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00:00:20¡Gracias!
00:00:57¡Gracias!
00:01:21¡Gracias!
00:01:55¡Gracias!
00:02:08¡Gracias!
00:02:10¡Gracias!
00:02:12¡Gracias!
00:02:13¡Gracias!
00:02:52no sound please
00:02:53after two years i find you
00:02:57i want the eternal light
00:02:59you found me too late
00:03:01it's no longer mine
00:03:09i can kill with this from the end of the room
00:03:11no lies please
00:03:14you cannot kill in ing and mahmud
00:03:17they may get down that door here and hang them
00:03:21i have not come alone
00:03:22if i hang there are others
00:03:24the eternal light goes back to the tomb
00:03:27from which you stole it
00:03:28but i tell you i have not got it
00:03:30please i am not a child
00:03:34i i sold it
00:03:35to whom did you sell it
00:03:38to professor morland
00:03:42that robber of the dead
00:03:45has he sold it
00:03:46he did not buy to sell
00:03:48what then
00:03:48like you mahmud
00:03:49he believes
00:03:50believes
00:03:52he believes that the eternal light will open for him the gates of paradise
00:03:56even so
00:03:57he gave the best part of his fortune for it
00:03:59and very soon he will know whether or not he was right
00:04:03what do you mean
00:04:05professor morland
00:04:07is dying
00:04:10then you think it will be buried with him
00:04:13i'm sure of it
00:04:15we have only got to wait
00:04:17until he is dead
00:04:29i'm new
00:04:30yes
00:04:35opener of the way
00:04:42i'm new
00:04:43i'm new
00:05:05i'm new
00:05:06to be here
00:05:11¿Qué pasa?
00:05:20¿Qué pasa?
00:05:21¿Qué pasa?
00:05:22¿Qué pasa?
00:05:23Estoy quedando en la ciudad.
00:05:25En el de tu asesor, tomo la libertad de llamar.
00:05:28¿Cómo se ha hecho?
00:05:30No se ve mañana.
00:05:31¿Se ha hecho ningún de mi cloth?
00:05:33No, he sat in his ways, and they are the ways of the heathen.
00:05:38I know he won't see the Richter,
00:05:40but though I'm a comparative stranger,
00:05:41I don't like to leave a man to die like that.
00:05:43He'll die in his own fashion, as he has lived.
00:05:46Still, sometimes at the end.
00:05:48Not with him.
00:05:49He's stubborn and unbending,
00:05:51and will be so at the throne itself.
00:05:55I suppose I can be of no use then.
00:05:57No manner of use.
00:06:03good night
00:06:16he's asking for you
00:06:21where can i find mr brother
00:06:37where's it
00:06:39come in or go out
00:06:50you have to go up soon
00:06:51if you want to see him again
00:06:57curious how's this
00:06:59curious owner
00:07:00yes but i suppose a great
00:07:02egyptologist can't be
00:07:03expected to be like other
00:07:04people
00:07:04well he'll be like a great
00:07:06many other people soon
00:07:07that's not a very
00:07:08sympathetic thing to say
00:07:09i'm not a sympathetic man
00:07:12want a drink
00:07:14that's uh
00:07:15across the hall isn't it
00:07:17i dare say
00:07:19thanks
00:07:2975 000
00:07:34september 22nd 1931
00:08:041922
00:08:08the eternal light
00:08:12mine at last
00:08:39i want to see you there
00:08:42and here
00:08:48is the door shut
00:08:51it is
00:08:52no listeners
00:08:55none
00:08:58the curtains
00:08:59they are drawn
00:09:03come near
00:09:19this man
00:09:23watch
00:09:26you are always suspicious
00:09:29have you ever trusted a living soul
00:09:32only fools
00:09:36i trust you
00:09:38better to trust in the spirit than in the flesh
00:09:42i put my trust in my own gods
00:09:50and now
00:09:52when i am dead
00:09:55my funeral
00:09:58you will bury me at dusk
00:10:01in the clothes i told you
00:10:05you will place the figure of anubis
00:10:08at the west of the inner chamber
00:10:12i will
00:10:15and on the night
00:10:17of the full moon
00:10:22at the first hour
00:10:26i will make my offering of the eternal light
00:10:30to our newest
00:10:34opener of the ways
00:10:40if i have done well in his sight
00:10:46those fingers will close over the jewel
00:10:53and he will open to me the gates of immortality
00:10:58the hand of a heathen image will now come to life
00:11:03ah
00:11:04the bandage
00:11:06the bandage
00:11:14the bandage
00:11:17the bandage
00:11:20the bandage
00:11:24the bandage
00:11:27the bandage
00:11:31the bandage
00:11:32the bandage
00:11:34the bandage
00:11:35the bandage
00:11:35the bandage
00:11:35the bandage
00:11:35the bandage
00:11:37the bandage
00:11:51Look, this is the eternal light.
