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00:00:13Any problem?
00:00:14I am Ulises Caetal de Arzuaga and I am being kidnapped!
00:00:19Look, I shouldn't have accepted the position, okay?
00:00:22You don't do these things to a colleague.
00:00:24Cabrero, you haven't done anything.
00:00:25They offered you the job and you accepted. Period.
00:00:28I'll take a shower and then you can explain it to me.
00:00:30Ulysses, there's no house. It's been seized.
00:00:33Who are you?
00:00:34He's the new nurse.
00:00:36Ah, what's up? I'm Ulises Caetal de Arzuaga. Pleased to meet you.
00:00:39What a silly conversation that is, man.
00:00:40Bring it here. I'll follow you. He can't right now.
00:00:43We are?
00:00:43Uh, goodbye.
00:00:44Please, show a little respect, there's a patient in front of you here, Uli.
00:00:47You're becoming a hypochondriac, Ray.
00:00:50I'm going on vacation for a month and you're going to make my bed.
00:00:52So you call being a metalhead, huh?
00:00:54Look, kid. Nobody made your bed here, okay?
00:00:57I have a clear conscience. I never lied during the inspection.
00:01:01Lordship!
00:01:02Dude, I'm just a humble working man who works in a shitty neighborhood!
00:01:11What's wrong, Mom? I'm so glad you came.
00:01:13But how could he not come?
00:01:14Hello, mania.
00:01:19Can I cheer you up a little?
00:01:21Hello?
00:01:21Look, even though I thought you were worthless.
00:01:24And suddenly I see you as different, I see you as more macho, right?
00:01:29Let's go.
00:01:30Eat it up, Tano!
00:01:32Come on, if I tell you what I'm going to eat.
00:01:35Damn, I should have known next time, right?
00:01:37Come without the uniform.
00:01:39You almost scared the crowd.
00:01:41Hey, where's your partner?
00:01:43I don't have one, I'm single.
00:01:48Wake!
00:01:49Oh, Estela!
00:01:50Who?
00:01:50This is the return of Bolivia!
00:01:52He saw me!
00:01:52But he hasn't told her yet!
00:01:54And when do you think of it that way?
00:01:55It's not white!
00:01:56Yes, it seems he's handling it well.
00:01:57The fact that?
00:01:58Pregnancy.
00:02:00Pregnancy?
00:02:01Her pregnancy.
00:02:02Your pregnancy?
00:02:03But how does it get like that?
00:02:04It was just a scratch.
00:02:05Ma'am, I'll dress however I want.
00:02:09Witch!
00:02:11I have a lot of respect for authority, but it's completely wrong.
00:02:14150,000 euros, she's crazy.
00:02:16La Quinecha, what are they going to do to me?
00:02:20I believed that what we had was important.
00:02:24Now, the only thing that matters is my son.
00:02:27Don't drive me crazy!
00:02:29And don't follow me!
00:02:32He's horny.
00:02:34Listen to me, Zeferino.
00:02:35Ray, damn it, what's wrong with you?
00:02:39Ray, don't scare me.
00:02:42Hey, Ray.
00:02:44No, I can't hear you.
00:02:46It can be known.
00:02:47He can tell what's wrong with you.
00:02:56Raymundo.
00:02:58Raymundo.
00:02:59Can you hear me?
00:03:03Raymundo.
00:03:04Raymundo.
00:03:05How are you?
00:03:07Pussy.
00:03:08Who are you?
00:03:10I am your doctor.
00:03:11Are you going to be my doctor, man?
00:03:13Yes, I am your doctor.
00:03:15Don't touch me.
00:03:16Get out of here, man, get out.
00:03:18What are you saying?
00:03:18How ugly, huh, damn it.
00:03:20Get out, man, get out of here.
00:03:22Out, out.
00:03:23Fleeing.
00:03:24Where is Uli?
00:03:27Uli!
00:03:33Hey, quack.
00:03:34That?
00:03:34Are you going to tell me or are you going to eat this or what?
00:03:35Hey?
00:03:36That?
00:03:36Don't play dumb.
00:03:37The dough, the shavings, the money.
00:03:38What money?
00:03:39What do you think?
00:03:39Come on, relax.
00:03:40Come on.
00:03:41Hey?
00:03:42What do you think?
00:03:43What, I don't know why you're here or what?
00:03:44Hey?
00:03:44That?
00:03:46Come on, loosen up, you cheapskate.
00:03:48Here's where you roll it!
00:03:53Now, do we have to keep shouting?
00:03:55I want to sleep.
00:03:56But hey, it's not a big deal, right?
00:03:57I'm sorry, I'm sorry.
00:03:57No, I'm sorry, I'm sorry.
00:03:59I apologize.
00:03:59No, forgive me, okay?
00:04:01Good morning, good morning.
00:04:03Good morning, good morning.
00:04:10I'm fed up with seeing my son suffer.
00:04:12Every time she gets close to that doctor with that ugly face, she screams.
00:04:16But is it really bad or not?
00:04:18What, what, what should we do, Doña Dolores?
00:04:19We're here for whatever.
00:04:20Well, we'll break that ugly doctor's legs and then he'll have to hire someone else.
00:04:24He doesn't want another doctor, he wants his own, Ulysses.
00:04:26Well, you're asking for it at the perfect time.
00:04:27He's in jail.
00:04:28Why's that?
00:04:29Has he killed anyone?
00:04:30Not that I know of.
00:04:30A day with Dad.
00:04:32Oh ok.
00:04:32Doña Teresa came the other day to ask Ray for money for the bail.
00:04:35And why is he still in jail?
00:04:36Well, because the boss didn't want to give her the money, because she's mocking him.
00:04:39And how much money are we talking about?
00:04:41About 150,000 euros.
00:04:45Holy Virgin, may the Lord forgive us.
00:04:47And then they say social security isn't expensive.
00:04:51What I want is for Ulises to come as soon as possible so I can take care of my son.
00:04:55But yes, the boss said he wouldn't give a single penny, because he was very angry, because the boss
00:05:00I had told him that he was a hypochondriac.
00:05:03Hypochondriac, breaded.
00:05:04Well, I'm in charge here.
00:05:05So come on, open the box for me.
00:05:09But the boss is the only one who has the key.
00:05:12I told you to open the box for me.
00:05:14Doña Dolores, the breading is right.
00:05:16Only Ray knows.
00:05:17I told you to open the box, damn it.
00:05:22Okay, then.
00:05:24I'm going to try a random man.
00:05:26It's the first one that comes to mind.
00:05:27Let's see if I get lucky.
00:05:28Very good.
00:05:37I was right.
00:05:40Don't tell Ray anything about this, okay?
00:05:41It's just that he doesn't like that I'm so lucky.
00:05:43They call knowledge luck.
00:05:48Take.
00:05:49Go and pay the bail.
00:05:51Look at that dude's flask, that's great.
00:05:53I'm here so I didn't do it to them.
00:05:56Disgusting!
00:06:02Ray's will?
00:06:15I knew this.
00:06:17But I saw it coming.
00:06:40He didn't put you in the boss's office and they were completely over.
00:06:45If you don't lift a finger, that's your problem.
00:06:50This isn't about being happy in the living room.
00:06:55I haven't gone in yet because there are too many peteregras.
00:07:00And you are taken care of.
00:07:03You're going to be left with a big chelano.
00:07:06You're not going to leave the neighborhood.
00:07:13Oh, Terminator.
00:07:14Can you tell me who you made the date with?
00:07:16There's a lot of envy going on.
00:07:17I don't know, I think it's great that you bought a jacket, but going out in public with it...
00:07:21without knowing how to ride a motorcycle.
00:07:22We'll have to tame her first, won't we?
00:07:23Otherwise, when you go to use it, it will be very stiff.
00:07:26With this heat, you're going to sweat more than a farm animal.
00:07:29And I won't tell you which one because you're the coordinator and I respect that, otherwise...
00:07:36You don't need to stand up.
00:07:38No formalities or servile flattery typical of other times.
00:07:42The boss is just one of us.
00:07:43Now, if anyone wants to make me a coffee, it has been taken into account in the next report.
00:07:48Here you go, boss.
00:07:49Warm.
00:07:50What a jacket, huh?
00:07:50Look, but don't touch, okay?
00:07:52Isn't that cool?
00:07:53What a shame.
00:07:54One more mouth to feed at home and the father spending money on a whim.
00:07:57I knew you were going to say it, but nobody can beat me when it comes to being a great dad.
00:08:01Look, for little Ulysses.
00:08:03Why would I put that on the child if it's way too big for him?
00:08:05That?
00:08:06Yeah?
00:08:08If it's no good to you, send it to me and I'll hang it on the wall, looking great.
00:08:11You wish, man.
00:08:12But it's okay.
00:08:14Yes, yes, yes, right away.
00:08:16From the daycare, the child has a fever again.
00:08:18Again?
00:08:19Look, she had never been sick until we started taking her to daycare.
00:08:23Don't take off your jacket, you have to go pick him up.
00:08:25No, I can't, Blanca.
00:08:26I have a lot of work as a coordinator.
00:08:28Besides, aren't you a pediatrician?
00:08:29Logically, if the child gets sick, you should go, right?
00:08:31And when are we going to get a kangaroo?
00:08:33You promised me you were going to call the agency.
00:08:34Oh, and we're going to leave it up to an agency to decide who takes care of our son.
00:08:39I don't think it's serious, Blanca.
00:08:40I don't think it's serious.
00:08:41Okay, I'll leave you guys.
00:08:43Wait, wait, wait.
00:08:44I need to talk to you about those papers, which...
00:08:46The papers, the papers.
00:08:48Blanca, I'll go next time, okay?
00:08:50I promise you.
00:08:52Eduardo.
00:08:53Well, the kid's a bit of a rascal.
00:08:56By the way, could you do me a favor?
00:08:58Every 15 days.
00:09:00No, Mom, every 15 days at the courthouse.
00:09:02So you can see I haven't run away.
00:09:05Mom, I haven't run away.
00:09:06Hey, Mom, I'm so sleepy, I really am.
00:09:08I'll see you later, okay?
00:09:10Yes, a little kiss.
00:09:11Bye bye.
00:09:11I'll see you later.
00:09:12Bye.
00:09:13Hey, if you haven't paid a penny, who has?
00:09:16Haven't they told you?
00:09:17No.
00:09:18Well, I haven't asked either.
00:09:19I was so eager to go out that I called you halfway through.
00:09:21Let's see.
00:09:22Any kind souls out there?
00:09:24You've already been to jail, Uli.
00:09:25Now you're a real pingatron, huh?
00:09:28Hey, the thing about the showers is true.
00:09:29They throw you the soap to make you bend down and then...
00:09:31Taca?
00:09:31Andrew.
00:09:32Can you tell me, Uli?
00:09:33No problem.
00:09:33Andrew.
00:09:34Andrés, there's nothing, there's nothing to tell.
00:09:36Please, can you take me home?
00:09:37You don't have a home anymore, Uli, if you don't remember that.
00:09:40Well, off to the guinea fowl's house with my mother.
00:09:42No, I want to take you to my house.
00:09:44And when I say my house, I mean my house.
00:09:47I bought one.
00:09:48Oh, really?
00:09:48Yeah.
00:09:49You're going to love it.
00:09:50You'll see.
00:09:52But how did you buy my house?
00:09:54Sorry.
00:09:56My house!
00:09:57My house?
00:09:58Hey, my house, which cost me a fortune.
00:10:00Hey, but it was worth it, wasn't it?
00:10:02Yeah.
00:10:03At least I'll be able to visit her from time to time.
00:10:05No, don't visit it.
00:10:06This house is too big for just me.
00:10:08Hey, let's share it.
00:10:09If you want, let's go.
00:10:11Andrés, I don't have any money to share.
00:10:13Money, money.
00:10:15You're such a pain about money, you who don't have any.
00:10:17That?
00:10:18Are you staying or are you going to tell me you'd rather live with your mother and the guineche?
00:10:24Hey?
00:10:25Can I have my room?
00:10:27It's yours.
00:10:29Of course I stayed.
00:10:35Hey, while we're at it, could you tell these gentlemen to leave for a while so I can take a nap?
00:10:40Clear.
00:10:40No, it's not, but it's bad.
