- 12 hours ago
Столичани В Повече 4 Епизод 9
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00:28BTV
00:31Lutov,
00:32за тебе давам 7.
00:35Давам думата на Доминик.
00:37Сочи,
00:38но това са само трохи.
00:39Посмихвай се.
00:41Абе, тие моите 5%
00:43не са ли много малкове?
00:45Ако дадеш повече,
00:46ще участваш с повече.
00:48Вие работите в телевизията, нали?
00:50Не, не, бъркате.
00:50Каква харизма,
00:52какво лице,
00:52камерата ви обича.
00:54Айде!
00:55Камера!
00:56Начало!
01:00Дамай, дамай, дамай!
01:00Надувай свирката,
01:01да събадим кобрата!
01:03А, така!
01:05А, ме, дали говорихме,
01:07продам ли бравите
01:08в працелчето
01:10при Дрилския монастир е моя?
01:11Имам един камион,
01:12градински джуджета.
01:14Керамични, китайски.
01:18Продадеш ли джуджетата,
01:19тогава ще говорим за павильона?
01:22И шофьора търсил ли е богатството?
01:25Потърсил го е.
01:27До края на живота си се опитвало
01:28да се добере до колата на бившия първи,
01:31не успява.
01:32Еми, Бути, ако продължаваш така,
01:34скоро и аз ще сложа Расо,
01:37като Радко.
01:39Радко с Расо?
01:40И каза, че с Гришата въртели
01:42някакви църковни пари.
01:43Тоа, да не е намера чайката на Тато.
01:52Това са моите пари.
01:54Моите проценти.
01:56Моето бъдеще.
02:27Тата е готово. Тая е залепи.
02:29Браво, Радко.
02:31Глеб, баба, тесно ще какво ги измачка тия пари.
02:34Как да ги дам на Константин?
02:37Срамота.
02:41Една хартия Радко, като е намокриш,
02:43и тя веднага се къса.
02:45А банкнотата не е така.
02:48Защото в банкнотата има
02:50лен и памук.
02:52И в перане да я сложиш,
02:55пак нищо няма да изстане.
02:57Всичко знам за парите, аз.
02:59Всичко!
03:01Давай не изгриш,
03:02ще кутоваихме сяка с парите от тезерото.
03:13Какъв сак, бе?
03:15Какви пари?
03:19Негови някакви на гришата
03:22от дарения?
03:25От дарения?
03:27Във водата?
03:28От шараните и кракудите?
03:31Как можеш ли такъв хлаптиша, Рамбе, Радко?
03:33Аз...
03:34Млъкни!
03:36Стопъти съм ти казвал,
03:37като видиш или чуеш нещо свързано с пари!
03:38Веднага да ми докладваш!
03:39Тате, ма...
03:40Какво?
03:41Ютията.
03:43Е...
03:44Ах, Радко!
03:48Изголях с 50 лева.
03:50Аз и тази я залепих.
03:59Благодаря.
04:22Благодаря.
04:22Сината зона значи повече пари, повече пари в общината.
04:26По-голяма заплата за кмета.
04:28Е, дадя, ма...
04:29Хората ще скочат.
04:31От общината искат СМС-а за паркиране да е 3 лева.
04:35Хората са лесни.
04:37Ще им замажем очите.
04:38Ще им кажем, че е добре за екологията.
04:41Ничо така ще намаляят задръстванията.
04:44В извор никога не е мал задръстване.
04:49Ти още ли не си на работа?
04:51Кога тръгваш?
04:53Сега.
04:54Ще ти завия сендвича в салфетка.
04:59Хайде.
05:01Або Яна,
05:03как се държи с баща си напоследък?
05:07Приятен ден.
05:09И...
05:10Зай СМС-ите,
05:11се разбрахме, нали?
05:17Яна, ти как си позволяваш да се държи с баща си?
05:21Кой го казва?
05:22Ти постоянно го юркаш.
05:24Няма да се сравняваш с мен.
05:26Малка си още.
05:28Исках да поговорим насаме.
05:33Случи се нещо.
05:35Непоправимото.
05:54Поехал.
05:56Непоправимото.
06:01Бъде приятели?
06:04Тиkas да се създам.
