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00:01You think you know what pressure is, do you?
00:03You don't.
00:04I'm the one that knows what pressure is!
00:07I get it all the time!
00:09And I'm getting nothing from you!
00:12Hear, hear, sir.
00:13Shut your mouth.
00:18Layton, I want to know where all this bloody money has gone.
00:23What's that? What's happened now?
00:25Cut back, sir.
00:26Can't afford electric any more.
00:27Oh no!
00:55The good guy.
01:18Gentleman and Kim.
01:20You've probably gathered by now that we're going to make some cutbacks regarding the operation.
01:26Nothing drastic. It's not going to affect the nature of the operation at all.
01:31But it is necessary for us to maximise the cash available to us in the best possible way.
01:35So we're going to have to implement some cutbacks that Roy is going to explain to us now.
01:43I've thought long and hard about our power problem and have come up with an immediate solution.
01:48Short term, but immediate.
01:50Candles.
01:52You know, let's bring back into focus what this operation's about.
01:55It's to put away Smiler McCarthy, crime lord extraordinaire.
01:59And we're going to do it. We don't need money.
02:01We've got a strong leader, we've got courage, and we've got determination.
02:07I don't think we've ever been, or the force has been in this position before,
02:11where we have a witness that is so special and is so big
02:16that he wants to go on live television and blow the top off the McCarthy empire.
02:22I welcome it. I think it's a great way of doing it,
02:24because it really is going to send some shockwaves through the London underworld.
02:29But in order for him to do that, we have to have a cloak of invisibility surrounding him,
02:35because I would love to tell you who this man is,
02:37but I can't, for obvious reasons, do you appreciate that.
02:42But we have to operate in a very, very covert way.
02:45In fact, J. Edgar Hoover, the great J. Edgar Hoover,
02:49told us that true secrecy is best maintained by a very, very low profile.
02:57Right, let's go, come on.
02:59OK, Frankie, we're after it.
03:00Come on, Frank.
03:02What are you doing with that?
03:03Don't be silly.
03:04Go, go, go.
03:06What the neighbours are going to f***ing think this is ridiculous.
03:10Oh, that's an old case.
03:14Oh, who cares?
03:17Madness.
03:18Come on.
03:20Come on.
03:20Come on.
03:21Go, go, go.
03:22Don't go.
03:23No!
03:25What's going on here?
03:26Get in, get in, come quick.
03:28Get in.
03:28Sit down here.
03:29Right.
03:31Go, f***ing.
03:32Go, go, go.
03:34British safe houses are probably, I would say, certainly the best safe houses in the world.
03:40I'll just explain what a safe house is.
03:41It is a place where we can put a protected witness.
03:44A normal house that you or I might live in, but nobody would know they're there.
03:49Yeah, we can see you're approaching now, sir.
03:53Stand by, man.
03:54Come on in.
03:55Go, go, go.
03:56Go, go, go, go.
04:01All right, how are you going, mate?
04:06What's going on?
04:08What's going on here?
04:10What's going on here?
04:10Get inside the log.
04:11What's going on?
04:12Bloody ridiculous.
04:15All right, mate.
04:17Unfortunately, we can't use a typical safe house in this instance because our money has
04:24been spent in other directions, but we have got Kim, one of my operatives, Kim Booboo,
04:32as she's otherwise known, has given us her house to use as accommodation, as a safe house
04:39for this witness.
04:40Frankie.
04:41Which one?
04:41Frankie you.
04:44Frankie.
04:45Frankie.
04:46Frankie.
04:46I want to know.
04:47Frankie you for?
04:47Alex, come here.
04:49Take that log.
04:50Oh, no, no.
04:52You can't buy my hair, but you can't buy my hair.
04:54I'm sorry, man.
04:55You can't buy that, brother.
04:56Can someone get a comb, please?
05:00I've got a comb.
05:02I've got a hairbrush.
05:03Yeah, I've got a hairbrush.
05:06I did want to be in the Party Brigade, but I was too sure.
05:09I've got some, financial stuff.
05:11I see.
05:12Get the wax on the cake, that's the one.
05:14Who's the guy down the room?
05:16Frankie Vaughn.
05:17Vauhn.
05:25What's going on?
05:27It's a safe house that we've brought you to.
05:30Safe house?
05:33Trying to take the piss out of us.
05:36Look what's going on when I've arrived here.
05:39Come on.
