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00:00:00When you're finally alone, it's time to celebrate.
00:00:02If I'm not alone yet.
00:00:03And lower your voice, because if Marichu doesn't keep this up, she might not even go on the trip.
00:00:05Marichu!
00:00:06Well, daughter, it's raining tonight, I'm hardly up to the roof,
00:00:09And here we are, both of us, shrinking down, because a wide one is going to fit through the door.
00:00:12What happened?
00:00:13It will have to be cancelled.
00:00:14No, daughter, no, the trip is already over.
00:00:16So who am I going to go with?
00:00:17I'm going to Seville.
00:00:18What are you saying?
00:00:18What do you want me to do?
00:00:19Well, just go for it already, damn it.
00:00:20He's only going away for a week.
00:00:22To catch him down there, one day is more than enough.
00:00:24You know I'm here for you for anything, understand?
00:00:30Wake up, sleepyheads and sleepyheads!
00:00:33We've arrived in Seville!
00:00:35Well, well, well!
00:00:36Listen, lady, it was an accident and the park belongs to everyone, okay?
00:00:39That's the problem.
00:00:40Well, it's out.
00:00:41Oh!
00:00:42Oh!
00:00:43I didn't know this guy before.
00:00:45Yes, from the park.
00:00:47He was trying to kill us.
00:00:47Tell me, for God's sake, isn't it a horse?
00:00:49No, no, no.
00:00:50The horse has not been.
00:00:50How did her mother fall?
00:00:52You know, those icebreaker things that hotels have, games like blind man's bluff.
00:00:58I am Dr. Enmenar.
00:01:00His mother has suffered a severe shock.
00:01:01I had a great time last night.
00:01:03Let's see how we look at work.
00:01:05Who did you have such a good time with last night?
00:01:07Last night?
00:01:08Despite all the tight butts and disastrous outfits, she's still the same as she was in school.
00:01:12Do you like it?
00:01:13Play with toys that aren't yours.
00:01:15I allow you to talk to me like that because we're still friends.
00:01:17But don't get me wrong, okay?
00:01:19I'm your boss here.
00:01:20Are you a nurse?
00:01:22Is that what it says here?
00:01:23And what is he going to do?
00:01:24Look, don't do anything like poking or anything until I talk to Dr. Linchostegui, please.
00:01:28With the palace you have and your hip injury already recovered, I don't know why you insist.
00:01:31you living here.
00:01:32Because they draw my blood here from time to time.
00:01:34And my children are sucking my blood all day long.
00:01:37Don Benito Benjumea.
00:01:38At your service.
00:01:39Wow, the new one is powerful.
00:01:42Aren't you going to take his vital signs or something?
00:01:44Look, so much surveillance can cause stress.
00:01:47To my mistress?
00:01:48No, not me.
00:01:49They don't even answer messages, Sabino.
00:01:50This has been difficult for me quickly, because there's no time difference there, right?
00:01:53Look, man, he slept with the stud and then went out partying.
00:01:56Pulorias?
00:01:57His mother has gone into a coma.
00:01:59My mother is in a coma.
00:02:01This is between you and me, okay, man?
00:02:03But how much time are we talking about?
00:02:05The last patient, two years old.
00:02:07But he wasn't ambitious.
00:02:09Okay, Mom.
00:02:09Are you OK?
00:02:10Oh, what a bee to live, the guinea pig giving news.
00:02:13Accelerated.
00:02:14Nati!
00:02:15Nati!
00:02:16Thanks, Nacho.
00:02:21Thanks, Nacho.
00:02:58Thanks, Nacho.
00:02:59Thanks, Nacho.
00:03:06Thanks, Nacho.
00:03:19Thanks, Nacho.
00:03:39Asleep like a little angel?
00:03:42Thank God.
00:03:43No, no, no, no, no, leave him there alone.
00:03:51Lucy!
00:03:52Carmen has balls, my sister.
00:03:54Egg?
00:03:54Do you have an egg, aunt, that's in my house?
00:03:57My sister, you gave me the key just in case.
00:04:00Lucy, just in case, also check if it has a little saffron.
00:04:04I'm making a rock out of a rabbit.
00:04:06But this one has nothing.
00:04:08He has a refrigerator so big that a mouse could get in and crash.
00:04:11Since she doesn't learn to cook, she'll never retain the doctor.
00:04:14Okay, that's enough, isn't it?
00:04:16Would you like a coffee? Shall we have a chat here?
00:04:19That's it, that's it!
00:04:19With candy, with candy!
00:04:21Delicious coffee, girl!
00:04:22Do you really think this has coffee in it, or anything?
00:04:25Look, Lucy, that's enough, okay?
00:04:27Please, I'm in a huge hurry.
00:04:29And lots of things to do.
00:04:30Oh, let's see, oh, what a thing, little macho girl.
00:04:34What is that?
00:04:35These look like shots instead of glasses.
00:04:38No, daughter.
00:04:39I passed by like you, my weapon.
00:04:42That in your bra you can cross the strait.
00:04:47What a fucking bitch I am, my dear?
00:04:51Oh!
00:04:53In Tezacariña!
00:04:55Carmen, you stay there.
00:04:57See you later, I'm leaving, Susete.
00:05:14That?
00:05:15Okay, okay.
00:05:16She slept for a good many hours.
00:05:17I don't know, but if things continue like this,
00:05:18I've started to think that the Basques hibernate, haven't they?
00:05:21Come on, girl, that's enough already!
00:05:22Look, to tell her that her mother will be in a coma for up to two years,
00:05:25It certainly has less diplomacy than North Korea.
00:05:27And what do I know, Auntie?
00:05:29How did I know she was going to faint?
00:05:31It is I who says that they come from ancestral cultures
00:05:33And look, then they get scared for a couple of years in a coma.
00:05:35Okay, I'll go over there and wake him up, okay?
00:05:37No, no, no, no, no, no, no!
00:05:40I'll wake him up.
00:05:43Do you want me to make a big fuss to wake him up?
00:05:45I don't know, maybe she'll faint again.
00:05:46Hey, look how cute she is, and even my little girl comes out pink, right?
00:05:49No, I'd rather take this, so you can go to the geriatric ward and shave.
00:05:53No, Carmen, please, it really makes me feel uneasy.
00:05:55Because it looks like the day after the fair
00:05:57with so many deflated lanterns.
00:06:02Of course.
00:06:03Okay, I'm going to get down to business.
00:06:05Carmen.
00:06:10To the lantern.
00:06:19Iñaki?
00:06:24Iñaki?
00:06:26Five more minutes, love.
00:06:29No way, milk.
00:06:30I know, Carmen.
00:06:32Iñaki?
00:06:37Don't worry!
00:06:39What do you want, to exterminate us?
00:06:41No, kids, look.
00:06:43You fainted yesterday, we brought you salvation.
00:06:45My mistress?
00:06:46As?
00:06:46Where is my mistress?
00:06:47Here.
00:06:48Go.
00:06:49Go.
00:06:58Strip!
00:06:58May your chistu get cold!
00:07:00Strip!
00:07:00Strip!
00:07:06Nosman!
00:07:19Who are you?
00:07:21The Trinity?
00:07:22Well, who am I going to be?
00:07:23Angela, the nurse.
00:07:25You should worry about yourself instead.
00:07:26and finish getting dressed,
00:07:28Please do me a favor.
00:07:29Yes, yes.
00:07:30Is there something I'm going to tell you?
00:07:31You cannot bring drinks into the room.
00:07:33This isn't a summer cinema.
00:07:35kid.
00:07:35Can you see them?
00:07:36Good, huh?
00:07:36How are you doing?
00:07:37Okay, okay.
00:07:38I don't know whether to greet him or stand in line.
00:07:42Is the bathroom only for patients?
00:07:45But I don't think she's going to use it.
00:07:47I don't care.
00:07:48That's the protocol, sir.
00:07:49There is one for companions
00:07:50at the end of the corridor.
00:07:53Okay, okay.
00:07:54Angela Merkel.
00:07:56Let me know if he wakes up.
00:07:57And if you're thirsty, drink water?
00:07:58No?
00:07:59Are we going to start stating the obvious?
00:08:04Oh, my love.
00:08:14Unón, good morning.
00:08:16Good morning.
00:08:16Oh dear, oh dear, oh dear.
00:08:17He looks worse than the guy who made Dracula's bed, come on.
00:08:20Well, it's just that...
00:08:23The bathroom, please.
00:08:25Everything else.
00:08:26But come on, it's more than just a bathroom,
00:08:27What you need is a good spa.
00:08:29You?
00:08:30What do you guys have for breakfast?
00:08:31Laughing gas or...?
00:08:51No!
00:08:52Shirts?
00:08:53So what's going on?
00:08:54Calm down, man.
00:08:55It's so they don't turn off the tap.
00:08:57I have to submit a urine test
00:08:59And there's no way.
00:09:00And what about the fact that I have more water in my body than the Titan?
00:09:07Thank you.
00:09:17Well, the tank is clean, huh?
00:09:20No brain damage is apparent.
00:09:23Even so, we still have...
00:09:25Carmen.
00:09:26Yes, but...
00:09:27We have to wait for some tests.
00:09:29to find out exactly what type of coma her mother has.
00:09:32Okay, fine.
00:09:32But I say,
00:09:34that being in a coma is something that can be done in the Basque Country
00:09:36that here, right?
00:09:37So I can take it with me.
00:09:39Man, I wouldn't recommend moving your mother
00:09:41until we know exactly what it is.
00:09:43Yes, yes.
00:09:44But the lady told me
00:09:45that he could spend two years in a coma.
00:09:51Well, I just told him about the case of a...
00:09:53Well, the important thing here is the doctor's opinion.
00:09:55And his mother's doctor is Almenar.
00:09:57Ah, yes, yes.
00:09:58Of course.
00:09:58But when I asked,
00:10:00She was the one who was there
00:10:01and not Dr. Almenar.