00:11:59It must rest in my hand.
00:12:04A man will no find peace who robs his heirs.
00:12:09Bandage my hand.
00:12:12The eternal light must lie with me in the tomb.
00:12:19You are afraid of me.
00:12:22I'm afraid for you.
00:12:24If this should leave me,
00:12:28then you'll have reason to fear.
00:12:33For when the full moon strikes the door of my tomb,
00:12:39I will come back.
00:12:42You hear?
00:12:44I will come back to kill.
00:12:52Bandage my hand.
00:12:56Bandage my hand.
00:13:13Bandage my hand.
00:13:13I will come back.
00:13:22¡Suscríbete al canal!
00:13:59¡Suscríbete al canal!
00:14:36¡Suscríbete al canal!
00:14:41¡Suscríbete al canal!
00:14:52¡Suscríbete al canal!
00:14:58¡Suscríbete al canal!
00:15:27¡Suscríbete al canal!
00:15:58¡Suscríbete al canal!
00:16:26¡Suscríbete al canal!
00:16:56¡Suscríbete al canal!
00:17:04¡Suscríbete al canal!
00:17:07¡Suscríbete al canal!
00:17:12¡Suscríbete al canal!
00:17:35¡Suscríbete al canal!
00:17:39¡Suscríbete al canal!
00:17:44¡Suscríbete al canal!
00:17:56¡Suscríbete al canal!
00:18:14¡Suscríbete al canal!
00:18:29¡Suscríbete al canal!
00:18:46¡Suscríbete al canal!
00:18:47¡Suscríbete al canal!
00:18:51¡Suscríbete al canal!
00:18:52¡Suscríbete al canal!
00:19:24¡Suscríbete al canal!
00:19:28¡Suscríbete al canal!
00:19:33¡Suscríbete al canal!
00:19:43¡Suscríbete al canal!
00:19:46¡Suscríbete al canal!
00:19:51¡Suscríbete al canal!
00:19:53¡Suscríbete al canal!
00:19:56¡Suscríbete al canal!
00:19:59¡Suscríbete al canal!
00:20:01¡Suscríbete al canal!
00:20:03¡Suscríbete al canal!
00:20:07¡Gracias!
00:20:36¡Gracias!
00:21:15Harlon.
00:21:22Miss Betty Harlon, 52 Langford Street.
00:22:01¡Gracias!
00:22:29¡Gracias!
00:22:53¡Gracias!
00:23:05¡Ten shillings si te lo llevas a Yaksford Station en hora de catcher la 5 o'clock train!
00:23:38¡That's a very old carpet, Mr. Moreland!
00:23:40I should be glad if you will not kick it to pieces.
00:23:42I'm sorry, when I'm angry, I do kick.
00:23:45The good enough to explain that.
00:23:47Yes, I intend to.
00:23:50By your own statement, Miss Holland and I are the sole echo of Mr. Moreland.
00:23:53We were informed neither of his death nor of his funeral
00:23:55Your uncle died and was buried in a certain way according to his wishes
00:23:59Which, need I go on
00:24:03Almost his last words were a threat to return from the dead
00:24:07In my opinion, he was mad
00:24:08Well, that may be so
00:24:10But Miss Harlan and I should have been consulted
00:24:12Rans to the tune Miss Harlan were not on speaking terms
00:24:15Oh, what of that? You expect quiet at a funeral, don't you?
