- 23 hours ago
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00:02Whenever Brie Vandekamp was feeling low, she found solace in the act of baking.
00:11When her first husband passed away, she made coffee cake.
00:17When her second husband went to jail, she made sugar cookies.
00:23And when her teenage daughter got pregnant, she made creme brulee.
00:30So when Brie's best friend stopped speaking to her, she hoped that her warm cherry scones might thaw their chilly
00:39relationship.
00:43Susan!
00:56Hey, sweetie, is your mom home?
00:57Uh, no. She's at church.
01:00On a Thursday?
01:03She told you to say that, didn't she?
01:05Only if it was you.
01:06If it was the priest, I'm supposed to say she's reading to the blind.
01:16Can you stop pounding?
01:19I just put Paige down.
01:21I'm sorry, but no one will talk to me.
01:24Really? I wonder why that is.
01:26I have made a mess of things, but I want to make it up to you all.
01:30You really think you can bake your way out of this one?
01:33Of course not. It's just a peace offering, a way to begin the conversation.
01:36I have nothing to discuss with you, not after the way you and Gabby lied to me.
01:40Lynette, please understand, I was only trying to protect you, all of you.
01:43No! You were trying to control us the way you try and control everything.
01:48That's not fair.
01:50You told us that as long as we trusted each other and stuck together, everything would be fine.
01:54It will be. As long as we have our friendship, they can't do anything to us.
01:59Don't you get it?
02:00There is no us. There is no friendship. Not anymore.
02:04You're on your own.
02:06We all are.
02:12Yes, Brie had always taken comfort in baking.
02:17But when baking failed her, she took comfort in something else.
02:27In a place as peaceful as Wisteria Lane, the smallest crime can prompt a call to the police.
02:35When a neighborhood kid makes a reckless mistake.
02:40When children need to be taught a lesson.
02:46When the teenagers next door start a band.
02:52Yes, the women of Wisteria Lane were used to calling the police.
02:56What they weren't used to was having the police call them.
03:02So, what's going on?
03:04Not sure. No one's talked to us yet.
03:07Do you think we need a lawyer?
03:09I don't know. Maybe Susan can paint one for us.
03:12Lawyers won't be necessary, ladies.
03:14This is not an official investigation.
03:16It's just a casual conversation among friends.
03:19But if you want to bring lawyers into it, I can open a case file, take your fingerprints.
03:23No, no.
03:24We like the friend thing.
03:26Great.
03:27So, the first friend I'd like to talk to is Susan.
03:34Try my coffee.
03:37The guys are always complimenting me on it.
03:40Thanks.
03:41I'm trying to cut down on caffeine.
03:44Gets you all jittery and nervous.
03:45Yeah, I hate that.
03:46So, you're feeling jittery and nervous right now?
03:48What?
03:49No.
03:50No, absolutely not.
03:57Yum.
03:58My compliments.
04:03Why'd you paint those?
04:09Why?
04:09It's hard to say why artists paint what they do.
04:15Gosh, that probably sounded so artsy.
04:19No, not really.
04:21I would imagine it's even possible that the artist herself doesn't really know where she
04:26did it.
04:28Sometimes you say to yourself, where the heck did that come from?
04:33Maybe I shouldn't have eaten that pepperoni pizza before bed.
04:39Or maybe you say to yourself, I feel so guilty about what I did.
04:46I don't.
04:49Who?
04:50Who is that?
04:51The guy in your painting.
04:52The one in the grave.
04:54No.
04:56No.
04:57That came from my imagination.
05:00Bull.
05:00It's him.
05:02Ramon Sanchez.
05:03Missing person from Oklahoma.
05:06I don't know anything about that.
05:08That isn't a painting, Susan.
05:11It's a guilty conscience trying to find peace, but it never will, ever.
05:15Until you tell the truth.
05:20So, you've never seen this guy before?
05:22You already asked me that, and I told you.
05:25No.