06:06Непоправимото.
08:43I'll be right back.
08:44I'm going to take 5 000 experiencing costs.
08:45All right.
08:46I'm going for 5 000 extra dollars.
08:47Let me see.
08:47Are you right back?
08:51What's the way I'm going to go to the house?
08:55We'll come back to the house.
09:09Thickers!
09:12Oh, it's been a long time.
09:14It's been a long time.
09:17How did you find it?
09:19Yes, I found it.
09:20I found it.
09:21It's been a long time.
09:24Interesting, Grysha.
09:25How did you get it?
09:28Well, the door is not broken.
09:30It means that it's been closed.
09:33Well, I forgot to close it.
09:37Oh...
09:38How did you get it?
09:42I guess I got the bus.
09:46Oh, yes, yes, yes.
09:53Your car doesn't change.
09:55I don't know.
09:56You can't do it.
09:56You have tables.
09:57You are paid for the repair.
10:02Hey!
10:06Not for the repair.
10:07I was on the resurrection.
10:08It's the first day!
10:11The snake was born in Luce.
10:12Soon we'll be able to protect him.
10:14You don't have a need.
10:17How do you have a need?
10:19Let's go!
10:20But why don't I get an air?
10:24With this car...
10:26What's going on?
10:27I'll tell you what's going on.
10:33It's cold!
10:34It's cold!
10:35It's cold!
10:35It's cold!
10:37It's cold!
10:39What's going on?
10:41What's going on?
10:48The chocolate chocolate for the Jivkov?
10:51Is it true?
11:07What's going on?
11:08Brat!
11:09What's going on?
11:10It's so!
11:12I'm going to tell you all the people with these chocolates!
11:15I've read it!
11:16The book of 2001.
11:18It's very cold!
11:18I'd read it!
11:20I've read it!
11:21It's been a nightmare!
11:23It's been a nightmare!
11:25What do you think of these things?
11:27You know them very much!
11:30What do you find with the Petolic?
11:31What do you think, didn't you know, an officer?
11:33You know how it was there?
11:34What do you think?
11:34I talked about it, but...
11:36I can't imagine it.
11:37If I can imagine that I'm going to try it...
11:38Or are not even so many things in the future.
11:40And now, it's the last rubinian or not?
11:45So, he said that the rubinian was brought from Tadjikistan.
11:49This is the most rare rubinian.
11:53The blood of the blood.
11:57Now, you...
11:59Are you going to write about the petaluska?
12:01Or are you going to write about the petaluska?
12:02This is the second part.
12:04That is possible to write about the petaluska.
12:09But we have new facts about the petaluska.
12:12What are new facts?
12:14Do you want coffee?
12:15No, no, no.
12:16What are the facts?
12:17At the time, they were using the petaluska without the petaluska.
12:22And then, Jivkov did not want to write about the petaluska.
12:26Ah.
12:36And then, Jivkov did not want to write about the petaluska.
12:39And then, Jivkov did not want to write about the petaluska.
12:54engaged in the petaluska in the past.
13:06But the petaluska is using the petaluska, fast enough to take the petaluska al wamukes…
13:14Well this is why I'm not avali from the petaluska & search so.
13:18Well this is the white结acle for the petaluska.
13:24There is no less terminology than the petaluska who has kept bourbon.
13:31Do you want to go to Sadie?
13:32Yes, yes.
13:34Don't worry, this is not Leone from Billboard.
13:37Lele, Toll, Chichaki, Sofia!
13:40Chiché, get rid of the Cobra!
13:41This is where you are.
13:48What do you want to do here?
13:50I don't know, but it's a problem.
13:52I don't know what you want to do here.
14:09I'm against the city of Izvor.
14:12We'll get the car out of the street and we'll get to the streets.
14:16Of course.
14:18I'm going to talk to you with an expert on city mobile.
14:22And she said that we can't go without Sinia Zone.
14:27Excuse me, Mr. Chichakanov is wanting to meet you.
14:29Yes.
14:30Yordane, you're going to do it for me to be an authority, right?
14:35What's the question?
14:38I'm here as an inspector.
14:40I'm trying to make a terrible advertising picture.
14:43Why?
14:44You're so photogenic.
