- hace 19 horas
Categoría
📺
TVTranscripción
00:00:10Music
00:00:57Music
00:01:01I can't take it anymore, it doesn't matter if I pee on the hydrangea
00:01:03Do you want to lower your voices?
00:01:04Huh? What about the music?
00:01:07And you?
00:01:08You'd be better off peeing on the begonia, go on, it's more acidic in the air
00:01:11Yaki, Yaki!
00:01:13Listen
00:01:13Look, it's stopped raining, if this isn't a sign from God
00:01:16So you can have the last one
00:01:17You call anything your sign from God.
00:01:19No, I can't, man, I have to open the bar tomorrow.
00:01:22Oh, God
00:01:23And I am the skull of a patient who has won
00:01:26Listen to him, once you're alone
00:01:28We should celebrate, shouldn't we?
00:01:29I am not alone yet
00:01:30And lower your voice, otherwise Marichu won't be heard
00:01:32It might not even go well
00:01:33Marichu!
00:01:34Watch out for Marichu, she's got all seven senses on high alert
00:01:37What do you think, right?
00:01:39You see it, you see it
00:01:42See you tomorrow at the tavern
00:01:45Come on, Iñaki, he hasn't backed down
00:01:46Let's play the last one
00:01:47No, goodbye, I
00:01:52Iñaki, Iñaki, Iñaki
00:01:55Come on, goodbye, go on, eh
00:01:56And be careful when you leave, because they always run you over with the sign.
00:01:58Huh? Did you hear me?
00:01:59Uh, shh, there it goes
00:02:01Hey, come on in
00:02:02Am I going to leave the track or what?
00:02:04Oh, how beautiful!
00:02:06Fly!
00:02:07Fly!
00:02:08Fly!
00:02:11Fly!
00:02:11Fly!
00:02:11Fly!
00:02:12Fly!
00:02:12Fly!
00:02:13Fly!
00:02:13Fly!
00:02:26Fly!
00:02:42You've made me happy
00:02:55Fly!
00:03:26Auntie, the bus won't leave for a long time.
00:03:26And well, where else was I going to put the sheets?
00:03:28Bed sheets?
00:03:29But if you go to a hotel
00:03:30AND?
00:03:31Hey?
00:03:32I'm not going to sleep in those sheets, girl, here.
00:03:35They're not like us there, my aunt.
00:03:37They sleep naked there.
00:03:39Ah, look
00:03:40Aunt Begoña
00:03:44Begochu, tell me
00:03:45That?
00:03:45Marichu
00:03:46You won't believe it
00:03:47I woke up soaking wet
00:03:48And not precisely because of Sabino
00:03:50So what happened?
00:03:51Well, honey, it's going to rain tonight
00:03:52That it's almost not above the ceiling
00:03:53And here we are, the two of us.
00:03:54Shrinking
00:03:55They're going to bring a ranch in through the door.
00:03:57This step
00:03:57What are you saying?
00:03:59Well, daughter, what you hear
00:04:00I won't be able to go on the trip, daughter.
00:04:02You tell me
00:04:03Let's see how I can leave Sabino with this mess.
00:04:04She gets stressed just when she has to change a light bulb.
00:04:07Nothing, then
00:04:08It will have to be cancelled
00:04:09That?
00:04:10Cancel, no, daughter
00:04:11No, the trip is already off.
00:04:12You're going to Seville, woman.
00:04:13We also have
00:04:14To all the people, stay tuned
00:04:16Until Josepina from Zarauz
00:04:17They've asked us for a thimble of the Giralda
00:04:18Jesus Mary, hear
00:04:19I bought it through Facebook
00:04:20But how am I going to go there alone?
00:04:22Begocho, please
00:04:23Girl, woman
00:04:24And you don't have to go alone either.
00:04:26So who am I going to go with?
00:04:28Easy, says the bone, Begocho
00:04:30But if you go to the one that one
00:04:31And why am I going, with Iñaki?
00:04:39That?
00:04:43Press it
00:04:54I'm going to Seville
00:04:56That?
00:04:57What are you saying?
00:04:58I'm leaving in two hours.
00:04:59My mom is packing my suitcase
00:05:02Or what aren't you going to do?
00:05:03Hey, Iñaki
00:05:04But that's already in another hemisphere.
00:05:05Holy shit
00:05:06Damn, you can't just leave like that.
00:05:08Yeah, so what do you want?
00:05:10Aunt Bego
00:05:11That has fallen off
00:05:11And she loves it, because she's excited about this trip.
00:05:13It doesn't come out in two days.
00:05:14Since my father died
00:05:16Sure, normal.
00:05:17Where else are you going to find what he has here?
00:05:19There, there
00:05:19And what about mus?
00:05:21Yeah
00:05:21Host
00:05:22Tomorrow is late
00:05:24From mus, Iñaki
00:05:25What are the three of us going to do?
00:05:26Play cinquillo?
00:05:27Well, you'll have to make do.
00:05:29Because I'm going to close the bar
00:05:31All week
00:05:31Yes, go ahead
00:05:32Come on, come on, come on
00:05:33Go on
00:05:34Damn, I'm already regretting it.
00:05:36Okay, let's see.
00:05:37Don't worry
00:05:37Damn, Iñaki
00:05:38That's not it, damn it
00:05:39It comes out a little
00:05:40From the furthest it has ever been
00:05:41It's time to get gas.
00:05:42Rentería
00:05:43Well, that's also true
00:05:45Okay, sit down there
00:05:46That he's having some skewers now
00:05:52What do you want me to do?
00:05:53Just go for it already, damn it!
00:05:55You're keeping a stalactite's pace.
00:05:56Okay, Amaya
00:05:57I make him coffee every day
00:05:59When it arrives
00:06:00I think that's enough.
00:06:01It is understood that
00:06:02That matters more to me than usual
00:06:03Oh, really?
00:06:04No, honey.
00:06:05Hey?
00:06:06That's because of all the caffeine.
00:06:08That you give it to him
00:06:08He's not going to wise up, is he?
00:06:09Amaya
00:06:10Besides, what's the rush?
00:06:12He's only gone for a week
00:06:13To hunt him down there
00:06:15One day is too many
00:06:16I won
00:06:16Those from the south
00:06:17They're not like the ones in the north.
00:06:18Hey, necan, hey?
00:06:19They are very sexual.
00:06:21And they play there, huh?
00:06:23They play a lot
00:06:25But?
00:06:26Yeah?
00:06:27Go on
00:06:27Grab the bars
00:06:29This step is going to be
00:06:30The only hot one
00:06:31That touches in your life
00:06:32Oh, love
00:06:34Goodbye
00:06:34Let's see
00:06:35I'm going
00:06:36Hot
00:06:37Hot
00:06:41Let's see, Koldo
00:06:42Do you remember
00:06:42That assistant position
00:06:43Did I tell you I was going out?
00:06:44Eñaki?
00:06:45Yeah
00:06:46Free loot
00:06:48With the master tag?
00:06:51That's like Jesus Christ
00:06:52He calls you to design
00:06:53The menu of the last supper
00:06:54Yes indeed
00:06:55Until you go in
00:06:56Take out the potato omelet
00:06:57Always has been, right?
00:06:58That's it, that's it
00:06:58That Jesus Christ surely
00:07:00The Last Supper too
00:07:01He took out a potato omelet
00:07:02No, not her...
00:07:03And what do you know?
00:07:06Well, I got tired of it
00:07:07We'll have to talk, you and I, won't we?
00:07:09Let's see, tomorrow
00:07:10Don't ask Maya for bread
00:07:12We're going to have to close.
00:07:13Until Friday
00:07:14Well...
00:07:15Well...
00:07:16That's what I wanted to talk to you about, Ñaki
00:07:18That...
00:07:21Even if you go far away
00:07:22That...
00:07:23Just so you know...
00:07:25I am here
00:07:28Yes, yes
00:07:29I see you now.
00:07:30No no
00:07:31What I'm trying to tell you is that...
00:07:34You have me here for whatever you need.
00:07:37You understand?
00:07:41Damn, Nekane
00:07:42Well, this
00:07:43I really didn't expect that, did I?
00:07:45But now that you mention it
00:07:46It's you
00:07:48I don't know how I hadn't seen it before.
00:07:50Oh really?
00:07:52Of course, Nekane
00:07:53Look, I didn't see you before.
00:07:54But now that I hear you
00:07:56You seem like the perfect person to me.
00:07:58Oysters, Ñaki
00:07:59You make me very happy
00:08:02Well, that settles it, Nekane.
00:08:04Go for it
00:08:06Gang!
00:08:07Big news!
00:08:08I'm not closing the bar
00:08:10Man!
00:08:10Nekane is staying here
00:08:11All week
00:08:12Like a champion
00:08:13And to these
00:08:14Tie these guys up on a short leash
00:08:16That they can
00:08:16They confuse you
00:08:17Hey?
00:08:18Let's go to me
00:08:19Because I don't miss a single one
00:08:20No
00:08:21Not one or half, let's go
00:08:22Nekane
00:08:24It's that rich
00:08:26That's the spirit
00:08:27Cabezos
00:08:36But they're all old.
00:08:38I don't look my age
00:08:39Boy
00:08:39If it's a trip for retirees
00:08:41What will you find?
00:08:42Backpackers?
00:08:43And, Aunt Bego
00:08:44Why don't you go?
00:08:45Hey?
00:08:45This atmosphere suits you better.
00:08:47Come on, this
00:08:48What more could I want?
00:08:49What I do?
00:08:49I'll leave it to Sabina
00:08:50Soto with the flood
00:08:51When I arrive, I'm sure
00:08:52That the algae have eaten it
00:08:55Apañaki!
00:08:56Hey, Barichu, Ego!
00:08:58You all look gorgeous, don't you?
00:08:59If you look like the brown sugar of Uskadi
00:09:01Okay, okay, okay
00:09:02Come on
00:09:02When you understand us
00:09:04Come on, come on
00:09:04Yeah, yeah, yeah
00:09:05But he's right.