05:26You know, something like that, you'd have made a good cop.
05:28You know how to stay cool, keep your emotions in check.
05:33Listen to me.
05:36You women are good people, I know that.
05:38But you're obviously covering something up.
05:40Now, forget about me being a cop, okay?
05:42Let me tell you something as a friend.
05:43A jury will forgive a lot when they understand why something happened.
05:47But first, you have to stop lying.
05:50I'm not lying.
05:53How much more of a toll are you going to let this thing take on you?
05:56What does that mean?
05:57It means that whatever it is you've done, it's clearly the reason your husband walked out on you.
06:05Sorry.
06:06But you said to forget you were a cop.
06:10Ah, look at that.
06:12What happened to keeping your cool?
06:20Recognize him?
06:21Sorry.
06:23You want to look at it for two seconds before you answer?
06:28I got nothing.
06:29Can I go?
06:30He's a person, Gabby.
06:31He's two kids.
06:32Not much older than yours.
06:34Two girls who may never see their daddy again.
06:40I don't know him.
06:42Now may I leave.
06:43I have a lot of things to do.
06:45Oh, yeah?
06:46Like what?
06:48Visiting your husband in rehab?
06:50I heard about his drinking.
06:51I'm sorry.
06:54Yeah.
06:54Well, the good news is, looks like we nipped it in the bud.
06:58Oh, it's a new problem.
06:59Yeah, why?
07:00Usually there's a trigger when somebody starts abusing alcohol out of the blue.
07:05Anything come to mind?
07:06Anything stressful?
07:11He...
07:11You had an affair.
07:13Carlos?
07:15It's hard to believe.
07:16I know, right?
07:17I mean, who would cheat on this?
07:19I meant because he seems like such a good man.
07:22Well, he's not.
07:23He's a cad.
07:24Philandering S.O.B.
07:25But I love him.
07:27So, if I go there tomorrow and ask Carlos that same question,
07:33he'd give me the same answer?
07:36You bet.
07:37Great.
07:39I might just do that.
07:47I'll have another, please.
07:50Okay.
07:53You got a friend who can drive you home?
07:57No.
07:58Turns out I'm friendless at the moment.
08:00Don't worry.
08:01I'll take a taxi.
08:12You ladies sound like you're having fun.
08:14What's the occasion?
08:16Just, you know, girls' night out.
08:18Let the kids and the husbands at home.
08:20Woo-hoo.
08:20I'll drink to that.
08:21Yeah.
08:22Hey, mention that, sister.
08:23I mean, who needs families when we've got girlfriends?
08:25Am I right?
08:27I'm sorry.
08:28Who are you?
08:29Oh, where are my manners, Bree Van DeCamp?
08:33I heard you all carrying on, and, well,
08:36I've been feeling a little disconnected lately,
08:38and I thought, Bree, a little human contact is just what you need.
08:42Uh, yeah.
08:43Kelly just had a baby, and we haven't seen each other for a while,
08:46so we were hoping...
08:47Baby, oh, that's wonderful.
08:49Well, we need to celebrate.
08:51Bottle of champagne?
08:52It's on me.
08:55So, how do we all know each other?
08:58Well, these two I know from college,
09:00and you I know from randomly sitting down at our table.
09:07God, I miss this.
09:11And then one day, you wake up and you realize you've got nothing.
09:16Nothing.
09:17Your children abandoned you.
09:20Even the gay one.
09:21I mean, aren't gay men supposed to be obsessed with their mothers?
09:24As far as relationships go, forget it.
09:27Two of them left me.
09:29Three of them are dead.
09:30And all of this I could bear as long as I had my girlfriends.
09:33But now they've abandoned me, too.
09:37Everything I touch.
09:39Everything I love.
09:43Well, on that note, I think I'll call it a night.
09:46Same here.
09:46Wait, it's barely midnight.
09:48Awfully early for four single gals like us.
09:51We're all married.
09:53You don't have to rub it in, Lynette.
