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00:00:01Damn it! What are you doing?
00:00:02Here comes your boyfriend, he's coming hunting with me.
00:00:05As?
00:00:06Oh, look, my ears are blocked.
00:00:08I just heard that hunting topic with my father.
00:00:09Don't you know?
00:00:10That?
00:00:11Because they're going to renew our concession.
00:00:14Starting today, new protocols and a new organization.
00:00:17I want faster discharges, more efficient testing, and unbeatable patient care.
00:00:20He's inviting me to Seville.
00:00:22To spend the day.
00:00:23But who took away our sofa from the nurses' room?
00:00:26But who has taken away our entire nurses' lounge, Irene?
00:00:29But what are you doing here, Robert? Weren't you invited?
00:00:32Well, someone had to come and cover your back.
00:00:34Can you feel safe with me?
00:00:35What Rafita and I had was just a teenage fling, right Rafita?
00:00:39That?
00:00:39You can leave your clothes here and change in the bathroom.
00:00:42But what about you now? The NBA?
00:00:43Hey Rafi, you've put your leather jackets back on, mate.
00:00:46You know, once a rocker, always a rocker.
00:00:48Because it was a mistake. Look, you can't make a mistake here.
00:00:52So, I'm a mistake, right?
00:00:56I'm careful with my husband.
00:00:58He might run amber lights, but I'll run them at full speed.
00:01:02Look, José, I don't think this is a good idea.
00:01:04I agree, but ask the question to someone who has had it.
00:01:08Welcome, Maricho.
00:01:11It takes away my snail.
00:01:17Oh, damn everything that moves!
00:01:20Damn, what happened to me, I swear!
00:01:21Damn it all, it wasn't his fault, the mistake was...
00:01:25My thing!
00:01:26Carmen, this isn't going to end like this.
00:01:28The fact that?
00:01:28What if your office is full of people and we don't have a nurse?
00:01:31Of course not.
00:01:32He's going to give us back the room.
00:01:34You and I know that Frasquito wasn't the one who fired the shot.
00:01:38And if I truly say it was you, no one will doubt it.
00:01:41Not my daughter at all.
00:01:43That?
00:01:43The hunt is about to begin.
00:02:25Good morning.
00:02:26Good morning.
00:02:29Are you looking for coffee?
00:02:30No, I'm not looking for it.
00:02:32Yes, because maybe he's looking for it, but he can't find it.
00:02:35Antonio, I know you don't like me bringing up the subject,
00:02:38But maybe I should talk to my daughter and tell her that her eyesight is failing.
00:02:42I wish I couldn't see well.
00:02:43That way I wouldn't have to see a buffoon dressed as carnival gossips.
00:02:46And I'll tell you one thing.
00:02:47If you say anything to my daughter, she'll make your life a living hell.
00:02:50But more than Mauriña, we have to go almost now, let him.
00:02:53As if I weren't already doing it.
00:02:55So far, you've only seen my nice side, huh?
00:02:58But I'm capable of anything to make sure my daughter doesn't end up with the wrong man.
00:03:03And anything means anything.
00:03:12Well, well, good morning.
00:03:14It's so nice to see them so close together.
00:03:16I'm going to have to get jealous eventually.
00:03:18Oh, we're telling Bill and the kid how I want my breakfast, aren't we?
00:03:23Yes, yes, that's exactly where the toast is, Antonio.
00:03:26And I've left the jam next to it.
00:03:28She looks good as jam.
00:03:31Perfectly, my son.
00:03:32Thank you.
00:03:34Okay, so what?
00:03:35Shall we sit down for breakfast or what?
00:03:37No, don't worry, have breakfast by yourselves.
00:03:39I have to run to the bar.
00:03:41Little one, I've prepared your lunch in a Tupperware container.
00:03:44Thank you.
00:03:44In the Tupperware container.
00:03:46Father, let's not start, okay?
00:03:48If I don't start, my friend, I don't start.
00:03:50Because I'm used to country men.
00:03:52No.
00:03:53That's precisely why I'm going back to Pacade today.
00:03:56Okay, Dad?
00:03:57How are you leaving now?
00:03:57Wait until you collect the results.
00:03:59Don't worry about that, just keep going.
00:04:01I'm going to the clinic this morning,
00:04:03I pick them up and in the afternoon I head to Pacade.
00:04:05Oh, daddy, I've had so little time to enjoy you, haven't I?
00:04:08Well, let him be; he'll miss his country house too.
00:04:11that's what he likes.
00:04:12Well, yes, man, yes.
00:04:13I prefer to be with all the brave ones.
00:04:15than with broody hens.
00:04:17Oh, look how late it's getting.
00:04:19I'm running to the bar.
00:04:22Come on, I'll give you a little one later.
00:04:27Goodbye.
00:04:28Bye bye.
00:04:31Dad, really, son.
00:04:32You're nicer to goats in the countryside.
00:04:36Hey, Don Antonio.
00:04:37What's wrong, my soul?
00:04:38How empty you are today.
00:04:40It seems that the country air suits him better than the boot.
00:04:43And the lack of disgust, my daughter.
00:04:45The only thing that changes there is the cows' heat cycle.
00:04:48Nothing else.
00:04:48Ah, it's a pleasure to listen to a man like you speak.
00:04:52From the old days.
00:04:54From the old days?
00:04:55And so old-fashioned, Lucy.
00:04:57If I had to choose,
00:04:59I prefer her to act a little more.
00:05:01Come on, I'll stick with my ñaquis.
00:05:03Hey?
00:05:03Did you already go out with the Basque guy?
00:05:05You guys are really giving me a hard time with this damn thing, aren't you?
00:05:08Well, you know what I say?
00:05:09That for me, Spain ends up like a dog's prick.
00:05:12Damn it!
00:05:15Today, today, today, today, today.
00:05:17Listen, Lucy.
00:05:18Since piety's anger doesn't subside,
00:05:20He's not going to earn enough for doors.
00:05:22I'm telling you.
00:05:23Well, it's with the sirocco wind.
00:05:24He doesn't think he's going to pay the homeowners' association fees, does he?
00:05:27That's as far as the joke could go.
00:05:31My dearest mother.
00:05:32Father, I'm leaving now.
00:05:33Robert keeps calling me.
00:05:36What a night he must have had.
00:05:37Oh, do you know anything about his condition?
00:05:39Not from his own, but certainly from his critical mobile phone.
00:05:4222 messages, father.
00:05:44Well, what a baby, what courage, huh?
00:05:45That bad things always happen to good people.
00:05:47I really want the robe, man.
00:05:52Okay, Dad.
00:05:57Iñaki is the best thing that has ever happened to me.
00:05:59I would even dare to say that he is the man of my life.
00:06:02So I ask you, please,
00:06:04Make the effort, just a little bit more.
00:06:06trying to see what a good person he is.
00:06:09Just yesterday I didn't see its good side.
00:06:12What did he do?
00:06:14So, did he take toilet paper to the mountains?
00:06:17No, it's something that's eating me up inside.
00:06:19And I don't want to leave Seville without saying it.
00:06:22It's just that, Father, please,
00:06:23Tell me because you're making me a little nervous, okay?
00:06:25But it's not easy, listen, it's not easy, look.
00:06:29It's like...
00:06:30The person you think shot him, didn't.
00:06:33Look, Frasquito didn't shoot.
00:06:36So what did it do?
00:06:37Well, I don't need to tell you that, do I?
00:06:39What are you implying, Dad?
00:06:41What happened to Iñaki?
00:06:43Please, you're even embarrassed to clean the fish.
00:06:46Come on.
00:06:47Well, but there are signs.
00:06:50Indication?
00:06:54Tell me, what happened yesterday?
00:06:56Nothing, look, it's just my own stuff.
00:06:58Soon, soon.
00:06:59Don't make such a big deal out of it, it was Frasquito and that's that.
00:07:02Hey?
00:07:03Really?
00:07:04Yes, son, right?
00:07:05Really.
00:07:06Come on, Menuella, don't worry about that.
00:07:08Come on, you're going to be late.
00:07:09Come on, let's go.
00:07:13I hate, father.
00:07:14See you later.
00:07:26Aupapello, big news.
00:07:27My father-in-law is finally leaving.
00:07:28Iñaki, I don't think this is the best time.
00:07:30Is this not the right time?
00:07:31Look, Carmen and I need to be alone.
00:07:33We're more like an orchestra than a couple.
00:07:36Well, I'm glad.
00:07:37Well, judging by your tone, it seems like it hurts.
00:07:38What's happening?
00:07:39Is something wrong?
00:07:40Is he perhaps condemned to the grave?
00:07:42I hope not, not even here.
00:07:43Hopefully.
00:07:46Come on, Pipo, move it, damn it.
00:07:50Peío, what are you doing?
00:07:52All you need to do is give him CPR in case water got in his lungs.
00:07:55But it's Pipo.
00:07:57And thanks to him, today I am a marine biologist.
00:08:00What's happening?
00:08:01What did he tell you on the exam?
00:08:02Very funny, Arantxa.
00:08:04It's because I wrote my thesis on this rare variety of bogarabeo squid.
00:08:08And it brought me a lot of luck.
00:08:10Well, I'm sorry, Peío, but come on, there are plenty more fish in the sea.
00:08:15Just like this one, right?
00:08:17It was the only specimen left in all of Europe.
00:08:20Hey Arantxa, do you mind if I keep it in the freezer?
00:08:25So that?
00:08:26Man, I'd like to say goodbye to him the way he looks.
00:08:29Peío.
00:08:43What a bunch of incompetent people you all work here!
00:08:45She looks terrible!
00:08:46What's the matter?
00:08:46Carmen, she doesn't really know what happened last night.
00:08:48Look, check this out.
00:08:50Those were the pinches I gave myself to make sure it wasn't a nightmare.
00:08:53Nurse!
00:08:54Are you that bad off?
00:08:54Fatal, fatal, Carmen.
00:08:56He doesn't stop for the entire shift.
00:08:57Look, I've never heard so many screams together in my life.
00:08:59Not even in the delivery room.
00:09:00Well, woman, are you sure Robert will be out of this soon?
00:09:02Yes, yes, Robert will be out of this soon.
00:09:04If he is perfectly fine.
00:09:05If I don't get out of here alive, that's me.
00:09:07Don't say that, woman.
00:09:08No, Carmen, no.
00:09:09That thing they say about doctors being the worst patients,
00:09:11Well, with him, it falls short.
00:09:12He spends all night complaining about silly things.
00:09:14It hasn't let me stop for a second.
00:09:15And Carmen, I can't take it anymore, I'm telling you the truth.
00:09:17Okay, little girl, calm down.
00:09:19Those are the oxen we'll have to deal with.
00:09:21Trust is disgusting, isn't it?
00:09:24Well, go out into the countryside.
00:09:28Well, everything's ready, right?
00:09:30Now comes the midwife.
00:09:33Oh, oh!
00:09:33What a great guy, old man!
00:09:35Strip.
00:09:37Robert, if you continue like this with the squad,
00:09:39He's going to conspire against you, but to finish you off.
00:09:40Are they already doing it?
00:09:42Thank goodness you came, Carmen.
00:09:43Because before nightfall these people,
00:09:45It's going to ruin me, for life.
00:09:46How could they ruin you, Robert?
00:09:47You are under observation.
00:09:48And who is watching them?
00:09:49Because this is one act of negligence after another.
00:09:51What a bunch of Inesto.
00:09:52These people who got their degrees in a raffle, damn it.
00:09:54They wouldn't even be able to watch a pot on the stove, would they?
00:09:57Don't worry.
00:09:58What happened to you?
00:09:59Tell me about it.
00:10:00So, what happened to you?
00:10:00Come on, first of all, they did the treatment wrong, huh?
00:10:03Because also the incline of the bed
00:10:04It is not suitable for a groin ailment.
00:10:06And he also prescribed a 100-milligram sedative.
00:10:07when it should be 125.
00:10:09Damn, you have to know how to count.
00:10:10If you keep this up, they're going to prescribe a prescription for you.
00:10:12But it seems to me that a boss.
00:10:13That?
00:10:18When the doctor comes, okay?
00:10:20Carmencita, please be careful.
00:10:21It's a very delicate area, as you know.
00:10:23And any false move leaves me marked for life.
00:10:26I'll be careful, but for God's sake, Robert.
00:10:28Relax, it's not a big deal.
00:10:30Fart?
00:10:31Yeah.
00:10:31But what?
00:10:32What's happening?
00:10:33It looks really bad, doesn't it?
00:10:34Carmen, I'm going to lose something, aren't I?
00:10:36No, you're not going to lose anything, Robert.
00:10:38You're not going to lose anything,
00:10:39But I'm about to lose my patience.
00:10:43And what are you doing here, huh?
00:10:45If you've come here to laugh at my misfortune,
00:10:46You can leave now, okay?
00:10:47Robert, relax.
00:10:49Yes, Robert, how are you?
00:10:50Me, great,
00:10:51I'm ready to get on a flamenco stage.
00:10:52Robert, you're just asking how you are.
00:10:55In fact, I came to offer you
00:10:57if you wanted a snack from the bar.
00:10:59I don't want anything from you, thank you.
00:11:00Well, I'm glad you're okay.
00:11:02Yes, I'm doing great.
00:11:04If you had been shot in the balls
00:11:05You'd be fucking great too, come on.
00:11:06Iñaki, please.
00:11:07Yes, yes, yes.
00:11:09Thank you.
00:11:11Robert, I don't know why you're acting like this with him, do you?
00:11:13The only reason the kid comes is because he's worried about you.
00:11:15Worried about me?
00:11:15This Basque guy?
00:11:16When does he care about me?
00:11:17Not even for my health.
00:11:18Well, since you don't have it anymore, Robert.
00:11:19What I think
00:11:20It's this nun-like attitude
00:11:22That's what hides guilt.
00:11:24Ah!
00:11:24Oh!
00:11:25Oh!
00:11:25Oh!
00:11:26Oh!
00:11:26Robert, I think this is affecting you.
00:11:27more to the head than to the crotch.
00:11:29There.
00:11:29That's the crux of the matter.
00:11:31Look at it.
00:11:31Look closely at the area.
00:11:33Can you see her clearly?
00:11:33Man, Robert,
00:11:34I'm 10 centimeters from your groin.
00:11:36Come on, I think I can see right through your eyes.
00:11:37Well, that's the point.
00:11:38That can be perfectly deduced
00:11:40what has been the trajectory
00:11:41and the angle
00:11:42from which the shot was taken.
00:11:44Hey?
00:11:45And is there only one explanation?
00:11:46What did you study?
00:11:48Medicine or criminology?
00:11:49No way, Carmen, damn it.
00:11:51That the only place
00:11:51from which it could be done
00:11:52It's the shot
00:11:53from where Iñaki was.
00:11:54Oh!
