00:00What is that?
00:33What is that?
00:35What is that?
00:35What is that?
00:35Dom Miguel Cabrilho's farm.
00:38I think there's been some mistake.
00:40There's no mistake. He is my father.
00:42Excuse me, miss, but I've never heard of the Cabrilho farm.
00:47Where have you been?
00:48I think it's one of the best farms in all of California.
00:52I'm sorry, miss.
00:55Please, sir, can you tell this man where the Cabrilho farm is located?
00:59I'm sorry, miss. I don't know.
01:02I've only been in this village for a few days.
01:06Well, there must be someone who knows where his farm is.
01:09Good afternoon, González. Good afternoon, Miss.
01:11Sergeant, here is the mail.
01:14Thank you, González. Cabo?
01:17Sergeant, can you help me?
01:18It will be a pleasure, miss.
01:20I am Sergeant Demetrio Lopes Garcia, a soldier of the king, at his service.
01:25This is my good friend, D. Diego de la Vega.
01:28Miss?
01:29So, Sergeant, can you tell this man how to get to the Cabrilho farm?
01:32Of course, miss.
01:34Look, González, you go to the corner and turn left and...
01:38What did the farm say?
01:40I tried to tell the young lady that there is no Cabrilho farm.
01:44Actually, I don't know any D. Miguel Cabrilho.
01:47But you should know.
01:49I'm sorry, miss. This is a small community.
01:52I know we would have heard of the Cabrilho farm if there had been one around here.
01:55Excuse me, miss, but since you're a visitor in Los Angeles,
01:58Your documents need to be examined.
02:00Would you mind coming with me? Yes.
02:03D. Diego, would you mind coming too?
02:05I think this man is waiting to see me. I'll meet him in a minute.
02:07Very good. Cable?
02:09I'll take this. You take the luggage.
02:12I am Raimundo Ruiz.
02:14I heard at the tavern that you're looking for a new cowboy.
02:17My friend and I would very much like to work for you.
02:20The tavern owner said to me, "Where's your friend?"
02:22At the tavern.
02:24Why don't you go with him to my farm?
02:26Tell the foreman that you spoke to me.
02:28That's right. Thank you.
02:34Very well. What is your name, miss?
02:36Anitta Cecília Isabela Cabrilho.
02:41Cabrilho?
02:42Cabrilho?
02:42Yes, Cabrilho. And my father is Dom Miguel Cabrilho.
02:47And your mother?
02:49My mother is dead.
02:51Hello.
02:53Who do you plan to stay with here in Los Angeles?
02:56With my father.
03:00Miss, I'll try to explain one more time.
03:03Your father doesn't live in Los Angeles.
03:05Yes, he is alive.
03:07Miss, may I see your documents, please?
03:10Sergeant, I need to go now.
03:11You can stay there, Corporal.
03:19It says here that his father's name is Miguel Cabrilho and that he lives in Los Angeles.
03:24But why has no one heard of him? Can you explain that?
03:28As you can see, my documents are in order. So I have no right to remain here. My bags.
03:35Between.
03:37Ah, Don Diego, come in, come in.
03:40So, Sergeant, am I lying down or not?
03:42Please speak to her, Don Diego.
03:45I think we can solve the problem without difficulty.
03:51Well, he came looking for his father.
03:55When was the last time you saw him?
03:57It's been 12 years since my mother died.
04:00Where were you? Spain?
04:02Yes, he enrolled me in a school there and then came to California.
04:07Can you remember what he looks like?
04:12No, not very well.
04:14You're forgetting, Don Diego. Isn't there anyone named Cabrilho here in Los Angeles?
04:18I'm sorry, miss, but since there's no one here who can be responsible for you...
04:24But she does, Sergeant.
04:25Yes, my father is there.
04:28Yes, and mine.
04:29My father and I would be delighted to have her as a guest at the La Vega farm.
04:34We will also take responsibility for your safety.
04:36Her documents only allow her to visit her father.
04:40And not that I should visit you, Dom Alejandro.
04:45Please. Please, miss.
04:48Don't cry.
04:52Dom Diego, perhaps...