05:40No, I don't want you to worry about that at all.
05:42That's not your worry, Frankie.
05:45I don't worry about anything.
05:47No-one would have noticed anything, Frankie, on this.
05:50They wouldn't.
05:51Are you trying to be funny?
05:53No, not at all.
05:56Look, I'm happy with what you've done here.
05:59I understand that.
06:01But I'm trying to assure you.
06:03Camera, what are you doing here with this?
06:05I don't want you to...
06:06No, you have my personal guarantee that your face will be pixelated.
06:11Pixelated?
06:11What do you mean? Give him out of it.
06:14What are you talking about?
06:17No, you can't, Ray. You can't tell. It's all blocks.
06:20Look, everyone knows who I am.
06:24Sorry, sorry, sorry, sorry, sorry, sorry, sorry, Gav.
06:26Sir, Gav, sir, would you like a cup of tea?
06:28No, I wouldn't.
06:29Sorry, Mr Vaughan, would you like a cup of tea?
06:30Get on your butt. Get out of it.
06:32Gary, get out.
06:33Look, I've got you the brush that you wanted.
06:36I must say, Frank, it's lovely to meet you.
06:39I've wanted to meet you for a long time, mate.
06:41I've wanted to meet you for a long time, mate.
06:41What?
06:43Look, I don't want none of that nonsense shaking hands.
06:46Well, you know, I'm just trying to be friendly, mate.
06:48I just thought, you're from London originally, are you?
06:51Yeah, I am. Why?
06:52Yeah, what part?
06:54Don't mind about what part.
06:55You mind your own business, we're part of London, I come from.
06:59Yeah, because of the cutbacks, obviously, I've had to take out all the phones.
07:03So now I'll just have a coin box.
07:05You are going to have to change by a phone, aren't you?
07:07No, no. The people have to pay for their calls.
07:12How many of these DIY programs have you got on what?
07:15Get your boots off of my chair.
07:17What?
07:17Oh, look at this.
07:19What do you think these coasters are for?
07:21It's all right, it's not wet.
07:22I bought these tables all the way back from Portugal.
07:27Boobie, your remote's a bit iffy.
07:28Yeah, I'm just...
07:29I'm watching that program, you keep changing it.
07:31Sorry, Frank, it's the remote.
07:33Drop it out.
07:34Sorry, mate.
07:35Oh, you could have kept it a bit tough.
07:37Your feet are back on the settee.
07:38They're clean, I've got my shoes off now.
07:40Ask Boobie, she's part of our team.
07:42It's all right, Frankie, I'm a police officer too.
07:44We'll cut down a personal course anyway.
07:45I'm taking it by the night, don't we?
07:47It's a good idea.
07:48Fine, it is.
07:49Yeah, thanks for you.
07:50It's just gone so private.
07:54Where's mine?
07:55That was the first one that had to go, really,
07:58because it had the highest bills.
08:00The price of property nowadays...
08:02Oh, that's how it goes, isn't it?
08:04It is.
08:04Where do you live, then?
08:06Well, I live in central London.
08:08Oh, yeah, not spot...
08:09Yeah, but I move about, because I'm, you know, undercover,
08:12so I'm moving from place to place.
08:14I don't stay in one place for any one time, really.
08:18There's no chance of bumping into you, then.
08:20Well, no, no, well, you might do.
08:22You never know.
08:23I'm out of the bat.
08:24If you do, Frank, please, don't say nothing, will you?
08:27Mum's the word, mum.
08:29Mark, come on, we're waiting here.
08:30I'll just tell you later.
08:31I'll just tell you later.
08:32I'll just tell you later.
08:33Is this a business call?
08:34He's a captain.
08:35I'm next, vans.
08:36So just bring him up and tell him that.
08:37No, you're not.
08:37I was there before you.
08:38You're not.
08:38All right, mate.
08:39See you later.
08:39I've got to do business.
08:40I'll tell you.
08:41I'm next on it.
08:42Oh, f***ing hell.
08:45Hello?
08:47Um, yeah, I'll just see.
08:50I see.
08:51It's Gary here.
08:53It's his wife on the phone.
08:58Um, no, no, I'm terribly sorry.
09:00I'm afraid he's not here at the moment.
09:03I'm not winging about it.
09:04Um, sorry, uh, Frank, any chance to, um, get a photograph?
09:09Yeah, okay.
09:10Is that all right?