00:10:02Hey?
00:10:06In any case,
00:10:07We are not going to make any decision
00:10:09until we know exactly what's going on.
00:10:11Yes, but they already have machines here for that.
00:10:14Because in the Basque Country we have the latest technology, right?
00:10:16We are pioneers there.
00:10:17Yes, pioneers.
00:10:19Don't worry,
00:10:19Here in Andalusia we've also made a lot of progress, haven't we?
00:10:22We even have...
00:10:23What's the name of that modern thing?
00:10:26Internet.
00:10:29Well, that's very good.
00:10:31That way I can send it to you by email
00:10:33the tests to my friend Coldo.
00:10:34Hey, Dr. Coldo!
00:10:36You were taking your sweet time mentioning him, weren't you?
00:10:38And?
00:10:38Are you going to ask for a second opinion too?
00:10:40Man,
00:10:41more than a second,
00:10:42What I wanted to ask you
00:10:43It was a Basque opinion.
00:10:45Ah, well, look,
00:10:45He tells her that in about a week
00:10:47will have some Andalusian results.
00:10:49Okay?
00:10:50Okay, I'm off, I have surgery.
00:10:51Hey, no, no, no, no, no, no!
00:10:53Okay, not a week.
00:10:54Listen, not a week,
00:10:55I have to be there by Friday, okay?
00:10:57I can't neglect my bar.
00:10:59Come on, not even my life,
00:11:00nor my mental health.
00:11:02But come on, don't worry,
00:11:03that Dr. Almenar will do everything possible
00:11:05so that the tests are available as soon as possible.
00:11:06Okay.
00:11:07Okay, then I'll tell the doctor.
00:11:08to arrange the transfer for Friday.
00:11:10Yes of course.
00:11:10Tell the doctor.
00:11:11Inchaustegui!
00:11:13Inchaustegui!
00:11:15Little girl,
00:11:16Inchaustegui means grace in Basque, right?
00:11:18Yeah.
00:11:21Clear.
00:11:24Yes, well, that's how it is, light blue.
00:11:27and it has the shape of a dove.
00:11:31From a pigeon?
00:11:32Yeah.
00:11:33What is serious?
00:11:34Hey, what do I know?
00:11:35I can't diagnose you over the phone.
00:11:38You'll have to send me the evidence or something.
00:11:39Okay?
00:11:40Okay, okay, okay.
00:11:41I'll send them to you on Friday.
00:11:42and we arranged the transfer.
00:11:43Oh, Pacío!
00:11:45Pacho, Pillo!
00:11:47What happens now?
00:11:48Excuse me, Jackie?
00:11:49I just found a mushroom
00:11:51about the size of Pillo's head.
00:11:55With this as a football team, you.
00:11:56And the referee?
00:11:57Fuck.
00:11:58What a beret!
00:11:59Hey, listen, Jackie.
00:12:00We're going to send you a photo.
00:12:02Okay?
00:12:02You're going to be blown away.
00:12:03Haven't you ever seen anything like it?
00:12:04Oh, damn.
00:12:06How I miss oscales, man.
00:12:08Look at that little thing.
00:12:09Take a picture of us.
00:12:10Look at that little thing.
00:12:11Look, Jackie.
00:12:12No, listen.
00:12:12Be quiet.
00:12:13We'll take a picture and send it to you.
00:12:14With a little kiss.
00:12:19Take it, take it.
00:12:20Kilo.
00:12:21Wow.
00:12:21Kilo, huh?
00:12:23Let's see.
00:12:26Wow, dude.
00:12:27Well, it is big, isn't it, Coldo?
00:12:28I wouldn't leave anything uneaten.
00:12:34No no.
00:12:35It's my crew that's out at the mushrooms and...
00:12:37I'm not here to judge.
00:12:39Just to ensure the rules are followed.
00:12:42Turn off your mobile phone.
00:12:43Coldo, agur.
00:12:45Good.
00:12:47Angela, thank you.
00:12:48I'll continue now.
00:12:52That woman can bring your fever down just with a look, huh?
00:12:55Of course.
00:12:56Then we're the ones who exaggerate.
00:12:58How are you?
00:12:59Good, good, good.
00:13:00But hey, when I can finally take a proper shower, that'll be much better, to be honest.
00:13:03Because she doesn't like the hotel, she takes a quick shower and changes, because we're here for so many hours...
00:13:09to praise his mother.
00:13:10Besides, today is Sunday, and Mariso looks beautiful now, right?
00:13:14Well, then...
00:13:16Okay.
00:13:17Okay, bye.
00:13:18Listen.
00:13:19Hey?
00:13:20Aren't you going to say goodbye to your mother?
00:13:23Hey?
00:13:24But he can't hear me, right?
00:13:26Don't sabotage that.
00:13:33Agurra, ma.
00:13:34I won't be long, okay?
00:13:37Do you want me to get you anything?
00:13:41No no.
00:13:43No.
00:13:46Come on, goodbye.
00:13:48Agurra.
00:13:54Well.
00:13:56Every journey begins with a single step.
00:14:12Okay, okay, okay, okay, okay.
00:14:14Okay, straight ahead, straight ahead, straight ahead.
00:14:17Okay, okay, okay.
00:14:18Throw everything away, throw everything away.
00:14:19Okay, okay, okay.
00:14:21What's happening?
00:14:22Is there a taxi stand around here?
00:14:25I don't know, my brother.
00:14:26Since I always have my Mercedes waiting for me at the door, no...
00:14:30Look, I don't even know why I'm asking, really.
00:14:33My little one, really.
00:14:34You're taking it, taxi!
00:14:37My little one, really.
00:14:43Hello good.
00:14:44Carry.
00:14:45Hey, Hotel Macarena, please.
00:14:46Oh, you have to go via the ring road or take Kansas City Avenue.
00:14:49What, Kansas?
00:14:50So where is the hotel?
00:14:51Well, in the center of the periphery, as I say.
00:14:54But don't worry, I'll get you there in a jiffy.
00:15:02What happens now?
00:15:02Why aren't we making progress?
00:15:03This isn't from around here, is it, brother?
00:15:05We have to wait for the brotherhood to pass.
00:15:07Huh?
00:15:10But they are carrying bags of cement.
00:15:12Oh, no?
00:15:13Ah, so what is it, then?
00:15:14The Brotherhood of Bricklayers or...?
00:15:16No, man, no.
00:15:17This is a rehearsal for the procession of the Virgin of Sorrows.
00:15:19Do you know him?
00:15:22I haven't known anything else since I arrived.
00:15:24David, on the right.
00:15:26Let's face him, son.
00:15:32The Virgin.
00:15:33That brings the other one.
00:15:35Where have you been?
00:15:35You're going to get involved.
00:15:36A good dog who never reveals his sources.
00:15:39Fuentes and that smells like the tile market.
00:15:40Lasas!
00:15:41Not even as a joke.
00:15:42Envy!
00:15:42Go away!
00:15:44They're showing up, huh!
00:15:45No?
00:15:45Look at you...
00:15:46Hey?
00:15:47You're going to prepare us like nobody else does here, huh?
00:15:49Cook on both sides of the griddle with a small egg yolk on top.
00:15:52Oh, oh, oh!
00:15:53Have you spoken to him?
00:15:55Yes, I have spoken, yes.
00:15:56Nothing new, huh?
00:15:56Nothing, we'll move the male and the woman home on Friday.
00:16:00Oh really?
00:16:01Oh!
00:16:06For the bar, Diego, I can't keep up.
00:16:14Why didn't you see it at the tip?
00:16:17Is it going to be?
00:16:23That?
00:16:41I cannot allow this.
00:16:42This is the third time I've been told that Don Benjumea's room smells of smoke, Carmen.
00:16:46And this is a non-marinator clinic.
00:16:48So please, keep a little eye on your men, Carmen.
00:16:51I can see that he loses track of them very easily.
00:16:53I don't know which man you're referring to.
00:16:55To Don Benjumea, woman?
00:16:57Don't go, or you might end up causing a fire.
00:17:01You're right.
00:17:01Because some of them are already pretty heated.
00:17:14Are you going to the beach, my sister?
00:17:19Well, put on some sunscreen, and go get burned by the halogen lights.
00:17:23Would it be too much to ask that every time I pass by you don't tell me a joke?
00:17:28Of course, of course.
00:17:31Seriousness above all.
00:17:32Look at this.
00:17:32Here is the report you will submit to the insurer.
00:17:35Let's see, this paper here.
00:17:37And this seals it downstairs, in admissions.
00:17:40These two.
00:17:41These two are in admissions.
00:17:42And this one here, in accounting.
00:17:44Cabenzos, well, that's a lot of paperwork.
00:17:46Well, that's nothing.
00:17:47Then he has to go to the town hall to apply for a visa.
00:17:51That?
00:17:54It's a piece of cake for me.
00:17:57Can I leave this here?
00:17:58Of course.
00:18:00Wow, she looks even prettier.
00:18:02But oh well, oh well, oh well.
00:18:03Come on.
00:18:05God.
00:18:09Yes, I'll pass it on to you.
00:18:12Hey, girl.
00:18:13One little thing.
00:18:15You know Basque, right?
00:18:17The one whose mother is in a coma.
00:18:20Nothing, it just so happens that the report opened here.
00:18:23And you know what the woman was in an accident about.
00:18:26Playing blind man's bluff.
00:18:30It's true.
00:18:36It gives us the elevator, which instead of taking you to one floor, gives you a tour of the entire building.
00:18:42And the little basket?
00:18:43Where did I leave it?
00:18:44At grandma's house?
00:18:46Don't make me miss the other nurse, please.
00:18:55Hello.
00:18:56Hello.
00:18:57How are you?
00:18:58Okay, okay.
00:18:59Here.
00:19:03Little shirt.
00:19:05When are you going to stop ignoring me?
