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Aquellas Maravillosas Series

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Transcript

00:00:05If you're seeing this, it's because I'm no longer with you.

00:00:08To you, José, I want to bequeath the land I inherited from my great-grandmother

00:00:11In Quibuscoa?

00:00:12I'm rich, I'm a rich Basque

00:00:14I am the owner of the clinic where I have lived these past few years

00:00:18Therefore, I want to bequeath it to my son Cristóbal

00:00:21Take that! Take that!

00:00:22Of course, to my beloved wife Maricho

00:00:25I'm interested in my mistress selling

00:00:26It only concerns her and her peace of mind, not us.

00:00:28Darling, forgive me

00:00:30But I've been here for six months looking for work without any results.

00:00:33And I think the sofa is already shaped like my ass

00:00:35Don't worry, my sister is going to sell it.

00:00:36Well, she told me no.

00:00:37That's because she's hurting.

00:00:38But if I talk to her, I swear I'll convince her, like my name is Begoña Galarra

00:00:42Aren't you worried about what the new owners might do?

00:00:44In worse bullrings today, Irosa always came out on top.

00:00:46Let's see how Torea handles the fact that Don Benjumea's son has put the clinic up for sale.

00:00:49What are you going to ask me for?

00:00:51Your semen

00:00:51Why do you think I would accept?

00:00:53Because if you accept, I'll give you Zomaya's house

00:00:55And a little drink, come on, a little drink

00:00:58What did I name you, Celia?

00:01:00I've always wanted a printed bathrobe

00:01:02Hey, I'm talking to myself, has it arrived?

00:01:04Two hours earlier

00:01:05Go with the owners here

00:01:06The assistant position is for one

00:01:07And Gonchone is coming on strong.

00:01:09Not to be a bother, okay?

00:01:10But that crack over there looks really bad.

00:01:13Tell me

00:01:13The thing is, there are two of us, right?

00:01:15For the high view

00:01:15And we're starting to consider the possibility of being three.

00:01:18Carmen

00:01:18It has already disappeared

00:01:20Okay, brother

00:01:20That has been lost

00:01:21They have climbed the mountain

00:01:22And they haven't returned.

00:01:23And her phone has no signal.

00:01:27Now I'm a fist!

00:01:30But sir, this self-proclaimed honoree!

00:01:31And don't touch me!

00:01:32I've come to bring you the structural study report of the premises.

00:01:35Already

00:01:35And what is the verdict?

00:01:37Unfavorable

00:01:38They will have to close.

00:01:39Steels to the idea

00:01:40The clinic is for sale.

00:01:42Not at all.

00:01:43The clinic is not for sale.

00:01:45The clinic is not for sale.

00:01:52Go away!

00:02:22Thank you!

00:02:45Thank you!

00:02:54Oh, I knew it was Carmen

00:02:56He wasn't going to put up with us for long in the North

00:02:58with her mother-in-law's vinegar

00:03:01Ostia, the black widow

00:03:03What a surprise, Amaruchi

00:03:05The vinegar thing is like, okay, ma'am

00:03:08I mean, it's like sherry vinegar.

00:03:10It's so delicious!

00:03:11How are you, daughter? How are you?

00:03:13Are you feeling better?

00:03:14Would you mind stopping shouting?

00:03:17Oh...

00:03:17I don't think she's gotten over it yet because she's the same as always.

00:03:21Look...

00:03:32Nothing, son. Your mother still isn't answering her phone. What if something's happened to her? Because this isn't right anymore.

00:03:37Normal, huh?

00:03:37Come on, come on, come on, Aunt Bego, cheer up. Aren't we going to assume the worst?

00:03:40Yes, your mother goes into the mountains and doesn't know the way. What if she's lost?

00:03:44And a branch fell on his head. Or was he attacked by a wild animal?

00:03:48Oh my goodness, a wild animal?

00:03:49See?

00:03:50Like a squirrel.

00:03:51Oh, son.

00:03:52Aunt Bego, we're in the middle of nowhere, right? Mosguana.

00:03:55What if we call the hospitals to ask?

00:03:57Sabino, son, don't assume the worst, don't be a doomsayer.

00:04:00Well, it's also strange that Ama goes more than two days without calling.

00:04:03Do you see it?

00:04:04She always called every day, even when she was voiceless with lingitis.

00:04:08He called and listened.

00:04:13Well, I know what we're going to do.

00:04:14Come on.

00:04:15We're going to call the hospitals to ask.

00:04:17Bo!

00:04:20Hello good.

00:04:21Hello.

00:04:24And those faces? What's going on? It's not like the pil pil sauce has curdled.

00:04:28No, no. It's Ama. Who... Well, let's see, she's disappeared.

00:04:32Hey, kid. How could it just disappear? Did you call my house in Seville?

00:04:36To Seville?

00:04:37Look, Iñaki, what do you want, darling? He's leaving her at our house. How can I let her stay in a

00:04:41hotel?

00:04:42Come on, Carmen. Why didn't you tell me Ama went to Seville?

00:04:45Oh, I thought she had told you.

00:04:47Well, no, she hasn't told us.

00:04:49Well, the woman told me she was going to Seville because she had to sort out some problem at the clinic.

00:04:54To the clinic, to the clinic, of course. And there she is, strolling around Seville. With all the fuss going on here.

00:04:59the street.

00:04:59Leave him alone, son. Why is he there? He only cares about those in the south.

00:05:02Yes, look, Auntie Bego, that's not true.

00:05:03Oh, that's absolutely not true, Bego, please. How can you say that?

00:05:08Excuse me for a moment, okay?

00:05:10Oh! José, José, darling, how are you?

00:05:13Have you already left? Well, don't move from the police station right now, I'm coming over.

00:05:17Come on. A little kiss, a little kiss.

00:05:21This has absolutely nothing to do with it, okay?

00:05:36Four vertical.

00:05:38Stupid, foolish.

00:05:41Seven letters.

00:05:47Cretin.

00:05:49Hey, Crown Prince, how's life treating you?

00:05:52I'm fed up, daughter, I'm fed up. Fed up with people treating me badly.

00:05:55And what happened?

00:05:56My sister, who has kicked me out of the farmhouse that my father left her.

00:06:00Because?

00:06:00He says I'm rude, that you can't live with me.

00:06:03Are you really going to believe what that silly woman says?

00:06:05Absolutely. People have things hanging off them that look like bags.

00:06:09Come on, don't worry, I already have a place to live.

00:06:12What's up? Should we break into a flamenco dance?

00:06:14One, two, one, two, three, four, five, six, seven, eight, nine, ten.

00:06:16One, two, one, two, three, four, five, six.

00:06:18Come on, come on, come on, let's go, no, come on, let's go now.

00:06:23But what is this?

00:06:26Come on, now.

00:06:26Okay, so what does this mean?

00:06:28What does she want? If the Basque woman won't let me sell the clinic, I'll have to make the most of it.

00:06:31Also, my plan to rent it for filming is still a work in progress, you know?

00:06:35By the way, I take my coffee with soy milk and two sugar cubes.

00:06:39Brunette.

00:06:43Will it be four vertical?

00:06:48Nothing, who's going to pick it up?

00:06:52No, no, no, no, no.

00:06:57I told you the tavern is closed to the public.

00:06:59Like Iñaki, you weren't referring to us, were you?

00:07:02Look, we're here out of concern, we're not going to take small shots, okay?

00:07:06Come on.

00:07:07Come on, you red wines!

00:07:08Sorry, Iñaki, it's just inertia.

00:07:09Okay, come on, let's let the surveyor do his job and calculate how much the work costs.

00:07:13Okay, thanks.

00:07:15First we need to figure out what structural problem we're facing, okay?

00:07:19But roughly speaking, it would cost more or less, always depending on the structural problem.

00:07:24Come on, say it.

00:07:28It would be 54,000 euros.

00:07:30How shock?

00:07:32Has he made 54,000 euros?

00:07:34All I hear is a buzzing in my head.

00:07:36Yes, that's post-traumatic shock.

00:07:38I'm noticing the symptoms too.

00:07:40Iñaki, now we really need that Rioja, huh?

00:07:42Yes, I believe it.

00:07:43I'm going for the whole bottle.

00:07:45Nothing, voicemail again.

00:07:47Sabino, we're leaving.

00:07:49Marichu, if you dodge my calls again and don't call me, you're going to see me angry, for real.

00:07:57Hello.

00:08:01Man, man.

00:08:02How are you, José?

00:08:04What's happening?

00:08:05Given that he has spent the last two nights lost in a forest and in the dungeon,

00:08:08Nothing regular about it, right?

00:08:10Hey, would you like something to drink or eat?

00:08:11No, thanks.

00:08:12I just want to know what it's like to sleep in a Basque bed.

00:08:14Am I asking for too much?

00:08:15Well.

00:08:16But hey, look, since you're so insistent, give me anything you have.

00:08:19Ham or ribeye steak.

00:08:21Do you have a fig?

00:08:22And how are you, darling?

00:08:24What? Have you gotten over your stress yet?

00:08:26Well, no, I'm going.

00:08:28In addition, I have to make a dish for Arzac's tasting menu.

00:08:30But that's fantastic.

00:08:32Yes, yes, but the bad news is that Gottone has also been commissioned to do it.

00:08:35And they're only going to choose one dish.

00:08:36And between that, the 50,000 euros for the work and I don't know what's going on, he just grabs it by hand

00:08:39the phone...

00:08:40Oh no, because of the mistress.

00:08:42Don't worry, I'll talk to her.

00:08:44Alright.

00:08:46Did you call me?

00:08:46Yes, I wanted to know how the washing machine worked.

00:08:49Oh, what's wrong?

00:08:49That you're friends now.

00:08:50Okay, so when I call you to ask how the toaster works, you can pass it to me.

00:08:54Yeah, right?

00:08:55If that's the case.

00:08:56If that's the case, it's you today, darling.

00:08:58Look, I'm scared of what I've been through, I swear, man.

00:09:01You don't know what it's like to be in a pigsty at four in the morning, all dark and

00:09:04listening to two pigs talking.

00:09:07And yes, he, and yes, he, never caitea.

00:09:10And I, you guys just make up this language on the fly, right?

00:09:13A few verbs, yes.

00:09:15You'll get used to the musicality.

00:09:17And I'm truly a good person.

00:09:19I don't want any trouble with anyone.

00:09:21The one I'm messing up hasn't reached me yet, huh?

00:09:23Rosamari is the iron lady.

00:09:25Hey?

00:09:25No?

00:09:26The strange thing is that the car wasn't dented, because that's a tough car.

00:09:31Oh Rosamari, what bad luck, right?

00:09:32I mean, the son pushes well.

00:09:34Well, you're comfortable sitting down, aren't you?