09:10Yeah, it's all right.
09:11Uh, just get a camera straight.
09:13You take it, yeah?
09:13Yeah.
09:14Come on, you don't go on.
09:15No, come on.
09:16Come on.
09:17Come on.
09:18I'll see you.
09:19Come in.
09:20Uh, I just want to, um, introduce you.
09:21This is my dad.
09:22Dad, this is Frank.
09:23What are you doing?
09:25Sorry, mate.
09:25Uh, this is, uh, my sister Clarissa.
09:27And here's my cousin.
09:28No, no one's supposed to.
09:29Sorry, mate.
09:29Just a quick one.
09:30What are you doing?
09:31You've got the doulacks.
09:32We can get off of that as well.
09:34Frank, if you just, uh, stand there, Dan.
09:36What is it?
09:36I'm in fire.
09:37Yeah, just get us all in.
09:38Get down, quickly.
09:39What's going on?
09:40Yeah, just, uh.
09:40Is it an aim and fire?
09:41Yeah, just aim and fire.
09:43All right.
09:43But no one's supposed to.
09:44No, I'm here.
09:44Come in.
09:45Come on.
09:45Just, that's all right.
09:46You want it.
09:47Look, Rick, right.
09:48Big smile.
09:48It's a great fan of yours, isn't it, Dad?
09:50And say cheese.
09:52Cheese.
09:52It is.
09:53Lovely.
09:54You've got that as well, lads.
09:55Just, uh, look.
09:56Just stand in front of here, quickly.
09:58And then we've got that.
09:59That's forever, isn't it?
10:00What's going on?
10:01That's a surveillance coming off, isn't it?
10:03Yeah.
10:03That's forever.
10:04Yeah, well, that's it.
10:05Done.
10:05It's rolling, isn't it?
10:07Go on, isn't it?
10:08Yeah, go on.
10:08That as well.
10:10Up three.
10:11One, two, three.
10:11Say cheers.
10:12Cheers.
10:13Stay still, stay still.
10:14Put that weapon down.
10:16It's only a share and I'm attending my road.
10:18Stay still, stay still.
10:19Police, put the weapon down.
10:21On the floor.
10:24I don't mind having Frankie here.
10:27It's just I don't know why I have to have all the team here.
10:29I mean, feet up all over me, flipping furniture.
10:32And you, you've left a log in the toilet the size of a small bottle.
10:36My God, what did you have to eat last night?
10:39Well, I had to, um, well, I tried to break it up, but...
10:42What, what did you use?
10:43I mean, you haven't even got any soap up there.
10:46I'd like to wash my hands with Listerine.
10:49That's your sandwich, Frank.
10:50You are disgusting.
10:51Put it back down there.
10:53I don't want your sandwich.
10:55You've made the hands down the car's here, you filthy bastard.
10:58I know you're making a sandwich.
11:00You're trying to insult me.
11:02I washed them.
11:02No, I washed them.
11:03I washed them with your hands down the car's here,
11:05fiddling about with macaroni.
11:07Get out of it.
11:08Well done, Bones.
11:09That's setting me even further.
11:10Thing is, you know, everyone's having a moan about the power and everything else,
11:14but they've got to get on with it.
11:16It's, it's rock and roll, isn't it?
11:17It's like, I remember in Berlin, we were there once, and, oh, excuse me.
11:26Hello?
11:28No, no, no, it's, no, it's strings.
11:32Look, hold on, Gary, Gal, it's your wife, mate.
11:38What's that shit, my number?
11:39Let me do it again.
11:45Name that tune.
11:46No idea.
11:46No idea.
11:46Let me do it again, boy.
11:52Name that tune.
11:55I don't know what...
11:56Scream.
11:57They've taken a bloody screen.
12:01I honestly didn't know what's...
12:03I didn't know.
12:06Scream's gone.
12:07Oh, yeah, I'd sell all the screens.
12:10That was...
12:10That was my personal computer.
12:12DHS took them over in my Shepherds Bush.
12:15I bought that...
12:15I bought that from...
12:16I bought that from home.
12:18Oh, that was yours.
12:18That's my personal property.
12:20Oh, I didn't know that.
12:21I thought it was all...
12:21I wanted to be sold in it.
12:23Yeah, sold them all too.
12:24It's part of Health and Social Security.
12:26You can't...
12:27You can't just...
12:28How many people...
