- il y a 7 heures
Watch The Residence Season 1 Episode 4 (2025) full episode online in HD quality. Stream the latest episode of The Residence on Dailymotion now.
Catégorie
🎥
Court métrageTranscription
00:00Sous-titrage Société Radio-Canada
00:30C'est parti !
01:10Sous-titrage Société Radio-Canada
01:13C'est parti !
01:28C'est parti !
01:30C'est parti !
01:32C'est parti !
01:38C'est parti !
01:39C'est parti !
01:41C'est parti !
02:09C'est parti !
02:14C'est parti !
02:18C'est parti !
02:24C'est parti !
02:26C'est parti !
02:35C'est parti !
02:37C'est parti !
02:45C'est parti !
02:47C'est parti !
02:49C'est parti !
02:50C'est parti !
02:52C'est parti !
02:54C'est parti !
02:56C'est parti !
02:58C'est parti !
03:00C'est parti !
03:02C'est parti !
03:04C'est parti !
03:05C'est parti !
03:08C'est parti !
03:10!
03:40C'est parti !
03:48C'est parti !
04:03C'est parti !
04:10C'est parti !
04:17C'est parti !
04:21C'est parti !
04:22C'est parti !
04:22C'est parti !
04:25C'est parti !
04:27C'est parti !
04:29C'est parti !
04:32C'est parti !
04:35C'est parti !
04:38C'est parti !
04:40C'est parti !
04:42C'est parti !
04:45C'est parti !
04:47Mais c'est très important pour elle.
04:50Pourquoi ?
04:52C'est un cadeau de mon frère.
05:00Une matinée, ma m'amuse m'amuse en panique parce qu'elle ne pouvait pas trouver une de ses soirs.
05:05Elle a l'air partout.
05:07Ma m'amuse était très bon à tenir compte de ses soirs,
05:10donc c'était une surprise.
05:12Surtout parce qu'elle a toujours pris sa soirs.
05:15Mais c'est un cadeau qui s'est passé.
05:17Elle était très éveillée.
05:19Elle était très éveillée.
05:20Elle a dit qu'elle ne voulait pas d'école.
05:22Je lui ai dit qu'elle ne voulait pas d'école et que j'allais trouver sa soirs.
05:26Je suis en train de bus avec elle à l'école.
05:28Et je suis en train d'offre,
05:31et je suis venu à la maison.
05:34J'ai tout le temps looking pour sa soirs.
05:36Je l'ai regardé dans chaque bureau,
05:38chaque bureau, chaque couvert,
05:40chaque closet, derrière tout,
05:42tout, tout.
05:43Je l'ai regardé partout.
05:52Et je l'ai regardé partout.
05:57Y j'ai regardé partout.
05:57Je l'ai regardé partout.
05:58J'ai regardé partout partout.
06:04Enflouillé partout partout.
06:09Je lui ai regardé partout partout.
06:09ils sont des produits partout partout.
13:05Sous-titrage Société Radio-Canada
13:35Ms. Cox calls down for vodka all the time,
13:39and we are under strict instructions not to bring it up.
13:42All the butlers, that comes directly from Mr. Morgan,
13:44but see, let me explain this to you.
13:45Ms. Cox don't give a fuck.
13:48She will badger you about it.
13:49She'll lie.
13:50She'll threaten you.
13:51She nasty.
13:51I'm just going to say it, nasty.
13:53But hell, I like her shit.
13:55I love all these things about her.
13:57Her son is annoying as shit.
13:59Elliot Morgan, the first gentleman?
14:01Yes, sir, but she is tough and nasty,
14:03and she wear her drink hoodie, and I understand it.
14:05So we're caught.
14:06Either you take your licks from AB and Mr. Morgan
14:08or get disemboweled by Ms. Cox.
14:11No contest.
14:19So she wanted her drink.
14:21I brought her her drink in the story.
14:30Why was I in the game room?
14:33That's what you want to know, right?
14:43The reason I was in the game room is because I took a shot of the vodka before I delivered
14:55the bottle to Ms. Cox.
14:58Two shots.
15:02Fuck, three shots, but I considered it a gratuity, and I needed it. Sorry, not sorry.
15:07Needed it what?
15:08Listen, you've had a job in your life, right? Like, before doing this.
15:12This is a job.
15:13Is it?
15:13I'm not volunteering right now.
15:14Yeah, well, anyway, there is a feeling you sometimes get when you have a job.
15:20Sometimes, not all the time.
15:21Like, when you feel like you're a part of something to the point where it doesn't feel like a job
15:26anymore, okay?
15:27It's weird, but you're just, like, into it.
15:29You feel like they need you, and you need them, and it's an amazing feeling.