00:10:41Hey, you can go rest if you want, okay?
00:10:43Thank you.
00:10:46Yeah.
00:10:46Lie down, lie down.
00:10:47Here?
00:10:47Yes, yes.
00:10:49Fuck!
00:10:50Yeah.
00:10:55I'm going to see a licito.
00:10:56But haven't you spoken to Eduardo and told yourself that everything is fine, that he'll take care of it?
00:10:59Come on, don't be like that, but be protective.
00:11:00Cabrero, don't tell me how I have to be.
00:11:02Okay, and don't talk to me like that?
00:11:03As well as?
00:11:04Making me feel guilty for not rushing out to see what's wrong with the child.
00:11:06Okay, that's it.
00:11:07Since I don't feel like arguing.
00:11:09Leave.
00:11:10Ah, you're leaving, that's it.
00:11:11The waiting room is full of patients and you leave.
00:11:13Do you really think you can just quit your job like that?
00:11:16That?
00:11:16Are you going to act like a tyrannical coordinator?
00:11:18It turns out I'm the coordinator.
00:11:20And the word tyrant is not in my dictionary.
00:11:22Oh, I'm realizing that being a mother and a working woman is worse than balancing Chinese plates.
00:11:27Come on, don't play the victim.
00:11:28I'm just saying we can't leave our jobs every time the child sneezes.
00:11:32Cabrero, please.
00:11:34Shall I come back right away?
00:11:36Okay, fine.
00:11:37Give her a kiss from me and tell her I bought her a jacket.
00:11:39And if I get the urge, I'll buy a sidecar so we can all read on the motorcycle.
00:11:42Nothing of the sort.
00:11:43The child is not going to ride on your motorcycle.
00:11:49Okay, Juanjo.
00:11:51I have calculators, calendars, a salt shaker, and vinegar cruets.
00:11:54Don't be a pain, Pelé.
00:11:55Mobile phone cases, made of good quality plastic.
00:11:57I don't use a mobile phone.
00:11:58Go on, you little liar.
00:11:59But hey, Pelé, now you're a street vendor.
00:12:02You can't sell here.
00:12:03Taboo.
00:12:03I'm having a really tough time, man, I've lost my job.
00:12:06That's normal, but they ask you to take sick leave every four days.
00:12:09So, you are partly to blame.
00:12:11And on top of that.
00:12:11Ah, dude, leave me alone, he hasn't scythed anyone, man.
00:12:14Luis, yes, what a surprise.
00:12:17You're in the neighborhood.
00:12:18Did we have a date?
00:12:20Yes, my grandmother with the doctor.
00:12:21We were going to the bank first, but his blood pressure spiked.
00:12:24So, how are you?
00:12:25As you can see, I'm here working a little.
00:12:28I can't complain.
00:12:29Because the sick people here are worse off than I am.
00:12:32Luis, look at this funny thing on top of the TV.
00:12:36And only eight euros.
00:12:39Five.
00:12:39And because it's you, a musical wallet as a gift.
00:12:42Five.
00:12:43And be careful with illegal sales, okay?
00:12:45Come on, the deal's done.
00:12:46Get out of here before the boss sees you dealing drugs.
00:12:49Taboo.
00:12:50I hope you never find yourself in my situation.
00:12:53I won't say any more.
00:12:55Follow me.
00:12:56I'll find you a place.
00:12:57How do you want it?
00:12:59Centered, side, front row.
00:13:01Doc, wake up.
00:13:06Doc.
00:13:11Oh, sorry, I told him not to wake you up, okay?
00:13:13But what are you doing here, you hundred-cat?
00:13:14The boss wants to see you.
00:13:15He does nothing but ask about you.
00:13:16What gut has broken now?
00:13:17No, not the gut, the heart.
00:13:18He had a heart attack.
00:13:20He is under observation.
00:13:21But he didn't trust the doctor he was assigned.
00:13:23Did he have a heart attack?
00:13:24I don't know why with Diego.
00:13:25We've paid your bail so you can be with him.
00:13:28Have you paid the deposit?
00:13:29Look at that.
00:13:29Here is the charitable soul.
00:13:31Boss, thank you very much.
00:13:32Let's go see it right now, but if you don't mind, let me take a shower and change my clothes.
00:13:34I've showered you on Sundays just like me, huh?
00:13:36Go on.
00:13:37Hey, Uli.
00:13:38Uli, Uli, I can't decide.
00:13:39Ceramic tile flooring or laminate flooring?
00:13:42I want something special for my house.
00:13:44Well, our house.
00:13:47That's it, he's fallen asleep.
00:13:49I'm not surprised, he's probably tired of the tantrum he's thrown.
00:13:52Goodbye, Blanca.
00:13:53Oh, oh, oh, Eduardo, look.
00:13:54When he wakes up, take his temperature.
00:13:56If it's high, give him this enteric.
00:13:57No, no, I have to...
00:13:59Oh, thank you, Eduardo, thank you for doing me this favor.
00:14:01But I can only stay for a little while, Blanca.
00:14:02I'll see.
00:14:03I'm going to see it before I can return.
00:14:05I'll pay you when I get back, okay?
00:14:06But you don't need to pay me, woman, because what's happening to Nabel is not enough for me
00:14:08arrives.
00:14:09No, no, no, no, no.
00:14:10Don't you see that if I don't pay you, I can't ask you to take care of it another day?
00:14:13Besides, I wouldn't feel well.
00:14:14Well, then don't pay me and don't ask me for it.
00:14:18Oh, you're so good, Eduardo, son.
00:14:21Blanca, Blanca.
00:14:22Bye bye.
00:14:29Gloria, I'm going again just to do myself a favor.
00:14:33My son, you're small, so you have both, right?
00:14:35Calm down, calm down, do it to me.
00:14:36Are you going to pay for them?
00:14:37I suppose so, right?
00:14:38Because I've had eight and you've had six, you tell me.
00:14:42But, Chini, how am I going to pay for them?
00:14:44But you know I don't have any money.
00:14:46But hey, if you're excited about your boyfriend getting a better job, don't worry, I'm not going to mind.
00:14:48pay for them.
00:14:48Promise me, Chini!
00:14:50We'll have some humor until tomorrow, right?
00:14:52Look, if I don't tell you, I'll burst.
00:14:53I'm a week late.
00:14:55Delayed by what?
00:14:56What will it be about?
00:14:57About that?
00:14:58It just can't be.
00:14:59That's what I say.
00:15:00Because if that's true, we'll see what milk we're going to feed the child.
00:15:04Well, damn it!
00:15:06What time is that interview?
00:15:08I'll be there this afternoon, but anyway, my colleague is with him, he was supposed to call me.
00:15:11that in the end he didn't call me and...
00:15:13What's that colleague's name?
00:15:15Luis.
00:15:15Isn't his name Malberto?
00:15:16Well, that's it, Luis Alberto, but come on, you don't know him.
00:15:19Look, Tano, I'm not stupid, okay?
00:15:21And that you've never met Luis Alberto in your entire life.
00:15:23Does that delay happen to you often?
00:15:26Never.
00:15:26Yes, I'm like clockwork.
00:15:29I'm fed up with living with my parents.
00:15:31To give a job to an apartment, you need money.
00:15:33And until Doris opens the hair salon, I'm unemployed.
00:15:36And you, without a job.
00:15:38Come on, the bank wouldn't even give us a loan, man.
00:15:40Don't worry, banks are like NGOs, haven't you seen the TV ads?
00:15:44Look, Tano, either you find a job or we're not going anywhere.
00:15:47Neither a child, nor anything at all.
00:15:50You know, I was already getting excited about having a little Tanito.
00:15:54And what do you think? That you don't get my hopes up or what?
00:15:56Who do you think you are?
00:15:57Is this whole biological clock thing just for posh people or what?
00:16:01Okay, I've lost my appetite now.
00:16:03Repaca.
00:16:06What's happening?
00:16:08Disgusting.
00:16:09Go away.
00:16:10Disgusting!
00:16:11What a joyful chicken, man!
00:16:14Here, this is for Jonathan, and this is for you, my love.
00:16:16Oh, how it smells, Mom, daughter!
00:16:17Did you see?
00:16:19Man!
00:16:20Speaking of the king of Rome.
00:16:22Hi, Ray.
00:16:23How are you feeling?
00:16:24Now I'm doing great, but I've had a terrible time.
00:16:26Why did it take you so long to arrive?
00:16:28Ray, thank you so much for paying the bail.
00:16:33Oh, I didn't know he had paid.
00:16:36It was me.
00:16:37Since you kept calling him, well...
00:16:39Well, if that's what got you here, then it's well worth it.
00:16:43But come on...
00:16:44Where did you get the money?
00:16:48Look, Ulysses, I'm going to bring you a little chicken that takes off all the lids, it was the sense so that
00:16:51Try it.
00:16:52No, no, not me.
00:16:53Macarena, daughter, stop watching TV so much, it's going to ruin it.
00:16:56I think the coin has swallowed me.
00:16:57Ulysses, leave me a coin.
00:16:58I...
00:16:59Eat some chicken, Ulysses, it's so good you'll want to lick your elbows.
00:17:02Yes, go on, eat a little chicken, go on.
00:17:03Let's see, this is a bit absurd.
00:17:06Ray, you just had a heart attack and the next 24 hours are crucial.
00:17:10No greasy food or too much fuss.
00:17:12You see what I was saying, everyone go fuck yourself and go home, we'll be much more comfortable.
00:17:17Start calling as many taxis as you need.
00:17:18Ray, everyone go home except you.
00:17:20A heart attack is no joke.
00:17:23Gordo, tell number two about the cloud, and see what he says.
00:17:26You'll see what a historian he is.
00:17:27Well, look, I was suddenly dreaming that there was a very long, very long tunnel.
00:17:32What's the one on the M... the one on the M60?
00:17:34Don't deny it, it's much longer, man, than M60.
00:17:37A long, long, dark tunnel, dark, dark, dark.
00:17:39And in the background, a light.
00:17:41And that to heal she had to go towards the light, like Calolain.
00:17:45Come closer to the light, Calolain.
00:17:46Okay, look, if you called me as a doctor, you have to listen to me.
00:17:49First of all, the room has to be in absolute silence.
00:17:55And you have to watch your diet, Ray.
00:17:56There are certain foods that can make you feel unwell.
00:17:58I'm going to bring you on a sheet everything you can and can't do.
00:18:00Man, I'll do whatever you tell me, Juli, no doubt about it, let's go.
00:18:04But we should also celebrate that you're out of jail, right?
00:18:07And that you have recovered the most important thing in this world.
00:18:13Freedom, damn it, we have to say it all.
00:18:17Ray, thank you so much for paying the bail.
00:18:22Come on, that's it, that's it, Juli, that's it, I need to stay calm, man.
00:18:24That's it, that's it, rest, rest.
00:18:31Marisca, until I have the test results I can't do anything.
00:18:34Sit there and wait for the tests, and then...
00:18:36But you understand me.
00:18:38Yes, Dr. Cabrero.
00:18:39No, Cabrero no, Cabrero, Cabrero.
00:18:44Pedro Ramírez Ureba.
00:18:53Tigrach, Marisca.
00:19:08Again.
00:19:11I just don't understand, Minata, because you have the papers.
00:19:14You have the job, the money, and they don't want to open a bank account for you, is that it?
00:19:18Oui, je n'ai l'argent, je n'ai papier, me y ve pas m'uver le bench.
00:19:22Je ne sais pas, qu'est-ce qu'il y a...
00:19:23Ah, French, I...
00:19:26No.
00:19:27Give it to me, go on, I'm going to the till to talk to Ramón.
00:19:29I'll call you when I know something.
00:19:32Je ne sais pas, qu'est-ce qu'est-ce qu'il and a...
00:19:33Je n'ai l'argent, je n'ai tout, me y ve pas m'uver...
00:19:35Go, you go, you go.
00:19:37You can go.
00:19:40San Fernández, Corinto.
00:19:43Come on.
00:19:44And your mom isn't coming?
00:19:46It's me.
00:19:47Oh, sorry, I thought it was your mom.
00:19:53Excuse me, ma'am, this comes from Europe, directly to me.
00:19:57What are you saying?
00:19:58I'm going to the doctor to ask for something for nausea.
00:20:00What about you?