00:09:35Hello.

00:09:36Look, I'm not one for small talk, really.

00:09:39Hey, Peyo, Peyo, bring me closer to the Andalusian.

00:09:43Oh man, I hadn't seen that, hi.

00:09:46Hello.

00:09:47This is for you.

00:09:48Ah, I haven't written anything to you.

00:09:50Well, I do.

00:09:52And me, well, no, because he's reporting me for attempted robbery

00:09:55and to attack authority.

00:09:56See you in court.

00:09:59Peyo, funcionita, chea.

00:10:01Come on, go home.

00:10:03I'm going to stay here for a little while.

00:10:08Come on, straight ahead.

00:10:09Don't keep telling me you're going to blame me later.

00:10:13Don't forget the beer with lemon.

00:10:16What are you doing here?

00:10:17Don't you have to be changing the IV drips for the patient in ward 111?

00:10:20Yes, but you see...

00:10:20What's happening?

00:10:21Are you working as a security guard now, or have you gotten hungry?

00:10:23No, it's Cristóbal, he called me to ask me to take his attention

00:10:25and on the way there so he could give her a shoulder massage.

00:10:27And now he tells me he's changing his food.

00:10:29That?

00:10:29Yes, he says he wants a lamb chop

00:10:31because menestra is a day laborer's food.

00:10:33Could it be the other one?

00:10:34And what about the patient in room 111 who was about to die?

00:10:37Oh, come on...

00:10:38Look, you go change the logo, I'll take care of this.

00:10:43Peaceful.

00:10:45Trini, I wanted to talk to you already.

00:10:46Look, the statutes...

00:10:47Look, now they admit that I'm going to talk to him.

00:10:51Let's see.

00:10:57Christopher, this cannot continue.

00:11:00We need to talk.

00:11:01I know, Trini, I know, I know.

00:11:03But don't worry, they're coming to install the satellite dish this afternoon.

00:11:07You, kid, got hit on the head with a really big rock, didn't you?

00:11:10Let's see, I don't know if you've noticed,

00:11:13But this is not a hotel.

00:11:15Of course, you can put up a do not disturb sign in a hotel.

00:11:18Yeah, maybe you can't live here.

00:11:20And why not?

00:11:20My father lived here for a long time.

00:11:23But your father was hospitalized.

00:11:24Ah, don't worry about that.

00:11:25I have approved my own admission as a patient.

00:11:27Admission must be approved by a doctor.

00:11:29And you still think that a plaque is where they put the name of the street.

00:11:32Look, Trini, I may not be a doctor, but I own the hospital.

00:11:35And who has more power?

00:11:36The owner or the doctor?

00:11:38You can't do that.

00:11:40Oh, no?

00:11:41And who's going to stop me?

00:11:42Are you going to stop me?

00:11:43Oh, wait until I think.

00:11:44Who's in charge?

00:11:45The owner or the director?

00:11:47Stop making that gesture, it's making me nervous.

00:11:49Come on, Betrini.

00:11:50Since I can't sell the clinic and buy myself a little apartment in Soto Grande at the foot of the golf course,

00:11:54At least I'm going to live the way I deserve, right?

00:11:56Like a gentleman.

00:11:58That's pretty intense, isn't it?

00:12:01You're not right in the head.

00:12:05You're really hot.

00:12:22Bego, I know what you're going to say, but I don't plan to sell the clinic.

00:12:25So don't call me crazy because my battery doesn't last more than an hour.

00:12:29Oh, it's about time you picked up the phone, Marucci, this music was drilling into my brain.

00:12:37Hey, well I liked that it gave the Macarena an idea.

00:12:41Hey, Macarena!

00:12:43Oh!

00:12:45Jesus, still paying attention.

00:12:47It's not like you're doing laundry for a convent.

00:12:50Come on, my dear, not answering my sister's phone is a real pain, huh?

00:12:53And you, Lucy, who don't speak to yours.

00:12:57And?

00:12:57But my sister, because she's a whore.

00:12:59Maybe you in the south don't know what it is.

00:13:01But there is such a thing as discretion.

00:13:04Hey man, we're neighbors.

00:13:07He has to be so coy.

00:13:09Yes, because you don't care what I say or don't say to my sister.

00:13:13And I don't care how I deal with this sufism.

00:13:16Hey, look at the little Basque girl, huh?

00:13:18How she sticks her ear out when it suits her.

00:13:20But what ear, what ear.

00:13:22With what you're shouting, even the monkeys in Gibraltar can hear you.

00:13:25The monkeys and the female monkeys.

00:13:28If that was it, it was messed up, no.

00:13:31Well, Marichu, we have a big problem here.

00:13:34Could you come over here and we can talk about it?

00:13:36You see, I told you so.

00:13:37I told you that if the Basque woman came down to Seville, we'd have her flitting about like a crazy woman.

00:13:41owl.

00:13:42Well, maybe he's just coming for a stroll, to take a look around, to make sure everything's alright.

00:13:45and get a little bit of vitamin D, which they don't have up there.

00:13:48Yes, yes, yes, yes. And to take a little ride, a horse-drawn carriage.

00:13:50No, he said he's not selling, he's not selling.

00:13:52She is now a co-owner of the clinic.

00:13:54I see a bleak outlook.

00:13:56Well, what are you going to do, huh?

00:13:57We're handling everything wonderfully.

00:13:59We can't even get a hair out of place.

00:14:01Well, except for that little slip-up the other day, eh, Christopher?

00:14:08Hey, what's up?

00:14:09You listen to my conversation, I listen to yours.

00:14:12Look, Trini, what happened with the investor the other day was an unfortunate misunderstanding born of desperation, okay?

00:14:18Yes, yes.

00:14:18What cannot be denied is that since Iñaki left, Isabel and I have been handling all of this.

00:14:22The two of them alone, perfectly fine.

00:14:24Well, look, I'm going to tell you something, let's see if it's true.

00:14:26Because if there's one thing this clinic has plenty of, it's problems, you know?

00:14:33Well, we'll have to show Marichu that we're above the circumstances.

00:14:36Circumstance?

00:14:36Tomaña, huh?

00:14:38What do I say?

00:14:39Circumstance, we accept the circumstance with gusto.

00:14:42This week is crucial, Isabelita, crucial.

00:14:45What am I saying is crucial?

00:14:46This is our big week.

00:14:48Well, it's off to a good start.

00:14:50The cash register has just broken.

00:14:53Good.

00:14:56You're a horndog, aren't you?

00:14:57No.

00:15:11What are you doing sneaking around?

00:15:12Are they dismembering a corpse or what?

00:15:14I like discretion in my work, unlike others.

00:15:16Oh!

00:15:17Well, don't worry, okay?

00:15:18I'm not going to copy your confit of skate with piparra pepper aioli.

00:15:22Well, look at you, there you are with the little wedge.

00:15:25Because it's not aioli, it's a reduction.

00:15:28Come on, man, Iñaki, don't worry.

00:15:30Just because it's predictable doesn't mean it's not good.

00:15:32No, no, yes, I don't suffer.

00:15:33But I would appreciate it if you stopped sticking your nose into my food.

00:15:37Oh!

00:15:37But I guessed it.

00:15:39Look, as soon as Juan Mari suggested we create a dish for the new season's menu,

00:15:44I said, go for it, this guy's sure to go for an easy target.

00:15:47There it is.

00:15:48Oh!

00:15:49Please, what an insult to the marine world.

00:15:51As if you, antelope carpaccio, were anything special.

00:15:57Look, the king of discretion likes to stick his nose into other people's dishes.

00:16:01Not me.

00:16:02Iñaki, eh.

00:16:03With sportsmanship.

00:16:05I don't need to know your recipe to win you over.

00:16:08And you, well, you're very motivated too.

00:16:10Oh, yes!

00:16:11Come on.

00:16:12First of all, colleagues.

00:16:17Very good.

00:16:18Dale.

00:16:22Oh, and as a fellow traveler, I'll tell you that Himalayan salt doesn't go well with skate at all.

00:16:36Trini, Trini, I need to talk to you.

00:16:39Christopher.

00:16:39Yes, I'm already working on it.

00:16:40Okay.

00:16:42Well.

00:16:44What's the problem?

00:16:46Problem?

00:16:46What's the problem?

00:16:48Women.

00:16:48I actually called you to inform you.

00:16:50Already.

00:16:51I have everything under control.

00:16:52Uh-huh.

00:16:53And this pile of cigarette butts is because you have everything under control, right?

00:16:57Oh yes, Marichu.

00:16:58I have a problem.

00:17:00It's Christopher.

00:17:01That he has admitted himself to the clinic.

00:17:05He is sick.

00:17:06He's going to be sick.

00:17:07Well, unless they've included being a complete idiot as a disease.

00:17:12And you haven't spoken to him?

00:17:13Yes, yes, I've spoken to him.

00:17:15Unfortunately.

00:17:16But of course, since he owns 50% of the clinic, he thinks this is his private fiefdom.

00:17:21Woman, it can't be that bad.

00:17:23Ladies.

00:17:24Child.

00:17:25Christopher.

00:17:26Look, we actually wanted to talk to you.

00:17:28Oh, I'm sorry.

00:17:28I've been invited to a coffee shop and I'm arriving late.

00:17:31Can you believe it?

00:17:33Come on, the light, I can't reach it, I can't reach it.

00:17:44Okay, a little tea for me and a little stain for you.

00:17:49Oh no, that's what was asked for, Carmen.

00:17:51Excuse me, daughter, it's just that we've been having coffee together for so many years.

00:17:54No, I can't see it, I can see it.

00:17:55Well, it's a good thing we didn't ask for sun and shade, because I can smell something fishy about it.

00:17:59Hey, how's your day going?

00:18:01I don't know.

00:18:02Apart from the fact that Cristóbal asked me to bring Marca to his room

00:18:06and that he should empty the wastebasket.

00:18:07Every time I run into him, I tell him I come from the tropical diseases unit.

00:18:10You should see how fast that shit runs.

00:18:13I love it.

00:18:16I really want the weekend to arrive so I can disconnect a little.

00:18:20Well, I don't plan to wait that long.

00:18:21I'm going to a wine tasting this afternoon and I'm telling you, I'm not going to spit or anything.

00:18:24one.

00:18:25How lucky, daughter.

00:18:27I'll just have to be content with watching my husband organize his calendar collection.

00:18:30As?

00:18:31Egon Antonio has traded stamps for pocket calendars.

00:18:35And it has all kinds, you know?

00:18:36Are you coming to the tasting?

00:18:38Oh really?

00:18:40Of course, yes, yes, yes, I'm in.

00:18:42Well, let me tell you something, I can't tell the difference between a Vega Sicilia and a tinto de verano.

