Allí abajo - 3x13 - El tesoro Benjumea - HD 1080 - Vídeo Dailymotion

Aquellas Maravillosas Series

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Transcript

00:00:00Iñaki, he doubts that my son is his.

00:00:02And who does he think you're fooling him with?

00:00:04Don't tell me.

00:00:05With the zoologist you brought the other day, right?

00:00:07Carmen and Horacio slept in the same room.

00:00:10And more importantly, Carmen lied to me.

00:00:12So, how are you?

00:00:13I'm going to tell you how I'm not pregnant.

00:00:16We've been trying for several months and haven't achieved anything.

00:00:18Cristobal, what are you doing?

00:00:20Will you marry me?

00:00:21Yeah.

00:00:23Wanna.

00:00:24It's as simple as Celia giving me a kiss at a wine tasting.

00:00:28Hey, but only you and Rafi know this, okay?

00:00:31What I want to know is if my arrow still hits the target.

00:00:33Do you want to take a fertility test?

00:00:36That's why it was so difficult.

00:00:37What was I talking about with Trini earlier?

00:00:39She just wanted me to prepare a prenuptial agreement for her.

00:00:42It's worth keeping, isn't it?

00:00:44Yeah.

00:00:44Haven't you stopped to think that maybe Yasmin's friends are more than just friends?

00:00:50I love you.

00:00:51Horacio, darling, I'm sorry.

00:00:53But I've never looked at you with those eyes.

00:00:55I love Iñaki.

00:00:55But according to this, by getting married, I renounce all my present and future assets.

00:00:59I would sign anything just to avoid having to give you up.

00:01:02But what are you doing?

00:01:03It's a total trap.

00:01:05I broke up with Yasmin.

00:01:06I mean, that's it.

00:01:08I think you're a good cook.

00:01:09And a good person too.

00:01:11Due to marital failure.

00:01:13Because of the failure.

00:01:15Oh!

00:01:16No.

00:01:16Improvement.

00:01:17No, no, no, no, no.

00:01:19What a head!

00:01:21Whatever it is, I'll face it.

00:01:22You have few sperm in your seminal fluid.

00:01:25The chances of getting pregnant are virtually zero.

00:01:28I feel a little bad because, well, in part you were a little bit right.

00:01:33Horacio came to Seville and declared his love.

00:01:35But let me tell you something, my love.

00:01:36We have to learn from this injury.

00:01:40This is not what it seems.

00:01:43Thank you!

00:02:00Thank you!

00:02:15That was quite a row, wasn't it?

00:02:17And how do you know?

00:02:18Did Carmen tell you?

00:02:19No, no, no.

00:02:20I say this because at the slightest sign of trouble with Bego, I'm moving to the sofa.

00:02:22I grab the blanket, the pillow, and my little crossword puzzle notebook and all.

00:02:25Well, this is where he had to go, huh?

00:02:27Nephew, huh?

00:02:29Yes, that's why I don't have a girlfriend, huh?

00:02:31Because relationships are a mess.

00:02:33And why doesn't anyone like you?

00:02:34Yes, that too.

00:02:37But, nephew, what have you done to Carmen?

00:02:40Oh, no, nothing.

00:02:42These are things between a couple, intimate matters.

00:02:49But are you still here?

00:02:51What's happening?

00:02:52Doesn't moving help you with mattresses?

00:02:54Ah, of course, if you take her home you'll probably sleep with her again.

00:02:59But can I believe he hasn't told you anything?

00:03:01It's not something I'm proud of.

00:03:04Don't worry.

00:03:05Now you have time to repeat and do it right.

00:03:09Carmen, please forgive me.

00:03:11I wish I could turn back time.

00:03:13Why did you forget any of the poses?

00:03:14Oh, right, I was drunk here.

00:03:16Yes, no, I don't know.

00:03:19I don't remember anything, yes.

00:03:20He was very drunk.

00:03:21Mantanar says that I'm in Seville thinking about our relationship.

00:03:24And you're here getting drunk.

00:03:27Carmen thought that our relationship was over.

00:03:28And I also found out that you're in Seville with Horacio.

00:03:31He came to see me.

00:03:32It's time to declare your feelings!

00:03:33So I was right.

00:03:34And I told him that I loved you.

00:03:39Well, it seems like this is going smoothly, doesn't it?

00:03:42What do I mean?

00:03:43The suitcase.

00:03:44So, José is going to pick up the suitcase

00:03:46and we'll be waiting for you downstairs in the car.

00:03:48Yes, yes, yes.

00:03:48See you later.

00:03:49Come on, calm down.

00:03:50Gentle.

00:03:50Come on, let the people who lose you get lost.

00:03:51You're good.

00:03:53Carmen, listen.

00:03:54Go away, Iñaki.

00:03:55Please.

00:04:02The truth is that happiness is palpable here.

00:04:04Wherever you look.

00:04:05Shots are allowed.

00:04:07Kevin feels like a change of scenery.

00:04:10Uh, did he pass, did he play?

00:04:11No, I don't have one.

00:04:12Passed?

00:04:13Hey, how did it go with Carmen for Iñaki?

00:04:15Because, come on, he certainly hasn't given any sign of life.

00:04:17With one night in between.

00:04:18Sabrán, he reconciled up to three times.

00:04:21Some people are so lucky.

00:04:22Don't be such a worrywart.

00:04:23We've come here so you can forget about Yasmin.

00:04:25And how is that done?

00:04:26Getting to know someone else.

00:04:27One nail drives out another.

00:04:29Hey, Coldo?

00:04:30Although I came here to work, you know.

00:04:31Not me.

00:04:31That's not the attitude, Coldo, eh.

00:04:33And not that one either.

00:04:34Why are you scratching yourself so much?

00:04:35No, no, no, nothing more.

00:04:36He bought me new underwear

00:04:37And it itches, it itches all over except the label.

00:04:40Damn, then change them.

00:04:42That's it, that's it, eh, eh, eh.

00:04:43Not here, damn it.

00:04:44Not here, not yet.

00:04:45Hey?

00:04:46Besides...

00:04:47Damn, what a cardboard cutout.

00:04:48Two large, three doubles

00:04:50and game in step.

00:04:51The little one is mine, by the way.

00:04:52But he finishes second.

00:04:53I win.

00:04:53So let's have breakfast.

00:04:55Here it goes.

00:04:56Uh, the three bridges

00:04:57with the left hand, eh.

00:04:58How pathetic, damn it.

00:05:07I know it's going to happen to you

00:05:08Because of the expensive snacks, right?

00:05:11No mortadella at all.

00:05:24Carmeli, how are things going over there?

00:05:26Have you made up with Iñaki yet?

00:05:27No, I'm not going to join Iñaki's crazy group.

00:05:30Iñaki, I'm going to contribute, crazy.

00:05:31That?

00:05:32No, you bastard, I've had my Iñaki.

00:05:34You can vocalize, daughter.

00:05:35But I will weep in faith.

00:05:38Look, Carmen,

00:05:39If you want us to understand each other,

00:05:40This has two paths.

00:05:41Or stop eating

00:05:42or stop crying.

00:05:45From Iñaki

00:05:46Dolores has been unfaithful to me.

00:05:48Wait a moment, darling.

00:05:50Wait, wait.

00:05:58Hey.

00:06:00Yes, let's see, let's see.

00:06:02What you most wanted to say

00:06:03It's just that Iñaki and you

00:06:04You were watching a series, weren't you?

00:06:06And he has finished watching it

00:06:08without waiting for you.

00:06:09No.

00:06:10I mean

00:06:10that Iñaki went to bed

00:06:12with piglets

00:06:12while I was

00:06:13in Seville with you.

00:06:15As?

00:06:16But the Basques

00:06:17Do they do those things too?

00:06:18I don't know about the Basques.

00:06:20But Iñaki?

00:06:21Yeah.

00:06:22Oh my God, my little girl.

00:06:23You need to leave there now.

00:06:25And where do you want me to go?

00:06:26Look, the one who has been unfaithful the most

00:06:27It was him,

00:06:28So he has to make a living.

00:06:29Okay, also,

00:06:30I'm fine here.

00:06:31I have a job

00:06:33with a gynecologist.

00:06:34I have everything.

00:06:35All.

00:06:36Oh, my child.

00:06:37Well, forgive me, Dolores,

00:06:39I'm losing my mind

00:06:40that hormones

00:06:41They have to fire me because of you.

00:06:42I'm leaving you because

00:06:43I have to go shopping

00:06:44to Jostino.

00:06:46Bye bye.

00:06:47Bye bye.

00:06:48Little kiss.

00:06:50My poor little girl.

00:06:52Pregnant.

00:06:53Far away.

00:06:54And with an unfaithful husband.

00:06:55That baby is going to be born

00:06:56with more stress

00:06:57that Pinocchio

00:06:57in the lie detector.

00:06:59And I have to go to work.

00:07:04Seriously, Dolores?

00:07:05Are we still on about that?

00:07:06please?

00:07:07But if the neighbor

00:07:08our lives are known

00:07:08better than ourselves.

00:07:10No, that's not it,

00:07:12Little girl, that's not it.

00:07:13What is it that...

00:07:14What are the Basques?

00:07:16They were already here, weren't they?

00:07:17And these are worse.

00:07:19than the others.

00:07:20There are so many little pets.

00:07:21Where will it all end?

00:07:21Sure, sure, sure.

00:07:22Weren't you going to scream?

00:07:23to the four winds

00:07:24that we were together?

00:07:25No, they don't have whiskers.

00:07:26Well,

00:07:27right now, I'm catching it.

00:07:28He sees that I have a voice.

00:07:30I'm a little hoarse.

00:07:32But apart from that,

00:07:32What's the rush?

00:07:34Well, I don't know, Dolores,

00:07:34the hurry that may be

00:07:35an absolutely normal person

00:07:36in the 21st century.

00:07:38Really,

00:07:39the thing is...

00:07:40Give me some time,

00:07:42It's not that big of a deal.

00:07:43You're exaggerating a lot.

00:07:44Celia.

00:07:45Look,

00:07:45I have to go now.

00:07:46But no, not you, okay?

00:07:47Just wait ten minutes

00:07:48and then you go out.

00:07:49And at the clinic

00:07:49we crossed paths

00:07:50And I'll do it like this.

00:07:51I'm sending you a kiss.

00:07:53Remember.

00:07:56Come on.

00:08:10Hello.

00:08:11Hello, Carmen.

00:08:20Are those prawns?

00:08:21Yeah,

00:08:22Yeah,

00:08:22They're for the mousse

00:08:23that I'm preparing there.

00:08:26But I'm managing.

00:08:27With the ox, huh?

00:08:28Don't worry.

00:08:29Thank you.

00:08:30Carmen.

00:08:33I just wanted to tell you

00:08:34I'm sorry.

00:08:36Very good,

00:08:37that's all.

00:08:37Can you...?

00:08:38No no,

00:08:38What happened was a mistake.

00:08:41Because the two

00:08:42we were alone

00:08:43and well,

00:08:44We felt sad

00:08:45and we started drinking

00:08:47and...

00:08:47Did you forget everything?

00:08:48No, no, no,

00:08:49That wasn't it, Carmen.

00:08:50That wasn't it.

00:08:51If it wasn't that,

00:08:51What was it?

00:08:52You didn't forget everything,

00:08:53but you cared about everything.

00:08:54It's crap, isn't it?

00:08:56No, no, Carmen, no.

00:08:57Well, let's see...

00:08:57Cochones, leave it.

00:08:58Really,

00:08:58that nothing is wrong.

00:09:00Did you know?

00:09:00There is one thing

00:09:01which makes me sad.

00:09:02You're so rude.

00:09:04I always thought

00:09:05that deep down

00:09:06You were a good person.

00:09:07Well,

00:09:08If it's any consolation,

00:09:10neither

00:09:10we remember

00:09:11of what happened.

00:09:12Oh, no?

00:09:13No.

00:09:13That's a shame.

00:09:15What a shame, really.

00:09:16Because, you know what?

00:09:18that to me

00:09:19I won't forget it

00:09:20in life.

00:09:38Who am I?

00:09:40At the clinic

00:09:41There is only one

00:09:42that she uses hand cream

00:09:43with extracted algae

00:09:44of the Dead Sea.

00:09:45Let's see, Christopher,

00:09:46what do you want?

00:09:46I'm a little bit prey.

00:09:48When have I ever bothered you?

00:09:48for something other than

00:09:49of vital importance?

00:09:50When did you take me out

00:09:51of a meeting

00:09:52to ask me

00:09:52if it looked better on you

00:09:53the line on the left

00:09:54or to the right?

00:09:55When did you wake me up?

00:09:56at three in the morning

00:09:57so that he could help you

00:09:58To name a horse?

00:09:59When did you make me lose?

00:10:00The name?

00:10:00Gordi, gordi!

00:10:00That's a lot.

00:10:01most important.

00:10:01Listen to me, listen to me, listen to me.

00:10:02Come on, come on, come on.

00:10:04Do you want us to leave?

00:10:06to live together?

00:10:09No.

00:10:10I had thought

00:10:11in a house like that

00:10:12for both of us,

00:10:13super big, pretty,

00:10:14with class.

00:10:14Come on, fatty.

00:10:15That?

00:10:15Let's see, Christopher,

00:10:16Let's not rush into anything,

00:10:17Let's not rush into anything.

00:10:19I don't think it's appropriate.

00:10:20We're not married yet

00:10:21and that we are...

00:10:24hippies.

00:10:24No, no, it's true, it's true.

00:10:25Okay, after the wedding, alright?

00:10:27Well, after the wedding

00:10:28Yes, we'll continue talking about that.

00:10:30Okay, okay.

00:10:30Listen, listen, listen, listen.