00:20:02I don't know.
00:20:03Should I call you later?
00:20:04We arranged to have lunch.
00:20:05Well, you didn't hear me.
00:20:06Get a job, go to the bank and ask for a loan, something that makes me think that we can continue.
00:20:11And if not...
00:20:13Don't call me again.
00:20:14But, Chini.
00:20:17Chini.
00:20:18And don't call me Chini?
00:20:20Milk!
00:20:28Your girlfriend dumps you, I'm out of a job, the week has started, show some booty, huh?
00:20:33You see, Pelé, in this society if you don't have money, you're worthless.
00:20:37And if you have so little of it, then it's gone.
00:20:40But at least you have money.
00:20:42And what do you sell?
00:20:43Now that I know, what gets the Chinese excited is a dancing cow, nothing, nonsense.
00:20:50What a load of crap, even if you sell all this it won't even be enough for a sandwich.
00:20:52Oh, and what do you want me to do?
00:20:53I don't know.
00:20:55What about you?
00:20:56I?
00:20:56Yes, you, you, you, you.
00:21:00Well, I'm desperate, man, I'm desperate.
00:21:01And if Chini leaves me, that's the last straw.
00:21:04You know what I'm saying, Pelé?
00:21:07Either we win the lottery, or we'll have to make it happen.
00:21:10I don't know if you understand me.
00:21:13No, no, no, I don't understand you.
00:21:21But what difference does the residency certificate make to you if he's showing you the papers?
00:21:26Does the employment contract put the money on the table?
00:21:28Look, I'm just following orders from above.
00:21:31But how high up, Ramón?
00:21:32And that they were truly divine orders.
00:21:34Besides, you didn't used to give me so many problems.
00:21:36Get out of here, Estela.
00:21:38Look, I'm from the counter over there, we're such good friends, huh?
00:21:41But sitting here I have to follow some rules.
00:21:43But why are others allowed to get it and not my cream?
00:21:46Is it because he doesn't understand the language?
00:21:48No, woman, no.
00:21:49Look, a Korean guy just left, God knows what he said to me.
00:21:51Well, then, why?
00:21:52Because he's African, because she's black, because she's a woman, I just don't understand it.
00:21:55What is this, Ramón? What is it?
00:21:56This is a shortcut!
00:21:57Everyone stay still!
00:21:59Everyone stay still, we just followed.
00:22:00To you, salta!
00:22:01Say hi to him!
00:22:01And you're not even touching your button, are you?
00:22:03Get down on the ground!
00:22:04You, go out and go out and go out and see yourself!
00:22:06Say hi and see you later!
00:22:07Come on, get down!
00:22:08Get down, damn it!
00:22:09On the ground, lie down!
00:22:12And be careful, okay?
00:22:14We're junkies and we're going through withdrawal.
00:22:16And we don't care if it's 8 or 80.
00:22:17You've already heard it.
00:22:19We're junkies.
00:22:20But junkies, junkies of...
00:22:22What kind of junkies are these?
00:22:23Come on, get down!
00:22:24Tumbaos!
00:22:25Because down below!
00:22:26Sorry, it's not because I don't lie down, but because I lie down.
00:22:30But could I be pregnant by the addict?
00:22:36Thank you, uh, thank you.
00:22:39Come on, Vin, go collect the money.
00:22:42Wine.
00:22:44Vin, come on, damn it, it's you!
00:22:46You, fill this bag with all the money there is.
00:22:48Come on, quick!
00:22:49I'll do whatever you say, okay?
00:22:51This is the third robbery this month.
00:22:54Hey, hey, someone asked you.
00:22:55Has anyone asked you?
00:22:56Come on, do your thing.
00:22:57No, no, let's go.
00:22:58I say this because...
00:22:59The thing is...
00:23:00They need to get their act together, man.
00:23:01Because it always happens to the same people, huh?
00:23:03And right across the street is the Industrial Bank.
00:23:06Shut up and keep the money!
00:23:08Ciatos!
00:23:08I am a civil guard.
00:23:09Drop the guns.
00:23:10Are you going to shoot?
00:23:11Mine is real and it's loaded.
00:23:13Yours are made of plastic.
00:23:14They sing like crazy.
00:23:15Okay, okay.
00:23:16A tricycle, dude!
00:23:17Throw away the guns.
00:23:18You leave and nothing has happened here.
00:23:21I don't feel like doing paperwork.
00:23:22Well then, you'll come back another day, right?
00:23:24Hey, hey, stay still, stay still, stay still.
00:23:25And if you're so sure my gun is made of plastic,
00:23:27Why do you want me to throw it on the ground?
00:23:29Hey?
00:23:29List?
00:23:30What if I shoot first?
00:23:32What if I shoot?
00:23:33No, no, no, better.
00:23:34What if I shoot the old woman?
00:23:39No, no, no, no.
00:23:40No, no, no.
00:23:41No, no, no.
00:23:43No!
00:23:44No!
00:23:45He doesn't shoot, does he?
00:23:45It wasn't that!
00:23:46Come on, everyone absolve me again!
00:23:49Damn, dude.
00:23:50How cool is that!
00:23:50This gun is heavy!
00:23:52Watch out, you idiot, it might shoot you!
00:23:54What are you shooting at, huh?
00:23:55Shoot what?
00:23:56Hey?
00:23:58No, no, no!
00:23:59Ah!
00:24:00Ah!
00:24:01Ah!
00:24:03Ah!
00:24:03What have you given me, you idiot!
00:24:04What have you given me, you idiot!
00:24:07Damn, what have you given me, man!
00:24:08Host!
00:24:09Ah!
00:24:09Holy shit!
00:24:10Ah!
00:24:11Damn, it burns!
00:24:12Ah!
00:24:12Oh man, I know that voice!
00:24:15Dude, sorry, but it's definitely a raguña, dude.
00:24:17Don't worry.
00:24:17Dude, dude, fuck!
00:24:19Fuck!
00:24:19The police were right, we should have left.
00:24:22We've got the cat on us, damn it!
00:24:24Let's go!
00:24:24You can run now!
00:24:27Hey, hey, hey, hey!
00:24:28Money, money!
00:24:28Come, come!
00:24:29Come, come, come!
00:24:31Holy shit, Padma!
00:24:42Stop, police!
00:24:43He's silly, he's a bubbler!
00:24:45Hi!
00:24:46It was you, huh!
00:24:46It should have been you!
00:24:47It wasn't me!
00:24:48I swear, it wasn't me!
00:24:49Save yourself, please, on your own.
00:24:51Oh, deaf people.
00:24:52I know them from somewhere.
00:24:54Their faces, my agencies, and lovers.
00:24:55I can't, okay? I can't walk, man. I can't. I'm sorry.
00:24:58You go, okay?
00:25:01Damn, young man.
00:25:02Go away, okay? Go away, go away.
00:25:04Wow, wow.
00:25:06But, but let's see.
00:25:07But it's in danger, isn't it?
00:25:09No, Dolores. Look, it's not normal for Leia to have a heart attack so young.
00:25:12But it's also not normal for it to eat the way it does.
00:25:14Because, with all due respect, but the chicken from the Macarena...
00:25:16Sorry, the chicken doesn't belong to the Macarena, it's mine.
00:25:18And besides, he doesn't like fruit.
00:25:20But listen to me. Can you die at any moment?
00:25:23No, I didn't say that.
00:25:23You're not saying it, but I am because you're not guaranteeing me that I'll get out of this.
00:25:27And before he dies, he has a lot of things to take care of.
00:25:30What are you saying?
00:25:32You'll find out.
00:25:34Bye bye.
00:25:36Bye bye.
00:25:45Come on, guys, take your positions.
00:25:51Get the people out of there, man.
00:26:07How are you, Gutiérrez, report?
00:26:08We are proceeding to coordinate the area.
00:26:11How many robbers are there?
00:26:12Two robbers.
00:26:13Do you see it?
00:26:14Eight.
00:26:16Robbery time?
00:26:1711 AM.
00:26:18Very good.
00:26:18We have the branch's security cameras tapped.
00:26:21What are you doing, miss?
00:26:23Please, I have a family.
00:26:25Be quiet!
00:26:26Hey, hey, there's no need to shout, we can hear you perfectly well.
00:26:31Besides, I know who you are.
00:26:32Shut up, sword!
00:26:33Shut up, you sword!
00:26:34Your friend is losing a lot of blood.
00:26:36He needs a tourniquet applied.
00:26:38And how do you know my name is Cayetano?
00:26:40My gift is that blood is given, you imbecile.
00:26:42Let me go!
00:26:56You, the money!
00:26:57Come here!
00:27:06Come on, everyone get out now!
00:27:08Come on, let's put it there!
00:27:10Come on, come on!
00:27:13Come on, come on!
00:27:14Come on, come on!
00:27:18You crybaby!
00:27:24Come on, start collecting watches, wallets, money and everything, okay?
00:27:27Yes, yes, Mr. Bush.
00:27:29I spend my life surrounded by doctors, you know?
00:27:32But this is the first time I've done it.
00:27:34No, no, no, no.
00:27:34Because I think the turnstile makes sense from above, right?
00:27:37Come on, I think.
00:27:38Sorry, sorry.
00:27:40I, who am concerned about blood...
00:27:42This is what happens to me for taking on this mask.
00:27:45Hey, we're not in the mood for jokes, eh, Pelé?
00:27:50How did you know, Jeraio?
00:27:51Oh, well, it took me a long time to recognize you.
00:27:54Can you tell me what you're doing?
00:27:57That?
00:27:57What am I doing?
00:27:58I'm acting like an idiot.
00:28:01I'm doing...
00:28:03Five minutes and that's it.
00:28:04He tells me, damn it, color, five minutes.
00:28:07If I can't play football again, you're going to be screwed.
00:28:11Tell him not to do anything to me, okay?
00:28:13But what if you're the one selling illegally at the health center?
00:28:16Yes, well, I've changed businesses.
00:28:17For the worse.
00:28:19Mr. Bush.
00:28:20That?
00:28:21And he has the phones and the money, huh?
00:28:25Come on, eh, eh, eh, eh.
00:28:27Dude, it's my fault, okay?
00:28:30Well, mine and this shitty Chinese mask where you can't even see a peak.
00:28:34And it stings, huh?
00:28:35Holy shit.
00:28:36Oh, Tano, ever since Asunción left with her son, you've lost your way.
00:28:42And what do you want me to do about it?
00:28:42When your sister finds out, you'll see.
00:28:45Hey, you!
00:28:45And what are you going to do about us?
00:28:47Do you have a plan or are you going to continue like this, improvising?
00:28:50That we have a right to know.
00:28:51And you think, ma'am, that I would have come here if I had known this?
00:28:55I hate everything bad.
00:29:02What's up, buddy?
00:29:04What a lovely outfit, isn't it?
00:29:05Yeah.
00:29:06You're loaded with extras, huh?
00:29:09What's up?
00:29:10Late and with dark circles under his eyes.
00:29:11What a party we must have had here, my friend.
00:29:14Yes, you wouldn't believe the party.
00:29:15Can we know the name of the lucky winner?
00:29:17Well, no, I'm not going to tell you because you're not going to believe me anyway.
00:29:19What's on the agenda for today?
00:29:20Well then, we'll pass you on, patients.
00:29:21No, no, no.
00:29:22I'm going to have a coffee and prepare a treatment.
00:29:24And maybe I'll even ask for the day off.
00:29:26Well, actually, I'm going to order it.
00:29:27Damn, here everyone does whatever they want.
00:29:30Incidentally, the bank branch was surrounded by police.
00:29:33In the new houses?
00:29:34Yes, I think there was a robbery.
00:29:35A robbery?
00:29:36Big moves?
00:29:39Did I get robbed at the bank?
00:29:41There it is.
00:29:54What's up, Chinín?
00:29:55Why are you calling me?
00:29:56Where are you?
00:29:57I was out there, quietly looking for cures, as we had discussed.
00:30:01What value?
00:30:02And on top of that, he was cheating on his girlfriend.
00:30:03This really hurts, Pelé.
00:30:05They've broken up.
00:30:06Yeah.
00:30:06Oh, thank goodness, I thought you'd gone to the bank.
00:30:08Hey, I heard there was a robbery.
00:30:10A robbery?