00:19:07I can't concentrate, Carmen.
00:19:09That today in the operating room, instead of suture, I said rupture.
00:19:11Can you imagine the mess I've made?
00:19:13That's the bad conscience he has.
00:19:16But what do I have to do to make you realize that what Trin said doesn't mean anything?
00:19:19Robert, please.
00:19:21It's not the right time.
00:19:22And when will it be?
00:19:24If you'll excuse me...
00:19:25Well, look, I know when he lies to me a little.
00:19:27Don't commit yourself a little more.
00:19:28Because I don't know where we're going, Robert.
00:19:29Don't know.
00:19:30Yes, yes.
00:19:30To the ground floor.
00:19:31Okay?
00:19:32So...
00:19:32If you'll excuse me, please.
00:19:33If the doctor goes to the top floor.
00:19:36Carmen.
00:19:37Carmen, damn it.
00:19:39No, no, no.
00:19:40The son was known to be following behind, right?
00:19:42And she was in front, looking very flirtatious.
00:19:44And suddenly the woman is a scene, right?
00:19:45He fell and tumbled down the stairs.
00:19:47What do you think?
00:19:47What a brute, right?
00:19:49Girl, I'll leave you here.
00:19:51Hello, what's up?
00:19:52Admissions?
00:19:53No.
00:19:55It's at the end of the hallway on the right.
00:19:57Right background.
00:19:59Okay, thanks.
00:19:59Thanks to you.
00:20:02You know who I am, right?
00:20:04The Basque?
00:20:06Well, I don't know that his mother apparently called him a chicken.
00:20:08And the uncle decided to throw himself down the stairs.
00:20:22No, even more so.
00:20:23Hey, we have to tell him, okay?
00:20:25Necane has done very well.
00:20:26Well, I think it's a bit bland.
00:20:28Damn, buddy, the kids are here.
00:20:29Look, Necane, don't take it the wrong way.
00:20:32Well, what you need is to have Iñeki on top of you all the time.
00:20:37Hey, hey, hey!
00:20:39There you go, beautiful.
00:20:40So, speaking of Iñeki, do you know if he's told his family anything yet?
00:20:44Yesterday I ran into Aunt Bego at the market and I didn't know what to talk about.
00:20:47I started talking about the weather and gave her the forecast for next week.
00:20:52Well, I don't know, but you know Iñaki said not to say anything.
00:20:55That's because he would want to tell her.
00:20:57He's probably already told you.
00:20:57That means that family is very close-knit.
00:21:00Iñaki!
00:21:02That?
00:21:02What are you?
00:21:03Speaking of my nephew's wear and tear, aren't you?
00:21:05Oh, they must be having a good time.
00:21:06But, boy, between palm fronds they could have made a little call.
00:21:09Even if it's just to ask about Sabino, who has developed mold since we've had humidity in the house.
00:21:14Sabine.
00:21:15Sabine.
00:21:16Bego, please.
00:21:17And?
00:21:19What about you?
00:21:20You don't know anything either?
00:21:25It looks like the weather is changing, doesn't it?
00:21:28Yeah, they say.
00:21:29When the squawk flies down...
00:21:32Sabine.
00:21:36First he tried to poison her with chicken colostrum.
00:21:38But that didn't work for him.
00:21:46Admissions?
00:21:48Gentleman.
00:21:49This is deaths.
00:21:51AND?
00:21:52No no.
00:21:54So, no?
00:21:55Don't you know about the Basque language?
00:21:57It turns out that his plan was to kill his mother and then dismember her like a chicken.
00:22:04Finally!
00:22:07Admissions.
00:22:08Please seal this for me.
00:22:09It won't be possible until tomorrow.
00:22:11We're closed.
00:22:12That?
00:22:13If he comes back tomorrow?
00:22:14No, no, no.
00:22:15Look, I've been queuing like an idiot all morning.
00:22:17So either you seal this or we're going to have a problem.
00:22:20Cabezos, this has never happened to me in my life in the Basque Country.
00:22:22In life.
00:22:24Is he Basque?
00:22:26I'll seal it for you.
00:22:27I seal everything.
00:22:33Sealed, stamped and certified.
00:22:36Very good.
00:22:38Here, until you shout, nobody pays attention to you, not even Christ.
00:22:51Everyone there, guama.
00:22:54Hello, Mr. Ignacio.
00:22:56Walter?
00:22:58What are you doing here?
00:22:59Visiting his mommy.
00:23:03Oh, what a shame, guys.
00:23:06Come on.
00:23:07What a shame.
00:23:08Poor woman.
00:23:10Oh, Don Ignacio, I'm here.
00:23:11Because I wanted to convey the condolences on behalf of the hotel.
00:23:14And as you will understand, we wondered, the hotel wondered,
00:23:19What are you going to tell the insurance people?
00:23:23Well, what can I tell you?
00:23:25The truth?
00:23:26No, kid, what's this about truth?
00:23:27Don Ignacio, look at your mother.
00:23:30Look at her, what a beautiful light on the bed.
00:23:32It wouldn't have mattered to her whether she fell in one place or another.
00:23:38Well, if he had fallen into a ball pit, we wouldn't be here either.
00:23:42Oh, Virgin of Sorrows.
00:23:44Angustias, but how difficult is it for you to understand the subtleties of the Basques?
00:23:48What I want to convey to you is that she doesn't care.
00:23:52You could tell the insurance people that she fell in the street.
00:23:59Are you suggesting that I lie?
00:24:00For about fifteen minutes now, Don Ignacio.
00:24:03Look, this issue can benefit us all.
00:24:06Mmm, and especially to you.
00:24:08No, no, no.
00:24:09Me?
00:24:09Yeah.
00:24:10I have nothing to hide, okay?
00:24:11Oh, come on, my friend.
00:24:13Your mother was blindfolded and you pushed her down the stairs.
00:24:17That?
00:24:19No, no, no, no, no, no, no, no, no.
00:24:21I didn't push her.
00:24:22She launched herself.
00:24:23Your mother entrusted you with her vision, and you betrayed her.
00:24:27Yes, because some idiot entertainer thought we were in Magaluf instead of taking care of a group of elderly people.
00:24:32Listen, don't go that way.
00:24:33My conscience is clear.
00:24:36And me too.
00:24:37So why are we talking so quietly?
00:24:41Because I don't want her to hear us.
00:24:44But what if she can't hear them?
00:24:49Come on.
00:24:50Come on.
00:24:51Do you want me to tell you a truth that will benefit us all?
00:24:54Of course, tell Walter.
00:24:58If he doesn't come out of that door right now, I'll drag him out the window myself.
00:25:03There's nothing, sir.
00:25:04There goes from there.
00:25:08And that's where it goes.
00:25:11What a temper, kid.
00:25:17They fit, choc.
00:25:25And do you know what you put in the coffee?
00:25:27The woman, a little bit, break the ice and cheer you up, daughter.
00:25:30But hey, I've already had two.
00:25:32But what are you for?
00:25:33I also feel very sorry about Robert.
00:25:36So tall, so handsome, such a doctor.
00:25:38So unfaithful.
00:25:39I already told him.
00:25:41I have two basic rules with men.
00:25:43Never get involved with anyone from work.
00:25:45And the second,
00:25:47Well, they never eat asparagus on a first date.
00:25:55Well, some rules are meant to be broken, right?
00:26:00My Irene is absolutely right.
00:26:02The next guy I'm going to approach with a white Dota trophy is going to be the turrero de la
00:26:06corner, let's go.
00:26:09Here, take it.
00:26:10Look, this is being charged to my account, okay?
00:26:12He caught me with a hundred euro note.
00:26:13My son with the hundred-dollar bill.
00:26:15Let's see if he changes it, huh?
00:26:16If instead of having it in his pocket he had it in the bank, he would already have people from this.
00:26:23Two cheap electrosurgical units and an operating room with lots of ice.
00:26:27Isabelita, now's your turn to go and prepare them, my sister.
00:26:29Look at how your sister is.
00:26:35What's wrong with my pretty girl?
00:26:39Hey, you know you can come live at our house whenever you want, right?
00:26:42Rosita will be delighted to share the trundle bed with you.
00:26:45Thank you very much, Rafi.
00:26:47But I have no intention of leaving my home.
00:26:49Yes, woman, but it's a lot of house for just you.
00:26:53Isabel, please, but why are you throwing me back into my role if I'm fine?
00:26:57Now let's see how I'm going to find the patients' vein.
00:27:03Now you're really going to have to take this little bag, Ruh.
00:27:08Carmencita, at last.
00:27:10There's no way to talk to you.
00:27:12I was already thinking of injuring myself so that he would take care of me.
00:27:15Well, if you want the wound, I'll give it to you.
00:27:17Stay still, Miura.
00:27:18Go ahead and make me a coffee.
00:27:21If I leave right away, I just want to give something to Carmen.
00:27:26And what is that?
00:27:27This is the invitation to my sister's engagement party.
00:27:30Is your sister getting married?
00:27:32You have a sister?
00:27:34Look, I didn't say anything because I wasn't thinking about that.
00:27:37It's definitely a pain in the ass.
00:27:39But my whole family will be there, friends of my parents, and distinguished doctors.
00:27:45And why are you telling me all this?
00:27:48Because I believe it's the most appropriate place to introduce my family to the woman I love.
00:27:58Do you know when you tell me something, Carmen?
00:28:01Yes, yes.
00:28:05Please.
00:28:09Well.
00:28:13I haven't thought about it.
00:28:18Have you reconciled?
00:28:20That seems to be the case.
00:28:22Well then, I'd better change your coffee, buddy.
00:28:32You're not trying to bribe me, are you, Mr. Bejumea?
00:28:36No, for God's sake.
00:28:37This is just a sweet little detail, nothing more.
00:28:40To thank you for your always sincere smile from this vantage point...
00:28:45Thank you so much.
00:28:46...where you have complete control over all angles and can see when they're approaching...
