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00:01There is nothing more peaceful than the sounds of Wisteria Lane at night.
00:08Whether it's the murmur of a neighbor's television,
00:14the hum of the street lamps,
00:20or the songs of the night birds.
00:25Wisteria Lane is so peaceful that even the slightest disturbance
00:31can be very alarming.
00:38911.
00:39There's an intruder in my home. I'm at 4355 Wisteria Lane. Please hurry.
01:01Oh, my God. Chuck!
01:05Hello, Brie.
01:08What are you doing here? I could have shot you.
01:10I heard your call over the radio. When I got here, the door was wide open.
01:14So...
01:17I'm just gonna have a look around.
01:20If you don't mind putting the gun in your pocket while I do.
01:30So tell me again what you heard.
01:32Um, a loud bang and then some footsteps.
01:36Like, um, like someone had forced their way in.
01:40You sure you didn't accidentally leave the door open?
01:43Positive. I locked it.
01:44Well, I don't know what to tell you.
01:47Maybe he was just some drifter looking for a few bucks.
01:49You scared him off.
01:50We don't get a lot of drifters around here.
01:52Except for that guy we saw right out front a few months ago.
01:57The one who turned up as a missing person?
01:59I told you I don't remember anything about that.
02:02And yet, you're positive.
02:03You locked your door before you went to bed last night.
02:05Hmm. It's funny.
02:07The things we remember, and the things we don't.
02:11Are you interrogating me?
02:12No. Of course not.
02:14You're a victim.
02:17And why would you say that?
02:19Because it's obvious to me what's going on here.
02:22Someone's sending you a message.
02:26What kind of message?
02:27Maybe they think you're hiding something.
02:30Maybe they're trying to rattle you.
02:32Hoping you'll slip up.
02:34Or maybe they just don't want you to feel safe in your own home.
02:41Yes, there's nothing more peaceful than a night on Wisteria Lane.
02:46But I wouldn't lose any sleep over this brain.
02:49I'll be keeping an eye on you.
02:52Until someone comes along.
02:56And disturbs the peace.
03:02In a stressful world, we can all be forgiven for having a few weaknesses.
03:08Some of us are lured by a sweet treat.
03:13Others by a sad face.
03:18And still others by the pull of a great novel.
03:24But Gabrielle Solis was about to discover that some weaknesses...
03:28Is he yours?
03:31...aren't so easy to forgive.
03:35Depends. Is he drunk?
03:36Unless he throws up in cabs when he's sober.
03:41I'm so sorry.
03:43Here's 20 bucks for the ride.
03:45And another 20 for your upholstery.
03:51This will make you feel better.
03:52Ah, it smells like hot sauce.
03:54Yeah, it's a Mexican hangover cure.
03:55It's the only thing I inherited from my family that's actually worth anything.
04:01I'm really sorry about all this.
04:04I thought it would get better after Ben did what he did, but...
04:08It hasn't.
04:09Maybe we need to get you help.
04:11Like rehab or something.
04:13I'm not addicted, Gabby.
04:15It's just when I'm stressed, this is what I do.
04:18Really? You were stressed on the golf course this morning?
04:20It was work.
04:21And there's always drinking when it's work.
04:24We're golfing with a client, beer.
04:26We're hammering out a deal, wine.
04:27We make the deal, champagne.
04:29Well, maybe you need to take a little time away from work.
04:31Dry out and kickstart your sobriety.
04:33I am the CEO.
04:35If I do that, the whole place will fall apart.
04:36And if you don't, you'll fall apart.
04:41Well, maybe you're right.
04:44But I can't do it today, I've got payroll to sign.
04:46You're sweating bourbon, you're not going anywhere.
04:48I'll go in and I'll sign it for you.
04:49You can't sign my name.
04:50Please, I afford your signature all the time.
04:52How else do you think I got that platinum card?
04:56Wow, I must be in bad shape. I don't even have the energy to get mad.
04:59With any luck, you'll forget I said it.
05:04I'm sure some of you feel I've been too hard on you these past few weeks.
05:08I think I speak for all of us when I say, um, all of us.
05:11Well, after today you will long for the mother's milk that's been my criticism.
05:15Please meet our special guest, my art dealer and the owner of the Bergman Gallery, Felix Bergman.
