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00:03:01...y me voy a ir a la vez que me quedó en la cabeza...
00:03:04...fretiendo a foreclosar el mordaje cada vez que me sees.
00:03:07¡Oh, gracias, lo he cleaned up!
00:03:10...23.5% semanalmente semanalmente.
00:03:17Buenas tardes, ¿no?
00:03:19Sí, sí. ¿Por qué no?
00:03:21Soy Winnie Lydon, de Springfield.
00:03:23Me dijo que esto era un auténtico colonial tavern.
00:03:26Authentic.
00:03:27It rightfully belongs in a museum, with everything in it.
00:03:31Really?
00:03:32This is Professor Nathaniel Billings.
00:03:34Doctor of Biochemistry, Century College.
00:03:38Before it went under.
00:03:40What an adorable old cheese press.
00:03:43Yes, yes.
00:03:45And a pilgrim's table.
00:03:48Hand-hewn beams.
00:03:52Warped floors.
00:03:56Wouldn't you like to see some of the other rooms?
00:03:58Oh, everything.
00:03:59I know it isn't very business-like to say this,
00:04:02...but it's exactly what I've been looking for.
00:04:05It'll make the darlingest hotel.
00:04:08Oh, I'm so sorry.
00:04:10Are you hurt?
00:04:11Isn't this wonderful?
00:04:13Worm-eating steps.
00:04:15Yes, yes.
00:04:19Last of all, the old barn.
00:04:21They say it came over on the Mayflower.
00:04:28Ebenezer!
00:04:29You home?
00:04:31Yep.
00:04:32Oh, do you mind if we show the place?
00:04:34No.
00:04:35Does he go with it?
00:04:36No, I go with the professor.
00:04:39Ah, Ebenezer and Amelia have been devoted to me for years.
00:04:42If we ever get a few extra dollars together, Amelia wants to raise chickens and Ebenezer pigs to keep me
00:04:49in my old age.
00:04:50The only difference is, I got pigs.
00:04:55Oh, I think that's sweet.
00:04:59Shall we go back to the house?
00:05:01Bye.
00:05:02Goodbye.
00:05:07Oh, Professor, I'm gonna buy it.
00:05:10Good, good.
00:05:11Oh, I'm afraid there's just one little catch.
00:05:14Oh, I haven't too much money.
00:05:15Oh, my dear child, it isn't that.
00:05:17All I'd need would be enough to pay off the mortgage.
00:05:20But, but you see, all my laboratory apparatus is installed in the basement and I must finish my experiment.
00:05:27Oh, of course.
00:05:28Then you wouldn't mind?
00:05:29I'd be delighted to have you.
00:05:30There's plenty of room for you and Amelia and Ebenezer too.
00:05:34Oh, good.
00:05:35And we'll be delighted to live here with you.
00:05:39Amelia, you phone Dr. Lawrence and say I'd like to see him immediately.
00:05:45Don't you tell him it's about the mortgage.
00:05:47I want to do that.
00:05:49Professor, if you don't mind, what is your experiment?
00:05:52Oh, my dear child, I'm afraid it's completely beyond expressing in words that you could comprehend.
00:05:58Oh, I know that, but generally.
00:06:00Well, I'm merely toying with a few physiodynamics, shaking the unshakable laws of existence, so to speak, and, gracious, the
00:06:11apple.
00:06:12Amelia, where did you put that apple?
00:06:17Oh, where do you suppose it would be, Professor?
00:06:20Ah.
00:06:20You're not going to eat it between meals.
00:06:22Why, I'm surprised at you.
00:06:24It's for the gentleman downstairs.
00:06:26Gentlemen, just a common rug peddler.
00:06:28It's beyond me, Howard Billings, and a professor at that can associate with such riffraff.
00:06:34Amelia, this riffraff, as you call him, is really the salt of the earth.
00:06:38All he needs is to be iodized.
00:06:42Oh, Miss, the sordid business details can be arranged with Amelia.
00:06:47And if the cost of the mortgage is a trifle high, don't you worry about it.
00:06:51We can always sell a little of the furniture.
00:06:55Ah!
00:06:56Isn't he a dear?
00:06:57You don't know how good he is.
00:07:00Even when he was a baby, he never cried.
00:07:03Not even when we dropped him.
00:07:12There's your apple, Mr. Johnson.
00:07:14I'm so sorry to have kept you waiting.
00:07:17Oh, that's okay, mister.
00:07:18I can do a little favor for a guy that buys all my Navajo blankets.
00:07:21But they're beautiful, Mr. Johnson.
00:07:24Now, if you're all ready.
00:07:26Yeah, let her fly, mister.
00:07:28Is it okay if I keep on eating?
00:07:29Of course.
00:07:30Now, be perfectly at ease.
00:07:32O-o-oh, yes.
00:07:41No.
00:07:47Yes.
00:07:55No.
00:07:56No.
00:07:57Yes.
00:07:58No, no.
00:08:00No.
00:08:00No, no.
00:08:01No, no, no.
00:08:01No, no.
00:08:02You were trying to interrupt him, you were trying to, you were trying to, you were trying to
00:08:15¡Suscríbete al canal!
00:08:32Dear, dear, dear, I wonder what could have gone wrong this time.
00:08:42No wonder. The rays were deflected.
00:09:13Dr. Lawrence is here, Professor.
00:09:16I'll be right up.
00:09:22Don't you sit down, doctor?
00:09:24Amelia, thank you. I'm honored to welcome you to our humble village.
00:09:28Oh, thank you, doctor.
00:09:30And, uh, if you ever need anything like, uh, medical attention or fire insurance or marriage performed or a loan,
00:09:39perhaps, huh?
00:09:40Shall we be delighted to oblige?
00:09:42Doesn't anybody else do anything in Jenksville?
00:09:44Huh? Oh, they, they vote once a year.
00:09:49Ah, doctor.
00:09:50Professor.
00:09:52I have some very good news for you.
00:09:54Really?
00:09:55Now, guess what.
00:09:56Oh, I don't know.
00:09:57Go ahead. Guess.
00:09:58Do I look like a quiz kid?
00:10:00It is an indescribable pleasure to inform you, sir, that I'm about to pay off the mortgage.
00:10:06And it'll be an indescribable pleasure to me, sir, if that means you have to discontinue your mysterious activities in
00:10:12that basement.
00:10:13That, sir, is beyond discussion.
00:10:16Have you brought the filthy thing with you?
00:10:18What filthy thing?
00:10:19The mortgage, the leech you placed upon my neck.
00:10:23Oh, the leech, yeah, I have to.
00:10:25Twenty-three percent.
00:10:27Please, Amelia, you are giving Miss Slade no wrong impression about me.
00:10:30I'm only charging him so high because for years, in my capacity as health officer, I've been trying to put
00:10:36an end to those, uh, shall we say, cheap quackeries.
00:10:40Quackery, sir?
00:10:41Yes, sir. To a scientist like me, the word is charlatan.
00:10:44Don't you dare talk to the professor.
