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00:17¿Puedes llamar a Diane Holloway para el teléfono?
00:55¿Puedes llamar a Diane?
01:00¿Puedes llamar a Diane?
01:03¿Puedes llamar a Gamer?
01:06No.
01:09No, no, no, no.
01:36No, no, no.
02:06No, no, no.
02:37No, no, no.
03:04No, no, no.
04:00No, no.
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07:44No, no.
08:01No, no.
08:12No, no.
08:13No, no.
08:40No, no.
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09:40No, no.
09:54No, no.
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10:19No, no.
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10:36No, no.
10:41No, no.
10:41No.
10:42No, no.
10:44No, no.
10:58No, no.
10:58No, no.
11:01No, no.
11:11No, no.
11:11No, no.
11:11No, no.
11:12Gracias.
11:18Ok, desde el principio.
11:223 días atrás, Ronnie me llevó a ese bar con él.
11:25He dijo que tenía algo de negocio ahí.
11:27Ronnie es tu hermano.
11:29Sí.
11:31Él tenía una cerveza y luego, minutos después, se empezó a hacer desayunos, como tú.
11:37No quería alarmarme, así que me sentí a casa en un cab.
11:40No quería hablar de él.
11:44No quería hablar de él.
11:45¿Y?
11:47No.
11:48No he visto o he oído de él.
11:50¿Qué hiciste?
11:53Yo...
11:53Filed a report con los personas.
11:57¿Y no hicieron nada?
12:03Hoy...
12:04...tienes un llamado.
12:06Es un voz de hombre.
12:08Él me dijo que si me querían saber de mi hermano, yo iba a ir a la iglesia mañana.
12:12No para decirle a nadie, pero para ir a la mesa de la mesa y yo iba a contactar.
12:18Y yo estaba ahí cuando llegué.
12:21¿Crees que yo iba a contactar?
12:23No.
12:25No.
12:31No.
12:44No.
12:47No.
13:01No.
13:06No.
13:09No.
13:22No.
13:27No.
13:35No.
13:40No.
13:41No.
13:41No.
13:43No.
13:44No.
13:44No.
13:46No.
13:49No.
14:07No.
14:12No.
14:13No.
14:19No.
14:23No.
14:25No.
14:30No.
14:33No.
14:36No.
14:36No.
14:36No.
14:36No.
14:36¡Ah!
14:37¡Ah!
14:46¡Ah!
14:47Oh, I've got some coffee here for you. Compliments to the management.
14:54What time is it?
14:56Almost one. How do you feel?
15:01Starved?
15:02Well, there's shaving supplies in the bathroom and brunch is awaiting you on the patio.
15:07Where'd you get the outfit?
15:10The writing shop here. I've got some stuff for you, too.
15:14Well, it's a lovely thought that we're not here on vacation.
15:18Yes, I know that. I just thought a ride would do us both some good.
15:23I'm sorry. I was uptight.
15:27What time did you say it was?
15:29One o'clock.
15:31Where's the phone?
15:32Over there. Who are you calling?
15:36I'm going to call my boss. I'll meet him in the middle.
15:44Yes, Miss Crawford.
15:46May I have that number?
15:51Thank you.
15:52Hold the line, please.
15:57Pete, here's your coffee.
16:00Oh!
16:01Oh, I'm sorry.
16:03You didn't get burned, did you?
16:05No, just wet.
16:07Well, here, go into the bathroom.
16:09There's a towel there.
16:14Hello, Mr. Cochran.
16:16I'm ringing your number now.
16:18Oh, my husband's changed his mind.
16:21Cancel the call, please.
16:22Thank you.
16:29Are you all right?
16:31Yeah.
16:33What happened to the phone?
16:36There's circuit trouble between here and the city.
16:38I guess it'll take about an hour to fix.
16:41It's beautiful.
16:42Why don't we have brunch? Come on.
16:45No, what next?
16:51I'm sorry.
16:53Everything seems to be going wrong this morning.
16:56I guess it's all my fault.
16:59It's not your fault.
17:00We'll just have to hang around here for an hour.
17:01That's all.
17:12Look.
17:13I'll get out of these ridiculous riding clothes
17:16and drive you back to town.
17:18Then you can be rid of me and all my problems.
17:21Diane, I didn't mean it.
17:22Oh, Pete.
17:24Why did you have to be the one to get so involved in this?
17:35I'm sorry.
17:36I forgot what you've been going through the past three days.
17:40Maybe you were right.