00:10:33Do you have to go

00:10:33That congress?

00:10:34That?

00:10:35Well, I don't know.

00:10:36Does that sound good to you?

00:10:37as director

00:10:38from the clinic

00:10:39Take a course

00:10:39about financial plans

00:10:40in business management?

00:10:44Do I have to say yes?

00:10:46Christopher,

00:10:47Will you be able to

00:10:47to take charge

00:10:48of the two tasks

00:10:49What should I leave you?

00:10:49Please,

00:10:50Doubt is offensive, come on.

00:10:51I don't think it's very difficult

00:10:52to dismiss a bullfighter

00:10:53who is admitted

00:10:53and send an email

00:10:54to a newspaper, right?

00:10:55He is a singer

00:10:56and what needs to be sent

00:10:57It's advertising

00:10:58from the clinic

00:10:59so they can put it on

00:10:59in the magazine.

00:11:00What I said, right?

00:11:01It's very important, Christopher.

00:11:03He gives us a very good price.

00:11:05And I'm going to ask you one thing.

00:11:06Be very discreet with Rafi.

00:11:07With Rafi?

00:11:08The waiter?

00:11:09If I don't give that one

00:11:09not good morning.

00:11:10Rafi Romero,

00:11:11the singer.

00:11:12Admitted for an inguinal hernia,

00:11:13But the media believe

00:11:15which is a simple check-up.

00:11:17Are you really going to be able to do it?

00:11:18Yes I can, Gordi,

00:11:18of course.

00:11:19But listen to me,

00:11:19Listen to me,

00:11:20before you leave.

00:11:21Let's go surfing.

00:11:23What's a surfboard for?

00:11:24Like a metito,

00:11:24a metito.

00:11:25Know?

00:11:25I have it.

00:11:26Look,

00:11:27Here it is.

00:11:30Another one of...

00:11:38I don't know,

00:11:38Do you have anything to add?

00:11:41Have you made the whole trip

00:11:41very quiet?

00:11:42No, no, no.

00:11:43We haven't stopped talking.

00:11:44Yeah.

00:11:44We've talked

00:11:44from time.

00:11:45Weather,

00:11:46from that cow.

00:11:47It was very big

00:11:48and very brown.

00:11:49But you want to stop now.

00:11:51You think I'm a bastard,

00:11:52No?

00:11:53A bastard?

00:11:56Sorry.

00:11:57Sorry.

00:11:58It's Coldo.

00:12:01Coldo.

00:12:02Hey, get it!

00:12:03little one!

00:12:04How was the reconciliation?

00:12:06Yeah,

00:12:07Well,

00:12:07more or less.

00:12:08Hey,

00:12:08look,

00:12:08Coldo,

00:12:08You caught me.

00:12:10a bit complicated.

00:12:11Of course.

00:12:12You just can't live apart.

00:12:14What are you without her?

00:12:16Nothing.

00:12:16Nothing,

00:12:17man.

00:12:17You without Carmen?

00:12:18Come on,

00:12:19Well,

00:12:19come on.

00:12:19I mean,

00:12:20If she's the one who sets the course for you,

00:12:21It's your compass,

00:12:22your polar bear.

00:12:24Yeah,

00:12:25Yeah,

00:12:25How funny with the similes.

00:12:26When,

00:12:26hey,

00:12:27look,

00:12:27really,

00:12:28You've caught me at a bad time,

00:12:29Okay?

00:12:30Goodbye.

00:12:31Goodbye.

00:12:33Pello can come soon

00:12:34because I'm going to eat the table.

00:12:36Well,

00:12:36that?

00:12:36I'm a bastard,

00:12:37No?

00:12:38A bastard?

00:12:39I'll sort it out with Carmen

00:12:40and especially you two

00:12:42You can't tell anyone

00:12:43what happened between Goston and me.

00:12:45That's not so easy,

00:12:46nephew,

00:12:46because you don't live with Bego,

00:12:48but as soon as you smell it

00:12:48that something has happened in the street,

00:12:50You already know who he's going to interrogate.

00:12:51But I already know what you're going to say to him.

00:12:53Not everything can be fixed with a boom.

00:12:56Boom.

00:12:56There.

00:12:58Hey,

00:12:59And I haven't understood.

00:13:00Am I an asshole?

00:13:06José,

00:13:07And these clothes?

00:13:08Oh,

00:13:09Well, no, it's mine.

00:13:10Oh,

00:13:11Yeah,

00:13:11I know it's yours,

00:13:12But what is he doing here?

00:13:12Hey,

00:13:13What was he thinking?

00:13:14Were you leaving alone?

00:13:14here in the middle of the field

00:13:16with what you're going through

00:13:17on my brother's shoulder?

00:13:18My brother alone?

00:13:29Nothing,

00:13:29Iñaki doesn't answer me.

00:13:31Why is he working?

00:13:32Well,

00:13:32as if he's with the Endacari.

00:13:34To a mother

00:13:34We always answer his calls.

00:13:36Man,

00:13:36But if we have here

00:13:38to the director

00:13:39more elegant

00:13:40and efficient

00:13:41on this side

00:13:41of the Guadalquivir.

00:13:43Go on,

00:13:44And what's the point of that?

00:13:45Benedict?

00:13:45Well, that's it.

00:13:46getting a little bit boisterous

00:13:47the environment

00:13:48before I started

00:13:49to launch

00:13:49the daggers.

00:13:50But,

00:13:51What things do you have?

00:13:52If we get along wonderfully,

00:13:55TRUE?

00:13:55Future daughter-in-law?

00:13:56Of course,

00:13:57future mother-in-law.

00:13:59Forgive me,

00:13:59But I'm in a bit of a hurry.

00:14:01I'm going to a conference now.

00:14:02Other?

00:14:03You're never there

00:14:03sufficiently prepared.

00:14:05Not enough

00:14:06far from Christopher.

00:14:08Oh,

00:14:09What things you say,

00:14:10Marichu.

00:14:11With so little

00:14:12that hits you

00:14:13to play the stepmother.

00:14:14Well,

00:14:14realize

00:14:14that for her

00:14:15Christopher

00:14:15He's like a son.

00:14:17So much so that

00:14:18no daughter-in-law

00:14:19It seems to me

00:14:19enough

00:14:20good for him.

00:14:21Until

00:14:22Then you arrived.

00:14:25That they have

00:14:25one fine day.

00:14:26Come on.

00:14:30Witch

00:14:31disgusting.

00:14:32Well,

00:14:32look,

00:14:33now that Trini

00:14:34He's leaving

00:14:34and stays

00:14:35to the clinic

00:14:35calmer.

00:14:36What do you think?

00:14:37If we leave

00:14:37to give a slap

00:14:38Go to Carmen

00:14:38and your son.

00:14:39Yeah,

00:14:40and my grandson.

00:14:41Well,

00:14:41I can see that already.

00:14:42more difficult,

00:14:43Hey?

00:14:43Come on.

00:14:44What are you doing here?

00:14:45my soul?

00:14:46Are you lost?

00:14:47order?

00:14:48Child,

00:14:49I don't bite.

00:14:50We came yesterday,

00:14:51we are there

00:14:52at Colo's house.

00:14:53Look at him,

00:14:54you even show up

00:14:55from here,

00:14:55I have two questions for you

00:14:57and you don't answer

00:14:58Neither of them.

00:14:59Let's see,

00:15:00What are you carrying there?

00:15:01Croissants.

00:15:02That's better.

00:15:08Hey,

00:15:09hey,

00:15:10hey,

00:15:10hey.

00:15:11What are you doing here?

00:15:12Are you lost?

00:15:13No,

00:15:13the stone,

00:15:14No,

00:15:14look,

00:15:14that was

00:15:15commenting to Merche

00:15:16that we have come

00:15:17to accompany him

00:15:18to Colo,

00:15:18that has come

00:15:19for work.

00:15:19Ah,

00:15:19what's happening?

00:15:20That he cannot

00:15:20come alone,

00:15:21No?

00:15:21I'm not leaving.

00:15:22Let's eat.

00:15:23Oh,

00:15:24What is this?

00:15:25Hey,

00:15:26But this is true,

00:15:27Yes, that's right.

00:15:28that's lovely,

00:15:29croissant.

00:15:30Oh,

00:15:31How nice in the morning!

00:15:32a delicious croissant.

00:15:33Hey,

00:15:33hey,

00:15:34what's happening?

00:15:35What are you doing here?

00:15:36my soul that you cannot

00:15:37go by without me,

00:15:37No?

00:15:38Hello,

00:15:38Lucy,

00:15:39that?

00:15:39No,

00:15:40No,

00:15:40Yeah,

00:15:40the truth is that

00:15:41glad to hear it.

00:15:42I'm home today

00:15:43from Colo because

00:15:43we have come

00:15:44to accompany him there.

00:15:45What is this?

00:15:46Child?

00:15:46I'm going to get one for you

00:15:47With your permission,

00:15:47Hey?

00:15:49I'm telling you,

00:15:50I'm glad to see you,

00:15:50handsome.

00:15:51Are you messed up?

00:15:52Hello,

00:15:53good morning.

00:15:54All I have left is

00:15:54a croissant,

00:15:55Hey?

00:15:56Go on,

00:15:57thank you.

00:15:59Sorry,

00:16:00I thought you were

00:16:00one of the neighbors

00:16:01gossips,

00:16:02But I see.

00:16:02that you are more,

00:16:04less,

00:16:05but more or less,

00:16:06that's quite a bit more.

00:16:09Do you always explain yourself?

00:16:09with such clarity?

00:16:10No,

00:16:11Sometimes you kill

00:16:12I don't know what to say.

00:16:14A croissant.

00:16:15To what is no longer.

00:16:16You see,

00:16:17You see.

00:16:19I'm Celia.

00:16:20I don't,

00:16:21I'll take it.

00:16:22I have come

00:16:23to accompany

00:16:23a friend.

00:16:24I'm not from here,

00:16:26oh well,

00:16:26I've come here to disconnect.

00:16:27because I just left

00:16:28of a relationship.

00:16:29Love.

00:16:31Hey,

00:16:31cheer up,

00:16:31than a nail

00:16:32pull out another nail.

00:16:33Exactly

00:16:34a friend of mine says.

00:16:39Hey,

00:16:40I'm going to work,

00:16:41But you're really nice,

00:16:43Hey?

00:16:44Nice to meet you

00:16:45to get to know you

00:16:46whenever,

00:16:47I don't know,

00:16:48a coffee,

00:16:49a croissant.

00:16:51Come on,

00:16:51see you later.

00:16:56Obvious,

00:16:56It was about time.

00:16:58Gang,

00:16:59You can't imagine

00:17:00what happened to me.

00:17:01There were no croissants.

00:17:01with angel hair.

00:17:02But for Angel,

00:17:04the one I found

00:17:04there,

00:17:05on the stairs.

00:17:05What the hell are you saying?

00:17:07That I've hooked up.

00:17:07I've hooked up,

00:17:08again.

00:17:08Already,

00:17:09But the croissants.

00:17:10Hey,

00:17:10Broad,

00:17:10Leave the croissants.

00:17:11He's saying

00:17:12that Pello

00:17:12that he has hooked up.

00:17:13Oh,

00:17:14right here,

00:17:14on the landing.

00:17:15A nicer girl

00:17:16It's my turn,

00:17:17He gave me two kisses,

00:17:18He told me that if that's the case,

00:17:18Maybe some other day.

00:17:19that if we have something,

00:17:20that this,

00:17:21Well,

00:17:21He laughed until

00:17:22of my comments.

00:17:23And have you gotten stuck a lot?

00:17:24No,

00:17:24as is usual in these cases.

00:17:26Since he met

00:17:27to Yasmin this,

00:17:27Hey?

00:17:28How has it improved?

00:17:28Short distances?

00:17:29I'm at full speed

00:17:30of animal magnetism.

00:17:32Good,

00:17:32good.

00:17:33Hey,

00:18:01Horace,

00:18:02What are you doing here?

00:18:04I wanted to apologize to you

00:18:05because of Seville,

00:18:06He had no rights

00:18:07to stand there

00:18:08and declare myself.

00:18:09Horace.

00:18:09He wasn't very selfish.

00:18:10for my part

00:18:11And I wouldn't like it.

00:18:11that this,

00:18:13well,

00:18:13will affect our relationship

00:18:14labor.

00:18:15Horace.

00:18:15No,

00:18:15please,

00:18:16No,

00:18:16Don't interrupt me,

00:18:17Carmen,

00:18:17please,

00:18:17that has lit it for me

00:18:17at home

00:18:18And I'm lucky.

00:18:19all at once

00:18:20Otherwise,

00:18:20I lose track of the thread.

00:18:22Let's see,

00:18:22Iñaki is a great guy,

00:18:24He loves you madly,

00:18:25Carmen,

00:18:25and,

00:18:26well yes,

00:18:26You make a wonderful couple,

00:18:28that's it.

00:18:29Well,

00:18:29in fact,

00:18:29You don't have to be a fortune teller

00:18:30to know that you will be there

00:18:31all our lives together.

00:18:32Is it finished yet?

00:18:33I'll check it out.

00:18:35And I confirm to you

00:18:35If you don't mind,

00:18:36Okay?

00:18:37Let's see,

00:18:38about me being very selfish,

00:18:39Hey,

00:18:40Iñaki is a great guy,

00:18:41Hey,

00:18:42Yeah,

00:18:43I think it's

00:18:43everything now,

00:18:44Yeah.

00:18:44Horace,

00:18:45I've left Iñaki.

00:18:46Where?

00:18:47No,

00:18:47that,

00:18:49that you've broken up with Iñaki.

00:18:50That?

00:18:51He's given me what I don't know about pigs.