14:47And the advertising is a drug.
14:50You see the business?
14:51It's not a bad thing.
14:52Why is this advertising?
14:55I am having a buy or of a business company.
14:57What they want, they want, they want to.
14:59What they want, they want to.
15:00But the trilogy on Aziz, where it is at I方, Kalevski, has a hit on the temple?
15:04Yes.
15:05Yes, it was something.
15:06There was a total talent.
15:08And the media was too mad.
15:10Now I'm happy. Just you are.
15:14Mr. Chikanov, I don't understand.
15:16Are you just agreed to take a look at the show?
15:19I'm not sure.
15:22I'm not sure.
15:24Mr. Chikanov, I'm sorry.
15:27Mr. Chikanov, I'm not sure.
15:28Mr. Chikanov, I'm not sure.
15:30Mr. Chikanov, I'm not sure.
15:30Mr. Chikanov, Mr. Chikanov, Mr. Chikanov!
15:39Mr. Chikanov!
15:41Mr. Chikanov!
15:53Mr. Chikanov!
15:55Mr. Chikanov!
15:58Mr. Chikanov!
15:59Mr. Chikanov!
16:00Mr. Chikanov!
16:00Mr. Chikanov!
16:00Mr. Chikanov!
16:01Mr. Chikanov!
16:01Mr. Chikanov!
16:01Mr. Chikanov!
16:01Mr. Chikanov!
16:04If you love it.
16:10If you love it.
16:15How are you?
16:17Come on, Slavka, let's go!
16:19No, I don't want to go.
16:21I'm going to go with you.
16:22How many years?
16:2614 years old.
16:27Oh, two years already.
16:30Where?
16:31I think they're full of 16-16 years old.
16:35I don't want to go with the fix, but I don't know how many children are.
16:38But I don't know what they can do to a girl.
16:41But it's a cow to a man.
16:43But it's never a baby.
16:44But it's not a baby.
16:45Yes, but it's never a baby.
16:49And you're not a baby.
16:53We have to make a baby.
16:55Let's go to the court, let's go a little bit.
16:57Let's go!
17:03Fifteen thousand people saw it.
17:05Our Khmer.
17:09Mildo, Gretel, Tenka, Dinko...
17:13All of them saw it.
17:17It was a great effort.
17:20We hope that people will soon forget it.
17:37Let's go.
17:38He's the director.
17:39He left the show from the entire Sofia.
17:42I'll find him.
17:44And Luthoff will kill him.
17:47He wanted to have more people.
17:49I'll throw the show from him.
17:50I'll throw the show from him.
17:52I'll throw the show from him.
17:55I'll throw the show from him.
17:56He'll be the show from him.
17:58I'll take the show from him.
18:02I'll see you tomorrow.
18:04I'll do the show from him.
18:16I'll see you tomorrow.
18:21We have a meeting for Morala in Izvor.
18:23We don't have any friends.
18:26How do we have?
18:27Papso, Zoya, etc.
18:30They are not good.
18:31It's not good for me.
18:33Why is it not good for me?
18:35It's not good for me to come out.
18:37It's not good for me.
18:43It's not bad for me.
18:44It's not bad for me.
18:46Yes.
18:47Yes.
18:50Why don't you take me to take two of us?
18:54Fakirs of the circuses.
19:21Fakirs of the circuses.
19:22Telephone is not good for you.
19:41Fakirs of the circuses.
19:42Telephone is not good for you.
19:43It's not good for you.
19:44Mr. Tickanov is not like that, but...
19:46It doesn't bother me.
19:48It's better to be a police officer.
19:55I'll do it for you.
19:57I'll do it for you.
19:59I'll calm you down a little.
20:01Where are you?
20:04When Rangel was a hit, it was a hit?
20:07No.
20:08In the sense, it was a hit?
20:10How do you do it?
20:13In terms of normal.
20:16A man with power and power always tries.
20:39I'll do it for you.
20:43I'll do it for you.
20:45The name is Tennis. He is your friend, Constantine, and she will get out.
20:51Okay.
21:00A man with power and power always tries.
21:20I want to spell his name still.
21:21The the new restaurant is Wunderbarg.
21:23He has special and unique drinks.
