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00:14El Espíritu Santo
00:59El Espíritu Santo
01:00El Espíritu Santo
01:39¡Gracias!
02:10¡Gracias!
02:14¡Gracias!
02:15¡Gracias!
02:16¡Gracias!
02:18This is our distinguished guest, Dr. Eric Santos.
02:20We're going to put some of his remarkable powers to a little test.
02:25Now, before you arrived, I arbitrarily selected three of the seats you're sitting in.
02:30I then asked Dr. Santos to record his impressions of the students who would occupy those chairs.
02:35Now, bear this in mind.
02:37He's never seen or met any of you before you entered this room.
02:41Hmm?
02:43These are his impressions.
02:46Chair number two.
02:49A girl.
02:51Pretty.
02:53Blonde.
02:55A warm, sensitive creature.
03:00But I see two paths she walks.
03:03One is filled with danger.
03:06The one she shares with a young man.
03:09No.
03:10Two young men.
03:13But she prefers to keep this in the dark.
03:18That's fantastic.
03:20I'll say.
03:21She has two men.
03:23I got zilch.
03:25Shall we hear the next?
03:29Chair number five.
03:31I see a young man.
03:33I see a young man.
03:34Perhaps 20, 21.
03:37He lives among books.
03:39He reads incessantly.
03:42He's deeply troubled by what he reads.
03:46Torn by conflicting beliefs.
03:49He sleeps.
03:50I see a crib with many bars.
03:54No.
03:55A brass bed.
03:56He sleeps in a brass bed.
04:01What about it, Jerry?
04:04Sure, I read a lot.
04:06I guess it's a safe bet to say that any student today is torn by conflicting beliefs.
04:10Is it a safe bet to say they take their conflicts to an old brass bed every night?
04:14No, but that's one good way to get rid of them.
04:19Well, Jerry?
04:21Yes, sir.
04:22I have a brass bed.
04:26Chair number nine.
04:29This chair will remain empty.
04:31The girl who sat here is missing.
04:39Does anyone know why Gail Whitney didn't show up tonight?
04:47Strange.
04:47She was looking forward to this.
04:48I hope she's not ill.
04:50Maybe she turned you down for a hot date, Professor.
04:55She's not ill.
04:57But she's frightened.
05:07I get the feeling she may be in serious trouble.
05:13Yes.
05:14She's being held against their will.
05:19Against her will.
05:21That's what he said.
05:22I called the Whitney house and she wasn't there yet.
05:25Julie, honey, I can understand your concern for the girl, but a fortune teller?
05:29He's not a fortune teller.
05:30He's a paragnost.
05:32Oh, paragnost.
05:34Clairvoyant.
05:35ESP stuff.
05:37Well, Julia, I think it's marvelous you're taking these night school courses.
05:41If you'd only been there, Captain.
05:43You really must have went for it.
05:44He was incredible, Link.
05:46Well, it had to be if he could con you.
05:47He didn't con me.
05:48It was like he saw right through me.
05:50He almost blew my cover.
05:51He knew about both of you.
05:52At Duke University, they work with parapsychology.
05:55So why can't we do it?
05:56Because this is a police force, not a gypsy teed room.
05:59Dr. Santos is used by police authorities all over the world.
06:03Well, I'll call him the next time I get stymied.
06:07Greer.
06:10Yeah?
06:14Give me that name again.
06:16Whitney.
06:19No, I'll handle this one myself.
06:25It's that girl you were talking about.
06:26Her mother just got a note from a kidnapper.
07:05I'll handle this one myself.
07:37She's very beautiful.
07:38Thank you, Mrs. Whitney.
07:41And now I'd like to speak to Gail's mother alone, please.
07:43But I'd like Dr. Santos to stay, Captain.
07:46Mrs. Whitney, for very good reasons, we've got to keep this case confidential.
07:50No newspapers or no outsiders.
07:52Surely you can trust Dr. Santos?
07:54I'll give it to you straight, Professor Tanner.
07:56We know that Dr. Santos is in town to promote his new book.
07:59A news leak here would sell that book like hotcakes.
08:02Captain Greer, I must protest.
08:04Aaron, thank you for my defense.
08:07Captain, I feel very strongly about this case.
08:10I can only tell you that it usually means something.
08:12Dr. Santos, I give you my word.
08:14The newspapers will not hear of this.
08:16Please, Captain.
08:17I believe in him.
08:19I want his help.
08:22All right.
08:25But if one word of this gets out, you'll answer to me.
