11:21Iñaki is married
01:11:22with a such
01:11:24Paulova Nikoskaya.
01:11:26Something like that, something like that.
01:11:27Is this a joke?
01:11:28No.
01:11:30Hey,
01:11:30It'll be a damn thing
01:11:31damn it
01:11:32the east of the balls.
01:11:33But you got married
01:11:35with another, son.
01:11:46I can't believe it.
01:11:47After all the trouble I've had
01:11:49get used to this
01:11:50And now it turns out
01:11:51that you're married
01:11:51with a such
01:11:53Paulova Nikoskaya.
01:11:54Nikoskaya, mistress.
01:11:55Nikoskaya.
01:11:55What are you saying, I see?
01:11:57That Sabino has a lover.
01:11:58There, I've said it.
01:11:59Dolores,
01:12:00You're going to have to come with us.
01:12:01Iñaki,
01:12:01It's making a little noise
01:12:02Where is this mafioso leading me?
01:12:04It could be where your brother-in-law is.
01:12:05Let's see what he tells us.
01:12:06Long live the groom!
01:12:08Viva!
01:12:10Viva!
01:12:11Can we know?
01:12:11Why doesn't he want to sign?
01:12:12The contract with Iñaki?
01:12:13Hey, Trini,
01:12:15We are also surrounded by an arrow.
01:12:16I'll fix it for you in a moment.
01:12:17And this family will return to...
01:12:19Leandro, are you alright?
01:12:21Breathe.
01:12:22Leandro?
01:12:22Leandro!
01:12:23Leandro!
01:12:25And now, Sprinta?
01:12:26Oh, save him.
01:12:27I stole, please.
01:12:28who is my brother-in-law.
01:12:28Our notary.
01:12:29Yes, he was the one who married her.
01:12:30to Iñaki and Carmen.
01:12:31No, damn it,
01:12:31you touch goes
01:12:32and leaving corpses
01:12:33As you pass by, right?
01:12:34Ah, so he has to go
01:12:35The other one too.
01:12:36Sure, the other one.
01:12:37What other?
01:12:38What other?
01:12:38The other woman, the Russian one.
01:12:41Okay, does anyone know?
01:12:42where do Russian women hang out
01:12:43in Seville?
01:12:44Look, José,
01:12:45I need you to do it to me
01:12:45a very important favor.
01:12:47You have to get
01:12:48However my sister
01:12:49Don't go to a commune
01:12:50in Cadiz.
01:12:51Hello, Areciñaki.
01:12:55I am Pablo Vaz.
01:12:57Damn that Basque guy.
01:12:58He's lucky.
01:12:59until he makes a mistake.
01:13:00Uh, it was just
01:13:01a wild child.
01:13:02That?
01:13:04Well, look,
01:13:05I'm going to take another one from you.
01:13:06Tomorrow it's not necessary
01:13:07come.
01:13:08Wow, right?
01:13:08What am I getting the day off for?
01:13:09No, José,
01:13:10that you're fired.
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