05:24I smell fear and mediocrity.
05:27Oh God, it's like someone left Andre in the dryer too long.
05:31Shh.
05:32Felix has agreed to evaluate your work, give honest feedback and teach you the business of art.
05:37So, what do you call this piece?
05:40A celebration of the female nude.
05:43This is why I don't sleep with women. It's repulsive.
05:47Well, it's not a literal mind drifting, eyelids drooping and I'm gone.
05:53He's not a critic. He's a little ball of hate.
05:56Oh!
05:56Oh God.
05:57No art student's portfolio would be complete without the obligatory squares and circles colliding.
06:03Or what I like to call man's inhumanity to art.
06:07Well, Amy is one of my most promising students.
06:09I find her work to be bold, defiant and dazzlingly layered.
06:13You're stooping her, aren't you?
06:17Regardless, I just think that there's a place for her work.
06:19I think you may be right.
06:24Found it.
06:28So, what do you have for me?
06:31The same thing you have for us, contempt.
06:33Excuse me?
06:35We got it.
06:36You're a super sophisticated art snob who hates everything.
06:39Well, guess what? I'm not playing.
06:41Susan?
06:42No, I am not getting my teeth kicked in just because your mother didn't breastfeed you.
06:47Go play your game with someone else.
06:51Look, if you want to be a professional artist, you need to develop a thick skin.
06:56Did you paint this?
07:01Yes, I did and I have no interest in hearing what you think of it.
07:04Well, that's too bad because I think it's brilliant.
07:07Really?
07:07Really?
07:08It's original.
07:10Dark, brooding.
07:11It tells a story.
07:12I'm totally drawn in.
07:14Congratulations, Andre.
07:16I do believe you've struck artist.
07:21Yeah, I suppose she shows promise.
07:23She may amount to something one day.
07:24One day?
07:25This girl has arrived.
07:26In fact, she reminds me of a young you.
07:33Now, now.
07:34Where's that thick skin you were crowing about?
07:40And for the den, Franklin wants a southwestern look.
07:44You know, Navajo rugs, red chili peppers, chairs made of horns.
07:48Southwestern. Fun.
07:50And bound to come back in style since it's been out so long.
07:53We can't wait to work with you, Cindy.
07:56Yes, all we need is a $5,000 deposit and then I will saddle up, mosey into town and rustle
08:02up that wagon wheel table.
08:04What's the date today?
08:05Uh, the 13th.
08:0613th? No, can't be.
08:09Yes.
08:09Why?
08:10It's my wedding anniversary.
08:1322 years.
08:15Congratulations, 22 years. What is that? Copper, brass...
08:18Separation, in my case.
08:20Oh.
08:21I'm sorry, I saw your ring and I just assumed that...
08:24Yeah.
08:24Still wearing it.
08:25Even though we're hanging on by a thread.
08:28You poor thing.
08:29Yes, we're all devastated.
08:30Would you like a pen?
08:32I remember what my mother sent me on my wedding day.
08:36It's bad luck to get married on the 13th.
08:39And for 21 years, Tom and I have been laughing about how wrong she was.
08:44About this year.
08:45Yes, make it out to Perry Scavo Designs.
08:48Well, don't give up, Lynette. It's never too late.
08:51Yeah, I think his girlfriend might disagree with you on that one.
08:55His beautiful doctor girlfriend.
08:57That's P-E-R-R.
09:00Now you listen to me.
09:01My Franklin and I almost split up two years ago.
09:03He was getting bored and I could see he was about to pronounce our marriage dead.
09:07But then I said no.
09:10No?
09:10No.
09:11Splitting up wasn't an option.
09:12I had waited too long to find this man.
09:14I wasn't going down without a fight.
09:15So what'd you do?
09:17I changed.
09:18I got a new do, new wardrobe.
09:20Franklin liked the new Cindy so much, he started to change too.
09:23That's amazing.
09:25You know what? Just sign it.
09:27We have a stamp.
09:29I will go to the tile yard to see if they have those adobe shingles.
09:33You want to check on the fabric?
09:36Do you think I've fought enough?
09:39Lynette, you're taking marriage advice from a woman who wants coyote sconces?
09:43I'm serious. Am I giving up on my marriage too easily?