00:18:46That's okay.

00:18:47Put on a smug face and say that it hits your nose hard and that this touch is fruity.

00:18:51You're totally convincing.

00:18:53I'm going to pay for it.

00:18:54Yeah.

00:18:54Feet still.

00:18:55Until I remember that your order is a cortado, you don't pay here.

00:18:58I'll pay.

00:18:59Dad, the one for table eight is twelve fifty.

00:19:03Did I charge you for two tapas?

00:19:04I'm taking note of mine, okay?

00:19:05Because you seem a bit busy.

00:19:06But what about you?

00:19:07What is your thing?

00:19:08Two tapas and one of them has a small beer.

00:19:10The beer, one thirty, the pincho one fifty and the other one fifty.

00:19:14Invited by good people.

00:19:15Well, thank you very much, good sir.

00:19:20What did you put?

00:19:20Should the girl work?

00:19:21Me, make the girl work?

00:19:22It would never occur to me.

00:19:25Dad, two egg whites with lemon.

00:19:27To work at the positions.

00:19:28To work at the positions.

00:19:29I, her father, exploiting her.

00:19:31This is child exploitation, isn't it?

00:19:33Okay, calm down, honey.

00:19:34I have good news.

00:19:35The insurance people called and they're coming to fix the machine on Friday.

00:19:40On Friday?

00:19:41Until Friday?

00:19:42No, no, no.

00:19:43I can't stay like this until Friday.

00:19:44I'm confused.

00:19:45If I look at your face and see a Sudoku puzzle.

00:19:47No, no, no, no.

00:19:47I'm taking that to the mitten's house right now.

00:19:49And in two hours that'll be fixed.

00:19:52Man.

00:19:54All of them equally, my brave ones.

00:19:56Let's go!

00:19:57Oh!

00:19:58Oops!

00:19:59And its little noise?

00:20:00Oh!

00:20:01Did you fix the box?

00:20:03No!

00:20:04He heard it!

00:20:05Lamparda, who has known me as a scolded child.

00:20:09Oh my God!

00:20:10Is there a doctor in the room?

00:20:12Come on!

00:20:23Oh my God, Iñaki!

00:20:24More than 50,000 euros!

00:20:2554,000, little face.

00:20:27But where are we going to get that general from?

00:20:28I don't mean to repeat myself, but I insist,

00:20:30I think I could participate in the wheel of fortune.

00:20:32I have...

00:20:33Okay, okay, please, Sabino, be quiet.

00:20:34How embarrassing, son!

00:20:35If you can't get a single one right at home.

00:20:36But it's because you make me nervous, sweetheart.

00:20:38Iñaki, what do we do?

00:20:39Well, I don't know, Aunt Bego, I don't know.

00:20:41Right now I'm too busy trying not to confuse rosemary with tarragon.

00:20:44What's happening?

00:20:44That meat is more important than your family's business, son.

00:20:47Let's see, Aunt Bego, this meat is top-quality COVID meat.

00:20:49And yes, right now that's the most important thing.

00:20:51And if I've come here to do it, it's because I don't want some hysterical viper to sabotage it.

00:20:54Iñaki, please, show some respect, I'm your aunt, okay?

00:20:57Uh, I was referring to Gochone.

00:21:01Ah, okay, Gochone.

00:21:03Well, given the circumstances, I can only think of one solution.

00:21:07We have to go down to Seville.

00:21:10Let's see, what's the point of going to Seville?

00:21:12Hey, Aunt Bego, how about we take some selfies with the Torre del Oro?

00:21:14Talk to your mother.

00:21:15If we tell him that the Calla is in danger, he'll surely sell his share of the clinic, right?

00:21:19As you can understand, I can't do anything until I hand it in by this deadline.

00:21:25Also, I've arranged to meet with Amunique.

00:21:27Well, a guy who can get me wild pepper from Madagascar.

00:21:30Okay, okay, okay, it's fine, I'll take care of everything, as always.

00:21:33Let's see, Aunt Bego, let's see.

00:21:34Sabino, time to pack your bags.

00:21:36It's just that...

00:21:37If I don't do it.

00:21:38Look, darling, whatever you say, I don't think so.

00:21:44Sabine.

00:21:45Sabine.

00:21:46Take it, take it, take it.

00:21:50God.

00:21:51You're creating an elephant graveyard.

00:21:53When I see that "closed" sign at the entrance, I get such a feeling of dread...

00:21:58Turn off that...

00:21:58Hey, did you really have to be so blunt?

00:22:00Well, it seems so.

00:22:02That?

00:22:03What are you doing here?

00:22:04Nothing.

00:22:04Taking advantage of the fact that my mother is taking a nap, I've escaped for a while.

00:22:07And, well, you won't leave us out, will you?

00:22:09Damn, but...

00:22:09Hello, excuse me.

00:22:11Honey, can you give me some chamomile tea, please? José is having a panic attack.

00:22:13Well, now there are two of us.

00:22:15Look, there are some chamomile teas, take them to her.

00:22:16Okay.

00:22:17I have to go.

00:22:17Goodbye.

00:22:18Goodbye.

00:22:19Goodbye.

00:22:20My God.

00:22:21My God.

00:22:22Iñaki always does terribly with work.

00:22:24I wish the same would happen to me.

00:22:26Man, Carmen.

00:22:27Don't worry, woman, with what you're worth you'll surely find a job right away, you'll see.

00:22:32You have no idea how happy I am to hear you say that.

00:22:34That?

00:22:34Did you know?

00:22:35I wanted to ask you a quick question.

00:22:36Do you know a gynecologist in Igueldo whose name is...?

00:22:41Igueldo?

00:22:42Horace.

00:22:43His name is Horacio there.

00:22:44Horacio, that doesn't ring a bell at all right away, no, no.

00:22:46No?

00:22:47No?

00:22:47No.

00:22:48Oh.

00:22:48I wanted to go this afternoon to give him my resume.

00:22:51Ah.

00:22:51You know, to see if I like it.

00:22:52Hush, hush.

00:22:52I'm stupid.

00:22:53Damn, Horacio, the gynecologist from Igueldo.

00:22:56Hey?

00:22:56Yes, man, yes.

00:22:56Yes, I know him.

00:22:57I mean, no, a lot or a little, just normal, you know?

00:22:59Conferences and such, but nothing else.

00:23:01Oh, well, that's enough, fantastic.

00:23:03Would you mind sending him a letter of recommendation?

00:23:07But, I know myself, if you're part of the group, Carmen, please.

00:23:10I'm going to do something better, okay?

00:23:11If you give me your resume, I'll take it to him.

00:23:13I'll take it to him and explain it to him a little.

00:23:14I'm selling you well, you understand?

00:23:15You have something to sell, and it doesn't hurt if you bring him anything.

00:23:18Know?

00:23:19Don't even bother going.

00:23:19Really?

00:23:20Please.

00:23:21Oh, if you want to salt it, huh?

00:23:22Look at that...

00:23:24Carmen, get a grip.

00:23:27My resume, huh?

00:23:29Thank you.

00:23:29Well, this sells itself, yes.

00:23:31Yes, the teacher.

00:23:38Oops, sorry, I got confused.

00:23:42Ah, well, I was wrong.

00:23:45May I ask what you are doing here?

00:23:46No, look, I came here for my gallbladder, but now I'm...

00:23:49No, no, no, I mean what are you doing in my room?

00:23:51where are my things.

00:23:54Hello good.

00:23:55You, bald one, can you tell me what this gentleman is doing here?

00:23:57Ah, Don Jacinto, it's from the gallbladder.

00:24:01Yes, yes, but he already tells her that.

00:24:02No, no, what is he doing in my room?

00:24:04Don't ask me, it's Trini who orders it like that, me.

00:24:08Trini?

00:24:13Excuse me, could you pass me the wedge, please?

00:24:16The wedge?

00:24:17Yeah.

00:24:22Can someone tell me why there's an old man in my room?

00:24:24The one from the gallbladder.

00:24:25I know it's his gallbladder, get the old man out of the room right now.

00:24:28I can't, there are no more rooms available.

00:24:30And in Garabani there's a lot of unemployment and I couldn't care less.

00:24:31I cannot discharge a patient who is admitted.

00:24:34so that someone who has been discharged can sleep there.

00:24:36What do you mean I've registered?

00:24:37Oh, hadn't they told you that?

00:24:39Yes, you were discharged this morning.

00:24:42Look, here it is.

00:24:44Congratulations, you're as healthy as an ox.

00:24:46But seriously, this doctor is either stupid or he's eaten some kind of candy.

00:24:50He's going to find out, man.

00:24:51He's going to find out, man.

00:24:52Bring the milk, now.

00:24:54The doctor hasn't discharged you.

00:24:55The owner has registered you.

00:24:57And you know, owner wins doctor.

00:25:00Wasn't that the case?

00:25:04Come on, Christopher, keep taking care of yourself.

00:25:06Rafi, do you want to listen to me?

00:25:08Please take the day off.

00:25:09No, now that Marichu is fluttering around, not a chance.

00:25:12Besides, I'm doing great.

00:25:14With this girdle you've put on me, I feel wonderful.

00:25:17Do they charge me?

00:25:18Right now, son, wait a second, my love.

00:25:20Well, whoever says one second, says two or three.

00:25:22And me, they put the stockings on me, masters.

00:25:24Okay, I'll take it right now.

00:25:26This is going to be complicated.

00:25:27Go on, go on, go on.

00:25:28Don't be stubborn and give me the knife.

00:25:30Meanwhile, you watch the guy at number three decorating.

00:25:31Come on, marching on the count of three.

00:25:33But don't get too excited, okay?

00:25:34Don't rush to mass.

00:25:37Rafi.

00:25:38That?

00:25:39Give me a chair, please, I think I'm getting dizzy.

00:25:42Oh, don't tell me you're cut.

00:25:43No way, it looks like a tiny scratch, man.

00:25:45Oh, my love, let me see.

00:25:47Oh, she's got such beautiful hair, Isabelita, my daughter.

00:25:49Mother of beautiful love.

00:25:51Oh, Yaku.

00:25:59Please, come on, José, come out now.

00:26:02Well, man, I think this is too much for me.

00:26:05What's going to be too big for you?

00:26:06Come out, so I can see it.

00:26:07I'm asking you, please.

00:26:07Don't laugh.

00:26:09Look, please don't watch it, old man.

00:26:12But, José, where did I buy your clothes, my dear?

00:26:15Buy me clothes, even though I don't have a penny.

00:26:17The nun who gave it to me told me,

00:26:19Oh, at least a hundred will keep you warm, kid.

00:26:21It takes away the cold, it's going to get into you from all sides.

00:26:23Look, I think we can get it with two little tweezers here...