00:11:54Oh, Carmen!
00:11:55What a disgrace my manhood is, damn it!
00:11:57I'm sorry, Robert.
00:11:58What are you implying?
00:11:59What has become of Iñaki?
00:12:00If it had been him,
00:12:01He would have told me.
00:12:02That?
00:12:03He seems silly.
00:12:04But he's not stupid at all.
00:12:05He would never have told you that.
00:12:06who shot me intentionally
00:12:08because he's jealous
00:12:09of our good relationship.
00:12:10Yes, yes,
00:12:10of our good relationship,
00:12:12The same one that he and I have.
00:12:13And trust me completely.
00:12:15If that's not the issue,
00:12:16The question is whether you trust them.
00:12:17that he hasn't shot me.
00:12:19Of course.
00:12:22Well.
00:12:24I must,
00:12:25We have to see
00:12:25Who has seen you?
00:12:26And who's looking at you, huh?
00:12:28Come back soon?
00:12:29Yes, don't worry.
00:12:35Nurse!
00:12:37That baby laid an egg.
00:12:40He found that one.
00:12:41He added the salt.
00:12:43He fried it.
00:12:44And that chubby, chubby, chubby boy...
00:12:45That chubby, chubby boy
00:12:46He's going to be left all alone.
00:12:47Why didn't you stop the teasing?
00:12:49My dear son,
00:12:50But it's more than just physiotherapy.
00:12:51It seems to be making me
00:12:52The little carrot butt, right?
00:12:54No no.
00:12:55Come on, come on,
00:12:55Give me a little bit
00:12:56on the hip
00:12:57that I have it stiff.
00:12:58Well, this seems to me like this:
00:13:00and now...
00:13:01Dale.
00:13:02Oh!
00:13:02Oh, oh, oh!
00:13:03Stop, stop, stop!
00:13:04My hip is in terrible shape!
00:13:06son of my life!
00:13:06Did you believe that?
00:13:07Are you Norma Duval?
00:13:08Oh, I'm hurting him!
00:13:09It's not that I'm confused.
00:13:09I'm doing well with the stretching.
00:13:11Look, Christopher,
00:13:12You're right there.
00:13:13that we didn't know
00:13:14Nothing from Dad lately.
00:13:15If you want
00:13:16We'll give you a little privacy
00:13:18Or let's get some candles,
00:13:19a small plate of ham...
00:13:22How funny you were!
00:13:23Always, Centra!
00:13:25Go on, José.
00:13:27Come back later
00:13:28that gives me
00:13:28and that after this visit
00:13:30They're going to come back
00:13:30to stiffen the muscles.
00:13:31No, man, for God's sake,
00:13:32I didn't stop for us,
00:13:33if we couldn't stay
00:13:33a long time.
00:13:35Clear!
00:13:35Why waste my time?
00:13:36with dad, being able to be
00:13:37wasting money out there
00:13:38your inheritance.
00:13:39No,
00:13:40That's not it.
00:13:41We have to go...
00:13:42Let's get to work.
00:13:43Look at it!
00:13:44How infuriating!
00:13:45I had to say it.
00:13:46in the news
00:13:46Manolito the first.
00:13:48The cold December 28th
00:13:49It's just that my children
00:13:50They're taking me for a ride
00:13:51because he was innocent.
00:13:52No, Dad,
00:13:53which is true.
00:13:54I have started
00:13:54to work as manager
00:13:55in a beauty salon
00:13:56what is it...
00:13:57Oh, wonder!
00:13:58And we have a spa,
00:14:00hair salon...
00:14:00Our specialty,
00:14:01the warned Japanese.
00:14:02The Japanese
00:14:03They no longer have straight hair.
00:14:04But not the English ones.
00:14:06Look,
00:14:07I've brought you a contract
00:14:09So you can see.
00:14:13I'm betting on being real.
00:14:15No, well that's nothing.
00:14:16You're going to be amazed
00:14:17when you find out
00:14:17Where am I working, Dad?
00:14:19Look,
00:14:19I'm working
00:14:20in a wine cellar
00:14:22of representative.
00:14:24Go on, José,
00:14:25He asks for a small table for another rhino.
00:14:27My hearing has been terrible lately.
00:14:28No, Dad,
00:14:29I'm serious.
00:14:29It's been tough, hasn't it?
00:14:31But look,
00:14:31In the end they knew
00:14:32see our potential.
00:14:35What a great joy!
00:14:36You're giving me.
00:14:38I thought I wouldn't live.
00:14:40to see my children working.
00:14:42Not even stop being you
00:14:44I feel very proud
00:14:45of you.
00:14:47One little thing, Dad,
00:14:48look,
00:14:48that with the expenses
00:14:49of the displacement
00:14:50print the resume,
00:14:52buy myself a presentable suit
00:14:53for interviews,
00:14:53that we are...
00:14:55We didn't arrive
00:14:56At the end of the month, you know?
00:14:56And at the end of the month
00:14:57And on weekends, man,
00:14:58that it's day two.
00:15:00It's until we get paid
00:15:01the first payroll
00:15:01we are drier
00:15:03than a dried tuna, dad.
00:15:04How unfair
00:15:05That's what it's about getting paid.
00:15:06after work.
00:15:07That...
00:15:07That is slavery.
00:15:10That wouldn't be right.
00:15:11deny a forerunner
00:15:13that you have shown
00:15:14that you have matured.
00:15:15This is what the work involves.
00:15:17I am a man
00:15:18word
00:15:18And you know it.
00:15:20So I'm going to
00:15:21to give a few coins.
00:15:23Oh, my daddy!
00:15:26I swear that as soon as I get paid
00:15:27I invite you to a seafood feast.
00:15:28Hey?
00:15:31A seafood platter,
00:15:32a seafood platter.
00:15:32To the soup kitchen
00:15:33You're going to have to invite yourself.
00:15:35But how could you even think of that?
00:15:36crazy.
00:15:36I've gotten carried away.
00:15:37about work.
00:15:38It slipped my mind.
00:15:38But it worked.
00:15:39Yeah.
00:15:41Hey,
00:15:41tell your friend
00:15:42who makes counterfeit goods
00:15:43great contracts.
00:15:44Man,
00:15:45with what he charged me
00:15:45It was better if they were.
00:15:46Thank goodness Dad pays.
00:15:48But next time
00:15:49cut yourself a little
00:15:49that he's going to realize
00:15:50that the only job
00:15:51that we have
00:15:51It's about not fitting in.
00:15:52in no profile
00:15:53from no company
00:15:53nor in anything.
00:15:54What fault is it of ours?
00:15:55Are they misunderstood?
00:15:57Do you know what's going on?
00:15:57That hasn't been invented yet
00:15:58the work
00:15:58that adapts
00:15:59to what we do best.
00:16:01He lied to our father.
00:16:04That's what we're given to light.
00:16:05And the trappings
00:16:06which shows its countenance,
00:16:08his bravery,
00:16:09his courage,
00:16:10the bright jet
00:16:11of its fur
00:16:12that reflects beauty
00:16:13of the Cadiz landscape.
00:16:15Oh,
00:16:16That's just inexplicable.
00:16:17You have to experience it.
00:16:19Oh,
00:16:20You explained it perfectly.
00:16:21What a golden tongue
00:16:22Do you have it, Don Antonio?
00:16:23That?
00:16:24What are you chatting about?
00:16:25Here's your father,
00:16:26who is a poet.
00:16:27Just as he described me,
00:16:28the Grazalema mountain range
00:16:29I just feel like it
00:16:29to buy myself something there.
00:16:31I just can't help it.
00:16:32The land and the bull
00:16:33They are carried within.
00:16:35Oh,
00:16:35Thank goodness today
00:16:36I'm going back to Cadiz,
00:16:37Hey?
00:16:37He's being so annoying about you leaving,
00:16:39father?
00:16:39The test results.
00:16:41Have they given it to you yet?
00:16:42Oh,
00:16:42wait,
00:16:42I'll get it for you in a moment.
00:16:44Oh,
00:16:45How silly.
00:16:46I have them here in my hand,
00:16:47the results.
00:16:48Let's take a look.
00:16:49Let's see what happens.
00:16:50Bye bye.
00:16:50Less is more.
00:16:55But how strange.
00:16:56Little girl,
00:16:57Don't scare me,
00:16:57that the words strange
00:16:58and medical tests together
00:17:00They are more dangerous
00:17:00than an asticine horn.
00:17:01But what's going on?
00:17:02what's happening.
00:17:02What's not shown here?
00:17:03the ophthalmology test?
00:17:05Because it's strange,
00:17:05No.
00:17:06Look at it,
00:17:06Let's see if he's gone through there.
00:17:07No, no, no,
00:17:08If it's not in that file,
00:17:09It's because it's not there.
00:17:10that haven't been done,
00:17:10come on.
00:17:11It won't hurt,
00:17:12Father,
00:17:12Do you remember it ever being done to you?
00:17:13Or not?
00:17:14Phew,
00:17:14I've had more tests done.
00:17:15than for a wedding dress.
00:17:16Well,
00:17:20Sugar is a fed-up little friend,
00:17:22But it's what we have
00:17:22sweet people,
00:17:23but otherwise
00:17:24has kidneys
00:17:26and the tension
00:17:26like James Bond.
00:17:28Oclo.
00:17:30You'll see that I've read
00:17:31a brief overview of the story.
00:17:32Already.
00:17:33Well,
00:17:34I'm going to talk to Trini
00:17:34Let's see what happens
00:17:35with the test.
00:17:36Come on,
00:17:36less more than this
00:17:37It is not a pregnancy test.
00:17:38No, not anymore.
00:17:39girls,
00:17:39That's proof of nothing.
00:17:40and also the sight.
00:17:42And you know that a lynx
00:17:43next to me
00:17:43He is a coupon seller.
00:17:45No, my dear,
00:17:46Since you've come,
00:17:47You're leaving with all the tests done,
00:17:49because they are all important,
00:17:50father.
00:17:50I'll do it another day.
00:17:51Don't worry about that.
00:17:52How could I not worry?
00:17:53If I don't worry about it,
00:17:54who?
00:17:55I'm leaving now.
00:17:55because I have to do a suture,
00:17:56But as soon as I have a free moment,
00:17:58I'll sort out the test for you.
00:17:59Come on,
00:17:59You're leaving here
00:18:00with all the tests done
00:18:01like my name is Carmela.
00:18:03Man,
00:18:04Alright?
00:18:04That's it,
00:18:05now.
00:18:08Keep your spirits up,
00:18:09Don Antonio.
00:18:10And congratulations,
00:18:11Hey?
00:18:11Oh, I almost forgot
00:18:12that you have
00:18:12hemoglobin levels
00:18:14and red blood cells
00:18:14I wish I had them for myself.
00:18:16Nurse!
00:18:18Carmen!
00:18:19Carmen!
00:18:24What's the matter,
00:18:26Coldo?
00:18:27Man,
00:18:27I know about the skewers
00:18:28They are not the same
00:18:29since they're gone.
00:18:30Bego has always been taken
00:18:31a little bit of the hand
00:18:32with parsley,
00:18:33but in the end
00:18:34It always ends up getting used to you.
00:18:36Really?
00:18:36Nothing,
00:18:37I don't know if it applies to me
00:18:38a little parsley
00:18:39It won't make me feel bad
00:18:39after the bitterness
00:18:41that I have at home.
00:18:42Damn, Coldo,
00:18:43Well, thank goodness.
00:18:44that you were okay
00:18:45With Izascun, huh?
00:18:46No,
00:18:47If this isn't because of Izascun,
00:18:48which is bitter
00:18:49since I was a teenager.
00:18:50You are like this
00:18:51since the Sevillanas went up.
00:18:52If I didn't know you,
00:18:53Coldo,
00:18:54I would say that still
00:18:55You think of mercy.
00:18:57Hey?
00:18:57Look,
00:18:58Anchón,
00:18:58Please, okay?
00:18:59Piety?
00:19:00What mercy?
00:19:00Who is mercy?
00:19:01Let's see,
00:19:01I don't think about pity
00:19:02not even in my dreams
00:19:03with mercy
00:19:04or anything like that...
00:19:07Sorry,
00:19:08piety,
00:19:08but not,
00:19:08You don't have another topic, do you?
00:19:09No?
00:19:11Oysters,
00:19:13the temples of Seville,
00:19:14No?
00:19:14Then don't pick it up.
00:19:15Leave her alone.
00:19:16to the little girl.
00:19:17What if I've been left with
00:19:19some loose ends
00:19:19over there?
00:19:20Man,
00:19:20You are a mistake.
00:19:22I don't see much loose thread,
00:19:23Coldo.
00:19:24He's going to limp.
00:19:25Piety!
00:19:27Ah, Trini!
00:19:28Hello.
00:19:29Good morning.
00:19:30Yeah.
00:19:31He is missed.
00:19:32Nekane, huh?
00:19:33And you a little too,
00:19:34daughter,
00:19:34that lately
00:19:35You are missing.
00:19:36I?
00:19:37Hey,
00:19:38What nonsense are you talking about?
00:19:40Begochut.
00:19:40Oh, look,
00:19:41just like Sabino.
00:19:42I'm going to start thinking
00:19:43that you're up to something.
00:19:46Yeah.
00:19:55Aburta.
00:19:56Chacoli Suspicion
00:19:57for D.V.
00:19:59The bird is suspicious.
00:20:00I repeat,
00:20:01The bird suspects.
00:20:04Aha,
00:20:05already.
00:20:05Well,
00:20:05And for how long?
00:20:06Would that be the replacement?
00:20:07Well, we don't know yet.
00:20:09The recovery
00:20:10from Dr. Almenar
00:20:10It depends on the final diagnosis.
00:20:12But from what I've heard
00:20:13could be
00:20:14that it lasts a long time.
00:20:15Obviously
00:20:16I would have to move
00:20:17There, right?
00:20:18Oh well,
00:20:18Coldo,
00:20:19that you don't have me
00:20:19What to answer now.
00:20:20That I understand
00:20:21that you have to consult
00:20:22this decision
00:20:22with your wife
00:20:23because it has been so long.
00:20:24My wife?
00:20:25My wife?
00:20:26Clear,
00:20:26Of course I'm going to check
00:20:27with my wife.
00:20:28I wasn't going to say either
00:20:29Yes, that's right.
00:20:31immediately.
00:20:31Well,
00:20:32Well, nothing.
00:20:32I'm waiting for your call.
00:20:33And hopefully we can count on it.
00:20:34with your presence
00:20:34in our team.
00:20:35Hey?
00:20:36Hey,
00:20:37clear,
00:20:38clear,
00:20:38thank you so much,
00:20:39Hey?
00:20:39Trini,
00:20:40I wish,
00:20:40I wish,
00:20:41already,
00:20:41come on,
00:20:42Hey,
00:20:43now.
