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00:02:10Oh, I shall be glad when we get to Shrewsbury.
00:02:13If we get to Shrewsbury.
00:02:15Do you happen to have any idea where we are?
00:02:17I haven't the least idea in the world.
00:02:20That's very comforting.
00:02:22You all right, Pendrel?
00:02:24Fine. Where are we?
00:02:26We don't know. We've lost our way.
00:02:28We're somewhere in the Welsh Mountains.
00:02:30It's half past nine, and I'm very solid.
00:02:32No pain for that.
00:02:33It's ten to one. We don't see Shrewsbury tonight.
00:02:36Oh, well, never mind.
00:02:38Oh, Mr. Waverton, what shall I do?
00:02:40I wanted to go to Shrewsbury, but they took me on to Crewe.
00:02:43Well, as a matter of fact, taking one thing with another, I'm not particularly sure that I want to go
00:02:49to Shrewsbury.
00:02:50Well, as that goes, I don't particularly want to go anywhere.
00:02:54Something might happen here, but nothing ever happens in Shrewsbury.
00:02:58Something certainly might happen here.
00:03:00Well, I'll tell you something that might happen.
00:03:03I don't want to frighten Mrs. Waverton.
00:03:05Go on, Mr. Pendrel. I'm not easily frightened.
00:03:07Aren't you? I am.
00:03:09Well, I'm just going to say it.
00:03:11You'll have to be a bit careful.
00:03:27Don't stop.
00:03:28How can I help stopping? Do you think we're in a motorboat?
00:03:31Stop for the night. Stop for the night.
00:03:34Mr. Pendrel, please.
00:03:36Sorry.
00:03:41Do you think we'll do it?
00:03:43I really don't know.
00:03:45Bon voyage.
00:03:53Well, now, for heaven's sake, stop.
00:03:55Let's look at a map or something.
00:03:58My own view is we're not on a map.
00:04:02Oh, you look, Philip.
00:04:03I can't see anything.
00:04:04It's all a stupid puddle.
00:04:07Seems to represent this country very well.
00:04:09Everything here is under water.
00:04:11Oh, just drive on.
00:04:13We'll arrive somewhere sometime.
00:04:15I suppose that's all we can do.
00:04:18Singing in the mountains.
00:04:19I can't see anything.
00:04:21I'm alive.
00:04:23We're passing on the clouds.
00:04:25Just like America.
00:04:28Like America.
00:04:30Never take a shot.
00:04:40Oh, look, Phil. Light, light. Pull in there.
00:04:45¡Suscríbete al canal!
00:05:33¡Suscríbete al canal!
00:05:43...¡Supposing the people inside were dead, all stretched out with the lights quietly burning about them!
00:05:49I'm sure it would be very amusing.
00:05:51I'm sure I could do with a drink.
00:05:53If people have to be soaked, they should be soaked inside, not out.
00:05:56Listen.
00:05:57What is it?
00:05:58Well, I heard something.
00:06:07Good evening.
00:06:09We've come to ask for shelter. We've lost our way. We're absolutely cut off.
00:06:13Don't you understand? We can't go forward and we can't go back.
00:06:16The road's blocked on both sides. Landslide.
00:06:28Even Welsh ought not to sound like that.
00:06:29...
00:06:37...
00:06:45...
00:06:59Mi nombre es Femme. Horace Femme.
00:07:02¿Cómo te lo? Estoy muy contento de hablar en ti. Mi nombre es Waverton.
00:07:07¿Puedo presentar mi esposa? ¿Cómo te lo?
00:07:11Femme, yo estoy seguro. ¿Cómo te lo?
00:07:13¿Cómo te lo? ¡Suscríbete!
00:07:16¡Gracias!
00:07:23Mi esposa estaba en el punto de arrangar estas flores.
00:07:34No entiendo si el hombre ha explicado la situación, ¿no?
00:07:37Él ha lo mejor, pero no puedo entenderlo.
00:07:40Morgann es malo.
00:07:42Oh, sé. De acuerdo, no entiendo.
00:07:44Fique bien Lancólo fuerzan hasta el día.
00:07:48No lo enseña'.
00:07:48Este интересно que geh vaya.
00:07:50¡Lo bez gon gon' por el camino!
00:07:53¿Cuál lo es? ¿Qué quieren dicen de catalана?
00:07:55Tilo me ref pas tuGS.
00:08:02¿Qué helped managerial?
00:08:03¿Qué están haciendo aquí?
00:08:06¿Qué quieren decir?
00:08:09¿Qué tío?
00:08:10¿Qué dicen? ¿Qué quieren alguien?
00:08:13¿Qué están haciendo aquí? ¿Qué es todo el truco? ¿Qué?
00:08:16Usted tiene que excusa, mi hija. Sie es un poco deuda.
00:08:19En fact, a veces bastante deuda.
00:08:22Ellos quieren saber si pueden estar aquí por la noche.
00:08:24Salta. Se han sido causada en la tormenta.
00:08:27Claro que no pueden estar. No pueden estar aquí.
00:08:29Pero no hay que estar aquí.
00:08:30Pero no hay que estar en la torres.
00:08:32¡Gracias!
00:08:33Hay un descanso. Hace un descanso de la montaña.
00:08:35Seguro que está en la montaña.
00:08:36Seguro que está en la montaña.
00:08:36El descanso es un descanso.
00:08:37Es un descanso es un descanso en el descanso.
00:08:40No, no, no.
00:08:41Pero qué le voy a hacer.
00:08:42No, no, no.
00:08:44No, no, no, no.
00:08:44El descanso es un descanso.
00:08:45Y por eso, este lugar se puede estar.
00:08:47No, no, no.
00:08:49No, no, no.
00:08:52No, no.
00:08:52¿Qué es lo que le pasa?
00:08:54¿Qué he dicho?
00:08:56Hay un descanso.
00:08:57Y el descanso.