21:27The new restaurant is Wunderbarg.
21:31He has special and unique drinks.
21:51Why did you cry? What did you do?
21:53Why do you cry? What do you do?
21:54I'm a new one of you.
21:57What happened to you?
21:59What happened?
22:00How did you cry?
22:01What happened?
22:02It's nice to meet you.
22:06I've developed a new restaurant.
22:09Today we're going to open it.
22:12Let's go.
22:15Let's go.
22:15Let's go.
22:15Let's go.
22:17Let's go.
22:19Okay.
22:20Yes.
22:24I want tomorrow the whole family of the village.
22:27Yes.
22:28All.
22:29All.
22:30No, no, no.
22:33We don't have to stop the law.
22:36And the wife will bring all the teachers there.
22:39And the director.
22:41They can wear them.
22:42They can wear them.
22:44They can wear them.
22:47They can wear them.
22:48Okay.
22:50Let's go.
22:53Now we'll see how they can wear them.
23:02Good.
23:13Good.
23:15Good.
23:16Good.
23:18Good.
23:19Good.
23:20Good.
23:21Good.
23:22Good.
23:24Good.
23:27Good.
23:27Good.
23:29Good.
23:38Good.
23:40Good.
23:41Good.
23:41Good.
23:42Good.
23:44Good.
23:44Good.
23:44Good.
23:46How?
23:4730?
23:53Hello, Grysha.
23:55There will be a lot of people in front of the temple.
23:58Yes.
23:59I know from the East Coast.
24:01There are 100 people.
24:03We will go to the malls.
24:06Let's try one with the budget.
24:08How important are you?
24:10Okay, let's go.
24:13You can't take care of one.
24:15One can't take care of your budget.
24:17Haydi.
24:19RADKO, RADKO,
24:21we'll go to the malls.
24:22What's wrong?
24:25No.
24:29How can't I go?
24:31I can't go to the malls.
24:32No, I can't go to the malls.
24:35Not, I can't go to the malls.
24:41I'm not going to go.
24:42Oh, Kote!
24:44And again, for the kitchen and for the kitchen,
24:47I'm going to go for a little bit.
24:50Slavka, now let's go.
24:52Let's talk about the work.
24:53Okay.
24:55Let's go to the house.
24:56Let's go to the house.
24:59Kote...
25:00Let's go.
25:01Let's go.
25:02Let's go.
25:03Let's go.
25:03Let's go.
25:04Let's go.
25:08Let's go.
25:11Let's go.
25:13Let's go.
25:14Let's go.
25:15Let's go.
25:15Let's go.
25:16Let's go.
25:17Let's go.
25:17Let's go.
25:18Let's go.
25:19Slavka, you're not in shape.
25:21The hours you've got to stop.
25:23Oh, no.
25:25Oh, no.
25:28Oh, no.
25:29Please.
25:29Oh, no.
25:31Oh, no.
25:36Oh, no, no.
25:40Well, let's go.
25:42Oh, no.
25:43Oh, no.
25:47Come here.
25:48That's all you have for with me!
25:49I don't have to drink ligno.
25:51Do you want me to drink?
25:52No, no, no.
25:54Do you want me to drink?
26:05Do you want me to drink?
26:06You are very good.
26:09Take care of your job.
26:12No, not for this, Zoyche.
26:21You are very good.
26:21It's Plamen, for example,
26:22in the moment,
26:24and he is a advertising face.
26:27No, no.
26:29No, not for this.
26:31You are an angel for this?
26:33Do you know?
26:33I don't want to interest you.
26:35I don't want to take enough money.
26:37I'll take care of Indian,
26:38and as a figure,
26:39and as a cobra.
26:40In general, I don't want to take care of you.
26:43I don't want to take care of you.
26:45How do you live with such a man?
26:48How do I not say that?
26:50They are all the same.
26:52Come on,
26:54I do not know,
26:54and let me sleep.
26:58Well, so.
26:59I can't do it.
27:01It's been a while.
27:03I've decided to live more than all of them.
27:07so I've got to sleep.
27:08Let me know.
27:09How do you feel?
27:11It's a funny way, Zoyche.
27:21I don't want to stop this evening on the floor.
