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00:00:28La Vida de la Vida
00:00:41La Vida de la Vida
00:01:29La Vida de la Vida
00:01:43La Vida de la Vida
00:01:46La Vida de la Vida
00:02:00La Vida de la Vida de la Vida
00:02:03La Vida de la Vida de la Vida
00:02:05La Vida de la Vida
00:02:08La Vida de la Vida
00:02:11La Vida de la Vida
00:02:13La Vida de la Vida
00:02:17Amén.
00:02:30Me gustaría que tengas mis cuentas y cuentas.
00:02:33De todas las páginas, tu fue el único que era fair para mí.
00:02:39Gracias, doctor.
00:02:45Gracias, doctor.
00:03:02Gracias, doctor.
00:03:15This morning, my old friend George Kingsley was conducting his class at the University of Newcastle.
00:03:26And in 1547, Sir Joshua Peachtree wrote,
00:03:31Thou, who breakest glass, will find. Fate can be, oh, most unkind.
00:03:37Under ladder walkest thee, most unlucky thou wilt be.
00:03:40Each dread Friday do take care, else thou fallest down a stair.
00:03:46And with that little epic, Sir Joshua proved that he was a poet of the first rank.
00:03:50In fact, I should say he possibly was the rankest poet that England ever took.
00:03:59Just a moment, please, just a moment.
00:04:02This being the end of the semester, I have an announcement to make that I'm sure will give you a
00:04:07great deal of pleasure.
00:04:10Although I myself am sorry to tell you that I may not be with you next term.
00:04:16Today I must leave to appear before the Inquisitional Board of Regents of a very large university in the East.
00:04:23Very large university indeed.
00:04:27How many of the dunce that has been sent to Rome excels the dunce that must stay at home.
00:04:35I sincerely hope the board does not like me.
00:04:39I'll try and be back next term. Oh, my umbrella.
00:04:42Dr. Kingsley, I wish you the best of luck, but...
00:04:45Thank you, Edmund.
00:04:46Yeah, we hope to see you next semester, Doctor.
00:04:48We'd better hurry, Professor. Dad will be waiting to take us to the station.
00:04:51Have a good trip, Professor.
00:04:52Thank you very much.
00:04:54Professor. Yes, Doctor.
00:04:55English won't seem the same without you.
00:04:57Well, that's very nice of you indeed, Tom.
00:04:59Come on, Professor.
00:05:01You know, Jean, I'm going to miss all this.
00:05:04But most of all, I'm going to miss your father.
00:05:06A brilliant man, Jean.
00:05:09It distresses me to think that such a great brain surgeon should be so utterly wasted in Newcastle.
00:05:14Newcastle is a very welcome port in a very bad storm.
00:05:18Why, if it hadn't been for you, Professor, I don't know what we would have done.
00:05:21Oh, Jean, my dear.
00:05:27Well, Margaret, you don't know how sorry I have to see you and George leave.
00:05:31You've befriended Jean and me in so many ways since we came to live here.
00:05:34We're going to miss you too, Ernst.
00:05:36Thank you, Margaret.
00:05:37Oh, here they are.
00:05:37Hello, darling.
00:05:38Hello, Margaret.
00:05:38Ernst, if I could only drive, I'd never impose on you like this.
00:05:42It's a pleasure, George.
00:05:43It's rather a mixed one, you know. We hate to see you go.
00:05:45Hello.
00:05:46Hello, Dad.
00:05:48Oh, I knew I'd forgotten something.
00:05:50Oh, as usual.
00:05:51What now?
00:05:52Ernst, would you mind stopping at the students' cleaning shop?
00:05:54My one and only hat is there.
00:05:56And a professor must have dignity when he goes to the city lessons.
00:06:04There we are, George.
00:06:06Mrs. George, we're here.
00:06:08George!
00:06:08Hurry, or we'll miss the train.
00:06:10All right, darling.
00:06:10Oh, Professor, don't let them sell you one of those fancy feathers.
00:06:13I won't, Jean, I won't.
00:06:15And George.
00:06:16George.
00:06:17George.
00:06:18Yes, dear.
00:06:19Now, watch the traffic, won't you?
00:06:20Be careful, please.
00:06:21Yes, darling, I don't worry.
00:06:22Be careful now, please.
00:07:02Mr. Red Cannon now belongs to the history of crime.
00:07:05Past tense.
00:07:06But what about our door? We ain't got it back yet.
00:07:08Yeah.
00:07:08Yeah, how about it?
00:07:09Mr. Devor, it would have been poor business to kill Red,
00:07:12unless I knew how to locate the money.
00:07:15Turn back to the city.
00:07:24George.
00:07:24He's going to be all right, my dear.
00:07:26Now, you go home with Jean, and I'll call you later.
00:07:29We'll be waiting again.
00:07:31Come on.
00:07:36Thank you.
00:07:39Thank you.
00:07:48Ambulance, huh?
00:07:49Uh-huh.
00:07:50Some men were shooting at you.
00:07:51Who were they?
00:07:53Just a few of my pals.
00:07:57How bad am I hurt?
00:07:58A few minor cuts on the scalp, that's all.
00:08:03Any pain?
00:08:05No, not much.
00:08:07Who's the other customer?
00:08:09The man you ran down.
00:08:11He's dying.
00:08:14Softy.
00:08:16Did those guys get away?
00:08:18Yes.
00:08:19And pull the bell cord of this bus.
00:08:21This is where I get off.
00:08:22I'm going rat killing.
00:08:25Hey, I'm tied down.
00:08:26What is this, a pinch?
00:08:32Turn that thing off.
00:08:34I can't stand it.