00:10:45Why not?
00:10:46Oh, Chad, everyone around this town knows that you made your fortune in charcoal hair a story.
00:10:51What's wrong with that?
00:10:53Where is the hair follicle that can resist 2,000 international units of vitamin A, huh?
00:10:59Where is it?
00:11:00Right there, hmm?
00:11:02Oh, the hardening of the scalp.
00:11:03My dear sir.
00:11:04Oh, and now, gentlemen, all we want to do is to settle a little business matter.
00:11:07I'll get the deed.
00:11:09Where's my purse?
00:11:10And an ink and pen, please.
00:11:24Now, here are the documents.
00:11:25Mm-hmm.
00:11:26I don't have a checking account.
00:11:27Well, cash do.
00:11:28Hmm?
00:11:30Oh, you are a child, aren't you?
00:11:34Mm-hmm.
00:11:42Out of sheer calendar.
00:11:44Mm-hmm.
00:11:48Come in.
00:11:54Winnie, for Pete's sake, where have you been?
00:11:57And I follow you all over New England like a wild man.
00:11:59I've got antiquitis.
00:12:00I'm going off my nuts.
00:12:01Oh, don't mind him.
00:12:02I divorced him last year for mental cruelty.
00:12:05And I'm not going to stand here and let your browbeat me now.
00:12:07Look, Winnie, I've been drafted.
00:12:09I'm in the army.
00:12:10Well, that's wonderful.
00:12:11What are you doing here?
00:12:12I've got 10 days off to straighten out my affairs,
00:12:14and the first thing I'm going to straighten out is you.
00:12:17Who are these people, sir?
00:12:18Don't call them people.
00:12:20Come on, let's get out of this rat hole.
00:12:22Oh, no.
00:12:23And it's not a rat hole.
00:12:25I, I exterminated every one of them.
00:12:27You, you didn't buy it.
00:12:29What if I did?
00:12:31Ah.
00:12:31Oh, it's nice of you, Bill, to think of me, but...
00:12:34Winnie, ever since you divorced me,
00:12:35I keep telling myself over and over,
00:12:37isn't it enough she kept me broke all my life?
00:12:39Why not let her give all her clothes away to phony beggars?
00:12:42Let her buy every piece of old junk she can lay her hands on.
00:12:45Let her get herself into jam after jam, but...
00:12:47No, it's no use.
00:12:49It's driving me wacky.
00:12:50Winnie, did you have to throw all your money away on this dump?
00:12:53You're just way ahead of yourself this time, Mr. Practical One.
00:12:56I'll show you I can be just as good at running a hotel
00:12:58as you were at running your swanky Somerset house.
00:13:01Well, I can turn this dump into the cutest, darlingest,
00:13:04little colonial inn you ever saw,
00:13:05and just fill it with tourists, too.
00:13:08Tourists?
00:13:09With no railroads?
00:13:10With tire and gas rationing?
00:13:12How do you expect the people to find us this...
00:13:14The...
00:13:14Hmm?
00:13:17You...
00:13:18You haven't bought it yet?
00:13:21Yes, she has.
00:13:2325 cents notary fee, please.
00:13:25Well, you...
00:13:25You hide behind this, sir!
00:13:26I beg your pardon, thank you.
00:13:28And this is yours, Professor?
00:13:30Well, of all the...
00:13:30How have you got the nerve to swingle this child out of her?
00:13:33Please!
00:13:36Ah, this is a momentous occasion.
00:13:45Success to you, my child.
00:13:48And while we're here, I'll help.
00:13:50I'll clean.
00:13:54I, too, shall refer Wayfarers to your little tavern.
00:13:57Oh, thank you.
00:13:58Wayfarers?
00:13:59Holy jumping...
00:14:00All right, all right, I'm through, I'm through.
00:14:02I hope you starve.
00:14:06Look here, my good man.
00:14:09Do you have rooms?
00:14:10A what?
00:14:11I did not ask for a sylvan dell replete with prancing antelopes.
00:14:15Merely a room.
00:14:16You really want to live here?
00:14:18What, may I ask you so confoundedly incredible about that?
00:14:21Oh, nothing.
00:14:22Well...
00:14:22Won't you come in, Mr, uh...
00:14:24Brampton.
00:14:25J. Gilbert Brampton.
00:14:26Oh, yes.
00:14:28What did you have in mind, Mr. Brampton?
00:14:30A single with a bath?
00:14:32Ahem.
00:14:35Oh, I mean, without a bath.
00:14:37You see, we're sort of short on tubs.
00:14:39Allow me to show you our choice accommodation, sir.
00:14:49No.
00:14:53Oh, definitely not.
00:15:00We're a little short on steps, too.
00:15:13This way.
00:15:16This is our brightest room.
00:15:24As an exposure, too.
00:15:34Satisfactory, sir?
00:15:35Yes.
00:15:37At...
00:15:38Five dollars a day?
00:15:40I should say that was reasonable.
00:15:42Yes.
00:15:43Of course.
00:15:56Five bucks a day.
00:15:57That guy's cuckoo.
00:15:58I think he's lovely.
00:16:00And look at this darling place.
00:16:02All those lovely old birds.
00:16:04And their...
00:16:07Oh, Bill.
00:16:08Hey, darling, you hurt?
00:16:09No, but...
00:16:10However did that happen?
00:16:12Well, that's what I'd like to know.
00:16:14Nobody could have pushed it.
00:16:15Oh, who'd want to do that?
00:16:16The legs must have given way.
00:16:17It's funny she could happen just when you were standing there.
00:16:19Now, there's something fishy around here.
00:16:21I can smell it.
00:16:21Now, I suppose the place is full of ghosts and murderers.
00:16:24I didn't say that.
00:16:25Whether you like it or not, I'm going to stick around and see.
00:16:27Oh.
00:16:27Come on, let's get this thing up and take a look at it.
00:16:29It's my sweetest antique.
00:16:30Antiques are going to start that again for a piece of cake.
00:16:32There's that metal potty again.
00:16:34That's right.
00:16:34That's right.
00:16:35Just make yourself at home.
00:16:36Make yourself at home.
00:16:46Then what brings you to these remote parts, Mr. Brampton?
00:16:50I am a choreographer.
00:16:52A dancer.
00:16:53You.
00:16:54Oh, no, no.
00:16:55I create the dances for others to do.
00:16:57I'm just roaming about, sponging up, as it were, your native customs for my American ballet.
00:17:03Hmm.
00:17:05I see.
00:17:11There he is.
00:17:12Guess I better go.
00:17:15What was that?
00:17:17That was Uncas.
00:17:18Uncas?
00:17:19Who's Uncas?
00:17:19You haven't read Jay Fennemore Cooper?
00:17:22Oh, yes, of course.
00:17:24The last of the Mohicans.
00:17:25You mean that Uncas?
00:17:27Right.
00:17:28He's a great friend to Ebeneezer's.
00:17:32And is this Uncas a, uh, a ghost?
00:17:35Oh, my dear boy.