00:26:26What are you talking about? I look like a bullfighting fireman.

00:26:28No, you'll see, we'll fix this ourselves.

00:26:30Oh no, man, if it seems like they'll throw me in jail at the trial, that's for sure.

00:26:32These people take this very seriously.

00:26:33Or haven't you seen how they've tomatoed it?

00:26:35Did you make some pimpines with the polo shirts?

00:26:38What? Did you take Donald Trump's suit?

00:26:41There's room for all four of us, right?

00:26:43What a great time we're having with Costa Rejoce, huh?

00:26:46That's what I'm saying. Come on, guys, please,

00:26:47I called to encourage him, not to bring him down.

00:26:49Excuse me, was that a joke?

00:26:51What's the matter, are only Andalusians allowed to make jokes or what?

00:26:53It's okay, man, I'm just a little overwhelmed.

00:26:56Overwhelmed? Why? Because of the trial?

00:26:58José, don't worry. Look, I'm going to tell you something.

00:27:00In this life it is very important to be upfront with the truth.

00:27:03And that way things will turn out well for you, no matter what.

00:27:06Hey, I've seen plenty of you...

00:27:08I've watched plenty of news, I'm not going to believe that.

00:27:11Stop overthinking it.

00:27:12I'm sure you haven't even had dinner because of all the stress.

00:27:15The truth is, no.

00:27:15I'll fix that now.

00:27:16I've taken this meat from the valley and I'm going to cook it for you in a flash.

00:27:19Okay, bring it here. Go on.

00:27:21When you say that silence is your home,

00:27:23This is your real home, right?

00:27:24You know what happens, Carmen, that with the silence closed

00:27:26This meat was going to spoil.

00:27:28And that can't be.

00:27:29No.

00:27:29Now you see, now there isn't so much left over.

00:27:31You put a belt in there, tight as a belt, and that's it, we've got it.

00:27:33Hey.

00:27:34Tell me.

00:27:35Did you remember about my gynecologist resume?

00:27:38Yeah.

00:27:38Yes, I praised you to the skies, too.

00:27:40Yeah?

00:27:41Yes, yes, yes.

00:27:42I'm not promising anything because Horacio is a bit demanding.

00:27:45Yeah.

00:27:46Well, listen, if he sees me working...

00:27:47Are you going to tell me or explain it to me?

00:27:48Man, I saw you...

00:27:49Come on, I've already told everyone.

00:27:52Do you know what's happening?

00:27:53But no, better not.

00:27:55Because when I put you on such high and low, you know?

00:27:57Then it's kind of...

00:27:59Too much, isn't it?

00:28:00Too much.

00:28:00Yeah, I get it, I get it.

00:28:02I'm poking your eyes, Sanchón.

00:28:04Okay, okay, well, sorry, okay?

00:28:05That's all.

00:28:06And thank you, okay?

00:28:41Come on, José.

00:28:42Cheer up, man.

00:28:43You tell him you made the bridge by mistake, and that's it.

00:28:46Oh, I don't know.

00:28:48Pulling some cables out of a car by mistake.

00:28:50Well, it was to save his life, wasn't it?

00:28:52Yes, but it almost ended Rosamari's life.

00:28:55That's also true.

00:28:55Well, but I'm sure he'll forgive you.

00:28:57Rosamari, she's like a hunting dog.

00:28:59Once it hooks you, it doesn't let go.

00:29:00And on top of that, you ran her over.

00:29:02He's got you in his sights right now.

00:29:04Anchovy, a little bit of wine.

00:29:06Look, really, okay?

00:29:07Between one and the other I'm going to end up wasting my beer.

00:29:11Anchón, what a talent he has!

00:29:13Son, the only thing left for you to tell him is to be careful in the prison showers.

00:29:17If it was to cheer him up.

00:29:18You're right.

00:29:20Hello.

00:29:20App.

00:29:21App.

00:29:21Enjoy your meal.

00:29:22App.

00:29:23Look, I'm going crazy looking for some meat.

00:29:25Oh, no?

00:29:26And I need it for Zac.

00:29:32Well, we haven't seen any meat, have we, Koldo?

00:29:35Well, someone had to pick it up.

00:29:37And I'll present the dish tomorrow.

00:29:39And you're going to make meat, huh?

00:29:41You might have another ingredient in the fridge.

00:29:43Take a look.

00:29:43Now.

00:29:47What smells like?

00:29:50No, no, that's not it.

00:29:52It is, it is, it is...

00:29:53It is, it is, it's mustard.

00:29:55It's Dijon mustard.

00:29:58Yes, yes, yes, yes.

00:30:00It's Dijon mustard.

00:30:02It's a dragon.

00:30:05Rosemary.

00:30:06Black garlic.

00:30:08No?

00:30:09What does Anchón teach you?

00:30:12Oh my God, oh my God.

00:30:14Oh, oh, Ancho, but how could you?

00:30:17Sorry, Añaki, we didn't know you were going to use this for the dish.

00:30:20Look, I'll talk to Juan Mari tomorrow and...

00:30:22No, look, Anchón, Juan Mari isn't the problem, he's a gozón.

00:30:24And for once I could get ahead.

00:30:27You've really screwed me over.

00:30:29It would be useful to say that the cart is useless.

00:30:32I'll be quiet, yes.

00:30:34It's my fault.

00:30:35It's my fault for letting you into Calla when it was closed.

00:30:38What do you mean by that?

00:30:40What do I mean?

00:30:41From now on, the Calla is closed to the public.

00:30:43And when I say public...

00:30:46Hey?

00:30:47Yeah.

00:30:48We are the public.

00:30:49Are you the audience?

00:30:50Okay, Añaki, except for conceiving my second child,

00:30:53I've done everything in my life within those four walls.

00:30:56Look, I'm very sorry, Anchón,

00:30:58But until the works are finished, you are not allowed back in.

00:31:03How are you, darling?

00:31:04Very good.

00:31:05How are you? Dinner?

00:31:06I want a piece of that delicious meat you brought...

00:31:08It's not the right time...

00:31:09Exactly.

00:31:11The audience, we have to leave.

00:31:14Okay, okay, okay.

00:31:16What's happening?

00:31:18What's wrong, Añaki?

00:31:20Look, José,

00:31:22Really, if you don't mind,

00:31:24I'm just really tired.

00:31:26I don't mind.

00:31:27Don't worry.

00:31:30Have you noticed Carmen?

00:31:31He told me that I can stay with you here, in the house, while you are up north.

00:31:36Well, if not, they'll throw me in jail first.

00:31:41Yeah?

00:31:42Yeah?

00:31:42That's it, that's it...

00:31:44I wanted to tell you, when we had a little time...

00:31:48Of intimacy.

00:31:49That's what intimacy is about.

00:31:57This is the corduroy jacket, right?

00:31:58Well, I've already lost it.

00:32:00I already have a jacket for the trial.

00:32:02What the hell are you inserting here?

00:32:04What is this?

00:32:0450.50 euros.

00:32:07What is this?

00:32:09My resume?

00:32:10Your resume?

00:32:11My English level is bad.

00:32:13Typical, huh?

00:32:15Good night.

00:32:18Is it called a monkey, with two?

00:32:30Oh dear, oh dear, oh dear!

00:32:32Oh, long live wine!

00:32:34Viva!

00:32:34How does this ship move?

00:32:36How can we not have gone down already?

00:32:38How much wine it must be!

00:32:41Don't worry, wine is very good for your heart.

00:32:43For the heart and...

00:32:44Oh, well, sorry!

00:32:47Let me tell you one thing, okay?

00:32:49He is to blame for everything.

00:32:51My God, Dolores, when he sees your husband arrive home like that...

00:32:56It's not dangerous, because as long as I don't arrive with a hot potato in my face...

00:33:00Li's going to look at me, come on!

00:33:02Oh, please!

00:33:04Tachi!

00:33:05Tachi!

00:33:07Well, I'm leaving now, thanks for coming.

00:33:10No, woman, thank you.

00:33:12No, woman, thank you.

00:33:14I don't know, I insist, that you, you.

00:33:24To you!

00:33:41Have you seen what he's done?

00:33:59Oh, Dolores, really, you have no idea what a night I've had, huh?

00:34:01I haven't been able to rest for even five minutes.

00:34:03Well, I'm sure he had a better night than I did.

00:34:04No way?

00:34:06Yes, look, three Kirins arrived at two in the morning, didn't they?

00:34:08That they had drunk, well, what do I know, by smashing the olive.

00:34:11And of course, they had tried to throw something at the Kirin.

00:34:13Total.

00:34:14That after they had his stomach washed, they started screaming.

00:34:17Pir! Pir!

00:34:18And of course, I have no idea about the language.

00:34:19I thought they were calling someone named Virginia, but they didn't know how to say it.

00:34:23And not.

00:34:25So, look, he's already reflecting, isn't he?

00:34:26And I think the best thing is that it's pointing me towards English.

00:34:29Because my school English is super rusty.

00:34:31And of course, languages are very important.

00:34:33No?

00:34:34Dolores, what do you think?

00:34:37Dolores?

00:34:37That?

00:34:38What do you think?

00:34:38Yes, yes, yes, yes, of course.

00:34:41TRUE?

00:34:41Oh, that's what I like most about you.

00:34:43You always know what to say.

00:34:45Okay, I'm leaving, alright?

00:34:50Oops!

00:34:52Oops!

00:34:54Oops!

00:34:55Oops!

00:34:56Oops!

00:34:57Oops!

00:34:58Oops!

00:34:59Oops!

00:35:09Oops!

00:35:13Nothing, he doesn't answer.

00:35:14Maybe she's asleep.

00:35:15What time is it?

00:35:16Well, judging by the heat, it must be around three or three thirty.

00:35:18I don't remember, no way!

00:35:19My sister is already awake.

00:35:21And if not, how can God ever wake up?

00:35:23Then, I think I'm getting sick.

00:35:25Do you think it's because of jet lag?

00:35:26Oh, yes we did come by bus, son.

00:35:29Then you want to go to Punta Cana.

00:35:30Are you in any condition to travel?

00:35:32Yeah.

00:35:33Hello, please, I'm going to room C.

00:35:35Can you open the door for me?

00:35:36Oh, another casualty.

00:35:37This ends up looking like one that grabs.

00:35:39What's up, dude?

00:35:41The bank's sister has come and they won't open the door for her.

00:35:43Curtain fabric.

00:35:44Can you open the door for me, please?

00:35:46I would open it for him.

00:35:47But her sister has made it clear to us not to interfere in her affairs.

00:35:51We prefer to be neutral like bleach.

00:35:54Martino, salesman, open the door, for God's sake.

00:35:57God be with you!