00:08:34It's driving me crazy.
00:08:46Turn that thing off.
00:08:48It's no use, Sovac.
00:08:49Hingsley has compound frontal and parietal fracture.
00:08:52And severe concussion of the cerebral.
00:08:55Just a matter of hours.
00:08:57Or minutes.
00:09:08Pulse 65.
00:09:10He's in a coma.
00:09:26All right, lass, you can go.
00:09:28I'll stay.
00:09:31What's the matter with me, Doc?
00:09:43Thanks.
00:09:45What's the matter with me, Doc?
00:09:48I can't feel nothing.
00:09:49My legs are there, but I can't feel them.
00:09:52Your spine is broken.
00:09:54You're paralyzed.
00:09:58Don't pull me through, Doc, will you?
00:10:00Pull me through and I'll pay you anything.
00:10:32The only possible way to save George Kingsley's life is by a brain transplantation.
00:10:38An operation I performed successfully on animals.
00:10:40This is a dangerous and illegal operation, but a chance to make a great scientific discovery
00:10:46and perhaps save my friend's life.
00:11:14How long will his head be bandaged?
00:11:16Oh, no ahora.
00:11:18Dr. Souvac.
00:11:20Sí?
00:11:22Los señores quieren ver a ti.
00:11:24¿Quién son?
00:11:26Son los deteccios, creo.
00:11:28Voy a ver.
00:11:31Excuse me, por favor.
00:11:33Voy a volver, George.
00:11:35Una riqueza riqueza, Mrs. Keensley.
00:11:39Increíble.
00:11:42Está bien, está bien.
00:11:47Bueno, doctor.
00:11:49¿El dolor causó la muerte?
00:11:51Y muchas complicaciones.
00:11:53Su espina se rompió.
00:11:55Nos hicimos todo lo que pudimos para él.
00:11:57No te preocupes, doctor.
00:11:58No tiene nada más que la chair de la electricidad.
00:12:01¿Has dicho algo antes de la muerte?
00:12:04¿A la dinero, por ejemplo?
00:12:06No, no lo sé.
00:12:08Gracias, doctor.
00:12:17No, no lo sé.
00:12:52$500,000
00:12:54With that money I could build my own laboratory
00:12:57And continue with my experiments
00:13:00Kingsley is convalescing
00:13:02And seems to show some of Red Cannon's traits
00:13:05Does the Cannon brain in Kingsley's head
00:13:08Retain the knowledge of the hidden money?
00:13:14I've been waiting to see you, Ernst
00:13:16I'm worried about George
00:13:18He just doesn't seem himself
00:13:20Well, he's getting stronger every day, isn't he?
00:13:22Physically, yes
00:13:23But his mental condition doesn't seem right
00:13:25He's irritable
00:13:26Flies into a rage for no reason at all
00:13:28That isn't like George
00:13:30No, it isn't
00:13:32He has been acting strangely lately
00:13:35I don't think I'd be too alarmed about it, though, by you
00:13:38Well, I hope you're right
00:13:40I think so
00:13:42You're late today, Ernst
00:13:44Come and sit down and talk to me
00:13:46I'm feeling very low
00:13:47Will you have some tea?
00:13:49The trouble with you is you're feeling too well
00:13:51Too well?
00:13:53I used to think that a long period of convalescence would be like an ocean voyage
00:13:57That I'd have a chance to read all the books I want to that I haven't time to ordinarily
00:14:02But nothing seems to interest me
00:14:05A boring period, convalescence
00:14:07Yes, indeed it is
00:14:10I'm afraid I've got to go to New York for a few days, George
00:14:13You've got to?
00:14:14Yes, a little business for the hospital
00:14:15Well, that's nice
00:14:17I must say
00:14:18What am I going to do for companionship?
00:14:20Well, why not come with me?
00:14:22Come with you?
00:14:24Oh, no, I couldn't do that
00:14:25New York's too big, too noisy
00:14:28I never have wanted to go there
00:14:30And yet
00:14:31It's the very thing you need, George
00:14:34You've had your fill of peace and quiet
00:14:36You'll find New York exciting, stimulating
00:14:39Just the thing to lift you out of the doldrums
00:14:43As my doctor, do you prescribe it?
00:14:45As your doctor, I insist on
00:14:48Very well
00:14:50I'll tell Margaret to pack
00:14:52Oh, no, George
00:14:52Let's go alone
00:14:54Alone?
00:14:56In New York, without Margaret
00:14:58What you need is a radical change
00:15:01Well, perhaps you're right, Ernst
00:15:04I've been like a bear lately
00:15:06I'm quite sure she'd be glad to be rid of me for a time
00:15:10New York
00:15:12New York, I wonder
00:15:21I'm taking Kingsley to Red's old environment
00:15:24In fact, to the Midtown Hotel
00:15:26Which Cannon used as his hideout
00:15:40Good afternoon, Channel
00:15:41We'd like adjoining rooms
00:15:43Yes
00:15:45Yes, sir
00:15:46505 and 506
00:15:48If they're available, are they?
00:15:50Well, yes, they're available
00:15:51Thank you
00:15:53You've been with us before, sir?
00:15:56Well, no, of course not
00:15:58But I like a corner room with three windows and a fire escape
00:16:12This way, gentlemen
00:16:28Well, well
00:16:43I'm in the next film, Ernst
00:16:46Will you bring the black bag in here, please?
00:17:11You sure picked a room with a history, Mr. Kingsley?
00:17:13Oh, really?