00:28:52...the enemy.
00:28:53I knew it.
00:28:54I'm not going to tell you when Carmen comes, okay?
00:28:57Come on.
00:28:58It's not because of me.
00:28:59But I am already registered, charged and declared guilty of the crime of enjoying myself with premeditation, treachery and cruelty.
00:29:09That's not it either, Mr. Bejumea, is it?
00:29:12I'm saying this because of Carmen.
00:29:16The poor thing already has enough to deal with, having endured heartbreak, without finding me in her room now.
00:29:23breathing smoke like a dragon.
00:29:27Don't you think so?
00:29:33Well, I'm not promising anything.
00:29:36From the best refinery in Seville.
00:29:42Good morning.
00:29:44Good morning.
00:29:45I'm looking for Don Iñaki Iraza...
00:29:49If the first one says it, I'll give her a chocolate.
00:29:51Iraza Balbeitia.
00:29:52I'm on the regime, thank you.
00:29:55What about the glass?
00:29:56Well, it's wandering around here, but if you wait a few minutes it'll show up any minute now with the
00:30:01speed face.
00:30:02Are you safe here, alone, knowing that he's out there on the loose?
00:30:05Yes, I have a bunch of raw ribeye steaks here and as soon as they get near me I start throwing them at them
00:30:12like lions.
00:30:19Well, there's a rumor going around the ground floor of the clinic.
00:30:22Parricide.
00:30:23They call it the rooster crime.
00:30:25I'm the insurance guy.
00:30:29And it turns on with this little button, okay?
00:30:32There you go, you're getting it, right?
00:30:33Okay.
00:30:34Now, be careful, this thing gets hotter than a bush, okay?
00:30:36Do you understand or not?
00:30:37Okay, let's see.
00:30:39José Gregorio.
00:30:40José.
00:30:41José.
00:30:42Hey, talk to me like I'm stupid.
00:30:45Okay, fine.
00:30:47Dude, this is a button, huh?
00:30:50Okay, the candy, not so silly, not so silly, okay?
00:30:54Just talk to me in a way that another human being can understand you.
00:30:57Come on, let's see if this is really that easy.
00:30:59Whenever you want to watch TV, you call me, okay?
00:31:02And I'll bring you the daily schedule, which is what 24 hours is supposed to do, right?
00:31:07No?
00:31:08Now that you're feeling pear-prone, buy enough for the whole month, they'll take a ton of hours.
00:31:15No, no, no, take it away, take it away, take it away, take it away.
00:31:17I'll be here for a month.
00:31:18Unless I fall into a coma too, no, give me the one from today.
00:31:21Come on, from the day.
00:31:22Play it for real, for yourself.
00:31:24Well, now he's caught me without any change, you know, sweetie?
00:31:27I'll bring it to you later, okay.
00:31:30Okay, one thing, do you get ETV here?
00:31:34Which one is that? Game of Thrones?
00:31:36No, man, ETV, Televasca.
00:31:39Basque Television?
00:31:40That one for me, you don't see that one here, no.
00:31:42If I miss the language, I can bring you a Cortato CD I have at home.
00:31:47Uh, no, no, leave it.
00:31:49No?
00:31:49Okay, see you later, mate.
00:31:51Goodbye, sleepyhead.
00:32:07It took a while with me, it took seven years.
00:32:12Yes, man.
00:32:13Hey, let's read for a while, eh, love.
00:32:17Ship, take it, take it.
00:32:21Guard me, man, my room is overrun.
00:32:24The Don Benjumea?
00:32:25The Don Benjumea?
00:32:26The Don Benjumea?
00:32:28The Don Benjumea?
00:32:32That one, that's the one from Peña Madre.
00:32:34He carries the seed of evil in his gaze.
00:32:38Don Iñaki, that man over there, is asking for you.
00:32:42Don't you know who he is?
00:32:43Oh, no, no.
00:32:45Who is it, then?
00:32:46Any famous songs?
00:32:46No, man, no.
00:32:48It's from the insurance.
00:32:49No.
00:32:50And it's more likely that he'll be the one to make you sing.
00:33:01I don't mean to interfere where I'm not wanted, but she's thought carefully about what she's going to say.
00:33:05Man, another one just like it.
00:33:06Well, what can I say, really.
00:33:08Well, it would be the first one.
00:33:09Look, Don Iñaki, I'm telling you, I'm not trying to interfere, okay?
00:33:12But I would be very careful not to go into detail.
00:33:14I say this because...
00:33:17Because of the little hen.
00:33:20Man.
00:33:21Well, you're pretty well-informed, aren't you?
00:33:24Mr. Iñaki, all I'm saying to you is that if you want to get paid, you're going to have to cover up a...
00:33:28a little bit of reality.
00:33:28Well no.
00:33:30I'm more naturally angry.
00:33:32Besides, Basques don't lie.
00:33:34Yeah, man, and where's a Dargarin from? Chiclana?
00:33:37Don Iñaki, for God's sake.
00:33:38You know what your mother's transfer will cost.
00:33:41For now, you can count on UbiMobi.
00:33:45Hire nurses, specialized medical equipment, transportation, and machinery.
00:33:50Look, all that, all that is a peak.
00:33:53And if it has to come out of his own pocket, he'll find out.
00:34:01Forward.
00:34:06Don Berrumeo, save us both some time and tell me where you have the tobacco.
00:34:11I don't know what you're talking about.
00:34:13I haven't smoked since the expo opened.
00:34:15Okay, so what was the smoke that came out of the room?
00:34:18Incense?
00:34:20Tell me at least who's supplying you with merchandise.
00:34:22Ah, the sin is mentioned, but not the sinner.
00:34:24I'll take that secret to my grave, daughter.
00:34:26Well, you keep doing that.
00:34:27May he go to his grave, and very soon.
00:34:31Come on, Mr. Berrumeo, please, I treat my great-great-granddaughter like a house dog.
00:34:34He only thinks about causing me trouble.
00:34:37And you seem to have your mind on something else, don't you?
00:34:42What's up, party?
00:34:45A proposal, but not just any proposal, you know?
00:34:48A fancy one.
00:34:50No, you're a real pain in the neck with the butchers, aren't you?
00:34:53The sister's proposal.
00:34:55You see, I'm going from not knowing if he has a father or mother to knowing his whole family.
00:34:59So I have to look beautiful, beautiful.
00:35:02Yes, yes, I see.
00:35:05Night or day.
00:35:07Day.
00:35:08Touched.
00:35:09The Pamela hat is fashionable, apart from the fact that it's tacky.
00:35:13Hey?
00:35:15Covered outdoors.
00:35:16Outdoors.
00:35:17It's at the Real Club de Golf de Sevilla.
00:35:20Ah, we have nouveau riche.
00:35:23Ah!
00:35:25Cocktail dress and high heels, but...
00:35:28Watch out for the side here.
00:35:29You might look like a newborn baby squirt when you walk around.
00:35:33Hey?
00:35:35Guest number.
00:35:37200.
00:35:38Yes, yes, yes.
00:35:40You need to put on a bright color.
00:35:42And don't overdo it with the makeup.
00:35:45Always remember that.
00:35:47Less is more.
00:35:48It should be noted.
00:35:50Yeah.
00:35:51But without it being noticeable.
00:35:53Hey?
00:35:55Even with that face, I think you're going to stand out, even if I put you in a flamenco poncho.
00:36:00Oops!
00:36:02You really do have a knack for all these things, Mr. Bejumea, don't you?
00:36:06Okay, fine, I don't give parties.
00:36:07Well, and my father, and my grandfather.
00:36:09Well, I remember one that came to wander around.
00:36:12Well, lots of glomou.
00:36:15But you should have seen how the lady scraped up the zalmorejo.
00:36:20Runda, you know nothing about life.
00:36:22But you know what?
00:36:24I know my own business too.
00:36:27And this, for the moment, I am requisitioning.
00:36:31I'll find out where he has the whole pack of cigarettes.
00:36:35And thank you.
00:36:48Oh, checks on me.
00:36:51And here?
00:36:52Well, then the transfer would happen to you.
00:36:56Well, now I don't know what to tell you.
00:36:59But he shouldn't worry until he knows if the insured, in this case his mother,
00:37:04It meets all the requirements.
00:37:05Sure, sure.
00:37:06And he does fulfill them, huh? He does.
00:37:10That's something I'll have to decide myself, don't you think?
00:37:19Okay.
00:37:21Let's start with the site of the accident.
00:37:23Well, it wasn't really that sinister, was it?
00:37:27There was plenty of light.
00:37:31Sorry, sorry.
00:37:32I'm just not used to someone here talking to me so seriously.
00:37:36Because you haven't seen me at the fair.
00:37:38My friends tell me I'm a rascal.
00:37:42Well.
00:37:44The place, please.
00:37:45Hey?
00:37:46The place.
00:37:47Well, it was in...
00:37:50What's wrong? Don't you remember?
00:37:52Yes, yes, yes, yes, yes, yes, yes.
00:37:54How could I forget?
00:37:55Well, it was in...
00:37:58In the same...
00:37:59On the street.
00:38:01It was in the street.
00:38:03Yes, look, right outside the hotel, at the very door.
00:38:06What a coincidence.
00:38:07And what happened?
00:38:10Well, Ma and I were going for a walk and...
00:38:14And look, she, who has always worn flat shoes, decided to wear espadrille wedges.
00:38:21You know how mothers are.
00:38:23No, I don't know.
00:38:24Mine is dead.
00:38:27Oh my God.
00:38:31I'm sorry.
00:38:33Nor does he have to feel it.
00:38:34You didn't kill her, did you?
00:38:35No, no, no.
00:38:37Not to his mother.
00:38:38Not even mine.
00:38:39Not even mine.
00:38:43Well, as I was saying, my mother and I were walking.
00:38:48And of course, she, not being used to such medieval cobblestones, suddenly tripped and bam!
