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00:00:00But how much time are we talking about?
00:00:01The last patient, two years old.
00:00:03Hey, are you okay?
00:00:05Nurse.
00:00:06Naki! Naki!
00:00:08How was Vasco's night?
00:00:09Asleep like a little bird?
00:00:11I know!
00:00:12Carmen has balls, my sister.
00:00:13Do you have an egg, aunt, that's in my house?
00:00:15My sister, I told her the key today just in case.
00:00:17Is that enough? Would you like a coffee? Shall we have a chat here?
00:00:20I wouldn't recommend moving your mother until we know exactly what's wrong with her.
00:00:24But the lady told me that I could spend two years in a coma.
00:00:27Aren't you going to say goodbye to your mother?
00:00:28But he can't hear me, right?
00:00:30Don't you know that?
00:00:31Agui, Rama!
00:00:32Do you want me to get you anything?
00:00:34But what do I have to do to make you realize that the "tri" thing doesn't mean anything?
00:00:36This is the invitation to my sister's engagement party.
00:00:39And why are you telling me all this?
00:00:40Because I believe it's the most appropriate place to introduce my family to the woman I love.
00:00:45Holy shit!
00:00:46I'm telling you, Carmencito got her married.
00:00:49She won't be the first nurse to try and fail.
00:00:53I'm sorry, Carmen.
00:00:54Shall we go home and talk about this calmly?
00:00:56House? What house?
00:00:57Look, tomorrow I thought I'd leave everything at your door.
00:00:59What do you want me to do?
00:01:00Well, just go for it already, damn it.
00:01:01He's only going away for a week.
00:01:02To catch him down there, one day is more than enough.
00:01:04Nothing, we'll move the male and the woman home on Friday.
00:01:07Oh really?
00:01:09But Iñaki, as you know, said not to say anything.
00:01:12What about you?
00:01:12Do you really know anything?
00:01:13You haven't even sent a single photo, son.
00:01:16But you don't see anything strange.
00:01:17That?
00:01:18Are you sending a mobile Ubi unit, or should I arrange the transfer from here?
00:01:20What worries me here is a small blood clot in the temporal lobe.
00:01:24It is very risky to move it.
00:01:26That?
00:01:26Iñaki is not coming.
00:01:28That?
00:01:28Do you remember saying that humidity was bad for your joints?
00:01:31They're not going to give you any more dollars.
00:01:32Because we stayed in Andalusia.
00:01:34Don't you know of any place?
00:01:35I just got a spare room today.
00:01:38OK.
00:02:30Subscribe to the channel!
00:02:59Subscribe to the channel!
00:03:22Subscribe to the channel!
00:03:25The little girl is in the shower singing and doesn't notice.
00:03:27It has been played for the song.
00:03:29Ah, okay, I see, I see, the song.
00:03:32Who are you? The one who brings you things from the internet?
00:03:35No, no, no, I'm the new guy. I mean, the new...
00:03:37Well, I'm Lucy, the neighbor from the third floor.
00:03:40What are you? The new party entertainer?
00:03:42Listen to me, since you've come, son, let's see if things can speed up a little more.
00:03:45The elevator will be fixed soon.
00:03:47Because I have varicose veins like lizard tails, son.
00:03:50No, no, no, it's just that I'm moving here, you know?
00:03:52Not forever, just for a few days, wait.
00:03:54Oh, well welcome, my weapon, full force, son.
00:04:01Okay, listen to me if you have the key in your hand.
00:04:03Why don't you go inside and not stand there like you're the night watchman?
00:04:06I was just trying not to...
00:04:07Bah, yes, that's it, I'm in.
00:04:10Delighted...
00:04:10Lucy, my weapon.
00:04:11Lucy.
00:04:12Lucy.
00:04:13Come on.
00:04:14See you later.
00:04:16With God, eh?
00:04:17Goodbye, my anus, goodbye.
00:04:26Damn, he sees me.
00:04:46Carmel!
00:04:50I've arrived, okay?
00:04:54Nothing, I'm just around the corner.
00:05:02Child!
00:05:03Shh!
00:05:04Listen!
00:05:05That your room is the one with the small bed.
00:05:08This kid is a spoiled brat, he doesn't get it.
00:05:17Child.
00:05:18Look, listen.
00:05:19I'm Lucy, the neighbor from before.
00:05:21That your room is the one with the small bed.
00:05:24Carmela must have given you a note.
00:05:26Do you see it or not?
00:05:28Come on, damn it.
00:05:29You're very handsome, but the spill is a bit of a mess.
00:05:34That way.
00:05:35Kid, go over there.
00:05:41Oh, you're so good, you son of a bitch, and what a big cock you have!
00:06:01Good day, neighbor.
00:06:02That the shower is free.
00:06:03Is that you?
00:06:04Of course, man.
00:06:05Who else could it be?
00:06:06What's happening?
00:06:07She already has an appointment on the first day.
00:06:09That's outrageous!
00:06:09Aren't you wasting time?
00:06:11No no.
00:06:11Who else could it be?
00:06:12Yourself?
00:06:13That's what I wanted to tell you, Iñaki.
00:06:15What do you think?
00:06:15If we address each other informally.
00:06:17It just seems really strange to share a shower with...
00:06:20A you?
00:06:22I was mostly just being polite, you know.
00:06:24Ah, you know.
00:06:25Brilliant.
00:06:26And you'll need a towel?
00:06:27No, no, no.
00:06:28I dry myself.
00:06:29No, kid.
00:06:31I'm not going to give you mine.
00:06:32Using the informal "tú" form is one thing, and something else entirely is another.
00:06:34I'm saying that your towel is in the bathroom.
00:06:36Ah, okay.
00:06:37Good.
00:06:38Well, thank you.
00:06:39Ah.
00:06:40Goodbye.
00:06:40Goodbye.
00:07:03Damn, what a bounce.
00:07:13May I come in?
00:07:14Uh, yes, yes, yes.
00:07:15Come in, come in.
00:07:16Sorry, I just wanted to say something I forgot to mention.
00:07:18Yes, yes, here you go.
00:07:19I'll leave this there to dry.
00:07:20I'm talking about the mobile phone.
00:07:21Ah.
00:07:22How is my Marichu?
00:07:24Okay, okay, calm down, go on.
00:07:26Okay, well, calm down, that's fine, isn't it?
00:07:28Thanks and sorry about the little snacks, I'll get used to you being home.
00:07:31Yes, okay.
00:07:31Now, if you don't mind, I want to take a shower.
00:07:33Clear.
00:07:34The gel is the blue bottle.
00:07:35The rest is Aunt Carlota's nonsense.
00:07:38Okay.
00:07:38Come on, it's a girl thing.
00:07:40Come on.
00:07:43Stunned.
00:07:44My sister, stunned.
00:07:45Miña, she doesn't fool me.
00:07:47"Let's stay calm," he says.
00:07:49In a coma, Sabino, my sister in a coma.
00:07:51That's like being half dead.
00:07:52I mean, that's great.
00:07:53But what do you think we're going to find there?
00:07:55A disgrace, Sabino.
00:07:56Look, I'm already preparing for the worst.
00:07:59And you should do the same, because you're very sensitive and you're going to have a bad time.
00:08:02You can stay out if you want.
00:08:06Hispalis Clinic.
00:08:07Oh, Virgin of Begoña.
00:08:08Hopefully you have coverage inside.
00:08:11But you have seen, Sabino, the Hispalis clinic.
00:08:13That's like if we called a youth clinic "es".
00:08:16How embarrassing, please.
00:08:18If I get stunned in a place like that, you'll finish me off.
00:08:20And don't even think about donating your organs or anything.
00:08:23I don't even donate my fingernails.
00:08:24You know where they're going to end up.
00:08:27Okay.
00:08:30Well.
00:08:32Leave.
00:08:33Are you going to put the washing machine on?
00:08:34Yeah.
00:08:35Can I, right?
00:08:36Of course, man.
00:08:37The rental entitles you to everything that is plugged in.
00:08:39Is it colored?
00:08:40Yes, yes.
00:08:40What color?
00:08:42Dirty.
00:08:42Don't tell me I have a couple of silly things.
00:08:44Nothing.
00:08:45They're little things that don't take up any space, okay?
00:08:49If you'd like, I can hang up the washing machine when I get back from work, okay?
00:08:53Know?
00:08:54Can I help you?
00:08:55No, no, no.
00:08:55It's not necessary.
00:08:56Yes, I have one just like it at home.
00:08:57Also, I'm going to get more clothes.
00:08:59Thank you.
00:08:59Brilliant.
00:09:00I'm going to the clinic so they can ring the doorbell for me.
00:09:02Soap.
00:09:03Softener.
00:09:04Under the brakes.
00:09:04Ah, yes, yes.
00:09:06Better with soap.
00:09:07Okay, see you later.
00:09:09Goodbye.
00:09:26Little girl.
00:09:27Merche.
00:09:28What's happening?
00:09:28Quiet, I peek out, I peek out.
00:09:31Look, it turns out a man just entered Carmen's house.
00:09:35And I told him I was in the shower and he got in with her.
00:09:38I knew he was cheating on the nurse with someone else.
00:09:41It will be another doctor who will come to do house calls.
00:09:45I mean, I'm like, forensic, because the guy has a face.
00:09:49I wouldn't mind if you did me a favor, you know?
00:09:51Life is so unfair, girl.
00:09:53The meat with two and our seven going hungry.
00:09:55Come on.
00:09:56Hey, hey, he's saying that because of you, huh?
00:09:57I'm well fed with everything, you know?
00:09:59Of everything.
00:10:02Oh.
00:10:05It's there.
00:10:06Changing the subject.
00:10:06By the way, girl, I don't know anything about anyone's gossip.
00:10:09But come on, what did Paki tell me?
00:10:11That chubby, very nice girl from the third floor.
00:10:13What did your wife say to Dolore's daughter?
00:10:17Dolores?
00:10:17Who is Dolore?
00:10:18Dolore, little girl.
00:10:20That little girl who has a lot of hair on her arms.
00:10:22Ah, yes, yes.
00:10:24The pretty one.
00:10:25Come on, handsome, take the communion wafers.
00:10:32Pello, phone.
00:10:41Come on, buddy, fuck it, take it.
00:10:43Don't let me down too.
00:10:48It's because I'm crashing, Lancha.
00:10:50I'm not your secretary.
00:10:52Isn't the little monkey called Charo?
00:10:54Yes, it's the same, but they've made a big deal out of it.
00:10:56Because it seems harsh to me, considering how ugly the poor thing is.
00:10:59That girl definitely has more hair than her father and mother combined, come on.
00:11:04Your father has less hair than a light bulb, girl.
00:11:07Because, how does that make you feel?
00:11:08It's expensive, man, completely.
00:11:13Coat.
00:11:14Dad, I came here.
00:11:16What's happening?
00:11:17All good?
00:11:17Yes, good, good.
00:11:19Well, mom, there it is.
00:11:20Relax, right?
00:11:22Yes, yes, don't worry.
00:11:24Are you all right?
00:11:24Yes all ok.
00:11:25I'm here, working while everyone else is out there.
00:11:27Well, that's it.
00:11:28Hey, I have a question.
00:11:29When you do your laundry, what number do you use?