00:09:05Hey?
00:09:06Why don't you both go?
00:09:07And I get to keep Uncle Sabino?
00:09:08Yeah
00:09:08And you both end up drowned
00:09:10Well, don't talk nonsense.
00:09:11Go and enjoy yourself
00:09:13Also, maybe some Sevillanas
00:09:14He'll catch you and everything, huh?
00:09:16And what more could they want?
00:09:18To mix with Basque DNA
00:09:19Yeah, that's why.
00:09:20Why don't you go alone?
00:09:21Well, with all these friends
00:09:23No way, Iñaki
00:09:24Is your mother alone in the world?
00:09:26So that?
00:09:26So they can put drugs in his drink?
00:09:28I can't believe it
00:09:29So, you've brought the priest, mistress.
00:09:30Don Julián is coming
00:09:31Don Julián
00:09:32Iñaki, I already told the mom
00:09:34That the old ones
00:09:35When do they see a priest?
00:09:37They become unsustainable
00:09:38But you already know her
00:09:41Father
00:09:42To the bus from the front and the back
00:09:44You never know
00:09:45Where are the boats coming from?
00:09:46May the Lord be with you
00:09:49On our way
00:09:50Very good
00:09:51And the same goes for my son, okay?
00:09:52Go there, go there
00:09:56Don Julián
00:09:58Okay, good luck, Marichu
00:09:59Hope it goes really well, okay?
00:10:00Okay, aunt
00:10:01Okay
00:10:02Enjoy
00:10:02Marinho, you can't
00:10:03Oh, let's hope that gets fixed.
00:10:04Come on, tellers
00:10:05We already talked about it.
00:10:05Okay, okay
00:10:06Goodbye, darling.
00:10:07Goodbye
00:10:08Oh, Marichu
00:10:08What's happening?
00:10:09Cortilla
00:10:09Hey, Mom, please
00:10:10Okay, fine, we'll do it.
00:10:11Hey, I'll wait for you upstairs, okay?
00:10:14Damn, Ingeki
00:10:14What a sarcophagus!
00:10:16You here among so many mummies
00:10:17You're going to look like Indiana Jones and Eleven
00:10:18You start removing prosthetics here
00:10:21And you build yourself a transformer
00:10:24Well
00:10:24Let's get to the important stuff.
00:10:25Have you found it yet?
00:10:27Substitute, Palmús?
00:10:28Yeah
00:10:29Koldo's stamp
00:10:32But that one wasn't from Logroño.
00:10:33That?
00:10:34Okay, let's see.
00:10:34The grandfather was from Endaya
00:10:35Something must have rubbed off on him
00:10:37Well
00:10:42And here
00:10:44You might end up without mus
00:10:46But if you find a smooth wall there
00:10:48Don't lose your way
00:10:49He went south
00:10:54With their feelings
00:10:58He left his home
00:11:02And the good life
00:11:08Iñaki
00:11:10Iñaki
00:11:14Iñaki
00:11:30Handsome
00:11:33One week, Iñaki
00:11:34It's only a week
00:11:35Come on, let's go
00:11:36Sit down
00:11:36I've left you the window
00:11:38In case you get dizzy
00:11:40Hey
00:11:40If you want a window
00:11:41You can sit here next to me
00:11:43And that way I would have the best views
00:11:46They call me
00:11:47Luis Junqueiras
00:11:48With X
00:11:49You know, I'm Galician.
00:11:50But Basque to the option
00:11:52I came when I was 25.
00:11:54To work in a cannery
00:11:55How happy I am!
00:11:57Man
00:11:57They really preserve things here.
00:12:00You only have to look at his mother
00:12:02A damn woman
00:12:04Jol
00:12:05What a dirty old man
00:12:07Your mayor hears it
00:12:08And you send him to see a slapstick.
00:12:20Go on, eat some potato omelet.
00:12:22Love, but we just left
00:12:24It's not the same
00:12:25That's how you make dough
00:12:25With what you've drunk
00:12:26Besides, who knows when we'll stop again?
00:12:28Somewhere civilized
00:12:30You did that
00:12:31It smells so good
00:12:32You can tell he puts a lot of love into it.
00:12:34Everything he does
00:12:35And I can tell them to fuck off.
00:12:37With much love too
00:12:38Hey, sir
00:12:38If you don't mind
00:12:40To my mistress and me
00:12:41We'd like to rest a little.
00:12:47Good afternoon
00:12:48My young men and women
00:12:50My name is Walter
00:12:53And I'm going to accompany them
00:12:55On this most wonderful journey
00:12:57Into which I will transform
00:12:58In his guide
00:12:59Your friend
00:12:59His confidant
00:13:01And if you wish
00:13:02Also in their guardian angel
00:13:04Okay?
00:13:04No, we all answered
00:13:07Okay, Walter
00:13:09Okay
00:13:10Very good
00:13:12Marvelous
00:13:13Great
00:13:14Thank you
00:13:17But let it remain in my eyes
00:13:20Is this fact or fiction?
00:13:22New faces around here
00:13:25Oh well
00:13:26If we have
00:13:27A real young man
00:13:29Among us
00:13:29A round of applause for him
00:13:33Bravo
00:13:37Okay, okay, okay
00:13:39Cuevo says the government
00:13:40There is a crisis.
00:13:41But if every time
00:13:42They retire them early
00:13:43Ready
00:13:44TRUE?
00:13:45No, no, no
00:13:46I am here
00:13:48Because of my aunt's leaky roof
00:13:49Who cares about that?
00:13:51But guys
00:13:52It's perfect.
00:13:54So you're watching me.
00:13:55Good for your mommy
00:13:56Which, by the way
00:13:58She has a mischievous face
00:13:59What's this idiot saying?
00:14:01Nothing, nothing
00:14:02Love
00:14:02Try to rest a little.
00:14:04I hope I'm not talking
00:14:05All night
00:14:06The first day
00:14:09We will visit Seville
00:14:11That most beautiful and lovely
00:14:13Capital city
00:14:14Disability
00:14:16The 15th
00:14:17The pretty girl
00:14:18Doña Delfina
00:14:19with you
00:14:20The 57
00:14:24The 24th
00:14:26We have to catch them
00:14:28Doña Juana
00:14:29The 39
00:14:33Line
00:14:37Come on
00:14:38I have to go to the party
00:14:40To be a top-notch driver
00:14:43Accelerate
00:14:44Accelerate
00:14:46To be a second driver
00:15:04Wake up
00:15:05Sleepyheads
00:15:06We have arrived in Seville
00:15:09Wake up
00:15:10Sleepyheads
00:15:11We didn't come here
00:15:12For sleeping
00:15:21Admire this light
00:15:23Admire this cutie
00:15:24And while we're on the subject of admiration
00:15:26Admire me
00:15:27That I am the eighth wonder
00:15:29Venezuelan
00:15:29Okay?
00:15:41Jesus Mary
00:15:42What is this?
00:15:43It's so hot!
00:15:44I don't even want to think about it.
00:15:45What will it be like in August?
00:15:46Well
00:15:47That's how we come back tanned
00:15:48Love
00:15:48To fried pork rinds
00:15:49We're coming back
00:15:50And this should not be the case.
00:15:51Not even the ozone layer
00:15:53I hope we have
00:15:54Air-conditioning
00:15:55At the hotel
00:15:55Although seeing it
00:15:56They'll give us the same thing, a fan.
00:15:58Love
00:15:58It has four stars
00:15:59Well
00:16:00How I love Seville
00:16:02Don't dawdle on me
00:16:03That right after check-in
00:16:05And after lunch
00:16:06We will begin our visit
00:16:08To the wonderful
00:16:10Plaza de España
00:16:12Yeah man
00:16:13That's all I needed
00:16:13From Spain
00:16:14Love
00:16:15I'm going to give it to him right now.
00:16:16Some cute little yellow caps
00:16:19And so
00:16:20Don't let me get carried away
00:16:21My love
00:16:22Let's see
00:16:23Of course
00:16:23Let's see
00:16:25But
00:16:25What are you up to?
00:16:26Take this off me
00:16:27Look
00:16:27Not even if I sewed it onto my head
00:16:29Take this off
00:16:30Look, Iñaki
00:16:31I'm not going to walk
00:16:32Throughout Seville
00:16:33With this bunch of old people
00:16:34Or we both go alone
00:16:36Or I'll take the first train back
00:16:38Okay
00:16:38Vale Ama
00:16:39Okay
00:16:39Alright
00:16:39Besides
00:16:41With the plan
00:16:42We're not going to have any problems
00:16:44Okay
00:16:47Oh Chizo
00:16:49I usually feel like we've seen this before.
00:16:51Yeah?
00:16:51When?
00:16:52In my last reincarnation
00:16:54Doesn't it bother you?
00:16:55Before
00:16:55What have we missed, Iñaki?
00:16:57No
00:16:58No
00:16:58Love
00:16:58No
00:16:59Look
00:16:59Simply
00:17:01We have to follow that street
00:17:02Let's see
00:17:03No, no, no, no, no, no
00:17:05That
00:17:06Let's see
00:17:06Here the sun
00:17:07Where is it located?
00:17:07But here
00:17:08Everywhere here
00:17:09No, we're going to die in this labyrinth.
00:17:11What I'm telling you
00:17:12We're still featured in the Basque newspaper
00:17:14That?
00:17:15Has the treasure not appeared?
00:17:16Sorry
00:17:17Sorry
00:17:17What am I looking for here?
00:17:18Be careful, this one guides you
00:17:20Be quiet
00:17:20No, no, no
00:17:21Well, we'll look for a way out.
00:17:23Clear
00:17:23You and you to Spain, son
00:17:24But where do you want to go?
00:17:26Well, to the cathedral
00:17:28To the cathedral?
00:17:29That's a piece of cake
00:17:30Look, what you have to do is pull the mole down Mateo Street, okay?