08:27I accept that.
08:29May I see the note, please?
08:41Captain, I feel you should contact a large woman.
08:46Blonde hair.
08:49She wears elaborate earrings.
08:52And why am I looking for her?
08:54She's been in contact with Gail.
08:56She may know something.
08:57Thank you, Doctor.
08:58I'll keep my eyes open.
09:01I think we can go now, Aaron.
09:03Mrs. Whitney.
09:05Captain.
09:06I'll drop you at your hotel.
09:08I'm becoming a nuisance in more ways than one.
09:10I must hear about a car in drive.
09:13Dr. Santos.
09:15May I have the note back, please?
09:17Of course, Captain.
09:18You'll need to send this to the lab.
09:20You do your thing and I'll do mine.
09:22What's bugging you?
09:24I don't know, Pete.
09:25It just doesn't sit right.
09:26Again, no ransom note, no hysteria.
09:29And that palm reader hanging around.
09:31It just doesn't feel like a kidnap.
09:33What else could it be?
09:35Well, maybe the girl ran away from home when the note was just a cover.
09:38But Dr. Santos...
09:39I know what Dr. Santos said.
09:41And that's the other possibility.
09:43It could be a hoax with him at the wheel.
09:45Could be.
09:46So what do we do?
09:48I want you and Julie to check some people out.
09:52How about me?
09:54I want you on Santos 24 hours a day.
09:58How?
09:59How?
10:11Dr. Santos?
10:13Yes.
10:14You ordered a car and a driver?
10:15Oh, good.
10:16What's your name?
10:17Link.
10:18Okay, Link.
10:19There are just two things that I appreciate.
10:22Drive carefully.
10:22I've got to think about speed.
10:24And nothing I say or do goes any further than between us.
10:27I hear you loud and clear.
10:28Oh, by the way, I'll need you tonight.
10:30I'm lecturing at the university.
10:31The ads are 24 hours.
10:33Good.
10:40You can get rid of the uniform.
10:42It makes me feel self-conscious.
10:44You should know how it makes me feel.
10:47Odd.
10:49Why odd?
10:51Just a feeling.
10:53You and the uniform.
11:03Where to, sir?
11:05Just drive.
11:06I want you to stay.
11:34See you later.
11:55See you later.
12:03Hi.
12:04Hi.
12:05Pull up a rock and sit down.
12:11I did it again.
12:13There goes my pick.
12:15I'm worried, Barbara.
12:16Me too.
12:17If I lose another pick, I'm going to...
12:18No, I mean about Gail.
12:19What's to worry?
12:21You heard Santos.
12:22Oh, that's fake.
12:24Oh, he's very impressed.
12:25Not me, especially since Gail isn't even missing.
12:29Oh, no?
12:31She's out of town is all.
12:34Out of town?
12:35She has this little problem.
12:38Dumb, dumb, dumb, dumb in this age of enlightenment.
12:44Hey, what's the matter?
12:48Come on, what gives?
12:51I've got the same problem.
12:53Oh, no.
12:54Not you, too.
13:02With him?
13:05Swell.
13:06Is that why Gail went out of town?
13:09Name of the game.
13:11Would you know where she is?
13:11I've got to get there, too.
13:14Not for me.
13:15That's not my bag.
13:16You better see Torrey Peterson.
13:18Torrey Peterson?
13:20I didn't know they were having a thing.
13:22He's not the one.
13:23He only made the arrangements.
13:25Well, where can I find him?
13:27After three, you find him at Big Mom's.
13:30It's that coffee house up the street.
13:31Thanks, Barbara.
13:33Thanks for the help.
13:37Dumb.
13:40Dumb.
13:41Oh, wow.
13:42Dumb.
13:43Dumb.
13:50Dumb.
13:53Dumb.
14:00Dumb.
14:01No, no, no, no, no.
14:51No, no, no, no.
15:02How did it happen?
15:04There was an accident.
15:06What do you mean?
15:08An automobile accident.
15:11I was in Venezuela, building a dam for the government.
15:16There was a wildcat strike.
15:18I was away in Caracas.
15:21Some of the men were berserk, were holding my wife and daughter as hostages.
15:29I drove all night to get back.
15:32I fell asleep at the wheel.
15:34How bad were you hurt?
15:35Concussion.
15:38When I came to, they told me that my wife and daughter were dead.
15:44I told them how they died.
15:47Every detail.
15:49As if I had been there myself.
15:59The blonde woman.