00:11:31What the hell are you doing doing laundry at this hour?
00:11:34Well, damn it, I have to do the laundry.
00:11:36And you, since you live alone, who am I going to call?
00:11:38Hey?
00:11:38To my mother, who is in a coma.
00:11:39To the Civil Guard.
00:11:41Already.
00:11:42You know what's up, buddy, I...
00:11:45I don't do laundry at people's houses.
00:11:46I'll take her to her mom.
00:11:48But you became independent 20 years ago.
00:11:51Yeah, well, but you know I don't make much of a mess.
00:11:54A couple of shirts a month.
00:11:56Hey, buddy, this is just between you and me, okay?
00:11:58Yes, yes, calm down, calm down, buddy.
00:11:59Well, goodbye.
00:12:01Wait a minute, dude, don't hang up.
00:12:03One second.
00:12:04Hey, Arantxa, you might know too.
00:12:08To put the washing machine in the Seville area, what number would be best?
00:12:12So, it'll be like here, right?
00:12:14What is the...
00:12:15Colored or white clothes?
00:12:17Colored?
00:12:18Yeah.
00:12:19Color in general.
00:12:21Put it on setting 4 and 30 degrees.
00:12:24It doesn't matter whether it's Seville or Tordesillas.
00:12:25That.
00:12:26Okay, see you later.
00:12:28And ñaqui, are you there?
00:12:29Yes, yes, here I am.
00:12:30Tell me.
00:12:33And ñaqui, are you there?
00:12:34What are those voices we hear?
00:12:36What are women?
00:12:38No, no, no, no, it's nothing.
00:12:39It's just...
00:12:42Simply...
00:12:47Okay, you, let's see, write this down.
00:12:49Set the washing machine to 4 and 30 degrees.
00:12:53Hey, which nurse are you talking about?
00:12:554 and 30.
00:12:56Who told you that?
00:12:57A colleague, but don't worry, this stays between us.
00:13:00Hey, Peyo, I have to go.
00:13:02Are you OK?
00:13:03So, you've gotten yourself into trouble?
00:13:05No, no, it's nothing.
00:13:06It's from the street, and they irritate me a lot here.
00:13:09Hey, Peyo, nobody say a word about this, you hear me?
00:13:10Oh no, no, no, I promise you, young man.
00:13:13I'll leave you now, okay?
00:13:14I have to go where she loves.
00:13:15Let's see.
00:13:22Oh, much better, with light.
00:13:24Let's see how my Marichu is doing.
00:13:26Phew, well, he's already drunk almost all of the serum.
00:13:31And she looks much prettier, don't you think?
00:13:33That's Seville, Marichu, it's doing her a world of good.
00:13:35If in his land, with so many chirimires and so many moos,
00:13:38One of them gets wrinkles.
00:13:40And his son, he certainly takes good care of him.
00:13:42You must be very happy with your son, huh?
00:13:45That rascal makes me very happy.
00:13:46Where could it be?
00:13:47With some tramp, for sure.
00:13:48Let's go, to wine.
00:13:50Oh my god, what a scare!
00:13:53Marichu, darling, what happened?
00:13:55My God.
00:13:57Where is Iñaki?
00:13:58This is where it had to be.
00:13:59Where is that gulf?
00:14:00I don't know, ma'am, I'm not your nanny.
00:14:03You?
00:14:03Who are they?
00:14:04That's what I say.
00:14:05Who are you to talk to my sister?
00:14:07What kind of trust do you have with her?
00:14:09Well, I'm the nurse who's taking care of you, ma'am, and I'll speak to you however I see fit.
00:14:12I don't owe you any kind of explanation, no matter how much you are Marichu's sister.
00:14:17That's outrageous!
00:14:18How refreshing!
00:14:19Sabino, are you listening to how she's talking to me?
00:14:22In the Basque Country, a nurse would never tell jokes to a dying woman.
00:14:25Ma'am, please, I'm going to ask you for a little respect.
00:14:28If she continues in that tone, I'm going to fire her.
00:14:31"Respect," he says!
00:14:32But Sabino, say something to this shameless woman.
00:14:35I ask for respect for your sister, who is not dying.
00:14:38He is in a coma and is probably listening to everything that is said.
00:14:40Why don't you greet him the way you say it in your homeland?
00:14:43And don't try to be more of a protagonist than she is.
00:14:46"Protagonist," you say?
00:14:47I?
00:14:47Yeah.
00:14:48Hey, you, tell the doctor who treats my sister that we're here.
00:14:52And let him come now, we want to talk to him.
00:14:54Look, ma'am, we're not understanding each other.
00:14:57I give the orders here.
00:14:58The doctor will come when he has to come, which is between twelve and one.
00:15:01And I don't intend to tolerate any more impertinence of this kind.
00:15:05Is that clear?
00:15:08I would tell Vasco, but I don't know.
00:15:11Arbitago.
00:15:13Of course, crystal clear.
00:15:18She doesn't know who she's up against.
00:15:27Sots are included, how long will this last?
00:15:30That's unbelievable.
00:15:31You haven't even done a load of laundry in your life, Peyo.
00:15:33God.
00:15:34You could have asked how long this thing takes.
00:15:37Look.
00:15:38Here you are.
00:15:41Peyo, you bastard, what are you saying?
00:15:43Where are you, Iñaki?
00:15:46Aunt Bego.
00:15:47Man, I was just about to call you.
00:15:50How are you?
00:15:51Very good.
00:15:52And you?
00:15:54Good.
00:15:54Well, we're not doing completely well.
00:15:56Maybe we'll stay here a few more days, huh?
00:15:59Ah, look.
00:16:00Yes, Ama is having some tests done, right?
00:16:03He bumped his head, but it's nothing serious, okay?
00:16:05But it is, well, it is, how should I say, it is...
00:16:09I'm telling you, your mother is in a coma, Iñaki.
00:16:12Yes, that's it, in a coma and...
00:16:15Who did they tell you?
00:16:15The crew?
00:16:17But she's well looked after, eh, auntie?
00:16:19At the best clinic in Seville.
00:16:20Already.
00:16:21And you?
00:16:21Where are you now?
00:16:22Taking care of her?
00:16:24I'm with her, okay?
00:16:2524 hours a day.
00:16:27You must be under the bed, because I can't see you around here.
00:16:34Cabenzots.
00:16:35Cabenzots.
00:16:36Is it Cordoba or Madrid?
00:16:37No, no, no.
00:16:38Why was it Madrid?
00:16:39Ah, I see, Mom.
00:16:40Because it was Madrid, right?
00:16:41Oh, please.
00:16:42Can't it be?
00:16:43Ah, no need to shoot here, quick.
00:16:44Me, but it's right there, just past the bridge.
00:16:47Ah, cabenzots.
00:16:55Cabenzots.
00:17:00Cabenzots.
00:17:11Abaí, good morning.
00:17:13Just to say something, because we're coming, we're coming.
00:17:15Yes, yes, I can imagine.
00:17:17Where is?
00:17:17When did it arrive?
00:17:18Is she alone?
00:17:18In the room.
00:17:19And she's not out on the street, because she has a master's degree in patience, you know?
00:17:22Already.
00:17:22Well, she seems a bit rude at first, but then she's one of them.
00:17:24A rude person.
00:17:25Is that what it is?
00:17:26Come on, he's practically asking me for my nursing license.
00:17:28If looks could kill, I would have killed myself 15 times over.
00:17:31Come on.
00:17:31Shut up already, daughter, for God's sake, don't say that even as a joke.
00:17:33And it's true that the woman has entered with a bang, like Attila's horse, and the husband
00:17:37putting out the fires from behind.
00:17:39Shall we talk to her?
00:17:40What do you mean, "are we going?"
00:17:41I have nothing to say to that locomotive.
00:17:44Excuse me, okay?
00:17:45That is your family.
00:17:46But come on, we're not going to tolerate one more impertinence from him.
00:17:49Yes, yes, of course.
00:17:51I'll go.
00:17:53Ah, uh, Carmen.
00:17:57Hey, I'll take care of it...
00:17:59Of course, you'll take care of her.
00:18:00No, no, no.
00:18:01I say hang it up.
00:18:02No, girl, not here, for God's sake.
00:18:04Let's see.
00:18:05No, don't hang it up.
00:18:07People can understand each other by talking.
00:18:08Hang my aunt?
00:18:09No, no, don't mess around.
00:18:10I hang up my own clothes.
00:18:12I'll leave yours, if you like.
00:18:13I don't know what you're saying.
00:18:14Alright.
00:18:15My clothes, me.
00:18:17Things you do.
00:18:20Oh my God, Dolores.
00:18:21For God's sake, don't ever take me up north, because it seems the cold affects him there.
00:18:26the people at the head.
00:18:27And that ribeye steak that you eat half-raw, which can't be good for you psychologically.
00:18:32Oh, girl, I used to hit her like this with my open hand.
00:18:34Like his late father.
00:18:36They're never there when you need them.
00:18:37She wasn't at the birth, nor at the wedding.
00:18:40He was drunk.
00:18:41Poor Marichu, oh, what a cross to bear.
00:18:52I can't believe it.
00:19:00Girl, you're giving me the same look as first-time parents, you little darling.
00:19:02It's not like you've seen a dead person walking.
00:19:04Rafi, a...
00:19:06Put whatever you want on me.
00:19:07But it has to test positive, right?
00:19:08Yes, yes.
00:19:08I'm going to prescribe you a pacharán right now to see if you react, because otherwise we're going to have to
00:19:13to join you too.
00:19:14My aunt, Rafi.
00:19:15Your aunt, what aunt?
00:19:16It's here.
00:19:18Where here?
00:19:18Up here with my mother.
00:19:21But have you seen her?
00:19:21No, but I've heard it.
00:19:23Maybe we shouldn't have a coffee, huh?
00:19:24Oh well.
00:19:26What are you doing here?
00:19:26Would you do me the favor of going up to see your aunt?
00:19:28I'm asking you, please.
00:19:32Man!
00:19:33But his aunt is here in person.
00:19:36Ah, then I feel much better.
00:19:38Come on, Rafi, get me one of those.
00:19:40But aren't you on duty?
00:19:42That's precisely why, to endure the service, which is getting harder every day.
00:19:45Just a little sip, huh?
00:19:46A little bit.
00:19:47Or two.
00:19:52Oh, Virgin of Begoña.
00:19:53Have I missed any masses?
00:19:56Apa, Egunón.
00:19:57Hey, Iñaki.
00:19:58Fix it.
00:20:00Good morning, he says.
00:20:01How was your trip?
00:20:02This is a long way off, isn't it?
00:20:05Well, there's the ma.
00:20:06It's there.
00:20:07Well, that's it, so...
00:20:08Where were you?
00:20:09What happened to your mother?
00:20:11Can you tell us why you hadn't told us anything?
00:20:13Iñaki, I really don't even know how I'm talking to you, son.
00:20:16My God, what a disappointment I have.
00:20:17I'm going to go into a coma too.
00:20:19No, no, no.
00:20:20Hey, girl, okay?
00:20:21It was an accident; it could have happened to anyone.
00:20:23A blow to the head and, well, luckily he's...
00:20:26You were going to say she's alive.
00:20:27That's saying a lot.
00:20:29Look at it, if there's a passage here.