00:38:57head.
00:38:58What did he do?
00:38:59He tripped and boom, headfirst to the ground.
00:39:02And you?
00:39:04I don't.
00:39:05No, I was wearing hiking boots.
00:39:09Oh, no, no.
00:39:10When I arrived it was already late.
00:39:13But he didn't say that he was walking with her.
00:39:18I was going, I was going.
00:39:21But I just got ahead of...
00:39:26To take a taxi.
00:39:28And thank goodness, because that way we went straight to the emergency room.
00:39:39I will deliver the report to the company and we will forward your complaint.
00:39:43Yes, but it looks good, doesn't it?
00:39:45Painting, painting, we don't paint anything here.
00:39:47We'll see.
00:39:49Well, well, thank you.
00:39:51Hey?
00:39:51I truly don't know how to thank you.
00:39:53Well, I'll tell you.
00:39:55Taking out a life insurance policy.
00:39:57That?
00:39:58It was a joke.
00:39:59And then they say I'm not funny.
00:40:01Hey?
00:40:02Good.
00:40:03Nothing.
00:40:04Well, you'll hear from me soon, okay?
00:40:08Gentleman.
00:40:09Good afternoon.
00:40:10Miss.
00:40:17That?
00:40:18I'm tired.
00:40:19How are you getting around here all by yourself?
00:40:21Uh, well.
00:40:22Because my nephew has probably already called you, right?
00:40:24To see how the business is doing.
00:40:27Well no.
00:40:28No?
00:40:30Well, yes.
00:40:31Oh, really?
00:40:32Okay, I called him, but he didn't answer.
00:40:34It doesn't pick you up.
00:40:36Did they leave you in charge of the business and then stop answering your calls?
00:40:38Okay, okay, okay, okay.
00:40:39He's more reckless than I thought.
00:40:41I'm going to call my sister right now to tell him to stand up for himself.
00:40:43No!
00:40:44No!
00:40:45Listen to me, no, no, that...
00:40:46Listen, if you already know...
00:40:48You don't know that calling down there is super expensive, do you?
00:40:51It's very expensive.
00:40:52It's extremely expensive.
00:40:52Don't call, I'm drinking.
00:40:53Well, dude, that's if you make an international call.
00:40:55And unfortunately, we are still part of the same country.
00:40:59You'll see.
00:41:03Okay, Mariso, see you tomorrow.
00:41:06I'm leaving a little earlier because I have to go look at some fabrics.
00:41:10Know?
00:41:10I have a very important event and I have to look divine.
00:41:13Well, I don't need to tell you my whole life story, do I?
00:41:16Look, I do it so the woman doesn't get bored.
00:41:19How can she have such a talkative son?
00:41:21Okay, okay, okay, okay.
00:41:22I can talk a lot when I want to, you know?
00:41:30Look.
00:41:33Aren't you going to take it?
00:41:37No no.
00:41:40Whatever I tell you, the king of oratory.
00:41:44Well, Mariso.
00:41:46See you tomorrow.
00:41:59Oh, Mom.
00:42:07Hey, Aunt Bego.
00:42:08That?
00:42:09How are we doing?
00:42:10Hey, you guys know how to use the phone.
00:42:13Put me through to your mom, please.
00:42:14Uh, no, no.
00:42:16It's because she loves, she loves, she's resting.
00:42:19I could have been waiting.
00:42:20You haven't even sent me a single photo, son.
00:42:22So, what's the point?
00:42:23What for?
00:42:24Well, anyway, it's not what you'd expect.
00:42:25Furthermore, in Seville, with the sunshine we have,
00:42:27All the photos come out burned.
00:42:30Well, for once we could see the blue sky.
00:42:32Hey, do you have Wi-Fi there?
00:42:34Uh, yes, yes, that's what they say.
00:42:36Well, look, send it to me.
00:42:37Come on, I'll wait for you.
00:42:38Ala, agur.
00:42:39Goodbye.
00:42:45Goodbye.
00:43:19But what the hell is Iñaki saying about them sending me the photo?
00:43:22Relax.
00:43:23Unless she disguises herself as her mistress,
00:43:25The kind of psychosis, oh.
00:43:28It has arrived.
00:43:30Look, they sent me the photo with Marichu.
00:43:34Hey?
00:43:41Well, it doesn't look bad.
00:43:43They're fine, right?
00:43:45Yeah.
00:43:45They're fine, he says.
00:43:47But you don't see anything strange.
00:43:51What do you see there?
00:43:53The hat.
00:43:54Which hat?
00:43:55Sure, sure.
00:43:56Yes, yes, yes.
00:43:56If my sister has allowed herself to be photographed wearing something so tacky,
00:43:59one of two,
00:43:59either she's sick or she's drunk.
00:44:02She's drunk, she's drunk.
00:44:03Yes, you can see him.
00:44:04Yes, you can see him.
00:44:05Like a Cuba.
00:44:06Chamomile goes down easily, huh?
00:44:08What your sister has right now
00:44:10It's an amazing chamomile high.
00:44:12Exactly.
00:44:30What don't you and I talk about?
00:44:33With the conversations we're having.
00:44:35You?
00:44:36Are you going?
00:44:39Hey, the sandwich is chicken, mom.
00:44:43But come on, know, it tastes like PVC.
00:44:46And your serum?
00:44:48Is it tasty?
00:44:52Enjoy your meal.
00:44:54Thank you.
00:44:55A cigarette, before the iron sergeant arrives.
00:44:59I'm going to give you an iron sergeant.
00:45:08Come on, what?
00:45:14Wants?
00:45:15Wants?
00:45:15No.
00:45:16What I want is for him to take it away from here.
00:45:17that he's going to cause me trouble.
00:45:19A problem?
00:45:21What you have in front of you is a problem, son.
00:45:24This is just nonsense.
00:45:26Her father couldn't come.
00:45:29Who is your father?
00:45:30My grandfather?
00:45:31No, man, no.
00:45:32Your father.
00:45:33The husband of her mistress?
00:45:35No no.
00:45:36He, well, passed away.
00:45:38Oh, sorry.
00:45:40Clear.
00:45:42Or if it's already a shame to leave this world,
00:45:44contrite,
00:45:45with a woman like that.
00:45:48Good.
00:45:49As well as?
00:45:51Daughter of my soul.
00:45:52Ah, with that mischievousness you Basques have,
00:45:55I don't know how you keep reproducing.
00:46:01Thank you.
00:46:02Very good.
00:46:22Time to take your temperature, sir.
00:46:26Good morning to you too.
00:46:27Oh, that's great.
00:46:30This can't be here, right?
00:46:32The protocol states it very clearly, sir.
00:46:34Sure, sure.
00:46:35The protocol.
00:46:36Hey, and I have a question for you too.
00:46:39Do family members have the right to breathe?
00:46:41Or do we have to wait until we leave the hospital too?
00:46:44Hey?
00:46:45Well, I don't know.
00:46:46Give it a try, darling.
00:47:08These products are so Asian.
00:47:13What do I think?
00:47:15Me, me, I'll come back later, I see you're both on...
00:47:18Hey man, come on, pick me up, throw me out, what's he going to think we're doing here, put the red one away.
00:47:21But what is this man saying?
00:47:24Calm down, calm down.
00:47:25José, the Basque guy is trustworthy, man.
00:47:28Well, trustworthiness depends on what you're looking for.
00:47:30No way, man, no way.
00:47:32José is my supplier here.
00:47:35He can get you anything you need.
00:47:38Even pure zabanos.
00:47:39Yes, really.
00:47:40The other one didn't hide me in the breakdown.
00:47:43Where?
00:47:44Okay, okay, okay, yes, I'd rather not know.
00:47:47José, from today you're going to pass the tobacco to Ñigo.
00:47:51Iñaki.
00:47:52Iñaki.
00:47:53He's going to be my manager.
00:47:55Whatever?
00:47:56No, no, no, no, Mr. Mejumea, really, find someone else.
00:47:59I have three days left here and...
00:48:02Grab it, man, grab it.
00:48:07I'll know how to make it up to you, kid.
00:48:10For tomorrow, some Utrera almond cookies and a luxury bottle of wine.
00:48:13This isn't written down, is it done, Don Mejumea?
00:48:15Listen, monster.
00:48:17And if you keep it a secret, I'll put up one of those satellite dishes so you can watch DDT, okay?
00:48:22Come on, now.
00:48:23It's ETV.
00:48:24Yes, yes.
00:48:26It's ETV.
00:48:27Hey, bighead.
00:48:32Hey, hey, what are you doing?
00:48:34What the hell is he doing?
00:48:35Can a man do this now?
00:48:37I'm the physiotherapist.
00:48:38All I see here is anatomy.
00:48:39Let's be clear.
00:48:40Yes, well, it's perfectly clear to me.
00:48:41You don't need to grab it from so high up and without squeezing, okay?
00:48:43It is regulatory manipulation.
00:48:45What do you want?
00:48:46May her mother's muscles atrophy.
00:48:50Okay, fine, go ahead, shall we?
00:48:52But turn off the light.
00:48:53Or better yet, close your eyes.
00:48:55Very good, Nazareth.
00:48:56I'm here now.
00:48:57Thank goodness.
00:48:57Carmen, this is the first time in my entire life that I'm going to ask to be relieved of my duties due to stress.
00:49:03Calm down, sweetheart.
00:49:04I'll take care of it.
00:49:05Thank you, Carmen.
00:49:06Ill-mannered and ungrateful.
00:49:08The ship has everything.
00:49:10I mean, there are things that are more appropriate for a nurse than for a male nurse, right?
00:49:14I mean, I imagine his mother must have explained to him what a gynecologist does, for example, right?
00:49:17Uh, no, no.
00:49:18It's not the same.
00:49:19Furthermore, Ama doesn't need gynecologists.
00:49:21Oh, look how lucky my Marichu is.