00:36:14If you were thinking of ditching me, you've got another thing coming.

00:36:17But what are you doing here?

00:36:18Why didn't you tell me you were coming?

00:36:19Look, look, Marichu, don't act surprised, I know you sensed me.

00:36:23Otherwise, why didn't you open the door for us?

00:36:24The girl was in the bathroom.

00:36:26You know how hard it is for me to go.

00:36:27I wasn't going to leave it unfinished either.

00:36:28Do you mind if I take a shower to freshen up a bit?

00:36:31Look, I, like you, would wait a while.

00:36:33You know, that's what happens when you eat kiwi in the morning.

00:36:35Besides, what do you want? For me to warn you?

00:36:37Did you tell me you were getting off here?

00:36:39No, because I already knew you were going to go crazy.

00:36:41And I wasn't wrong.

00:36:42Of course, of course I was going to go crazy.

00:36:44Because what you don't know is that the Calla crack is going to cost us more than 50,000.

00:36:48euros.

00:36:4954,000.

00:36:50Hey, if I open that a little bit to quiet the current.

00:36:52No, no, no, no, no.

00:36:54Those gossipy women are always on the lookout.

00:36:56Girl, I love soap operas and we didn't even get to see the commercials for this one.

00:37:01I'm telling you.

00:37:03I feel so sorry for myself, girl.

00:37:09What's happening?

00:37:11How did you get me into this mess, really?

00:37:13You wouldn't believe it, old man.

00:37:15I'm a good person, I've never done anything wrong.

00:37:17Copying on an exam, the usual.

00:37:20Coer your cousin's truck without a license.

00:37:21Who hasn't done that?

00:37:22I don't know.

00:37:23Robbing a supermarket without violence, huh?

00:37:25The people came with violence.

00:37:27Don't worry.

00:37:28The best way to prove your innocence is to remain calm.

00:37:30If I have nothing to hide, you know what I mean?

00:37:32Well, except for those little things you're saying that you'd better keep to yourself.

00:37:35In other words, calm down.

00:37:36Calm.

00:37:36Yes, that's it, calm down, calm down.

00:37:39Hey, thank you so much for joining me, really.

00:37:41Thank you very much.

00:37:42I'm a great person.

00:37:44No problem.

00:37:46That's what we're here for.

00:37:47Is that your jacket?

00:37:48Me and me.

00:37:48There's your aunt, mate.

00:37:50What a look he has, mate.

00:37:52That curdles the mayonnaise.

00:37:54Okay, okay, Peyo.

00:37:54You're not going to leave it lying here, are you?

00:37:56Moreover, in the middle of a curve and with an intersection.

00:37:59To make matters worse, Inri.

00:38:00Come on, soul, it's only going to be a moment.

00:38:01I'm going to say hello to the crew.

00:38:02You know that less than two minutes is a stop, not parking.

00:38:06Well, with the code in hand, that's how it is.

00:38:07But hurry up, okay?

00:38:09Rosamari.

00:38:10What was missing?

00:38:10How are you?

00:38:11What brings you here?

00:38:12And how's your leg?

00:38:14Thank goodness she has the other one, right?

00:38:16Look, I'm nervous, okay?

00:38:18I swear to you it was an accident.

00:38:19You don't have to swear anything to me, you have to swear it to the judge.

00:38:22And I remind you, perjury is a crime, I won't say more.

00:38:26He's worried, man, that I'm not one to betray his faith.

00:38:28Ah.

00:38:28Believe.

00:38:29I don't know what it means.

00:38:30What I do know is that I have some knowledge of physiotherapy.

00:38:34I mention this in case you need rehabilitation.

00:38:36Let's see, let's see, let's see, let's see.

00:38:37Trying to influence the opposing party with money or favors of any kind

00:38:41It is also a crime.

00:38:43Let's see if you get it, handsome.

00:38:45Hey, this is incorruptible, huh?

00:38:46Sophists!

00:38:47What you can't deny is that you spend it in the chair, huh?

00:38:50I'm going to take her to the living room; I'm very much in control of this.

00:38:53Come on, I've taken plenty of people and spent many years with them.

00:38:54I control it better than I can sing.

00:38:56What's wrong with this?

00:38:57Hey guys, seriously.

00:38:59Oh, sorry.

00:38:59Will you leave me alone?

00:39:01The brake, man, I've got it on.

00:39:03What brake?

00:39:03Look, you're a magnet for accidents.

00:39:07So, are you going to tell me once and for all what those faces are about?

00:39:10It won't be because I failed in the last ball game.

00:39:12Look, I had to take the bad podiatrist.

00:39:14The thing is...

00:39:17Look, Peyo, they've closed the Calla, but they've closed it indefinitely.

00:39:22Well, we already knew that.

00:39:23As?

00:39:24For us too?

00:39:25Especially for us.

00:39:27Okay, how does that work?

00:39:28Well, it turns out the project hasn't turned out as expected; it's been much more expensive.

00:39:31In other words, inadmissible money, it must be said.

00:39:34And then, well, we had a small conflict with Iñaki.

00:39:38Come on, Calla has closed and we have to find another location.

00:39:42That?

00:39:43Okay, Calla is Calla, alright?

00:39:45But we're not going to fall down in the street, are we?

00:39:47Host.

00:39:48I propose we visit the bar in this courthouse.

00:39:51And, mind you, lawyers have a sharp tongue.

00:39:53So...

00:39:54Come on, mate.

00:39:55Coldo!

00:39:56Coldo!

00:39:57Hey, I had something on my mind and I wanted to ask you about it.

00:40:01Well, how is that possible, if you gave my resume to Horacio,

00:40:05How is it possible that it was in your jacket pocket, all wrinkled and puffy?

00:40:09I mean, look, all this has an explanation, Carmen.

00:40:12Yes, well I hope it's good.

00:40:14Because everything I can think of to say to you is anything but nice.

00:40:17And I understand you, I understand you.

00:40:19Look, it turns out that Horacio is Izasco's gynecologist.

00:40:24And she wants to have a child.

00:40:26That's why it's beautiful.

00:40:27And I really appreciate you wanting to share it with me.

00:40:31But what does one thing have to do with the other?

00:40:33No, not really.

00:40:35She wants to have my child.

00:40:37So, she wants my sperm.

00:40:39Come on, it's so weird that I haven't even told my crew.

00:40:43I'm keeping it a secret, you know?

00:40:44Because they wouldn't understand.

00:40:46I don't understand it myself.

00:40:46Well, don't worry.

00:40:48Because your secret is safe with me.

00:40:50Thank you, Carmen.

00:40:52You're worth your weight in gold.

00:40:53Now what?

00:40:54If you were to send Horacio a letter of recommendation or my resume,

00:40:59Your secret wouldn't be safe; it would come with me to the grave.

00:41:06Clear.

00:41:11Right now.

00:41:13Thank you.

00:41:13To you?

00:41:17What I wanted...

00:41:19Sorry.

00:41:24Well, the accused calls a witness to testify.

00:41:28What does it say?

00:41:29What are we going to do?

00:41:30The Nuremberg trials?

00:41:31No, Nuremberg, wait.

00:41:32Let's finish mine first.

00:41:34Well, it's called Quick Views for a reason.

00:41:37Come on, let's get messy.

00:41:37Well, that's it, because of the mess.

00:41:39Okay, fine.

00:41:40In other words, all I want to explain, Your Honor,

00:41:42Why would I want to steal a patrol car?

00:41:45Neither a patrol car nor any of the others.

00:41:48Look, it's not like I stole from the others.

00:41:50I mean...

00:41:51Quick, Quick Views.

00:41:54Please continue.

00:42:01Oh, Dolores.

00:42:02Those are the pains I have.

00:42:03The name suits you perfectly today.

00:42:08How come you're a bun?

00:42:09A bun?

00:42:10Why would I want a bun?

00:42:11Bun of what?

00:42:12What kind of bun am I?

00:42:13So that?

00:42:13About what?

00:42:14Because they just brought them in.

00:42:15They're freshly made, soft, as always.

00:42:17They are very good.

00:42:18Oh, no.

00:42:19Thank you.

00:42:20I don't want anything.

00:42:21Thank you.

00:42:21Well, that's it.

00:42:24And your house here?

00:42:25Weren't you made for yourself after your shift?

00:42:27Yes, but there's one thing that I need to clarify with you.

00:42:29I won't be able to sleep.

00:42:31Dolores, about saying goodbye by giving me a kiss.

00:42:33Can we find out what he's come for?

00:42:35So that's not what's in fashion.

00:42:36To say goodbye to friends, right?

00:42:38Well, not outside of Russia.

00:42:40Can you tell me what he gave you?

00:42:41That's what happened to a friend of mine.

00:42:43A friend of hers said goodbye to my friend with a kiss.

00:42:47And she doesn't know what to do.

00:42:48My friend, huh?

00:42:48Not my friend's friend who knew perfectly well what she was doing

00:42:51because my friend was only a recipient.

00:42:53So, why should I be a friend now that I'm lost?

00:42:56It's not that strange, is it?

00:42:57I don't find it that strange.

00:42:58Look, my friend Orcabra once gave me a little kiss at the fair.

00:43:01A celebration of friendship, nothing more, right?

00:43:04After he married a Brazilian...

00:43:08That's a different story altogether, isn't it?

00:43:10That's not it...

00:43:10That's their business.

00:43:12Well, maybe we should know

00:43:13if any of your friend's friends are lesbians.

00:43:15Already.

00:43:15But the thing is, my friend doesn't know

00:43:17for a long time to her friend.

00:43:18She's a friend from work.

00:43:20But not ours, okay?

00:43:21From a different job

00:43:22which is my friend's and her friend's

00:43:24who met and became friends there

00:43:26at my friend's work.

00:43:28I've gotten lost again.

00:43:29It's clear that my friend needs to talk to her friend

00:43:31to find out if the kiss her friend gave her

00:43:33It's because they were friends, and nothing more.

00:43:35or because she wants to be more than just their friend.

00:43:38Which friend?

00:43:38From my friend, little girl.

00:43:40The thing is...

00:43:41The thing is...

00:43:47Hello.

00:43:48My deepest condolences for your father's passing, okay?

00:43:50The other day at the funeral with so many people

00:43:52We didn't have the opportunity.

00:43:57What a terrible death, right?

00:43:59Because it wasn't a natural death, was it?

00:44:01No.

00:44:01In fact, it's going to be natural.

00:44:03If the body has not been found,

00:44:05May my soul rest in peace.

00:44:06Those are indeed strange circumstances.

00:44:08and not that of the Durquijos marquesses.

00:44:10At least he's resting in peace, huh?

00:44:11Not all of us can say the same thing, can we?

00:44:14My soul, yes, but the widow is the one who will be suffering, huh?