00:17:37Pros and cons of survival after death are so confusing, I prefer not to think about.
00:17:43Now, Brampton, if you'll come with me, I'll show you the ground.
00:17:46Oh.
00:17:47Oh, I don't know why they should interest the ballet master.
00:17:53You know, that guy's as slippery as an eel dipped in lard.
00:17:56The professor?
00:17:57He's a deer.
00:17:58He's a deer and I'm a dead duck.
00:18:00The last of the Mohicans is roaming around the house and he'd rather not think about it.
00:18:03Isn't it wonderful?
00:18:04I bought a ghost and such a distinguished one.
00:18:07Yeah.
00:18:07And there's nothing fishy about that?
00:18:09Oh, Bill.
00:18:11What?
00:18:13Don't you ever get tired of yourself.
00:18:40Don't you ever get tired of yourself?
00:18:45Don't you ever get tired of yourself?
00:19:13Start theparty.
00:19:17Holy smoke.
00:19:19Winnie!
00:19:26Winnie, Winnie, there's a corpse down there in the professor's laboratory.
00:19:29Bill, please.
00:19:30I saw it, I touched it, a dead corpse.
00:19:32Well, who was it?
00:19:33Well, how should I know?
00:19:36Oh, I better not phone, come on.
00:19:41Hurry.
00:20:04All right, all right, all right.
00:20:06I mean, ah, you came to get remarried.
00:20:10That's very nice.
00:20:11Listen, there is a corpse in Professor Billings' laboratory.
00:20:15Huh?
00:20:15Bill saw it.
00:20:16But that's dreadful.
00:20:18Goodness knows I always had my suspicions, but murder.
00:20:22That's a matter for the sheriff.
00:20:26Well, come on, doctor.
00:20:27Sheriff at present.
00:20:29Sick transit gloria mundi.
00:20:32Which means, uh, what I wanted to say.
00:20:34One never knows the secret of his neighbor's brain.
00:20:37Yeah, yeah, sure, come on.
00:20:41Let's go.
00:20:44It's down there.
00:20:48Well, go ahead.
00:20:49Go ahead.
00:20:56Wait up here, both of you.
00:20:58We might be up against a dangerous maniac.
00:21:04Professor Billings.
00:21:05Yes?
00:21:06Oh, oh.
00:21:07Could I see you for a moment, please?
00:21:09I'm busy.
00:21:17But not too busy to put up your hands, huh?
00:21:21Will you go away?
00:21:23No.
00:21:25Who is this man?
00:21:27His name was Johnson, I believe.
00:21:30Was?
00:21:30Then you admit he's dead.
00:21:32You killed him.
00:21:34Now, doctor, you may not approve of what you choose to call my unorthodox scientific methods.
00:21:40Certainly not.
00:21:41But surely you know that I'm no murderer.
00:21:43Oh, I know that.
00:21:44But how did he die?
00:21:46Purely an accident.
00:21:48Oh.
00:21:48If he did die, I forgot to search him before I put him in the cabinet.
00:21:55Oh, but that's very silly.
00:21:55You forgot.
00:21:58You did kill him, then.
00:21:59Now, doctor, let's not split hairs and strain at gnats now.
00:22:04Why, of course, I admit I shouldn't have left him lying around, so if you'll give me a hand, we
00:22:11can put him with the others.
00:22:13Others?
00:22:15What others?
00:22:16Only four more.
00:22:18Now, don't be upset.
00:22:20That's one more good thing about my machine.
00:22:22It preserves them beautifully.
00:22:25Four more?
00:22:26Listen, you, you homicidal maniac.
00:22:29How dare you use such language in my own home?
00:22:32Go on, get out now.
00:22:33Go on.
00:22:33I will not.
00:22:34You killed five men, you admitted it, and as an officer of the law, I demand...
00:22:38I killed no one.
00:22:39They're heroes, immortal martyrs of my great experiment.
00:22:43Experiment?
00:22:43What experiment?
00:22:44What did you do with them?
00:22:45As the sheriff of this county, I demand to know the truth.
00:22:52To think that I should be forced to reveal my secret prematurely, robbed of my triumph, and by a manufacturer
00:23:01of bogus hair restorer.
00:23:03I beg your pardon?
00:23:05I beg your pardon?
00:23:05Charging me with the paltry crime of murder.
00:23:08I, who am revolutionizing evolution, circumambulating it in one fell swoop.
00:23:14Circumambulating evolution in a swoop?
00:23:16Creating by inductive rays and biochemistry, the ultimate specimen of human perfection, eternally young, immune from disease.
00:23:24The super-super-super-man himself.
00:23:30You see Mr. Johnson there?
00:23:33Oh, yes.
00:23:33Then let me tell you, sir.
00:23:36But for one minute little error, that man at this very moment, by sheer dynamic force, would be flying around
00:23:44this room like an inspired plane under his own power.
00:23:48Zzz!
00:23:49Zzz!
00:23:49Zzz!
00:23:51Tanks, cannon, flamethrowers, pa!
00:23:55He would destroy Berlin.
00:23:57He would throttle Tokyo.
00:24:00Think of it.
00:24:02But for a monkey wrench in his pocket, that man will be winning the war for America right now.
00:24:09Professor, why didn't you tell me before what you were doing?
00:24:13And to think I accused you, that I was under the impression that, that your experiment was here, Brent.
00:24:20Then you're interested in the biochemical shortcut?
00:24:23Interested?
00:24:24Why?
00:24:24Ever since I was a child, from, from my early youth.
00:24:27You are sure that but for a monkey wrench you would have it?
00:24:31Here it is.
00:24:32And the next gentleman I search.
00:24:35Believe me.
00:24:36Professor, let me participate in your experiment.
00:24:39Professionally and financially.
00:24:40Professor, you're not thinking of exploiting my discovery the way you do your hair restorer.
00:24:46Do you imagine I could take advantage, exploit, capitalize on a great scientific discovery?
00:24:53Cheat millions of people all the world over?
00:24:56Profane my profession?
00:24:59Suppose I make a few dollars.
00:25:01Don't you think I wouldn't put it right back into science?
00:25:04If I could be sure of that.
00:25:07I'll prove it to you.
00:25:08I'll give you anything you want.
00:25:09I mean, I'm willing to put a few dollars into your experiment right now.
00:25:13And we'll sign an agreement to that effect, huh?
00:25:16It's agreed.
00:25:17All right.
00:25:18I'll draw up a contract.
00:25:19A few simple causes.
00:25:26Are you hurt?
00:25:27No.
00:25:27Oh, uh, say, Professor, where do you keep the other ones?
00:25:31I'll show you.
00:25:33May I suggest something?
00:25:35Let's remove this one, huh?
00:25:37By all means.
00:25:38Here, thank you.
00:25:43Just a second, Professor.
00:25:45Here.
00:25:45Where?
00:25:46Where to?
00:25:47Right through there.
00:25:48All right.
00:25:55Just a minute, Doctor.
00:25:59Yes.