00:17:33When Don Raimondo arrives, the finial
00:17:35If you want to get tired of walking, right?
00:17:37I think there's a really good deal there.
00:17:40As?
00:17:41Wait a moment
00:17:41Look, this kid is going to
00:17:42Kid, come here
00:17:43Hey, hey, it's not necessary, okay?
00:17:45I can search for it in the browser
00:17:47Browser, no browser, too much of a wolf
00:17:48Hold on a minute, man
00:17:50We'll tell you now.
00:17:51Peña, what?
00:17:52They're ambushing us.
00:17:53Listen to me
00:17:54The little donkey when it comes out of the cathedral door
00:17:56What is the first street on the right?
00:17:58Well
00:17:59The little donkey or the brotherhood of Saint Roch
00:18:01Let's see if we're going to start stuffing ourselves now too.
00:18:03I'm neither bothering nor not bothering, okay?
00:18:05But you wash your mouth out before you talk about the little donkey, huh?
00:18:07Uh, sorry
00:18:08And the cathedral
00:18:09Wait, man
00:18:10Are you serious?
00:18:11Yes, also
00:18:12My mouth is blessed to speak of my brotherhood
00:18:1415 generations of bearers that I carry on my back
00:18:16We're born with flat shoulders, so what?
00:18:17Well, he's going to lift up my little Christ and my Virgin Mary, which are
00:18:20What I want most
00:18:21He's going to talk to me about Holy Week.
00:18:23They call me the Cyrenian of San Isidoro
00:18:25Come on, man
00:18:26The Sirinean
00:18:27Let's see
00:18:27Five years in our mother's arms
00:18:29That's not visible in the image.
00:18:30He's leaving
00:18:39You don't want me to ride in this wagon?
00:18:41Of course, she loves
00:18:42Look, this is how we see Seville while the wind blows in our faces.
00:18:45Already
00:18:45The smell of horse manure, you say.
00:18:50Come on, ma'am
00:18:51This is safer than an airboat
00:18:54Love
00:18:54Is this it, or a stroll in the sun?
00:18:57Oh, boy
00:18:58Come on
00:18:58What need
00:19:02Come on, love
00:19:03Can't
00:19:04Let's go up, my
00:19:05Hey, hey
00:19:06Let's play the band, eh?
00:19:09Come on
00:19:09I'm doing well now.
00:19:10I'm coming.
00:19:11Well
00:19:12Or he doesn't know anymore
00:19:13And relax, ma'am.
00:19:16That the stick
00:19:16If he doesn't get nervous
00:19:18He's as tame as a teddy bear
00:19:21Okay, fine!
00:19:22He's letting loose!
00:19:23I've got it, aunt!
00:19:24I've got it!
00:19:26Oh, excuse me, ma'am
00:19:28He was playing ball with the girl.
00:19:29If he has escaped me
00:19:30It's because of the kids
00:19:31We can't take our eyes off them, can we?
00:19:33Ma'am, I meant the ball
00:19:34No to the little girl
00:19:37Okay, we're leaving.
00:19:38That I even have yes
00:19:39While walking, huh?
00:19:40Yes, yes, you
00:19:41Start, start the stick
00:19:41Well, that will be it.
00:19:43Unless they throw something else at him
00:19:44Poor horse
00:19:45The lady was unintentional.
00:19:47And the park belongs to everyone.
00:19:49Hey?
00:19:49That's the problem
00:19:50Love, I know
00:19:51Why have debt, huh?
00:19:52Oh well
00:19:52If you want, we can put it on for you.
00:19:54A little friend here, huh?
00:19:55And we called it Lendán
00:19:57Lendan
00:19:58Eh, Lendacari
00:19:59Yes, I'm even convoluted about that.
00:20:01Ah!
00:20:03Love, love
00:20:04Listen
00:20:04I'm going to ask you for some respect, please.
00:20:06That's all we wanted to do here
00:20:08It was about sitting down
00:20:09Time to get some fresh air
00:20:10Ah!
00:20:11What they want is to get some fresh air
00:20:13Look, I've said it before.
00:20:15Well, it turns out
00:20:16Ah!
00:20:18Listen!
00:20:18Listen!
00:20:19That!
00:20:19Come on, come on!
00:20:21No fuss!
00:20:23The Chagaves!
00:20:25Oh!
00:20:30I've already got that rhythm!
00:20:32That rhythm!
00:20:33I want to see that movie!
00:20:35That body is controlling itself!
00:20:37And now everyone!
00:20:39With that right hand!
00:20:41Grab the left handle of the person behind you!
00:20:44Or what?
00:20:44Very good!
00:20:46Hey!
00:20:47God, look, not even in my worst nightmares
00:20:50I already told you it was better if we had dinner in the room
00:20:57But I have to issue a warning
00:21:00A nuance
00:21:01My dearest Doña Delfina
00:21:03It has an advantage.
00:21:05Because?
00:21:06Because she
00:21:07It's brand new
00:21:09New Hip
00:21:10Prove it!
00:21:14Dance with me!
00:21:15Yes, yes!
00:21:16Go Delfina!
00:21:17Ha!
00:21:17That fire!
00:21:18Throw it in!
00:21:19Can!
00:21:20Ha!
00:21:21Pay attention because the moment is coming.
00:21:23Something very hot is coming
00:21:26Something very hot is coming
00:21:29Blind man's bluff!
00:21:31So he's already opened it for them!
00:21:33That's a cocky little rooster to overcome!
00:21:36Do you want to be my little hen?
00:21:38No no!
00:21:39Leave it, leave it!
00:21:39I'm going with my mom!
00:21:41Come on, brother!
00:21:42Come on!
00:21:42Run, run, run!
00:21:45Oh!
00:21:47The couple finally decided to get together!
00:21:50Delfina, the tissues, please!
00:21:53Oh, and you!
00:21:54Have you ever played?
00:21:56Blind man's bluff?
00:21:58I look like I've played that game.
00:22:02Oh, boy!
00:22:03You're driving me crazy, man!
00:22:04Love, we're not going to lose!
00:22:06Yes, we are going to lose our dignity
00:22:08If we're going to play, let's play to win!
00:22:12Did you throw us parties?
00:22:13Wait!
00:22:14Oh, Jesus, Marieta!
00:22:15If Aunt Begoña could see us
00:22:17I'm telling you, this trip to Seville is going to kill me.
00:22:20Ah!
00:22:25Holy shit!
00:22:29Love!
00:22:58What's it called?
00:22:59Iñaki
00:23:00Not you, she
00:23:01Ah, Marichu!
00:23:02Marichu, can you hear me?
00:23:03Irene
00:23:05I loved the ITUS code.
00:23:06Chest X-ray, blood tests, and skull scan
00:23:08Come on!
00:23:09But it was just a bump on the head.
00:23:11We were in a relaxed atmosphere and...
00:23:13But you don't have to wait for it out here.
00:23:15And take that off.
00:23:17But if that's the case, take an ibuprofen.
00:23:20It fits in sots
00:23:22The last time you call me, eh, Mr. Mejumean
00:23:24Didn't you tell me we were going to get some fresh air?
00:23:26But man doesn't live on air alone, José
00:23:28Besides, I had to stop by home to pick up some stoves.
00:23:31Hey, book
00:23:33Tobacco, whiskey
00:23:34Hey?
00:23:35I don't know if we came from his house or from a trip to Gibraltar.
00:23:38Hey, uh, sorry
00:23:39The waiting room?
00:23:40Yes, she's the door on the right.
00:23:41Hey?
00:23:41That door on the right?
00:23:42Ah
00:23:44There's one thing I don't understand
00:23:45It doesn't bother me
00:23:47With the palace you have
00:23:48And have you recovered from your hip injury?
00:23:49I don't know why you insist on living here
00:23:51That I'm recovered?
00:23:52I have hip fatigue
00:23:53I look like a "my goodness"
00:23:54You have seen me
00:23:54That all I can do is bend up and down
00:23:56So
00:23:57That's how it is, and with work.
00:23:58Look, there
00:23:59And before that, there was tennis elbow.
00:24:01And before that, athlete's foot
00:24:02When he runs out of excuses
00:24:04You're going to have to get cheek implants.
00:24:05Okay, okay
00:24:06Where's the Vespa?
00:24:07I have it there in double refrigeration
00:24:08Strip
00:24:08Go find the reel while I, really, eh
00:24:10I don't know how
00:24:11I get very nervous
00:24:12What is the well?
00:24:13What is it?
00:24:14Go for it, seriously, all this is worth it for you.
00:24:15Of course, he's not a man
00:24:17And I'll tell you why.
00:24:18Because they draw my blood here from time to time
00:24:21And my children are sucking my blood all day long
00:24:24Go on
00:24:25Come on, let's go to the room quickly
00:24:26Come on, it's dinner time
00:24:27And on Fridays it's Villarro chicken breast.
00:24:30Or entrecone
00:24:31I really like the entrecone there.
00:24:32It's wonderful
00:24:38That's all
00:24:38With the hand
00:24:43This chat thing is awesome
00:24:45Everything comes to you.
00:24:47Look at this baby, what a mess he's in
00:24:50Ah, it's my turn, isn't it?
00:24:57Clear
00:25:00So what do I have to do?
00:25:02Well, focus
00:25:02Okay, we've all played mus
00:25:05Well, I...
00:25:06You, mus, too
00:25:10Well, I don't.
00:25:11Without seeing them
00:25:12In big life and three to small
00:25:16That?
00:25:16You don't like aggressive play, huh?
00:25:20Aggressive?
00:25:21Look, he's going to punch this guy.
00:25:23Okay, okay
00:25:24No, no, figurative.
00:25:25A figurative host
00:25:27Right, Peyo?
00:25:28Come on, take them.
00:25:29Look, man, pairs
00:25:30No
00:25:31I wish!
00:25:33Pairs no
00:25:36Excellent
00:25:37Have you seen the one with the monkey wearing a beret?
00:25:39Ah!