09:46No.
09:47I think you knew when it was time to call it quits.
09:50That's just it.
09:51I'm quitting.
09:52Instead of not taking no for an answer.
09:55Look, you and Tom tried to make it work and you couldn't.
09:58Now he's moved on.
10:00And you are an amazing woman with your whole life ahead of you.
10:04So take off that wedding ring.
10:06Go live it.
10:15Hey, Gabby. Do you have a minute?
10:18Oh, now's not really a good time. Why don't we talk tomorrow?
10:21Please? I don't know who else to turn to.
10:23Susan won't return my phone calls.
10:24And when I went to Lynette, she pretended she wasn't home.
10:28Yeah. Okay.
10:33How do things get so bad so quickly?
10:35This morning I was all set to make food for poker night and then I remembered.
10:38No poker night.
10:40I feel like I've lost the life I had.
10:43First my family and now my friends.
10:46Who knows if Susan or Lynette will ever speak to me again.
10:48They'll cool off once they realize we're in the clear.
10:50What if we're not in the clear?
10:52What do you mean?
10:53The body's eight feet under dirt and concrete.
10:55No body, no crime.
10:57I know, but...
11:00Chuck came by yesterday.
11:02Chuck?
11:03What did he want?
11:06Oh, hey.
11:08Babe, do we have any ask for him?
11:10Yeah.
11:14Are you feeling better?
11:16Mm.
11:20Is he?
11:22I thought he stopped drinking.
11:24Me too.
11:25Oh, Gabby, I'm so sorry.
11:27I keep saying it's because of work, but I know it's the guilt still eating away at him.
11:31I just don't understand how drinking helps.
11:34I do.
11:34Sometimes a drink feels like the only friend you have left.
11:38Well, I just thank God this ordeal is behind us.
11:40We all need to move on.
11:43You're right.
11:44I'm gonna go.
11:45Mmm.
11:46You never tell me what Chuck wanted.
11:50Oh, uh, what else?
11:52He wanted to get back together again.
11:54God, please tell me you said no.
11:56Of course I did.
11:58Oh, and Brie?
12:01Never think you lost me as a friend, cause...
12:03You're my rock.
12:15Oh, hey Marilyn.
12:16Oh, Mrs. Solis, thank God.
12:18I've been trying to reach Carlos and it keeps going to voicemail.
12:20Oh, it's okay.
12:21No need to bother Carlos.
12:22I'm here to sign the payroll.
12:23This isn't about the payroll.
12:25Frank Sweeney, one of our biggest clients, he's on his way here and he did not sound happy.
12:30I'm gonna try Carlos again.
12:32Whoa, whoa, whoa, whoa.
12:32I, uh, I don't wanna stress out Carlos.
12:35He's home with the flu.
12:37Besides, I'm here.
12:39How does that help?
12:40I know Frank Sweeney.
12:42He grabbed my ass at the Christmas party.
12:44Actually, a lot of guys did.
12:45That was a good party.
12:47Yes, it was.
12:49Leave this guy to me.
12:51I know I'm sitting women's lib back 20 years, but I can do this.
12:56So, Frank, it's been forever.
13:00When's the last time we've seen each other?
13:02Uh, I'm not sure.
13:04I am.
13:06Jingle bells, jingle bells, jingle all the way.
13:10Is Carlos coming in?
13:12I really need to speak with him.
13:14Well, aren't you all business?
13:17Ooh, and all muscle, too.
13:19Does Carlos even know I'm here?
13:20I mean, if he doesn't take an 80 million dollar account seriously.
13:23No, no, no, of course he takes it seriously.
13:27What are you doing?
13:29In my modeling days, we called this the money maker.
13:33Well, now it looks like a neck spasm.
13:35Look, where is Carlos?
13:37I don't know what kind of business he's running here,
13:38but if he thinks he can pawn his clients off on his wife.
13:41No, no, no, no.
13:41We understand you've been a little unhappy,
13:44and we want you to know you've been hurt.
13:47I haven't said anything yet.
13:51Knock, knock.
13:52Mr. Sweeney, sir.
13:54Heard you were in the building.
13:55Just wanted to make sure you were being taken care of.
13:58Oh, I'm sorry.
13:58I didn't mean to interrupt.
14:00No, no.
