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00:00The disappearance of Manuela Orlandi has been brought back into the discussion because digging was done in the Jets' house,
00:06bought by Nicoletti, defined as the caste of the Magliana gang, but something he always denied.
00:12When did you buy this villa? Before or after Manuela Orlandi's kidnapping? Before or after June 22nd.
00:22'83? We went to ask Father Domenico who had worked in that villa before it was purchased by
00:32Nicoletti and Father Domenico had explained it to us very well.
00:35You see when he made the drawings for us, he showed us how we could go down into this cellar tunnel from
00:42a door of the annex of the Arturo Osio villa and it is this tunnel, this cellar that the investigators are now looking for
00:53to get there just to see if by chance a body is hidden.
00:57We talked about Paola Di Nolfi, you know, but also about Manuela Orlandi. So let's hear what she says to the
01:03our Marco Monti of the sale of the villa, that is, when it was sold in relation to the disappearance of Manuela Orlandi.
01:12Here, Don Domenico, is the document that tells you what year Villa Osio was sold, right?
01:24She managed to find and know a document, a letter that tells us in what year and day
01:33it has been sold.
01:34That the villa, the sale, had taken place and it needed to be formalized within the institution as well.
01:42When was it sold?
01:43And it happened on March 22, 1983.
01:48March 22, 1983.
01:51Stop.
01:52Stop.
01:53Alright?
01:54Alright.
01:54No, now Emanuele Orlandi comes to mind.
01:59He disappeared on June 22, 1983.
02:02I don't know anything about these things.
02:04That is, it is not these given combinations that they want to cross to delve deeper into what purpose, perhaps if Nicoletti was already or
02:19No, he didn't own the villa. How many months had he owned it? Do the math.
02:23From June, from March to June, it's three months, three months before Emanuele disappears.
02:37So, no, we wanted to clarify because it was later said that the villa was sold in '84.
02:41No, it was sold in March '83, on March 22nd.
02:46Then suggestions because Emanuele Orlandi disappears on June 22nd.
02:49You see, it's also written in this note about the sale of Villa Arturo, Arturo Osio.
02:55The villa which then became Nicoletta's property happened on March 22, 1983.
03:02The new lead, the one indicated by the president of the commission of inquiry, by president De Priamo,
03:09It starts from a note from the girl.
03:13It says assembly of attractions.
03:16We went there, but it's no longer there of course, but many people remember it.
03:22Envoy Francesco Paolo del Re with Imma Giuliani.
03:29Have you ever heard of Emanuele Orlandi?
03:32Yes, of course, Perella.
03:35That year she disappeared, right?
03:36That very year.
03:38Ah, that year.
03:38Emanuele Orlandi passed away in June 1983, on June 22nd.
03:43So she was already here, right?
03:45Francesca opened her dry cleaner's on Via Cassia on February 7, 1983,
03:51four months before Emanuele Orlandi's disappearance.
03:55Emanuele Orlandi's diary said she came to the assembly of the attractions.
04:01What do I know.
04:02No, of course she doesn't know, but it seems possible to her.
04:06No, how do I know you came?
04:09Francesca is surprised by the information we give her,
04:12but it shows us exactly what we're looking for and what you've all been wondering about for a week.
04:19This lady's shop overlooks the slope that leads to the assembly of the attractions.
04:24There it is.
04:25Oh well, Yellow, that one stayed as it was.
04:28That has remained as it was since 1983.
04:32These were the drawings a girl made in 1995.
04:36But underneath it's huge, it's full of shops underneath.
04:41According to Francesca, there is a real labyrinth beneath our feet.
04:45But where does this name come from?
04:47The assembly of the attractions.
04:49From the papers found in Emanuela's house.
04:52It's written in a note similar to this one, where we read...
04:56Monday, June 6th, we go to the zoo.
04:58And then immediately below...
05:00Postponed to Thursday.
05:01The visit to the zoo is scheduled for June 6th, precisely 16 days before he disappeared.
05:07Homework is on the same page.
05:10History, I study research, math, I look in my notebook and on the paper.
05:15The story is written by Emanuela, a fifteen-year-old Roma fan and lover of Claudio Baglioni's songs.