09:54Stop calling me Lynette.
09:55It's really creeping me out.
09:57Wait, I've got an idea.
09:59Why don't you all come back to my place and we can have a sleepover?
10:02Good night.
10:03No, no, please.
10:05Please come home with me.
10:06I have a really big house with lots of empty rooms and...
10:13Okay, lady.
10:14You want me to call you your cab yet?
10:15No.
10:17I'm just going to finish Lynette's champagne.
10:30Ben.
10:31Hello.
10:33How you feeling?
10:34Fine.
10:36Why do you ask?
10:37You don't remember last night, do you?
10:39Of course I do.
10:41Really?
10:41What do you remember?
10:43I went out to dinner with a few girlfriends, came home and went to bed.
10:47Uh, close.
10:49You knocked on my door at two in the morning to borrow money
10:52because the cab driver wouldn't take the fried zucchini you had in your purse.
10:56Then you cursed at me for not making your pancakes
10:58before you stumbled back to your house.
11:09How long have you been off the wagon?
11:10A few days.
11:12I'd appreciate it if you wouldn't tell anyone.
11:14It's just a temporary relapse.
11:17I'll get it under control.
11:20Isolating yourself is only going to make matters worse.
11:24You've got a great group of friends.
11:26Reach out to them.
11:27I can't.
11:28We're not on speaking terms right now.
11:30Well, I'm sure you can fix that.
11:32I tried.
11:34But they all seem to hate me.
11:37My recommendation?
11:39Start with the one who hates you the least.
11:48Oh, not ready for that.
11:51It's a beautiful day.
11:53I'd hate for you to waste another one with a hangover.
11:56Thank you, Ben.
12:12I know Chuck could tell I was lying.
12:15I always do that thing when I lie.
12:18What thing?
12:19Oh, like I'm going to tell you.
12:22You have no idea how terrifying it was.
12:24Look, have a drink.
12:26It'll calm you down.
12:27I don't want a drink.
12:29Really?
12:29Of course I want a drink.
12:30See?
12:31I'm a terrible liar.
12:33Look, if Chuck had something concrete, we'd know.
12:36I'm sure he's just fishing.
12:39He's not going to let up.
12:40He is just waiting to, like, crack.
12:43Honey, you're panicking over nothing.
12:44The body's gone.
12:45Chuck doesn't have a case without it.
12:48Now, the only way this thing blows up is if somebody talks.
12:51Are you not listening to me?
12:52I talk.
12:53Me.
12:54I'm the one who's going to send us away.
12:58We need to get out of town just for a few weeks until Chuck finds someone else to focus on.
13:04Not only would that look incredibly suspicious, we don't have the kind of money to do something like that.
13:08Okay, money.
13:10We need money?
13:12We can have a garage sale.
13:13Grab some chairs.
13:14I'll put up some flyers.
13:15Trust me.
13:17We're going to stay here.
13:18And everything is going to be fine.
13:21Wow.
13:23You're an even worse liar than I am.
13:32Hello.
13:33Excuse me.
13:34Hello.
13:35Someone is never going to finish the help.
13:37What can I do for you?
13:38I need to speak with my husband, Carlos Solis.
13:40Is it an emergency?
13:42No.
13:43I just need to tell him something.
13:45Then I can't allow you.
13:46Mr. Solis is still on restricted access.
13:48What does that mean?
13:49First week after admission, no visitors, cell phones or emails.
13:52No distractions.
13:53We only want our patients to focus on getting better.
13:55Okay, but I really need to talk to him.
13:57I'm sorry.
13:58Those are the rules.
14:02Well, rules are made to be broken.
14:05I'm sure there's a no boobs on the counter rule, too.
14:09Seriously.
14:12Male nurse.
14:15Right.
14:17You can come back on Tuesday.
14:20I love you.
14:21It's all my fault.
14:22It wasn't your fault.
14:22It wasn't mine.