16:01What?
16:03Yes, it's clear now.
16:05There's a coffee house.
16:08There's a bookshop.
16:11Rare books.
16:15Hey, man, where are you?
16:17It's where she is that matters.
16:20The big woman is in the coffee house.
16:41Julie.
16:42Hey, Julie.
16:43Hi, Jerry.
16:44What are you doing here?
16:45I work here at my aunt's place.
16:46I live up there.
16:48He lives among books.
16:49Reads incessantly, remember?
16:50How could I forget?
16:53Did anybody ever find out why Gail Whitney didn't show up?
16:56I don't know.
16:57What are you doing out in the sun?
16:58I thought you were night people.
17:00I was supposed to meet Tori and Big Mama's.
17:02Well, it's a nice girl like you doing it there.
17:06Is it that bad?
17:07Well, let's say it has an exclusive clientele.
17:09Do you think I'll be able to get in?
17:11Sure.
17:12Your hair's long enough.
17:13See you in class.
17:44Hi, Tori.
17:46Hi, Jim.
17:47What are you doing here?
17:49Barbara said you might be here.
17:54Barbara's got a big mouth.
17:57She also said that you might be able to help me.
18:07Help you with what?
18:09With the same arrangements that you made for Gail.
18:13Look, Julie, if you want some espresso and some protest jazz...
18:16Is Gail okay?
18:18Well, yeah, I guess so.
18:20She'll be calling in tonight.
18:23Tori, please.
18:23I'm desperate, and I need your help.
18:25Please tell me where to go.
18:28You're already there.
18:31There's your contact.
18:52Take a sip.
18:54What is it?
18:56Moo tea.
18:57Japanese.
18:58Solves all your body's hang-ups.
19:00Well, I doubt that, but I'll try anything once.
19:05How far gone are you?
19:07Seven weeks.
19:08You'll have to be fast.
19:11The sooner the better.
19:12How about tonight?
19:15Tori tell you how much bread you had to lay on?
19:17500 cash in advance.
19:19Can you raise it?
19:21Well, I don't have much choice, do I?
19:24You're all alike.
19:25You want the best, but you want it cheap.
19:27A good medico's run high.
19:29Figures when you think of the risks.
19:31So don't blame me if it hurts.
19:34Of course, there's plenty cheaper.
19:36If you like to live dangerously.
19:38What do I have to do?
19:40Be here when we close.
19:42Can I bring a friend?
19:43Forget that.
19:44Well, he's giving me the bread.
19:47He doesn't have any dumb notions about going along and holding your hand.
19:51No, he just wants to make sure that the arrangements are right.
19:55Okay.
19:56Nothing to eat or drink for the rest of the day.
20:00And bring an overnight case.
20:01You sure have this down to a fine science, don't you?
20:05If it bothers you so much, why don't you do something about it instead of hanging your head in shame?
20:09Like what?
20:11Fight back.
20:12Go out.
20:13Tell the people.
20:14That's the way laws get changed.
20:16Sounds like you want to be put out of business.
20:19Be here when we close.
20:21And don't let me down.
20:22I go to a lot of trouble, you know.
20:28You did what?
20:30Don't you see?
20:31That's the only way that we can get to Gail Whitney.
20:33Well, according to Tori, she'll be calling tonight.
20:35If you can trust Tori and I don't.
20:37That's too dangerous.
20:39Well, Dr. Santos called it.
20:41He said a big woman...
20:42Big woman, blonde hair and earrings.
20:44Dr. Santos again.
20:45Look, you're the one that told us to check out every possibility, right?
20:50What if Gail doesn't come out of this so long?
20:53Well, maybe not at all.
20:55And then Big Mama makes it look like it's a kidnapping.
20:58Well, it all fits, doesn't it?
20:59Well, that's right.
21:00It could fit.
21:01But sending you in alone like that, I don't like the risk.
21:04Look, if Gail is alive, we've got to get someone inside, and Judy's the only one that can do it.
21:15All right.
21:16But I've got to figure out a way to cover you.
21:19Have you heard from Link?
21:20No, not yet.
21:21But he's glued to your friend, Santos.
21:34Do you enjoy the lecture?
21:42How'd you do it?
21:43How'd you know what that guy got in the mail?
21:45Now, what's the trick?
21:47I'll admit some of it's showmanship, even guesswork.
21:50In that case, it was ESP.
21:52I'm impressed.
21:54I don't know where it comes from.
21:56I got a flash and was right.