15:33But then, just like that, something happens that cuts you down, and you're like, fuck, that's all that was, a
15:38fucking job?
15:39This happened tonight?
15:40Tonight was not great, Ms. Cupp. I'm going to be honest, not great.
15:47You want to know what happened?
15:51Okay.
15:53I'll tell you what happened.
15:56Here's what happened.
15:58I was working the dining room, and I was having a great time.
16:02I was into it.
16:04This is what it's all about, okay?
16:07This is why we work here.
16:09This is why I work here.
16:10Friends, join me in raising a glass to the greatest butler in the history of the White House, Sheila.
16:16This is the show, the big dance, and I just can't tell you I was having the time of my
16:21life, Ms. Cupp.
16:22I was into it.
16:23I was so happy.
16:25And then, all of a sudden, Raleigh Fun Killer comes up to me and says,
16:29We don't need you out on the floor anymore.
16:31What?
16:31Come back and help in the back room.
16:34And I'm just totally confused, okay?
16:37Like, I have no idea why he says this.
16:40Zero.
16:41None.
16:41Like, are we overstaffed?
16:43Or am I making the other brothers look bad because of my excellence?
16:46Or, I don't know, but good fucking sport that I am, I go back.
16:53I don't ask any questions.
16:54I just go back and help because this is a job and I'm going to do my job.
16:58And so, when Nan Cox calls down like she did, I help her too.
17:02I'm helping out baby and if I'm swinging a couple drinks back, well then that's just the price of admission.
17:08Am I right?
17:09You're going to try to knock me down and I'm going to take a few sips and pull myself right
17:14the fuck back up.
17:16And then everyone's happy.
17:24And that is what happened.
17:28Not even close.
17:30Not even close to being close.
17:31Close is over here.
17:33And close to being close is over here.
17:36I got it.
17:37Now, it is true I told her we didn't want her on the floor anymore.
17:40Why didn't you want her working on the floor anymore?
17:42Oh, we wanted her working on the floor.
17:44Problem was, she wasn't working.
17:46What was she doing?
17:47I don't know.
17:48No, seriously, what is she doing?
17:50Seriously, I don't know.
17:52What is she doing?
17:54Okay, that, that.
17:56Okay, I should have explained that.
17:58That was because Ms. Abkin asked me to sit there.
18:02Former First Lady Kim Abkin?
18:05Yes.
18:06Partly true.
18:07You have to back up here.
18:09If you want to understand this, you have to go back to the seating chart.
18:13To the seating chart?
18:15Which was messed up from the start.
18:16Not even just the seating chart.
18:19Everything to do with the seating.
18:21Everything.
18:22The state dining room holds 140 people, more or less.
18:25Elliot Morgan made it clear from the beginning that he wanted to have the state dinner inside.
18:30No tents on the South Lawn.
18:31Do you remember what Beyonce said?
18:33I would suggest that.
18:34No tents.
18:36It's the only thing I think I've ever seen him actually care about.
18:38No tents.
18:39I was fine with that.
18:40I preferred inside.
18:41Lily wanted to be outside with the tents.
18:43But the Morgans kept changing the guest list.
18:45It wasn't the Morgans.
18:46It was her.
18:48Lily.
18:49I would get a new list every day.
18:51She'd give us a new list every day.
18:53Sometimes 180 people, sometimes 250, sometimes 400.
18:56They were very indecisive.
18:59Elliot couldn't make up his mind.
19:00She couldn't make up her mind.
19:02What this meant was, we didn't know if we were going to be in only the dining room, or maybe
19:07the east room, or maybe we'd use the red room for overflow, or maybe we'd even have to go outside
19:11in a tent.
19:12No.
19:13Tents.
19:14This went on and on and on for months.
19:17This was going on a week before the state dinner.
19:19And the problem is, this is not just about moving tables around.
19:23This involves the whole house.
19:25You need to know exactly where you're going to be.
19:27You need to know exactly how many staff to have.
19:29You have to practice everything.
19:52We finally settled on 221 guests, and we would have it in the state dining room and the red room.
19:59It was crazy, but we had it.
20:02We had it.
20:03We had a number.
20:04We had a location.
20:05We were prepared.
20:08And then...
20:09What?
20:10The fuck?
20:12What?
20:13Not what.
20:14Who?
20:25He turned everything upside down.
20:28We should be outside in a tent.
20:30No tents.
20:32What about the Grand Foyer?
20:33What about it?
20:34We could eat in there.
20:35I kind of love that idea.
20:36No.
20:37What?
20:37We don't eat in the Grand Foyer.
20:39Here we go again.
20:40We can't.
20:41We won't.