14:01Please, interrupt, whoever you are.
14:03Jeffrey Mathers, senior account manager.
14:05I understand you have some concerns about the market.
14:08I do have three or four real-world solutions to protect your money in this economy.
14:12That is if you'd like to hear them.
14:14Actually, that's what I came in to talk about today.
14:17Well, of course it is.
14:19I was just getting to it.
14:21But it seems like Jeffrey here has a handle on things,
14:24so please join us, Jeffrey.
14:27Have a seat, sir.
14:29So, I noticed you weren't using derivatives to educate for the declines in the market.
14:37That was fun.
14:38I like Felix.
14:40I thought you were annoying when you were cheerful, but this smugness is much worse.
14:44Why would I be smug just because he called me the young you?
14:48Guess that makes you the, uh, ooh, old you.
14:54He can be a touch theatrical.
14:55I wouldn't take his praise too seriously.
14:57Oh, I would.
14:58I think this time I may have laid it on a little too thin.
15:02I have not been this excited since I discovered Andre doing caricatures at the pier.
15:08They weren't caricatures.
15:09They were images of the American grotesque.
15:11Uh-huh. And if you bought two, you got a free churro.
15:15I am not surprised he didn't tell me about you.
15:17I'm sure he saw you in his rear-view mirror gaining on him, and it scared him to death.
15:23Why would a professional like Andre be threatened by, what did you call me?
15:28A silly, bored housewife unburdened by talent.
15:32You are a housewife?
15:36I love it!
15:37You're like a sexy suburban Georgia O'Keeffe without all the pesky vaginas.
15:44I can sell the heck out of this story at my gallery.
15:49What?
15:50Oh, wait, you want to show my painting in public?
15:53Welcome to the big time!
15:55No, no, no.
15:55No, that can't happen.
15:57My dear, do you understand what an opportunity this is?
16:00Hundreds of people will see your work.
16:02I'm sorry.
16:03I'm flattered, and I thank you for your offer.
16:07But I can't.
16:12Artist.
16:15My pleasure, Frank.
16:16And I'm serious, you call me anytime.
16:18Yeah, Frank, great talking to you.
16:24Oh, thank God you got here.
16:27I was 30 seconds away from flashing him a boob.
16:29He was nothing.
16:30Carlos has done a lot for me over the years.
16:33Is he okay?
16:35Yeah, yeah, he's just got the flu.
16:38Really?
16:39Because he usually comes running the second Sweeney pops into town,
16:42and I don't think the flu would keep him away.
16:48Um...
16:49Mrs. Solis, your husband has been like a father to me.
16:52I really want to help if I can.
16:57Okay.
16:59He's been going through a rough time.
17:01And, well, he's been drinking a lot.
17:04So he's going to be staying home for the next week or two,
17:06trying to pull himself together.
17:08Poor guy.
17:10Well, don't worry.
17:11You go home and you take care of him.
17:13I'll take care of things here.
17:14Really?
17:15Just get him better.
17:16We need him back.
17:19You're a good kid.
17:21You know what?
17:21I'm telling Carlos you deserve a raise.
17:25Can you tell him when he's sober?
17:28Yeah.
17:36Lynette Scava?
17:37Yes.
17:38Wow, these are beautiful.
17:40Someone must be thinking of you.
17:41Have a good one.
17:42Thanks.
17:49Who sent flowers?
17:52Um...
17:53Just your Aunt Renee.
17:54That was nice.
17:55Right?
17:57A little unexpected, but very, very nice.
18:01Mm-hmm.
18:10Hey, honey.
18:11How was your day?
18:13Daytime TV sucks.
18:14Just a bunch of women sitting around talking about menopause and things they don't eat anymore.
18:18You did record that, right?
18:20Yes.
18:23So I had to go to the office.
18:25Took you a long time to sign the payroll.
18:27Well, it wasn't just that.
18:28People were asking where you were.
18:29So what'd you say?
18:30I told them you had the flu and you were very comfortable staying home because you had a great staff.
18:35Which you do, by the way.
18:36Yeah? Who'd you talk to?
18:37A bunch of people.
18:39Steve, Marilyn, Jeffrey...
18:40Jeffrey?
18:42Right.
18:43Guy probably started doing cartwheels as soon as you left.