00:20:31With the excitement she had for making the trip.
00:20:34Poor thing.
00:20:35If I had come with her, this wouldn't have happened.
00:20:37Where were you?
00:20:38Eye.
00:20:39Okay, fine, we're all set.
00:20:40I'm the bad guy.
00:20:41So, how was the crash?
00:20:42The nurses don't want to tell me.
00:20:44What happened to my sister, Iñaki?
00:20:45Well, as I've already told you, a blow, nothing more.
00:20:48At the hotel, unintentionally.
00:20:50While we were dancing.
00:20:54Dance, Marichu.
00:20:55But if not, she didn't even dance at her wedding.
00:20:57She is going to dance now, a widow surrounded by old people.
00:20:59Okay, auntie.
00:21:00Look, he slipped on a shitty game
00:21:02These are the ones they give to old people in hotels.
00:21:04and he took a bad fall.
00:21:05Bad luck.
00:21:07Look, I wish I had given it to myself.
00:21:08and I'd be much more at peace lying here in a coma right now.
00:21:11Fuck.
00:21:12Already.
00:21:13And where were you now?
00:21:31Look at it.
00:21:32A great zanecane.
00:21:33It was hard enough getting away, damn it.
00:21:35This might be important, Pello, huh?
00:21:37I've left Edurne alone
00:21:38assembling an Ikea wardrobe for those, you.
00:21:40No.
00:21:40In other words, it's more dangerous.
00:21:41He always has extra pieces.
00:21:42No, he knows more than all the Norwegian engineers combined.
00:21:45Fuck.
00:21:46I brought the Jalen key with me.
00:21:47The wife must be happy.
00:21:48Hey, you look unwell, don't you?
00:21:50Iñaki's thing.
00:21:51It doesn't smell good to me at all.
00:21:53But not well at all.
00:21:53Okay, Pello.
00:21:55A coma is a fucking nightmare.
00:21:57Now you realize?
00:21:57And that's why you made us come here?
00:21:58No no.
00:21:59I just spoke to him.
00:22:00I think he's hiding something from us.
00:22:02What are you saying?
00:22:03Andalusian women's voices could be heard in the background.
00:22:06At the top of their lungs.
00:22:07It looked like a chicken coop.
00:22:08Of course, Iñaki was in the middle.
00:22:09I asked him, but nothing.
00:22:11As if he were kidnapped.
00:22:13Women?
00:22:15I promised him I wouldn't say anything.
00:22:17But the thing is...
00:22:18Let them go, Pello.
00:22:19Release the star.
00:22:22I was putting on a load of colored laundry.
00:22:24I had absolutely no idea.
00:22:25I think he's gotten himself into a hell of a mess.
00:22:27It's been a week.
00:22:28It's normal to wash the clothes.
00:22:29And if her mother gave it to her here, then it's logical that she'd call you.
00:22:32You live alone and you're used to it, right?
00:22:35Of course I'm used to it.
00:22:37Okay, but what about the women screaming?
00:22:39What do you say?
00:22:39Damn, I'd be in a laundromat.
00:22:41They even shout there to apologize,
00:22:42They would be laundry arrows.
00:22:44Put the soap down for me.
00:22:47That Iñaki got involved with a bad Andalusian woman
00:22:49and has tried to kill his mother.
00:22:50Claiming the inheritance is a bit much, isn't it?
00:22:54No, no, no.
00:22:54Good.
00:22:55Rather, Pello.
00:22:56Very good.
00:22:56And right now he's selling Marichu's organs on the black market.
00:22:59It doesn't bother you.
00:23:00So much feeding the fish,
00:23:01Your brain is getting smaller than a bream's.
00:23:03Okay, what the hell?
00:23:04Then again, whenever there's a killer in a doorway
00:23:06The neighbors appear on the news
00:23:07saying that it seemed normal.
00:23:09Look, you never really know who you're hanging out with here, you know?
00:23:11Dude, relax, okay?
00:23:12This is tough for everyone, okay?
00:23:14But all we can do is, therefore,
00:23:17Bring out three more little ones and we'll toast to Iñaki.
00:23:20By the way, has anyone warned Iñaki?
00:23:23Does her aunt Bego know everything?
00:23:25But?
00:23:27Damn it, I forgot.
00:23:29I've yelled at you and said so much nonsense.
00:23:30In the end, then, knowing her,
00:23:32She's capable of going down there any day now.
00:23:34and turn all of Andalusia upside down.
00:23:36Look, I'm leaving, I'm on orange alert.
00:23:39Damn, I'm in a real mess.
00:23:40I'm risking sleeping in separate beds.
00:23:42Separate beds?
00:23:43The best thing is, you're going to have your golden wedding anniversary.
00:23:44Take out three croquettes, Nekane.
00:23:46Hey, what temperature did you say to set the colored washing machine to?
00:23:50At 30, damn it.
00:23:51The color at 30, as always.
00:23:53Sure, how do you wash your clothes with the little stick?
00:24:00Look, about the pen.
00:24:02What's happening?
00:24:03Are you watching it?
00:24:03No?
00:24:05He is a secret agent of Carmen.
00:24:07That's it, with the pen, trick-or-treat, trick-or-treat.
00:24:09He's taking pictures.
00:24:10What things do you have, José?
00:24:11What name, what not?
00:24:12That girl doesn't look like a good girl.
00:24:14Besides, Carmen doesn't need assistants.
00:24:17She's going to be all alone now.
00:24:18They're spying on us, Don Benjumea, I'm telling you.
00:24:21The other day Carmen followed me with her eyes all the way down the hallway.
00:24:24And when I turned the corner, he still had his eyes on the back of my neck.
00:24:26We have passed the orange alert.
00:24:28Soldier, look me in the eyes.
00:24:31We need to mislead the enemy.
00:24:33We will change the route of our journeys.
00:24:35Hey, really?
00:24:37Where did he learn all that?
00:24:39My son, I have seen many wars.
00:24:41Where is the war?
00:24:41In cinema, war films.
00:24:43It drives me crazy, I've seen them all.
00:24:45We have to play a game of misdirection.
00:24:47Starting today, we will change the powder magazine where the arsenal is stored.
00:24:51Where to?
00:24:53Where else would you expect it?
00:24:55Think, overwhelm yourself.
00:24:57Northern Zone, coordinate 116.
00:25:02You haven't noticed.
00:25:03No.
00:25:03I already knew that.
00:25:05The Basque's room.
00:25:06No, not there.
00:25:08Not there, you're coming here.
00:25:09And if they catch us, they'll kick me out, at least.
00:25:11Yes, here is the day of the fall.
00:25:13Very good.
00:25:14The doctor has seen him.
00:25:16The days they have been in a coma.
00:25:19Very good.
00:25:20This is all very good.
00:25:22Well, you've already read the report, Auntie.
00:25:24And now we just need to do some more tests to know exactly the extent of the injury.
00:25:29He's in a coma, Iñaki.
00:25:31You want more reach.
00:25:32Well, these people are doing everything they can, I can assure you.
00:25:36Begoña, look, we understand that it's not easy to accept this situation.
00:25:38But I assure you that your sister is in the best hands she could possibly be in.
00:25:41And it's not because I'm the director of this clinic, okay?
00:25:43But he would have a hard time finding more qualified staff throughout Andalusia.
00:25:46Okay, in Andalusia.
00:25:48But maybe we can find something better outside of here.
00:25:51Already.
00:25:51No, no, I didn't take it badly.
00:25:53No, no, no.
00:25:53But the fact is that in the Basque Country we have very good hospitals.
00:25:55One of the best, I'd say.
00:25:56That's already been discussed.
00:25:57I was the first to try to move Ama, but they made me see that there is a risk.
00:26:01Okay, but how much risk are we talking about?
00:26:0350, 50, more or less.
00:26:05Well, look, I'm not going to talk to you about percentages because that would seem frivolous of me, okay?
00:26:09What I do want to make clear is that the responsibility for a transfer of this nature would fall to
00:26:14the immediate family.
00:26:15In this case we will need the permission of your son Iñaki.
00:26:18Well, you've heard it.
00:26:19Well, I think that's clear.
00:26:20Iñaki, she's not telling us we can't take her.
00:26:25Something is something.
00:26:27This is something we need to discuss between ourselves.
00:26:29Auntie, it's a crazy moverama.
00:26:32Look, Begoña, I will respect whatever decision you want to make.
00:26:34However, as a professional I have to tell you that it would be a tremendous irresponsibility.
00:26:38Well, but there's a chance it'll turn out alright, right?
00:26:41Wouldn't you choose the best option for a family member?
00:26:43Well, I think this is an issue that you have to resolve yourselves.
00:26:47I'll leave you alone.
00:26:51"Solve it," he says.
00:26:52Yes, I've already sorted it out.
00:26:53Iñaki, and you too will have to solve it sooner or later.
00:26:56But son, what do you want?
00:26:57Let him die here?
00:26:58God forbid, eh?
00:26:59And scatter his ashes around the Giralda or the Betis stadium.
00:27:12Damn it!
00:27:14Excuse me, I'm your neighbor, from the next room over, okay?
00:27:19Don Benito Benjumea.
00:27:21Sabino, the colleague.
00:27:22Singing!
00:27:22Look, since I couldn't hear voices, huh?
00:27:25I said to myself, I'm going to see how Mrs. Marichu is doing.
00:27:29Don't make him wake up and find no one by his side.
00:27:32I have a feeling about this woman.
00:27:35I think he's going to start walking any minute now.
00:27:39Oh, really?
00:27:40Yeah.
00:27:40Well, it would save us a lot of trouble, because things are going to get really bad here.
00:27:45His sister, who is my wife, is a force to be reckoned with.
00:27:47Well, just like her, now because she's connected.
00:27:50But wake up, it was an earthquake.
00:27:52But both together, okay?
00:27:54They're like World War III.
00:27:56What did Mrs. Marichu look like?
00:27:58No no.
00:27:59Okay, I won't bother you anymore, okay?
00:28:01A pleasure.
00:28:03Well, Mr. Benjumea, I was looking for you for the...
00:28:07Your medication.
00:28:09It was what...
00:28:12Thanks a lot.
00:28:13I'm going to my room right now and I'm going to take it.
00:28:18No, we have to wait for his time.
00:28:19Yeah?
00:28:20It's still early.
00:28:21Are you having coverage problems?
00:28:24Relax.
00:28:25I've had eight hip surgeries.
00:28:27I spent nine months in a hospital.
00:28:29And I know that life here is hard.
00:28:31And that joys must be hidden wherever possible.
00:28:34What kind of art does that bastard have?
00:28:37What have you brought me, José?
00:28:39Well, because of the order it was...
00:28:40Hey, hey, hey.
00:28:41The delivery has to be quick, right?
00:28:42If my wife catches you, she'll take away your desire to smoke and my desire to live.
00:28:46Well, and you certainly don't lack for glory, do you?
00:28:48Whatever you ask for tomorrow, you'll have it here.
00:28:49No, no, no, thank you.
00:28:50I'm going out today.
00:28:51Well, that's a shame.
00:28:53Because people like you are needed in hospitals.
00:28:55Oh, oh, oh, oh, oh.
00:28:56Well, will we see him before he leaves?
00:28:58Of course.