05:23Three sisters and a brother.
05:24In the afternoon he studies music and plays the flute.
05:27But even though he lives in the center of Rome, he lives within the walls of a foreign state.
05:31The Vatican City.
05:47It is therefore from a note like this that the members of the bicameral commission of inquiry started
05:52who is investigating her disappearance.
05:54But what kind of place is this at Via Cassia 871 that Emanuele Orlandi talks about in his diary?
06:01Here, we'll show you.
06:02There is this descent that takes us below street level.
06:06There is a first door, but it is not the only door that opens along this descent.
06:10If we continue to move forward, we realize that there are other openings.
06:14Here there is this other little door and then there is this shutter.
06:18In this building there was always a club where live music was played during the 80s,
06:25which is the Wonna Club.
06:31The two doors are connected, but the assembly of the attractions, the place precisely which Emanuele Orlandi writes about,
06:39Where was he? He must have been beyond this door.
06:42This room later became the Teatro Stabile del Giallo, but before that it was called the Montaggio delle Attractions.
06:48What is it? Let's ask those who have been there to explain it to us.
06:51The assembly of attractions was a film club that was concerned with making intellectual films,
07:00that is, avant-garde films, alternative films.
07:03Anyway, it was an experimental thing for the place, for the area.
07:07It was a point of attraction especially for us young people.
07:11I've been there two or three times and it was definitely a nice and interesting thing in the neighborhood.
07:17The first theatrical initiatives were made in the assembly of attractions.
07:24Senator Andrea De Priamo, president of the parliamentary commission of inquiry,
07:28declares to Lanza that, in a note, Emanuela writes about this place
07:32and of a theatrical performance performed there just over a month before Vanishing into Nothing.
07:38There were some companies that maybe came there and put on some performances.
07:43And then, maybe later, if I remember correctly, we also did something like a film laboratory.
07:49Where then there were directing courses organized with Canon.
07:53I came in as a mascot, so to speak.
07:57Then over time I became a projectionist, in the sense that I projected in 35 mm, 16 mm,
08:07at the dates of 15 years, 18 years.
08:09It was a beautiful experience.
08:13Was there a sign outside?
08:15There was a sign.
08:17There was a sign, perhaps, in place of the Stardia del Giallo theater.
08:22Not a sign, but a large mask.
08:24That's what Francesca remembers, though.
08:27It was a mask made of...
08:29Brass-lead type, go on, count on it.
08:32You know, if I take a mask like this, I put my face on it.
08:36The imprint remained, as I can tell you, and it was placed up there.
08:39I mean, was he outside, on the street right?
08:41On the road, yes.
08:41It overlooked Via Cassia.
08:43Ah, up here.
08:48Here is the mask.
08:50We see it in this photo.
08:51Those posing are some of the Wanna Club regulars.
08:56It was an alternative, avant-garde venue in the 80s, from 78 to 92.
09:05It's a laboratory of...
09:07The biggest bands that the stars play in now have played there, but, let's say, in important bands.
09:20At the Wanna Club, especially on Saturday nights, the capital's goth, punk, skinhead, and new wave crowd gathers.
09:26Rock music and over-the-top clothing.
09:29The fanzine scene, alternative radio, but also political engagement.
09:34And next door there is always the assembly of the attractions, with its shows and films.
09:39I was around 18-20 at the time, so I definitely remember the people I knew from my
09:47age.
09:48But there was someone a little older.
09:50Wasn't it a place frequented by teenagers?
09:53Well, just teenagers, let's say, in the last years of high school, so 17 years old and up, let's say.
10:01No, I would say teenagers, I mean, from 17-18 years old.
10:05I mean, does the idea that Emanuele Orlandi could have come here seem possible to you?
10:11Some boys from outside also came.
10:13Without, but have you ever heard that maybe they held auditions or tryouts here?
10:18No.
10:18No.
10:19Not that, unless he knows no.
10:20We wonder why Emanuele mentions this place in the note found among his papers.
10:26Francesca, who has a very precise memory, offered a possible explanation.
10:31The school-like theatre fairs were read on buses.
10:35And when did it happen?
10:36Not in the evening?