17:41A little fun and do us both some good.
17:42Let's go take a ride.
17:44Pete.
17:45Now, you're going to have to be patient with me
17:46because I'm a terrible rider.
17:48Wait, wait, wait, wait.
17:51You're sure this is the gentlest one?
17:53Yep.
17:53My three-year-old rides this.
17:56Terrific.
17:57What's the horse's name?
17:58Scout.
18:01You're putting me on.
18:03Oh.
18:04How's that?
18:05Never mind.
18:08Get him up, Scout.
18:10Scout.
18:19You're doing great.
18:29Oh, I think you've been putting me on.
18:38I think you're ready to race.
18:39I'll try anything once.
18:41Okay.
18:42Okay.
19:16Lay-an.
19:17Lay-an.
19:18Lay-an.
19:18Lay-an.
19:18Lay-an.
19:26Lay-an.
19:31Lay-an.
19:32Lay-an.
19:32Lay-an.
19:33Lay-an.
19:34Lay-an.
19:34Lay-an.
19:35Lay-an.
19:35Lay-an.
19:35Lay-an.
19:36Lay-an.
19:36Lay-an.
19:37Lay-an.
19:38Lay-an.
19:38Lay-an.
19:39Lay-an.
19:39Lay-an.
19:39Lay-an.
19:40Lay-an.
19:41Lay-an.
19:54¡Gracias!
20:18Cochran, Frenzy, eh?
20:21Did he get the body up there?
20:22No, not yet.
20:23They're rigging something now in the corner of the county with them.
20:27Pretty well testimony, eh, Adam?
20:29Yeah.
20:31You know, I shouldn't let you be reading that if the county DA finds out.
20:35Well, you've got no reason to involve him.
20:37No, not if it was an accident.
20:39Of course it was an accident.
20:40How can you be so sure a crazy story like that?
20:43Boy, I trust Pete Cochran.
20:45Well, I figured he was something special.
20:47You're coming the way down here and all, but who is he?
20:52He's one of my own, Claude. He works for me undercover.
20:57What do you know?
21:00Them two?
21:03Them two.
21:05Well, look, Adam, I've got no reason to hold him.
21:07Unless the coroner gives me one.
21:08Thanks, Claude.
21:09But I'm gonna have to ask you to wait around for that.
21:12We'll wait.
21:30I'm glad you guys are here.
21:32I'm sorry I hung you up last night.
21:34Bad trip, Pete?
21:36Oh, man.
21:38Tell you.
21:39Julie sniffed it out.
21:41I should have gone after you.
21:43It wouldn't make any difference.
21:44I was out of it anyway.
21:46Are you okay now?
21:51The worst part about the whole thing was after the accident, and I see her laying down there, and I
21:58don't know if she's dead or alive, and it's impossible to get to her.
22:02And then you just had to leave her.
22:05Okay, Pete.
22:07You did all you could.
22:09Hi.
22:13Hi.
22:16I'm sorry.
22:17Oh, forget it.
22:18The things Diane told you to check out, we've got a case to work on.
22:23We owe her that.
22:28That's a coroner.
22:29It'll only be a minute.
22:38Okay, Sheriff, I think you'd better hear this, Adam.
22:44Mr. Cochran, it's my duty to inform you that based on preliminary findings of the coroner, I'm advising the district
22:51attorney of criminal proceedings in this case...
22:53What are you talking about?
22:55And as a suspect in this case, I'll hereby advise you that anything you say may...
22:59Knock it off, Sheriff. He knows his rights.
23:01Just doing my duty, Captain.
23:03Yeah, well then, do it in plain English.
23:06What preliminary findings? What charge?
23:09The coroner found a knife wound in the victim's upper back.
23:13A charge is suspicion of murder.
23:17A charge is suspicion of murder.
23:53There, you see?
23:54It's a small flat wound.
23:55Pen knife.
23:56Maybe a common table knife.
23:59I want that weapon found, Sheriff.
24:01Yes, sir.
24:02Wait a minute.
24:03I want to look at the face.
24:14Oh, God.
24:15You know her?
24:21Does he really think he can get away with this?
24:24This is ridiculous.
24:26That's right.
24:27All right, Pete.
24:28It was a frame.
24:29But by whom and why?
24:32Come on, let's go over the story one more time.
24:34What?
24:35It just gets more unbelievable every time I say it.
24:37I was set up so beautifully, it's almost like Diane was in on it.
24:39Sure.