00:26:02Ah!
00:26:05All right.
00:26:07Yes.
00:26:08All right.
00:26:19Now it enshrines the simple men who have chosen to be martyrs to a great cause.
00:26:29Very neat.
00:26:31Very orderly.
00:26:33Mm-hmm.
00:26:35Uh.
00:26:37Professor, they are superbly preserved.
00:26:40As a coroner, I must say, uh, you have already outmoded formaldehyde.
00:26:45Congratulations.
00:26:45Thank you, Doctor.
00:26:47But as a sheriff, I would like to know, how did you keep anyone from missing your martyrs?
00:26:53Well, we have a great many door-to-door peddlers in this neighborhood.
00:26:57They never have any friends, poor fellows.
00:27:00No.
00:27:01See?
00:27:02This one sold alarm clocks.
00:27:05Oh.
00:27:06Over their neckties.
00:27:07Yeah, that's how he looks.
00:27:09Silk hosieries.
00:27:10He probably didn't have any priority anyway.
00:27:13And, uh, let me...
00:27:14Oh, yes, uh, encyclopedias.
00:27:17Oh, I'm sure he didn't mind very much.
00:27:20Ah.
00:27:21How happy they will be when they realize the glory that has befallen them.
00:27:26Yes.
00:27:27Sic transit gloria mundi.
00:27:32I don't care what he said.
00:27:33I'm going down.
00:27:37I'm going down.
00:27:52Hey, Doctor.
00:27:53Hmm?
00:27:53Doctor, where is he?
00:27:54Well, where's what?
00:27:55Do you know what I mean?
00:27:56The dead man.
00:27:57The dead?
00:27:58Oh, who?
00:27:58He wasn't dead.
00:27:59Oh, no.
00:28:00Mr. Johnson wasn't dead.
00:28:01He wasn't dead?
00:28:02No, no, no.
00:28:03He was waiting for the professor, and then he suddenly fainted.
00:28:06Very high blood pressure.
00:28:08Well, where is he now?
00:28:09Huh?
00:28:10It's a very simple question.
00:28:12Where is he now?
00:28:13Why, you are excited.
00:28:15What's wrong with...
00:28:16So never mind me.
00:28:17I passed my physical.
00:28:19But did you pass a psychiatrist, huh?
00:28:21We have more important business.
00:28:23We have to drop our agreement.
00:28:25Where is he now?
00:28:26Now, look.
00:28:27Shouting will get you nowhere.
00:28:28Ask quietly.
00:28:32I am asking quietly.
00:28:33Where is he?
00:28:34That's much better.
00:28:35He went home.
00:28:36Si.
00:28:36No, I don't.
00:28:38Quit theory comes to, which means, what can you do with a screwball?
00:28:42Uh, Professor, ink, pen, and paper, please.
00:28:46All right.
00:28:47I guarantee to be out here the first thing in the morning.
00:28:49That'll be just dandy.
00:28:55Not this time, Jojo.
00:28:56Why don't you look where you're going?
00:29:06Are you comfy?
00:29:08Sure, sure.
00:29:11Sure.
00:29:23Oh.
00:29:25Oh.
00:29:46Oh, I just laid my 214th egg.
00:29:50You did?
00:29:51I won the prize.
00:29:53I got the blue ribbon.
00:29:56If I only could get my little chickens all together.
00:29:59What a sap I've been.
00:30:01What an utter and complete dope.
00:30:04It's the old racket.
00:30:05First they sell you this pile of junk for a big price,
00:30:07then they make you sell it back to them,
00:30:08cheap of scaring you away.
00:30:09Bill, I give up.
00:30:11Oh, don't you see?
00:30:11First the cupboard falls on you.
00:30:13That Indian war cry ghost,
00:30:14then that phony corpse they planted down there.
00:30:16But you said he was dead.
00:30:17Well, they gave him some kind of medicine,
00:30:18made him look dead.
00:30:19It's the old soccer game, don't you see that?
00:30:21Of course, a sweet old professor and his faithful friends.
00:30:25But everybody's a crook to you.
00:30:32Contractum sanctum pactum,
00:30:34which means done and dished up.
00:30:44Now, all we have to do is to create our supermen.
00:30:48That's right.
00:30:49But, say, do we really have to wait
00:30:52till one of those peddlers gets around?
00:30:54It is a bother, isn't it?
00:30:56But what else, sir?
00:30:58Suppose we use that bumptious young man,
00:31:00that Bill Leiden.
00:31:01Oh, he'd never agree to it.
00:31:03Why?
00:31:05I don't think he trusts us.
00:31:08But, say, he wouldn't have to trust us.
00:31:10Suppose we put him under anesthetic.
00:31:13Splendid.
00:31:14Doctor, you're giving me just what I needed.
00:31:17Yes, a jab in a lassitude.
00:31:20Now, let's see.
00:31:22What drug would we use?
00:31:24Drug?
00:31:25We won't use any drug.
00:31:30One light, firm little tap by an expert like me
00:31:33and he'll trust us.
00:31:34But, Doctor, that would be violence.
00:31:36So, what of it?
00:31:37Compared to the womb we'll bring to humanity
00:31:39by turning that little worm into a superman?
00:31:43He's not a very promising specimen.
00:31:45No, but at least he has the temperament of a dive bomber.
00:32:24No, but at least he has the temperament of a dive bomber.
00:32:27All right, let's go.
00:32:36Come back here.
00:32:37Come back here.
00:32:38I'll teach you a lesson, young man.
00:32:40Come back here.
00:32:41Come back here.
00:32:42You will.
00:32:44No, no, no.
00:32:45Lou Reese.
00:32:46Lou Reese.
00:32:48I'll get you.
00:32:49I'll roast you like I roast one of those pigs.
00:32:51Bill, what's happened?
00:32:52Follow me and you'll see what's going to happen.
00:32:54Oh, Bill, look at him.
00:32:57la
00:33:26Listen, you guys.
00:33:27I want you all to get this through your heads.
00:33:29When he bought this dump, see,
00:33:30and she's not gonna be scared
00:33:32into selling it back no matter what you do.
00:33:34But nobody wants to sell it back to me, Bill.
00:33:36Why, you reveal...
00:33:37Shut up!
00:33:38Now, the first guy that pulls
00:33:39one more phony bug house stun.
00:33:42Corpses sleepwalking,
00:33:43bodies floating around,
00:33:43anything gets this, see,
00:33:44smack on the biezer.
00:33:46But a young man is deranged.
00:33:48Well, why doesn't somebody arrest somebody?
00:33:51Oh, I'm contemplating that.
00:33:53Now, back to bed with you, all of you,
00:33:54go on, chew.
00:33:55¡Vámonos! ¡Vámonos!
00:34:09¡Vámonos!
00:34:10¡Vámonos!
00:34:24¡Vámonos!
00:34:24¡Amelia!
00:34:26¡Oh! ¡What am I doing?
00:34:43¡Vámonos!
00:35:03¡Alevia!