00:49:23Good morning, queen.
00:49:24How have you rested?
00:49:25Well, not as well as you, who are supposed to be here at nine.
00:49:29But hey, what's going on?
00:49:30Are you the new head nurse?
00:49:32It's delayed me a little because I had to go buy some shoes.
00:49:34By the way, Marichu, beautiful.
00:49:36Yes, beautiful, isn't it?
00:49:37And here is my mother about to die dismembered.
00:49:39You're exaggerating and you're so annoying.
00:49:41I would have to learn to trust people a little more.
00:49:44Yes, the Cantabrian coast is full of overconfident people.
00:49:46But also, don't worry, in three days we won't be here anymore.
00:49:48On Friday we transferred Miami to the hospital in Guipuzcoa.
00:49:51What are you telling me?
00:49:53Well, that's what you hear.
00:49:54To the most important one in all of Guipuzcoa.
00:49:56Here we go.
00:49:56No.
00:49:57I only have three days left until Friday.
00:49:59And I still haven't taken my measurements for the suit.
00:50:01Oh, Marichu.
00:50:01Just three days, he says.
00:50:03Well, to me it will seem like an eternity.
00:50:23You caught me without any change, Pichita.
00:50:25Can you see the one who sees you with this one?
00:50:27The one who sees you?
00:50:27Yes, that one, that one.
00:50:28Listen.
00:51:49Time to take the temperature!
00:51:52Come on, you!
00:51:59Hey, Angela!
00:52:00Good morning!
00:52:01Have you had anything done?
00:52:03I see her as more feminine.
00:52:06Hey?
00:52:08Do you know what day it is today?
00:52:09The day he discovered the medicine cabinet.
00:52:12Hey!
00:52:13No!
00:52:15Today is my last day here.
00:52:16I'm going back to San Sebastián.
00:52:18At last!
00:52:19I'm really looking forward to going to Choco
00:52:21to be with the crew
00:52:23to play mus
00:52:26Oh!
00:52:26Sounds good?
00:52:27I believe it.
00:52:28There's nothing like the Basque Country.
00:52:30Huh, mistress?
00:52:30No.
00:52:31I say that the idea of today sounds good to me.
00:52:33may it be their last day.
00:52:38Visit to relatives for five minutes
00:52:40and bring it to the surface and bring it closer to the patient.
00:52:44Man.
00:52:45Hello.
00:52:47She only came to find out how her mistress was doing.
00:52:50I'm sorry it took so long, but...
00:52:54Look at her.
00:52:55The other day it had the force of a typhoon
00:52:57and today
00:52:58A light drizzle was coming down on us, and the poor old woman...
00:53:01Ah, but don't worry, man.
00:53:02If the worst is over,
00:53:04He'll be up there soon.
00:53:05And it will all be over.
00:53:07As?
00:53:08That's what the doctors said.
00:53:09Yes, yes, yes, yes.
00:53:10It can happen at any time.
00:53:13My God.
00:53:14We're worthless, huh?
00:53:16Okay, okay, okay.
00:53:17It's going to be a thousand times better there than here.
00:53:19That's true.
00:53:22He didn't seem to have much joy in life either.
00:53:24But to leave like that, so suddenly...
00:53:27Suddenly, he says.
00:53:29I'm counting down the hours
00:53:30so they can unplug it.
00:53:32But don't get like that, man.
00:53:34If he will see her again soon.
00:53:35That?
00:53:36You don't have much time left here either, do you?
00:53:38You are a disarmed bastard.
00:53:41No?
00:53:42Come on, fuck it.
00:53:46They fit, sots.
00:53:55Excuse me, have you seen anyone pass by here?
00:53:57to a gentleman...
00:53:59White beard, scared face?
00:54:01She was carrying a bouquet of flowers...
00:54:02Damn, that's the mistake of the elderly.
00:54:05Well, I've been told
00:54:06that tamed a hen
00:54:07to throw it in their eyes.
00:54:08And then he threw her down the embankment.
00:54:10To the hen?
00:54:11André, come on, damn it.
00:54:12To the mother.
00:54:13Excuse me.
00:54:14Can someone tell me what they're talking about?
00:54:20They fit, sots, huh?
00:54:22That I haven't done anything to my mother.
00:54:24What's wrong with you now, creature?
00:54:26Why are you shouting like that?
00:54:27Nothing, nothing.
00:54:28But I get the feeling
00:54:29that here
00:54:29Everyone is talking about me.
00:54:31No, no, no, no, no, man.
00:54:32Don't say that.
00:54:33Yeah, maybe it's silly.
00:54:34No, no, it's not a feeling.
00:54:37Everyone's here
00:54:37talking about you.
00:54:39You haven't realized it, you creature.
00:54:42In other words, the one from Espeñamadres.
00:54:45They call me the one from Espeñamadres.
00:54:47Well, that's one.
00:54:48They also tell you
00:54:48old woman, avian killer,
00:54:50San Sebastian.
00:54:53San Sebastián?
00:54:54Look, this is incredible, man.
00:54:55What an imagination.
00:54:56Look, it doesn't surprise me.
00:54:57that in this land
00:54:57There are so many writers, huh?
00:55:00Cabezos.
00:55:01Look, thank goodness.
00:55:01that we're finally leaving today.
00:55:03Oh, wow.
00:55:05So Marichu is leaving us today.
00:55:07Yes, as soon as we talk
00:55:08with the doctor
00:55:09We arranged the transfer.
00:55:10Dr. Almenar
00:55:11It has to arrive soon.
00:55:14Oh ok,
00:55:15I was speaking
00:55:15with Dr. Rinchostigui.
00:55:17Of course, man.
00:55:18From which other doctor?
00:55:19Were you going to speak, were you?
00:55:20Well,
00:55:21I'm going to say goodbye now.
00:55:22if you agree
00:55:23this afternoon
00:55:23I have the ceremony.
00:55:26Marichu,
00:55:28It has been a pleasure
00:55:29to have her among us.
00:55:33What's happening?
00:55:35Nothing.
00:55:36Are you
00:55:36has never kissed
00:55:37to his mother?
00:55:41Of course not.
00:55:43She is my mother.
00:55:47That's awful.
00:55:59Kisses, she says.
00:56:03Look.
00:56:05Do you see this here?
00:56:07That stain?
00:56:09Yes, well,
00:56:10that which you call
00:56:11stain
00:56:12It's a small clot
00:56:13of blood.
00:56:14Very good.
00:56:15And can I ask
00:56:16a second opinion?
00:56:17Well,
00:56:18to request a second opinion
00:56:19first you will have to listen
00:56:20the first,
00:56:20Don't you think so?
00:56:21Ah,
00:56:22What, it's not over?
00:56:23No no.
00:56:24Please,
00:56:25Continue, continue.
00:56:26So, as I was saying,
00:56:28It's a small
00:56:28blood clot,
00:56:29too small
00:56:30as if I had seen it
00:56:31in the previous CT scan,
00:56:32but important enough
00:56:33as if to recommend
00:56:34that does not move
00:56:35his mother from here.
00:56:37As?
00:56:38I'm sorry,
00:56:40But I assure you
00:56:40I will take care of it personally.
00:56:41that her mother
00:56:42be perfectly
00:56:43attended to at all times.
00:56:44But are you sure?
00:56:45That it's not a drop of dust?
00:56:47We are sure,
00:56:48Yes, we are sure.
00:56:50Already,
00:56:50But how safe are they?
00:56:51Because three days ago
00:56:52They didn't see it, huh?
00:56:52Already,
00:56:53because of this type of clot
00:56:54can be reabsorbed
00:56:55perfectly,
00:56:56but...
00:56:56Can I ask another question?
00:56:57Ask,
00:56:57ask,
00:56:58Whatever you want.
00:56:58The tests
00:56:59They give them to me on paper
00:57:00or I can take them with me
00:57:01on a skewer?
00:57:01Because I have one.
00:57:03But you
00:57:03He listens to me
00:57:04When do I speak?
00:57:06Perfectly,
00:57:07But let me tell you
00:57:08that what they see here as impossible
00:57:09in the Basque Country
00:57:10We make it possible.
00:57:11Already,
00:57:11what I don't know
00:57:12is the one who commands you
00:57:13leave the Basque Country.
00:57:14Already,
00:57:14Well, that question...
00:57:15I do it myself every day.
00:57:16But don't worry,
00:57:17As soon as I do it
00:57:18and gather the evidence
00:57:18to Dr. Inchaustegui,
00:57:19he will know
00:57:20how to get us out of here
00:57:22and that stain
00:57:23don't let it be a problem.
00:57:25That's it.
00:57:28My mistress gave me this.
00:57:31Insurance.
00:57:32Insurance.
00:57:40But this Basque guy
00:57:40that believes
00:57:41that I got
00:57:41medicine
00:57:42when the operator
00:57:43Or what?
00:57:44Good,
00:57:44Pacoldo,
00:57:45hey,
00:57:46I already have the proof,
00:57:47Hey?
00:57:47As soon as I find
00:57:48a computer
00:57:48I'll send them to you.
00:57:49Okay,
00:57:49Ah!
00:57:51Shots are allowed.
00:57:52Okay,
00:57:52don't worry,
00:57:52I'll be waiting for you here,
00:57:53But listen,
00:57:54Don't be long,
00:57:54Hey?
00:57:55I have dinner tonight.
00:57:55at home.
00:57:56And Zasco,
00:57:57what does he want them to do to him
00:57:57the narrow one,
00:57:58You see,
00:57:59in a stew,
00:58:00how do you usually prepare it?
00:58:01your Christmas,
00:58:01Hey?
00:58:02Easy,
00:58:03Did I buy them or live?
00:58:04No,
00:58:05dead.
00:58:06Yes, yes, yes!
00:58:07Good,
00:58:07Well, cut off his head.
00:58:08with a good knife,
00:58:09Hey?