00:20:44Padrilla,
00:20:46You won't believe it
00:20:47what just happened to me.
00:20:48Pipo has died.
00:20:50Good?
00:20:51Hey,
00:20:52Pipo,
00:20:53the fish with which he made
00:20:55the doctoral thesis.
00:20:55That?
00:20:58Ah,
00:20:58Hey,
00:20:59and?
00:21:00I was so clueless that...
00:21:01They have been suspended.
00:21:06Pepe,
00:21:07I'll go with you
00:21:07in feeling.
00:21:09Now,
00:21:10now Pipo
00:21:11He'll be happy out there.
00:21:12in...
00:21:13in...
00:21:15in the sky
00:21:16of the fish.
00:21:17Yeah.
00:21:18Well,
00:21:19for now
00:21:20It rests in the freezer.
00:21:23AND...
00:21:24It is known that
00:21:25that he has died
00:21:26It was now again
00:21:27To a thorn, right?
00:21:34Marga you.
00:21:46Oh,
00:21:46What dark circles you have.
00:21:48It shows on you.
00:21:48that you have a father-in-law
00:21:49visiting.
00:21:51Do you know anything about Robert?
00:21:52Is he going to stay?
00:21:52Strati here?
00:21:53Well,
00:21:54Well, it was quite...
00:21:54dry with me,
00:21:55So I guess
00:21:56which is fine.
00:21:57Hey,
00:21:57Hey,
00:21:57Rafi,
00:21:57Did you miss me?
00:21:58Wow,
00:21:59a lot.
00:21:59Look,
00:21:59I was going to light candles
00:22:00in a photo of you
00:22:01that's in the kitchen.
00:22:01Already,
00:22:02sure.
00:22:03Hey,
00:22:04and...
00:22:04Elena,
00:22:05how are you?
00:22:05What do you think?
00:22:07I?
00:22:09Like a friend?
00:22:10I mean
00:22:11like a waitress,
00:22:12Rafi.
00:22:12Ah,
00:22:12like a waitress,
00:22:13Great.
00:22:14Look,
00:22:14may come
00:22:14whenever I want.
00:22:15Yeah,
00:22:15Well, look,
00:22:16I'm thinking
00:22:16in doing it
00:22:17a training contract
00:22:18because a waitress
00:22:19young like her
00:22:19can give
00:22:20a modern touch,
00:22:20Alvar.
00:22:21As if being young
00:22:22outside synonym
00:22:22modern.
00:22:23And if not,
00:22:23Look at Little Nicholas.
00:22:24An old man.
00:22:25Let's see,
00:22:26Isabelita,
00:22:26You know why
00:22:26Iñaki says so.
00:22:27Besides,
00:22:27We haven't met
00:22:28in which the changes
00:22:28they don't have to
00:22:29to be bad.
00:22:30Already,
00:22:31Well,
00:22:31but I, that muse
00:22:32She looks a little green to me
00:22:33and when he's near you
00:22:34a little red.
00:22:36Let's see,
00:22:36Isabel,
00:22:37Whether you like it or not,
00:22:37You have to support her.
00:22:38And even more so now,
00:22:39who is part of the team.
00:22:44For now.
00:22:51Go on,
00:22:51Robert,
00:22:52You look so well surrounded,
00:22:53Hey?
00:22:54You'll complain.
00:22:55Don't give him a chance.
00:22:56who just fell silent.
00:22:57That?
00:22:57Doctor,
00:22:58how are you doing?
00:22:58Well, I'm a little bit
00:22:59tired,
00:23:00Trini,
00:23:00the truth,
00:23:00But thank you.
00:23:01Less joking around,
00:23:02Hey?
00:23:02This is very serious.
00:23:03Alright,
00:23:04Alright.
00:23:04Dr. Almenar
00:23:05He has a wound
00:23:06by projectile
00:23:07of a firearm.
00:23:08Hunting shotgun.
00:23:09Shit,
00:23:10It's started again.
00:23:11We have withdrawn
00:23:11some ammunition remnants
00:23:12and the wound has been cleaned,
00:23:13But listen to me,
00:23:14You're going to have to be
00:23:15at least
00:23:15a week
00:23:15at rest and under observation,
00:23:17Hey?
00:23:17Do you know when
00:23:18Will they be able to discharge him?
00:23:19Ask the expert.
00:23:20And on top of that, it was a joke.
00:23:21What's happening to you?
00:23:22It bothers you.
00:23:22Let them tell you things.
00:23:23Why don't you let me?
00:23:24I like the jingle
00:23:25that you know
00:23:26Brain, Roberto?
00:23:26And where do you think you are?
00:23:27Do you have a brain?
00:23:31You laugh,
00:23:32laugh.
00:23:32You'll see
00:23:32How have you not taken a risk?
00:23:33to another complaint
00:23:33due to malpractice
00:23:34and at the medical college.
00:23:35Go on,
00:23:35I would definitely say yes.
00:23:36I wasn't leaving you.
00:23:37both material
00:23:37for this year's chirigota,
00:23:39Rita was going to be helping you.
00:23:41Trini,
00:23:41You certainly
00:23:41You don't ask for references,
00:23:42No?
00:23:42To hire people.
00:23:44Well, look,
00:23:44Better not,
00:23:44because they are giving me
00:23:45I'm eager
00:23:45to change yours.
00:23:47Oh,
00:23:47sorry,
00:23:48I'm fixing it
00:23:49about your leave.
00:23:50Well,
00:23:51I just called
00:23:51to an eminence
00:23:52to replace you.
00:23:53Guess who?
00:23:54Whom?
00:23:55To Dr. Incha,
00:23:56you.
00:23:57Fat?
00:23:58But,
00:23:58You must be joking, right?
00:23:59No?
00:23:59No.
00:24:00What's happening,
00:24:00that you haven't touched me
00:24:00Enough already, balls
00:24:01Or what?
00:24:02Robert,
00:24:02dear,
00:24:03it's only
00:24:03until you heal,
00:24:04Okay?
00:24:05That's how you dedicate
00:24:06all your energy
00:24:06get well
00:24:07and to be a little bit
00:24:08kinder.
00:24:08You really need it.
00:24:09I don't know how he wants it
00:24:10Let him do it.
00:24:10with everyone
00:24:11conspiring around me
00:24:12in the dark.
00:24:13Look,
00:24:13look,
00:24:13look,
00:24:14really.
00:24:14But I'm at your command.
00:24:15from the boss
00:24:15I'll put a bandage on you.
00:24:16in the mouth,
00:24:17Hey?
00:24:18Joke!
00:24:26I can't take it anymore.
00:24:27How long will it take?
00:24:28Three minutes.
00:24:30Three minutes
00:24:30since last time
00:24:31that I asked you,
00:24:32No?
00:24:32Three minutes
00:24:33since we entered
00:24:33to the gym,
00:24:34Anchovy.
00:24:34So go for it!
00:24:35that you haven't burned
00:24:36not even half a calorie.
00:24:38You know what I'm saying?
00:24:38That I'll take the other half
00:24:39I'm going to burn it
00:24:40in the shower.
00:24:40I can't take it anymore.
00:24:42Come on,
00:24:42man,
00:24:42Are we Basques or mice?
00:24:43Go for it,
00:24:44coat,
00:24:44This will help you
00:24:45to forget
00:24:46what you have lost.
00:24:47Are you saying that because of Pipo?
00:24:48Hey?
00:24:49Clear.
00:24:51Yes, yes,
00:24:51of course.
00:24:52Somehow
00:24:52You have to go
00:24:53The duel, right?
00:24:54Okay, how?
00:24:55I'm fine.
00:24:56No, you're not okay, damn it.
00:24:57Do you think you're okay?
00:24:58You get up in the morning,
00:25:00You're going to work
00:25:01and you go on with your life
00:25:02as if nothing had happened,
00:25:03but deep down
00:25:04You know it's rotten.
00:25:05What are you saying?
00:25:07Is it in the freezer?
00:25:09Besides,
00:25:09As my colleague would say,
00:25:10There are more fish in the sea.
00:25:14Land, gift.
00:25:15It's true,
00:25:18The sea is full of fish
00:25:19And if it's not one,
00:25:20It will be another one.
00:25:22But I can't fool myself,
00:25:24I can't escape
00:25:25of reality.
00:25:26My marriage is broken.
00:25:30You're not talking to me
00:25:31Pipo's, right?
00:25:32Call him Pipo,
00:25:34Call it Piety.
00:25:36Look,
00:25:37On to the second one
00:25:37that he has asked her.
00:25:44Permission,
00:25:45I need to talk
00:25:46one little thing with you,
00:25:46Trini.
00:25:47Look, Carmen,
00:25:47if you come to change me
00:25:48Robert's turn,
00:25:49forget it,
00:25:50because in that room
00:25:51He won't want to go in
00:25:51nor the light,
00:25:52really,
00:25:52What kind of character do you still have?
00:25:53You've already gone to see it,
00:25:54Yeah.
00:25:55No,
00:25:55I don't mind
00:25:55continue with the treatments
00:25:56Robert's,
00:25:56That does worry me
00:25:57These are some of the tests.
00:25:58from my father.
00:25:59Your father?
00:26:00What's wrong with your father?
00:26:01So, what are your plans?
00:26:02competitiveness
00:26:03They are starting
00:26:04to affect patients
00:26:04like him, Trini.
00:26:05Well,
00:26:06But it will be for the best.
00:26:07No?
00:26:07Because efficiency
00:26:08It always adds up.
00:26:08It will be better for you,
00:26:10because I don't believe my father
00:26:10not have done it
00:26:11in the ophthalmology test
00:26:12because you found it
00:26:13You wanted to save money, didn't you?
00:26:14Hey, Carmen,
00:26:15that I haven't been stingy
00:26:16nothing,
00:26:16and much less your father.
00:26:18We don't cut corners
00:26:19in health,
00:26:19we're still the same.
00:26:20of good,
00:26:21only now we are
00:26:22faster
00:26:22and that means
00:26:23less spending
00:26:24for the insurance company.
00:26:25Oh,
00:26:26What a good minister you would be!
00:26:27Trini.
00:26:27Then explain it to me.
00:26:28Why my father?
00:26:29He lacks that proof.
00:26:30Well, if it's missing
00:26:30It must be because she cancelled it
00:26:31himself.
00:26:32But how does she cancel him out?
00:26:33What's the point of that?
00:26:34Trini?
00:26:35I don't know, darling,
00:26:36Ask him.
00:26:36No?
00:26:38Well,
00:26:38And now that it's
00:26:38Everything is clear now.
00:26:39come on,
00:26:40to work.
00:26:41This conversation
00:26:42It's costing me money.
00:26:44Come on,
00:26:44come on.
00:26:45Thank you so much,
00:26:46Trini.
00:26:53Dolores,
00:26:54Dolores,
00:26:54Have you seen my father?
00:26:55I haven't seen your father.
00:26:56but the one I've seen
00:26:57to Ardeocancology
00:26:57with the midwife
00:26:58arguing.
00:26:59There are issues there.
00:26:59because the other day
00:27:00She came with Dolores,
00:27:01dear,
00:27:01I would love to stay
00:27:02and to know how it ends
00:27:03the story,
00:27:04But I have to go
00:27:04because today I have
00:27:05a very heavy topic.
00:27:06Hey,
00:27:06Speaking of heavy,
00:27:07Go see Robert.
00:27:08But do I have to go?
00:27:09That have opened
00:27:10the points
00:27:10and only wants
00:27:11You go.
00:27:12With this man
00:27:13I am doing
00:27:13your no doubles.
00:27:14Well,
00:27:14I'm going to see it.
00:27:21Iñaki,
00:27:22Give me a double coffee.
00:27:24Marcelo.
00:27:24No,
00:27:25triple.
00:27:26Hey?
00:27:26No,
00:27:27look,
00:27:27Just give me the sack of coffee.
00:27:29And now my head is spinning.
00:27:29inside.
00:27:30Already,
00:27:31and a stomach protector
00:27:32for seasoning,
00:27:32No?
00:27:33Well, look,
00:27:33I don't know,
00:27:34but whatever
00:27:34to stay awake
00:27:35until I get home.
00:27:36He just doesn't know
00:27:37at night
00:27:37that Robert gave me,
00:27:39really.
00:27:40I hope Carmen
00:27:40He took it with a grain of salt.
00:27:41because one awaits him.
00:27:42Ah,
00:27:42But what's happening?
00:27:43What's next in the room?
00:27:44with the?
00:27:44No,
00:27:45Yeah,
00:27:45No,
00:27:46Yeah,
00:27:46let's see,
00:27:47It's because he's already gone
00:27:48And then he called her
00:27:49and well,
00:27:50I don't know,
00:27:50But if they continue like this,
00:27:51Well, they're going to have him
00:27:52to give a walkie
00:27:53to each one.
00:27:54Already,
00:27:54But does he have much time left?
00:27:55Because it hasn't gone down
00:27:56by its spike.
00:27:58Irene,
00:27:59Irene,
00:28:01Irene.
00:28:01Yeah.
00:28:02If he has a long way to go
00:28:03in the room
00:28:03with Robert.
00:28:05Well, in my experience
00:28:06I can tell you
00:28:07that he's not going to let her go
00:28:08until he is discharged
00:28:09or she lowers it
00:28:10due to exhaustion.
00:28:12Well,
00:28:12Well, I'll raise the pin for him.
00:28:14Take,
00:28:14one euro twenty.
00:28:17Irene.
00:28:19Irene.
00:28:20Yeah.
00:28:21A,
00:28:22already.
00:28:28Hello good.
00:28:29Hello.
00:28:30Tell me,
00:28:30doctor,
00:28:31What's wrong with our patient?
00:28:32Has our hair gotten messed up?
00:28:33Well, it turns out they made a mistake.
00:28:34when adjusting the drip
00:28:34and they've put the points on wrong,
00:28:36among many other things.
00:28:37I'm going to completely agree with you there.
00:28:38because the points
00:28:39They've set them up so badly,
00:28:40They should have given them to you.
00:28:41in the mouth.
00:28:42Do you see what I have to put up with?
00:28:43Have you seen a doctor?
00:28:44that he mocks
00:28:44of his poor sick patient?
00:28:46I have one right in front of me.
00:28:47But it's not the same,
00:28:48I'm really sick.
00:28:50Daya,
00:28:50if that's all you have
00:28:51and then it inflames a little.
00:28:52And what about your code of ethics?
00:28:53who uses it
00:28:53To prop up furniture, right?
00:28:54Okay, sorry,
00:28:55You're absolutely right,
00:28:56I'm not empathizing
00:28:56nothing to do with your pain.
00:28:57I'm going to prescribe you
00:28:58a stronger pain reliever
00:28:58to make it easier for you,
00:28:59OK?
00:29:00See, Celia, how easy?