00:17:14But you see, history's not my subject
00:17:17I don't mean that
00:17:17I'm talking about Red Cannon
00:17:21He hid out in these rooms for nearly six months
00:17:23From cops, G-men, and his own gang
00:17:26Nobody in the hotel suspected him
00:17:27But his gang got wise and Red tried to run out
00:17:30They caught up to him in some small town in the stakes
00:17:33Imagine when we found out who he was
00:17:35And him with nearly a million bucks hidden away
00:17:38Say, the manager locked himself in here and took these rooms apart
00:17:41Yes, yes, yes
00:17:42But he's still the manager
00:17:43So I guess he didn't find it
00:17:44Anyway, I made plenty out of Cannon
00:17:47I was the only one he allowed up here
00:17:49I had a special way of knocking
00:17:57Yes, sir
00:17:58That's it
00:18:01Thanks
00:18:21A talkative youngster
00:18:23Babbles on like Tennyson's brook
00:18:26Ernst
00:18:27I'm going to freshen up a bit
00:18:37And then
00:18:37Let's go out
00:18:39Let's
00:18:40Do the town
00:18:42You know what I mean
00:18:44A good dinner and
00:18:47Perhaps
00:18:48A bottle of wine
00:18:50Splendid, George
00:18:52I'll get changed and then we'll go
00:18:55I chatter, chatter
00:18:57As I flow
00:18:59To join the brimming river
00:19:02For men may come
00:19:03And men may go
00:19:06But I go on forever
00:19:24The cannon brain remembers this hotel
00:19:27Will it also remember Red's friends?
00:19:30Miller, Kane, DeVore and Marnie
00:19:34I'm taking Kingsley to the club royale
00:19:37Where he'll see Sonny Rogers
00:19:38Cannon's former sweetheart
00:19:40My kisses captured your lips
00:19:46But never reached your heart
00:19:51Last night
00:19:54I thought you loved me
00:19:58Dearly
00:20:02And I was
00:20:06Old fashioned
00:20:07George
00:20:08I'm ready for anything
00:20:10Do
00:20:11Yes
00:20:26I find the singer rather interesting
00:20:28Don't you, George?
00:20:30Who is she, Ernst?
00:20:32I seem to know her
00:20:35Could she be one of my former students?
00:20:44I really am surprised, George
00:20:46That you're pretending to know the singer
00:20:47Come, come, come now, Ernst
00:20:49I'm a college professor
00:20:50Not a college boy
00:20:52All these people here
00:20:53Are on pleasure bent
00:20:54And pleasure brings
00:20:56As surely in her train
00:20:57Remorse and sorrow
00:20:58And vindictive pain
00:21:00As William Cooper says
00:21:07Pardon me
00:21:10Sure
00:21:25Why, what's wrong, George?
00:21:28My head, Ernst
00:21:30That pain again
00:21:33I can't stand it
00:21:34We'll leave instantly
00:21:45Yes
00:21:45Yes
00:21:46Yes, the next train leaves at noon
00:21:48Do you wish me to make a reservation?
00:21:50Yes
00:21:50Please
00:21:52And send up a boy to help me pack, will you?
00:22:00Well, good morning, George
00:22:01You slept late
00:22:03But my sleep
00:22:04Doesn't seem to refresh me
00:22:10Ernst
00:22:12We're old enough friends
00:22:13That we don't have to deceive each other
00:22:15Why do you say that?
00:22:16And tell me
00:22:18What is the matter with me?
00:22:20My sleep only seems to tire me
00:22:23And I'm haunted by the most
00:22:26Horrible dreams
00:22:27A perfectly normal reaction
00:22:29To the shock of your accident, George
00:22:32Come in
00:22:38What do you mean by that ridiculous tap, tap, tap, tap, tapping?
00:22:43Why don't you knock the door like anybody else?
00:22:46Anything you say, sir
00:22:47You wanted me to pack?
00:22:49Yes
00:22:51I don't know what I'm doing here anyway
00:22:54Ernst
00:22:56I'm going home
00:22:58I need Margaret
00:23:01I don't think I'd try to leave today, George
00:23:05Now, you can stop the packing
00:23:06Yes, sir
00:23:13I don't think you're well enough to travel
00:23:16Now, let's wait and see how you feel tomorrow
00:23:36Red
00:23:38Red Cannon
00:23:40You were the leader of a gang
00:23:41They tried to kill you
00:23:43You came back to get revenge
00:23:56Red
00:23:58Do you remember the name Marnie?
00:24:04Marnie
00:24:07He's the one who took your place
00:24:09Marnie, Miller, Kane, Duvall
00:24:15And Duvall
00:24:16Why did they try to kill you, Red?
00:24:19To get your money
00:24:23But they didn't find it, did they?
00:24:28It's safe, just where you hid it
00:24:31Where is it, Red?
00:24:35Marnie
00:24:36Miller
00:24:39Kane
00:24:42Duvall
00:25:05You've been ill
00:25:07Red
00:25:11I remember that
00:25:12That hick town
00:25:14You're the doc, ain't you?
00:25:15Yes
00:25:18Say
00:25:20My back's better
00:25:22You cured me?
00:25:24Yes
00:25:25You're perfectly well now
00:25:27Thanks, Doc
00:25:28I won't forget it either
00:25:33Midtown hotel, huh?
00:25:41How'd I get here?
00:25:42You asked me to bring you
00:25:43I must have been out of my head
00:25:45Every copper in town will be looking for me
00:25:48I've got something to tell you, Red
00:25:53Oh, yeah?
00:25:54What?
00:25:56You were smashed up in an accident, you remember?
00:25:59I had to operate to give you another body
00:26:01You had to do what?
00:26:04What are you talking about?