00:25:41Uh, uh
00:25:42Like everyone else
00:25:45Figurative
00:25:46God, there's much less here
00:25:50What should I be doing now?
00:25:52That
00:25:52At this time
00:25:53With some pretty Sevillian girl
00:25:55Singing bulerías
00:26:03Okay, please.
00:26:04That this young lady
00:26:05She's going to give birth right here in the middle
00:26:06Come on, someone do something!
00:26:09Take it out!
00:26:10Take it out!
00:26:11Let's see, are you related to María la Garza?
00:26:13Hey, Galarza
00:26:13María Galarza
00:26:15And you?
00:26:16He is his son
00:26:17Iñaki Irazabalbeitia Galarza
00:26:19Your son?
00:26:21I am Dr. Enmenar
00:26:23His mother has suffered a severe shock
00:26:25Seville is just too folkloric for her
00:26:27No
00:26:28Look, I want to tell you that your mother has come in with a severe head injury.
00:26:31Well, strong
00:26:32Let's see what he told you
00:26:33Hey?
00:26:33One day in Seville is already an exaggeration
00:26:34Let's see, sir
00:26:35His mother hasn't told us anything because she is unconscious.
00:26:40What is it? Where is it?
00:26:42Are you sure you haven't hit your head?
00:26:43No?
00:26:44No, no, no, no, no, no, no, no
00:26:46Let's see
00:26:47Her mother is unconscious
00:26:49Okay?
00:26:50It may be something temporary.
00:26:51But the first 24 hours are crucial
00:26:5324 hours? Since when?
00:26:55From now on?
00:26:58Look, let's do one thing
00:27:00Yeah
00:27:00I have a friend
00:27:01Yeah
00:27:02He is a doctor.
00:27:02Doctor
00:27:03Yeah
00:27:03From the Basque Country
00:27:04Yeah
00:27:04Dr. Rinchaustegui
00:27:05Yeah
00:27:05He will tell us what we have to do
00:27:07Yeah
00:27:07Yeah
00:27:09No
00:27:10No
00:27:10I'm already telling you what needs to be done.
00:27:12That's what I'm here for, the doctor.
00:27:13Let's see, his mother has been given a room
00:27:14It doesn't work
00:27:16He's probably performing open-heart surgery or something.
00:27:18Let's see, listen to me
00:27:20Her mother has been given a room on the floor
00:27:22He will be under observation all night.
00:27:24Hey?
00:27:25So
00:27:27Room 116
00:27:28If you want, I can accompany you to a security guard.
00:27:29No, no, no, don't worry
00:27:31I'll look for it myself.
00:27:32It won't be that difficult.
00:27:39Basque
00:27:48Excuse me
00:27:49Room 116
00:27:50Yes, man
00:27:51That's right next door.
00:27:51It's five steps
00:27:52Well, three
00:27:52Because you have long legs
00:27:54You're such parrots, you're not going to laugh.
00:27:55Listen
00:27:55Stretch everything out that way
00:27:56All stiff
00:27:57All stiff
00:27:57When you pass a house door
00:27:59Just like a stained-glass window
00:28:00The right one won't suit you
00:28:00That confuses you
00:28:01So everything forwards
00:28:02All forwards
00:28:02And when I get to the bottom
00:28:03Oh
00:28:04This soldier isn't in the 116th.
00:28:06He had worms, huh?
00:28:08That's a joke.
00:28:10Ten years in Nganistan
00:28:11So that they can then give you a license
00:28:12Some little vultures
00:28:17Someone who speaks my language, please
00:28:19Sure, me, yes, yes
00:28:20So, are you looking for Mrs.
00:28:22Did they just get in?
00:28:24Here it is
00:28:24Maria Lagarta, right?
00:28:26Galarza
00:28:26María Galarza
00:28:27It's not that difficult, you little rascal.
00:28:30Let's see, room 116
00:28:32At the end of that hallway
00:28:34To the right
00:28:34In the end
00:28:35To the right
00:28:36It's that rich
00:28:39Kakiraco
00:29:03Fuck
00:29:06Love, love, love, come on, it's nothing, man, I'm here now, it's me, Iñaki
00:29:11This is from the blow, she's been left a little dizzy
00:29:13Well, a little more than dizzy, I'd say
00:29:15Come on, let's go to the bathroom, mom.
00:29:17Hey, what are you doing? Don't touch her!
00:29:19Who are you? First of all?
00:29:21Huh? What? But that's what I'm saying, and who are you? To touch my mother without permission?
00:29:25Oh my God, calm down, Carmen, this is a brave little bull that has to be fought.
00:29:28What are you doing to my mother? Why all the equipment?
00:29:31It's clear she's a little tired from the trip
00:29:32I'm doing for her mother what the doctor told me to do.
00:29:34If you have something to say to him, say it to him.
00:29:36No, no, no, let's see, my mother's doctor is Dr. Rinchaustegui
00:29:39And right now it's hundreds of kilometers away from here
00:29:41But don't worry, he'll tell us what we have to do.
00:29:43Well, hundreds of kilometers from here, it surprises me that Chostegui
00:29:46He is taking his mother's vital signs
00:29:48I'm going to do it, as Dr. Almenar, who is in the building, has said.
00:29:51Wow, it's so obvious you don't know Dr. Rinchaustegui.
00:29:54Come on, he can lift her out of bed just by looking at her.
00:29:56Man, if Chostegui means Jesus Christ in Basque
00:30:00I didn't know you before.
00:30:04Ah, yes, from the park
00:30:07He was trying to kill us
00:30:09Tell me, for God's sake, let it not be the horse
00:30:10No, no, no, the horse has not been
00:30:14But are you a nurse?
00:30:17That's what it says here.
00:30:19Wait a minute, wait a minute, what are you going to do?
00:30:21Look, don't do anything like poking or anything until I've spoken to Dr. Rinchaustegui, please.
00:30:31Donostia Hospital?
00:30:32Look, yes, I would like to speak with Dr. Rinchaustegui, please.
00:30:35Damn, it's urgent.
00:30:36We are trapped in a hospital in Seville
00:30:40What came out?
00:30:41Come on, damn it, mus
00:30:43Yes, no, no, don't worry
00:30:45I'll call him on his mobile.
00:30:48Can I draw blood from your mother now?
00:30:50Because it's important
00:30:51Yes, but are you sure he's qualified for that?
00:30:53Let's see if he's going to hit a bone or a nerve or something
00:30:55No, I'm just doing an internship.
00:30:56In fact, they'll give me the title now if I find the right approach.
00:30:59Yes, well be careful, you might have a bad blood condition.
00:31:00I'm sure they don't have Rh negative blood here.
00:31:02Don't worry, we have top-quality blood here.
00:31:05That is, if we give his mother a transfusion
00:31:07He might end up dancing a bulería.
00:31:11That can't happen, can it?
00:31:13What a man!
00:31:15How about we fill out your mother's medical records?
00:31:17As a history?
00:31:18No, no, no, no, no
00:31:19Here, my mother doesn't need any history.
00:31:21Look, let's do one thing
00:31:22I'm going to call Dr. Rinchaustegui again.
00:31:24Now that's a professional!
00:31:26Come on, there's no one more serious than him in Toscadi
00:31:29Neither mus nor cock
00:31:32Goya's
00:31:34Lift
00:31:38Pussy
00:31:40Iñaki
00:31:41This bastard is calling from down there to control the game, isn't he?
00:31:44Well, look, I'm not going to take it.
00:31:46That he trusts us a little.
00:31:48But take it, man, it might be important
00:31:51Ah, yes, yes, after the game
00:31:52Come on, now he breaks the rhythm
00:31:53Come on, little one
00:31:55Okay, okay, okay
00:32:00Hey, are we going to stop?
00:32:01We've been waiting for him for more than three hours
00:32:04Damn, those people from Logroño
00:32:05But what are they playing at there?
00:32:06They spit out grape seeds, damn it
00:32:08Let's see you, artist.
00:32:09When we say afternoon of mus
00:32:11It's mus afternoon
00:32:13Eternity of mus, I would say
00:32:14You can forgive me now, okay?
00:32:15But for me, this mus thing
00:32:16It's just that it bores me a little
00:32:17Well, a lot
00:32:24What did you say?
00:32:26No, nothing, nothing
00:32:27You're joking, you say
00:32:28José María is a funny guy, isn't he?
00:32:29No, no
00:32:30Yes, yes
00:32:31No, damn it, no
00:32:32This mus thing is a pain in the ass
00:32:34If it were poker, well, then still
00:32:36Poker?
00:32:38And now that we're cowboys?
00:32:39No, man, no
00:32:40It's very fashionable
00:32:41Furthermore, this mus thing
00:32:42Don't you see it's a sport?
00:32:43Well, from grandparents
00:32:52Iñaki, again
00:32:53Damn, what a pain.
00:32:54I'm about to mute it.
00:32:55And I to you
00:32:57Grab him, something might be wrong with him
00:32:58That it will not be delegated
00:33:00That's what happens to him
00:33:01And it falls on you
00:33:03Not a single call
00:33:04Okay, come on
00:33:05Okay, stop, they're wanted
00:33:06He took
00:33:06Fighting
00:33:07Beautiful
00:33:07In a small life
00:33:10Whim
00:33:12Well, it doesn't work.
00:33:13It will be
00:33:15Transplanting
00:33:15Some organ
00:33:16Well
00:33:17Can we begin?
00:33:18Let's fill out the history now?
00:33:20Because here we have
00:33:20More patients, you know?
00:33:21Maybe not so much
00:33:22Like that anchustiti thing
00:33:23But we have them.
00:33:24Hinchau-stegui
00:33:25It is said hinchau-stegui
00:33:26Cabanzos
00:33:27They're taking it out here.
00:33:27From Lola and Manuel
00:33:28And they are lost
00:33:30She is his mother
00:33:31Hypertensive
00:33:32Diabetic
00:33:33He has high cholesterol
00:33:34My mistress
00:33:35What's it going to have?