00:18:54But,

00:18:56No,

00:18:57I don't know what to say,

00:18:58Carmen.

00:18:59Well,

00:18:59if you like,

00:18:59I'll make a note of something,

00:19:00I write it

00:19:01And then I'll tell you.

00:19:01later or not.

00:19:19Hey,

00:19:19Regarding what happened,

00:19:22I prefer not to.

00:19:22not to talk about the subject.

00:19:24Ah,

00:19:25And what do you propose?

00:19:28That it becomes increasingly uncomfortable

00:19:30to be in the same room.

00:19:31And when we need to communicate,

00:19:33How do we do it?

00:19:34Through gestures?

00:19:36Look,

00:19:36Alright,

00:19:36Let's talk.

00:19:37You were feeling down,

00:19:38I was feeling down.

00:19:39Should we have gone home?

00:19:40Yeah,

00:19:41but...

00:19:41Hey,

00:19:42still,

00:19:42parao,

00:19:42What are you implying?

00:19:43If you wanted to vent,

00:19:45You should have gone to another bar

00:19:47and not to hook up with a married man.

00:19:48Ah,

00:19:49beautiful.

00:19:50So that's the version

00:19:51that you've put in your head,

00:19:52No?

00:19:53That I'm the bad guy in the movie.

00:19:55Look,

00:19:55Gozoni,

00:19:55I don't remember anything.

00:19:56So you tell me.

00:19:58Well, look,

00:19:58I don't have much to tell you,

00:19:59because the last thing I remember

00:20:00I was just passing you a tissue.

00:20:02to dry your tears,

00:20:04Iñaki.

00:20:05Alright,

00:20:06sorry.

00:20:08I suppose that

00:20:08if I blamed you

00:20:09I don't feel that

00:20:11bastard.

00:20:13Let's see,

00:20:13Iñaki,

00:20:13that

00:20:15You saw how Carmen

00:20:17I was telling Horacio

00:20:17that he was deceiving you,

00:20:19So you're not a bastard,

00:20:20are

00:20:20are you someone

00:20:23that has made a mistake

00:20:25and the only Basque

00:20:26with low alcohol tolerance,

00:20:27That too.

00:20:27Look,

00:20:28that's true.

00:20:29What have I done?

00:20:29To make a mistake.

00:20:31Well,

00:20:31a huge mistake.

00:20:32A mistake

00:20:33cruzi size.

00:20:39But just so you know

00:20:40Carmen and I

00:20:40We're going to fix it.

00:20:41Hey?

00:20:42Yeah,

00:20:43clear,

00:20:43It's the best

00:20:44What can you do?

00:20:45fix it.

00:20:47Because...

00:20:49Because this,

00:20:50This was a mistake.

00:20:51Hey?

00:20:51Yeah,

00:20:51cruzi size.

00:20:56Cardamom?

00:20:57Cardamom.

00:20:58Ah,

00:20:58look,

00:20:59Here it is,

00:20:59here.

00:21:00Look,

00:21:00I'll wait for you in the car.

00:21:08He's a little late,

00:21:09No?

00:21:09Sorry,

00:21:09It's just that it's set me back a little.

00:21:10because leaving your house

00:21:11I've met your Basque neighbor.

00:21:12Cordoba?

00:21:13No,

00:21:14one with such a strange name,

00:21:15chicken type,

00:21:16coat,

00:21:17that.

00:21:18Well, I think he had a venereal disease.

00:21:19because he kept scratching himself.

00:21:20A Basque man with a venereal vein?

00:21:21Well, unless I caught it in the estuary.

00:21:24Hey,

00:21:25What was I thinking?

00:21:27That?

00:21:28Why don't we spend tonight?

00:21:29dinner

00:21:30And we go straight to bed?

00:21:33There's nothing wrong with his eye.

00:21:35I can't see you at all.

00:21:36Well, if you want, I'll blow you up anyway.

00:21:39Since you have the phone number for the nursing station

00:21:41that will become hoarse from so much ringing,

00:21:43I can't even stop for five minutes

00:21:45to have a little coffee,

00:21:46But leave a message on the answering machine.

00:21:48that says

00:21:48Don't die yet,

00:21:50come back in five minutes.

00:21:51little girl,

00:21:52so that I can't be seen,

00:21:54little girl.

00:21:55Mary of Sorrows,

00:21:57Have you done it again?

00:21:58The fact that?

00:21:58Well, Angela has arrived

00:21:59And you gave me the cold shoulder.

00:22:00What are you saying?

00:22:01But,

00:22:02please,

00:22:03You're obsessive.

00:22:04Hey?

00:22:04Come on, come on,

00:22:05nothing to do with reality.

00:22:06No, no, no.

00:22:07I am your girlfriend,

00:22:08I am very proud to be one

00:22:09and never, never, never

00:22:10I would be ashamed

00:22:11of being with you.

00:22:12Oh really?

00:22:14And are you going to say

00:22:15that we're together?

00:22:18I have a congress

00:22:19outside of Seville

00:22:20and I won't be back until tomorrow.

00:22:21And you?

00:22:21What excuse do you have?

00:22:22to be out of your position?

00:22:24Well,

00:22:24We already talked.

00:22:25Dolores.

00:22:28What's happening?

00:22:29Hey?

00:22:31He has recently

00:22:32Lots of conferences, right?

00:22:33Not enough

00:22:33like you'd lose sight of it,

00:22:35Christopher.

00:22:35Trini,

00:22:36that comment

00:22:36it's typical after

00:22:37married for 40 years,

00:22:38but not right before the wedding.

00:22:40Dolores,

00:22:41please,

00:22:41I don't want anyone

00:22:42find out

00:22:42that I'm marrying Christopher.

00:22:44And so?

00:22:45And so?

00:22:46And so?

00:22:46Because I'm embarrassed,

00:22:47obviously,

00:22:48And because the fewer people

00:22:49find out,

00:22:49fewer explanations

00:22:50I will have to give

00:22:50when I got divorced.

00:22:52Dolores,

00:22:53by the way,

00:22:54Your rest is over

00:22:552 minutes ago

00:22:56and 40 seconds.

00:23:00Man!

00:23:01In fact,

00:23:01I saw the eyes.

00:23:02And the couple is back.

00:23:05What, what, what,

00:23:06Gochone and I?

00:23:08What things do you have?

00:23:09What couple?

00:23:10No no.

00:23:10Gochone and I are

00:23:12coworkers.

00:23:13Fair.

00:23:14Couple.

00:23:14You too?

00:23:15That?

00:23:15But hey, son,

00:23:16what's happening?

00:23:17Since when has Carmen returned?

00:23:19Are you being weird?

00:23:20Well, and speaking of Carmen,

00:23:21that?

00:23:22Where is he?

00:23:22You've sorted things out,

00:23:24No?

00:23:26Sabine.

00:23:27What have I told you?

00:23:28Drink slowly,

00:23:29that then goes in another direction.

00:23:30I have to walk with him

00:23:31as if he were a child of Gastola.

00:23:33Carmen and I...

00:23:35We're still here.

00:23:36Little by little.

00:23:37Couple things,

00:23:38complications.

00:23:39What are you going to tell me?

00:23:40Look at mine.

00:23:42Hey, by the way,

00:23:43I passed through the hamlet earlier.

00:23:44and I saw a suitcase

00:23:45with your clothes and stuff.

00:23:47Sabine.

00:23:48Are you stupid?

00:23:49My son,

00:23:49If you don't know how to see,

00:23:50grab a straw.

00:23:51Yes, yes,

00:23:51clothes for me in the hamlet.

00:23:52Yes, because,

00:23:53did you know?

00:23:54I went to spend a few days there

00:23:56to give us space

00:23:57And this will continue until things become clearer.

00:23:59Well, tell Carmen.

00:24:00He's moving fast, huh?

00:24:01Because he's so handsome

00:24:02What have you done?

00:24:03I'm sure some

00:24:03He's eager to lay the net for her.

00:24:05Ecochote!

00:24:06Don't look at me,

00:24:06I know I'm doing just fine on my own, you know?

00:24:10It's over.

00:24:11If you don't know how to eat,

00:24:12Don't eat.

00:24:13Let's get to work.

00:24:14Take.

00:24:15You take it to the glass container.

00:24:19Hey, Iñaki,

00:24:20Or you say what you know, huh?

00:24:21Or is he already the first man?

00:24:23who drowns

00:24:23without touching the water.

00:24:24Yes, but if I tell him

00:24:25Aunt Beco,

00:24:27How much do you think

00:24:28how long will my mistress take?

00:24:28to find out?

00:24:30Ten seconds.

00:24:33Well, Christopher,

00:24:34your father and I

00:24:35We'll go up there for a few days

00:24:36to San Sebastian.

00:24:38Trini won't be there either.

00:24:40So you're going to stay.

00:24:41in charge of the clinic,

00:24:42Okay?

00:24:42Well, it's like the clinic is mine.

00:24:44I hope he continues to do so

00:24:45when we return.

00:24:46What does he mean by that?

00:24:48Nothing, son,

00:24:49running a clinic alone

00:24:50It's a lot of pressure.

00:24:51and then Zorias appears

00:24:52and take them.

00:24:52Please, man,

00:24:53For God's sake,

00:24:53Doesn't he see that people...

00:24:54Sorry.

00:24:55Man,

00:24:56And don't worry about the clinic.

00:24:57if you drive it yourself.

00:24:58Okay, come on, come on.

00:25:00Well,

00:25:01let's see,

00:25:01my aunt.

00:25:02Ann.

00:25:03Come on.

00:25:15Young,

00:25:18What's going on here?

00:25:20We have been told

00:25:21that Rafa Romero,

00:25:22the singer from Jerezano,

00:25:23is entered here

00:25:24and we want to know

00:25:24if any doctor

00:25:25Could you tell us something?

00:25:26about his condition.

00:25:26Are you a doctor?

00:25:27Have you seen a doctor?

00:25:28that has the hanger

00:25:28What do I have?

00:25:29I am the owner

00:25:30and director

00:25:31in the clinic's functions

00:25:32which is much better.

00:25:33Michael,

00:25:34Michael,

00:25:34record,

00:25:35who is the director,

00:25:35the director of the clinic.

00:25:37But please,

00:25:37please,

00:25:38one by one,

00:25:39one by one,

00:25:40please.

00:25:40What can you tell us?

00:25:41about the state

00:25:42Rafa Romero?

00:25:43It's been too many days

00:25:44entered here

00:25:44as to do

00:25:45a simple check-up,

00:25:46No?

00:25:46Is this my camera?

00:25:47Yeah.

00:25:47I'm the only one.

00:25:49What can I say?

00:25:50It's that all customers

00:25:51from the clinic

00:25:52Ispali

00:25:52They come out completely

00:25:53recovered

00:25:54and satisfied.

00:25:56Okay,

00:25:56but he hasn't answered

00:25:57My question.

00:25:57Already,

00:25:58but it has remained

00:25:58wonderfully,

00:25:58TRUE?

00:25:59Look,

00:25:59one little thing,

00:26:00in post-production

00:26:00I'm switching clients.

00:26:01per patient,

00:26:02Hey?

00:26:03And it takes away the shine.

00:26:08One little thing,

00:26:09Is it going to go all the way here?

00:26:10until it comes out

00:26:11Does it cover?

00:26:12Rosemary,

00:26:13Rafa Romero.

00:26:14Hey?

00:26:14Yeah.

00:26:14Yes of course,

00:26:15What choice do I have?

00:26:16Very good,

00:26:17very good.

00:26:17Please,

00:26:18please,

00:26:18please.

00:26:23Rafi!

00:26:24Hey,

00:26:24We're going, we're going,

00:26:25double skewer

00:26:26for the little creatures of the north

00:26:27and double wine

00:26:28to get rid of those spikes.

00:26:29We came without having breakfast,

00:26:30so put us

00:26:30one skewer of each

00:26:31and two of the chistora ones.

00:26:32I'm going to the bathroom for a moment.

00:26:33no...

00:26:34Explain.

00:26:35Pussy,

00:26:35This kid is new,

00:26:36No?

00:26:36He's my new son,

00:26:38My new waiter too,

00:26:39in that order.

00:26:40Let's see,

00:26:41I'm a bit absent-minded.

00:26:42Your son

00:26:43It wasn't any smaller,

00:26:44She was a girl

00:26:45and her name was Rosita.

00:26:46That's another one.

00:26:47I just discovered this one.

00:26:49And he's a waiter,

00:26:49like the father,

00:26:50the genes,

00:26:50No?

00:26:53He's more of a percussionist.

00:26:55The art thing...

00:26:56Well,

00:26:56The thing is, he's a good kid.

00:26:57He puts in the effort,

00:26:58what happens

00:26:59who is involved

00:26:59in a loop

00:27:00of continuous stumbles.

00:27:01What is clumsy?

00:27:01No no,

00:27:02loop,

00:27:02oh well,

00:27:03also.

00:27:04Since you're here,

00:27:05Broad,

00:27:05as a great professional

00:27:06from the hospitality industry that you are,

00:27:07Could you give me

00:27:08Great advice?

00:27:13Glue,

00:27:13glue to the tray.

00:27:16Every time,

00:27:16these eight months

00:27:17of underwear.

00:27:18Come on,

00:27:19The Basque!

00:27:21Celia,

00:27:23What are you doing here?

00:27:24Well, I work here.

00:27:25and you?

00:27:25I've come to urinate,

00:27:28excellent,

00:27:28not to the hospital,

00:27:29excellent,

00:27:30I have come to the hospital

00:27:31But with the crew,

00:27:31I have washed my hands.

00:27:34Sorry,

00:27:34sorry,

00:27:35the thing is...