14:23I was never around.
14:24Kid didn't have a role model.
14:25They're going to take care of me here.
14:26You don't need this place.
14:27I told you.
14:27I don't have a problem.
14:28Come on, Donnie.
14:29We called.
14:30Admissions is right through that door.
14:32Come on.
14:32It's going to be all right.
14:36We should have seen this coming.
14:40Debbie, we're only doing this because we love you.
14:43Such a tragedy.
14:45So much potential.
14:47All right.
14:47Got to go.
14:51Excuse me.
14:52Where are you supposed to be?
14:54Oh, I'm with them.
14:55The Manzinis.
14:56If you're with the family, you need to stay for group counseling.
14:59Oh, I don't think I have much to contribute.
15:01It's vital.
15:02This way.
15:07Come on, Tom.
15:09I know you're there.
15:10Come on.
15:13Fine.
15:13I'll get in another way and pound on your door until you open up.
15:17Yes?
15:18Hola.
15:19My name is Maria.
15:20I forgot the keys to Mr. Tom's casa.
15:23Could you let me in, por favor?
15:25There's no Mr. Tom here.
15:27You have the wrong apartment.
15:28No.
15:29I am doing the cleaning for Mr. Tom.
15:33Wow.
15:34Impersonating a maid stereotype.
15:36Pathetic much?
15:37Oh, Chloe, look.
15:39I know your mother and my husband are leaving for Paris.
15:41I just need to talk to Tom for five minutes before they head to the airport.
15:44They left an hour ago.
15:46Who's there?
15:47I got it, Miss Schoenfield.
15:48This is Miss Schoenfield.
15:50Do you know what flight they're taking?
15:51It's really important I talk with Tom.
15:53He's not picking up his phone.
15:54Geez.
15:55Stalk much?
15:56Come on.
15:57Come on.
15:57I'm not a stalker.
15:58Seriously?
15:59My mom told me you were hiding under his bed while they were in it.
16:03So I'm certainly not going to help you sabotage her trip to Paris.
16:06Listen to me.
16:06Something happened yesterday.
16:08And I can't go into it.
16:10But Tom needs to be here.
16:11Not for me.
16:12For the kids.
16:13Please.
16:13Please.
16:17Fine.
16:18I've got their flight information upstairs.
16:22It's clear Jimmy feels conflicted about whether or not he belongs in rehab.
16:26But his loved ones, all of you in this room, are here because you care deeply about helping him.
16:31So let's start by sharing with Jimmy the ways his drinking has impacted your lives.
16:36Mrs. Manzani, go ahead.
16:39Well, actually, can I go first?
16:40I have somewhere I need to be.
16:45Who are you?
16:46I thought she worked here.
16:48No, no, no.
16:49I am his girlfriend.
16:51Ex-girlfriend.
16:53You know, since all the problems started.
16:54Girlfriend?
16:56Another thing you didn't tell us about.
16:58She's not my girlfriend.
16:59I've never seen her before.
17:05Yeah, that's the problem right there.
17:07You know, how can you have a relationship when your boyfriend drinks and doesn't even remember you?
17:11Why are you wearing a wedding ring?
17:14Oh, because I moved on.
17:16That's right, Jimmy, you had to hear it.
17:18I seriously had you for a girlfriend.
17:20You are smoking hot.
17:22Yeah, I am.
17:24Oh, my God.
17:25I do have a problem.
17:26I was with someone like you.
17:27I don't even remember it.
17:29Mom, Pop, I want to get better.
17:33Oh, Jimmy!
17:34That's the spirit, Jimmy.
17:36Now, there's a lot of people in here just like you who can help you.
17:39Like Jason Kerwitz and Peter Morton and Carlos Delis from 247.
17:45Okay, good luck.
17:53Hey.
17:55Gabby, what are you doing here?
17:57Are the kids okay?
17:58Yeah, the kids are fine.
17:59I just needed to talk to you.
18:01What's this?