00:35:10Oh, Professor, Dr. Lauren
00:35:17Bill, what are you doing up there?
00:35:18You come down there now, isn't that silly?
00:35:21Get me the ladder, get me the ladder
00:35:23Come on
00:35:26I hope he breaks a leg
00:35:28Then I'll set it knock-kneed
00:35:30Come in down here, Bill
00:35:32Get me the ladder
00:35:33Come on, help me
00:35:40Oh, are you hurt?
00:35:41Here, let me pick you up
00:35:44Look, are you hurt?
00:35:45No, no, no
00:35:46Oh, isn't it adorable now we've cleaned it up
00:35:50Yeah, yeah
00:35:50Come on, admit it
00:35:52Well, what good is it all out here at the end of nowhere?
00:35:54I rented another room this morning
00:35:56He's a well-traveled old gentleman with just oodles of money
00:35:59Why, he paid me a month in advance
00:36:00Fine, fine, fine
00:36:04When did you say he goes into the army?
00:36:06The day after tomorrow
00:36:07Seems a long time to wait with the axis on the rampage
00:36:11Frankly, I'm straining at the leash, too
00:36:14But we must restrain ourselves
00:36:16You saw what happened last night
00:36:18Yes, and if the army didn't eat him
00:36:20I would have committed him to the squirrel pen
00:36:22At Idlewatt Sanitarium
00:36:23So help me
00:36:25Ah, well
00:36:26It takes all sorts of people
00:36:28To make up this little world of ours
00:36:39Doctor
00:36:41Look
00:36:55Good pop of the morning to you, gentlemen
00:36:57Good morning to you, sir
00:36:58It's a beautiful day, isn't it?
00:37:00Is the lady of the house in the house, or is this a house?
00:37:02Certainly it's a house
00:37:04Perhaps we can help you
00:37:05Well, it ain't exactly for men
00:37:07What isn't for men?
00:37:08Mr. Stanley
00:37:10He's the district sales manager
00:37:11He says, brush off the husbands and rush to wife
00:37:13Come on, let's see
00:37:15What is it?
00:37:16Well, all right, but
00:37:17But you ain't gonna like it
00:37:20Doctor
00:37:20Look
00:37:22Powder puffs
00:37:23They're wonderful
00:37:25Yeah, you know what
00:37:26You dab on your kisser
00:37:29Look at this one
00:37:30Oh, that's called a Pekingese pinkaroo
00:37:32We'll take them
00:37:34Which one?
00:37:35All of them
00:37:36Huh?
00:37:37Certainly all of them
00:37:38Will, will $50 be sufficient?
00:37:41I mean, $20
00:37:41Sweater
00:37:42Oh
00:37:44Oh
00:37:46If we can get him into the cabinet before he comes to
00:37:49It'll save explaining
00:38:02This one will fly
00:38:04I can feel it
00:38:08Hmm
00:38:10A heart like an ox
00:38:21Don't forget, Professor
00:38:22This one we have to search
00:38:23Remember?
00:38:29Ah
00:38:30Child
00:38:36Hey
00:38:36Well, what's cooking?
00:38:38Hey
00:38:38Where did that pick of a dicker's cow farm?
00:38:40You fainted and we carried you down here
00:38:43And I might add you're very heavy, sir
00:38:45I did?
00:38:47Gee, I'm sorry for putting you gents out
00:38:49But you don't know what it means to me selling all my stock
00:38:51Me, what Mr. Gilbert says could never sell nothing
00:38:54Because I got an inferiority complex
00:38:56My dear sir
00:38:57You just step into that cabinet
00:38:59And we'll cure it in five minutes
00:39:01It will?
00:39:02You mean I'll be like other salesmen?
00:39:04Certainly
00:39:04Certainly
00:39:06Irresistible
00:39:06No do or no nothing will stop you
00:39:08Brother
00:39:09Lead me to it
00:39:10Hmm
00:39:11Gee
00:39:12Maybe I'll even win the gold star for sales district 46
00:39:15Maybe, maybe
00:39:17Now
00:39:18There you are
00:39:20Now
00:39:21Now just relax
00:39:22I'll relax
00:39:31You almost ruined my electric helmet
00:39:35Gee, I'm sorry, Professor
00:39:37But I'm different than other people
00:39:39Like I told you
00:39:39Everybody's tickless on the bottom of their feet
00:39:41But not me
00:39:42Here
00:39:43Go on
00:39:44Tickle me and see
00:39:45Tickle?
00:39:46All right
00:39:48Don't get me, see
00:39:49The only place I'm tickless is on the top of my door
00:39:51Here, try, Professor
00:39:57Hold it a minute, Doctor
00:40:03Why didn't we think of this before?
00:40:05Excuse me, please
00:40:07You haven't faith
00:40:08I have faith
00:40:09But flying makes me dizzy
00:40:10This will cure it
00:40:12Please
00:40:12But I have so many things wrong with me
00:40:15Fat feet
00:40:16And a weak heart
00:40:20He has a weak heart
00:40:22And he's ticklish
00:40:24Something always goes wrong
00:40:28Ah, you ain't gonna put that thing on me
00:40:30No, no, no
00:40:31But see
00:40:31Would you mind taking a little anesthetic?
00:40:34Just a little
00:40:35You mean
00:40:36You mean sort of like taking a Mickey Finn?
00:40:37Uh-huh
00:40:38A little bit more gentle
00:40:40Okay
00:40:40Slip it to me
00:40:41Call me out of wishes
00:40:42All right
00:40:43Let's go and get it
00:41:02Good morning, Mr. Rampton
00:41:04Oh, uh, good morning
00:41:06Doing a little research for your ballet?
00:41:10Oh, yes
00:41:10I was, I was, uh, merely, uh, examining the pattern of the rug
00:41:14For the, uh, decor of the mise-en-scene
00:41:16Mm-hmm
00:41:28He's asking something in this house
00:41:30If he's a choreographer, I'm Pavlova
00:41:33You mean the dance one?
00:41:35Say, Professor, are there any secret passages or hidden rooms?
00:41:39Not that I know of, except, uh, oh, yeah
00:41:42Run to my house
00:41:43It's the only big one in town
00:41:45And ask Emily to give you the bottle from the shelf, huh?
00:41:48What went?
00:41:50And don't tell anybody what it's for
00:41:58Who was that?
00:41:59Oh, just a traveling salesman
00:42:02You're, uh, you're sure it was a living salesman, gentlemen?
00:42:05Today, yes
00:42:06For tomorrow, I can't guarantee
00:42:08That's telling him, doctor
00:42:15I don't like this
00:42:17It's just like reading somebody else's mail
00:42:19Keep quiet, will ya?
00:42:25Nothing but clothes
00:42:26That proves it
00:42:27What?
00:42:28If he were just a petty crook
00:42:29He would have found something
00:42:31The fact that he conceals the evidence
00:42:33Proves how dangerous he is
00:42:35What do you want?
00:42:36You know it isn't middle time yet
00:42:38What do you want?