20:41We didn't do that when I started working here 150 years ago.
20:44You have to change your mindset.
20:46So important.
20:47The first time I wrote a number one New York Times bestselling memoir, people said,
20:51Ugh, there's no way he can do it again.
20:53And I started to believe them.
20:56But then my ghostwriter said she could pump out more books.
20:58No problem.
20:59I've now written 14 memoirs.
21:01My latest, Authentic, is being launched into space.
21:05Why?
21:05I don't know, but it's cool.
21:09Just like eating in the Grand Foyer around a fountain is cool.
21:13A fountain?
21:14Where's the money going to come from?
21:16You don't have the budget for any of this.
21:18Where does the money ever come from, Aby?
21:19It comes from another pile of money.
21:21That's how money works.
21:22This isn't uncommon.
21:23Social secretaries and their people come in with every new administration, and they want
21:26to do things their own way.
21:28And we've always done things our own way in the house.
21:32It's a structural conflict.
21:34Us versus them.
21:36This was just more extreme.
21:39Do you know what I'm saying?
21:40I do, but we need the table.
21:41You have an A plan and a B plan.
21:43Bring the table back.
21:44What the fuck is going on?
21:46How many people are coming for the dinner?
21:48I've never done the same thing.
21:49I've never done the same thing.
21:51Anyway, now, because of St. Pierre, the Red Room was out.
21:55He said red was bad energy.
21:57Red Scare, Red Bull, Red Rum, Red Necks, Red Wedding, Red Lobster.
22:04The entire dinner would now be inside the state dining room, which meant they had to
22:09cut 75 people from the guest list.
22:11But the even bigger problem was a seating chart.
22:14Lily had spent so much time worrying about where this is going to happen.
22:18She hadn't given any thought to who was going to actually sit in which seat.
22:22I had a seating chart.
22:29She had 15 seating charts.
22:36And because St. Pierre couldn't be at the actual dinner, he was calling in changes right
22:40up to the point where people were being seated.
22:47Now, now, worse than that, to the point that they were seated, and we were asked to move
22:54them.
23:10Hosting is dynamic.
23:12You respond to the energy of the room.
23:14You see how people are interacting, relationships being formed.
23:18Listen, I appreciated the work that they were doing, but these staff people, some of them, are
23:23stuck in the 1960s.
23:25Literally, anything you ask them to do, it's like, well, we haven't done that before.
23:29Well, okay, we're doing it now.
23:32I tried to be nice.
23:34All this shuffling around meant there were empty seats.
23:37And that was the problem.
23:41Because what's the number one rule of hosting?
23:42Hide the good wine.
23:45No empty seats.
23:47There were empty seats, and they had to be filled.
23:51One of them was next to former First Lady Apkin.
23:54Miss Apkin asked if Sheila could sit down, and I thought that it was more important that
24:00the former First Lady of the United States have a good time than we have one extra butler
24:05on the floor.
24:07Extra?
24:08Why, Sheila?
24:09Because she was my favorite.
24:11I know I shouldn't say that, but I don't live here anymore, and I don't give a hoot.
24:14When are we going home?
24:15Well, it depends on what else you say.
24:17What if I said I killed him?
24:18That would move things along.
24:19I didn't kill him.
24:21Whatever you say.
24:22Yeah.
24:22It's honestly very sad.
24:24I worked with a man for eight years.
24:26I've worked with people for eight years who I've wanted to kill.
24:28No, no.
24:30A.B. Winter and I always got along.
24:32They never got along.
24:33Okay, first of all, that's not really true.
24:36Everybody got along with Kim Apkin.
24:38It was impossible not to.
24:39A.B. didn't have any issues with her.
24:41But Sheila was a problem.
24:43It's just how it is.
24:44The Lincolns had Tom Pendle.
24:46The Kennedys had Preston Bruce.
24:49Actually, so did the Eisenhowers.
24:50When Wilson German's wife was sick, Wilson was a butler here, LBJ sent his personal doctors
24:56to treat her.
24:56Sheila Cannon was the Apkins' favorite.
25:00And it wasn't even close, especially for Ms. Apkin.
25:02They were tight.
25:03And that was hard for A.B. because Sheila wasn't her style.
25:06She is loud, a jokester, a character, a big personality.
25:11She was flying high when the Apkins were here.
25:14And she crashed when they left.
25:19What does that mean?
25:20It means that people get attached, okay?
25:23I mean, it's inevitable.
25:26I like Mr. Bush.
25:27When the election returns came in in 92, shit.
25:30I was depressed for a month.
25:32All those people running around, playing all this Fleetwood Mac,
25:36don't stop thinking about tomorrow.