24:40She framed you for her own murder.
24:42Pete, why don't you try and concentrate on what the girl said?
24:44The missing brother?
24:45The threats?
24:46The phone calls?
24:46I can't concentrate.
24:47I can't even think anymore.
24:48We've got to beat the DA.
24:50He'll be here any minute.
24:51Why don't you both get off his back?
24:53Aren't we all jumping to conclusions?
24:54If we believe him, why shouldn't the DA?
24:57Because the story sounds cockamamie.
25:01And because the DA is a man by the name of Tom Cole.
25:08Tom Cole?
25:10What does that mean?
25:12Oh, that's beautiful, man.
25:16He was a police captain when I got busted.
25:18And then I gave him a little bit of a bad time.
25:21Well, tell him what kind of a little bit of a bad time.
25:23I punched him in them all.
25:26Terrific.
25:29Yeah, he was ready to throw the book at Pete, only I got in his way.
25:33I was putting you three together at the time.
25:35I needed Pete.
25:37Anyway, I went over Cole's head.
25:39Beautiful.
25:40Now you're both on this list.
25:42Yep.
25:44That's the way it is.
25:46District Attorney's waiting.
26:05Hello, Adam.
26:06Tom.
26:10Well, Cochran, we meet again.
26:12You read the boy's statement?
26:14Yes, I read it several times.
26:15Seems pretty open and shut to me.
26:17What does that mean?
26:18It means I'm going to take you in.
26:20Tom, you can't.
26:20Sorry I have to take in one of your boys, but I've got all the facts I need to book
26:23him.
26:24Proximity, motive.
26:25Motive?
26:25Not to mention those false statements you made.
26:28That's the truth.
26:31That's what happened.
26:33Oh, it is?
26:34Yes.
26:35Well, I'll let you tell it again, this time in front of your captain.
26:39Now, what was the name of that girl you were with?
26:41Diane.
26:43Diane Holloway.
26:44That's what she told me.
26:45And you don't know who she really was?
26:47I just met her last night.
26:51I'll let the captain decide whether you're lying.
27:06Does he know her, doesn't he?
27:09Yeah, he knows her.
27:10And isn't it a fact that she testified against him when he was busted a year ago,
27:14and he told her then, in front of both of us, that he would, quote,
27:17fix her someday for good, unquote.
27:23Peace.
27:41What?
27:56Judy.
27:57That's right, Catherine.
27:59Judy Bellson.
28:02As if you didn't know.
28:15Good night.
28:57¡Gracias!
29:11¡Gracias!
29:42¡Gracias!
29:42Adam, ¿do you really believe there was another girl in this case?
29:49Yeah, I really believe it.
29:55All right.
29:57It would be a pleasure to prove that you're wrong.
30:04Yeah, yeah, I think that's her.
30:07Did you swear to that in court?
30:09Well, I don't know about swearing.
30:10I mean, she had this babuska around most of her.
30:14And would you say that she was with this man?
30:20Oh, yes.
30:21That's the fellow for sure.
30:23But not this girl.
30:25Well, now, she did look a lot like that.
30:29She looked like that girl, but she wasn't that girl, is that it?
30:32Adam, will you stop putting words into his mouth?
30:40Yeah, she looked like that.
30:42Of course, she had them big sunglasses on.
30:46Anyway, most of the time, all I see of people is their boots.
30:54And she was wearing these.
30:56Yeah, couldn't hardly forget that.
30:58Well, you sell writing clothes here, don't you?
31:00Sure, my store is right around the back there.
31:04Then you saw the girl when you sold her these?
31:07Nope.
31:08Well, she bought them here.
31:09No way, mister.
31:10I don't carry no fancy stuff like that.
31:12Why, you'd have to go clean to the city to buy that.
31:16Thank you very much.
31:20Yeah, that's her.
31:21Absolutely.
31:22You're quite sure, Sally?
31:23Uh-huh.
31:24She was in here and bought some suntan cream.
31:28Would it look anything like this?
31:32Well, that's a brand that sold her.
31:34That was found in Judy's pocket.
31:36Now, Sally, would you swear in court that that was the woman that you saw?
31:39Oh, yes.
31:42Thank you.
31:43Sally, just one more thing.
31:45You seem awfully sure about this face.
31:47Any particular reason?
31:49Oh, sure.
31:50She was here once before, maybe, oh, six months ago.
31:55Her name's Mrs. Jackson.
31:58Mrs. Jackson?