18:46Why would you say that?
18:47He's a snake.
18:49You mean like a nice snake?
18:52No. Like a backstabber.
18:54His contract's up at the end of the month and I'm not keeping him on so he's trying to poach
18:58my biggest clients.
19:02Wow.
19:03What a day. I really need a drink.
19:06Hon.
19:07You threw out all the booze when I quit, remember?
19:10Oh, please. There's a bottle of Chardonnay in the tank of the guest toilet.
19:13It's like you don't know me at all.
19:17I didn't know ya.
19:21No.
19:21Well, that it's me!
19:23Go ahead!
19:25Ta-da!
19:26Oh my God, look at your hair!
19:30Do you like it?
19:31Is it permanent?
19:32No.
19:33Then I love it!
19:35Especially if it means you're finally ready to put yourself out there again!
19:38Not so much out there as back there with Tom.
19:43Oh, Lynette, stop it with that.
19:46He's moved on.
19:48Then why did he send me flowers for our anniversary?
19:51Love always, Tom.
19:53Well, I don't get it.
19:54Isn't he seen Jane?
19:55Yeah, but maybe with the anniversary coming up,
19:59he started thinking about it and wants to give it another try.
20:05What are you going to do?
20:06Well, I got Penny's keys to his apartment and...
20:10Oh, I get it.
20:12He gets home, you meet him at the door
20:14wearing nothing but whipped cream and a smile.
20:17Now, I'm going to put a bottle of scotch on his nightstand.
20:20That is our anniversary thing.
20:22He sends me flowers, I give him scotch.
20:25Oh, now I get it.
20:26You get him all liquored up and then you undress him.
20:29No, Renee, no sex.
20:31Okay, I don't get it.
20:32I was thinking maybe he sees the outfit, the hair,
20:37and he realizes I've changed.
20:39And then maybe he wants to change too.
20:43Are you sure that's what you want?
20:45All I know is we have been walking away from each other
20:48since this thing started,
20:49and this is the first time he's taken a step toward me.
20:53I think I have to take a step too.
20:56Well, you look amazing.
20:59I hope it works.
21:00Thanks.
21:01I do too.
21:02And if it doesn't,
21:03I know this really hot thing you can do
21:06with a dinner mint and a feather.
21:08No sex.
21:09How are we even friends?
21:17You're an idiot.
21:19And that's why you're not getting any coffee.
21:23Susan, hang your paintings in a gallery
21:25as a major opportunity.
21:27Listen to me.
21:28I consider myself a mentor to you.
21:31What?
21:31You have insulted and discouraged me
21:33since the day we met.
21:35What else does a mentor do?
21:38Okay, fine.
21:39You got me.
21:39I don't care about you.
21:40I care about me.
21:41You came over just to tell me that?
21:43I teach to support my painting.
21:45If one of my students does well,
21:46maybe I can teach at a better college.
21:48Like one that doesn't have a major
21:49in air conditioning repair.
21:51Look,
21:52if you taught me anything,
21:54it's that the only gallery that matters
21:56is the one in here.
21:58Was that a Tuesday
21:59because I drank at lunch on Tuesdays?
22:02I made those paintings for me.
22:04And no matter what you say,
22:05I'm not sharing them with anyone.
22:07You're scared.
22:09What?
22:10You're afraid of being judged.
22:15Yep.
22:16You're right.
22:18I'm a big old scaredy cat.
22:20Fear of rejection.
22:21Never felt good enough.
22:22Blah, blah, blah.
22:23Happy?
22:24Bye-bye.
22:34So,
22:34did you get me the paintings?
22:36No,
22:36she still won't do it.
22:38But you know what they say.
22:40Some were born great.
22:41Some achieve greatness
22:43and others have greatness thrust upon them.
22:46Looks like it's time to start thrusting.
23:00If you're spying on me,
23:01you're not very good at it.
23:03Oh,
23:04I thought I was pretty good
23:05when I followed you
23:05to the gardening store in Euclid.
23:07And that stop you made for frozen yogurt?
23:09Our little secret.
23:11Isn't stalking illegal?
23:13We cops like to call it surveillance.
23:17Stay.
23:18I'm not done with you.
23:22This guy.
23:24The one you say
23:25you don't remember seeing.