00:24:18Yes, I also expect it in my office
00:24:19I'm very sorry, but after all, this means a good deal to both of us
00:24:22Uncle was worth about 4,000 a year
00:24:24Well, he isn't now
00:24:26What do you mean by that?
00:24:28He spent a good deal, you know
00:24:31It may surprise you to know that some time ago he drew a check for 75,000 pounds
00:24:36What for?
00:24:38I don't know
00:24:39You don't know? You were in charge of all his affairs and you don't know?
00:24:43That's what I said
00:24:45And I advise you to look after the tone of your voice
00:24:48I'm not at all sure
00:24:49I haven't much more important things to look after than the tone of my voice
00:24:52I don't follow you
00:24:54I'm going to run down to Altsville House tomorrow morning
00:24:58Yes, why
00:24:59I don't think you realize the conditions that you'll find there
00:25:04No, that's why I propose to go
00:25:06You won't like it
00:25:08You'll be most uncomfortable
00:25:10You don't advise me to go?
00:25:12I think you'll be making a very big mistake
00:25:16Then I'll go
00:25:18Oh, by the way
00:25:20Does Miss Harlan know anything about this will business?
00:25:22No doubt she will have received a letter from me by now
00:25:25Do you know Miss Harlan?
00:25:27No
00:25:28I propose to give myself the pleasure of calling upon her this evening
00:25:34Hello
00:25:35Oh, it's you, Davies
00:25:37Wait a minute
00:25:38I have a visitor here
00:25:39But I think he's just going
00:25:41Thank you very much
00:25:43If you're going to see Miss Harlan tonight
00:25:45I shall be there myself
00:25:46No doubt you will succeed in making a painful interview intolerable
00:25:51Good afternoon
00:25:52Your manner must help your practice a great deal
00:26:02Now, Davies
00:26:13Can you direct me to Blountford Street, please?
00:26:16Follow the tram lines, close on a mile, and then turn right to the church
00:26:19I'm obliged to you
00:26:49Oh, hello, Canie
00:27:02Oh, it's good to get out of that fog
00:27:05My dear, a most exciting thing has happened
00:27:08Oh, don't let it happen again
00:27:10No, not that
00:27:12That's a chestnut
00:27:13It's this
00:27:15It looks like a solicitor's letter
00:27:17It's just been delivered by hand
00:27:19Oh, dear
00:27:20What haven't we paid?
00:27:22I wonder if I'm going to get a shock or not
00:27:24Oh!
00:27:25Oh, Canie, that is a silly game
00:27:29After all we've said about Uncle Henry
00:27:31What do you think he's done?
00:27:33Something nice at last
00:27:34He's dead
00:27:35My dear, I'm sorry
00:27:37And his solicitor wants to see me
00:27:40My dear, I'm glad
00:27:42He was awfully rich, wasn't he?
00:27:44He may have left you a fortune
00:27:46If he has, I'll buy you a private cinema
00:27:49Oh!
00:27:50I say, when did this letter come?
00:27:52A few minutes ago
00:27:54Why?
00:27:54He asked me to telephone him if I could see him here at six
00:27:58You don't want to miss the chance of a fortune for the sake of tuppence
00:28:02You better run out and do it now
00:28:03You're right
00:28:29You're right
00:28:57¡Gracias por ver el video!
00:29:28¡Gracias por ver el video!
00:29:37¡Gracias por ver el video!
00:29:52¡Gracias por ver el video!
00:30:30¡Gracias por ver el video!
00:30:42¡Gracias por ver el video!
00:30:44¡Gracias por ver el video!
00:31:11¡Gracias por ver el video!
00:31:27¡Gracias por ver el video!
00:31:30¡Gracias por ver el video!
00:31:58No, no, no.
00:32:05Oh, so you brought him.
00:32:08Dear Mr. Broughton, we're delighted to see you.
00:32:11No, it isn't Mr. Broughton. It's my cousin, Rafe Morland.
00:32:14Dear Mr. Morland, we're delighted to see you.
00:32:18Wrong again. We don't like him very much.
00:32:20Oh, don't we? I didn't realise.
00:32:23Well, our two families are not on speaking terms.
00:32:25Oh, dear.