31:59Did you ever see Mr. Jackson?
32:03Gee, I don't think so.
32:06Did you ever see Mrs. Jackson with Mr. Cochran?
32:10No, never.
32:13Thanks, honey.
32:15Sure.
32:17The captain says it's a Mexican standoff so far.
32:19He's just trying to punch enough holes in it to keep it out of the grand jury.
32:23And the newspaper.
32:24Right.
32:26Oh, and something.
32:27There's never been a report at the missing persons bureau on the brother.
32:30He could be part of the con.
32:33I fell for it.
32:35Well, forget it.
32:36What we need now is a positive witness to identify Diane.
32:39What about the cab driver?
32:42I don't know, man.
32:43I was so foggy.
32:44What time did the cab driver pick you up?
32:46I could check all the cab logs.
32:48No, that wouldn't do any good.
32:49It's a funny little detail, but I do remember that he didn't put the flag down.
32:53So he probably didn't, you know, make a report on it.
32:55Are you sure, Pete?
32:57Yeah.
32:58Why?
33:00It sounds so coincidental.
33:02It could be that the cabbie was in on the setup.
33:07Link.
33:08Why don't you see if you can get the ID book of all the cab drivers.
33:12Maybe I can find a space.
33:14Sell it.
33:20Yeah, that's our boutique line.
33:22Not many writing shops carry it.
33:24Is that right?
33:25Yeah, I talked the boss into adding a more mod-looking line.
33:28You know, writing clothes is so dreary.
33:32Dale and Roy, matched sets.
33:34Do you remember who bought this outfit?
33:36Oh, you must be kidding.
33:37I sold several like that.
33:39I know what I'm asking, but it's important.
33:42It's a matter of life and death.
33:44You dig?
33:45I dig.
33:47Let me see the size.
33:52Got something?
33:54Maybe.
33:55There was a guy and a chick came in here.
33:57She bought this outfit in this size.
34:00And then she asked me for an identical outfit in a size larger.
34:03She bought two outfits.
34:05Right.
34:06I thought, huh?
34:07Matched sets.
34:08For girls.
34:10The girl was blonde, wasn't she?
34:12No brunette.
34:12Are you sure she was a brunette?
34:14Yeah, just like the guy with her, her brother.
34:16Well, how'd you know it was her brother?
34:17He kept calling her sis.
34:18I thought it was quaint.
34:36Hey, sis.
34:37Nice going.
34:38Only ten minutes off schedule.
34:39You got everything?
34:40Wigs, clothes, everything?
34:41Mm-hmm.
34:47Hey, babe.
34:47What's wrong?
34:50Nothing.
34:51I don't know.
34:52It's just that when I got to that cliff and looked down, I saw a body just lying there.
34:59Right on schedule.
35:00Art, let's get out of here.
35:01Let's go somewhere else and start over again, huh?
35:03No, this town is ours.
35:06They took it away from us, and they took him away from us.
35:10And we're going to stay here and watch them pay one by one.
35:13We owe him that much.
35:14Remember, sis?
35:16Yeah, I remember.
35:19Okay, things are starting to fit together.
35:21It's not a bad day's work.
35:22What about Cole?
35:23Is he going to push for the grand jury?
35:25No, I think he's cooled a little.
35:28Too many open questions.
35:29Not one real piece of hard evidence.
35:31What next?
35:32Well, by tomorrow, we'll have the artist sketch with the girl as a brunette.
35:34That was a great break, Julie.
35:35He sent me right to the lab, man.
35:37He's got hair samples down there from the car and from the bathroom.
35:40He just called a little while ago.
35:41He said that the girl that Pete was with was definitely wearing a blonde wig.
35:46By morning, we'll have some idea where it came from.
35:49Is that a breakthrough?
35:50I hope so.
35:55Graham.
35:56Well, Adam, I see they've got you working late, too.
35:59That's right, Tom.
36:00There's a lot of exciting things happening.
36:02Really?
36:02Well, I hope they happen fast.
36:04You see, I've decided to go ahead on that indictment.
36:09Oh, come on, Tom.
36:10You haven't got a case.
36:11Oh, I think I do now.
36:13The sheriff just brought me a little present.
36:16The murder weapon.
36:18It's only a common table knife.
36:21But it's got Pete Cochran's fingerprints all over it.
36:41Of course they're my prints.
36:43I used the knife to butter and roll.
36:46They really thought this through, didn't they?
36:48They sure did.
36:49Look, I'm kind of in a hurry now.