10:37No, in the afternoon.
10:39After the kids' school, right?
10:40So after the...
10:41But also some mornings, when they didn't go to school and went on a trip, yes.
10:44With the teachers?
10:45Yes!
10:47So entire classes watching, let's say, student reruns of the show, all the time?
10:51Yes, yes, yes.
10:51It was the schools that organized these things, right?
10:54So, she says, it can only be for that reason?
10:56I mean, who came with school?
10:58With school.
10:59They were getting off the bus.
11:01I still remember it and they came from this Munelli crude oil and that was it.
11:05Emanuela Orlandi may have come to see a show with the school,
11:08together with the class and teachers of the Vittorio Emanuele II national boarding school?
11:13We asked a classmate who answered us.
11:16Look, I don't think so.
11:18Obviously, a lot of time has passed.
11:19But it doesn't seem like we're going on this outing with the class at all.
11:27Here, there really is everything to be studied again.
11:29There is this classified secret service document that is very important.
11:34We read that the investigators are very struck by a figure,
11:39the figure of the uncle.
11:40But the uncle is not Emanuela Orlandi's,
11:43but rather a person who walks around Piazza Navona
11:47and that is nicknamed just like that.
11:49The uncle.
11:50What do the secret services write?
11:54The Piazza Navona area is frequented by a man of about 40 years old,
11:59bald and of below average height,
12:01known soft drug dealer,
12:03who has always shown a predilection for 15-16 year old girls
12:07which he would usually host in his home in Monteverde.
12:11The man, with the nickname uncle,
12:13He hasn't been in the area for some time.
12:17A man then called the uncle
12:19who molested 15-16 year old girls,
12:22exactly the same age as Emanuela Orlandi,
12:25and walked around Piazza Navona.
12:27Now these harassed girls are women,
12:29then we ask them to come forward
12:31because everything can be important.
12:34But let's get back to the track of the commission of inquiry
12:39of President De Priamo.
12:41It may have been made to disappear by a ruse,
12:45Emanuela Orlandi?
12:46There has been a lot of talk about this little job for Avon,
12:49or they promised her a part in some movie,
12:54a small part in the movie.
12:57Another story by Francesco Paolo del Re and Imma Giuliani.
13:02I've heard of a couple of young people
13:05which would have annoyed Emanuela.
13:06The same young people, whose features I do not know,
13:10they would have been noticed in Piazza Navona
13:11while they were putting up posters for the hiring of young actresses.
13:15He declared this to the Carabinieri on July 18, 1983,
13:19Cristina, a friend of Emanuela, from the Catholic Action group.
13:23Both attend the parish of Sant'Anna in the Vatican.
13:26Piazza Navona is a stone's throw from the Santa Pollinare palace,
13:29or from the Tommaso Ludovico da Victoria music school.
13:33At the end of the elections, around 7.20 pm on June 22nd,
13:39Emanuela is seen for the last time.
13:41There may be a network of procurers behind his disappearance
13:45of young girls who gravitated towards the cinema world?
13:49A week before Emanuela's disappearance,
13:51His sister Federica was also stopped by a man at Termini station.
13:56I was approached by this person who then told me his name was Felix.
14:01I was on the bus and he stopped me and asked me if I was interested in being an extra.
14:07for a film they were shooting in Civitavecchia, The Last Days of Pompeii.
14:13It's a lead already explored by investigators at the time, which is now relevant again.
14:17The interest of the commission of inquiry in this block of Via Cassia,
14:22about ten kilometers from the center of Rome,
14:25it lights up precisely around the figure of a film director.
14:28President De Priamo always explains it,
14:31specifying that the assembly of the attractions is located a few meters away
14:35from the home of the late B-Movie director, Bruno.
14:38This is a person who used to live nearby, is this true?
14:41Yes, absolutely yes.
14:42And where did he live?
14:43The family, definitely, I've seen it maybe once in my entire life.
14:46That building there.
14:48That one there?
14:48Yes, on the first floor.
14:50So they're really close to assembling the attractions.
14:54Is this closeness true?
14:56This director, now deceased, was 51 years old in 1983.
15:02A month and a half has passed since Emanuela Orlandi's disappearance.