00:08:57El descanso.
00:08:59El descanso.
00:08:59Estamos.
00:09:00Estamos.
00:09:02Tenemos que ir.
00:09:03¿Has de ir?
00:09:04Tenemos que ir.
00:09:05Y no, no.
00:09:06You're afraid, Horace.
00:09:07You're afraid, ¿no?
00:09:08No, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:09:11Ya sentíme en el cielo y escuché en las naciones, o escuché en la noche.
00:09:13Y tú estás miedo, miedo, miedo, miedo.
00:09:17Por qué no te dudas, ya ve difícil.
00:09:19Tu tiempo viene, pero ya no hablo.
00:09:22Este
00:09:23Mi casa es seguro.
00:09:24¿La recoguera de la tormenta?
00:09:25¿Por qué era ahí?
00:09:31¿La employers de la ciudad me han bajado?
00:09:43¡Gracias!
00:10:09I'm not very sure that I want to go to bed myself tonight.
00:10:13Morgan, attend to the fire.
00:10:16Is there any place I can put the car out of the rain?
00:10:19There are some stables round the corner to the right.
00:10:22Morgan will show you.
00:10:25Thanks very much.
00:10:26I'll come along, get the bed.
00:10:28Right.
00:10:29No beds.
00:10:30You can't have beds.
00:10:50What a storm!
00:10:51We're well out of it.
00:10:52I hope you're right, though.
00:10:53This house gives me the creeps not to mention its inmates.
00:10:55Well, it's better than driving along roads that aren't there.
00:10:57At least there's a roof and a fire here.
00:11:12Now, Mr. Penderel, do you think that you could join me in a drink?
00:11:15Mr. Pham, I honestly believe I could join you in a drink.
00:11:29It's only gin, you know.
00:11:31Only gin.
00:11:32I like gin.
00:11:36Mrs. Waverton?
00:11:36Thanks very much.
00:11:38Mr. Penderel, I will give you a toast that you will not appreciate being young.
00:11:43I give you illusion.
00:11:45Illusion?
00:11:46Ha!
00:11:46I'm precisely the right age for that toast, Mr. Pham.
00:11:49Oh.
00:11:50I presume you are one of the gentlemen slightly, shall we say, battered by the war.
00:11:55Correct, Mr. Pham.
00:11:56War generation slightly soiled.
00:11:58A study in the bitter sweet.
00:11:59The man with the twisted smile.
00:12:01And this, Mr. Pham, is exceedingly good gin.
00:12:07It seems to be getting worse.
00:12:09Yes, it is pretty bad, but evidently there's no danger here.
00:12:12Your sister was quite definite about that.
00:12:15But supposing we are cut off.
00:12:16Shut up in here.
00:12:17Well, it would be rather a nuisance for you having us billeted on you like this.
00:12:21But it's awful.
00:12:22How can you be so calm?
00:12:24You don't seem to understand.
00:12:25We may be cut off.
00:12:27Shut up in this house.
00:12:29I'm afraid I'm rather nervous.
00:12:31I am rather a nervous man.
00:12:33But the fact is that Morgan is an uncivilized brute.
00:12:39Sometimes he drinks heavily.
00:12:41A night like this would set him going, and once he's drunk, he's rather dangerous.
00:12:45I don't wish to alarm you, Mrs. Waverton, but I don't quite know what we should do.
00:12:50Well, I know what I'm going to do.
00:12:52That is, if Miss Pham will let me.
00:12:54What?
00:12:54I'm dreadfully wet, and I would be so glad if I could go and change my clothes.
00:12:58What?
00:12:58I wondered if I might change my things.
00:13:01You look wet.
00:13:01You better go and change your things.
00:13:03Oh, thank you.
00:13:04A good idea.
00:13:05Is there a bedroom or something?
00:13:21It's a dreadful night.
00:13:23What?
00:13:24I say, it's a dreadful night.
00:13:26Yes, it's a very old house.
00:13:28Very old.
00:13:29Very kind of you to let it stay.
00:13:31What?
00:13:31I say, you're very kind.
00:13:33Yes, it is a dreadful night.
00:13:34I'm a little dead.
00:13:35I understand.
00:13:37Yes.
00:13:37No, Mitch.
00:13:41I'll have none of this electric light.
00:13:43I won't have it.
00:13:58Thanks very much.
00:13:59I can manage quite well now.
00:14:01My sister Rachel had this room once.
00:14:03She died when she was 21.
00:14:05She was a wicked one.
00:14:07Handsome and wild as a hawk.
00:14:09All the young men used to follow her about.
00:14:11She died with her red lips and her big eyes and her white neck.
00:14:15But that didn't save her.
00:14:17She fell off her horse, hunting.
00:14:19Hurt her spine.
00:14:20On this bed she lay, month after month.
00:14:24Many of the time I've sat here listening to her screaming.
00:14:27How dreadful.
00:14:28She used to cry out to me to kill her.
00:14:31But I'd tell her to turn to the Lord.
00:14:32But she didn't.
00:14:33She was godless to the last.
00:14:35Well, I'd better change my wet thing.
00:14:39They were all goddesses here.
00:14:41They used to bring their women here.
00:14:43Brazen, lolling creatures in silks and satins.
00:14:46They filled the house with laughter and sin.
00:14:48Laughter and sin.
00:14:50And if I ever went down among them,
00:14:52my own father and brothers,
00:14:54they would tell me to go away and pray.
00:14:57They wouldn't tell Rachel to go away and pray.
00:15:01And I prayed and left them with their lust for red and white women.
00:15:07My father's still alive.
00:15:09He's upstairs.
00:15:11He's very old.
00:15:12Oh, is he?
00:15:13He's 102.
00:15:15That's very old, isn't it?
00:15:17He's a wicked, blasphemous old man.
00:15:27You're wicked too, young and handsome, silly and wicked.