00:27:35No problem.

00:27:39Do you know what's happening?

00:27:40I'm not used to it.

00:27:41to these things.

00:27:42I'm a little embarrassed,

00:27:45but...

00:27:47Do you want a date?

00:27:49Is it that obvious?

00:27:50A bit.

00:27:52And well,

00:27:53these things,

00:27:53The sooner we get started

00:27:54to that,

00:27:55much better.

00:27:56Oh really?

00:27:57Yeah,

00:27:58oh really?

00:27:59Well,

00:27:59I'm a little busy right now,

00:28:00But if you want tomorrow

00:28:01I can find you a slot.

00:28:02Ah,

00:28:02Well,

00:28:02a gap.

00:28:04Where?

00:28:05In my office.

00:28:10But come on,

00:28:11Don't get nervous

00:28:12that nobody will see us.

00:28:14Okay,

00:28:14Well, nothing.

00:28:15tomorrow

00:28:16in your consultation.

00:28:17See you tomorrow.

00:28:32What does Ulysses say?

00:28:33How are you?

00:28:34How are you?

00:28:34How are you, my roommate?

00:28:35What a shitty day,

00:28:36José.

00:28:37I'm going to bed.

00:28:38Don't say that,

00:28:39man,

00:28:39I was waiting for you

00:28:40for dinner.

00:28:42Don't tell me what you've prepared.

00:28:43No,

00:28:44I haven't expressed myself well.

00:28:45I was waiting for you

00:28:46to see what you were doing

00:28:47for dinner.

00:28:48I'm sorry,

00:28:49I'm not in the mood.

00:28:50The only thing I want

00:28:51It's falling asleep,

00:28:51wake up tomorrow

00:28:52and that all this

00:28:53It's already been a nightmare.

00:28:54And here in my field

00:28:55There won't be a Chinese person nearby.

00:28:56TRUE?

00:28:57Look closely,

00:28:58There must be something.

00:28:59There must be something.

00:29:00There must be something.

00:29:00Well yes,

00:29:01There must be something.

00:29:01But I don't feel like it.

00:29:02I have cold cuts for dinner.

00:29:03I live with a cook

00:29:04great,

00:29:04It's that I've worked hard to have dinner

00:29:06today at 100,

00:29:06to 120 people.

00:29:07One more than the rest

00:29:08It makes you selfish,

00:29:09selfishness.

00:29:15Benedict,

00:29:15Is there light here?

00:29:16Maybe she left it

00:29:17your city lights on.

00:29:18And the lock?

00:29:19I was alone

00:29:19with one turn.

00:29:23Is this very messy?

00:29:25Arkin has entered here.

00:29:28There's Arkin in the kitchen

00:29:30And I have my blood clot.

00:29:31move more.

00:29:32Peaceful,

00:29:33peaceful,

00:29:34I see myself in the jungle.

00:29:34I've done many ambushes.

00:29:54Is he breathing?

00:29:55Why isn't he breathing anymore?

00:29:57My God,

00:29:58Don Benjumea,

00:29:58Was it so difficult to ask?

00:29:59if there was anyone home.

00:30:01José,

00:30:02José.

00:30:04Shut up!

00:30:05You're coming back!

00:30:07When did I get fried?

00:30:08Nothing, nothing.

00:30:09Oh,

00:30:09I don't have it!

00:30:12Here,

00:30:12here,

00:30:12here.

00:30:13When did I eat the sausage?

00:30:14No,

00:30:15No,

00:30:15It wasn't the sausage,

00:30:16It wasn't Don Benjumea

00:30:17that he hit you with a stick.

00:30:18Ah,

00:30:19Don Benjumea,

00:30:19man,

00:30:20How does Don Benjumea do it?

00:30:22Don Benjumea,

00:30:23and he told me

00:30:23What are you doing here?

00:30:24This is my house.

00:30:26What I would like to know

00:30:27What are you doing here?

00:30:29Good question.

00:30:31Good question,

00:30:32Yeah?

00:30:33Because,

00:30:35Well,

00:30:35let's see,

00:30:35Let's see.

00:30:37A few things have come up,

00:30:38Others have not come out

00:30:39as I expected,

00:30:40And finally,

00:30:41that we are on...

00:30:43You already understand me.

00:30:43No, son,

00:30:44No,

00:30:44I don't understand anything you're saying.

00:30:45Oh,

00:30:46less more,

00:30:46I stayed

00:30:47that I was becoming more like Aaron.

00:30:48You,

00:30:48you,

00:30:48Take this.

00:30:49What I want to say

00:30:50the thing is

00:30:51have emerged

00:30:52some minor problems,

00:30:53above all

00:30:54on the subject of

00:30:56to sort things out with Carmen.

00:30:58That's what I've said in a nutshell.

00:30:59And to put it a few more words,

00:31:05Do you know what's happening?

00:31:06Which is a very long story

00:31:07and you have done

00:31:08a trip

00:31:09very long.

00:31:11That's for the best.

00:31:11José,

00:31:12that,

00:31:12Pass this to me,

00:31:13that are melting the ice.

00:31:14Yeah.

00:31:14I'll be right back.

00:31:18José,

00:31:19wake up,

00:31:20we need to talk.

00:31:21Let's see,

00:31:21How is it that you still

00:31:22Haven't they been fixed?

00:31:23Because it's true that he asked

00:31:25a paternity test,

00:31:26but it can't be either

00:31:27always angry.

00:31:29Well,

00:31:30He must have his reasons,

00:31:31girl.

00:31:31Couple things

00:31:32It's my right not to interfere.

00:31:34Look what happened to him

00:31:34Batman and Robin

00:31:35when Backgame arrived.

00:31:36How could I not get involved?

00:31:37What if I am his mother?

00:31:38Already,

00:31:38but in this case

00:31:39specifically

00:31:39It's a bit complicated.

00:31:42There are other people

00:31:43involved

00:31:43who has entered the...

00:31:46What people?

00:31:50Nobody.

00:31:50Nor

00:31:51I'm going to do it here

00:31:53the snitch now.

00:31:54I can't say anything.

00:31:56Why are you,

00:31:57Hey?

00:31:57Let's see,

00:31:58How do I explain it to him?

00:32:00the relationships

00:32:01sometimes

00:32:02at work

00:32:02they get complicated

00:32:04more than a sudoku.

00:32:06I don't know

00:32:06I'm explaining myself.

00:32:11Already.

00:32:12That is.

00:32:13Well, I think tomorrow.

00:32:15That would be very useful for me

00:32:16on a visit

00:32:17to Horacio's question.

00:32:20No,

00:32:21Horace,

00:32:21because?

00:32:22Without,

00:32:22without,

00:32:23without...

00:32:24Oh,

00:32:25What happened to you?

00:32:26creature?

00:32:26Me?

00:32:27That?

00:32:27Don't you remember?

00:32:28How noticeable is it?

00:32:29that you are coming

00:32:29with a great sense of humor

00:32:30from Seville?

00:32:31What chest?

00:32:32Well, I don't have any left.

00:32:40Forward.

00:32:42Hello,

00:32:43good morning.

00:32:44How are you?

00:32:44Good morning.

00:32:45I am the doctor

00:32:45Christopher Benjomia.

00:32:46How are you?

00:32:47this morning,

00:32:47Hey?

00:32:49By...

00:32:50Like a rose?

00:32:51As?

00:32:51Ready to leave?

00:32:52Well, that's not what it says

00:32:53the report,

00:32:54Hey?

00:32:54Oh, no?

00:32:54And what does it say?

00:32:55Well, we're not going to...

00:32:56to still be able to register.

00:32:57He's going to have to stay.

00:32:58a few more days.

00:32:59As?

00:33:00Let me see that.

00:33:00No no,

00:33:01You cannot see this

00:33:02because this falls under

00:33:03confidentiality

00:33:04doctor-patient,

00:33:04Hey?

00:33:05Already,

00:33:05But I'm the patient.

00:33:06Already,

00:33:06I am the doctor

00:33:07and I tell him that you

00:33:07you wouldn't know how to interpret

00:33:08this data

00:33:08because they are very technical.

00:33:09At least

00:33:10two careers

00:33:11to understand it.

00:33:11But they told me

00:33:12that the operation

00:33:12by Nia Inglina

00:33:13It had gone well for her.

00:33:14Come on,

00:33:14and that I was leaving today.

00:33:15Already,

00:33:15But then

00:33:16of an operation

00:33:16by Nia Inglina...

00:33:17Groin.

00:33:18Groin.

00:33:19What else?

00:33:20What else?

00:33:20After an operation

00:33:21by Nia Inglia,

00:33:23No?

00:33:23Well, we have to rule that out.

00:33:24reactions.

00:33:25Like what?

00:33:27Well, like,

00:33:27For example,

00:33:30a little friend with a cypher

00:33:31and severe frontal.

00:33:32And what is that?

00:33:33It's a doctor's matter.

00:33:34Didn't I tell you?

00:33:35that he won't understand?

00:33:36You,

00:33:36sit here

00:33:37that we're going to bring him breakfast.

00:33:39Oh,

00:33:39Look at the fans,

00:33:39the fans.

00:33:40Now it's coming out,

00:33:40It's coming out now.

00:33:41Don't worry.

00:33:42What is it that he wants?

00:33:43Madeleine or Cookie?

00:33:52What are you doing up there?

00:33:53so early,

00:33:54man?

00:33:55With a bad temper

00:33:56that you put

00:33:57when you get up early.

00:33:58Yeah,

00:33:58Do you know anything else?

00:33:59that comes regulated

00:33:59for character?

00:34:00Hit me with a stick

00:34:01in the head.

00:34:02Oh,

00:34:02forgive me,

00:34:03man,

00:34:03but...

00:34:04Understand me,

00:34:05son.

00:34:05The last thing I expected

00:34:06It was finding you

00:34:07going through hardships.

00:34:09What happened?

00:34:10son?

00:34:11What happened?

00:34:13That his inheritance

00:34:14It's a turd.

00:34:15That's it,

00:34:16I've already said it.

00:34:16I had to let it go

00:34:17And I've already let it go.

00:34:18It wasn't worth a penny anymore.

00:34:19man,

00:34:19which was just rustic.

00:34:21Well,

00:34:21rustic,

00:34:21wild,

00:34:22that when I went to check it

00:34:23I got lost

00:34:24And I thought I was going to die.

00:34:27ready to escape,

00:34:28I found a car

00:34:28and I took

00:34:30forwards

00:34:30an archaine.

00:34:31Are you telling me?

00:34:32Yeah,

00:34:32a very full day,

00:34:34one day...

00:34:34Phew!

00:34:36How lucky!

00:34:36son.

00:34:37And now I'm here

00:34:38locked up in the Basque Country

00:34:38with a fine

00:34:39that pisses you off

00:34:40and having to do

00:34:41community service

00:34:41until the day I retire.

00:34:42I can't believe it.

00:34:44A landmark of heritage.

00:34:45With love,

00:34:46the truth,

00:34:47but a turd.

00:34:48Let's see.

00:34:49José,

00:34:50José.

00:34:50Let's see.

00:34:51Come on.

00:34:53Didn't you understand anything?

00:34:54of the coded message

00:34:55that I left you

00:34:56in the will?

00:34:57Come on,

00:34:57I only remember

00:34:58that the earth was leaving me.

00:35:01From my great-grandmother?

00:35:02Yeah,

00:35:02I'm going to have to take charge myself.

00:35:03now too

00:35:04from her great-grandmother

00:35:04with the financial ruin I'm facing.

00:35:05Come on.

00:35:06No, man, no.

00:35:07But I thought

00:35:08that would have a little bit of lilac.

00:35:10Let's see, José.

00:35:11My great-grandmother

00:35:12she had to get married

00:35:13against his will

00:35:14with a noble man

00:35:15and go and do

00:35:17the Americas.

00:35:18But just before leaving

00:35:19left buried

00:35:21in those lands

00:35:22something very valuable

00:35:24for his lover.

00:35:25No, go.

00:35:26And all that

00:35:26I have to figure it out myself

00:35:27of the message?

00:35:28No, I'm not going to talk to you

00:35:29To be clearer, son.

00:35:30The vultures of my children

00:35:31They would have stolen it from you.

00:35:32Wow, really.

00:35:33What a complete family, huh?

00:35:35You're not getting it.

00:35:36you are welcome.

00:35:37That has to continue

00:35:38buried in those lands

00:35:41and we would have to go and look for him.

00:35:43To the forest?

00:35:44Look, don't count on me.

00:35:45Oh, get out, get out, get out.

00:35:46To Mordor again?

00:35:47Leave me alone.

00:35:48That I don't want to.

00:35:51It is pongiform.

00:35:53Excuse me, doctor?

00:35:54Yes, sorry.

00:35:55I haven't spoken

00:35:56with the other doctor.

00:35:58Look at that

00:35:58is looking for an internet user

00:35:59that you told me

00:36:00of the friendly, frontal brain

00:36:01and it's nowhere to be found.

00:36:03That happens to him

00:36:04by self-diagnosing.

00:36:05Oh, oh, how much damage

00:36:07has the internet done to medicine.

00:36:08Right, doctor?

00:36:08Are you bloated here?

00:36:09Come on, to the room.

00:36:10Come on, come on, come on.

00:36:16Frontal encephalitis?

00:36:18Severe.

00:36:19Or you got it

00:36:20the medical degree

00:36:21in CCC

00:36:22Or are you messing things up again?

00:36:24for a change.

00:36:24Maybe what I'm doing

00:36:25It is business management

00:36:26to save you

00:36:27a few thousand euros

00:36:27To the clinic, huh?

00:36:28But what have you done now?

00:36:31Immaculate, Roman.