00:32:27As far as I can make out, it was started by my late uncle as a Christmas joke.
00:32:31Won't you sit down?
00:32:32Thank you.
00:32:34But now he's dead. The trouble's all over.
00:32:37I'm not sure. It hasn't just begun.
00:32:40Where's Mr. Broughton?
00:32:42Oh, he won't come because I didn't telephone.
00:32:44I nearly got throttled instead.
00:32:46Betty!
00:32:47There was a man with a limp. He pushed a note into my hand.
00:32:50I just put it in my bag when somebody snatched the whole affair.
00:32:54What was in it?
00:32:56There's something of value at Owl's Vale.
00:32:59Others are after it.
00:33:01So come.
00:33:02And Broughton was doing everything he knew to keep me away from there.
00:33:06There's a fox in the cover somewhere.
00:33:09Goodbye.
00:33:12Goodbye.
00:33:13Goodbye.
00:33:13Goodbye.
00:33:39I'm going down there right away.
00:33:41Goodbye.
00:33:57¡Suscríbete al canal!
00:34:24¡Suscríbete al canal!
00:35:08¡Suscríbete al canal!
00:35:38¡Suscríbete al canal!
00:36:01¡Suscríbete al canal!
00:36:02¡Suscríbete al canal!
00:36:16¡Suscríbete al canal!
00:36:31¡Suscríbete al canal!
00:37:09¡Suscríbete al canal!
00:37:28¡Suscríbete al canal!
00:37:36¡Suscríbete al canal!
00:37:40¡Suscríbete al canal!
00:38:08¡Suscríbete al canal!
00:38:19¡Suscríbete al canal!
00:38:34¡Suscríbete al canal!
00:38:39¡Suscríbete al canal!
00:38:53¡Suscríbete al canal!
00:38:55¡Suscríbete al canal!
00:39:29¡Suscríbete al canal!
00:39:30¡Suscríbete al canal!
00:39:36¡Suscríbete al canal!
00:39:36¡Suscríbete al canal!
00:40:03¡Suscríbete al canal!
00:40:06¡Suscríbete al canal!
00:40:13¡Suscríbete al canal!
00:40:33¡Suscríbete al canal!
00:40:36¡Suscríbete al canal!
00:40:38¡Suscríbete al canal!
00:40:40¡Suscríbete al canal!
00:40:42¡Suscríbete al canal!
00:40:46¡Suscríbete al canal!
00:40:47¡Suscríbete al canal!
00:40:48¡Suscríbete al canal!
00:40:50¡Suscríbete al canal!
00:40:52¡Suscríbete al canal!
00:40:54¡Suscríbete al canal!
00:40:55¡Suscríbete al canal!
00:40:58¡Suscríbete al canal!
00:40:58¡Suscríbete al canal!
00:41:01¡Suscríbete al canal!
00:41:25No, no, no, no, no, no.
00:41:43No, no, no, no, no.
00:42:07Oh, I wish I was back home in bed.
00:42:11Hadn't somebody better answer that?
00:42:13Certainly.
00:42:14It's your house.
00:42:15Very well.
00:42:24I'm sorry to disturb you, but I was an intimate friend of Professor Molland.
00:42:30Well, you'd better come in.
00:42:31We seem to be giving a party.
00:42:33Oh.
00:42:34Well, thank you.
00:42:48My name is Aga Ben-Dragore.
00:42:51An Egyptian.
00:42:52An Arab.
00:42:54I don't remember having heard your name.
00:42:56I did not flatter myself that you would, but I knew Professor Molland some years ago in Egypt.
00:43:11I heard of his death and of his burial in my own faith, and I hoped, as I am leaving
00:43:18England tomorrow, that I might be allowed to visit his tomb.
00:43:23I must protest against anything of the sort.
00:43:25Why shouldn't the poor man look at his friend's tomb?
00:43:28I don't mind him going.
00:43:31I can't believe that you'd willingly encourage paganism.
00:43:34The Egyptians were not pagan, sir.
00:43:37As no doubt you know, Miss...
00:43:40Cainey.
00:43:42I think you're all being very unkind to Mr. Dragore.