00:15:31You think of nothing but your long straight legs
00:15:34and your white body and how to please your man.
00:15:38You revel in the joys of fleshly love, don't you?
00:15:42That's fine stuff, but it'll rot.
00:15:46That's finer stuff still, but it'll rot too in time.
00:15:49Don't!
00:15:50How dare you!
00:16:17Come on, the devil!
00:16:22Oh, no!
00:16:23Oh!
00:16:26Oh, no!
00:16:28Come on!
00:16:31Oh!
00:16:31Oh!
00:16:32Oh!
00:16:32Oh!
00:16:32Oh!
00:16:32Oh!
00:16:33Oh, oh!
00:16:35Oh, oh!
00:16:40¡
00:16:47¡Ahhh!
00:17:15Good for you, Mrs. Waverton. You make it look like a party.
00:17:20Thank you.
00:17:25You must have thought I was a long time.
00:17:27As a matter of fact, I thought you were quicker than usual.
00:17:30Oh, I just thought I'd been rather long.
00:17:35Supper!
00:17:44Philip.
00:18:00Horace! What are you doing? We aren't all heathens.
00:18:04Oh, I have forgotten my sister's strange tribal habits.
00:18:08The beef will seem less tough when she has invoked a blessing upon it.
00:18:12Horace Femme, if I can't hear, I can see. You're blaspheming.
00:18:16On the contrary, my dear Rebecca, I was merely telling your wandering guests
00:18:20that you were about to thank your gods for their bounty.
00:18:23That'll do. I know your mocking, lying tongue.
00:18:25To thank them for the health and prosperity and happiness granted to this family.
00:18:30For its years of peace and plenty.
00:18:33To thank them for having created Rebecca Femme, and Roderick Femme, and so...
00:18:38Stop!
00:18:45Bless our Lord, this is the husband. May they approve a wholesome healing remedy for mankind. Amen.
00:18:53Have a potato.
00:18:56Thank you.
00:19:24Well, this is a storm and a half.
00:19:26Yes, isn't it?
00:19:28Have a potato.
00:19:30Thank you. I should love a potato.
00:19:40Thank you.
00:19:41Vinegar, Miss Femme?
00:20:03It's simply coming down in bucketfuls outside.
00:20:06Thank you, Mrs. Waverton. That's the phrase I've been searching for all evening.
00:20:09No, no pickled onions, thank you.
00:20:35Those lights.
00:20:37They gave me quite a storm.
00:20:39I suppose it's a storm.
00:20:40On the contrary, we make our own electric light here, and we are not very good at it.
00:20:46Pray don't be alarmed if they go out altogether.
00:21:18There's someone outside.
00:21:20They can't come in.
00:21:21But surely they must come in. It's probably dangerous out there now.
00:21:28They're probably half drowned. You know, really, we ought to keep them waiting.
00:21:32No, I'm afraid we shall have to let them in.
00:21:34Morgan, open the door.
00:21:38Come on in, Morgan.
00:21:40Let them in.
00:21:52Woo! What a night!
00:21:56I thought you were never going to open that door.
00:21:58Bye.
00:22:01There must have been a reservoir buster, Summing.
00:22:04Anyhow, before we knew where we were, Summing had fallen down and smashed the car in.
00:22:10It's a wonder it didn't smash us.
00:22:14Incidentally, this house will probably be washed away any minute.
00:22:21Look at that.
00:22:27That's a grand fire.
00:22:33I'm sorry to barge in on you like this, but needs must when the devil drives.
00:22:40Well, who's the owner here?
00:22:43My sister is the owner, Miss Femme.
00:22:47How do you do, Miss Femme?
00:22:49My name is Porterhouse.
00:22:51Sir William Porterhouse.
00:22:53And this lady is Miss Gladys Duquesne, a friend of mine.
00:22:57Glad to know you.
00:22:59Nice weather for ducks.
00:23:01Allow me to introduce you.
00:23:02This is Mrs. Waverton.
00:23:04How do you do?
00:23:06Mr. Penderall.
00:23:07How do you do, Sir William?
00:23:08And Mr. Waverton.
00:23:10How do you do?
00:23:11Sir William Porterhouse.
00:23:14Howdy there!
00:23:16I've never seen such a night in all my born natural.
00:23:20I tell you, it's coming down in bucketfuls.
00:23:23Pretty well soaked we were, I don't mind telling you.
00:23:26I shouldn't be surprised if we caught our desk.
00:23:29Yeah, you better not put those wet shoes on again.
00:23:31Or as Sir William points out, you'll probably catch your desk.
00:23:36Here you are.
00:23:37These may not be exactly your size.
00:23:40At least they're dry.
00:23:42Thanks, they'll do fine.
00:23:43Wee!
00:23:44Ha ha!
00:23:52Are you for the mopperer, Mr. Marjorie Bay?
00:23:56Come and have something to eat.
00:23:58Now you're talking.
00:24:01Morgan, bring up some chairs.
00:24:09Oh, roast beef.
00:24:12There's nothing like roast beef when a man's hungry.
00:24:18Oh, roast beef of old England.
00:24:22How does that go?
00:24:23Do you remember that, Mr. Waverton, or was that before your time?
00:24:27Penderall's our song expert.
00:24:28Oh, so you're musical, are you?
00:24:30Well, I've got a bit of an ear myself.
00:24:33Have a potato.
00:24:38Morgan, bring a glass of water for Sir William.
00:24:51Oh, thanks very much.
00:25:06Thank you, Mr. Waverton.
00:25:07Take ourselves, for instance.
00:25:08Here we are, six people sitting around, and we've been talking now for nearly two hours.
00:25:15What do we know about each other?
00:25:17Not a thing.
00:25:18How reassuring.
00:25:20I agree with Sir William.
00:25:21At best, we only make guesses.
00:25:22If you were a woman, you wouldn't talk about only guesses.