00:30:11Well, no, no, I hadn't heard anything.
00:30:14Why don't you just stop by and pick me up?
00:30:16Yes, Chinín, yes, but it's really inconvenient for me, because I've had loads of them today...
00:30:21Help, we've been kidnapped!
00:30:22He has a gun!
00:30:23It's saved!
00:30:24Tano!
00:30:25Tannin!
00:30:26Why did you do that?
00:30:27Now I had to get angry and shoot you in the head.
00:30:29Look, man, you do your part and I'll do mine, okay?
00:30:31Yes, but this was a private conversation.
00:30:35Come on, shoot!
00:30:36Go on, throw it!
00:30:40Don't pick it up!
00:30:41No no!
00:30:41Don't touch it!
00:30:42Yes, tell me.
00:30:44It's for you, from the police.
00:30:53That?
00:30:55Yes, I know you're the police, but you don't know who I am.
00:30:59You're going to shit yourself if you don't give me what I ask for.
00:31:02I'm going to start killing them all, okay?
00:31:04I'll kill them!
00:31:06Ah!
00:31:08No no!
00:31:09What am I asking for?
00:31:10What am I asking for?
00:31:12What am I asking for?
00:31:14What do I order?
00:31:15A motorcycle.
00:31:16I want a cool motorcycle.
00:31:19And I don't know, you count all the way to the airport.
00:31:21And money, huh?
00:31:23I want money, okay?
00:31:24But money, money.
00:31:26I want five million.
00:31:28Twenty.
00:31:29I want twenty million.
00:31:31No, no, no, no, no, no, no.
00:31:32In pesetas.
00:31:35I'll give you an hour.
00:31:36If you don't do what I ask within one hour,
00:31:38Someone will give you a ride this way,
00:31:40Cold cuts start coming out the door,
00:31:42that I'm very crazy.
00:31:43I'm so crazy I'll kill them, huh?
00:31:45Do you want me to start?
00:31:46Start?
00:31:46Hey?
00:31:47Start?
00:31:47Should I take one out?
00:31:48Should I take out one who does?
00:31:49Come on, come on, come on, I'll kill him.
00:31:51I'll kill him!
00:31:52I'll kill him!
00:31:54There is a doctor.
00:31:57Don't worry, I have to get like this.
00:31:58Because otherwise, they're not taking me into account.
00:32:00You've seen a lot of movies, haven't you?
00:32:01They're not going to give you anything.
00:32:02It's not for nothing, okay?
00:32:04But the latest robberies have gone very badly.
00:32:07The police don't mess around.
00:32:09But there isn't enough time to do all that in one hour.
00:32:11Tano, Tano, this tourniquet can't hold anymore, huh?
00:32:14Okay, enough of this chatter,
00:32:15You're driving me crazy.
00:32:17Luis, yes.
00:32:19It will be a long time before he attends to us.
00:32:21I think my blood pressure is rising.
00:32:24Listen to me, buddy.
00:32:25Don't contradict me,
00:32:26that I am not step by step.
00:32:28You tell him that if I have to convince him
00:32:30I'm going there in the ambulance.
00:32:31I'll put it in its place
00:32:32And I come back here feeling so fresh.
00:32:34We are?
00:32:34Hello.
00:32:36That?
00:32:37You're taking care of yourself, aren't you, Ray?
00:32:38Man, Mom, I won't lose sight of you.
00:32:41Macarena, daughter, go to the cafeteria
00:32:42and he brings me some churros that I've been craving.
00:32:44Well, not at all, you already know what Luli said.
00:32:46that you have to eat healthy.
00:32:47So I'm going to bring you
00:32:48some fruit and some yogurt.
00:32:50Man, but some churros.
00:32:51No?
00:32:53Well, because they're strawberry flavored.
00:32:54And without my little girl, huh?
00:32:56By the way,
00:32:58What is this?
00:33:00Why don't you tell me?
00:33:02Well, I'll tell you.
00:33:03It's your will.
00:33:04Already.
00:33:04I found it in the safe,
00:33:06I've read it and I don't like it at all.
00:33:08You're not much of a reader, Mom.
00:33:09You're more of a TV person.
00:33:10But how did you come up with that?
00:33:11leave him the same inheritance
00:33:12Macarena or that Russian woman?
00:33:14You only have one woman, huh?
00:33:16Let's see when you find out.
00:33:17And to Natasha's poor children
00:33:18I leave them with nothing.
00:33:19Well, it's a different story with the kids.
00:33:20But that Russian woman...
00:33:22who is on vacation in Russia
00:33:23when you are gone because of me
00:33:25Let him stay with the Russians.
00:33:26So here you go,
00:33:27Here you go.
00:33:27Paper and pen.
00:33:29To write a new one.
00:33:30This isn't how it's done, Mom.
00:33:32No, of course not.
00:33:32Things are done properly.
00:33:34But what's going on?
00:33:34Am I going to die or what?
00:33:36No, but just in case.
00:33:38What's happening?
00:33:40What did Uli tell you?
00:33:41I might die, right?
00:33:42I don't know,
00:33:43But these 48 hours
00:33:44They are very important.
00:33:45So I'm about to
00:33:46of dying
00:33:47and without knowing it
00:33:48And all you're worried about is
00:33:50I left a will.
00:33:51in favor of the Macarena.
00:33:53Very good.
00:33:54By the way,
00:33:54the will and the money
00:33:55They were in my safe.
00:33:57Can you explain?
00:33:57How have you managed?
00:33:58to open it without me?
00:33:59Well, look at that,
00:34:00Hey?
00:34:01Another thing that's done wrong.
00:34:02Clear.
00:34:02So you have to tell me now
00:34:04Where do you keep the jury?
00:34:06before you leave
00:34:07to the other side.
00:34:08Damn it, Mom, daughter.
00:34:09You're the best at giving encouragement.
00:34:11And write,
00:34:11that you already have a job.
00:34:12Bye bye.
00:34:14Goodbye, Mom,
00:34:15Goodbye, daughter.
00:34:28Wow, what a motorcycle.
00:34:30If you like it a lot
00:34:31I'll give you a spin.
00:34:34Charlie?
00:34:35What stripes?
00:34:36I can't believe it.
00:34:37I can't believe it.
00:34:39I can't believe it.
00:34:42That?
00:34:42Well, how curious.
00:34:45A few days ago
00:34:45I saw some reports,
00:34:46Your name was there
00:34:47and I had thought about looking for you.
00:34:49I don't know,
00:34:49It gives me a bit of a thrill
00:34:50to have taken your position.
00:34:51Are you taking my place?
00:34:52at the health center?
00:34:53Yeah.
00:34:56You look much more handsome
00:34:57At 20, huh?
00:34:58Well, you're in the same boat.
00:35:01Well,
00:35:02I'm leaving, there's nothing left
00:35:02with my friend Baña.
00:35:04Since I know you're here
00:35:04I spent a day knowing you.
00:35:06Sure?
00:35:07Only if you give me a ride
00:35:08on that piece of motorcycle you have.
00:35:09That's done.
00:35:11But I hope you drive
00:35:12better than at 20.
00:35:13I don't know.
00:35:16Would you like something to drink, princess?
00:35:18Who are you?
00:35:19The new waiter
00:35:20in practice
00:35:20of Sun and Shadow
00:35:21to serve it.
00:35:23And why are you smiling so much?
00:35:24And why not?
00:35:24Life is beautiful,
00:35:25as beautiful as you.
00:35:27Well,
00:35:28What a day he comes to compliment me.
00:35:29But come on,
00:35:30thank you,
00:35:30that you're never superfluous
00:35:31that they smile at one.
00:35:32Have a beer.
00:35:34What am I saying?
00:35:35A water,
00:35:35a water.
00:35:36What, baby?
00:35:37Appeared or not?
00:35:38No,
00:35:38I can't find it anywhere.
00:35:39He doesn't even answer my calls
00:35:40He doesn't even call me.
00:35:41Well,
00:35:41Nor is it the first time
00:35:42that Tano disappears
00:35:43Without warning, huh?
00:35:44Already,
00:35:44But it will never turn out well.
00:35:46Neither.
00:35:47What's with that smile?
00:35:48Did I tell Giro about it?
00:35:49Until Fari or what?
00:35:50Chick,
00:35:50You have no idea what happened to me.
00:35:51Do you remember Charlie?
00:35:53Look,
00:35:54I'm not here right now
00:35:54to jog our memories.
00:35:55Charlie,
00:35:56my first boyfriend,
00:35:57the one from the nursing school,
00:35:58because it is occupying
00:35:59my position at the health center.
00:36:00Do you think so?
00:36:01And it is
00:36:03like a train,
00:36:03come on,
00:36:03as usual.
00:36:04I haven't told you everything,
00:36:05that before Tano hung up on me
00:36:06I've heard that a woman
00:36:07He said they were kidnapped
00:36:08at the bank.
00:36:09What, what?
00:36:10Who is it?
00:36:10Vania,
00:36:11Don't scare me.
00:36:18Yes,
00:36:18that I changed his diapers
00:36:19and I bathed him
00:36:20and I gave him the baby food.
00:36:21and has exhaled.
00:36:23I put him on the sofa,
00:36:25in the cradle,
00:36:26But we've already seen
00:36:27even TV documentaries,
00:36:28White,
00:36:28please.
00:36:29And did his fever go down?
00:36:30Yeah,
00:36:30Yeah,
00:36:30I gave him an anti-dermal treatment
00:36:31upon arrival.
00:36:32I swear I already
00:36:32I'm starting to worry,
00:36:33Hey?
00:36:33That's not it.
00:36:35He's crying because he's nervous
00:36:36and he gets nervous
00:36:36because he cries.
00:36:37Yes, yes,
00:36:38White,
00:36:38White,
00:36:38But I
00:36:39I have to go get my children,
00:36:40that it's my turn today
00:36:40pick them up from school.
00:36:41Ah, look,
00:36:41Try the little red plushie,
00:36:43who is in the crib
00:36:43under the pillow.
00:36:45Ah,
00:36:46and sing Guantanamera to him.
00:36:47That will make you fall asleep right away.
00:36:49You know it,
00:36:49TRUE?
00:36:50Yeah,
00:36:50Yeah,
00:36:51I sang it with Isaac
00:36:52on the subway,
00:36:52in London.
00:36:53And if it doesn't work...
00:36:54Okay, son,
00:36:55nothing,
00:36:55If he doesn't calm down,
00:36:56Well, nothing.
00:36:56You put it on the cart
00:36:57and bring it here for me.
00:36:58Okay?
00:36:59Okay,
00:37:00see you later.
00:37:01Let's see,
00:37:02little red plushie.
00:37:04Come on,
00:37:05Ulysses,
00:37:05to the center
00:37:06with mom.
00:37:09Let's see,
00:37:09now,
00:37:09passed,
00:37:10passed.
00:37:15Who,
00:37:15inspector?
00:37:16These two girls
00:37:17They say they know
00:37:17to one of those inside.
00:37:18Yeah,
00:37:18He's my brother,
00:37:19my boyfriend.
00:37:20Do you work at the branch?
00:37:21No,
00:37:21No,
00:37:22but it hasn't been called
00:37:22by phone,
00:37:23Hey?
00:37:23Ah,
00:37:23Yeah?
00:37:23And what did he tell them?
00:37:24Well,
00:37:25nothing,
00:37:26because I had one
00:37:27that he was pointing
00:37:27with the gun
00:37:28and he couldn't speak either.
00:37:29Exact.
00:37:29But what happened?
00:37:30With security cameras
00:37:31We have seen that there is an injured person.
00:37:33Don't worry,
00:37:33He is one of the assailants.
00:37:34Oh,
00:37:34Mother!
00:37:35Oh,
00:37:35My God!
00:37:36Well,
00:37:37good?
00:37:38Good,
00:37:38Clear,
00:37:38Of course, that's fine.
00:37:39We just spoke with them
00:37:40and they have agreed to let a doctor in.
00:37:41Well, there's a health center here,
00:37:43I know the doctors,
00:37:44If you wish, we can accompany you.
00:37:44to find one.
00:37:45Yeah,
00:37:45Uli,
00:37:46Uli,
00:37:46perfect,
00:37:47come with me.
00:37:51Who is it?