00:42:41Something must be wrong
00:42:45Anam, she a calendar
00:42:47You know she has the most amazing instinct
00:42:50For crime and corruption
00:43:05Hmm?
00:43:06Really?
00:43:07I told you so
00:43:10Well, I guess your killing was mistaken this time
00:43:22It's the new guest
00:43:31Murdered
00:43:33Help!
00:43:33What's the matter?
00:43:35Upstairs in the room
00:43:36The man
00:43:37The old man
00:43:38He has a great big knife in his back like that
00:43:41Now, if this is another gag
00:43:44Police
00:43:51Hello?
00:43:52Hello?
00:43:53Hello, hello
00:43:53The police, please
00:43:55Never mind why
00:43:56That's none of your business
00:43:57Get me the police
00:44:00I've got to see this
00:44:03J. Gilbert Brampton
00:44:05You think he did
00:44:07Hello, the police
00:44:09Please hurry
00:44:25Hello, help
00:44:26Hello, the police
00:44:28There has been a murder
00:44:29Murder?
00:44:31Murder?
00:44:32Where?
00:44:36Yes, of course
00:44:37It's an act of cold-blooded murder
00:44:39Hurry, please
00:44:40Please hurry
00:44:41Look here, you two
00:44:41There was nothing up there
00:44:43No knife, no body, nothing
00:44:45But we saw it
00:44:47Didn't we?
00:44:49I have to see
00:44:52Look, fun's fun
00:44:53But cut it out, will you, kids?
00:44:55She was wet
00:44:56But you're not implying there was no corpse
00:44:59No, but it's gone
00:45:21Oh, doctor
00:45:22Where are you?
00:45:29It isn't in Brampton's room
00:45:31It's not
00:45:32Well, that proves he did it
00:45:33He's covering up his tracks
00:45:35He's a homicidal maniac
00:45:37Well, he may strike at you
00:45:39Or me
00:45:40We better stick together
00:45:42Till the police comes
00:45:57Hold
00:45:58Hold that, will you?
00:46:13What's the big idea, smart guy?
00:46:15Yeah, that was a new tire
00:46:16There's a munitions plant over yonder
00:46:18And you was ordered to halt
00:46:20Yes, but we're state officers
00:46:21Yeah
00:46:22Well, get back on the other side of the bridge
00:46:24And we'll see
00:46:25Look
00:46:25Go on
00:46:26Look, we're on the way to a murder at Billings Tavern
00:46:28Sure, and every second counts
00:46:29Sure
00:46:30Yeah?
00:46:31What's the number out there?
00:46:33Uh
00:46:33Jinxville, 6-4
00:46:35Well, come on
00:46:36We'll see
00:46:37Now, wait a minute
00:46:38Come on
00:46:38Now, take a day
00:46:39Why don't you
00:46:39See, will you?
00:46:46Jinxville, 6-4
00:46:52Hello?
00:46:53Yeah, this is a tavern
00:46:55There's a couple of guys here
00:46:56Call themselves cops
00:46:58Been yapping about a murder out at your place
00:47:00Murder?
00:47:01Somebody's been kidding you
00:47:02There's no murder out here
00:47:03What the?
00:47:05I'm positive
00:47:06Okay, buddy
00:47:07Thanks
00:47:09Well, that's that
00:47:10And no more corpses
00:47:12Do you understand?
00:47:14What are you guys trying to pull?
00:47:16Nothing
00:47:17I'm telling you
00:47:17The guy on the phone said
00:47:18There was a murder
00:47:19And another thing
00:47:20Why didn't you stop when I hollered halt?
00:47:22Well, we didn't hear you
00:47:23We were talking
00:47:24Yeah?
00:47:25What about?
00:47:26Nothing, just war strategy
00:47:27War strategy, huh?
00:47:30Well, come along with me
00:47:31You can tell your plot to the captain
00:47:33Buck
00:47:33March!
00:47:34No, wait a minute
00:47:34You can't do this task
00:47:35We're taxpayers
00:47:36Come on
00:47:36Come on
00:47:37Take it easy
00:47:37Will you
00:47:38Come on
00:47:45Did you see that knife?
00:47:47He pointed it directly at me
00:47:54Hiya, gents
00:47:55Emily wasn't home
00:47:56So I guess it was okay
00:47:57To bust the front window, wasn't it?
00:47:59Yes, of course
00:47:59Now, couldn't we lock him up
00:48:01On intent to commit murder?
00:48:03Murder?
00:48:03I didn't kill nobody
00:48:04All I did was pick up a lock
00:48:05And I told him
00:48:06Not you
00:48:06No, no, no
00:48:08Not you
00:48:09Before the world is suddenly deprived of my services
00:48:13Come what may, I will complete my great work
00:48:16Now come with me, my friend
00:48:18And when you come out
00:48:20I guarantee you, you won't know yourself
00:48:23I won't?
00:48:24No
00:48:24Gee, that's wonderful
00:48:26Will it fix my brains so I can do arithmetic like the kids do?
00:48:30Like the kids
00:48:31Take a smell of this now
00:48:35I can't smell it through my black sinuses
00:48:38Black sinuses?
00:48:40Inhale deeply
00:48:45Am I unconscious yet?
00:48:47You most certainly are not
00:48:49Gee, that's a shame
00:48:51Maybe it ain't the real McCoy
00:48:52Maybe it's some intoxicating beverages or something
00:48:55Here, try it
00:48:56I don't know it
00:49:00See, I told you that
00:49:05What'd I do?
00:49:08What'd I do?
00:49:09It's murder
00:49:09And it ain't right to murder
00:49:11My mother told me so
00:49:18Help, murder, murder
00:49:18I killed them
00:49:19The professor and the doctor
00:49:22Again, huh?
00:49:23No, this is the first time
00:49:24I never killed them before
00:49:25Honest
00:49:26This is the end
00:49:27Out they go
00:49:27Both of them
00:49:28Laboratory and all
00:49:29I don't know what could have been wrong
00:49:41What happened here?
00:49:42I didn't do it on purpose
00:49:43Honest
00:49:44All I did was take the bottle
00:49:45And he told me to take a smell out of it
00:49:47And I smelled
00:49:48And it did smell bad
00:49:50And then I said
00:49:50Go on, you smell
00:49:51And he smelled
00:49:52See, now then I said
00:49:53You smell
00:49:54Go on, see
00:49:55And that's all what happened
00:49:58What's the matter?
00:49:58What's your farewell?
00:50:02Quintuplets
00:50:03Oh, gee
00:50:05Now I'm a wholesale murderer
00:50:07Mama
00:50:14Good morning
00:50:19Where are we?
00:50:22How did they get here?