12:28You can't take this to you.
12:30But you're probably going to sell that as well, aren't you?
12:32What?
12:32And why are you wearing a bloody tie?
12:35I don't know.
12:37What do you think this is?
12:38Buckling's holiday camp?
12:39Yeah, that we had to.
12:41I'm not a policeman.
12:42Have you said...
12:42Well, he's not...
12:43He's a policeman.
12:44You're not a special operative.
12:45I'm a civilian.
12:46Just trying to help you.
12:47They can dress down.
12:48You're an accountant.
12:50Accountants wear ties.
12:52He's probably going to sell all our bloody clothes.
12:54We're going to have to walk around...
12:56I think you're getting a bit hysterical.
12:58Don't say he's getting hysterical.
12:59You come into the man's office and sold his computer.
13:02Don't say he's getting hysterical.
13:03You look at all the others.
13:04I want him back.
13:05I can't do that.
13:06I want him back today.
13:11I don't know.
13:12I don't know.
13:12I just...
13:14I just...
13:15I don't know.
13:15I regret...
13:15I guess I regret getting married, do you know what I mean?
13:19It's just pointless, do you know what I mean?
13:21When I married her...
13:23I...
13:24It'll definitely miss a part, you know?
13:27And I feel dead.
13:37Well, this is a lovely day.
13:39I've got everything in place now.
13:41I've got a witness.
13:42Star witness.
13:43I have his confession.
13:45And I have the power of television.
13:47And Frankie is ready to make a live confession that's going to bring down the McCarthy Empire.
13:52Live.
13:53Quite frankly, I don't understand the problem.
13:56This is a God-given opportunity to blow the top on the underworld of London.
14:02I know, but you're asking me to clear the schedule, to go live on BBC One.
14:06I don't know if you've seen Neighbourhood Watch.
14:07It usually guarantees eight to ten million views.
14:10I enjoy it.
14:10I enjoy it.
14:11I'm a great contributor to it.
14:12But this is unique.
14:14It's big.
14:15This is the biggest thing.
14:16We're going to blow the top on Smiler McCarthy's empire.
14:19Now, that's got to be good.
14:21Well, as we're all aware, it's very important that we get the power up and running for Friday
14:24night's broadcast.
14:26And as usual, DI Beach has come up with a solution.
14:29And he's kindly loaned us a generator from his mother's caravan.
14:34So, I'll get this baby up and running and we'll be all guns a-blazing.
14:39I'm sorry.
14:40John, you don't know what the...
14:42What's the circuit like?
14:45I pressed this down and it didn't sink.
14:47See that Swiss-lame?
14:48Yeah.
14:48It says on and off.
14:50Yeah.
14:50You want to have that on?
14:51No, but I tried it.
14:52Sex?
14:53But...
14:54Well, yeah, but he's involved in that sort of thing, of course.
14:57Yeah.
14:57I know, but will there be any sort of, you know, moles, I think the word is, you know,
15:01and undercover dolls, you know, the girls within...
15:04All...
15:05Everything.
15:05All that.
15:06I mean, the whole thing...
15:07And what we need to do, of course, is...
15:09From your point of view, we've got an image.
15:11We've got a silhouette.
15:12Which has got to have something enigmatic.
15:15He's British, is he?
15:15Yes, he is.
15:16Yeah.
15:16He's British.
15:17He's London.
15:18See, we're really hoping for a Colombian.
15:21Has he?
15:22You've got to cool down.
15:23Can we...
15:24I've been pulling it, haven't I?
15:25I've been pulling it for ages.
15:26Go in!
15:27Give it to him, sir.
15:28You poor weak muscle.
15:32I don't know if you've ever...
15:33Have you ever tried meditation, Frank?
15:35No.
15:36No.
15:36No.
15:36I find it's a good way to relax.
15:39Because I've been training for years now to be a flying Sidhu.
15:43Which means I can fly, I can astral travel.
15:47I'll show you what I do.
15:48I'll have to...
15:49Let me get totally relaxed.
15:52Let me hang out.
15:52Because the spirit leaves through the head.
15:55And you chant.
15:57Ja Guru Deva Om.
16:06See, if I carried on like that, my spirit would leave the body and I can travel around the world.
16:11I prefer my way of freeing the spirit.
16:14What's that then, Frank?
16:15I'll kill him.
16:16Does he have a moustache?
16:18No, no.