25:38Well, I was thinking about tomorrow, and I thought it sucked.
25:43Sheila took this to a whole other level.
25:46She wouldn't let it go.
25:48Constantly griping about the Morgans, whining about missing the Apkins.
25:52Ms. Apkins wears beautiful Carmen's jacquard.
25:55But that Elliot, that Elliot is a mess.
25:58Just as tacky, I'm sure his clothes are coming from Marshall's.
26:00Beyoncé did not sing at their wedding, and Nelson Mandela didn't give them that dog.
26:04I've never seen anything like it.
26:06They always trying to impress somebody, talking about they speak all these languages.
26:09They know good and well they got Google Translate right in their pocket.
26:13Fuck her out.
26:14Oh, I'm in here.
26:15I'm in there.
26:16I'm in there.
26:17It wasn't just the fact that the Apkins left that created tension between Sheila and A.B.
26:21It was how they left.
26:23There were accusations that the Apkins had taken certain property with them.
26:27They did.
26:28And speculation that Sheila helped with that.
26:30She did.
26:31It was never proven.
26:32It was.
26:33There were hurt feelings all around.
26:34Huh, especially mine.
26:36Well, A.B. felt it too.
26:38He found it highly distressing.
26:40Even worse, Sheila stayed in touch with Ms. Apkins even after they left.
26:44She would call her and she would gossip with her about everything happening in the house,
26:48which infuriated A.B.
26:50So, tonight, probably because Ms. Apkins was here, Sheila really let loose.
26:57She felt protected.
26:58There are three rules for working in the White House.
27:01Are these different from the rules of hosting?
27:03Yes.
27:04Rule number one, don't gawk at the guests.
27:06Oh, God, it's Hugh Jackman.
27:07It's Hugh Jackman.
27:09Does anybody else say that?
27:10Rule number two, don't talk to the guests unless necessary.
27:18Rule number three, don't hover.
27:29Come on.
27:31Does that really seem like something I would do?
27:41Whatever.
27:42I was having fun.
27:43Nobody likes to have fun anymore.
27:45I'm surprised the Morgans would even invite Ms. Apkins, given the history.
27:50They didn't really know the history.
27:55But they saw it tonight, and they weren't happy.
28:01Which means Mr. Wenham wasn't happy.
28:16The fight was bad.
28:18Bad.
28:19And keep in mind, A.B. didn't like the fight.
28:22And he definitely didn't like the fight in public.
28:25He'd always try to avoid that.
28:27He'd bring it in, close the door or something.
28:30But Sheila, she wanted to have it out right there.
28:35And they did.
28:36Out on the floor, Sheila?
28:38Sitting at a table?
28:39She asked me!
28:40I don't care.
28:41Maybe that's your problem.
28:44She's the first lady.
28:46She is not the first lady.
28:48She is the former first lady.
28:50And that's your problem.
28:51That you don't understand that we don't work for her.
28:54We don't work for the Morgans.
28:57We work for this house.
28:59And we take care of this house for the president and his family while they live here.
29:05And we should not be doing anything that brings this house into disrepute.
29:10I don't know what that means.
29:12That means don't sit while you're working and get drunk with the guests.
29:19That means stop singing, stop dancing, and stop flirting with Hugh Jackman.
29:24Wait, wait, wait, wait, wait, wait.
29:25Hold on.
29:27Excuse me.
29:28He was flirting with me.
29:31And it's Hugh Jackman!
29:35You're off the floor.
29:37What?
29:38Do not go back on that floor again.
29:43Well, I need to tell Ms. Abkin.
29:45You don't.
29:47That's rude!
29:49You know what?
29:51Fuck you, A.B.
29:52I am busting my ass here trying to keep this fun.
29:56That is not your job!
29:58It is not your job to keep this fun.
30:02Your job is to serve dinner plates and refill water.
30:06You're not a fucking jester!
30:09This is not all about your traditions and protocols.
30:12This house is supposed to be alive.
30:16I'm just trying to give it a little life.
30:19Other than that, what is it?
30:21It might as well be a museum.
30:22It is a museum, Sheila.
30:26Half the house is literally a museum.
30:30Stay off the floor to the end of the night.
30:32And I want to see you in my office first thing in the morning.
30:39How did you feel about that?
30:42About what?
30:42About him asking you to come in in the morning.
30:45Did that concern you?
30:46No, not really.
30:49I didn't even know what that meant.
30:51And honestly, I didn't read anything into it.
30:53He's gonna fire me!
30:55Oh, come on.
30:56He is absolutely gonna fire me!
30:58He said, come in in the morning and talk.
31:00He wants to talk!
31:02Do you know who the last person he said that to was?