00:58:09Better a sharp blow
00:58:10with the saw
00:58:11You become eternal.
00:58:12Ah!
00:58:14Hey,
00:58:15that I'm talking about
00:58:16of a lobster,
00:58:17Hey?
00:58:19Fuck,
00:58:19here for anything
00:58:20They shoot you with an arrow.
00:58:21Oh,
00:58:21Besides being true,
00:58:22people like it better here
00:58:22a good bit of gossip
00:58:23than a print.
00:58:24And I ask myself
00:58:25Where did it come from?
00:58:26that rumor.
00:58:27That's what I say,
00:58:28That's what I say.
00:58:29Here's what happens
00:58:29It's that people
00:58:30She has a very loose tongue.
00:58:31Already.
00:58:32And hers does at least
00:58:33three days
00:58:33that does not return to the cage,
00:58:34No?
00:58:38Alright,
00:58:39Mr. Iñaki,
00:58:40It was me.
00:58:41But this place
00:58:42It's very small
00:58:43And his case is very peculiar.
00:58:44and if,
00:58:45probably
00:58:46I was able to tell him about it
00:58:47to one
00:58:48people account.
00:58:49And this has gotten out of hand.
00:58:50from mother
00:58:51The redundancy is unnecessary.
00:58:52Already,
00:58:52Well, thank goodness.
00:58:53we're leaving today.
00:58:54Because two more days
00:58:55and it appears to me here
00:58:56the Civil Guard,
00:58:57the geos and up to the 30.
00:58:58Look,
00:58:58I'm so sorry,
00:58:59I feel it in the weapon,
00:59:00really.
00:59:00Do you want
00:59:01that I personally take charge
00:59:02of going on denying it?
00:59:03No,
00:59:04No,
00:59:04don't worry.
00:59:05But if he loves me
00:59:05do a favor,
00:59:06look,
00:59:07Could you send
00:59:07These tests by email
00:59:08to Dr. Inchaustegui?
00:59:10The Inchaustete
00:59:10And the one in the north?
00:59:11That's done.
00:59:13Let's see,
00:59:15What is the email address?
00:59:18The email?
00:59:20Holy shit.
00:59:21Holy shit
00:59:22at sign
00:59:23that?
00:59:26List?
00:59:28Oh,
00:59:28My God,
00:59:29You look beautiful,
00:59:30It looks like it was taken
00:59:30a magazine cover.
00:59:32That's the intention.
00:59:33Well,
00:59:33leave,
00:59:34that instead of arriving
00:59:34at the request,
00:59:35I'm going to arrive
00:59:36upon delivery.
00:59:36I'm going to make it a quarter to you.
00:59:38See you later.
00:59:40Oh well,
00:59:41oh well.
00:59:43I saw your fork
00:59:45And it's been a poem for you.
00:59:46What's your price?
00:59:48How am I?
00:59:50More pressure.
00:59:52And you wait and see.
00:59:53that there is no other request.
00:59:55Thank you so much,
00:59:56Don Pehumbea,
00:59:56because all this
00:59:57It has been thanks to you.
00:59:59And I'm leaving.
01:00:00And I'm leaving.
01:00:01Come on,
01:00:02Stick to the shade,
01:00:04chocolate.
01:00:13That's it.
01:00:14That's it?
01:00:15Well,
01:00:16I still have to give it to him
01:00:17I'm here at the crank
01:00:18so that it arrives
01:00:18energy to Rute.
01:00:20Oh really?
01:00:22How am I going to add wine?
01:00:27Look,
01:00:27It's Coldo,
01:00:28That means it has arrived.
01:00:30Coldo.
01:00:30Yepa.
01:00:31Opa,
01:00:31there.
01:00:32Well,
01:00:32that?
01:00:33You send a Ubi mobile,
01:00:34I'll arrange the transfer.
01:00:35from here.
01:00:36Yeah,
01:00:36wait,
01:00:37There's something here
01:00:37which I don't see clearly,
01:00:38Hey?
01:00:39He doesn't see it well.
01:00:40Hey,
01:00:41you're sure
01:00:41that he sent it
01:00:42in PDF?
01:00:42Yeah,
01:00:42Yeah.
01:00:43No,
01:00:44No,
01:00:44I see it, yes.
01:00:44Iñaki.
01:00:45But what worries me
01:00:47Here is a small clot
01:00:49in the temporal lobe.
01:00:51The stain.
01:00:53The stain.
01:00:54Yeah,
01:00:54Well,
01:00:55that.
01:00:56Listen,
01:00:56let's see,
01:00:57It is possibly mild,
01:00:58But it's in a delicate area,
01:01:00so,
01:01:00Well,
01:01:01It's better to wait.
01:01:02Yeah,
01:01:02Yeah,
01:01:02Yeah,
01:01:03clear,
01:01:03We uploaded it to Euskadi
01:01:04And let's wait as long as it takes.
01:01:05No,
01:01:06No,
01:01:06Iñaki.
01:01:07No,
01:01:08let's see,
01:01:09I mean,
01:01:09I mean that
01:01:09It is very risky to move it,
01:01:11You know?
01:01:12Very sorry,
01:01:13But the best thing will be
01:01:13that you stay for now
01:01:14in Seville.
01:01:15That?
01:01:25So what?
01:01:26With Carmencita,
01:01:28No?
01:01:28I kept that quiet.
01:01:31If you want, I'll tell you over the loudspeaker.
01:01:33Well, if I had
01:01:33your love life,
01:01:35I was going to be hungry for a while.
01:01:36in telling everyone.
01:01:38And?
01:01:39He handles the instruments
01:01:40just as good at home
01:01:41than at the clinic.
01:01:42Tell me, what's up?
01:01:43How does he handle the instruments?
01:01:44What has that Carmen done to you?
01:01:45You're not saying anything?
01:01:46A transfusion
01:01:47and he's put you on the chat,
01:01:48No?
01:01:48Whatever I tell you
01:01:50that Carmencita
01:01:51He married her.
01:01:53Or will it not be
01:01:53the first nurse
01:01:54who tries
01:01:55And what if he doesn't succeed?
01:02:00She's there, right?
01:02:04I'm so happy for her
01:02:06because they would have taken
01:02:07a jerk, but a top-notch one.
01:02:09Carmen.
01:02:09Very good, daughter.
01:02:10Carmen.
01:02:13Carmen.
01:02:13Carmen, please.
01:02:15I was just kidding.
01:02:16You know how we guys are
01:02:17when we talk alone.
01:02:18Yes, just like when you are
01:02:18in the company of some idiots.
01:02:20I'm sorry, Carmen.
01:02:21But I swear that only
01:02:22I told him
01:02:22to get rid of them.
01:02:23You are an expert
01:02:24in removing the Chinese.
01:02:25Carmen, let's do one thing, woman.
01:02:27Let's go home
01:02:27and we discussed this calmly.
01:02:28You look very beautiful.
01:02:30Home?
01:02:30Which house?
01:02:31Look, I'll think about it tomorrow.
01:02:32leave everything at the door
01:02:34And you could start collecting this.
01:02:36Carmen.
01:02:38Carmen.
01:02:39Carmen.
01:02:44Hey, Mr. Iñaki.
01:02:45Good afternoon.
01:02:47We took a seat.
01:02:49I've come to tell you
01:02:51that my colleagues
01:02:52from the central
01:02:53They've already been warned
01:02:54to organize today
01:02:56the transfer
01:02:56from his mother.
01:02:57So as soon as
01:02:58give us your consent.
01:03:00Don't worry
01:03:01if in the end
01:03:02There will be no transfer.
01:03:04Oh.
01:03:04And then?
01:03:06So, then,
01:03:07We're staying here.
01:03:08In Seville,
01:03:09without going any further.
01:03:10Because I don't know
01:03:11If it's possible to go further.
01:03:12What do you think?
01:03:14Well, I honestly
01:03:15I don't know
01:03:15because of the way I live
01:03:16in two sisters,
01:03:17But these things happen.
01:03:18that accidents happen
01:03:19and they don't have to
01:03:20It's nobody's fault.
01:03:21Yes, yes, yes.
01:03:23Yes, it's someone's fault.
01:03:24Yes, man.
01:03:25From divine providence.
01:03:27But you go, okay?
01:03:28to claim from the insurance.
01:03:33It's my fault, damn it.
01:03:35It's my fault.
01:03:35My mother is in a coma.
01:03:36It fell because of me
01:03:37and it's my fault
01:03:38we're going to have
01:03:39that stay here.
01:03:40Lesterraos?
01:03:41Even God knows when.
01:03:43But that doesn't say here
01:03:44in the report.
01:03:45Look.
01:03:46Do you want to know?
01:03:47What really happened?
01:03:48Clear.
01:03:49Note.
01:03:53We were at the hotel.
01:03:55My mother and I
01:03:56playing blind man's bluff.
01:03:57Blind man's bluff?
01:03:58Yes, there wasn't.
01:03:59nothing more to do.
01:04:00And when I was guiding her,
01:04:02I got distracted
01:04:03looking at her ass
01:04:04to a waitress.
01:04:05Soul.
01:04:09Is that why it's
01:04:09My mother is in a coma?
01:04:11For looking at her ass
01:04:12to a waitress.
01:04:14Did you hear that right?
01:04:15Have you heard it?
01:04:16I am not a murderer.
01:04:18Hey?
01:04:18I am not a despeñamadres.
01:04:20Hey?
01:04:20What I am is an idiot.
01:04:29The one who is losing you
01:04:30It's the floor below,
01:04:31Gonchi.
01:04:33Don Iñaki,
01:04:34then the ass thing
01:04:35I'll put it exactly as it is,
01:04:36No?
01:04:41Well, I'll put it there.
01:04:50God.
01:04:57Further up,
01:04:58Coat,
01:04:59that you are going to behead
01:04:59to the people.