04:54I was saying that maybe I should investigate this story about the young lady.
04:59She can stay with you in the meantime and I...
05:02Excellent idea, Sergeant.
05:04I'll take a horse-drawn carriage, and you take care of the luggage.
05:07Ah, yes, Dom Diego.
05:08But how can she stay...
05:10I knew I could count on you, sir.
05:13Miss, I'll be right back.
05:15And everything will be alright.
05:18It will be?
05:26I'm sorry for causing so much trouble.
05:28I'm sorry too, miss, for making you cry.
05:31But go in peace.
05:32If your father is here in Los Angeles, I will meet him.
05:36Thanks.
05:36I'll come tomorrow, Sergeant.
05:38Let's make a toast.
05:39Thank you, Dom Diego.
05:51So, this young lady can't find her father, can she?
05:54Yes.
05:55Do you know him?
05:56He never tried to exchange anything at my store.
05:58Good afternoon, Sergeant.
06:00Good afternoon.
06:02Sergeant, I've been thinking...
06:05There is?
06:06About the young lady's father.
06:08Ah.
06:10Something might have happened to him.
06:14Something like what?
06:18Something like...
06:19Something mysterious.
06:29Something that nobody knows about.
06:41Satisfied?
06:42Yes, thank you.
06:43I was hungry.
06:49Thanks.
06:50Mr. Alejandro, I hate to ask again.
06:52But are you sure you've never heard of my father?
06:55I'm sorry, Anitta, but I've never heard of it.
06:58But he lives here.
06:59He would write from here and send me gifts.
07:02If it grew up...
07:03The young lady's bed is ready.
07:05Thanks.
07:06We'll talk more about this in the morning.
07:15Take good care of her, okay?
07:17Ah, I'll take care of it, D. Diego.
07:18I know we're going to be good friends.
07:21Thank you, miss.
07:23Good evening, Mr. Diego.
07:24D. Alejandro.
07:25Goodnight.
07:25Goodnight.
07:28So, what do you think?
07:31I don't know.
07:32It's a fantastic story she told.
07:35A poor little rich girl all alone in the world.
07:38With a father that nobody knows.
07:40You saw how she recounted everything.
07:42He realized that he really believes it.
07:44She's not deceiving us.
07:45I don't know, Diego.
07:46I'm not so sure.
07:49There's something about all of this that isn't as it should be.
07:52I thought that if she came to our farm, she would be safe.
08:02I don't know.
08:03My pajamas are in the small trunk.
08:05You can take the rest off in the morning.
08:06Yes, ma'am.
08:22Put on the rain.
08:47What is it, miss? What is it?
08:51Anitta, what's the problem?
08:54What there was?
08:56Someone at the window tried to grab me.
09:00Everything's fine, Anitta. Did you see anyone?
09:04Not a sign.
09:07I don't understand how he escaped so quickly.
09:09You can see for miles from the window.
09:11What was he like?
09:12I couldn't see the face. I only saw the shadow.
09:16Would you know him, Crescent?
09:18Could he be one of the cowboys?
09:20I don't know, D. Diego. I didn't see anyone.
09:22But you must have seen it. He was there.
09:25I'm sorry, miss, but I didn't see anyone.
09:32It was a man. He tried to come in through the window and grab me.
09:35You're tired. It was a very long trip.
09:39He believes he was there. Don't you believe him, D. Diego?
09:43Yes, I believe so. But it's already gone.
09:45And we won't let it come back.
09:48Now, why don't you get some sleep?
09:55I know I saw someone.
09:57Growing up, it's best to leave it at that for a while.
09:59Yes, D. Diego.
10:03Good evening, Anitta.
10:05Goodnight.
10:10Thanks.
10:12How's it going, Diego?
10:14Crescência will stay with her until she falls asleep.
10:16Our little guest has a vivid imagination.
10:19Do you think so?
10:20What else could it be?
10:21You didn't see anyone. Crescência didn't see anyone.
10:24And you know she sees everything, don't you?
10:26That's true. It might have been my imagination.
10:28But do you believe that?
10:30No.
10:30He is well.
10:32I'm listening.