31:04No.
31:05Conor Prentiss!
31:06Who?
31:06You know, the butler with the hair!
31:10Oh, yeah, yeah, yeah.
31:12I like that dude.
31:13What happened to him?
31:14He was fired!
31:16You weren't concerned at all?
31:18No.
31:19What did you think he wanted to talk about?
31:21I don't know.
31:22You didn't think your job was on the line?
31:24You might be fired?
31:25Fired?
31:26No.
31:27Worst case, I guess I thought maybe he was going to sit down and reset expectations.
31:33He's gonna sit me down and he's gonna fire me!
31:36No.
31:36Yes, he is!
31:37You are not the only staff person who is sitting out there in the dining room.
31:41Of course I wasn't.
31:42Wait, really?
31:43I wasn't?
31:44Who knows?
31:45Rosalind.
31:45For one.
31:46Rosalind Chase, the curator.
31:49See?
31:50She is right there.
31:51I did her card.
31:55Oh, him too, I guess.
31:57He is a guest.
31:58I wrote his card too.
32:00What?
32:01Hmm.
32:02You doing okay?
32:04It's been a tough night.
32:06Listen, this wasn't their first fight, and it certainly wasn't the first time Sheila badmouthed Mr. Winter.
32:11Okay, maybe I'm forgetting one time, but I don't think I've ever said a bad word about the man.
32:21The Undertaker.
32:23The Undertaker.
32:24Crick Keeper.
32:25Fuss budget!
32:27Asshole!
32:28And I had heard her say some unseemly things before.
32:33Corpse.
32:34But this was different.
32:38He's gonna fire me.
32:40Eh, I don't know, Cannon.
32:42A.B. talks tough.
32:44But I can't think of anyone who's actually fired.
32:47Well, the guy with the hair.
32:50But I think he's gonna be okay.
32:52Really, I do.
32:54I started working at a Waffle House when I was 17.
32:59I did 50 hours a week for six years.
33:05And all I ever thought about was working here.
33:10Did you know that?
33:13I had this dream about working here.
33:16Except, you know, it wasn't a dream.
33:19You know what I'm saying?
33:20I was awake.
33:22That's what I wanted.
33:25That's what I worked for.
33:27And I worked my butt off to make it happen.
33:32Waffle House to the White House.
33:36How many people can say that?
33:39I love this place.
33:42I'm happy here.
33:43And I don't want to leave here.
33:46And I'm not gonna let it happen.
33:48And I'm not gonna let it happen.
33:51Okay, good.
33:52That's good.
33:54Fight for yourself.
33:55Acknowledge you messed up.
33:57You made some mistakes and vowed to do better.
34:00Apologize.
34:01He won't fire you if he believes you and believes in you.
34:08No, that's not it.
34:10He won't fire me if he isn't here anymore.
34:17Hell yeah.
34:19Woo!
34:21Oh, yeah, mate.
34:24These look fucking awesome.
34:26Look, it's little boxing kangaroos.
34:28Here we go.
34:30Just grab a few of these.
34:43The fuck?
34:44Okay, we did fight.
34:45It was bad.
34:46I was taking off the floor because I wasn't working.
34:47And I said some things I really, really regret.
34:50Fuck you, AB.
34:52I called him names.
34:53I don't think I ever called him Crypt Keeper.
34:56Crypt Keeper?
34:57I might have.
34:59I did think he was gonna fire me.
35:01And so for a minute, I started to think
35:04I might be able to get him fired.
35:06I don't know.
35:07I thought I would talk to Ms. Apkin or something.
35:09That's all I meant, really.
35:11But I said it.
35:12It's terrible.
35:12I admit that.
35:14All of it.
35:15All true.
35:16But that doesn't change anything
35:18about what I told you, Ms. Cobb.
35:21About what happened up there on the third floor.
35:24Ms. Cox called down.
35:25I brought her the vodka.
35:26I stopped in the game room, took a few shots.
35:29You can see why now.
35:31And I gave her the vodka.
35:34I get that the way I've acted tonight
35:36might be kind of suspicious, given what has happened.
35:41But what I just told you, that is the truth.
35:46Except you didn't give her the vodka.
35:49Ann Cox told us she never received the vodka.
35:51I ordered vodka.
35:53It never came.
35:54And I didn't see any sign of it in her room.
35:56And Jasmine said she saw you carrying the bottle to Ms. Cox
35:59after Mr. Winter was already dead.
36:03Where are you going?
36:05Upstairs.
36:06Ms. Cox.
36:07You're not going upstairs.
36:08There's been an incident.
36:10An incident?
36:11Yes.
36:13Put that away.
36:14And stay off the second and third floors.