21:57But there have been times where I've been 100% wrong.
22:01Pretty embarrassing, too.
22:03I'll bet.
22:04Home doctor?
22:05Yes.
22:05Dr. Santos, I'd like to ask you one more question.
22:09I admire your persistences, Jerry.
22:12What is it?
22:13You say you don't believe that clairvoyance can be proved or disproved scientifically?
22:16I think it's a totally irrational phenomenon.
22:19It defies proving.
22:21Well, is it an intensely personal experience, like knowing God?
22:26Something like that.
22:28Tell me, Dr. Santos, do you believe in divine inspiration?
22:31It's very late, Jerry.
22:33Let's discuss it another time, shall we?
22:36Yes, sir.
22:37Good night.
22:37Good night.
22:48Blonde woman.
22:51How could I have been so wrong?
22:55It's gray hair and a hearing aid, not ear rings.
23:03I don't get it, Doc.
23:06I have my images mixed.
23:09I confuse two people.
23:11It happens sometimes.
23:14You mean like a double exposure?
23:17Exactly.
23:21Look, Doc.
23:23We got a pretty good thing going.
23:26I mean, you can level with me.
23:29Is this a put on?
23:31Link, I've never been more serious in my life.
23:35This girl, we've got to find her.
23:39Come on, let's drive.
23:40Come on, let's drive.
24:06Julie, can I see you for a minute?
24:18Big mama's closed.
24:20So?
24:21I know why you're here.
24:23I know what happens in there.
24:24I know what goes on after hours.
24:25I have to go, Jerry.
24:27Don't do it, Julie.
24:28This doesn't concern you.
24:30It's not right.
24:31You know that, don't you?
24:32Please, I know what I'm doing.
24:33I have to go.
24:36Come on, sweetheart.
24:38Don't let her do this.
24:40It's none of your business.
24:42You're both wrong.
24:43It's a crime.
24:44Don't you know that?
24:46I think you're the one that better go.
24:49I know what I'm doing.
24:51I know what I'm doing.
25:18Let her do this.
25:20They're at it again. They're going to commit another murder.
25:27Then will they clear out that terrible nest of sinners.
25:48Have a seat.
25:51Did you bring the bread?
25:54Yeah, but you're not going to get it until you tell us what we're going to get for it.
25:58Smart kid.
26:00Well, you're taking a little trip south of the border. Here's a bus ticket.
26:04And when you get off the bus, walk across the border.
26:08There'll be a little guy waiting for you there. Name's Murray.
26:12He'll be wearing a badge that says Holiday Tours.
26:17Now, he'll check you into the Pink Flamingo Hotel.
26:28Stay outside.
26:42Okay, where is she?
26:43How can I know?
26:44Well, Gail was supposed to call me tonight at 8.30 when she got back, and she didn't.
26:48Well, that's not my problem.
26:50What do you mean it's not your problem?
26:52I called the Pink Flamingo.
26:54Well, she never even checked in.
26:55And then I talked to Murray, and he's playing dumb.
26:57Look, I gave her her tickets. That takes care of my end.
27:00Now, maybe she changed her mind.
27:02No, no, no, she wouldn't do that.
27:04Man, something terrible has happened.
27:05Look, kid, grow up. I got things to do.
27:09You better split.
27:10Not until you tell me where Gail is.
27:12I'm busy.
27:14She better tell me what's going on.
27:15I'm gonna blow the whistle on you, and I mean now.
27:21Captain, come over here fast.
27:27Don't threaten me. Just blow.
27:31I mean...
27:43Well, look who's here again.
27:46You know why I'm here. You're under arrest.
27:49Greer, you're wasting your time.
27:51You know I'll be out in 12 hours, so why bother?
27:53Let me worry about that. Come on, let's go.
27:56Two more back here, Captain.
27:58Did you give her any money?
27:59You don't have to tell them.
28:02George, take those two in.
28:03The other two will come along with me.
28:06Remember, you don't have to answer any questions.
28:13Well, it's like old times busting you again.
28:16Come on, you tell me about it in the car.
28:24Got to get there.
28:29Too late.
28:34Don't...
28:35Don't let it happen.
28:39Watch out!
28:47Don't let it happen.
28:51Oh!
28:57Do it.
29:01Do it.
29:05Do it.
29:09Do it.
29:19¿Cómo se puede llegar aquí?
29:21¿Quién es?
29:22Eric Santos.
29:24Necesito que me conduce a un lugar.