18:02You don't lift your finger at home, but here you vacuum?
18:04This is my group task.
18:06Recovery here is based on two core principles, responsibility and total honesty.
18:10Okay, great.
18:11Come in here.
18:12I need to talk to you about a lie.
18:15So when Chuck asks what made you start drinking, and I'm guessing he will, say you cheated on me.
18:20With who?
18:21It doesn't matter.
18:22It's someone ugly.
18:23Don't go overboard.
18:25So, Chuck saw Susan's paintings.
18:27He's questioned each of you, and you think this one lie is going to throw him off.
18:30He's got nothing else.
18:31Gabby, let me tell you something about cops.
18:33What you think he knows is about one-tenth of what he does know.
18:38We've got to stop this guy.
18:40God, this is a hell of a time for me to be stuck in here.
18:43No, honey.
18:43Hey, hey.
18:44It's going to be fine, okay?
18:45You just focus on getting better.
18:48I'll try.
18:49Okay.
18:50Well, I should get out of here before they find me.
18:53Tell the girls I miss him.
18:55They miss you, too.
19:03Mr. Bergman, hi.
19:04Remember me?
19:05Remember you, Susan Delfino.
19:07You sold five paintings 20 minutes into your first art show.
19:11You are my prodigy.
19:13Are you here to revel in your glory?
19:16Actually, no.
19:17See, I'm kind of in a rough spot right now.
19:21Oh, dear.
19:22You seem a bit agitated.
19:24You're not considering jumping off a bridge, are you?
19:27But if you are, could you please leave behind a large body of work for me to sell?
19:32Oh, no, it's just, um, I need the money from my paintings, please.
19:40Oh, I just started on the paperwork.
19:42You should receive a check in four to six weeks.
19:45No, no, no.
19:46I need it now.
19:48I, um, I have to get out of town for a while.
19:52Oh, my housewife just got even more interesting.
19:57Are you a junkie?
19:58Gambler?
19:59Are you on the run from the mob?
20:02I can't tell you what it is.
20:04I just really need that money.
20:05Well, here's the thing.
20:07Um, I am having a teensy bit of a cash flow problem.
20:11But I assure you, eight to ten weeks...
20:14I thought you said four to six.
20:16Okay, not so teensy.
20:17Mr. Bergman, I wouldn't ask if it wasn't really important.
20:21No, I will see what I can do.
20:23But no promises.
20:25My mysterious little housewife.
20:33That's nice.
20:34What's that for?
20:36Oh, you're right.
20:37A hug should be for something.
20:39Like the one I saw you giving Brie this morning.
20:41What was that for?
20:42Oh, no, it was nothing.
20:45Oh, so you're just going door to door giving hugs?
20:47What is that, an Australian thing?
20:48Look, there is nothing between me and Brie.
20:52It's just going through something right now.
20:55I was a shoulder to cry on.
20:58As long as that shoulder isn't a gateway body part.
21:04Oh, I'm sorry to interrupt.
21:06I only need a minute.
21:07I just have to ask you a couple questions about your girlfriend.
21:11So ask me.
21:12I'm standing right here.
21:14Not you, Brie.
21:17It's funny.
21:18We were just talking about your girlfriend, Brie.
21:21Goodbye.
21:22Briney.
21:26What the hell did you do that for?
21:27I don't know.
21:28Just trying to make your life miserable.
21:30Oh, and I got more.
21:32I'm tracking down a missing person.
21:33It turns out his last phone signal came from somewhere on your construction site.
21:38I don't know anything about that.
21:39Doesn't matter.
21:40Still a great reason to shut you down.
21:43How long?
21:44Two weeks.
21:45Maybe a month.
21:46I don't know.
21:47Oh, let me guess.
21:48As long as it takes for me to lose my investment.
21:50Yeah.
21:51That sounds about right.
21:54You're not getting on that property without a warrant.
21:59Oh, jeez.
22:00Where would a detective get one of those?