00:28:59Don Benjumea.
00:29:01It's a pleasure, Don Fabino.
00:29:08Well, can you tell me what you're doing leaving that room?
00:29:12Well, we were visiting.
00:29:14I come every day to say hello to Doña Maricho.
00:29:16It's Don Benito Benjumea, the neighbor.
00:29:19Well, the patient in the next room.
00:29:21A very important gentleman here in Andalusia.
00:29:23He is very thoughtful towards my mother and me.
00:29:25Oh.
00:29:27She's just as beautiful as her sister.
00:29:30And her husband, a gentleman.
00:29:32Okay, okay, okay.
00:29:33Piro, well, come on to me.
00:29:34Go to your room.
00:29:35It's going to get cold from all that walking.
00:29:38I am José.
00:29:39I work here.
00:29:40Already.
00:29:40I can see how you work.
00:29:42Iñaki, come inside.
00:29:44We need to talk.
00:29:48Given that...
00:29:50It comes out here.
00:29:53Lie.
00:30:03Hello, Carmen.
00:30:05Very good.
00:30:07That?
00:30:07How is the one about the coma?
00:30:09Well, I say, right?
00:30:10Have you changed his IV fluids?
00:30:11I?
00:30:12Yes, I am a traitor.
00:30:13Bring me this, I'll bring that.
00:30:16Yes, you betray very well.
00:30:17Sometimes so much so that it's barely noticeable.
00:30:19What were you doing, Don Bejumeo?
00:30:20And you in the Basque room?
00:30:22Well, it's a visit.
00:30:23And I kept him company for a little while.
00:30:24in case the man needed anything.
00:30:26Don't go now.
00:30:27He's going to trip, poor thing, isn't he?
00:30:29Well, he calls me
00:30:30And I keep him company.
00:30:31That's what you always say.
00:30:32Humane treatment, huh?
00:30:34Humane treatment.
00:30:35Look, José,
00:30:36Let's talk, you and I, very clearly.
00:30:38Trini knows perfectly well
00:30:39that Don Bejumeo smokes in the hospital.
00:30:40And I know it's you
00:30:41who gets him the tobacco.
00:30:42For now, we only have a trial version.
00:30:44the smoke and the smell.
00:30:45That said, as soon as you screw up,
00:30:46the slightest.
00:30:48You're going to be out on the street.
00:30:49Is it worth it to you?
00:30:50risk so much for a rich old man?
00:30:52And do you think it's worth it?
00:30:53Angela Chani will play
00:30:54with your colleagues?
00:30:55Well yes,
00:30:56because they would fire me too.
00:30:58And I'll tell you something here, I bark.
00:30:59But on the street,
00:31:01I'm dying.
00:31:03Wow!
00:31:13But are you sure?
00:31:14What is José?
00:31:14The one who puts tobacco in?
00:31:15I don't know, Carmen,
00:31:16That's just that for me
00:31:16I think that's a lot to accuse.
00:31:18How infuriating!
00:31:19I feel guilty
00:31:19and Don Bejumea has it,
00:31:21who has him sponsored.
00:31:22Everything that makes him likeable
00:31:23He has the look of a mobster.
00:31:24Phew,
00:31:25It's leaving me with a body,
00:31:26I don't know,
00:31:27José,
00:31:28drug trafficker.
00:31:29That sounds really bad.
00:31:30Today the clinic looks
00:31:31a police station not at the tip.
00:31:34Sister in law,
00:31:34put the two coffees in.
00:31:35Oh, oh, oh,
00:31:36my little girl,
00:31:37my little girl,
00:31:37my little girl.
00:31:38I can't stop thinking
00:31:39You and the doctor are on it.
00:31:40What a great shame!
00:31:41With the handsome ones
00:31:42And polite he is.
00:31:43Yeah,
00:31:44It's very easy to be polite here.
00:31:45But that one lasts
00:31:46half an hour of education.
00:31:47Clear,
00:31:47and know they shouldn't put it on.
00:31:48more difficult,
00:31:49because these decisions
00:31:50because they need
00:31:50moral support
00:31:51and it doesn't upset anyone
00:31:52a sweet treat like Robert.
00:31:53But Carmen
00:31:54He doesn't want to fall again.
00:31:55I bet you don't!
00:31:56What did you hear him say?
00:31:57I don't know what to do with your friends?
00:31:58Look,
00:32:00as a married woman.
00:32:01If that's what it's about
00:32:02through the mouth,
00:32:03no man would deserve
00:32:04to his wife.
00:32:05Humanity would have become extinct.
00:32:07Man,
00:32:08There must be one that deserves it.
00:32:08That's a shame, isn't it?
00:32:09None.
00:32:10They all stayed
00:32:11in the stage
00:32:11primitive man.
00:32:13Just the two of us
00:32:14We recreated the Middle Ages,
00:32:15the modern age
00:32:15and everything else.
00:32:17Well, that's where the Cro-Magnon comes from.
00:32:19And this insurance
00:32:20who wants a consultation
00:32:21esterna with you?
00:32:21You stay there, tough
00:32:22Let him suffer, okay?
00:32:24Good luck.
00:32:25Just look at it,
00:32:26if you do
00:32:26the perfect couple,
00:32:27Barbie and Ken.
00:32:28No.
00:32:30Isabel,
00:32:31Give me a little coffee
00:32:31Go on, just go.
00:32:33Let's see if I should
00:32:33of taking it alone
00:32:34some day.
00:32:36Robert,
00:32:37you won't be trying
00:32:38I feel sorry for you, don't you?
00:32:39Because it's not your style.
00:32:40You are an eminence.
00:32:42I was an idiot
00:32:43the other day,
00:32:44Carmen,
00:32:44with that comment
00:32:45that I did.
00:32:45I admit it.
00:32:46It was a silly thing to do.
00:32:48It was a joke
00:32:49between men.
00:32:50I didn't think
00:32:51what I was saying.
00:32:52How many times
00:32:52Do I have to apologize to you?
00:32:53Hundred?
00:32:54Thousand?
00:32:55Forgive me, forgive me,
00:32:56Forgive me, forgive me.
00:32:57For many stones
00:32:58that I threw from Tarifa
00:32:59You'll never get to Africa.
00:33:00It's not a question
00:33:01If you insist, Robert.
00:33:02It's something else.
00:33:03And if you don't know, I will.
00:33:04I can't explain it to you.
00:33:05Of course I know, Carmen.
00:33:06You want more commitment
00:33:07And me too,
00:33:08I swear.
00:33:09I love you very much, Carmen.
00:33:11You are my little girl.
00:33:12But give me time.
00:33:13to prove it to you.
00:33:15Look, Robert,
00:33:15I'm going to do you a favor.
00:33:16Well, I'm going to do
00:33:16I didn't hear you,
00:33:17Okay?
00:33:18First, because you hurt me.
00:33:20and second
00:33:21Because I know you're worth more.
00:33:22than the words you say.
00:33:24But for that
00:33:24We have to prove it, Robert.
00:33:27I'm leaving now.
00:33:27I have the meat drunk
00:33:28installed in my building.
00:33:32If they have it frozen.
00:33:34I'm going to get a blanket
00:33:35because...
00:33:35Auntie, aunt, aunt.
00:33:38Why are you staying here?
00:33:39a few more days,
00:33:39You and your uncle?
00:33:40Hey?
00:33:40That's how we're discussing it.
00:33:41little by little.
00:33:42Hey, dude?
00:33:44We have no say here.
00:33:45A few more days
00:33:46between cheeky nurses
00:33:47and sick charlatans.
00:33:49Take it away, take it away, take it away, take it away.
00:33:50Furthermore, Iñaki,
00:33:51You also have to think
00:33:52a little bit in your work, son.
00:33:54What are you going to do?
00:33:54How are you going to make a living here?
00:33:55What if it takes a long time to wake up?
00:33:57Hotels are just a disaster
00:33:58you're going to do it.
00:33:59Hey, Sabino?
00:33:59Okay, okay,
00:34:00I can still hold on
00:34:01a few more days off work,
00:34:02Hey?
00:34:02Nekane is upstairs,
00:34:03So the bar is in good hands.
00:34:05And so we see
00:34:05Smooth, smooth, how's everything going?
00:34:07I'm sure they are.
00:34:08keeping in a coma
00:34:09to charge him more money
00:34:10to insurance.
00:34:11What are you saying, auntie?
00:34:12Yes, what are you saying?
00:34:13Well, you see
00:34:13that winks at you
00:34:15one of those nurses
00:34:15and you are capable of selling yourself
00:34:16even your own mother.
00:34:17Begonia, please!
00:34:18Is that okay?
00:34:20Auntie, I think you're getting
00:34:22Things are a bit out of whack.
00:34:23Oh, look!
00:34:24Now I'm the crazy one, right?
00:34:26I'm the crazy one!
00:34:27Oh, look!
00:34:30Where is
00:34:30Do I need your mother, Iñaki?
00:34:33And is it coming now?
00:34:35Because it's
00:34:36without makeup.
00:34:37Look at her.
00:34:38It looks like a lamp.
00:34:40And she's not dead.
00:34:42Where do you have it?
00:34:43At the hotel.
00:34:44Well, there you go.
00:34:45I'm going right now.
00:34:46to look for it.
00:34:47My sister wearing makeup,
00:34:48as God intended.
00:34:49In a coma, yes.
00:34:50But without losing elegance.
00:34:52Like our mother.
00:34:53With lipstick
00:34:54until the grave.
00:34:55Okay, okay.
00:34:57I'll be right back.
00:34:59Go with him, Sabino.
00:35:00And let yourself get some fresh air.
00:35:01that you're getting stuck
00:35:01a sullen face
00:35:02of being in here.
00:35:03No, no, no, no.
00:35:05There's no need, okay?
00:35:06Of course it's needed.
00:35:07And so he takes advantage
00:35:07to have a bowel movement.
00:35:08That will be just about there.
00:35:09Come on, Sabino.
00:35:11Please give me a bath.
00:35:12Come on, let's see if you'll let me.
00:35:14a little while alone.
00:35:15I haven't had time.
00:35:15nor pray
00:35:16since I arrived.
00:35:17Close.
00:35:21That?
00:35:22Anything to eat, boss?
00:35:24Your sister is telling me
00:35:24Going crazy, Rafi.
00:35:26Crazy, in every sense of the word, huh?
00:35:27I don't know what to do.
00:35:29It's a hieroglyph.
00:35:30First he kicks me out of the house
00:35:31And now he tells me
00:35:31that I have to prove to him
00:35:32what I'm worth.
00:35:32How is that done?
00:35:33Man, a lot of Carmencita
00:35:34there there.
00:35:34She's stubborn,
00:35:35But he's a good person.
00:35:36Besides, I'm telling you this.
00:35:37that I am his brother.
00:35:37I know that look.
00:35:38And I believe
00:35:39who still loves you.
00:35:41You think?
00:35:41Man, what you have to do
00:35:43It's about taking it to your own territory.
00:35:44That place where
00:35:45Nobody can beat us.
00:35:46There.
00:35:46And there, they give it their all.
00:35:48Man,
00:35:48It's wrong of me to say it.
00:35:49And even more so since they are your brothers,
00:35:51But the truth is that
00:35:52Carmen and I in bed
00:35:52We are a volcano in erosion.