00:36:32I don't have to give

00:36:32explanations to a quack doctor

00:36:33Like you, huh?

00:36:35Look,

00:36:37Not me either.

00:36:38What are you going to call?

00:36:40Yes, Marichu,

00:36:41Don't get stressed.

00:36:41I thought,

00:36:42Look, if he stays longer,

00:36:43well maybe

00:36:43It gives us free advertising,

00:36:44You know?

00:36:45Yeah, but you don't know

00:36:46How the robe fits me.

00:36:47How could you

00:36:48Do something like that?

00:36:49Okay, okay, Marichu,

00:36:49Yes, yes, yes.

00:36:50Don't worry,

00:36:51me right now

00:36:51I discharge him

00:36:52and I send the advertising

00:36:53to the magazine.

00:36:53Come on, a little kiss, daughter.

00:36:55Bye bye.

00:36:56Yeah, dude.

00:36:57I argue with myself.

00:37:04Well.

00:37:05Excuse me, Horacio,

00:37:05I'm here now.

00:37:06It's just that I've had

00:37:07that go through the fish market.

00:37:08Can you believe it?

00:37:09They didn't have prawns?

00:37:11Well, that's probably for the best.

00:37:13as if you've eaten

00:37:14so much seafood at the end

00:37:15The baby is going to be delivered with forceps.

00:37:17Okay, let's see who it is

00:37:18our first patient today.

00:37:19Hello, Carmen.

00:37:22Marichu, what are you doing here?

00:37:23Fill out the football pools form,

00:37:24It doesn't bother you.

00:37:25Hey, Marichu, please,

00:37:26Yes, you mate

00:37:26that we are going to start

00:37:27the review already.

00:37:29All good?

00:37:30Well, the truth is

00:37:30that the latex this

00:37:31It makes me a little dry.

00:37:32in the hands,

00:37:33But if not in general...

00:37:34Carmen told him so.

00:37:35I?

00:37:37Perfectly.

00:37:38Look, Carmen,

00:37:39I know that fatherhood

00:37:40It's very nerve-wracking.

00:37:43But the important thing

00:37:44It's because you love each other.

00:37:45Marichu,

00:37:45Let's leave it at that.

00:37:46I don't know what's wrong with you,

00:37:48but sure

00:37:48that can be fixed.

00:37:50With all that I love you

00:37:51dye here.

00:37:51Ha!

00:37:53Ha!

00:37:54That I was going to use

00:37:55the stethoscope

00:37:56instead of the speculum.

00:37:57Ha!

00:37:58Besides,

00:37:58You have to sort yourselves out

00:37:59yes or yes

00:38:00before my grandson is born.

00:38:02The same when your grandson is born

00:38:03I am in Seville.

00:38:05Hey?

00:38:06Hey,

00:38:06what's happening?

00:38:07Hey,

00:38:07that there must be some possibility.

00:38:08No, no, no,

00:38:09You can't do this.

00:38:09You can't do that.

00:38:10That you cannot join

00:38:12in Marichu

00:38:12that we are in the middle of a review.

00:38:13Let's see.

00:38:14Carmen,

00:38:14You can't go to Seville.

00:38:15That would be very unfair

00:38:16for her here.

00:38:17She would see her child

00:38:18only on weekends

00:38:19with everything he has done for you.

00:38:22Phew,

00:38:22Yeah,

00:38:22of everything.

00:38:23Marichu,

00:38:24I think you have

00:38:24a pending conversation

00:38:25with your son.

00:38:26But where are you going?

00:38:27Let's get some gauze.

00:38:28and a sandwich.

00:38:29But not in that order.

00:38:30I'm so hungry.

00:38:32Well,

00:38:33Well, that's it.

00:38:34Hey?

00:38:35Do you know anything?

00:38:38About what?

00:38:39What would I know?

00:38:41Sure?

00:38:42No,

00:38:43no.

00:38:43Marichu,

00:38:44That's all I know

00:38:44This is perfect.

00:38:46You can shut your mouth now.

00:38:47I mean,

00:38:48the legs,

00:38:50please.

00:38:51Horace,

00:38:52I'm here now.

00:38:53I'm going to miss the...

00:38:55Already,

00:38:55I'm here now.

00:38:56What came with Marichu?

00:38:58Listen,

00:38:59I wouldn't think of becoming Tito.

00:39:00Ah,

00:39:00I'm saying something even more nonsensical.

00:39:02Come on,

00:39:02Sit down for a moment.

00:39:06I've been researching my great-grandmother's story.

00:39:08Oh, really?

00:39:09With the guide?

00:39:11A cousin of mine told me

00:39:12that the only possession of hers in Spain

00:39:15It's a portrait that was taken before Zarpark.

00:39:18that my family donated

00:39:19and now presides over one of the town hall's rooms.

00:39:22I believe

00:39:23that painting

00:39:24Could you tell us something?

00:39:26What are you going to tell us?

00:39:26Who is he going to make a deal with, Carde?

00:39:27Again.

00:39:29We should go, José.

00:39:30Don't you feel like having

00:39:32a story and an adventure

00:39:34full of

00:39:35mystery,

00:39:36Action and suspense?

00:39:38Man,

00:39:39It's just that I'm...

00:39:39I just arrived stuck

00:39:41and...

00:39:42and...

00:39:55Mary of Sorrows,

00:39:56next week's quadrant.

00:39:58Little girl,

00:39:59not even a good day,

00:40:00nor anything,

00:40:01Of course.

00:40:02Is something wrong?

00:40:03Didn't you come home to sleep last night?

00:40:04I didn't want to embarrass you

00:40:05and that the Basques would enter.

00:40:06Is she still angry?

00:40:08I don't know.

00:40:09Has he still not told anyone?

00:40:12Dolores,

00:40:13Let's see.

00:40:14Come on, come on!

00:40:16Go on,

00:40:16go on,

00:40:17daughter,

00:40:17Go on.

00:40:18I hope you don't try

00:40:19to your patient

00:40:19with the same search.

00:40:21Sorry,

00:40:22For once you've taken

00:40:23papers in hands

00:40:24and not a comb with a rubber band?

00:40:25No, you see,

00:40:26You'll see,

00:40:27You'll see.

00:40:28Dolores,

00:40:30They're going to...

00:40:31No,

00:40:31No, not this.

00:40:32This is what Rafa Romero said.

00:40:33No, not this.

00:40:33this here.

00:40:35This,

00:40:35Hey?

00:40:36sends it to the magazine

00:40:37by messenger,

00:40:38I'll call him.

00:40:38to put it.

00:40:40And I'm putting it on the whole page.

00:40:41Come on,

00:40:42Dolores.

00:40:42Well, excuse me,

00:40:43What, what, what?

00:40:44An advertisement.

00:40:45Things need to be announced

00:40:46so that people can get to know them.

00:40:47How easy it is to say.

00:40:48And do it?

00:40:49No,

00:40:50There are things for which people

00:40:51She is not prepared

00:40:52And if they don't understand.

00:40:53How could they not understand?

00:40:54man?

00:40:54It's not a thing either

00:40:55that they have never seen,

00:40:55man.

00:40:56What if they don't like it?

00:40:57Or if they don't like it

00:40:57that they go to another clinic.

00:40:58You're absolutely right,

00:41:00You have spoken with the mouth of a wise man.

00:41:01Love knows no gender.

00:41:03What is he talking about?

00:41:06I'm not sure.

00:41:07And you?

00:41:08The truth is, people

00:41:08so incompetent,

00:41:10please.

00:41:14No,

00:41:14You look like a nun.

00:41:16Let's see,

00:41:18shows bush.

00:41:19Broad,

00:41:19You're not overdoing it with the cleavage.

00:41:21I'm not Bertinos Borne either.

00:41:23To all women

00:41:23They like chest hair.

00:41:25This one will be no exception.

00:41:25That remains to be seen.

00:41:27Look,

00:41:27one more button

00:41:28I have unbuttoned myself.

00:41:29Take note of what I'm telling you.

00:41:30Basque phellomones

00:41:31They are very powerful,

00:41:32yes or no?

00:41:33Yeah,

00:41:33You are now

00:41:34the king's government tarzan.

00:41:37Muño, Rafa,

00:41:38And that face?

00:41:39Well, that's it.

00:41:39who was talking

00:41:40with Isabel

00:41:41about Rosita and...

00:41:42Has she gotten sick?

00:41:43No no,

00:41:44No way,

00:41:44even worse.

00:41:45The girl brought me out

00:41:46Everything was outstanding.

00:41:47Do you know what that means?

00:41:48Yeah,

00:41:49The girl is applying herself.

00:41:50Exact,

00:41:51But that comes to him

00:41:51from the mother's genes,

00:41:52not one of mine,

00:41:53Well, mine aren't here.

00:41:53They are not,

00:41:54I have no genes,

00:41:54I mean,

00:41:54My genes are defective.

00:41:56Well,

00:41:56What are you basing this on?

00:41:57To say that?

00:41:57Well, look,

00:41:58Rosita is the daughter of both of them,

00:42:00Hey?

00:42:00And the girl is a genius.

00:42:01And this guy who's walking around here

00:42:01He's just my son.

00:42:02and it's in the loop

00:42:04And it doesn't go beyond that.

00:42:04Well,

00:42:05Well,

00:42:05Don't exaggerate.

00:42:07It's probably not that bad.

00:42:08the poor kid

00:42:08It won't be that...

00:42:10Or you'll be useless!

00:42:12Of,

00:42:13You're useless!

00:42:15How am I going to introduce myself?

00:42:16Me to the date?

00:42:17Of,

00:42:18I don't have anything

00:42:18Not even to change!

00:42:19I'm sorry,

00:42:20I'm so sorry,

00:42:20My intention is not there,

00:42:21really.

00:42:21Oh, grandfather,

00:42:22I stink!

00:42:23Well,

00:42:23Don't be offended,

00:42:24But you already stank

00:42:25a little before.

00:42:25That?

00:42:26I mean,

00:42:27but because of the colony,

00:42:28which is that the colony

00:42:28It smells like a mix.

00:42:29just like wine.

00:42:30No,

00:42:31No,

00:42:31one moment,

00:42:31one moment.

00:42:32This wine we're drinking

00:42:33It has musky notes.

00:42:34Rafi,

00:42:35Does your son know about wine?

00:42:36Does he know how to throw it?

00:42:37Well, Dad,

00:42:37Let's do a test.

00:42:38It smells.

00:42:39Already,

00:42:39chora.

00:42:39No,

00:42:40Let's clear things up.

00:42:44It smells like 36.

00:42:45Fuck,

00:42:45That's what I say!

00:42:46Let's see,

00:42:46how much?

00:42:48It smells like 36

00:42:49and resin.

00:42:50Yeah,

00:42:50made of pine,

00:42:51No?

00:42:51Well yes,

00:42:51pine.

00:42:52Because when we went

00:42:53to pick mushrooms,

00:42:54I left this sweater hanging up

00:42:55in a pine tree.

00:42:56No way!

00:42:56Rafi,

00:42:57Your son smells very good.

00:42:58What does it say?

00:42:59No,

00:43:00No,

00:43:00I mean,

00:43:01that the kid has

00:43:02a privileged sense of smell.

00:43:03Ah,

00:43:03thank you.

00:43:04Well,

00:43:05let's see,

00:43:05I think all of this is great,

00:43:06But I right now

00:43:07I have an appointment

00:43:08and I have the shirt

00:43:09it seems I'm coming

00:43:10of San Fermín.

00:43:10Take it,

00:43:11Put this on,

00:43:12Tarzan,

00:43:12And I hope you are.

00:43:13removing soon.

00:43:15The boy has a talent,

00:43:16Hey?

00:43:16Yeah,

00:43:17But I don't know what it gives me.

00:43:18which is the only one he has.

00:43:20Juan,

00:43:21We need to check

00:43:22than before

00:43:22It wasn't a stroke of luck.

00:43:23And you really do have a gift.

00:43:25And is it necessary?

00:43:26Will you blindfold me?

00:43:28Yeah,

00:43:28with the private view

00:43:29the sense of smell is amplified

00:43:30and you can appreciate

00:43:32many more nuances.

00:43:33No,

00:43:33and above all

00:43:33that way he can't cheat.

00:43:34Come on,

00:43:35Less talking and more talking,

00:43:36I have an appointment.

00:43:38Does this smell like oil?

00:43:39It's so weird

00:43:40that you are to risotto,

00:43:41dad?

00:43:42Truffle.

00:43:43Correct.

00:43:44Among the primary aromas

00:43:45of this wine

00:43:45There's the truffle.

00:43:48Let's look at the next one.

00:43:53Does this smell like

00:43:54wooden stools

00:43:56What's in the kitchen?

00:43:56To wine?

00:43:57No,

00:43:58that which shines.

00:43:58The screws.

00:43:59No,

00:44:00the other thing,

00:44:00the layer,

00:44:01The cape shines.

00:44:01Hey,

00:44:01Let's see,

00:44:02What is this a tasting?

00:44:02Or are we playing I Spy?

00:44:03That leads to the garden,

00:44:04that shiny layer,

00:44:05the...

00:44:05To varnish.

00:44:06Varnish!

00:44:07Exact.

00:44:07This wine contains

00:44:09Amylic varnish aromas.

00:44:10Very good,

00:44:11Juan.

00:44:12The varnish is noticeable.

00:44:13It's noticeable.

00:44:13Do you want to stop drinking?

00:44:14So much wine?

00:44:15I mean,

00:44:15Okay, so you don't want to go to the date.

00:44:16But you're going to get there.

00:44:17and you're going to look like the Greek key patterns.

00:44:19Let's go with the last one,

00:44:19Juan.