16:18He's clean shaven, Clive.
16:19But the whole point...
16:20Well, you won't see that anyway.
16:21But the whole point of this is that things might happen abroad in Columbia or wherever as far as drugs,
16:27but they're happening right here on our own bloody doorstep.
16:30And this is an opportunity for us to put this guy away.
16:34A bang into us.
16:36So we could have him in the studio, maybe coming down the stairs in front of the audience.
16:42Music.
16:43Maybe something from Reservoir Dogs or something.
16:47And...
16:48Well, you can't have a spotlight on him.
16:52Whatever it takes, but you can't put a light on him.
16:54What do you mean we can't see him?
16:55No, he's a protected witness.
16:57Where's our guns?
16:59Right, we'll sell them.
17:02To the British Army.
17:03The British Army bought them.
17:04We just needed the money.
17:05We couldn't afford them anymore.
17:07Well, how are we supposed to respond to arms?
17:08How are we supposed to be an armed response team without guns?
17:12Well, I don't know.
17:14Can't you think of something?
17:15No, we can't think of anything.
17:17This is what we're trained in.
17:18We're trained with guns.
17:20Give me the...
17:20Who do you think I am?
17:22Well, you know who you are.
17:24It's Bourne, Mr. Bourne.
17:25I know who my lord knows I.
17:26It's true.
17:26Frankie Bourne, sir.
17:29Give me the moonlight.
17:32I'm not Frankie Bourne.
17:34I'm Frankie Frazer.
17:35Yeah, I know you've taken a new ID.
17:37I'm Frankie Frazer.
17:38Yeah, of course you're not Frankie Frazer to me.
17:40But I know you missed a couple of minutes.
17:42You can tell me.
17:43What if someone else has got a gun?
17:44Can't you get truncheons?
17:46Can't you beat people up?
17:46What, with a gun?
17:47If they've got guns?
17:48Guns are everywhere now.
17:50What?
17:50Roy, you have to sort this out.
17:52You can't dictate policy.
17:54You're dictating policy.
17:55The governor's dictating policy.
17:57It's our lives.
17:58The governor told me to save as much money as possible.
18:00And, you know, they're the most expensive items.
18:02Well, those from the computers.
18:03He's in a lump, isn't he?
18:04There's only guns.
18:05There's only tools.
18:05There's only tools.
18:06We'll take over the governor.
18:07And, you know, a craftsman always blames his tools.
18:09That's all right.
18:10Roy.
18:11What?
18:12You know, you haven't got a clue, mate.
18:16Waste of time.
18:20Thanks for talking about it.
18:21Yeah, yeah, yeah.
18:21Waste of time.
18:23I appreciate you coming in.
18:27Give me the moonlight.
18:31Give me the girl.
18:32Give me the girl.
18:33And the rest of the world go by.
18:37On the floor!
18:39Oh, please!
18:40It's only a pizza!
18:41I don't care what you say!
18:42What are you going on?
18:43Don't swill!
18:44I find it's a pizza.
18:46It's a pizza.
18:47Fine.
18:47It's my pizza.
18:48I ordered it.
18:50Sorry, Frank.
18:50The grub here is f***ing crap.
18:53It's just a pizza.
18:54That bit.
18:55Stick it!
18:56You're all right, mate.
18:57Stick it!
18:59Don't want it now.
19:00Don't want it.
19:01I'm sorry, Frank.
19:02Fine.
19:03Done it again, eh?
19:05And with food with me, I'm spotless.
19:08Very clean.
19:09If I have a weakness in life, maybe that is it.
19:12I'm spotless.
19:14Very clean.
19:15And God stone me.
19:17Could you get more f***ing idiots?
19:21And I really like a pizza and all.
19:24But I don't think I'd ever want another one again after that.
19:27Ever.
19:28Well, they come like thieves in the night, these assassins.
19:31I reckon they should pass a law to make pizza people not wear helmets.
19:35You know?
19:37Apart from all that, it could be poison.
19:39How do I know?
19:42Frankie, I've got to introduce this.
19:43It's Ollie Picton Jones and she's come over to help us out.
19:45Hello, Frankie.
19:46Thanks.
19:47With the wardrobe on this.
19:48This is the sort of thing, Frankie, we were thinking of.
19:50Yeah, this nice, sharp, single-breasted there.
19:52That's all right.
19:53Yeah?
19:53You like that one?
19:54Double flaps at the back.