00:44:17That the second time it happens to you for the same reason.

00:44:19To luck, damn it.

00:44:20You see, that woman can't be described as anything special.

00:44:21that brings good luck.

00:44:23Come on, that woman brings nothing good.

00:44:25I'm telling you.

00:44:26Woman, what things does she have?

00:44:27You too.

00:44:28Man, he's a person who closes his house like a log.

00:44:30He's either a bubble boy or he's not all he seems.

00:44:32I bet you don't!

00:44:33If you'll excuse me, please.

00:44:34Thank you.

00:44:35Thank you.

00:44:38But where do you expect me to get 50,000 euros?

00:44:4154,000.

00:44:42Could you bring me a small glass of water, please?

00:44:45Look, I don't know, but just off the top of my head,

00:44:47It occurs to me that selling at the clinic could be an option.

00:44:49Look, I can't believe you're asking me for something like that.

00:44:52Benito entrusted me with a responsibility

00:44:54And I intend to fulfill it.

00:44:55What's happening?

00:44:56The tavern isn't your responsibility, is it?

00:44:58What's happening?

00:44:58That I'm all alone.

00:44:59There's you, there's Iñaki, there's Sabino.

00:45:02So much need for usago.

00:45:03Well, more so than here, Marichu.

00:45:04Please, the street is sinking

00:45:06And you're here playing doctor.

00:45:08Look, Bego, if you don't respect my reasons,

00:45:10At least respect my decision.

00:45:12But what reasons, Marichu?

00:45:13What reasons?

00:45:16Sabine.

00:45:17Oh, Andra, I'm so glad you're doing so well now.

00:45:18and help me lift her legs

00:45:20that you have made quite a lot your own.

00:45:22What have I done?

00:45:23But what's going on?

00:45:24That all you care about is money.

00:45:26All I care about is

00:45:27to move forward.

00:45:29And for that, you have to let go of things.

00:45:31Marichu, haven't you thought about

00:45:33Is there nothing left to save?

00:45:35Perhaps his time has come.

00:45:38Marichu,

00:45:40You're not implying, are you?

00:45:41Which I think is what you're implying, right?

00:45:43Well, that's been given quite a lot already.

00:45:44all these years.

00:45:46It's not that terrible.

00:45:47to get rid of it.

00:45:49Marichu, would you be able to?

00:45:50Oh, Marichu,

00:45:52Sometimes I think you have no feelings.

00:45:54You're such a drama queen, aren't you?

00:45:56It's so obvious you haven't had

00:45:58Why bury two husbands?

00:46:08Celia, but...

00:46:22There is nothing.

00:46:41But didn't you tell me the tests were already done?

00:46:45Well, look at it again, go on.

00:46:49Yes, patient Alejandro Sanz.

00:46:54But if he's 82 years old, how can he be a singer?

00:46:58Okay, great.

00:47:03Yes, urine test.

00:47:05Look, leave it, I'm coming over there now, leave it, come on, I'll see you in a bit.

00:47:13Oh no! Oh no!

00:47:15Dolores, for God's sake! What are you drinking coffee in there?

00:47:18I dropped an earring, went to pick it up, and put it back on.

00:47:23No?

00:47:23And I screamed and from then on you were in front of me.

00:47:26Except, you can come to my office whenever you want, okay?

00:47:30Normally it's when I'm here, but he's here for whatever you need.

00:47:36Well, thank you very much, but I came to talk to you because I can't stop thinking about last night.

00:47:45And I'm a little curious to know if you...

00:47:50You are...

00:47:52A passion for wine?

00:47:54No no...

00:47:55No, no, no, no, no...

00:47:58No, no, no, no.

00:48:00It wasn't last night, we said goodbye and you were leaving, I was leaving and here...

00:48:05At a specific moment when I...

00:48:08But come on, not because you were...

00:48:10But Lore, leave it, I know what you mean, okay?

00:48:22What are you doing?

00:48:23No, no, no, come on, no, no, no, please, for God's sake, my God.

00:48:37What name?

00:48:38I didn't know where I was; it was a case of absolute and total disorientation.

00:48:43Like when I went to get my ID card and tried to fit in the library.

00:48:47A library is a public place.

00:48:49And a patrol car is private property.

00:48:53But how am I supposed to know that if I was in your dark?

00:48:55So what happens?

00:48:56The huge sign that said Erzaña didn't give him any clues.

00:49:00I don't know, Basque.

00:49:01I know basic costs.

00:49:03Chacolí, Namasté, Calimocho, Caliqueña.

00:49:09Oh, and he doesn't know anything about protected wildlife either.

00:49:11Because that night, due to the car siren, two female owls died from stress.

00:49:17Look, I didn't see anything.

00:49:19I was completely lost in the woods, wasn't I?

00:49:21And then suddenly I bumped into a tree branch and I thought it was a spirit

00:49:26with a claw.

00:49:27And I ran out and got in the car to escape from him.

00:49:32He's laughing at us.

00:49:35To be honest, I don't really feel like laughing right now.

00:49:39Come on, Sabino, that's it. Drink a little water.

00:49:42Go on, look, you'll be speechless.

00:49:43Come on, don't tell us you were feeling unwell.

00:49:45Absolutely.

00:49:46Men are so proud.

00:49:49That's it.

00:49:50Have you stopped arguing?

00:49:54Look, Marichu, if you don't want to sell the clinic, I can't force you.

00:49:58But I would like you to be with us during these critical times.

00:50:02But do you think I don't want to?

00:50:03Do you think I deserve to be here, with those girls from the little house on the other side of the window?

00:50:08Well, daughter, just as you're not alone with the tavern, you're not alone with the clinic either, because Cristóbal is there.

00:50:12Okay, what Christopher, please? What Christopher?

00:50:14But Christopher is a pig on the left.

00:50:16Because he hasn't been destined to be anything else.

00:50:18But now he has to get his act together because his father is gone.

00:50:20And Benito's wish was that the clinic take her and that it be between the two of you, not just you alone.

00:50:23If I remember correctly.

00:50:28Okay, you're right.

00:50:30Look, I'm going to try to talk to Christopher.

00:50:34If they get their act together and let Teratini stay, things might go well.

00:50:40Do you have a fan like that?

00:50:42Oh, how annoying, yes, son. Come on, that's it.

00:50:45That means you're itchy.

00:50:49Okay, so what are we doing here?

00:50:53That's the human brain for you, huh?

00:50:54You leave home without thinking and your feet bring you here.

00:50:58Instinct, like when we let each other go, forgot about Juan de Luz's dog, who came home all by himself.

00:51:02Well, the same.

00:51:08Dad.

00:51:09AND...

00:51:12Hey, what...

00:51:13Yes, that's it, okay?

00:51:15Yes, that's clear.

00:51:16Yes, yes, but what I wanted was the street, thank you.

00:51:19Don't worry.

00:51:22It feels so good to talk things out, damn it.

00:51:25Also, don't worry, we're looking for a new location.

00:51:27Look, the courthouse bar wasn't bad either.

00:51:29No, Bello, I didn't have a deck of cards.

00:51:32I don't know how civil servants kill time.

00:51:33Hey, what's up?

00:51:36I don't want to see you discouraged, okay?

00:51:38We're in the Basque Country, not Tibet.

00:51:41And here, there will be no Buddhist temples.

00:51:44But you go, as Uncle Sabino would say.

00:51:48Ah, I see, I see!

00:52:14Oh, oh!

00:52:20Okay, but it looks lively, doesn't it?

00:52:22Never mind, it's all the same.

00:52:24Well, at least they give out tapas.

00:52:36What audacity!

00:52:38I don't know what happened.

00:52:39I swear this was a normal bar.

00:52:46Potato omelet?

00:52:49I think we've got a spot.

00:53:04Headbutts!

00:53:07Having heard both sides, I will withdraw to deliberate.

00:53:10You will be notified when the sentence is ready.

00:53:13Deliberate, deliberate, Mr. Judge.

00:53:14With love, of course!

00:53:15Remember that this is an accident and I am another victim.

00:53:20The female owls have been the most affected.

00:53:22What's gotten into you with owls, huh?

00:53:24Woman, all I want with the land is to sell it to a builder and make a fortune.

00:53:28Respecting owls and native wildlife is paramount.

00:53:32And so stupidity would be included in the penal code,

00:53:35You'll get life imprisonment.

00:53:38Don't you realize that your land is rustic and located in a natural park?

00:53:41Good!

00:53:43Okay, what's up, girl?

00:53:44Our land is rural.

00:53:46If we already know that, he's in the middle of the field, what does he want?

00:53:48That it is tiled.

00:53:48No, no, José.

00:53:49I just got a job interview.

00:53:52Good!

00:53:52Hey, that's a real pain, isn't it?

00:53:54From the rustic soil.

00:53:55It cannot be built.

00:53:57Well, we'll figure something out, for sure.

00:53:58Come on, you're doing great, I'm coming.

00:53:59Bye.

00:54:00I hope it goes very well.

00:54:01Bye bye.

00:54:02But we won't be able to visit.

00:54:04Bye.

00:54:07Deliberate, Your Honor, but remember that I am a poor peasant.

00:54:11With just rustic touches.

00:54:13I have a bushel.

00:54:16Mr. Jimenez, could you spare me a few minutes?

00:54:19It's a matter of life or death.

00:54:20Well, more like the latter.

00:54:23What else can we do?

00:54:30What would you think as a disaster expert if I told you that my father may have been murdered?

00:54:34And when I say could, I mean I'm absolutely sure.

00:54:37Well, several things come to mind, but without a body there's no crime.

00:54:40And Don Benito's body, sadly...

00:54:42They didn't find him because that witch made him disappear in the broadest sense of the word.

00:54:48That's it?

00:54:49Can...?

00:54:49Well, it doesn't matter.

00:54:50Forget about the body.

00:54:51Forget about the body.

00:54:53I have a very elaborate theory about what happened to my father.

00:54:55You're going to tell me, right?

00:54:56I'm going to tell you.

00:54:58There is a person...

00:55:00...which has greatly benefited from his death.

00:55:03A person who at the time was the only witness to his disappearance.

00:55:06A person who has the complicity of his sister.

00:55:10And people who are not going to be concrete.

00:55:11No, I'd rather not...

00:55:13As you have already deduced from my stepmother.

00:55:15It's just bad, it's just bad.

00:55:17It's bad, it's bad.

00:55:20I make sure that I am not moved by aversion, which, well, I do have a little bit of.

00:55:23I am referring to objective facts.

00:55:26Let's see.

00:55:27What is the specific question?

00:55:29The specific question is...

00:55:33The specific question is...

00:55:34What are we going to do about Sevilla?