00:29:01We're starting to understand each other.
00:29:03Celia.
00:29:04What calming agent from the minister?
00:29:06One of the family
00:29:07of the placebos,
00:29:08super effective,
00:29:09Let's see if he shuts up for a little while
00:29:10because this gives him patience
00:29:11and breathe sink
00:29:11Because we're going.
00:29:13Thank you.
00:29:15Oh.
00:29:16Oh.
00:29:17Carmencita,
00:29:18Thank goodness you're here
00:29:18that you are the most professional
00:29:20of all.
00:29:20Oh.
00:29:21Please,
00:29:21Look at the dots again
00:29:23that with the bad
00:29:23that they put them on me
00:29:24This looks very much like it.
00:29:25of becoming infected,
00:29:26But now.
00:29:27Oh,
00:29:27how cute you are
00:29:28who brings me lunch
00:29:29and all.
00:29:30Yeah,
00:29:31Be careful with that.
00:29:32This is for Carmen.
00:29:33Hey,
00:29:33I'm looking for her.
00:29:33Have you seen it?
00:29:34I'll tell you where you are.
00:29:35And he gives me that little pinch.
00:29:36I've been here for a while now.
00:29:37all morning
00:29:37and I have a little bit
00:29:38of the beginning of lipothymia.
00:29:40Come on,
00:29:40when I go down to the bar
00:29:41I'll reserve one for you.
00:29:42Come on,
00:29:43is in the room
00:29:43Roberto's.
00:29:44Still nodding?
00:29:45That's all he has left.
00:29:46because this one is on the floor
00:29:47but it behaves
00:29:48as if it were
00:29:48in intensive care.
00:29:50I'm telling you, yes.
00:29:52Come on.
00:29:53Bye.
00:29:54Let's see,
00:29:55How does he bring up his point?
00:29:56Let's see,
00:29:56it's very nice.
00:29:57Oh,
00:29:58Oh.
00:30:01Annoying?
00:30:01So what?
00:30:02A rhetorical question,
00:30:02No?
00:30:03How are you, Iñaki?
00:30:04I'm fixing it for him
00:30:04things, kid.
00:30:05Yes, yes,
00:30:06It's not necessary
00:30:06Give me details.
00:30:07Little one,
00:30:07You haven't gone down to the bar
00:30:08through the skewer.
00:30:10Thank you.
00:30:11Does it matter to you?
00:30:12If I wanted to
00:30:13public in my life,
00:30:13and priest, charge and entrance.
00:30:14Okay, one more thing,
00:30:15What about these points?
00:30:16Does it take a long time to heal?
00:30:17With the medical team
00:30:18that I've been assigned,
00:30:19Wait, sitting down.
00:30:20Don't you see, please?
00:30:21Don't exaggerate.
00:30:22Yes, like that.
00:30:22This is going to take a while.
00:30:24Long,
00:30:24But how long?
00:30:27Or so long
00:30:27like time
00:30:28that you're carrying here.
00:30:28Yes, yes,
00:30:29sorry.
00:30:30Leave,
00:30:31I'll leave you there.
00:30:33Giving it to him.
00:30:35Little one,
00:30:35There's the skewer.
00:30:37Thank you.
00:30:39This is beautiful.
00:30:40uncle.
00:30:40What's wrong with it?
00:30:44Have they told you yet?
00:30:45of the little gem
00:30:46that they're taking us up to Panta now,
00:30:47Come on,
00:30:48I didn't understand anything
00:30:49And that's strange.
00:30:49I have an informant
00:30:50even in re-education
00:30:52of the voice.
00:30:52Well, this one is good.
00:30:53because a sprain is coming,
00:30:55But the thing is, history
00:30:56It's enough for a trilogy,
00:30:57You leave laughing your head off.
00:30:58Let's see,
00:30:58little girl,
00:30:59Tell me you like a good mystery,
00:31:00Come on.
00:31:01But it turns out that a young gentleman
00:31:02of the entire golf club
00:31:04who was more drunk
00:31:05than a whisky tartar
00:31:06He got into the car
00:31:08golf
00:31:08to give you details
00:31:09to the little ball.
00:31:10He fell
00:31:11and he came out with an ankle injury,
00:31:12What a stupid guy.
00:31:14It has fewer lights,
00:31:15come on,
00:31:16that the dressing room
00:31:16It's lukewarm.
00:31:23What do you think of my cousin?
00:31:25Isn't it the heat I'm feeling?
00:31:26It's been like this.
00:31:26since he got off
00:31:27from the ambulance
00:31:28that they too
00:31:28They had left
00:31:29to the siren on.
00:31:32If he's in the know,
00:31:34man,
00:31:34He's in the know.
00:31:35Words are invented,
00:31:36It's shameless.
00:31:37If she puts on an apron,
00:31:38But where has that ever been seen?
00:31:39Damn?
00:31:40If the calves
00:31:42from the blue farmhouse
00:31:42They are Miura bulls.
00:31:44That's what it means to be modern.
00:31:45Antonio,
00:31:46clear,
00:31:46I know perversely
00:31:48to Iñaki
00:31:50and to a part
00:31:51very important
00:31:52of his family.
00:31:53I assure you
00:31:54that as a boyfriend
00:31:55for your daughter
00:31:55There's a better one.
00:31:57What are you saying?
00:31:58If he's messed up.
00:31:59And the doctors?
00:32:00Where are the doctors?
00:32:02What makes them not be
00:32:02putting milligrams of things
00:32:03To my brother?
00:32:04Now that you're calm,
00:32:05which is not serious
00:32:05This isn't even an emergency.
00:32:07from TV.
00:32:07Hopefully,
00:32:08there at least
00:32:08The doctors are handsome.
00:32:10The data.
00:32:10We are closed,
00:32:11Hey?
00:32:12Come on,
00:32:12realize
00:32:12that sometimes the children
00:32:13They give us injuries.
00:32:15Look at me,
00:32:15I wouldn't give a penny
00:32:17for my children
00:32:17And now I can't.
00:32:18be more proud
00:32:19of the two,
00:32:20from my Maria Eugenia
00:32:21and from me...
00:32:22Benjumea,
00:32:22Cristóbal Benjumea.
00:32:23Christopher?
00:32:24But what happened to you?
00:32:26That's a shame, Dad.
00:32:27I was in the countryside...
00:32:28in the vineyard,
00:32:30in the village.
00:32:31I was there working
00:32:31and it fell on me
00:32:32a barrel from the cellar
00:32:33that I represent.
00:32:36Pay attention to what I'm telling you.
00:32:38I couldn't be more proud.
00:32:40of my children.
00:32:41The first thing will pull,
00:32:42now.
00:32:43Yeah,
00:32:44a worker left.
00:32:50No no,
00:32:50no no,
00:32:51Don't go that way.
00:32:52It's not emotional blackmail.
00:32:53No,
00:32:54You have to accept it.
00:32:55Let's see,
00:32:55We are adults,
00:32:56Okay?
00:32:56You've missed a train.
00:32:59That's right.
00:32:59This no longer made sense.
00:33:02Okay, okay,
00:33:02Don't cry and shove.
00:33:04Opa,
00:33:04my aunt.
00:33:07No no,
00:33:08Don't ask me for anything,
00:33:09I have a meeting
00:33:09in half an hour.
00:33:11Well,
00:33:11let's see,
00:33:12what do you want?
00:33:13Well,
00:33:13well,
00:33:14I don't know where to begin.
00:33:15It's a sensitive topic,
00:33:16I don't know if lately
00:33:17You've noticed.
00:33:18Well,
00:33:18meeting,
00:33:18half an hour.
00:33:19Can you go to the garano?
00:33:20Fuck,
00:33:20and bam, not even in this,
00:33:21You're going to let me make some preliminaries.
00:33:22Look,
00:33:23I want a divorce.
00:33:23That's it,
00:33:24I've already said it.
00:33:33Good,
00:33:34and
00:33:35You have a reason.
00:33:36either
00:33:37Can we ask for the bill?
00:33:39Yeah,
00:33:39Well,
00:33:40Yeah,
00:33:40basically
00:33:40what I want to make clear
00:33:42It's not because of you,
00:33:43Okay?
00:33:43Which is more for another reason,
00:33:44I mean...
00:33:45That you've had an affair.
00:33:46You,
00:33:46that you don't even take off
00:33:47socks.
00:33:48Well yes,
00:33:49fuck.
00:33:50Maybe,
00:33:51let's see,
00:33:51I feel terrible,
00:33:52that he had never done this before.
00:33:53I swear I've tried,
00:33:55But lately
00:33:55We didn't look each other in the eyes
00:33:56with nothing.
00:33:58Last week
00:33:59I had a herpes outbreak like that,
00:34:01a ball like that,
00:34:01and you didn't even notice.
00:34:03I'm very busy,
00:34:04OK,
00:34:04You already know that.
00:34:05Man,
00:34:05I had to do something.
00:34:06while you're there all day
00:34:07in the hospital
00:34:07or you venture out there.
00:34:09Well,
00:34:10very good.
00:34:11If this is what you want,
00:34:15It's the agenda.
00:34:17because you'll want to formalize this,
00:34:18No?
00:34:19Yeah,
00:34:19Yeah,
00:34:20Yeah,
00:34:20I don't know.
00:34:21Well,
00:34:21I had thought about
00:34:22Yonchu,
00:34:23the family's lawyer,
00:34:24Yeah.
00:34:24Very good,
00:34:24We need to be practical and realistic.
00:34:26How's your Tuesday going?
00:34:27Tuesday?
00:34:28On Tuesday,
00:34:29impossible,
00:34:29I have an operating room.
00:34:31On Monday,
00:34:31that first hour?
00:34:32Impossible,
00:34:33videoconference with Moscow.
00:34:34Okay,
00:34:34Well, it has to be.
00:34:35until Saturday,
00:34:37on Saturday,
00:34:37Phew,
00:34:37Well,
00:34:38Yeah,
00:34:38It could cancel the fronton.
00:34:39Well, I couldn't cancel it
00:34:40this tycoon.
00:34:41Better.
00:34:42Look,
00:34:42If you'd like,
00:34:43our name is,
00:34:45we look for the gap
00:34:46And then, if that's the case...
00:34:47Very good,
00:34:48that seems very good to me,
00:34:49Coldo.
00:34:50Me too,
00:34:52I mean,
00:34:52me too,
00:34:53I swear,
00:34:54I mean,
00:34:54I know it's a sensitive topic,
00:34:56But we are taking it
00:34:56as very rationally,
00:34:58No?
00:34:58Of course,
00:34:59if we lose our minds
00:35:00what we have left,
00:35:00Right, Coldo?
00:35:01That's what I say,
00:35:02There it is.
00:35:04Ah,
00:35:05yes indeed,
00:35:07Get ready,
00:35:07because I'm going to take you away
00:35:08the car,
00:35:09the house,
00:35:09Villarrete's apartment
00:35:10And if you push me
00:35:11up to the gallbladder.
00:35:16Good afternoon,
00:35:16Coldo.
00:35:21What will it be?
00:35:22Sir?
00:35:24A bloodbath.
00:35:26I'm flying.
00:35:29Hey?
00:35:33Fuck,
00:35:33sots!
00:35:36Olé!
00:35:38Sots!
00:35:45Sots!
00:35:46What's wrong with him?
00:35:47What are they training for?
00:35:48to be a bullfighter's assistant?
00:35:49I don't know,
00:35:49But he has a mean face.
00:35:51Just in case,
00:35:52Don't get too close
00:35:52And I'm not going to finish you off
00:35:53You get the two chopsticks.
00:35:54All I want is
00:35:55knowing this
00:35:55where is he going,
00:35:56if it goes to both
00:35:56or at three o'clock.
00:35:58Leave it,
00:35:58I'll do it for you.
00:36:02Elena,
00:36:03Can you ask Iñaki?
00:36:04Where do these skewers go?
00:36:07Excuse me, Iñaki,
00:36:09These skewers were for...
00:36:10For the two of them, Elena,
00:36:11for the two,
00:36:12which is not the same
00:36:12to be two rather than three.
00:36:16Elena,
00:36:17please,
00:36:18Can you put on a little bit?
00:36:19Battery operated?
00:36:20You missed the mark
00:36:20not even to serve breadsticks.
00:36:21Because someone will have.
00:36:22changed location,
00:36:23Trini,
00:36:23because I have become
00:36:24even a sketch of the warehouse.
00:36:25Yes, sure.
00:36:27Bridge what?
00:36:31Iñaki,
00:36:32please,
00:36:33Give me a little coffee
00:36:34that I'm dead.
00:36:36You could rest a little,
00:36:37Don't you think so?
00:36:38You don't disconnect.
00:36:39One day,
00:36:40instead of a hug,
00:36:41You're going to make me
00:36:41the maneuver,
00:36:42the maneuver.
00:36:44What more could I want?
00:36:45Being able to throw the sofa with you
00:36:46watching a game
00:36:47of those cow balls.
00:36:48But we have
00:36:49the clinic is packed
00:36:50and I have
00:36:50to hold responsible
00:36:51of the patients.
00:36:52Okay, well,
00:36:52maybe too
00:36:53You could spend less time
00:36:54with some patients.
00:36:55I don't know,
00:36:56For example,
00:36:57Robert.
00:36:58That way you would have time
00:36:59to attend
00:37:00to other patients.
00:37:02Look, Iñaki,
00:37:02I'm going to think
00:37:03I'm very tired
00:37:04and that I didn't understand you properly.
00:37:06What are you saying?
00:37:07What, I'm not a professional?
00:37:08No, no, no, no, no, no.
00:37:09I'm just saying
00:37:10excellent,
00:37:11other nurses
00:37:12they could be in charge
00:37:13Robert's, right?
00:37:14No.
00:37:15Trini is putting pressure on us
00:37:16to all of them very much
00:37:17and I have
00:37:17to take charge
00:37:18of the patients.
00:37:21Are you jealous?
00:37:22I?
00:37:23Yeah.
00:37:23No, no, not at all.
00:37:24Come on.
00:37:26I am not healing
00:37:27Robert, just because.
00:37:28And it's not like I had one.
00:37:29the blame
00:37:30that little bottle
00:37:30He'll shoot him.
00:37:32Because it was Frasquito, right?
00:37:37What are you implying?
00:37:38What was I?
00:37:39Who fired the shot?
00:37:40I?
00:37:41Is that what I heard?
00:37:42over there?
00:37:43How does he know?
00:37:44Where did you hear that?
00:37:48Your father?
00:37:51If precisely
00:37:52It was him
00:37:52the one who shot.
00:37:54Forgive me, my father
00:37:55with the experience
00:37:55that my father has
00:37:56in the countryside.
00:37:57Please.
00:37:58If my father
00:37:58I think the first gift
00:37:59that they did to him
00:37:59It was a look
00:38:00telescopic.