00:33:36It's an oak tree, my lady
00:33:37Look, if last year
00:33:38He had the flu
00:33:38And she suffers so much
00:33:39That he was sneezing
00:33:40Inside
00:33:41No?
00:33:42Have you consumed alcohol?
00:33:44Or drugs
00:33:44In the last 48 hours?
00:33:46Drugs, love?
00:33:47What things does it have?
00:33:49Is that a yes?
00:33:50Or a no?
00:33:55Well
00:33:56He drank a pacharán.
00:33:58But without enthusiasm
00:34:02Do you have any toxic habits?
00:34:04Toxic?
00:34:05For whom?
00:34:06Ah
00:34:06No, no, no
00:34:07An ibuprofen
00:34:09From time to time
00:34:09But like all
00:34:10Already in the north
00:34:11They sell the handbags
00:34:12With a box inside
00:34:13Know?
00:34:16And how did her mother come to know her?
00:34:18The fall?
00:34:19Hey?
00:34:20The coup?
00:34:21Uh-huh
00:34:22Well, it was an accident.
00:34:25Fortuitous
00:34:26Fortuitous
00:34:27I can't imagine
00:34:28Just like that, by chance
00:34:29It's not going to be intentional.
00:34:30No?
00:34:31But what was it like?
00:34:32I need to know.
00:34:32For the report
00:34:33Damn this report
00:34:34Oh well
00:34:36Well, well
00:34:37We were chatting after the table.
00:34:39And you already know
00:34:41Those things
00:34:41To break the ice
00:34:42What do hotels have?
00:34:44I don't know
00:34:45What thing?
00:34:46Well, games
00:34:48Games?
00:34:49Games, yes
00:34:50Games
00:34:56Games
00:34:57They were playing
00:34:58Blind man's bluff
00:35:01Yeah
00:35:02My mistress was
00:35:03The little hen
00:35:08And what were you doing in the meantime?
00:35:10Did she lay an egg?
00:35:12No
00:35:13No no
00:35:14I just wanted
00:35:15I hope she has a good time
00:35:15Cabezot
00:35:16But who could have imagined
00:35:17That's right there in the middle
00:35:18There in the middle
00:35:19They were going to put up some stairs
00:35:21What kind of architect
00:35:22Did you think of something like that?
00:35:23Holy shit
00:35:23That just happens
00:35:24In a third-world place
00:35:26Let's see
00:35:27Be very careful.
00:35:28With what he's going to say
00:35:28Because as far as I know
00:35:29In his homeland
00:35:30The most sophisticated sport
00:35:31That he had
00:35:31He lifts a stone marker
00:35:33We are?
00:35:35Well
00:35:36Is it over already?
00:35:36With the questions or what?
00:35:37No
00:35:38I have one left
00:35:39In your land
00:35:40Everyone
00:35:41Is it still possible?
00:35:46Well, if I knew
00:35:47Which means
00:35:47That would be my answer.
00:35:50Variedly
00:35:53Hey
00:35:54Where is he going?
00:35:57Let's get to work
00:35:59And my mom?
00:36:00What am I supposed to do with her?
00:36:02Well
00:36:02You stay
00:36:03Stay quiet there
00:36:04Keep an eye on her
00:36:05And if you notice anything strange
00:36:06Let us know
00:36:06But please
00:36:08Stay there
00:36:10Let's see if it lets me breathe.
00:36:15And in winter?
00:36:16Do they bathe?
00:36:17Yeah
00:36:17Yes, yes
00:36:18Because I'm a cold one
00:36:19Here's the report
00:36:20From Maria la Garza
00:36:21And his son's annoying behavior
00:36:22Go at night
00:36:23What are you giving me?
00:36:29Thank goodness
00:36:29Let others fix them for you.
00:36:31That's not bad.
00:36:32That's not bad.
00:36:33Look
00:36:34If I get a few glances
00:36:35In the operating room
00:36:36That any day
00:36:37I have to give up on the patient
00:36:38I have to cut the stretcher.
00:36:39Irene, darling
00:36:40Weren't you supposed to go get gauze?
00:36:41I don't
00:36:43Irene
00:36:45Ah
00:36:47Do you want me to leave?
00:36:48I went, daughter
00:36:49Whenever you want
00:36:50They give you more EFA.
00:36:52What else was written?
00:36:53Oh, what are you saying?
00:36:54What are you saying?
00:36:54That's what I'm telling you.
00:36:55The house
00:36:55To wipe away the drool
00:36:58I had a great time last night
00:36:59Let's see what face he makes.
00:37:00We look good at work
00:37:02Oh
00:37:02What did you make him bend down?
00:37:03Little doctor?
00:37:04That has remained
00:37:05Anesthetized
00:37:07Well
00:37:08I didn't do anything to him.
00:37:09Because last night
00:37:09I wasn't with him
00:37:12I'm going to go home
00:37:14Yeah
00:37:14I'm going because
00:37:15Go
00:37:16Because I have to go
00:37:17AND
00:37:17Let's see
00:37:18What I
00:37:21Shit, Carmen
00:37:22I work here
00:37:25Sit down
00:37:27This guy's going to shit himself.
00:37:29Go for it!
00:37:34And I was asking
00:37:35Put me on
00:37:36A TV
00:37:39Hello
00:37:40How are you?
00:37:41Who did you spend it with?
00:37:43Was it so good last night?
00:37:45Last night?
00:37:45But I was last night
00:37:47I was at home
00:37:47Preparing a talk
00:37:49What do I have to give
00:37:49For a conference
00:37:50I think the talk
00:37:51You gave it to her
00:37:52Practical classes also
00:37:53Did you give any injections?
00:37:54After hours?
00:37:54Ah, I was sending it to you
00:37:56That's not it.
00:37:56I wanted to send that to him
00:37:57To a colleague
00:37:58That to go
00:37:59I don't know why
00:38:00But I see your partner
00:38:00With a skirt
00:38:02Look, Juan
00:38:02Juan
00:38:03Is it with me?
00:38:04Yeah
00:38:05Do you remember last night?
00:38:06We saw each other
00:38:06At the taxi stand?
00:38:08Yes, I do remember.
00:38:09I was going with my
00:38:10With my partner
00:38:11Yes, uh
00:38:12He was so nice
00:38:13Yes, he imitates everyone.
00:38:15What was the washing machine like?
00:38:16To the little one?
00:38:17Yeah
00:38:17I can't, I can't
00:38:19That the daughters of the bulls
00:38:20I liked you
00:38:21I made you laugh
00:38:22Ask him to lend you 20 euros
00:38:23For the taxi
00:38:24That it was bad for you
00:38:26Yes of course
00:38:27Clear
00:38:27We were making jokes
00:38:28I've become a caretaker
00:38:29Paying in the taxi
00:38:30To a doctor
00:38:31Say thank you
00:38:33Don't worry
00:38:34I'll stop by later.
00:38:35And I'll give them to you.
00:38:36No, it's probably better this way.
00:38:37If you have it there
00:38:37Give it to me
00:38:38And I'll return the favor.
00:38:39And we're here for it.
00:38:42Already
00:38:42Don't steal?
00:38:43Don't say
00:38:44You're a snob.
00:38:45No, no, no
00:38:45Yeah
00:38:45The problem is
00:38:46It's just that right now
00:38:47I don't think I have
00:38:48Change of
00:38:49Yeah, yeah
00:38:50Then I'll pay you back.
00:38:51The change
00:38:52See you later, Lucas
00:38:53See you later
00:38:55Goodbye, Juan
00:38:59Okay, so what?
00:39:00Are you calmer now, or what?
00:39:01Much more
00:39:02Why isn't his name Juan?
00:39:03His name is José
00:39:04And he spent the night here with me.
00:39:05Standing guard
00:39:07Nurse
00:39:08Just a moment, please
00:39:09Let's see, darling
00:39:11This is not what you think
00:39:13Nurse, please
00:39:14It is important
00:39:14Just a second
00:39:15I'm not going to tell you
00:39:15What I'm thinking
00:39:16In working
00:39:17I'm telling you right now, no, miss.
00:39:24We'll talk about you later.
00:39:27I've been lucky, damn it!
00:39:29Look
00:39:32Don't you see it?
00:39:33The land is running out
00:39:36But it's only halfway through
00:39:37Already
00:39:37But my mistress
00:39:38She's a very anxious eater, isn't she?
00:39:40And let's see if here
00:39:41They won't have any more in stock
00:39:42On this
00:39:43On this
00:39:44On this
00:39:44Don't worry, the Red Cross
00:39:46He doesn't throw it out of a helicopter.
00:39:47Every day
00:39:48Yes, but do they have them or not?
00:39:53Well
00:40:22Good night
00:40:52Although deep down
00:40:53To be a little virgin
00:40:55To be a little virgin
00:41:09The cow-sand
00:41:41Ah, normal
00:42:08I had kept quiet
00:42:11I don't know if those are more bland.
00:42:12That he's shown his face
00:42:13Well, look at her
00:42:14The little girl must have lain down
00:42:15A salt shaker on top
00:42:24And yes, you do make the coffee.
00:42:27Relax, man
00:42:28Maybe a doctor
00:42:29I've already looked at it
00:42:30All those who were released yesterday
00:42:31They are doctors, men
00:42:33Except for Dr. Morales
00:42:34Who is retiring this year
00:42:36Can you imagine if it were Dr. Morales?
00:42:40Oh, be quiet, be quiet
00:42:40Don't imagine it
00:42:41I've already imagined it.
00:42:43Something here is not right.
00:42:44Of course it's not right
00:42:45How can it be okay?
00:42:46If I were with this man
00:42:46I never know if I am or am not.
00:42:47Sometimes he stays home to sleep
00:42:49And I get quite a fright.
00:42:50Because I can't get used to it
00:42:51I'm not used to it
00:42:54Something here is not right.
00:42:55In the flexo
00:42:56I meant
00:42:57Okay?