27:27Of course.
27:29I don't want to stay in the house.
27:32I'm stupid.
27:35My mother...
27:36What do you do?
27:39I don't want to stay in the house.
27:42Let's go.
27:48In Germany, I went to a barge.
27:51I went to a barge.
27:54Now I'm in a barge.
27:55I want to go to a barge.
27:57Yes.
27:58I'm a barge.
27:59And when...
28:02...I'm a barge!
28:15I'm a barge!
28:16The barge.
28:16And then it's my barge to get out of here.
28:20It's so exciting!
28:22I don't want to stop!
28:23The barge, the barge, the barge, the barge.
28:24The barge, the barge!
28:26I'm a barge!
28:36I don't know what to do, but this is already working.
28:43So?
28:45I don't want to get my husband to get hurt.
28:49The way he gets hurt, the way he gets hurt.
28:52I hope not.
28:55I hope that the bee in the pit is killed by the most humane way for you.
29:02I love animals.
29:05What do you do?
29:08Marie, what do you have with our advertising strategy?
29:12Look.
29:15I thought about the logo.
29:16I think it's a good thing.
29:18The bee is a good thing.
29:22Why do you have a gold, which is a mineral water?
29:30The bee is not a good thing.
29:33The bee is a good thing.
29:35The bee is a good thing.
29:36The bee is a good thing.
29:37The bee is a good thing.
29:39Okay, where do you recommend?
29:42The bee is a good thing.
29:44The bee is a good thing.
29:48The bee is a good thing.
29:49I have another strategy.
29:51Pardon, I'm not sure.
29:53It's not a good thing.
29:55What?
29:59What?
30:01My mother is so good.
30:03I'm going to get my hair in the hair.
30:06I'm going to get my hair in the hair.
30:08Have we got φochism?
30:09No, Maria is working.
30:10I did not speak about Mariah compared to your mother.
30:15I just talked about my mother.
30:16Is my mother quite like this.
30:18In a home, she made her so much.
30:21Our mother in my hair.
30:21The bee is anhole over her day.
30:22I had to be three meters right off her.
30:24It's seen her.
30:26I was blowing my hair off her.
30:28I realized her.
30:33She knew her.
30:34I didn't pray you.
30:35I want to see it.
30:35My mother extraoshes.
30:37Yes, so. But every man chooses a woman to marry my wife.
30:44If you say that your wife is your wife, it's a nightmare on my wife?
30:50No, no. But I'm telling you,
30:54that you don't eat any day on my own.
31:00I'm sure you're on your wife and your wife.
31:04You're right.
31:06You're right.
31:07A man has to believe in your mother.
31:14What a joke!
31:15My 14-year-old mother would go to the night.
31:18For the first time I would go to the age of her.
31:22Mom, I'm already a child.
31:25Today. Do you remember?
31:27How would you go in that state?
31:29If you fall in the blood?
31:30If you see the light.
31:32What's the situation?
31:33I'm going to the discothecary.
31:35I'm going to the discothecary.
31:36By the way.
31:37They say that they can dance more easily.
31:40How would you like to care?
31:43I'm going to see it, as in a matter of mind.
31:45What are your kids going to do,
31:45I'm going to see you like that?
31:47I'm trying to see you.
31:48But she's right there!
31:49I'm going to see you.
31:4918-16-year-old.
31:51They are like children.
31:53They're like babies and babies.
31:55They're like babies and the ones they are.
31:55But they're going to love my family.
31:55I don't know who they are!
31:56I'm not sure they're like babies.
32:00They're like babies.
32:04Bavitka!
32:10Oh...
32:12Give.
32:13Give, Ritzka.
32:14Thank you, baby.
32:18Bavitka.
32:40Bavitka.
32:41How are you, Marijic?
32:43Sorry.
32:46It's a nice night.
32:50Where are you going? Who's going to go to the night?
32:53Andrei, please don't let me go to your father.
32:56I told you that I don't want to leave you there.
32:59Do you have trust?
33:01I don't want to leave you there.
33:02I don't want to leave you there.
33:05I don't want to leave you there.
33:06I don't want to leave you there.
33:07So?
33:08I'm going to sleep.
33:09Where are you going?