00:38:01Carmen,
00:38:01His eyesight is failing.
00:38:03It does not distinguish
00:38:03a rabbit with an ass.
00:38:04Iñaki,
00:38:05My father is a lynx.
00:38:06He has the vision
00:38:07absolutely wonderful.
00:38:08Ah,
00:38:08I used to do
00:38:09the pine bridge.
00:38:10I mean,
00:38:10first you put me
00:38:11I doubt it,
00:38:11after my work
00:38:12And now you dare
00:38:13to accuse my father?
00:38:15Carmen,
00:38:16Carmen,
00:38:16Okay.
00:38:17Do you really think so?
00:38:18that I would lie to you
00:38:20in something so serious?
00:38:23I don't know anymore.
00:38:23What do you think?
00:38:48Throw it away soon
00:38:49that smells.
00:38:49Wait,
00:38:50How was he going to come?
00:38:51You'll be falling.
00:38:52And throw it far away
00:38:53that this one is capable
00:38:54to return with the tide.
00:38:57Oh,
00:38:58look,
00:38:58Here it comes!
00:38:59Or that when he comes
00:38:59move,
00:39:00We were waiting for you
00:39:01to say goodbye.
00:39:03Well, goodbye.
00:39:04Bye bye.
00:39:07Bye bye!
00:39:09Bye bye!
00:39:09Shut the fuck up!
00:39:11Let's see,
00:39:13I know what I'm doing,
00:39:13Okay?
00:39:14Relax.
00:39:15I'm no longer involved here.
00:39:16What are you saying?
00:39:17What a wretch!
00:39:18I'm a freak!
00:39:21I'm divorced, damn it!
00:39:22That?
00:39:24And on top of that, what did he tell me?
00:39:25that will sink me.
00:39:27And to make me sink,
00:39:28I'm sinking.
00:39:29Ah!
00:39:30Bye bye!
00:39:31Bye bye!
00:39:34Bye bye!
00:39:34Bye bye!
00:39:35Pipo!
00:39:35Not here.
00:39:36Don't worry,
00:39:37located.
00:39:37Below my kidneys.
00:39:40I'm going to miss you,
00:39:41Antonio.
00:39:42Although, yes,
00:39:43with the delicious sherry
00:39:44that you have brought me,
00:39:45I'm sure it will be
00:39:46more callers.
00:39:48Keep it safe
00:39:49and doses what is
00:39:50for the cut.
00:39:51A generous graduation jerrycan
00:39:52like the earth
00:39:53where it comes from,
00:39:54where the god Dionysus
00:39:55He put his capital in.
00:39:56Don't worry,
00:39:57I have a special hiding place
00:39:59for gourmet indulgences
00:40:00that they bring me from outside.
00:40:02And you, Antoñillo,
00:40:04Take care, the countryside
00:40:04He is very lonely.
00:40:06The bull and the Andalusian countryside,
00:40:08the best company
00:40:09For a man, okay?
00:40:11No, no, no,
00:40:12Don't pretend.
00:40:13I don't know what sings more
00:40:14if the stench came
00:40:15what's in the room
00:40:16with the faces you both have.
00:40:17Father, you donate,
00:40:18is there all day
00:40:18who is looking for you.
00:40:19Well, here,
00:40:20saying goodbye to Don Benjumea,
00:40:21I'm going to Cadiz.
00:40:23You won't think of leaving.
00:40:23Without getting tested, right?
00:40:25Again.
00:40:26Come on,
00:40:27And with how late it is, huh?
00:40:28It's not worth it anymore
00:40:29It's silly to do it.
00:40:30Besides,
00:40:30to test positive for alcohol.
00:40:32Don't worry,
00:40:33than for a small glass of wine
00:40:34They're not going to take it away from you
00:40:35patient meat.
00:40:36I'm asking you, please,
00:40:37I've already discussed everything.
00:40:38with the ophthalmologist.
00:40:39If you don't do it for yourself,
00:40:40Do it for my father,
00:40:41for your daughter.
00:40:41But why all the fuss?
00:40:42With that test, damn it?
00:40:44I used to do that,
00:40:45I'm going to take a little break
00:40:46to stretch your legs.
00:40:46Don't worry,
00:40:47Mr. Benjumea.
00:40:48If I'm the only one
00:40:49I want to know
00:40:50It's if my father cancelled the appointment.
00:40:52Because, anyway,
00:40:52That has something to do with it
00:40:54with the shot of the robe.
00:40:56You have to see it,
00:40:57You have to see the pain
00:40:57that it suited me
00:40:58on this hip.
00:40:59I went for a walk.
00:41:01Stay, okay?
00:41:02Stay, man.
00:41:03What confidence.
00:41:04At least on my end.
00:41:06I see that my daughter
00:41:07prefers to believe
00:41:08to the gentleness of her boyfriend.
00:41:09Because I'm sure
00:41:10to save their own skin
00:41:11she ends it
00:41:12Blaming me, aren't they?
00:41:13Why did you cancel the test?
00:41:15Carmen, calm down.
00:41:16I'm sure your father
00:41:17There is an explanation.
00:41:19Right, Antonio?
00:41:21I'm going to get tested right now, okay?
00:41:22To give her the lips
00:41:23to the liar
00:41:24that toothpick seller.
00:41:25Where do I have to go?
00:41:26Great, in two hours
00:41:27in room twelve.
00:41:28Father, I thank you very much
00:41:30Make it real, okay?
00:41:31Have another drink on my health.
00:41:32That's right, one more, okay?
00:41:34Let's see if it happens
00:41:34double letters.
00:41:35Okay, that's all for now.
00:41:38Where are you going now?
00:41:40Saying goodbye
00:41:41from the Basque's carajáula,
00:41:42But forever, man, right?
00:41:52Four hams?
00:41:53Four.
00:41:57Are you going with enthusiasm?
00:41:58Dad, what did you call me?
00:42:00I'm saying
00:42:01to your future spurned one.
00:42:02What's happening?
00:42:03Is something wrong?
00:42:03Happens?
00:42:04That my daughter is with a traitor.
00:42:06I know you've told him
00:42:07that was me
00:42:07who shot Robert.
00:42:08What did you shoot at him?
00:42:09Because you accused me first.
00:42:10What did he accuse you of?
00:42:11Okay, so what the hell did I do?
00:42:12I will not allow it
00:42:13that my daughter goes with donkeys
00:42:14deserving it in purebred.
00:42:16No, don't be mistaken, Antonio.
00:42:17What Carmen deserves
00:42:18He is a father
00:42:19that he doesn't lie to her
00:42:19in such serious matters
00:42:20It's like his eyesight is failing.
00:42:21Is your eyesight failing?
00:42:22Damn the day
00:42:23in which this pellet
00:42:24She picked the wrong man.
00:42:25Oh, I knew it!
00:42:26that these chopsticks
00:42:26They only led to violence.
00:42:28All the bravery
00:42:28He doesn't lift his crutch.
00:42:30And I'll tell you one thing.
00:42:32Within 24 hours
00:42:33you will be out
00:42:34of my daughter's life.
00:42:35We are?
00:42:36We'll see about that.
00:42:38Because of my relationship with Carmen
00:42:39It is above you.
00:42:41But that doesn't have
00:42:42nothing to do with it
00:42:42not with me
00:42:43nor with anyone.
00:42:44I know my daughter very well.
00:42:45And I know you two
00:42:46You're like a mare
00:42:47and a mule.
00:42:48You have nothing to do with each other.
00:42:49Balls!
00:42:53I give you 24 hours.
00:42:55Damn it, Iñaki.
00:42:56I didn't see him that angry
00:42:58since the plague
00:42:58From the cochineal insect in the pipe, huh?
00:43:03Oh, oh, oh, oh,
00:43:05please.
00:43:07Now I understand
00:43:08that you don't love yourself
00:43:08go from the clinic,
00:43:09But if this is like a spa,
00:43:10but without music,
00:43:11chilao.
00:43:13If it's like the deal
00:43:14that they give you here,
00:43:15nowhere.
00:43:16What are you doing, daughter?
00:43:17With the piece of muscle
00:43:18that I have,
00:43:19You're getting to the point, son.
00:43:20And squeeze harder.
00:43:22I don't want to be absent,
00:43:22But it disgusts me.
00:43:23You know?
00:43:23By a hair.
00:43:24By a hair.
00:43:25You can eat from those hairs.
00:43:26Girl, don't you have it around here?
00:43:27an aromatic oil
00:43:28For the massage?
00:43:29Yes, then I use a Chinese accent.
00:43:31And I finished the massage.
00:43:31with a happy ending.
00:43:33Woman, he's telling you
00:43:34to avoid friction.
00:43:36I don't have the friction
00:43:37with his leg,
00:43:38Mr. Benjumea.
00:43:38I have her with her whole son.
00:43:40I'm really looking forward to it.
00:43:41that they give it to him this afternoon
00:43:42the fed up.
00:43:42So soon,
00:43:43But if you haven't tried it yet
00:43:44room service,
00:43:45Hey, man?
00:43:46That's much better, son.
00:43:48Having dinner in a nightgown
00:43:49with your ass in the air
00:43:50It will be very cool,
00:43:52But not with the loving one.
00:43:56Oh, what a great vibe!
00:43:57I see here!
00:43:58If I find out,
00:43:59I break too
00:43:59one leg
00:44:00to integrate.
00:44:01It's just that this time
00:44:02that we have gone
00:44:02next to a clinic
00:44:03It has brought us much closer,
00:44:04Right, Dad?
00:44:05Okay, okay, okay, okay.
00:44:06I can see it
00:44:07And I don't believe it.
00:44:08Because you can smell it
00:44:08your food miles away,
00:44:09Otherwise,
00:44:10I could swear it's not you,
00:44:11Christopher of God.
00:44:12Because I have been a worker
00:44:12It has changed me.
00:44:13Now I have a more open mind,
00:44:14I see life differently.
00:44:16I feel more mature,
00:44:17more responsible.
00:44:18That's the way to talk.
00:44:20Do you want me to talk?
00:44:20me with the owner of the winery
00:44:22And I tell him that you are here.
00:44:22to avoid problems?
00:44:23No, they've taken care of that.
00:44:24already the insurance
00:44:25of the workers.
00:44:26No, well, if I were you I'd find out.
00:44:28Because if it's a work accident
00:44:29You could sue him.
00:44:30No, because then the union gets involved.
00:44:32the COE,
00:44:33the human resources
00:44:34And that's a mess, man.
00:44:35no.
00:44:36Man, report it, report it,
00:44:37that brought it out in me
00:44:38A little bit of money, isn't it?
00:44:42Well, Mr. Mejumea,
00:44:43This is already done.
00:44:43Hey?
00:44:43He left it so that it runs
00:44:44the marathon.
00:44:45Or just right for an appetizer.
00:44:47I give up there
00:44:47And he's going to take me
00:44:48a little bit of life.
00:44:49Dad.
00:44:51These lives,
00:44:51You really know your stuff, huh?
00:44:55You're the one who knows.
00:44:57more than the red mice.
00:45:07Sabine.
00:45:09Opa, Pio.
00:45:10I'm sorry I couldn't attend.
00:45:11to the fish's funeral,
00:45:12But my wife...
00:45:14Sabine?
00:45:16It appears,
00:45:16at least some
00:45:17He still has a relative.
00:45:19Oh well,
00:45:19What happened?
00:45:20Colo,
00:45:21has separated.
00:45:22That?
00:45:23If before, quite a shame
00:45:24I had Pipo saying goodbye,
00:45:25which by the way
00:45:25It was a specimen
00:45:26unique marine,
00:45:28Now I'm going to miss it
00:45:29to Isascun.
00:45:30What are you saying?
00:45:31And you never saw her.
00:45:32Well,
00:45:32But he was always there,
00:45:33present,
00:45:34like a ghost
00:45:35in his castle.
00:45:36But you've separated like this,
00:45:37so suddenly,
00:45:38without sleeping on it
00:45:40And what's worse,
00:45:41Sabine,
00:45:42without consulting the crew.
00:45:44Comes back.
00:45:47And this has been
00:45:49because of the other day,
00:45:49No?
00:45:50Certainly the Andalusian women,
00:45:52because nobody gave them a boat,
00:45:53but,
00:45:53they would have conquered
00:45:54to them America.
00:45:56On,
00:45:56You're going to Seville.
00:45:57Other.
00:45:58Let's leave this here
00:45:59deserted.
00:46:00Sot!
00:46:01But I'm not leaving.
00:46:02to live in Seville,
00:46:03So I'm going to leave
00:46:03two days a week.
00:46:05Two days.
00:46:07That's what everyone says.
00:46:12Carmen,
00:46:13Carmen,
00:46:13Carmen,
00:46:13What do I have to ask you?
00:46:14a favor.
00:46:15Look,
00:46:15I already know that today
00:46:15You're doing
00:46:16the 100 meters
00:46:17plain hallway,
00:46:17But it's very important,
00:46:18Carmen.
00:46:19Let's see,
00:46:19What happened to you?
00:46:20Look,
00:46:20You know the typical one
00:46:21extra tape
00:46:22that you forget
00:46:22there in a corner
00:46:23from the refrigerator
00:46:24more than a month
00:46:24and nobody thinks of it
00:46:25eat it,
00:46:25No?
00:46:25Yeah.
00:46:26Or to my children,
00:46:27Yeah.
00:46:27And I'm going to have to stop by.
00:46:28all night
00:46:28holding head
00:46:29at bat,
00:46:30Carmen.
00:46:30What are you saying?
00:46:31Should I make a shift for you?
00:46:32I just don't know
00:46:33if I will be able
00:46:33to endure it.
00:46:34Oh,
00:46:35please,
00:46:35like me, those of that kind,
00:46:36tonight at my house
00:46:37will appear
00:46:37the room
00:46:38of the girl from The Exorcist.
00:46:39Well,
00:46:40come on,
00:46:40What am I going to do?
00:46:41I do it,
00:46:41but on one condition,
00:46:43that next time
00:46:43cover the bone
00:46:44and give it to Robert.
00:46:45Bertirón,
00:46:45many,
00:46:46many,
00:46:46thank you so much,
00:46:46Carmen.
00:46:47There's one little thing,
00:46:47Hey?
00:46:48Don't tell anyone.
00:46:49that like a misifú
00:46:50Don't even find out
00:46:51that I skip a turn
00:46:53with the artibles
00:46:53which is about efficiency,
00:46:55He throws me out on the street
00:46:56for taking care of my children,
00:46:56As she says,
00:46:57through settlement.
00:46:58Don't worry,
00:46:59that from this mouth
00:46:59Not a peep comes out.
00:47:00Oh,
00:47:01thank you so much,
00:47:01thank you so much.
00:47:01Oh,
00:47:02May God repay you.