00:50:26I haven't the faintest idea
00:50:31But
00:50:32At last, doctor
00:50:35Quick
00:50:36Into the cabinet
00:50:37Say, that's a wonderful
00:50:38Wait, wait, wait
00:50:40We'd better
00:50:41We'd better make sure
00:50:42It's much too great an honor for him
00:50:44But better second-class superman
00:50:46Than none whatsoever
00:50:51Somebody's trying to break in
00:50:54Maybe it's the police
00:50:56Into the stall
00:50:58Maybe it's the police
00:51:08Creepy
00:51:08This one
00:51:18What happened to me
00:51:21All the time
00:51:21Something always goes wrong
00:51:24Come on
00:51:24Come on
00:51:26That's right
00:51:27Get into that
00:51:32Fuck
00:51:34Fuck
00:51:34Fuck
00:51:50¡Gracias!
00:52:06Look.
00:52:10Doctor.
00:52:15Good morning, sir.
00:52:16It's a beautiful day, isn't it?
00:52:19We'll buy everything you've got.
00:52:21You have the match, no?
00:52:22Oh, yes, a match, please.
00:52:26Don't anybody move, or I'll light this fuse.
00:52:29In this sack, I have 40 kilos of dynamite,
00:52:33and I don't mean ravioli.
00:52:37I'm a human bomb.
00:52:39A human bomb?
00:52:41Yes.
00:52:42I am a fascist aviator who just escaped
00:52:44from the prison camp in Canada.
00:52:46We shall stay here until it is dark, the three of us,
00:52:49and then you will take me to the munition plant
00:52:51where there will be the unexpected fireworks.
00:52:54Where do you go?
00:52:55Terencio, I'm not telling you.
00:52:58I am telling you.
00:53:00And now, perhaps, you will be kind enough to relax.
00:53:03Until it is dark?
00:53:04Yes.
00:53:04Good.
00:53:09Remember, you're dealing with Silvio,
00:53:11the pride of the Air Force,
00:53:13who has, to his credit, 19 planes
00:53:16shot out from under him.
00:53:18Six of them bombers.
00:53:44Oh!
00:53:45Oh!
00:53:46Oh!
00:53:47Oh!
00:53:47Oh!
00:53:47Let go of me!
00:53:48Let go of me!
00:53:51Oh!
00:53:53Oh, baby!
00:53:54Oh!
00:53:55Take it easy, baby.
00:53:56Take it easy.
00:53:57They...
00:53:57They just drugged us to get us down into here.
00:54:00Well, this time they've gone too far.
00:54:02How do we get out of here?
00:54:03Where's the door?
00:54:07Imagine rigging up a fake morgue like this.
00:54:10Blacks, dummies, reeds.
00:54:13Are they crazy?
00:54:17Mr. Johnson.
00:54:22What's that noise?
00:54:24Hmm?
00:54:25Like typewriter keys.
00:54:29What did you say, Bill?
00:54:30I didn't say anything.
00:54:32What's the matter with them?
00:54:33Imagine we'd fall for a gag like this.
00:54:36Oh, but you're wonderful, darling.
00:54:38You knew from the minute you arrived
00:54:39they were fakes, didn't you?
00:54:43Come on.
00:54:44Let's get out of here.
00:54:45Gosh!
00:54:46It's fun, in a way, being in tune.
00:54:56Hello?
00:54:57Hello?
00:54:57Is there anybody alive down there?
00:55:03One false word or action
00:55:06and there will be no one alive.
00:55:08Capito?
00:55:09Yes, yes.
00:55:10Capito, Capito.
00:55:17Hey.
00:55:18The both of you's repucorated, huh?
00:55:20And I thought it was crepes and candles.
00:55:22I think you'd better go along, Michael.
00:55:24Here's your money, sir.
00:55:26Ten dollars.
00:55:26No, I know.
00:55:27Twenty dollars and take.
00:55:28Take your powder puffs and everything.
00:55:30Ain't there no way you're going to fixate me
00:55:31so I can take the treatment?
00:55:33Later, later.
00:55:35Uh-oh.
00:55:35Can't you bop me on the head with something?
00:55:37With that shillelagh?
00:55:38Not now.
00:55:38Please, run along.
00:55:39Hey, let's try it.
00:55:42Super Superman.
00:55:44Urresistible force charging into immovable object.
00:55:49Zzz.
00:55:50Zzz.
00:55:51Zzz.
00:55:53Then I'll get another chance, huh?
00:55:54Certainly.
00:55:56Step right in to here, sir, please.
00:55:59Now.
00:56:01Just step in.
00:56:03There you are, doctor.
00:56:05Be as gentle as possible.
00:56:07Oh, sure, sure.
00:56:08Close your eyes, sir.
00:56:09Okay eh.
00:56:18I told you no monkey doodle .
00:56:21Don't jump at us like that.
00:56:23What are you doing to him?
00:56:25Oh, just a little electric tonic to invigorate,
00:56:28his his powder pump personality.
00:56:30Yeah.
00:56:31Yeah.
00:56:31Only an Americano would want a personality.
00:56:33Please, please.
00:56:42¡Gracias!
00:57:09Oh, almost lifelike, aren't they?
00:57:12Bill, they are alive. I mean, dead.
00:57:15Now, now, now, you're just getting yourself hysterical.
00:57:17They're dead people.
00:57:20Yeah, I know, honey.
00:57:25Oh, bless my soul.
00:57:27Hey, it was Brampton.
00:57:30Oh, my fingers. That's the candle.
00:57:38Hold the door.
00:57:46Straight ahead. Just follow me.
00:57:55Bill!
00:57:56You would have to buy an early American tavern.
00:57:59I'll never buy another one.
00:58:03They're dropping like flies.
00:58:19Oh, where are we?
00:58:20In your room.
00:58:21Oh, well, where's the police? Why aren't they here?
00:58:23Why, you stopped them.
00:58:24I stopped them?
00:58:25Oh, well, we've got to get them.
00:58:28Come on.
00:58:29I mean, just stop me from stopping them.
00:58:30I started to stop them anyway.
00:58:33Come on.
00:58:41How do you work this do, Hickey?
00:58:46Hello?
00:58:47They got me the state police.
00:58:48Yeah.
00:58:49Yeah, quick.
00:58:50Why didn't those cops come anyway?
00:58:52Why'd they have to believe me?
00:59:05Another one.
00:59:06Oh, it's Mr. Brampton.
00:59:12He's the one that screamed.
00:59:14Oh.
00:59:14What did you do to him?
00:59:15Well, you had a lot of trouble getting here.
00:59:18But she killed him.
00:59:19I saw her.
00:59:20Amiga!
00:59:20What do you mean you saw her?
00:59:21Say, who was it told that soldier there wasn't any murder here?
00:59:25Oh, well, I did, but...
00:59:26You see?
00:59:26And she stabbed him.
00:59:28Have you gone crazy?
00:59:29All right, you two, and remember.
00:59:30Anything you say, it'll be held against you.
00:59:32Wait!
00:59:33He's not dead!
00:59:34Oh!
00:59:35Oh!
00:59:36Oh!
00:59:37Oh!
00:59:38I must have...
00:59:39I must have...
00:59:40I must have...
00:59:41must have fainted.
00:59:45Where is that murderous creature?
00:59:47That female butcher!
00:59:50M...