00:37:52Not even God should move.
00:38:04Yeah.
00:38:08Yeah,
00:38:08Yeah,
00:38:09mother,
00:38:09I'll be right there.
00:38:10No,
00:38:11listen,
00:38:12I've had to go through
00:38:12through the center
00:38:13to pick up some things.
00:38:15I'm eager too.
00:38:17to see you,
00:38:17mother,
00:38:18I'm fine.
00:38:20Mother,
00:38:20that I haven't run away.
00:38:21Well,
00:38:22I'm coming now.
00:38:23come on,
00:38:23a kiss,
00:38:23bye bye.
00:38:26Let's see.
00:38:29Recommendations
00:38:30after a heart attack.
00:38:34Ulysses.
00:38:35Is that it?
00:38:36Am I dreaming?
00:38:37No,
00:38:37I don't think so,
00:38:38I need you.
00:38:40Am I dreaming?
00:38:41Ulysses,
00:38:42that they are robbing the bank.
00:38:43And what do you want me to do?
00:38:45It's very easy,
00:38:46all you have to do
00:38:47is to enter,
00:38:47attend to the injured person
00:38:48and then convince them
00:38:49that they release the hostages
00:38:50and surrender without resistance.
00:38:53Ah,
00:38:53already.
00:38:54And the police?
00:38:55What is he supposed to do?
00:38:56meanwhile?
00:38:57What is done in these cases,
00:38:58wait outside.
00:38:59Sorry,
00:39:00I was getting some injections.
00:39:01What's happening,
00:39:02Kings?
00:39:03What are you doing here?
00:39:03There's a bank robbery going on.
00:39:04My brother is inside.
00:39:05What do you mean, Reyes?
00:39:06Do you know each other?
00:39:07Of course, man,
00:39:08many years ago.
00:39:09How many years ago?
00:39:10Please,
00:39:10Can we continue?
00:39:11Well,
00:39:12I don't know,
00:39:12I thought that when there was
00:39:13a robbery with Renes
00:39:14the police were calling
00:39:15to a negotiator.
00:39:16Yeah,
00:39:16TRUE?
00:39:17This is my first kidnapping,
00:39:18But don't worry
00:39:19because the thieves
00:39:20They look like amateurs.
00:39:21If with the fans
00:39:23Sometimes it's worse,
00:39:24Doesn't he see that they're getting nervous?
00:39:25and who knows if they'll get on
00:39:26to shoot
00:39:26those who would enter,
00:39:27which doesn't necessarily have to be the case.
00:39:29I go in with him,
00:39:30I am a nurse,
00:39:31I can help.
00:39:31No, no, no,
00:39:32that only one enters,
00:39:32Why would we take the risk?
00:39:33More lives?
00:39:34Ulysses,
00:39:34You have to go in,
00:39:35that we don't know
00:39:35What happened to Tano.
00:39:36Mania,
00:39:37I would go in,
00:39:37really,
00:39:38The thing is,
00:39:39I don't know,
00:39:39I think it's much better
00:39:40that the coordinator enters,
00:39:41No?
00:39:42I?
00:39:43It's clear.
00:39:43Don't shirk your responsibilities.
00:39:44You are the coordinator.
00:39:45They're asking you.
00:39:47Don't be a coward.
00:39:48It's not cowardly.
00:39:48Hey,
00:39:48and as coordinator
00:39:49I have to give myself here
00:39:50taking care of the center.
00:39:51Well, I'm not going.
00:39:52I can come in too,
00:39:53I am a nurse.
00:39:54Okay, then.
00:39:54Let the doctor come in.
00:39:55Come on,
00:39:55one moment,
00:39:57That doctor is me.
00:39:58So I'm coming now.
00:39:59I'm going to get my briefcase.
00:39:59And I'm leaving right away.
00:40:02Did you really study together?
00:40:03Not now,
00:40:04really.
00:40:04Man,
00:40:05one more thing,
00:40:05Dr. Gaitán,
00:40:06The assailants want to be safe
00:40:08that you do not enter armed.
00:40:10Be very careful, okay?
00:40:11And relax,
00:40:11I'll take care of your things.
00:40:13Okay.
00:40:14Dr. Gaitán,
00:40:15You can enter now.
00:40:16Come on.
00:40:26Attention,
00:40:27please.
00:40:27The doctor is going to enter the hospital.
00:40:29Please,
00:40:30Don't shoot.
00:40:31I repeat,
00:40:31The doctor is going to enter the hospital.
00:40:33Please,
00:40:34Don't shoot.
00:40:35Sacata,
00:40:36No,
00:40:36Uli.
00:40:37Luck.
00:40:39Civil redemption comes in.
00:40:46Have they scared me to death of heaven?
00:40:51Wake?
00:40:52Hello,
00:40:53Uli.
00:40:54Still.
00:40:55Please,
00:40:56please,
00:40:57Don't shoot me,
00:40:57that I am the doctor.
00:40:59But,
00:40:59What are you doing with that gun?
00:41:00And what are you doing in your underwear?
00:41:02Fuck,
00:41:02Well, that's what the sec... asked for
00:41:04Go on,
00:41:04that?
00:41:05Go on,
00:41:05Look for it so it can travel in the briefcase,
00:41:06I'm not carrying anything.
00:41:07No,
00:41:07don't worry,
00:41:08come on,
00:41:08I trust him.
00:41:09Come on,
00:41:09You have to pay attention to the movie,
00:41:10who is losing a lot of blood.
00:41:12Wake,
00:41:12I didn't know you were here.
00:41:14Are there any other injured people?
00:41:15No,
00:41:15No,
00:41:15No,
00:41:15movie only.
00:41:16Oh,
00:41:16God,
00:41:17I had forgotten how good you look.
00:41:19This hurts a lot,
00:41:20Hey?
00:41:21Yeah.
00:41:21Fuck,
00:41:22go on,
00:41:22What a mess you've made out there.
00:41:24When your sister finds out, you'll see.
00:41:25Well,
00:41:25If you don't tell him...
00:41:27The turnstile has stopped the moragia,
00:41:28But the bullet has to be removed.
00:41:29We have to stay here.
00:41:30Already,
00:41:30I'm not moving from here.
00:41:32We've ordered a motorcycle and some cash.
00:41:33We have asked for 20 million.
00:41:35Was it peseta currency?
00:41:36And until they give it to us,
00:41:38Well, we're not leaving.
00:41:39Let's see,
00:41:39Tano,
00:41:40If they don't give it to you,
00:41:41You know what you're going to do.
00:41:42Doctor,
00:41:43Take the bullet out right here.
00:41:45If I go out that door,
00:41:46They're taking me to jail
00:41:46And I don't want to go to jail,
00:41:48you understand me?
00:41:49More than you think.
00:41:50Are you going to remove the bullet?
00:41:52Here?
00:41:52Yeah,
00:41:53It's not very deep.
00:41:54And you're going to help me.
00:41:57Give me the scissors.
00:41:58Go ahead,
00:41:59that I am prepared.
00:42:00Go ahead,
00:42:01that I am prepared.
00:42:01Sanlú?
00:42:03I'm ready.
00:42:04Go ahead,
00:42:05go ahead,
00:42:05that I am prepared.
00:42:07Just a moment,
00:42:08Just a moment,
00:42:08that I'm not ready.
00:42:09Just a moment.
00:42:11Now I'm ready.
00:42:12Now,
00:42:12come on,
00:42:12goes,
00:42:13go ahead,
00:42:13go ahead,
00:42:13still,
00:42:14that I'm not ready
00:42:14Not even close.
00:42:15I am prepared for this,
00:42:16Okay?
00:42:17Now I'm ready.
00:42:18Goes,
00:42:19go ahead,
00:42:20goes,
00:42:20go ahead,
00:42:21go ahead,
00:42:22I'm ready.
00:42:22And then you give me sick leave.
00:42:24This time, yes.
00:42:25But Pelé,
00:42:25If you don't have a job,
00:42:26fuck,
00:42:27when it is not a thing,
00:42:28It's another one.
00:42:29Come on,
00:42:29I'm going to cut.
00:42:30Goes,
00:42:31goes,
00:42:32Come on.
00:42:33Oh!
00:42:33Wow!
00:42:34Pedrillo,
00:42:36fuck!
00:42:37Aaah!
00:42:39I'm cutting the pants,
00:42:41Pelé.
00:42:41Fuck,
00:42:42still cutting the pants,
00:42:43Oh my God.
00:42:48Ulysses?
00:42:49Yeah?
00:42:50Who are you?
00:42:50No,
00:42:51Ulysses cannot be played right now,
00:42:52Is it important?
00:42:53Very,
00:42:53very important.
00:42:54I have the whirlpool technician here.
00:42:56waiting for me to decide where to install it.
00:42:57Are you going to see him now?
00:42:58Hey,
00:42:59Yeah,
00:42:59Well,
00:43:00I think so,
00:43:00I don't know.
00:43:01Also ask him if he wants us to install a telephone in the hot tub.
00:43:04Hey?
00:43:04The TV already has it built in.
00:43:06Okay,
00:43:06Is there anything else the gentleman wants?
00:43:08Sorry?
00:43:09Do you think that's not enough?
00:43:10Hey,
00:43:11Don't forget to ask him.
00:43:12Hey?
00:43:12It's a matter of life or death.
00:43:14I've made a fool of you
00:43:15And to think he was with my mother.
00:43:17What's that horse-faced guy saying?
00:43:18How's it going?
00:43:19I found out during a confession
00:43:21and I came as soon as I could.
00:43:22Ulysses is inside,
00:43:22There is one injured person.
00:43:23So I say late.
00:43:24Late what?
00:43:25You're going to be the mediator,
00:43:27But I'm going to talk to the police.
00:43:28Has the press arrived?
00:43:30Well,
00:43:30Hey,
00:43:33this?
00:43:34Everything that looks at me!
00:43:36Oh,
00:43:36They don't look at me!
00:43:37They don't look at me!
00:43:46Here it is!
00:43:53He's starting to become an expert, huh?
00:43:56Yeah!
00:43:59This is yours!
00:44:01Oh,
00:44:01It's been so hot!
00:44:03Clear,
00:44:03how I'm dressed.
00:44:04You're the best, huh?
00:44:06You are the best,
00:44:06He's the best.
00:44:07He needs to be evacuated anyway.
00:44:09No, yes,
00:44:09Yes, I'm in.
00:44:10But he doesn't want to.
00:44:11No, I'm staying.
00:44:12See?
00:44:12This one, sell it here.
00:44:13Yeah.
00:44:14Tana,
00:44:15Come here for a moment.
00:44:16Let's see,
00:44:17Tano,
00:44:17This is crazy.
00:44:18Please,
00:44:18release the kings.
00:44:19I'll stay, okay?
00:44:20The police will treat you the same way.
00:44:21with someone you know.
00:44:22Excuse me,
00:44:22Dr. Gaitán,
00:44:23may come,
00:44:24that my grandmother is a little unwell.
00:44:27What's wrong with him?
00:44:28He has hypertension.
00:44:29and he hasn't stopped sweating.
00:44:30I think he's not understanding anything.
00:44:32Ah.
00:44:32Luis,
00:44:33What is this man doing?
00:44:34Stay still,
00:44:35grandmother,
00:44:35who is taking your blood pressure.
00:44:36It's very bad.
00:44:38Already.
00:44:38And he has to do it in his underwear.
00:44:40That way I'm sure I have a high one.
00:44:43My God,
00:44:43Tano,
00:44:44This woman is in a terrible state.
00:44:45We have to get her out of here.
00:44:47And Estela too.
00:44:48I?
00:44:49If I'm not sick.
00:44:50Already,
00:44:51But you're pregnant.
00:44:53Oh,
00:44:53Yeah,
00:44:53Yeah,
00:44:54Tano,
00:44:54Yeah.
00:44:55Come on,
00:44:55Okay,
00:44:56come on,
00:44:56Okay,
00:44:56Let them leave.
00:44:57Let them leave.
00:44:57But you have to do me a favor,
00:44:58Okay?
00:44:59Now when you get out, tell the police I'm dangerous.
00:45:01Okay?
00:45:01And that I almost killed you,
00:45:03Okay?
00:45:03And if they don't do what I ask,
00:45:05I'm going to start shooting here,
00:45:06Okay?