00:35:54But we don't argue about that.
00:35:56Of course, I don't know that he talks much either.
00:35:57Well, then give him a surprise.
00:35:58And may God's will be done.
00:35:59No way?
00:35:59I'm going to have a very difficult time.
00:36:00because it has taken away from me
00:36:01the keys to his house.
00:36:02Well, here at the clinic,
00:36:03sort something out,
00:36:03an operating room...
00:36:05Yes, before.
00:36:08with your sister.
00:36:10Hey,
00:36:12you will not have
00:36:12Carmen's house key, right?
00:36:14No, no, don't ask me that,
00:36:15what if he finds out
00:36:15It kills me.
00:36:16At last.
00:36:17No, no, no, no.
00:36:18No, no, no, no.
00:36:18You're asking too much of me,
00:36:19No, no.
00:36:20Hey, didn't you have
00:36:21prostate exam
00:36:22next week?
00:36:23Don't remind me.
00:36:24I haven't slept for two days.
00:36:25I'm terrified.
00:36:26My wife has insisted
00:36:26And it's true that they put me in.
00:36:28fingers until...
00:36:29Is that so?
00:36:30That's right, my friend.
00:36:31But it is also true
00:36:32that there are techniques
00:36:33much less invasive.
00:36:35I believe we can do something.
00:36:41Not even a nurse's little finger,
00:36:42not even a shrimp's whisker.
00:36:44And now you can succeed,
00:36:45Otherwise,
00:36:46It castrates both of us.
00:37:08Oh.
00:37:09It must be acknowledged
00:37:10Seville is beautiful, isn't it?
00:37:14If these people hear me
00:37:15those from the crew,
00:37:15They're killing me.
00:37:16Well.
00:37:17Hey, dude,
00:37:17And why don't you stay here?
00:37:18in a bar
00:37:19And you'll wait for me calmly?
00:37:20No, throw it away, throw it away.
00:37:21Yes, you'll miss a glass of wine.
00:37:23that you've been wearing all day
00:37:24with the aunt's marking.
00:37:25I prefer to go to the hotel.
00:37:27Know,
00:37:27in bar toilets
00:37:29I can't.
00:37:30The door closes on me
00:37:32and not.
00:37:33Uncle, uncle,
00:37:34I have to confess something to you.
00:37:36We are no longer at the hotel.
00:37:37Oh, no?
00:37:38No.
00:37:38The trip is over
00:37:39and there's no more room.
00:37:41But, but,
00:37:42chance,
00:37:42I have a friend living here.
00:37:44and he rented it to me
00:37:44a room.
00:37:45Good, right?
00:37:46Yes, yes, very good.
00:37:47It's a...
00:37:47A grill master, huh?
00:37:49Yes, yes, a grill master
00:37:50who has a Basque restaurant
00:37:51here in Seville
00:37:53from Zarauces.
00:37:54Damn, and he's Basque too.
00:37:55Well, what more could you want, right?
00:37:56Damn, and well,
00:37:57I haven't told my aunt anything
00:37:59because you already know how it is.
00:38:00Well,
00:38:01start asking questions
00:38:02about his entire family
00:38:03and until he finds it
00:38:04to an acquaintance
00:38:04She doesn't stay quiet.
00:38:05That is.
00:38:06So, dude,
00:38:07You here at the bar
00:38:08You don't get dressed up, do you?
00:38:09No.
00:38:09Let's go to the grill master's house.
00:38:11Already.
00:38:12Hey, little bird,
00:38:12How are you managing, huh?
00:38:14What great chops!
00:38:15You'll be eating here, huh?
00:38:18You, relax.
00:38:20How great.
00:38:24We're already two hours late, of course.
00:38:26Two hours doesn't seem like enough for me.
00:38:27But it's quite a long time.
00:38:31It's this way.
00:38:32Well, explain it to me.
00:38:33You tell me it's that way.
00:38:33I'm going that way, damn it.
00:38:41Man,
00:38:42Good morning, Dolores.
00:38:43Pretty,
00:38:44that you get more beautiful every day.
00:38:46Oh, Robert,
00:38:46the second time you tell me
00:38:48Good morning, huh?
00:38:49That's how my head is.
00:38:50that I should be admitted.
00:38:52Take note of what I'm telling you.
00:38:52Oh, it can't be that bad.
00:38:53No,
00:38:54You know the paperwork
00:38:55that needs to be filled in here.
00:38:56A report needs to be prepared here.
00:38:56even to put it in
00:38:57one suppository.
00:38:58He's going to talk to me about paperwork
00:38:59that I spend every day
00:39:00a Bolivian
00:39:01and two cartridges of India ink.
00:39:06Hey, maybe you can help me.
00:39:08I knew it
00:39:09that you were going to ask me for something.
00:39:10Very pretty,
00:39:11It fell on me during the greeting.
00:39:12Man, Dolores,
00:39:12A beautiful woman is beautiful.
00:39:14Yes indeed,
00:39:15But to get to the point, Robert,
00:39:16that the conversation
00:39:17It is decaying.
00:39:18Already.
00:39:19Well,
00:39:19You wouldn't have it around there
00:39:20a copy of the quadrant
00:39:21of today's nursing, right?
00:39:22For?
00:39:24Because
00:39:25I'm free today
00:39:26from three to six
00:39:27and I have to see
00:39:28if he's going to be there,
00:39:29Well,
00:39:30Let's see who stays
00:39:30here to cover the shift.
00:39:32And so?
00:39:33Well, because of the topic
00:39:34from the Basque woman's coma,
00:39:36that the family is
00:39:36increasingly nervous.
00:39:38He's leaving.
00:39:38he stays,
00:39:40perfect.
00:39:40Ole.
00:39:41Thank you so much, beautiful.
00:39:42You're welcome, guys.
00:39:43And yes,
00:39:44which is true,
00:39:44the Basque woman's sister
00:39:45It's like a bunch of melons,
00:39:47very difficult to bear.
00:40:06Carmen,
00:40:06Carmen.
00:40:08Is something wrong?
00:40:09Yes, I say no.
00:40:11Come on,
00:40:11nothing serious is happening,
00:40:12But everything is fine.
00:40:13Rafi,
00:40:14Let me go through that mouth,
00:40:15whatever you have to tell me,
00:40:15that I know you
00:40:16And something is looming over you.
00:40:17You see, Carmen,
00:40:18You know that I love you
00:40:19I would do anything,
00:40:20TRUE?
00:40:21Clear,
00:40:21And me too.
00:40:22Even if there were
00:40:23than give you a kidney,
00:40:24I would give it to you,
00:40:24one to you and one to Rosita.
00:40:26And another one to know, right?
00:40:27Man,
00:40:27of course,
00:40:28It would be bad if you needed
00:40:29the transplant on the same day,
00:40:30But come on,
00:40:31that,
00:40:32Look,
00:40:32Whatever happens,
00:40:34even though it may seem like something else
00:40:35and I don't know
00:40:36What am I talking about?
00:40:37But I love you.
00:40:38Okay,
00:40:39I love you very much.
00:40:40And I love you too,
00:40:41my life.
00:40:42That,
00:40:43that my sensitivity has blossomed
00:40:44And I had to tell you.
00:40:44And I've already told you.
00:40:46And then to enjoy it,
00:40:47Hey?
00:40:47Enjoy!
00:40:48which is two days
00:40:48and live life.
00:40:49Let's enjoy ourselves?
00:40:50Clear,
00:40:51so in general,
00:40:51of everything,
00:40:52that you are very pretty,
00:40:52You are very young.
00:40:53I'm going inside.
00:40:54I have things to do.
00:40:57Let's enjoy ourselves?
00:40:59There's still a lot of ñaqui left.
00:41:00No no,
00:41:01It's here.
00:41:01If you were telling me
00:41:02who is here,
00:41:03What is there to do?
00:41:03It's there,
00:41:03this.
00:41:06Okay,
00:41:08Okay.
00:41:12Uncle,
00:41:13one thing,
00:41:14Beware of the neighbors.
00:41:21Well,
00:41:21Well, here we are.
00:41:23What do you think?
00:41:24Good, right?
00:41:25Yes, yes,
00:41:25good.
00:41:25Well,
00:41:26somewhat feminine,
00:41:27No?
00:41:27Yeah,
00:41:28you think?
00:41:29No,
00:41:29What I mean is
00:41:29It smells good.
00:41:30It looks like the grill master
00:41:31He's a clean guy.
00:41:32Come on,
00:41:33I like it,
00:41:33I like it.
00:41:34Yeah,
00:41:34and well,
00:41:34They're going to fix the elevator
00:41:35soon too.
00:41:36Yeah.
00:41:37Well, there you have it.
00:41:38There's the kitchen,
00:41:40way back there
00:41:40there is the room
00:41:41where I'm staying
00:41:42and well,
00:41:44This is the room.
00:41:44An open space.
00:41:47Ñaqui,
00:41:47Ñaqui,
00:41:47You'll teach me later.
00:41:48The bathroom,
00:41:49please.
00:41:49Yeah,
00:41:50Yeah,
00:41:50But let me through.
00:41:51me first,
00:41:51Okay?
00:41:51I'm about to pee.
00:41:52Hurry up,
00:41:53I'm going down the drain.
00:41:54Yeah,
00:41:54Yeah,
00:41:54Okay.
00:41:57Okay.
00:42:25He is now free.
00:42:25uncle,
00:42:26all yours.
00:42:52Cabenzós,
00:42:53What the hell.
00:42:54Don't worry,
00:42:55son,
00:42:55which will not be the first time
00:42:56a pair of panties commits suicide
00:42:58in this neighborhood.
00:42:59Just a moment,
00:43:00I'll be right back.
00:43:03I'll catch it for you,
00:43:04son.
00:43:05The queen of the fishing net
00:43:07He calls me.
00:43:09Perche,
00:43:10What's going on?
00:43:12To the child,
00:43:12that have fallen
00:43:13panties.
00:43:14Move further to the right.
00:43:16Pull on more rope,
00:43:17pull on more rope,
00:43:18little girl.
00:43:19The thing is,
00:43:20Maple,
00:43:20lace panties
00:43:21because they are harder to catch,
00:43:23You know?
00:43:23If they were turtlenecks
00:43:24like the ones I use,
00:43:26That would be easier.
00:43:27Yes, yes.
00:43:27A little more pachet.
00:43:28All good,
00:43:29and here,
00:43:29Hey?
00:43:30Yes, yes, yes, yes,
00:43:31all good,
00:43:31Everything's fine here.
00:43:33helping to...
00:43:34Hello,
00:43:35hello,
00:43:35hello,
00:43:35hello,
00:43:36hello,
00:43:36hello,
00:43:36less more,
00:43:36daughter,
00:43:37It was about time.
00:43:38You son of a bitch
00:43:40that it cost you.
00:43:41There!
00:43:42It's going up!
00:43:43To heaven with love!
00:43:46Take,
00:43:46Nucidium,
00:43:47Grab the tail!
00:43:48There it is.
00:43:49Child,
00:43:50take,
00:43:50uncle,
00:43:51Why don't you wait for me there?
00:43:52in it...
00:43:54Hey,
00:43:54You won't get bored here,
00:43:55Hey?