00:42:59AND...
00:42:59Don't take it so seriously, man.
00:43:00That the daughter
00:43:01That he slept with another woman
00:43:02There's a very long step
00:43:03Probably
00:43:05She didn't go with her grandmother
00:43:06Or with a friend
00:43:07Or with...
00:43:08The Basque!
00:43:09So, how does it work there with the Basque language?
00:43:10Seriously, huh?
00:43:11He's got a paranoia about him
00:43:12What for, huh?
00:43:13I don't know
00:43:13Which is 116
00:43:15He's calling me
00:43:16You don't know
00:43:17What it's giving me
00:43:17I'm asking you to come over
00:43:18All Basque
00:43:19I'm not going to set foot in an Eroski.
00:43:20For the rest of my life
00:43:23My God
00:43:24My God
00:43:24Okay, let's see
00:43:27Damn, I saw her
00:43:33What's happening?
00:43:35He doesn't hear it
00:43:39I wonder if it's going to run out of batteries.
00:43:41One of these contraptions
00:43:43Listen
00:43:44What you hear, you hear there.
00:43:46In the bag
00:43:48It's Ama's mobile phone.
00:43:50Look, it's Aunt Bego
00:43:51What I do?
00:43:52Should I take it?
00:43:53Take it?
00:43:54There, hanging
00:43:56Look how great!
00:43:58Oh, and now a message
00:43:59What I do?
00:44:00Should I look at it?
00:44:01Look at it
00:44:02Yeah, but it's not for me
00:44:03Well, don't look at it then.
00:44:04Yeah, but it's the same thing
00:44:05It's important.
00:44:06Well, look at it then.
00:44:07Yes, but how am I going to invade
00:44:08Your privacy
00:44:12Aunt Bego
00:44:13Wishing you goodnight
00:44:14To both of them
00:44:16And me too
00:44:21Damn, you
00:44:23Well
00:44:24Let's just go
00:44:28Let's see
00:44:28Two large pieces
00:44:30Peers
00:44:30Three
00:44:31And two of them little
00:44:32Five
00:44:33Sabino doesn't even answer messages
00:44:34This has cost me dearly
00:44:36Because of the time difference
00:44:37There isn't any there, no.
00:44:39That
00:44:39Look, man.
00:44:41That cost the man
00:44:42And then he left
00:44:42Out partying
00:44:43Fixed
00:44:44Bularías
00:44:46Necane
00:44:46Bring me another txakoli
00:44:47And put one for Sabino
00:44:49Let's see if he can
00:44:49Leave it, leave it
00:44:50She has to take out the carpets
00:44:52To dry in the garden
00:44:53And then if he drinks, he slacks off.
00:44:54Or not, Sabino
00:44:57Come on, throw
00:44:59Okay
00:44:59Well no
00:45:00Love, huh
00:45:04The short film, huh
00:45:06The chip
00:45:07He's going to set a day
00:45:11Bastard
00:45:15Well, what can I tell you?
00:45:16Txakoli is overrated
00:45:20A good drink
00:45:21Well, it's a Rioja.
00:45:22What you can spend
00:45:23In a bottle
00:45:23Two hundred euros
00:45:25But a Txakoli
00:45:26That the most expensive bottle
00:45:27That's six euros.
00:45:28What's the point of that?
00:45:30To smash it in your head
00:45:32Well, no
00:45:33Let's see, José Mari
00:45:34Which means safe
00:45:35It's because it's a younger wine.
00:45:37No?
00:45:37No, no, what the hell
00:45:38What I mean is
00:45:39It's for cooking
00:45:40It's all the same.
00:45:40But...
00:45:41Yes, well
00:45:42Or for a good marmitako
00:45:43Also to accompany
00:45:44So that it goes down the throat
00:45:45Because the marmitako
00:45:46That one you make
00:45:47It's dry, dry, huh?
00:45:49Look, wherever there's a good stew
00:45:50Saffron milk cap mushrooms with beef
00:45:52That's it, that's it
00:45:53Why don't we go tomorrow?
00:45:54Going to the mountains to pick mushrooms?
00:45:56Hey?
00:45:56Hey
00:45:57That thing about picking mushrooms
00:45:58It's not a bit effeminate.
00:45:59No?
00:46:00I mean
00:46:01Everyone there in a group
00:46:02In the mountains
00:46:03Together
00:46:04Crouching
00:46:05Let's see who has it
00:46:06Bigger
00:46:08Well
00:46:08I'm going to pee in the txakoli, eh
00:46:12I'll be right back
00:46:14Thieves
00:46:16Thieves?
00:46:17Where the hell did you get from?
00:46:18Did your sister take this out?
00:46:19Don't drag me into this, okay?
00:46:20This is at family meals
00:46:22I swear he doesn't open his mouth
00:46:23Fuck
00:46:24Añaki too this week
00:46:25It flies by.
00:46:26But it's going to happen to me
00:46:27Eternal
00:46:44He's really pissed off!
00:46:48Cabezot
00:46:50Cabezot
00:46:56Good
00:46:57Hello
00:47:02Man
00:47:03Irene
00:47:04How are you?
00:47:05I see you
00:47:06Very good
00:47:07Very cooperative with colleagues
00:47:08Oh yes
00:47:09The truth is, I can't complain.
00:47:10Everyone has welcomed me
00:47:11With open arms
00:47:13With the arms
00:47:14And what are not arms
00:47:16Sorry?
00:47:18Who do you think you are?
00:47:19Do I suck my thumb?
00:47:21I?
00:47:22I find out about everything that happens
00:47:23Here, inside and out
00:47:28Oh
00:47:29Oh
00:47:29Oh, I'm sorry.
00:47:30I'm sorry
00:47:31I'm sorry
00:47:31I'm sorry that
00:47:34I was 12 years and 8 years old
00:47:34And I wrote it down 13
00:47:35But
00:47:36But
00:47:36I only did them to round things off.
00:47:39As?
00:47:40Well
00:47:41Don Nicolás's attention
00:47:42He's not scolding me for that
00:47:47Clear
00:47:48I hope it doesn't happen again
00:47:49No, no, no
00:47:50Sorry
00:47:51Sorry
00:47:51I'm not asking nicely
00:47:52Nurse!
00:47:53Nurse, hurry, hurry, please, this is urgent.
00:47:57Come on, nurse.
00:48:02Come on, come on, come on, come on.
00:48:04It has moved, it has moved.
00:48:06Look, I was so calm and suddenly, boom.
00:48:08And look, look where your hand is.
00:48:14Well, look.
00:48:17This is how it works.
00:48:20Boom!
00:48:22And that's it?
00:48:27And that's it?
00:48:29Aren't you going to take his vital signs or something?
00:48:31Look, I'm going to tell you something.
00:48:34So much surveillance can cause stress.
00:48:36To my mom?
00:48:37No, not me.
00:48:38So why don't you do me a favor and go have a drink at the cat café?
00:48:41A small sandwich, a little skewer.
00:48:45Aren't you hungry?
00:48:46Man, I'd eat a slice of tortilla, you know?
00:48:49Man!
00:48:50Of course, a girl wandering the north, how can she get here after so long without eating?
00:48:53Kid, come on, go save us.
00:48:55Hey, but who's watching my mom?
00:48:57Don't worry, he's in very good hands.
00:49:00But keep a close eye on her.
00:49:02Yeah.
00:49:03If the Arabs invaded them so cheerfully, there must have been a reason.
00:49:08Of course.
00:49:10You must have so much patience!
00:49:19Excuse me, cafeteria, please.
00:49:21Yes, man, this is right here, listen to me.
00:49:23He's such a chatterbox, keep the cup, don't get lost, this is very religious.
00:49:25No, no, leave it, leave it.
00:49:26Yes, look, I'll look for it myself.
00:49:29Don't worry.
00:49:34Is this the way?
00:49:36Yes, yes, of course, of course.
00:49:38No, no, no, no, no, no, no.
00:50:09Good evening, doctors.
00:50:10What can I prescribe for the gentlemen here?
00:50:11The usual?
00:50:13Isabelita, two operating rooms for three and two transfusions here, short on anesthesia.
00:50:18Well, first they're going to have to sew another hand onto my back, because I couldn't do this.
00:50:21Oh!
00:50:32Thank you very much and good night.
00:50:33What should I dress the gentleman in?
00:50:34A damn tortilla.
00:50:35Well, we don't have any.
00:50:36Pussy.
00:50:36But we have a variety of typical local snacks and a fried dish that's out of this world.
00:50:41Okay, okay, okay, okay, okay.
00:50:42I'm not your typical tourist, you know?
00:50:44I'm from the guild, a haute cuisine chef, almost like Arzac.
00:50:48And I'm going to give you some advice.
00:50:50The table layout isn't the best either, is it?
00:50:53If you repositioned it, you would make much better use of natural light.
00:50:56Arzac, what are you drinking?
00:50:58Hey?
00:50:58Isabelita, put a letter here, top chef.
00:51:01Here you are.
00:51:02And while you're thinking about it, tell me if you'd like something to drink.
00:51:06I can give you a little something or, if you prefer, I can prescribe something for you.
00:51:11Prescribe?
00:51:12Clear.
00:51:13Look, here an operating room is a gin and tonic.
00:51:17I can give you a short course of anesthesia, with general anesthesia.
00:51:20And if you've had a really, really bad, really bad, really bad day, just anesthesia.
00:51:25A cane.
00:51:27Administer a well-aimed vaccine.
00:51:28Let's go!
00:51:29Come on, sit down, I'll bring it to you, child.
00:51:35And this one?
00:51:36This is Pasco.
00:51:43Man, Trini.
00:51:45How strange, spending all these hours here.
00:51:49What's wrong? Are you feeling unwell?
00:51:53Well, as you can see, we're just finishing up the numbers.
00:51:57And you know what?
00:51:58They don't add up, Carmen.
00:52:00It doesn't surprise me, you were never good at math.