00:26:28Why did you do this to me?
00:26:29It was the only way to keep you alive
00:26:32Oh
00:26:38My doc, you're a genius
00:26:41But you could have given me a better chassis
00:26:44I never saw plastic surgery like that before
00:26:46I used the body of the other man who was dead
00:26:48It was the only way to save you
00:26:52Say
00:26:53Wait a minute
00:26:55Nobody will know me like this
00:26:58Why, I can do anything
00:27:02Who was the other guy?
00:27:03He was a professor of English literature
00:27:06English literature?
00:27:10Well
00:27:12Well, how are you, Prof?
00:27:13You're now Professor George Kingsley
00:27:15And you teach in the university at Newcastle
00:27:19What a disguise
00:27:21What a break for
00:27:23Red Cannon
00:27:30Come in
00:27:35Telegram, sir
00:27:36Thank you
00:27:38Hey, what is
00:27:39Next time you do as you're told
00:27:42When you come to my room, knock like this
00:27:47No scram
00:27:47Yes, sir
00:27:50Next time
00:28:12Red, I think
00:28:13Who, who
00:28:18And you are
00:28:20I don't know
00:28:23That's
00:28:24Our
00:28:24Who
00:28:24And you are
00:28:29As
00:28:30пят
00:28:30And you are
00:28:33Evil
00:28:36E
00:28:37You are
00:28:37You areared
00:29:12¡Gracias!
00:29:34¡Gracias!
00:29:55Good morning, sir.
00:29:56I'll take them.
00:29:58And here's the morning paper, sir.
00:30:00Compliments of the house.
00:30:01Thank you.
00:30:02Say, you sure get around, mister.
00:30:03From the looks of those clothes last night, it would seem like you fell into a cement mixer.
00:30:06That'll be all.
00:30:07Yes, sir.
00:30:22Gracias.
00:30:59Good morning.
00:31:01Yes.
00:31:05How do you feel?
00:31:08Not very well.
00:31:09I'm afraid coming to New York was too exciting.
00:31:13I feel as if the life were drained out of me.
00:31:19You'll be all right as soon as you've had a little rest.
00:31:22Well, perhaps so.
00:31:27Here's a curious thing, George.
00:31:30It seems that Louis DeVore, one of the Red Cannon gang,
00:31:35was found early this morning in a deserted building,
00:31:38dying from the effects of a brutal beating.
00:31:41His back had been broken.
00:31:43Good heavens, Ernst.
00:31:45Why on earth bother me with that gruesome stuff?
00:31:49Sorry, George.
00:31:55Things have taken a dangerous turn.
00:31:57Kingsley has killed DeVore.
00:31:59While in this environment, I never know when the murderous brain of Red Cannon
00:32:03may take possession of Kingsley.
00:32:04But I will not stop my experiments.
00:32:06I must find out where the cannon money is hidden.
00:32:13The End
00:32:15The End
00:32:26¡Gracias!
00:32:55All ready, George.
00:33:20Oh, Miss.
00:33:21Yes, sir.
00:33:22I wonder if you'd be kind enough to open my friend's door for me.
00:33:26I'm a little worried about him.
00:33:27He hasn't been very well.
00:33:28Yes, sir.
00:33:29I ain't been feeling so well myself lately.
00:34:00Evidently, my friend has gone out.
00:34:20You can wait for me.
00:34:25No, thank you.
00:34:27I was here the other night with a friend.
00:34:29The other middle-aged gentleman.
00:34:30That's right.
00:34:31Has he been here tonight?
00:34:33I don't think so.
00:34:34Oh, wait a minute.
00:34:35There was a gentleman that looked like him at the bar.
00:34:37At the bar?
00:34:38Oh, no, no, no.
00:34:39On second thought, he couldn't have been your friend.
00:34:42Besides, that man left a little while ago, sir.
00:34:44Oh.
00:34:51I don't think Sonny was pleased to see us.
00:34:53Why are we wasting time fooling around here?
00:34:56Didn't you see that newspaper picture of the boy's battered body?
00:34:59Say, maybe they'd kill us after us, too.
00:35:01A good deduction.
00:35:03But who would want us dead except some friend of Red's?
00:35:06And who would know about Red Cannon's friends better than Sonny?
00:35:11That's right.
00:35:12Tell your nerd to stop doing nip-ups.
00:35:14Marnay'll handle this.
00:35:15You will handle this, Cain.
00:35:17I've seen you trying to take Red's pace here.
00:35:21Go on.
00:35:53I didn't have any part of divorce killing.
00:35:55Nobody said you did.
00:35:57And everything's just lovely.
00:36:00I'd like to see at your apartment after you get through.
00:36:03Maybe if we put together what you know about Red and what I know,
00:36:06it'll add up to some money.
00:36:08Say, if I knew anything about a half a million bucks,
00:36:11do you think I'd be working in this joint?
00:36:12We'll go over all that later.
00:36:18Like it?
00:36:20Sure.
00:36:22It's yours.
00:36:25Tonight.
00:36:43Hey.
00:36:44What is this?
00:36:46Get out of my car.
00:36:52What do you want?
00:36:54You ought not to have to think very hard after what happened to divorce.
00:36:58Who are you?
00:37:25Who is it?
00:37:26Who is it sent you that money to get out of that trouble in Chicago?
00:37:29Who is it sent you that money to get out of that trouble in Chicago?
00:37:29Oh, Red.
00:37:38You're alive?
00:37:45Yes.
00:37:46I'll be right up.
00:38:04¡Papá!
00:38:11¡Papá!
00:38:12¡No me digas!
00:38:13¡No me digas!