00:59:51Mr. Brampton!
00:59:52The...
00:59:52The...
00:59:53The knife!
00:59:53Knife?
00:59:55Well...
00:59:55Oh!
00:59:57Here, it must have been deflected by my...
00:59:59Uh, corset.
01:00:00It just goes to show you can still rely on whalebone.
01:00:02Even when pussyfooting around secret passageways, Mr. Brampton?
01:00:06Miss Layton, it may interest you to know that Benedict Arnold once pussyfooted through those
01:00:10very same passageways in 1775.
01:00:13He did?
01:00:14He certainly did.
01:00:15Well, where is he now?
01:00:16Oh, when you're not going early American on me again, are you?
01:00:18After what happened downstairs?
01:00:20Downstairs?
01:00:20Say, what goes on around here?
01:00:22Yeah.
01:00:23Miss Layton, you are the possessor of a priceless historic landmark.
01:00:26As curator of the Historical Society of America, I have authenticated it.
01:00:30I regret having posed as a choreographer, but until I was sure...
01:00:33Oh, Bill, it's priceless!
01:00:35Yeah?
01:00:35But is it worth anything?
01:00:36Well, I should be more than happy to pay her $20,000 any time she wants.
01:00:39All right, all right, but what about downstairs?
01:00:44There she is, the female who tried to assassinate me!
01:00:49I got a lemon meringue pie in the oven.
01:00:51Lemon meringue, my eye.
01:00:53Well, I only did it for his money.
01:00:55I wanted to get a hand house for my poor homeless chickens.
01:00:58What homeless chickens?
01:01:00The ones I'm going to get.
01:01:01Well, what's the use of talking about the worthless varmints if you ain't got any?
01:01:04It's better than talking about your smelly old pigs.
01:01:06Pigs, chickens?
01:01:07What goes here?
01:01:08I saw what you did with the lodger in room four when you wanted to get the money for your
01:01:11pig farm.
01:01:13And I know where you hid the body.
01:01:14Come here.
01:01:15Come on, Junior.
01:01:17Junior!
01:01:21Look, tucked up there on the top shelf.
01:01:24That's no zoot suit you're looking at.
01:01:26I'll say it ain't.
01:01:29No one will understand when we did it just for the professor.
01:01:32Come on.
01:01:33You're always talking so much.
01:01:35Gad, gad, gad, gad.
01:01:36All the time.
01:01:37Hey, Fred.
01:01:38Phone the corner, Dr. Lorenz.
01:01:41Dr. Lorenz.
01:01:42Professor Billings.
01:01:42Hey, wait a minute.
01:01:43There's five more downstairs.
01:01:45Five more what?
01:01:45Bodies.
01:01:46Bodies?
01:01:46Oh, and that pipsqueaker of a private said everything was going to be lovely here.
01:01:51Come on.
01:01:51I'll show you.
01:01:57Forty seconds to go.
01:01:59For what?
01:02:00For the time.
01:02:09Remember, we are on the brink of annihilation.
01:02:13The bodies are in the back room.
01:02:17Go on, officer.
01:02:19I am going.
01:02:21Where's, where's Fred?
01:02:23Here I am, Joe, old boy.
01:02:27Whatever they're doing, I don't like it.
01:02:29Neither do I.
01:02:37Put him up.
01:02:38Put him up.
01:02:39Me and you, professor.
01:02:40You heard him.
01:02:40There's a man in that cabinet.
01:02:42They're killing him.
01:02:43Will you be quiet?
01:02:43Officer, what do you think you should do?
01:02:44You should do something.
01:02:45Hey.
01:02:46I'm talking to you guys.
01:02:47Be quiet.
01:02:48You're on the right side.
01:02:49Five seconds.
01:02:52Three seconds.
01:02:54Now.
01:02:56Excuse me, please.
01:02:59Ladies and gentlemen, if anyone of you has a weak heart, I advise you to leave this room
01:03:05because you are about to witness a phenomenon that will flabbergast, yes, flabbergast, the imagination of everyone here.
01:03:16None.
01:03:17Thank you.
01:03:20Well, if you wouldn't mind.
01:03:27Oh, he seems quite well done.
01:03:30I don't believe it.
01:03:32They murdered him like they murdered the other five.
01:03:34Please, please.
01:03:35The word is martyrized.
01:03:36Why, they're doing batty.
01:03:38Like these two.
01:03:40I should have brought the straitjackets.
01:03:42Do you realize to whom you are addressing your childish remarks to?
01:03:45Of course I do.
01:03:46I am speaking to him.
01:03:47Yes, and I'm talking to you.
01:03:49Now, come along, boy.
01:03:50And you can...
01:03:50Stay here.
01:03:52They all stay here.
01:03:54Capito.
01:03:55What's going on around here?
01:03:57It's your hoodie.
01:03:58There will be no information leak out until the arsenal will go boom.
01:04:04Ba-boom.
01:04:05Oh, won't there?
01:04:06Come along, Jojo.
01:04:08Watch out.
01:04:09Watch out.
01:04:10He's a human bomb.
01:04:11Well, isn't that delightful?
01:04:14A time bomb or a fuse bomb?
01:04:16A fuse bomb.
01:04:19Hey, it is a fuse.
01:04:20Why doesn't somebody do something?
01:04:22Come on down out of there before I perforate you.
01:04:25Hmm.
01:04:26So, my friend will shoot.
01:04:29Then the dynamite will go up.
01:04:31And we are all little nothings.
01:04:40Ghosts!
01:04:45Oh, drop that sack.
01:04:46Oh!
01:04:57I'll get it.
01:04:59Give me this thing.
01:05:00Hey, hey, hey.
01:05:01What are you trying to do?
01:05:02Steal my separate case?
01:05:03Get out of here.
01:05:04Oh, too late.
01:05:05There it goes.
01:05:06Too late for what?
01:05:07What's going on?
01:05:11Foy.
01:05:11Oh, come on.
01:05:13All right.
01:05:14Come on, Jojo.
01:05:24Mr. Professor, can I have my apple now?
01:05:28Yes, and my alarm clocks, too.
01:05:31Look, they are not dead.
01:05:32They must have been in a state of suspended animation.
01:05:37Congratulations, Professor.
01:05:39Our names will go down in history.
01:05:42We invented a method to preserve life.
01:05:45But, I did so want to make a Superman.
01:05:50Come on, you're all nuts.
01:05:52Wait a minute.
01:05:53We just sold this place for $20,000.
01:05:55Yes.
01:05:56And I've got the certified check upstairs in my other suit.
01:05:58Oh, where I'm taking you, they've got everything.
01:06:02Certified checks, supermen, everything.
01:06:05Come on.
01:06:07Where are you taking us?
01:06:08To a nice, quiet little place called Idlewild Sanitarium.
01:06:13But that's the asylum.
01:06:15So it is.
01:06:16So it is.
01:06:16But don't worry, Professor.
01:06:19I'm the chairman of the board of directors up there.
01:06:33Thank you.
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