15:05and he is being questioned by the investigators for two reasons.
15:08Because he was previously romantically linked to a 24-year-old woman with drug addiction problems,
15:15daughter of the secretary and factotum of the music school that Emanuela attended.
15:19A 24-year-old woman suspected by her own family members together with her 29-year-old husband, a sound engineer,
15:26of having kidnapped the young Vatican citizen.
15:29And then why does director Bruno, a lover of beautiful cars, have a seemingly similar BMW?
15:35to that of the mysterious man from whom Emanuela had received a job offer shortly before disappearing.
15:43375,000 lire to be a representative for Avon cosmetic products
15:48at a fashion show by the Fontana sisters at the Sala Borromini.
15:52This lead was then completely abandoned by the investigators of the time,
15:57no one under investigation for the so-called filmmakers trail.
16:01But did you know he was a director?
16:03Yes, yes, yes.
16:05And but did actors, friends of his, also come here?
16:09No, no, no, he was probably never there.
16:11We show the man's identikit to those we meet on Via Cassia.
16:15who stops Emanuela in front of the Senate on the afternoon of her disappearance.
16:19Is this a face you've ever seen?
16:22No.
16:24Someone who had a green BMW?
16:27No, sir, no.
16:29No, absolutely not.
16:31The story we told you last Wednesday about the director who lived on Via Cassia
16:35It really struck Giuseppina, one of our viewers who lives in Spain.
16:40So, are we ready?
16:42And he contacts us to tell us about a director who lived right on Via Cassia
16:46whom she met many years ago, in 1992.
16:50Is this the same man we met in the Emanuela Orlandi investigation file?
16:54We don't know.
16:56When I heard, a director not so much, but the name is Cassia and the car is BMW.
17:03He told me about important cars, that he had some particularly large cars.
17:09She was 22 years old at the time.
17:11We can see it in this photo.
17:13He is much bigger.
17:15But who is this man that Giuseppina knows?
17:18Let's listen to his story together.
17:20Between October 92 and February, let's say, that period of time,
17:28they worked in a real estate agency in Rome.
17:31We took the telephone numbers from the sellers who were selling houses on Porta Portese,
17:37the Porta Portese newspaper,
17:39the one where we found this person's phone number,
17:43who sold a house as Nero's tomb.
17:46and it was an important house as I can tell.
17:49Then he contacted us again and basically started a phone conversation.
17:56The phone chatter goes on for a while
17:59and at a certain point the mysterious man makes a request to Giuseppina.
18:03One day he asked me for my home phone number if he could call me after work hours.
18:09I gave it to him without any problem because I didn't see anything wrong with it.
18:14What kind of person was this who was calling her?
18:16He wasn't young, his accent was definitely Roman,
18:21he was a very cultured person, he was a wealthy person
18:24and I asked him once what he does
18:28and at that moment he said to me give me some of yours.
18:31I told him okay, what do I do for you?
18:33I'm a director.
18:34I asked him, but how do you get into the cinema? Maybe you get in as an extra.
18:40It's not easy, he told me, why do you want to try?
18:42I told him I don't know.
18:44For Giuseppina, the director is just a voice on the phone.
18:47The phone calls between them go on for months.
18:50Then I had to move to Budapest for work,
18:54so we said goodbye there and I said look, I was supposed to stay there for five years,
18:58so in the meantime before leaving a bouquet of roses arrives at my house,
19:04large, red, before they left again another bunch of flowers
19:08and that's where the story ends.
19:10Then nothing, I came back earlier than expected,
19:13I didn't contact him again when I returned to Italy from Budapest
19:17and he called me back after two or three days
19:20and so either he was keeping me under control or he was keeping me under control and I didn't notice.
19:26How did he know she was back?
19:28I don't know, there are many things that are a bit particular,
19:33or tell me you're tired today,
19:36because maybe he saw me coming home tired,
19:39or he knew when I was at home,
19:41because the calls always happened when I was at home.
19:45And what makes you think this?
19:47That maybe there was someone following me,
19:50that made me check.
19:52So she has the impression that she has never seen the director,
19:56but the director could have seen her without her knowledge, right?
20:00Yes, I think so.
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