00:38:15¡Vamos a mirar!
00:38:19¡Feliz que te vayas, Sonny!
00:38:22¿Por qué te moviste el piano?
00:38:23¡No sé si te viste en esa casa!
00:38:25¿Cómo te sabías?
00:38:26¿Qué tal?
00:38:27No me hubiera olvidado en unos meses.
00:38:30¿Hay cigarrillos en la puerta?
00:38:32Sí.
00:38:37Te ves bien, mi amor.
00:38:39Vamos a ver.
00:38:57No hay nada, ¿eh?
00:38:59Buena mujer.
00:39:21¿Qué tal?
00:39:25Bueno, aquí estamos.
00:39:27¿Cómo?
00:39:28¿Cómo te gustan los trimmings?
00:39:40Voy a ponerlo.
00:39:52¿Cómo te conseguiste?
00:39:53¿Cómo te haces eso?
00:39:54Justiábamos la clima.
00:39:57No,, no parece muy felices de verlo.
00:40:01¿Qué te preocupes?
00:40:04¿Qué te preocupes?
00:40:07No, no.
00:40:08No, no, no, no.
00:40:38That dead gangster has no friends.
00:40:40Now, I want you to go out and find Marnie and Miller.
00:40:43Yes, sir.
00:40:43Okay.
00:40:44Take a couple of men with you and check the rich manor apartments.
00:41:30You're sure this is Bonnie's apartment?
00:41:38Oh, good afternoon.
00:41:41I'm sorry, but Mr. Marnie is not at home.
00:41:44Do you mind if we wait for him?
00:41:46Not at all.
00:41:48Are you a friend of Mr. Marnie?
00:41:50In a way, I'm just waiting till he comes back.
00:41:53Who are you?
00:41:54What?
00:41:54We're from police headquarters.
00:41:56Oh, I see.
00:41:59My name is Kingsley.
00:42:01I'm a professor of English at the University of Newcastle.
00:42:05From Newcastle?
00:42:06You the professor was hit the time Red Cannon was killed?
00:42:09That's right.
00:42:11What business could you have with Marnie?
00:42:13You'd better come along with us and explain that to the DA.
00:42:15Hey, you.
00:42:16Hey, you.
00:43:01Good morning, Sonny.
00:43:02Marnie.
00:43:03What's the matter?
00:43:04Aren't we welcome?
00:43:11So, Cain was here last night.
00:43:13Well, I, uh, had a date with him, but he didn't show up.
00:43:17The police found his body this morning strangled.
00:43:20Yeah, and his back was broken, just like the voice.
00:43:22Well, I don't know anything about it.
00:43:23No, if Cain wasn't here, where did you get that watch?
00:43:26Well, I expected him, but somebody else came and gave me the watch.
00:43:29Who?
00:43:30He said he was Red Cannon.
00:43:33What did he drive up in?
00:43:34A hearse?
00:43:36Try again.
00:43:38And be a little more believable.
00:43:41I'm trying.
00:43:41Hey, what was here?
00:43:42Look, Red always killed his cigarettes this way.
00:43:45Now, you've got to be alive to do that.
00:43:47Red's been dead since two months.
00:43:48That's what I thought.
00:43:50But last night, this man came here, and he didn't look like Red, but...
00:43:55This is the first thing he did when he came in.
00:43:59He knew everything that only Red knew.
00:44:04He even acted and talked like Red.
00:44:06Probably somebody Red coached carefully.
00:44:10Somebody from that hick town who got close to him before he died.
00:44:14If he knows so much, he may know where Red hid the money.
00:44:16That would be his payoff.
00:44:18He gets Red's money for killing all of us.
00:44:20Where does he live?
00:44:21I suppose you're going to say room 505 at the Midtown.
00:44:25Well, who left his matches here?
00:44:28Asked of all.
00:44:29And Cain.
00:44:39Thank you.
00:44:41Um...
00:44:41Any word of Professor Kingsley?
00:44:43Nothing, doctor.
00:44:44Hmm.
00:44:50Dad.
00:44:53Margaret was so worried.
00:44:55We talked it over and decided to come on to New York.
00:44:57Ernest, I just had to see George.
00:44:59Where is he?
00:44:59Well, he's out.
00:45:00I don't quite know where.
00:45:02But I...
00:45:03I thought you were always with him.
00:45:05I'm afraid you're not going to like this, Margaret.
00:45:07But I'm going to be quite blunt with you.
00:45:09When George was convalescing at home, you were a marvelous nurse.
00:45:12I did what I could.
00:45:14Exactly.
00:45:14When he turned his head, you were there to adjust the pillow.
00:45:17If he reached for a glass of water, you were porting it for him.
00:45:20Sorry, I couldn't have done more.
00:45:21But that was just the trouble.
00:45:22If you kept it up, he'd have been a permanent invalid.
00:45:26Well, why didn't you tell me?
00:45:27Well, naturally.
00:45:28I didn't want to hurt your feelings.
00:45:30And fortunately, George himself rebelled in time.
00:45:33That's why you brought him to New York alone with you.
00:45:34Of course, my dear.
00:45:36He had to have a change.
00:45:38Has it helped?
00:45:39Is he better?
00:45:39Yes, he is.
00:45:40But we must still be careful.
00:45:42Now, I suggest that you allow him to remain here till he's perfectly ready to go home of his own
00:45:47accord.
00:45:48And don't try to see him.
00:45:49Oh, but I...
00:45:50Now, you and Jean go up to your rooms and get some rest.
00:45:53And take the first train out for Newcastle in the morning, huh?
00:45:55Well, if it's best for him.
00:45:58All right.