29:26¿Puedes venir?
29:28¿No sabías que me he quedado a dormir?
29:31Dije que es un 24 horas de servicio.
29:34No te arreglar conmigo, Link.
29:36Solo ven aquí.
29:37Estoy en mi camino.
29:50No te arreglar conmigo, Link.
30:10All I want is that girl.
30:12Now, where is she?
30:13I want to see my lawyer.
30:29¿Crees que está diciendo la verdad?
30:31No, no.
30:32¿Qué tal de Torrey?
30:34Creo que es limpio.
30:37¿Cómo consulta Dr. Santos?
30:39O que alguien le dé la limpieza en mi cabeza.
30:43Ahora, si esto es un fin, ¿dónde vamos a ir de aquí?
30:46A la cama.
30:48Es una buena idea.
30:50Mira, voy a llamar a ti luego.
30:52Creo que Link es el único hombre que tiene que dormir hoy, ¿eh?
30:54Mira, mira.
31:09Mira, mira, mira.
31:22Turn right.
31:32What are you? Some kind of mess?
31:35Save me, you fella.
31:46All right, now look, Doc.
31:47Either you know where you're going or you don't.
31:49You've been riding around in circles for the past two hours,
31:51not moving another foot until you make up your mind.
31:53Did you say we've been going around in circles?
31:55For the past half hour.
31:57Round and round, one square mile.
31:58Have you got a map of the city?
32:00No, but I get one at a gas station.
32:02Let's go.
32:35Hello?
32:37Julie?
32:39Link, where have you been?
32:40I've been driving around so much I feel punchy.
32:43I'm still with him.
32:44Where does he want to go?
32:45I don't know.
32:46He keeps coming on about a blonde woman in a wheelchair
32:48with a hearing aid or big earrings.
32:50A coffee shop and a rare bookstore.
32:52I don't know.
32:53He acts like he's on to something.
32:54A coffee house and a rare book shop.
32:57He may be on to something.
32:59Why don't you stay with him and I'll call the captain.
33:01Okay.
33:04Around in circles, you said.
33:06Show me.
33:13Here.
33:14This street.
33:18I'm looking for a building.
33:20Two, maybe three stories high near a school.
33:24There's some kind of a store on the ground floor.
33:28The rare book shop.
33:30Can you find it?
33:33Dover Street.
33:34Let's go.
33:34Let's go.
33:36Let's go.
33:36Let's go.
33:51Let's go.
34:15¡Suscríbete al canal!
34:26¡Suscríbete al canal!
35:13¡Suscríbete al canal!
35:14¡Suscríbete al canal!
35:21¡Suscríbete al canal!
35:33¡Suscríbete al canal!
35:44¡Suscríbete al canal!
35:47¡Suscríbete al canal!
36:08¡Suscríbete al canal!
36:15¡Suscríbete al canal!
36:17¡Suscríbete al canal!
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37:04La policía está ahí, Linc.
37:06La vez que me tocó esa corda, sabía que ella está en algún lugar.
37:12Me puedo ver.
37:14Voy a ir a la casa.
37:15No, espera.
37:17¿Hay un teléfono aquí?
37:20¿Qué te hará?
37:25No, no, no, no, no, no.
37:49Se parecen.
37:55Si te prometen ser Quieto.
38:07Oh, se coronesen para mi, Jerry.
38:09No, lo mejor Cristo quería preguntarle lei sobre lo que estábamos?
38:13No, él sabe.
38:15Él va a ir a la policía.