00:47:02with a good boyfriend,
00:47:03Well,
00:47:04which he already has,
00:47:04Pussy.
00:47:05Well,
00:47:06I hope so.
00:47:13What jocé?
00:47:14Is that my name?
00:47:15My mother wanted to name me
00:47:16like the patron saint of Malaga,
00:47:17But my father told him
00:47:18that if I became Syriac
00:47:19was taking away custody.
00:47:21No,
00:47:22No?
00:47:22Well,
00:47:22what do you want?
00:47:23Do you want a sheet?
00:47:23I have plenty of sheets.
00:47:24Listen to me,
00:47:25Mr. Mejumea
00:47:26He spoke very highly of me
00:47:27of you
00:47:27and he told me
00:47:27that you provide for him
00:47:28a few favors.
00:47:30Already?
00:47:31Please,
00:47:32Who do you take me for?
00:47:33man?
00:47:33Sometimes it is believed
00:47:34that with money
00:47:34You can get it here
00:47:35anything.
00:47:36Go on,
00:47:36How awful...
00:47:36What do you want?
00:47:38I want them to get me
00:47:39the letters on the screen
00:47:40ophthalmology
00:47:41in less than an hour.
00:47:42That's done.
00:47:43And that my daughter Carmen
00:47:44Don't let him find out about this.
00:47:46Man,
00:47:46That's a bit more complicated.
00:47:47because her daughter
00:47:48She's my boss
00:47:49And if they ask me
00:47:50I'm not going to lie to you,
00:47:51No?
00:47:51Because cheating is a sin.
00:47:52I've told him
00:47:52that I was an altar boy.
00:47:53I made communion
00:47:54for the gifts,
00:47:55I tell him too.
00:47:56Come on.
00:47:57Come on.
00:48:04Coconut.
00:48:06Hey!
00:48:06How are you?
00:48:07Little one,
00:48:08thank you.
00:48:09Thanks for what?
00:48:10No,
00:48:11because your father
00:48:11with his distinctive Sicilian style
00:48:14he has led me to understand
00:48:15that you believe my version.
00:48:17Well,
00:48:17Well,
00:48:17I still have to see
00:48:18the test results.
00:48:19Yes, yes.
00:48:20Look, Carmen,
00:48:21I know you want it very much
00:48:22to your father
00:48:22and I'm sorry I hesitated
00:48:24of your professionalism.
00:48:25Of course.
00:48:26If you had to be
00:48:27already immunized with robe.
00:48:28Yes, yes.
00:48:29And so that you will forgive me,
00:48:30I had thought this afternoon
00:48:32in going through the market,
00:48:33buy a monkfish,
00:48:36do it with a fried suso
00:48:37and with lots of potatoes
00:48:39And let's have dinner, you and I
00:48:40quietly tonight.
00:48:41Oh,
00:48:42And why don't you stop by?
00:48:43through the market
00:48:44I'll buy a little bit
00:48:44of red butter
00:48:45And do we have breakfast in the morning?
00:48:47It's just that tonight
00:48:48I have an appointment.
00:48:48Yeah?
00:48:49Yeah.
00:48:49Again?
00:48:50Yeah.
00:48:52And will you spend all night
00:48:53With Robert?
00:48:56Already,
00:48:56wonder.
00:48:58Hey, hey, hey, hey,
00:48:59sorry,
00:48:59Didn't you say
00:48:59that everything was forgotten?
00:49:01I just had
00:49:02a confrontation
00:49:02with my father
00:49:03for trusting you.
00:49:04You should do
00:49:04Same here, Iñaki.
00:49:05Yes, but the thing is
00:49:06It's not the same, Carmen.
00:49:07The fact that?
00:49:08It's not the same.
00:49:08Trust is equal
00:49:10here, in the Basque Country
00:49:11and in Timbuktu.
00:49:13Yes, yes,
00:49:13But the thing is,
00:49:14Well, that...
00:49:16no,
00:49:17which is not the same thing.
00:49:18It's not the same
00:49:18And that's it.
00:49:23I knew it.
00:49:24If only I knew.
00:49:26She goes away for a moment
00:49:26to the bathroom
00:49:27and he misses out on everything.
00:49:28Damn you, diuretic.
00:49:30Let's see,
00:49:31that one is lost
00:49:32the opportunity
00:49:33to mediate conflicts
00:49:34so that it doesn't happen
00:49:34which...
00:49:35It's happened to you.
00:49:38Nothing, nothing.
00:49:39For one night
00:49:39that we have,
00:49:40Carmen and I
00:49:40to be alone
00:49:41and with the dict
00:49:42that we carry,
00:49:43well it turns out
00:49:43who has a night shift.
00:49:45Oh,
00:49:46Well, that's what it seems to me.
00:49:47very strange.
00:49:48What's happening?
00:49:49Nothing,
00:49:50What's going to happen?
00:49:50Nothing, nothing.
00:49:51Dolores.
00:49:52Let's see,
00:49:52which seems to me
00:49:53a little strange
00:49:54is that in the quadrant
00:49:55She is not on duty.
00:49:56But come on,
00:49:57that maybe
00:49:57the quadrant is wrong.
00:49:58Yeah,
00:49:59the quadrant is wrong.
00:50:00And then it's her
00:50:01the one who asks me for trust.
00:50:07The mother who brought me here.
00:50:09Again
00:50:09I've messed up.
00:50:11Good,
00:50:12Don't even get up.
00:50:12I've come to fix things.
00:50:13the little screen
00:50:14of the letters.
00:50:15But it works
00:50:15perfectly.
00:50:16That?
00:50:17I don't know,
00:50:17send a warning
00:50:18Let him come.
00:50:21Phew,
00:50:21It's taking a while, it's the first time.
00:50:22a lot in turning on.
00:50:23Oh,
00:50:23You do things like that.
00:50:24Oh,
00:50:24How dark.
00:50:25It's very dark here.
00:50:26This is darker
00:50:27than a little peanut
00:50:28in a tunnel,
00:50:28I'm telling you.
00:50:29Let's see if they believe it.
00:50:30the patients
00:50:31who don't see well
00:50:31and they are taking
00:50:32a needless annoyance.
00:50:33We need to get our hands dirty.
00:50:34to Isofactor.
00:50:35I'll do it.
00:50:36because I have
00:50:36the dogs for this.
00:50:37But this can't be just anyone.
00:50:39It's a technology
00:50:39state-of-the-art
00:50:41And it has to be done right.
00:50:44That's it.
00:50:45Hey?
00:50:45Phew,
00:50:46now,
00:50:47It looks good now.
00:50:48Ole,
00:50:48really,
00:50:49It used to be night
00:50:50And now it was daytime.
00:50:51It looks great.
00:50:52The E,
00:50:52the F,
00:50:52the P,
00:50:53the X,
00:50:54all.
00:50:54I see it the same way.
00:50:56Equal,
00:50:56says.
00:50:57Go on,
00:50:58that you will have
00:50:58a long career,
00:50:59But when it comes down to it
00:51:00It has very few lights.
00:51:01Equal,
00:51:01says.
00:51:02As if I hadn't done anything.
00:51:04Go on,
00:51:04that?
00:51:05What are you doing?
00:51:06What are you doing?
00:51:06A photo?
00:51:06No,
00:51:07No,
00:51:08No,
00:51:09that this,
00:51:09Maybe you with the eye
00:51:10He doesn't perceive it well,
00:51:12But this,
00:51:12as is the law,
00:51:13There is law here too,
00:51:14law with law,
00:51:14The shine is very noticeable.
00:51:15Look at him,
00:51:16Hey?
00:51:16Look,
00:51:17look.
00:51:17Oh!
00:51:17It's visible,
00:51:18Ugh!
00:51:19Well,
00:51:20Well, nothing.
00:51:21leave,
00:51:21Hey?
00:51:22See you later,
00:51:22You're a great guy.
00:51:30But Iñaki,
00:51:31what are you doing?
00:51:31Chicken cooked to perfection?
00:51:33I'm doing what you should be doing.
00:51:34prepare kebabs,
00:51:35that then run out
00:51:36And it happens just like before.
00:51:44Let's see,
00:51:45The soup is ready.
00:51:45than the one at seven
00:51:46is starting to build
00:51:47with the olive pits.
00:51:48Come on,
00:51:48Isabel,
00:51:49What are you waiting for?
00:51:49Look,
00:51:50infuse the leek.
00:51:51Right now,
00:51:52boss,
00:51:53Okay.
00:51:56Come on,
00:51:57marching.
00:51:57Wait,
00:51:58hang on a minute.
00:52:01Oh,
00:52:02very calmly.
00:52:06Careful,
00:52:07that stains.
00:52:07But where are you going, creature,
00:52:09with that raft
00:52:09to baptize the girl
00:52:10Do we need less water?
00:52:11Nothing,
00:52:12Isabel,
00:52:12who should be generous today.
00:52:13Let's see,
00:52:13Bring it here, I'll help you.
00:52:14It looks like you're carrying it in a procession.
00:52:15Where are you going?
00:52:16At five o'clock.
00:52:16Is that seven o'clock?
00:52:20Not you?
00:52:23And what are you laughing at so much?
00:52:25Is that another YouTube gimmick?
00:52:26You don't watch a video,
00:52:27He's getting himself checked out.
00:52:29I'm going to give the balls
00:52:30with the car in motion
00:52:32that they don't even see.
00:52:33Go for it!
00:52:34Go for it!
00:52:34Go for it!
00:52:35Go for it!
00:52:36Go for it!
00:52:37Turn this off, Rosita,
00:52:38Turn it off,
00:52:39Turn it off,
00:52:39Turn it off,
00:52:39How was the bowl?
00:52:40Go for it!
00:52:40Turn it off, turn it off, turn it off!
00:52:42Trofi?
00:52:43The phone?
00:52:44639-8394?
00:52:46What is that?
00:52:47It's a video
00:52:48that is sharing
00:52:48everyone
00:52:49online.
00:52:50Go for it!
00:52:52Go for it!
00:52:52Living is for you.
00:52:54So come on,
00:52:55Show it to me
00:52:55And so we all reigned.
00:52:56Please note
00:52:57that maybe
00:52:57It's a setup.
00:52:58that's false,
00:52:59Hey?
00:53:00That's what we went through!
00:53:01He doesn't buy German strollers!
00:53:03Or not 20!
00:53:03That's what happens!
00:53:05Oh, oh, oh!
00:53:07Take it urgently!
00:53:08It doesn't say false,
00:53:09So it is.
00:53:11But not the setup,
00:53:12precisely.
00:53:23I'm not leaving!
00:53:24Oh, do you have mine yet?
00:53:25Yeah, man,
00:53:26Don Antonio,
00:53:26which seems to be
00:53:27you coming down
00:53:27hunting.
00:53:28Here it is.
00:53:29There you go.
00:53:31Oh!
00:53:32Oh, that's a heavy thing to come back!
00:53:34Damn!
00:53:34This moves more
00:53:35that the mechanical bull
00:53:36from the fair, damn it.
00:53:36But what does he do?
00:53:37It seems that you
00:53:37He is driving,
00:53:38so restless.
00:53:39If you don't see it,
00:53:40not even an eagle with binoculars.
00:53:41From a struggle like this,
00:53:42That's how it's fought.
00:53:42But without giving him the screen,
00:53:43just like that, by simply twisting it.
00:53:45Who else is
00:53:45What a march, look?
00:53:46Kid,
00:53:47because it makes it much bigger.
00:53:48And what the hell is this green stuff, huh?
00:53:49No, look, he's confusing me.
00:53:50that he sent me
00:53:50the photo via WhatsApp.
00:53:52Not even my little daughter knows WhatsApp.
00:53:52This is a very serious matter.
00:53:54So restless, okay?
00:53:55And don't let it go on,
00:53:56nor where it says private,
00:53:57nor anything,
00:53:57He sees it, the candle, the candle.
00:53:58Hey!
00:53:59But anyway, Father,
00:54:00You shouldn't
00:54:00the consultation will be at 12,
00:54:02that you promised me.
00:54:03Hey, son, uh,
00:54:04Antonio Almonte
00:54:05He is a man of his word,
00:54:06those from Almonte de Puerto Real.
00:54:07What's happening?
00:54:08So I don't get lost
00:54:09through the clinic,
00:54:09Well, I need a map or something.
00:54:11A map, please.
00:54:13Come on, I'll go with you
00:54:14I'm going to the appointment.
00:54:15There's no need, little girl,
00:54:16And you have a job, right?
00:54:17No, no, no,
00:54:18Don't worry about my job,
00:54:20that José knows how to do
00:54:21Great, right?
00:54:22Yeah.
00:54:22Okay, I'll leave you then.
00:54:23with the family,
00:54:23see you later.
00:54:24See you later.
00:54:25Go on, throw away the map.
00:54:31Could I have torn my back?
00:54:32What, let me?
00:54:33Have the nurse tear it off for you?
00:54:34Yes, man, in a drought.
00:54:35If you want, I can give you a ride too.
00:54:36the queen's little chair.
00:54:37See what I was telling you?
00:54:38If the service here is excellent,
00:54:39It's a shame it's ending so soon
00:54:41now that I was
00:54:41strengthening ties with dad.
00:54:42That's what we're getting at,
00:54:43to have a meeting
00:54:44with his father.
00:54:59Good!
00:55:00A month,
00:55:01Here's your little gift, okay?
00:55:04I'm not up yet, am I?
00:55:05Oh, what a shock!
00:55:05Oh, watch out!
00:55:06It hurts me!
00:55:07Oh!
00:55:08Are you getting up yet?
00:55:09Yeah.
00:55:09I'm glad about your leg, son.
00:55:11Even though you are so sad
00:55:12now that you have to say goodbye
00:55:14of the amenities
00:55:14that you like so much, right?
00:55:15Yes, but come on,
00:55:16Deep down, I'm already looking forward to it.
00:55:17to go back to work, Dad,
00:55:18because once
00:55:19You know the working world
00:55:20It catches you and doesn't let go.
00:55:22Yes, yes, yes.
00:55:23You look delighted, don't you?
00:55:25Okay, tell me more.
00:55:26from that winery
00:55:27that he misses so much.
00:55:28So, what kind of person are you?
00:55:29What tasks do you have?
00:55:30Well, I have tasks to complete.
00:55:31very important,
00:55:32such as
00:55:32talk to customers,
00:55:34write to customers,
00:55:35contacting customers.
00:55:37Come on, without me
00:55:37The winery is going down, Dad.
00:55:39Yes, yes, well now
00:55:40They will have to take care of you
00:55:41so you don't have another accident.
00:55:43So, how did it happen?
00:55:45Well, it was there in the cellar.
00:55:46But it wasn't in the vineyard.
00:55:47In the vineyard's cellar, sister,
00:55:48I have to explain it.