00:45:58Believe me, it is.
00:46:00But there's George.
00:46:01Margaret, you said you wouldn't try to see him.
00:46:03Now, please, will you take it to my room?
00:46:05Oh, please, but Dad.
00:46:05Jean.
00:46:06I can't understand.
00:46:06I assure you what I'm doing is for his own good.
00:46:09Now, please believe me.
00:46:15Who were the women?
00:46:16Never mind that.
00:46:18Why, what's happened to your shoulder?
00:46:19I got nicked.
00:46:19Who were those women?
00:46:21My daughter and your wife.
00:46:23My...
00:46:23My what?
00:46:25Oh, Kingsley, sir.
00:46:26Well, get him out of here.
00:46:27I don't want any dames around here.
00:46:28Let me see.
00:46:29You've been shot.
00:46:30Yeah.
00:46:30Fix it up, will you?
00:46:31How'd you get it?
00:46:32The coppers shot me.
00:46:33It's only a scratch.
00:46:34How'd you get it?
00:46:35Well, don't ride me.
00:46:36It's your fault anyway.
00:46:37Mine?
00:46:37Yeah.
00:46:38You told me to use this Kingsley gag.
00:46:39Well, I pulled it and it didn't work.
00:46:41Where were you?
00:46:41In Marnie's apartment.
00:46:43They tried to question Professor Kingsley and I wouldn't stand for it.
00:46:46You killed them?
00:46:46Well, what do you think?
00:46:47Come on, get to work.
00:46:48You fool.
00:46:49They'll catch you before we get the money and you...
00:46:53What money?
00:46:56What do you know about the money?
00:46:58Why, I...
00:46:58You know too much, Doc.
00:47:02Just a minute, Red.
00:47:04You kill me, what becomes of you?
00:47:07You think you're Red Cannon, don't you?
00:47:10But whose body are you wearing?
00:47:11Well, you told me...
00:47:12Exactly.
00:47:12George Kingsley's.
00:47:14Professor of English Literature at Newcastle.
00:47:17How'd you like to be George Kingsley for good?
00:47:19What do you mean?
00:47:20You're walking around in Kingsley's body, all right.
00:47:23But part of your brain is his and you can't control it.
00:47:26That's not true.
00:47:27You killed the war.
00:47:28Last night, you murdered Kane in his car outside the club.
00:47:32I saw it.
00:47:33Remember?
00:47:35But do you remember how you woke up?
00:47:37In this very room, you woke as Kingsley.
00:47:40Complaining of nightmares, not knowing why you were here.
00:47:43I can't think.
00:47:44What's happened to my brain, I can't remember.
00:47:46Of course you can't.
00:47:47And if I hadn't forced you back into Red Cannon,
00:47:50you'd have gone to Newcastle as Kingsley for the rest of your life.
00:47:52Stop it.
00:47:53I can make you forget you ever were, Red Cannon.
00:47:56Stop it, I tell you!
00:48:02I'll cut you in on the door.
00:48:05You'll get your share.
00:48:06From now on, you do exactly as I say.
00:48:12Okay, Doc.
00:48:18Now I'll fix that shoulder.
00:48:24It's no use, Jean.
00:48:26I'm not going home in the morning,
00:48:27not unless George goes with me.
00:48:28But you told Dad...
00:48:29I don't care what I said.
00:48:30When George came in,
00:48:31your father practically ran me out of the room.
00:48:33He's trying to conceal something.
00:48:35No, Margaret.
00:48:36I'm going to see George now.
00:48:37And if Ernst tries to stop me,
00:48:39I'll call a New York doctor.
00:48:40Margaret, I'm sure you're worrying over nothing.
00:48:42But I'll go talk to Dad.
00:48:47There you are.
00:48:49Okay, nice job, Doc.
00:48:51It's not safe to stay here too long.
00:48:53You get that money tonight.
00:48:54Maybe you're right.
00:48:55I'll get going right away.
00:48:58You...
00:49:00Professor King...
00:49:01Dad!
00:49:04Jesus.
00:49:06Dad?
00:49:07He didn't even know who I was.
00:49:08Oh, nonsense, Jean.
00:49:10And the way he looked.
00:49:12He was like Professor Kingsley, and yet...
00:49:15Dad, what is back of all this?
00:49:18Haven't you guessed?
00:49:20The operation I performed was a brain transplantation.
00:49:25Then his brain...
00:49:27Is partly the brain of Red Cannon.
00:49:31Dad.
00:49:33Your best friend.
00:49:35Oh, you couldn't.
00:49:36I saved his life, didn't I?
00:49:37Well, what's the good of that if you've turned him into a criminal?
00:49:40My only thought was to keep him alive.
00:49:42I swear it.
00:49:43But when I saw signs of the gradual awakening of the Cannon brain, I knew I'd made a great discovery
00:49:49for science.
00:49:50Cannon's a gangster, murderers.
00:49:51All right.
00:49:53But in the meantime, I've proved what I always knew to be true.
00:49:57Transplanted human brain cells will live and function.
00:50:00What a triumph.
00:50:02Think of it.
00:50:04I'm not a scientist, Father.
00:50:05I can only see you destroying your best friend.
00:50:08Oh, it's too late to think of that.
00:50:09But you must.
00:50:10Think what you're doing to him and Margaret.
00:50:12Oh, he'll be all right.
00:50:13As soon as I get him back to Newcastle, he'll forget all about this.
00:50:16But I can't do that until...
00:50:19Until what?
00:50:22Until the experiment is completed.
00:50:25You've got to take him home tomorrow.
00:50:27Why?
00:50:30Because it's the only human thing to do.