00:25:26Ah, the famous old feminine intuition.
00:25:28Does it ever tell you which horse is going to win the Derby?
00:25:30No, but it tells me quite a lot about you.
00:25:34I wonder, Mrs. Waverton, whether it happens to tell you that I am wanted by the police.
00:25:40Why, no, Mr. Femmer.
00:25:41Tells me nothing so romantic.
00:25:43After all, can you conceive of anybody living in a house like this if they didn't have to?
00:25:48Well, there's no accounting for tastes, you know.
00:25:53No.
00:25:54Mr. Kane.
00:25:55Yes.
00:25:56What does your intuition tell you about me?
00:25:58Quite a lot.
00:26:00That frightens me a good deal.
00:26:01What does it tell you?
00:26:03It tells me, well, it's not very interesting anyway.
00:26:06Yes, it is.
00:26:07Let's have it.
00:26:08Well, it sounds silly, but I think he doesn't quite fit into these times.
00:26:13You know, factories and cheap advertising and money-grubbing and, well, what I mean is,
00:26:19Bill here's all right with these things, but they make Mr. Pendrel a kind of fish out of water.
00:26:24You should be flattered, Mr. Pendrel.
00:26:26No, I'm not flattered.
00:26:28You see, I've not much sympathy with fish out of water, although I happen to be one myself.
00:26:33My trouble is, I don't think enough things are worthwhile.
00:26:36Now, Sir William here would put tremendous energy into anything to make even a few pounds.
00:26:41Now, I don't think it's worth it.
00:26:43No doubt you think I'm very fat-headed, me young friend, but maybe I can see things a bit further
00:26:47than you suppose.
00:26:48That was a very fine speech of yours, but I know, as well as everybody else here, that you're really
00:26:53only getting at me.
00:26:54Well, honestly, I wasn't doing anything of the kind.
00:26:56I envy you.
00:26:57I admire you.
00:26:58Oh, yes, you envy me all right, but you don't admire me.
00:27:02Well, I don't admire myself so much.
00:27:06I know that money-making isn't everything, but let me tell you something.
00:27:12I'm a young man, see, married to a Manchester girl, pretty as paint, the only thing in the world I
00:27:18care about.
00:27:19Well, she dies.
00:27:22It's this way.
00:27:24My directors give a party.
00:27:25They ask us.
00:27:27Red letter there for us, I can tell you.
00:27:29I buy me first dress suit and Lucy has a new frock.
00:27:34A cotton frock.
00:27:36It seems that Lucy didn't go too well at that party, especially with the women.
00:27:42They snubbed her.
00:27:43Nothing definite, you know.
00:27:45Just didn't think the cotton frock was good enough.
00:27:48Well, Lucy worries about it.
00:27:51Gets it into her head that she's going to hold me back.
00:27:55Well, you may not believe it, but I know that's what killed her.
00:28:00That's what started me making money.
00:28:02I swore I'd smash those fellows and their wives who wouldn't give my Lucy a kind word.
00:28:06And I have smashed them, at least most of them.
00:28:11Once you've started making money, it's hard to stop.
00:28:15Especially if you're like me.
00:28:16There isn't much else you're good at.
00:28:22But what laddies here has to be superior about, I don't know, Miss Duke Kane.
00:28:26Why don't you tell them your real name?
00:28:29My real name is Perkins.
00:28:33And a very nice name, too.
00:28:35I may not be this and I may not be that, but you don't catch me pretending to be what
00:28:39I'm not.
00:28:40I think I'm finding you a little bit offensive.
00:28:43That's all right, Mr. Pendrel.
00:28:44I can take care of myself.
00:28:46At least if I can't by now, I never will be able to.
00:28:49I wasn't trying to put anything across you, Bill.
00:28:52I don't pretend to be what I'm not either.
00:28:54I'm not as dumb as that.
00:28:56These people here know a chorus girl when they see one.
00:29:00Incidentally, not a very good chorus girl at that.
00:29:03If I were better at my job, I probably wouldn't be weekending with you.
00:29:07No.
00:29:08I take that back.
00:29:10I probably would.
00:29:11You're nice enough.
00:29:13We get on, but...
00:29:21I mean we've beaten this.
00:29:21Morgan's in the bottle again.
00:29:23I knew he'd begin the game tonight.
00:29:25Where'd he get it from?
00:29:26He didn't get it from me.
00:29:28Can't you stop him?
00:29:29He's in the kitchen now, drunk!
00:29:31Quite drunk!
00:29:35Oh,'s Morgan.
00:29:37Is he the fellow that waited on us at table?
00:29:40Yes.
00:29:41Morgan is the...
00:29:43the butler.
00:29:44Looks to me as if he could do with a shave.
00:29:48Oh, hello.
00:29:50Hello.
00:29:51Well?
00:29:53Have you come over to help me gaze upon the wrath of God?
00:29:56No.
00:29:57I came to say thank you for trying to take my part just now.
00:30:01Charmed, I'm sure, Mr. Kent.
00:30:04Perkins to you.
00:30:06Nice, Perkins.
00:30:08I say, I'd mortgage the old homestead for a drink.
00:30:11So would I.
00:30:13And we'll have one.
00:30:14I've got some whiskey in the car.
00:30:15I've forgotten all about it.
00:30:16You stay here and I'll go and get it.
00:30:17No, I'll come with you.
00:30:33You'd better stay here undercover.
00:30:34The car's in the stables and you'll get soaked.
00:30:37All right, don't be long.
00:30:50The car's in the car's in the car's in the car's in the car's in the car's in the car's
00:30:52in the car's in the car's in the car's in the car's in the car's in the car's in the
00:30:55car's in the car's in the car's in the car's in the car's in the car's in the car's in
00:30:55the car's in the car's in the car's in the car's in the car's in the car's in the car's
00:30:56in the car's in the car's in the car's in the car's in the car's in the car's in the
00:30:57car's in the car's in the car's in the car's in the car's in the car's in the car's in
00:30:59the car's in the car's in the car's in the car's in the car's in the car's in the car's
00:31:00in the car's in the car's in the car's in the car's in the car's in the car's in the
00:31:05car's in the car's in the
00:31:24No, no, no, no.