00:43:58Hey,
00:43:58Don't close it for my sake.
00:43:59They want a little bit too
00:44:00conversation.
00:44:01No,
00:44:02No,
00:44:02uncle,
00:44:02Let's go to the clinic
00:44:03that your aunt will already be worried,
00:44:04Hey?
00:44:05Don't move,
00:44:06I'm going to get the toiletry bag.
00:44:12I left you alone
00:44:12And look what's happening.
00:44:15But my house flooded,
00:44:16girl.
00:44:18I'll never forgive myself for that.
00:44:19never,
00:44:19never.
00:44:20I will bear that cross.
00:44:21even if you woke up right now.
00:44:24What, girl,
00:44:24You could have given us that joy.
00:44:26You too, right?
00:44:27I told you so,
00:44:28Let's go to Paris
00:44:29And you, who don't,
00:44:30that Paris is very expensive.
00:44:32Well, look at this now,
00:44:32This has really cost us dearly.
00:44:36Mari,
00:44:37Mari, darling,
00:44:38that I am here,
00:44:39Your sister Begoñita is here.
00:44:42Open your eyes,
00:44:44I know you're listening to me,
00:44:46I love you very much,
00:44:48You already know that.
00:44:51Even though we don't usually say it to each other.
00:44:54And what about you?
00:44:56Are you going to leave?
00:44:57without saying "I love you"
00:44:58your little sister?
00:45:03And poor Iñaki,
00:45:05in the fright he got.
00:45:06What a disappointment.
00:45:08He's a bit scattered,
00:45:09I don't know who's going to control it.
00:45:12He makes his efforts,
00:45:13Well, you know how he is,
00:45:15a little short.
00:45:19What do we do with you?
00:45:23What's happening?
00:45:27Marichu, don't scare me like that.
00:45:28Are you OK?
00:45:30Wait, I'll call the nurse.
00:45:32Marichu,
00:45:32Do you want to tell me something?
00:45:34Virgin of Begoña,
00:45:35If it's a sign
00:45:35a little clearer,
00:45:36please.
00:45:37Let's see,
00:45:38What's wrong with my Marichu?
00:45:39Marichu,
00:45:39Don't take so long.
00:45:40Let's see,
00:45:41What's wrong with my Marichu?
00:45:42Marichu,
00:45:43Marichu,
00:45:43girl,
00:45:44Marichu,
00:45:44Is it so hard to speak properly?
00:45:47Look, ma'am,
00:45:48I speak perfectly,
00:45:49are you the one who is
00:45:50outside of his sense of direction.
00:45:51What work does it cost you?
00:45:52Would you be kind?
00:45:53What's wrong with Marichu?
00:45:55Marichu,
00:45:55Marichu,
00:45:56Marichu,
00:45:56better.
00:45:57How shameless you are.
00:45:59I heard a beep over there.
00:46:00Take a look.
00:46:01Everything is in order.
00:46:01Here are the beeps
00:46:02They are normal from time to time.
00:46:04Great deal
00:46:05You have here with my sister
00:46:06in the still bed,
00:46:07Hey?
00:46:07And you guys are still billing.
00:46:09every day to the insurance.
00:46:11Clear,
00:46:11if we dedicate ourselves
00:46:12To that, ma'am,
00:46:13to extend the stay
00:46:14of the patients.
00:46:16Once you enter here,
00:46:17It is not known when it will be released.
00:46:18Did you know
00:46:19to Mr. Bejumea?
00:46:20I think so.
00:46:21That man came in here
00:46:22a year and a half ago,
00:46:23by a stepfather.
00:46:24So get used to it
00:46:25to the accent.
00:46:27By the way,
00:46:28Do you like it?
00:46:29Gazpacho?
00:46:34Much penance
00:46:35You're turning me on.
00:46:36Oh,
00:46:36What am I paying for?
00:46:38Something about my husband,
00:46:39sure.
00:46:43I've already run out.
00:46:44the passes of the left hand.
00:46:45The next time he gets me into trouble
00:46:46in the endacar
00:46:47And I'll put this one on
00:46:47an injection,
00:46:48But wherever I catch him.
00:46:49Calm down, daughter,
00:46:50peaceful.
00:46:51He will lower his head.
00:46:52That it cannot be
00:46:53like a wet gresli
00:46:5424 hours a day.
00:46:55That's it.
00:46:56What a little fence!
00:46:57that I carry pains.
00:46:58And on top of that, he's stealing from everyone.
00:47:00What has he done to you now?
00:47:01No.
00:47:02Provoking her even more.
00:47:03If he loves me,
00:47:04that if he forgives her,
00:47:04if this,
00:47:05that if the other thing.
00:47:06But you,
00:47:06What do you want from Carmen?
00:47:07I?
00:47:08He doesn't return to the riding arena
00:47:09every time he
00:47:10feel like it.
00:47:10That's what I want,
00:47:11Dolores.
00:47:11That's it.
00:47:12It's over.
00:47:13Pass it on.
00:47:14Hey?
00:47:14That's it.
00:47:14Little girl,
00:47:17I know that today
00:47:17It's not your best day,
00:47:18But you could
00:47:19do a small favor.
00:47:21Clear.
00:47:22What do you need?
00:47:23A transfusion?
00:47:24No,
00:47:25I'm doing well financially.
00:47:27Need
00:47:27that you stay today
00:47:28until six o'clock.
00:47:31Three hours of tip,
00:47:32Dolores?
00:47:33Oh,
00:47:33Carmen,
00:47:34It's just that I've
00:47:35misplaced the papers
00:47:36and the schedules.
00:47:38I've already gotten them mixed up.
00:47:39a bit.
00:47:39I told Angela
00:47:40Let her come at six
00:47:41instead of three
00:47:41And I don't know why.
00:47:43It is the least passion.
00:47:45I don't know what it is.
00:47:46Carmen,
00:47:46But I'm feeling very unwell.
00:47:47Let's see,
00:47:48Let's see,
00:47:48little one,
00:47:48I didn't tell you.
00:47:49that she put Angela
00:47:50at three o'clock.
00:47:51You told me,
00:47:52You told me,
00:47:52But if the problem is
00:47:53It was mine.
00:47:54Mine.
00:47:57Hey,
00:47:57Listen to me,
00:47:57Don't cry for me,
00:47:58Hey?
00:47:59Hey,
00:48:00listen,
00:48:01Don't cry for me.
00:48:02Today is not the best day
00:48:02to do it for you,
00:48:03the truth,
00:48:04But I'll do it for you.
00:48:05And do you do it?
00:48:06Man,
00:48:06I'll do it for you.
00:48:07But don't cry for me,
00:48:07Hey?
00:48:08Oh, Carmen,
00:48:09thanks a lot,
00:48:09of one sun.
00:48:11Nothing,
00:48:11But don't worry,
00:48:12Oh my God.
00:48:21Man,
00:48:21Carmen,
00:48:22how are you?
00:48:23Well,
00:48:23the truth is that
00:48:24I've had better days.
00:48:26Why would I lie to you?
00:48:28Uncle,
00:48:28Take this to your aunt.
00:48:29Yeah,
00:48:30clear.
00:48:30Now it's my turn.
00:48:33Aunt Bego,
00:48:34No?
00:48:34He deserves to have his head stepped on.
00:48:36Excuse me,
00:48:37but bravely
00:48:38to the character that the lady has.
00:48:40Yeah,
00:48:40Yeah,
00:48:40She's feisty.
00:48:42She's determined
00:48:42in taking the mother away
00:48:43And I see her as capable.
00:48:44I just can't
00:48:45remove from the head.
00:48:46Without your consent
00:48:47She can't take it away.
00:48:49but not even from here
00:48:49nor from anywhere.
00:48:50Yeah,
00:48:50Yeah,
00:48:50That's what he said
00:48:51the director.
00:48:52But it does influence me,
00:48:54My aunt influences me.
00:48:55Already,
00:48:55It influences you,
00:48:56It influences you,
00:48:56Does it influence you?
00:48:57Or does it control you?
00:49:00No,
00:49:00No,
00:49:00No,
00:49:01No,
00:49:01No,
00:49:01It doesn't control me.
00:49:02No,
00:49:02No,
00:49:03No,
00:49:03come on.
00:49:03Hey?
00:49:03My mother?
00:49:04My mother won't move from here.
00:49:05I'm in charge
00:49:06of the situation.
00:49:07Well, to the strip
00:49:08because he has a diligence
00:49:10skidding to the edge
00:49:11from a cliff.
00:49:12Hey,
00:49:13Carmen,
00:49:13your bathroom items,
00:49:14that I've put them in you
00:49:15in a closet,
00:49:16Okay?
00:49:16Your perfumes
00:49:17and so.
00:49:18But yes,
00:49:19before you get home
00:49:19I'll leave them all.
00:49:20where they were.
00:49:21What do you say about the bathroom?
00:49:23Look,
00:49:23It's because my uncle Sabino
00:49:24has gone to the bathroom in your house
00:49:25and I couldn't tell him
00:49:26that I live at home
00:49:27of a woman,
00:49:27clear,
00:49:27by my aunt,
00:49:28more than anything.
00:49:28Look,
00:49:28look,
00:49:29look,
00:49:29Don't go near me.
00:49:29to tell my long story
00:49:30nor any film,
00:49:31Hey?
00:49:31I'm leaving here
00:49:32at six thirty
00:49:33p.m.
00:49:33When I get home
00:49:34I want to see the bathroom
00:49:35just as I left it.
00:49:36And you manage.
00:49:37because you're already quite grown up.
00:49:38Now head to the room
00:49:39Let's see if he's put it on
00:49:40Your aunt already has the heels
00:49:41to your mother.
00:49:49I was there
00:49:50talking to the nurse.
00:49:51Far better
00:49:52and a little blush
00:49:53I'm going to put you in too.
00:49:55That?
00:49:56What did he tell you?
00:49:56That list?
00:49:58Nothing,
00:49:58Nothing important.
00:50:00Oh, Iñaki,
00:50:01They won't be eating you.
00:50:01the brain
00:50:02so that you can leave it here
00:50:02to your mother,
00:50:03No?
00:50:04No, aunt,
00:50:05No.
00:50:05Iñaki,
00:50:06that you haven't gotten used to it
00:50:08to the women here
00:50:08that are like vipers,
00:50:10lots of color
00:50:10and then,
00:50:11to the,
00:50:12poison.
00:50:13What do you think?
00:50:15Very pretty,
00:50:15much better.
00:50:16Oh,
00:50:17If I don't come here,
00:50:18son.
00:50:19Well,
00:50:20Everything is sorted now.
00:50:21Around seven o'clock
00:50:22the mobile UVI unit will arrive
00:50:23to move your mother
00:50:24to Tronosti.
00:50:24What do you say?
00:50:25As?
00:50:26But aunt,
00:50:27Let's see if...
00:50:27But if you already know
00:50:28that your mother and I
00:50:29We have life insurance.
00:50:30Excellent.
00:50:31Our money costs us,
00:50:32But look,
00:50:32It was worth it.
00:50:34A simple call
00:50:35and they haven't put
00:50:35no complaints.
00:50:36Yes, yes,
00:50:37But what about the permit?