00:52:02Even today, you still don't know that one plus one does not equal three.
00:52:06Okay, fine.
00:52:07But it just so happens, Carmen,
00:52:09that last night, the little act you're talking about,
00:52:11The man had a great desire to multiply.
00:52:14Despite all the tight butts and disastrous outfits,
00:52:17She's still the same as she was at school, right?
00:52:19Do you like it?
00:52:20Play with toys that aren't yours.
00:52:22Look, Carmen, please wait, I can hear you now.
00:52:25Oh!
00:52:27Oh, please, how wonderful!
00:52:31That's tough, a woman and an executive, huh?
00:52:34You're lucky to have to settle for working at Babucha
00:52:37And I had no ambition whatsoever, huh?
00:52:39You see.
00:52:40I like to see things from down here.
00:52:43And you used to prefer it that way too, but it seems you're suffering from altitude sickness now.
00:52:48Oops!
00:52:51Oh, please, what a relief!
00:52:54Are you listening to me, Trini, or is your girdle preventing you from thinking?
00:52:59Look, Carmen, I'm going to make one thing very clear.
00:53:02I allow you to talk to me like that because we're still friends.
00:53:05But don't get me wrong, okay?
00:53:07I'm your boss here.
00:53:09Yeah, yeah, you keep bringing it up.
00:53:12Well, look, I wouldn't have to do it if you knew it was in your place.
00:53:14And that includes memorizing this brand once and for all.
00:53:18What pler?
00:53:19It's not that difficult.
00:53:20The pharmaceutical company?
00:53:21I want you to ask them for even the band-aids.
00:53:24What did they give you this time, Trini?
00:53:25A trip?
00:53:26A handbag?
00:53:27Oh no, look!
00:53:29Some little shoes.
00:53:31Well, I hope you're nicer than those latex gloves.
00:53:33The last doctor who performed a digital rectal exam broke his leg.
00:53:36And the child spent the entire Holy Week with his hand in his pocket.
00:53:39That's a yes, Trini, remember?
00:53:41That's a...
00:53:43Yeah.
00:53:44Trini, what else can you do?
00:53:46Carmen, let go of that shoe, you don't know how to step on it.
00:53:49What is a Manolo?
00:53:51No, you'd do anything to get laid.
00:54:03And with one, out.
00:54:05Two-all tie.
00:54:06He wears the pair, I'll say.
00:54:07Come on, let's do this.
00:54:09Let's see what the weather will be like tomorrow for mushrooms.
00:54:11And what about the cinquillo?
00:54:12Have you played cinquillo?
00:54:14Cinco?
00:54:15He's going to punch me.
00:54:17He's got his strategy, you know?
00:54:19You're a pelota player.
00:54:20Calm down, my aunt.
00:54:21Okay, do me a favor.
00:54:22Give me three more.
00:54:23Two sides.
00:54:24And you add a good splash to my brother-in-law's regular one.
00:54:27Let's see if he stays there and we can put an end to this ordeal.
00:54:29Hey?
00:54:31Fuck.
00:54:31Liña, who hasn't left more messages than my wife in her entire life, holy shit.
00:54:36But you still haven't spoken to him?
00:54:37That?
00:54:38Is this guy capable of calling and saying, "Put on speakerphone, I've got a game going with you guys"?
00:54:41No, no, no.
00:54:42He needs to get distracted, you know?
00:54:44To forget about all this for a while.
00:54:45Take care.
00:54:46If it calls so much, it must be important.
00:54:48There's no harm in giving him a quick call, is there?
00:54:53Xande.
00:54:54Mecana, now you've got me doubting?
00:54:56Yes, yes.
00:54:56I'm going to give him a call.
00:54:57Nice stream, huh?
00:54:58Good flow.
00:54:59I'll put it on, look.
00:55:00Here it is.
00:55:01You, the six.
00:55:15Kid, this is so cute I could eat you up, isn't it?
00:55:16No, to study it.
00:55:18Already.
00:55:19But the presentation of this dish leaves much to be desired, doesn't it?
00:55:23I'm not saying it's not good.
00:55:24But in cooking, the visual aspect is important.
00:55:27Yes, but take it first.
00:55:28Yes, I'm already limping.
00:55:29But what I'm saying is, first and foremost is what you see.
00:55:32Hey?
00:55:32The harmony of forms.
00:55:34Pick up the phone, damn it, they're calling you.
00:55:37Ah!
00:55:38Pussy.
00:55:42Damn, Coldo.
00:55:44Coldo!
00:55:44Hey, artist!
00:55:46What's up, buddy?
00:55:48Coldo, listen to me!
00:55:48It's over!
00:55:50Four, Lopé, who's got balls in his pants today!
00:55:52Coldo!
00:55:52Ah!
00:55:53Head, Sox!
00:55:54Coldo!
00:55:54Let's see, Coldo.
00:55:56Coldo, can you hear me?
00:55:58Ah, you've arrived!
00:55:59Keep it.
00:56:00He's cleaning up Seville, the bastard.
00:56:02Hey!
00:56:03Coldo!
00:56:04Coldo!
00:56:06Jesus Marieta Joseph, the mother who gave birth to you!
00:56:08Kid, let's see, we're in a bar, but we're still in a hospital.
00:56:12What did I say?
00:56:13Fuck!
00:56:14That?
00:56:14But hasn't he said anything to you?
00:56:15What was he doing?
00:56:16Uh, what do you mean?
00:56:17I don't know, maybe he was with a friend or a woman or...
00:56:21Friends?
00:56:22Women?
00:56:23Yes, she's with María del Monte.
00:56:24Don't mess around.
00:56:27Yes, they'll tell you.
00:56:28And if he was seeing a woman.
00:56:29Yeah.
00:56:30With four!
00:56:31Three!
00:56:36Disguise it, pretend it's not true!
00:56:38Oh, Don Berti!
00:56:39What was he doing here?
00:56:40Sightseeing.
00:56:40The doctors haven't told me to go for walks, so I go for walks.
00:56:43Yes, but through the hallways, Mr. Bejumea.
00:56:45Through the corridors.
00:56:48That?
00:56:48Don't you have anything to give me?
00:56:50Good night?
00:56:51Don Bejumea.
00:56:54But, daughter, this is a miracle cure for circulation, even the doctors say so.
00:56:59Well, I'm going to talk to my brother Rafi.
00:57:01This has to stop.
00:57:04He's already caught me.
00:57:05I'm telling you.
00:57:07Is it the KGB?
00:57:08I've told you not to give him anything, Don Bejumea.
00:57:10There is much less alcohol.
00:57:11But, honey, the customer is the customer, and the tips are what matter.
00:57:14As for tips, well, let me tell you something.
00:57:16I'm talking, okay?
00:57:16Trini has me in line and you're my brother.
00:57:18So if anything happens to you, they'll take away your concession.
00:57:24Just a moment, just a moment, just a moment.
00:57:26But if you're here and I'm here, do you want to be with my mother?
00:57:31Don't worry, your mother is doing great.
00:57:33There are more nurses, man.
00:57:34And it's your turn now.
00:57:38Look, look, look, look, look, look, look, look, look, look, look, look, look, look, look, look how it runs.
00:57:41It looks like he shoved a rocket up his ass.
00:57:46Ah...
00:57:48Ah...
00:57:48Ah...
00:57:49Ah...
00:57:51Ah...
00:57:52Where did you do it?
00:57:54Where did he go?
00:57:57Where did he go?
00:58:01Where did he go?
00:58:03Where did he go!
00:58:05Oh, love!
00:58:07Where!
00:58:09Where did he go!
00:58:23I was already wondering why Trini stayed here so late.
00:58:26Of course, now he probably has a good reason to work overtime, right?
00:58:31What are you talking about, Carmen?
00:58:33Was she the one you were with last night?
00:58:37It was a business dinner.
00:58:40You and I both know that you don't know what a business dinner is.
00:58:46Okay, that was a mistake. I'm sorry.
00:58:50What a bastard.
00:58:53I swear Trini means nothing to me.
00:58:57So I mean nothing to you either, right?
00:59:01I don't understand you, Carmen.
00:59:02It's a very simple question. What do I know about you?
00:59:37Look, there it is.
00:59:39Nurse.
00:59:41Nurse?
00:59:42What's wrong with him now?
00:59:43A light has been turned on.
00:59:44Nighttime stops.
00:59:45It would be strange if it didn't turn on.
00:59:46No, no, you're not understanding me.
00:59:48It's a red light that wasn't there before.
00:59:50But you, what I understand is that you're going too far with watching your mother.
00:59:52I can assure you that your mother is perfectly fine.
00:59:54Carmen, the one from number 116, is having a crisis.
01:00:00Rocío, tell Dr. Almenar.
01:00:03Lose, but you have to wait outside.
01:00:24How are things?
01:00:27I don't know, it's still there.
01:00:29Should I show it and everything?
01:00:31Do I show?
01:00:34I had something stronger to see enriched.
01:00:42It's hot.
01:00:43Yes, I've run out of ice.
01:00:46We're already joking around.
01:00:48What a name you don't see, right?
01:00:49I have an ice bucket in the room.
01:00:53You can't imagine what you can achieve here with good connections.
01:00:59Doctor, how is my mother?
01:01:02Well, look, ñaki.
01:01:03It was within the realm of possibility.
01:01:05His mother has gone into a coma.
01:01:07That?
01:01:08That?
01:01:09In a coma?
01:01:10Yes, but we shouldn't dramatize it either.
01:01:13I prefer a good coma to a bad flu.
01:01:16People usually recover from a coma.
01:01:18In a coma?
01:01:20What do I do now?
01:01:22Well...
01:01:23Crosswords, reading, thinking...
01:01:26To be by their side.
01:01:28The next few hours are crucial, so don't worry, I'll keep you informed at all times.
01:01:32Try to rest.
01:01:44Come on, come on, calm down, man, calm down.
01:01:47This is the best place you could be.