36:50Did you find me a cab driver?
36:52I gave Link six or seven pictures this morning.
36:55You know, when I was talking to Judy, she told me about a cab driver that she was going with,
37:00that she was really serious about.
37:03What if he's the one that drove me?
37:07What if he's part of this whole setup?
37:09If that were true, Pete, then he's our killer.
37:14Who are you looking for?
37:16I'm looking for my sister.
37:18You see, she ran away from home a week ago, and I thought she may have come in here to
37:21buy a wig.
37:23Well, this is most unusual.
37:25I know it is.
37:26I was wondering if you might recognize her from this sketch that I did up there.
37:34Well, I might.
37:36Um, how do I know I'm not getting her into trouble?
37:39She's already in so much trouble, my parents are frantic.
37:43Please help me.
37:46Well, all right.
37:48She did buy a wig in here about, uh, three days ago.
37:53She paid cash for it.
37:55Didn't even wait for her receipt.
37:57She was in a hurry?
37:58Yes.
37:59Said she only had an hour for lunch.
38:01She came and went in a cab.
38:03Do you know what cab company?
38:05Mmm.
38:08City cab, I think.
38:09Yeah, city cab.
38:13Three days ago.
38:15Three days ago.
38:16Yeah, about noon.
38:18About noon.
38:20No?
38:21No record of any pickups in that area all day.
38:23Yeah, but it was a city cab.
38:25Well, it may be, but I don't have any record of it.
38:27Look, man, I'm not supposed to divulge this kind of information, you know?
38:29Hey, like, it's like I told you.
38:30This lady dropped the package.
38:31All I want to do is return it.
38:32Oh, man, you're going to have to figure out another way to do it.
38:40Nick.
38:41Are you sure you...
38:43Excuse me.
38:47What's wrong?
38:47There.
38:49Look, is that her or is it just because I want it to be?
39:01That's her.
39:08Looks like she's driving her brother to work.
39:10Her brother to cab driver.
39:11All right, it's cab 5-1-1-4.
39:19I'll get the captain of his name and call the captain.
39:24That's it.
39:27That's it.
39:28You sure?
39:29Yep.
39:30Good.
39:31Because then we get a little bonus.
39:33Name on this man's license is Arthur Jackson.
39:37Jackson?
39:38Mrs. Jackson.
39:39That could be Judy's boyfriend.
39:40That's right.
39:41But there's a little more to it.
39:43Art Jackson is an alias.
39:45Boys from Fingerprint just called.
39:46He said his real name is Arthur Henry.
39:48He's got a sister, Diane Henry.
39:51Does that mean anything to you?
39:53Henry.
39:54Any relation to Walter Henry?
39:56His children.
39:58Oh, wow.
40:00But now tell us.
40:04Walter Henry was the county narcotics commissioner
40:06until a couple of undercover officers
40:08caught him running a million-dollar narcotics racket of his own.
40:11Didn't Pete work on that case?
40:13Yeah, he and Judy Belson, they broke it.
40:14Testified at his trial.
40:16Did they get a conviction?
40:17Mm-hmm.
40:18He had a stroke during the appeal.
40:20He died, protesting his innocence right to the very end.
40:24I guess his children believed him.
40:26It's vengeance for their father.
40:28Make it look like I killed Judy.
40:30Two for one.
40:32Yeah, that's the way it seems, Pete.
40:34Our problem is, how do we prove it?
40:36Can't you arrest them?
40:37I mean, if the witnesses could just see her.
40:40It's no good, Judy.
40:41Our whole theory is based on guesswork.
40:44No, actually, our case is no better than the DA's.
40:47Okay.
40:48What can we do?
40:49How do we get the proof?
40:52I don't know.
40:56I need a little time to think or something.
40:59Don't take too much time, because I've got a date in court tomorrow.
41:03Happy.
41:05Yeah.
41:08Hey, man.
41:09Anything for me?
41:10Hey, where you been?
41:11I was trying to get you.
41:12Now my radio's on the fritz again.
41:13What's up?
41:14A woman phone wanting a cab.
41:16What, did you send someone?
41:17No, man.
41:19She asked for you.
41:20Art.
41:21By name.
41:21She said nobody else to do.
41:24Who is she?
41:25She didn't give her name, but she left his address.
41:32Okay.
41:34Okay.
41:58All right, lady.
41:59I'll bite.
42:00Why me?
42:01I mean, it was me you asked for, right?
42:03That's right, Mr. Jackson.