00:31:41Somebody slammed the door in my face.
00:31:43Probably the wind.
00:31:44No, it wasn't.
00:31:44I know wind when I see it.
00:31:46It doesn't sound much, but, well, you know, it gave me a bit of a turn.
00:31:49Yes, I bet it did.
00:31:51Here, what you want, a drink of this.
00:31:54Thanks.
00:31:59I feel a bit more human now.
00:32:03This certainly is a benighted household.
00:32:05You're right, it is.
00:32:07Look at those.
00:32:12Come on, take them off.
00:32:20I seem to spend most of the evening changing your shoes.
00:32:23You ought to be a nursery maid.
00:32:25Yes, except that the best nursery maids don't drink whiskey out of the bottle.
00:32:36No.
00:32:36Storm's just as bad as ever, isn't it?
00:32:38Worse.
00:32:41That's done it.
00:32:42The light's gone out.
00:32:43I suppose they'll stay out this time.
00:32:46Now we should be miserable all the evening.
00:32:49That's all right.
00:32:50Surely there are some candles somewhere on there.
00:32:54Can I do anything about the lights, Miss Phelps?
00:32:56No.
00:32:57Nobody understands our lights except Morgan.
00:32:59And as an electrician, Morgan is temporally disqualified.
00:33:03You haven't got a lamp by any chance, have you?
00:33:05No.
00:33:06No.
00:33:07We haven't got a lamp.
00:33:08What did they say?
00:33:09Nothing.
00:33:10Nothing important.
00:33:11Oh.
00:33:12Not important.
00:33:13Ha!
00:33:13It has happened I heard that time.
00:33:15They want a lamp.
00:33:16Give them a large one.
00:33:18There's oil in it.
00:33:18We used it the last time the lights went wrong.
00:33:20Go on, Horace.
00:33:22You know the one.
00:33:23I don't remember where it is.
00:33:25Suppose you get it, Rebecca.
00:33:27It's too big for me.
00:33:29If you don't know where it is, I'll tell you.
00:33:31You know as well as I do.
00:33:32It's on the top landing on the little table.
00:33:35Do you know where the top landing is, Horace?
00:33:39At least you might believe there is a top landing,
00:33:42although you do believe in so little.
00:33:44It's up there, Horace.
00:33:45Up there.
00:33:46Next roof.
00:33:48Yes, of course.
00:33:48I remember.
00:33:50But I think it's a little too heavy for me.
00:33:52I don't think I could carry it down all those stairs.
00:33:55Why don't you say what you mean, Horace?
00:33:57You mean that you're afraid to go up there alone.
00:33:59You go with him.
00:34:00Here, take this.
00:34:01I don't know why I bother myself.
00:34:03Do you all go to sit in the dark?
00:34:15We'd better go up, haven't we?
00:34:16Yes, sir.
00:34:17I suppose we have.
00:34:18We won't be alarmed.
00:34:20That's all right.
00:34:20Mrs. Waverton will see that I don't get it out of here.
00:34:24You'd better lead the way.
00:34:26Hmm.
00:34:29Hmm.
00:34:58This is...
00:35:01No, no, no, no, no, no, no, no.
00:35:30I don't want to.
00:35:31But we said we'd get it, so why wouldn't we get it?
00:35:33Yes, but why should we, if we don't want to, and I don't want to?
00:35:36But this is absurd.
00:35:40Did you hear that?
00:35:41I did hear something.
00:35:44What was it?
00:35:45It must have been Morgan.
00:35:47He's drunk, you know.
00:35:49He's probably making a disturbance downstairs in the kitchen.
00:35:53I thought that noise came from upstairs.
00:35:56Anyway, what about this lamp?
00:35:58I wondered whether you'd excuse me from coming with you.
00:36:01I'm not very strong.
00:36:03There are rather a lot of stairs.
00:36:05I really should have told you before,
00:36:07but the vanity of age, you know.
00:36:11You'll find it on a little table
00:36:12at the end of the landing,
00:36:15two floors above.
00:36:17I suppose it's not too heavy for me to carry it.
00:36:20Oh, no, not at all.
00:36:21It's quite light, really.
00:36:24I see.
00:36:27Thank you. Thank you very much.
00:36:58Thank you.
00:37:44Thank you.
00:37:55I can't.
00:37:56Go and shut what?
00:37:57The rain's pouring and the flood's rising.
00:37:59The room'll be drenched if you don't come quickly.
00:38:01She means the window in her room.
00:38:03I'm afraid I opened it.
00:38:04Go on.
00:38:05You opened it, you can shut it.
00:38:07That's all right, Miss Fom.
00:38:08I'll come and shut it.
00:38:09Now.
00:38:28¿Qué pasa?
00:38:42¡Oh!
00:38:46¡Oh!
00:38:50¡Oh!
00:39:03¡Mr. Central! ¡Mr. King!
00:39:11Mr. Cangelo! Mr. Cangelo!
00:39:53Mr. Cangelo!
00:40:07Mr. Morgan, he's there at the bottom of the stairs.
00:40:12Take the carriage. Get back there.
00:40:19Get back! Go on, get back!
00:40:38Mr. Cangelo!
00:40:57Is he dead?
00:40:58No, you can see him breathing from here.
00:41:02He's only stunned.
00:41:04He'll be conscious in a minute, though he'll probably fall asleep again. He's very drunk.
00:41:08Oh, Philip, this is an awful house.
00:41:10It isn't very nice, is it?
00:41:17Listen, Margaret. Something happened upstairs just now.
00:41:20Oh, Philip, not something else horrible.