00:43:46I don't think you people realize quite how far Molland's queer ideas took him.
00:43:51He even believed that after his death at a certain hour, the image of Anubis would come to life in
00:43:55his tomb and receive his soul.
00:43:57It's horrible.
00:43:59Well, I can't see that it matters.
00:44:01After all, if that sort of mumbo-jumbo gave him any comfort, I didn't...
00:44:05It matters a great deal.
00:44:06If my suggestion is likely to hurt anyone's feelings, please forget it.
00:44:12Oh, I think that's very sweet of you, Mr. Dragore.
00:44:16Oh, your sympathy is more than charm.
00:44:20Well, what about a cup of coffee after your cold drive?
00:44:25I dare say we should find some in the kitchen.
00:44:27May I offer my services as pantry man?
00:44:31Oh, quite sweet of you.
00:44:37Come, Mr. Dragore.
00:44:41For sheer speed.
00:44:43Shall I have let him out of our sight for a moment now?
00:44:46Perhaps that's just as well.
00:44:49Come along, Reddy.
00:44:50How about making a fire in the library?
00:44:52Yes.
00:44:54I'm sorry.
00:44:55There should be this sort of atmosphere.
00:44:56After all, we're only ships that pass in the night.
00:44:59Hmm.
00:45:00Do you want a drink or will you pass now?
00:45:02Uh...
00:45:03Oh, well, thank you very much.
00:45:11There you are.
00:45:25Well, if you build it that way, there won't be any draft.
00:45:28Well, it'll be the only place in this house where there isn't one, then.
00:45:32Oh, don't you think you carry those snappy retorts a trifle too far?
00:45:35Well, since we met, I can't remember you saying a kind word to anyone.
00:45:40Perhaps you're right.
00:45:42I'm sorry.
00:45:52Six cups.
00:45:54That's just...
00:45:56Just four too many.
00:45:59Eh?
00:46:00Tell me about Egypt.
00:46:03Have you ever seen a sheik?
00:46:07I am one.
00:46:16Oh, thank you.
00:46:20Then how should I address you?
00:46:23Oh, I'm cutting sandwiches for a sheik.
00:46:27I don't feel quite well.
00:46:30Oh, don't be alarmed.
00:46:32We're not quite as uncivilized as people think.
00:46:35Oh, don't say that.
00:46:37Do you ride a white stallion?
00:46:40Sometimes.
00:46:41Oh, down the path of the moon.
00:46:45The noble animal plunging and frothing up the nostrils
00:46:49till it found us at your feet, faithful unto death.
00:46:53Well, not very often.
00:46:54You see, it's rather too expensive.
00:46:58I know it's not your fault.
00:46:59We were taught to hate one another, but...
00:47:01Good Lord, you don't think I hate you, do you?
00:47:02Well, I can't somehow feel I'm your dearest friend.
00:47:06So you never did have a great deal of sense, did you?
00:47:08Oh, that's nice.
00:47:13Rafe, I have a woman's intuition that you and I are up against things.
00:47:17Yes, I'm pretty sure we are.
00:47:19Well, then, let's cut the quarreling.
00:47:21Shoulder to shoulder, eh?
00:47:22All right?
00:47:24Partners.
00:47:25Partners.
00:47:26Ah.
00:47:41Well, what a wonderful night.
00:47:43It's a full moon.
00:48:01Scared of a dead man in his tomb?
00:48:05Shame on yourself.
00:48:09Are you a child that your knee should rattle at the talk of a madman?
00:48:17Look your enemy in the face.
00:48:20It's the fear the big door has got you.
00:48:23And will hold you fast till you stare it down.
00:48:33Do dead men walk?
00:48:36I'm no thinking a dead man will cross my path tonight.
00:48:48I'm sorry.
00:49:12See you next time.
00:49:43¡Gracias!
00:50:10¡Gracias!
00:50:43¡Gracias!
00:50:57¡Gracias!
00:51:34¡Gracias!
00:51:35I was dreaming
00:51:37Now I will show you
00:51:38How we make coffee in the desert
00:51:41Underneath the stars
00:51:43No, no, no.
00:52:12Take this canister and do exactly as I tell you.