00:50:33Margaret is suspicious.
00:50:35She threatens to call in a New York doctor, then the truth is bound to come out.
00:50:39Don't forget, Dad.
00:50:40You had no legal right to operate.
00:50:42It means prison.
00:50:43And every chance you might have had for a career in this country is lost.
00:50:51Very well.
00:50:55Tell Margaret we'll go back to Newcastle in the morning.
00:51:01I'll tell her.
00:51:08Gang killer slays two detectives.
00:51:10You'd think the police would catch that killer by now.
00:51:12A guy like that must be a lunatic.
00:51:14If I got one look at him, I could tell his type.
00:51:20Same, sir.
00:51:33Oh, hello, darling.
00:51:35I sent you a message.
00:51:36I was coming back to your dressing room.
00:51:38I went home and pack.
00:51:39Pack?
00:51:40Where are we going?
00:51:41South America, for a starter.
00:51:45Have we, uh, money enough?
00:51:48All the money in the world.
00:51:50Understand?
00:51:52All the money in the world.
00:51:57Let me have the keys to your car.
00:51:58I don't want any taxi drivers hanging around.
00:52:00Yeah, sure.
00:52:03Hear from me in an hour, and I'll have everything we need.
00:52:06Be ready.
00:52:07What do you think?
00:52:22He wants me to run away with him.
00:52:24He's going to pick up the money now.
00:52:26Good.
00:52:27I knew he would.
00:52:28Sooner or later.
00:52:30We'll get it.
00:52:31And split it three ways.
00:52:32Well, that's all right with me.
00:52:34I'll point him out to you.
00:52:41There he is, at the bar.
00:52:42Just getting up.
00:52:47He's taking my car.
00:52:49It should be easy to follow.
00:53:07How do you figure this guy?
00:53:09The way Red got hit, he couldn't have told everything he knew before he died.
00:53:12I only know that Red is planted in a graveyard, and I'm not afraid of anyone else.
00:53:17Me neither.
00:53:19Knowing this guy knows everything Red knew, and he gives me the creeps.
00:53:23He's leading us to a half million dollars.
00:53:37Good day.
00:53:38Go ahead.
00:53:38Good day.
00:53:47Go ahead.
00:53:50Come ahead.
00:53:52Let's do it right.
00:53:53Go ahead.
00:53:53Come ahead.
00:53:53Go ahead.
00:53:55Get this guy.
00:54:23¡Gracias!
00:54:52¡Gracias!
00:55:00¡Gracias, Bijacán!
00:55:02¡Se ve lo que éste cerca de 200 metros.
00:55:03¡Suscríbete por el dinero!
00:55:06¡Suscríbete al dinero!
00:55:08¡Gracias!
00:55:09¡Ok!
00:55:11¡Vamos a borde!
00:55:12¡Era guarda!
00:56:06You never saw the day I couldn't break you apart, Miller.
00:57:32Sonny
00:57:40Get in there
00:57:51You're late
00:57:56Where's Marnie?
00:57:57I don't know
00:57:58I haven't seen him
00:58:03Why is the bar open?
00:58:04I was getting a drink
00:58:05I was almost packed
00:58:07And just waiting for you
00:58:11Why are you staring at me?
00:58:13What's happened to you?
00:58:14Marnie and Miller followed me from the nightclub
00:58:17Now I know why you didn't want me to come back to your dressing room
00:58:20They were there
00:58:29Red, what are you looking for?
00:58:31Don't you believe me?
00:58:32I haven't seen Marnie for six months
00:58:40Red, look at me
00:58:41There's never been anybody but you
00:58:43Believe me
00:59:00What were you saying?
00:59:30Let me out!
00:59:31I'll tell you where the money is
00:59:32I hear it
00:59:33I hear it, it's in the oven, Red
00:59:35It's in the oven
00:59:37Let me out
00:59:38I'll tell you where the money is
00:59:41It's in the oven
00:59:42Let me out
00:59:43Let me out
00:59:45Let me out
00:59:47Let me out
00:59:47Let me out
01:00:06Taxi
01:00:07Yes
01:00:12Where do you?
01:00:14Where do you?
01:00:14That's in the airport
01:00:15Yes, sir
01:00:16Pardon the order
01:00:20A hot driver that works all night
01:00:21Shouldn't have kids
01:00:22All night you work your heart out for the little woman and the little darling
01:00:26All day long while you're trying to snatch 40 winks
01:00:28Your lady slams the doors
01:00:30The kids chase each other in out of the room
01:00:32One kid jumps up on the bed
01:00:34Hops on your stomach
01:00:35Daddy, tell me a story
01:00:37Tell me a funny story
01:00:39I knock him out of the bed
01:00:41He screams
01:00:41Your lady calls me a tramp
01:00:43Home sweet home
01:00:44I'll kill him
01:00:46Shut up
01:00:46I don't like Gabby taxi drivers
01:00:49I don't like Gabby taxi drivers
01:00:49I don't like Gabby taxi drivers
01:00:52What a dog
01:00:58If you do
01:01:00All night
01:01:10We'll kill him
01:01:17Something
01:01:18You don't like A점
01:01:23Westley Airport
01:01:31Westley Airport
01:01:35What?
01:01:37Westley Airport
01:01:41Drive me to the Midtown Hotel
01:01:45Midtown Hotel
01:01:47It's a crazy business, but it's a living
01:01:58Midtown Hotel
01:02:01480
01:02:03Thank you
01:02:05Keep the change
01:02:09Hey, you forgot your box
01:02:20A thousand bucks
01:02:33George
01:02:36Ernst, something's happened to my mind
01:02:43I found myself in a taxi
01:02:46And I don't know how I got there
01:03:00Ernst
01:03:01Just a minute, George
01:03:06You know Margaret and Jean are here
01:03:09Margaret here?