00:55:35Football is in a terrible state.

00:55:38Sorry.

00:55:39What's wrong, Marichu?

00:55:40Here we are talking about football, about stuff, about being a macho man, about that.

00:55:43Do you mind if we talk for a moment?

00:55:45Sure, am I all ears?

00:55:47No.

00:55:48Just the two of them.

00:56:00At three fifteen you will see me leave with Marichu at her request.

00:56:03Write it down in case there's a possible police report.

00:56:12Oh, your father loved these views.

00:56:17But son, come closer, okay?

00:56:19You can't see anything from there.

00:56:20No, I can see perfectly from here, really, Marichu, really.

00:56:23The skyline is very beautiful, it's gorgeous.

00:56:26Come closer, man, I sound like a town crier.

00:56:28Why don't we talk at the bar instead?

00:56:30There's coffee, there are tapas, there are witnesses.

00:56:32Witness?

00:56:33Don't worry, I've already ordered a couple of coffees.

00:56:36We're much more relaxed here.

00:56:40Well, I'm not very calm, Marichu.

00:56:42You know I suffer a little from altitude sickness.

00:56:45All I want is to put an end to this situation.

00:56:48What situation, Marichu?

00:56:50Okay, we've had our disagreements, but you and I can get along great, really.

00:56:54Christopher, I'm not going to lie to you.

00:56:56I owe it to you and me, for better or for worse.

00:57:01What really matters to me is the clinic.

00:57:05Yeah, that's already...

00:57:07And I get the impression that you can't do much for her.

00:57:17What's wrong, Bego?

00:57:20What are you doing here in the south?

00:57:22You see, I've come to see my sister and also to lend her a hand.

00:57:28AND...

00:57:30And Sabino?

00:57:31Sabino is resting, poor thing, he really needed it.

00:57:35Okay, here you go, I'll leave you with your things.

00:57:38And take all the time you need.

00:57:41What matters here is that everything is settled.

00:57:46Oh, don't worry about the sugar, I've already added it.

00:58:11It's like a monkey trying to open a mussel.

00:58:14Fernanda, she's coming this way.

00:58:15You won't be able to open it, this looks like the safe at Banco Pastor.

00:58:21You opened it because I loosened it a little earlier, huh?

00:58:23Loosened?

00:58:24The one who's loosened up is going to do a little bit of everything in one of these.

00:58:27Because psychodone is pretty strong.

00:58:29I'd better, because I'm so drunk it looks like a Roman soldier gave me the black ones.

00:58:33And where are you going?

00:58:34This is like petit suis, isn't it?

00:58:35It gives me a hard time.

00:58:38Oh, that!

00:58:43Look, Christopher, this can't go on like this.

00:58:47Because my place is in the north, of course.

00:58:50But I can't leave with this fear that you'll get out of control.

00:58:54No, Marichu, no.

00:58:55If you have to leave, then leave peacefully.

00:58:57Go ahead and relax, I'll behave myself, come on in, as if I weren't here.

00:59:02Sure, that's easy to say.

00:59:04But good intentions are no longer enough for me.

00:59:08No, Marichu, I need you to stop being a problem for the clinic.

00:59:13I need to make sure you follow in your father's footsteps.

00:59:16Leave me alone, Marichu!

00:59:17Let me!

00:59:18Priest!

00:59:28Be careful, you're all alone now.

00:59:30No, no, no!

00:59:32No, no, no!

00:59:32No, no, no, no!

00:59:33Holy shit!

00:59:35Siege!

00:59:38I've told you so!

00:59:39Let's see!

00:59:40Hey, hey, hey!

00:59:41Careful!

00:59:41Hey, hey, hey, hey!

00:59:42Don't worry!

00:59:43Hey, someone come here, please!

00:59:45Hey, hey, hey, hey!

00:59:53Wow, seeing your recommendation rate, I don't know if I should work for you.

00:59:59Yes, to be honest I didn't know whether to mark it and put it at home or send it to you.

01:00:04Well, your resume isn't bad either, is it?

01:00:07Head nurse, no less.

01:00:11Excuse me, okay?

01:00:12Clear.

01:00:13Yeah.

01:00:15Yes, hello.

01:00:16Yes, of course I remember Flora.

01:00:17Yes, she was due one day...

01:00:19Is she in labor?

01:00:20Uh, I'm going...

01:00:22Do you have something to do?

01:00:23I?

01:00:25Besides eating sunflower seeds...

01:00:26Okay, let's go there.

01:00:27Right now.

01:00:28Yeah.

01:00:30Come on.

01:00:33Calla is our home, and we're a crew without a home...

01:00:36What do you mean?

01:00:38Well...

01:00:39I find it very difficult to stay together and we have nowhere to meet.

01:00:42These are going to be very tough times, with a lot of mobile chatting.

01:00:46But in the end...

01:00:47The Calla will open, right?

01:00:49Well, I don't know, Ancho.

01:00:5150,000 euros is a lot of euros.

01:00:53There were 54,000, weren't there?

01:00:55And how long it takes to get us together.

01:00:56And for as long as the construction lasts...

01:01:00No, not anymore.

01:01:01Hey, what a mood!

01:01:04What a shame I can't be from Bilbao to say...

01:01:07It shouldn't be about money, okay?

01:01:09I don't just get money, I get a ton of it.

01:01:11I've never seen so much of it together in my entire life.

01:01:13And look at me, huh?

01:01:14What's up, crew?

01:01:18Guess who just got a five-figure severance package one after another?

01:01:23other?

01:01:24Hey?

01:01:25Almond Lereta!

01:01:27Other!

01:01:34The truth is, it's a risky decision, isn't it?

01:01:37Excuse me, risky?

01:01:38This is Calla.

01:01:39This has a long-established, loyal, lifelong clientele.

01:01:42Well, ourselves.

01:01:44I lost my first baby tooth here, with a chistorra sausage skewer that Father Ñague made for me.

01:01:47And like us, generations and generations of land donors.

01:01:50Yes, yes, yes.

01:01:51But despite everything, investing in a bar that's been shut down due to an unfavorable report...

01:01:54Ah, but you know this will be sorted out in a couple of weeks.

01:01:57And you will become a capitalist partner in a renewed, more modern silence.

01:02:02And you're going to work with Iñaki, who's an advisor...

01:02:05Arzac's finger on the finger, that's an added value, huh?

01:02:07That's true, isn't it?

01:02:09But even so, it's a difficult decision.

01:02:12Difficult, for someone who doesn't know about this.

01:02:14But you have a sixth sense for the hospitality industry.

01:02:17You've got a lot of bar inside you.

01:02:18Well, the truth is that with wine distribution, I've traveled quite a few places, haven't I?

01:02:23Well, I've gotten calluses from leaning on the bars.

01:02:27And don't you want to be on the other side of the bar now, where the real work is done?

01:02:32Well, the truth is, yes.

01:02:34Because, besides, I think it's in my blood.

01:02:37Well, that's normal, isn't it?

01:02:38Being from Logroño, the mecca of pinchos.

01:02:41But, I don't know, I'd like to compare a bit, see which is the best investment.

01:02:46But what investment, huh?

01:02:47What investment?

01:02:48Investments are for the rich, who have neither a job nor any benefit.

01:02:52But you, you are a man of action.

01:02:55This business is tailor-made for you.

01:02:58The truth is, I like challenges.

01:03:01And this one, this one is really exciting.

01:03:05Look at me, I can't think of a better partner to go here with than you.

01:03:10Damn, guys.

01:03:13Honestly, between the affection you're showing me and imagining me here every day,

01:03:19spending hours and hours with you,

01:03:22I have no other choice

01:03:24than to jump into the pool.

01:03:26Okay, I'm in.

01:03:27What the hell?

01:03:29José Mari, José Mari, José Mari, José Mari.

01:03:42I had dreamed about this so many times.

01:03:45José Mari, José Mari, José Mari.

01:03:52After studying the evidence and according to article 550 of the Penal Code,

01:03:58I sentence the defendant to a fine of 20,000 euros and to community service.

01:04:02How much was said?

01:04:04You must have made a mistake.

01:04:06Look carefully, it should be 200 and he's mixed up the zeros.

01:04:09Should I add two more zeros?

01:04:10No, no, no, no, four is fine for me.

01:04:13Furthermore, he will not be allowed to leave the province of Guipúzcoa.

01:04:15and he will have to sign in at the courthouse daily or he will go to prison.

01:04:19You may kiss the bride.

01:04:21I mean, he gets up for the session.

01:04:23The SWOT analysis.

01:04:26My goodness, what a huge financial disaster, 20,000 euros.

01:04:28But where am I going to get so much money?

01:04:30That the land isn't worth a damn.

01:04:31Okay, calm down, because it could have been worse, okay?

01:04:34At least I've been spared from kissing her.

01:04:36Ah, look, well that's what you've missed.

01:04:39Hey, by the way, consider yourself lucky you're not in prison.

01:04:43I won't say any more.

01:04:43But I can't leave Guipúzcoa.

01:04:45What more prison does he want than that?

01:04:47That's what I like most about our system, you know.

01:04:50Where traditional justice fails, divine justice prevails.

01:04:53The divine one arrives.

01:04:54Huh? What? How's Auntie enjoying herself?

01:04:57Look, I'm going to say one little thing.

01:04:59Are you an aunt...

01:05:01That?

01:05:02Great.

01:05:03That's what they say, I don't know.

01:05:04Durilla.

01:05:06Come on, let's go.

01:05:08Nuremberg will be waiting.

01:05:09What level?

01:05:10I'll take it.

01:05:11What level?

01:05:21Rafi, what? What's wrong?

01:05:23That food?

01:05:23Yes, yes, I remember.

01:05:25He's reviewing.

01:05:26I'll bring it now.

01:05:29Honey, since you had it back, and it doesn't have air conditioning, I'm not getting in, I'm warning you.

01:05:33You're getting on, no matter what, because tonight I want to sleep in my own bed.

01:05:36We are?

01:05:37Well, seen that way, that's how it came about.

01:05:41Let's get those stews coming right up.

01:05:43What is that?

01:05:44We agreed on something light, don't you remember?

01:05:46The bean.

01:05:47Yes, but my wife is on sick leave and it wasn't possible.

01:05:49Did you cut off your hand?

01:05:50Well, she didn't cut it all off, huh?

01:05:51She can still greet people as Leticia.

01:05:53Hey, people!

01:05:54Oh man.

01:05:55And how has that been?

01:05:56Well, the cash register broke.

01:06:05Okay, fine.

01:06:06Well, excuse me, but we're not going to eat that, okay?

01:06:08Oh, what's wrong?

01:06:09Is the Duchess of the North too refined for a chickpea stew?

01:06:12No, it's on fire.