00:52:17And if I fail?
00:52:19The Yorkshire moors are just behind us.
00:52:24Now, six spoonfuls.
00:52:28One.
00:52:33Two.
00:52:38Three.
00:52:41Four.
00:52:44Five.
00:52:54Leave me in the door, will you?
00:52:56Get your arms away from me.
00:53:00What's the matter with you?
00:53:02Are you mad, eh?
00:53:10What was the matter with him?
00:53:12Was it drink?
00:53:14No.
00:53:15Terror.
00:53:16Stark terror.
00:53:18Oh, then I've caught it.
00:53:21You stay here.
00:53:23I'll look after him.
00:53:25If you must look after somebody, why look further?
00:53:29Eh?
00:53:30Come on, then.
00:53:38Rafe!
00:53:39That limp, I'd swear to it anywhere.
00:53:57That's the man.
00:54:03Look here.
00:54:03Did you give a note to this?
00:54:04Gather up your things and get out of here.
00:54:06The master, the master, I've seen him.
00:54:09You.
00:54:18Who screamed?
00:54:20I did.
00:54:21That's the last time I'll ever try to make coffee in a strange house.
00:54:25That man with the limp.
00:54:26Who was he?
00:54:28Lang.
00:54:29Your uncle's servant.
00:54:31Well, he seemed mad to me.
00:54:42He seemed mad to me.
00:54:44And probably dangerous.
00:54:47You others have better go into the library.
00:54:48I'll have a word with him.
00:54:49Yes, come along.
00:54:51Mr. Broughton understands the man.
00:54:53Thank you.
00:54:55Thank you.
00:55:07It would do no harm to warn my man to stand by.
00:55:10Your man?
00:55:11Is he a sheik too?
00:55:13No.
00:55:14No, he's his chauffeur.
00:55:15He's outside now with my car.
00:55:21You're not leaving us, are you?
00:55:25My dear lady.
00:55:36Not a very courageous person, our foreign friend.
00:55:40You think he's run away?
00:55:43Absurd.
00:55:44I'd like to see you riding your bicycle with a Circassian slave,
00:55:47lovely as sin, across the handlebars.
00:55:50What on earth are you talking about?
00:55:52Now listen, good people.
00:55:53Good people?
00:55:54Don't you think perhaps we're allowing this thing to get on our nerves?
00:55:57Don't you think perhaps if we took a grip on our self-control?
00:56:00Now listen, good parson.
00:56:02This is our show, and our nerves are probably just as good as the next man's.
00:56:06So keep that sort of talk for your pulpit.
00:56:08Ray.
00:56:08Oh, well, of course.
00:56:09I have no wish to interfere where I'm not wanted.
00:56:11Then don't.
00:56:12This is not a Sunday school.
00:56:19After that, I think I can say goodnight.
00:56:22As you please.
00:56:28Well, I'm sorry I was offensive.
00:56:30Goodnight.
00:56:31Oh, well, the tongue is an unruly member, is it not?
00:56:35Yes.
00:56:35Yes.
00:56:38Yes.
00:56:45I was tempted.
00:56:48I was tempted, but I did not fall.
00:57:01I did not fall.
00:57:04The thing's safe.
00:57:06I swear it.
00:57:12When you told me you'd come back from the grave, how could I believe you?
00:57:17I never knew such things could be.
00:57:20No!
00:57:23No!
00:57:28No!
00:57:30No!
00:57:41No!
00:57:44No!
00:57:45No!
00:58:02i have no got it i have no got it the girl she has it i swear it
00:58:37now what on earth is the matter with you look as if you've seen a ghost i have
00:58:44i saw morland as plainly as i see you i'm going to mix myself a drink
00:59:00betty just a minute
00:59:06well i have an idea they're trying to scare us out of this house
00:59:16so
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01:05:28Mr. Gregoré
01:05:28Mr. Gregoré
01:05:30Mr. Gregoré
01:05:31Mr. Gregoré
01:05:33Mr. Gregoré
01:05:34Oh
01:05:34there you are
01:05:35Oh
01:05:36Mr. Gregoré
01:05:37I'll come up to you
01:05:42Wait
01:05:43I'll come down
01:05:48I'll come down
01:05:50¿Qué quieres?