00:50:39All that stuff about the UVI mobile
00:50:40it's very nice,
00:50:41but without permission
00:50:42It is moved from here by hand.
00:50:43Let's see,
00:50:43But they've already said
00:50:44That depends on us,
00:50:45which is our responsibility.
00:50:47No, aunt,
00:50:48mine,
00:50:50my responsibility.
00:50:51Iñaki,
00:50:52our,
00:50:53the family,
00:50:54We are all.
00:50:57Good,
00:50:58Leave the room,
00:50:59Let's wash Marichu.
00:51:01Very few washes
00:51:02My sister has them here.
00:51:03Very few.
00:51:04While I am in this clinic
00:51:05The rules will be ours.
00:51:07Leave the room.
00:51:08Yes, yes,
00:51:08Aunt Bego,
00:51:09Let's go to the bar
00:51:10for a drink
00:51:10meanwhile.
00:51:12Uncle.
00:51:12Thank you.
00:51:19What does it say about 7
00:51:20Is the UVI-mobile arriving?
00:51:21What is she taking with her?
00:51:23fuck?
00:51:23But, kid,
00:51:24And where are you?
00:51:24in all this story?
00:51:26You're this close
00:51:27of becoming
00:51:27in the most pathetic person
00:51:28that I have ever known.
00:51:30Brave Basque.
00:51:31Goes.
00:51:36What a shame about Marichu, huh?
00:51:38All day
00:51:38up,
00:51:39down,
00:51:39like a chickpea
00:51:40in the mouth of an old man.
00:51:42What do you say?
00:51:42Are they taking her away or not?
00:51:44She doesn't want to leave.
00:51:45And how do you know that?
00:51:47Why did you just tell me that?
00:51:54Oh, since I
00:51:55I believe everything,
00:51:56really.
00:52:02Ajela?
00:52:03Oh, how nice!
00:52:04I'll catch you
00:52:04before leaving home.
00:52:06Dolores?
00:52:07Controlled pains?
00:52:08Hey, hey.
00:52:09Look,
00:52:10that I'm going to give you
00:52:10A little joy, huh?
00:52:12That today you can
00:52:12take a nap
00:52:13a little longer,
00:52:14Hey?
00:52:15Yeah.
00:52:16No, that I
00:52:17I've misplaced them
00:52:18the schedules
00:52:18and the least...
00:52:19Well,
00:52:20the point is that
00:52:21You start at six, right?
00:52:23Come on.
00:52:23Hey,
00:52:24Don't tell him
00:52:25Nothing to anyone, okay?
00:52:26If he finds out
00:52:27the trinity of this,
00:52:27is capable of making me
00:52:28a scan
00:52:29to find me
00:52:29neurons
00:52:30in pots and pans.
00:52:32Come on.
00:52:33Bye bye.
00:52:33Bye bye.
00:52:36Fuck,
00:52:37You're a real pain in the neck.
00:52:38I told you
00:52:38I'm not going to tell you.
00:52:39twice.
00:52:39When I get hooked,
00:52:40I'll tell you...
00:52:40Look, there it is.
00:52:41What's wrong with you?
00:52:42So that you can be there
00:52:43Here during working hours?
00:52:44Is something wrong?
00:52:45Well, it turns out we've received
00:52:46a notice at the hospital
00:52:47that tomorrow is likely
00:52:48that a mobile intensive care unit arrives
00:52:50from Seville.
00:52:51An urgent transfer.
00:52:52Pussy,
00:52:53What a coincidence, Seville.
00:52:54Where is Iñaki?
00:52:56And what is it supposed to be?
00:52:57What do we have to do?
00:52:58Should we be happy or not?
00:52:59Clear,
00:53:01to rejoice.
00:53:01That means
00:53:02that Iñaki tomorrow
00:53:03would be here.
00:53:04Fuck,
00:53:04now,
00:53:04Finally, a game!
00:53:05of mus as God intended.
00:53:06You guys are awesome.
00:53:08And the risk
00:53:08What does that imply?
00:53:10Please,
00:53:10Iñaki had decided
00:53:11do not move Marichu
00:53:12And now this.
00:53:13Sorry,
00:53:13But there's something more here.
00:53:14that we don't know.
00:53:15Let's see,
00:53:15Koldo,
00:53:16that you are a doctor.
00:53:16Okay.
00:53:17But also a friend of Iñaki.
00:53:18What do you want?
00:53:19Let him stay
00:53:19down there all my life.
00:53:21A coma
00:53:22And you know it.
00:53:22It's not even one
00:53:23not even two months.
00:53:24I vote for him to come.
00:53:26Me too.
00:53:27What the hell?
00:53:28Let's see,
00:53:28that life is just that harsh.
00:53:29Besides,
00:53:30Marichu is very strong.
00:53:31That one is capable
00:53:31to endure a move
00:53:32with roundabouts,
00:53:33marches and everything.
00:53:34You're a beast.
00:53:36And Nekaneke?
00:53:38That?
00:53:39I'm sure the girl
00:53:40He's also looking forward to it
00:53:41from seeing her come in
00:53:41through that door.
00:53:42Or not Nekane?
00:53:43What about you?
00:53:44Would you like to see it too?
00:53:50Hey,
00:53:51But is there something going on here?
00:53:53Let's see,
00:53:54It's that I've done
00:53:55the comment
00:53:55because I thought
00:53:56that girl
00:53:57I would love to
00:53:57to catch it someday
00:53:58partying.
00:53:58She's been here all week.
00:54:00What skill do you have?
00:54:00for love,
00:54:01Hey, buddy?
00:54:01A marriage agency
00:54:02You have to put it on.
00:54:04And what about Iñaki?
00:54:05Do you like this one too?
00:54:07Host.
00:54:08And the bastard kept it quiet.
00:54:11That's probably why I came.
00:54:13Well, there's discretion.
00:54:17Take that!
00:54:19Look, let's go, look.
00:54:20Some prawns from San Lucas de Barrameda
00:54:23and an Iberian ham from the Sierra de Huelva.
00:54:25This is for the Real Sociedad board.
00:54:27I hope you have everything you need, Iñaki.
00:54:29Thanks, Rafi.
00:54:32I see a lot of confidence here, don't you?
00:54:34Maybe too much.
00:54:35Look at the amount of time you've spent stuck in here
00:54:37and your mother alone in the room.
00:54:38Of course...
00:54:39Look, a coffee once a day while they wash it, like today.
00:54:42People here are like that, friendly, you don't overthink it.
00:54:45They give you everything on the first day.
00:54:48Rafi, four vaccines.
00:54:50Come on, four beers, shall we?
00:54:51Other beers, how awful.
00:54:53So that they have to perform life-or-death surgery
00:54:55one of these drunks.
00:54:56Then, if the instruments get stuck inside us, of course, that's normal.
00:54:59Have you tried this ham, huh?
00:55:01They don't do it that well upstairs, do they?
00:55:02No, I don't want to, I'm not hungry.
00:55:04Sabino, don't even touch the prawns.
00:55:05that your uric acid levels are through the roof.
00:55:09Well, then, what's left for us?
00:55:11You should talk to the doctor and sign that paper, right?
00:55:13Let's see if we can finally put an end to this punishment.
00:55:15Look, as soon as Marichule breathes air in the Cantabrian Sea,
00:55:18He'll wake up, you'll see.
00:55:19Now, Auntie, we have to...
00:55:20Sorry.
00:55:24Coldo, here it goes.
00:55:26Coldo.
00:55:26Hey, what's up, Iñaki?
00:55:29How's it going over there?
00:55:30Okay, okay, here with Aunt Bego and Uncle Sabino,
00:55:33who have come to visit me.
00:55:36Damn, Bego's there.
00:55:37That's the one who messed everything up.
00:55:40Hey, Iñaki, what's up?
00:55:41You can't talk, right?
00:55:42No, no, no.
00:55:42No way?
00:55:43Let's see if it gets very hot.
00:55:45Okay, calm down, Iñaki.
00:55:46Let's do one thing.
00:55:47You answer yes or no.
00:55:49We've heard about the move,
00:55:51That's my aunt's doing, right?
00:55:54Yes, yes, I certainly believe so.
00:55:56But you're convinced, there's a lot at stake.
00:55:59Well, here I am, huh?
00:56:01Sometimes better, and other times, well, more discouraged.
00:56:03There's a lot of risk, I already warned you.
00:56:05So, you want me to talk to Bego?
00:56:07Uh, no, no, no, it's not necessary.
00:56:09It's so rich, Coldo.
00:56:10Okay, fine, well, that's all you need to know
00:56:11Your friends and Nekane are here with you.
00:56:16Bye.
00:56:17Goodbye, eh, Goodbye, Coldo.
00:56:20What's up, Coldo?
00:56:21Well, he says he's found out about the transfer.
00:56:26And that we have a lot at stake and that she's my mother, damn it.
00:56:30Iñaki.
00:56:31Iñaki, look me in the face.
00:56:34I have doubts too, what do you think?
00:56:35Am I reckless?
00:56:37It's not an easy decision, I know.
00:56:39But know that she would do the same for me and for you.
00:56:43She is a strong woman and she would take the risk.
00:56:45if I saw that there was a better possibility.
00:56:47And I believe that in the Basque Country she will be better cared for.
00:56:49Or well, at least he'll be home.
00:56:52Have you considered that it might take years to wake up?
00:56:55Yes, son, yes, yes, I know it's hard, but it can be.
00:56:58In the end you're going to have to decide
00:57:00between staying here or in your homeland.
00:57:02And you, Sabino, stop swallowing ham already.
00:57:04Son, chew a little, otherwise it's all just air.
00:57:14If you could accompany me for a moment, please.
00:57:15Yes, yes, of course.
00:57:19Look, I don't want to hide from you that in the medical team
00:57:22who has cared for his mother, among whom I include myself,
00:57:24There is some unease about the decision they seemed to be making.
00:57:26Look, I'm sorry, we're very grateful to you, okay?
00:57:29But it's a family matter.
00:57:31I understand now.
00:57:33Well, it's up to you.
00:57:35Read this document carefully
00:57:37And if he agrees, then he signs it.
00:57:38And everything is ready for the undergraduate program.
00:57:41You understood that the mobile Ubi arrives at 7 pm, right?
00:57:44Yeah.
00:57:44Well, I think so.
00:57:45My aunt has organized everything.
00:57:47Your aunt?
00:57:48But that's the responsibility of the person in charge.
00:57:49Your aunt here has nothing to do with it.
00:57:51But hey, is that how things are done in the Basque Country?
00:57:53Yes, yes, I know.
00:57:54I am the...
00:57:55Well, don't worry.
00:57:56I will be there at 7 to coordinate the two teams.
00:57:59Okay?
00:57:59Thank you so much.
00:58:01Nothing.
00:58:01See you later.
00:58:45We'll expect you then around 7 or so.
00:58:47Very good.
00:58:48Thanks, huh?
00:58:50Well, Iñaki, it's already underway.
00:58:53Do you want a pen?
00:58:54I think I have one around here somewhere.
00:58:55Wait.
00:58:56No, no, don't worry.
00:58:58I'm reading the fine print.
00:58:59You need to know what you're signing.
00:59:01They put one thing here and then...
00:59:02Ah, that's right.
00:59:04Don't charge us for the patient next door, okay?