01:06:14And my husband has already suffered heatstroke today.

01:06:16And I don't want him to give me another one.

01:06:17That can be fixed with some cool water for the husband.

01:06:19Alone, husband!

01:06:21But what are you doing?

01:06:22You're stupid!

01:06:23No fool is someone who has a slice of fine dew, eh?

01:06:26There it is.

01:06:30This one's done!

01:06:30I've already said it.

01:06:31What if Marushi finds out?

01:06:32Why did he find out?

01:06:33Oh well.

01:06:34Why is this happening now?

01:06:35Well, obviously, I'm fed up.

01:06:37I'm fed up.

01:06:37My cash register is broken.

01:06:39I almost broke my back.

01:06:40My wife has become half-crippled.

01:06:42What have I been doing?

01:06:42To this?

01:06:43To this?

01:06:43From cracking my head open behind the bar.

01:06:45Because I have a very hard one.

01:06:46Otherwise, I won't tell the story.

01:06:47What if Marushi now wants to tell Iñaki to fire me?

01:06:51I'm putting that I'm saying goodbye.

01:06:52But know this: they're not going to find anyone.

01:06:54It's going to take a long, long time.

01:06:55to find someone who will give their all,

01:06:58the body and the weapon in this bar, just like I'm leaving it.

01:07:02Already?

01:07:03Have you finished yet?

01:07:04Well, just so you know, I'm not going to say anything to Marichu.

01:07:07Hey?

01:07:08I don't know if it's because of these little pills I'm taking.

01:07:10the fun or the high,

01:07:12But right now I don't understand anything.

01:07:13Look, I'm not going to tell Marichu anything.

01:07:15that will make him stay in Seville.

01:07:17So relax.

01:07:18Oh, and one more thing.

01:07:19Whatever it is, that thing you're taking,

01:07:21The best part is that you have it through the toilet.

01:07:23Mmm, they're, they're delicious.

01:07:26You could add a little bit of air

01:07:27And while we're at it, bring some cherries.

01:07:29Hey, bird?

01:07:32Uh, just the little cherries.

01:07:35Uh, no.

01:07:36Sure, sure.

01:07:38That food is disgusting, really.

01:07:39It makes you want to become Muslim

01:07:41only for fasting.

01:07:42Wow!

01:07:43Eat the strawberry jelly.

01:07:45You'll see how refreshing it is.

01:07:46Let's see.

01:07:46Come on.

01:07:47Sugar-free, fat-free, gluten-free.

01:07:51This menu leaves me with no desire to live.

01:07:54Listen to me, girl.

01:07:55You wouldn't happen to have two or three thousand sheets lying around, would you?

01:07:56to inject it into my vein now that I'm an official patient?

01:07:58No, because this is the food for official patients.

01:08:02Go on, I'm going to the bar.

01:08:03Let's see if they have any rice pudding or flan left.

01:08:05How funny, Marichu.

01:08:06God bless you.

01:08:07Mostly because I don't know where my wallet is, you know?

01:08:11Marichu.

01:08:12Hey, how's it going?

01:08:14How is Christopher?

01:08:15Well, that's terrible.

01:08:16This boy has a very serious head injury.

01:08:19Well, you already saw the horror movie

01:08:21that he set up all by himself.

01:08:23We are murderers.

01:08:24Yes, no, woman.

01:08:25I mean, because of the fall.

01:08:26Ah, that's good.

01:08:27Nothing, just bruises and a few cracks.

01:08:29Not much.

01:08:30I'm going to pay him a visit.

01:08:31I'm sure he's glad I'm alive.

01:08:33Oh, sure.

01:08:34Well, Marichu, I've already bought the tickets to go to San Sebastián.

01:08:37The first two rows.

01:08:39This guy's getting dizzy, girl.

01:08:40Look, Bego, I won't be able to go.

01:08:43This boy needs help.

01:08:44And not only with the clinic.

01:08:46As?

01:08:47Are you going to let your husband's business die, Marichu?

01:08:49Well, this is also my husband's business.

01:08:51I can't believe it.

01:08:52You put a man you've been married to for ten minutes first

01:08:55to the man with whom you have shared half of your life.

01:08:58I put the present before the past.

01:09:00And I would like you to understand that.

01:09:01But if that's not the case...

01:09:03Look, I really don't know what to do.

01:09:12What do I unwrap now?

01:09:13It's to help digest the chickpeas, darling.

01:09:16Your sister?

01:09:18I no longer have a sister, Sabino.

01:09:20Thank you!

01:09:48Thank you!

01:09:53Sorry for the potholes. The best way to get around these roads is clearly by goat.

01:09:58Don't worry, my ass can handle anything.

01:10:03All types of roads.

01:10:08How is Flora? Have the contractions become more frequent?

01:10:11Yes, it's almost there, it has to be ready. It sounds like the blast furnace siren.

01:10:15Okay, let's get down to business.

01:10:16But wait a minute, I say, we'll have to move it to a more hygienic place, won't we?

01:10:21No, it would be too complicated to move it.

01:10:22But how can the baby give birth in a hayloft?

01:10:25What do you want? It's a cow.

01:10:27Listen, I don't think that's a way to refer to any woman in labor.

01:10:31Well, no matter how fat she is, I'd say the three of us can move her, right?

01:10:39Ah, now I understand.

01:10:44But Horacio, I didn't even go to class the day they taught prairie animals at my faculty.

01:10:50Come on, let's go.

01:10:55Oh, my dear mother.

01:10:58Well, maybe whatever I want.

01:11:02I'm going, okay?

01:11:08Well, José Mari, you're now a co-owner of the street.

01:11:15Welcome aboard.

01:11:19Co-owner of the street.

01:11:21He remains silent.

01:11:23Be quiet.

01:11:24Be quiet.

01:11:25It sounds a bit aggressive, doesn't it?

01:11:26Be quiet.

01:11:28Hey, what if we called it the Laurel Tavern instead?

01:11:31I mean, just to give you some ideas.

01:11:37My goodness, what an effort.

01:11:40I'm definitely going vegan from today onwards.

01:11:44Well, it's yours.

01:11:48And why would I want to understand it?

01:11:52No, no, the job is yours, the job.

01:11:55Oh really?

01:11:58Oh, what...

01:12:01He doesn't know what he's referring to.

01:12:05Well then, welcome.

01:12:07Thank you so much.

01:12:10Well.

01:12:14Grim Reaper, you Grim Reaper, Mom, I'm sorry.

01:12:15I've gotten myself into a stupid mess.

01:12:16Aren't you ashamed to abandon your mother to go play with your buddies?

01:12:20Look, just so you know, apart from the pain of a mother, that constitutes a crime.

01:12:24Well, that's why.

01:12:25Look, I'm asking for your forgiveness.

01:12:27Joplin, who...

01:12:27Something important has come up for me.

01:12:30Yes, of course, you were 31 and you didn't want to leave the game unfinished.

01:12:32Who do you think you are?

01:12:33What, I don't know you?

01:12:33It's no longer valid.

01:12:34I have a life too.

01:12:35And ever since you had the accident...

01:12:38You're making it a little bitter for me.

01:12:40Who do you think you are?

01:12:41Don't I realize?

01:12:42I already know that you are not happy.

01:12:44That's why I've hired a girl to help us.

01:12:47A girl?

01:12:48Yeah.

01:12:49What do you mean, a girl?

01:12:50Look, Peyo, I know you're putting in a lot of effort, but you're handling me worse than a wheelbarrow.

01:12:55Love, I know you've needed help lately.

01:12:58But hey, we could manage, right?

01:12:59You don't need to bring someone from outside.

01:13:01You're not going to let a stranger into your house either.

01:13:05Well, not a stranger.

01:13:06A professional.

01:13:08Look at her.

01:13:09Very good, Rosamari.

01:13:11You look so handsome today, don't you?

01:13:14What a flirt you are, daughter.

01:13:16Peyo, look, this is Yasmin.

01:13:18What do you think?

01:13:19Yasmin, look, this is my son, Peyo.

01:13:22Peyo, I'd like to introduce you to Yasmin.

01:13:24Hello, Peyo.

01:13:24I told him to start today.

01:13:25Yes, that sounds good to you, right?

01:13:26Yeah.

01:13:27The sooner the better.

01:13:28Hey?

01:13:29Hello.

01:13:30Yasmin, you're not from Vizcaya.

01:13:34Hey, cut a c-c ...

01:13:35I'm from Vizcaya.

01:13:37Talk to Vizcaya.

01:13:40Shut up, Vizcaya.

01:13:47Do you remember when you told me to take the reins?

01:13:50Well, I've managed to get José Mari to give us money for the Calla project.

01:13:53José Mari?

01:13:54I'd prefer you sign a pact with Satan himself.

01:13:57Hey, my dear, are you still having discomfort?

01:13:59Well, only during intercourse.

01:14:03Sorry.

01:14:04What, Gochone?

01:14:04Have you told him yet?

01:14:06Tell me what.

01:14:06Arzac wants one creation from each of them by the end of today.

01:14:10I've done a lot of work, you know?

01:14:11Mind you, very much so.

01:14:12Well, Huelva, lots of prawns.

01:14:15She even brought out the kitchen sink.

01:14:16I am the owner of this clinic.

01:14:18And above me, he has no one to complain to.

01:14:20You are very wrong.

01:14:21If you think I'm going to give in to your blackmail.

01:14:23There is no food.

01:14:24I just received a call from the owner of the catering company we've been working with for six years.

01:14:27And out of the blue, he tells me that he is unilaterally terminating our contract.

01:14:32So what's with this sign?

01:14:33Should we put it outside?

01:14:34Holy shit, now.

01:14:36María de los Dolores, please don't hang up on me.

01:14:39Celia.

01:14:39It's the only way I can talk to you without you running away.

01:14:43Where am I going with that spike he's going to do to me?

01:14:45What are you saying?

01:14:46Come on, go upstairs.

01:14:47My partner stayed.

01:14:48Couple?

01:14:49What do you mean my car has appeared?

01:14:51They stole it?

01:14:52The bands, I told you.

01:14:53I had to step out for a moment to pick mushrooms for the Arzac test.

01:14:56And I'm on private property.

01:14:58I hope they don't have cameras around here.

01:14:59And here?

01:15:01No.

01:15:01No, I've deleted everything!

01:15:03No, no, no!

01:15:04No, no, no!

01:15:04Please forgive me!

01:15:05Damn, what happens now?

01:15:07Hello, I am Rosa Maria's son.

01:15:08I haven't done anything else, no.

01:15:09Come on!

01:15:10Get out of the car!

01:15:11All of them displayed prominently.

01:15:13I look like it!

Allí abajo - 3x03 - Cerrado por reformas - HD 1080

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