33:11I'm going to go.
33:12Andrei.
33:44I don't want to leave you there.
33:47I don't want to leave you there.
33:48I don't want to leave you there.
33:51I was tennis.
33:55Tennis?
33:57Don't worry! I know everything about your meeting with Konstantin.
34:04How much? We played a little bit.
34:09How is it not easy to look into your eyes?
34:16These are normal relationships between business partners.
34:19Even some time you have to participate.
34:27How do you look like?
34:29Oh! Oh! Oh!
34:33Oh! Don't be angry!
34:40Come back to the girl.
34:42How are you doing?
34:44Come back to the sex town with Konstantin everywhere!
34:48Where did we go?
34:49How many guys played? Tennis!
34:51Come back!
34:52Shh!
34:52Shh!
34:53Shh!
34:54Shh!
34:55Shh!
34:55Shh!
34:55Shh!
34:57Shh!
34:59See you toilets!
35:01All that makes sense.
35:08What was that? We made a cup of bread, so that we're going to heat it.
35:13I don't believe it.
35:14I don't believe it. I don't believe it.
35:18I don't believe it. You don't play tennis.
35:28Chs! Pusne.
35:30No, no, no, no.
35:37You're sure you're saying that you were talking about Constantine?
35:43Yes, for the percent.
35:46He said that he'll get it, but we'll have to give him some money.
35:52You're not going to say that.
35:54Good evening, everyone.
35:56I'm having no doubts about it.
36:02Yes.
36:04Let's go.
36:04Yes.
36:07Yes.
36:10Yes.
36:12Yes.
36:14Yes.
36:15Yes.
36:20Yes.
36:26Rathko, when you come to the house, you start to invite your attention to the house.
36:31But, Grysha, you've got to talk to the house in the house. I don't know.
36:35I'm God's servant. I can't go to a marketer.
36:39What do you want to go to the house?
36:42But all the marketer are going to go to the house.
36:44What do you want to go to the house?
36:45Not everyone. Only the house they are in the house.
36:49Or they have an ambulance.
36:51Grysha, but we don't have a ambulance.
36:53We don't have a ambulance.
36:55But they come to the house.
36:57What do I want to say?
36:59Jujeta, jujeta, jujeta.
37:00Come on, come on.
37:04Come on, jujeta!
37:06Who knows, here is the house!
37:09We're here, we're here. We're here, we're here.
37:11We're here, we're here, we're here!
37:18Where are you, here is the house!
37:23You don't have a company, here's another one.
37:25You don't have a company, here.
37:28A friend has put a wife in a park with a man.
37:32He's just walked down on the back.
37:34He's sitting on his feet.
37:35He stays on her feet.
37:35And she's using...
37:36...but she's doing...
37:37...but she doing...
37:37...he's doing...
37:38...he's doing...
37:38...he's doing...
37:38...do this is normal?
37:39Is it a little bit?
37:40But...
37:41Do you see two of them, that he has seen?
37:44No, they have seen him.
37:46They have seen him.
37:49But...
37:51He, as he saw him, what did he have done?
37:55Nothing.
37:56He has been found out of the best.
38:01Mr. Lutov, today, can you take a little bit more?
38:05Of course.
38:05I have signed up for tennis.
38:08No.
38:10On tennis, no.
38:15Tennis.
38:16Okay, I will put him on the table.
38:19How many of you are all about tennis?
38:23Modern is.
38:25He is the premier and he...
38:26For him.
38:28Dana Morala, not Cobras!
38:31Not Cobras!
38:32Not Cobras!
38:35Not Cobras!
38:36Not Cobras!
38:38Not Cobras!
38:38Not Cobras!
38:39In the name of your wills, Lutov!
38:42Cry, cry, cry!
38:44Cry, cry, cry, cry!
38:48Cry, cry, cry!
38:50Cry, cry, cry.
39:02No, no!
39:04You can't go to our house!
39:05You can take one and take one and take one.
39:09Direct marketing, go!
39:11Is there a place to go?
39:13No!
39:15No!
39:15I'm asking...
39:17I'm asking...
39:17I'm asking...
39:18I'm asking...
39:19I'm asking!
39:20I'm asking!
39:22I'm asking...