10:36Well, we know she came from Spain to visit her father, who she believes lives in Los Angeles.
10:42Yes.
10:43Well, someone tricked her by writing to her and sending her gifts all these years.
10:47That's what she said.
10:49But this story could be a figment of the imagination.
10:52Or perhaps some plan she has concocted.
10:54If that's the case, I'd like to know what she intends.
10:57You don't believe that.
10:59He is well.
11:00I wouldn't say she's a petty cheat.
11:03But at the same time, I'm not saying I believe her.
11:07Find this imaginary father for me.
11:13I can do that.
11:37Mr. and Mrs. Agostin.
11:39Well, I don't think we need to go back that far in time.
11:43Who won?
11:46Any other updates, Sergeant?
11:48No, D. Diego, this was the last one.
11:51There is no Miguel Cabrillo in this record either, since the town was founded in 1781.
11:59I hope you are satisfied.
12:01There is no D. Miguel Cabrillo in Los Angeles now, and there never was.
12:05But this young lady isn't convinced of that.
12:08Between.
12:11Gonçalves, it's not time for correspondence, is it?
12:14No, sergeant.
12:15D. Diego, when I returned to my stable, I learned that you wanted to speak with me.
12:19Yes I want.
12:21You've been taking care of the mail for quite some time now, haven't you?
12:24Yes, D. Diego, many years ago.
12:27Have you ever seen any letters of interest addressed to D. Miguel Cabrillo?
12:31Cabrillo?
12:32No, D. Diego, I have never seen any letter from him or addressed to him.
12:36This is the father of the young lady who arrived yesterday, isn't it?
12:39Yes.
12:42Do you need anything else, D. Diego?
12:44No thanks.
12:45It was a pleasure.
12:46Gentlemen?
12:49Are you admitting now that Anitta is wrong?
12:52Or was she deliberately deceived?
12:55You know, Mr. Alejandro, she's so young that it would be easier to understand if she were lost and not the
13:00your father.
13:04Where is she today?
13:06She's still resting. I convinced her to stay on the farm to rest.
13:09He's not happy with all of this.
13:19Calm down, tidy up my room, okay?
13:21Yes, sergeant.
13:57And the denda is for resting and cleaning.
14:38THE CITY IN BRAZIL
15:06THE CITY IN BRAZIL
15:09THE CITY IN BRAZIL
15:11THE CITY IN BRAZIL
15:12THE CITY IN BRAZIL
15:38Is she sleeping?
15:40I'm going to ask this young lady a few questions.
15:42I want to know what kind of game she's playing.
15:44She has already answered thousands of questions from all of us.
15:47I don't think you'll know much.
15:49What do you suggest?
15:50Well, we can learn more if we keep an eye on her.
15:53It would also be a sensible precaution for her safety.
15:56Even so, I'll talk to her first thing tomorrow morning.
15:59I'm worried about tonight.
16:03He didn't take the story she told seriously.
16:05It's about someone who tried to climb in through the window to grab her, isn't it?
16:09You don't believe that, do you?
16:11Yes, I believe so.
16:13Well, you can keep watch out the window if you want.
16:16I go to bed.
16:18I think I'll go to mine too.
16:21Let's let Zorro take over.
16:36I'm going to mine too.
17:25I'm going to mine too.
17:35I'm going to leave Zorro.
17:43I'm going to leave Zorro.
17:48Is anyone there?
18:15I'm Anitta Cabrilho, is anyone there?
18:37I am Anitta Cabrilho.
19:32I am Anitta Cabrilho.
19:49I am Anitta Cabrilho.
19:52Miss Cabrilho, pay close attention to what I'm about to say.
19:59Do you have any news for me about my father?
20:06I'm going to give you some advice, miss.
20:09It's better to live in Spain than to die in California.
20:13Go back to Spain while you can, while you're still alive.
20:16What do you know about my father?
20:18He's not here.
20:19Give up looking for your father.
20:21Go back to Spain.
20:25Don't come near me.
20:27Don't come near me.
20:32Don't come near me.
20:40Don't come near me.
21:04Bye, bye.
21:34Bye, bye.
22:12Bye, bye.
22:38Bye, bye.