22:05See you Monday.
22:08See you Monday.
22:16Oh, my God.
22:17This tastes so good.
22:18I know.
22:19Reminds me of the first time when I never flew first class.
22:22We had been so used to traveling coached.
22:24Tom.
22:25Yeah?
22:26Please don't take this the wrong way, but...
22:29You're on a romantic trip with your girlfriend.
22:32Do you think it could just stay the two of us?
22:35I'm sorry.
22:37Old habits.
22:39That is the last time you will hear of Lynette.
22:46To Paris.
22:47I'm sorry.
22:51Oh.
22:52God.
22:52Stay close with that, Mom.
22:54Flight 502 to Paris will be boarding in time.
22:57I'm going to run to the men's room.
22:58It's a long flight.
22:59And airplane bathrooms?
23:01Freak me out.
23:01Well, there goes one fantasy.
23:14What the hell are you doing here?
23:16I need to talk to you.
23:17I can't believe you.
23:18You think I want to chase you down in an airport men's room?
23:20Now listen to me.
23:21I can only breathe through my mouth for a few minutes.
23:23Well, you can save your breath.
23:26Because I am going...
23:29I am going to Paris with Jane.
23:31And I am sorry if you're having a hard time with it.
23:33This isn't about you and Jane.
23:35Look, see?
23:35Good with it.
23:36Okay?
23:36Okay, good.
23:37Then why are you here?
23:40Because you can't go to Paris.
23:42Not now.
23:43Okay, I'm confused.
23:44You don't care if I go to Paris with Jane,
23:46but you tell me I can't go to Paris with Jane.
23:47I'm sorry.
23:47I have to tell you something,
23:48but it's just really hard to say.
23:50I'm sorry, but my plane is boarding.
23:51I have to go.
23:53I'm an accessory to murder.
24:04Here, let me help you with this.
24:06I think you've helped enough.
24:09Gabby, please.
24:10I can't stand this anymore.
24:11Can't we talk for a minute?
24:12To be honest,
24:13after what Chuck put me through,
24:14I'm kind of tucked out.
24:15Wait, what do you mean?
24:17He interrogated us.
24:18Me, Lynette, and Susan.
24:19He called us down to the station
24:21and grilled us one by one.
24:22Why didn't he call me down there?
24:24Good question,
24:24given this whole thing is about you.
24:26What are you talking about?
24:27He wants revenge.
24:29He wants to bring you down,
24:30and we're all going to go down with you.
24:32Gabby, please.
24:33I will figure out a way to make things better.
24:35No, you won't.
24:36This isn't going to stop until Chuck is stopped.
24:47Say something.
24:49Why didn't you tell me this?
24:50I wanted to a hundred times,
24:52but we weren't together anymore,
24:53and it seemed wrong to drag you into it.
24:57Tom, plan's boarding.
25:02You've got to be kidding me.
25:03Jane, I'm sorry.
25:05I know what this must look like.
25:06Really?
25:08You know what it looks like
25:09to walk into a men's room
25:11and find your boyfriend's ex
25:12chatting him up before your flight to Paris?
25:14It's not like that.
25:15Oh, of course not.
25:17I'm the crazy one.
25:18You two rendezvousing in an airport toilet.
25:21I'm the nut job.
25:22She's hiding under your bed.
25:23Jane's the one who needs to be sedated.
25:25Tom, I really can't deal with this right now.
25:27Can we just go?
25:36You are not doing this to me right now.
25:41We will go at the end of this month.
25:44I promise.
25:54Jane, Jane, it's really not Tom's fault.
26:01Tom?
26:03Honey?
26:04You know what she's doing, right?
26:06You give in here, now.
26:08It'll never stop.
26:11I am so sorry.
26:14There are extenuating circumstances.
26:17Okay.
26:18Then tell me.
26:19Tell me what they are.
26:21I think I at least deserve that.
26:39I'm so sorry.