19:55That's quite sharp, isn't it?
19:57Yeah, that's nice.
19:57Yeah.
19:58What else to be like?
19:58Got a three piece here, if you fancy that.
20:00That's a bit Cry Monthly, you know.
20:03It's a bit LWT.
20:04Yeah.
20:04Way to go for the red.
20:05Yeah.
20:06What about the red?
20:08I like the red.
20:08That brings out his eyes.
20:10Yeah?
20:11I like the red, too.
20:11I like the red, too.
20:12I think we need something.
20:13A silhouette, everybody's going to see.
20:14Softer, is what we're really looking for here.
20:17Softer.
20:17Yeah, something to break up the silhouette a bit.
20:19Yeah.
20:19I think we could even go as far as to how ceiling isn't.
20:22You know, to really have some sort of mystery to the whole thing.
20:27We could use a dress.
20:29A dress?
20:30Yeah.
20:30A dress would be good, wouldn't it?
20:31Hey, hold on.
20:32What are you talking about?
20:34It's only so your feet are all broken up.
20:37I think, yeah.
20:38No way.
20:39No way.
20:40No dress.
20:42Okay.
20:42Well, no deal.
20:43I appreciate it.
20:44I appreciate it.
20:44The only thing that we've got to consider is that, you know, television, and Clive will
20:49bear me up on this.
20:50It does want, it needs a certain sort of zhush and oomph to it.
20:55Told you.
20:55No dress.
20:56Now drop it out.
21:08This is what we're supposed to be doing.
21:11See that?
21:15We start to paint them and they look real, look.
21:20They do make you look big though.
21:23Anti-terrorist.
21:30Hello?
21:33Er, Gary?
21:35Er, he's not about actually at the moment.
21:40Er, it's Mark.
21:42Do you want me to leave a message for him?
21:46Well, to be honest, he's sort of in this house and I can't really say anything because
21:52he's classified.
21:58Oh, God.
22:02Oh, ****.
22:03Oh.
22:04****.
22:08Paint the end at least, Black.
22:10Yeah.
22:12Yeah.
22:12Can't have a red knot.
22:14Paint the red knot.
22:16Right, look.
22:18It's 14.
22:20Bridal Street.
22:22London Street.
22:227 and 7.
22:238.
22:24R. N.
22:25But don't say nothing, honestly, all right?
22:28Just as a favour, just, just, it ain't from me, all right?
22:32All right.
22:33See ya.
22:35So, Frankie, this is Matthew Wright from The Daily Mirror.
22:38Right, Frankie.
22:38And, er, Matthew's here too.
22:40What is this?
22:40Hold on.
22:42Matthew's your friend.
22:43You're not pulling up your leg?
22:45No.
22:45No, he's not.
22:46You said The Daily Mirror?
22:48Yeah, yeah, yeah.
22:49Britain's finest.
22:50Are you mad?
22:51It's a newspaper.
22:53Yeah, but...
22:54It's gonna be in all the news.
22:55Frank, Frank, I've said before, there's nothing to worry about here.
22:58We need to do...
22:58Nothing to worry about.
22:59One of the biggest selling newspapers there is, and you've got him round here.
23:03Have you ever known a reporter not to give a good story out of you?
23:06Hey!
23:06No, no, it's not like that at all.
23:07It's not like that at all for me anymore.
23:09We've known each other how long then?
23:10Well, it must be about 10 years.
23:12I know, because how long have you known them?
23:14What are you doing to us?
23:15We've got a TV programme.
23:16How could I trust you?
23:18You've got my words as a gentleman.
23:20Are we gonna be able to get something going here?
23:22Because, you know, I've got...
23:23It's a small interview, mate.
23:24What about a different angle?
23:25What's that?
23:26A different angle, Frank?
23:27Yeah.
23:27And you looked upon it as...
23:29This would go out after the show.
23:31You might be able to come up with something to help the situation.
23:34Like a good headline?
23:35Yeah, yeah, yeah.
23:37Franky threatens dental work on Top Copper or something like that.
23:39Just to get us started with.
23:41Well, no, not anything like that.
23:42That's not what we want.
23:44It's a good story, though.
23:45No, I don't mind...
23:45You can put that in.
23:46I don't mind that.
23:47You don't mind that?
23:48No, you can put that in.
23:49I mean, Franky's all right.
23:49I don't mind it, Frank.