38:16no escuchan
38:18i'll be back jerry
38:22oh jerry
38:23please let me go
38:24i won't tell anybody i swear
38:26you know i can't
38:33please untie my hands
38:35they're falling asleep
38:43you shouldn't have tried to hit me
38:56i think if you keep me here long enough i won't be able to
39:01why don't you why don't you say it
39:05i don't want your baby jerry
39:13we've been over it
39:16and over it
39:18and over it
39:21oh jerry
39:23please try to understand
39:28you let me love you
39:30oh that was long ago
39:32centuries ago
39:35hey
39:36jerry i still love you
39:38why did you change
39:40if you love me jerry you would have done this
39:43i had to
39:46you didn't want my baby
39:49marry me it's not too late
39:51oh jerry it's way too late
39:56jerry let me go back
39:58please let me go
39:59no
40:00no marry me
40:02listen
40:02we'll go away tonight
40:03they'll never find us
40:05mexico or
40:06or maybe canada
40:07they'll never find us
40:09oh you're
40:11you're crazy
40:12don't say that word
40:14again ever
40:21we can go away
40:27canada or even mexico
40:33money
40:36we'll need money
40:38and margaret's got enough
40:40and she'll understand if i take it
40:45and margaret has enough
40:46yeah
40:48she'll understand
40:51and
40:54and
40:57maybe
40:58maybe even in time
41:01she'll forgive me
41:06what are you going to do
41:10no jerry
41:11i won't go anywhere with you
41:18but i swear to you captain greer
41:20i know where the girl is
41:23please listen to me
41:24i'd stake my life on it
41:26you've got to help me get to her
41:28i appreciate what you're saying
41:30but i can't just barge in there
41:31without a search warrant
41:32and no judge in his right mind
41:34is going to issue one to a
41:36paragonist
41:36but i tell you time is running out
41:38don't you understand
41:40captain this is late
41:41link you're breaking cover
41:42what
41:43you're breaking cover
41:44i don't care if i've broken cover
41:46now he knows what he's talking about
41:47he's been right about everything
41:49the coffee shop
41:49the rare bookstore
41:50the old lady in the wheelchair
41:51wait a minute
41:52what'd you say about a rare book shop
41:53he knows exactly what he's talking about
41:56he pointed it out on the map
41:57before you've never seen the place
41:59link where are you calling from
42:01it's a gas station
42:02on the corner of dover and kenmore
42:03i stay right there
42:04i'll be right over
42:08what are you staring at
42:10sorry
42:11you're not exactly what i expected for a cop
42:39should be in another five minutes
42:43too late
42:43it may be too late
42:46all right let's go
42:47open it up
42:53and
42:53it may be too late
42:53that way
43:14look at
43:46¡Gracias!
44:16¡Gracias!
44:29¡Gracias!
44:32¡Gracias!
44:35¡Gracias!
44:39¡Gracias!
44:48Jerry
44:48No, no, no
44:56Easy, baby, nobody gets hurt
45:37Put your guns away
45:44Don't do it, son
45:45You're in enough trouble already
45:46If anybody comes near us, I'll shoot
45:48Jerry, you don't want to hurt anybody
45:50Just keep back
45:56Come on, Jerry, drop the gun
46:01It isn't loaded
46:04What?
46:06The gun isn't loaded
46:11They're back
46:14Santos
46:14You said the gun's not loaded
46:16What?
46:19Don't come any closer
46:22I'm warning you
46:27Don't
46:29Please don't come any closer
46:30Please
46:32Don't come any closer
46:49I loved her
46:51I want to marry her
46:54I know it, Jerry
46:56I know it, Jerry
46:56I know it, Jerry
47:24I know it, Jerry
47:30Come on
47:35Come on, let's go
47:37Come on
47:38I guess I owe you an apology
47:46Dr. Santos
47:47That isn't necessary, Captain Greer
47:48It'll make me feel better
47:49Thank you
47:50What made you change your mind so fast on the phone, Captain?
47:53Well, when your call came in
47:55The lab report on the ransom note was sitting right in front of me
47:58Each of the words had been clipped out of old newspapers
48:01Some of them going back as far as the Civil War
48:03And when you said rare bookshop
48:05That was all I needed
48:06I was on my way
48:07What's going to happen to Jerry now?
48:09Well, they'll probably find him criminally insane
48:12And Gal and the baby?
48:14A medical board will probably grant a legal abortion
48:18That's up to her
48:19She'll have to make that decision
48:21Well, Dr. Santos
48:22You called it
48:24All the way down the line
48:26Oh, not everything
48:27Take Link
48:29He had me completely fooled
48:30You were wrong about something else, too
48:32Uh-uh, this is getting serious now
48:35Remember you said I had a secret life?
48:37Yes
48:37And that there were two men in it?
48:39That's right
48:40Link and Pete
48:42There's a third man in my life
48:46There, you see?
48:48Well, nobody's perfect
48:49Ha, ha, ha, ha
48:51Ha, ha, ha
48:52Ha, ha, ha
48:53Ha, ha, ha
48:54Ha, ha, ha
48:54Ha, ha, ha
48:54Ha, ha, ha
48:54Ha, ha, ha
48:54Ha, ha, ha
48:54Ha, ha, ha
48:54Ha, ha, ha
48:56Ha, ha, ha
49:01Ha, ha, ha
49:08Ha, ha, ha
49:44¡Gracias por ver!
50:06¡Gracias por ver!
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