01:03:11Yes
01:03:13Now drink this
01:03:20I want you to get some rest before you see them
01:03:28Now don't worry about a thing
01:03:30Tomorrow
01:03:32Everything will be all right
01:04:02I hope you enjoyed your visit, Mr. Kingsley
01:04:04Yes, very much indeed
01:04:05Thank you
01:04:05May I have the bill?
01:04:06Oh no, George
01:04:07Allow me
01:04:08If it was understood you would be my guest
01:04:10You know
01:04:10Mr. Kingsley
01:04:12Yes, that's my name
01:04:13The chief of police would like to see you
01:04:16Oh really?
01:04:16But I don't even know him
01:04:17We'll introduce you
01:04:18What can the chief of police possibly want?
01:04:20There can't be any charge against Professor Kingsley, surely
01:04:23The chief will explain all that
01:04:24Who are you?
01:04:26I'm his doctor
01:04:27He's just recovering from an extremely serious illness
01:04:30Come along
01:04:30I'd like to go too, if you don't mind
01:04:32All right, come on
01:04:35Well, you go ahead to the station, dear
01:04:37Yes, but George
01:04:37No, no, no, it's all right
01:04:38We'll meet you there
01:04:39Goodbye
01:04:46This is Mr. Kingsley, chief
01:04:48And his doctor
01:04:49Sit down, gentlemen
01:04:51Oh, thank you very much
01:04:53A cab driver tried to change this at the bank
01:04:56Circumstances are so unusual
01:04:57We're holding him for investigation
01:04:58A thousand
01:05:00Look at this
01:05:01A thousand dollar bill
01:05:03They really exist
01:05:03The cab driver said you gave him that for a tip
01:05:06The cab drivers?
01:05:08That's a kingly gesture
01:05:10I'm sure you honor me
01:05:11But a thousand dollars
01:05:12Well, that's almost six months salary
01:05:14Bring the driver in
01:05:16What's your occupation, Mr. Kingsley?
01:05:18I'm
01:05:20I'm a professor of English literature
01:05:22And I might add
01:05:23A very underpaid professor
01:05:25Come on
01:05:25I gotta get out of here
01:05:27I tell you
01:05:27I gotta get out of here
01:05:28In there
01:05:28My wife
01:05:29She will like having me
01:05:31Staying in jail
01:05:31Is this the man
01:05:32That gave you that thousand dollar bill?
01:05:37How do you do?
01:05:41Him?
01:05:43Does he look like a grand note to you?
01:05:45The guy I was talking about
01:05:47Was a gangster
01:05:48Who pushed me in the face
01:05:51Can you imagine him
01:05:53Pushing me in the face?
01:05:54Oh, no
01:05:57That's all, Mr. Kingsley
01:05:58Sorry to have inconvenienced you
01:06:00Thanks for coming in
01:06:01Thank you
01:06:02We've barely time to catch the train, George
01:06:04Yes
01:06:08Back in Newcastle
01:06:10The red cannon brain
01:06:11Has become completely dormant
01:06:13Kingsley has returned to his classroom
01:06:15And now I can actually bring to a realization
01:06:18My plans for a great laboratory
01:06:20And give the world the benefit
01:06:22Of my scientific knowledge
01:06:25Thus, you see
01:06:26The Elizabethan novel
01:06:27Was a minor passing form
01:06:29And fed the drama of the period
01:06:31Which, I might add
01:06:32Devoured it avidly
01:06:34I'm going to let you go
01:06:36A little early this afternoon
01:06:37Early, but not immediately
01:06:40And I'm quite sure you'll all be glad to hear
01:06:43That tomorrow we're going to have a quiz
01:06:45On the past two weeks' work
01:06:46I must apologize for not giving you
01:06:52Your full hour this afternoon
01:06:54But my closest friend, Dr. Sovak
01:06:56Is leaving Newcastle
01:07:03What is that?
01:07:06What is it?
01:07:07What's that noise?
01:07:10What is it?
01:07:10Why don't you answer me?
01:07:12It's a siren
01:07:13Probably an ambulance
01:07:14Or a police car
01:07:26I can help you
01:07:27What can we do?
01:07:48Here you are
01:07:48Thank you, dear
01:07:50Gosh, Dad
01:07:51I hate to leave this place
01:07:53Seems so much like home to me
01:07:55I know, Jean
01:07:56But at least I'm going to a better position
01:07:57Of course, Dan
01:07:58Now I'll pack the rest of the books
01:08:02Oh, Dad
01:08:02I've packed all your instruments
01:08:04Good girl, Jean
01:08:13What per-
01:08:14Where is he?
01:08:16Where's the dock?
01:08:18I want my dough
01:08:19Where is it?
01:08:20You know where it is
01:08:20You're sneaking away with it
01:08:21What do you mean?
01:08:22Yes, you do
01:08:22Tell me where it is
01:08:24Dad!
01:08:24Stop it
01:08:25Dad!
01:08:28Red!
01:08:29Dad!
01:08:30Oh, no!
01:08:31Oh, no!
01:08:32Oh, Jesus
01:08:34Oh, no!
01:08:52Ernst
01:08:54Why?
01:08:55¿Por qué? ¿Por qué ha hecho esto? ¿Por qué, Ernst?
01:09:01Creo que sabes la respuesta ahora, George.
01:09:23I pronounce this man dead.
01:10:00I pronounce this man dead.
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