23:50Come on.
23:51He's not actually hurt.
23:52I mean, it's a two-way thing.
23:54I don't want him...
23:55I know I'm here, but now he knows.
23:57Did you worry about it, sir?
23:59No, please.
24:00What the hell's that, Gary?
24:02What have you got?
24:03What have you got?
24:05What are you doing here?
24:06I've been trying to call you.
24:07Franky Moore!
24:08What's he gonna do with you?
24:09Well, quick!
24:10Get out again!
24:11He's a singer!
24:11I don't care if he's a bloody
24:13Freda Gravesdale!
24:14Just piss off!
24:15Stop it now!
24:16I don't understand it, Franky.
24:18She, she, she, she...
24:19No, Gary, Gary, Gary.
24:19She's just come here and stress me.
24:21No, no, no, Gary.
24:22She's a nice girl.
24:23I am a nice girl, Franky.
24:25Look, she's all right.
24:25Yeah, you are, love.
24:26You're a nice girl.
24:31Morning.
24:32Surprise and shine.
24:33Nice cup of roses.
24:34Good morning.
24:36Stay fast.
24:37Crap ass.
24:38Frankie, I've got some, er...
24:40I've got sugar flux rather than the granulated.
24:43What's going on?
24:44What are you...
24:46What are you...
24:46What's that like that for?
24:47Well, the suit has just come back from the cleaners.
24:49You've got to keep it clean.
24:50I'm free!
24:57There we go.
24:59One.
25:00Two.
25:01Bye, Franky.
25:02I'm free.
25:03There we go, Frankie.
25:06Get this down.
25:08Ray!
25:09Good way to start the day.
25:21What's happened in here?
25:23We've had a bit of trouble with the power.
25:26But don't worry.
25:27I mean, I'll gather you're under your own steam.
25:29You've got your own power.
25:30Where can we park it?
25:32You're outside.
25:33I'll show you that in a minute.
25:34Mind your feet.
25:35Tickets, please.
25:38No kissing in the back row over there.
25:41Bloody hell, I nearly walked in and out.
25:43Right, this is where the drama is going to unfold.
25:46It's D.I. Beach's office.
25:47You can treat it.
25:48He's told me you can treat it however you like.
25:52If you just like to give one draw a lot, that's the top draw,
25:54and I'd appreciate it if you don't come near that.
25:57Well, this is it.
26:01If you can do your silhouette perhaps over here might be the best place.
26:05That's what I thought.
26:07Looking at the room, it's probably better over here if that's all right with you.
26:09I thought that too as well.
26:11So you can do it over there.
26:13It's fine.
26:14What about at his desk?
26:15You can do it anywhere.
26:17You can treat this as your own.
26:19And I'll get this little baby set out of power.
26:22I'll get that up and running tonight.
26:24Right.
26:25I want to drink your blood.
26:29There you go.
26:29I'll see you in a minute.
26:30Can you find your way out?
26:31Yeah, I'm all right.
26:36What a tosser.
26:38Come on, Ray, for goodness sake.
26:40It's going to start in a minute.
26:41Yeah, I'm sorry, sir, but I've got it yourself,
26:43so I'll have it up and running in one minute.
26:45Look, sir.
26:46Please tell us this anyway.
26:48Mind us.
26:49Mind us.
26:49Yeah.
26:55Tonight, for the first time ever,
26:57we're going to bring down a gangster's empire,
27:00live on Neighbourhood Watch.
27:03My name is Mr. X.
27:05I'm here to make a startling confession.
27:10One that will startle the nation.
27:14I'm here to make a confession that will bring down the Smala McCarthy empire.
27:24Get the lights off, quickly.
27:26Get the lights off.
27:26What?
27:30What's happening?
27:33What's the lights on for?
27:35Everyone's going to know who I am now.
27:38What?
27:38It's ridiculous.
27:39What are you down to be?
27:41Ready or not, here I come.
27:44I'm gonna get you.
27:48Ready or not, here I come.
27:52I'm gonna get you.
27:55Ready or not, here I come.
27:59I'm gonna get you, get you, get you.
28:06I'm gonna get you, get you, get you.
28:12Come on, it's my telly.
28:14I'm out of the way.
28:15I'll tell you what, guys.
28:16He looks very, very good for his age.
28:18A very noble nose.
28:21Oh, no!
28:24What's happening now?
28:26Someone tell them?
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