36:23Can I smoke in here?
36:30Are we really going to listen to more of this?
36:32She's lying.
36:33She's told us 15 different stories.
36:38I was just on the third floor delivering vodka.
36:40That's it.
36:41End of story.
36:41Oh, wait.
36:42Sorry.
36:42No, not end of story.
36:43I forgot.
36:44I was in the game room, too.
36:45You know where they found the dead guy?
36:47Because I needed a drink.
36:48Because I was taken off the dining room floor.
36:50And I have no idea why I was taken off the dining room floor.
36:53But I was really sad and I needed to drink.
36:55And oh, yeah, now I remember why I was taken off the dining room floor.
36:58It was because I was sitting at a table getting drunk with the first lady.
37:02This sounds nothing like her.
37:04It's an impression.
37:06I'm inhabiting a character.
37:07Daniel Day-Lewis didn't sound like Lincoln, but it was still a great performance.
37:10How do you know he didn't sound like Lincoln?
37:12Do you know what Lincoln sounded like?
37:18And oh, yeah, I got into a huge fight with my boss, the one who was murdered, but I forgot
37:22to tell you that.
37:23But anyway, it doesn't matter because I did not think I was going to be fired.
37:26Except wait.
37:27I did think I was going to be fired from my dream job, which isn't my dream job, but that
37:31doesn't matter either because I did deliver the vodka, except I didn't deliver the vodka.
37:36That was a tiny bit better.
37:38Why are you just sitting there sketching?
37:40She was sketching again.
37:41Yes.
37:43And she didn't care about anything you said.
37:45No, but she didn't care about what anybody said.
37:48And a lot of people were saying things at that point.
37:50Ah, Detective Cup, I heard you were interviewing Emily Mackle earlier, one of our park rangers
37:55here.
37:57Just want to say that Emily, like everyone in the park service, is dedicated and is she
38:03drawing?
38:04Yes.
38:04She's drawing?
38:05Drawing?
38:06Do you know what time it is?
38:07There are clocks everywhere.
38:08She knows.
38:09Wasn't asking you.
38:10Wouldn't ask you.
38:11Oh, okay.
38:13Oh, I get it.
38:14More shots at the park police from Mr. Big FBI man.
38:17Like you're better than us.
38:18Like we don't deserve to even be here.
38:21Well, I'll have you know that everyone else in this building has the deepest respect for
38:26the park police.
38:27What the fuck are you still doing here?
38:30Me?
38:31You talking to me?
38:32Because I don't think you want to do that again.
38:34She's lying.
38:35Are you accusing one of my rangers of lying?
38:37Oh my God.
38:38Please stop saying ranger.
38:40I'm getting a lot of requests for food out there.
38:45But just so you know, I have been specifically taking care of Kylie and Hugh.
38:49So they're good.
38:49What?
38:50You're feeding the celebrities before everyone else?
38:53Well, it's like on an airplane?
38:55Putting your mask on before helping others?
38:57Yeah, that doesn't make any sense.
38:59No, of course.
38:59Look, I haven't actually talked to them.
39:01I was just proposing we might want to do that.
39:03He says he doesn't want anything rich.
39:05He asked if we had any kind of flaky whitefish like a barramundi.
39:08Who?
39:09Hugh Jackman.
39:10What is that tray?
39:11For Nan Cox.
39:12She just called down.
39:13Oh, surprise, surprise.
39:15Grandma wants another drinky drink.
39:16All right.
39:16That's a bit uncalled for you.
39:18She has a fucking one for you all for one.
39:20Why don't you have her back?
39:21I see her, sweetie.
39:22Take care of you.
39:24Come on.
39:25Fireball.
39:26Fireball.
39:26Fireball.
39:27That's my question.
39:34Why don't you focus on the gate?
39:37I'd like you to be a little...
39:38Hey, is Ann Dodge here yet?
39:45No?
39:47Okay.
39:48Please let me know when she gets here.
39:53Who the fuck is Ann Dodge?
39:55Relax.
40:00Detective Cuck, I can explain if you'll let me.
40:03I won't let you because you're going to lie to me again,
40:05and then I'm going to have to listen to his impression of you,
40:07which is terrible.
40:09Really?
40:09I wouldn't say terrible.
40:11So let me explain this to you.
40:14You were on the third floor tonight.
40:16In fact, you got there twice.
40:18The first time, maybe you were so pissed about having to do this at all.
40:21You came up with a decanter and a tray, but you forgot the glass.
40:23How do I know this?
40:24You put the decanter on the pool table.
40:26That I know, and I don't believe you'd have done that if you still had the tray,
40:29which tells me you left the decanter, took the tray,
40:32and if you took the tray, it means you needed the tray to bring something back.