00:44:22This one smells the same

00:44:23that's what my colleague is about

00:44:24in the fourth

00:44:24when he is smoking

00:44:25And he doesn't want his mother to catch him.

00:44:26Incense?

00:44:27He was right.

00:44:28Tertiary aroma

00:44:29of this wine,

00:44:29incense.

00:44:31Sirs,

00:44:32have

00:44:33a sommelier

00:44:33among us.

00:44:34Ah,

00:44:35delighted,

00:44:35uncle.

00:44:36I will give you my hand,

00:44:36But I can't see you.

00:44:38No no,

00:44:38which refers to you,

00:44:39Juan.

00:44:40Well,

00:44:41then the kid

00:44:42It's good for this,

00:44:42No?

00:44:42Yeah,

00:44:43But even though he has a natural gift

00:44:44to develop it,

00:44:46You will have to study.

00:44:49Come on,

00:44:50man,

00:44:51not let me in

00:44:51at the town hall

00:44:52me,

00:44:53that my great-grandmother

00:44:53was the one who put

00:44:54the first stone.

00:44:55He laid the first stone

00:44:56and paid all the others.

00:44:57Man,

00:44:58Jumea,

00:44:58that he/she tried

00:44:58to taste it,

00:44:59man,

00:44:59hitting him with the bills

00:45:00on the face

00:45:00It hasn't helped at all.

00:45:01Well,

00:45:01that I had to do,

00:45:02No?

00:45:02If we don't get involved

00:45:02a fly drone.

00:45:04Hey,

00:45:04be quiet,

00:45:04I already know.

00:45:05Who is going to help us?

00:45:07Rosamari,

00:45:08how are you?

00:45:09How are you?

00:45:09What are you doing with that cane?

00:45:10Who is the option?

00:45:11No, no, no,

00:45:11who is a friend,

00:45:12who is a friend.

00:45:12Oh ok,

00:45:13I thought he was a neighbor,

00:45:14who have been here for more than a month

00:45:16breaking this parking meter,

00:45:17Hey?

00:45:17And here I am,

00:45:18watching.

00:45:19This is the secret mission

00:45:20that I had this month.

00:45:21Don't talk to me,

00:45:22Don't talk to me.

00:45:23This happens to me

00:45:23for giving him a fine

00:45:24to the woman in the second

00:45:25tempt the mayor,

00:45:26my accumulation.

00:45:27Cheer up,

00:45:28I'm sure if you

00:45:28a professional

00:45:29like the cup

00:45:30from a pine tree.

00:45:30And who are you?

00:45:31Who am I?

00:45:33my lady?

00:45:34I am Don Benito

00:45:35by Jesus Benjumea

00:45:36from Sicily

00:45:37and Grandee of Spain.

00:45:38Ale!

00:45:39And all that

00:45:40inside the ID card

00:45:41or they have had to do it

00:45:41in letter sizes?

00:45:45Rosamari,

00:45:46Come on, stop with the joking around.

00:45:47man.

00:45:48Let's see,

00:45:48that we need him

00:45:49to find some information.

00:45:50Hey, what information?

00:45:51Don't try to confuse me, okay?

00:45:52Don't try to confuse me.

00:45:53Come on, please.

00:45:53We need to go in

00:45:54at the town hall

00:45:55to investigate

00:45:55a painting by my great-grandmother.

00:45:57And what's wrong with that painting?

00:45:58interesting?

00:45:58Well, that could lead us

00:46:00even a treasure.

00:46:01Hey?

00:46:02Leave him be, Don Benjumea,

00:46:03This incorruptible woman.

00:46:04I'm in!

00:46:06Man,

00:46:07I need to spend one more minute.

00:46:08Watching this parking meter,

00:46:09Look, I'm going to give myself a shock.

00:46:10with the taser.

00:46:11I won't say any more.

00:46:11What if someone comes?

00:46:12To break it?

00:46:13If someone comes

00:46:13to break it, look.

00:46:21Wow!

00:46:22Let them come now.

00:46:25What a temper!

00:46:25And I was talking about my husband.

00:46:27He looked at the flowers, come on!

00:46:37You don't feel it.

00:46:39You don't smell it.

00:46:41Oops, sorry,

00:46:42It's getting away from me.

00:46:43Get out of here, you pig.

00:46:44I mean

00:46:44to the scent of democracy.

00:46:46And you believe

00:46:47What did they think they were doing?

00:46:48that we have come

00:46:48Check the fire extinguishers?

00:46:50Of course, man.

00:46:50if you can sneak me in

00:46:51at the Golden Shell gala,

00:46:53I'm not going to sneak in here.

00:46:54It's a town hall, man.

00:46:56No, go.

00:46:57It's all really beautiful, isn't it?

00:46:59I think it's the first time

00:47:00that doesn't fit

00:47:00an official Basque body

00:47:02without being detained.

00:47:03José!

00:47:07Come on, man,

00:47:08You're going to mess things up.

00:47:09Come on, I think so

00:47:09which is the room.

00:47:10Goes.

00:47:11I'm sure it's here.

00:47:12Don't go

00:47:12where you keep

00:47:13the big-headed giants,

00:47:14that I have traumas

00:47:15from when he was a kid

00:47:15which scares me a lot.

00:47:16There's my great-grandmother.

00:47:18Don't tell me

00:47:19you

00:47:19who was not a beauty.

00:47:23Yeah.

00:47:25You can see him

00:47:26nice.

00:47:28Okay, fine.

00:47:29Let's see the photo

00:47:29to this countess.

00:47:32Marchioness, lady.

00:47:33She was a marchioness.

00:47:34Even if he's a conformist,

00:47:35Hey?

00:47:35What does it matter?

00:47:35Marchioness, Countess,

00:47:37It's plays.

00:47:38It has a shine here,

00:47:39let's see,

00:47:39I don't move a little,

00:47:40Wait.

00:47:41Oh, oh, oh, oh, oh, oh, oh, oh!

00:47:43My lady was already attacking me.

00:47:45Okay, okay.

00:47:46Come on,

00:47:47a little further to the right.

00:47:48But what right wing?

00:47:49Yours or mine?

00:47:50The only one there is, ma'am.

00:47:52Please,

00:47:52don't shake it so much

00:47:53You're going to look like a big shot.

00:47:56Come on,

00:47:57I already have water,

00:47:58that they're going to catch us.

00:47:58Can you tell me what you're doing here?

00:48:02Hey,

00:48:03again,

00:48:03Artálego.

00:48:04Excuse me,

00:48:05Mr. Security,

00:48:05We just came to look for...

00:48:07Nothing.

00:48:08There's nothing here,

00:48:09nor microphones,

00:48:09or anything.

00:48:10That's clean.

00:48:11But what clean?

00:48:12Which buses?

00:48:12What are you telling me, ma'am?

00:48:14Let this be the last time

00:48:14I'm getting a call from the town hall.

00:48:15When I'm on duty, you know?

00:48:17And on top of that, it's nonsense.

00:48:18I am from this town hall

00:48:19and beyond.

00:48:21Oh, shame.

00:48:23And a little hello to the mayor, eh?

00:48:28Yeah.

00:48:31Well, that's it.

00:48:32Here's the proof.

00:48:33and the discharge report,

00:48:35Mr. Romero.

00:48:35And the robe?

00:48:36The robe,

00:48:37That is hospital property.

00:48:38I had thought of putting

00:48:39a souvenir shop,

00:48:40But Trini told me

00:48:41that the virus plushies

00:48:41They are in bad taste.

00:48:43I'm referring to yours.

00:48:44Mine?

00:48:45Yeah.

00:48:46Mine is for peace.

00:48:49Thanks, man.

00:48:49because of advertising,

00:48:50But I always come here.

00:48:51What advertising?

00:48:52That's the discharge report.

00:48:53And the groin x-ray, man.

00:48:54No, you're wrong.

00:48:55This is an advertisement for the clinic.

00:48:58I'll see how it goes

00:48:59My robe, okay?

00:49:00Hey, what about my X-ray?

00:49:01And don't worry,

00:49:02Go home

00:49:02we will send it to you.

00:49:03If I've seen an X-ray,

00:49:04You have a groin

00:49:06Good enough to eat, really.

00:49:07Have I seen any pains?

00:49:09Me too?

00:49:09Let's get Dr. Celia, shall we?

00:49:11And she's a urologist, too, you know.

00:49:12It would be bad if you didn't reach the summit.

00:49:14Leave the bar high.

00:49:15as you know.

00:49:16Yeah, well, but there it is.

00:49:17I don't know if I know.

00:49:18By not making ourselves look ridiculous,

00:49:20enough.

00:49:20You think the tie

00:49:21It's a good result.

00:49:24Okay, Dad.

00:49:24Careful.

00:49:26Which I don't find very professional

00:49:27It's about getting dates.

00:49:29to the consultation, right?

00:49:30I mean, I want to say like this

00:49:30Next, right?

00:49:31Now, Dolores!

00:49:32How are you?

00:49:34I'm perfectly fine.

00:49:35And what about you?

00:49:36Why are you asking me that?

00:49:37No, because you've separated

00:49:38and you are living

00:49:39At Carmen's house, then...

00:49:40Ah, I already knew that, didn't I?

00:49:41Yes, well, that's natural, isn't it?

00:49:43Are you okay?

00:49:44Yes, yes, I'm fine.

00:49:45I'm fine, but really

00:49:45It's in that courtyard

00:49:46You can't have any privacy.

00:49:47come on, none.

00:49:48I go out in the mornings

00:49:49and I hear the breathing

00:49:50through the peepholes.

00:49:52Rafi told us.

00:49:53Ah, well,

00:49:55Why does Rafi have to say

00:49:56Did you think I'd become gay?

00:50:00That?

00:50:02Yes, I am.

00:50:03At first a little,

00:50:04But now a lot, a lot, a lot.

00:50:11Attention everyone!

00:50:13This clinic deserves an explanation.

00:50:16And I'm going to give it to you.

00:50:17I, Dolores Ocaña,

00:50:21I am happily paired

00:50:22with a doctor from the clinic.

00:50:24There!

00:50:25I felt embarrassed, but I said it.

00:50:33There!

00:50:33I've already said it, I've already said it.

00:50:35So that Celia can then say

00:50:36I'm scared.

00:50:38One moment.

00:50:38Did you say Celia?

00:50:40Yeah.

00:50:40Because?

00:50:41Okay, what specialty?

00:50:42Does your doctor have one?

00:50:43She's a urologist, why?

00:50:46Headbutts!

00:50:48Hey!

00:50:49Being a chicken is contagious!

00:50:52Little head, Dolores!

00:50:53Dolores is at the bar.

00:50:54Where is Pello?

00:50:55Hey, we already told you.

00:50:56quiz pro quo.

00:50:58What do you say to this now?

00:51:06So, what's going to happen here?

00:51:08Well, it's not the office, Val,

00:51:09But it's not so bad, is it?

00:51:10No, no, no.

00:51:12Take your pants off.

00:51:14Okay, how?

00:51:16Don't you want to, I don't know,

00:51:19Would you like something to drink beforehand?

00:51:21No, man, no.

00:51:22For this you need to have

00:51:22the empty bladder.

00:51:24Take your pants down

00:51:25And now I'm coming.

00:51:31Dolores, a question.

00:51:32What, what?

00:51:33Yes, I'm gay, gay.

00:51:34What do you say to yourself?

00:51:35Nothing else.

00:51:36Did you send the envelope I gave you?

00:51:38Yes, as soon as you gave it to me

00:51:39I sent it by courier.

00:51:40I'm going to shit my pants!

00:51:41But don't worry, it's coming.

00:51:44Who is it?

00:51:45The magazine editor.

00:51:47Mr. Durán, hello.

00:51:49How are you?

00:51:49How are you doing?

00:51:50That it will arrive about

00:51:51It's very fast,

00:51:52You've arrived, haven't you?

00:51:54Is he going to publish it tomorrow?

00:51:56What if I ask him, please,

00:51:58Please return the report to me.

00:51:59and the X-ray,

00:52:00Hey?

00:52:01What are you laughing at?

00:52:02Listen?

00:52:05She hung up on me.

00:52:14Well, I'm going to put some lubricant on you.

00:52:16Pussy,

00:52:17You play hard, huh?

00:52:18It's actually for

00:52:19that everything goes more smoothly.

00:52:22I know where you're going with this.

00:52:27If you want to play,

00:52:33let's Play.

00:52:42Dairy hurts,

00:52:44but

00:52:46I like it.

00:52:47That?

00:52:48Hunger?

00:52:51Kiss you?

00:52:52What am I going to...?

00:52:53And you?

00:52:54Well, treat your venereal disease.

00:52:55As?

00:52:56As?

00:52:57Do I have a sexually transmitted disease?

00:52:58Of course,

00:52:59That's why you asked me for an appointment.

00:53:00Because I'm a urologist, right?

00:53:01Fuck,

00:53:02I knew all this

00:53:03It was too easy.

00:53:04I have a sexually transmitted disease!

00:53:06Let's see,

00:53:06if you kept scratching yourself there,

00:53:08You must have at least one herpes virus.

00:53:10No, no, no,

00:53:11It's not herpes.

00:53:12She is my mother,

00:53:13who buys me underwear

00:53:14like sandpaper.

00:53:15Does your mother buy you

00:53:16Interim clothing?

00:53:18Excuse me, Celia.

00:53:19Goodbye, late.

00:53:21We'd better take the patient away

00:53:23because

00:53:23It appears that the diagnosis

00:53:25that we thought wasn't...

00:53:27No, leave it, Coldo.

00:53:28If you have already brought it to me.

00:53:29So.

00:53:30Hello.

00:53:31Is there a house here?

00:53:32Ah, what a hairy one,

00:53:33go where there is nothing.