00:55:49I was there in the cellar,
00:55:50There was a barrel,
00:55:51It was at my feet.
00:55:51Well, you already know
00:55:52That's what happens with these things, Dad.
00:55:54Of course, of course I know.
00:55:56That's a lie!
00:55:59What did I call the winery?
00:56:00that they haven't seen you
00:56:01Hair in your life?
00:56:03That?
00:56:04Talk about something!
00:56:05Because Eugenia
00:56:05It also has no obstacles.
00:56:06Is he a snitch?
00:56:08No, Dad,
00:56:09Don't pay any attention to him.
00:56:09if she is lying.
00:56:12Then,
00:56:13I raised two lazy bums,
00:56:15liar.
00:56:16You could have learned by now.
00:56:17from your father,
00:56:18a man who has become
00:56:18in addition,
00:56:19because the grandfather
00:56:20had assets
00:56:21But I didn't have a penny.
00:56:22I had to fight for it.
00:56:24What are the fixed dates you have?
00:56:25I've earned those.
00:56:26I, with the sweat of my brow.
00:56:27Okay, Dad,
00:56:28But what do you want us to do?
00:56:29If we were born rich,
00:56:31if only for that
00:56:32that we have to fight
00:56:32It's to get a table
00:56:34at the club.
00:56:35But how will you know?
00:56:36what money is worth
00:56:37if you don't know
00:56:38What is a day's wage?
00:56:40Now that this is over,
00:56:41starting today
00:56:42you won't see
00:56:42not a penny
00:56:43until you win
00:56:44bread for yourselves.
00:56:48Yes, you're right, Dad.
00:56:49You're right.
00:56:50We're going to make you proud.
00:56:51Look,
00:56:51Let's get to work
00:56:52in whatever.
00:56:53Well, I'm glad to hear that.
00:56:54because I have found
00:56:55an ideal little job
00:56:56for you
00:56:56and you begin
00:56:57today.
00:57:03Passed.
00:57:04Goes.
00:57:07two little stones on my side.
00:57:09All or nothing!
00:57:15Aba, Colgo!
00:57:16What, have you arrived already?
00:57:17Just landed, I'm walking.
00:57:19Are you making my wife happy?
00:57:23But what are you doing there?
00:57:24Have you called her yet?
00:57:25And what do you want?
00:57:26Did we have to throw
00:57:27Benched or screwed?
00:57:27Hey, have you seen Iñaki yet?
00:57:29No, no, not at all.
00:57:30I prefer it to be a surprise.
00:57:32This is what has been going
00:57:32It's a direct approach to the Andalusian.
00:57:35Look, do you want to tell him
00:57:35Tell that idiot to shut up
00:57:36Is he no longer my brother-in-law?
00:57:37And because I didn't want to get involved,
00:57:38because the more I had it like that.
00:57:40Yes, that's it.
00:57:41We'll call you later.
00:57:41as?
00:57:42Hey?
00:57:43This one is capable
00:57:43of coming to slap you.
00:57:45Hey...
00:57:46I want the oven!
00:57:46Come on!
00:57:48Come on!
00:57:49Come on!
00:57:58Father,
00:57:59what's the matter?
00:58:00Why is he moving his lips?
00:58:02Hey?
00:58:02I?
00:58:03Ah, because I was walking away.
00:58:06Well, I was entrusting myself
00:58:07to the Nazarene of Medina Sidonia,
00:58:08you know?
00:58:09Well, I hope it was a disaster for him.
00:58:10the Jimé farm.
00:58:11Come on,
00:58:12You'll see this won't last long.
00:58:13and in nothing
00:58:13You are in the countryside.
00:58:15Carmen.
00:58:16Good.
00:58:16Antonio?
00:58:17Yeah.
00:58:17Did you touch it?
00:58:18Father,
00:58:19don't worry,
00:58:19which is going to turn out great.
00:58:21Yes indeed,
00:58:21when I finish
00:58:22Let me know when I'm coming.
00:58:23because of the results.
00:58:24Don't worry,
00:58:25small portion,
00:58:25I tell them to send it to me.
00:58:26To the farmhouse, eh?
00:58:27Already,
00:58:27to the farmhouse, even though it was so far away,
00:58:28having to work as a night postman.
00:58:30No, no, no,
00:58:31You're leaving here
00:58:31with the results
00:58:32and I'll pick them up.
00:58:33Come on.
00:58:36Luck
00:58:37and to the bull.
00:58:40Oh, Dolores,
00:58:41Listen to me,
00:58:42Could you...
00:58:42Do me a small favor?
00:58:44Oh,
00:58:45small favor,
00:58:45That sounds familiar.
00:58:45He's fat, huh?
00:58:46No, no, no, woman,
00:58:47It's just that my father
00:58:48He goes to the countryside
00:58:49and I would like
00:58:49pick up in person
00:58:51the results
00:58:51of the test
00:58:52that I was missing,
00:58:52do you remember?
00:58:53Yes, I remember.
00:58:53Yes, yes, yes, yes.
00:58:55Well, you caught me.
00:58:56at a moment
00:58:56a little delicate
00:58:57because
00:58:59I'm so confused,
00:59:00whether upwards,
00:59:01down,
00:59:01if this,
00:59:02If the other,
00:59:02yes...
00:59:02Come on, Dolores,
00:59:04I just don't think I can.
00:59:05Come on,
00:59:06please,
00:59:06If it's just for a moment,
00:59:07It's simply going to see...
00:59:09a robe.
00:59:11To robe?
00:59:11Yeah.
00:59:12You should have said so sooner,
00:59:13I wouldn't miss that for the world.
00:59:14But come on,
00:59:14not for anything in the world,
00:59:15I drop off the purchase and leave.
00:59:16Come on,
00:59:16brilliant,
00:59:17thank you.
00:59:20Here I am.
00:59:22I already got a drop.
00:59:27Oh!
00:59:27I'm sorry,
00:59:29Well,
00:59:29The droplet is no longer visible,
00:59:30No?
00:59:31I'll bring it to you right now.
00:59:32a napkin
00:59:32Or better yet, I'll bring it to you.
00:59:34the whole roll.
00:59:35Elena,
00:59:36when you finish
00:59:37the trial period
00:59:37and you let your guard down,
00:59:38What awaits us?
00:59:39I'm sorry, Iñaki,
00:59:40I don't know what could have happened.
00:59:41I think I've been fired.
00:59:42an evil eye or something.
00:59:43I'm telling you.
00:59:44that evil
00:59:45It doesn't come from any eye.
00:59:49Elena has just taken a shower
00:59:50to a lady,
00:59:51You won't know anything,
00:59:51No?
00:59:52I'd go for that one.
00:59:53as soon as I know it,
00:59:54better.
00:59:56And why is she crying?
00:59:57Oh,
00:59:57It won't be because of my tone.
00:59:58curt and authoritarian,
00:59:59No?
01:00:00Oh,
01:00:00the onion,
01:00:00Rafael.
01:00:01But you know what?
01:00:02That everything that's happening to him
01:00:03He deserves it.
01:00:04Let's see if he's given it a life.
01:00:05Look,
01:00:06Isabel,
01:00:06Elena is a very good girl,
01:00:07It's working well.
01:00:07And he's giving it his all for the bar.
01:00:09I don't know what's gotten into you
01:00:09with her.
01:00:10I don't even know the bitch
01:00:11that she's come on to you.
01:00:12But let's see,
01:00:12let's see,
01:00:13I know that girl
01:00:14ever since I was little,
01:00:14that I have been his guide,
01:00:17his mentor,
01:00:17your advisor.
01:00:19I encouraged that girl
01:00:20to pursue their dreams.
01:00:21Well,
01:00:22She's ended up working as a highway patrol officer like me,
01:00:23But we'll try
01:00:23that he/she may make his/her way in life,
01:00:25No?
01:00:26Look,
01:00:27Isabel,
01:00:27I love you very much.
01:00:30You are the most beautiful thing
01:00:31that exists throughout Seville
01:00:32And I give thanks
01:00:32every day
01:00:33for going to bed
01:00:34and get up by your side.
01:00:36Are you OK?
01:00:37Yeah,
01:00:37in the onion.
01:00:38Oh,
01:00:39Rafi,
01:00:39dear,
01:00:39I'm sorry.
01:00:41You're right.
01:00:42I've been paranoid
01:00:44messing with a girl
01:00:45that has no more gives none,
01:00:46which is that it's bound to happen.
01:00:48Starting right now
01:00:49I'm going to make her feel
01:00:50one more from the house,
01:00:52Hey?
01:00:52As if she were family.
01:00:57Go on,
01:00:57And keep an eye on these eggs for me,
01:00:58dear.
01:01:11Oh,
01:01:11What a scare!
01:01:13That I just heard
01:01:14How you've stood up for me,
01:01:15Rafi,
01:01:15thank you so much.
01:01:16Come on,
01:01:17Elena,
01:01:17If that's nothing,
01:01:18You are a very good girl.
01:01:19A little crazy,
01:01:20but with a very good foundation.
01:01:21Do you really think that about me?
01:01:23Of course,
01:01:24Well,
01:01:24Being "crazy" is like having hair,
01:01:25It will disappear with age.
01:01:27That,
01:01:28Thank you for always encouraging me.
01:01:29to pursue my dreams.
01:01:31Of course,
01:01:31Elena,
01:01:32You go ahead,
01:01:33always forward.
01:01:41The eggs,
01:01:42that are burning me.
01:01:50The government assures that...
01:01:52the organization of work,
01:01:55warns that we will have to wait nine years for...
01:01:57that don't burn me.
01:01:58They don't burn on me.
01:01:59They don't burn on me.
01:01:59You're more bored
01:02:01more gibes without tools,
01:02:02Hey?
01:02:02Television is crap,
01:02:04They don't put on anything decent.
01:02:05to keep you entertained all day long.
01:02:06Darling,
01:02:06Calm down,
01:02:07kid,
01:02:08And don't worry,
01:02:09because in a couple of hours
01:02:10or three or so
01:02:11They'll bring you dinner.
01:02:12Dinner?
01:02:13Dolores,
01:02:14I suck my own toe
01:02:15and I get more out of it.
01:02:16that fodder
01:02:17that they put there for the poor man.
01:02:18Where is Carmen?
01:02:19I'm surprised it hasn't arrived yet.
01:02:21What surprises me
01:02:22It's that it's not crossing
01:02:23right now
01:02:23the border,
01:02:24Because it really is
01:02:25It's just that she can't handle everything.
01:02:26Notice that he asked me
01:02:27that I come and see you
01:02:28because she's up to here,
01:02:31among the father's medical tests
01:02:32and the bad vibes
01:02:33that he has with Iñaki.
01:02:35Does it have a bad vibe?
01:02:35with Iñaki?
01:02:38It turns out
01:02:38that to the Basque
01:02:39He doesn't find it very funny
01:02:40that she takes care
01:02:41to certain patients.
01:02:43Oh, really?
01:02:44And what kind of patients does that sound like?
01:02:45Doesn't it make you laugh?
01:02:46who to take care of?
01:02:47Man,
01:02:48I only know
01:02:49who is in this room
01:02:49and it's not me,
01:02:50but otherwise
01:02:51I don't know anything.
01:02:53Dolores,
01:02:54Take me down to the bar.
01:03:01What should I put on it?
01:03:02Nothing,
01:03:02I've only come to say goodbye
01:03:03of my son.
01:03:04Isn't it there?
01:03:04I see it now, damn it.
01:03:05I wouldn't be so sure.
01:03:08Get well soon.
01:03:10The only thing these eyes
01:03:10They will never see it again
01:03:11It's that face
01:03:12of deer of the steato.
01:03:13We've arrived just in time.
01:03:14to see the function.
01:03:16All I need is the popcorn.
01:03:17Man, Robert,
01:03:18But you weren't that sick.
01:03:20What's happening?
01:03:20That the Virgin has come down
01:03:21and you have been healed by a miracle.
01:03:22It's a miracle that for the first time
01:03:24Don't complain.
01:03:25Didn't they say that positive result?
01:03:26Is it good for recovery?
01:03:27That's what I'm here for,
01:03:28to fill me with joy,
01:03:30watching Iñaki suffer.
01:03:33Dad.
01:03:33Look, look, look.
01:03:34Father,
01:03:36which I already have
01:03:37your vision results.
01:03:38Let's see, let's see.
01:03:39Yes, yes, that's great.
01:03:40Open them.
01:03:41Maybe we'll get along
01:03:41a surprise.
01:03:42What does it say, Carmen?
01:03:43What does it say?
01:03:43Shut up, Iñaki, please.
01:03:45Father,
01:03:46that you see beautifully.
01:03:47Check if you can see properly
01:03:48that has seen
01:03:48down to the screen mark.
01:03:49Ha ha.
01:03:50Look.
01:03:50What a surprise, huh?
01:03:51Carajaula.
01:03:52But how distrustful!
01:03:53These are the voids, damn it.
01:03:55If this gentleman
01:03:56He has the eyesight of a lynx.
01:03:57Father, forgive me.
01:03:58I should have trusted him
01:03:59a little more in you.
01:04:00Don't worry about it,
01:04:00less so now.
01:04:05To trust as I have trusted
01:04:06I am in you.
01:04:07You're asking for the guard duty
01:04:08Robert's
01:04:08And you make me believe
01:04:09which is just work.
01:04:14Iñaki,
01:04:15It's my job
01:04:16And that's it.
01:04:17It's your job, period.
01:04:18And I don't deserve it.
01:04:18an explanation.
01:04:19No,
01:04:20if you will trust me.
01:04:21I believe the explanation
01:04:22My father deserves it, doesn't he?
01:04:23I don't know why.
01:04:24You took it like that
01:04:24that way with him.
01:04:25Me, with your father.
01:04:26Yes, you.
01:04:27To get involved like a poor man
01:04:28that the only thing he wants
01:04:29It is her daughter's happiness.
01:04:31And all it needs is
01:04:31mark me like a rice
01:04:32to keep me under control.
01:04:34Iñaki, who do you remind me of?
01:04:35Who does this remind me of?
01:04:37Ah, yes,
01:04:37to your mother.
01:04:38But do you know
01:04:39What is the difference?
01:04:39between you and me?
01:04:40That I to her
01:04:41I've never made her feel bad.
01:04:42And you to him, yes.
01:04:54I told you
01:04:5524 hours.
01:05:02You'll be satisfied, won't you?
01:05:03Not even Greek tragedy
01:05:05It had so much tragedy.
01:05:06What I am
01:05:07He's a little dizzy.
01:05:27Well,
01:05:29so,
01:05:29What will they be?
01:05:30Our functions?
01:05:31Supervise the laborers?
01:05:32Interior design
01:05:33of the ship?
01:05:34Eye,
01:05:34kid.
01:05:35And this?
01:05:36Excellent.
01:05:37What, to sit down?