00:45:07OK,
00:45:08Tano.
00:45:08Otherwise I'll be screwed.
00:45:09Yeah,
00:45:09but...
00:45:09And when you see Baña,
00:45:11When you see Baña,
00:45:11You tell her that I'm doing all this for her,
00:45:13Okay?
00:45:14I'm doing it for her and for the child.
00:45:15especially for the child.
00:45:16Okay.
00:45:16Okay?
00:45:17Okay?
00:45:17No,
00:45:18No,
00:45:18No,
00:45:18It's best not to say anything to him.
00:45:19No,
00:45:19it's me,
00:45:20Okay?
00:45:20I am the only one to blame.
00:45:21Tell him I'm doing all this for myself.
00:45:23Okay?
00:45:23That she has nothing to do with it.
00:45:24OK,
00:45:24Tano.
00:45:24Whatever you do,
00:45:25Everything is going to go wrong.
00:45:26But I'm telling you,
00:45:36I'm sorry,
00:45:37I really do, for myself
00:45:38I wouldn't leave
00:45:39Why miss the ending?
00:45:41But it's because of the baby.
00:45:42And of course,
00:45:43as we are currently going
00:45:44everywhere together,
00:45:45Well, that's it.
00:45:47Tano,
00:45:47Tano,
00:45:48Tano,
00:45:49no more shots,
00:45:49please.
00:45:51And you,
00:45:51Pelé,
00:45:51Good luck.
00:45:55Attention,
00:45:55exit from R.N.
00:46:00It's coming out now.
00:46:00boy,
00:46:01It's coming out now.
00:46:02And that brother,
00:46:03who is it?
00:46:03The most handsome doctor
00:46:04throughout the health center.
00:46:05But he makes underwear.
00:46:06Go on,
00:46:07But if that's Estela,
00:46:08when Estela entered.
00:46:09I don't know,
00:46:10but as long as they can paint the monkey.
00:46:11Everyone knows each other here,
00:46:13I like this,
00:46:14camaraderie,
00:46:15friendship,
00:46:15sharing everything.
00:46:17Hey,
00:46:17Won't Luis be inside too?
00:46:19Shut up,
00:46:19man,
00:46:19be quiet,
00:46:19that they are asking him.
00:46:20I am Estela Miralles,
00:46:22social worker at the health center
00:46:24from Arroyo Pingarrón
00:46:25And I just left.
00:46:26The first thing I want
00:46:27It's about sending a message of reassurance.
00:46:29for the families
00:46:30of the people who are still...
00:46:32That is Father Jesus.
00:46:33That's not a priest.
00:46:33It is like the Holy Spirit,
00:46:34It's everywhere,
00:46:35at mass and replying.
00:46:36...that we will arrive soon
00:46:37to an agreement.
00:46:38And furthermore,
00:46:38from here,
00:46:39appeal.
00:46:41Fuck,
00:46:41dude,
00:46:42It comes out to him often without thinking.
00:46:44My cousin is something else!
00:46:44when he has in front of him
00:46:45half a dozen microbuses.
00:46:46They're going to get away from her.
00:46:47Any questions?
00:46:49No questions?
00:46:51No,
00:46:52Well,
00:46:52I'm going to introduce you
00:46:53to the true hero
00:46:55of this story.
00:46:56Follow me.
00:46:56He is
00:46:57Ulises Gaitano.
00:46:59Yeah,
00:46:59Yeah,
00:47:00Uli,
00:47:00Tell him,
00:47:02Tell him.
00:47:03No,
00:47:03For God's sake,
00:47:03that she doesn't get dressed.
00:47:05No,
00:47:05No,
00:47:06No,
00:47:06No,
00:47:06No.
00:47:07Please.
00:47:08I'm perfectly fine,
00:47:09Jesus,
00:47:09please.
00:47:10I had no idea.
00:47:10that you were in there.
00:47:11It's just that I don't have
00:47:12that ask you for permission
00:47:13not even to go to the bank
00:47:13nor to go anywhere.
00:47:15Wake,
00:47:15I was just worried about you.
00:47:16Don't worry,
00:47:17Don't worry.
00:47:18The father has entered
00:47:19of my son
00:47:19and it got us out
00:47:20to both safe and sound.
00:47:22Okay.
00:47:23Well,
00:47:23wait,
00:47:23Is there anything I can do for you?
00:47:24No.
00:47:26Well,
00:47:26Buy tomorrow's newspapers
00:47:27that you will love
00:47:28my statements.
00:47:36At the neighborhood branch.
00:47:37Do you think so?
00:47:38And shooting.
00:47:39The thing is...
00:47:41It's my fault.
00:47:42I asked him to go to the bank.
00:47:44You?
00:47:45To apply for a loan,
00:47:46but in a good way.
00:47:47And he thought that was much better.
00:47:49if he did it with a gun.
00:47:50But not,
00:47:50man,
00:47:50no,
00:47:50which was not the case.
00:47:52Look,
00:47:52They both went in
00:47:53with some hideous masks.
00:47:54Plastic ones.
00:47:56Pelé wore
00:47:57Bush's
00:47:57and Tano, the one from Bin Laden.
00:48:00Or was it the other way around?
00:48:01Oh, it doesn't matter.
00:48:01Keep going, keep going.
00:48:02How can it be the same?
00:48:03Bush vs. Bin Laden?
00:48:04Well,
00:48:04I can argue with that.
00:48:05But another time.
00:48:06Go on.
00:48:06Well,
00:48:07They also carried pistols,
00:48:08But made of plastic, right?
00:48:10The thing is, I was
00:48:10there Luisita,
00:48:11the pitañosa,
00:48:12the one from Tahu.
00:48:13She's doing her own thing.
00:48:14And that was for real.
00:48:15And all that jazz
00:48:16strong
00:48:16and a fight
00:48:17And in the end, Pelé lost out.
00:48:18The poor man.
00:48:20Oh, you see?
00:48:20Pelé wore Bin Laden's.
00:48:22Come on,
00:48:22that Tano ended up hitting him
00:48:23A shot in the leg, Pelé.
00:48:24Yeah.
00:48:25Oh,
00:48:26that I have,
00:48:26Oh my God.
00:48:28Forgive me,
00:48:29White,
00:48:29Eduardo is there
00:48:30with the child
00:48:30who has a whimper
00:48:31that will infect you
00:48:32to all patients.
00:48:33What's happening?
00:48:34Come on.
00:48:37All good?
00:48:38The bank robbery?
00:48:40He was my brother.
00:48:41The Italian?
00:48:41Tano.
00:48:42Fuck,
00:48:42I knew he was a crook,
00:48:43but not to that extent.
00:48:44Well, there you have it.
00:48:45What, what,
00:48:45what's happening?
00:48:46Do you know Tano too?
00:48:47To Tano,
00:48:48ever since I was a child,
00:48:48when she and I started dating.
00:48:51By the way,
00:48:52Bania,
00:48:52from this,
00:48:52not a word to my mother,
00:48:54please,
00:48:54If you call yourself from the ship,
00:48:55You're pretending,
00:48:56Don't let him find out anything.
00:48:57I've become very ill.
00:49:01Well,
00:49:02We all have things to do,
00:49:03No?
00:49:04For a start,
00:49:05try to get my brother
00:49:06Get out of this
00:49:06as best as possible.
00:49:10Peaceful,
00:49:10aunt,
00:49:11really,
00:49:11Don't worry,
00:49:12that everything will be alright,
00:49:13oh really.
00:49:13Thank you so much.
00:49:14And for anything
00:49:15I'm in the treatment room.
00:49:16Okay.
00:49:17That,
00:49:17by the way,
00:49:18a conservator.
00:49:19I bet you're still using the same cologne, right?
00:49:21yes?
00:49:21Well yes.
00:49:24Bye.
00:49:25Bye.
00:49:28Were you two a couple?
00:49:29Yeah.
00:49:31But come on,
00:49:32I don't think I have to give you any explanations now.
00:49:34No no.
00:49:34And it's not the right time either.
00:49:35from you asking me for them.
00:49:42Do you have a fever again?
00:49:43Already,
00:49:44It's your fault
00:49:44for allowing him to sleep in our bed.
00:49:46We must have infected him with some virus
00:49:47and the poor thing,
00:49:47Since it has no defenses...
00:49:49Poor,
00:49:50He's covered in snot.
00:49:51Hey,
00:49:51I have to go.
00:49:52really...
00:49:53Oh,
00:49:53No,
00:49:54Eduardo,
00:49:54No,
00:49:54a favor,
00:49:55nothing else,
00:49:55a favor.
00:49:55Well,
00:49:56Okay.
00:49:56Take him for a little walk
00:49:56until his fever goes down.
00:49:58No,
00:49:58no,
00:49:58that I can't.
00:49:59Please.
00:50:00Well,
00:50:01Okay,
00:50:01a little stroll,
00:50:02But I'll be right back.
00:50:03Hey?
00:50:04Well,
00:50:04Just call me with whatever it is.
00:50:06When am I coming?
00:50:07What if we hire Eduardo from Kangaroo?
00:50:09Yeah,
00:50:10Yeah,
00:50:10She has enough on her plate with her children.
00:50:11And furthermore,
00:50:12that insecurity of yours
00:50:13transmits it to the child
00:50:13And that's not going to be good.
00:50:14Well, I'll put a postman out there.
00:50:15And that's it.
00:50:16Among so many patients
00:50:17There must be some mother
00:50:18who knows how to take care of a child
00:50:19as it should be,
00:50:20No?
00:50:20So,
00:50:21either way,
00:50:21the first one that passes by.
00:50:22You,
00:50:23Do you want to keep this child?
00:50:24Cry a little,
00:50:25You'll see.
00:50:26A little seriousness,
00:50:26Blanquita.
00:50:27Goatherd,
00:50:27Well, without Kangaroo we can't go on.
00:50:29Well, we'll have to do it
00:50:29a selection of candidates,
00:50:31No?
00:50:32Interview them
00:50:32and make a decision
00:50:33reasoned and responsible.
00:50:34Come on,
00:50:35I say so.
00:50:35That.
00:50:36Well, I'm looking for the candidates.
00:50:37and you conduct the interviews with them.
00:50:38Okay,
00:50:39I'll take the one that's the best.
00:50:40Mwah!
00:50:41Mwah!
00:50:42Mwah!
00:50:44Mwah!
00:50:47Mwah!
00:50:53Mwah!
00:51:11Let's suppose the child starts to cry
00:51:13simply because he wants you to take him.
00:51:15What would you do?
00:51:16Would you give in to his whims even if it spoiled him?
00:51:18Or would you let him cry even if it took all night?
00:51:21I don't know.
00:51:22I just can't stand people who cry.
00:51:26Do you think children need to be fed?
00:51:28at any time they request it
00:51:29Or do we have to be strict about the schedule?
00:51:31Even if they go hungry?
00:51:32I don't know.
00:51:33Make up your mind?
00:51:34Well yes.
00:51:36Yes, what?
00:51:36Look, I think that human beings are overfed.
00:51:39Just pretend you have to put the child to sleep
00:51:41And you have a CD with Beethoven sonatas,
00:51:44Do you have a La Oreja de Van Gogh album?
00:51:47Or do you have one by Led Zeppelin?
00:51:48What would you put on it?
00:51:49Led Zeppelin.
00:51:51Okay, reggaeton?
00:51:55Jamaica.
00:51:56Which Jamaica?
00:51:57No, no, not Jamaica.
00:51:59Fell...
00:52:00I don't know what I'm saying.
00:52:01Well, whatever, man, let him choose the pilot.
00:52:03But it has to be a beach with palm trees
00:52:06and full of naked black women.
00:52:09Many.
00:52:09Lots and lots.
00:52:10Like a guinea pig farm, but only black ones.
00:52:12And naked.
00:52:14Yeah.
00:52:15Well, dude, the first thing we do is invite them out to dinner.
00:52:18To all of them, huh?
00:52:19To all.
00:52:20There he was with his wine and his little ham.
00:52:22and then we took her out partying.
00:52:24To reggaeton.
00:52:25There, snuggled up.
00:52:27No, Tano.
00:52:28I don't like reggaeton.
00:52:29And what do you want the black women from Sevillanas to dance?