01:05:00Let's see,
01:05:01Nekane,
01:05:01which is a banner,
01:05:02not a cable
01:05:02high voltage.
01:05:04Could you throw
01:05:05A little more than that?
01:05:06Fuck,
01:05:06I no longer feel
01:05:07nor the arms.
01:05:08Fuck.
01:05:09Dad.
01:05:10Father.
01:05:11Nekane,
01:05:11listen,
01:05:12one moment,
01:05:12good.
01:05:13Look,
01:05:14He's talking to Iñaki.
01:05:16and...
01:05:16Don't tell me,
01:05:17that are delayed.
01:05:19Let's see when they fix it.
01:05:20the highway once and for all.
01:05:22No,
01:05:22listen,
01:05:23let's see,
01:05:23because in the end
01:05:24He's not coming.
01:05:25As?
01:05:26Well,
01:05:26Well, I've had him
01:05:27what to recommend
01:05:27that he doesn't move the male,
01:05:28That woman is not
01:05:29to move
01:05:29and then,
01:05:30Well,
01:05:31Well, they're going to stay.
01:05:31there to this new order.
01:05:32I'll tell you because
01:05:33I this,
01:05:35Well, I don't know.
01:05:38Coat,
01:05:38Lower the banner.
01:05:40Go up,
01:05:41low,
01:05:41low,
01:05:42go up,
01:05:42Let's see if we can go
01:05:43clarifying,
01:05:44Hey?
01:05:44Take down the fucking banner,
01:05:46Pussy.
01:05:47No,
01:05:47Hey,
01:05:48calm down,
01:05:49which is that in the end
01:05:50Iñaki,
01:05:51who isn't coming.
01:05:52No way.
01:05:56Oops!
01:05:57Look,
01:05:58is watching.
01:05:59Oh,
01:05:59What a lovely detail!
01:06:00For Iñaki!
01:06:02Man,
01:06:02It's a bit striking,
01:06:03But coming from down there,
01:06:05I'm sure you'll find it helpful
01:06:05even sober.
01:06:06Oh,
01:06:07let's see,
01:06:07go up,
01:06:07Let's see how it turns out.
01:06:08Go up,
01:06:09go up,
01:06:09Sabine,
01:06:10Help him,
01:06:10Jesus.
01:06:11Let's see,
01:06:12above.
01:06:14Sabine.
01:06:17Take care,
01:06:17Sabine.
01:06:18Oh,
01:06:18how beautiful!
01:06:19What the hell
01:06:20Iñaki will wait
01:06:20to tell him/her?
01:06:22Cabenzot.
01:06:25Cabenzot.
01:06:30Look,
01:06:30loves,
01:06:33I,
01:06:33Given the choice,
01:06:36I'd rather you didn't hear,
01:06:38Because what I'm about to tell you
01:06:39I'm telling you because
01:06:40I need to say it,
01:06:42Hey?
01:06:42Not because you need to hear it.
01:06:47Let's see if we can practice more.
01:06:48this talking,
01:06:49Hey?
01:06:52Let me explain this to you.
01:06:56Do you remember that
01:06:58you were saying that the humidity
01:07:00Did it hurt your joints?
01:07:02Well
01:07:04They're not going to give you any more dollars.
01:07:07because we stayed in Andalusia.
01:07:20I just wanted you to come by
01:07:22quite a while.
01:07:24That you relax.
01:07:28And boy, has it relaxed you.
01:07:31Love.
01:07:34Marcato.
01:07:37I'm sorry.
01:07:52Don't take so long,
01:07:54my loves,
01:07:55get on.
01:07:55Hey,
01:07:56Isabel,
01:07:56The low-lying hake promised it to me.
01:07:58Come on,
01:07:59boy,
01:07:59But my loves,
01:08:00What's wrong with him?
01:08:01The park in that photo with Walter,
01:08:03the one who told me,
01:08:03under the watchful eyes.
01:08:05Come on,
01:08:06guys!
01:08:07Such a zero of jams!
01:08:09Look,
01:08:10Buy me a little carnation
01:08:11this,
01:08:11Rosemary.
01:08:12Buy me what
01:08:12for the children.
01:08:14Look,
01:08:14Rosemary,
01:08:14Look at the little rosemary
01:08:15this little carnation.
01:08:16Come on,
01:08:17I'm going to read your future.
01:08:18My future,
01:08:20I'm telling you.
01:08:21What does my future hold?
01:08:22Black.
01:08:23Oh,
01:08:24Yes, you're black!
01:08:25Tasty!
01:08:26Clear,
01:08:27flavorful!
01:08:28Listen to me!
01:08:29A cabal
01:08:30between
01:08:30and water
01:08:31I leave it.
01:08:37Clear,
01:08:39Tasty!
01:09:01Thank you!
01:09:11What's scary there?
01:09:13He doesn't intend to jump, does he?
01:09:15Throwing myself away... Yeah, man, that's all I need.
01:09:18No, no, I came up here because my mobile phone signal was failing.
01:09:21Okay, okay, you go ahead. As if I weren't here.
01:09:29Santa Ana Pension?
01:09:30Yes, to rent a room.
01:09:33What do you mean, for how many hours?
01:09:35Man, no, no, no. I see that Santa's guesthouse only has the name, huh?
01:09:48Or is there a penis?
01:09:50Yes, I'd like to rent a room. By the day.
01:09:55How many people does the bathroom say it's for?
01:09:57At Benzot, that cup gets more visitors than the Pope.
01:10:07Uh, sorry, uh...
01:10:10I would have a...
01:10:13I didn't know he smoked.
01:10:15No, it's because he didn't smoke.
01:10:17Me neither.
01:10:18Mm?
01:10:19Don Pejumea.
01:10:20Ah.
01:10:22Well, it seems he's leaving after all.
01:10:25He couldn't help but overhear the conversation.
01:10:28And look for a room.
01:10:31Here, apparently, nobody can avoid hearing anything.
01:10:35No, what I'm really looking for is a place to leave my suitcases and take a shower.
01:10:39Full body, you know what I mean.
01:10:42Perfectly.
01:10:43Oh, hey, you wouldn't happen to know of any place, would you?
01:10:45Because my mobile search engine seems to have mistaken me for an Erasmus student.
01:10:49Well, now that you mention it, I just had a spare room today.
01:10:53And it's going to be a doctor's office, but it seems like it never will be.
01:10:57Man, I don't know.
01:11:00Me with you?
01:11:02At home?
01:11:05What's happening and why not?
01:11:07Well, that would be great.
01:11:09It's very close to the clinic.
01:11:10Come on, if she looks out from right here, she'll see it.
01:11:12Some 6.
01:11:13There.
01:11:18But come on, don't stick your nose in so much, one accident in the family is enough.
01:11:22Okay, so what?
01:11:24We would only cross paths at most in the morning on the landing.
01:11:28Okay, but I would sleep at the clinic.
01:11:30You can sleep wherever you want.
01:11:33Oh, and what about my mistress?
01:11:35Look at me.
01:11:38Okay, and it would only be a few days until I get organized.
01:11:42What's wrong? Don't you Basques know how to say yes or what?
01:11:46No.
01:11:47But okay, fine.
01:11:54Mr. Perjumea?
01:11:57Nobody here has seen anything.
01:11:59Neither you nor I.
01:12:09Go on, Nekane, daughter!
01:12:10Hurry up.
01:12:11I have to go to the bus, my sister is about to arrive.
01:12:16Shit!
01:12:17Nekane, for God's sake, girl, you're so clumsy.
01:12:19Honestly, I don't know what my nephew saw in you.
01:12:21He should have hired you on Divine Mercy Day.
01:12:24I'll send you another one.
01:12:25Come on, leave it, Iñaki will put it on for me later.
01:12:28I don't know if it's a good idea to wait for Iñaki.
01:12:30Yes, that's a good idea.
01:12:32Because, looking at it the wrong way, you're the one who can manage at the bar.
01:12:34Honey, I've never tasted a worse coffee in my life.
01:12:36Drink this coffee, damn it!
01:12:37Iñaki is not coming.
01:12:41That?
01:12:47Looks like she's escaped, huh, Bego?
01:12:55No, no, no, it's just that I'm moving here, you know?
01:12:57Not forever, just for a few days, a spectacle.
01:12:59Oh, well welcome, my dear, to the block, son.
01:13:02Iñaki, are you there?
01:13:04What are those voices we hear?
01:13:06They fit, sots.
01:13:07Don't worry, son, it won't be the first time a pair of panties has committed suicide in this neighborhood.
01:13:12I just spoke to him.
01:13:13I think he's hiding something from us.
01:13:15What are you saying?
01:13:15The voices of Andalusian women could be heard in the background, as if he were being held captive.
01:13:20Beautiful, you bastard, what are you saying?
01:13:21Where are you, Iñaki?
01:13:23Can you tell us why you hadn't told us anything?
01:13:25God, what a disappointment, Teilo.
01:13:26I'm going to go into a coma too.
01:13:28Her sister is in the best hands she could possibly be in.
01:13:30Okay, in Andalusia.
01:13:32But maybe we can find something better outside of here.
01:13:35Iñaki, here, so you can eat.
01:13:36What are you waiting for there in the...?
01:13:38Okay, what's wrong with my Marichu?
01:13:41Marichu, Marichu, girl, Marichu, is it so hard to speak properly?
01:13:44I've run out of passes with my left hand.
01:13:46The next time she gives me one, I'll give her a shot, and this time I'll give her an injection, wherever I can.
01:13:50We are no longer at the hotel.
01:13:51Oh, no?
01:13:52I have a friend living here and he has rented me a room.
01:13:54Your brother is driving me crazy, Rafi.
01:13:56I believe he still loves you.
01:13:58Look at the horse of Perarta that you have here waiting for you to ride it until you get fed up.
01:14:03Sign this, so we can get out of here.
01:14:05We will need permission from your son Iñaki.
01:14:07Is that really what you want to do?
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