01:05:38Yes of course.
01:05:38And the plow
01:05:39to part your hair,
01:05:40You can't hear yourself.
01:05:41That's so they can load it.
01:05:42in the dealings.
01:05:43Oh ok.
01:05:44It's a little bit
01:05:44below
01:05:45of my qualifications,
01:05:46But if it has to be done,
01:05:46It's done, right?
01:05:47Look,
01:05:47Look how funny!
01:05:48the curtainman.
01:05:50And you,
01:05:50It's not for nothing.
01:05:51But are those
01:05:52Your comfortable shoes?
01:05:54And you?
01:05:55They are very comfortable.
01:05:56I have an ergonomic insole
01:05:57and salsa dancer heel.
01:05:59Well,
01:05:59Take it from there, go on.
01:06:00What are we going to take?
01:06:00a small bottle right now.
01:06:01Come on.
01:06:02Let's see,
01:06:03one, two, and three.
01:06:04There it is.
01:06:05Come on,
01:06:05It's not that big of a deal.
01:06:06You're choreographing it for me
01:06:07for me entirely.
01:06:08Sorry,
01:06:09I'm done
01:06:09to do
01:06:10paraffin manicure.
01:06:11Manicure for lazy people
01:06:12the one you've made.
01:06:14Well,
01:06:15It hasn't been that hard either.
01:06:16You have to see it
01:06:16that the laborers complain about.
01:06:18One little thing
01:06:18I wanted to tell you.
01:06:19How is this charged?
01:06:21By check?
01:06:21What a man,
01:06:22tea.
01:06:23But when you have
01:06:24finished loading
01:06:25all of this.
01:06:26That straw?
01:06:29In my life
01:06:30I turn around
01:06:31to buy
01:06:31a hat
01:06:32which I noted down.
01:06:35Little girl,
01:06:35Whenever you feel like it,
01:06:36daughter,
01:06:37come on,
01:06:37piety,
01:06:38which is for today.
01:06:42My God,
01:06:43How have you been feeling?
01:06:44No way,
01:06:45wedding?
01:06:45What's happening?
01:06:46Little girl,
01:06:47Where are you going?
01:06:48My weapon?
01:06:49We're going to the market.
01:06:50No?
01:06:50Have you taken a chillon
01:06:51And in the industrial park?
01:06:52He doesn't need this.
01:06:53market,
01:06:54You take you
01:06:55to the little melons
01:06:56and a cordon.
01:06:58Because?
01:06:58Hey,
01:06:59you never know
01:07:00when will you find
01:07:01a man of her life
01:07:02And it's because it's always there.
01:07:03super prepared.
01:07:04For what it has
01:07:05to be prepared
01:07:05It's for you
01:07:06that he's going to put
01:07:06with heels.
01:07:07Doll,
01:07:08that the impiety of the soil
01:07:09It is very treacherous.
01:07:10Look at that,
01:07:11I think it's great.
01:07:12try to forget
01:07:13of the lamb,
01:07:14But come on,
01:07:14This already seems like it to me
01:07:16exaggerated,
01:07:16that the other day
01:07:17I saw you cleaning the windows
01:07:18with a pair of ugly glasses.
01:07:20Hey,
01:07:20Don't make a mistake,
01:07:22that I to the chiquichancla
01:07:23I've completely forgotten about it,
01:07:24I've gotten over it, and I'm so over you.
01:07:26Come on,
01:07:26I don't remember anymore
01:07:27nor from his face,
01:07:28Take note of what I'm telling you.
01:07:29Ah, daddy,
01:07:30my partner.
01:07:35That?
01:07:36Aren't you going to give me a kiss?
01:07:52Very,
01:07:53What a mess!
01:07:55No,
01:07:56no!
01:07:56It's moving!
01:08:01I'm fine.
01:08:08Are you OK?
01:08:09Yeah,
01:08:10perfect,
01:08:10nothing,
01:08:11a blasguño.
01:08:12What mercy!
01:08:13How do you get your head ripped off?
01:08:15son of a bitch?
01:08:16What the hell have you come here for?
01:08:16this way,
01:08:17Hey?
01:08:18What's happening,
01:08:18that it wasn't enough for you
01:08:19humiliate myself in the north
01:08:20You're coming here out of jealousy.
01:08:21the four cardinal points?
01:08:22No,
01:08:23let's see,
01:08:23Nothing could be further from the truth.
01:08:24I have come here to talk.
01:08:26Can we hear you?
01:08:27Already,
01:08:28But it's a personal matter.
01:08:29No?
01:08:29Speak up!
01:08:30Pussy!
01:08:34Go on,
01:08:34pull forward
01:08:35I'll catch up with you.
01:08:36Are you sure?
01:08:38If you need reinforcements,
01:08:39warn,
01:08:40Hey?
01:08:40I have friends
01:08:41even in the three thousand homes.
01:08:49You have five minutes.
01:08:50How long can I stand it?
01:08:51What are these heels for?
01:08:52Goes,
01:08:53goes,
01:08:53I have more than enough,
01:08:54look,
01:08:54But what I have to say,
01:08:54I want to make this very clear to you.
01:08:56I did the normal one
01:08:57there in the Basque Country
01:08:58And it wasn't true,
01:08:59everything I thought
01:09:00It was a lie,
01:09:01if I really,
01:09:01I think of you every day
01:09:03And I dream about you every night.
01:09:05You who have come
01:09:05to ask for my forgiveness
01:09:06Or are you singing to me?
01:09:07a cinnamon stick?
01:09:08Hey?
01:09:09Hey?
01:09:10No,
01:09:11No,
01:09:11No,
01:09:11let's see,
01:09:12let's see,
01:09:12I acted like a fool,
01:09:13Okay?
01:09:13I acted foolishly.
01:09:14And all I want is,
01:09:16well,
01:09:17I hope you will forgive me.
01:09:19Do I forgive you?
01:09:21Oh really?
01:09:22Oh really?
01:09:22Oh really?
01:09:25Well,
01:09:26well no,
01:09:27It hasn't been that difficult,
01:09:28No?
01:09:28No.
01:09:29Hey, hey, hey, hey, hey!
01:09:31What did I tell you?
01:09:32I forgive you
01:09:33But I haven't told you.
01:09:33that he will come back to you,
01:09:34Hey?
01:09:35What you told me
01:09:36in San Sebastián
01:09:36That's very true.
01:09:37that ours
01:09:38It was a mistake.
01:09:40That's how he speaks to you,
01:09:41gonna.
01:09:42Bravo, bravo to you!
01:09:43Let's see,
01:09:44It may not have been clear.
01:09:45but I have left
01:09:46to my wife
01:09:47and I came
01:09:47to live in Seville
01:09:48And all because of you.
01:09:49For me?
01:09:50No,
01:09:51You haven't done it
01:09:51For me,
01:09:52I did it for you
01:09:53And me right now
01:09:53I'm very well
01:09:54and what I don't want
01:09:55They're messes.
01:09:55Hey,
01:09:56What do I do now?
01:09:57Oh, hey, water!
01:09:58Tough luck, dance!
01:10:00Let's go there!
01:10:00with the girls
01:10:01from the choir now,
01:10:02Pussy!
01:10:02Hey!
01:10:03And you?
01:10:04Have you done what I've done?
01:10:07Get over it!
01:10:10The face of a pig
01:10:11that he must have kept it
01:10:12to the son of a bitch.
01:10:26Okay, so what?
01:10:26Do you like the room?
01:10:28I was going to put you
01:10:29good sheets
01:10:30but those of Malaga
01:10:31I have them to wash.
01:10:32No,
01:10:32Don't worry,
01:10:33José,
01:10:33It's perfect.
01:10:35Hey,
01:10:36Thank you for letting me
01:10:37to sleep here.
01:10:39Carmen doesn't even want to see me.
01:10:40And neither do I.
01:10:41I want to find out things.
01:10:42Well,
01:10:43I do it for friendship
01:10:43that we have.
01:10:44It's going to scare my colleagues.
01:10:45No?
01:10:45Well,
01:10:46That's why, and because he has done
01:10:46dinner,
01:10:47that he didn't have dinner like that
01:10:47since my mother
01:10:48He would send me the tapes
01:10:49by Ceú.
01:10:52Kid,
01:10:52I didn't kill anyone.
01:10:53Hey, how are you?
01:10:54It has a sticky face
01:10:55than the emergency ones.
01:10:56Look,
01:10:56I'm going to show you a video
01:10:57that will make you laugh so hard,
01:10:58You'll see,
01:10:59that they sent it to me
01:10:59via YouTube.
01:11:00Look.
01:11:00I'm going to jump now.
01:11:02Come on, give it a try.
01:11:04There you go!
01:11:05Don't you know who he is?
01:11:06Don Pejumea's son,
01:11:08Don't you see it?
01:11:09For young gentlemen
01:11:10It's me.
01:11:11Besides,
01:11:12because it's in a loop,
01:11:12every time you get hit
01:11:13I see myself.
01:11:14Look,
01:11:14look,
01:11:16I see myself.
01:11:17Come on,
01:11:18that I see myself.
01:11:19I'm about to pee myself.
01:11:24José.
01:11:28What is this?
01:11:32Is this a meme?
01:11:33about what they sent me
01:11:33Just kidding?
01:11:34A meme?
01:11:35of a test
01:11:36ophthalmology?
01:11:38Yeah,
01:11:38now he gives
01:11:38and says
01:11:39You don't read the fine print
01:11:41And he knows it.
01:11:42What a coincidence.
01:11:43The same day
01:11:44in which my father-in-law
01:11:45has a test
01:11:45ophthalmology
01:11:46and read up to
01:11:47the screen brand.
01:11:48How curious,
01:11:49Hey?
01:11:50Life is that
01:11:50It never ceases to amaze you,
01:11:51Hey?
01:11:52The one who won't let me
01:11:52to surprise
01:11:53it's you.
01:11:54Let's see,
01:11:55José,
01:11:56Have you helped Antonio?
01:11:57To pretend he sees well?
01:12:01Yeah,
01:12:01uncle.
01:12:02Yeah,
01:12:02look,
01:12:03I can't handle the pressure,
01:12:03You caught me,
01:12:04that's it.
01:12:05Now,
01:12:05Let me tell you something,
01:12:06the man is
01:12:06regular vision,
01:12:08but from memory
01:12:08It's running smoothly.
01:12:09because I don't see
01:12:09everything that has
01:12:09learned in one go.
01:12:11José,
01:12:12I'm screwed
01:12:12But it's okay.
01:12:14Come on,
01:12:14man,
01:12:14don't say that,
01:12:15that here
01:12:16the only specialist
01:12:17in screwing up life
01:12:18it's me.
01:12:20If I find out
01:12:20that is mounted
01:12:21all this mess
01:12:22I ask him for more money.
01:12:23It's a joke,
01:12:24man,
01:12:25that you are my colleague,
01:12:26I wouldn't have helped him.
01:12:27No,
01:12:27No,
01:12:28if the blame lies here
01:12:28I have it,
01:12:29for being a loudmouth.
01:12:31I should have listened.
01:12:31to my Basque instinct
01:12:32and remain silent.
01:12:43Surprise!
01:12:44Where is your boyfriend?
01:12:46Hey,
01:12:46sos fit
01:12:46that I'm going to give him
01:12:47a hug
01:12:47From Basque to Basque?
01:12:52Are you going to force me in like that?
01:12:54No,
01:12:54No.
01:12:55And you
01:12:56Are you going to go in like that?
01:12:57No,
01:12:58wait,
01:12:58if you like
01:12:59I'm getting ready
01:12:59the piano
01:13:00Mickey's,
01:13:01Okay?
01:13:02Well,
01:13:02again.
01:13:03And now
01:13:05We're coming back.
01:13:05Talujo!
01:13:08It gives me a cool feeling
01:13:10embraced.
01:13:10Let's see,
01:13:10I warn you that I am
01:13:15from sleeping embraced,
01:13:16Hey?
01:13:18Let's see,
01:13:19sos.
01:13:23at least
01:13:24if I were here
01:13:24the crew
01:13:25to comfort me.
01:13:26That?
01:13:26How did he get up?
01:13:27your body this morning?
01:13:28I don't know the problem,
01:13:29Carmen,
01:13:29that has not been raised here
01:13:30nothing at all.
01:13:31Man,
01:13:31the crew,
01:13:32so what remains
01:13:32of the crew.
01:13:33Hey,
01:13:34don't worry,
01:13:34that everything is here
01:13:35back
01:13:35in a couple of days.
01:13:36Look,
01:13:37I thought I would never say it,
01:13:38But I learned a little bit
01:13:39Elena's.
01:13:40Look at her,
01:13:41since yesterday
01:13:41Let's clear things up,
01:13:42It is much more focused.
01:13:44There's nothing there.
01:13:44how to clarify things,
01:13:45TRUE,
01:13:46Rafita?
01:13:46Look,
01:13:46without going any further today,
01:13:47I'm going to go look for
01:13:48a small apartment here in Seville.
01:13:49Are you going to look for an apartment?
01:13:51Are you alone?
01:13:52No,
01:13:52No,
01:13:52No,
01:13:53I don't plan to apologize.
01:13:54I haven't done anything,
01:13:54man.
01:13:55Be right
01:13:55and have a wife
01:13:57It is incompatible.
01:13:58I just rented
01:13:59a bachelor pad
01:14:00who is asking for rebellion.
01:14:02Right now I need
01:14:03disconnect from Carmen
01:14:04and his entire family.
01:14:06Man,
01:14:07Well, maybe disconnect.
01:14:08disconnecting like that for a long time,
01:14:10No...
01:14:11Fuck,
01:14:11Coldo,
01:14:12There was no other apartment
01:14:13for rent
01:14:14throughout Seville.
01:14:15Another trip
01:14:16by car from Seville.
01:14:17Damn it.
01:14:17We're going to finish
01:14:18with all the gasoline
01:14:19from Saudi Arabia.
01:14:20We have come
01:14:20to inaugurate
01:14:21Coldó's apartment.
01:14:22Go on,
01:14:23a little party
01:14:24Is he going to organize it?
01:14:27Hello!
01:14:29I have come
01:14:31to ask him
01:14:32have her talk to her daughter
01:14:33and that he confesses
01:14:34that you
01:14:35the one who shot Robert.
01:14:36Well, I'm very happy about that.
01:14:37knowing that forgiveness
01:14:38It depends only on me,
01:14:39Look.
01:14:40Oh, really?
01:14:40Yeah,
01:14:41because that
01:14:41It's never going to happen.
01:14:43As?
01:14:43What a bad day
01:14:44for bleached clothing
01:14:45that I.
01:14:46He won't be able to.
01:14:47No, nothing.
01:14:47Oh, you bastard!
01:14:48Oh, yes!
01:14:49Come on!
01:14:49Come on!
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