00:41:22No, this was nothing horrible.
00:41:24It was a voice calling from behind a door.
00:41:26Tiny voice, rather like a child's.
00:41:29I think I ought to go and see what it is.
00:41:31You'll have to come with me.
00:41:33I'm not going to leave you alone again.
00:41:36He'll be all right.
00:41:38Take my hand, darling.
00:41:48Oh, Philip!
00:41:49What is it?
00:41:50Sit down here a minute, darling.
00:42:01Thanks.
00:42:02Well, what happened then?
00:42:03Well, then the war ended.
00:42:05What about the girl?
00:42:06Oh, the girl I left behind me?
00:42:08The girl you were in love with.
00:42:09Why, she got married, Gladys.
00:42:11What a beast.
00:42:12No, on the contrary.
00:42:13A lady of rather good judgment.
00:42:15But now let's talk about you for a bit.
00:42:17I know what you're going to say.
00:42:19You're going to ask me about Bill Porterhouse.
00:42:21Clever, Miss Perkins.
00:42:23I don't mind telling you.
00:42:25I'd rather like to.
00:42:27Bill's all right, really.
00:42:29Of course, I don't love him.
00:42:31And, of course, he gives me money.
00:42:33Oh, not very much.
00:42:35Just enough to keep me going.
00:42:39You probably won't believe me, but Bill doesn't, he doesn't expect anything.
00:42:45Do you know what I mean by anything?
00:42:47Yes, I know what you mean by anything.
00:42:49He likes people to think he's ever so gay.
00:42:52You see, for all his money, he's a bit lonely.
00:42:55Yes, I spotted that when he told us the story of the cotton dress.
00:42:58I think he's in love with that little dead wife still.
00:43:01I'm sure he is.
00:43:03I suppose that's why he only wants me, well, for company.
00:43:07He likes to sit on my bed at night and boast to me about the things he's done during the
00:43:12day.
00:43:12Well, that's harmless enough.
00:43:14Mind you, I'm not pretending to be any better than I am.
00:43:18You're a nice creature, aren't you?
00:43:21I like you awfully.
00:43:25And I you.
00:43:28What are you thinking of?
00:43:29You may not be very pleased.
00:43:31Don't risk it.
00:43:35I was thinking I'd like to pretend that I was your lover.
00:43:39And that you were mine, Gladys, body and soul.
00:43:42I'd like to take you in my arms.
00:43:45And hold you.
00:43:47And press you to me very gently.
00:43:50Very tight.
00:43:52I'd like it too.
00:43:53Would you, Gladys Perkins?
00:43:55Why then, let's pretend.
00:44:07Listen, Gladys Perkins has an idea.
00:44:10I think she must have gone mad.
00:44:13She...
00:44:15She...
00:44:16She...
00:44:17She wants to live with you.
00:44:18I'm just flinging myself at your head.
00:44:22I've got a crazy idea that I might help you to be a useful person.
00:44:29Darling Perkins.
00:44:31Do you think I'm mad?
00:44:33Quite mad, my darling.
00:44:35And thank God for it.
00:44:38Well, what do you say?
00:44:49That's what I say, Perkins, darling.
00:44:53But I've got a better idea than yours.
00:44:55An improvement on it.
00:44:57What is it?
00:44:59Well, it's just this.
00:45:01No, I won't tell you here.
00:45:03There's magic here.
00:45:05I'll tell you later on in the house.
00:45:07Perhaps even in the cold light of morning.
00:45:09Tell me now.
00:45:11Come on, let's go back there.
00:45:12No.
00:45:13No, let's stay here.
00:45:16You're cold?
00:45:17No.
00:45:18It's just the idea of going back to that house that made me shiver.
00:45:22I've got a funny feeling.
00:45:24Something dreadful might happen to us if we go back to that house.
00:45:27Perkins, Perkins!
00:45:28You've my strong right arm, haven't you?
00:45:32All right.
00:45:34Come on.
00:45:39No, you can't put on those wet shoes.
00:45:41I'm going to try to carry you.
00:45:42I'm a devil of a weight.
00:45:44Well, if you're too heavy for me, I shall drop you in the mud and go on alone.
00:46:05Let's get that watered out.
00:46:07I am going to try to carry you in the mud.
00:46:08I'm sorry.
00:46:29Hello.
00:46:31Where are you going?
00:46:35I went out to the car to get a drink.
00:46:37And I went with him.
00:46:48She got her feet wet.
00:46:49Oh, she got her feet wet.
00:46:51Yes, she got her feet wet.
00:46:54What the devil's been happening here?
00:46:55I don't know what the devil's been happening here.
00:46:57Or anywhere else.
00:46:59I don't know what's been happening anywhere.
00:47:00I went into the old girl's room to close a window
00:47:03and came back and found this.
00:47:04Where are all the others?
00:47:05I don't know no more than you.
00:47:07Mr. Waverton went upstairs with thingamitite
00:47:09to fetch a lamp.
00:47:10I suppose his wife joined him.
00:47:12I've been asleep.
00:47:16So you got your feet wet.
00:47:18Yes, Bill.
00:47:19And that wasn't all, I...
00:47:21Yes, I didn't suppose it was.
00:47:24I don't quite know how you'll take this, but...
00:47:26Well, I've got to get it off my chest.
00:47:28Come on, let's have it.
00:47:30I've fallen in love, Bill.
00:47:32Oh, you have, have you?
00:47:34With him?
00:47:35Yes, with him.
00:47:38Darned fool.
00:47:39Probably.
00:47:40But we don't choose these things.
00:47:42Has he got any money?
00:47:43Not a penny.
00:47:44But you're going off with him.
00:47:45Yes, Bill.
00:47:47Are you angry?
00:47:48I think you're a lunatic.
00:47:50But I'm not angry.
00:47:52He took it pretty well, didn't he, Perkins?