39:30You're a political judge!
39:33You're not a judge in the administration!
39:36It's exactly like that!
39:38Go!
39:39Go!
39:41Go!
39:42Go!
39:43Go!
39:44Go!
39:46Go!
39:47Go!
39:48Go!
39:49Go!
39:51Go!
39:53Go!
39:53Go!
39:54Go!
39:56Go!
39:56Go!
39:58Go!
39:59Go!
40:00Go!
40:01Go!
40:02Go!
40:03Go!
40:04Go!
40:05To the UCC.
40:07To the UCC!
40:08What is it working?
40:10I'm sorry, you're here.
40:13I'm sorry, but I'm here.
40:18Stop! Stop!
40:21To the UCC!
40:22To the UCC!
40:23To the UCC!
40:26That is not a law!
40:29It is not a law!
40:30It is not a law!
40:30If the UCC is not an law!
40:35You're here!
40:42You're here!
40:42I'll take the law!
40:45You'll take the law!
40:45You'll take the law!
40:47And you'll take it!
40:48You'll take it!
40:51Why don't you understand me!
40:55Wait!
40:56Let's wait!
40:57Don't let me leave your brother Lutov!
40:59Go on! Go on! Go! Go on!
41:04Go, go on! Go on! Go on!
41:05Go Lutov, go on!
41:07Go on! Go on!
41:09Go on! Go on!
41:11Go on!
41:16That's awesome! I just want to hear how 10 bats really ring!
41:21Fug, fug, fug, fug, fug.
41:24Let's go, lady, let's listen.
41:26They are good!
41:27Fug, puff.
41:29Now we hear the lightbulb.
41:32Tudu!
41:35Fug, fug, fug!
41:37We are so much more to see.
41:40Lady, you were gone in the backbulb of lightbulb.
41:45You may have seen the voice.
41:47You can also put it in a tough situation.
41:51Everything depends on the breathing, on the diaphragm.
41:56On the diagnosis, according to me.
42:00As the people said, the diaphragm is...
42:04...diasphora of the diadema.
42:10As you can see, it's not easy, but it's funny.
42:13Now, let's all say...
42:17...do three times.
42:20Now, you'll see the most interesting thing,
42:23which has happened in the last few days.
42:27Don't forget to...
42:50...you'll see.
42:50Grysha, nothing is left.
42:55How do we do it with the diaphragm?
42:57I don't know.
42:58With Pocco, as well.
43:00We'll pay the budget.
43:02With the last $30,000.
43:03Well, I mean...
43:19Hello.
43:20It's my God, my God.
43:22Go, Grysha, what's up, Grysha?
43:23Well, it's as though of the budget.
43:26Well, I decided.
43:28Well, that's right.
43:29What do you do?
43:30It's a barter.
43:32Barter?
43:35It's a barter.
43:36It's a store for the judget store.
43:38They put it on one person in the car.
43:41What?
43:42I don't have a car.
43:44But it's expensive.
43:46It's a Russian chaique.
43:47It's perfect.
43:49It's a strange thing.
43:50But I'll do it.
43:52Chaique?
43:53It's better than the judget.
43:57Good.
43:59There's a barter for the pavilion.
44:03Yes!
44:04I got it!
44:06The pavilion for the Rilski monastery.
44:08Super.
44:11Please.
44:13The place is very nice.
44:15Thank you very much.
44:16To the entrance to the Donobeschovitsky monastery.
44:25Donobeschovitsky?
44:25Yes, because there was a living person.
44:32Three hours of the hotel.
44:34After the shopping.
44:36Perfect.
44:36It's a perfect performance.
44:39Yes.
44:41It's been a good day.
44:43Thank you very much.
44:44Thanks.
44:44What a prayer is.
44:56What's the hill it's about?
45:15Oh!
45:15Oh!
45:30What?
45:40Yes?
45:41Yes?
45:42Yes, can I speak?
45:43Yes, if you know what the number is on Angel.
45:48Yes, I will.
45:49Yes, my brother.
45:51Yes, my brother.
45:52My brother is in the middle of the universe.
45:52My brother is in two minutes.
45:53Yes, yes!
45:56I am so tired.
45:59Who is that?
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