40:35Something you forgot.
40:36Glass.
40:37So you went downstairs, got the glass, came back upstairs,
40:39decided you need a drink.
40:40You deserve to drink it, so you drank.
40:42Not one shot, not two shots, not three shots.
40:44The whole bottle.
40:45You drank the whole bottle.
40:46Now you had no vodka and no glass.
40:48How do I know this?
40:50Well, a few minutes later, Jasmine stopped you in the elevator
40:52as you tried to bring up a decanter of vodka to Miss Cox,
40:55and we know you never made it,
40:56and we know there was used glass on the sill,
40:58and that is what happened.
41:02At least that is your story.
41:04Did I miss anything?
41:07No.
41:08I'm now going to ask you a series of questions, Sheila,
41:11and now that you know what I can do and what I will do if you lie to me again,
41:14I'd appreciate your honest answers.
41:18Yes, ma'am.
41:19When you were smoking under the tree tonight,
41:22the Cedar of Lebanon, if you're interested,
41:26did you see anyone out there?
41:30Yes.
41:31Who?
41:31There were a couple people that came through this store here.
41:34They were...
41:36You want me to tell you what I saw specifically?
41:40No.
41:41Anyone else?
41:43Someone came down this way along the path and went in there.
41:49Did you see who it was?
41:50No.
41:50Did anybody see you on the third floor when you were up there?
41:53No.
41:53But I saw them.
41:55Who?
41:56I don't think they saw me.
41:57I saw them.
41:58You saw who?
41:59I don't know.
41:59I was drunk.
42:01I don't know.
42:04I was drunk.
42:05I don't know.
42:13Was it a man or a woman?
42:15Really drunk.
42:16I'm drunk right now.
42:17Where?
42:17Where am I drunk?
42:18I feel it everywhere.
42:20Where was the person?
42:22At the end of the hole.
42:23What time?
42:24948.
42:25It's a lot of clocks in the White House.
42:26I have one final, very simple, very specific, and very important question, the answer to
42:32which I hope you consider very carefully, as it may impact the rest of your life.
42:38Okay.
42:41Did you kill A.B.?
42:44Is this a bad time?
42:46Ian Dodge is here.
42:489.30?
42:49I think that's close.
42:50So he'd been dead a half hour when they found him?
42:52Yes.
42:53Are you sure about this?
42:55Absolutely not.
42:56What else?
42:57I mean, look, this is preliminary.
42:59Of course.
43:00Okay.
43:00Don't say, of course, Cordelia.
43:02Because the next thing I know, I am sitting in front of some fucking congressional committee
43:06trying to defend what I am telling you right now very clearly is a very preliminary,
43:11very informal estimate, and I don't want to be in front of a congressional committee.
43:17What else did you tell Detective Cupp about the state of Mr. Winner's body?
43:21I told her the toxicology was still inconclusive, but there were signs of non-fatal poisoning.
43:29Anything else?
43:30I gave her my very preliminary conclusion about Mr. Winner's cause of death.
43:35Which was?
43:36Blunt force trauma to the back of his head.
43:39What about his wrists?
43:40I believe his wrists were cut after he was already dead.
43:50Those are only your preliminary findings?
43:53Yes.
43:53Did your final conclusions differ from these preliminary findings?
43:57I didn't have any final conclusions.
43:59Why not?
44:00Because I never had access to the body again.
44:05If Sheila was telling the truth about what time she was up here, and if Ann Dodge is right
44:09about time of death, and Ann Dodge is always right about everything, then Winner obviously
44:13wasn't killed in here because Sheila would have seen him.
44:18You have no idea what I just said.
44:20I heard the words.
44:20Sheila told us she left here at 9.48 p.m., by which point Winner had already been dead
44:25for 20 minutes, which means she either missed the dead body in the room with her, she was
44:28drunk, but is anyone ever that drunk, or he was moved here after she left.
44:32Or Sheila Cannon is lying because she killed him.
44:35You believe Sheila Cannon?
44:36I don't.
44:36I said if I did.
44:37But you do believe her.
44:38I do.
44:39Why?
44:39Because I think he was moved.
44:41The way his shoes were coming off his feet, the way his pants were gathered at his waist,
44:44I have always thought that he was moved.
44:46So you just believe someone when they tell you what you want to hear?
44:49Generally, yes.
44:52Move from where?
44:58Dragged.
45:00At least partway.
45:04Isn't it possible that Winner was suicidal, brought the bottle of liquor and a glass upstairs
45:08where Noah could see him, drank the bottle, then cut his wrist, fell back at his head
45:12on the pool table and died?