26:53When I don't, just don't talk.
27:09Oh, my God, you brought it.
27:11Now, before I give it to you, oh, well, that never works.
27:14What I was going to say, I have a little proposition for you.
27:19Oh, calm down.
27:20It's not sex.
27:22Dang it.
27:24I believe you have that certain something that makes a great artist.
27:28Maybe it's talent.
27:30Maybe it's mental illness.
27:32All I heard was great artist.
27:33Keep going.
27:34Fairview is not the fertile ground required for you to grow.
27:39I think we need to move your skinny little tush to New York City.
27:43Move?
27:44No.
27:45I just need to get away for a few weeks.
27:47I'll set you up in an apartment.
27:48You paint.
27:50I'll take 50% of whatever I sell.
27:52But let's not get bogged down in how the sausage gets made.
27:56What about my family?
27:57My son is in the middle of third grade.
28:00New York has the best private schools in the world.
28:02He can wear a little blazer to school.
28:05Heck, if he can fit into a child's medium, I can loan him one of mine.
28:10Oh, I never really thought about moving before.
28:15Well, what is keeping you here?
28:22Yeah, not much.
28:24Okay, think it over.
28:26But if you turn me down, then I'll know it's mental illness.
28:42I want to offer you a deal.
28:44A deal?
28:45Really?
28:47Terms?
28:48Whatever I've done, or whatever it is you think I've done, you write it up and I'll sign a confession.
28:56In exchange for...
28:57You leave my friends out of it.
29:00Oh, darn.
29:01I was actually interested there for a minute.
29:02What do you hope to gain by harassing my friends?
29:05What do you want?
29:06This?
29:08You in pain.
29:09You see?
29:11I could never figure out a way to hurt you the way you hurt me.
29:15If you had any idea how much I'm hurting already.
29:18It's not enough.
29:19You know why?
29:19Because you're too resilient.
29:21Husbands die.
29:22Kids leave.
29:22Businesses collapse.
29:23And Brie always bounces back.
29:25But threaten her friends.
29:27Ouch.
29:29Please.
29:30You're talking about the people I love.
29:33They're my whole world.
29:34I have nothing else.
29:37You have nothing else.
29:40It's a bad position to make a deal from.
29:46Sorry.
29:50Hey, you remember that deal I wanted to make with you?
29:54You marry me and I take care of you for the rest of your life.
29:59Maybe you should have taken it.
30:17Hey, you're old and pretty much housebound.
30:20Have you noticed if Ben's been entertaining a lot lately?
30:24This is what I get from that having a pit bull.
30:27I think he's cheating on me.
30:29Ben?
30:29No, he seems like a great guy.
30:32My ex was a great guy, too.
30:33Ask any stripper in New York City.
30:35Oh, my God.
30:36I cannot go through that again.
30:38I just can't.
30:40Renee, I may not be your biggest fan or even like you.
30:44But there's one thing no one can argue with.
30:46You are hot.
30:49Pardon?
30:50Look at you.
30:51You're a knockout.
30:53Those gams, those curves, that killer smile.
30:56Basically, you're me 35 years ago.
30:59So this is my future.
31:02The point is, whoever this woman is, she can't hold a candle to you.
31:06Oh, thank you, Karen.
31:09Now, go out there and fight for your man.
31:11You're right.
31:12Tonight, I will throw on a little nothing and make a house call.
31:16You had a girl.
31:20You know what?
31:21I wish I'd known you 35 years ago.
31:24We would have made a hell of a team.
31:25Hey, we still can if the Aussie's into it.
31:32Stop packing.
31:33We're not moving.
31:34Don't you see how great this is?
31:35Living in New York, getting paid to paint.
31:38It's an amazing opportunity.
31:39To uproot our family and move somewhere we've never lived before?
31:42So we'll go for a few weeks and see how we like it.
31:45Susan, you do know that if Chuck wants to take you down, moving to New York's not going
31:48to stop him.