00:47:54I told you.
00:47:55Bill's all right.
00:47:57He is indeed.
00:47:59I wonder where the others can be.
00:48:05Listen, Bill.
00:48:06She hasn't told you everything.
00:48:08Won't she?
00:48:09Why not?
00:48:11Because she doesn't know everything herself.
00:48:14We're going to be married.
00:48:16Oh, are you?
00:48:18At least if she'll have me.
00:48:20I'm going to ask her tomorrow.
00:48:21In the cold light of morning.
00:48:25Will you come to the wedding?
00:48:27I think you're off your head.
00:48:29Do you?
00:48:31No.
00:48:32I don't.
00:48:34I think it's probably the best day's work you've ever done in your life.
00:48:39Ah, Bill.
00:48:41Bill.
00:48:41Who told you you could call me Bill?
00:48:44Well, you try and stop me.
00:48:45Now, look here.
00:48:46Come and make yourself useful and put this table on its feet.
00:48:51That's no way to treat roast beef.
00:48:53Miss Perkins, tend the roast beef.
00:48:55Tend it yourself.
00:49:03Sure you feel better?
00:49:04Yes, I'm all right.
00:49:06Well, let's go on.
00:49:19This is the door.
00:49:51Who are you?
00:49:53I'm Mrs. Waverton.
00:49:55This is my husband.
00:49:56Are you Sir Roderick Thames?
00:50:00We came in because we thought we heard you calling.
00:50:04Can we get you anything?
00:50:15Can you take it yourself or shall I give it to you?
00:50:19I can take it myself.
00:50:21Thank you.
00:50:35What was that noise?
00:50:38Was it Morgan?
00:50:40Yes.
00:50:41Morgan is a savage.
00:50:43I, uh, I must apologize.
00:50:48But we have to keep him here.
00:50:52You shouldn't have come here.
00:50:54I'm very sorry, but really we couldn't help it.
00:50:57Oh, I don't mean that.
00:51:00I was never inhospitable.
00:51:03Never.
00:51:05Never.
00:51:05This house was always filled with guests once upon a time.
00:51:12When you came, what did they tell you?
00:51:16Why, they told us you were an invalid.
00:51:19Was that I?
00:51:21Yes.
00:51:22You've seen my son, Horace, and his sister, Rebecca.
00:51:27Yes.
00:51:27And Morgan.
00:51:31I would like to tell you all about it, but there may not be time.
00:51:38You see, when you're as old as I am, at any minute you may just die.
00:51:47Oh, please don't talk if it tires you.
00:51:51This is an unlucky house.
00:51:54Two of my children died when they were twenty.
00:51:58And then other things happened.
00:52:02Madness came.
00:52:05We are all touched with it a little, you see.
00:52:10Except me.
00:52:12At least I, I don't think I am.
00:52:18Would you like to go to sleep now?
00:52:21No.
00:52:22Not just yet.
00:52:25You see, it may be...
00:52:30It may be what?
00:52:32Dangerous.
00:52:34You mean Morgan?
00:52:36No, not Morgan.
00:52:38I mean from my eldest son, Saul.
00:52:45Saul?
00:52:46They didn't tell you about Saul.
00:52:50No, they didn't.
00:52:51Saul is the worst, you know.
00:52:54We have to watch him.
00:52:56Because, you see, he wants, he just wants to destroy, to kill.
00:53:06Poor Saul.
00:53:08Where is he?
00:53:09I know where he is.
00:53:09He's upstairs behind that bolted door, isn't he?
00:53:12Yes.
00:53:13Locked in.
00:53:15Saul is why we have to keep Morgan.
00:53:18But if he did get out?
00:53:22Saul, quite certainly, would set fire to the house.
00:53:28He tried to once before.
00:53:31He wanted, he said, to, to make this house a burnt offering.
00:53:37But isn't he safely locked in?
00:53:39Yes.
00:53:41But you see, if Morgan is burnt, I, uh, I think he might, uh, open the door.
00:53:56Philip, wonder if he's come too?
00:53:59Wait here.
00:53:59I'll go down and look at him.
00:54:17He's gone upstairs.
00:54:18I heard him.
00:54:19He's gone to let Saul out.
00:54:21Wait for him downstairs and kill him.
00:54:24Thank you.
00:54:31What are we to do?
00:54:31Can't we stay in here?
00:54:33No, supposing he set fire to the place.
00:54:34Come on.
00:54:34But what about Sir Roderick?
00:54:36We must lock the door.
00:54:41Sir Roderick, I'm going to lock you in.
00:54:44He's asleep.
00:55:00What is it?
00:55:00Listen, there's a madman upstairs.
00:55:02Morgan's let him out and he's dangerous.
00:55:04We've got to do something.
00:55:05Good gosh, where are they?
00:55:06Upstairs, but they may come down any minute.
00:55:08That's all right, my dear.
00:55:09I knew I felt something dreadful was going to happen.
00:55:11I think we'd better get out of the way.
00:55:13No, we can't do that.
00:55:14We might set fire to the place.
00:55:16He's tried it once before.
00:55:17Well, let him.
00:55:18Let the rotten old place burn.
00:55:19I wish it would.
00:55:20That's all right.
00:55:21We thought about the fames.
00:55:23What is it?
00:55:24Your brother's out of his room.
00:55:26What?
00:55:27Saul?
00:55:29Look.
00:55:41Here.
00:55:42Get back.
00:55:46Take him back.
00:55:47Morgan, you hear me?
00:55:48Take him back.
00:56:13¡Ah!
00:56:22¡Ah!
00:56:25¡Ah!
00:56:25¡Take him in the kitchen!
00:56:30¡Take him this way!
00:56:35¡Ah!
00:56:36¡Ah!
00:56:36¡Ah!
00:56:37¡Ah!
00:56:41¡Ah!
00:56:42¡Ah!
00:56:45¡Ah!