00:52:33Heavy, Tano.
00:52:35They have to dance heavy metal.
00:52:37I like heavy metal.
00:52:41The girls are hungry.
00:52:43No, no, no, the other way around.
00:52:45Two ham and four tortilla.
00:52:48Mr. Bus.
00:52:49Tell me, crybaby.
00:52:50Can I change?
00:52:50I prefer tortilla.
00:52:52Okay, then let's make it five tortillas.
00:52:54And one of ham.
00:52:55And another one with ham.
00:52:56With lettuce and tomato.
00:52:57With lettuce and tomato.
00:52:58Natural tomato.
00:52:59Natural.
00:53:00And my sister should bring them, okay?
00:53:01I don't want to see a hair on your heads.
00:53:02Well, this is a botched job.
00:53:04of all the food poisoning I've had in my life.
00:53:06This is the worst, by far.
00:53:08Look, how easy it is to criticize.
00:53:10Let's see how you did it.
00:53:11Let's see.
00:53:13You do this for money, don't you?
00:53:15Well, I can't give you money, I mean money.
00:53:18But a personal loan with very low interest.
00:53:20A loan.
00:53:22To drink beer and Coca-Cola.
00:53:24Canned is better, yes.
00:53:26And why would I want a mortgage if I'm going to end up in jail?
00:53:28No way, man, no way.
00:53:29That will pass.
00:53:30That passes.
00:53:31And your girlfriend, with that money, can buy an apartment
00:53:33and wait until you come out, okay?
00:53:35So...
00:53:36Stop talking nonsense
00:53:39And give me that gun.
00:53:44No, the gun, Tano, the gun.
00:53:58You just can't be good, huh?
00:54:01Okay, Tano, let's see if I'm a little more careful with the gun, okay?
00:54:04I'm fed up with all this random shooting.
00:54:06What do I do about all the bad things?
00:54:08Look, they're going to come in here and shoot you.
00:54:11And you.
00:54:12To you.
00:54:13To you.
00:54:15Savings bank, your dream, is our project, tell me.
00:54:17Oh, sorry, it's just a habit.
00:54:20The police?
00:54:20The police?
00:54:21Do they already have the motorcycle?
00:54:22The thief says they already have the motorcycle, but not yet.
00:54:24Well then, no.
00:54:25Not at all, not at all, not at all, not at all, no.
00:54:27Tell them to call and let them know when they have it.
00:54:28The thief says he can't get on right now.
00:54:30asking if he doesn't mind if I call back later.
00:54:32He is currently discussing a mortgage with the director.
00:54:34See you later.
00:54:42And if the police come, you'll be the first one to fall.
00:54:48Everyone on the ground.
00:54:50Come on, hurry up.
00:55:12Well, your ferritin levels are sky high.
00:55:14red blood cells like flying saucers.
00:55:16You have too much iron, Marisca.
00:55:18I, Marisca.
00:55:19Yes, Marisca, too much iron.
00:55:22Iron.
00:55:22Yes, that's genetic.
00:55:24Your parents should already have it, okay?
00:55:26And your children, if you have any, need to be tested.
00:55:28Do you have children, Marisca?
00:55:29Tak, Marisca has two children, Krakow, doctor Cabrero.
00:55:33Goatherd no, goatherd.
00:55:36Goatherd.
00:55:37Okay, look, we're going to do the following.
00:55:38We're going to draw blood to remove iron.
00:55:42What iron?
00:55:42Yes, bad iron.
00:55:43Iron out, out.
00:55:44Out.
00:55:45Do you understand me?
00:55:47Bad iron, seafood out.
00:55:49Tak.
00:55:50Yes, sorry.
00:55:51I'm going to call Charlie, okay?
00:55:53Hey, don't stare so much, man, there's nothing but food in the sandwich.
00:56:01I'll make one for you, okay?
00:56:02No, I'm on duty.
00:56:04They look good.
00:56:05Of course.
00:56:06Please state in the press release that they are special sun and shade sandwiches, okay?
00:56:10We don't have to waste time advertising ourselves, Gloria.
00:56:12Yeah, man, you're a sweetheart, you're on top of everything, huh?
00:56:15Look, this one's for Pelé, with his lettuce and his little tomato, just the way he likes it.
00:56:19Give it to him for me, okay?
00:56:20Gloria, are your potatoes burning?
00:56:22Hey, by the way, aren't the robbers going to get anything they're asking for?
00:56:25Yes, potatoes.
00:56:27Oh, I'm coming, man, I'm coming.
00:56:45Oh, calcifications.
00:56:47You're going to pee in pain, kid.
00:56:49Father, let me put this one.
00:56:50I don't know what's wrong with it, but there's no sound.
00:56:51Yes, but you have to give it back, okay?
00:56:53How did it go with the girl afterwards?
00:56:54Did you buy a suitable one?
00:56:55Well, the truth is, no.
00:56:56Well, there was one, a certain...
00:56:58Monica.
00:56:59And that one?
00:56:59These are some notes I took while doing the interviews.
00:57:01Let me.
00:57:02No, leave me alone, these are things that...
00:57:03Let me see the interview notes, man.
00:57:06Lula, irresponsible, looks like a psychopath, brand, crazy.
00:57:09This one is capable of putting us in the microwave, but that's just unbelievable.
00:57:11Monica, you silly girl...
00:57:12It doesn't matter.
00:57:13Let me see, kid.
00:57:16She's a total idiot, but she's hot.
00:57:18So this is it, right?
00:57:20Yes, this one, this was the one you liked best.
00:57:22You just can't read my handwriting.
00:57:23It says here, this one is good.
00:57:24In other words, he had a good predisposition.
00:57:26Oh, please.
00:57:28Okay, so what do we do?
00:57:29Well, we'll have to keep looking, won't we?
00:57:31But don't get your hopes up too high, because the best babysitters in the neighborhood are all in other, more upscale areas.
00:57:35Well, she'll have to go back to daycare.
00:57:37No.
00:57:37Yeah.
00:57:38No.
00:57:38What do you mean, no?
00:57:39What do you mean, no?
00:57:39But if there are millions of children who go to daycare, nothing has to happen to him.
00:57:42I just don't like them going to daycare.
00:57:43Look, I spent my time at home, with my grandmother, until I was three, until I was four, no, until I was eight
00:57:49years.
00:57:49That's why you turned out so spoiled.
00:57:51Ah, so now it turns out I'm the one who's spoiled.
00:57:53Honestly, Blanca, it breaks my heart to leave him in a daycare.
00:57:56And me, and me.
00:57:58Well, let's keep looking until we find one.
00:58:00And if we can't find her, then yes, okay? To the daycare.
00:58:02That.
00:58:05He gives the weight to Monica.
00:58:10Well, that's it.
00:58:12The truth is, I love playing a vampire.
00:58:14Vampire.
00:58:15Look, I do this every week, a quarter of a liter and I'm as good as new, eh, Marisca?
00:58:19The pity is that we can't donate it.
00:58:20So much production, for nothing.
00:58:22Hey?
00:58:23Don't get up so fast, don't get up so fast.
00:58:24Seafood.
00:58:25Hey?
00:58:25No?
00:58:26Slowly, Marisca.
00:58:28Come on, let's go.
00:58:29Slowly, okay?
00:58:30Hello hello.
00:58:32Sit down.
00:58:33Are you OK?
00:58:34Good, Marisca.
00:58:35Good.
00:58:35Are you sure?
00:58:36Good.
00:58:36Okay.
00:58:37Do you know what would be good for you right now?
00:58:39You go to the bar across the street and order a ham sandwich.
00:58:41Hey?
00:58:41Ham.
00:58:42Ham.
00:58:42Marisca, with me.
00:58:44Ham.
00:58:45Ham.
00:58:46That is.
00:58:47Wow!
00:58:48That's for anyone.
00:58:49Come on.
00:58:49Take care, okay?
00:58:53He is about to enter the bank headquarters...
00:58:56Gloria, please give me a small bottle of water.
00:59:00Of course.
00:59:01To my goatherd, this is what it takes.
00:59:04No, it's for me.
00:59:05I can't take it anymore.
00:59:06I don't know how many kilometers I've already driven and this one...
00:59:08Shut up!
00:59:08A little silence, please.
00:59:10Well, for once the neighborhood's on TV...
00:59:12It has to be an image-driven mess, taboo.
00:59:15The important thing is to excel at something.
00:59:17We need to find you for a while, Estela.
00:59:20Estela, I'm not pregnant.
00:59:22Oh, how lucky, please.
00:59:23Nacho, well I thought he wasn't there, but it turns out he wasn't.
00:59:26It must have been psychosomatic.
00:59:28I've made up a story.
00:59:30AND?
00:59:31Well, I just have to say to Tano.
00:59:34Oh, well, we'll tell Reyes and he can tell her when she comes in, let's go.
00:59:38Come on.
00:59:39Come on.
00:59:40So these are the new things, aren't they?
00:59:42I got choked up.
00:59:44Good afternoon.
00:59:45What are you going to have?
00:59:46Giamón.
00:59:47Uh, sandwich, small sandwich, tapa or portion.
00:59:50Giamón.
00:59:51Well.
00:59:54Come on, everyone be prepared, let's go.
00:59:59Do you have any new bands?
01:00:00Does he want to be quiet?
01:00:02We went in.
01:00:04The situation outside the bank headquarters remains stable.
01:00:08There is still no news about the...
01:00:09He looks really handsome on TV, cousin.
01:00:11I'd better not talk now.
01:00:13Is something wrong?
01:00:14No, buddy, I'm fed up with being stuck here.
01:00:17I'm even short of breath, buddy.
01:00:19I don't know if the doctor is rationing it for me, but I'm even having trouble breathing.
01:00:22Listen to me, Ray.
01:00:23Please calm down and try again now.
01:00:25No, I just don't dare.
01:00:26Let's see if I've started again with the tunnel thing, with the light, because if I
01:00:29I move closer to the light, because if I move away from the light, I'll get confused, damn it.
01:00:32And another thing I wanted to tell you is, why have I spent so much money on you if you don't reciprocate?
01:00:37Can you be here with me?
01:00:38Look, Ray, as soon as I can I'll come see you at the hospital, but now I really...
01:00:42I can't go.
01:00:43Well, that's true, cousin.
01:00:44By the way, I wanted to tell you something else, I want to leave you something.
01:00:48Something?
01:00:49You can enter now.
01:00:50Come on.
01:00:51Ray, I'm so sorry, but you have to let it go.
01:00:52Bye bye.
01:00:54Hi!
01:00:56Damn it, it's always the same.
01:00:58Okay, that's enough, you have to go in.
01:00:59I'm not saying yes.
01:01:00Hands up, hands up.
01:01:01Luck!
01:01:02Please don't shoot!
01:01:04Oh, how crazy!
01:01:06Just bites.
01:01:08I went in, but didn't close it.
01:01:09Unaña?
01:01:09You can close now.
01:01:10But how did you let her in?
01:01:12So nervous, you wouldn't believe how worried she is.
01:01:15Alright?
01:01:16How are you, Pelé?
01:01:17About what?
01:01:18About your own stuff.
01:01:20Of the casualties?
01:01:21Don't mess up your leg, will you?
01:01:23Tuchini, who is not pregnant.
01:01:26As?
01:01:27And what about you?
01:01:28Are you stupid?
01:01:29What's the matter?
01:01:29What are you doing?
01:01:29Hey, if you've come to give me talks, you know.
01:01:32No, I've only come to hand out the sandwiches, I'm telling you.
01:01:34That?
01:01:35So what then?
01:01:36No, I'm not going to do anything to you.
01:01:40Reyes, give me a beer.
01:01:43Kings.
01:01:45Reyes, a beer, please.
01:01:49Alcohol-free?
01:01:50Are they all alcohol-free?
01:01:52That's all I needed.
01:01:54But seriously, Tano, what do you think you are?
01:01:55Is this a party or what?
01:01:57Look at the mess you've made, just wait until your mother finds out.
01:01:59You'll see.
01:02:00I'm sorry.
01:02:02And where is the mother?
01:02:03I hope that during his training course in Valencia.
01:02:05It's best if he doesn't find out.
01:02:06When I get out, I'm going to put the mask back on.
01:02:08I'm just embarrassed for the people in the neighborhood to see me.