42:05Do you all know the road to the observatory?
42:07Well, it's your thing.
42:09Well, why don't you just take me there, and I'll tell you when to stop.
42:13Whatever you say, lady.
42:15Call me Sally.
42:16Okay, Sally.
42:19Okay.
42:19You say stop, we stop.
42:49Will you turn out the lights, please?
42:54Honey, if this is a stick-up, it's the nicest one I ever had.
42:57Why don't you recognize me, Mr. Jackson?
43:00Should I?
43:03Why don't we get some fresh air?
43:06I have a business proposal to make.
43:23Why don't we get some fresh air?
43:38Well?
43:41Mr. Jack, oh, I really shouldn't call you that.
43:45It is Mr. Henry, isn't it?
43:49Who are you?
43:50I'll get right to the point.
43:52I found out what you and your sister did.
43:55You crazy or something?
43:57No, Mr. Henry.
43:58Just lucky.
44:00You see, about two years ago, I met you and your sister at that fabulous Beverly Hills pad of yours.
44:05That was before your father got caught with his fingers in the till.
44:08Now, listen.
44:09No, you listen.
44:10Now, for the last year, I've been working at the Elmsford Guest Ranch.
44:13And I saw you there about six months ago with a certain lady.
44:17I saw your sister there yesterday.
44:19And I saw the poor slob that you framed.
44:22I thought I'd call you because I knew you hadn't counted on me.
44:27What do you want?
44:28Well, I'm not greedy.
44:30I think a thousand dollars a month will keep me from going to the police.
44:35So go to them.
44:36They'll never believe a crazy story like that anyway.
44:38Oh, yes, they will.
44:40While your name alone is the piece they're missing.
44:43Look, I haven't got any bread.
44:45If I had any left, you think I'd be driving a cab?
44:47That's your problem.
44:49Get it like your father did.
44:50Steal it.
44:51Why, you cheap little...
44:55What is it, Mr. Henry?
44:58Deal or squeal?
45:02Deal.
45:03Very good.
45:05I'm going to leave now.
45:06My car's right over there.
45:09I'll expect the first payment tomorrow in small bills, please.
45:13This is the address where you bring it to.
45:18Okay, now it's my turn.
45:20I'm going to tell you something before I kill you.
45:22Please.
45:22Shut up.
45:23You're the crook.
45:24Not me, not my father.
45:26My father was innocent.
45:27They framed him, so I made them pay.
45:29And now you're going to pay, too.
45:31Goodbye, Sally.
45:54Goodbye, Mr. Henry.
45:55Goodbye, Sally.
45:56Goodbye, Sally.
46:06Goodbye, Sally.
46:12Goodbye, Sally.
46:12Goodbye, Sally.
46:14Goodbye, Sally.
46:15Goodbye, Sally.
46:15Goodbye, Sally.
46:15Goodbye, Sally.
46:15Goodbye, Sally.
46:15Goodbye, Sally.
46:16Goodbye, Sally.
46:18Goodbye, Sally.
46:19Goodbye, Sally.
46:23Goodbye, Sally.
46:32Thank you, Father.
46:46Tom?
46:49All right, I'm...
46:53Well, I guess I missed the ceremony, huh?
46:55It wasn't very elaborate.
46:58Were you the only ones that were here?
47:00I'm afraid so. She had no family.
47:02Friends?
47:03You don't make many, being an undercover cop.
47:15All right, buddy.
47:17Oh, Tom.
47:18Wait a minute.
47:19Beat's in there.
47:20He'd like to be alone with her.
47:21You understand.
47:23You understand.
47:23I'm afraid so.
47:52¡Gracias!
47:58I met a guy, an honest, hard-working cab jockey, who trusts me, and I want to keep it that
48:06way.
48:08You will, because you're good people.
48:10I never will understand our friendship, considering the way we started out.
48:17Judy.
48:20Oh, Pete.
48:22You live so many lies, you lose track of the truth.
48:26You count the years by the people you think of.
48:30And then one day, you get a crack at a really honest relationship.
48:34But you're not sure you even know how anymore.
48:38That's when it's time to quit.
48:41If things come and go so fast, there's never enough time to really get to know one another.
48:51Why does it have to be that way?
48:58Don't you really help me not understand?
49:02Hey, remember?
49:04I'm retired.
49:05I'm retired.
49:34I'm retired.
49:42See you later, Captain.
50:10See you later.
50:35See you later.
51:07See you later.
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