01:05:51Hay alguien en la biblioteca.
01:05:54¿Quién?
01:05:55No sé.
01:05:56El puerta, está cerrado.
01:05:58Está cerrado.
01:05:59No te grita.
01:06:01Es lo que necesito.
01:06:03La commande en tu voz.
01:06:10Ven conmigo.
01:06:12Creo que has ido demasiado con tus insinuaciones.
01:06:15Sí, y me voy a gran parte de tu voz.
01:06:20¿Qué es esto? ¿Qué es lo que está pasando?
01:06:21I've seen him.
01:06:29¿No, perhaps you believe what I told you?
01:06:32Get me a glass of water, quickly, will you?
01:07:07¿Qué es lo que está pasando?
01:07:35¡Gracias!
01:08:02¡Gracias!
01:08:47¡Gracias!
01:08:59¡Gracias!
01:09:00We all panic sometimes.
01:09:01I found his hands on me.
01:09:02That's why I know it was no ghost.
01:09:04It was no ghost.
01:09:07Look at the clock.
01:09:08It's nearing the hour.
01:09:10I know where you'll find him now.
01:09:13He's gone back to the tomb.
01:09:15To his heathen gods.
01:09:18Y yo y yo vamos a seguir. Espera un minuto. ¿Cuál es su teléfono número de doctora?
01:09:24Jaxford, 72.
01:10:17Jaxford, 72.
01:10:31Jaxford, 72.
01:10:39Jaxford, 72.
01:10:50Jaxford, 72.
01:11:03Jaxford, 73.
01:11:05César, 73.
01:11:33¡Gracias por ver el video!
01:12:02¡Gracias por ver el video!
01:12:23¡Gracias por ver el video!
01:12:48¡Gracias por ver el video!
01:12:51¡Gracias por ver el video!
01:13:28¡Gracias por ver el video!
01:13:50¡Gracias por ver el video!
01:13:57¡Gracias por ver el video!
01:13:59¡Gracias por ver el video!
01:14:01¡Gracias por ver el video!
01:14:10¡Gracias!
01:14:26¡Gracias por ver el video!
01:14:27¡Gracias por ver el video!
01:14:53¡Gracias por ver el video!
01:14:55¡Gracias por ver el video!
01:14:58¡Gracias por ver el video!
01:15:01¡Gracias por ver el video!
01:15:11¡Gracias por ver el video!
01:15:14¡Gracias por ver el video!
01:15:25¡Gracias por ver el video!
01:15:40¡Gracias por ver el video!
01:15:53¡Gracias por ver el video!
01:16:18¡Gracias por ver el video!
01:16:21¡Gracias por ver el video!
01:16:23¡Gracias por ver el video!
01:16:39¡Gracias por ver el video!
01:17:00¡Gracias por ver el video!
01:17:07So much as move, in it goes
01:17:10But you don't know the value of that jewel
01:17:12I don't care for the value, it'll go
01:17:16And if you shoot, I'll go with it
01:17:19I mean it
01:17:21Down 30 feet
01:17:22And about 60 feet of water
01:17:25And then Australia
01:17:31I can't see to tie this
01:17:33That light seems much lower
01:17:53Hartley, quick, come on
01:17:55Get out, get him out of here
01:18:02The door, the door
01:18:04It's shut
01:18:06The flames
01:18:08They mustn't reach the door
01:18:24It's no good, you can't breathe in there
01:18:30Cartridge
01:18:33Here
01:18:35Only
01:18:38Only
01:18:43I've had enough of this, Miss Keeney
01:18:45Supposing I'm ready to shoot and take the risk
01:18:47You'd be taking a bigger risk than you think
01:18:51I'll take that gun, thank you
01:18:53Now look here
01:18:53That'll do
01:18:54Now, what's the trouble?
01:18:56This
01:18:57They're after it
01:18:59All of it
01:19:00It belongs
01:19:04I'll carry her to the house
01:19:17Get back
01:19:17Making that corner
01:19:19Making that corner
01:19:21Making that corner
01:20:07¡Gracias!
01:20:22¡Gracias!
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