01:02:10But are you going out?
01:02:11How should I know?
01:02:12He has lost a lot of blood.
01:02:14I can't open the wound here, we need to do a transfusion.
01:02:16A transfusion?
01:02:17Yeah.
01:02:18A transfusion?
01:02:19Hey, we need to get you out of here as soon as possible, okay?
01:02:21Well, that's for him to decide.
01:02:23A transfusion?
01:02:25But, I mean, a transfusion, you know, a regular transfusion, what's known as a transfusion, you know.
01:02:29Holy shit, dude, it's a transfusion, yeah...
01:02:31I'm almost leaving, you know?
01:02:33Because I don't want to die in this ugly place.
01:02:35Don't worry, man, they're going to take you to a hospital and you'll be fine.
01:02:38Yes, and you're coming with us.
01:02:40Yes, man, let them come and get me if you want.
01:02:42But, Tano, what are you saying?
01:02:43You have the motorcycle outside, right?
01:02:45Either you get on board or you escape.
01:02:46It's one of two things, but you're not staying here.
01:02:47No, if you like, little sister, let's have more people come in and we'll have a vote.
01:02:50Look, I'll just tell you one thing.
01:02:51Reyes, please help me change the bandage.
01:02:53Take.
01:02:55We'll take it.
01:02:55Where?
01:02:57To have a transfusion.
01:02:58A transfusion?
01:03:08Are you sure he can eat, Dad?
01:03:10He doesn't eat it.
01:03:11He plays with it, licks it, turns it over.
01:03:13And tell him not to swallow it.
01:03:16Did you just swallow it?
01:03:17Oh no, oh no.
01:03:18Throw it away, throw it away.
01:03:19Come on, Luisito, throw it out.
01:03:20Throw it away.
01:03:21Luisito.
01:03:21But, kid, let it go, but do something, Eduardo, do something.
01:03:25Don't make me nervous, damn it.
01:03:26Here you go.
01:03:26No, no, no, look at my...
01:03:27Please, no, no.
01:03:28I'm not talking about my character.
01:03:29Luisito, because of your character.
01:03:30Tomisi, huh?
01:03:30Tomisi, huh?
01:03:31Tomisi, huh?
01:03:32No, no, no.
01:03:32No, no, no, no.
01:03:33No, no, no.
01:03:33Luisito, breathe, breathe.
01:03:35Inside or outside.
01:03:36Inside.
01:03:38Damn, that makes it seem easy.
01:03:43This chick's got it down, huh?
01:03:47Just like his father.
01:03:48Just like his father.
01:03:49That's it, it's over, it's over, it's over.
01:03:52And what do I leave Jonathan?
01:03:54The slot machines, which excite him.
01:03:55It's true.
01:03:57And you?
01:03:58I don't want anything.
01:03:59You're so big, this feline, damn it.
01:04:01I wanted to ask you a favor, man.
01:04:03If something happens to me, take care of my mom.
01:04:05She's very stubborn and could get into a fight with Natasha.
01:04:09But you look as good as new.
01:04:11This was quite a scare.
01:04:14Nothing's going to happen to you, damn it.
01:04:19That's it, that's it, my dear.
01:04:21That's it, that's it.
01:04:22That's it, that's it, that's it.
01:04:25That?
01:04:26How are we?
01:04:27Very good, very good.
01:04:29He made me pee, I've been holding it in here for a long time.
01:04:32No, but he doesn't talk like that in front of my mom, it makes me happy, no, damn it.
01:04:37Hey, you look really bad, don't you?
01:04:38Oh, the truth is like a fist, daughter, you have so little tact.
01:04:41And I'll talk to your doctor, because the Macarena is exhausted, so I'm staying here tonight.
01:04:45Of course, and Raimundito called me before that too.
01:04:48You know nothing, mother, except hunger.
01:04:50Hey, it's normal, he's your oldest son.
01:04:51Almost like twins?
01:04:52No.
01:04:53He is Salazar from Punta Raba.
01:04:55Okay, look.
01:04:57Here, Mom.
01:04:58Read this, you've been enjoying reading it lately.
01:05:01Rapier?
01:05:01The will.
01:05:02You got your way, daughter.
01:05:04And it's going to happen with things, and you'll do it right.
01:05:08Okay, I'll leave the slot machines to the breaded one.
01:05:14Thank you, illusion, man.
01:05:15And to Ceferino, all the cars.
01:05:18As?
01:05:21But seriously, how could you do this to me?
01:05:23Mom, Luli will know how to manage it perfectly.
01:05:25But Luis is a stranger.
01:05:26Well, Mom, Ceferino told me that's called an arbacea.
01:05:29But seriously, how could you leave the houses and money to that quack doctor who doesn't even listen to you?
01:05:33He is the most righteous man I know.
01:05:35Yes, it will be as fair as you want it to be, but you've lost your mind, because only by losing your mind can you...
01:05:39can explain this.
01:05:40Mother.
01:05:40Do you know how long it will take for Natacha to jump down that doctor's throat?
01:05:43That Dr. Gaitán, yes, he may be a very good doctor, all that, but he's a stranger.
01:05:47And we Salazars settle things like Salazars do, not like that no-name doctor Gaitán.
01:05:53Oh!
01:05:54Ray!
01:05:55Ray!
01:05:56Oh, Ray!
01:05:57Ray, my love!
01:05:58Oh, miss!
01:06:00Nurse!
01:06:01Oh, where's the button!
01:06:03Come on, man.
01:06:07Please.
01:06:08What's up, dude?
01:06:09I told the Chinese guy that I would pay for the guns and masks later.
01:06:12Come on, the man is waiting for me.
01:06:15You, remember that, okay?
01:06:17Black women dance heavy metal.
01:06:18Of course, man.
01:06:20Of course.
01:06:25And now you're going alone?
01:06:26Yes, because I can.
01:06:27What's happening?
01:06:28Come on, the idiot is out.
01:06:30Tano, darling, what are you going to do now?
01:06:32Well, for now I'm going to start the motorbike and I'm not going to stop until I reach the sea.
01:06:36What do you think?
01:06:37You're crazy, you know that, right?
01:06:39Of course, little sister, but I've gotten through them all.
01:06:41And this one too.
01:06:42Take care.
01:06:48Hey, cop, you're staying here with me because you're on the list.
01:06:51As?
01:06:51Well then, I'll stay here with you too.
01:06:53No, no, darling, no scenes now, for God's sake, okay?
01:06:56And why are you going to keep this one?
01:06:57Because if I let everyone go, the police won't let me leave.
01:07:00And a pickaxe has more value as a reenactment.
01:07:02Does this have more value than me?
01:07:04Come on, you little rascal, hurry up, pull.
01:07:07Because I'm the only one who's staying here.
01:07:11Of course.
01:07:13Tano, make sure the motorcycle has gas.
01:07:17Come on, go away.
01:07:18Thank you.
01:07:33Hey, dead man!
01:07:33What is it?
01:07:34The people in the neighborhood love you, and that's why they've put up with it.
01:07:36But you're going to have to do all the odd jobs you've allowed them to do, otherwise they'll report you, okay?
01:07:38You're going to be doing odd jobs for three years!
01:07:40That?
01:07:40Hey?
01:07:40That?
01:07:41How many hostages are still inside?
01:07:43Hey...
01:07:43One.
01:07:44A girl, just a girl.
01:07:45Attention, there is still one hostage inside.
01:07:47Move away from the door, let's go.
01:07:49Everyone pay attention!
01:07:52Kid, take that off, please, you're going to have a heart attack.
01:07:54Not even to take a shower, baby.
01:07:56Reyes and Ulises have already left, but Tano has stayed inside.
01:07:59Oh, poor thing, Clara's wearing it.
01:08:01I can't stand it, okay?
01:08:02I'm going to see Luisa.
01:08:04Eduardo, my child, where are you?
01:08:11Look, Cabrero, what do you think?
01:08:13What do you think of Candelina?
01:08:15Well, I don't know how we were going to get along with her.
01:08:18Well, the important thing is how she gets along with the child, right?
01:08:22Dr. Cabrero?
01:08:29My Raimundo.
01:08:30Oh, my Raimundo.
01:08:31It was my fault.
01:08:32Don't say that, okay?
01:08:34Eseferino, have you called Ulysses or not?
01:08:36He doesn't get it.
01:08:50You have to fix the kitchen for me.
01:08:52Yes, okay, I know.
01:09:03They're coming out, they're coming out!
01:09:08Back, come on, everyone back.
01:09:09You're not going to get anywhere.
01:09:11That's what they've always told me, you see.
01:09:13Drop the weapon and surrender.
01:09:14As?
01:09:15What do you mean, I can't hear you?
01:09:19Stay still, or I'll kill her.
01:09:23You don't have it.
01:09:23No, no, no, no, no.
01:09:54Be quiet!
01:09:56Put the gun away, please, I'm a doctor.
01:09:58Tana, how are you?
01:09:58That?
01:09:59Ask if he broke something on you.
01:10:00I don't know yet.
01:10:01Tana, punch me.
01:10:03That?
01:10:03Punch him and run away.
01:10:08Stay still, stay safe, stay still, stay still!
01:10:09Back, back!
01:10:25What are you saying?
01:10:27I don't think I would be there.
01:10:29And you?
01:10:31Are you OK?
01:10:31I'm dreaming.
01:10:37Again?
01:10:38Yeah.
01:10:40I'm sorry.
01:10:44Ray, not now.
01:10:48Again?
01:10:52Okay.
01:10:54Okay, okay, okay, so far.
01:10:56So what did the doctor tell you?
01:10:58Oh, she couldn't beat him.
01:11:00My Ray is a lot of Ray.
01:11:01She has such a big heart that it takes a lot to break it.
01:11:03The doctor, Dolores.
01:11:04What did the doctor say?
01:11:05Ah, he'll be alright.
01:11:06But we have to leave him alone.
01:11:09By the way, for now you no longer have to be the executor.
01:11:12The executor?
01:11:14Uli!
01:11:18So much good stuff here, damn it.
01:11:23He's saved my life again, cousin.
01:11:24Well.
01:11:26That money I spent was well spent
01:11:28so that you're here taking care of me.
01:11:32You're doing well, right, cousin?
01:11:35Yeah.
01:11:36And how wonderful that you're doing well.
01:11:39You need to rest, okay?
01:11:40I made you an oak tree.
01:11:50Hi, Mom.
01:11:52Well, I guess you're asleep here.
01:11:54I've had a very long day and haven't been able to go.
01:11:57But just so you know, I'm okay, alright?
01:11:59And I haven't run away.
01:12:02Okay, I'm sending you a big kiss.
01:12:05Goodbye, Mom.
01:12:06Bye.
01:12:08Bye.
01:12:10Bye.
01:12:11Bye.
01:12:17Uli, come on, let's go.
01:12:19No, no, no, Andrés, please, Andrés.
01:12:21Come on, Uli, we can't sleep here, man.
01:12:22It smells, it smells like paint, doesn't it?
01:12:23Come on, I'll wait.
01:12:24Where are we going?
01:12:24Come on, let's go.
01:12:25Some very nice girls will give us shelter tonight.
01:12:28No, no, no, I'm staying.
01:12:29Some very nice girls will give us shelter tonight.
01:12:31Andrés, Andrés, I'm telling you that I'm staying here, that I'm very...
01:12:33Uli, please don't wrinkle now, please.
01:12:35No, but listen to me, don't let it cost a penny, I haven't glued it, Juan.
01:12:37For me, friend, for me, two girls, four tits, interchangeable, dude.
01:12:40Come on, let's go.
01:12:40No!
01:12:42Do you want something to eat?
01:12:44I'm not hungry, to be honest.
01:12:45Me neither.
01:12:49That?
01:12:50I've stuck something in me here.
01:12:52Oh.
01:12:56What a fool.
01:12:57I didn't put it in without realizing it.
01:12:59Oh, Luania.
01:13:03Tano.
01:13:06Goodbye, girls.
01:13:07I've come out of this one too.
01:13:12We will answer.
01:13:15We'll miss you, won't we?
01:13:17Well yes.
01:13:20Yeah.
01:13:35We'll miss you, won't we?
01:13:37Well yes.
01:13:38I tentatively left.
01:13:43We will miss you.