31:49I know that.
31:51Well, then why would you want to give up the life we have here, after all this time?
31:54Because it's different.
31:57Before, all I had to do was look out that window and I'd see a true friend.
32:02Someone who would do anything for me or my family.
32:04But now, it's all gone.
32:08You think you're going to find that somewhere else?
32:11You're just running.
32:12Okay, so I'm running.
32:15Mike, if I get caught, I could go away for a lot of years.
32:19So in the meantime, why not try to live the life I've dreamed of?
32:24It's not my dream.
32:26If this is something that you need to do, you're on your own.
32:39Hello, Gabby.
32:40Is this a bad time?
32:42Chuck, I have two daughters under 13.
32:44It's always a bad time.
32:45Yeah, why don't you just step outside here for a second?
32:54So, did you talk to Carlos?
32:55Carlos, he's obviously ashamed of his affair, the whoremonger.
32:58But at least he's honest about it.
33:01No, I wound up taking a different angle on the investigation.
33:04Actually, you were the reason for that.
33:06Me?
33:07What do you mean?
33:09You remember when we were talking about this guy?
33:13Vaguely.
33:14I remember it vividly.
33:16Because it was the oddest thing.
33:17You see, when Susan saw this picture, she nearly passed out.
33:20And when Lynette saw it, she willed herself into not reacting.
33:25But you, you smirked.
33:33That's crazy.
33:34Why would I do that?
33:35Same question I asked myself.
33:37So, I started doing some digging into your background.
33:40Turns out, Ramon Sanchez, formerly of Oklahoma, is actually Alejandro Perez, your stepfather.
33:55And you never mentioned it.
33:58Oh, come on, Chuck.
33:59You get him and see you, who...
34:01At this point, I don't think you should say anything without a lawyer present.
34:05Wait, am I under arrest?
34:07Not yet.
34:08But based on this, I have to start an official case file.
34:11I'm going to need you to come down to headquarters for an interview.
34:13Be there tomorrow at 10.
34:18And, Gabby, if you don't, I'll send a squad car to get you.
34:37Hi, I need to speak with Carlos Solis immediately.
34:39I'm sorry, but Mr. Solis...
34:40I know, I know, you have that annoying no-contact policy, but this is an emergency.
34:43Mr. Solis isn't here. He checked himself out two hours ago.
34:46What? Why didn't you stop him?
34:48He was not in the mood to be stopped.
34:56Ben!
34:57Are you in there?
34:59I'm wearing leather, and I'm getting cold.
35:03Ben!
35:09Ben!
35:42Brie, no need to call me back.
35:44Just wanted to let you know that my unofficial investigation is about to go official.
35:48Be at the station tomorrow morning at 10.
35:50Bring a lawyer.
35:53Fuck!
36:03Just when my friends needed each other most, they found themselves utterly alone.
36:11One with the frantic need to find her husband.
36:16One with the consequences of revealing a painful secret.
36:23And one with the feeling that she simply no longer belonged.
36:31But for one of my friends, the sense of isolation was so complete...
36:37There you go.
36:38...there might be no escaping it.
36:41Carnival breakfast runs till 10.30, but the good stuff's gone by 8.
36:44Oh, I don't think I'll be having breakfast, thank you.
36:48Suit yourself.
37:18Do you remember how wonderful things used to be on the light?
37:26I had the perfect life.
37:30Doctor husband.
37:32Two beautiful children.
37:36Oh, and such dear friends.
37:41What happened?
37:43How did I lose it all?
37:47Things change, Brie.
37:51I'm so unhappy.
38:01Are you happy now?
38:06I'm not unhappy.
38:13I'm happy.
38:14I'm happy now.
38:24I'm happy now.
38:24I'm happy now.
38:26I'm happy now.
38:26I'm happy now.
38:29I'm happy now.
38:30I'm happy now.
38:30I'm happy now.
38:31I'm happy now.
38:31I'm happy now.