23:26You think you might remember
23:28seeing his car?
23:29His car?
23:29Yeah.
23:30A silver Ford Focus.
23:32Just like the one
23:33you and Gabby
23:34were dropping back
23:35to her aunt Shirley
23:36the day I pulled you over.
23:38What are the odds?
23:39I'm sure it's just a coincidence.
23:41You want to hear another coincidence?
23:42The missing guys
23:43from Oklahoma City.
23:45Wasn't Gabby's aunt
23:47a big fan
23:48of the Oklahoma City Red Hawks?
23:50I don't know
23:51what personality deficiency
23:52causes you to act this way
23:53but I feel compelled
23:54to inform you
23:55how utterly
23:56unattractive it makes you.
23:58Fine.
23:58You don't want
23:59to answer my questions?
24:00Maybe Gabby does.
24:02You leave Gabby out of this.
24:03Carlos has been sick.
24:05She has her hands full.
24:08I'm so sorry to hear that.
24:11I'm patient.
24:12I can talk to her later.
24:13Bree.
24:15I've been a cop
24:16for a long time.
24:18And I can always feel
24:19when I'm getting close
24:20to the truth.
24:21You want to hear
24:22a wild guess?
24:23If it would allow me
24:24to get on with my day
24:24I would be delighted.
24:26Something happened
24:26to this guy.
24:27Something bad
24:28and permanent.
24:31Now I don't think
24:32you did it
24:33but I think
24:34you know who did.
24:36It's probably
24:37one of your friends.
24:39And you
24:40being Bree
24:41are protecting them.
24:43I do protect
24:44my friends.
24:45I would do anything
24:46for them.
24:47Anything.
24:48They're the one thing
24:48in my life
24:49that have never failed me
24:50and I will never
24:51fail them.
24:52And against that
24:54you are powerless.
24:56Now I am tired
24:57of your little
24:57guesses and your games
24:58so if you want
24:59to charge me
25:00with something
25:00I suggest you
25:01take out your coughs.
25:02If not
25:03you get the hell
25:04off my street.
25:32you scum.
25:34Oh not you Mr. Sweeney.
25:35Good to see you again.
25:36Mrs. Solis.
25:37We're sort of in the middle
25:38of something here.
25:39Yeah I know.
25:39You're in the middle
25:40of stealing my husband's client
25:41while sitting at his desk
25:42in front of a photo
25:43of his wife and kids.
25:46Wait a minute.
25:47That's not me.
25:48That's me
25:49and my girlfriend
25:50in Belize
25:51with our dog.
25:52What kind of man
25:53puts his photos
25:54on another man's desk
25:55or takes his dog
25:57to Belize?
25:57I'll tell you
25:58what kind of man.
25:59The kind that shows up
25:59for meetings
26:00unlike your husband.
26:03I told you
26:03he's got the flu.
26:05Gabby
26:06I think Mr. Sweeney
26:07deserves to know the truth.
26:12Fine.
26:13I'll tell him.
26:14Carlos is a drunk.
26:15He isn't here
26:16because he drinks too much
26:17and he's unable
26:18to perform
26:18the responsibilities
26:19that come with the job.
26:21You know what?
26:22Carlos will get sober
26:23but you will always be
26:24just a low-life
26:26son of a bitch.
26:27Is this true?
26:30Yeah.
26:31I need to speak to him
26:32right now.
26:41Carlos.
26:42Carlos, wake up.
26:43Wake up.
26:43Uh-huh.
26:45Hey, babe.
26:46I was just dreaming
26:47about you.
26:48You were in that
26:48little black number.
26:50Carlos!
26:50Mr. Sweeney's here.
26:52Huh?
26:53Hello, Carlos.
26:55Mr. Sweeney.
26:56Mr. Sweeney.
26:57Yeah?
26:58In our house
26:58and I'm in pajamas
26:59covered in chips.
27:02He knows what's going on.
27:04I'm sorry.
27:09Look, I am
27:10really sorry.
27:13I had a rough
27:14couple days
27:16but
27:16I'm fine now.
27:18You can count on me.
27:20You see this?
27:2214 years sober.
27:24But there was a time
27:25when I was standing
27:26right where you're standing.