01:01:51You may not see it now.
01:01:54But you'll see, time will tell.
01:01:57Come on.
01:02:00I've been here a while, my crazy friend.
01:02:16Mus.
01:02:18I have it there.
01:02:19With the hand.
01:02:23José María
01:02:24Music?
01:02:26What the hell did you do to this mint plant?
01:02:29I'm nothing.
01:02:32I already told you
01:02:34Being from La Rioja is not the same as being Basque.
01:02:36Well
01:02:37Hey, damn it
01:02:39Iñaki again
01:02:41Register
01:02:43Yes, yes, let's see
01:02:47There it is
01:02:48Iñaki
01:02:50What's happening?
01:02:51Coldo?
01:02:53Coldo?
01:02:54Coldo?
01:02:55Yes, listen to me carefully, listen to me carefully
01:02:58I'm in a hospital
01:02:59My mom has had a fall and is in a coma.
01:03:04But Coldo?
01:03:05Let's keep this between you and me, okay, man?
01:03:08So, for now, don't tell anyone else.
01:03:12Coldo?
01:03:13Yes, no, yes, yes
01:03:16Listen to me, listen to me
01:03:17Hey, let's keep this between you and me
01:03:19It's going to be a little tricky
01:03:22That?
01:03:24Speak it to God!
01:03:31I'll call Cesar later
01:03:46So, Carmen
01:03:47With the certainty that the person he had actually slept with was Trini
01:03:51Flechán is going to the office.
01:03:53Put it on, put it on
01:03:54Good afternoon, Trini
01:03:55The other one says, go ahead
01:03:56Let's see, Dolores, please
01:03:58It's good that it's everyday real time
01:03:59Auntie, but with the main characters present, okay?
01:04:02Honey, forgive me
01:04:03But it's going to save you the hassle of having to tell it twice, darling.
01:04:06Clear
01:04:07So what happened?
01:04:09No, the other one didn't see how she got
01:04:11Nothing, we reached a civilized agreement
01:04:13She sleeps with him on Tuesdays
01:04:14And me, on Thursdays
01:04:15Oh really?
01:04:17But what if you're on duty on Thursdays?
01:04:20Oh
01:04:21Of course
01:04:21You're more innocent than a little bit, boys and girls.
01:04:24And even newborns will deceive you.
01:04:27By the way, Dolores
01:04:28The next order, Kepler
01:04:30Kepler?
01:04:31But that brand is terrible.
01:04:32It has some awful materials
01:04:34Did you know we're using their face masks as coffee filters?
01:04:38Well, there you have it, that's just how it is.
01:04:39We have to swallow it
01:04:41I'm wearing a little pale one
01:04:42Come on, the only thing I haven't done today is shave a scrotum.
01:04:46Oh, the one at twelve
01:04:48I left it holding the basin
01:04:50Come
01:04:54Carmen, darling
01:04:55Don't worry.
01:04:56What you're going to do now is guide yourself home.
01:04:59Rest peacefully
01:05:00And tomorrow will be another day.
01:05:01Tomorrow everything will be much better.
01:05:02You'll see, it will.
01:05:03Look
01:05:04Even the tea pits say so.
01:05:09Dolores, that's a piece of muffin, daughter.
01:05:11Oh, damn, right?
01:05:13Come here
01:05:14What is a bakery?
01:05:15Okay, I'm leaving.
01:05:17I still have one thing left to do.
01:05:20What will they say, Vasco?
01:05:22I've really screwed up.
01:05:24Did I sneak in, cod?
01:05:28I didn't rush you, darling, I didn't rush you
01:05:30Being Basque, he's surely the one who threw the first stone.
01:05:33No?
01:05:35Basque!
01:05:36Oh, Dolores
01:05:38Thank you
01:05:38Thank you
01:05:39See you tomorrow
01:05:40Goodbye, my love
01:05:59Ah, it's you.
01:06:01Do you think he's coming to finish her off?
01:06:05No
01:06:07I've come to apologize
01:06:08Huh?
01:06:09And can we know exactly why?
01:06:11For ignoring me?
01:06:12Or for insulting my ancestors?
01:06:14Or for treating me in the hospital here as if I were...?
01:06:15Look, I know it won't do him much good
01:06:17But I really feel awful
01:06:20I've had a really bad day today.
01:06:22Ugh, well, if I tell you mine
01:06:23Yes, I imagine
01:06:25I'm truly sorry
01:06:26Sometimes I...
01:06:28I'm captivated by the way
01:06:29Yes, sometimes he says
01:06:31Well, the important thing is that her mother is overcoming the crisis and is doing well.
01:06:35Good
01:06:35She's really screwed up.
01:06:37Trapped in an Andalusian hospital
01:06:38Surrounded by revelry
01:06:39And with a nurse who looks more like a soap opera star
01:06:43Listen, my personal life doesn't affect your mother's health.
01:06:45Yes, of course, because he's in a coma.
01:06:47As if it were my fault
01:06:48Ah, but I haven't helped her either.
01:06:50I'm counting down the days until we get out of this circus
01:06:52Well, you can keep me updated in a few months.
01:06:56As?
01:07:00Let's see
01:07:02From experience
01:07:03The cases we've had, like her mother's
01:07:05They don't wake up overnight.
01:07:07Yes, but how much time are we talking about?
01:07:09The last patient
01:07:11Who woke up sooner
01:07:14Two years
01:07:16But it wasn't ambiguity
01:07:18Oh
01:07:20Are you OK?
01:07:21One of two
01:07:22Or are you tapping your heels?
01:07:23Or I'm seeing double.
01:07:25Sit down, they're taking your blood pressure.
01:07:26No no
01:07:27I already know the tension I'm under.
01:07:29I need a moment of peace and quiet
01:07:40He looks worse than someone else's foot
01:07:41I'm not surprised by what she said to him, Carmen.
01:07:43There must be a daughter of drinkers
01:07:45You're so gentle when you lay the track
01:07:47And it erases the fact that you're giving news
01:07:49What are you?
01:07:49Nor is the Basque easy
01:07:50Excuse me, the exit
01:07:52The exit is one that there is
01:07:53Don't worry
01:07:54What we mustn't lose faith here, okay?
01:07:56Above all that
01:07:57I was going to have plenty of time to pray.
01:07:58And we also have a very large variety of saints
01:08:00No?
01:08:01That must be why.
01:08:01Besides, you have to focus on the positive, sweetie.
01:08:03You have one season left here.
01:08:05Better
01:08:05Because now it's getting cold and you're coming in feeling warm.
01:08:07That?
01:08:08Can I make it warmer?
01:08:10I need some air
01:08:11Don't say those things to the Basque, José
01:08:13But you don't know that Basques are like seals.
01:08:16They have a layer of fat here
01:08:18And that they cannot withstand the heat
01:08:19Hey, dude, nobody can take away a year from him
01:08:21You should start thinking about buying a short sleeve.
01:08:23Well, and then the fair comes.
01:08:25A joy, an in, an out, a thing
01:08:27Is this fairground material?
01:08:28Maybe in the first year he won't understand anything
01:08:30But I tell you that in three years
01:08:32He ends up clapping his hands
01:08:33The years?
01:08:35Tell me, a Basque who knows the palms
01:08:37Because I was already missing my kiss
01:08:40Kid, what time is it?
01:08:42Did you know that the Morancos are originally from Osqueria?
01:08:45Yes, that's why they are rubriados
01:08:46Nurse!
01:08:47Naki! Naki!
01:08:54You removed it, what it lacks is oxygen
01:08:56Nitrogen and something
01:08:59I would put in a dropper of gazpacho.
01:09:01Naki! What does he call you?
01:09:03This one won't last here in three days
01:09:04I'm telling you, this girl
01:09:05He says he still gets a lot of scares.
01:09:07To live here
01:09:08Yes, he's a Christ
01:09:17Holy shit, to the Basque
01:09:18Look, your little thing is getting cold.
01:09:20I know!
01:09:21Oh, Carmen, she already has an egg.
01:09:23You're the one with the egg, auntie.
01:09:24She's with her at my house
01:09:25Do you know what the woman was injured in?
01:09:26Playing blind man's bluff
01:09:29Carmencita, when did you stop ignoring me?
01:09:30That's the real deal.
01:09:31I'm looking for...
01:09:32With your little girl Quiraza
01:09:34If she says it on the first try, I'll give her a chocolate.
01:09:36I'm the insurance guy.
01:09:37What I wanted to ask for was a Basque opinion
01:09:39Ah, well look, he tells her that in about a week he'll have some Andalusian results
01:09:42Not a week
01:09:43You can't tend my bar
01:09:44Oh, they must be having a good time.
01:09:46But come on, they could at least make a phone call.
01:09:48If he wants to get paid, he's going to have to sugarcoat the truth a little.
01:09:50Well, no, we Basques don't lie.
01:09:51Yeah, man, and where'd you get a Dargarin?
01:09:53From Chiclana?
01:09:53Please keep a closer eye on your men, Carmen.
01:09:55I can see that he loses track of them very easily.
01:09:58Toli!
01:09:59Save me, man!
01:10:00That in my room they are scattered
01:10:01It makes me gag!
01:10:02What the hell is Iñaki saying, that they were going to send a photo?
01:10:04Stay calm
01:10:05Look!
01:10:05They sent me a photo with Marichu
01:10:07Let's begin with the site of the accident
01:10:08It was in...
01:10:10What's happening?
01:10:10Don't you remember?
01:10:11On the street
01:10:12But you don't see anything strange.
01:10:14Holy shit
01:10:15Oh my God, you look gorgeous.
01:10:17I wouldn't recommend moving your mother
01:10:19Until we know exactly what it is
01:10:21We're moving the male on Friday
01:10:23And for home
01:10:24Oh really?
01:10:26This is the invitation to my sister's engagement party
01:10:29And why are you telling me all this?
01:10:30Which I believe is the most appropriate place
01:10:32To introduce my family to the woman I love
Comentarios