00:59:07Sabino, you're falling asleep.
00:59:09Look, why don't you go to the hotel?
00:59:10And do you take a proper nap?
00:59:12Because the night looks long.
00:59:14Yes, maybe so.
00:59:15You know how to go it alone already, right?
00:59:17You stay here to help us with the paperwork.
00:59:20Yeah, but one thing, dude.
00:59:22It would be best if you were here by six o'clock.
00:59:24So that the three of us can be together later.
00:59:25I mean, it will always be better.
00:59:26Ah, okay, then tell me the room number
00:59:28And at five thirty I'll call you to wake you up.
00:59:30No, but you don't need a room number, okay?
00:59:31If you tell them at reception and they call you back, it's free.
00:59:34Hey, dude, here's the room key.
00:59:36Look, you know what I'm saying?
00:59:37That the best thing is for me to go with you.
00:59:39That way I cool off a little and put my feet up
00:59:41I have them like boots.
00:59:42Anyway, I'm not doing anything here until seven.
00:59:44No, no, aunt, no.
00:59:46No, uh, uh, I'd rather you stay here, okay?
00:59:48In case there's a problem with the mobile Ubisoft or something?
00:59:52Okay, son, call me on the phone, you have my number.
00:59:54You're not going to like the hotel.
00:59:56I saw a couple of cockroaches, one of them flying.
00:59:58About the size of a prawn, they're disgusting.
01:00:00Yes, yes, yes, I've stepped in one before in the bathroom.
01:00:03They don't sting, but they're unpleasant, aren't they?
01:00:05Oh, please, how disgusting!
01:00:07Take it away, take it away, take it away.
01:00:08No, no, no, well I'm not going.
01:00:09Go ahead, step on them yourselves.
01:00:10Yes, yes, very comfortable.
01:00:12Hala.
01:00:13Alright, dude, bye.
01:00:15That's disgusting, dude.
01:00:22No, no, no, no, no, no, no.
01:00:54No, no, no, no, no, no, no.
01:01:16No, no, no, no, no, no, no, no.
01:01:45Debiago informs me.
01:01:48There is a mistake here.
01:01:49There is a mistake here.
01:01:50No no.
01:01:56Hello, please, we are looking for Mr. Iñaki to go and steal...
01:01:59Yes, yes, yes.
01:02:00Oh, look, here he comes.
01:02:03Hello, good day, I'm Iñaki.
01:02:04Dr. Castilles.
01:02:05Dr. Fabaleta.
01:02:07Delighted.
01:02:07My aunt, Begoña.
01:02:09Hello.
01:02:09I think they've already spoken to her.
01:02:11Ah, yes, yes, yes, yes, a few times, right?
01:02:13How exciting!
01:02:13Come with me to the room, please.
01:02:15Okay.
01:02:22Is that really what you want to do?
01:02:28Iñaki, how long are you going to let women control you?
01:02:40Look, I...
01:02:40No, no, no, no, no, if I leave.
01:02:42I came here to take a nap because I was in the clinic, and that's all.
01:02:44Yes, look, but I apologize because...
01:02:47Well, I wanted to surprise my partner, as we've had a bit of a rough patch.
01:02:50Okay, okay, yes.
01:02:51Look, I'm not going to interfere in your business, I wish you all the best and hope you're happy, okay?
01:02:55I'm leaving.
01:02:56I've lost sleep.
01:02:58Just like that.
01:03:05Damn, Iñaki, he's gay, he's gay.
01:03:08God, why did I have to find out about this?
01:03:10Fuck.
01:03:15Now you have it.
01:03:16I can't go that often.
01:03:20Robert, where the hell are you?
01:03:21Would you please come to the clinic as soon as possible?
01:03:23If you take any longer, they'll take it away.
01:03:25I'm so pissed off.
01:03:28Dr. Almenar is expected to arrive soon.
01:03:30If he's not here, it must be for an important reason, like attending to an emergency or something.
01:03:35Look, not even her doctor has come to see her.
01:03:37Oh, Iñaki, sign this so we can get out of here.
01:03:41That?
01:03:44That?
01:04:06No.
01:04:07No.
01:04:08I won't sign.
01:04:09But Iñaki.
01:04:10Look, Aunt Bego, Ama isn't moving from here.
01:04:13And I am very sorry for any inconvenience I have caused you.
01:04:15But moving my mother in these circumstances would be irresponsible on my part.
01:04:19And Aunt Bego, if Ama has to die here because God willed it or something,
01:04:24Look, he'll be far from his homeland but close to his son, which I think is the most important thing.
01:04:43Okay, so what?
01:04:44Anyone up for a ride in an ambulance?
01:04:46Well, if they run red lights and put up cinemas, maybe.
01:04:54Well, we're going to have to get organized for the washing machines.
01:04:58Thank you.
01:05:00I'll wait for you at the cafeteria.
01:05:01Come on.
01:05:04Uncle.
01:05:06I expect a complicated return trip.
01:05:12In the end we didn't take it to wine.
01:05:14Oh, no.
01:05:15If I don't take her, then God, please.
01:05:18Here, say goodbye to her.
01:05:19I'll wait for you downstairs.
01:05:26So, what do you think, Coldó?
01:05:27Will there be a transfer or not?
01:05:29When a Basque woman sets her mind to something, is it a coin toss?
01:05:33Shall we bet?
01:05:34Plaster.
01:05:35A little sensitivity, for crying out loud.
01:05:36You look like nuns.
01:05:40Well, Nekane.
01:05:42See you tomorrow, okay?
01:05:42Goodbye.
01:05:43Goodbye, nekane.
01:05:50Look, Nekane, I didn't know that you...
01:05:52Goodbye, that's me.
01:05:53Come on.
01:06:03Well, I've decided that you'll be the father of my children.
01:06:05No, no, no, no, no.
01:06:08No, no, no, no.
01:06:08No, no, no.
01:06:09No, no, no.
01:06:09Can?
01:06:10Poor Sabino the Great!
01:06:13The man who knew how to reign in the shadow of a great woman.
01:06:17What a surprise!
01:06:21On the condition that you smoke one in my honor.
01:06:24You make me feel it all the way inside.
01:06:27Stay strong, my friend.
01:06:31Take care, Mr. Mejomea.
01:06:35Well, it's up to you what you do, son.
01:06:37I can't tell you any more.
01:06:38Auntie, I really appreciate everything you've done, really?
01:06:41And go in peace, we'll be fine here.
01:06:44Iñaki, you are now like my son.
01:06:46I'm not going to let anything bad happen to you.
01:06:48I promised your mother.
01:06:50Anything you need, please call.
01:06:53And you know, if you change your mind...
01:06:56I know, aunt.
01:06:57Give me a kiss.
01:07:01And get in the taxi, because if the guy sees you let your guard down, you're going to lose points.
01:07:06Chocholo.
01:07:09Take good care of yourself, son.
01:07:15Sorry, Iñaki, but...
01:07:17Oh well, it doesn't matter.
01:07:18Look, I'm very happy with the decision I've made.
01:07:20Thank you, Robert.
01:07:21And I am very sorry for the inconvenience we have caused.
01:07:22No, no, no, no.
01:07:23No, no, please.
01:07:24I understand perfectly, mother, there is only one.
01:07:29See you later.
01:07:30Chalo.
01:07:34Uncle.
01:07:35I'm convinced your mother will be fine there, well taken care of.
01:07:38She will not lack affection.
01:07:39Come on, that's what I think.
01:07:41Hey, you've blown my mind.
01:07:42No, I didn't expect that from you.
01:07:44Damn, life is full of surprises.
01:07:46Iñaki, you have my full support.
01:07:48Thanks, man.
01:07:49The truth is, you never know what's inside you.
01:07:51Until the moment the emotion erupts, right?
01:07:53And if you don't express yourself as you truly are, you'll end up making your life miserable.
01:07:57Yes, yes.
01:07:57The thing is, in my day those things didn't happen, you know?
01:07:59We were all going in the same lane.
01:08:01But look, you seem to have freed yourself, don't you?
01:08:05Totally, dude.
01:08:06And don't throw in the towel.
01:08:08You still have time to say this is my mouth.
01:08:10Your aunt will thank you for it.
01:08:13Iñaki, you're not going very fast.
01:08:15You try it.
01:08:16And if you need me, here I am.
01:08:18That in the grill master's house there will always be room for a good nap.
01:08:22Where two sleep, three can sleep.
01:08:24Sabino, the taxi meter is running.
01:08:26Jesus, you haven't talked this much in your entire lives.
01:08:29Come on, give me a hug, man.
01:08:30Little by little, Iñaki.
01:08:31Little by little.
01:08:34Give me time.
01:08:36Sabine.
01:08:37Goodbye, uncle.
01:08:39Goodbye, Iñaki.
01:08:40Careful.
01:08:47Oh, brave little diva who has given us the scratches.
01:08:50And really.
01:08:51Yes indeed.
01:08:52Dolores, I have to thank you for the mistake you made with the schedules.
01:08:55Why wouldn't I have wanted to miss this show anywhere in the world?
01:08:58Oh, Carmen, you don't know how grateful I am.
01:09:00That takes a weight off my shoulders, huh?
01:09:01Because nobody likes to fail, to be honest.
01:09:04But sometimes they make it too easy for you.
01:09:06As?
01:09:09My own things.
01:09:14Don't you think what happened to me was psychological menopause?
01:09:26Iñaki, how are you?
01:09:28Very loose.
01:09:28What's happening?
01:09:29Some Andalusian woman who drives him crazy, right?
01:09:31The truth is, I wouldn't even look at Andalusian women.
01:09:34Oh, let's see if José finally gets us the MOT done.
01:09:36But what does he do?
01:09:37Is it breaking?
01:09:38Hey?
01:09:38What's happening?
01:09:39Grandfather!
01:09:40Yeah!
01:09:42What's wrong with him?
01:09:43I'm not happy with you.
01:09:44If he goes home, he'll miss the fair.
01:09:47What's coming, Iñaki?
01:09:48Hey?
01:09:49Hey, Iñaki, aren't you coming tomorrow?
01:09:50Let the ball tournament begin.
01:09:51We're signing up now!
01:09:52We're in!
01:09:53I have a fault.
01:09:54But we tell ourselves that and we copulate less with the sea whips.
01:09:57I'm going to have a little brother.
01:09:59Either you improve the service or I'm going to have to rethink the bar contract.
01:10:03I have a little something for you.
01:10:04What did I buy from a Cordoban hat?
01:10:06It's irresistible for that Jones-like vertigo.
01:10:08It's missing the ham.
01:10:09What interest does he have in the Basque leaving?
01:10:11He's not doing anything here.
01:10:12Well, yes.
01:10:13It's a bit of a pain in the ass.
01:10:16Hey there!
01:10:17And do you know what this entails?
01:10:18It turned out amazing, didn't it?
01:10:19Did I do it, damn it?
01:10:20What did the Basque do?
01:10:21For haute cuisine, for you.
01:10:23Oh, damn!
01:10:24With the Basque language, what power!
01:10:27It's okay that he's gay.
01:10:28But on top of that, he charges!
01:10:29That?
01:10:30I'll be right back, okay, mate?
01:10:32I promise you.
01:10:32Carmen will take very good care of you.
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