27:28The only thing
27:28that got me back together
27:29was admitting
27:30I had a problem
27:31and going to rehab.
27:33No, that's not where I am.
27:35I mean
27:37I know it looks bad
27:38but trust me
27:39I'm fine.
27:41Well, you can tell yourself that
27:43but it's time for you
27:44to make a choice.
27:45Either throw away
27:46everything you've worked for
27:48including your family
27:49or take back
27:50control of your life.
27:53Honey, I think you should go.
27:55I know a great place
27:56the place I went.
27:57I can call tomorrow
27:58and get everything
27:59set up for you.
28:06It's going to be okay, sweetie.
28:07I'm sorry.
28:39I'm sorry, I'm sorry, that waiter was totally flirting with you.
28:43He was not.
28:44Oh, please, keep asking how your potato was.
28:47I mean, look, it's a potato.
28:49How many ways can it go wrong?
28:52Jared was just being attentive.
28:54Oh, oh, now it's Jared.
28:55I didn't realize you two were on a first-name basis.
28:58You know what?
28:59I like seeing you jealous.
29:01I'm not jealous.
29:02You just spent so much time on our table, you should have split the bill with me.
29:05Jealous?
29:06Nah, Jared.
29:08Only got to bring you a potato.
29:10I...
29:11Oh!
29:13Got to bring you home.
29:16Oh, stop, stop, stop, stop, stop, I'm here.
29:18Oh, my God.
29:19Lynette, what the hell?
29:20I'm sorry.
29:21What is she doing here?
29:22Yeah, what are you doing here?
29:23I didn't think, I wasn't...
29:25I think she's on a bender.
29:26No, no, I just...
29:28What?
29:29You just what?
29:37Why don't I give you guys some privacy?
29:42As ironic as that sounds right now.
29:45I'll be at Chloe's.
29:50Please, tell me, this is the first time you have done this.
29:54I just wanted to bring you your scotch.
29:58You know?
29:58For our anniversary.
30:01Anniversary?
30:02Yes.
30:03I got the flowers you sent me.
30:06Oh, my God.
30:07What?
30:11You...
30:13Remember...
30:13Twelve years ago when I forgot our anniversary?
30:16I felt so awful I placed a standing order at the florist.
30:21I wanted to make sure you got flowers every year.
30:25Oh, God.
30:26I'm so sorry.
30:27No.
30:28No, honest mistake.
30:30It will never happen again.
30:32I am canceling it first thing tomorrow.
30:36Okay.
30:41I'm going to go.
30:48Lynette?
30:51Your hair looks nice.
31:09You made it.
31:11Oh.
31:12Felix was nice enough to invite me to the opening.
31:14It's the least I could do.
31:15Susan, that's art.
31:19Sorry.
31:23Wow.
31:25There's a lot of people here.
31:26Yep.
31:27And before the night's over, I believe they'll all be talking about you.
31:31What?
31:32I did something.
31:34And you're going to thank me for it.
31:38Oh, my God.
31:42Oh, my God.
31:43Oh, my God.
31:43Oh, my God.
31:44You're welcome.
31:46What did you do?
31:48Well, you seemed so terrified about displaying your work, I figured I'd rip off the Band-Aid for you.
31:53And see?
31:54You're a hit.
31:57Don't forget who made you.
31:58Oh.
32:11Sweetie, can I help you?
32:14Nope.
32:14Don't mind me.
32:15I'm just adjusting the...
32:21Wow.
32:23That is really stuck on good, huh?
32:25What are you doing?
32:26Andre submitted these without my consent.
32:28They were meant to be private.
32:29I really want them back.
32:31Oh, jeez.
32:32How many screws have you got in there?
32:33Stop it.
32:34The only way they're coming down is if somebody buys them.
32:39Felix, please, please give them back.
32:42No one can see these.
32:47Oh, you are clever.
32:50Creating a scene like a crazy artist.
32:53There is not a person in this room who isn't looking this way.
32:57You're a genius.
32:58No, no, I'm not a genius.
33:00I swear, I just need the paintings.
33:02Keep it up.
33:03Keep it up.
33:03I'm going to grab the photographer from the Sentinel.
33:05The crazier, the better.
33:07Oh, her mind has snapped.
33:14Oh, stupid art.
33:28Bree, it's Susan.