45:14That's consistent with everything Anne Dodds just said, but it also explains the suicide
45:18note, which you cannot explain.
45:19So Sheila saw him and ignored him?
45:22You're assuming that Sheila was ever even up here, but what do we actually know about
45:25where she was?
45:26Sheila admitted she was up here.
45:27I was on the third floor.
45:29Okay.
45:30So why would Sheila say she was up here when she wasn't up here?
45:32Maybe she was trying to hide something else.
45:37What about the bottle?
45:38What?
45:38The decanter.
45:39The bottle.
45:40In your scenario, Winter drinks himself into a stupor, slits his wrist, falls and dies.
45:43So where's the bottle?
45:44I don't know.
45:45Someone took it.
45:45Who?
45:46I don't know.
45:46Why?
45:47I don't know.
45:47You need the bottle.
45:49Maybe he took it downstairs and came back up?
45:51Possible.
45:52Weird, but possible.
45:53Also, Anne Dodds said his wrists were slit after he died, which means what you said is not
45:56consistent with everything Anne Dodds said.
46:01Or...
46:06Maybe he didn't kill himself.
46:08I agree with that.
46:08Is this a gas bedroom?
46:09I have no idea.
46:11Remember the guy who admitted to being in the game room with his knife and the dead body,
46:14and then he tried to burn his knife in the broken incinerator?
46:17Yeah, the guy who makes pastries.
46:18I remember him.
46:18I don't believe him.
46:19I don't believe him either.
46:20Sheila said she wanted to kill Winter.
46:21He won't fire me if he isn't here anymore.
46:25Well, she was drunk.
46:26You know how many times I've said I wanted to kill someone when I was drunk?
46:29Four or five?
46:31Zero.
46:32Oh.
46:32Well, for me, it's like four or five.
46:34Have you forgotten about Marvella?
46:36No.
46:36She said she wanted to kill him, too.
46:38I am going to kill you!
46:41That's in my book.
46:41I wrote that down.
46:42What is your point?
46:43My point is there are a lot of compelling suspects here, including Winter himself.
46:47How compelling is it if they're all mutually exclusive?
46:49My point is maybe you're making this more complicated than it needs to be.
46:57You just told me someone with no alibi falsely confessed to being up here in a room where
47:02a man was found dead, someone she had clear motive to kill because maybe she was trying
47:06to cover up something else.
47:08That feels complicated.
47:11I think he was moved.
47:12From where?
47:13What is this room?
47:14I don't know.
47:14I don't work here.
47:23What?
47:24This door was taped.
47:25So?
47:25Someone was trying to leave it open.
47:27So?
47:27You know, less than a mile from here, a security guard found a taped door in a parking garage
47:31that broke open a very big case.
47:33What case?
47:34Watergate.
47:36So?
47:37So, sometimes little things lead to bigger things.
47:41The room in the northeast corner?
47:43Yes.
47:43Looks like a bedroom.
47:44It's being renovated.
47:45No.
47:46That wasn't a question.
47:47No, the room isn't being renovated.
47:48I don't know how you define renovation, but there's stuff in it, so it's...
47:51It's fake.
47:52The stuff is fake?
47:53The renovation is fake.
47:54What does that mean?
47:54The Morgans really didn't want anyone else staying overnight in the house tonight, so
47:58they pretended there were renovations in the only empty guest room left.
48:00That way, they didn't have to say no to anyone.
48:02That's really weird.
48:03Well, Jackie Kennedy did it once.
48:05I think they got the idea from her.
48:06Still weird.
48:07You know, it's weird that if this was all fake and there are no actual renovations, why did
48:10I just smell paint up there?
48:15We definitely didn't do any work in here.
48:43Do you have a scraper?
48:45Do you have a scraper?
49:12You know, I'm just going to go ahead and say it.
49:13Your timing is consistently not great.
49:16They said it's urgent.
49:16Who said it's urgent?
49:17I don't know.
49:18Someone calling from across the street.
49:19Across the street?
49:20Is that White House lingo for something?
49:22No.
49:24It means across the street.
49:52I don't know.
50:25...
50:56...
51:25...
51:55...
52:25...
52:55...
53:25...
53:26...
53:27...
53:29...
53:31...
53:31...
53:33...
53:34...
53:36...
53:36...
53:38...
53:39...
53:41...
53:41...
53:43...
53:44...
53:45...
53:46...
53:48...
53:49...
53:51...
53:52...
53:55...
53:56...
53:59...
54:00...
54:02...
54:04...
54:07...
54:08...
54:11...
54:12...
54:16...
54:16...
54:17...
54:17...
54:17...
54:18...
54:18...
54:18...
Commentaires