00:53:34Dolores, forgive me,

00:53:35we didn't want to bother you

00:53:36to your girl.

00:53:39No.

00:53:40Yeah.

00:53:41I've said it.

00:53:43And I said it in a big way.

00:53:44And if you wish,

00:53:45A sign hangs on the facade.

00:53:50We'll be fine too, if that's the case.

00:53:51Hey?

00:53:51We're leaving now, okay?

00:53:52Yes, yes.

00:53:53Come on, come on.

00:53:54Ah, remove the cream as you go.

00:53:55The cream is going.

00:53:56The cream is going.

00:53:57Yes, yes, yes.

00:53:58Well, bye, huh?

00:54:02Okay, let's see.

00:54:03We need to think a little bit

00:54:03with the head.

00:54:05What do you notice that's strange?

00:54:06in this painting?

00:54:08It's Biscayan.

00:54:09Your great-grandmothers, Vizca?

00:54:10Oh, I do see something strange.

00:54:12There, in my hand.

00:54:14I, it's true,

00:54:15that Pedrolo,

00:54:15This has to be a leg.

00:54:16There is no other way,

00:54:16in the right hand.

00:54:17Oh, how is she holding the fan?

00:54:19That fan

00:54:20It's indicating something.

00:54:22Of course, the rock.

00:54:24It was his favorite place.

00:54:25That's where they used to spend their time.

00:54:25I spent the whole afternoon reading.

00:54:27Let's see.

00:54:28The favorite place

00:54:30from the old woman.

00:54:30A huge forest.

00:54:32Okay, you,

00:54:32think like his lover.

00:54:34Ah, well, I would stay

00:54:35on the rock

00:54:35with the lady

00:54:37for...

00:54:38Uh, I want to quit.

00:54:39This image of the head.

00:54:40Let's see,

00:54:41Where would I look?

00:54:42In a familiar place, right?

00:54:43It's perfectly clear.

00:54:45We need to find

00:54:46that rock.

00:54:47To the forest again

00:54:48of Mordor?

00:54:49No, no,

00:54:49that I already told him

00:54:50this morning

00:54:50I'm not going there or anywhere like that.

00:54:51Well, everything is clear.

00:54:52Come march.

00:54:53Come on, go on.

00:54:55Let's see if Iñaki

00:54:56He's going to be right.

00:54:56And those two are involved.

00:54:58Well, look,

00:54:59I wouldn't say no,

00:55:00because I've already seen them

00:55:00more than once

00:55:01spend together

00:55:02in Horacio's car.

00:55:03Hey,

00:55:04How are those cupcakes?

00:55:05with cream?

00:55:05And I don't mean

00:55:06to those from the confectionery shop.

00:55:08Look, Sabino,

00:55:08Stop talking nonsense

00:55:09we're dealing with a topic

00:55:10very serious.

00:55:11Look, Marichu and I

00:55:12We have a suspicion.

00:55:13We think that Iñaki

00:55:14and Carmen

00:55:14They have fought

00:55:15because of infidelity.

00:55:16What do you think?

00:55:18Well.

00:55:19But then

00:55:20You knew it.

00:55:21Let's see,

00:55:22Iñaki told us

00:55:22that we didn't tell you.

00:55:24How could you not tell us?

00:55:25Who do you think you are?

00:55:25What are those things?

00:55:26Then they're not noticeable?

00:55:27If that happens,

00:55:28Why do they happen

00:55:28too long

00:55:29Together at work?

00:55:30See?

00:55:30I already told you.

00:55:31Well,

00:55:32Iñaki is trying

00:55:33fix it.

00:55:33Well, it won't fix anything.

00:55:34Don't be stupid.

00:55:35But how could he not fix it?

00:55:37If you feel terrible

00:55:38after what has happened.

00:55:39But however you want

00:55:39that he/she feels

00:55:40My poor little one?

00:55:43Well,

00:55:44What do you mean, no?

00:55:45I mean,

00:55:45that for you

00:55:46infidelity

00:55:46It's not important at all.

00:55:48I'm not going to say anything

00:55:49if it is not a presence

00:55:49from my lawyer.

00:55:50Good afternoon.

00:55:51What's wrong with him now?

00:55:53Look,

00:55:53I don't know.

00:55:54But on my street

00:55:55Of course

00:55:55It won't be seen

00:55:57with this Horace.

00:55:58That my son is good

00:55:59but not stupid.

00:56:05Sorry

00:56:05the interruption.

00:56:07Iñaki,

00:56:08I want to ask you something.

00:56:10Of course, Carmen.

00:56:10Yeah,

00:56:11whatever you want.

00:56:11Your mother thinks

00:56:12that I'm a bad person

00:56:13and guilty of all this.

00:56:15Knowing her, I know

00:56:16that he's going to tell her

00:56:16to everyone

00:56:17So I would like

00:56:18please

00:56:18talk to her

00:56:19and tell him the truth.

00:56:20Now?

00:56:23Hey,

00:56:23What if I tell him?

00:56:25Hey,

00:56:26in part

00:56:26I feel summarized.

00:56:27No, no, no,

00:56:28Gozón,

00:56:28You and I have already done

00:56:29Quite a bit, I think.

00:56:30Iñaki,

00:56:31please,

00:56:31be quiet

00:56:31and talk to your mother.

00:56:33But what do I do?

00:56:34Should I keep quiet or talk to my mother?

00:56:35Both.

00:56:36Sure, yes.

00:56:37If that's about playing both sides...

00:56:38You're amazing at it,

00:56:39No?

00:56:40By the way,

00:56:42What is this?

00:56:43That's the best part

00:56:4430 years old.

00:56:58Ofubeo,

00:56:59ovea, colleague.

00:57:00Let's stop,

00:57:01We're going to stop

00:57:02a little sliver, isn't it?

00:57:03Really,

00:57:04I can't take it anymore.

00:57:05The thing is,

00:57:06I'm having trouble breathing.

00:57:08For me

00:57:08which is giving me allergies.

00:57:09Yeah,

00:57:09allergy to exertion

00:57:10That's what you have.

00:57:11We're on level ground,

00:57:12man,

00:57:12Oh my God.

00:57:13Well,

00:57:14the rock's flakes

00:57:15They were oriented to the north.

00:57:16There's nothing more to see

00:57:17the wall of the courtesies

00:57:18and the position of the sun.

00:57:20But what will you do?

00:57:20if the closest to nature

00:57:21that will have been

00:57:22It will be at a flower shop.

00:57:23No,

00:57:24I'm not staying.

00:57:24Don Behumea

00:57:25has survived

00:57:26in the Amazon rainforest

00:57:27like Tarzan next to him

00:57:28It's Rosa León.

00:57:29You're crazy.

00:57:30Well,

00:57:31Well,

00:57:32less conversation.

00:57:33And take my word for it.

00:57:34I put on my pants

00:57:35because of the socks.

00:57:36Here the scorpions

00:57:37They roam freely.

00:57:39I don't know what scorpions

00:57:39What scorpions?

00:57:40If that's all you can see

00:57:41Here's a goat.

00:57:42I'm already seeing that.

00:57:44Well,

00:57:44And don't be so wild.

00:57:45when has he come

00:57:46with the little shoes

00:57:46of grid.

00:57:48One moment.

00:57:50What's happening?

00:57:50Happens.

00:57:55The rock.

00:57:57What's happening?

00:57:59This is the rock

00:57:59that we are looking for,

00:58:00Don Behumea.

00:58:01Not from here?

00:58:01Don't tell him I

00:58:02that I calmly got lost

00:58:03and I fell asleep.

00:58:04My God,

00:58:05if I slept on top

00:58:06or I slept on top

00:58:07of the treasure, mate.

00:58:08But take it away.

00:58:09He looked like a scorpion!

00:58:10Here is my registration,

00:58:12Look.

00:58:12One moment.

00:58:13Emi,

00:58:14heart,

00:58:15G,

00:58:15M of my great-grandmother

00:58:17who is Maria Luisa

00:58:17and G for Ginés,

00:58:19her lover,

00:58:19Yanes.

00:58:20Well, her great-grandmother

00:58:21She would be a monster reading

00:58:22but painting.

00:58:23Look how he's painted

00:58:24the heart there

00:58:25all alloyed

00:58:26pointing that way.

00:58:27Yes, José.

00:58:28Because you're a genius.

00:58:31The rock he doesn't like

00:58:32neither.

00:58:33I don't seem to understand.

00:58:34You're welcome, right?

00:58:35You just don't get it

00:58:35You're welcome, right?

00:58:36No.

00:58:37Well, look,

00:58:37the heart is indicating

00:58:38the place where it is

00:58:39the treasure

00:58:39and it must be

00:58:41there.

00:58:42Here?

00:58:43Oh, please.

00:58:48Take the rosemari out of me.

00:58:49Yes, man.

00:58:50That's the last thing I needed.

00:58:51marrano.

00:58:51Auntie, for God's sake, enough already.

00:58:52Come on,

00:58:52come on.

00:58:53Come on, let's go.

00:58:54Come on, let's go.

00:58:54The attack, let's go.

00:58:55Dale.

00:58:57To finish the...

00:58:58Dale.

00:58:59Leave.

00:59:00Look, bring it.

00:59:00Bring the shovel

00:59:01that if you make me sick,

00:59:02Dude, seriously.

00:59:06That is,

00:59:07That's right, José.

00:59:08Come on.

00:59:09Escaricasco.

00:59:10Bye,

00:59:11Boring, boring.

00:59:13I just spoke

00:59:14with a friend

00:59:14who owes me a favor

00:59:16And guess what.

00:59:18I got it for him

00:59:19Juan, a place

00:59:19at school

00:59:21of Sommeliers

00:59:21from Munitibar

00:59:22Arbategui

00:59:23Guerricaits.

00:59:24The kid,

00:59:25Rafi,

00:59:25He has talent.

00:59:26Oh, God,

00:59:27They're going to send me to China.

00:59:28Let's leave it at that

00:59:28in which the boy

00:59:29He has a sense of smell.

00:59:30No, no, it's China.

00:59:31It's the Basque Country, Juan.

00:59:32Ah.

00:59:33How long does it last?

00:59:33that course?

00:59:34That's four years.

00:59:36Four years?

00:59:37There are not five.

00:59:39It's not China,

00:59:40It's the Basque Country.

00:59:40I mean that

00:59:42When there is talent,

00:59:43Juan,

00:59:45We have to take advantage of it, man.

00:59:46That is.

00:59:48Well, then,

00:59:49As I said, Juan,

00:59:50I'm going to the airport.

00:59:51In fifteen days

00:59:52I'll see you in Dolosti.

00:59:54Yes, yes, yes.

00:59:59What's up, Juan?

01:00:03I don't want to leave.

01:00:04But it is a great opportunity,

01:00:05man.

01:00:05I know,

01:00:06and maybe the only one.

01:00:07But,

01:00:09look,

01:00:09I know I'm a mess

01:00:11from cabanero

01:00:11that I'm worthless,

01:00:13but at least here

01:00:15I can spend more time

01:00:16with my father.

01:00:17I never think.

01:00:18Giving aromatic notes

01:00:20You express yourself terribly.

01:00:21But when you speak

01:00:22from within,

01:00:22Juan,

01:00:23You are pure clairvoyance.

01:00:29Forward.

01:00:32Good afternoon.

01:00:32Hello, good afternoon.

01:00:34Sit down, sit down.

01:00:35Carlos Peña,

01:00:35from the magazine Rumores.

01:00:36Yeah.

01:00:38So that

01:00:38He had called me

01:00:39so urgently?

01:00:40Why had I called him?

01:00:41so urgently?

01:00:43Ah, yes, yes, yes.

01:00:44For the test

01:00:45that sends

01:00:45by the singer Rafa Romero.

01:00:46Ah, yes.

01:00:47Thank you so much.

01:00:48No, man.

01:00:49The one you have.

01:00:50And now that we're friends,

01:00:51Will you give it back to me?

01:00:53That's not going to be possible.

01:00:55Has it been published yet?

01:00:56No, no, no, not yet.

01:00:57But as soon as I do it

01:00:58He doesn't know how they're going to go up

01:00:59sales.

01:01:00Look,

01:01:01I'm going to ask him,

01:01:02please,

01:01:03that she not publish it.

01:01:03Look,

01:01:04because what's at stake is what's at stake.

01:01:04my relationship with my stepmother,

01:01:06my future wedding,

01:01:07the clinic

01:01:07And what's worse,

01:01:08My reputation, you understand?

01:01:10All that for a groin injury.

01:01:12Okay, fine.

01:01:13Well.

01:01:14Let's see,

01:01:16There might be another way

01:01:17to win

01:01:17the same amount

01:01:18of money and sales.

01:01:20It is well known

01:01:21that the Benjumea family

01:01:22It has always been

01:01:23very reserved

01:01:24with the gossip press.

01:01:30I would sound tired,

01:01:31Let me...

01:01:31Leave me alone, leave me alone.

01:01:32Yes of course,

01:01:33Isn't that beautiful?

01:01:33Now that I've done the worst

01:01:34and I'm about to

01:01:35to find something.

01:01:36Nothing, nothing.

01:01:36Oh!

01:01:37What a woman,

01:01:38You're so sensitive, aren't you?

01:01:39really,

01:01:39that it's bursting,

01:01:40that is breathing,

01:01:40that looks like a donkey,

01:01:41It's coming there.

01:01:41But don't be stubborn,

01:01:42women.

01:01:43Well, take it.

01:01:44Take it.

01:01:44But don't come crying to me later.

01:01:46If a nail breaks,

01:01:47Hey?

01:01:51I don't know who you're talking to,

01:01:53He is newly arrived, he gives glory.