33:30I know we're not talking right now, but I really need you.
33:32And Gabby.
33:33And your checkbooks.
33:36Susan, this isn't art.
33:37It's an illustrated confession.
33:39It's like a kid's book.
33:41Meet Dick and Jane.
33:41See Jane kill Dick.
33:43See Jane bury Dick.
33:43Run, Jane, run.
33:45I swear I didn't know.
33:46He just took them out of the classroom and put them up.
33:48Well, we have to get them down immediately.
33:50Hello, ladies.
33:51Are you enjoying the art?
33:52Yes.
33:53So much so that we would like to buy this whole series of paintings.
33:56Then take them home with us.
33:57Immediately.
33:59Ordinarily, I would place a sticker on the work that says sold,
34:02and then I would contact you when the show's over.
34:04Yeah.
34:05Well, you heard the lady.
34:05We've got to have these paintings, and we've got to have them now.
34:07So how much?
34:08Well, if you're going to buy the whole series,
34:10I suppose I can trim a little off the price.
34:13$10,000 should cover it.
34:14$10,000 for my art?
34:17I mean, it seems a little steep.
34:19Yeah.
34:20She painted my kids a mural of monkeys playing soccer for a bottle of wine.
34:24Fine.
34:25We'll take them.
34:26Congratulations.
34:28Mrs. Delfino, you are officially sold out,
34:30thanks to this lovely lesbian couple.
34:33Oh, we're going to...
34:34You know what?
34:34This is not the type.
34:36We'll start pulling the pieces down.
34:39I'm so sorry.
34:40Tomorrow I'm back to monkeys and squirrels.
34:43You bought these?
34:44Yep, they're ours.
34:45So stop looking at them.
34:46You really have a good eye.
34:48Yes, they're so powerful.
34:51It's clearly an allegory for the bludgeoning and burying of the middle class in this country.
34:56Oh, I don't know.
34:58All I see is four women who killed a guy with a candlestick and dumped his body in the woods.
35:06But then again, what do I know about art?
35:15Chuck, you followed me here?
35:17How would he be following you?
35:19Yeah, what's going on?
35:20I'm just trying to get a little culture.
35:23Susan, you painted these?
35:26Yes.
35:27Bravo.
35:28They are amazing.
35:31I mean, this one, for example.
35:33I mean, I'm getting shivers just looking at it.
35:37And is it me?
35:39Or do those women look familiar?
35:44The short one kind of looks like you, Gabby.
35:47And there's you, Susan.
35:50And your friend Lynette.
35:52And the pretty one with the red hair.
35:54Well, who else but Brie?
35:56It's a work of art.
35:58I'm sure it's open to interpretation.
36:00No, I'm pretty certain it's you.
36:03What I can figure out is...
36:06Who's that?
36:09Susan, you painted it.
36:10You can't tell me who that dead body might represent.
36:15Brie, any theories?
36:18Maybe a certain missing person from Oklahoma?
36:22Okay, what the hell is he talking about?
36:27I am this close to putting this together.
36:30But you know what?
36:32I think I'm going to take my time.
36:35Because I want to enjoy watching the ice princess melt.
36:45Brie, what is he talking about?
36:48Alejandro.
36:49Somebody reported him missing and Chuck thinks we're connected.
36:52Oh, God.
36:53Is that why he was at your house the other day?
36:55Yes.
36:56But I asked you about that.
36:57Why didn't you tell me?
36:58Because you're going through such a hard time with Carlos.
37:00I didn't want to burn you.
37:01God, Brie.
37:02More secrets?
37:05What did you think you were doing?
37:07I was protecting you.
37:08I've been protecting all of you ever since that night.
37:11I am the one trying to keep this thing together.
37:13Yeah, well, great job.
37:27There's the woman of the hour.
37:29How do you feel?
37:31I never wanted people to see these paintings.
37:35I feel miserable.
37:42Then congratulations.
37:46You're finally an artist.
37:51Yes.
37:52There comes a time when we must expose our weaknesses.
37:59When our secrets can no longer remain private.
38:05When our solitude can no longer be denied.
38:13When our pain can no longer be ignored.
38:20But sometimes we feel so alone that a weakness we thought we'd overcome suddenly becomes too strong to fight.