00:56:46¡Ah!
00:56:47¡Ah!
00:56:52¡Ah!
00:57:01¡Ah!
00:57:09¡Ah!
00:57:11¡Ah!
00:57:12¡Ah!
00:57:13¡Ah!
00:57:14¡Ah!
00:57:17¡Ah!
00:57:17¡Ah!
00:57:31¡Suscríbete al canal!
00:57:56¡Suscríbete al canal!
00:58:34¡Suscríbete al canal!
00:58:39¡Suscríbete al canal!
00:58:46¡Suscríbete al canal!
00:59:04¡Suscríbete al canal!
00:59:18¡Suscríbete al canal!
00:59:30¡Suscríbete al canal!
00:59:40¡Suscríbete al canal!
00:59:44¡Suscríbete al canal!
00:59:47¡Suscríbete al canal!
01:00:14¡Suscríbete al canal!
01:00:25¡Suscríbete al canal!
01:00:27¡Suscríbete al canal!
01:00:37¡Suscríbete al canal!
01:00:39¡Suscríbete al canal!
01:00:41¡Suscríbete al canal!
01:00:43¡Suscríbete al canal!
01:00:46No, no, no, no, no, no, no.
01:01:18No, no, no, no, no, no, no.
01:01:45No, no, no, no, no, no, no.
01:01:51No, no, no, no, no.
01:02:30No, no, no, no, no.
01:02:32No, no, no, no, no, no.
01:03:01That is why you understood so quickly that I wanted to kill you.
01:03:06Ha, ha, ha.
01:03:09We understand each other so well.
01:03:12Don't we, my friend?
01:03:14Yes.
01:03:15Yes, indeed we do.
01:03:16From the start somehow I liked you and I thought you liked me.
01:03:21Like you?
01:03:22My friend, I love you.
01:03:24Did you know?
01:03:25Did you know?
01:03:26My name is Saul.
01:03:28Saul, my friend.
01:03:30And Saul loved David.
01:03:32Yes, indeed he did.
01:03:34But Saul was afraid of David because the Lord was with him and was departed from Saul.
01:03:39And it came to pass on the morrow that the evil spirit came upon Saul and he prophesied in the
01:03:45midst of the house.
01:03:46And David played upon the harp with his hand.
01:03:49And there was a javelin in Saul's hand.
01:03:52And Saul cast the javelin.
01:03:57And he said, I will smite David even to the wall with him.
01:04:06And David avoided out of his presence twice.
01:04:11Twice, my friend.
01:04:12But the third time, the third time, you must be careful.
01:04:19Listen, I'm your friend.
01:04:21I'm in your side.
01:04:22It's silly to lose me.
01:04:23If you lose me, look, there's Morgan.
01:04:25He's come for you.
01:04:26Morgan.
01:04:27Stop it.
01:04:28Don't move.
01:05:06Stop it.
01:05:07Stop it.
01:05:08Stop it.
01:05:09Stop it.
01:05:11Stop it.
01:05:12Stop it.
01:05:13Stop it.
01:05:15Stop it.
01:05:17Stop it.
01:05:18Stop it.
01:05:19Stop it.
01:05:19Stop it.
01:05:20Stop it.
01:05:21Stop it.
01:05:22Stop it.
01:05:23Stop it.
01:05:23Stop it.
01:06:37¡Oh, let go!
01:06:38¡Can't you see?
01:06:39¡There's tendrils!
01:06:41¡Let me go to him!
01:06:42¡Go on!
01:06:43¡Let me pass!
01:06:47¡Oh!
01:06:51¡Oh, you're a swine!
01:06:53Pero no te preocupes de ti. Voy a ir a él. ¿Estás aquí?
01:06:58¿Cómo podrías?
01:07:05Escucha, no tienes que dejarme al lado. Tengo que ir a Pendrel. Se está hurtando.
01:07:09¿Cómo te lo entiendes? Se está hurtando.
01:07:12Tengo que mirar a él y el otro, también. Sol. Están todos hurtos.
01:07:38No, no, no, no, no, no.
01:08:13¿Estás bien?
01:08:14Vámonos.
01:08:15Sí, estoy bien, mi amor.
01:08:17Bladduce.
01:08:19Es todo bien.
01:08:21¿Como, ahora?
01:08:22¿Está bien? ¿Está bien?
01:08:24Sí, no está bien.
01:08:27¿Qué te pasó?
01:08:28¡Era Bruce Morgan! ¡He hit her!
01:08:29¡Como!
01:08:32Estoy bien ahora.
01:08:34¿Dónde está Pendrel?
01:08:35¡Tengo que ir a mirar!
01:08:38¡Vamos a ir por ahí!
01:08:41¡Vamos conmigo!
01:08:57¡He está vivo!
01:08:59¿Qué?
01:09:00¡He está vivo!
01:09:02¿Qué?
01:09:02¡He está vivo!
01:09:05¡He está vivo!
01:09:22¿Qué?
01:09:29¿Good morning!
01:09:30¿Good morning?
01:09:35¿Good morning, Mr. Waverton?
01:09:39¿Good morning?
01:09:44¡The floods have subsided considerably!
01:09:47Gracias por eso.
01:09:53Creo que es posible que nos envíe un avión.
01:09:57¿Quieres que podamos?
01:09:58Sí, estoy seguro que podamos.
01:09:59Vamos, chico.
01:10:01¿Vas a estar aquí con Gladys?
01:10:03Sí, sí.
01:10:05No, no.
01:10:06No, no.
01:10:06Vamos, vamos a estar rápido.
01:10:25Gracias.
01:10:27¿Verdad?
01:10:28¿Verdad?
01:10:29¿Verdad?
01:10:30¡Verdad!
01:10:30So happy to have met you.
01:10:36¡Ah!
01:10:50¡Gracias!
01:11:42¡Gracias!
01:12:00¡Gracias!
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