01:01:54see it,

01:01:54look,

01:01:55look.

01:01:55Well,

01:01:56Let's not pretend either

01:01:56many illusions,

01:01:57because then, if it doesn't show up...

01:01:59Yeah, man,

01:01:59yes,

01:02:00come on,

01:02:00Give it there,

01:02:00Mr. Benjumea.

01:02:01One moment,

01:02:01one moment,

01:02:02one moment,

01:02:02one moment.

01:02:05There's something tough here.

01:02:09It's a treasure chest!

01:02:11Oh,

01:02:12please!

01:02:13A chest!

01:02:14This is what it will be!

01:02:16What will happen!

01:02:17What will happen!

01:02:17There will be gold!

01:02:18There will be a jewel!

01:02:20Cloud!

01:02:23Which roll,

01:02:24that?

01:02:25Why do I want to

01:02:26a rotten piece of paper?

01:02:27That's worthless.

01:02:27Shut up!

01:02:28Damn it!

01:02:31This is a poem,

01:02:33handwritten

01:02:33and signed by

01:02:34Gustavo Adolfo Becker.

01:02:35You know

01:02:36what that means,

01:02:37José?

01:02:37The truth is, no.

01:02:38because Gustavo had

01:02:39a letter that's really something.

01:02:40That?

01:02:40Was he a doctor?

01:02:41Really,

01:02:41He's just incredibly stupid.

01:02:43that might be worth

01:02:43a fortune.

01:02:44Yes or what?

01:02:45Man!

01:02:46Oh, please,

01:02:46I'm rich!

01:02:48The amari!

01:02:49Hey,

01:02:50Don't take advantage either.

01:02:51Hey?

01:02:51Besides,

01:02:52hey,

01:02:52Nor can we declare victory

01:02:53until verified

01:02:54its authenticity.

01:02:55It will be the Chaina,

01:02:56But he speaks like a colonel.

01:03:00Oh,

01:03:04God!

01:03:07Hey,

01:03:07Rosa Marí,

01:03:08Don't take it that way,

01:03:09man,

01:03:09which has been

01:03:10because of the branch.

01:03:10Well,

01:03:11today I allow you

01:03:11whatever you want

01:03:12because he saved me

01:03:12life.

01:03:13What a day!

01:03:14Because I'm rich!

01:03:15Hey?

01:03:17And the paper

01:03:18Gustavo's?

01:03:19Where is?

01:03:23no, no, no, no.

01:03:25No, no, no, no, no,

01:03:25I didn't like the bag.

01:03:32Listen, my dear, what if you make an investment and it all goes to waste because of that irrigation premium?

01:03:37that's on the ground, whatever, but...

01:03:39A goat, I'll take it from you, a goat!

01:03:41Well, don't complain so much, you have good things.

01:03:44What good thing do I have? But if I'm stuck here in the Basque Country with a cold all day, without friends, what

01:03:49Do I have a good one?

01:03:52Wow, that's a huge piece of ass.

01:03:55Well, it's got a pocho, but it's soft.

01:03:58And I'll tell you something.

01:04:01Look, you've shown that deep down you're a good person because you saved my life.

01:04:04And you know what? I'm going to waive your community service, look.

01:04:09And the fine?

01:04:10No, not the fine, I can't.

01:04:11But, Josi, I'll pay your fine and now I'm going to tell you all.

01:04:16Look.

01:04:17Under conditions.

01:04:18So you can complain.

01:04:19Well, look, I may not be rich, but I'm rich in friends.

01:04:23Hey, hey, don't be shameless, no, I already know what you're getting at.

01:04:28Thank you so much.

01:04:29Please.

01:04:34Hello good evening.

01:04:35Congratulations, Trini, you kept that quiet.

01:04:40Hey, congratulations, Eva.

01:04:46May I have a moment?

01:04:48Thank you.

01:04:51After years of silence, the Benjumea family gives us an exclusive glimpse of their upcoming wedding.

01:04:56The mother who gave birth to him.

01:04:58How are you, my Moorish queen?

01:05:00Can someone tell me what this is?

01:05:02If nobody reads this magazine, they'll have forgotten about it by tomorrow.

01:05:05Take a point.

01:05:07No, not even his father.

01:05:13Hi, daddy, how are you? How are you?

01:05:16How did you find out?

01:05:18If you don't examine it from the heart.

01:05:21Oh, by my aunt.

01:05:24I am sending you.

01:05:25I swear to you that I am sending you.

01:05:27Yes, my aunt has always been very gossipy.

01:05:34Hey, Dad, you're asking me for the six o'clock bill.

01:05:37It's here.

01:05:38But look, first, the last test, okay?

01:05:39There, from a distance.

01:05:41What do I smell like?

01:05:44Man, it smells a little like fried food.

01:05:45That's my Juan.

01:05:46Man!

01:05:47Look, you're going to leave him amazed by your sense of smell, that little sniff there.

01:05:49In his Miller, well, I don't know...

01:05:51Come on, they're going to be blown away by you.

01:05:52Regarding that...

01:05:55Hey?

01:05:56Look, Dad, I'm not going.

01:05:59But...

01:06:00But come on, Juan, go, it's the only opportunity you're going to have in your life.

01:06:02Don't you see that you don't...?

01:06:04I mean, no, I mean it's a once-in-a-lifetime opportunity.

01:06:08Yeah, look, it's just that...

01:06:10Do you know what happened?

01:06:11It's just that Anchón...

01:06:12Well, look, Anchón told me that in the end, well...

01:06:14In the end, there was no space left, things were complicated, and so on and so forth...

01:06:18Wow, man, I was so excited as a father that you would stop a future.

01:06:22Come on, as a father, you want your son to have a good future.

01:06:24Even if it was far away, right?

01:06:26Yes, no, it saddens me too, what can I say, but...

01:06:29But oh well, that's it, what can you do?

01:06:31I'll have to stay here, exasperated by you.

01:06:36What else can we do?

01:06:37What else can we do?

01:06:40Well, don't keep the customers waiting.

01:06:42At six o'clock.

01:06:49Mariso.

01:06:50Daughter, have you seen Ñaki?

01:06:52No.

01:06:53I have good news for him.

01:06:54The flesh, which wants to be reconciled.

01:06:56No, better.

01:06:58I spoke with a lawyer and he told me that we can get a divorce and kick Carmen out of the house.

01:07:03Well, look, I think it's great, because it's refreshing.

01:07:05Dude, who does that list think it is?

01:07:07He can do what he's done and then, hey, get a divorce scot-free.

01:07:10Okay, okay, calm down.

01:07:11Sabino, give my sister a mistela.

01:07:13Let's see if that face of hers softens a little.

01:07:15Look, when I think about everything my son has suffered...

01:07:18and right under their noses.

01:07:21Well, here's the daughter.

01:07:24Well, speaking of the devil, look at her, there she is.

01:07:27What nerve to show up here with him.

01:07:32What a shame.

01:07:38What's wrong, Marichu?

01:07:41Nothing.

01:07:43We were talking about the right of admission, right?

01:07:45Yeah.

01:07:45Maybe we should start putting it into practice.

01:07:47What's wrong, Ama?

01:07:49Nothing.

01:07:50Some that are causing trouble.

01:07:51Sorry?

01:07:52What are you saying?

01:07:53What you hear.

01:07:54It's necessary to touch on shame.

01:07:55Love, don't overdo it.

01:07:56Look, how can you be so stupid?

01:07:59How can you still defend her?

01:08:00After all the suffering he's put you through.

01:08:02I have made him suffer.

01:08:03Okay, why don't we all calm down a little?

01:08:05You keep quiet.

01:08:05Nobody has left you a candle at this funeral.

01:08:07It's not with Horacio, not even my little daughter.

01:08:09Hey?

01:08:09That's the only thing that's been by my side

01:08:11and has supported me.

01:08:12Oh, Jaro, and he has supported you so much.

01:08:15You don't need to swear to it.

01:08:16He, he, he this home-wrecker.

01:08:18He calls you, telling you that you're making a mistake.

01:08:20Are we here yet?

01:08:21Wow, so many people!

01:08:22Something has to be done!

01:08:24Come on, get everyone a round!

01:08:25What do you know, owner?

01:08:26Eye!

01:08:28That?

01:08:28We've missed something.

01:08:29But listen to your mother, Maytía.

01:08:31Carmen is a shameless woman.

01:08:33She's had an affair with her boss and has abandoned you.

01:08:35Come on, let's see, Carmen hasn't done anything.

01:08:36But when will the scales fall from your eyes?

01:08:38And when are you going to listen?

01:08:39What wasn't she?

01:08:40Was it me who slept with gleeful people?

01:08:46That's true.

01:08:54They fit, sot.

01:08:55We go to Seville for a day and all hell breaks loose here in Puerto Urraco.

01:09:02José, can you come here for a moment?

01:09:07Take.

01:09:09This is for you.

01:09:10What is this?

01:09:11Your fine payment receipt.

01:09:13I was at the police station and I paid you.

01:09:15No.

01:09:17Man, man.

01:09:20You know I'd do anything for a friend.

01:09:25You don't know what this means to me.

01:09:27This is my return ticket.

01:09:33Marichu, I want to go back to Andalusia.

01:09:35Not at all.

01:09:36You stay in San Sebastián.

01:09:37Are you talking to me?

01:09:38You're going back to the attic right now.

01:09:39And you watch me, that prayer fly

01:09:42Don't go snooping around there.

01:09:43Well, I just got paid my fine and...

01:09:45And also, if you stay and do me that favor,

01:09:48You'll be able to return south with some savings.

01:09:51Yes, but money isn't everything in life, you know?

01:09:54Oh, I'm going to the attic.

01:09:56What am I doing here?

01:09:56Come on.

01:10:08What are you doing here?

01:10:12It's freezing cold in that hamlet.

01:10:15I've got chilblains, a gold medal, and everything.

01:10:17Oh, forgive me, José.

01:10:18Would you like some ice cream?

01:10:20Frozen?

01:10:20No, why would I want ice cream, huh?

01:10:22I'm fleeing the cold.

01:10:24I'm going to eat this, I'm going to pee.

01:10:26Well, you'd better do it just for me.

01:10:28Alone.

01:10:29Eat me for the rest of my life, José.

01:10:31Alone.

01:10:32Hey man, don't talk nonsense.

01:10:34Hey, I've come here to be with you too,

01:10:37not only because of the cold,

01:10:39with the mess you have.

01:10:40So what are we going to do?

01:10:42What am I going to do now?

01:10:44Everything's going to be alright, okay?

01:10:47Don't worry.

01:10:48Well, and let me tell you one thing,

01:10:49I'm here for whatever you need, José.

01:10:52Go ahead, ask me for whatever you want.

01:10:54Thank you, thank you, José.

01:10:59Are you going to eat that muffin?

01:11:02I'm hungry.

01:11:04Leave it.

01:11:04No, come on, how are you leaving?

01:11:06Oh, thank you, José.

01:11:08No, go.

01:11:10I'm going for another one.

01:11:11I want to go to...

01:11:12I want to go to...

01:11:15How are you?

01:11:15Okay, okay, I'm going to buy it.

01:11:17Okay, I'm going to buy it.

01:11:18Okay, that's it.

01:11:20I'm going to buy it.

01:11:21Thank you.

01:11:21Do you want something?

01:11:22No.

01:11:23Well, a little bit of cheese.

01:11:25A little bit of cheese.

01:11:27And lots of bread.

01:11:31Some capers.

01:11:34What if they had some pickles?

01:11:38Ugh, my pregnancy is going to feel so long.

01:11:46Today Carmen is having her three-month ultrasound.

01:11:48I don't think Carmen will be too happy to see me there.

01:11:50You, as the father of the child,

01:11:51You have the same right as she does to be there.

01:11:53Today is a very important day.

01:11:55We're getting married in two hours.

01:11:56In two hours?

01:11:57What's with that giggling between Horacio and Carmen?

01:11:59Look, everyone laughs at the joke of someone who's being paid their wages, right?

01:12:02Well, I'll pay you to keep an eye on my gynecologist.

01:12:04Carmen, I miss you.

01:12:05Why can't we fix it?

01:12:07Niñaki, I haven't found any carabineros at the fish market,

01:12:10But I've brought prawns.

01:12:12Let's stop this nonsense, we have to go to court.

01:12:14that we have to get married.

01:12:15And we need you to be our witnesses.

01:12:18Us?

01:12:18So you're going to the pelota court,

01:12:19You're going to pick up that ball and hit it hard.

01:12:22You are a winner, a winner.

01:12:24You make everything so easy, really.

01:12:26Thanks a lot.

01:12:28Do you have a problem?

01:12:29Well, you know, I'm here.

01:12:30No, no, no, I'm fine, really.

01:12:32But it would be a broken heart.

01:12:34Right now, when I prick myself, no blood comes out.

01:12:36I just found out that my daughter is getting married today, this afternoon.

01:12:39Right now.

01:12:40That?

01:12:40But I can't stop thinking about Carmen and Horacio's very 13th.

01:12:43So use those feelings.

01:12:44And every time you're hitting this ball,

01:12:46You'll be hitting Horatio in the face.

01:12:47Take this, Horatio.

01:12:51Cristóbal Benjumea,

01:12:52Do you want to marry Trinidad Lozano?

01:12:55Oh, I see!

01:12:56Are you playing from here?

01:12:57Antonio, pass the ball.

01:12:59Here it goes!

01:13:02Even if you say he's your boss,

01:13:05It's clear that it's much more than that, isn't it?

01:13:06Girl, it's confirmed you're stupid.

01:13:08I don't want to see you again.

01:13:09That's it.

01:13:10Screw you!

Allí abajo - 3x13 - El tesoro Benjumea - HD 1080

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